"Previously on Project Runway..." "Your challenge is to create this year's signature dress for the Campbell's "Address Your Heart" program." "Each of these amazing women has been impacted by heart disease." "Jay, you're gonna make me pretty 'cause I survived, right?" "These women are not 34-25-35." "[Seth Aaron] This is honestly the largest challenge" "I've ever faced as a designer." "Amy, you are the winner of this challenge." "I'm sorry, Jesus." "That means you're out." "Janeane, you choose which model will be in." "I choose Kasey." "Sorry, Sarah." "It's okay." "This is Project Runway." "Yes!" "I am fashion." "Look at me." "It's cut or be cut." "Just make it work." "Great clothes." "Great style." "I've got it all." "Three finalists will make it to Mercedes Benz Fashion Week." "Well, I won't do anything to win." "I will." "But only one can be the winner." "My weapon of choice." "For these 16 designers," "Project Runway is the chance of a lifetime." "The winner of Project Runway will receive a fashion spread in marie claire magazine, an opportunity to sell their line on bluefly." "Com, a $50,000 technology suite to create, design, and run their business from HP and Intel, and $100,000 from L'Oréal Paris to launch their line." "[Anthony] Get up, Jay." "It's time for Bible study." "If you won't read the word," "I use it as a weapon." " Get up." " [Laughing]" "[Anthony] It felt really wonderful to not be in the bottom three, but one thing I figured out about the bottom three is that when you're in the bottom, the only place that you can go is up." "Did you want tea, or do you drink coffee?" "[Anna Marie] Being in the bottom three sucks, but I know that really amazing things are going to come because I might be sweet, but I am fierce." "One thing that's a little disturbing to me and disheartening is that after coming in second, nobody was really very happy for me." "Nobody said congratulations." "Top two, top two." "[Softly] Whoo." "I don't know what that's about." "Maybe it's about jealousy." "Maybe it's about they don't feel like I should have been in the top." "I'm not really sure, but it was kind of a big bummer." " Come on, Jesse." " I'm coming." "Let's go see what this challenge is about." "Oh, I didn't check my hair." "Oops." " Hello." " Hello, Heidi." "It's time for your next challenge." "Amy, you won the last challenge, which gives you immunity, and you cannot be eliminated for this challenge." "Congratulations." "For your next challenge you will be designing a look that better be picture perfect." "Tim is going to take you to a spectacular location where he will introduce you to a special guest and fill you in on all of the details." "Good luck, and I'll see you on the runway." "Bye." "Bye, Heidi." "[Emilio] When Heidi announced what the challenge was, in my head I'm thinking we're going to a photographer's studio." "We're going to look at old photographs and try to recreate a look." "[Tim] Excited?" " Yes, very." " Look at this place." "[Jesse] So we arrive at the Hearst Building, and it's just open and bright and beautiful." "The whole thing is just an amazing look, so I'm super excited just to see what it is we're going to do here" "Designers, it is a sincere honor for me for me to introduce you to Joanna Coles, Editor-In-Chief of marie claire magazine." "[Designer] Wow." "Joanna, thank you for letting us come." "Oh, my pleasure." "And welcome to the Hearst Building." "This is where our office is." "Designers, before Joanna continues," "I want you to know that this challenge is one of the biggest in the history of Project Runway, and the reward for the winner of the challenge is unprecedented." "[Coles] So the challenge is to design an outfit to be worn by a celebrity to appear on the cover..." " [designers gasp]" " Of marie claire." "The cover." " Wow." " Whoo." "The opportunity to be on the cover of marie claire." "It's once in a lifetime." "It's something that I feel like has so much potential for boosting your career, so ultimately if I win this," "I'm just going to be in heaven." "The winning look will appear on the April cover of marie claire." "In the last year, the designers who have been featured on the covered have included Versace, Dolce and Gabbana, Calvin Klein, Gucci, just to name a few." "You'll be in that company." "Oh, my God." "Now, there are some key rules when you're designing for a cover." "It's not just about the outfit." "You have to think about the crop." "We usually go from sort of thigh or waist upward, so if you're putting detail in that, probably needs to be on the top part." "You need to bear in mind that we want to put cover lines on the outfit, so think about color." "We would never do black, and I think patterns can be tricky because you want to get words on there." "It's going to be an April cover, so what will the season be like?" "What will they be wearing?" "The reader normally takes about three seconds to decide which magazine to pick off the newsstand, so it needs to be eye-catching, strong, confident, sexy, and can I tell them who the celebrity is?" "I'd love you to." "The celebrity is none other than Heidi Klum." "[Designers gasp]" " That's huge." " Like wow." "So not only do we get a cover of one of the best fashion magazines, we get one of the best supermodels in the entire world to wear the look." "It's amazing." " Good luck, guys." " [Designer] Thank you, Joanna." "Thank you." "[Tim] All right, designers, you have 30 minutes to sketch, and I'm pleased to see that you've already started, and how exciting is this?" "One of you will have your design on Heidi Klum on the cover of marie claire magazine." "You have one day for this challenge." "I'll be back in 30 minutes." " [Designer] Thank you, Tim." " [Tim] Thank you." "My God, if my dress can be on the cover of marie claire magazine," "I want it to say Mila." "Designing for Heidi Klum is a dream come true and completely intimidating." "I mean, when the garment comes down the runway, she's right there." "I choose an icy-color palette, sort of silver and light blue and charcoal gray because I think that those are colors that could really stand out on her." "I want to design a dress that is form-fitted, short but not slutty." "I'm really going to focus on color." "That's going to be a huge statement as far as catching somebody's eye, you know, just from walking by a newsstand, and I really want someone to see just a glimpse of it and want to see more." "All right, designers, we're going to Mood, so bring whatever you need with you, and we will have a good shopping experience, all right?" "Designers, I have your $150 budget, and you will have 30 minutes to shop." "Everyone, your time will begin right now." "And they're off." "Oh, no, no, no, no..." "How much is this stuff here?" "I'm picking blues and turquoise and greens." "I'm not quite sure about the mix of colors, but I'm just grabbing..." "Can I get two yards of this, please?" "...grabbing..." " Half a yard of this." "...grabbing..." "Yeah, that'll be enough." "Thank you." "Designers, you have one minute remaining." "All right, everybody, one minute to get in line." "Whoa." "Whoa." "$128 is your total." "Thank you, Mood." " [Designers] Thank you." " Thank you." "All right, designers, you have until midnight tonight, and you know the morning drill." "There will be very little time." "All right, thank you." "Make it work." "I'll see you later." "[Amy] Time is absolutely becoming more and more of a factor as we move on." "It just feels even crazier because the stakes are high." "You get to have your design on a cover of a magazine, and here you go, you have one day to put it all together." "So the winner gets the cover of marie claire magazine, which is so huge, so everybody is just completely in the zone." "It's pretty quite around the room right now." "[Anthony] The mood in the workroom is quiet." "It is busy, and that's a reality that everybody's trying to make it work." "[Seth Aaron] I'm going to go to sleep if it remains this quiet in here." "[Humming] Hoo-ah." "[Jay] Seth Aaron is very immature, and he just doesn't stop, no matter how many times you have to tell him, like, "Just shut up."" "[Muttering, singing]" "[Snapping fingers]" "D Design... d" "I wish he would stop." "I shake one hell of a martini." "Lots of '80s rock." "I like lots of '80s pop rock." "Some people just don't know how to just work, chill, and just let your garment do your talking." "Seth Aaron, he just needs to bring it down a notch." "[Muttering] Sketch pad, sketch pad." "Did you smoke anything besides a cigarette when you went outside?" "[Scoffs] No." "Take your word for it." "The biggest problem that I'm having is the magenta is looking fuchsia, so I started just playing around with the black metallic nylon that I have and the fuchsia linen, and it's actually looking better than the sketch." " That's really striking." " Thank you." " Oh, we got a new iron." " New iron." "So you're already in fabric." "Wow." "Well, that's not amazing." "Trust me." "I have a ways to go." "I've taken a lot of the things that the judges are telling me at this point, but I can't afford to beat myself up" "No matter what, I want to design something that speaks volumes about Anthony" "[Mila] Anthony is using a really bright turquoise, and, funny enough," "Anna's using a very similarly bright turquoise." "Yikes." "[Anna] I have never made three pieces before" "I've only ever made one, so what possessed me to try to try to make three pieces in nine hours," "I'm not quite sure." "The pressure's really on." "[Mutters]" "[Bleep]" "I'm looking at my colors." "I'm looking at my shell pinks and my cream colors, and it's starting to look very bridal, and I don't do bridal, like I'm going along and I'm thinking" "I should be doing the opposite of what I'm doing, you know, like this sort of intuitive" ""Damn it, Janeane, don't blow this."" "Coming up on Project Runway..." "Getting to be pretty short." "I mean, you don't want it to look like clown clothes." "That worries me." "It is serious freak out." "How did that happen?" "[Anna] Are you making a dress?" "No, I'm making a space suit." "This challenge means more to me than anything to this point in my career." "I mean, competing for a major national cover is unprecedented, so it's very important to me that I create something that I can really see winning." "With every challenge I get better and better about dealing with time constraints, but this particular challenge is kind of frustrating because the reward is huge, and I want my construction to be immaculate." "I don't like that seam at all." "I am trying not to emote the dread that is boiling up in my stomach." "I should have a point of view, and I just feel like..." "I don't." "I'm probably going to screw myself." "[Ben] Anna, how's the three pieces going?" "[Anna] Oh, my God." "It's okay." "I just really need a fitting." "So here I'm working on the shorts, and I think to myself, these need to be really beautifully made because I've had craftsmanship issues in the past, and I really want to have that not be part of my future." "I'm doing a jacket, a top, and her pants under this." "[Anthony] Seth Aaron, you are, like, so talented." "Everybody can sew, dude, in here." "My biggest competition at this point is probably half the people in that room." "I feel like Emilio's definitely really strong, and he's got a lot of experience." "I feel the same way about Mila." "Even though I don't really love her aesthetic." "I feel like the judges do." "I haven't really seen any great competition for me in this challenge so far." "Jay and Maya have some interesting things going on, and, yeah, I mean, that's about all I can tell so far." "How is everybody?" "Phew, working." "[Tim] Really?" "You don't sound so good." "You sound worn out." "I'm just in here to check in with you all, and I'm going to start with Anthony." "[Sighs] See?" "That's what I mean about the response." "Hi, Tim." "How are you?" "I know I don't sound like my usual chipper self." "This is an intense challenge." "Furthermore, Heidi's going to wear this look." "Right." "I wanted to do a short dress, but I didn't want it to be formal." "Can you just give me an idea of what it's going to look like?" "Well, that's the thing, Tim." "I don't completely know what it's going to look like." "I just start cutting the strips out." "That worries me." "I don't want you just to gimmick it up." "I don't want you to do this for the sake of doing it." " Right." " Use that editing eye." "You can take something off and not hurt the integrity of the look, don't do it." " Okay." " Okay, carry on." "I will." " Mila." " Hi, Tim." "I'm eager to see what you're doing." "I'm doing a dress out of stretch wools, peach, beige, cream, light gray, dark gray, and, you know, it's basically a low V in the front." "It's going to come around to, like, a sort of a... echoing the mitering," " a little V in the back." " Mm-hm." "All right, so it's your signature certainly, all this color blocking." " Work, work." " Okay." " Thanks, Mila." " Thank you." " How's Janeane doing?" " Hi, Tim." "So I picked a lot of light blues and "oceany" colors" "And how are you using these?" "Well, I want to layer them so it looks like sort of just waves or something and then..." "But this spewing out factor..." "Is that really you?" "Well, you know, it's the fifth challenge, and I haven't met the judges yet." "That could be a blessing." "No..." "I know..." "I understand that, but..." "Look, I am getting further ahead, but it's like I'm not that great, but I'm not that bad." "All right, because I know..." "You don't want it to look like clown clothes." " I know when to..." " Okay." " Thank you." " Thank you, Tim." "Okay, wonderful." "Well, I certainly see color." "Yes, yes." "[Laughs]" "I'm definitely working with color." "The concept is kind of like Madame Butterfly on acid." "So it's one piece." "It will be one piece, yeah, and then the belt will just separate it, which I'm doing in the metallic leather." "I just fear that it could potentially cheapen it..." "Okay." "...and make it into a joke." "So with that in mind as you're working with it, just keep asking yourself the same question." "Because I'm really with you on everything else." " Carry on, Ben." " Thank you." "Thank you." " Anna." " Hi, Tim." "So talk to me." "What are you doing?" "I kind of like the juxtaposition of more of a cooler fabric with more of a feminine..." "But do you feel this is you?" "Yeah, I do." "I do." "So there's going to be this pair of shorts, also, that completes the bottom half." "Hm." "And how short are the shorts?" "You know, they're going to be pretty short." "All right, don't lose your editing eye on this." "Okay." "Thank you, Tim." "All right, Anna." "Thank you." " Emilio." " Hi, Tim." " Color." " Yes." " I'm creating a short little cocktail dress." " Okay." "And then I got this ombré lacing." "As nice as this ombré is," "I don't think anyone's going to notice that it's going to be..." "that they're different colors." "Well, what I'm going to do is I'm going to lace it and then leave them the length of the dress." "You're emphasizing the neckline using this corseting lacing." " Yes?" " Yes." "Don't get in a position where you can't do this because that is the wow factor." " That is the wow factor." " Exactly." " Thank you, sir." " Thank you." "All right, designers, I'm leaving you for the night, and I will say that I'm leaving you for the night reluctantly" " Make it work, everybody." " [Designers] Thank you, Tim." "See you tomorrow." "All right, let me sew some stitches in this and then just see where we're at." "So Alexis arrives for the model fitting, and I've got basically the front piece of the dress finished, so at least I'm in a good place." "I can hold it up and see how the basket weave kind of works around her curves." "[Jay] Basically when you're looking at the back, it's this long." "[Monique] Ooh, that's cool." "The color that I'm using is really muted." "I don't know." "I just wanted to do something really feminine and sexy." " Hi, Heidi." " [Laughing]" "Heidi embodies that kind of persona." "Cerri comes in, and I'm a little horrified by how off I was on the shorts." "The shorts are not a good fit, and I also begin to freak out because I can see that there's not a whole lot of time left." "[Emilio] I see that Anna might need to really pay attention to her hem and the fit of her garment, and she had very limited experience, so we'll see what she turns out." "[Anthony] Thank you, hot stuff." " It's so pretty." " Oh, I love you, too." "Bye." "[Mila] Oh, good, nobody dared go near my machine." "[Jay] Mila... there's something about her that's, you know, kind of fake and not so sincere." "It's time for some major assembly here." "[Emilio] Nothing bothers me about Mila the person." "What bothers me about Mila the designer is that she really comes off as very cocky when all she's doing is color blocking in every challenge." "She's a one-note wonder." "This is the back because they sure do look the same to me at this point." "I just feel like there's so little time in this challenge, and I need to be really focused." "I mean, I'm here to win." "Let me think, let me think, let me think." "Right now I'm concerned about my look because I want it to do something special." "However, I'm not exactly sure how to work through my dress, so I wish they would give us more time in this challenge, but life isn't fair, so why the hell should Project Runway be?" "Oh, my God, it's 11:50." "How did that happen?" "So at the end of the day I'm in shock." "I need to finish my skirt." "I need to do the hem." "It is serious freak out." "[Emilio] As the night ends," "I know I made a huge mistake because it already looks too short on the dress form." "Unfortunately, I don't have time to re-cut this entire dress, so I'm just going to have to see what the judges say." "[Anna] It's midnight, and I'm really worried about how things are going." "I just really am trying to work as fast as possible to get everything done on time." "Okay, I'm done." "Wait for me, bitches." "Coming up on Project Runway..." "We're going down to the runway right now." "I'm in a mode of hysteria." "Oh, come on." "I just want to get out of this alive." "Ay yi yi, there's going to be a blood bath on the runway today." "Yeah, this is going to be a carnival." "Mila, top three." "We're going to be in the top three again?" "Yeah." "Ooh, Shiva." "[Grumbles]" "Oh, you're not gonna get up." "The prize in this particular challenge is truly a platform for greatness, so it is very important to me." "Anna, I have a feeling that our time is running out." "I have a hunch that Anna and I completely missed the mark on this one, and it might come down between the two of us." " Oh, I lot of work to do." " So do I." "No, I got it." "[Laughing]" "I have quite a lot of finishing to do on the shorts." "I'm, like, in a mode of hysteria." "I'm feeling like I'm pretty much on target." "I think Heidi's going to look amazing in my dress." "I am nowhere near being done." "I mean, I have been nowhere near being done before, but this is like... this is serious." " [Tim] Designers." " Yeah." "This is the biggest challenge in the history of Project Runway, so I want you all focusing on these garments and making them absolute perfection, okay?" "You have an hour each to send your model to the Garnier Hair Salon and the L'Oréal Paris makeup room." "Yes?" "Good." "Thank you." "I'm sending in your models." "[Designers] Thank you." "All right, we're cool." "Oh, you'll be fine once I put the zipper on." "To be able to have Heidi wear my dress for the cover of marie claire magazine..." "that's... it's amazing." "Everyone wants this so badly, everyone." "Nice smoky gray eye." "I don't want anything dark or costumey, all the adjectives they use to describe me." "[Man] Once it gets past the earlobes, that's when the volume starts." "Make it edgy." "Designers, you and your models and I are going down to the runway in ten minutes." " Thank you." " [Designer] Thank you." "The dress did pretty much come out the way I envisioned." "Had I had more time," "I probably would've added more volume to the neckline, but I'm feeling so confident." "I think that the couple of designers who will have trouble, a lot of their colors are not colors that are going to resonate." "People have these really muted tans and taupes." "It's just going to wash out." "Okay, good, good, good." "If I could go back and do this whole thing over again," "I would've gone in a completely different direction." "[Beep] ...pedals broke." "Oh, come on." "I just want to get out of this alive." "Yes." "[Anthony] I'm very happy about my dress." "A part of me thinks, "Lord, what if they don't like this dress?"" "But at this point," "I've got to be consistent with myself." "I made a decision that I was going to make something that I loved, and I have got to remain faithful to that thought process." "You did a really great job." "It came out really nice." "Thank you." "Having Lorena dressed, and then having her in hair and makeup and everything, the whole look ties together." "I'm wondering, you know, maybe this is the one." "This could be my moment." "Yeah." "I'm happy." "Designers and models, this is it." "We're going down to the runway right now." "This way." "Thank you." "Coming up on Project Runway..." "It's like three ingredients that leave you feeling nauseous." "This would not work at all." "You know we've never done this before." "Welcome to the runway." "As you know, in fashion, one day you're in, and the next day, you're out." "Your challenge was to design an outfit for the cover of marie claire magazine." "The winning designer's look will be on the April cover, and they will be worn by yours truly." "[Laughing]" "Okay, let's meet the judges." "First we have top American designer Michael Kors." "Hey, guys." "Fashion Director for marie claire magazine," " Nina Garcia." " Hello, everyone." "And Editor-in-Chief for marie claire magazine, Joanna Coles." "Hi." "We will score your designs as they come down the runway." "One of you will be named the winner, and one of you will be out." "Let's start the show." "[Amy] I'm happy with my garment." "I think that Holly looks great." "I think that it does look like a spring look, and I'm actually happy that I'm the only one that used a print, which I completely think is appropriate on a cover." "If they put my suit on the front of marie claire with Heidi Klum wearing it," "I guarantee you they sell more copies." "I'm 300°/° happy." "I think I definitely fulfilled this challenge to the fullest." "It's really a dress that's going to catch somebody's eye on a cover" "Ultimately everything kind of dissipates into just a big smile and relief and happiness, and I feel like I just showed exactly what I am." "As I watch Cerri walk down the runway," "I really feel like the look is a reflection of who I am as a designer." "Heidi is cool and contemporary." "That version of her I can see being interested in this look." "When she turned that corner, I'm like, "Yes, ma'am." "Get into it."" "I found a balance between creating the volume as well as showing off a beautiful silhouette." "I don't know if it's the best dress up there, but I think I did my job beautifully." "Had some issues with bulk, but I think fulfilled the vision that I'd had going into this." "I feel really great about my dress." "I think it looks great on Brandise." "I'm just a little concerned about the color because I thought I was selecting a peach, and on the runway it appears to be more of a beige." "The color is amazing." "The detail... it's spectacular." "My dress was put together, and Heidi will look hot in my dress." "If I were to win this prize, it really would be huge." "I'm so proud of myself that I came up with something so graceful and "flowy"" "and romantic and sexy." "There's just something so dramatic about that dress that I love." "This design moves." "It looks like butter." "It just..." "You can just look at it and see the comfort of this garment." "It's so well crafted." "Every seam and edge is lying flat, and I think that the romper would be a knockout on a cover." "Megan looks so good in the dress." "She looks stunning, and the color ended up being so nice on her." "I'm really pleased, and I think it would look great on a magazine cover." "I couldn't have asked for the color to look any more saturated and vibrant, and I think the thing that excites me the most is that it really is a fresh new take." "It's something different, and it ended up being a cover look, so just keeping my fingers crossed." "If I call your name, please step forward." "Seth Aaron." "Jay." "Maya, please step forward." "Jesse." "Jonathan." "Amy." "If I have called your name, congratulations." "Your scores have qualified you to move on to the next challenge." "You can leave the runway." "Thank you." "The six of you have the highest and the lowest scores." "One of you will be named the winner, and one of you will be out." "Let's bring out your models." "Ben, tell us about your look, and why do you think it will work for our cover?" "The idea's kind of like a modern interpretation of Madame Butterfly in Technicolor, so I wanted to really use vibrant colors and a lot of textures." "It kind of acts as a kimono, but it still functions as a dress." "A newsstand is a very noisy place, and I think this cuts through the noise." "It's a good choice." "It feels very modern." "I like the combination of the colors, and it's as beautiful from the front as it is from the back." "[Heidi] I think you did a beautiful back on this dress, you know, with the little peek-a-boo, and then you edged it out with the yellow." "It definitely has an impact." "I think it's going to be worn by someone who's very confident." "It's a real contender." "Thank you so much." "Anna, tell us about your look." "Well, I started sort of with a color palette that I thought would complement your natural coloring and immediately thought of blue." "I also wanted to reference that the reader of marie claire that is sort of contemporary and hip and a little bit feminine but not completely whimsical in a sense." "It's going to be on Heidi, who has an incredible figure, and this gives her no shape or silhouette whatsoever." "It's like three ingredients in a dish that leave you feeling slightly nauseous." "It just doesn't work together." "This is not a teen magazine." "I think you totally missed what is this magazine about, who is their reader, and who am I putting this on." "Speaking about the pieces themselves," "I think that they're made well, but I don't think you pushed the envelope enough." "Anthony, tell us about your look." "I was truly inspired by you." "I thought about every time that you have graced this carpet and what you're wearing." "I wanted clean lines, and I wanted a very feminine silhouette because I did play in my mind," ""She's no longer going to be pregnant,"" "so I'm sure you wanted to celebrate your figure." "The costume drama is over." "You've entered modern times." "[Laughs]" "[Kors] This dress is modern looking." "That length is great for her, and you did one shoulder in a new way." "I do like this dress very much for Heidi." " Um..." " Jesus." "...and you are one of the few designers that embraces color." "The color is fantastic." "If that's where next spring's going to be, then just beam me there." "The way you place this, it's actually very slimming, so her body looks beautiful." " Thank you." " Janeane, tell us about your look." "I was really inspired by the ocean and the colors of the sea, and I created this structured dress with these seashell-inspired seams lines with a small, sort of frothy little bolero." "She's got, like, the seaweed organza." "She's got 9,000 seams, all of that going on, and then I'm going to lay whatever their cover lines are on top of it." "I'm going to pass it by." "It's not, to me, fashion forward." "It's not like what women in America will look at marie claire, and like," ""Wow, she looks hot, you know, I want to be that woman."" "I'm not getting the beach and the sea reference unless it's a sort of polluted sea with plastic bottles in it." "This veers to romantic, to bridal." "It's just too sweet all around." "When I see Heidi, I don't necessarily see her as sweet." "No." "[Others laugh]" "Mila, tell us about your look." "I wanted something strong, feminine, but still soft, and I just thought this would be really slimming at the waist." "Rather than a strong color" "I decided to take a chance and go for something fresh and late." "Let's be honest." "That peach comes off like Ace Bandage, and then once you crop her, she's literally in some kind of weird jog bra with a V-neck." "And these arrows look like they're pointing at her crotch." "I mean, this would not work at all." "That color doesn't feel confident." "It feels like it's trying to disappear." "It looked much peachier when it was in my hands." "Emilio, tell us about your look." "Well, I wanted a very sexy, strong color and very interesting detail from the waist up, so I chose the silk jersey and teamed it with ombré lacing." "It's not the easiest thing in the world to make jersey structured, and I have to say that you managed to take fabric that doesn't want to do that, and you made it work." "You could get a very strong cover with it." "Will this dress beckon people to grab the magazine?" "I do love the color." "I think the detail is beautiful, but with those little ribbons going up, it just feels very junior to me." "Just these things right here." "[Laughs] Here it goes." "[Kors] Cut the whole strap off." "I'm just curious." "The whole damn strap, just watch." "It's more sophisticated by a long shot." "[Heidi] Open the ponytail." "Yeah, let's get rid of the... [laughs]" "You know, we've never done this before." "Seriously." "Yeah, it's great." "Thank you very much." "Okay, we've heard what you had to say." "We're going to have a little chat, and then I'll call you back." "You can leave the runway." "Thank you." "Okay, let's start with the designers that weren't as strong..." "Janeane." "It's so weird that she would design this dress for you." "[Heidi] It's not my style at all." "You said strength." "That's the opposite." "Whimsical and "mermaidy," but not a cover dress." "Okay, let's move on to Anna." "That was dreadful." "There's nothing special about this." "I'm not sure what her point of view is." "Granted, she made separates." "She managed to make those shorts." " They were well made." " [Kors] They were well made." "Okay, let's move on to Mila." "The main color of the dress was the color of hospital food." "I would probably have to put on a lot of self-tanner, get really tan, in order to fight..." " This color." "...this color." "You would recede right back in this dress, and I think people would walk on by." "Let's move on to the ones that we did like." "Let's start with Emilio." "There were a lot of things there that were good, but it had to be sort of redesigned." "Once you got rid of those silly ties that were on her shoulder," "I think cleavage, color, a nice line, all of those things I think are great for you." "I liked the fact that he had his scissors in his pocket, and he was quite happy to chop them off." "Honestly, when you're doing a cover, you need a designer to be able to do that." "Okay, let's move on to Ben." "I think Ben did a very modern, very chic dress." "I think this would be very eye-catching on the newsstand." " Definitely." " I agree." "It's fantastic that Ben showed this kind of confidence." "Right." "Okay, let's move on to Anthony." "He thought about your coloring, your figure." "It's got a lot of charm about it, this dress, makes me feel glad spring's here." "[Kors] Even if you were really cropped on that, the strap itself is interesting enough that it has dimension and texture." "Okay, so we've made our decision?" "Good." "Let's bring them back out." "[Heidi] One of you will have your design on the cover of marie claire magazine, and one of you will be out." "One of you will have your design on the cover of marie claire magazine, and one of you will be out." "I want to remind you that this is one of the biggest rewards we've ever had for a Project Runway challenge, and since the reward is so great, the winner will not have immunity for the next challenge." "Anthony... you are the winner of this challenge." "For real?" "Did she say my name?" "The color and design details are right on." "I really can't wait to wear it on the cover of marie claire magazine." "Oh, thank you so much." "Congratulations." "You can leave the runway." "Thank you." "Guess whose dress will be on the front of marie claire magazine." "I think at this moment, the judges' eyes are open, and I think that they see that I have taken things, the critiques, that they have said to me, and I'm using them to my benefit," "and the sky's the limit for me at this moment." "Ben, great job." "You're in." " You can leave the runway." " Thank you." "Emilio, you're in." "You can leave the runway." "Thank you very much." "Mila, you're in." "You can leave the runway." "Thank you." "Anna and Janeane, one of you will be out." "Janeane, you had a very interesting inspiration, but the look does not live up to it." "It felt more bridal than fashion forward." "Anna, the vest and shorts outfit is forgettable, and it would not stand out on a crowded newsstand." "Anna... you're out." "That means, Janeane, you're in." "Give me a hug." "I think you're wonderful." "You can leave the runway, Janeane." " Thank you." " Thank you very much." "Auf Wiedersehen." "All the best to you." "Thank you so much." "[Designers] Oh, Anna." "I'm sad that I've been eliminated, but I'm so proud of myself." "Being here and being around so many amazing designers is really just such an amazing thing." "Anna, I have to send you to the workroom to clean up your space." "[Anna] I know." "You should feel so proud of what you've achieved here." " Thank you." " All right." "We'll miss you, Anna." "Bye, Anna." "Ultimately I'll take with me a confidence in who I am as a designer, and I know that really amazing things are going to come because they already have." "Next time on Project Runway..." "For your next challenge, you will have new models." "Oh, crap." "This is going to be a nightmare." "Hey, I'm flying!" " What the..." " [children shouting]" "The workroom is a little bit like Romper Room on crack." "Do y'all have a "off' switch?" "Looks like the house was on fire and she grabbed every garment in the house, and she just ran out of the house." "It looks like a cheap mall outfit." "Those are just a train wreck." "Visit myLifetime." "Com to learn more about the fashion you've seen on tonight's show."