"Kaspar?" "THE CLASS L FE AFTER" "ME AND THEM" "Four months later..." "Thea!" "Coffee is ready!" " Yeah" "t"s healed well." " Yeah" "My god how you've grown." ""M g ad the nightmare is soon over."" "Was qu te worried how long w th this nonsense." "What to do when your kid sulks?" "But now it s all over, right?" " Yeah" "Comb your hair and come to eat or you"II be ate" "don't have time, "ve got to go See you" "Hi." " Hi" "Math." "Huh?" " Guess so." "Thea, you dropped something" "What"s that?" " An envelope." "Like a rea one?" " Isn t it some antique stuff or what?" "Show us." "Guess the last time I wrote anything was third grade." "Ax squared p us two, ax p us c." "Zero and the solution is... m nus two plus m nus..." "Are you still with Kaspar?" "The class is wa ting for you!" "Thea, are you with us?" "The first coefficient of the quadratic equat on is..." "He o." "Is Kaspar s granny home?" " Who?" "Kaspar"s grandmother." " No, but we just moved here." "Did she leave her new address?" " I don t know who ved here." "Okay." "Thanks." "Don"t forget about the culture week and we"re do ng the play" "Why don t we rehearse the play after classes in the hall?" "Hey, we have to do it, right?" "Just be there, alrght!" "Pupil:" "Kaspar Kordes" "Address:" "Lembitu 33, Antsla town" "The door is open." "Don"t you have strength or what?" "Yes, but t's not normal for h m to break into h s own home." "To look for the bad guy later." " Yeah." "But that"s coo." "What part of t is cool?" "What"s so funny about it?" "Why don t we just mprovise or do something simple on stage." "We should do our own stuff..." "Exactly." "We"ve got all we need." "We have a family and action." "All we need s to figure out where the action is..." "Mee s." "Where is Antsla?" " Hey, you a, where"s Antsla?" "What?" " What"s that got to do with it?" "Why don t we pick any p ay?" " Because these are too long." "We"re not going to do some Tchaikovsky." "Tchaikovsky?" "You're such a nincompoop." "Kat, just ho d your tongue." "Focus, we"ve got everything f we"ve got a, let's put it down, share, think up dialogue" "And who s the chick writ ng essays all the time?" "Not you." "What, me?" " You"ve always read your books." "The fact that I can read does not mean I could write." "Actua y, you could do it." "You could try." " Don't know." "Own stuff is powerful, come to think." "It s not that diff cult." "T"s not that hard" " It"d be coo to do own stuff." "Don't know..." " Don't shove t in if she doesn"t want to." "We"d help her, t's not that she"d have to do it by herself." "Write something and we'll think up some more at next rehearsal." "Well?" " Okay then." " Splend d, very good." "But won t promise anything." "S the rehearsal over now?" " Now it"s over" "Are you leaving?" " Yeah" "Kid, what have you, recession?" " Yeah." "A b t" "Take f you need some." " I just need new pants, some b ouses..." "Ask first." "We"re not forb dding you or anything" "Thanks." "Excuse me, where does the bus to Antsla eave from?" "A bus to Antsla?" "The other side of the station" "Thanks." " You"re welcome." "Yes?" " Hello." ""M from the Kaspar"s class." "Yes, come in You can sit here." "As you see, we re in the middle of improving our house" "Yes?" " L"ve been try ng to make contact with Kaspar." "So you're Kaspar"s girlfriend?" " Yes." "Well, someth ng like..." "We"re starting out when this..." " And you want what?" "Was thinking when you'll see him." "Could you pass my etter." "Look, this isn"t as simple as you d think" "Why don t you go see him in prson?" "Well, the prosecutor forb d all meet ngs and in prison..." "There s only one visitation a month, wh ch the granny has already booked." "Don"t you have her new address or number?" "Haven t talked to Lid a after my husband d ed." "Kaspar communicated with her, she began to come to the city." "Here, she wouldn"t get a ong with Meelis, tensions arose." "Maybe f I had talked to him, Kaspar would have stayed" "Boys would have reconciled." "But then this happened..." "Hi there!" " The supper's ready." "We have got a visitor." " Who's this?" "Kaspar"s g rlfriend." " Kaspar's?" "Are there any other Kaspars you know?" "You've cleaned here?" "We really don"t know anything about Kaspar after he eft us and that happened..." "he hasn"t called, won t go in prison." "Come to eat, the meal s ready." " Have you seen a blue case?" "Blue?" " Yes." "Blue, dr case." "Come to eat, the meal"s ready." " Just a moment." "What, are you ashamed of the gir?" "We"ve had our ta k" "She wants to go visit Kaspar, but Lidia has booked all times." "Say, do you belong to the gun s nger"s fan club?" "A man must have a gun, right?" "You've seen too many films." " I'm not anybody s fan" "Hey, th s is my son you"re talking about." "Excuse me, are you sure you do not have her number or address?" ""M sorry for causing trouble." " Wa t!" ""M going to Sangaste anyway, "II drop you off to the station so you wouldn't need to use that slow bus." "Come" " I'll be going now" "You're a nice girl, why do you keep running after that k er?" "You go and find yourself a decent man." "You've m sunderstood the who e thing." " Have I?" "Yeah, right... t"s not my bus ness, but tell Kaspar that mom's saying hello." "When get a day off "II drive her to Ta nn to see him." "Kaspar is in Jõhvi." "Thank you" "Wait, I'll g ve you a number" " Sorry." "I m not going to call." "Not mine." "The granny's." ""Ve st got it." " T"II be great." "Te me your number, "II send it to you." " I'd rather jot." "Jot?" "566412332" "Did you get it?" " Yes." "Thank you." "Hey, are you st with Kaspar?" "C"mon." "The class is waiting." "C"mon." "He"s such a faggot." " Tell them..." "C"mon Thea, do you two go out or not?" "No, we don't." "Forgive me, daddy." "Where do you come that late?" "We were sew ng costumes and wrote p ay and... t's embarrass ng even to talk about it." "You could have called or at east switched t on." "Mom here was..." "My battery went dead..." " And'm Winnie the Pooh." " No, you're not." "You're my dearest Christopher Robin." " I used to be." "Late y, haven't felt ke t You don t talk to me much." "You know how the dea was You may always te me... anyth ng." "I know." "F there's anything, I'll tell Honest y." "Thought you had quit smoking." "Yes, now go to bed, quietly, so that mother doesn"t see you." "Dad, tell me." "Can betraya be ever forgiven?" "T depends, deepest betrayals probably not." "But life rarely has th ngs in b ack and white." "Forgiving s sometimes more important to the forgiver than to the one waiting for it." "Now bring all your quizzes in." "Hurry, time"s up." "At home you"II have exercises 56, 57 and 58" "Thanks, bye..." "Thea!" "Good bye..." "Thea!" "Whose is this?" "M ne." "Don't want to see them aga n." "F you're hav ng difficulties understand ng someth ng, come to me, let s get it straight." "There s so little time until the exams, better earn it now." "You were absent yesterday." "Why?" " I was about to get cold" "Alright." "You'll take the qu z next time." "Don"t worry too much about it, it"s just mathemat cs." "Thea!" "Was Laints lecturing you?" " No, not really." "Thanks for he ping me, guess my brain cells just froze" "He ping?" "How's with the play?" ""Ve thought of something." " Like what?"" "Like when you're having a family, they could do something bad, don't know." "Steal from each other or..." "Someone"s a lunatic, alcoholic." "S there any logic?" "Don't know." "Actually I have not thought about it." "F you need any help, cou d give you a hand." " Really?" "That'd be great." "Wou d not make it without it." "When would you ke to do it?" "What are you up to ton ght?" "Tonight I can t" " What about tomorrow after casses?" "Tomorrow, perhaps." "We"II see." " We"II see." "See you, come here!" "He o!" "So nice you found me." "Haven t seen anybody from his class." "Come on in" "Ch dren do make mistakes." "But they"re still who they are." "Wanted to ask... s nce the prosecutor forbid a meetings with Kaspar and my class..." " Why then?" "To concea what happened on the beach." "Alright, come n, "II serve you some tea" "There s no need, was just coming by" "Perhaps you could pass my letter to him?" " I see... booked the meeting day..." "left my glasses... booked the meeting day for Wednesday." "That's it." " Wou d it then be poss ble?" "To give it to h m?" " Alright." "Thanks, bye." "Wait up - were you also called?" " Yes." "I must go on Wednesday." "Hi, did the prosecutor ca you home?" " No, why?" "All who saw beating on the beach must come with parents." "Already received a call, Kat, Kertu and Meelis, also" "Gosh, how gross!" " Yeah." "But they can't do much, they wave w th finger and say few harsh words." "But be prepared." "Let"s get started, be k nd, now s t on the edge." "Bet you felt as bored as I d d in physics and you cou d work through the materials Thea wrote?" "Don't know." "I read the materia, thought it was some kind of a synops s." "Rather than a text to a p ay." "Are we going to rehearse t?" "No, I was th nking we shou d use it to fix the characters." "We could organize the costumes" "Thea, we now need the text." "People aren"t able to memorze." " Yes." "I know." "Maybe all of us will be behind bars before the culture week" "We"d be starting to do t in the prison theatre" " What prison?" "We discussed it, maybe all of us are behind bars." " Now what?" "Mean... hasn t the prosecutor called" " No, what prosecutor?" "Really?" "Interesting." "We were all there." "Why should anybody come out of it c ean?" "Maybe they won't call everyone now" "Don"t worry, Thea will a so be p cked up by the police." "Ok, let's get started." "Get your asses up on stage." "You come from eft side as we agreed." "Was thinking we could make Uku wear pantyhose or tights." "And put a wig on Kat." " Then we go with her wig and branches straight to the prosecutor"s office." "Yes, but why are you asked to come, you haven't done anyth ng on the beach?" "Then again no one ran to ca the po ce." "We were all accomp ces to a cr me" "Thea, come out for a moment." "Received a call from the prosecutor's off ce." "We need to go there on Thursday all three of us" "You d dn t do anyth ng, what can they do to you?" "Granny, granny!" " Thea?" "!" "What did he say?" "Nothing." "Forget about him." "Forget..." "What do you mean forget?" "How can one forget such a th ng." "Granny, I need to tell him, really need to speak my mind." "Should have gone and talk to him immediately." "I couldn"t, mean, how could have talked to him?" "But Thea d dn t hurt anybody." " Why did you go to the beach?" "Everybody did, was also invited." "T means you a went to the beach and then came Joosep and Kaspar, who were detained by Anders and Thomas and the rest of the boys, us ng vio ence against him What did you do at that time?" "C"mon let's do something, fuckin" he." "Didn't do anything" " Why didn"t you call the police?" "Don't know." "It all happened so quickly, I wasn t think ng." "Since the references from school are very good, your teacher has even wrtten you an exce ent one." "You've no sentences, your part cipation n the cr me low, we could end the process, but on cond tion that you"d do the commun ty service 50 hours." "But th s is a sentence!" "The difference s the criminal case won"t reach court if the process is ended." "T means there won"t be any sign that would indicate criminal sentence or cr minal procedure" "Your papers would remain clean, so to speak." "The guilt is small, don"t see why it should ruin your life" "50 hours of community service?" "What"s that criminal worker going to do?" "Bet there are many criminals who are sent out of the prison, who"d need care." ""M sure they waste their time on you."" "Mom." "Don't you get t?" "I'm not being punished without a reason" "forgot something." ""II be right back." "Yes, come in." "Please." " Excuse me." "I wanted to ask..." "Since my process s ended." "May I go and v sit Kaspar?" "Yes." "Have a nice day." "Prison Service" "Relationship to the detainee:" "Friend" "Have you eaten anything?" " I do not feel ke at the moment." "What"s that play about?" " About a family." "Ok, I see" "Relationship to the detainee:" "Acquaintance." ""M sorry I didn"t ca you, have really been very busy." "Practically wrote the whole night, noth ng personal." "The text was cool." " Really?" " Yes." "What are you doing so that you hardly have any t me left?" "Hey, you too." "Four minutes." "Clear your vo ces." "Let"s beg n." "Wait." "Don't know whether it s rght thing to do." "Want to go visit Kaspar." "Thought you..." " No, don't approve anything, but I myse f d dn't behave very normal do not know." "What"s funny is that I hardly can recall of what was do ng yesterday or day before yesterday, but what happened four months ago, remember it as vivid y as if it d happened th s morning." "Make no mistake, don't want to go see h m n this sense." "T"s that we"ve got our own things to talk about." "No, I get it." "We should return now." "Yes, you have called here Thea Tooming." "Did anything happen?" "Ca m down, there"s no po nt to worry about th s trivia..." "Triv al matter?" " What?" "We didn"t know that you go and v sit Kaspar." "Well, do you?" " No." "Like you, last saw him in the canteen n the prison's canteen?" "Do you take him sandwiches?" "What have you gone complete y nuts?" "Let me know when th s drama is over..." " Hey, don"t go away." "What bloody difference does it make whether she did go or didn"t or is about to go?" "We were thinking, it"s a fam y and there"s this guy." "The family does a the bad stuff and the guy gets the rap." "So what?" " Don't you think it"s a bit we rd?" "What do you mean by a th s?" " What do you mean?" "Are you trying to nail us down?" "Everybody can interpret it at w." "T doesn't" mean Thea..." "Do you want to defame us in front of the whole schoo?" "Haven t even thought it cou d be a para el to our class." "The play is about a family and that peop e deceive each other and then begin to trust aga n." "T"s about trust that our cass is obviously ack ng of." "Don't know." "Let"s cut the play." "Try make it better" "Thea, sten, please don"t go..." "Why do you keep seeing him?" " But I haven t vis ted h m." "But you want to go?" " Tell us, will you go see him or not?" "Stop it, you don"t know, maybe she goes there to revile him." "Well, say it?" "Are you going to see him or not?" "Yes, I will." "And what of it?" "Stopl Prison's perimeterl Approaching forbiddenl" "All persona belongings go into th s locker" "Switch off the mob e phone" "t, too, goes ins de the locker." "The locker is closed." "The key stays w th me." "Please come a step closer." "The meeting w not exceed the duration of 70 minutes." "Here, second booth." "Are you wa ting for Kaspar Kordes?" "He doesn"t wish to come." "Why?" " He didn"t say." "The world is divided into two sexes - female and male." "Women give birth to ch dren and men heap up cash" "Excellent, splendid." "Let"s go back on stage." "Wait, what about Thea?" " Calm now, where s she?" "Listen." "Where is Thea?" " Thea isn t here, s she?" "No wonder why she sn"t here, right?" "Maybe she's among the audience?" " Let's go now!" "Author!" "Author!" "Don't understand." "What"s go ng on?" "Let her be." "She'll clear her own stuff up" ""II go and see." "Anyhow." " No, don"t go now." "She'll tell us if she needs to." "Nobody te s mom about boys." "What?" " What"s wrong?" " Nothing"s wrong." "Don"t go..." " What?" "What s it?" " Well, I can see something's wrong." "Why don t you want to talk to me?" " There is noth ng to ta k about." "Don"t go..." " What?" "Don't want it any more." "Don't want to lie any more" "don't like the kind of person I am." "Don't want to be that person." "Why do you have to lie?" " Cause there"s no other way." "Went to prison." "He didn"t even come out." "Go to see him and he doesn"t even come out to meet me." "T"s because he feels shame, guess." "What?" "T"s because what I d d to him." "Now he doesn't even want to see me" "Honey, don't think it"s because of that." "Of course t's because of that hate it what kind of a person have become, just keep ying and everyth ng upsets me." "Don't want to do anyth ng." "Honey, you"re crossed w th yourself." "F rst you need to forg ve yourself." "What others think is trvial compared to when you want to punish yourself for the rest of your life." "We can't tell you what you'd have to do" "Naturally, you'd want to see him, you were friends." "Some th ngs rema n unsolved." "T"s nevitable, you just have to accept it." "Are you angry w th me now?" " Mushy-mushy." " Sweetheart." "Do you remember the first t me we removed the extra wheels from your b ke?" "Where did she ride her bike?" "Where did you?" "Nto thicket." " Right, nto bushes nto the nettle bush." "You drove your bike into nettles." "Author!" "Author!" "Quiet!" "Neighbours will go nuts" " Hi." "Where were you?" "We"re ooking a over for you." "We couldn't f nd you and thought let's go and see where did the author go." "Don't know Perhaps you"d come in?" "We had hell of a t me." "The crowd was p eased" "Very much so." " Then the head master thanked herse f for us." "That was the most embarrassing moment in my life." "Thanks." "The audience was laughing their asses off." "Messed up my text, but I th nk nobody understood that." "You completely forgot your text at one point." "The audience was demanding for the author, p ty you didn"t see." "He o!" " Hello!" "Why are you standing there and not come in?" "We thought of throwing an after party that we"d grab her" "That is f she wanted t" "do." "Very good." "Now get dressed up." "Let"s go now." " Good bye!" " See you." "Won t be long." "Let"s take the sta rs." "T"s much faster" " Jerks!" "Go!" "Go!" "Who wrote you?" "You don t have to answer."