"NARRATOR:" "A small town pub with a dark and twisted history and an evil lodger, fated to stalk its corridors." "[zap]" "[scream]" "Tonight on "Haunting Australia."" "[bang]" "What the" "Whoa!" "What was that?" "Wow." "NARRATOR:" "The North Kapunda Hotel, reportedly the most haunted pub in Australia." "I am looking down an empty hallway and listening to someone walk down it right now." "NARRATOR:" "With three levels of fear on tap." "Can you move the bottles again for me?" "[knock]" "NARRATOR:" "And one investigator who may not make it out." "Oh, no." "Out." "Get him out." "Get him out." "Get-- get him out." "NARRATOR:" "Another chilling challenge for the "Haunting" "Australia" team." "From the UK, psychic bad boy Ian Lawman, medium and ordained exorcist, an old school supernatural sleuth Ray Jorden." "From India, ghost hunter and metaphysicist Gaurav Tiwari." "From Australia, accomplished paranormal researcher Allen" "Tiller, and medium clairvoyant Rayleen Kable." "From the US, internationally-renowned lead investigator Robb Demarest." "I've been investigating the paranormal for over 20 years." "You name it, I've hunted it." "And I believe this team has what it takes to find out what's haunting down under." "[theme music] [creak] [slam]" "[pow]" "[music playing]" "NARRATOR:" "On the edge of the Barossa Valley," "South Australia's renowned wine making region, Kapunda-- population 3,100-- infamous as Australia's most haunted town and an appropriate home for "Haunting Australia"" "investigator Allen Tiller, who when not toying with ghost hunting gear loves to peel off some riffs on his guitar." "[guitar playing]" "Hey, guys." "Hey." "Hey there." "Welcome to Kapunda." "Thank you." "NARRATOR:" "The statue where Allen staged his impromptu gig is a Kapunda icon." "It represents the English miners from Cornwall who established Kapunda as Australia's first mining town when copper was discovered in the 1840s." "'40s In those days, Kapunda was a boom town with a seedy underbelly-- a rag tag mix of miners, drifters, and horse traders who ate, drank, slept, and sometimes died at the North Kapunda Hotel." "With such checkered history, there are bound to be ghosts." "And in this spirit-ridden establishment, they're not afraid to lash out." "And just as I was going back to put the alarm back on I had to walk past the dining room." "Somebody grabbed me." "And my husband and the guy that was staying upstairs both come running downstairs." "They checked right through the whole hotel, and it was locked." "And couldn't find anybody or anything here." "NARRATOR:" "Was it the allegedly malevolent pub spirit witnesses report as the man in black?" "Up in the upstairs is rooms, I mean actually I've seen a gentleman-- a tall gentleman-- all dressed in black with a black, wide-brim hat, uh, walking past the room and then just vanished." "There was a bit of an eerie feeling then-- uh, a feeling of we shouldn't be where we were and not friendly at all." "NARRATOR:" "As the sun sinks in the sky, our investigators enter the building." "The regulars head home for the light." "And with lights out the pub is plunged into darkness." "CCTV cameras have been rigged to keep watch on its empty bars and lounges, as well as the spooky, unused areas of the hotel." "They all lead back to surveillance central, set up behind the pub." "Our investigators are ready for a big night out." "Let the ghostly games begin." "First to tackle the hotel's haunted spaces are mediums Rayleen Kable and Ian Lawman." "I've been looking forward to going into a pub in Australia ever since I've arrived-- not to drink, but to investigate." "And this was looks really, really spooky." "And I'm getting vibes already." "Not so good vibes-- some quite negative things, I must say." "NARRATOR:" "Gaurav and Ray keep watch at surveillance central." "How do you feel when you first walk in?" "It's a bit [sigh] like that, isn't it?" "I don't know what the night's going to hold." "Um, I already feel something's happening." "My stomach's got butterflies." "NARRATOR:" "While Ian heads upstairs," "Rayleen descends into the dingy basement." "OK." "I'm now going down to the cellar area." "Hello." "If there's anyone in here, can you please let me know?" "I felt like there was something everywhere" "I went-- um, energy, a story." "I just felt someone tapping my hand or touching my finger." "No, I feel like this person's a very big-set person, maybe about six-- six foot." "You've got a really, um, strong-looking face." "I can-- can you show me in visual." "Ghosts, um, in my perception of a ghost, is a spirit that is still wandering in a location." "If they're very attached to that location, a spirit will often go back to what's familiar." "He's showing me that he was a regular here." "I feel like he'd done a lot of bad things to others." "[scream]" "NARRATOR:" "During the copper rush, many an unsavory type boarded upstairs." "It was known as a-- a brothel in its day." "Rumors of a couple of deaths up there and even some murders." "[scream]" "As soon as I walk into here, I" " I feel" " I can hear a child in here-- a small child, a young girl." "And, um, as soon as I walk into this area-- the room next door" " I'm aware of um, what appears to be [whew] something really, really negative in here." "I was aware of a gentleman who, um, either kept a horse here, stabled his horse here, or was a traveler." "And, um, he was with a lady of the night." "I" " I feel that I'm a-- a lady of the night." "And I feel that I've been really, really throttled." "I can see I've been pushed down to this bed." "[scream]" "And the man I'm seeing with her is quite a thick-set gentleman." "He just seemed to have, um, like riding boots on." "[grunting] [scream]" "He actually pinned her down, and he murdered her." "NARRATOR:" "Disturbed by his vision," "Ian shifts his investigation downstairs." "As Rayleen takes on the first floor rooms, can she shed more light on Ian's dark tale?" "[sigh] This room, to me, is very symbolic of a-- a little girl." "I just feel like, um, something may have happened or there may have been a passing in this room." "And I'm getting a yes?" "Who are you?" "Who's telling me yes?" "Who's confirming this?" "OK." "I feel a female here, actually, in this room." "I need you to do this for me, the female that's just come from the other room into this room who's connected with this room as well." "I wonder whether" " I wonder whether or not it was, um, a mother and a daughter." "And I'm getting a yes again." "[choking]" "NARRATOR:" "Ian sensed a lady of the night being murdered, and a little girl nearby." "Could she have witnessed her mother's murder?" "To my left side, I've got a very strong-- [gasp]" "What the heck?" "[shudder]" "NARRATOR:" "What looks like an innocent closet door [creak] leads to a hidden wing of the hotel and a very uninviting corridor." "Ian has heard an unexplained sound downstairs." "NARRATOR:" "Most definitely some kind of noise coming from, uh, in here somewhere." "I could hear it just plain as anything." "NARRATOR:" "Are there active spirits behind the bar?" "[clanking] [click]" "The bottles are moving." "Can you move the bottles again for me?" "If you're there and you can hear my voice, can you move the bottles again?" "[tap]" "Can you that sound again?" "[tap]" "Can you do it twice for me?" "[tap] [tap]" "(WHISPERING) Oh, did it twice." "Shit." "NARRATOR:" "It's in this part of the pub that a mysterious patron is reported." "I had been making a coffee at the coffee machine, and I had looked up into the mirror to find a person standing behind at the bar." "She's, uh, got gray hair." "She's, uh, oldish, and she's got the old black traditional clothing with the-- the white collar, hair up in a bun." "NARRATOR:" "When she investigates, the apparition disappears." "And it was really freaky. [laughs]" "Can you do that again?" "[tap] [tap]" "(WHISPERING) I can hear the knocks and knocks going all over the building." "And I know we're in a pub." "There's a lot-- going to be a lot of movement." "But it's on command almost." "NARRATOR:" "Perhaps a customer from yesteryear is still waiting to be served." "[knocking]" "Upstairs, Rayleen has entered what looks like the hallway to Hell." "The scariest part of the hotel would be upstairs in the back section." "The back section is a disused boarding house." "Everything is so, um, old." "NARRATOR:" "Once providing accommodation for gents." "But there's nothing gentlemanly about its current occupants." "[sigh] This area here is just [heavy breathing] freaky." "[sigh] I just get a very strong sense." "It's almost like you're not meant to go there." "Oh, my knees are shaking." "I just" " I swear I heard a male voice saying." "I'm getting scared now." "Jeez." "I just got a male voice saying, don't come in here." "NARRATOR:" "Nerves rattled, Rayleen desserts the corridor." "She joins Ian at the safety of surveillance central." "Robb and Allen-- intrigued by her discovery-- head up to investigate the hallway." "This is one of the creepiest hallways I have ever seen in my entire life." "Without a shadow of a doubt, this is a nightmare." "The floor boards are just rotting away and damaged." "Like they're actually-- it's really, really quite bad." "It's very dirty and dusty." "What the hell is that?" "It's, uh, very claustrophobic and stuff, isn't it?" "I mean, look at the ceiling." "Yeah." "Right." "It's just rotting." "If there is anyone in any of these rooms, we need you to come into the hallway now." "If you walk towards me-- walk down this hallway" "I should be able to hear you." "We know that you died here." "Our question is why do you remain here?" "Huh?" "I didn't say anything." "NARRATOR:" "Robb gets a response." "Was it a spirit?" "Or was it the camera operator?" "Mick, was that you?" "CAMERA OPERATOR MICK:" "(WHISPERING) What was that?" "The whisper." "CAMERA OPERATOR MICK:" "No." "Wasn't me, dude." "No." "I didn't talk." "I didn't even hear anything." "I heard it right here." "No, man." "Didn't hear a word." "I just heard something." "It was a man's voice whispering." "[whispering voice]" "Sounded like Mick." "Sounded like something just said my-- your name in my hear." "[whispering voice]" "NARRATOR:" "This is what paranormal experts term an intelligent haunting." "A lot of times they're intelligent." "They know they can communicate with you, and they know they can respond to you." "A daunting prospect for any ghost hunter." "Well, if you're trying to get my attention, you've got it." "NARRATOR:" "Having heard a disembodied voice," "Robb now hears something more ominous." "Footsteps." "Keep coming." "Just walk right down the hallway." "I am looking down an empty hallway and listening to someone walk down it right now." "I am officially declaring this the most haunted hallway" "I've ever been in-- the hallway of doom." "That-- that is definition spooky." "NARRATOR:" "The hotel is reputedly haunted from top to bottom." "Ray and Gaurav head to the basement, where they stumble upon a cord, fashioned in a curious way." "Whoa." "Look at this." "I mean, this has come from, uh-- this is an electrical wire." "In this particular place-- not Kapunda Hotel-- has so much of history of murders, suicides, and whatnot." "So this definitely has to be very active." "NARRATOR:" "Gaurav primes the atmosphere with an EMF pump." "It emits electromagnetic waves, which paranormal investigators believe provides spirits with the energy to manifest. [beeping] Gaurav then commences a spirit photography session." "Don't be afraid of us." "Please come out and speak with us." "We don't mean any harm, any disrespect to you." "We're just interested in communicating with you." "NARRATOR:" "Ray hopes to be photo-bombed by a ghost." "Come on." "Come forward and join me in a photo." "We all like a photo." "Oh, Jesus." "[laughs]" "NARRATOR:" "But he brings this session to a sudden halt." "No." "the fan came on and made me jump." "It's all right." "It's all right." "I feel I have capture something on my camera." "Maybe an apparition?" "NARRATOR:" "One of Gaurav's images could be a partially-formed apparition." "The shape is not apparent in the previous photo or the following shot." "Unfortunately, it could also be Ray out of focus and in front of the camera." "So Gaurav is unable to declare it a ghost." "Underground, the hotel is a labyrinth of rooms and tunnels." "Robb and Allen enter the cellar restaurant." "And for a new perspective, Robb has donned over-the-shoulder camera." "This part would have also been part of what was the brothel in that era." "So the bottom of the hotel was a knock shop as we like to call them in Australia." "A knock shop?" "Knock shop." "And um, yeah, like old legend has it that the bottom of this pub was red light district, and there were tunnels that used to come from other parts and the mines and things into here." "So the miners could come in and do what they had to do and then go up and drink and then head back to the mines." "Wow." "Another day at the office." "That's right." "This particular room does have a few ghost stories attached to it." "One's of a woman [beep] and her daughter." "She's been seen standing over here." "And the woman standing about here, and little girl's roughly about here." "NARRATOR:" "Could these alleged ghosts be the mother and daughter from Ian's psychic vision?" "To find out, Robb sets up a ghost touch motion detector." "If there are any spirits here-- if there is anyone here with us-- our aim is to communicate with you tonight." "We want to meet you, get to know more about you, and why you're here." "What I've done is I've placed a box on the table here with a wire attached to it." "If you touch the wire, even gently, [beep] it'll make that sound." "And the reason that we would ask you to do that is just so that we know that you're here." "So if at any point you want to indicate that you're here, just touch this wire." "So with that being said, is there anyone present who wishes to interact with us this evening?" "If there is somebody here-- maybe you were a miner or even one of the ladies that used to work in here-- if you are here and you've just heard what Robb said, please don't be afraid of us." "We're not here to hurt you or anything like that." "We just want to communicate." "Listen, we're just guests here." "If you don't want us here that's OK." "Make it real simple." "If you want us to" "Footsteps." "We need you to come on in." "[clanking noise]" "Do you hear that?" "Just as I walked over here I thought" "I heard something really faint." "No one on the stairs." "If you are making the attempt to communicate, we appreciate that." "Don't sit there and tell me that you are content to spend every day and night in this pub and not interact with people." "[bang]" "[bang]" "I can hear something." "Ooh." "Can you hear that?" "High-pitched noises?" "What is that?" "That humming?" "It's high-pitched-- really high-pitched." "I can hear it." "Hang on." "Don't leave me in here." "What the hell is that?" "Hello." "Who's willing to speak to us?" "NARRATOR:" "The supposedly supernatural sounds are overwhelmed by the utility room humming in the night." "This room's what's way too noisy." "NARRATOR:" "And the boys are forced to abandon their investigation." "But Ray is determined to have a crack at the corridor." "With Ian and Rayleen along for psychic backup, he ascends the stairs to the first floor." "It's a hot spot at the moment." "When I come up from my-- for my solo it's just full on and pretty" " I'll have to say," "I was pretty freaked out." "Yeah." "It's almost like a secretive door, isn't it?" "Because when you look at that like that" "It looks like a-- a wardrobe." "Coat room." "Yeah." "NARRATOR:" "The team spreads out along the corridor." "Guys, can you guys put your voice recorders on the window sills opposite you?" "NARRATOR:" "Rayleen takes up position in front of room 12." "If you're here and you can hear my voice, we invite you to communicate with us in whichever way you can." "So I pause, and I can see something." "Sorry, Rayleen, near you." "What can you see?" "I can see a little girl." "[sigh]" "NARRATOR:" "The supposed spirit of a frightened little girl has often been reported." "I actually caught a very good EVP of a young girl who said help me." "That was very clear." "The young girl felt lost and wanting help." "It was very sad." "FEMALE HOTEL WORKER:" "We've had people come in for tours upstairs." "And we've actually seen her legs and the top of her little white dress." "Quite a few members of the staff have seen the same thing." "There's a mom with her, Rayleen." "Yeah." "Yeah." "That's why the little girl's a little bit scared." "NARRATOR:" "Could the little girl be hiding from the man in black?" "Can you try and get them to make a noise?" "Yeah." "OK." "Make a noise." "Come on." "I think we've already established something here earlier." "I need you, sweetheart." "[creak]" "Oh." "Did you hear that?" "Yeah." "What was that?" "Whoa." "It's at my end." "Whoa." "I'm walking towards you, Ray." "Speak." "Speak." "Speak." "(WHISPERING) I can hear it." "There's somebody here with you as well, Ray." "Left or right?" "To-- to, um, your right." "NARRATOR:" "As they enter the room 12, the supposed spirit makes its move." "I feel sick." "[coughing]" "You're all right." "[gagging]" "Something that bad?" "[coughing] Oh." "Are you OK?" "Oh." "[coughing]" "You all right?" "What-- why do you-- why do you-- why do you feel like this?" "I don't know." "As soon as I stepped into this room like around the corner" "I felt sort of physically sick." "Yeah." "[whew]" "The night before this investigation I didn't sleep." "I had, uh, terrible nightmares." "That can be a warning being a medium." "NARRATOR:" "Ray steps outside for a breather." "You come back here." "NARRATOR:" "But as he re-enters, Ian has a shocking vision." "Your face is blurring." "NARRATOR:" "Some people believe facial blurring, also known as transmogrification, can indicate someone is under spiritual attack." "You've got somebody with you, dude." "Yeah." "You have." "You-- you've brought-- [sigh]" "Bud, It's all right." "It's all right." "I feel so sick." "I know." "I know." "[ugh]" "You OK?" "Do you want something to drink?" "No." "No." "Get up." "Get him out." "Get him out." "Get him out." "Get him" " Get him up." "[bleep] Pick him up." "Get him out." "He's-- he's out." "He's out." "OK." "It's all right." "Just-- just hold the top." "Fix his clothes." "It's OK." "It's-- it's all right." "NARRATOR:" "Ian believes a nasty spirit has Ray in its sights." "His energy felt very, very negative around me." "So I knew I had to do something pretty quickly." "All right." "I want you to turn around." "We need to get you out of this environment really quickly, Ray." "Ray was taking on early manifestation of spirit." "A spirit came really close to him, which doesn't he was in possession." "It means that it was drawing him really, really close." "And if you're not used to that kind of thing happening to you, you will collapse." "You will become faint, because it's that they're absorbing your energy." "One, two, three." "Three." "Up." "It's all right." "It's all right." "He'll-- it'll feel fine as soon as he gets out of this room." "NARRATOR:" "Ian removes Ray from this site to the attack." "He's so cold." "All right." "Put your shoulders on mine." "Lean forward." "NARRATOR:" "At surveillance central, team leader Robb sees the drama unfolding." "What the hell is going on?" "Keep your head." "Just go." "Just-- up, up, up, up, up, up." "Up." "Up." "Up, up, up." "You all right, Ray?" "Ray?" "NARRATOR:" "Amongst his other skills," "Ian is an ordained exorcist." "[sigh]" "Take my healing, Ray." "NARRATOR:" "As he tries to cleanse Ray, [static] unexplained static emanates from his neck microphone." "Stay strong, Ray." "No, no, no." "You can't." "We've got to get you out of this environment." "You've got to fight it, Ray." "You've got to fight it with me." "Listen to me." "You can do it." "This is going to be a fight for you, but we've got to get you out." "But we're going to get you out because I've got to make sure nothing else happens." "I've got tears coming out of my eye." "Yeah." "No, no, no." "No, no." "Let's move." "We've got to move quick." "If I hadn't of started doing that, then Ray would have been out for the count." "NARRATOR:" "They cleared the hallway, hoping for the best." "It's OK." "NARRATOR:" "But Ray takes a turn for the worse." "I feel it. [ugh]" "We're taking him out." "Just lean him." "Just lean him this head back." "All right." "You've got to concentrate, Ray." "You've just got to think of light." "OK?" "Just think of light." "It's about using certain powers that pushes that spirit out." "Rather than the spirit battling with you, you'll find it a lot easier just to move on." "OK." "We can move." "Get your jacket." "I wanted that jacket." "NARRATOR:" "Supported by his teammates," "Ray staggers down the stairs to fresh air." "I got there early enough for Ray." "Really, to be honest with you, if I'd left it any longer, spirit would have gone with inside his body, and then that's when the problems would have occurred." "NARRATOR:" "Because of Ian's quick response, the crisis is now over." "Yet Robb is still concerned for his team member." "Ray, you all right?" "Why don't you go for a walk back to the" "And what just happened there?" "I don't know." "Yeah." "NARRATOR:" "Robb is also perplexed." "I don't know what happened tonight." "As far as the metaphysical things that happen with people passing out and getting attacked, um, that's really out of my realm." "That's not what I do." "I keep it very technical, but Ray seems fine." "Walk it off a little bit." "[whew]" "I've never ever in my lifetime has experienced anything like this-- ever." "NARRATOR:" "In the wake of this storm of spirit activity," "Robb decides the hallway needs further investigation." "He wants hard evidence." "What I need you guys to do right now?" "Head upstairs to that hallway and figure out what the hell's going on." "All right." "Thank you." "You want your camera, Gaurav?" "Yeah." "NARRATOR:" "In the light of Ray's misadventure, this could be a mission fraught with danger." "All right." "Let's go up Gaurav." "Let's go check this out, see what we're dealing with." "That's not a very nice energy, and I wouldn't recommend people going up there to be honest." "NARRATOR:" "But Gaurav and Allen are not intimidated." "Do you want me to go in first?" "I'll go first." "You're tough." "NARRATOR:" "Entering the creepy corridor, they head to the room that seems to be the center of so much activity." "Room 12." "Yeah." "Huh." "Interesting." "NARRATOR:" "As Gaurav sets up his full spectrum stills camera," "Allen confronts what he believes to be a paranormal bully." "I hear you've been a bit nasty to some of my friends." "Now you got the heavy hitters in your room." "Who is in this room?" "If you think you're powerful enough to do something to any sensitive people, you're wrong." "Can you do something now?" "Bring it on." "Here I am." "I think they're run away and hid, Gaurav." "NARRATOR:" "With the room growing quiet, the duo step out into the hall." "[thumping]" "Footsteps, down that way." "Which way?" "Behind you." "[thumping]" "Are you behind me?" "ALLEN:" "Wee." "What the [bleep] was that?" "NARRATOR:" "Allen is adamant he spotted something supernatural." "It looked like the bottom of a dress." "Is there a woman in here with me right now?" "NARRATOR:" "Anticipating a run-in with the man in black, did Allen actually encounter his supposed victim?" "I just saw you." "You were answering my call." "He just kind of was standing half in the door and just kind of backed in the door and disappeared." "Black dress, period kind of clothing." "I'd say probably 1890 kind of era." "I've never seen another like it before in my life." "Make a sound." "Prove to me that you exist." "NARRATOR:" "Unfortunately, Allen wasn't armed with his camera." "It's a strange feeling to actually see it-- visually see it." "For me, though, I still don't have that on video." "But I can say that I've actually saw something." "This was definitely a ghost." "It definitely looked like a real person." "NARRATOR:" "Digital audio recorder in hand, Allen continues the search." "Is someone in room 11?" "Speak up." "NARRATOR:" "Gaurav snaps away in the corridor." "Now's your opportunity to be heard." "I want one big sound." "Muster up all your energy." "Borrow some energy from me." "Can you make us hear you?" "[clanking sound]" "What was that?" "Yeah?" "I've just been asking for, you know, nice-- some nice loud noises." "Mm-hm." "Something that has been thrown at us." "Yeah." "You know?" "You got to admit it." "That's a pretty direct response." "I asked for a sound, and something throws a stone at us." "That's right." "Do you think they're trying to tell us to leave?" "Maybe." "Do you think we should leave?" "No." "We should not leave." "I think you're going to find, whoever's here, that we're just going to stay." "And you should, um, come out of hiding and stop playing your little games." "[bang]" "What the" "Whoa." "What was that?" "Wow." "That was incredibly loud." "It was just this massively loud bang." "It was from" "It was just like a loud bang." "The roof." "Did you make that sound?" "I've never heard a thing like it before, and I've been doing this for a long time." "NARRATOR:" "Has the team stirred up spirits along with the dust in this decrepit corridor?" "Before the night ends, Robb, Allen, and Ian take on the hallway one last time." "We need some closure." "We need to figure out exactly what's going on." "If this thing's trying to deliver a message, let's get the message." "Mm-hm." "I think there's definitely something evil up in that corridor, because we've all been hearing noises this evening." "It's not frightened of letting us know it's around there." "Did you know the most interesting thing?" "Rayleen's, um, and Ray's recorder should be here somewhere." "NARRATOR:" "When analyzed later, the recorders left running through Ray's ordeal may provide valuable evidence." "Do-- should we send Robb down there, do you think, in the spooky room?" "You go, big fellow?" "That sounds like the right place for me." "And I'll stand up right at this end near the steps." "I think it'll take my friend in room 12." "Yeah." "Are we ready?" "NARRATOR:" "Equipment at the ready, the three investigators spread out down the corridor." "OK, guys." "This is where I was positioned before with Ray and Rayleen." "And I just thought we'd try it again just to see what happens." "OK." "To the man or woman who was in this hallway or possibly both-- and you can't make us run-- but if you want to give that a try, please do." "NARRATOR:" "With no apparent response," "Robb is ready to wind things up." "Gentleman, I believe the hallway from hell has claimed its last victim for this evening." "If there is anyone here-- [bang]" "Oh, [bleep]!" "Where was that?" "It wasn't down here." "Room 11." "NARRATOR:" "Room 11 is where Allen claims he saw the female spirit." "Well, well, well." "NARRATOR:" "Again, she seems to have vanished into the woodwork." "Room 11." "[inaudible]" "I can think of very few investigations" "I've done in over 20 years that had this kind of intensity of activity." "NARRATOR:" "Team leader Robb calls it a night." "Ready, gentlemen?" "Yeah." "Let's do it." "NARRATOR:" "With dawn approaching, it's finally closing time at the North Kapunda Hotel." "Much evidence analysis needs to be done." "But after a rough night, team members are united on one matter." "They need a drink." "Fortunately, they're stone's throw from the world famous wine-making region of the Barossa Valley." "And at Chateau Tanunda, they enjoy a glass or two, along with a few rounds of croquet." "Welcome to international Croquet Tournament 2013 of Paranormal Investigators." "And the game begins." "NARRATOR:" "Using a mallet, the aim of croquet is to pass the ball through a series of hoops with as few swings as possible." "But just like a paranormal investigation, the rules of engagement can get hazy." "Robb, it's not baseball." "Tally-ho for the British." "They need to really focus on what they're doing." "I'm focusing on my wine." "[laughs]" "As a guy who likes fine dining and fineness in his life," "I've loved bringing this British game into disrepute." "Robb, it's about gentle." "It's not golf." "[ugh]" "So we've got thug and lug." "No way." "I like that Gaurav is proving that the '70s never go out of style." "Gaurav, just real quick." "Um." "Eric Estrada called, and he wasn't his outfit back." "NARRATOR:" "Despite the jibes, Gaurav is on his game." "I won." "Self-proclaimed winner." "There's no referee." "I won." "NARRATOR:" "Controversies aside, the ghost hunters toast each other on a game well-played, then get back to the serious work of analysis." "To weigh up the evidence, they convene at the old Kapunda courthouse." "Ray is the first to take the stand." "On investigation with Rayleen and Ian, we decided to investigate a couple of the rooms." "On entering room 12, I became very poorly and very unwell to the point that I actually collapsed." "Do you want something to drink?" "No, no, no." "Get him up." "Get him out." "Get him out." "Get-- get him up." "[bleep] Get him up." "He's-- he's out." "He's out." "I've got no explanation why I felt like that." "But what I can tell you, I have never ever in all my years of investigation, ever collapsed while investigating a building." "What happened is you was taking on spirit, what we call early manifestation." "And the energy we could see around you was spirit drawing in really, really close." "So I think what had happened you'd absorbed all the energy from spirit, and it just took you clean out." "I mean, all I remember is what you saw, that bending over, feeling quite sick, and then all of a sudden [snap]." "NARRATOR:" "The team techies are flummoxed." "I mean, that's crazy." "That-- that's one of the more intense things I've ever seen." "I'm just glad you came out all right." "NARRATOR:" "But what supposed spirit took Ray out?" "The answer may lie in an EVP, or electronic voice phenomenon recording." "This voice recorder of mine was left running." "At this stage, everyone had been cleared out of the building." "[static voice]" "It's an empty room." "It's a female voice." "To me, it sounds like it says hate blue eyes." "That's exactly what I believe it says." "[static voice]" "NARRATOR:" "Could the man in black's victim [scream] from" "Ian's psychic vision have been the spirit that allegedly attacked Ray, his blue eyes reminding her of her murderer's?" "I have blue eyes." "Ian has blue eyes." "But it just so happens, I was affected." "NARRATOR:" "Although the true nature of Ray's attack remains unknown, it was followed by an inexplicable ruckus ." "We were in room 11 in-- in the hallway of hell." "Um." "Have a listen to this and tell me what you think this is." "[bang]" "What the [bleep]?" "Wow." "What was that?" "It sounds like a gun shot." "It does." "As I entered this room, this was the sound which came just from above me." "[bang]" "NARRATOR:" "Could it have been a residual sound haunting, replaying a past event?" "It was a colonial town." "There was all kinds of rough justice-- that kind of stuff going on." "Every possibility that someone was shot in those rooms." "NARRATOR:" "But the holy grail of ghost hunting is visual evidence." "Did Gaurav gather any in the hallway to hell?" "As you can see, there's nothing in this picture in the corridor." "I'll move to the next picture." "Oh." "Shadow person." "Right there." "Into the hallway." "You can see it." "Nice catch." "I don't think this is a shadow person." "I don't think it's anything paranormal." "So I've taken more than 50 pictures in the same area." "None of the picture has the same shadow." "You" " I'm sure I can see a humanoid shape." "You just don't think it's anything paranormal." "I don't actually see the whole shape that Gaurav's talking about." "NARRATOR:" "But the team's designated spirit photographer is adamant." "I definitely believe that was an apparition." "NARRATOR:" "And although Allen's protestations cast a shadow of doubt, the verdict is in." "I believe the North Kapunda Hotel is a place that will stay with me for quite some time." "It is very haunted and pretty frightening." "North Kapunda Hotel is probably one of the most haunted places" "I have ever been to." "I'll finish my general summary in one word." "It's haunted." "[theme music]"