"Whenever you make an incursion a space, this space is changed." "I like the idea of scratching because after this space is amended by risk." "It's like a piece of paper that is with a brand and not more white." "There's something that the dirty." "The idea of risk has other aspects." "The energy you put into it, weight, breathing." "It is infinite." "In other words, memory leaves a mark." "The mark is always there." "And the memory." "There are several ways." "This mark leaves its mark in the body." "In mine, in any case." "Still a little ... say ... disordered ... this work and the process." "The Corinne knows me well." "She knows that this is part the process of creation." "So, I think you should ask me questions to clarify things." "And my job is confuse them again, sometimes." "And sometimes will clarify the project." "At first, things do not seem clear, but it does not matter." "Something clear is not always interesting." "That is, in his work, we have to achieve something we can define." "Let's say we have to accept getting lost in this text, therein." "We lose along the way ... and little by little, make progress." " It is moving too much, Annie?" " No." "I do not think are well superimposed." "Depends on how you are positioned." "Should come alive with the heat." "I have to put it directly." "His dance began in my place." "He or she moved," "I almost replaced." "But, imperceptibly, a body emanating from himself." "It releases their very presence, decomposes," "squirms." "Another structured differently, causes him to speak another language, a language changed back up to a time before language." "He has no idea of what is happening to him." "It comes from within, like the farthest from the outside." "Imperceptibly the following happens with this body:" "He is no longer one." "He stands with the game." "He moves away." "He begins to rethink." "He dances." "You can cross the leg." "Cross the leg, then close and switch to the other leg." "Just think of opening and closing." "Let your back straight, do not bend." "Make several round trips and, increasingly, broaden the movement rolling on their backs." "Use extensions, stretching, realongamentos." "Wait until the weight arrive at your hand." "While we do not feel, nothing will happen." "As we will not see three weeks makes no sense give them detailed corrections." "I think the main goal is trying to return the overall proposal." "Are beginning to feel, each of you, that has a line?" "Yes, they begin to build it." "Hind, not much, but still will." "Add small pieces." "Jean-Baptiste, well, just let your hair secure." "But it was good." "There is already something." ""He started talking about his land." ""People around him curious." ""He was already at home." ""His face was pale, child now he was smiling." ""The liveliness of her tales." "He calmed down." ""He felt that the old characters emerged from the shadows." ""He was away." "Away." "Far." ""The time of separation." ""They took him across the street." ""The sanctuary was too small." "They left him in the school house." ""He rose." "It was cold on top." ""He put the candlestick and ran through the room." ""He remembered that day," ""I learned again as he came, where he was." ""He felt a void, As the mountain." ""But there was nothing to fill it." ""The light was off." "The shadows swallow everything." ""An indescribable fear seized him." ""He stood up abruptly and running across the room," ""Came down the stairs and left home, but in vain." ""Nothing but darkness." "Nothing." "Even he was a dream." ""Isolated ideas sprang up." "He clung to them." "He felt he had to recite continuously  Our Father. "" "The story is an ellipse, actually." "Interests me more trying to get from here." "The idea is not ... or redo it or be Lenz." "But it's a start, with this January 20." "The initial idea for January 20 is what we have to try to find." "Each has your starting point." "The idea is that all have a path in this piece." "As a first level of work." "And this path is linked to the notion of walking but also to walk in number." "And we find that point, if you prefer, the end of this part." "Therefore, it is the actual path in physical space but also the progress and processing and full term transformation that makes the piece." "It is the path of a project that will be personal to us all and different for each of us." "We saw the most important, what you do in this piece is something that interests you." "Corinne, worked together for years." "The way we define must be something she want to go." "It's something you almost negotiates." "We can express it well." "They are not so walk but later." "A little more to go." "It is best not to walk too fast." "Otherwise, it's like a kind of ... must have a meaning." "There are 13." "It is the idea empty stage, there ..." " They are all here?" " No, have four or five." "That's fine!" "When she surrounds them ..." "The soil ..." "No, I will write now." "It's too early." "What I like so far is the sound of water, of electronic sounds." "Whenever there is a ..." "It is too complex." "You should tell them." "Introduce so many things simply compared with ..." "Remy doing when I saw the spider." "He had his own energy, but it was a group work." "'ll Add other things later." "I'll give them ... things to develop." "I want them too small to start." "This is too much." "Almost too strong, you know." "Corinne!" "It is this relationship with this fetish." "Not bad when they can ..." "Should be more distant, but some things work." "I do not know if the meet." "What is this?" "What?" "Number three?" "Wait, here's one." "Let's hear this one." " This does not." " It seems radio ad." " It's an ad." " Oh yeah?" "Ads remade." " Do not use it." " What number is it?" "Number 10." "What?" " MD2" " Okay." "Lise Bo-A-Pon." "Lise Bo-A-Pon." "It MD2, lane 7." " Let's play that out." " There he goes." " That will not do." " Does not work." "This was known." "It was good." " I love this sound." " He is good." "Why is space between the sounds." "Frankly, I like him very much." "Come in my direction." "At my direction, Mathilde." "Whales." " Are on the scale?" " More or less." " They are very small." " They are not." " There are bigger?" " A little." "But it is true that still seem a little pale." "Do not look too good." "But you can dye them yet." "I'll get ..." " This is dyed?" " You are." "It's like the skin." "Need to get two days to soak to penetrate the ink." "Have you tried the black?" "No, just tried This purple-red so far." "I do not think we can deep black." "But something succeed like gray." "It will be hot." "A hot ash." "Beautiful color." "But it is possible that ..." "I think it could disappear." "It may sometimes be imposing and disappear in others." "Right." "Have ordered latex to the square?" "I ordered." "So is a square filled rectangles." "Yes." "In fact, shall be broken why can not more one meter ..." " A meter wide?" " 1.20 m, but I'll stick them together." "Right." "We all forms we want." "You can make a way dimensions of what exactly?" "We do what we want or not?" " Something of 6 feet by 6?" " Of course." "Seven of seven?" "There will be two sources of air distributed over several hoses for dancers manipulate." "With multiple arrivals front and back of the stage?" "Yes, it taps on the bottom." "An system self-closing ... with tweezers." "So we have a system surrounding the entire room." "It will be good." "I can imagine it." "But you have to predict several meters." "And maybe two colors." "Two colors?" "I had not thought about it." "Red and yellow, no?" "Actually, I thought ..." "In the tests, I thought the same system." "So that it would all types of rhythms as a skeleton." "It's a bone, the skeleton ... air flow." "Pass underneath this arm." "I want you to go through here." "I go down here?" "Right?" "Wait ..." "We can turn on the air?" "I have to make the switch." "Okay?" "Are you okay?" "I feel great." " Good?" " Yes" "Forward." "I think we can do together." "It is big enough for two." "I'm a little early." "Go!" "Maybe we should adjust some breaks." "In "extended-compressed" is a long pause?" " About one minute." " At this point?" "There was another soon after." "Six in total." "Removed the short." "Yes, remove the short." "I forgot." "So short was there." " After ..." " In "Universe overturned."" "The short was there." "He was among ..." ""A world turned upside down."" "Where is it in this version?" "Take chapter by chapter." ""Eyes closed, ears plugged, pinched nose." "But under each space, where everything is arranged. "" "Is it not?" " Say, Dimitri." " That's it." " "Silence" and ..." " Okay, Jean-Luc?" "I was expecting." "I realized something else." "Was not following." "But that related only to you until now." "Yes, but you have a break that is long enough. 6 minutes." "It was in that ..." "After "cosmogony:" "Dirt "..." "After or before?" " We changed the position." " Now is later." "It should be in "extended-compressed"." "Right." "We can try?" "To verify if they are not in place." "Select a pause, before speaking." "We define the places before?" "No, let's see." "Let's try this." "Alright." "Okay, let's do it again." "Alright." " I think it might work." " Everything?" "Yes is very good." "Just would have to ..." "Wait a minute before sitting down that could break arrive before the other." "We must not end a type of situation ..." "That is, if you wait for Laurent, he will see you get up and leave." "Small pause." "Otherwise, if there are gaps ..." " Hope so." " We do not talk ..." "I think not." "There together." "There is just that ..." "It's good to see Jean-Luc at the end there." "It lasts a very short time." "What makes us change?" "Then we are upset because we see the philosopher there." " We think it's Eric." " You can not tell." "No, not written." "But some have a body a dancer after all." "Like you." "Her say that." "Like me." " We have a little time to fix?" " Yes" "Should I speak in the meantime?" "Does this bother you?" " Okay, I guess." " Okay." "I then give signals." ""2, order of entry." Something like that?" " Is it good?" " Yes" "Alright." "Come on." "You could take longer, Jean-Luc." " More?" " Yes" "Anyway, I was wrong." "Had to be right there." "It happens." "There is a change?" "There may be two." ""Another ..." ""If other," ""Is another body." ""I do not I add to it," ""He is away." ""Do not watch, is not an object." ""Do not imitate," ""Is not an image." ""The other body" ""Is reproduced in the mine." ""He crosses," ""He mobilizes or shakes." ""He gives you his step." ""The observation of a dancer" ""Or a dancer" ""More than once" ""Illustrated what we knew as empathy" ""Or" intropatia "" ""The reproduction of the other within himself," ""The feeling, the resonance of each other. "" "Each gesture includes a resistor and abandonment." "In fact, the dance is simple, is quite simple." "I have lots of exercises for arms because I love exercise for the arms." "There are a lot." "Rebounds." "Some that look like waves or which form a figure eight." "There are movements to push." "It's simple." "Raise a circle ..." "Actually, it's ..." "You can give indications with the body." "If you understand them in the arms, understand the rest of the body." "It's really simple." " Works around the chest." "It is the center of emotions." "It's the moves you soon after ..." "This is where you sit." "Drop and expand is good." "Drop." "It." "OK." "Drop, drop, expand." "Please try again." "Focus on these two ideas a single movement." "Drop ..." "That's right." "If you do not take a back where it can take you?" "How?" "If you do not take a back can only take you an imbalance and a round or ..." "Understand?" "No, it was to the side." "Yes you can." "See what you did, only with this movement?" "You throw, then released inside." "After ..." "Has it all." "If you pass this, we must have sure you see it." "You feel it all?" "I need to be more aware." "I trying to mix many things." "And then I can not control them." "But that's what's interesting." "It's when you get to release something, to hold to fall into it ... so without falling." "You give life to it, is not something that ..." "You are very good." "Perhaps your dance serve to close something after you open." "Maybe you need three movements these." "It does not matter." " Want to do it again ..." " The thing with the handle?" "The tension." "Re-create the tension." "Inside." "From there?" "Both?" "Loosen the head as well." "It." "I need a team theater for this show." "How beautiful!" "Annie, do not like this bag." "Someone in this group already made a movie?" "Very good." "I loved it." "Will I need Claire's on the show." "No, not really." " It." " Yes." "It does not know those inside and those outside." "It seems to me that rhythmically, he follows the sound." "The body together." "It is too much?" " Would need to be ..." " Less synchronized?" " More organic, I think." " Yes" "You can focus somewhat slow in the body and continue with the voice ..." "Look in the sound." "It is something that is born in the belly." "Expected." "Yes .." "Let's just ..." "I think you have to go back for Stephane, but ..." "You are very good." "That too." "A hand up ..." "Then I think you can ... can be more ..." "will be easier too." "It's good to get there." "Stephane, I think it should be ..." " Lower?" " Yes, make the sound softer." "I will not stop you this time." "Even that will not be good, continue." " Not provided." " No." "It's getting ..." "Is heavy, it's bad ..." "Try to go there and do the "m" as before." "Yes, when we were advancing." "I'll try." "And also ... maintain the idea of progress in space and the word." "The word in its evolution, incorporates other times." "Then try to work it vocally." "Try, even if not together." "Begin to walk." "Do not make a crescendo." "This is ugly." "Makes a dramatic thing too while it should be something that opens inside." "It becomes too predictable." "You can tell where you're going." "Magnificent." "Magnificent." "It was magnificent ..." "Enter the word." "Between her." "It." "Find it in your body, Mickaël." "It." "In his entire ..." "Right." "Is not that great." "It is far from magnificent." "I do not know what the hell I'm doing here." "I'm serious." "That's what does not work." "We can not leave ..." "We can not leave the 1st level we have already achieved the first day." "And, the result that is there is surprising." "Keep repeating something who know me and the result is ..." "That's what ..." "What is the problem?" "Repetition?" "The problem is that ..." "I showed them a system so ..." "This is what is not working." "They are imitating me." "But they need to discover things alone." "The idea should not be right, is not quite clear." "Everything comes from the idea that walking permeates the entire piece." "They walk and are prevented of doing this and at the same time, are prevented to say the word." "Then the body and voice can not advance." "That was the idea." "In other words, you had to forget it the scheme that you gave them to be taken by ..." "They have to extrapolate." "I gave them a kind of exercise for this." "Maybe it was a mistake." "Sometimes there are things that should not be made as an exercise." "Sometimes you have to look their own experience ..." "Perhaps the exercise should not be so applied." "He had nothing to do project with their personal inside the piece." "There is no failure." "I can not penetrate." "I understand." "If no failure I can not make things." "My ideas are on the same level." "When this happens, I better quit." "1 ..." "It." "This is clearer." "1 ..." "rhythmically, it is clearer." "So." "Not very fast." "This is it." "It's better." "Perhaps you have time to do this in a ..." "Pass on the leg they are raising." "So." "Have to prepare." "You will turn and go." "Puts his arm inside." "Stop it." "Concentrate." "It is not easy." "This is natural." "This is beautiful." "You ... is incredible." "The whole stage too." "It's almost the beginning of a ..." "It's like seeing ..." "As she does, you see all the Korean army." "It's amazing." "It's great." "Everything that she is fleeing." "Everything that she runs away." "This is really pretty." "... By five." "I Fang ... about the soldiers." "On the military march." "All this goes along." "Space disappearance." "This is a movement of tai chi." "Indeed, it is a mixture a movement of tai chi I learned from a Hans Zullig." "I combined the two movements." "Especially, for the hands." "For hands, it's more like ..." " Delete the air." " It." "Pull it." ""Pull" is more a term of tai-chi." "I think "scratch" comes more" "Jean or Hans Cébron Zullig, with whom" "I learned a lot of arm movements." "I love to move his arms." "You have to do it a long time." "It's different every day." "Each time you do, is different." "Then he moved aside." "Interestingly, heating, Unlike other arts ..." "Writing, for example." "I do not know if a writer warms or if an actor gets hot." "They focus, prepare." "I feel more like a ..." "I do not feel like an athlete." "I am just a ... activity of the preparation." "This is already working." "Global warming is a job." "It does not happen before." "That's it." "It does not happen before, is something that is already there." "Maybe it's like writing." "Even though they are small things ..." "Maybe they are not small." "Maybe it's like ..." "You need to be alone." "Prepare only before sharing." "Yes, this moment of solitude is very important." "It is a daily meeting." "The heating is something like the floor." "Because ... is a moment that you have for yourself and, whatever happens, you know you have this time." "When things are difficult, is something that can structure will help you." "This is the advantage of the dance." "Having this time." "Even if you dance or not, You can do it for yourself." "You know you need it." "It is an advantage and ... while ... compels you ... to structure your day." "It also requires a structure of your day and schedules rather dramatic." "At the same time," "I think it'll actually structure." "You need to warm up." "Needs this time." "Also ... we have come ... to always have ... in any time of day ... the time for our heating." "It is a real luxury, I guess." "You get that luxury." "I do not think many people have that, you can take time to work for yourself." "Today is ..." "It is December 12." "Today is the dress rehearsal." "We are in Gennevilliers." "I guess I'll find the show today because ... we will be ready at the last minute." "Actually, I'm a little anxious because of technical problems." "It was hard to get here and find the space we had Bagouet in the studio." "So I think tonight ..." "I see the show as conceived and imagined." "I think the depth is this now because ... we have the impression that people come from far away." "At the same time, We can virtually touch the audience." "Then there's this way all by number as a way to reach the public." "Thus, the public can be very close but this view has something distant." "This is rare." "It's like a wide hallway." "It's something we never tried before." "I think this will bring this idea of different depths of field." "And the idea of outside." "The depth also gives this idea outside." "The idea of movement indoor and outdoor we can feel." "Mickaël ..." "If too long, you can get during lowering it." "Go now, but is very ..." "Continue." "Otherwise, it will be too long." "Continue." "Maybe even before." "Rémy, very well." "Actually, now that Aranxa was this space becomes truly yours." "It rests on you." " It is better to go ..." " It's not too late?" "A little." "But Mickaël can get ahead without you." " Okay, I'm a little ..." " You have all the time." "This gives me a reference." " Very well." " Okay." "He is very low." "Go up a bit, Mickaël." "You are very low." "Corinne, you can move with respect Mickaël or to the left of the stage?" "ThisfilmwasshotattheCenter  Nal." "Choreographyof Montpellier andGennevilliers,during thedressrehearsalof" Déroutes"" "firstwithaSuper-8camera, andthenwithaAatonSuper-16." "Adaptation:" "Jose Chabel" "Subtitle ripped by davidonato Free Cinema Movement"