"[WATERLOO BRIDGE]" "Without any exception, known now by all the world, it's now Sunday, September the3rd, 1939, as a day to belong remember." "At 11:15 this morning, the primary minister speaking to the Nation from No. 10, Dunning Street, announce the Great Britain is at the war with Germany." "Meanwhile, theLondon Public Earnest remind their emergency order already issued." "No light at any description should be visible after black out time." "No dogs or cats will be allowed to room at three through out of dark, and the troopsshould've to remember the thief should not to be committed in publicarea shelter." "Gas mask and warm clothing should be placed hence for retiring and hesuggests the warm drinking of cinnamon would be a great of comfort tosmall children who might have been waken at unusual hour." "If there's ever the troops maid to require thenurse of those children who still remain in London despite of the evacuation which would continue the late hours until thisevening." "Colonel Cronnie's car!" "I was right, Thomas." "Tonight!" "To front, Sir?" "Waterloo Station!" "Yes." "Be familiarity you wanted it." "I meanl've been to the last one." "Yes, it would be familiar." "Thomas" "Sir" "Go by way ofWaterloo Bridge, will you?" "Waterloo Bridge?" "Sir?" "We have plentyof time." "All right, sir?" "Wait for me atthe other end of the Bridge." "I'll walk across." "All right." "Here, take this!" "Good luck chuck?" "Perhaps it would bring you luck." "I hopeit will." "I preyit will." "It's such wonderfully kind of you" "Do you think you remember me now?" "I think so." "I think so." "For the rest of my life." "I hearit." "Oh, you're dreaming." "I didn't hear a thing." "Well, I didn't..." "Did you?" "Myra" "And itrings again." "Be quiet, please, all of you." "Pardonme, but was that a warning?" "I'm afraid so, we'll know in aminute." "Myra, I told you, we'll be late" "Madame will be furious." "We shouldn't worry about Madame." "Look!" "Look!" "Where was he?" "Where can we go?" "The other front station on your right." "On your right!" "Your right!" "Your right!" "Stupidbag, italways does this." "Thank you so much." "Mind your own life, wemight be stretched." "We'd better get off." "Oh!" "Mylucky chuck!" "You'rea fool, you'll out oflife." "I haveit years, it brings me luck." "That is outrages." "Do youthink there'll be troops on Miller Street if wecould run." "Not atall." "You idiot, don't push me, sir." "And I say you blow me well push if youlater would like to staying outside." "I was always right about myself." "That'smy old man saysa moving tart." "It is others to eat." "Anti" "Not atall." "Blinding!" "Urman's ready marks onmarch 18" "Urman?" "Yes." "Urman the German." "I'm Sorry." "It seems there is a certain amount of shaving." "It is crowd, isn't it?" "That one must close." "Ah, we're savehere." "There may be some space over the wall." "Shall we make through?" "All right." "Excuseus, please." "All right" "Better, yeah" "Yes, thanks, much better." "Look for your friends?" "Yes, perhaps they're taking another end." "Do youmind?" "Oh, no." "I suppose I must offer you one." "Mm..., no thanks." "You'reon school, aren't you?" "Oh... ho..." "I've being funny?" "Oh, look, that's our school," "Madam Olga Kirowa International Ballet." "International ballet?" "You don't meanto say you're adancer." "Yes." "Ah... professional dancer?" "Now and then I wonder." "You mean you can very well nodor something" "Certainly, I can do auto-sante" "I beg you pardon?" "I can cross my feet six times in mid-air" "It just could do ten but that only happen once in the Century." "Must because of the muscle's of..." "Let's forget of the muscle." "I should thinkof the dancer'smuscle be like strong man." "Oh, not quietly, that'll be restrictful." "We tryto combine the slender and strength" "Well, I've been dancing since I was 12, and..." "I don't think the muscle is over-developed?" "Oh... no, not in your case." "Cause we have to trainlike gasoline" "Madamebelieves rigid discipline." "You'reexpected to be in the theater tonight?" "We don't go onuntil ten." "Wish Icould be there." "Why don't you come?" "No, unfortunately I have journal's dinner." "Takes a lot of nerves to miss journal's dinner." "Are you home on leave?" "I haven't." "My home is in Scotland" "And you have to go back to... to France..." "I mean?" "Tomorrow." "Oh, I'm so sorry." "This hateful war." "Yes, Isupposeit is." "Yet, Idon't know..." "It owns certain amountof excitement too." "On thecorner every second fascinationof the unknown." "We're both facing at the incident." "Oh, we're facing unknowing peacetime too." "You'rerather a matterof fact, don't you?" "Yes, you're rather romantic, aren't you?" "Well, here we are." "Wait is over." "Never enjoyed in L. A more." "Shall we go now or wait for the next." "Oh, very attempting, but..." "I think we'd better go" "Shall I carry that?" "No, no!" "I onlydrop itin the emergency." "I hopel'm around nexttime ithappens." "It isn't very like it, isn't it?" "You goback toFrance." "And you..." "We maygo to America." "That does makeit unlikely." "I'm sorry." "So am I." "Too late..." "I'm afraid I'll have to take taxi." "Well, it may not be sosimple." "I don't know your... (wish I could have seen... )" "What you're gonna to say?" "Wish Icould go to seethe Ballet." "I'm sure it would be apleasant memoryin the trenches." "What were you going tosay?" "Oh, itjust..." "I..." "I don't know anyone who's in France, and..." "I'm afraid to bring ithome" "Now I've known you, not I really know you of course." "Thank you verymuch." "I hope you'll get backsave intown." "Thank you." "Here, take this." "Your... your good luck charm?" "Perhaps it'll bring you luck." "I hopeit does." "Oh..." "Idon't..." "I can'ttake it" "It mean so much to you." "You'd better to have it." "I was beginning to rely on it too much." "Oh, that's wonderfullykind of you." "Olympic Theater, please." "Good bye." "Good bye." "Kitty, he's here." "Who?" "The man you met on theground?" "I don't understand." "He says he couldn't come." "Suppose he just come to see the show..." "You said he has journal's dinner?" "It's not what I say, it's whathe says." "He's nice, isn't he?" "He's being allright." "What did he dothe corneal?" "Do youknow what her man says?" "Watching play?" "Girls, girls!" "Girls, please, please to be quite!" "You know how Madam hates noise." "Pauline, what is partabera?" "A partabera isprogressional points bycertain very small evensteps." "If youknow it, why don't you do it during theperformance." "Elsa, your all abase-sware jumping, they were pussy timbly, elastic." "Reallyl was concern for you." "Anna" "show the young lady, please?" "How todo an encachgalta?" "I." "And may I ask why didn't you do it that way for the audience?" "They also havesome rights, you know?" "The performance tonight was disgraceful." "We areplaying for themoment in the Wallace Theater, but..." "Kitty?" "But that doesn't mean you should work with less precision than performing sills, which proceed you." "You don't own the Ballet by your presssincere," "The ballet honors you." "Are there questions?" "Madam?" "The note, Kitty?" "The note that was handed to you." "Oh, itis just from anold friend, andmay I..." "I don't need to be reminded that you were of course call girlsin a review." "Your behavior!" "Myra!" "No, Kitty!" "It's for me, Madam." "Then you may read it." "Aloud, please." "Madam..." "I..." "Read it, please." "As yousee," "I cannot bear just spend my last evening with my corneal afterall," "Pleasehave supper with me," "Your friend inthe Shelter" "P. S. I am sure you would because I have a good luck charm which had already change my luck." "And the signature?" "There isn't one." "And if there were one." "What would it be?" "I don't know, I only know his last name." "Indeed!" "I mustemphasize." "That if you want sub-parties, officers, and atthe last, you shouldn'tbe here with me, but inother occupation." "Lydia, paper, please." "A wordis no excuse for in thequarrel." "And write, please," "Dear sir," "What does he act?" "Captain!" "Dear Captain," "Here you are, sir." "Oh, thank you." "Thank you, sir." "No goes, sir?" "No, I'm afraidnot." "Oh, captain, captain." "Captain, I'm kitty, Myra's friend." "Where do you like to meet her?" "What?" "Myra?" "Oh, how do youdo?" "I do very well, thank you." "But where do you want to meet her?" "I..." "But she... uh... she refuse..." "Oh, take your note." "There's an olddrag made her to write that" "You mean she'll come after all?" "Name the place." "Does she know the candle night's club?" "No, but I do." "Good, then..." "Then I'll be there, anhour, say?" "An hour." "Look, here..." "I..." "I hope I'mdoing the rightthing." "Myra'sjust a sweet child" "You can see that, can't you?" "I can see that, Kitty." "Bye-bye, captain." "Hello" "Oh!" "Hello" "I'm afraid that Kitty direct you to the wrong place." "Oh no!" "But I read theletter before the wholeclass." "Were you embarrassed?" "Yes, so would you, I believe?" "Mh..." "Idare say." "I'm afraid I made it difficult for you?" "Well, you... you gave up the corneal, so I spend a time verydifficult to see you too." "Yes sure you did, but I have my reward." "It's wonderfulto have you to come." "Shall we go in?" "All right." "Excuseme!" "How nice you look!" "Thank you!" "Mm... what a dancer eat?" "Oh, dancing... mostly netruous yet not fattening" "Oh, no... not tonight." "What do you suggest would be particularly richand inadjustable?" "The crab is very nice, sir" "And wine, thisbegins against the rule, but dancer does drink a littlelight wine, isn't it?" "Well, tonight?" "Good!" "No. 14,please." "No 14,sir." "The ballet wasbeautiful!" "Madamedidn't think so." "Well, experts never know." "It takes outsider to know whenl tell you it was beautiful." "That certainlyproves you are an outsider." "You'd like to see me again." "Yes." "I sense reservation." "Well, I suppose there is one." "What?" "Why?" "What'sthe good ofit?" "You are a strange girl, aren't you?" "What'sthe good of everything?" "What'sthe good ofliving?" "That'sa question, too." "Oh, no, wait aminute." "I'm notlet youget away with that." "One of the thing aboutliving is this sort of things can happen." "The shadow of desperate," "I can meet youand feel more intenselyalive, and walking around in the peace time, taking my life for granted." "It's high price to pay for it." "I don't think so." "I do." "Do people haveto killeach other to give thema hiking sense oflife?" "That'sgot nothing to do with people killing each other." "Are you excited about life or you're not?" "You know, I'venever been ableto wait for the future." "When I was very young, a childin fact," "I climb to thetop branch of ahigh tree to like a diver, announce my horrify governance, now I shall take a leave into the future and I jump." "I was in the hospital two months." "You should letthe future catch up youmore slowly." "Oh, no, can't help it, I can'thelp it." "O. K., if we met in ordinary time withordinary way, we're just about telling what school we went to." "We're much further along, don't you think?" "Are we?" "You know we are." "Oh!" "I'm too excited, let's dance?" "All right!" "To you!" "Thank you!" "To us!" "I still don't get enough quite." "What?" "Your face." "It's all beauty, all beauty." "What is it youstill don't get?" "You know when I left you this afternoon." "I couldn't remember what you look like, not for the life of me." "I thought was she pretty?" "Was she ugly?" "What was she like?" "I couldn't remember." "I simply had to go getback tothe theater to see whatdoes she look like?" "And do you think you can remember me now?" "I think so." "I think so." "For the rest of my life." "But what is itall about the muse you still don't get?" "Ladiesand gentlemen, we nowcome tothe last dance of the evening." "I hope you enjoy the farewell waltz." "I'll tell you later, let's dance now." "What does thismean of these candles?" "You'll find out." "I'll write to you." "Will you answer?" "Of course." "Wonderfully evening, wasn't it?" "Yes, thank you very much." "When Icome back, we'll go there again." "Yes." "There'll be our place." "That's where we're always re-catch this evening." "You think we'll ever seen eachother again?" "I think it's startful, don't you?" "." "Yes, Isupposeit is." "What was that you started to tell me in the restaurant you didn't understand about me?" "Mm..., no use to go into now." "Pleasetell me, I would like to know." "Well, it strikes me curious ever sincel meet you, you know, veryearly moment ages ago." "That you're so young, so lovely, so defeat-ages..." "You don't seemto respect much from life?" "Well, is that right?" "For instance, I meet you, I like you." "And I assume so soon we'll apart, perhaps we'll never see each other again." "You can't conceive that then." "I'll never seeeach other again." "Yes, Ican't." "This where youlive." "Yes." "Nothing to do about it, does it?" "Nothing... except to say good bye." "I suppose so." "Good bye." "Good bye, Myradear." "Good bye, Roy." "Keep well!" "Yes, you too, Keep well!" "Mh... nothing can happen to me." "Your lucky charm will see you then." "I hopeit will." "I'll prey it will." "Good bye!" "Good bye!" "Pleaseleave me first." "All right." "Ah, I wish I can have this catch amended." "What I've beentelling you?" "It broken opentwice yesterday." "Oh!" "Kitty, What time is it?" "It's... almost 11." "Oh!" "Good morning, Madame!" "Good morning!" "I cometo congraduate you, Myra." "What?" "Madame." "On-being up." "Myra." "Considering that you didn't goto bed until 4,it's remarkable." "I havethe feeling your performance tonight will give the effect of sleep walking." "That'sthe first time Myra's been out, Madam?" "When Imade you to send the note to the Military gentleman." "It was you I was trying to protect." "I'm fond of the girls who work for me" "I don't want them to be camp followers." "You don't knowhim or you wouldn't saythat." "Can't we have any private lifeat all?" "Not when it cost your public clever theater." "I'm happy thathe didn't stay here fora week." "Otherwise he would ruin six performances instead of one." "If such thing should happened again with you or any of the others," "It means instant dismissal" "I willsee youat the theater tonight, ifit is not too much trouble." "Oh..." "Why she'sso curland hateful." "Ah, the old booster..." "She talks always like that." "Never mind." "Spoil everything." "Oh, rubbish!" "You'reupset and tired." "Why don't you go to bed?" "There's no rehearsal today." "No, I'm not tired." "Horrible morning for the JameyCrossby." "I suppose he'sgone now." "Yeah, I suppose so." "Kitty, Kitty, Look!" "He's there." "Here is sergeant." "Kitty, thanks God!" "He's here!" "He'll be called Marshall for this" "Oh, I gotta go, I gotta to!" "Oh, calm down, will you?" "He would certainly understand it takesa while, Myra." "Oh, Kitty, youspeak to him too, don't you?" "Well, that certainly goes to bring himup." "Oh, get away to that window, you stupid thing..." "Your feet!" "Youcan't take it around and..." "Where is my hat?" "Myra, for Christ's sake!" "Oh... oh..." "Kitty" "What ifl... what if he..." "Oh!" "You suppose..." "Oh!" "Dear..." "Oh!" "Kitty..." "What do you think?" "Oh, God, Kitty?" "Do I look all right?" "Yes, sure you look allright." "You look better if you put your dress on." "Oh!" "Kitty..." "Ah, here..." "Come on now." "Look, look..." "Myra..." "Stop it!" "Come on..." "I don't know what I'm doing." "I'm embarrassing..." "Oh!" "Dear!" "I hatethose buttons." "Kitty, Kitty..." "I just want to..." "I just want to..." "Kitty, he cameback." "It wasthe beginning to think." "But hedidn't." "He came back." "Is he still there?" "He is!" "Hey!" "Wait a minute!" "Wait a minute!" "I get you a rainypush..." "Between the ten and corner there." "Here, put thison." "Now I'd bettergo fish." "You don't wantto run into theman allthe waydown." "Wait aminute." "All cleared." "Pleasetell him no more force long..." "I can't stand the excitement." "Hello!" "Hello!" "Nice for you to come to see me." "Not atall." "You... you didn't go?" "Couldn't..." "My orders has changed, forty-eight hours to leave." "Isn't that wonderful." "Yes, two wholedays." "I thought all about you last night." "Couldn't sleep for a wink." "You'remerry to remember me last instance." "Yes, very merry." "Myra, what do you think we're going todo this?" "Well..." "I..." "I..." "Oh, you want the time for that." "What?" "For hesitate!" "No more hesitating for you." "No?" "No!" "What're the merry things you're going to say?" "We're going tobe merry." "Roy, you must be mad!" "Ah... no, it's marvelous sensation." "Oh!" "Roy!" "Do be sensitive." "Not me!" "But you don't know me!" "I discover you." "Spend the restof whole my life doing it." "Oh!" "Roy, it's war time." "It's... it's because you are leaving sosoon." "Because you feel you must spend whole of your life in forty-eighthours." "We're going tobe merry" "It's you." "And it'll never be anyone else." "How can you tell that?" "I mustknow it." "None of your equlevent." "None of your questioning." "None of your doubts." "This is positive, you see." "This is firmarative, you see." "This is final, you see." "You are going to merryme." "You see!" "I see." "What'smatter, darling?" "Where are we going?" "To uptown for engagement, to thebaron, St. Thomas Square." "Now, Myra, I want to give you a complete picture what lam going to let you in for." "All right." "I haveto going through certain back." "In the first place, mydear young lady." "Am a captain in the rental ship Ulserlias." "Are you impressed?" "Very much." "A captain in the rental ship Ulserliascannot be merrycasually." "Requires men'spreposition formelody... anything." "I see." "It's alibraryritual..." "Is it?" "For example, the captain in the rentalship Ulserlias has before he marries to get concern of his corneal..." "Is that difficult?" "Well, it mightor it might notbe." "I think it's gonna be difficult." "Great deal depends upon the potentationers." "On thecharmerof potentationers, on these others, on the eloquence." "Myra, look at me." "Yes, captain!" "Don't doubt how it comes" "You're very competitive, captain!" "You'requite mad, captain!" "You'reragulartism, head strong and..." "I adore you." "Now, sit here." "Don't speak tostrangers." "I'll be right back." "Myra!" "So soon?" "Oh, no, I've not see him." "I've got something very important..." "In face, indispensable!" "What?" "Your virus-certificate." "Well, I'm afraid I've been misled them." "I'll check them up." "Now, then..." "I assume you were born... where?" "Berming." "When?" "July, 9, 1895" "Father's occupation?" "Schoolmaster!" "Parents living?" "No." "Ha... say, whatelse?" "Oh, yes!" "What's your last name?" "Oh, Roy!" "Lester!" "Lucky I thought of that, that is very vital." "Good bye, MissLester!" "Good bye!" "Wait just a second!" "Excuseme, sir." "Yes, yes, whatis it, corneal?" "May I see you privately, sir?" "I am at lunch!" "It's extremelyimportant, sir." "You know Sanprous lastnight when he interrupted dinner." "Now you interrupt my lunch!" "It's all part of the same thing, sir." "Ah, very well, back ina minute." "I am terribly sorry, sir." "But I think you understand." "I hope you understand." "You are not going me some sortof clue?" "Sorry about interrupting your dinner last night." "But... you see, corneal..." "Well, whateverit is, I hope you strictly it up beforel get corny into the suggestion." "Sit down." "Well, I'd rather standif you don't mind, sir, I am inquite of hurry." "The fact is, corneal the fact... the fact..." "What is the fact?" "With your permission, sir." "If youdon't mind, sir." "I would like to get merry thisafternoon." "And who is thebride to be, may I ask?" "Her name is Myra Lester." "I haveher virus certificate." "Sit down!" "Do youknow her long." "Long enough tobe absolutely sure, sir." "It's you beingpresented to the court." "Very much, sir." "But she is elect devoted for presentation with you." "Roy, you're leaving for the prompt tomorrow." "You'resure that hasn't to do anything with your haste?" "Certainly, sir." "You see, I want to merry her before I leave." "So that she can move to live with my mother until I get back." "Mm..." "I see." "We're approving this." "This is what your proto-responsibility." "I know, sir." "And the responsibilitythat I cannot assure bymyself." "I... wish you try, sir." "Sorry, but I'm afraidthat I'll have to ask you to get the concern with the gracecolonelin chief." "I see." "As he is your relative, he can inquire moretruthfully indeed, but I can't." "However, to get his concern, you have mine." "Thank you, sir." "And I hope your futureengage will nottake place during meal time." "Sorry sir." "Thank you, sir." "Reverent Steward Crowford, Sparrow Square!" "Yes." "Captain Roy Cronnie..." "Oh, myboy, I'm glad to see you." "Thank you, sir." "Very glad to see you." "Very well, sir." "When do you goback?" "Day after tomorrow." "You'rebeginning back for thatto pushcamera, I expect." "I hopeso, sir." "Sit down." "Thank you, sir." "Had a nice leave?" "Wonderful!" "Good, good." "Duringthe service... well, my boy, anything I can do for you." "Yes, sir." "What is it?" "I..." "I'd like you to concern mymarriage." "Marriage... ho... ho... ho..." "Who isthe girl." "Miss Myra Lester." "Lester..." "Lester..." "Salle?" "No," "Birmingham." "Birmingham..." "Lester..." "Do I know them?" "No, but I can ramblingthat, sir." "Does your mother know her." "No, she will." "At least, Myra." "Her parents are died, she lives alone." "Well, what does she do?" "She's a dancer." "A dancer?" "Yes!" "She's..." "She's terriblynice, sir." "A dancer..." "You know, Roy..." "You know, Roy..." "I likedancers." "Oh, thank you, sir." "I mean..." "I..." "Idon't blame you." "Dancers!" "Mm..." "In my time, you understand?" "Of course." "AH..." "When I was your age, I was in love with a dancer." "Wantedto merry her." "She wouldn't!" "If shehad accepted me, she would havebeen your ante." "Never have been delightful." "Look here, my boy!" "No onetellingl am very proudof your war record." "Thank you, sir." "Oh, you know what you're doing, I suppose." "Yes." "You'llbe proud of her, too, sir." "I am sure." "I don't necessary to believe what theycalled "CorrectMarriage"." "See, many of them turnout to be badly." "Wow, good luck, my boy." "I bless you." "Thank you, sir." "I'll never forget this." "Neither will she." "That'sall right." "Bring her around this evening on your next leave." "I shall." "Byeing for then." "Thank you again, sir." "A dancer?" "On the sustain." "I havethe honor to announce its greatest concern to the marriage of captain Roy Cronnie atthe Rental ShipUIserlias to" "Miss Myra Lester at Birmingham Worryorchard, England." "No family opposition." "Not asexpected." "Disappointed?" "Too easy, I'm frighten." "Ha... defeated." "Where to, sir?" "Ah..." "Bond street." "Yes, sir." "Bond street?" "Bond street for a ring." "Very simple ring." "I don't want to spoil your straight atall." "Then to the florist." "You deserve a rosy." "Then to the St. Matthew's church." "St. Matthew's?" "Really?" "Of course, St. Matthew's." "They have proper tradition with rigid mental marriages, where walk-in many strangers and walk out couple friends..." "The door beyond is thechest, sir." "You'll find the big choir at practice." "Thank you." "Well, darling." "Oh, Roy!" "Shall we face?" "It's been so quick..." "Are you quite, quite sure?" "Myra, I was never so sure anything in my life." "In themoment you leftme after the air ray." "I knewl must find youagain, quickly." "I found you, I'll never let you go." "Does that answer you?" "Wait here." "This is Miss Lester." "How do you do, Miss Lester." "How do you do." "I am sorry to disappoint you, Miss Lester." "But I'm afraidthat it's impossible for me to merry you now." "Do don't you forget that according to the law, no marriage can take place after threeo'clock." "I explain to the Deacon, Myra." "That the this is the emergency, we thought during war time, something could bemanaged..." "Isn't there really anything you could do, sir?" "We'll pay our most grateful." "I'd like to help you." "But unfortunately, that is law." "However, if you would come tomorrow morning at11 time," "I shall be most happy to purfome the ceremony for you." "But wehave solittle of time." "Well, there are only few hours." "I justmeans we'll have to be engaged for a whole day." "I don't believe long engagement, do you, Deacon?" "Oh, not when the partyare elder." "But I think in your case, it can do noharm." "Then Ishould expect you tomorrow at eleven." "We'll be here." "11 precisely." "We'll stroke the hours." "I should be thank you." "Good bye, thank you very much." "Good bye, MissLester." "Good bye, deacon." "Where's Myra, anyhow?" "No more date, we've got to go to the theater." "I'll tell, I just tremble for the poorgirl." "Oh, chorally, who's trembling?" "Maybe she went to the theater" "That's right!" "She's probably waitingus there." "I hope..." "Where have youbeing?" "I've been worrying to death." "I thought you'll with the boss, she find you acouple of times." "Oh, did he?" "I wonder why..." "He hasto go back to the back." "I wentto go shopping." "Hei, what's happened to you?" "Who... whose dress of that?" "It's mine." "Yes!" "I spend my last penny." "Are you crazy?" "Yes, quite, quite." "I bought a hat, a lovely hat, and shoes, and bag, and lovely... and..." "My wedding dress." "Oh, Myra... youdon't mean..." "Yes, lam going to be merry." "Oh, darling!" "Come here and give me a hug." "Wonderful..." "When, when?" "Tomorrow morning at St. Matthew's Church." "Oh, Kitty, I'mso madly happy." "Oh, darling, Ican't believe it!" "Neither can I." "Oh..." "I want tocry." "I've been crying all day." "It's unbelievable!" "Anything I could do tohang..." "It's so wonderful!" "Oh, what joke on Madam." "Kitty, are youcoming?" "Yes, all right, wait asecond." "You'recoming just..." "You'reon yourcross." "I wouldn't have let Madam done for anything." "O.K. We have to hurry" "Come on." "Oh, Girls!" "Girls!" "Hei!" "Lydia..." "Girls!" "What do you think?" "Myra'sgoing to be merry?" "Merry?" "!" "Myra..." "May I tell them?" "You don't mind, do you?" "You seem to done it!" "What'shis name?" "Roy Cunning." "Oh, Mrs. Cunning, I declare." "I'm sohappy for you..." "Oh, you're a darling..." "I feellike crying too." "But wehaven'tgot enough time." "Come on, we are late for the theater." "Come on, girls." "Miss Myra, you're wanted on telephone." "Thank you." "Hello!" "Yes!" "Oh... no..." "When?" "Oh!" "That's terrible!" "Can't they give you one more day?" "You have to..." "Of course, I'll come to." "I love you." "What is it?" "What happened?" "The order has been changed." "He's going to Madrid." "The train is leaving within 25minutes." "Oh..." "I am going to see him now." "Going where?" "Waterloo Station." "But you can't." "You won't be back in time for the show!" "I'm sorry." "Myra, please!" "She'llnever forgive you, never." "Don't do it, Myra!" "I may never see him again." "She's just going, sir." "Excuseme." "Sorry." "Myra!" "Roy" "Myra!" "Roy!" "Myra..." "Myra darling..." "Did heleave?" "Did you talk to him?" "Did you see him at all?" "Just called him some." "Oh... what a sham!" "I couldn't geta taxi." "They took me to a wrong platform." "Oh... he'll be back." "He'll be all right." "The war can't last forever" "Yes, he'll be back." "Good evening, Myra." "It's very condescending for you to come here at all." "She's very unhappy, Madam!" "Her fiancee was calledto the front." "I am not interested intalk moment." "She was to be merry inthe morning." "No anysocial event." "The whole world doesn't begin and end with ballet." "My world does." "And while you are withme, so must yours." "The prescription does no longer apply to Myra." "Oh, don't sacrifice her, Madam!" "I warned you." "You are dismissed." "I've never heard such unreasonable..." "Be careful, Kitty..." "No, I won't becareful..." "I am fed up with her." "I've been warning and telling for two years, now I'm going to tell you..." "And if you don't like it, you can loveit." "I'm sick of you and your irritability." "You treated usa lot of slavesand chorally discipline." "Here and that." "It's just you're enjoying bulling us." "Lydia." "Yes, madam." "Rehearsal tomorrow at 11." "With "TWO" under studies." "Good night!" "Well, no more ballet to me." "I am sick of the highbrow and feet." "You and I, ducky" "Are going to get the interview." "Oh, we got to get to do it some engage to put while on." "That will be simple." "Kitty?" "Yes?" "Do you think?" "Occasionally." "What?" "Do youthink you're right?" "Hello." "I am back and I didn't get the job." "Kitty, you stop off me." "Did I?" "Sorry." "Well, Myra, I am all settled town, howabout you?" "No luck." "There's nothing there." "No reason for looking." "Well, while I doing last week, I didn't really expect..." "How about the dress shop?" "Fairly needed." "Fetero?" "Filled." "Naturally." "They put me onthe waiting." "It's confidence, isn'tit?" "Oh!" "Myra, we're a couple of howling successes, sitting on thetop of world, aren't we?" "You'rein nicemood, aren't you?" "No wonder you're sitting here and started feeling sorry for yourself." "Lfl don't feel sorry for myself, who will?" "Probably you didn't eat and you're hungry." "Come on, give me a hand." "You'll feel better when you have something to eat." "Myra..." "You'reprobably sick of sitting here..." "Honestly, why don't you let Roy know..." "We're out of work?" "That we're broke!" "Flat broke!" "Down to our last tin!" "Only why?" "Better let him worry that we are starving." "Kitty, we're not starving." "Nobodyis starving." "You mean people starveonly totell about it." "I don't know what are we goingto do." "Can't get job in the show, can't get anywhere else." "Madam was downhere, Igo to her with pride orno pride." "But itis justno body." "Myra, I am frightened!" "I havenever been frightened before." "I don't like it." "Oh, Kitty..." "Perhaps it's selfish on me notto let Roy know." "Perhaps it's sort of stupid pride about it..." "Can't we wait just a little while?" "Just alittle while longer, something must till happen." "Lfit doesn't..." "Well..." "Oh, its bedge, for therent" "Pretending you're in rehearsal" "Oh, yes!" "Miss Lester?" "I am Miss Lester." "For you, Miss Lester." "Thank you." "Quite all right, Miss." "Kitty?" "Flower!" "I can't imagine!" "Put them down here." "Oh, they're lovely!" "Who do you suppose..." "Kitty, it's Roy, it's handwriting." "Fifteen, eighteen, twenty..." "Twenty... oh... it mustcost a pound atleast." "Oh, enough to buy a lot of food for whole week." "While my man got leaves, you'll be seeing these through him." "And with them I send you warm..." "We could sell them to the florist to the corner buy ourselves real meal." "But I... don't think you favor the idea?" "No!" "Oh!" "Kitty!" "His mother's coming here." "To London?" "Yes, yes, Listen..." "My mother's launching a few days from a Red Cross, where is coming to town and expect to see you." "I know you areto get well with her." "She's very nice." "In fact, she'squite like me." "Kitty, do I..." "I can't have herhere!" "Why not?" "Let's give hera little party and rob a lot of tin." "Let's get meeting at somewhere..." "For tea perhaps." "Oh!" "Kitty, butimaginehis mother!" "I'm often not meeting with hereither." "Why are you funny of dragging them?" "I wonder if she doesn't like me." "Well, she'd better." "Or won't we fire him at all!" "Myra, can't be!" "Oh, Kitty!" "Don't you see the meeting her will be like seeing Roy again!" "Don't be such a darling to him!" "Now perhaps I can start to repay you." "No." "I'll see it from now on everything gonna take turns to turn better." "I am sure I do." "One?" "No, that'll beenough one minute." "Is there any table near by the window?" "I think so." "No, thank you, I'll wait her... for my friend." "She islady Margate Cunning, I am Miss Lester." "If shecome, would youdirect her to be here?" "Certainly." "What time is it... please?" "It's ten minutes to five, Miss." "Thank you." "Your friend seems beenheld up." "Yes." "Surely you would like a cup of tea while you're waiting, Miss." "Oh, no, thank you, I am sure she'll behere any minute." "Perhaps you can take look at these evening papers." "Oh, thank you." "Feeling better, Miss?" "Here, taking another sip." "You fan, don't you?" "Well, you did give us a fright?" "Wouldn't you like to go the rest room lie downa little bit?" "But I..." "I'd rather stay here if you don't mind." "Let's take another drop of this thing." "Better?" "Sure?" "I'll be all right." "Sit quiet and rest." "If your frienddoesn'tcome, I will call a taxi." "Are you Miss Lester?" "Yes." "I am Margaret Cunning, Roy's mother." "I'm afraid I get you waiting." "Oh, I'm terribly sorry." "My train was half an hour late." "You know how this tidies day's?" "But I come straight From Scholand to keep thisappointment." "So I do hope you forgive me." "What should wehave?" "Tea?" "Littlecakes?" "No... no, thank you." "I don't think I can stay any long." "Tea for one then, and some thin toasts." "I do hope you're not going to run off once." "I wanted so much to meet you." "But I've been so terribly busy you know," "I've been turning all country place into a rested home for wounded men" "By the way, I telephone you from Scotland to the hotel where" "Roy told me you are staying." "But they said you got away." "And then I tryto get in touch with you through the Ballet." "But they said you've got to America." "After about a while ago when your newscame." "I havemy mails disforwarded." "There are reasons." "Oh, mydear, Ididn't mean to pride." "Forgive me, mydear..." "But you're notafraid of me, are you?" "I knowit is alittle bit of odd, dear, meeting one's future children in law." "I don't remember how Idrag it..." "But I am not that terrified, am I?" "." "I know we're going to be good friends?" "I feelthat I know youalreadythroughRoy's letter." "And I want to write him and tell him you and I havemet and we likeeach other verymuch." "May I write him that?" "Yes, yes, of course!" "I suppose there're a lot of things you want toknow about Roy thatl couldtell you..." "And I am sure that things about him you could tell me." "Why aren't they bring your tea?" "They are very slow." "Shouldl call a waitress?" "Don't bother, I'm no hurry." "Would you rather that I didn'tspeak to you about Roy?" "No, no..." "Why should youthink that?" "What is that to say?" "Forgive me, mydear, but are you quite well?" "Yes, yes, of course." "I..." "I had a drink..." "That'sall." "That made me feel... funny." "Weird!" "What did I cangot Scotland?" "I had never been there." "Oh, itsounds of quange, you know that?" "Had that in peace?" "Pecansofisland?" "I've been there neither." "Why are you stared at me like that?" "I am trying tosee youas Roy sees you." "Myra, I want you to remember that I try to be your friend." "I havecome because Roy wantedme to come, andbecausel wish to." "Perhaps we'll try again someday." "Perhaps on Roy's next leave he'll bring you tothe country." "Bye-bye!" "The lady is leaving, Miss." "Myra!" "Myra!" "Who isit?" "Does Miss MyraLester gone out?" "Mrs. Clack?" "What?" "What isit?" "Where is Miss Lester?" "How should I know?" "She went out." "When?" "About an hour ago." "You should've never let her." "You know she'snot well enoughto go out." "Not like this too." "This is not nursing house, Miss Melody, not your nursing home." "Myra, where have you been?" "Whatever made you go out at night likethis!" "You will got the cold in rain too." "Now you come on and stay in bed." "I spend several monthstrying to build you up" "You'regoing to do silly thinglike this." "I can't trust you out of my sight." "Now you get those things off." "Doublequick time too." "I'll pick you up hot water bottle." "Kitty..." "Yes..." "How did the show goes tonight?" "Oh, same as usual." "Was itgood house?" "So so." "Why?" "I wentto the theater." "I thought I surprise you by calling for you." "Oh, yeah!" "See, Myra, I didn't want to worry you." "See, lam in the different order of the show than whatl've said..." "I was in a cheap sort of show, so..." "Kitty, we've never gota job at all, we never did haveone." "How we've beenliving?" "What differences make as long as we live!" "Where's the money coming from?" "Where do you think I've been getting it?" "Try tokeep it from you..." "Well, you knownow." "You did it forme." "No, I didn't." "I'd done it anyhow." "So I get!" "No job?" "No boys want to merry you." "Only man want to kill off youreye cause they know maybe you are lost." "Kitty, you do it for me to buyme foodand medicine." "I sooner die." "No, no, you wouldn't." "You think you would, but you wouldn't." "I thought of that." "But it wasn't brave enough." "I wanted to goon living." "Heavenknows why, but I didn't, so would you." "We're young, and it's..." "It's good to live!" "Even the life that I'mliving now..." "God knows" "I'd better call it theeasiest way." "I knowone thing... couldn't being a woman." "I suppose you think..." "I am bitch." "Oh, Kitty!" "Hello!" "There's a wet weather we have this evening, didn't we?" "Cleared up nicely, after all!" "How about a little straw?" "How's luck?" "No such thing." "How's Kitty?" "Oh, about the same as me." "Oh, now I think there seems nolove from no luck." "Oh, well better day to come in the sunset" "I hopeso." "Tour-to-loo!" "Bye-bye!" "Hello, Myra!" "How was life?" "Not exactly prepared to retire yet." "Well, here they come." "See you." "See you." "Welcome home!" "Thanks, ducky!" "Myra!" "Myra!" "Myra!" "Myra!" "I can't believe it." "It's you, isn't it." "It's really you." "Oh, Roy..." "It's really you." "Oh, darling!" "Let me look at you." "I'm not dreaming, am I?" "Think of you are waiting for me." "I..." "It's... it's a miracle." "Oh, Roy... you're alive." "Oh, atthe once I've waited for this moment, 1241 because I think it will never come." "How do you know I am come, do youtelephone my mother?" "Oh... darling!" "Do youhave..." "How do you know?" "It's over, darling, it's all over." "We'll get together foralways." "Oh, roy, you're alive." "Yes, drive againstly." "Mm... poor darling." "Come on, we'llgo sit down." "Ho... darling, don't cry..." "It's happy ending." "You miss me?" "Do youthink I was..." "Didn't you know I was indestructible?" "How can I die when we were engaged?" "Do youthink I will break our engagement?" "Ho... you don'tknow me, young woman." "Well, I was wounded..." "Somehow lost my identification..." "It's get a long story, I'll tell you someday." "But anyhow, I was in Germany prison camp, pretty nervously signed off, but..." "I got out at last from Switzerland." "Mothercame over of course." "My intern knows mine." "And I heard that... she lost touch with you." "I was lost my mind." "What happened..." "Did she find you?" "Did you get contact with her?" "No." "Then, you didn't know I was coming." "No." "Well, you stood in thestation while looking for a friend?" "Well, I am the friend you are looking for." "Who was he?" "I insist upon knowing." "Who was he?" "Oh, just a girl, no one in particular." "Ho... just a little short of American..." "I should run madly into your life in this case your wedding for no one particular." "Ah... here we are!" "Good strong tea." "This will buck you up" "Come on, drinkthis." "I wantto talkto you." "A thousand of questions." "Where have youbeen upto?" "You got a job." "Where is it?" "What does it pay?" "Mm... doesn't really matter, because you're quitting it." "You'requitting it at instant." "I'm not going let you out of my sight this time." "Not when we are merry, you understand that?" "Oh, darling, you have been through a lot, haven't you?" "Prettytough, Mm?" "And I wasn't there to help you." "But that's allover now." "I'm going to make up for you." "I'm going to make things easy for you." "I never want to see you cry again except for happiness." "I've really had known that you would alive that you would in the world." "I'll never leave you again, darling." "Never!" "And now, Miss Lester..." "I havea program." "A man with a program, a man of action." "I am calling my motherthat I fund youin record of time," "And we're coming up ineveningtrain." "Excuseme, Myra." "I'll find a phone." "Don't you moveuntil Icome back to you." "The fact is lady Margaret we'll be up there atnight at six..." "Hold on, Roy, I must speak to you..." "Something I must speak..." "Will you?" "That'll be marvelous!" "Thanks, Mother, good bye." "That'sall set." "Roy, you mustn't!" "What is it?" "I can't go to the country with you." "It's... quite out of the question." "Why not?" "Pleasedon't ask me, but I..." "Isimply can't." "Don't ask, God!" "You'vegot to tell me." "All right." "I lookterrible for one thing." "I haven't haveany clothes." "I..." "Ireally can't goanywhere." "Ha... ha, you little fool." "Let metell you one thing, I think you're exaggerating." "Now when I look at you, I perhaps understand what are your say?" "Well, Madame Cunning to be, we'll see what we can do?" "How would liketo be the smartest woman in London?" "No, Roy, I can't." "Well, darling..." "I am afraid I have been stupid, conceived stupid." "Cause you've never been out of my thought, so I..." "I tookit for granted that it was the same with you." "There's someone else, isn't it, Myra?" "After all, youthoughtl'm... dead!" "There is someone else, isn't it?" "Don't be afraid to tell me." "Roy, of coursethere isn't anyone else." "There couldn'tbe." "I love you" "I never love anyone else." "I never shall." "That'sthe truth, Roy." "That'sall I want to know." "Oh, darling, smile fora change." "Have you forgotten how?" "That'sa good girl." "I can't believe I'm with you again." "But you are." "Happy?" "Yes!" "Firstly, I am delirious!" "Come on, we'regoing to shop." "Myra!" "What'sall these?" "Have you takento shoplately?" "Oh, Kitty darling!" "Roy's alive, he's back, he's here!" "Roy?" "Mm!" "No!" "Yes!" "He's back, we've been together whole afternoon." "He'll be here any minute." "Kitty, he wants to merry me." "Oh, no, that things don't happen." "It's true" "Oh, Kitty, it's going to be so wonderful." "For you too." "No things willbe too good for you when I am Roy's wife." "Oh, I know what you'rethinking." "I havebeen thinking too." "You think that'll be dreadful owl, don't you?" "Does he know?" "No." "Do youthink you can get away with it?" "You mean deserving him?" "Yes." "Oh, I'm going to tell him." "There are two sorts of people, Myra." "Those who get breaks and those who don't!" "Well, I'm going to take a break." "Now I am not going to think." "You remember you once said that you wanted to live?" "Well, I want to live." "This is my chance for last." "I won't let him go." "He's so kind, Kitty, so sweet, clean, and wonderful." "I'll devote myself to him." "After all, hishappiness too, Kitty." "He... he loves me, he's waited for me." "And mysoul..." "I've waited for him." "Tell me, I cango to him, please." "Guess there's no rules, Myra." "For what you feel, what he feels." "Kitty!" "After all, he's mad enough about you." "May make up for everything." "Must!" "Must!" "Oh, try it." "Go to him!" "Oh, Kitty." "The ancestor'sstraw aches, Myra." "Shall I point out the things we are proud of no matterhow boring." "Oh, it's beautiful, simply beautiful." "Mother will take you all over these." "You must turn right toshow you a thing." "Seeingall of these first timeon earth." "Being enthusiastic too." "That one will be difficult." "It must be wonderful to spend one's childhood in a place like this." "Yeah, it's great when you're young." "When you're really young." "Oh!" "Roy." "Do youthink yourselfis old?" "No one's spendthis war is young." "Now that's true." "You remember long for those line their thoughtsof you are longlong box." "Myra!" "Yes, Roy." "We areoverly good to get together, don't you think?" "Rips, I mean that was a question requires an answer "YES" or "NO"." "Yes." "Your answer iscorrect." "Hello, how are you, darling?" "Mother!" "Myra, I am so glad to see you again, my dear." "Isn't it wonderful Roy finding you so quickly." "I really believe that providence." "I am sure of that, mother." "You're very kind, ladyMargaret." "Roy, Ido hope you haven't show Myra anything." "I wantto showher around myself." "I didn't show her a thing." "Good!" "Come!" "Oh, I am so happy, I am..." "Hello!" "Barns!" "Oh!" "Mr. Roy, do excuseme." "I've been waiting all afternoon, but the dog come, andthen I missed it." "Just at the exclusive moment, he may seed." "Well, as a matter of fact, Barns..." "I missmy welcoming committee for their present of Miss Lester." "However, this is my future wife, Barns." "Myra, this is Barns." "How do you do!" "How do you do!" "Drop me up from baby." "Show you all about thedetailsif you let him." "Oh, I love to hear wiser." "Well, he givesawful alot of troubles, Miss Lester." "He wasn't when you called a good child, but hecouldn't resistant." "One day, he jump off from a tree tall..." "I toldher about that, Barns, you pickup something new." "Yes." "Come, mother, what about showing Myra to her room?" "Oh!" "Roy, I forgot." "I'm afraid we're goingto be invaded!" "Invaded?" "The neighbor Idid my best to spare you with whole countryside is coming tonight to see you and your bride." "Ho... ho... poorMyra!" "Going to see some wonderful time!" "They do look well, don't they?" "She's a lovelygirl." "Perfectly lovely!" "I suppose there's so least young people will be pairing professionallybusy." "Tomorrow morning I expect Roy's madly in love." "Jealous?" "A little." "But you like her, don't you?" "Very much!" "More every minutes." "She dances beautifully, doesn't she?" "Well, that's here job!" "Those Crunningman, they're always attractive by girls who undressed in public." "Why don't you try that, Lela." "Ho, I haven't done that." "I am not quitesure I got the figure." "All I can see is that there are plentyof charming girls, of good familyin the county who wouldjump off to Roy." "And I don't mean moneyspeak victory." "I wonder if she can arrange." "Never heard of her." "Is there any one ever seen herdance?" "Well, evidently, Roy seen her, and evidently like it." "You know, justthe Duke isn't here." "Evidently, theDuke doesn't like it." "Happy?" "Yes!" "Completely?" "Yes!" "Ecstatically?" "Yes!" "No doubts?" "No." "No reservation?" "No." "No dividism." "No." "Darling, everyonce I seen your eyes, I see fearness." "Why?" "Oh, life's been hard for you, I know that." "You did struggle, and privation... and..." "That'sall over now." "You are save now." "Don't be afraid." "You need me ever again" "I love you." "Oh, Roy, you're so good, you're so..." "Oh, darling, it's unreal, isn't it?" "Yes!" "Shall we wake up suddenly, find it untrue?" "Roy, don't be defeated." "Other like running thegong there, dancing there..." "I hope you're in greatsuccess, darling." "Everyone's enchanted with you." "But they haven't met me yet." "You're warm?" "Yes, very." "You like a cooling drink?" "Why, Ilove one!" "I'll get you some ofBarns' made famous punch." "Cool, innocentand deceptive." "You sit right here, don't moveuntil Iback." "I should run off at your firstturningminute." "Darling?" "Gone." "Of course, dear, I came to seethat young woman." "Where is she?" "Where are you hiding her?" "This is Myra." "Myra, this is my uncle, sorts of those fellows you just said." "How do you do!" "So this is Myra, is it?" "I am very glad you came." "Why do you kept us apart?" "Mm... now my troubles begin." "Roy, you told me you're going to get Myra somepunch." "What about it?" "I knewit was too goodto last." "Mm... darling." "Come on, let'ssit down." "Do youknow you gave me the terrible most anxious moment in mylife?" "Did I?" "When?" "When I was waiting in a cab while Roy was in flat asking your permissionto merry me." "You are outside in thecab?" "Why didn't he bring you in?" "I don't suppose he dare." "Quite right, very trueof you." "If he had, I've never given him my concerned." "I should dissolve for you myself." "Mm... ha... ha... ha, andl'd say"Yes"." "My dear, would you do me a favor?" "I loveto." "Would you do the otherdance with me?" "Of course." "But I'm afraidRoy would've been looped." "Well, maybe we will." "All right!" "Ha..., come along." "I haven't move for ages." "Come on, my dear, justmake entrance." "You dance beautifully, my dear." "Quite well, indeed!" "So do you." "I... oh... no." "Gently, gently, gently..." "Oh, well... that dance is a kind mythos-vigor" "I can retired now permanently, write my memories." "You'reoffering kind." "I shall be always grateful to you." "Grateful, grateful, what're you talking about?" "Do youthink Idon't know why you camehere tonight?" "Made appoint of dancing in front all of the people?" "Point, point, what point?" "You wanted to show them you that approve of me." "Cause you knewif you approved, they would." "Incidentally, I Charlie will like it." "Oh, Duke..." "I..." "I do so like them to like me, I..." "I wantto be success because ofRoy..." "Oh, you know what these peopleare." "They're good people, major, kind people." "But they're old-fashioned, rather limited of social ideas." "What good enough for our fridge to grade good enough meat sortof things." "You see that emblem?" "Mm..." "Brokenlodge." "Our arrangement battleridge." "Roy wears one too." "Lately, the only way we keep up to thetradition is to lead thedull life from many oneof themselves." "Do youthink of dancers, someone who little of races...," "Shouldl say, put it in mind..." "Mm... ha..." "Too bad you can't liveup to that idea, Myra, isn't it?" "You may go to fun, wouldn't it?" "Yes, I would." "But Roy's instinct tells him what you are." "My instinct tells me too." "You'resound, and good." "That bad is never going to suffered your head." "Lfl will haveshown that, I wouldn't welcome you as Ido now." "Myra?" "Well, thanks alot." "I think I've been morethan generously for you've beenso long with Myra" "The longer will be fool, honey." "Here'sher, Roy." "You'd better take her away before she discovers the facts in the mask." "ListenMyra..." "I had them played, let's dance." "Excuseus, sir." "Thank you." "For what?" "For what?" "Go andenjoy yourself." "Remember, darling?" "Thecandlelight club..." "It's forever go, isn'tit?" "And yes, "tonight"!" "Coming." "Do I disturb you?" "Oh, no." "Pleasecome in, lady Margaret." "I'm not very gently... so in case you're asleep, I shouldn't wake." "Won't you sit down!" "I thought you be awake." "I say she's far too happier excited tobe asleep." "Two things keep one up." "Very happinessand very miserly." "Don't you think so?" "Yes." "I couldn't go to sleepeither without getting something off mychest," "So to speak you American said." "Are you sure you are not too tired?" "No, no, of course not." "It's about ourlast meeting inLondon." "That is preyedin my mind eversince." "Do youbear graduates me for that, Myra?" "Oh, no, lady Margaret." "I came with prejudice." "When Isaw you, you seemed strange to me." "I thought you couldn'tbe..." "Well... what I wanted Roy's wife to be." "I haveno excuse except mother's excuse for wanting any possible idea for her son." "Can you forgive me?" "But I have nothing to forgive." "When Igot home the next day," "I found the telegram telling the drafting newsabout Roy." "And when couldthink again..." "It suddenly struck me that youhad known all the time, that you've just seen his namein paper." "And you hardlyknew what you're saying." "Is that truth?" "Yes." "Oh, you poor child ifl only know." "I did my very best to find you, but you disappeared." "And now I wantto makeit up to you inthe future." "I am very happy about this marriage, Myra." "And I know we are going to be wonderful friends." "Forgive me forbeing sentimental." "Good night, mydaughter." "Lady Margaret!" "Lady Margaret!" "Lady Margaret!" "Yes, Myra!" "I mustspeak you." "Why, of course, Myra." "I can't merry Roy." "Sit down quietly, dear, tell me." "I must go away." "I should nevercome here." "I knewit is impossible." "...But, I keptconceiving myself." "I got to go away..." "I..." "I mustn't see him again." "My dear, why don't youtell me what itis?" "I'm sure I canhelp you." "No, noone canhelp me." "But mydear, what can it be that is soterrible?" "Has there beensomeoneelse?" "Oh!" "Lady Margaret... you are nice." "Myra?" "!" "Yes!" "Yes!" "Yes!" "Myra!" "?" "Yes, that's all true." "It's on your mind, but you're telling yourself it can't be true." "It's true!" "Myra!" "Yes!" "Why didn't youtell him?" "I didn't have the courage." "Or I can give plenty of reasons." "I was hungry, I was poor" "I..." "IthoughtRoy wasdead... but..." "I could make you understand..." "but it would tell..." "I don't know what to say?" "But it's my fault as much as yours... for not havingunderstood, fornot having taken care of..." "Oh!" "Don't be nice to me!" "Lfl..." "Ifl leave early in the morning..." "Ifl never seen Roy again..." "Would you promise me he'll never know?" "I couldn't bear hurt him like that." "Myra!" "Oh!" "Let us wait until morning." "Let's think this over." "Would you promise?" "I promise." "Thank you." "You'vebeen sogood." "I wishl could've beenall youhope... but" "Myra!" "What're your little game about?" "Why are you doing crawling around at this hour?" "You'vebeen with mother?" "Yes." "Isn't she wonderful?" "Yes, she is." "Honey, I wouldn't sleep so I've been walking in the garden, confronting mygood luck to the stars." "Were they pleased?" "Mm... they seemto different." "They wouldn't do glaring, they're little exhibitions." "Oh!" "Have you ever seen this before?" "I think so" "Here." "But I gave it to you, it's yours." "I think it'll be saver with you, just as are we." "I dropit in the garden momentago, I was finding it until I found it again." "I think you'd better have it from now on, because... now weare both, as they said, one..." "Reallydoesn'tmatter which one keeps it, doesn't it?" "It brought me luck." "Now it will bring you luck" "I'll keep it for you, Roy." "I'm tired, darling." "Yes, you look tired." "Penestratenousday for you, darling." "Good night, darling" "Good bye, darling." "Why good-bye, it's only for a morning..." "Because every parting from you, is... is like a littleeternality." "That'sthe wayl feel too." "Good bye!" "Good bye!" "Little sentimentalist!" "Tomorrow, all day for ourselves!" "Yes, my love." "Wait for me!" "Myra!" "Myra!" "It's Roy!" "Myra!" "What'sgoing on... oh, it's you." "Hello, Kitty!" "Where's Myra?" "She's not with you?" "What're you talking about?" "She left Shaft's Garden last night." "Without telling you?" "She's not beenhere then." "Without your sincere hospitality with you the other day." "Look, can I come in?" "Of course!" "I was just about to eat." "Sit down." "What happened?" "She left a note she couldn't merry me." "Why, is there any trouble?" "With... with your family?" "No..." "It's incredible, Kitty, I can't understand it at all." "When last night we were together, she told me she was happy." "When did she leave?" "At the first train, took a ticket for London." "She must arrive hours ago." "Oh, she's not been here." "Where is she?" "Kitty?" "There's something I'veever understood." "I feltin the back my mind ever since I come home," "You know what it is?" "Tell me!" "Tell me!" "I thought you'd got face it, Roy." "I thought she means you'd never see her again." "Why not?" "I don't know, don't ask me!" "Kitty, we'll think more realize... if youdon't tell me, I go to the police." "Oh, nono, don't go tothe police." "Why shouldn't I?" "Roy, can you take it?" "No matter what you find out about it?" "Answerme, can you take it?" "No matter whatl find out won't make any difference, Igot to find her." "Well, come on then." "We'll look forher!" "Hello, Kitty!" "Have you seen Myra?" "No!" "Are you sure?" "Hei, Iknow seventy bit what'scoming near." "And Myra particularly!" "Everyone I tell she ann... sheann..." "All right, thanks." "Why don't you and yourgentleman sit down hereput a bite?" "Seen Myra?" "No." "It's about four times when shegone that in the air..." "If yousee her, tell her I'm looking for her, will you?" "All right, I will be." "Hei, Mike?" "How are you, sister?" "Have you seen Myra?" "Way for Myra." "She don't usually comearound to aboutmid-night." "All right, thanks." "Roy, she do seem to beanywhere." "Does one place we haven't try?" "Where is that?" "Waterloo Station!" "Waterloo Station, driver!" "Well?" "Not anywhere." "No, nobody seen her." "Oh, Roy, I am scared" "Kitty!" "I am scared." "Tell me where is she?" "She... she couldn't go through with it." "She was too honest." "She said it was her chance to live." "Chanceto live?" "That she'll never go back..." "She'llnever to be..." "You don't needto say!" "I understand." "Then..." "Then where is she?" "She's lost, Kitty." "She escapist." "I'll always look for her." "But never findher." "Is that you, Myra?" "Hello!" "Aren't you wasmerry?" "No!" "That Kitty, she told me," "Said you got off some top." "I knowit's too good to be true." "Yes." "Oh, well, cheer up." "Thingscan't be worse." "Going down to the Station?" "Oh... well..." "I'll be all for you sometimes." "To-tuo-loo..." "I love you." "I never love anyone else." "I never shall." "It's truth, Roy." "I never shall." " The end..."