"I wanna get some records down Camden Town." "I went to Rock On this morning." "And er..." "Shit." "Yeah." "Erm..." "They've got a Chuck Berry one." "Erm...a Coaster's one." "And a Fats Domino." "A quite rare one." " At Rock On, yeah?" " Yeah." "Fancy coming down there?" "We're going round Chris's, ain't we?" "Later, I suppose." "Have you got any money?" "What, me?" "What for?" "Some money?" "I've got a bit of money, yeah." "What, are you talking about lending you some?" "Yeah." "What are you laughing at?" "I thought you were joking." "You ain't paid me back yet, have you?" "That other loan." "What other loan?" " Three quid, remember?" " Oh, yeah. I burnt that." "There's a gas stove shop over there if you ever want a gas stove." "Nah, not me. I think electric." "Why's your aunty working here?" "is this the shop she works in?" "I don't think he's looking, though." "If I lean forwards..." "Right, that's cool." "Good, eh?" "What are you supposed to be doing?" "Singing?" "Hey, hang onto that." "Hello?" "Oh, hello." "How you going?" "I'm just watching the telly and that." "Yeah, I'll be up in about half an hour." "All right?" "Yeah, seeya." "Hold on, hold on." "I wanna do that chorus bit again." "I can't seem to get it right at all." " Hear?" "That bit." " The chorus." "It's G and D, innit?" "G..." "Well, no for you it's erm..." "A flat..." "B flat and..." "F. B flat and F, yeah." "You're three above." "Saxophone's three higher." " Well, son, what's your name?" " Erm, Kix." "Right, have you played the saxophone before?" " l know a few notes." " Right." "Play us the scale of C." "The scale of C. Erm... I can't really play the scale of C at the moment." " That's why I've come here." " Fair enough." "Give us the sax." "I'll show you the fingering." " This is nice." " Yeah, it's really nice." "Hello?" "What's happened here?" "The number's been scratched off." "Oh, yeah." "When I bought it, it was already scratched off it." "Really?" "Where did you get this?" "Erm..." "Warren Street." " A shop down Warren Street." " They sold you a sax with no number?" "Yeah, that's right." "Yeah." " That's unusual." " lt was sort of off a friend." " Oh, it wasn't in a shop?" " lt was, but off a friend." "He was in the shop and just happened to have a sax." "You've had a touch of luck there." "You listen to me go through this with the lads and next time bring the bill of sale in." " OK, I'll bring it in tomorrow." " That's it." " l've forgotten my card." " You've got no card?" " Typical." "Can I have your name, please?" " Hasler." " Hasler?" "Initials, please?" " JC." " And your address?" " 15 Lindows Gardens." "Sign, please." "Kindly try and not forget your card next time." "Next, please." " Hi, Chris." " Hiya, Johnny." " What are you doing?" " Signing on." "We're trying to start a group up." "Me, Mike and Lee." " Lee Thompson?" "Short hair?" " And short legs." "And long pockets!" "We want to be a six-piece band, but there's only three of us." " l can play the drums." " Can you?" "Yeah. I haven't got a kit but I can get one." "Would you like to come along?" "We're having a practice on Saturday at Mike's house." "All right." "See you Saturday." "What time?" " John, I can't really hear meself." " What are you talking about?" "I can't hear meself. lt's a bit loud." "Come off it. I can hear you fine." "Can I put something on the drum?" "Just for one song." "Here, stick this on the cymbals." "His mum will chuck us out." "We don't want the neighbours to complain again." "It's better over the snare." "You'll get a rockabilly sound." " Just to see how it sounds." " We're rockabilly drummers." "All right, all right." " Bill Haley's drummer used to do that." " Are you pepper?" "What's up, Mike?" " You're playing it out of tune again." " Who is?" "You're playing in the wrong key or something." "I'm playing in the same key as always." " You ain't." " l am." "If you're playing the same as always, you're playing wrong as always." "Look, just give us an E." "It's in D, for a start." "It's in E. Chris, what key's it in?" "E?" "It's a different key for you, innit?" "He can't play the guitar any better than you can play sax." " He said it was in E. - l'm telling you it's in D." "All right, play D." "Yeah, spot on." "Spot on." " lt's only a bit out." " lt's quite a bit out." " Have you brought the book with you?" " What book?" " The saxophone book." " No, I haven't." "Why don't you bother bringing it?" "You seem to think you can play." "I can't learn anything out of a book." " l know a bit about it." " You can learn what notes to play." " You're just playing it wrong." " What are you talking about?" "We're waiting around and you're playing it wrong." "Why don't you stick to your piano?" "I'm only trying me best on here." "I would if you could play the thing properly." "What are you talking about?" "Mr Barson knows the bleedin' piano off by heart?" "I've only played for a couple of months." "What do you expect?" " Every week!" " You can't take no criticism." " Every week you have a go." " l'm trying to make you a little bit better." "A little bit better?" "Yeah." "Can't expect a lot, can we?" "No, we can't." "God help the bleedin' teachers." " Well?" " See you later, then." "Yeah, see you around." "I'm putting on a beer gut." " Putting one on, are you?" " l think so." "You should go to school more often." " Put on a school dinner gut." " l've gone off that idea." "It's getting a bit hairy at home." "We had one of those women around the other day." "I have to go out with her every week and go to this bloomin' cafe." " Talk about my social life." " Head shrink?" "No, a bit more like a social worker." "The police done me for writing me own doctor's certificates." "It's hard to write them on a bus on the way to school." " Bouncing on your knee." " A bit of graph paper." ""Andrew couldn't come in today." "He was ill."" ""He had a sore leg." "His tummy was upset."" "They take you out so you don't talk to your mum." "You're on your own." "They try and get the workings of your mind down on a bit of paper." "Foreman!" "Come here." "What do you think you're doing?" "I've got my eye on you, boy." " What time did you get in this morning?" " About 5:00." "No, it wasn't. lt was later than that." " About 5:10." " lt was 5:40 went you walked in." "I fell over and I had to wash my hands." "Five times in the last week you've been late." "Five." " Do you want the job or don't you?" " Yeah." "You'd better improve your timekeeping." "You're a lazy little layabout, boy." "No." "That lady's giving me filthy looks." "Don't muck about." "Don't muck about." "Don't." "One wired up, yeah?" "Put 'em on." "Watch out." "Oi, oi." "Hold on." "Oh, look at that." "Ain't that hot or nothing?" "Here, watch out." "Watch out. lt's dangerous." "Watch out." "You having a good time or what?" " What's going on here?" " Nothing's going on." "Come here. I want to talk to you a minute." "Come here." "Come here." "What's the matter?" "Listen." "What's that?" "That's a disco, is it?" "You're a soul boy these days, I take it." "Did you know there's a group playing outside?" "We got a disco in so we put you in the garden." "People come and see you." "Look, you." "You said we're playing up here in the bedroom." "Then you put us out in your poxy back garden." "Whose poxy back garden?" "People are coming out to listen to you." " Your poxy back garden." " Don't worry about it." " We just got some music in." " l know." "We were playing it." "But we're playing in the back garden instead of up here." " We can't have a disco outside." " Why are you talking to Sandra?" " All right, Suggs?" " All right?" " What did you reckon of it tonight?" " lt was all right." "I played OK?" "I wasn't half nervous, I tell you." "It was the best thing that's happened so far." " l thought the singing was a bit naff." " l couldn't hear it." " l can sing twice as good as him." " You reckon?" "Yeah." "He's terrible." "Excuse me, Michael." " What's up?" "Eh?" " l just want a quick word." " Can't you see I'm a bit busy?" " l noticed." "Got a bass in the band?" "I ain't really a bass player but I wouldn't mind having a go at the band, as you ain't got a bass." "We're looking for a bass player." "Would you mind?" "I ain't brilliant." "You'd have to show me what to do." "I'll tell you what." "We're erm..." "We're having a rehearsal on Thursday if you fancy coming down." " What sort of bass have you got?" " l'm not exactly sure." "Hey, that was really good." "Do you want to join our band?" "That was diabolical, wasn't it?" "Oh, no!" "Awful." "Terrible." "So what you been doing?" "I've got meself not too much of a good job." "I'm getting really sick of it." " A lot of money, though?" " lt's all right after tax." "But I just want to get myself a decent kit." " l want to get in a good band." " Are you still playing a lot?" "I try to all the time." "It's just this job is a drag." "I want to do something good." " What are you doing now?" "." " l'm at work too." "Screen printing." "It's like my life." "You weren't playing the bass last time I saw you." "About a year ago I started playing." "About the last time I saw you, wasn't it?" "I think so, yeah." "I was in a band with Gary." "Do you remember him from school?" "Big bloke?" "I know him, yeah." "That's all right, then." " Nothing came of that, though." " No?" "No, it didn't get past getting pissed at rehearsals, really." "What did you think of that geezer Smythy on the bass?" "Any good?" "Can't tell yet. I think he could be." "It's his attitude mainly, isn't?" "He seems all right but they all do when you first start." "Hasler don't." "He's been at it a month and he's still no better." " Don't know what to do about him." " Get rid of him." " Shut up, John?" " Sorry, just a slight problem." "You've got to play it the same all the time." "Why did you change it?" "A bit of improvisation." "It'll be all right this time." "Why don't you play in a jazz group or something?" "I got carried away." "I'll do it right this time." "Straight up." "Turn it down a bit. I can't hear meself." "Sorry." " Do you want to do it or not?" " l'll do it." "We'll crack on, shall we?" " Where is it?" "Around here somewhere?" " Yeah, somewhere." "What a voice." "Can't fail." "Hold on." "This is Suggs, the bloke I told you about." "He's going to sing." "Suggs, that's Mike, you know Mr Bosh, that's Chris and that's Lee." "I wouldn't advise that." "I don't think it'll help your drumming." "No, but it might help your organ playing." "What songs can you do?" "I spoke to John and he said you do a few old rock'n'roll songs." "I know "See You Later, Alligator"." "Do you know that?" "We know it really well." "It's an old chestnut." "Two verses and a guitar solo." "is that all right?" "Yeah." "Two verses?" "I'll probably sing the same verse." " lt's easy to sing." " Do you remember it, Carl?" " l'll have a go." " Do you know what key it's in?" " Yeah, it's in the one there." "D." " Come on, then." " Want a lift home?" " No, I'm getting a train." "I'm going back to Luton." "is that why you never come last week?" "No, no." "I'm looking for a place in London." "I had a row with me mum last week about something or other." "And I'm looking for a place in Highgate Road." "is that why you never come the Thursday before then?" "I've just been concentrating on looking for a place, you know." "Spending more time looking for a place in London." "You don't spend every night doing it, do you?" "Why do you say you're coming if you don't?" "It's better to say you're not coming." "If you had to travel from Luton..." "It ain't easy." " lt's a long way from Luton, innit?" " Yeah." " What's that supposed to mean?" " Don't mean nothing." "Don't you want me in the group?" "Just say so. I'll leave." " l didn't say that." "You meant that though, didn't you?" "What are you laughing at?" "Sod you." "See you round." " What was all that about?" " He done a moody again." "He'll be back in a couple of weeks." "I've got to shoot off now." "I've got to shoot off." " Don't go, Carl." " l have to. I'll miss the last bus." "How long's it going to take to run through it three times?" " How about giving us a lift then?" " Oh, leave it out." "If you give us a lift I'll stay." "All right, I'll give you lift, then." "Do you want to go over that again, then?" " Hello, Sandra." " Hello, everybody." "We'll just be a little while." "Do you want to sit down?" "We won't be long." "Shall we go through it again, then?" " l wish I'd bloody left earlier." " lt would have been a good idea." " All the same, these streets." " That's why there are signs." " Good night, then." " Yeah." "Seeya." "Excuse me messing up the floor." " lt's all right." "Make yourself at home." " Will do." "Will do." " There's the bus stop." " What?" "I mean there is the bus stop." "You said you'd give us a lift home." "That's why I stayed." "Come on." "Give us a lift home." " Do you wanna walk?" "Catch a bus?" " Don't do me any favours." " ls that the way it is?" "Thanks." " That's the way it is." " Hello?" " Sorry to knock you up." " lt's 2:00." " Barso wouldn't give me a lift home." "I've walked miles." "Bus stop!" " He just left you there?" " Yeah." "I've had enough of him." "Do you know what I mean?" "He just gets right on your nerves." "He's so pig-bloody-headed." "He won't have it, do you know what I mean?" " Have what?" " Have anything." "Anything you do is a bleedin' liberty in his book." "I'm thinking of jacking it." "It's hard going with that geezer." "It's like talking to brick." "He's been getting at Thommo as well." "He doesn't hardly turn up no more." "Comes in for a bit, Barso winds everyone up, shoots off for about a week." "I just can't handle him." "Mike!" "Mikey-boy, up you get." " What time is it?" " About 10:30." "How about making a cup of tea or something?" "Get up, then, and have a cup of tea." " Do you take sugar?" " Yeah." "Yeah, two, ta." "Do you want me to stir it for you?" "The doctor said you can't have too much exercise, eh?" " l'll pour the milk, then." " You'll do that?" "Hello." "Come in." "The tea's on." "It's Johnny-boy." " Hi, Chris." " Mr Hasler." " You're a bit late." " Sorry, I overslept a bit." " So did he." "Don't worry about it." " Can't oversleep, can I?" " l don't have to go anywhere." " Where's Suggs?" "He's at football." "He said he was coming, didn't he?" "Didn't he phone?" "On Thursday he said he was coming." " l'll give him a ring." " He's probably still in bed." "You ain't seen Thommo lately, have you?" " No, not for ages." " No, neither have I." " He seems to keep himself to himself." " ls he in Luton now?" "." "He just comes down when he feels like it." "He don't often feel like it." "What do you think of them songs, then?" " Guess where he's gone, then." " Where?" "He ain't coming." "He's gone to football, ain't he?" "Cup final today." "This is the fourth rehearsal he's missed for the football." "I've had enough." "Don't know about you two, but it's a waste of time playing with him." "We'll have to put an advert in." ""Two young pros seek employment."" "Maybe we should join another band or something." "Yeah." "Could do." "I don't think there's many like us, is there?" "Sort of nutty." "Oh, hello." "Sorry I'm late, but this is my mate Gary." "This is Mike and Chris." "He plays the drums." "You know we've had trouble looking for a singer since we kicked Suggsy out?" "If I put him on the drums..." "I write all the songs, so... I could have a bash at singing them." "We have a band." " You?" "Singing?" " Yeah." "You're bad enough on the drums!" "We were just discussing sacking you let alone starting singing." " lf you don't wanna try..." " We should." "We've got nothing else better to do." "What sort of music do you like?" " You know, RB." " RB?" "What's that?" " Have you seen that new driver?" " No, I ain't." "Are you Thompson, our new driver?" "You're late." " Should have been here an hour ago." " l know." "First day on the job and you're late." "Will you carry on this way?" " No." " OK." "Get that van out there." "Keys are in it." "Back it in." "Steven will help you. I want all this scaffolding on." "Breeze blocks, drainpipes and 400 flat 'uns right?" "I'll see you at the site." "Steven knows the way." " OK." "Sorry about that." " All right." "Oi, Steve." "What are flat 'uns?" "Them bricks here." "is that the lot?" " Should we have done a left?" " l don't know." "I'll take this one." "Do you know this area?" " Sorry?" " Do you know this area?" "Well, a bit." "Not as much as North London, though." " How long have you been working here?" " About a year." " What's that foreman like?" " He's got a thing about being on time." "Yeah, I noticed." " Do a right here." " What, there?" "Can't." "It's a one-way." " What was that?" " What?" "About bloody time!" "Where you been?" "John o'Groats?" "Let's get it unloaded." "There was a bit of traffic." "What happened?" "Er..." "I'll tell you what." "You can stick your job. lt's too dangerous." "Post me pay onto us." " Mark?" " Yeah, Mum?" " Going out?" " Yeah, Gary rang me." " He wants me in his band." " Getting dressed up for it?" " l want to look the part." " You look smart." "That's him now." "You're Mark, the bass player?" "The van's downstairs." "There's a couple of mowers in there, but I think you've got enough room in there." " Hello, Gary." " Hello, Mark." "How are you?" " What sort of music do you like?" " l like Motown." " We do some of that, don't we?" " Yep." "We do "Tears Of A Clown"." "And "Shop Around"." "Have you heard that?" "It's an old one." "Yeah, Smokey Robinson." " Hello, how's it going?" " l'm just working on my vocals." "Oh, no, I've busted the mike!" "Leave it." "They won't notice that." "All right, John?" "How's it going?" "All right?" " l haven't seen you since school." " Yeah, long time." " What are you doing now, anyway?" " l'm at work, yeah." "Erm...have a go on the stage, shall we?" " How are you?" " All right, yeah." " lt's nice." " Whose is this gear?" "Not ours. lt's someone who booked a rehearsal and hired all this gear then couldn't make it." "I thought it belonged to these boys, they had a lot of money." " What about that van?" " Barso's van?" " ls that nicked?" " No." " lt's his." " What about the mowers in the back?" "He works for the council." "Cuts the grass." "Oh, all right." "Do you know the difference between major and minor?" " You can play a bit of reggae, can you?" " Yeah, yeah." " You've done it before?" " Yeah." "It goes like this." "That's the chords, then there's a bit when it goes C... lt goes C, E minor..." "B minor..." "D." "Then there's an organ solo." "It's on C and B minor." "The whole of the song is that except for the bit in the middle." " So, then, what did you think?" " l enjoyed meself." "I thought it was all right." "Do you fancy coming next week?" " Yeah, all right. I'd like to." " All right." "Erm... I suppose someone will give you a ring." "I'll get Gary to." " Great." " All right, see you next week, Mark." "Hey, look." "How do you get this..." "Look at the shape of it." "Use the other side." "That's right." "That's more like it." "How do you make it stay on?" "Look, come here." "I'll show you how to do it." "Look at the state of this." "Don't you know how to plaster?" "I can see you're an experienced man." "Last time I worked with a geezer that's what he told me to do." "That's the only way you do it." "We ain't got the proper tools." " All right?" " ls that it?" "Well, we just got started." "Warming up, like." "It looks like there's been some right cowboys in here, you know what I mean?" "I'll tell you what, lads." "The first thing you can do..." " is naff off back to the job centre." " You what?" "Out." "Get out." "What do you call that?" "Get out of here." "Cowboys." " Come on." "What's that matter with you?" " Sorry." "I'm having trouble." "Can we just go from the bar before?" "We might as well start from the beginning." "Do it from the bar before." "Just from the G before." "Try and get it, eh?" "One, two, three, four." " Are you doing it on purpose?" " l'm sorry, all right." "Can we do it again?" "Are we ready?" "One, two, three, four." "You can't even stop it on time now." "What's the matter with you?" "Leave it out, leave it out." "That's it, you know. I can't play with this madman. I'm going." "What happened?" "Hey, Thommo." "Want a lift?" "Yeah, all right." "I'm sorry about what happened back there." "But that geezer was just mucking about." "Yeah, so you hit him." "That's a good way to stop him." "He's was taking the mick out of you, Mike." "All of you." "If he takes the mick out of me, I'll hit him." "But there's no need to hit him." "He was the best drummer we've had and he's leaving, ain't he, Mark?" " Yeah, he won't come back after that." " l've seen Suggsy, by the way." "I'm working with him." "I think he wants back in the band." "He says he's going to phone you, Mike." " We need a new drummer." " l know a drummer." " Really?" " His name's Woody." " Woody?" "is he any good?" " Yeah, he's been playing quite a time." " Yeah?" " Shall I get hold of him, then?" " Yeah, I suppose so." " l'll give him a ring." "What about Hasler?" "We can't just kick him out." "We could make him the manager." "He could go around getting us gigs." "He ain't got a job." "Why should he want to be the manager?" "Maybe he will." "He wanted to be the singer, he'll want to be the manager." "Hello, mate." "I'm Woody. I've come to play drums." " Well, er...this is Mike here." " Hello." " This is Chris." " All right?" "This is Lee." "The singer ain't here yet." "Well, I've got the drums outside." "I can get those in." " Want to give us a hand?" " Sure." "Help him with his drums?" "Bit of a gimp, isn't he, Mark?" "All right. I've got some good news." "And I've got some bad news." "Good news - we've got a gig at the Acklam Hall." "Watch it, mate!" "Here we go. I'll see him later on." "Have a good drink Saturday night to celebrate that." "Look, it's Mouthpiece from outside, isn't it?" "When you was with your mates." "Yeah, calling me, what?" "Who's pulled your string, mate?" " Do you want to go outside?" " No, I'd rather have a drink." " l'm just having a drink." " Forget that." "We'll go outside." " Come on, then." " Let's go." " You've got a lot of mouth, mate." " Yeah?" " Hello, Suggsy." " Want a drink?" "Now, is it?" "Mouth." "We don't mind." "We don't mind, pal." "You look like Ollie the Owl." "Hark at you talking!" "Mouthpiece." "Gurrcha." "All right, boys?" "We'll go outside now, eh?" "Come on, then." "We'll go outside now." "Come on." "You had all the mouth at first, didn't you?" " ls anyone here from the band?" " Yeah, I am." "I'm looking for Mark. I'm his mum." "He's round the corner in the dressing room." "Yeah?" "Thanks." "Come on, then." "Outside." "Oi, Suggs." "Suggs." "We're going on in a minute." "We've got to get changed and stuff." "We've got to go on." "Come on." "Don't be stupid." "Come on." "We'll see you later." "Thank you very much." ""ln The Middle Of The Night."" "I'll call up Pathway and see if they can do it for a day or something." "We'll sort something out." "I think you should get a tape together now." "You've got some really good stuff." " l don't know if we're good enough." " You are." "Bloody marvellous." "Hey, man. I thought you were wonderful out there. I saw the show." "I thought it was superb, fantastic, great." "I loved every moment of it." "And you was beautiful." " l'm the bass player." " l know that. I seen you." "I loved you, man." "Even him." "He was...extravagant." " l'm just the roadie." " Really?" "Well, keep on riding." "All right." "Yeah, anyway, listen... I'm a manager." "I think you need a manager." " We've got one." " Who is he?" "That kid over there." "John!" "Come here a minute." "Hey, listen, man..." "Come over here." "Troublemaker." "Listen, listen, I'm not a troublemaker." "I'm a manager myself." "OK?" "I've been managing Aswad and Bob Marley and the Wailers for years." "OK?" "And I'd like to say... I'd like to manage your group." "You've got talent and something to achieve." "For future plans I've got something sealed up for you, you know?" "." "Success is my business and success I'll make of you." " Should be here, now." " Aye, aye." "Here we go." "Oh, it's them space invaders." "A load of big benders, yous are." "A load of wallies." "is he having a leak or a Barclays?" "Oh, big boy." "Aye, aye." "Don't give the big 'un, pal." "Give the big 'un." "You're just a wally." "Just a wally." "Come here." "Let's have a go, eh?" "You think you're hard?" "Hey, Mike, we should call the group Madness." "Don't like it, Chris." "Bless you, my son." "Seem like a nice lot of boys." "Like the beer though, ain't they?" " All right, Chrissy-boy?" " All right?" " How's it going?" " Oh..." " Didn't hear much mowing over there." " lt's giving me a headache, that mower." "Yeah, right noisy, ain't they?" "You're gonna spray this then, are you?" "Yep." "Look all right, won't it?" "Done me hat last night." "Look." " Bit nutty." " Doing it on the back door now." "We've got to go and meet Bedders in Camden Town." "I know. I'll just do this." "That's all right." "Oh, look at it. lt's running." " What is it you want?" " We're in a group." "We want to play here." "Play one night in the back room or something." "What sort of music?" "We do a bit of everything, really." " A bit of this, bit of jazz, bit of that." " You do some jazz?" "Yeah, we do a few jazz songs." "The people here are very particular about the kind of music they hear." "We've got some friends that will come." "We get people who come to see us every time we play." "You've got sort of followers, really." " And do you want to try it out soon?" " Yeah." "Well..." " Friday next." "Would that be OK?" " That'd be great." "About erm...about 8:00." "Thanks very much." " What do you call yourselves?" " Madness." "Madness." "Madness." "Yeah." "Madness." "Hello, Carl?" "It's Lee." "How are you?" "All right?" "Yeah, bit of a surprise, eh?" "Er...you gave me it last week, remember?" "Up the Oak." "Yeah." "Hey, I phoned you up..." "We got a gig." "At the Dublin..." "Yeah, surprised, eh?" "We've got a gig at the Dublin Castle, Friday. lt's up Camden Town." "I just phoned to ask if you wanted to do it." "Yeah?" "Oh." "Well, it's all right." "We'll pay your fare and that." "Ladies and gentlemen... boys and girls, your attention, please." "Can we have some quiet in the house?" "You've waited patiently to see Madness." "I can assure you they will be here." "I expect them any moment, but due to circumstances beyond our control, they've double-booked." "They'll be here!" "In a short while." "They're tonight playing... at the Nashville Rooms, Kensington, with the Specials." "What a joke!" "Whoa, whoa, whoa!" " Come on." " The geezer won't let us out." "He won't let us out till the Specials have been on." "How long is that, then?" "There's a club full of people waiting to see us." "Until the next lot's on the stage, you ain't going anywhere." " That's gonna be about 20 minutes." " l'm not gonna tell you again, pal." "The manager just said a minute ago, "lf you're quick, you can leave."" "You don't hear very well, do you?" "How much did you pay that bouncer?" "An arm and a leg. I won't be able to play." "Shame we couldn't stay to see the Specials." "Oi, Thompson, get out of here!" "Left or right?" "Your mirror's crooked." "Oi, Lee!" "You've got a flat tyre, Lee!" " Shall we shorten the set?" " Yeah, we won't have time for a long one." "I'd better step on it a bit now." "I think we're doing about 65, you know." "We should never have done two gigs!" " There's a sign." "We're going to Oxford." " Oh, my God!" "Thank you." "We know you've been waiting a very long time." "Stupid idiot!" "Quick!" "Lee, get up there!" " Oh, leave it out." "Where's he going?" " Woody!" "Woody!" "Woody!" " Woody!" " No, he's well gone." " Watchya." "Sorry I'm late." " That's fine." "What's happening, then?" "Woody ain't here." "That's what's happening." "Got lost on his new motorbike." " ls the engineer here?" " Yeah, he's in the box." "Excuse me, do you know where Pathway Recording Studios is?" " Pardon me?" " Recording studios." " Oh, yes, yes." " lt's near here, anyway." "You have to go round." "About half a mile up the road, turn right." "All right." " Mind how you go there." " l will do, hopefully." " Do you think we should sack him?" " Of course not." " He's taking the mickey." " l don't know." "At first... those happy hours ago, I was really annoyed." "But now I'm getting worried." "He might have had an accident." " l hope so." " Don't say that." "He can hardly drive that poxy bike, anyway." "Even if he had an accident someone would phone us and tell us or something." "There's no explanation for why he ain't here." "There can't be no explanation." "Excuse me, do you know where Pathway Recording Studios is?" "Where?" "No." "Never heard of it, mate." " Sorry." " Oh, well." "Thanks a lot." " Here's Woody's dinner." " l don't touch other people's food." "I don't know." "Come on." "Pass me the bag." "I'll have some of it." "We've all got to eat part of Woody's lunch." "That's veggo gear, man." "That's crushed nuts." "What's this?" "I thought he was a veggo." " What is it?" " This is meat." "You sure that's Woody's bag?" "What's meat doing in it?" "That's roast nuts." "That's disgusting." "He's a veggo." "He told me he's a veggo." "I put bacon on his plate the other day." "He didn't notice." "He's always been a vague geezer." "He's probably stopped off for a boiled egg or something." "He probably forgot we were coming here." "He's on his motorbike, a bit dazed." ""Pathway..." "Am I going there?"" "Next time we get a chance to come here, we sack him and bring someone else." "No." "We tie him to the back of the van." "Drag him all the way here." "When he gets here we'll introduce him to a new drummer." "We've got a suggestion here, chaps." "Why don't you go now and I'll make sure you just get charged 50 quid." " 50 quid?" " For the time you've had so far." "That will run up to 80, 90 quid tonight." "This is like cutting our losses, getting out." "If he turned up now we'd still have five hours." "That'd be OK." "No. lt'd take about an hour to set up the drums, get a sound on them and all that." "Then we'd do tracks and that would take a few hours." "We could just do one song." "We won't get it finished." "We won't get it mixed." " We've got to do something." " l think we should cut our losses." "What about recording?" "We've got to get it done." "I had this idea." "Erm... I've got this mate who might lend me a few hundred quid and we can come in here next week, or when it's free." "You might have to sign up a song that you do or something to him." " But he's fair." " ls he your publisher?" "Yeah." "Warner Brothers." " And he'll give us the money, yeah?" " l hope so." " l'll go and see him." " Are we going to shoot off?" "May as well." "If you're going to stop now, I'll push off." "OK?" "By the way, has anyone seen a white plastic bag anywhere?" "No." "No." " How much is this going to cost me?" " Only 200 quid." "For the whole weekend, Pathway." " Four tracks?" " No, two or three." "Finished, mixed." " lt's good, is it?" " They're the best thing I've seen in ages." "They write really good tunes." " Have they got a name?" " Madness." "A right load of nutters, eh?" "You could say that." "They are a bit nutty." "I don't think he's coming." "Hold on." "Speak of the devil." "Here comes the little rat." " Come on, Evil." " You're late again, Woody." " l said you're late again, Woody." " Eh?" "Me?" "Come on, boys." "Get in the back of the van." "Don't take your bike." "Why not?" " Got the rope there?" " All right!" " Come on, Woody." " Come on, in the van." "What's all this about?" "Get off!" "Are you ready out there?" "We're rolling." "There's Madness and "The Prince"." "That's their first record." "It's a new entry at No.16 this week." "Listen out next week and see whether "The Prince" goes up or down." "This water is freezing!" " We got any towels?" " Towels?" "Ooh, very nice!" "Notice the similarity?" "One has been washed in a famous washing powder." "Chalky, where's me sax?" "Thommo, where's Chalky?" "Hey, boys, you've got ten minutes to go." "Do get on on time." "We've got an overtime problem." " Sold out?" " Of course it is." "The best for the best." "All right?" "Get ready." "Make sure you're in tune." "What's green, has six legs and if it falls on your head it'll kill you?" "A pool table." "Hey wait, boys!" "Hey, Suggs." "Yes, Chris?" "Did you buy that suit by cheque?" "That is definitely Bob De Niro." "Name this tune, Woody." "'Ey!" "Three minutes to go." "Three minutes to go." "Right, just two minutes now, boys." " You're joking!" " Two minutes?" " Has someone nicked my sunglasses?" " No." " Where could the sunglasses be?" " Where are they?" " We're going on, Barso." " l put them down on here." " Five minutes ago." " Can't you keep you eye on anything?" " Lee, are they your ones there?" " Where?" "Quick bosh, boys." "DVD Subtitles by international Broadcast Facilities"