"A co-production of ATG and SOZOSHA" "Pruduced by SOZOSHA productions" "Co-produced and distributed by THE JAPAN ART THEATRE GUILD" "THE SHIBATA ORGANIZATION INC." "Presents" "THE MAN WHO LEFT HIS WILL ON FILM" "Conceived by OSHIMA NAGISA and TAMURA TSUTOMU" "Scenario by HARATA MASATAKA and SATAKI MAMORU" "Music by TAKEMITSU TORU" "Director of Photography NAISHIMA TOIJIRU" "Art Direction by TODA JUSHO" "Sound by HIDEO NISHIZAKI" "Edited by URAOKA KEIICHI" "Assistant Directors YAMANIKI YUJI and SASAKI BUNICHI" "Cast" "GOTO KAZUO as Motoki IWASAKI EMIKO as Yasuko" "FUKUOKA SUKIO and FUKUDA KEIICHI" "ISOGAI HIROSHI, HASHIMOTO KAZUO HORIKOSHI KAZUYA, OSHIMA TOMOYO" "Produced by YAMAGUCHI TAGUCHI" "Directed by OSHIMA NAGISA" "You should have brought it back by this morning" "What are you taking?" "There's nobody here." "We have something more important to film" "Don't touch that!" "You don't even know how to use it" "Give it back!" "We're goin' to use it today!" "What are you taking?" "You could take landscapes anytime" "What are you trying to do?" "Give it back!" "Where are you going?" "Wait a minute!" "Wait!" "Give the camera back!" "Damn it!" "Where are you going?" "Wait!" "Give it back!" "Give the camera back!" "Damn!" "Wait!" "Where are you running?" "Give back the camera!" "You trying to commit suicide?" "Hey, wait!" "Wait!" "It's my camera!" "Give it back!" "We're holding you as a witness!" "Give it back!" "He's coming around" "Motoki, you all right?" "You don't have to get up" "I have to get the camera back" "Sorry, if I hadn't fallen just then..." "The camera..." "The cops won't give it back" "It wasn't broken?" "What was on the film?" "Have the cops developed it?" "We've got no idea" "The cops just keeping talking about evidence" "A Bolex is really fragile" "I wonder if it was alright when I fell" "The cops don't know the first thing about cameras" "They've probably popped the lid and exposed all the film" "They stole the film for evidence" "They have enough sense not to ruin it" "Let's at least go and protest" "That's why we've been waiting for you to get up" "All our talking couldn't wake you" "You were out like a light!" "We thought you'd never get up" "I'm up now." "Let's go!" "We've got to get my camera" "Your camera?" "I mean..." "So that's the way you feel" "You've still got the idea of personal property" "You needn't get upset" "Did Motoki go after the cops because he wanted to resist repression?" "Or was he only trying to protect his property?" "This is an important question" "But you can't blame him" "Motoki really cared about the equipment" "When I've got the camera, I feel like it's mine, too" "When the cops closed in, I tried to protect my camera" "Because I was thinking about the camera I tripped and fell" "Materialistic bourgeois consciousness" "Ownership is a betrayal of the proletariat!" "If I'd lost the camera..." "It's my fault too" "Bourgeois materialism personal ownership, betrayal!" "Yazawa, you talk big..." "But would you have run after the cops like Motoki?" "That's irrelevant" "Mindless activist!" "Dogmatist!" "Stop that!" "The question is the anti-imperialist anti-Stalinist line" "I'm only a drop-out dogmatist anyway" "Stop posing" "But look, we've go to think about what Yazawa says..." "Even if he always ends up name-calling" "Yes, but the guys in the University film club believe..." "That proletarian consciousness can produce proletarian films..." "And they're morally bankrupt" "Where are you going?" "The police..." "If we're going to attack, all of us have to go" "Mindless activist!" "Sakamoto's probably got a bomb ready to blow up the police" "Motoki isn't up to it yet" "I just sprained my ankle, but Motoki was badly beaten" "He'd better stay in bed tonight" "There's no sense in dragging him out now" "Let's go back and discuss our strategy" "And we'd better start writing our appeal" "Yasuko, get Motoki to tell about the situation and report back to us..." "Let's go" "Yasuko, read him a Troyakyst bedtime story." "It might help" "It'll only make him worse" "Are they gone?" "I'll bet you're hungry." "Coffee will be ready soon" "Are you going to the police?" "No, I'm going to talk things over with the others" "I was worried." "You ran after the cops and out of sight" "I was sure you'd had it with the cops and you'd been arrested" "I didn't know what to do" "I'm relieved, that you were not arrested by the cops." "I'm going back" "I guess you're not up to it yet" "If you tell me about it I'll talk to them" "Crap!" "They're probably building a wake for him" "Tomorrow is the funeral" "The funeral?" "Whose?" "His funeral" "Whose funeral?" "His funeral" "So whose?" "The cops were going to get his camera so I grabbed it and ran, but I got caught" "You mean Endo." "There's no wake or funeral for him" "All he did was sprain his ankle" "You shouldn't talk as if he was killed in the Tokyo war" "Was his name Endo?" "Stop kidding" "Kidding?" "He jumped off the top of the building" "He just sprained his ankle?" "Endo did that?" "When?" "This afternoon" "Wake up!" "Endo was with us all day filming a documentary of the struggle" "A documentary of the struggle?" "Don't be ridiculous, He committed suicide right before my eyes, in broad daylight" "Enough of your nightmares" "What we want to know is what happened after you took off after the cops" "Cops?" "Let me go over everything that happened today" "We met in front of Sendagaya station at 3:00..." "In order to film the April 28 Okinawa Day unity meeting" "We all gathered near the red post box" "The post box..." "The shields of the riot police were lined up" "They were inspecting our baggage" "Everybody cooperated so nicely, it drove us crazy..." "There were so many cops..." "That some were free to play with the children" "The children..." "When we got to Meiji Park  things were quieter than we had expected" "Sakamoto was grumbling  about the uselessness of popular demonstrations" "The antiwar high school students were  getting excited all by themselves" "You were watching" "What were you thinking about?" "About what happened last October and November?" "You used to put on a white Chukaku Faction helmet  and mix with the antiwar high school guerrillas" "And then you quit Chukaku  as if you were all worn out" "The plaza was filled with different flags" "Flags with cartoon characters..." "Cartoons..." "As soon as it got dark, the place went crazy" "The Kakumaru Faction tried to invade our assembly" "They had staves and were itching for a fight" "It looked like there was going to be  a war between the factions" "The riot police stepped in  and the Kakumaru was forced to go away" "I said, that if both factions get together  we could outflank the police" "But you only laughed and said:" ""That's what Kakumaru calls an illicit union"" "After that, the demonstration started for Hibiya Park  just as we were passing the baseball stadium  we heard them announcing the score" "Then we switched from zig-zag to French-style formation" "That was when we got separated from Takagi's camera group  and were isolated with Endo" "The loud commands coming from the armored car  echoed across the broad avenue" "It was really weired" "Then the riot police attacked without warning" "They were out to get us no matter what" "We used all the film we'd brought taking that scene" "You were the first one to notice the plainclothesmen" "You tried to warn us" "They were after the camera" "Suddenly, Endo tripped and fell" "You blocked the cops, grabbed the camera, and ran" "The riot police ran after you" "They grabbed your camera and jumped into a car" "It was a camouflaged patrol car" "You ran after that car  screaming and demanding the camera back" "Do you remember now?" "You ran after that car" "I want to know what happened after that" "I ran into a tunnel, on and on" "He committed suicide" "The film became his last will and testament" "Do you still believe that?" "Today we..." "I opened his hand to get the camera back" "He slipped away" "I grabbed his arm" "He knocked me down and ran off" "It was early and the streets were still empty" "Then he jumped off the top of that building" "Where were you then?" "Your lover committed suicide" "Where were you?" "What were you doing?" "I... we were taking scenes of the Okinawa Day demonstrations" "Were you wasting your time with that nonsense?" "Go to his house this minute and ask him to forgive you" "Motoki" "Where are you going?" "I'm going to go tell them what you said" "What are you doing!" "How long are you going to keep up this nonsense?" "Making film into a weapon" "While you were busy with that, he killed himself!" "I agree that you can't participate in the struggle by making films." "That it's a rationalization" "That's no excuse!" "Wait a minute." "Not here." "Your room" "All right" "That's right, you are his girl" "Why do you..." "Stupid!" "Now you've been raped by another man" "Stop it!" "Is this the film he left?" "That's no way to talk, he is your lover, isn't he?" "This is the film my lover left" "The cops gave it back after concluding it was suicide" "What's this?" "This is an awfully slow testament" "A sake shop." "Maybe he bought his liquor there" "But he really wasn't much of a drinker" "Maybe he was after the shopgirl" "You're goin' to hurt Yasuko's feelings" "Isn't that the bookshop you use a lot?" "Maybe, I can't really tell" "But what was he thinking when he shot this?" "Is this the kind of thing you take before you die?" "Maybe he really was mad" "There must be something here" "How can you say he was nuts  when you don't even watch the screen?" "Hard as you look, though  there doesn't seem to be anything there" "It's getting on my nerves" "Watching this is a waste of time" "He was bankrupt, both politically and artistically" "Maybe he was figuring that by linking meaningless shots  he could create meaning by paradox" "That's what you call bankruptcy" "When he first joined us  his sense of image was a lot sharper" "He had a sense of self that could relate to reality" "You want to see the rest of this?" "Here's what I think:" "As Yazawa said  when you're bankrupt politically and artistically  all experience loses meaning" "Like the recanting Communist before the war" "The only difference is  he received the blessing of modernity" "You get stuck in the muddy mixture  of the feudal and the modern that is Japan" "And you slip deeper and deeper" "Into the fetishes of youth and childhood" "It's beginning to scare me" "This is the end of a petit-bourgeois  unable to achieve proletarian consciousness" "Turn it off" "I'll turn it off, then?" "Wait!" "He tried hard to shoot this film" "He fought alongside us." "We ought to see it through" "You should have returned it by this morning" "What are you filming?" "There's nobody here!" "We have something more important to film" "Don't touch that!" "You don't even know how to use it!" "Give it back!" "We're going to use it today!" "What are you filming?" "You could film landscapes anytime" "What are you trying to do?" "Give it back!" "Wait!" "Where are you going?" "Wait a minute!" "Give the camera back!" "Damn idiot!" "Where are you going?" "Hey wait!" "Wait!" "Where are you going?" "Give the camera back!" "Damn!" "Wait!" "Where'd you running?" "Give back the camera!" "Is that all you shot?" "Ours was much better" "I told you to get nearer to the demonstrators" "Motoki, were you here, too?" "Are you all right?" "Yasuko says that you haven't been able to carry on a decent conversation" "If you couldn't even communicate with Yasuko you must have been pretty badly beaten" "Tell us what happened" "We're going to launch a recovery struggle" "Here are the handbills and the appeal to the intellectuals" "Recover?" "Recover what?" "The film the cops stole from you" "We already got it back." "We just saw it" "That was Takagi's film" "The authorities aren't about to give it up so easily" "Motoki, you're still not your usual self" "We understand you feel responsible for losing the film but this is a problem we ought work out together" "Don't get so upset" "Motoki, let's go on" "I've made up a list, and I think we'll be able to get Nagisa Oshima and..." "Masahiro Shinoda" "Urayama and Seijun Suzuki will help us too" "Yoshida's all tied up with the freedom of expression" "So I'm sure he'll help, too" "Then there's Shohei Imamura, Tai Kato, and Matsumoto" "Individuals are fine, but then, there's the Directors' Association the Scenario Writers' Guild the Critics' Council and the Technicians' Association" "We've got to broaden our range and develop the movement as a joint, intensive struggle" "Kokugakuin University took a similar course to court and won" "The System will do anything not to lose again" "It's all right to appeal to the intellectuals, but then we'll be reduced to the lowest common denominator:" "The freedom of expression" "The University film clubs are already bankrupt..." "So we have to develop a unique movement of our own" "It's time to go and distribute handbills" "I guess we start by distributing handbills" "If you're looking for his film, it's here" "What's wrong?" "Don't look like that" "You saw that film" "What could he have been trying to say?" "You know, don't you?" "You're his girl" "What did he want to do with this film?" "To make it his testament" "Would he take something so meaningless?" "But he did take it" "Maybe he's..." "Maybe what?" "No, it couldn't be." "I saw him die" "That's right." "He left this film and died" "He insisted on borrowing the camera" "What was he trying to do?" "Don't you want it?" "Why did he commit suicide?" "Sorry, I thought you were somebody else" "Did you see a man about my age turn this corner?" "No man" "What's wrong?" "You..." "Are you looking for somebody?" "I..." "I don't want it!" "You keep it" "He never existed" "The idiot who made this idiot film never existed!" "What are you looking at?" "Something that bothers you?" "It's nothing" "Stop it!" "He never even existed!" "What's wrong?" "I see, it's that time of month" "I'll be nice to you" "It'll be all right, when I start feeling hot." "I'll stop" "I'm his girl" "It's no joke" "Oh, come off it!" "You're taking liberties with somebody else's girl" "Stupid, I said he never existed" "Then, what were you looking at?" "Who were you searching for?" "That was nothing" "I may have said some strange things but I was upset after being beaten by the cops" "Don't take it so seriously" "Let's be together just as we were" "Now stop it!" "What's this then?" "What do you think?" "This is the film he took" "It's the film he took as his testament" "Yasuko, stop it!" "I just made him up." "He never really existed" "Then what about this?" "That?" "You just picked it from the studio's bin" "It's just a waste film spool" "Then can I show it?" "Sure, go ahead" "Stop being difficult!" "Stop it!" "What's this?" "Is this your lover's testament?" "That's right." "This is his testament" "Your lover made a habit of splicing pieces of waste film together, is that it?" "No!" "Why?" "Then what's this on the screen?" "What is it?" "See, you don't know" "So stop being so difficult!" "You've got to hand it to Akiko through splicing all this just together" "That morning he silently embraced me" "Yes, that morning he embraced me in silence" "Then walked out of the door" "Yasuko!" "There is no such person!" "Wait" "Stop it!" "He never even existed!" "Don't you understand?" "He never existed!" "Motoki, what have you been doing lately?" "Takagi went to your place looking for you, but the door was locked, and nobody answered" "Were you there?" "What were you doing?" "How's Endo's ankle?" "It's bothering him, but he's hopping around all night" "But you haven't called in." "What have you been doing?" "Not much" "Yasuko said she hadn't seen you since then" "Sakamoto says you're become an opportunist" "It's he who believes you're unaware of the situation we're in" "We're about to hold the first public discussion... for our film recovery struggle" "We haven't reached the point of mass action" " That's why we work so hard" " Are you still feeling badly?" "No, I feel okay, it's just..." "Let's see to that." "It's my penchance for getting so involved with that silly idea" "What silly idea?" "The action of a guy, who never existed" "He existed!" "No, it was all an illusion" "Is that the way you want it?" "A fiction, a fantasy" "From fiction to reality." "From fantasy to science" "From words to life" "You're not the only one with the illusion that revolution will grow out of... armed insurrection even without mass support" "It doesn't help, if your bark is worse than your bite" "Like Matsumura was saying today all mankind is being oppressed" "What is necessary, to break through that oppression is imagination" "That's why we're making films" "I've been staying away for no reason, but..." "The recovery struggle is more than just getting the film back" "It's a matter of resisting the oppression of creativity" "From now on, I'll be more positive" "Is that all?" "And what about his death?" "What's wrong, Yasuko?" "Nobody feels as bad as Motoki" "Yasuko, leave him alone" "He's just beginning to develop new interest in our work" "Motoki's even better than Yazawa and he's only been working with us for six months" "I'm more of a theoretician" "Motoki's better with the equipment" "Watching the way you handle the film it's like you were making love to it" "I used to take part in street demonstrations" "It was last autumn" "But I had the awful feeling that we were just moving side by side with history" "I don't remember the battle, but I saw a documentary made by an independent group" "It was really good!" "The camerawork was fantastic!" "It illustrated history" "What do you mean?" "It seems like history is moving outside of our lives" "But the camera makes it seem familiar, personal" "That's in the way you felt about film process that your street demonstrations were bankrupt" "You joined our group in order to use film as a means to launch a new struggle" "Well, maybe..." "Then the idea, that film illustrates history doesn't stand up" "You use film as a medium for confronting reality..." "That's how films become weapons" "It's a question of the extent to which film creates a new relationship between reality and the creative self" "The reality and the creative self combine in mutual criticism and film acts through both reality and creativity" "That's right" "That's what film means" "But the image on the film will still be descriptive" "Then the ideal film would be of a gracefully dancing couple" "Your theory disregards the creative autonomy" "It's him!" "He took this!" "That bastard, he even took landscapes like this!" "What is it?" "Did you find a good shot?" "This is just a waste film clip" "No!" "He shot it!" "Who shot it?" "He did!" "He did!" "Your..." "He doesn't exist, he doesn't" "What are you talking about?" "Takagi shot while he reloaded the camera" "He didn't have to use up this much" "Takagi was just wasting film" "It's junk" "Yasuko, what's this all about?" "I don't know." "Motoki says that he never existed..." "It's getting all tangled!" "It's not like you to be so careless" "He died" "Make me your girl" "No, he's..." "Aren't you going to show it?" "Turn off the lights" "Do it yourself!" "Turn them off!" "What's wrong?" "Turn them off" "Turn on the projector first" "You always turn the lights off first" "No, you go first" "Just flick the switch" "Why don't you just flick the switch?" "What's wrong?" "Hurry up and turn it on" "Hurry up" "When he decided to shoot this and commit suicide did he say anything?" "How should I know?" "You are his girl, of course you should know" "I wouldn't tell you if I knew" "Tell me." "Please." "Tell me" "He didn't say anything!" "Is that the truth?" "He left his testament:" "He didn't need to say anything" "What did you get from it?" "What did you get from it?" "I don't know." "That's why I want to see it again!" "You think you'll understand this time?" "How about it?" "Just turn off the lights!" "Hurry up and turn them off" "Turn them off!" "What's wrong?" "I turned off the lights" "Turn on the projector" "He really didn't say anything?" "You're sure?" "That morning, he embraced me" "Without speaking, he simply embraced me" "He embraced you." "Like this?" "No, he was more gentle" "Like this?" "No, it was completely different" "It was like the wind blowing" "Like water flowing Like clouds were racing by" "The sun was shining." "It was dazzling" "You were embraced in broad daylight, under this window?" "When was this?" "No, it is getting hazy" "Where is this street with all the signs?" "Then everything goes blank" "Look!" "Where is this?" "He doesn't exist" "Yes, he existed" "That morning he embraced me in silence" "He never existed." "I just invented him" "He's there." "He's watching us from behind the screen" "That's why I'm asking you where that is" "I don't know" "It's a place like a million others, but you were his girl you should know where it is..." "Then maybe, I don't remember" "Try to remember why he filmed this place" "If we go there, maybe we'd understand" "But I don't know" "He didn't say a thing about his testament" "That morning he just embraced me in silence" "Then how did he embrace you?" "I didn't really embrace him and he really didn't embrace me" "Maybe it's just that I felt I had been embraced" "Who is he?" "I don't know." "I don't know There is no such person" "It's just that that morning he embraced me in silence" "Always?" "Yes, always" "Liar." "He said something, didn't he?" "It doesn't matter when he said it, tell me what he said" "Without speaking, he just..." "The wind was blowing?" "Water was flowing?" "And the sun was shining?" "Yes, that's right" "Who is he?" "What do you want me to say?" "He was always silent, and..." "Don't keep repeating the same thing!" "It's too beautiful" "Then what do you want me to say?" "The wind doesn't blow." "Water doesn't flow" "Does the sun shine?" "Don't make me laugh!" "Who is he?" "He's the one, who made this filthy film and died" "It's not filthy." "He shot it before he died" "Look, what beauty is there in this?" "What is it?" "What does it show?" "It's a miserable landscape" "A filthy landscape like any other!" "No, there must be something better there" "You just can't see it" "You're the one who can't see it" "It's a street of broken down signs" "Bent and twisted guardrails" "A mailbox, weathered and pealing" "It's just junk and more junk" "And then?" "A cigarette stand with an old lady" "And then?" "Then there's a greasy old public telephone" "And then?" "Do you understand?" "That's the film he took" "Do you understand?" "This is all he was capable of" "That's wrong" "You don't understand" "Why he left this film and committed suicide..." "You just don't understand" "You're the one who's filthy" "I hate him." "I can't tell you how much I hate him" "I'd like to tell him, how much I hate him, but he..." "The wind doesn't blow water doesn't flow" "The sun doesn't shine" "This is him?" "Yes, we're going to narrow him down" "Where do we begin?" "From here" "And so we open our siege" "WAR OF LANDSCAPES" "No, this isn't it" "This isn't it either" "Wait, there's somebody watching" "Watching?" "We're getting closer" "This way!" "This is it!" "Really?" "Wait a minute." "I'll ask" "Was anybody taking a movie around here recently?" "A movie?" "Yes, a guy about my age and appearance" "I don't think so" "A neighbour was taking some pictures, is that what you mean?" "Silly, those were still pictures" "I see." "Thanks anyway" "What happened?" "It's him" "I'll get him!" "He..." "After him" "What is it?" "Did you see him?" "Yes, it was a week ago or maybe ten days" "Kenchan came by" "Who's Kenchan?" "He's a man..." "He used to come and buy cigarettes for his father but then he suddenly stopped coming" "He said, he wanted to take my picture" "Why did he want to take your picture?" "I said, that there wasn't any point in taking a picture of an old woman" "But he got a camera for his 12th birthday and was so happy!" "Did you notice my friend?" "He must have taken five or six pictures, but he still wasn't satisfied" "He..." "The wind was blowing Water was flowing" "The sun was..." "He just passed" "Like the wind?" "Like water flowing?" "Like the sun?" "No, nothing..." "Really?" "One more left" "The last one must be around here" "Here." "He went in here" "MOTOKI" "I'm sure." "You saw him, too" "Let's go in" "What's wrong?" "That's all for today" "Why?" "I said, that's all for today" "UNILATERAL WITHDRAWAL" "Stop it!" "But isn't it the truth?" "FILM SEIZURE:" "FIRST PUBLIC DISCUSSION" "You left in the middle of the discussion" "You were irresponsible" "You were smart to run off" "That meeting today was terrible" "We didn't have enough time to publicize it" "Maybe the intellectuals don't come unless your slogan is "Freedom of Expression"" "As we expected, no one came from the film clubs" "Of course not" "There's no point in carrying on like this" "We've got to take concrete action with concrete support" "But this proves, that they're totally bankrupt" "Never mind about others" "Those able to struggle must do so" "Maybe the situation has reached that stage now" "It's just sad to realize we're the only ones left with the ability to build a cultural front" "But maybe that's the only way" "What are you doing?" "Are you crazy?" "You were supposed to report on the present situation" "You are like a cultural commissar!" "It's no joke!" "Don't move!" "The lens will fall off" "It's no time for that sort of thing" "But we've only got one camera left" "We have to be careful with this one" "Endo, where is the zoom lens?" "It's at home" "Bring it back" "Why?" "Bring it back, please" "Motoki, you handle the equipment as if you were going to shoot a new film!" "Motoki, first you disappear from this meeting, and now you want lenses." "What are you going to do?" "You want to make a new film?" "If I did, would you lend me the camera?" "We've got only one and it's hard to tell how our struggle will develop" "I'll return it" "It's not a matter of returning it" "It's your whole attitude" "You of all people should be involved in solving the problem of the stolen film helping to establish our cultural front but you're no help at all" "Then you won't lend it to me?" "That's not the point!" "Describe the film you want to make" "If you convince us, we might help" "You can't." "It's too personal" "She's right." "We should be concerned with our own films and not Motoki's personal problems" "Can we see the rough cut?" "We've got better things to do" "Editing can't save bad films" "What do you mean?" "If you don't want to watch, don't" "Turn off the lights" "Making militant films doesn't mean you're part of the struggle" "Be quiet and watch" "Takagi, did you take this?" "Yes, but there was a cop across him and me, so it's out of focus" "I should have changed the angle" "Opportunist!" "You were with me, you should know how it was" "The question is, how to conclude the film" "How to express the realities of the state's seizure of our film" "Point the camera and the film into the sky and they are lost in the sun's glare" "Then there's halation and the scene goes white" "What's the sunlight represent?" "State power" "That's not new." "We've seen that before!" "I thought it was your brother" "What have you been doing lately?" "You ought to visit more frequently" "There was a riot again the other day" "I hope you aren't involved anymore" "Aren't you feeling well?" "Anything to eat around here?" "Are you hungry?" "I'll fix something in a minute" "Is my brother using my room?" "Your room gets more sun but he says he's used to his old one" "Do you stay?" "You'll stay for supper, won't you?" "I'll fix whatever you'd like" "I don't care" "Your brother's been asking for Bamboo shoots." "Will that do?" "You haven't said anything since you arrived" "Try to be nicer when you visit" "You've started" "What are you going to take?" "You know as well as I do" "Tell me" "You know it" "Can't you say it?" "The same landscape he shot" "The same way he did?" "Why?" "Is that the way to beat him?" "Can you kill him that way?" "Yes." "If I take the same landscape the same way he did he'll disappear" "That way I'll be him" "Really?" "Sure" "If you become him, he'll survive in you" "Am I wrong?" "Good luck" "Yasuko, get out of the way" "Excuse me, I have to get the mail" "Please move, it'll only take a second" "You're in my way here" "I can't get her out of the way!" "Over here, young lady I've got her, hurry up!" "Fine... yes, fine... yes... fine... fine" "Say it again" "Yes, fine" "Yes, sure, fine." "It's all right with me" "Yasuko!" "What?" "Yes, it's fine with me" "Why don't you get out of the way?" "Yes, of course." "Yes, fine" "Yes, that's fine" "That's all right" "That line's dead!" "It's okay with me" "I said it's dead!" "What'd you say..." "You're trying to put me on?" "I see..." "Fuckin' bitch!" "Damn idiot!" "It was her!" "You were over the center line!" "Wait a minute!" "What d'you want?" "I'm sorry!" "You trying to kill somebody?" "Keep this for me, will you?" "Yasuko!" "I won" "I won." "I beat you, and I beat him" "How do you know?" "Because I didn't see anything" "I didn't see his landscapes" "So you think you won?" "You saw it, didn't you?" "You saw it" "You see it, now" "No, I didn't" "You had your eyes open" "Saw what?" "The landscape" "So, you couldn't beat him" "No." "The landscape I saw in the car wasn't his" "Look he wasn't anywhere near the road we travelled" "He wasn't here either" "I didn't see him anywhere" "Yasuko" "There is no such thing as his landscape" "All landscapes are the same" "He's in every landscape, and he's missing from every landscape, too" "Give the camera back!" "When did you become a thief?" "It's communal property!" "We can lend it to you again later if you really need it" "How did you know I was here?" "Give it back" "You asked Yasuko" "Just give it back" "What are you trying to do?" "Give it back!" "Where are you going?" "I..." "Are you still here?"