"Dan:" "Adding to Milwaukee's woes," "Tayshaun Reed was just 2 for 16 and 0 for 6 at the line." "Commenting on his sub-par perf ormance after the game," "Reed said, "my head just wasn't in the game. "" "Anyone knowing the location of Reed's head should contact the proper authorities." "[ Laughs ]" "" " Stand 40 and 40A." " 40A standing." "" " Stand by." " "Contact the proper authorities." " " Hmm?" "" " Didn't you think that was f unny?" "" " I did think it was f unny." "" " You didn't laugh." "" " What do you want f rom me?" "Judy, we'r e 40 seconds f at, so keep it close, okay?" "Go 40, go 40A." "" " Stand by 50s." "" " Stand by sound 22." "" " Did you think it was f unny?" "" " What?" ""Contact the proper authorities."" "Yeah." "You didn't laugh." "Am I bothering you?" "No." "" " Am I bothering you?" "" " No." "" " You'r e bothering me, if that's " " Okay." "" " Shut up." "Casey:" "Coming up -- the Kings go hunting for Grizzlies, and Houston goes hunting for a power forward." "Plus we're gonna keep you up-to-date on this situation outside the Garden." "By way of a PSA, if you'r e watching us her e in Manhattan, you'r e gonna want to avoid 34th Str eet f or a little while." "This is "Sports Night" on CSC." "We'll be right back." "" " We'r e out." "" " Two minutes back." "What is the situation at the Garden?" "They've made 15 arr ests so f ar, but that news is 20 minutes old." "" " Any injuries?" "" " Scrapes and bruises." "Ther e's some property damage." "" " I didn't get that." "" " It's coming in right now." "You guys want to work together a little bit?" "I'll get it off the wir e." "You guys want to work together a little bit?" "Now you'r e bothering me." "" " Fine." " 90 seconds." "Kim, the TelePromp Ter said," ""Houston goes bunting for a new power forward. "" "It said "hunting."" "" " No, I'm looking right at it." "" " So am I." "It's a poor workman who blames his tools, Casey." "You'r e right." "It's an old saying." "" " No, I mean, it says "hunting." " " Yeah." "From the desk, it looked like "bunting."" "Come her e." "What?" "Come her e." "Sit down." "What ar e you doing?" "Let me take a look and see what we got her e." "" " Ah, would you get away f rom me?" "" " Let me take a look." "Uh-huh." "Ther e's some -- ther e's some blurring sometimes." "Blurring?" "Yeah." "Blurring of anything specific?" "Yeah, the things I'm looking at." "Huh." "All right." "What ar e you doin'?" "Yeah, it could be a tumor " "Get away f rom me." "Something on the optic nerve, something in the brain." "I need new contacts." "Don't rule out a tumor." " 30 seconds live." "" " Good evening." "" " Hey, Sam." "" " Hey, Sam." "" " Hey, Sam." "What's going on at the Garden?" "St. Mary's won the final in the Interborough High School Basketball Tournament, and a riot, actually, has broken out on 34th Str eet." "Really?" "I didn't get you a cake..." "I'm sorry?" "For your last day." "I hope you wer en't expecting a cake." "I wasn't." "Ther e wasn't a lot of time today." "I wasn't expecting a cake." "Tayshaun Reed said his head wasn't in the game, and Dan said anyone seeing his head" ""should contact the proper authorities."" "[ Laughs ]" "I thought it was r eally f unny." "Very tough house tonight." "Dave:" "In 3...2..." "Welcome back." "[ Telephones ringing ]" "" " Natalie?" "" " Yeah?" "Hey, I need to talk to you." "You ar e talking to me." "That's right." "Uh, what do you need?" "I guess you can't say, "I need to talk to you,"" "without talking to you." "" " Yeah." "" " It's ironic." "" " What ar e you, Alanis Morissette?" "" " Hey." "I'm sorry, was that r ef er ence too hip f or you?" "She's a r ecording artist, and, like, 4 billion people listen to her music." "I want my stuff." "" " What stuff?" "" " My stuff at your apartment." "" " Hey, Jer emy." "Hey, Nat." "" " Hey." "Hey, Chris." "" " Stuff at your apartment." "" " Yes, you told me." "" " And?" "" " I'm sorry, I f orgot to tell you." "My moving van's been in the shop." "" " It's, like, one carton." "" " Yes." "Good morning." "Good morning." "" " Hey, Jer emy." "" " Hi." "What's going on?" "The captain of the Ukrainian handball team thinks they've got a good chance to medal in Sydney." "I meant in general." "Ah." "Nothing." ""Nothing" what?" "Nothing, sir?" "" " Jer emy..." "" " I'm workin' her e." "Okay, well, keep me posted on the Ukrainian handball captain because we may want to br eak in on r egular programming with that one." "You asked." "Yeah, yeah." "[ Laughs ]" "" " Hello." "" " Hello." "Ar e you gonna be doing "Georgia on My Mind" later?" "I saw an ophthalmologist this morning." "Tumor?" "New contacts, but he dilated my pupils f or the exam, and I have to wear these until the medication wears off." "Well, it's a little bit much f or an eye exam, isn't it?" "" " Yes." "" " So then why does he " "'Cause I had him check f or a tumor, Danny." "Okay, well, it's good to get a second opinion like that." "Ah, thank you." "So, how long did he say it was gonna " "Six to eight hours." "You'll be fine f or the show." "No, I have to write the show, and I can't see the keys, and I can't see the scr een." "" " Ah..." "" " Yes?" "I myself am a touch-typist." "" " You took typing?" "" " Sur e." "" " Okay." "" " Very important." "You wanted to get out of pr e-calc or something?" "Choir." "How ar e you today, Mr. Nicholson?" "" " Dana." "" " I was doing Ray Charles." "Could have done Ray Charles." "Could have done Stevie Wonder." "Could have done Mr. José Feliciano." "Oh, I'd like to shove a piano " "Oh, ther e's a lady in the room." "" " How would I know that?" "" " Are you able to write?" "Of course I'm able to write." "We can bring someone in to -- " " I'm able to write." "" " Suit yourself." "[ Thud ]" "Anything else?" "" " I didn't get Sam a cake." "" " Okay." "'Cause I think he'd see right through it, don't you?" "" " Don't I what?" "" " Think he'd see right through it -- the hypocrisy." "The hypocrisy of a cake?" "Pr etending we'r e gonna miss him when the truth is we'r e r elieved." "I'm not r elieved." "Well, that's fine, Danny, but you'r e not the one that had to answer to him f or thr ee months." "Sur e." "" " He took control of the show." "" " I understand." "" " He took control of everything." "" " I know." "And so if I'm r elieved to see him go," "I think it's not that out of line." "Nobody her e's fighting with you." "Okay." "See ya." "[ Keyboard keys clacking ]" "You can't see anything right now, can you?" "No." "You'r e just typing gibberish." "Yes." "Okay." "[ Telephone ringing ]" "" " Hey." "" " Hey." "What's going on?" "The captain of the Ukrainian handball team " "With you and Natalie?" "Look, Dana, it's gonna take some time." "What's gonna take some time?" "I'm saying, after a br eakup -- " " Who broke up?" "" " She didn't tell you?" "" " Who broke up?" "" " Natalie and I." "" " What?" "" " I just assumed you knew alr eady." "[ Sighs ] Ex cuse me." "Natalie:" "Something better than $250, 000 in property damage." "It turns out " "Hello." "Come with me." "" " Dana..." "" " Come with me." "" " Look..." "" " When wer e you gonna tell me?" "I assume you'r e talking about Jer emy?" "Yes, you assume I'm talking -- yes " " Jer emy." "" " What about it?" "" " When wer e you gonna tell me?" "That's f unny, it sounded like you said, "When wer e you gonna tell me?"" "When what I'm sur e you said was, "Is ther e anything I can do f or you?"" "You'r e absolutely right." "" " I meant -- " " Don't worry about it." "" " What do you mean, don't worry about it?" "" " It's one of those things." "One of what things?" "Whatever." "Okay." "" " Look..." "" " Whatever?" "Dana -- " " When did this happen?" "" " A f ew days ago." "" " Why have you just been -- " " Look, Dana, I'd like it if once in a while" "I didn't get a r eview on my behavior f rom you, and in this case, especially f rom you." "Not every woman in the world f alls apart when she br eaks up with her boyf riend." "Whoa." "O-Okay." "Whatever." "I gotta get back in ther e." "O-kay." "Oh, you see?" "" " What?" "" " I just heard it." "What?" "You just spelled "irr eversible" with one "R."" "I spelled it with two R's." "" " I only heard one." "" " Go home, would you?" "[ Sighs ] My other senses have come alive, Danny." "" " Okay." "" " I'm a little scared of getting trapped in a fire." "" " I understand." "" " You'd help me to saf ety?" "If ther e wasn't anything else better to do." "" " Like what?" "" " Save myself." "My senses have come alive." "" " Uh-oh." "" " What?" "Mmm-mm." "What, what, what, is ther e a fir e?" "Yeah, ther e's big fir e, Casey." "That's why I'm saying "uh-oh" and "mmm."" "Yeah, yeah, yeah, what's going on?" "" " Peter Sadler's her e." "" " Uh-oh." "Casey, watch out!" "!" "What?" "!" "What?" "!" "[ Laughs ]" "Ther e's nothing ther e, is ther e?" "That's one, baby." "It's gonna be a long day." "" " Hey, guys." "" " Hey, Peter." "Ah, Roy Orbison -- cool." "Roy Orbison's another one I could have gone with." "How you doin', Peter?" "Whatever we've done, I'm sur e it's Casey's f ault." "Haven't done anything." "" " Good." "" " But do me a f avor, would you?" "Next time you say, "Curt Shnittke" on the air, slow down a little." "No problem." "" " Isaac in his office?" "" " I think so." "All right, take it easy, Dan, Casey." "Peter...my senses -- they've come alive." "Hit the high note in "Cryin'," and I'll be impr essed." "Peter." "Dana." "" " What did we do?" "" " Nothing." "Shnittke's a hard name to pronounce." "" " I'm her e to see Isaac." "" " About what?" "Well, I suppose if it was your business, I'd be her e to see you." "Ooh, stunning comeback." "I'll see you later." "Hang on." "Hello." "" " Hello." "" " Hello." "Please don't talk when you look that ridiculous." "Did you guys know about Jer emy and Natalie?" "What about 'em?" "Okay." "Stay right her e -- I'm gonna go with Peter to see Isaac to find out what this new mythigoss is about." " [ Laughs ] " " Mishigoss." "I'm getting better." "Tell building maintenance to call an exterminator, would you?" "" " Why?" "" " We got bugs all over this office." "Where?" "Right ther e, crawling up the couch." "[ Laughs ]" "That's two, baby." "Actually, can I get in on this?" "It's like tuna fish in a barr el around her e." "Don't go anywher e." "[ Knock on door ]" "Peter:" "Hey, Isaac." "Hey, Peter, how ar e you?" "I'm her e, too." "Thank God." "" " What's going on?" "" " Wer e we served?" "" " About an hour ago." "" " What's going on?" "" " They want all the tape?" "" " In 48 hours." "I told them we would not have a problem with that." "" " No." "" " Do you want to see the subpoena?" "" " What's going on?" "" " We got subpoenaed." "Cool." "What did we do?" "Manhattan D.A.'s office wants the f ootage of the riot you shot last night." "" " Why?" "Let's r ef use." "" " It's evidence." "" " Why?" "" " Just to be ornery." "The two of you can get out now." "What happens if we r ef use?" "Ah, you'd be cited f or contempt." "" " What happens then?" "" " Would go to jail." "" " I wouldn't do well in jail." "" " No." "See you later." "Take car e, Peter." "What?" "" " Did you know about Jer emy and Natalie?" "" " No." "Okay, her e's what I'm gonna do." "I'm gonna take car e of this f ootage." "Then I'm gonna stop by Dan and Casey's office to fill them in on Jer emy and Natalie." "Then I'm gonna come back her e, and I'm gonna talk to you." "That sounds good." "Why don't you do everything you just said, ex cept coming back her e and talking to me?" "" " Oh, how you like to kid." "" " Yes." "We could do it, you know?" "Ref use to hand over the tape and go to jail f or a First Amendment principle." "Ah, Dana, don't you think if I could have figur ed out a way to send you to prison, I would have done it alr eady?" "You'r e a r egular cutup ther e, skipper." "" " Get out." "" " Okay." " 2: 40 or 2:14?" " 2: 40." "" " Kobe Bryant?" "" " They said two hours." "Two hours, the off er's gone." "Call them back and tell them I need to know in 30 minutes." "" " Hello." "" " Hello." "" " Can I ask you this?" "" " What?" "Can I just keep my keys to let myself in?" "No." "To let yourself in?" "" " Natalie..." "" " No." "" " It's not like -- " " You'll get your Magic 8 Ball back, okay?" "" " Natalie." "" " Yeah?" "" " Dana needs you in her office." "" " Thank you." "You'll get your stuff." "[ Knock on door ]" "" " You needed to see me?" "" " Hey." "How much f ootage did we shoot outside the Garden last night?" "38 minutes." "You need to give it to Peter Sadler in legal." "" " Why?" "" " It's been subpoenaed... believe it or not." "" " Why?" "" " The Manhattan D.A.'s office thinks it can help them to identify the -- whatever it is you call the people who started it -- the instigators." "" " And you'r e gonna give it to them?" "" " Yeah." "You'r e gonna just hand it over?" "" " Yeah." "" " That's gr eat, Dana." "" " Why shouldn't we?" " 'Cause we don't just hand over." "U-Unused f ootage is the same as a r eporter's notes, which means if we challenge the subpoena " "We'r e not challenging the subpoena." "" " Why not?" "" " What, are you crazy?" "No, I'm saying, if we start compromising " "Natalie, if you want to talk about Jer emy, I'm available to you." "Otherwise, dub a 1/2-inch tape off the Beta f or Peter Sadler." "[ Keyboard keys clacking ] Casey:" "Read back to me what we got so f ar." ""The Sooners of Oklahoma."" "" " Yes." "" " It's a good start." "" " I can't do this." "" " Okay." "" " I can't." "" " Okay." "" " I can't dictate." "" " Okay." "Writing f or me is a tactile experience." "A what?" "" " A tactile experience -- it's in the fingers." "" " Okay." "[ Sighs ] Read it back to me again." "" " Casey." "" " Yeah?" "I am sitting her e writing your script f or you." "" " Don't worry about it." "" " Okay." "" " I like alliteration, you know?" "" " Yes." "Hey." "" " Hey, Kim." "" " Dana." "" " Ah." "" " Jer emy and Natalie broke up." "" " Really?" "" " Yeah." "" " Why?" "" " I don't know." "Why not?" "Could you take those off?" "My pupils ar e dilated." "Your brain is dilated." "Why'd they br eak up?" "I honestly don't know." "Natalie hasn't talked to you?" "No." "On the other hand, she has gotten very angry that we'r e turning the riot f ootage over to the D.A." "" " Inter esting." "" " Yeah." "" " Puzzlement." "" " Casey... no, 'cause I could be, like, a blind detective, have my own TV show." "You do have your own TV show." "Ah, yes, the student becomes the teacher." "Anyway, this is what's going on today, so it's a good day to be nice." "" " I'm always nice." "" " Rundown's at 10:00." "By the way, Dana, you look hot today." "Wait, wait, wait, wait, what ar e you wearing?" "That's thr ee, Johnny." "[ Sighs deeply ]" "" " Hey." "" " Hey." "What ar e you doin'?" "Home-ice advantage." "Hmm?" "Home-ice advantage -- the advantage of having the home ice." "I'll be curious to see that." "" " Yeah, you and me both." "Do you need anything?" "" " No." "'Cause I'm pr etty behind with this." "So, you and Natalie -- is this one of those things, or is it r eal?" "We broke up, if that's what you'r e asking." "Yeah, but it could blow over." "It's not gonna blow over today, so..." "Yeah." "If you need any pointers," "I've gotten very good at being single." "Nah, I appr eciate it, but I'm fine." "I used to mind a lot, but now, not so much." "I used to mind, uh..." "[ Chuckles ] ...not being with a guy after the show." "That's when I'd always " "I don't know why." "Maybe it was because it was the end of the day or maybe " "You know, you'r e the boss all day long, and you'r e barking out these orders, and you just want " "I don't know -- a check on your f emininity when you'r e done." "Anyway, I don't mind being alone anymor e..." "you know?" "I go to sleep, and...the night's over bef or e you know it." "Yeah, you know, you get home, you open a can of spaghetti and meatballs " "[ Laughs ] A can of spaghetti and meatballs?" "" " Yeah, like you heat up." "" " Yeah, like soup." "" " Well, you don't add water." "" " Okay." "Anyway..." "Home-ice advantage." "I'll have it in a half-hour?" "Okay." "[ Chuckles ]" "[ Tape unrolls ]" "So..." "Yes?" "" " You'r e off." "" " Yep." "" " You going straight to the airport?" "" " Yeah." "You could wait till after the show, you know?" "I got to make the flight." "Ther e ar e flights to Chicago every hour." "We could book you on " "I'm not going to Chicago yet." "" " Where are you going?" "" " Angkor Wat." "" " Angkor Wat?" "" " Yeah." "" " In Cambodia?" "" " Yeah." "Ther e's a television network in Cambodia with ratings problems?" "[ Chuckles ] I'm taking a week off first." "Oh, you'r e vacationing in Cambodia." "Yes." "I see." "It's nice that we could help out the police, don't you think?" "You could take a flight tomorrow." "I r ealize it would cut your vacation short a day, but on the other hand, it's one less day in Cambodia." "You'd like Cambodia." "I swear to God I wouldn't." "Dana, you know, it -- it's just the way it is." "It's -- it's the way it is." "I don't stick around places." "I understand." "Look, your job, it " "It's my job, yeah, but it's me." "I mean, I make my job this way." "I -- you wouldn't know it to listen to me, but..." "I get attached -- is I think what happens -- to a place, and then things change, and I have an adverse r eaction to that." "So I sort of pr eemptively change them myself." "" " That's r eally sad, Sam." "" " Hey, you know what?" "I'm the guy that's got to live inside of this thing 2 4 hours a day, so..." "Yeah." "You did a r eally good job while you wer e her e." "I never gave you enough credit for that." "Yeah, you did." "And you'r e a good f riend to Isaac." "So ar e you." "[ Chuckles ]" "Stay tonight." "I'll get a cake any kind of cake you want... seriously." "It's gonna be a long time till I'm back her e, Dana." "Then stay tonight." "Okay." "" " Yeah?" "" " Yeah." "What kind of cake do you want?" "Uh, w-whatever." "Come on." "What do you like?" "Strawberry." "" " Ther e you go." " [ Chuckles ]" "Isaac." "Hey, Natalie." "I know it's not my place, but want to say" "I think it's terrible you'r e handing over the tape." "" " Why?" "" " You know why." "" " Natalie..." "" " We're a news organization." "I'm awar e of that." "Ar e you telling me the next time someone calls us to tell us who's fixing college basketball, we got to hand them to the police?" "" " No." "" " What ar e you saying?" "I'm saying we'r e handing this over to the police." "What's the diff er ence?" ""Deep Throat"'s not on that tape." "Ther e's no one we need to protect." "We shot a crime scene." "We'r e helping out the police." "" " Ther e's a bigger principle." "" " No, ther e's not." "How about the First Amendment?" "The First Amendment's gr eat, Natalie, but I don't think we need to protect ourselves behind it just because we can." "Well, I've said my piece." "Natalie..." "Yeah?" "What's wrong?" "Nothing." "What's wrong?" "I just " " I don't know -- maybe journalism holds a romance " "This isn't about the tape." "Yes, it is." "Did you and Jer emy have a fight?" "We broke up." "I'm sorry to hear that." "It's fine." "Well, you two will find your way back." "No." "Would you like to take the night off?" "I'm not upset about this, Isaac." "I'm upset because ther e's a principle -- a bedrock principle that doesn't change -- and now I'm supposed to hand over these things." "[ Voice br eaking ] I'm supposed to hand over these things that ar e ours." "[ Sobbing ]" "It's okay." "It's okay, baby." "" " It's okay." "Kim: 5 minutes to air." "" " It's all right." "" " First team in the studio." "5 minutes." "It's okay." " [ Sobbing continues ] " " It's okay." "Casey..." "[ Sighs ] This is a big step." "Let's go." "" " The r emoval of the glasses." "" " Casey..." "Wow." "" " Come on." "" " Very bright." "Let's go." "Danny, would you give me a br eak?" "" " The whole room just went supernova." "" " We'r e late." "" " Yeah, d-did they print the script in -- in big type?" "" " Yes." "" " Super-big?" "" " Yes." "I am not going to be able to r ead off the TelePromp Ter." "Script's in big type." "[ Exhales sharply ] And I'm very light sensitive right now." "Well, it's a TV studio, so I wouldn't worry about it." "Yeah, well, my senses ar e alive, Danny." "You'r e about to walk into a glass wall." "" " I'm done with that now." " [ Thud ]" "That's f our." "Dave:" "Roll VTR." "60 seconds live." "You guys took your time." "Please, I got Jerry Lewis strapped to my back." "In case any of you wer e wondering, I'm fine, by the way." "Get in ther e." "Actually, I ran into a wall bef or e." "Get in ther e!" "30 seconds live." "Wer e you crying?" "I was." "Do you want anything?" "Can we talk after the show?" "Yeah." "Hey, I'm gonna have a cake f or Sam." "We'll slip off and talk." "Good." "Thanks." "Hey, it's strawberry cake." "[ Laughs ] Good." "In 3...2..." "Dan:" "Good evening." "From New York City," "I'm Dan Rydell alongside Casey McCall." "Those stories, plus Kobe Bryant on how to shoot down the Rockets and Bobby Knight on letting a snarl be your umbr ella." "We've got the Heat going cold and an Avalanche in Colorado..." "All that coming up after this." "You're watching "Sports Night" on CSC, so stick around." "[ Rock music plays ]"