"We had decided to attempt to lure MTV into subsidising a little theme that we wanted to explore, which was originally something for lnstitute Benjamenta." "And they resisted answering our many postcards, and we decided to do it on our own." "This is a parenthesis here:" "please note carefully the image of the antlers, that they're not symmetrical in what is called the trophy of the antlers." "Our idea was a kind of pseudo-documentary, that would have been destined to be placed in a very fascinating museum" "that we discovered in Los Angeles, called the Museum of Jurassic Technology." "It's a museum which has a sort of a dubious collection..." "You're not quite sure if the elements in the museum are actually fact or fiction, or purely fabricated, and it works beautifully on this sense of not knowing." "So, we had discovered in a footnote something that for us opens up..." "I mean, the idea of a footnote opens up vast chapters for us to explore... sort of darker areas." "And in the footnote, it was mentioned that when you see a deer antler as a trophy..." "And usually the antlers are in absolute, perfect mirror symmetry, or more or less," "but occasionally certain antlers... one of them will deroute and go in an opposite direction, or just veer off in a different direction." "And these ones are particularly prized." "And the theory about this is that, when the deer's in the forest and the hunter shoots," "the deer turns, and the bullet crashes into its testicle." "Now, the deer doesn't die, but we have the evidence of the effect by the derouting of the antler." "Here, we see the bullet fire and the slow journey towards its destination." "Also, in our little bits of researching whilst making this film, we were sawing an antler, and it has the... sawing it in half actually" "produces the smell of semen." "And it was something we were totally fascinated by." "It also absolutely confirms the connection, the footnote here." "And I think it was our idea of making a blend between the dark and pathological and that of the fairy tale-ish," "which is something that this whole film, and, in a sense, Institute Benjamenta, explores." "So, in a way, what we created here was a sort of long, anamorphic table, which had been turned into a deer table for us." "So, the legs of the table are the many legs of the deer." "Maybe it's the memory of many deers." "And this, more or less, was a kind of museum case, where this table ended up." "And we always imagined that, if this had become placed into a provincial kind of museum," "we imagined that, when the guard left at night, this object would dream and re-dream - or replay - how it actually got there." "So, in the end, when you see that it regurgitates the bullet that actually did the ultimate damage to him..." "And also, you get the feeling here that this would carry on eternally in, as it were, a loop," "this journey of this bumblebee bullet that moves through the forest."