"how right Shakespeare was when he wrote," ""All the world's a stage, and all the men and women merely players." ""They have their exits..." ""and their entrances, and one man in his time plays many parts. "" "Keep still." "Ray!" "# # [Orchestra]" "[Sam Narrating] But this... {y:i}this is ridiculous." "Ray, you're all tense." "What is it?" "Relax." "You look great." "I got a good feelin' tonight is gonna be your big night, Ray." "Come on." "Hmm." "Here." "Ah, for cryin' out loud, Ray!" "Hold still!" "[Gasps]" " One minute!" "Places!" " Geez." "Stop screaming." "I am not screaming!" "He's on in 50 seconds!" "On?" "What are you..." "Forty-seven!" "Don't do this, Charlie." "We're not launching' any rockets." "It's just a musical." "Forty-three!" "Let's go!" "Break a leg, Ray." "Get these off." "Hurry." "Five, four, three, two, one." "You're on." "# # [Flamenco]" "[Applause]" "Oh, boy." "# # [Flamenco]" "Where's Manny?" "Manny?" "Manny!" "Gimme a yard on Blue Baby's nose in the fifth." "Are you nuts?" " Manny, we're on!" " Gotta run, Ma!" "Love ya." "Now!" "I got here." "Good." "How are ya, Ray?" "Ya look like you're gonna puke." "Up the stairs!" "The stairs!" "Oh, boy." "[Whispering] Break a leg, Ray." "Oh." "How can you keep turnin' that doll down?" "I'd kill just to do her laundry." "Go!" "# I am I, Don Quixote #" "# The Lord of La Mancha # John!" "John, John, John." "Are you sure you can go on?" "Aside." "[Gasps]" "Impostor." "My public awaits." "[Applause]" "[Clearing Throat]" "Thank you, dear boy." "Sorry, Ray." "Yeah, there's always tomorrow night." "[Applause]" "[Applause Continues]" "[Al] Aw, this is so fabulous." "The theater." "Man of La Mancha." "The stage." "The lights." "The music." "The girls." "Al. [Whistles] Al!" "Huh?" "What?" "I'm an actor." "You lucky dog." "I'd love to be standing in your makeup." "I love the theater!" "The roar of the greasepaint, the smell of the crowd." "I think that's the other way around." "Mmm?" "Oh, you..." "you never did summer stock." "# [Flamenco]" "Who is this guy?" "Um, Ray Hutton." "He's a touring actor." "He's been all over the country... with road-show companies of South Pacific, uh, Annie Get Your Gun, Oklahoma!" "Oh, Oklahoma!" "That's how come he was hummin'," "# Chicks and dogs and pigs better scurry #" "Ducks." "# When I... # Ducks?" "It's ducks and geese, not pigs and dogs." "Ducks?" "Yeah." "Are you sure it's..." "it's not pigs and dogs?" "They scurry too." "Hey, you should take your makeup off with cold cream." "And use that stuff there for the sticky stuff for your mustache." "[Indistinct Yelling On Stage] How do you know so much about the theater?" "Hey, it got me outta the orphanage." "Other kids, they went into boxing or they studied or they stole." "I thought I'd give the theater a try." "You were an actor?" "Don't say it like it was a disease." "Acting is the world's second-oldest profession." "Bravo!" "Maybe the first." "Yeah, prostitution could be considered kind of a performance." "In fact, there's a lot of acting goes into a good..." "Al, we were talking about Ray Hutton." "Oh, Ray." "Yeah, um..." "Yeah." "Well, Ray, he never really quite made it." "As a matter of fact, the closest he ever got to stardom, was understudying John O'Malley." "Who, by the way, is quite brilliant." "And a boozer." "[John] Sally forth into the world." "Oh, Sam!" "Sam!" "Hey, you gotta see this." "... to become a dauntless knight... known as Don Quixote de La Mancha!" "# Hear me now, oh thou bleak and unbearable world #" "# Thou art base and debauched as can be #" "# And a knight with his banners all bravely unfurled #" "# Now hurls down his gauntlet to thee #" "# I am I, Don Quixote #" "#The Lord of La Mancha # I'm his understudy?" "# My destiny calls and I go # Yeah, you go on when he can't." "When he ca..." "When he can't go on, I can't go on." "I'm not an actor." "# Oh, whithersoever they blow #" "# Whithersoever they blow #" "# Onward to glory I go #" "# I'm Sancho, yes I'm Sancho, yes #" " I don't even know the lyrics." " Of course you do." " I do?" " Yeah." "# To dream the impossible dream #" "# To fight the unbeatable foe #" "To bear with unbearable sorrow." "To run where the brave dare not go." "#Whithersoever they go... # # That's all I remember." "It will come back to you." "That was our song." "Our song?" "Yes." "When we started Quantum Leap, we're building the imaging chamber, that's the only disc you ever played..." "Man of La Mancha." "[Applause] Well, even if I remember the lyrics, can I sing?" "[John] Not as well as I." "But then... who can?" "You are giving a terrific performance." "I am giving a terrific performance." "[Woman] Little dogs have big ideas." "Fair chatelaine." "Gentle knights, if there be any among you who require assistance, you have but to ask and my good right arm is at your service." "Whether it be a princess held for ransom..." "I hate to say this, but he's terrific." "Mmm." "But not for long." "[Woman] Aldonza." "In three days, at a benefit performance, he does a Gerald Ford impersonation on that stairway right there." "Shatters his leg, his hip and his career." "So all I have to do is stop him from tripping down those stairs." "Mmm." "Simple, huh?" "No." "No, it's not simple." "It..." "How do I get a guy like that to dry out in three days?" "Good point." "Mm-hmm." "Well, maybe you should help him get so drunk... that he won't even be able to go on." "If he doesn't go on, I do." "So?" "So?" "I..." "I can't go out there and... and sing." "Sam, this is Syracuse." "It's way, way, way way, way off Broadway." "For Syracuse, you can go out there and sing." "Besides, even if you can't, how could you pass up the chance to be a star?" "To stand in the spotlight." "To know that every eye is focused just on you." "# Dulcinea #" "# Dulcinea #" " It's Nicole." " [Al] Nicole?" "She was my piano teacher when I was a kid." "She could tickle my ivories any time." "She was the first woman I ever loved." "How old were you?" "I was 15 when she left for New York." "I wonder what she's doing in Syracuse." "[Al] I bet a lot of people ask themselves that question." "She recognizes me." "That's impossible." "# If I reach out to thee #" " I'm tellin' you, she recognizes me." " I'm telling you that's impossible." "Everybody here knows you as Ray Hutton." "How can you explain the way she's smiling at me?" "Not you." "Ray." "She obviously knows Ray." "Boy, you must have had a hell of a case of puppy love." "Yeah, I guess I did." "I was 15." "She was 25." "I felt like I was hit by a..." "A truck." "Al, I'm not 15." "Sam." "She was too old for me then, but..." "Sam." "She's not now." "# And the world #" "# Shall know thy glory #" "# Dulcinea # #" "# To attain #" "# The attainable #" "# Star # #" "Ohhh." "Oh, God." "It's been so long." "How did you know it was me?" "Did you think I could ever forget you, Ray?" "I..." "I can't get over how young you look." "It's been a few years since I've played the ingenue." "And how pretty." "I..." "You're even prettier than I remember." "Oh, Ray." "You're so sweet." "So what... what..." "what happened toJuilliard?" "What do you mean?" "We leftJuilliard at the same time." "I mean, afterJuilliard." "Well, um, the first two years you know." "Or did you forget my letters?" "How could I forget your letters?" "[Laughs] I don't know." "When you stopped writing," "I thought maybe you'd forgotten me too." "I could never forget you, Nicole." "Remember." "2:00 rehearsal tomorrow, okay?" "Okay." "Okay." "Okay." "I kept track of you in Variety... until you did Camelot in London." "Then I lost you." "Yeah, well," "[Laughs] you know how the road is." "You tend to leap around a lot." "How about you?" "Well, uh, I'm back teaching piano... or I was until today." "I was cast this afternoon to understudy Dulcinea." "Hey, that's great!" "Yeah." "That's great." "When I saw the ad for the open audition," "I just had to give it one more try." "And when they hired me, well..." "Oh, Ray." "What if we got to perform together?" "Oh, wouldn't that be terrific?" "Yeah." "Well..." "Dear God!" "It is she." "Sweet lady." "Fair virgin." "I..." "I dare not gaze full upon thy countenance lest I be blinded by beauty, but I implore thee, speak once thy name." "Nicole." "Nicole." "Is an old friend of mine." "Mr. O'Malley..." "Uh!" "John." "I..." "I know this is gonna sound so hokey, but, uh..." "but you were my inspiration." "Inspiration... is never hokey, my dear." "[John] You sing?" "[Nicole] I'm understudying Dulcinea." "Splendid!" "Oh, I..." "I look forward... to performing with you." "[Nicole] Oh, it will be a thrill." "[John] I assure you, the thrill will be all mine." "And now that you are a member of our illustrious troupe, you must attend our obligatory opening-night party." "It promises to be an evening of merriment and, uh, misadventure." "[Laughing]" "[John] Come along, Ray." "I told ya he'd go for her." "# # [Piano: ¡ElegantJazz]" "# [ElegantJazz Continues]" "[Chattering, Laughter]" "[Conversing, Indistinct]" "I wanted to introduce you." "# # ["The Impossible Dream"]" "# And this is my quest #" "# To get to the bar #" "# No matter how crowded #" "# No matter how far #" "Ah, Dulcinea." "Dulcinea." "# I see heaven when I see thee #" "# Dulcinea #" "[Giggles]" "Have you met Nicole, our new Dulcinea?" "Well, Anita." "Does that mean I'm the old one?" "I really don't see how that's possible." "Uh, well, Nicole is your new understudy." " Congratulations." " Thank you." "I hope you like Sunday matinees, because, um," "I'm usually not worth a damn after Saturday night." "Am I, Ray?" "[John] Nicole!" "Ray, be a friend and..." "and freshen up our drinks." "What is your pleasure, Nicole?" "Um, wine spritzer." "Oh, Nikki, Nikki, Nikki." "One cannot have misadventures on wine spritzers." " Two of the usual." " Don't you think you've had enough?" "Dear boy, one can never have enough." "[Sighing] Come on, Ray." "A wine spritzer." "[Laughing]" "I thought that little affair was over." "They're dating?" "Well, one could call it that." "I don't think they've ever made it out of the hotel." "Four zombies." "Two zombies, a wine spritzer, and a dry..." "A dry beer." "Anything you got on draft." "A what?" "Michelle, please." "You gotta stop that." "Could you, please?" "Come on, Ray, let's go upstairs." "Michelle, please." "Am I interrupting?" "Yes." "No." "Michelle, I know you want me." "No, I want Ray." "Ray wants o-o-out." "Excuse me." "Excuse me." "Excuse me." "He passed out." "Have the drinks arrived?" " Not for you." " My dear Ray," "I will decide when I have had enough!" " Oh, Sancho!" " Here, Your Grace!" "My armor!" "My sword!" "They await upstairs!" "# My destiny calls and I go #" "# And the wild winds of fortune #" "# Will carry me onward #" "Oh, another night, sweet lady, when I have not, uh, battled so long." "[Laughing]" "# My destiny calls and I go #" "[Laughter, Applause]" "I guess he decided he'd had enough." "Well, yeah." "I would agree with him about that." "To Dulcinea." "To old friends." "Old friends." "[Sam Narrating] Al might call it puppy love, but I knew it had been something more." "You get over puppy love." "Orange spice, right?" "My favorite." "Uh, this is great." "Those are my kids." "We had a recital a few months ago." "[Teakettle Whistling]" "# [Playing Improvised Scales]" "Oh, that's funny." "Someone I know used to warm up with that exercise." "One of your students?" "I guess." "I've had so many over the years." "[Thunder Rumbling]" "# [Lively Tune]" "# Dulcinea # [Clears Throat]" "# I see heaven when I see thee, Dulcine... {y:i}#" "[Whistling] # Nea, and thy name #" "# Is like a prayer an angel whispers #" "[Clearing Throat] Thanks." "We don't have to worry about school security anymore, Ray." "What?" "Remember all those nights we'd sneak into the practice rooms..." "[Whispering] and have to sing like this so that nobody would catch us?" "Oh, yeah." "Juilliard." "Uh..." "Oh, God, those were great years." "We had everything ahead of us." "And now?" "We're older, wiser." "Tireder." "May we rest in peace." "# [Playing Beethoven's "Fifth Symphony"]" "I wish I'd had you here when Grease folded." "That's how you ended up in Syracuse?" "I couldn't go back to New York." "Got tired of the auditions, seeing the competition get younger." "I just couldn't do it anymore." "Those who can, do." "Those who can't..." "I had a piano teacher once." "She had quite an impact on me." "How?" "I was, uh, 15 and... in love." "You had a crush on your piano teacher." "[Chuckles] Well, it was an epidemic." "[Giggles]" "I, uh..." "I can't believe some of the dumb things I did." "Aw, she probably thought you were adorable." "I don't know what she thought." "She never embarrassed me by letting on that she knew." "She was really great." "Sounds to me like... maybe you just have a thing for piano teachers." "Oh, Ray." "[Sighs] What's wrong?" "Nicole." "It's been a long time." "I mean, if there's someone else..." "No, no." "There's no one else." "I'm not the Ray you fell in love with atJuilliard." "I know." "And I'm not the same Nicole." "[Sam Narrating] I knew it was ridiculous, but... every time I looked at Nicole, I felt like I was 15 again." "Well, uh, maybe a little older." "Ray?" "Come on, let's go." "Uh, I'll go getJohn." "No, forget it." "John doesn't rehearse." "Come on, we don't have all day, okay?" "Oh, boy." "Okay, Nicole, we're gonna take this from where you enter the courtyard on your way to see Pedro, okay?" "Okay." "Don't have that too high." "Uh, I'm sorry." "What page was that?" "Okay, let's go." "Let's go." "What?" "I got the first line?" "Yeah, you're on your knees and you say..." "Oh." ""Be, uh, just to all men and courteous to all women." You know." "Be just to all men and be courteous to all women." "I got the next line too?" "Yeah." "[Chuckles] I'm blanking." "It's just..." ""Live in the vision of that one to..." What is it, Delores?" ""Live in the vision of that one for whom great deeds are done."" ""That one, uh, for whom great deeds are done." "That who is called Dulcinea. " Come on." "Live in the vision of that one for whom great deeds are done." "She that is called Dulcinea." "Why do you call me that?" "[Al] My lady." "My lady." "Get up from there!" "Get up!" "Get up, get up, get up, get up." "Why do you call me by that name?" "You got a photographic memory." "Start reading." "I know thee, lady." "My name is Aldonza, and I think you know me not." "All my years, I have known thee, thy virtue, thy nobility of spirit." "[Laughs] Take another look." "I have already seen thee in my heart." "Your heart doesn't know much about women." "It knows all, my lady." "They are the soul of man, the radiance that lights his way." "A woman is... glory." "Gee, that's..." "that's pretty good acting, Sam." "I'm impressed..." "that is, if you're really acting." "What do you want of me?" "What do you want of her?" " Nothing." " Liar." "I'm with her." "I deserve the rebuke." "I ask of my lady..." "Now we get to it." "That I may be allowed to serve her." "That I may hold her in my heart." "That I may dedicate each victory and call upon her in defeat." "And if at last, I give my life," "I give it in the sacred name of Dulcinea." "[Clapping]" "Bravo." "Brava." "Ray, I have never seen you perform with such passion." "You were positively inspired." "And now I see why." "Charles, do you suppose we might hear Nicole sing?" "You're the star." "How about, um..." ""What does he want of me?"" "Take five, Ray." "It's fine." "# # [Piano]" "You got me through the hard part." "Uh, Nicole, you're supposed to come in on the downbeat of the third measure." "I'm..." "I'm sorry." "[Clearing Throat] # # [Piano Resumes]" "[Softly] # Why does he do the things he does #" "#Why does he do these things #" "[Clearing Throat] # Why does he march through the dream that he's in #" "[Loudly] # Covered with glory and rusty old tin #" "# Why does he live in a world that can't be, oh #" "#What does he want of me #" "#What does he want of me # I've seen that look before, Sam." "What look?" "That "last night, the earth moved" look." "#Why does he say the things he says #" "[Exhales Deeply] #Why does he say these things #" "# "Sweet Dulcinea" and "missive" and such # You're out of control, Sam." "[Sam] In case you haven't noticed, it's been a long time since I've been in control." "You know what I mean." "# No one can be what he wants me to be #" "You can't tell anyone who you really are." "You can't change your personal history." "You can't..." "I can't have a life." "All I do is live someone else's life." "Right their wrongs, fight their fights." "Geez, I feel like I'm Don Quixote." "He..." "He loved pure and chaste from afar." "# He'll be laughed at wherever he goes # Well, that part was never big with me either." "# And why I'm not laughing myself #" "I love her, Al." "# I don't know #" "Oh, Sam." "#Why does he want # Does she know that?" "# The things he wants # [Sam] After last night, she does." "# Why does he want these things #" "She spent last night with Ray Hutton." "I may look like him, but she was with me." "My heart, my soul." "#Why does he give when it's natural to take #" "You can't stay here with her, Sam." "Why not?" "It's not up to you to stay here." "It's up to him." "#What does he want of me #" "# What does he want #" "# Of me #" "# # [Ends]" "[John] Never sinceJoan Diener on Broadway... have I heard anyone sing the role of Dulcinea like that." "Charles, I have a terrific idea." "Why don't we let the local girl do the benefit performance on Wednesday?" "That's a fabulous idea." "It's just... fabulous." "[Laughs]" "I don't know what to say." "Thank you." "Thank you, my dear." "That bastard." "How dare he give my part... to Miss..." "Amateur Hour?" "Michelle, h-he's the star." "[Giggles] Yeah." "Who wants to get a little." "What's wrong with that?" "Mmm." "Mm." "Manny, you're drooling." "Two more zombies." "Hi, Ray." "Hi." "Manny, do me a favor." "Who do I kill?" "You'll see." "Looking for trouble?" "Uh, no..." "Nicole." "Uh, she's meeting me here for dinner." "Well, I'm sure she'll be down soon." "Why don't you come have a drink with us?" "Down?" "She went upstairs looking for me?" "Where's Nicole?" "I said she'll be down soon." "The old boy's never good for more than half an hour." "What are you talking about?" "Uh, rehearsals." "Rehearsals?" "You know, John's private rehearsals for female understudies." "I did good?" "Better than good." "Now I'm gonna go to my room." "When Nicole shows up, tell her I left with Ray." "Uh, Michelle?" "Come up after you tell her." "[Knock At Door]" "Ray, uh..." "Uh, could I, uh, speak to Nicole?" "Nicole?" "Yeah." "Michelle said she was up here... rehearsing with you." "Why, yes." "By all means, uh, come in." "Come in." "[Shower Running]" "# # [Woman Humming "What Does He Want Of Me"]" "She'll be out in a minute." "# # [Humming Continues]" "Uh, gin?" "# # [Humming Continues]" "Who was that?" "Oh, nobody, Anita." "Nobody." "# ["The Impossible Dream"]" "# To right the unrightable wrong #" "What are you gonna do, Sam?" "# To love pure and chaste from afar #" "I don't know." "# To try... # # [Humming]" "You're gonna saveJohn from fallin' down the stairway." "Let him break his neck." "# [Humming]" "Ya know, even if you don't save him, you could still leap." "Who wants to stay?" "# [Humming]" "I don't get it." "Nicole, um, rehearsed with John in his hotel room last night." "She rehear..." "Oh, you mean "rehearsed uh-huh-huh."" "Oh, women!" "You can't trust 'em." "They just..." "They don't understand the double standard." "[Chuckles] Let's just do what you're here to do and get the hell out." "I'm not saving that arrogant ass." "Well, you don't have to do it for him." "You do it for us." "Look, you just said that I might leap whether I save him or not, right?" "Yeah, well, you go for the sure thing." "[Sighs] You don't wanna hang around here being Ray, do you?" "Do you?" "Well, is that a yes or a no?" "[Object Falls] Oh, nervous, huh?" "No." "Just terrified." "It's been a while?" "Five years." "Tsk." "Ah!" "You'll be great." "Here we go." "And if you're not, what can they do?" "Three minutes, everyone." "Throw a little garbage?" "Get the hook?" "Huh?" "[Laughing] [Door Opening]" "[Sighs] Excuse me." "Oh, just help yourself." "Ohhh." "This hangover's worse than Philadelphia." "You had to get loaded to perform last night, huh?" "Two minutes, everyone." "You gonna let her go on like that?" "What's wrong?" "Nothin'." "I guess you do the best with what you've got." "[Sighs] Don't mind her, honey." "She's just embarrassed about what happened last night." "What happened?" "Huh!" "You must be the only one who didn't hear." "She spent the night with Manny." "Manny?" "Yeah, can you believe it?" "But I thought that she and Ray were close." "Ray?" "Whoo!" "Ray wouldn't touch her with Don Quixote's lance." "I can't figure why she let Manny in though." "He must have done her one hell of a favor." "Okay, one minute!" "Places, everybody!" "Hey, Manny!" "Manny!" "Yo, Manny!" "Where's Manny?" "Here, Your Grace." "Okay, you got 50 seconds, Manny." "Dulcinea, Dulcinea." "Forty-five seconds and no Dulcinea!" "[Delores] Forty-four seconds." "Here's your Dulcinea." "All right." "Ray." "I'm sorry I missed you last night." "Are you?" "Okay, 40 seconds!" "Uh, could we make up for it tonight?" "I wasn't planning on sticking around after the show." "[Charlie] Thirty seconds." "Come on." "Go!" "Go!" "Thirty seconds." "I guess this is your big night." "[John] # I am I, Don Quixote #" "Guess not." "# The Lord of La Mancha #" "# My destiny calls and I go #" "I'm sorry to disappoint you again, old boy." "# Dulcinea #" "# I see heaven when I see thee #" "# Dulcinea #" "John?" "Break a leg." "# # [Flamenco]" "[Applause]" "Aaah!" "Oh, God!" "[Audience Murmuring] [Groans]" "Are you all right?" "I don't know." "Anything broken?" "[John] No." "[Charlie] Are you okay?" "[Audience Murmuring]" "Can you go on?" "I am John O'Malley." "After 763 performances of Don Quixote, I shall..." "[Breathing Heavily]" "not sally forth tonight." "# # [Flamenco]" "Ray, Nicole wasn't rehearsing with John last night." "What?" "And when Nicole came looking for you," "I said you had left with Michelle." "Why?" "Michelle let me..." "you know." "Manny?" "Break a leg." "[Light Applause]" "Is anything wrong?" "No." "The accommodations appear... quite interesting." "# # [Orchestra]" "# Hear me now, oh thou bleak and unbearable world #" "# Thou art base and debauched as can be #" "# And a knight with his banners all bravely unfurled #" "# Now hurls down his gauntlet to thee #" "# I am I, Don Quixote #" "# The Lord of La Mancha #" "# My destiny calls and I go #" "# And the wild winds of fortune #" "#Will carry me onward #" "#Oh, whithersoever they blow #" "# Whithersoever they blow #" "# Onward to glory I go #" "# When I see thee, Dulcinea #" "# And thy name is like a prayer #" "# An angel whispers #" "# Dulcinea #" "# # [Orchestra]" "#Oh, the trumpets of glory #" "# Now call me to ride #" "# Yes, the trumpets are calling to me #" "# And wherever I ride ever staunch at my side #" "# My squire and my lady shall be #" "# I am I, Don Quixote #" "# The Lord of La Mancha #" "# My destiny calls and I go #" "# And the wild winds of fortune shall carry me onward #" "#Oh, whithersoever # # Oh, whither... #" "My Lord!" "Master!" "# Whithersoever they blow #" "# Onward to glory I... #" "[Gasps] Go." "My Lord!" "He'll never be as good as you." "Mm-hmm." "[Chuckles]" "I love you, Nicole." "I love you too." "#To dream the impossible dream #" "# To fight the unbeatable foe #" "[Nicole, Company] # To bear with unbearable sorrow #" "#To run where the brave dare not go #" "# To run where the brave dare not go #" "#Though the goal be forever too far #" "# To try, though you're wayward and weary #" "#To reach the unreachable star #" "# To reach the unreachable star #" "# Though you know it's impossibly high #" "# To live with your heart striving upward #" "#To attain... # You gonna be all right?" "What matter wounds to the body of a knight-errant?" "For each time he falls, he shall rise again and woe to the wicked!" "Al." "Here, Your Grace." "My armor, my sword." "More misadventures." "Adventures, old friend." "[Thunder Rumbling]" "[Dog Howling]" "Oh, boy!" "# [Orchestra]"