"It's showti me, fol ks." "And these two col u m ns revolve New Y ork to LA." "And over here on the other side, the same thing." "There's two staircases down here and two more that come back into the orchestra." "Oh, yeah, and this centerpiece moves out for the interior scenes, and up there, that's Stan." "You'll get familiar with it when we start." "OK, now, all I wanna do now is to read easily through the script, and, frankly, I'm not too familiar with it myself." "So if we go through it, then you'll give Paul and me some rough idea of what we've got." "OK, no acting." "Everyone just take it easy." "Easy." "All right, lights up." "Audrey, you have your first number, and then you begin reading on page two." "You see, Sammy, in California, everybody needs a car." "I got a friend who bought a Mercedes just to get to the bathroom." "I guess only in America can a 24-year-old girl like me own a house like this in Beverly Hills." "Thank you all very much." "You've done a wonderful job." "Take an hour and a half for lunch." "Don't forget to sign the Boston hotel list." "Excuse me." "There's no use to panic till we find out what it really is." "Do stop that." "Dr Ballinger is looking at him now, Ballinger is the best there is, Audrey," " Dr Hyman, we j ust left h i m." "He seemed fi ne." " J ust fi ne." "Wel l, he cal led." "He said he had chest pai ns, h is left arm was n u m b..." "I'm a little bewildered myself, I checked him about a month ago," "Al I rig ht, who's i n charge of th is al l-i m portant show that M r G ideon keeps tal ki ng about?" "I g uess I am." "M r G ideon is havi ng attacks of ang i na that cou ld lead to a massive coronary." "Oh, shit!" "I gotta get to rehearsals." "I'm fine." "What do doctors know?" "About angina, a little more than show people." "If you wanna leave, fine, but I think you'll die." "Can I see you?" "Dr Hyman." "The pain is gone." "Nothing wrong with me a rewrite wouldn't cure." " Couple of good jokes is what I need." " You can't leave now." " Y es, I can." " Damn it, Joe!" "Didn't you hear what the doctor just said?" "Please, stay." " Joey, I've been talking to Dr Ballinger..." " Jonesy, wait a minute." "Let me talk to the star here." "If I stay, how much time are we talking about?" "At least two or three weeks." "You've got to be kidding!" "I got a show to put on." "Jonesy, for Chrissakes, will you talk to these people?" "They don't understand anything." " Oh, Jesus..." " What's wrong?" " Miss Collins." "All right, easy." " Damn it." "You guys are doin' this to me." "I wasn't sick until I got here." " What's wrong with him?" " It's exhaustion." "You're lying to me." "Y es." "Uh, no, No, I'm not a member of his immediate family," "I'm, uh, I'm his girlfriend," "Wel l, can I leave a message for h i m, please?" "Cou ld you tel I h i m that K...?" "Hel lo?" "It was just simply exhaustion," "He just tried to do too much," "Anyway, we've made a decision to postpone the show for fou r months." " The doctors assu re us Joe wi I I be fi ne." " There goes my new apartment." "Therefore the show will definitely be done." "I promise." "Now, we're aware of the financial burdens..." "I gave up a TV series." "What a dummy." "We're prepared to try to get you temporary jobs, or even lend you money." "Jonesy, Jonesy, easy on the money, easy on the money." "All right, Larry, all right, OK." "We don't have a lot of cash available, but... what I'd like to say to you is," "I... we... think of you all as family." " Bullshit." " And we want to do everything we possibly can to keep you all together." "I was with him last night, Already he 's much better," "I just left him an hour ago, He was in a great mood," "Making jokes, making passes at all the nurses," "And he told me to tel I al I of you, he has a terrific idea for a new hospital n u m ber." "Hold it, Aud rey, hold it." "Hospital n u m ber, hospital n u m ber!" "J ust g ive me a m i n ute." "Stan ley, g ive me some room." " How does the title "Hospital Hop" grab you?" " It grabs me." "Great, great." " I think I got it." "I got it!" " I think he's got it." "He's got it." "Stan, help me out, please." "Clap your hands." "Cheer up." "Let's go!" "Everybody," "And, Lucas, they are without question an absolutely marvelous cast." "Now we gotta wait around for four months." "Maybe even lose them." "I can see where it'd be difficult to hold a cast like that together." "It's really a shame." "And, of course, even after four months, a heart attack..." "There's no guarantee that he'll be able to work." "None." "Jules, it's still too bright." " Take number seven down five." " And he's the greatest." "And, Lucas, I think we have a sure hit." "A sure hit." "Reads like a dream." " I'd love to read it sometime." " I'll get a copy to you this afternoon." "Oh, I forgot." "Wait a minute." "I've got one right here with me." "Dimmer five up to three." "Hold that, hold that." "That's good." "Of course, I know you couldn't care less about the money." "What do you think about this, Lucas?" "Is it any better?" "No." "No, no." "It needs to be more... shadowy." "We talked about this, Jules." "It's a seduction scene." "All right, take the shadow lights to half." "How much... is Joe getting?" "5% of the gross until payoff, then he goes to 6%." "20% of all subsidiary rights, including a movie sale." "Well, of course my schedule's impossible, but..." "You know how I feel about you, Jonesy." " You've been like a father to me." " And you a son to me." "I always look for the worst in people." " A piece of you in them?" " Y eah, a piece of me." "And, generally, I find it." "Well, it may take you years, but you'll find it." "Oh, you're cute." "You are cute." "It's looking better." "I think we'll move you upstairs to a private room for a while." "Oh, yeah." "But you'd better rest." "If you don't, you're in for a lot of trouble." "Oh, I will, doctor." "I promise." "I will." "Mr Gideon." "Mr Gideon, what are you doing?" "Oh, this?" "I was just getting rid of it." "I caught someone smoking, and I told him a man in my condition shouldn't even be around smoke." "I'm telling ya, Gideon, I got real insight into you." "There's a deep-rooted fear of being conventional." "Right." "Your blood pressure is higher than we hoped." "Your cardiograms haven't improved one bit." "Now, if you don't give a damn, it's hard to expect us to." "Mr Gideon!" "I'll leave these menus with you." "Please check off what you want for the coming weeks, OK?" "Monday, I'll have roast beef, Tuesday, chicken, Wednesday, steak," "Thursday, I plan to be dead, so..." "I'll just have something light." "Mr Gideon!" "She wrote a little note on the back." "She said you'd understand." ""Dear loving, giving, generous" - underlined four times - "Dad," "I hear nurses are nice people, hint, hint." "Your poor, brotherless daughter."" "Joe, what does it mean?" "It means she's inherited her mother's determination, that's what it means." "Oh, no, Thank you, thank you, No, no, You're wonderful, wonderful," "The word superstar is greatly overused in this business," "But for my next guest, the word superstar is totally inadequate," "Whenever I do a benefit - and I've done 1 50, 60, 70, this year, all for very worthy causes" " I can always count on this dude to be right there with me," "I feel humbled in his presence," "From deep, deep in here, ladies and gentlemen, let me lay on you," " A g reat entertai ner." " a great entertainer," " A g reat h u man itarian." " a great humanitarian," " And my dear friend for 25 years." " and my dearest, dearest friend for 20 years," " You m issed by five years." " Oh, boy, do I hate show busi ness." " Joey, you love show busi ness." " That's rig ht, I love show busi ness." "I'l I go either way." "I got insight into you, Gideon." "You know what's underneath?" "The dreadful fear that you're ordinary, not special." "Right." "Oh, I think..." "I think..." " I'm getting an erection." " Oh, Mr Gideon, don't do that." "That sex thing, Jesus." "Listen, I wouldn't say you were a faggot, but you do have a lot of feminine characteristics, right?" "Right." "You are foolishly and childishly flirting with disaster." "Joey, you're really crazy!" "What do you wanna do, kill yourself?" "Dr Ballinger told me to get a little exercise." "Everything he does seems to be a denial of his condition." "Dr Ballinger, every time I've seen him," "I get the impression that he doesn't care whether he lives or dies." "Y es, I know." "But I think he cares a lot." "OK, we'll limit his visitors to no more than two." "Joe, I wish you could have been there, 9 : 30 this morning, before a single review was out, the line at Cinema One was around the block." "The people know." "The people know," "This broke every first-day record." "It's a blockbuster." "I mean a blockbuster," "And those guys in California..." "You wouldn't believe the telephone calls." ""Congratulations," they say. "We're glad you took your time." "It was worth it."" "They said "Every dollar that we put in that film is up there on the screen."" "I'm telling you, they're talking about a $3.5 million advertising budget." "3.5 million dollars!" "I'm sorry." "Excuse me." "Do you believe that?" "3.5 million dollars." "This picture is gonna go right through the roof." "Right through... the roof." "Look at those reviews." "See it?" "We did it." "Joe, we did it." "Where are the bad ones?" "There are no bad ones." "Josh..." "Well, there were a couple that quibbled a little." "I left them at the office." "Josh, I want you to do me a favor - don't show them to me." "Never." "How were the television reviews?" "I think we got Leslie Perry." "At the screening, she told me she loved it." "Following Gideon 's triumphant directorial achievement with "50 Beautiful Girls, 50, "" "when he won every possible award, it would be nice to report that Mr Gideon 's latest effort, "The Standup, "" "starring Davis Newman, was a better film," "Oh, boy, here it comes." "Joey, tu rn it off, please." ",falls into his characteristic weakness of trying too hard to please, to entertain," " Josh, no." "I wan na hear it." " The razzle-dazzle sometimes obliterates," " What does she know?" " She never g ives a good review." "That woman is total ly u nq ual ified to criticize anyth i ng." " She doesn't know a dam n th i ng about fi I m." " Or anyth i ng." "She's not even reviewing a film." "She's telling you how clever she is." ",where the has-been comic, played impeccably by Davis Newman, demonstrates his former brilliance in a monologue where clearly director Gideon gave Mr Newman free rein," "Rising above rather commonplace material, the actor creates a classic comic," "I g uarantee th is pictu re wi I I do 30 m i I I ion domestic, at least." " One of you better get somebody." " What?" "I th i n k I'm i n trou ble." ",chopping off the ends of scenes before the drama is played out," "left this reviewer with bewilderment and a four-aspirin headache," "Using my four-balloon rating system, I give "The Standup " half a balloon," " H ow are you feel i ng?" " The truth?" "I ' m scared." "Rol I 'em." "Action." "Oh, my God..." "Lad ies and gentlemen, the doctors." "I'm Dr Hyman, the i ntern ist." "I'm Dr Garry, the su rgeon." " I'm Dr Ballinger, the cardiologist." " Five, six, seven, eight..." "The heart is the viscus that maintains the circulation of the blood." "That means he had total blockage in... two arteries." "This is the man who would be my first choice as a modern-day saint," "When I was in those marches, like Selma, this brother was shuffling ' right alongside me," "long before those cats who thought civil rights was a hip scene and jumped on the blackwagon," "The blackwagon!" "Oh, ladies and gentlemen, let me lay on ya," " A g reat entertai ner." " a great entertainer," " A g reat h u man itarian." " a great humanitarian," " And my dearest friend." " and my dearest friend" " Blah -blah." " for 17 years," " Ladies and gentlemen," " See how m uch I learn from you?" " I'm afraid you've learned too m uch from me." " There you are, M r G ideon." "Th is is one of my A1, fi rst-rate, top-d rawer jobs." "That's it." "Good luck tomorrow." "What did you mean, I learned too much?" "You're gonna make it." "I'm hardly ever wrong." "Thanks." "Remember last Tuesday night?" "It was raining... very hard." "Oh, yeah." "Y eah, it was raining." "What about it?" "I called you at midnight." "I must have been walking the dog." "I don't have time for this sort of thing." "You were with someone." "Y es." "And you made love to him." "Y eah." "Well, that's it, huh?" "We're finished?" "I don't know." "How do you feel about me?" "I love you." "Then I guess we're not finished." "Because I really do love you, Katie." " You mean that?" " Ah, hell, no," "I was pissed off at her." "I don't know." "Y eah, I did mean it." "Sort of." "Sometimes I don't know where the bullshit ends and the truth begins." "I just wanted to say something nice to her," "Why?" "In case..." "In case..." "In case." "If I die, I'm sorry for all the bad things I did to ya." "And if I live, I'm sorry for all the bad things I'm gonna do to you." "..as stated in the declarations, sustained directly as the result of injury, sickness, death of, or permanent disability..." "Excuse me, Mr Clark." "Larry, give me our figures." "Well, on an estimated production budget of $941,000, with a contingency of 59,000 to round it out to the million, so far we 're in for at least two-thirds of the fees," "Desig n, 8,000, costu mes, 8,000, electrics, 4,000." "We're in for the fu I I d i rector-choreog rapher, 1 5,000." "Casti ng is another fou r." "Construction of scenery, where more than half has been done, that's 1 25,000... plus." "Stage manager's about 8,000," "Press agent 1 500, musicians about... two." "Assistants, secretaries, etc, 3,000." "Rehearsal hal Is and auditions... 9500." "Script and administrative, 1 500." "Managers, I'd say... ten." "Advertising and printing, about 20,000." "Orchestrations, so far, around 10,000." "Legal, 10,000, auditing, 2,000, payroll taxes... maybe seven." "Well, seven." "Author's advances, 10,000, equity bonds, 50,000." "Rehearsal salaries, and we've made some advances to a few of the cast, about 43,000." "We're in for about... $480,500." "Y es." "That's the figure I had here." "And change." "Let me try to understand." "Of that figure, how much do we recoup?" "Y eah, I'm confused too." "Do we get all of that, or part of it, or what?" "Simply, here are the options." "One, if Mr Gideon recovers and you resume production within the 180 days, we are not liable for any part of it." "Two, if Mr Gideon should die and you resume production with another director within the 180 days, we are still not liable." "Three, however, if Mr Gideon should expire before February 1, and you abandon production, we are liable for the full million dollars." "This means, gentlemen, you could make a profit of... $51 9,500." "You could be the first show on Broadway to make a profit without really opening." "Well... it's all very clear to me." "All this bullshit about death with dignity," "You know what death with dignity is, man?" "You don 't drool," "Change-of-pace time, Request, Here we go, Vic O 'Dante, Hey!" "# Death is in, death is in, my dear" "# Death is the thing" "Oh, that's very theatrical, Joe." "Please don 't try to tal k." " You wan na shoot it now?" " H u h?" " I can't u nderstand h i m." "I th i n k he said "OK."" " Hospital hal I uci nation, take one." "There 's a lady in Chicago, man, wrote a book, Dr Kubler-Ross, with a dash," "This chick, man, without the benefit of dying herself, has broken the process of death into five stages," "Anger, denial, bargaining, depression and acceptance," "Playback." "# After you 've gone" "# And left me cryi n'" "# After you've gone" "# There's no denyi n'" "# You'l I feel bl ue" "# You'l I feel sad" "# You'll miss the bestest pal ya" "# Ever had" "# There'll come a time" "# Don't forget it" "# There'll come a time" "# When you'll regret it" "# Some" "# Day" "# When you grow lonely" "# Your heart will break like mine and you'll want me only" "# After you've gone" "# After you've gone" "# After you've gone" "# After you've gone..." "# Away" "# Away" "Cut!" "Wanna print it?" "Jesus, Joe, you're way behind schedule." "You gotta print it." "Next setup." "Katie, take two." "Listen, huh?" "Playback." "# You'd better change your way o' livin'" " # And if that ain't enough - # She's right, Joe, you'd better listen" "# You'd better change the way you strut your stuff" "# Cos nobody wants you when you're old and gray" "# You better change your way today" "# You better change your way" "Can you hear me, Joe?" "I'm talkin' to ya." " Y a gotta lay off the booze, Joe." " Ax the amphetamines." "You gotta stop screwing' around, Daddy." "# Y a better stop" "# Y a better change" "# Y a better stop" "# Y a better change" "# Y a better stop, ya better change, ya better stop, ya better change" "# Y a better stop and change you r ways today" "# I said stop, change, stop!" "Please." "Cut!" " Print it." " Old Friends, take three." "Playback." "# Who's sorry now?" "# Who's sorry now?" "# Whose heart is aching?" " Just look at you, Daddy." " # For breaking each vow" " All those broken vows." " # Who's sad and blue?" "# Who's crying too?" "# Just like we cried over you?" " And we cried a lot." " Oh, a lot." " Me too." " # Boohoo" "# Right to the end" " It's getting close, Joe." " # Just like a friend" " Where were ya, Joe?" "Where were ya?" " # We tried to warn you" "# Somehow" "You didn't listen, Daddy." "You didn't listen." "# You had your way" "# Now you must pay" "# We're glad that you're sorry now" "Cut!" "You blew it." "You forgot your line." "At the end you're supposed to say, uh..." "What's he supposed to say?" "He's supposed to say "l don't want to die." "I want to live."" "Well, if you can't say it, you can't say it." "We'll just have to cut it, that's all." "Cut it." "T ake me up." "Next setup." "# Some of these days" "# You're gonna miss me, Daddy" "# Some of these days" "# You're gonna feel so lonely" "# You'll miss her huggin'" "# You'll miss her kissin'" "# You'll miss me, Daddy" "# If you go away" "# I'll feel so lonely" "# Just for you only" "# For you know, Daddy" "# You had your way" " A lot." " # And if you leave her" "# You know, you know, you're gonna, gonna, gonna, gonna, gonna grieve her" "# You're gonna miss your sweet, little, lovin', baby daughter Michelle" " # Some of these days" " Don't die, Daddy!" "Don't die, please!" "# Some of these days" "You can't leave this poor little kid without a father!" " # Some of these days" " She needs ya, Joe!" "She needs ya!" "# Some of these days" "Oh!" "Oh, no." "You don't have any lines here." "Real dead body, Real dead body," "End sticks." "Please don't try to talk." "If you wanna tell me anything, just write it on this pad." "No, no, Come on, not now," "Please leave." "Please." " Are you sure?" " Y es, I'm sure." "Just go." "Am I alive?" "All right, Joe." "Y es, you are alive." "Now, this is gonna hurt a little..." "Hm." "That came out nice." "Miss Paris, would you like to see something nice?" "Oh, that is beautiful!" "That is an absolutely beautiful scar, Dr Garry." " Thank you." " How soon will he be able to work?" "Well, he's out of intensive care, back in a private room." "The doctor says it's just a matter of rest." "Two months, at the outside." "Oh, you know Joey." "This morning he said he could hardly wait." "Said he had a lot of new ideas." "And not all that sex stuff, either." "Now, that's terrific." "You must feel really good about that, Jonesy." "Relieved." "We're all relieved." " Check, please." " I did some thinking about your script and I made a few notes." "Oh, my." "Use them, don't use them..." "You know, whatever you want." "I hate to bother you, but are you..." "Lucas Sergeant?" " Y es." " Would you mind?" "No, no." "Not at all." "I'm an actress and, next to Joe Gideon, you're my favorite director." "I'm so sorry your show was a flop." " Best of luck with your career." " Thank you so much." "Lucas, you put in an awful lot of work on this." "I'm moved." "For somebody to do something like this just... just out of friendship..." "It touches me." "Listen, what are friends for?" "We're all rooting for each other." "I'm just pleased that Joe is well again." " Hey, let me get this." " No, Lucas, this is on me." "I said I'll get this." " I can't believe it." " Joe, what's the matter?" " I'm having a heart attack." " No, that's impossible, Mr Gideon." "I just gave you your medication." "Goddamn it, he knows the symptoms." "Will you call somebody, please?" "He can't be in pain." "Well, let me take his pulse." " How can it be?" " Goddammit, get somebody." "But I just gave you your medication 20 minutes ago." "You can't possibly be in pain." "At least you're getting use out of the equipment," "That's funny, Doctor." "I gotta tell you, it hurts like a son of a bitch." "Miss Briggs, two milligrams of morphine." " What's this?" " My name and address." "You can send my check there." "Feeling any pain now?" "Bitch!" "No." "But something is..." " something is breaking up in there." " Now that I like." "Somethin's gone wrong." "All wrong," "No..." "No..." "Oh, my God..." "Where's Mr Gideon?" "Anger, denial, bargaining, depression and acceptance," " Anger," " No." "No." "No!" "Jesus Christ!" "Goddamn son-of-a-bitch, pig-sucking bastards!" "Not now." "I don 't know." "We were busy with an emergency and the next th i ng I notice, he was gone." "Denial, Denial," ""No, No, that's not me, man, no, No, It's somebody else, maybe, but not me, "" ""Oh, no, You got the wrong, How about my mother, man? "" ""She 's old, I'm weaned, I'm toilet-trained, "" ""l don 't need her anymore, Bye, Ma, You 've been terrific, I love ya!" "But not me, "" "Oh, Jesus, don 't take me out now." "What's the matter?" "Don't you I i ke m usical comedy?" " Bargaining," " Finished, or do you wanna run it again?" "Y es, I'd I i ke to ru n it agai n." "I'd I i ke to ru n the whole th i ng agai n." ""Look, man, Come here, come here, "" ""Can we sit down and talk about this like businessmen? "" ""A negotiation, OK? "" ""Look, I don 't wanna haggle, You 'll find me a reasonable man, man, "" ""The blonde, the one on East 63rd Street I see on Tuesday nights? "" ""Gone, Finished, I'll never see her again, That's it, "" ""Right, no more hard drugs, A little grass, maybe, but that's it, OK? "" ""All right, look, man, I promise I won 't flash on subways anymore, OK? "" ""We got a deal, huh?" "Huh?" "Guy drives a hard bargain, "" "Wh at are you stari ng at?" "I told you g uys before : too m uch smoki ng, too m uch boozi ng, too m uch screwi ng arou nd, it'l I get you every ti me." "I'l I be back." "Wel l, goddam m it, fi nd h i m." "I want h i m back i n icu, and right now!" " Damn fools." " Depression," "And here he is, ladies and germs, T ops'n'T aps," " Oh, my God!" " tap-dancer extraordinaire," " If I were God..." " I'm dying!" " And someti mes I th i n k I am..." " Oh, God, am I dying!" " Depends on how m uch morph i ne I've had..." " I'm dying, Nobody's dying but me," " I wou ld spare th is terrific tap-dancer!" " The doctor's not dying," "He 's alive in Florida, and I'm dying!" "No pen n ies on the eyes for me." "Please." "Rig ht away, si r." "Bye." " Come on, we better try to fi nd th is g uy." " "Oh, God!"" ""I'm dying!"" ""I'm paying $240 a day for the hospital room!"" ""At those prices, man, who can afford to live? "" "So, acceptance," "Oh, God..." "I th i n k you ' re the most beautifu I th i ng i n the world." "I love you." "J ust a cut on the head." "Oh, man, I won't have any trou ble at al I keepi n' h i m here." "He j ust wants to sit around and sing old-time songs." "Oh, don't hurry, baby." "I'm havin' a pretty good time myself." " Now, Mr Gideon, where were we?" " How do you know my name?" "Just found out." "They're comin' to get you, you know?" "I knew they would." " Can I have another?" " Oh, help yourself." "Could you do it one more time?" "Just for me?" "Oh, yeah, I'd love to." "Five, six, seven, eight." "# Pack up your troubles in your old kit bag" "# And smile, smile, smile" "# Hey, pack up your troubles in your old kit bag" "# Smile, boys, that's the style" "Here we go." "# What's the use of worrying?" "# It never was worthwhile" "Juicy!" "# So, pack up your troubles..." " You got it." " Five, six, seven, eight." "# Pack up your troubles in your old kit bag" "# And smile, smile, smile" "OK, mister, you come along with us." "Nice and quiet, now." "Don't cause no trouble." " Everything's going to be fine, all right?" " All right." "So long, Tiger." "Later, Gideon." "This is just a rough cut, you know?" "I don't have the titles in yet, and the underscoring's not in." "It's not really finished." "I need more time." "Thank you, Wonderful, wonderful," "Folks, what can I tell you about my next guest?" "This cat allowed himself to be adored, but not loved," "And his success in show business was matched by failure in his personal-relationship bag, Now that's where he really bombed," "And he came to bel ieve that work, show busi ness, love, h is whole I ife, even h i mself, and al I that jazz, was bu I lsh it." "He became numero uno game player, to the point where he didn't know where the games ended and reality began." "Like, to this cat, the only reality..." "is death, man." "Ladies and gentlemen, let me lay on you a so-so entertainer, not much of a humanitarian, and this cat was never nobody's friend." "In his final appearance on the great stage of life - you can applaud if you wanna " "Mr Joe Gideon." "# Bye-bye, life" "# Bye-bye, happiness" "# Hello, loneliness" "# I think I'm gonna die" "# I think I'm gonna die" "# Bye-bye, love" "# Bye-bye, sweet caress" "# Hello, emptiness" "# I feel like I could die" "# Bye-bye, your life, goodbye" "# Bye-bye, my life, goodbye" "# Bye-bye, your life, goodbye" "Two, three, four, five, six." "# Bye-bye, life" "# Bye-bye, happiness" "# Hello, loneliness" "# I think I'm gonna die" "# I think he's gonna die" "# I think he's gonna die" "# I think I'm gonna die" "# There goes his baby" "# With someone new" "# She sure looks happy" " # I sure am blue - # He sure is blue" " # I sure am blue - # He sure is blue" " # I sure am blue - # He sure is blue" " # I sure am blue - # He sure is blue" "# I sure am blue" "# I think I'm gonna, I think I'm gonna, I think I'm gonna, I think I'm gonna" "# Bye-bye, life" "# Bye-bye, happiness" "# Hello, loneliness" "# I think he's gonna... die" "# Die" "A one, a two, a three, four." "# Bye-bye, love" "# Bye-bye, sweet caress" "# Hello, emptiness" "# I feel like I could die" "# Bye-bye, my life, goodbye" "# Bye-bye, your life, goodbye" "# Bye-bye, my life, goodbye" "# I'm through with romance" " # I'm through with love - # Oh, yeah" "# I'm through with counting the stars above" "# Forget the stars" "# And here's the reason that he's so free" "# His loving' baby" "# She's through with me" "# Bye-bye, life" "# Bye-bye, happiness" "# Hello, loneliness" "# I think he's gonna die" "# I think he's gonna die" "# Bye-bye, your life, goodbye" "# Bye-bye, your life, goodbye" "# Bye-bye, your life, goodbye" "# Bye-bye, my life, goodbye" "# Bye-bye, your life, goodbye" "# Bye-bye, your life, goodbye" "This must have cost a fortune!" "# Oh, give it to me!" "# Oh, give it to me!" "At least I won't have to lie to ya anymore." "# Oh, give it to me!" "# Oh, give it to me!" "# Bye-bye" "# Bye-bye" "# Bye-bye, happiness" "# Hello..." "Hello..." " # I think he's gonna die - # He's gonna die" "# Bye-bye, life" "# Bye-bye, happiness" "# Hello, emptiness" "# I think he's gonna die" "# La, la, la, la, la, la, la, la, la" "# Bye-bye, your life, goodbye" "# La, la, la, la, la, la, la, la, la" "# I think he's gonna die" "# La, la, la, la, la, la, la, la, la" "# Bye-bye, your life, goodbye" "# La, la, la, la, la, la, la" "# La, la, la, la, la, la" "# Bye-bye" "# My life" "Oh, yeah!" "# Goodbye" "# Bye-bye, your life, goodbye" "# Bye-bye, your life, goodbye" "# Bye-bye, your life, goodbye" "# Bye-bye, your life, goodbye" "# There 's no business like show business" "# Like no business I know" "# Everything about it is appealing" "# Everything the traffic will allow" "# Nowhere could you get that happy feeling" "# When you are stealing that extra bow" "# There 's no people like show people" "# They smile when they are low" "# Yesterday they told you you would not go far" "# That night you open, and there you are" "# Next day on your dressing room, they've hung a star" "# Let's go on with the show" "# The costumes, the scenery, the makeup, the props" "# The audience that lifts you when you 're down" "# The headaches, the heartaches, the backaches, the flops" "# The sheriff who escorts you out of town" "# The opening when your heart beats like a drum" "# The closing, when the customers don 't come" "# There 's no business like show business" "# Like no business I know" "# You get word before the show has started" "# That your favorite uncle died at dawn" "# On top of that your Pa and Ma have parted" "# You 're brokenhearted, but you go on" "# There 's no people like show people" "# They smile when they are low" "# Even with a turkey that you know has fold" "# You may be stranded out in the cold" "# But still you wouldn 't change it for a sack of gold" "# Let's go on with the show" "# Let's go on with the show" "Visiontext Su btitles :" "Marisa Castle de Joncai re" "US ENG lish"