"[ INSECTS CHIRPING ]" "[ HORNS HONKING ] [ AIRPLANE HUMMING ] GO!" "GO!" "[ AIRPLANE HUMMING ] GO!" "GO!" "[ CROWD CLAMORING ]" "JESSICA,AREYOUDATING ANYBODY?" "JESSICA,ISIT TRUE?" "ANYBODY?" "JESSICA,ISIT TRUE?" "THE MAGAZINE SAYS THAT YOU'RE" "JESSICA,ISIT TRUE?" "THE MAGAZINE SAYS THAT YOU'RE STILL IN LOVE WITH NICK." "THE MAGAZINE SAYS THAT YOU'RE STILL IN LOVE WITH NICK." "[ ALL CLAMORING ]" "STILL IN LOVE WITH NICK." "[ ALL CLAMORING ] JESSICA,WHOAREYOU DATING?" "[ ALL CLAMORING ] JESSICA,WHOAREYOU DATING?" "ILOVEYOU,JESSICA!" "JESSICA,WHOAREYOU DATING?" "ILOVEYOU,JESSICA!" "JESSICA?" "ILOVEYOU,JESSICA!" "JESSICA?" "JESSICA,ISIT TRUETHAT" "JESSICA?" "JESSICA,ISIT TRUETHAT YOU'RE STILL IN LOVE WITH NICK?" "JESSICA,ISIT TRUETHAT YOU'RE STILL IN LOVE WITH NICK?" "JESSICA..." "YOU'RE STILL IN LOVE WITH NICK?" "JESSICA..." "IT'SA REALLY,WEIRD,SCARY" "JESSICA..." "IT'SA REALLY,WEIRD,SCARY FEELING." "IT'SA REALLY,WEIRD,SCARY FEELING." "JESSICA,ISIT TRUE..." "FEELING." "JESSICA,ISIT TRUE..." "YOU'REDISORIENTED." "JESSICA,ISIT TRUE..." "YOU'REDISORIENTED." "YOU CAN'T SEE IN FRONT OF YOU." "YOU'REDISORIENTED." "YOU CAN'T SEE IN FRONT OF YOU." "IT'S FALSE IMPRISONMENT." "YOU CAN'T SEE IN FRONT OF YOU." "IT'S FALSE IMPRISONMENT." "I CAN'T GET AWAY." "IT'S FALSE IMPRISONMENT." "I CAN'T GET AWAY." "I CAN'T GET OUT." "I CAN'T GET AWAY." "I CAN'T GET OUT." "I CAN'T GET OUT OF A STORE" "I CAN'T GET OUT." "I CAN'T GET OUT OF A STORE BECAUSE THESE GUYS ARE BLOCKING" "I CAN'T GET OUT OF A STORE BECAUSE THESE GUYS ARE BLOCKING THE DOOR." "BECAUSE THESE GUYS ARE BLOCKING THE DOOR." "CAN'T GET TO MY CAR." "THE DOOR." "CAN'T GET TO MY CAR." "WHEN I'M IN MY CAR, THEY'RE" "CAN'T GET TO MY CAR." "WHEN I'M IN MY CAR, THEY'RE SURROUNDING ME." "WHEN I'M IN MY CAR, THEY'RE SURROUNDING ME." "I CAN'T SEE." "SURROUNDING ME." "I CAN'T SEE." "THEY FLASH LIGHT BULBS." "I CAN'T SEE." "THEY FLASH LIGHT BULBS." "IT'S NIGHTTIME." "THEY FLASH LIGHT BULBS." "IT'S NIGHTTIME." "MY VISION IS IMPAIRED." "IT'S NIGHTTIME." "MY VISION IS IMPAIRED." "[ ALL YELLING ]" "MY VISION IS IMPAIRED." "[ ALL YELLING ] BACKOFF." "[ ALL YELLING ] BACKOFF." "BACK OFF!" "BACKOFF." "BACK OFF!" "[ YELLING CONTINUES ]" "BACK OFF!" "[ YELLING CONTINUES ] JESSICA?" "[ YELLING CONTINUES ] JESSICA?" "JESSICA?" "JESSICA?" "JESSICA?" "JESSICA..." "JESSICA?" "JESSICA..." "IT'SHIGHSTRESS." "[ ROCK MUSIC PLAYS ]" "♪ BRIGHT LIGHTS, BIG CITY" "GOING TO MY HEAD ♪" "♪ BRIGHT LIGHTS, BIG CITY" "GOING TO MY HEAD ♪" "♪ I DON'T CARE, NO," "'CAUSE YOU DON'T CARE, NO ♪" "♪ AS LONG AS YOU KNOW MY NAME" "♪ OH, YEAH" "♪ YOU'RE GONNA KNOW MY NAME" "♪ YEAH, YEAH, YEAH, YEAH" "[ CROWD CLAMORING ]" "I'VEBEENSHOOTINGSINCETHE '80s, AND CELEBRITY PHOTOGRAPHY HAS CHANGED A LOT." "HAS CHANGED A LOT." "WITH BIG AWARD SHOWS, THERE ARE" "WITH BIG AWARD SHOWS, THERE ARE ABOUT 50, 60 GUYS IN THE PEN," "ABOUT 50, 60 GUYS IN THE PEN, AND THEY'RE ALL FIGHTING FOR THE" "AND THEY'RE ALL FIGHTING FOR THE SAME IMAGE." "THEY'RE TRYING TO GET A HEAD" "SAME IMAGE." "THEY'RE TRYING TO GET A HEAD SHOT OR A FULL-LENGTH FASHION" "THEY'RE TRYING TO GET A HEAD SHOT OR A FULL-LENGTH FASHION SHOT." "SHOT OR A FULL-LENGTH FASHION SHOT." "THEY'RE SCREAMING AT THE" "SHOT." "THEY'RE SCREAMING AT THE CELEBRITIES, TRYING TO GET EYE" "THEY'RE SCREAMING AT THE CELEBRITIES, TRYING TO GET EYE CONTACT INTO THEIR CAMERA." "CELEBRITIES, TRYING TO GET EYE CONTACT INTO THEIR CAMERA." "RIHANNA,YOUDIDN'TLOOK..." "CONTACT INTO THEIR CAMERA." "RIHANNA,YOUDIDN'TLOOK..." "I,ONTHEOTHERHAND ,I'M" "RIHANNA,YOUDIDN'TLOOK..." "I,ONTHEOTHERHAND ,I'M OUTSIDE THE PEN." "I,ONTHEOTHERHAND ,I'M OUTSIDE THE PEN." "I'M ON THE RED CARPET, WHERE I" "OUTSIDE THE PEN." "I'M ON THE RED CARPET, WHERE I GO RIGHT UP TO THEM." "I'M ON THE RED CARPET, WHERE I GO RIGHT UP TO THEM." "I CAN MAKE THEM POSE FOR ME," "GO RIGHT UP TO THEM." "I CAN MAKE THEM POSE FOR ME, GIVE ME EYE CONTACT, OR SET UP A" "I CAN MAKE THEM POSE FOR ME, GIVE ME EYE CONTACT, OR SET UP A SHOT." "GIVE ME EYE CONTACT, OR SET UP A SHOT." "YOU'LL TALK TO THE P.R. PEOPLE." "SHOT." "YOU'LL TALK TO THE P.R. PEOPLE." "THEY'LL EVEN TELL YOU, FLAT-OUT," "YOU'LL TALK TO THE P.R. PEOPLE." "THEY'LL EVEN TELL YOU, FLAT-OUT, "WE DON'T NEED ALL THESE" "THEY'LL EVEN TELL YOU, FLAT-OUT, "WE DON'T NEED ALL THESE PHOTOGRAPHERS." ""WE DON'T NEED ALL THESE PHOTOGRAPHERS." "IT'S JUST FOR CAMERA AND SHOW." "PHOTOGRAPHERS." "IT'S JUST FOR CAMERA AND SHOW." "BASICALLY, ALL WE NEED IS, LIKE," "IT'S JUST FOR CAMERA AND SHOW." "BASICALLY, ALL WE NEED IS, LIKE, FIVE OR SIX GUYS." "BASICALLY, ALL WE NEED IS, LIKE, FIVE OR SIX GUYS." "BUT NO, WE WANT ALL THESE" "FIVE OR SIX GUYS." "BUT NO, WE WANT ALL THESE PHOTOGRAPHERS HERE BECAUSE IT" "BUT NO, WE WANT ALL THESE PHOTOGRAPHERS HERE BECAUSE IT LOOKS GREAT ON CAMERA, AND IT" "PHOTOGRAPHERS HERE BECAUSE IT LOOKS GREAT ON CAMERA, AND IT MAKES IT LOOK MORE GLAMOROUS."" "LOOKS GREAT ON CAMERA, AND IT MAKES IT LOOK MORE GLAMOROUS." IT'S HOLLYWOOD." "MAKES IT LOOK MORE GLAMOROUS." IT'S HOLLYWOOD." "IF YOU LOOK IN THE MAGAZINES AND" "IT'S HOLLYWOOD." "IF YOU LOOK IN THE MAGAZINES AND ON ALL THESE WEBSITES AND" "IF YOU LOOK IN THE MAGAZINES AND ON ALL THESE WEBSITES AND TV SHOWS AND SEEN ALL THESE" "ON ALL THESE WEBSITES AND TV SHOWS AND SEEN ALL THESE CELEBRITIES, WHERE DOES IT" "TV SHOWS AND SEEN ALL THESE CELEBRITIES, WHERE DOES IT REALLY COME FROM?" "CELEBRITIES, WHERE DOES IT REALLY COME FROM?" "THE RED CARPET IS JUST ONE PIECE" "REALLY COME FROM?" "THE RED CARPET IS JUST ONE PIECE OF WHAT'S BECOME A" "THE RED CARPET IS JUST ONE PIECE OF WHAT'S BECOME A BILLION-DOLLAR-A-YEAR INDUSTRY." "OF WHAT'S BECOME A BILLION-DOLLAR-A-YEAR INDUSTRY." "[ CROWD CLAMORING ]" "[ CROWD APPLAUDS ] THISISTHESECONDTIME I'VE  SEEN THIS PICTURE." "THISISTHESECONDTIME I'VE  SEEN THIS PICTURE." "I ADORE IT." "SEEN THIS PICTURE." "I ADORE IT." "I THINK YOU WILL, TOO." "I ADORE IT." "I THINK YOU WILL, TOO." "INTHEDAYSOFHEDDAHOPPER," "I THINK YOU WILL, TOO." "INTHEDAYSOFHEDDAHOPPER, AT THE PREMIERE OF SOMETHING," "INTHEDAYSOFHEDDAHOPPER, AT THE PREMIERE OF SOMETHING, THE STUDIOS WOULD HIRE" "AT THE PREMIERE OF SOMETHING, THE STUDIOS WOULD HIRE PHOTOGRAPHERS, BUT IT WAS" "THE STUDIOS WOULD HIRE PHOTOGRAPHERS, BUT IT WAS GRACEFULLY WAITING." "PHOTOGRAPHERS, BUT IT WAS GRACEFULLY WAITING." ""MAY I TAKE A PICTURE?"" "GRACEFULLY WAITING." ""MAY I TAKE A PICTURE?" IT WAS ALL AGREED UPON." "CLIENTWOULDWALKINA ROOM" "AND SAY, "HEY, HOW'D YOU GET ALL" "THESE PHOTOGRAPHERS HERE?" "!"" "YOU KNOW?" "NOBODY BOTHERED ANYBODY." "I DIDN'T CROSS YOUR FENCE." "YOU DIDN'T CROSS MY FENCE." "NOWIT'SBECOMESOMETHING" "TOTALLY DIFFERENT." "I'MGETTINGASHOT!" "SOMEONEJUMPINGOVERYOUR" "WALL, OKAY?" "YOUR WALL." "YOU KNOW, HOW IS THAT NOT A" "CLEAR LINE?" "YOU CAN'T DO THAT, RIGHT?" "THISISAPERFECTEXAMPLE" "MARC AND I GETTING MARRIED." "WE TOOK EVERY PRECAUTION AND EVERY MEASURE SO WE COULD HAVE A PRIVATE MOMENT." "EVERY MEASURE SO WE COULD HAVE A PRIVATE MOMENT." "DECIDED TO DO IT IN THE" "PRIVATE MOMENT." "DECIDED TO DO IT IN THE BACKYARD, INVITE 20 PEOPLE." "DECIDED TO DO IT IN THE BACKYARD, INVITE 20 PEOPLE." "THEY THOUGHT THEY WERE COMING TO" "BACKYARD, INVITE 20 PEOPLE." "THEY THOUGHT THEY WERE COMING TO A BARBECUE." "THEY THOUGHT THEY WERE COMING TO A BARBECUE." "SO, SOME OF THEM ARE NOT EVEN" "A BARBECUE." "SO, SOME OF THEM ARE NOT EVEN THAT DRESSED UP." "SO, SOME OF THEM ARE NOT EVEN THAT DRESSED UP." "WEARINGSHORTS." "THAT DRESSED UP." "WEARINGSHORTS." "MARCBUILTTHERUNWAY." "WEARINGSHORTS." "MARCBUILTTHERUNWAY." "LITERALLY" "HAMMERAND" "MARCBUILTTHERUNWAY." "LITERALLY" "HAMMERAND NAILS, 'CAUSE TO GET A" "LITERALLY" "HAMMERAND NAILS, 'CAUSE TO GET A CONTRACTOR TO DO THAT, IT WOULD" "NAILS, 'CAUSE TO GET A CONTRACTOR TO DO THAT, IT WOULD HAVE BEEN..." "CONTRACTOR TO DO THAT, IT WOULD HAVE BEEN..." "WECOULDN'TTRUSTANYBODY." "HAVE BEEN..." "WECOULDN'TTRUSTANYBODY." "WE HAD TO DO IT ALL OURSELVES," "WECOULDN'TTRUSTANYBODY." "WE HAD TO DO IT ALL OURSELVES, WHICH IS FINE." "WE HAD TO DO IT ALL OURSELVES, WHICH IS FINE." "IT WAS ACTUALLY A BEAUTIFUL" "WHICH IS FINE." "IT WAS ACTUALLY A BEAUTIFUL EXPERIENCE IN ITS OWN WAY." "IT WAS ACTUALLY A BEAUTIFUL EXPERIENCE IN ITS OWN WAY." "BUT EVEN WITH THAT, THEY FOUND A" "EXPERIENCE IN ITS OWN WAY." "BUT EVEN WITH THAT, THEY FOUND A WAY." "BUT EVEN WITH THAT, THEY FOUND A WAY." "HELICOPTER COMES OVER, RIGHT AS" "WAY." "HELICOPTER COMES OVER, RIGHT AS I'M WALKING DOWN THE AISLE." "HELICOPTER COMES OVER, RIGHT AS I'M WALKING DOWN THE AISLE." "WE COULDN'T HEAR EACH OTHER" "I'M WALKING DOWN THE AISLE." "WE COULDN'T HEAR EACH OTHER MAKING THE VOWS." "WE COULDN'T HEAR EACH OTHER MAKING THE VOWS." "THE PEOPLE WHO WERE THERE" "MAKING THE VOWS." "THE PEOPLE WHO WERE THERE COULDN'T HEAR OUR VOWS." "THE PEOPLE WHO WERE THERE COULDN'T HEAR OUR VOWS." "TILLTHISDAY,I'M NOT SURE" "COULDN'T HEAR OUR VOWS." "TILLTHISDAY,I'M NOT SURE IF SHE SAID YES, BECAUSE..." "TILLTHISDAY,I'M NOT SURE IF SHE SAID YES, BECAUSE..." "[LAUGHS]" "IF SHE SAID YES, BECAUSE..." "[LAUGHS] DIDYOU?" "[LAUGHS] DIDYOU?" "YOU DID, RIGHT?" "DIDYOU?" "YOU DID, RIGHT?" "YOU KNOW, TECHNICALLY, YOU CAN" "YOU DID, RIGHT?" "YOU KNOW, TECHNICALLY, YOU CAN GET OUT OF THIS, BECAUSE I NEVER" "YOU KNOW, TECHNICALLY, YOU CAN GET OUT OF THIS, BECAUSE I NEVER HEARD IT." "GET OUT OF THIS, BECAUSE I NEVER HEARD IT." "BUTTHATPLACEWASN'TEVEN" "HEARD IT." "BUTTHATPLACEWASN'TEVEN  SACRED." "BUTTHATPLACEWASN'TEVEN  SACRED." "SHOULDN'T OUR HOME, AT LEAST, BE" "SACRED." "SHOULDN'T OUR HOME, AT LEAST, BE SACRED?" "YEAH,ATGETTYIMAGES,WE'RE SELLING AN IMAGE EVERY SINGLE SECOND." "SELLING AN IMAGE EVERY SINGLE SECOND." "AND WITHIN THE NEWS OR EDITORIAL" "SECOND." "AND WITHIN THE NEWS OR EDITORIAL AREA, ABOUT 40% OF ALL THOSE" "AND WITHIN THE NEWS OR EDITORIAL AREA, ABOUT 40% OF ALL THOSE IMAGES ARE ENTERTAINMENT IMAGES." "AREA, ABOUT 40% OF ALL THOSE IMAGES ARE ENTERTAINMENT IMAGES." "I GET THE SAME NAMES THROWN AT" "IMAGES ARE ENTERTAINMENT IMAGES." "I GET THE SAME NAMES THROWN AT ME." "I GET THE SAME NAMES THROWN AT ME." ""OH, DO YOU WORK WITH" "ME." ""OH, DO YOU WORK WITH ANNIE LEIBOVITZ?" ""OH, DO YOU WORK WITH ANNIE LEIBOVITZ?" "DO YOU WORK WITH" "ANNIE LEIBOVITZ?" "DO YOU WORK WITH PATRICK DEMARCHELIER?"" "DO YOU WORK WITH PATRICK DEMARCHELIER?" BUT THE MOST PUBLISHED" "PATRICK DEMARCHELIER?" BUT THE MOST PUBLISHED PHOTOGRAPHERS IN THE WORLD ARE" "BUT THE MOST PUBLISHED PHOTOGRAPHERS IN THE WORLD ARE THE ENTERTAINMENT PHOTOGRAPHERS." "PHOTOGRAPHERS IN THE WORLD ARE THE ENTERTAINMENT PHOTOGRAPHERS." "A LOT OF PEOPLE MAY NOT HAVE" "THE ENTERTAINMENT PHOTOGRAPHERS." "A LOT OF PEOPLE MAY NOT HAVE HEARD OF THEM, BUT THESE FOLKS" "A LOT OF PEOPLE MAY NOT HAVE HEARD OF THEM, BUT THESE FOLKS ARE BEING PUBLISHED IN THE" "HEARD OF THEM, BUT THESE FOLKS ARE BEING PUBLISHED IN THE THOUSANDS AND THOUSANDS EVERY" "ARE BEING PUBLISHED IN THE THOUSANDS AND THOUSANDS EVERY WEEK." "THOUSANDS AND THOUSANDS EVERY WEEK." "PHOTOGRAPHERS" "THE" "WEEK." "PHOTOGRAPHERS" "THE DIFFERENCE IN PHOTOGRAPHERS." "PHOTOGRAPHERS" "THE DIFFERENCE IN PHOTOGRAPHERS." "WELL, I GUESS THERE'S THREE" "DIFFERENCE IN PHOTOGRAPHERS." "WELL, I GUESS THERE'S THREE KINDS." "WELL, I GUESS THERE'S THREE KINDS." "YOU GOT THE GUYS THAT YOU" "KINDS." "YOU GOT THE GUYS THAT YOU REGULARLY SEE ON THE SCENE, LIKE" "YOU GOT THE GUYS THAT YOU REGULARLY SEE ON THE SCENE, LIKE KEVIN AND GUYS FROM WIRE IMAGE," "REGULARLY SEE ON THE SCENE, LIKE KEVIN AND GUYS FROM WIRE IMAGE, WHERE YOU SEE THEM AT ALL THE" "KEVIN AND GUYS FROM WIRE IMAGE, WHERE YOU SEE THEM AT ALL THE SHOWS." "WHERE YOU SEE THEM AT ALL THE SHOWS." "YOU KIND OF BECOME FRIENDS WITH" "SHOWS." "YOU KIND OF BECOME FRIENDS WITH THEM." "YOU KIND OF BECOME FRIENDS WITH THEM." "THEY'RE NOT LOOKING FOR A BAD" "THEM." "THEY'RE NOT LOOKING FOR A BAD SHOT." "THEY'RE NOT LOOKING FOR A BAD SHOT." "THEY'RE LOOKING FOR SOMETHING" "SHOT." "THEY'RE LOOKING FOR SOMETHING INTERESTING." "THEY'RE LOOKING FOR SOMETHING INTERESTING." "[ CAMERA SHUTTER CLICKS ]" "INTERESTING." "[ CAMERA SHUTTER CLICKS ] COOL " " NO PROBLEM." "THEN, YOU GOT THE" ""STALKERAZZIS," YOU KNOW, WHO GO" "THROUGH ANYTHING TO GET A SHOT" "AND WHO SIT THERE LIKE YOU'RE" "EATING LUNCH WITH A BAG WITH A" "BIG CAMERA IN IT AND WHIP IT OUT" "ON YOU, LIKE, A MOMENT'S NOTICE." "AND THEN SOME OF THE WORST OFFENDERS ARE JUST THE CREEPOS WITH THE CELLPHONES." "OFFENDERS ARE JUST THE CREEPOS WITH THE CELLPHONES." "THEY'RE ACTING LIKE THEY'RE" "WITH THE CELLPHONES." "THEY'RE ACTING LIKE THEY'RE LOOKING FOR A NUMBER WHEN I'M" "THEY'RE ACTING LIKE THEY'RE LOOKING FOR A NUMBER WHEN I'M BUYING A BOCA BURGER, WHICH I" "LOOKING FOR A NUMBER WHEN I'M BUYING A BOCA BURGER, WHICH I DON'T WANT ANYBODY TO KNOW" "BUYING A BOCA BURGER, WHICH I DON'T WANT ANYBODY TO KNOW ABOUT." "DON'T WANT ANYBODY TO KNOW ABOUT." "YOU KNOW WHAT I MEAN?" "ABOUT." "YOU KNOW WHAT I MEAN?" "I EAT STEAKS AND MEAT." "YOU KNOW WHAT I MEAN?" "I EAT STEAKS AND MEAT." "I'M A BADASS." "I EAT STEAKS AND MEAT." "I'M A BADASS." "I'M IN THE BOCA BURGER SECTION," "I'M A BADASS." "I'M IN THE BOCA BURGER SECTION, LIKE..." "I'M IN THE BOCA BURGER SECTION, LIKE..." "[ GASPS ]" "LIKE..." "[ GASPS ] "FUCK!"" "[ GASPS ] "FUCK!" YOU KNOW?" ""FUCK!" YOU KNOW?" "SO, I'M LIKE THAT." "YOU KNOW?" "SO, I'M LIKE THAT." "THOSE PEOPLE SUCK." "PEOPLEWITHMOBILEPHONES." "YOU CAN'T GO ANYWHERE WITHOUT" "BEING PHOTOGRAPHED, BASICALLY," "NOW." "YOU HAVE TO BE VERY CAREFUL." "YOU HAVE TO ACCEPT IT, YOU HAVE TO BE AWARE OF IT, AND YOU HAVE" "YOU HAVE TO ACCEPT IT, YOU HAVE TO BE AWARE OF IT, AND YOU HAVE TO BEHAVE ACCORDINGLY." "TO BE AWARE OF IT, AND YOU HAVE TO BEHAVE ACCORDINGLY." "[ CROWD CLAMORING ]" "TO BEHAVE ACCORDINGLY." "[ CROWD CLAMORING ] NOW,THEREGULARCITIZENS" "[ CROWD CLAMORING ] NOW,THEREGULARCITIZENS HAVE BECOME PAPARAZZIS." "NOW,THEREGULARCITIZENS HAVE BECOME PAPARAZZIS." "YOU'RE NOT SAFE ANYWHERE." "HAVE BECOME PAPARAZZIS." "YOU'RE NOT SAFE ANYWHERE." "ANYONE CAN SELL YOU." "YOU'RE NOT SAFE ANYWHERE." "ANYONE CAN SELL YOU." "ANYONE CAN SELL A PIECE OF YOU." "THEKINDOF FASCINATIONTHAT WE HAVE WITH CELEBRITIES CHANGED OVER TIME." "WE HAVE WITH CELEBRITIES CHANGED OVER TIME." "WE USED TO GO AND SEE MOVIES IN" "OVER TIME." "WE USED TO GO AND SEE MOVIES IN THESE AMAZING MOVIE HOUSES, MANY" "WE USED TO GO AND SEE MOVIES IN THESE AMAZING MOVIE HOUSES, MANY OF WHICH WERE NOT ONLY BUILT TO" "THESE AMAZING MOVIE HOUSES, MANY OF WHICH WERE NOT ONLY BUILT TO LOOK LIKE PALACES BUT WERE" "OF WHICH WERE NOT ONLY BUILT TO LOOK LIKE PALACES BUT WERE CALLED PALACES." "LOOK LIKE PALACES BUT WERE CALLED PALACES." "AND WE WOULD SIT IN THE DARK," "CALLED PALACES." "AND WE WOULD SIT IN THE DARK, AND WE WOULD WATCH THESE HUGE," "AND WE WOULD SIT IN THE DARK, AND WE WOULD WATCH THESE HUGE, LARGER-THAN-LIFE PEOPLE " " IDOLS" "AND WE WOULD WATCH THESE HUGE, LARGER-THAN-LIFE PEOPLE " " IDOLS THAT WERE LITERALLY LIKE" "LARGER-THAN-LIFE PEOPLE " " IDOLS THAT WERE LITERALLY LIKE DEITIES." "THAT WERE LITERALLY LIKE DEITIES." "[ MOVIE-HOUSE PIANO PLAYS ]" "DEITIES." "[ MOVIE-HOUSE PIANO PLAYS ] THEFIRSTPEOPLEWHO APPEARED" "[ MOVIE-HOUSE PIANO PLAYS ] THEFIRSTPEOPLEWHO APPEARED IN MOVIES, THEIR NAMES WEREN'T" "THEFIRSTPEOPLEWHO APPEARED IN MOVIES, THEIR NAMES WEREN'T USED." "IN MOVIES, THEIR NAMES WEREN'T USED." "THE AUDIENCE HAD TO MAKE UP" "USED." "THE AUDIENCE HAD TO MAKE UP THEIR OWN NAMES FOR THESE" "THE AUDIENCE HAD TO MAKE UP THEIR OWN NAMES FOR THESE PEOPLE." "THEIR OWN NAMES FOR THESE PEOPLE." "MARY PICKFORD, FOR INSTANCE," "PEOPLE." "MARY PICKFORD, FOR INSTANCE, BECAME KNOWN AS "THE GIRL WITH" "MARY PICKFORD, FOR INSTANCE, BECAME KNOWN AS "THE GIRL WITH THE CURLS," BECAUSE THE STUDIOS" "BECAME KNOWN AS "THE GIRL WITH THE CURLS," BECAUSE THE STUDIOS DIDN'T PROMOTE THEM." "THE CURLS," BECAUSE THE STUDIOS DIDN'T PROMOTE THEM." "THEY KNEW IF THEY PROMOTED THEM" "DIDN'T PROMOTE THEM." "THEY KNEW IF THEY PROMOTED THEM THAT THEY WOULD HAVE TO PAY THEM" "THEY KNEW IF THEY PROMOTED THEM THAT THEY WOULD HAVE TO PAY THEM MORE." "THAT THEY WOULD HAVE TO PAY THEM MORE." "PICKFORD REALLY CHANGED THAT," "MORE." "PICKFORD REALLY CHANGED THAT, PERSONALLY." "PICKFORD REALLY CHANGED THAT, PERSONALLY." "SHE AND HER MOTHER INVENTED" "PERSONALLY." "SHE AND HER MOTHER INVENTED STARDOM AND THE PERCENTAGE DEAL." "SHE AND HER MOTHER INVENTED STARDOM AND THE PERCENTAGE DEAL." ""THE MOVIE MAKES SO MUCH MONEY," "STARDOM AND THE PERCENTAGE DEAL." ""THE MOVIE MAKES SO MUCH MONEY, I MAKE SO MUCH MONEY."" ""THE MOVIE MAKES SO MUCH MONEY, I MAKE SO MUCH MONEY." UNHEARD OF, UNTHINKABLE." "I MAKE SO MUCH MONEY." UNHEARD OF, UNTHINKABLE." "AND SHE MARRIED" "UNHEARD OF, UNTHINKABLE." "AND SHE MARRIED DOUGLAS FAIRBANKS, WHO, ON THE" "AND SHE MARRIED DOUGLAS FAIRBANKS, WHO, ON THE MALE SIDE, DID THE SAME THING." "DOUGLAS FAIRBANKS, WHO, ON THE MALE SIDE, DID THE SAME THING." "BACKWHENHOLLYWOODWAS IN" "MALE SIDE, DID THE SAME THING." "BACKWHENHOLLYWOODWAS IN ITS GOLDEN AGE, IT WAS GLAMOROUS" "BACKWHENHOLLYWOODWAS IN ITS GOLDEN AGE, IT WAS GLAMOROUS AND BEAUTIFUL AND MYSTERIOUS," "ITS GOLDEN AGE, IT WAS GLAMOROUS AND BEAUTIFUL AND MYSTERIOUS, AND YOU WONDERED HOW THEY" "AND BEAUTIFUL AND MYSTERIOUS, AND YOU WONDERED HOW THEY LIVED." "AND YOU WONDERED HOW THEY LIVED." "AND IF THEY DID A SPREAD IN" "LIVED." "AND IF THEY DID A SPREAD IN SOMEBODY'S HOUSE, IT WAS JUST SO" "AND IF THEY DID A SPREAD IN SOMEBODY'S HOUSE, IT WAS JUST SO SPECIAL." "SOMEBODY'S HOUSE, IT WAS JUST SO SPECIAL." "AND NOW WE'RE SO EXPOSED." "SPECIAL." "AND NOW WE'RE SO EXPOSED." "THERE'S NO MYSTERY." "TODAY,CELEBRITYIS AN" "INDUSTRY, AND IN EVERY INDUSTRY," "YOU HAVE RAW MATERIAL." "AND THE RAW MATERIAL IN THE" "CELEBRITY INDUSTRY IS AN ACTUAL" "BODY, AN ACTUAL FLESH-AND-BLOOD" "PERSON, WHO HAS FEELINGS, HAS" "EMOTIONS, HAS A FAMILY." "THAT RAW MATERIAL IS SHAPED." "YOU HAVE TO LOOK A CERTAIN WAY." "SO, THEY HAVE A STYLIST AND A" "PUBLICIST AND A MANAGER AND AN" "AGENT THAT HELP FORM THE RAW" "MATERIAL INTO THE FINISHED" "PRODUCT." "SECOND OF ALL, YOU HAVE" "AUTHORIZED PUBLICITY, THINGS" "THAT THE CELEBRITY AND HIS OR" "HER PUBLICIST HAVE DECIDED WILL" "BECOME PART OF THIS PERSON'S" "IMAGE " " INTERVIEWS, MAGAZINE" "COVERS, THE ACTUAL FILMS, THE" "PRODUCTS IN WHICH THE STAR" "APPEARS." "AND THEN YOU HAVE THE" "UNAUTHORIZED PUBLICITY, WHICH IS" "PAPARAZZI PHOTOGRAPHY AND" "GOSSIP, UNSANCTIONED." "BUT, AT THE SAME TIME, IT STILL" "CONTRIBUTES TO THE FORMATION OF" "THE IMAGE." "NEXT, MEDIA TAKES THIS IMAGE AND" "GIVES IT TO THE CONSUMER." "AS FAR AS OUTLETS, THERE'S" "PRINT, THERE'S TELEVISION, AND" "THERE'S ONLINE." "SO, SOME OF THE AUTHORIZED" "OUTLETS WOULD BE PEOPLE," ""ENTERTAINMENT TONIGHT,"" ""EXTRA," "ACCESS HOLLYWOOD," AND" "THEN A STAR'S WEBSITE OR A" "STAR'S FAN CLUB." "UNAUTHORIZED?" "IN PRINT, WE HAVE" "IN TOUCH AND LIFE  STYLE." "THERE'S GOSSIP BLOGS, LIKE TMZ," "PEREZ HILTON, DLISTED, GAWKER." "SO, BOTTOM LINE, ALL THESE" "DIFFERENT PLAYERS " " THEY'RE ALL" "INTERCONNECTED AND SYMBIOTIC ON" "ONE ANOTHER." "[ BIRD CHIRPING ]" "WATCHTHECARSBEHINDYOU" "GUYS." "HAVE A GREAT DAY." "I DON'T KNOW WHO THAT WAS." "DO YOU KNOW?" "NO." "PRETTYHOT." "THERESHEIS ." "LOOK." "ANDSHESELLS?" "OH,FUCK,YEAH,SHE SELLS!" "[ LAUGHS ]" "YEAH,YEAH,SHESELLS,FOR" "SURE." "USUALLY,THEYRUN,WHAT," "$250, $500." "TRUTHFULLY." "USUALLY,THEY'RE$50,$250," "TO AS MUCH AS $250,000." "OH,THERE'SKEYSHAWNJOHNSON." "BECAUSEHERE'STHEDEAL." "YOU MAY GET NOTHING TODAY, BUT" "YOU MAY COME TODAY OR TOMORROW" "AND MAKE MORE IN ONE DAY THAN" "MOST MAKE IN A YEAR." "FOR THE LOVE OF THE GAME." "[ CAMERA SHUTTER CLICKS ]" "[ CASH REGISTER DINGS ]" "THEPROBLEMIS ,IT HASTOBE" "THE MOST AUDACIOUS, THE MOST" "OUTRAGEOUS, THE MOST INTRUSIVE" "BEHAVIOR MAY GET THE MOST" "SALEABLE SHOT." "THE AGENCIES ARE TRYING TO GET" "THAT TO SELL THEM TO MAGAZINES" "OR VIDEO OUTLETS THAT WILL PAY" "MONEY FOR IT." "AND THE PUBLIC BUYS THE" "MAGAZINES AND WATCHES THE SHOWS." "SO, IT'S THAT WHOLE CYCLE." "HEY,GUYS!" "GET BACK!" "GUYS, GUYS!" "GET BACK!" "GUYS, GUYS!" "MIKE, RIGHT HERE." "GUYS, GUYS!" "MIKE, RIGHT HERE." "PARTOFTHEGAMEISTO" "MIKE, RIGHT HERE." "PARTOFTHEGAMEISTO  PROVOKE A REACTION." "GETBACK,GUYS." "BESTTHINGTHATWILLHAPPEN IS SOMEBODY WILL TAKE A SWING AT" "BESTTHINGTHATWILLHAPPEN IS SOMEBODY WILL TAKE A SWING AT THEM, YOU KNOW, OR START PUSHING" "IS SOMEBODY WILL TAKE A SWING AT THEM, YOU KNOW, OR START PUSHING OR SCREAMING." "THEM, YOU KNOW, OR START PUSHING OR SCREAMING." "THAT'S A BETTER SHOT." "OR SCREAMING." "THAT'S A BETTER SHOT." "IT'S MORE MONEY." "THAT'S A BETTER SHOT." "IT'S MORE MONEY." "WHOAREYOUDATING?" "!" "IT'S MORE MONEY." "WHOAREYOUDATING?" "!" "THEYUSUALLYBRINGUP" "WHOAREYOUDATING?" "!" "THEYUSUALLYBRINGUP EX-GIRLFRIENDS, EX-WIVES." "THEYUSUALLYBRINGUP EX-GIRLFRIENDS, EX-WIVES." "THEY SAY STUFF ABOUT PAM." "EX-GIRLFRIENDS, EX-WIVES." "THEY SAY STUFF ABOUT PAM." "THERE'S NOT TOO MUCH THEY CAN" "THEY SAY STUFF ABOUT PAM." "THERE'S NOT TOO MUCH THEY CAN REALLY SAY TO GET MY GOAT." "THERE'S NOT TOO MUCH THEY CAN REALLY SAY TO GET MY GOAT." "IT'S MORE INVADING YOUR SPACE," "REALLY SAY TO GET MY GOAT." "IT'S MORE INVADING YOUR SPACE, GETTING IN YOUR FACE." "IT'S MORE INVADING YOUR SPACE, GETTING IN YOUR FACE." "YOU'RE LIKE, "WAIT A MINUTE." "GETTING IN YOUR FACE." "YOU'RE LIKE, "WAIT A MINUTE." "I DON'T KNOW YOU, DUDE." "YOU'RE LIKE, "WAIT A MINUTE." "I DON'T KNOW YOU, DUDE." "YOU'RE GONNA COME AT ME AND TRY" "I DON'T KNOW YOU, DUDE." "YOU'RE GONNA COME AT ME AND TRY TO GET A REACTION?"" "YOU'RE GONNA COME AT ME AND TRY TO GET A REACTION?" THERE'S MY REACTION." "TO GET A REACTION?" THERE'S MY REACTION." "WE'RE ALL GOOD." "THERE'S MY REACTION." "WE'RE ALL GOOD." "I'VEGIVENTHEMONE ORTWOOF" "WE'RE ALL GOOD." "I'VEGIVENTHEMONE ORTWOOF THOSE IN MY TIME." "I'VEGIVENTHEMONE ORTWOOF THOSE IN MY TIME." "BUT NOW YOU JUST HAVE TO KNOW" "THOSE IN MY TIME." "BUT NOW YOU JUST HAVE TO KNOW THAT THAT'S THE PHOTOGRAPH THAT" "BUT NOW YOU JUST HAVE TO KNOW THAT THAT'S THE PHOTOGRAPH THAT THEY WANT, AND YOU JUST HAVE TO" "THAT THAT'S THE PHOTOGRAPH THAT THEY WANT, AND YOU JUST HAVE TO NOT GIVE IT TO THEM." "THEY WANT, AND YOU JUST HAVE TO NOT GIVE IT TO THEM." "[ CROWD CLAMORING ]" "NOT GIVE IT TO THEM." "[ CROWD CLAMORING ] WHATTHEY'RETRYINGTODOIS" "[ CROWD CLAMORING ] WHATTHEY'RETRYINGTODOIS  PROVOKE YOU." "WHATTHEY'RETRYINGTODOIS  PROVOKE YOU." "LIKE, "OH, YOU WERE VOTED WORST" "PROVOKE YOU." "LIKE, "OH, YOU WERE VOTED WORST 'THIS' OR 'THAT.'"" "LIKE, "OH, YOU WERE VOTED WORST 'THIS' OR 'THAT.'" AND IF THEY DO PROVOKE YOU," "'THIS' OR 'THAT.'" AND IF THEY DO PROVOKE YOU, THEY HAVE WON, AND YOU HAVE" "AND IF THEY DO PROVOKE YOU, THEY HAVE WON, AND YOU HAVE LOST." "THEY HAVE WON, AND YOU HAVE LOST." "ME,ONTHEOTHERHAND ..." "LOST." "ME,ONTHEOTHERHAND ..." "YEAH." "ME,ONTHEOTHERHAND ..." "YEAH." "[LAUGHS]" "YEAH." "[LAUGHS] MARCDOESN'THAVEASMUCH OF" "[LAUGHS] MARCDOESN'THAVEASMUCH OF A TOLERANCE FOR THAT STUFF." "MARCDOESN'THAVEASMUCH OF A TOLERANCE FOR THAT STUFF." "SO, WE TRY NOT TO PUT HIM IN" "A TOLERANCE FOR THAT STUFF." "SO, WE TRY NOT TO PUT HIM IN THOSE SITUATIONS TOO OFTEN." "SO, WE TRY NOT TO PUT HIM IN THOSE SITUATIONS TOO OFTEN." "[LAUGHS]" "THOSE SITUATIONS TOO OFTEN." "[LAUGHS] LINDSAY,BIGSMILE!" "[LAUGHS] LINDSAY,BIGSMILE!" "THEYKINDOF WANT" "LINDSAY,BIGSMILE!" "THEYKINDOF WANT LINDSAY LOHAN TO MELT DOWN IN" "THEYKINDOF WANT LINDSAY LOHAN TO MELT DOWN IN PUBLIC SO THEY'VE GOT THEIR" "LINDSAY LOHAN TO MELT DOWN IN PUBLIC SO THEY'VE GOT THEIR PHOTOGRAPH." "PUBLIC SO THEY'VE GOT THEIR PHOTOGRAPH." "THISWEEKIN THECELEBRITY" "PHOTOGRAPH." "THISWEEKIN THECELEBRITY SPOTLIGHT, LINDSAY LOHAN IS" "THISWEEKIN THECELEBRITY SPOTLIGHT, LINDSAY LOHAN IS JAIL-BOUND..." "SPOTLIGHT, LINDSAY LOHAN IS JAIL-BOUND..." "AND,YOUKNOW,HALFTHETIME" "JAIL-BOUND..." "AND,YOUKNOW,HALFTHETIME SHE GIVES THEM THE THING THEY" "AND,YOUKNOW,HALFTHETIME SHE GIVES THEM THE THING THEY WANT, AND IT'S VERY SAD, BECAUSE" "SHE GIVES THEM THE THING THEY WANT, AND IT'S VERY SAD, BECAUSE IT'S LIKE, THIS GIRL WAS A GOOD" "WANT, AND IT'S VERY SAD, BECAUSE IT'S LIKE, THIS GIRL WAS A GOOD ACTRESS." "IT'S LIKE, THIS GIRL WAS A GOOD ACTRESS." "SHE HAD TALENT." "ACTRESS." "SHE HAD TALENT." "SHE MADE RECORDS, YOU KNOW?" "SHE HAD TALENT." "SHE MADE RECORDS, YOU KNOW?" "AND NOW IT'S KIND OF SHE'S" "SHE MADE RECORDS, YOU KNOW?" "AND NOW IT'S KIND OF SHE'S BECOME THEIR TOY." "AND NOW IT'S KIND OF SHE'S BECOME THEIR TOY." "IT'S FRIGHTENING." "BECOME THEIR TOY." "IT'S FRIGHTENING." "THEREISAUNIQUELYAMERICAN" "IT'S FRIGHTENING." "THEREISAUNIQUELYAMERICAN SPORT CALLED "GRANDICIDE."" "THEREISAUNIQUELYAMERICAN SPORT CALLED "GRANDICIDE." WE BUILD SOMEONE UP TO" "SPORT CALLED "GRANDICIDE." WE BUILD SOMEONE UP TO SPECTACULAR HEIGHTS IN ORDER TO" "WE BUILD SOMEONE UP TO SPECTACULAR HEIGHTS IN ORDER TO TEAR THEM DOWN." "SPECTACULAR HEIGHTS IN ORDER TO TEAR THEM DOWN." "IT'SA VICIOUSCYCLE." "TEAR THEM DOWN." "IT'SA VICIOUSCYCLE." "YOU BUILD UP." "IT'SA VICIOUSCYCLE." "YOU BUILD UP." "YOU BREAK HER DOWN." "YOU BUILD UP." "YOU BREAK HER DOWN." "THE NEXT FAMOUS PERSON COMES" "YOU BREAK HER DOWN." "THE NEXT FAMOUS PERSON COMES BACK AGAIN." "THE NEXT FAMOUS PERSON COMES BACK AGAIN." "NEXT THING, YOU HAVE TO BREAK" "BACK AGAIN." "NEXT THING, YOU HAVE TO BREAK THEM DOWN AGAIN." "NEXT THING, YOU HAVE TO BREAK THEM DOWN AGAIN." "SO, YOU JUST SIT BACK AND WATCH." "THEM DOWN AGAIN." "SO, YOU JUST SIT BACK AND WATCH." "IKNOWIT 'SONLYACOUPLE" "SO, YOU JUST SIT BACK AND WATCH." "IKNOWIT 'SONLYACOUPLE DAYS IN, BUT THEY SAY IT'S GONNA" "IKNOWIT 'SONLYACOUPLE DAYS IN, BUT THEY SAY IT'S GONNA GO NUMBER ONE." "...SUPERSTARWHOSESHOCKING PRIVATE LIFE BECAME AN INTERNATIONAL SOAP OPERA." "PRIVATE LIFE BECAME AN INTERNATIONAL SOAP OPERA." "...QUESTIONINGWHETHERSHE" "INTERNATIONAL SOAP OPERA." "...QUESTIONINGWHETHERSHE CAN BE A GOOD MOTHER." "...QUESTIONINGWHETHERSHE CAN BE A GOOD MOTHER." "...SELF-DESTRUCTIVECOCKTAIL" "CAN BE A GOOD MOTHER." "...SELF-DESTRUCTIVECOCKTAIL OF COURTROOMS, PSYCH WARDS, AND ...SELF-DESTRUCTIVECOCKTAIL OF COURTROOMS, PSYCH WARDS, AND PAPARAZZI." "OF COURTROOMS, PSYCH WARDS, AND PAPARAZZI." "THATMOMENTOF HERJUST" "PAPARAZZI." "THATMOMENTOF HERJUST LOOKING IN THE CAMERA SHAVING" "THATMOMENTOF HERJUST LOOKING IN THE CAMERA SHAVING HER HEAD WAS SUCH A POWERFUL" "LOOKING IN THE CAMERA SHAVING HER HEAD WAS SUCH A POWERFUL MOMENT." "HER HEAD WAS SUCH A POWERFUL MOMENT." "IT WAS LIKE, "FUCK YOU, GUYS."" "MOMENT." "IT WAS LIKE, "FUCK YOU, GUYS." I MEAN, THERE WAS SOMETHING" "IT WAS LIKE, "FUCK YOU, GUYS." I MEAN, THERE WAS SOMETHING ABOUT IT THAT WAS JUST "FUCK" "I MEAN, THERE WAS SOMETHING ABOUT IT THAT WAS JUST "FUCK YOU."" "ABOUT IT THAT WAS JUST "FUCK YOU." YOU KNOW?" "SHE HAD ENOUGH." "YOU." YOU KNOW?" "SHE HAD ENOUGH." "SHE BROKE IN FRONT OF ALL OF OUR" "YOU KNOW?" "SHE HAD ENOUGH." "SHE BROKE IN FRONT OF ALL OF OUR EYES, AND THEN PEOPLE CAPTURED" "SHE BROKE IN FRONT OF ALL OF OUR EYES, AND THEN PEOPLE CAPTURED THAT." "EYES, AND THEN PEOPLE CAPTURED THAT." "BUT IT WAS REALLY SAD TO ME." "PEOPLEUSEDTO BE ABLETO" "DEVELOP KIND OF QUIETLY, AND IF" "THEY MADE MISTAKES, THE WHOLE" "WORLD DIDN'T KNOW ABOUT THEM." "GEE,MICKEY,WE DON'TKNOW" "HOW LUCKY WE ARE." "BUTTHAT'SNOTTHE WAY ITIS" "ANYMORE." "NOW, REALLY HORRIBLE BEHAVIOR" "AND PEOPLE WHO ARE DEFINITELY IN" "TROUBLE AND NEED HELP ARE OFTEN" "JUST SEEN AS PEOPLE WHO ARE" "SUPPOSED TO ENTERTAIN YOU." "THISISAMESS." "OURCELEBRITYIMAGESARE" "SUPPOSED TO BE SEAMLESS." "BUT WHEN THOSE CRACKS OPEN, IT'S" "KIND OF DIRTY, BUT IT'S ALSO" "FASCINATING." "IAMON ADRUG." "IT'S CALLED "CHARLIE SHEEN." BUTTHEN,YOUKNOW,IFIT" "IT'S CALLED "CHARLIE SHEEN." BUTTHEN,YOUKNOW,IFIT  CRACKS OPEN TOO WIDE, THERE'S" "BUTTHEN,YOUKNOW,IFIT  CRACKS OPEN TOO WIDE, THERE'S NOTHING LEFT." "CRACKS OPEN TOO WIDE, THERE'S NOTHING LEFT." "YOUBORROWMY BRAINFOR" "NOTHING LEFT." "YOUBORROWMY BRAINFOR  FIVE SECONDS AND JUST BE LIKE," "YOUBORROWMY BRAINFOR  FIVE SECONDS AND JUST BE LIKE, "DUDE, CAN'T HANDLE IT!"" "FIVE SECONDS AND JUST BE LIKE, "DUDE, CAN'T HANDLE IT!" HE'SA TRAINWRECK." ""DUDE, CAN'T HANDLE IT!" HE'SA TRAINWRECK." "HE'S AN ABSOLUTE TRAIN WRECK," "HE'SA TRAINWRECK." "HE'S AN ABSOLUTE TRAIN WRECK, WHICH IS FABULOUS." "HE'S AN ABSOLUTE TRAIN WRECK, WHICH IS FABULOUS." "IT'S GREAT." "WHICH IS FABULOUS." "IT'S GREAT." "YOUKNOWYOUSHOULDN'TLOOK ," "IT'S GREAT." "YOUKNOWYOUSHOULDN'TLOOK , BUT YOU'RE JUST CURIOUS." "COMEON,MR."P. " I'M DARRYN LYONS, "MR. PAPARAZZI," AND THIS IS MY" "I'M DARRYN LYONS, "MR. PAPARAZZI," AND THIS IS MY MINI-ME, MR. "P."" ""MR. PAPARAZZI," AND THIS IS MY MINI-ME, MR. "P." [SQUAWKS]" "MINI-ME, MR. "P." [SQUAWKS] ISTARTEDAS ANEWS" "[SQUAWKS] ISTARTEDAS ANEWS PHOTOGRAPHER ON A LOCAL PAPER," "ISTARTEDAS ANEWS PHOTOGRAPHER ON A LOCAL PAPER, BUT MY PASSION WAS CERTAINLY" "PHOTOGRAPHER ON A LOCAL PAPER, BUT MY PASSION WAS CERTAINLY PHOTOGRAPHY." "A LOT OF THE WORLD, LOOKING FROM THE OUTSIDE IN, LIVE REALLY DISINTERESTING LIVES, AND I" "THE OUTSIDE IN, LIVE REALLY DISINTERESTING LIVES, AND I THINK THAT IS WHAT'S CAPTURED" "DISINTERESTING LIVES, AND I THINK THAT IS WHAT'S CAPTURED THE CULTURE OF CELEBRITY TODAY." "THINK THAT IS WHAT'S CAPTURED THE CULTURE OF CELEBRITY TODAY." "I'M A TRUE BELIEVER IN THE" "THE CULTURE OF CELEBRITY TODAY." "I'M A TRUE BELIEVER IN THE IMAGE." "I'M A TRUE BELIEVER IN THE IMAGE." "I'VE BEEN TO BOSNIA ON THE" "IMAGE." "I'VE BEEN TO BOSNIA ON THE FRONTLINE GETTING SHOT AT IN" "I'VE BEEN TO BOSNIA ON THE FRONTLINE GETTING SHOT AT IN FULL METAL JACKET." "FRONTLINE GETTING SHOT AT IN FULL METAL JACKET." "I'VE WON PRESS PHOTOGRAPHER FOR" "FULL METAL JACKET." "I'VE WON PRESS PHOTOGRAPHER FOR THE YEAR IN THE UNITED KINGDOM" "I'VE WON PRESS PHOTOGRAPHER FOR THE YEAR IN THE UNITED KINGDOM TWO YEARS IN A ROW." "THE YEAR IN THE UNITED KINGDOM TWO YEARS IN A ROW." "I'VE WON ALL THE AWARDS YOU CAN" "TWO YEARS IN A ROW." "I'VE WON ALL THE AWARDS YOU CAN IMAGINE BEING A PHOTOGRAPHER." "I'VE WON ALL THE AWARDS YOU CAN IMAGINE BEING A PHOTOGRAPHER." "THE FACT OF THE MATTER IS," "IMAGINE BEING A PHOTOGRAPHER." "THE FACT OF THE MATTER IS, AWARDS DON'T PAY THE MORTGAGE." "THE FACT OF THE MATTER IS, AWARDS DON'T PAY THE MORTGAGE." "I SAW CELEBRITY AS BEING THE" "AWARDS DON'T PAY THE MORTGAGE." "I SAW CELEBRITY AS BEING THE HUGE MOMENT OF THE FUTURE." "IT, AND I'M STILL EMBRACING IT." "CELEBRITY ISN'T GONNA GO AWAY." "IT'S BEEN AROUND SINCE TIME" "CELEBRITY ISN'T GONNA GO AWAY." "IT'S BEEN AROUND SINCE TIME BEGAN." "IT'S BEEN AROUND SINCE TIME BEGAN." "YOUKNOW,JULIUSCAESARWAS" "BEGAN." "YOUKNOW,JULIUSCAESARWAS FAMOUS." "YOUKNOW,JULIUSCAESARWAS FAMOUS." "NAPOLEON WAS FAMOUS." "FAMOUS." "NAPOLEON WAS FAMOUS." "THEY WERE FAMOUS IN DIFFERENT" "NAPOLEON WAS FAMOUS." "THEY WERE FAMOUS IN DIFFERENT WAYS." "THEY WERE FAMOUS IN DIFFERENT WAYS." "YOUR KEY IS MASS MEDIA." "WAYS." "YOUR KEY IS MASS MEDIA." "IT HAD TAKEN NAPOLEON A LIFETIME" "YOUR KEY IS MASS MEDIA." "IT HAD TAKEN NAPOLEON A LIFETIME TO BECOME FAMOUS." "IT HAD TAKEN NAPOLEON A LIFETIME TO BECOME FAMOUS." "IT TOOK CHARLIE CHAPLIN A MONTH." "TO BECOME FAMOUS." "IT TOOK CHARLIE CHAPLIN A MONTH." "ONE DAY HE WAS NOBODY, AND A" "IT TOOK CHARLIE CHAPLIN A MONTH." "ONE DAY HE WAS NOBODY, AND A MONTH LATER HE WAS KNOWN IN THE" "ONE DAY HE WAS NOBODY, AND A MONTH LATER HE WAS KNOWN IN THE DEEPEST JUNGLES OF AFRICA." "MONTH LATER HE WAS KNOWN IN THE DEEPEST JUNGLES OF AFRICA." "[ CROWD CHEERS ]" "DEEPEST JUNGLES OF AFRICA." "[ CROWD CHEERS ] HE COULDN'T APPEAR IN PUBLIC" "[ CROWD CHEERS ] HE COULDN'T APPEAR IN PUBLIC WITHOUT A MOB COMING AROUND HIM." "HE COULDN'T APPEAR IN PUBLIC WITHOUT A MOB COMING AROUND HIM." "AND HE HAD TO INVENT STRATEGIES" "WITHOUT A MOB COMING AROUND HIM." "AND HE HAD TO INVENT STRATEGIES TO DEAL WITH THAT." "AND HE HAD TO INVENT STRATEGIES TO DEAL WITH THAT." "♪FAME,FAME" "TO DEAL WITH THAT." "♪FAME,FAME ♪ FAME, FAME" "♪FAME,FAME ♪ FAME, FAME ♪ IS IT ANY WONDER" "♪ FAME, FAME ♪ IS IT ANY WONDER YOU'RE TOO COOL TO FOOL?" "♪" "♪ IS IT ANY WONDER YOU'RE TOO COOL TO FOOL?" "♪ ♪ FAME, FAME" "YOU'RE TOO COOL TO FOOL?" "♪ ♪ FAME, FAME ♪ FAME" "♪ FAME, FAME ♪ FAME ♪ BULLY FOR YOU, CHILLY FOR ME" "♪ FAME ♪ BULLY FOR YOU, CHILLY FOR ME ♪ GOT TO GET A RAIN CHECK ON" "♪ BULLY FOR YOU, CHILLY FOR ME ♪ GOT TO GET A RAIN CHECK ON FAME ♪" "♪ GOT TO GET A RAIN CHECK ON FAME ♪ CELEBRITYTODAYMEANSANYONE" "FAME ♪ CELEBRITYTODAYMEANSANYONE WHO'S FAMOUS." "CELEBRITYTODAYMEANSANYONE WHO'S FAMOUS." "NOW, YOU CAN BE FAMOUS " " YOU" "WHO'S FAMOUS." "NOW, YOU CAN BE FAMOUS " " YOU KNOW, GUY WHO WAS IN A BALLOON" "NOW, YOU CAN BE FAMOUS " " YOU KNOW, GUY WHO WAS IN A BALLOON WHO FLOATED ACROSS THE COUNTRY." "KNOW, GUY WHO WAS IN A BALLOON WHO FLOATED ACROSS THE COUNTRY." "IS THAT A STAR?" "WHO FLOATED ACROSS THE COUNTRY." "IS THAT A STAR?" "YOU KNOW..." "YOU KNOW..." "IS JEFFREY DAHMER A STAR?" "THE REAL NAME OF THE GAME IS" "IS JEFFREY DAHMER A STAR?" "THE REAL NAME OF THE GAME IS FAME." "THE REAL NAME OF THE GAME IS FAME." "♪OH,FAME" "FAME." "♪OH,FAME ♪ OH, FAME" "♪OH,FAME ♪ OH, FAME ♪ FAME, FAME, FAME, FAME," "♪ OH, FAME ♪ FAME, FAME, FAME, FAME, FAME, FAME, FAME, FAME," "FAME, FAME, FAME, FAME, FAME, FAME, FAME, FAME ♪" "FAME, FAME, FAME, FAME ♪ ♪ FAME" "♪ FAME ♪ WHAT'S YOUR NAME?" "♪ WHAT'S YOUR NAME?" "♪ WHAT'S YOUR NAME?" "♪ WHAT'S YOUR NAME?" "♪ WHAT'S YOUR NAME?" "♪ WHAT'S YOUR NAME?" "♪ WHAT'S YOUR NAME?" "♪ WHAT'S YOUR NAME?" "HISTORICALLY,THE" "♪ WHAT'S YOUR NAME?" "HISTORICALLY,THE AMERICAN DREAM MEANT THAT ANYONE" "HISTORICALLY,THE AMERICAN DREAM MEANT THAT ANYONE COULD COME TO AMERICA AND" "AMERICAN DREAM MEANT THAT ANYONE COULD COME TO AMERICA AND THROUGH HARD WORK COULD OWN A" "COULD COME TO AMERICA AND THROUGH HARD WORK COULD OWN A HOME AND PROVIDE FOR THEIR" "THROUGH HARD WORK COULD OWN A HOME AND PROVIDE FOR THEIR FAMILY." "HOME AND PROVIDE FOR THEIR FAMILY." "NOW, THE AMERICAN DREAM HAS" "FAMILY." "NOW, THE AMERICAN DREAM HAS REALLY TRANSFORMED INTO ANYONE" "NOW, THE AMERICAN DREAM HAS REALLY TRANSFORMED INTO ANYONE CAN BECOME A CELEBRITY." "REALLY TRANSFORMED INTO ANYONE CAN BECOME A CELEBRITY." "SAYSOMETHINGWITHTHATGREAT" "CAN BECOME A CELEBRITY." "SAYSOMETHINGWITHTHATGREAT RADIO VOICE." "SAYSOMETHINGWITHTHATGREAT RADIO VOICE." "WHENYOU'RELISTENINGTO" "RADIO VOICE." "WHENYOU'RELISTENINGTO NOTHING BUT THE BEST OF" "WHENYOU'RELISTENINGTO NOTHING BUT THE BEST OF OLDIES..." "NOTHING BUT THE BEST OF OLDIES..." "♪SOHOLDYOURHEAD UP," "OLDIES..." "♪SOHOLDYOURHEAD UP, AND YOU'LL GO FAR ♪" "♪SOHOLDYOURHEAD UP, AND YOU'LL GO FAR ♪ THEWAYTHATPEOPLETALK" "AND YOU'LL GO FAR ♪ THEWAYTHATPEOPLETALK  ABOUT YouTube IS THAT ANYONE WHO" "THEWAYTHATPEOPLETALK  ABOUT YouTube IS THAT ANYONE WHO PUTS A VIDEO ON YouTube CAN" "ABOUT YouTube IS THAT ANYONE WHO PUTS A VIDEO ON YouTube CAN BECOME FAMOUS." "EVERYONE CAN DENY JUSTIN BIEBER" "A CONTRACT, BUT THEN BECAUSE" "ENOUGH PEOPLE ARE INTERESTED" "HIM, HE CAN STILL BECOME FAMOUS." "IT'S THIS IDEA THAT IF YOU HAVE TALENT, AND IF YOU MAKE THAT TALENT VISIBLE, THEN YOU CAN BE" "TALENT, AND IF YOU MAKE THAT TALENT VISIBLE, THEN YOU CAN BE VOTED, IN OUR DEMOCRATIC" "TALENT VISIBLE, THEN YOU CAN BE VOTED, IN OUR DEMOCRATIC SOCIETY, TO BE A STAR." "VOTED, IN OUR DEMOCRATIC SOCIETY, TO BE A STAR." "ITHINKARECENTSURVEYOF" "SOCIETY, TO BE A STAR." "ITHINKARECENTSURVEYOF BRITISH CHILDREN UNDER 15 SAID" "ITHINKARECENTSURVEYOF BRITISH CHILDREN UNDER 15 SAID THEY WANTED TO BE A DOCTOR OR A" "BRITISH CHILDREN UNDER 15 SAID THEY WANTED TO BE A DOCTOR OR A NURSE OR AN ARCHITECT OR A" "THEY WANTED TO BE A DOCTOR OR A NURSE OR AN ARCHITECT OR A PHOTOGRAPHER." "NURSE OR AN ARCHITECT OR A PHOTOGRAPHER." "NO, THEY JUST WANTED TO BE" "PHOTOGRAPHER." "NO, THEY JUST WANTED TO BE EITHER RICH OR FAMOUS." "NO, THEY JUST WANTED TO BE EITHER RICH OR FAMOUS." "IWANTTO BE FAMOUS,BUT ," "EITHER RICH OR FAMOUS." "IWANTTO BE FAMOUS,BUT , LIKE, THE "JERSEY SHORE" PEOPLE," "IWANTTO BE FAMOUS,BUT , LIKE, THE "JERSEY SHORE" PEOPLE, LIKE ON A REALITY SHOW OR" "LIKE, THE "JERSEY SHORE" PEOPLE, LIKE ON A REALITY SHOW OR SOMETHING." "LIKE ON A REALITY SHOW OR SOMETHING." "IHADSEXWITHVINNY." "SOMETHING." "IHADSEXWITHVINNY." "YOU HAD SEX WITH VINNY." "IHADSEXWITHVINNY." "YOU HAD SEX WITH VINNY." "[BLEEP]" "YOU HAD SEX WITH VINNY." "[BLEEP] BRING IT ON!" "YOUKNOW,"JERSEYSHORE'S"A" "HUGE SUCCESS BECAUSE WE'RE" "NUTJOBS, AND WE DON'T CARE WHAT" "PEOPLE THINK ABOUT US." "SO, I THINK THAT'S WHY EVERYBODY" "LOVES US." "INGENERAL,AREALITY CELEBRITY IS LIKE A ONE-USE CELEBRITY." "CELEBRITY IS LIKE A ONE-USE CELEBRITY." "YOU PAY A LITTLE FOR THEM, BUT" "CELEBRITY." "YOU PAY A LITTLE FOR THEM, BUT THEN YOU CAN EXPLOIT THEM UNTIL" "YOU PAY A LITTLE FOR THEM, BUT THEN YOU CAN EXPLOIT THEM UNTIL THEY DISINTEGRATE." "THEN YOU CAN EXPLOIT THEM UNTIL THEY DISINTEGRATE." "THEREAREPEOPLEOUT THERE" "THEY DISINTEGRATE." "THEREAREPEOPLEOUT THERE NOW THAT ARE COMPLETELY" "THEREAREPEOPLEOUT THERE NOW THAT ARE COMPLETELY CELEBRITIES AND ABSOLUTELY" "NOW THAT ARE COMPLETELY CELEBRITIES AND ABSOLUTELY FAMOUS WHO DON'T WORK..." "CELEBRITIES AND ABSOLUTELY FAMOUS WHO DON'T WORK..." "WHO DON'T EVEN WORK." "FAMOUS WHO DON'T WORK..." "WHO DON'T EVEN WORK." "THEY HAVE NOTHING TO SELL." "WHO DON'T EVEN WORK." "THEY HAVE NOTHING TO SELL." "THEY HAVE NO PRODUCT." "THEY HAVE NOTHING TO SELL." "THEY HAVE NO PRODUCT." "THERE'S..." "THEY HAVE NO PRODUCT." "THERE'S..." "IT'SSOSCARY." "THERE'S..." "IT'SSOSCARY." "IHATEREALITYTELEVISION." "IT'SSOSCARY." "IHATEREALITYTELEVISION." "I THINK IT'S THE LOWEST COMMON" "IHATEREALITYTELEVISION." "I THINK IT'S THE LOWEST COMMON DENOMINATOR." "I THINK IT'S THE LOWEST COMMON DENOMINATOR." "IT'S MIND ROT TO ME." "DENOMINATOR." "IT'S MIND ROT TO ME." "IT NUMBS MY BRAIN." "IT'S MIND ROT TO ME." "IT NUMBS MY BRAIN." "AND THE PEOPLE BEING CALLED" "IT NUMBS MY BRAIN." "AND THE PEOPLE BEING CALLED CELEBRITIES AND HAVE THEIR OWN" "AND THE PEOPLE BEING CALLED CELEBRITIES AND HAVE THEIR OWN REALITY SHOWS, I WANT TO KILL" "CELEBRITIES AND HAVE THEIR OWN REALITY SHOWS, I WANT TO KILL THEM." "REALITY SHOWS, I WANT TO KILL THEM." "TOLDYOUYOUWOULDN'TREGRET" "THEM." "TOLDYOUYOUWOULDN'TREGRET IT." "TOLDYOUYOUWOULDN'TREGRET IT." "ITHINKWHATPEOPLE" "IT." "ITHINKWHATPEOPLE MISUNDERSTAND IS THAT WE'RE IN" "ITHINKWHATPEOPLE MISUNDERSTAND IS THAT WE'RE IN THE ENTERTAINMENT INDUSTRY." "WE'RE NOT THESE SERIOUS PEOPLE," "AND EVERYONE'S JUST GOTTEN SO" "USED TO ALL THESE ACTORS TAKING" "THEMSELVES SO SERIOUSLY, WHEN" "IT'S REALLY JUST A JOKE" "INDUSTRY." "IT'S SUPPOSED TO BE FUN." "YOUNEEDAKEG ." "THERE'SNOTHINGWRONGWITH THE KIM KARD" " ALL OF THOSE" "THERE'SNOTHINGWRONGWITH THE KIM KARD" " ALL OF THOSE PEOPLE." "THE KIM KARD" " ALL OF THOSE PEOPLE." "IF THAT'S HOW THEY CHOOSE TO" "PEOPLE." "IF THAT'S HOW THEY CHOOSE TO MAKE A LIVING, MORE POWER TO" "IF THAT'S HOW THEY CHOOSE TO MAKE A LIVING, MORE POWER TO THEM." "MAKE A LIVING, MORE POWER TO THEM." "IT'S NOT MY " " MY LINE OF WORK" "THEM." "IT'S NOT MY " " MY LINE OF WORK IS DIFFERENT." "IT'S NOT MY " " MY LINE OF WORK IS DIFFERENT." "I WANT TO ENTERTAIN PEOPLE." "IS DIFFERENT." "I WANT TO ENTERTAIN PEOPLE." "REALITYTVIS ,IN AWAY ,THE" "I WANT TO ENTERTAIN PEOPLE." "REALITYTVIS ,IN AWAY ,THE  NEW VAUDEVILLE." "REALITYTVIS ,IN AWAY ,THE  NEW VAUDEVILLE." "THERE'S NOTHING REAL ABOUT" "NEW VAUDEVILLE." "THERE'S NOTHING REAL ABOUT REALITY TV." "THERE'S NOTHING REAL ABOUT REALITY TV." "PEOPLE ARE LED TO BELIEVE THAT" "REALITY TV." "PEOPLE ARE LED TO BELIEVE THAT IT'S REAL, AND IT'S THE BIG LIE." "PEOPLE ARE LED TO BELIEVE THAT IT'S REAL, AND IT'S THE BIG LIE." "THERE'S NOTHING REAL ABOUT IT." "I'LLTELLYOUTHE FIRSTTIME" "IT BOTHERED ME." "I WALKED OUT OF MY HOUSE." "I WANTED TO GO AND GET MY" "MOTHER-IN-LAW A BIRTHDAY" "PRESENT." "AND I WALKED OUT, AND, FOR THE" "FIRST TIME EVER, THERE WERE ALL" "THESE PHOTOGRAPHERS OUTSIDE." "AND MY FIRST INSTINCT, CURIOUSLY ENOUGH, BECAUSE WE'RE KIND OF ALL ANIMALS, BASICALLY," "CURIOUSLY ENOUGH, BECAUSE WE'RE KIND OF ALL ANIMALS, BASICALLY, WAS TO RUN." "KIND OF ALL ANIMALS, BASICALLY, WAS TO RUN." "BUT THEN I GOT SCARED TO RUN," "WAS TO RUN." "BUT THEN I GOT SCARED TO RUN, BECAUSE I WAS PREGNANT, AND I" "BUT THEN I GOT SCARED TO RUN, BECAUSE I WAS PREGNANT, AND I DIDN'T TRUST THE STREETS OF" "BECAUSE I WAS PREGNANT, AND I DIDN'T TRUST THE STREETS OF NEW YORK TO BE MY ALLY." "DIDN'T TRUST THE STREETS OF NEW YORK TO BE MY ALLY." "AND I STARTED CRYING, AND I SAID" "NEW YORK TO BE MY ALLY." "AND I STARTED CRYING, AND I SAID TO THE PHOTOGRAPHERS, "PLEASE" "AND I STARTED CRYING, AND I SAID TO THE PHOTOGRAPHERS, "PLEASE DON'T CHASE ME." "TO THE PHOTOGRAPHERS, "PLEASE DON'T CHASE ME." "I'M PREGNANT." "DON'T CHASE ME." "I'M PREGNANT." "PLEASE DON'T CHASE ME."" "I'M PREGNANT." "PLEASE DON'T CHASE ME." AND THEY KEPT FOLLOWING ME." "PLEASE DON'T CHASE ME." AND THEY KEPT FOLLOWING ME." "AND I WENT INTO A BUILDING." "AND THEY KEPT FOLLOWING ME." "AND I WENT INTO A BUILDING." "I SAW A DOORMAN IN A BUILDING," "AND I WENT INTO A BUILDING." "I SAW A DOORMAN IN A BUILDING, AND I SAID TO HIM, "IS IT OKAY?" "I SAW A DOORMAN IN A BUILDING, AND I SAID TO HIM, "IS IT OKAY?" "CAN I COME IN YOUR BUILDING?"" "AND I SAID TO HIM, "IS IT OKAY?" "CAN I COME IN YOUR BUILDING?" AND HE TOOK ME DOWN TO THE" "CAN I COME IN YOUR BUILDING?" AND HE TOOK ME DOWN TO THE GARAGE." "AND HE TOOK ME DOWN TO THE GARAGE." "AND THERE WAS A COUPLE, AND THEY" "GARAGE." "AND THERE WAS A COUPLE, AND THEY WERE ON A MOTORCYCLE." "AND THERE WAS A COUPLE, AND THEY WERE ON A MOTORCYCLE." "AND THEY SAW ME CRYING." "WERE ON A MOTORCYCLE." "AND THEY SAW ME CRYING." "AND SHE AND I TRADED CLOTHING," "AND THEY SAW ME CRYING." "AND SHE AND I TRADED CLOTHING, EVERYTHING " " FROM HEAD TO" "AND SHE AND I TRADED CLOTHING, EVERYTHING " " FROM HEAD TO TOE " " AND I GOT ON THE BACK OF" "EVERYTHING " " FROM HEAD TO TOE " " AND I GOT ON THE BACK OF HER BOYFRIEND'S MOTORCYCLE." "TOE " " AND I GOT ON THE BACK OF HER BOYFRIEND'S MOTORCYCLE." "AND SHE WALKED OUT IN MY" "HER BOYFRIEND'S MOTORCYCLE." "AND SHE WALKED OUT IN MY CLOTHES, AND HE TOOK ME" "AND SHE WALKED OUT IN MY CLOTHES, AND HE TOOK ME ELSEWHERE AND DROPPED ME OFF." "CLOTHES, AND HE TOOK ME ELSEWHERE AND DROPPED ME OFF." "BUT IT'S JUST GOTTEN" "ELSEWHERE AND DROPPED ME OFF." "BUT IT'S JUST GOTTEN EXPONENTIALLY WORSE EVER SINCE" "BUT IT'S JUST GOTTEN EXPONENTIALLY WORSE EVER SINCE THEN." "EXPONENTIALLY WORSE EVER SINCE THEN." "SARAH!" "THEN." "SARAH!" "SARAH!" "SARAH!" "SARAH!" "[ ALL YELLING ]" "SARAH!" "[ ALL YELLING ] GETOUTOF MY WAY,ASSHOLE." "♪OOH-WHEE ♪ TALKIN' 'BOUT A PARTY ♪ WAITING FOR CELEBRITIES" "THE PAPARAZZI LIFE IS LIKE THE" "LOTTERY." "YOU MIGHT WANT TO TAKE A DAY" "OFF, BUT THAT MIGHT BE THE DAY" "WHEN SOMETHING MAJOR HAPPENS." "OH, HE JUST GAVE UP." "HEGAVEUP " " QUITTER." "YOU'REHOURSAWAY." "HEGAVEUP " " QUITTER." "YOU'REHOURSAWAY." "I START OFF VERY EARLY IN THE" "YOU'REHOURSAWAY." "I START OFF VERY EARLY IN THE MORNING, AND I GO LATE AT NIGHT." "I START OFF VERY EARLY IN THE MORNING, AND I GO LATE AT NIGHT." "AND I TRY TO DO IT SIX DAYS A" "MORNING, AND I GO LATE AT NIGHT." "AND I TRY TO DO IT SIX DAYS A WEEK, IF NOT SEVEN DAYS A WEEK." "AND I TRY TO DO IT SIX DAYS A WEEK, IF NOT SEVEN DAYS A WEEK." "GOT TO DO THAT CELEBRITY RAIN" "WEEK, IF NOT SEVEN DAYS A WEEK." "GOT TO DO THAT CELEBRITY RAIN DANCE." "GOT TO DO THAT CELEBRITY RAIN DANCE." "COME ON!" "DANCE." "COME ON!" "BRING THEM IN." "BRING THEM IN." "COME ON!" "BRING THEM IN." "BRING THEM IN." "BRING THEM IN." "BRING THEM IN." "I LOVE WHAT I DO BECAUSE I GET" "I LOVE WHAT I DO BECAUSE I GET TO DRIVE UP AND DOWN THE STREETS" "TO DRIVE UP AND DOWN THE STREETS OF MY FAVORITE CITY IN THE" "OF MY FAVORITE CITY IN THE WORLD, LOS ANGELES," "WORLD, LOS ANGELES, CALIFORNIA..." "CALIFORNIA..." "HOWAREYOU?" "HOWAREYOU?" "...INTERACTWITH ...INTERACTWITH CELEBRITIES..." "ITWASAWESOME!" "CELEBRITIES..." "ITWASAWESOME!" "...MEETTHETOURISTS." "ITWASAWESOME!" "...MEETTHETOURISTS." "I CAN TAKE A DAY OFF WHEN I ...MEETTHETOURISTS." "I CAN TAKE A DAY OFF WHEN I WANT." "I CAN TAKE A DAY OFF WHEN I WANT." "I'M MY OWN BOSS." "WANT." "I'M MY OWN BOSS." "I HAVE NO ONE TO ANSWER TO." "I'M MY OWN BOSS." "I HAVE NO ONE TO ANSWER TO." "LOVING LIFE, MAN." "I HAVE NO ONE TO ANSWER TO." "LOVING LIFE, MAN." "LOVING LIFE." "THEYWOULDWORKTOGETHERIN TEAMS OF TWO." "ONE OF THE PHOTOGRAPHERS WOULD" "TEAMS OF TWO." "ONE OF THE PHOTOGRAPHERS WOULD AGGRAVATE THE CELEBRITY THEY" "ONE OF THE PHOTOGRAPHERS WOULD AGGRAVATE THE CELEBRITY THEY WERE SHOOTING, START SOME KIND" "AGGRAVATE THE CELEBRITY THEY WERE SHOOTING, START SOME KIND OF CONFRONTATION, SO THAT THE" "WERE SHOOTING, START SOME KIND OF CONFRONTATION, SO THAT THE OTHER ONE COULD TAKE THE" "OF CONFRONTATION, SO THAT THE OTHER ONE COULD TAKE THE PHOTOGRAPH." "OTHER ONE COULD TAKE THE PHOTOGRAPH." "[ CAMERA SHUTTER CLICKS ]" "[ HORN HONKS ]" "THEADVENTOF THEPAPARAZZI TOOK ON A WHOLE DIFFERENT NASTINESS." "TOOK ON A WHOLE DIFFERENT NASTINESS." "PAPARAZZI WERE "I'LL GET YOU AT" "NASTINESS." "PAPARAZZI WERE "I'LL GET YOU AT ANY COST." "AND I'LL GET IT IF IT MEANS" "KILLING YOU."" "AND THE COMPETITION AMONG THEM" "WAS SO FIERCE." "♪I CAN'TSTOPTHISFEELING" "DEEP INSIDE OF ME ♪" "RONGALELLAWASPROBABLYTHE" "FIRST WELL-KNOWN PAPARAZZI, WHO" "EVERY DAY WOKE UP AND DECIDED TO" "FOCUS HIS LENS ON" "JACKIE KENNEDY NO MATTER WHAT" "SHE WAS DOING OR WHERE SHE WAS." "♪I ..." "I'M HOOKED ON A FEELING ♪ ♪ HIGH ON BELIEVING" "I'M HOOKED ON A FEELING ♪ ♪ HIGH ON BELIEVING THAT YOU'RE IN LOVE... ♪" "♪ HIGH ON BELIEVING THAT YOU'RE IN LOVE... ♪ AGEHASBEENGOODTORON," "THAT YOU'RE IN LOVE... ♪ AGEHASBEENGOODTORON, BECAUSE HE GOT A LOT OF VERY BAD" "AGEHASBEENGOODTORON, BECAUSE HE GOT A LOT OF VERY BAD PRESS." "BECAUSE HE GOT A LOT OF VERY BAD PRESS." "HE WAS SEEN TO BE A PARASITE." "PRESS." "HE WAS SEEN TO BE A PARASITE." "HIS PHOTOGRAPHY'S NOW BEING" "HE WAS SEEN TO BE A PARASITE." "HIS PHOTOGRAPHY'S NOW BEING COLLECTED BY SERIOUS PHOTOGRAPHY" "HIS PHOTOGRAPHY'S NOW BEING COLLECTED BY SERIOUS PHOTOGRAPHY COLLECTORS." "COLLECTED BY SERIOUS PHOTOGRAPHY COLLECTORS." "BUT, YOU KNOW, WHEN RON WAS" "COLLECTORS." "BUT, YOU KNOW, WHEN RON WAS WORKING, IT WAS COMPLETELY" "BUT, YOU KNOW, WHEN RON WAS WORKING, IT WAS COMPLETELY DIFFERENT FROM THE WAY IT IS" "WORKING, IT WAS COMPLETELY DIFFERENT FROM THE WAY IT IS NOW." "DIFFERENT FROM THE WAY IT IS NOW." "[ CAMERA SHUTTER CLICKS ]" "NOW." "[ CAMERA SHUTTER CLICKS ] GETTINGYOURPICTURETAKEN" "[ CAMERA SHUTTER CLICKS ] GETTINGYOURPICTURETAKEN WENT FROM SOMETHING WHERE YOU" "GETTINGYOURPICTURETAKEN WENT FROM SOMETHING WHERE YOU FELT THAT SOMEBODY WAS HONORING" "WENT FROM SOMETHING WHERE YOU FELT THAT SOMEBODY WAS HONORING YOU, A PART OF YOU " " YOUR WORK," "FELT THAT SOMEBODY WAS HONORING YOU, A PART OF YOU " " YOUR WORK, YOUR BEAUTY, YOUR YOUTH," "YOU, A PART OF YOU " " YOUR WORK, YOUR BEAUTY, YOUR YOUTH, SOMETHING " " TO A HUNT." "YOUR BEAUTY, YOUR YOUTH, SOMETHING " " TO A HUNT." "AND MOST OF THE TIME, INSTEAD OF" "SOMETHING " " TO A HUNT." "AND MOST OF THE TIME, INSTEAD OF CELEBRATING SOMETHING ABOUT YOU," "AND MOST OF THE TIME, INSTEAD OF CELEBRATING SOMETHING ABOUT YOU, A LOT OF THE TIME IS TRYING TO" "CELEBRATING SOMETHING ABOUT YOU, A LOT OF THE TIME IS TRYING TO FIND SOMETHING WRONG WITH YOU." "A LOT OF THE TIME IS TRYING TO FIND SOMETHING WRONG WITH YOU." "I'MNOTOUTTOGETA BAD SHOT" "FIND SOMETHING WRONG WITH YOU." "I'MNOTOUTTOGETA BAD SHOT OF LINDSAY LOHAN." "I'MNOTOUTTOGETA BAD SHOT OF LINDSAY LOHAN." "I'M OUT TO GET A SHOT." "OF LINDSAY LOHAN." "I'M OUT TO GET A SHOT." "NOW, IF SHE'S DOING GOOD, WELL," "I'M OUT TO GET A SHOT." "NOW, IF SHE'S DOING GOOD, WELL, I'M TAKING A GOOD SHOT." "NOW, IF SHE'S DOING GOOD, WELL, I'M TAKING A GOOD SHOT." "IF SHE'S DOING BAD, WELL, IN HER" "I'M TAKING A GOOD SHOT." "IF SHE'S DOING BAD, WELL, IN HER EYES, I'M TAKING A BAD SHOT." "IF SHE'S DOING BAD, WELL, IN HER EYES, I'M TAKING A BAD SHOT." "TO ME, IT'S STILL THE SHOT." "EYES, I'M TAKING A BAD SHOT." "TO ME, IT'S STILL THE SHOT." "NO,NO,NO ,NO ,NO ,NO ." "TO ME, IT'S STILL THE SHOT." "NO,NO,NO ,NO ,NO ,NO ." "[ HORN HONKS ]" "NO,NO,NO ,NO ,NO ,NO ." "[ HORN HONKS ] YOU'REABOUTTHERUDEST" "[ HORN HONKS ] YOU'REABOUTTHERUDEST PEOPLE I'VE EVER RUN INTO." "YOU'REABOUTTHERUDEST PEOPLE I'VE EVER RUN INTO." "THANKYOU." "PEOPLE I'VE EVER RUN INTO." "THANKYOU." "NOWONDERPEOPLECOMEUPAND" "THANKYOU." "NOWONDERPEOPLECOMEUPAND SLAP YOU." "NOWONDERPEOPLECOMEUPAND SLAP YOU." "HETHREWTHEFINGERATME ." "SLAP YOU." "HETHREWTHEFINGERATME ." "IDON'TBLAMEHIM !" "HETHREWTHEFINGERATME ." "IDON'TBLAMEHIM !" "YOU'RE AN ASSHOLE!" "IDON'TBLAMEHIM !" "YOU'RE AN ASSHOLE!" "THEYUSEUS AS ASCAPEGOAT." "YOU'RE AN ASSHOLE!" "THEYUSEUS AS ASCAPEGOAT." ""OH, PAPARAZZI " " BAD." "THEYUSEUS AS ASCAPEGOAT." ""OH, PAPARAZZI " " BAD." "WELL, YOU TOOK THE PICTURE, AND" ""OH, PAPARAZZI " " BAD." "WELL, YOU TOOK THE PICTURE, AND THEY WROTE ABOUT IT, BUT YOU" "WELL, YOU TOOK THE PICTURE, AND THEY WROTE ABOUT IT, BUT YOU SHOULDN'T HAVE TOOK THE" "THEY WROTE ABOUT IT, BUT YOU SHOULDN'T HAVE TOOK THE PICTURE."" "SHOULDN'T HAVE TOOK THE PICTURE." WELL, OKAY, BUT THEY STILL SOLD" "PICTURE." WELL, OKAY, BUT THEY STILL SOLD MAGAZINES, AND YOU STILL READ" "WELL, OKAY, BUT THEY STILL SOLD MAGAZINES, AND YOU STILL READ IT." "MAGAZINES, AND YOU STILL READ IT." "HEY, I GOT A QUESTION." "IT." "HEY, I GOT A QUESTION." "WHO DO YOU THINK PEOPLE HATE" "HEY, I GOT A QUESTION." "WHO DO YOU THINK PEOPLE HATE MORE, THE PARKING ENFORCEMENT OR" "WHO DO YOU THINK PEOPLE HATE MORE, THE PARKING ENFORCEMENT OR THE PAPARAZZI?" "MORE, THE PARKING ENFORCEMENT OR THE PAPARAZZI?" "[ LAUGHS ]" "THE PAPARAZZI?" "[ LAUGHS ] YOUGUYS." "[ LAUGHS ] YOUGUYS." "REALLY?" "YOUGUYS." "REALLY?" "YEAH." "REALLY?" "YEAH." "ITHINKIT 'SREALLYEASYTO" "YEAH." "ITHINKIT 'SREALLYEASYTO BLAME THE PAPARAZZI BECAUSE" "ITHINKIT 'SREALLYEASYTO BLAME THE PAPARAZZI BECAUSE THEY'RE ACTUAL BODIES RIGHT" "BLAME THE PAPARAZZI BECAUSE THEY'RE ACTUAL BODIES RIGHT THERE THAT WE CAN PINPOINT AS" "THEY'RE ACTUAL BODIES RIGHT THERE THAT WE CAN PINPOINT AS THE CAUSE." "THERE THAT WE CAN PINPOINT AS THE CAUSE." "THERE ARE PHOTOS OF THE" "THE CAUSE." "THERE ARE PHOTOS OF THE PAPARAZZI GETTING IN" "THERE ARE PHOTOS OF THE PAPARAZZI GETTING IN CELEBRITIES' FACES, WHEREAS THE" "PAPARAZZI GETTING IN CELEBRITIES' FACES, WHEREAS THE WRITERS AND EDITORS, COMPLETELY" "CELEBRITIES' FACES, WHEREAS THE WRITERS AND EDITORS, COMPLETELY UNSEEN." "WRITERS AND EDITORS, COMPLETELY UNSEEN." "AND WE CERTAINLY DON'T WANT TO" "UNSEEN." "AND WE CERTAINLY DON'T WANT TO BLAME OURSELVES." "AND WE CERTAINLY DON'T WANT TO BLAME OURSELVES." "ITHINKTHEPAPARAZZIHASA" "BLAME OURSELVES." "ITHINKTHEPAPARAZZIHASA  PLACE." "ITHINKTHEPAPARAZZIHASA  PLACE." "40% OF MANY OF THE MAGAZINES" "PLACE." "40% OF MANY OF THE MAGAZINES HAVE PAPARAZZI PHOTOS." "40% OF MANY OF THE MAGAZINES HAVE PAPARAZZI PHOTOS." "THEY'RE AN IMPORTANT PART OF THE" "HAVE PAPARAZZI PHOTOS." "THEY'RE AN IMPORTANT PART OF THE INDUSTRY." "THEY'RE AN IMPORTANT PART OF THE INDUSTRY." "♪WHOO-OOH" "INDUSTRY." "♪WHOO-OOH ♪I WANTTO GETAWAY," "♪WHOO-OOH ♪I WANTTO GETAWAY, GET AWAY ♪" "♪I WANTTO GETAWAY, GET AWAY ♪ ♪WHOO-OOH" "GET AWAY ♪ ♪WHOO-OOH ♪TOOURSWEETESCAPE," "♪WHOO-OOH ♪TOOURSWEETESCAPE, SWEET ESCAPE ♪" "♪TOOURSWEETESCAPE, SWEET ESCAPE ♪ ♪WHOO-OOH" "SWEET ESCAPE ♪ ♪WHOO-OOH ♪I WANTTO GETAWAY," "♪WHOO-OOH ♪I WANTTO GETAWAY, GET AWAY ♪" "♪I WANTTO GETAWAY, GET AWAY ♪ IFI 'MINADOCTOR'SOFFICE," "GET AWAY ♪ IFI 'MINADOCTOR'SOFFICE, AND THEY'RE ALL THERE, AND" "IFI 'MINADOCTOR'SOFFICE, AND THEY'RE ALL THERE, AND THERE'S NO MEN AROUND ME, THAT'S" "AND THEY'RE ALL THERE, AND THERE'S NO MEN AROUND ME, THAT'S THE ONE I'LL GO FOR FIRST." "THERE'S NO MEN AROUND ME, THAT'S THE ONE I'LL GO FOR FIRST." "EITHER OK OR US." "THE ONE I'LL GO FOR FIRST." "EITHER OK OR US." "I'LL PICK THAT UP BEFORE A" "EITHER OK OR US." "I'LL PICK THAT UP BEFORE A SPORTS ILLUSTRATED." "I'LL PICK THAT UP BEFORE A SPORTS ILLUSTRATED." "PEREZHILTONANDTMZ AND" "SPORTS ILLUSTRATED." "PEREZHILTONANDTMZ AND  OK MAGAZINE " " YES, I DO READ" "PEREZHILTONANDTMZ AND  OK MAGAZINE " " YES, I DO READ THEM ALL." "OK MAGAZINE " " YES, I DO READ THEM ALL." "IFSOMEONEIKNOWISON THE" "THEM ALL." "IFSOMEONEIKNOWISON THE COVER AND IT HAS THE BIG" "IFSOMEONEIKNOWISON THE COVER AND IT HAS THE BIG HEADLINE, I WANT TO KNOW WHAT'S" "COVER AND IT HAS THE BIG HEADLINE, I WANT TO KNOW WHAT'S HAPPENING." "HEADLINE, I WANT TO KNOW WHAT'S HAPPENING." "IFTHERE'SACONTROVERSY," "HAPPENING." "IFTHERE'SACONTROVERSY, LIKE, AN ARGUMENT BETWEEN" "IFTHERE'SACONTROVERSY, LIKE, AN ARGUMENT BETWEEN PEOPLE, AND I KNOW IT'S GONNA" "LIKE, AN ARGUMENT BETWEEN PEOPLE, AND I KNOW IT'S GONNA BE, LIKE, ONGOING, THAT'S WHEN I" "PEOPLE, AND I KNOW IT'S GONNA BE, LIKE, ONGOING, THAT'S WHEN I BUY." "BE, LIKE, ONGOING, THAT'S WHEN I BUY." "[ LAUGHS ]" "BUY." "[ LAUGHS ] GOOD GOSSIP, BASICALLY." "CONFIDENTIALGOESBEHINDTHE  HEADLINES FOR ITS STORIES -- STORIES THAT WE FEEL, THAT I" "HEADLINES FOR ITS STORIES -- STORIES THAT WE FEEL, THAT I FEEL, THE PUBLIC SHOULD KNOW." "STORIES THAT WE FEEL, THAT I FEEL, THE PUBLIC SHOULD KNOW." "ROBERTHARRISONPUBLISHED" "FEEL, THE PUBLIC SHOULD KNOW." "ROBERTHARRISONPUBLISHED KIND OF PULPY SKIN MAGAZINES OUT" "ROBERTHARRISONPUBLISHED KIND OF PULPY SKIN MAGAZINES OUT OF HIS APARTMENT IN THE 1940s," "KIND OF PULPY SKIN MAGAZINES OUT OF HIS APARTMENT IN THE 1940s, AND THEN HE STARTED CONFIDENTIAL" "OF HIS APARTMENT IN THE 1940s, AND THEN HE STARTED CONFIDENTIAL IN THE 1950s." "CONFIDENTIAL BASICALLY MADE WHAT HAD TO THAT POINT BEEN UNSPEAKABLE SPEAKABLE." "SO, WOMEN'S SEXUALITY, HAVING" "RELATIONSHIPS BETWEEN RACES," "EVEN HOMOSEXUALITY." "CONFIDENTIAL WAS OPERATING" "ENTIRELY OUTSIDE OF THE SYSTEM" "AND HAD NO QUALMS ABOUT" "REPORTING ON THESE SORTS OF" "THINGS." "SOMEOFTHESTORIESWERE" "OUTRAGEOUS, LIKE, "I BOILED MY" "BABY IN THE OVEN THIS MORNING"" "AND THINGS LIKE THAT, TERRIBLE" "THINGS." "AND THERE WERE PEOPLE WHO" "BELIEVED IT." "AND OUR DAMAGE CONTROL WAS JUST" "IGNORE IT, 'CAUSE IT WILL GO" "AWAY." "AND MOST OF THE TIME, IT DID." "THEOUTLAWMAGAZINESTOOK" "ADVANTAGE OF THE FACT THAT THERE" "WERE SECRETS THAT THEY COULD" "BASICALLY USE AS BLACKMAIL." "THE CLASSIC STORY, OF COURSE," "WAS THE STORY ABOUT" "ROCK HUDSON'S HOMOSEXUALITY," "WHICH CONFIDENTIAL HAD ABSOLUTE" "EVIDENCE OF, AND THEY SAID," ""GIVE US AN EXCLUSIVE STORY, AND" "WE WON'T PRINT IT."" "SO, THE STUDIO TOOK A MUCH" "LESSER ACTOR, WHO WAS ALSO GAY," "AND THEY SACRIFICED HIM " "PRETTY SLEAZY STUFF." "BUT IT WAS BUSINESS." "CONFIDENTIALBECAMEEXTREMELY" "POPULAR IN A VERY SHORT AMOUNT" "OF TIME." "I MEAN, UPWARDS OF 5 MILLION" "COPIES OF MONTH AT ITS HEIGHT." "BUT ALL OF THESE STARS," "INCLUDING MAUREEN O'HARA," "LIBERACE, AND DOROTHY DANDRIDGE," "FILED SUIT AGAINST CONFIDENTIAL" "FOR THE VARIOUS THINGS THAT WERE" "SAID ABOUT THEM." "IFTHEYDON'TFEELIT," "EVIDENTLY..." "ROBERTHARRISONAGREEDTO" "BASICALLY STOP COVERING THE" "STARS, AND THEN THE STARS AND" "THE STUDIOS WOULD STOP SUING" "HIM." "SO, HE SOLD IT OFF." "ITHINKIT 'SAPARTOF" "AMERICANA." "I THINK IT'S GONNA LIVE LONG" "AFTER I'M GONE." "YOU'RESOFUNNY." "I MEAN, YOU'RE NEVER GONNA GET" "THE BALL..." "YEAH,YEAH." "LOOKINGFORALLTHOSESORT OF" "FUN, LITTLE, BEHIND-THE-SCENES" "KIND OF IMAGES THAT ARE GONNA" "MAKE A READER FEEL LIKE THAT" "THEY WERE REALLY THERE " "SOMEONE STEPPING ON SOMEONE'S" "TRAIN, SOMEONE GREETING SOMEONE," "SAYING, "HI," NICOLE KIDMAN," "KEITH URBAN GOING OUT ON THEIR" "DATE NIGHT, THINGS LIKE THAT." "WECANDO AWIDESHOT OFTHE CAST..." "FROMTHISWE PICKAFEW" "CAST..." "FROMTHISWE PICKAFEW HUNDRED PICTURES, AND I WOULD" "FROMTHISWE PICKAFEW HUNDRED PICTURES, AND I WOULD SAY, IN TERMS OF OUR SPACE IN" "HUNDRED PICTURES, AND I WOULD SAY, IN TERMS OF OUR SPACE IN THE MAGAZINE, WE HAVE ROOM FOR" "SAY, IN TERMS OF OUR SPACE IN THE MAGAZINE, WE HAVE ROOM FOR SIX CONSECUTIVE PAGES OF" "THE MAGAZINE, WE HAVE ROOM FOR SIX CONSECUTIVE PAGES OF AWARD-SHOW COVERAGE." "SIX CONSECUTIVE PAGES OF AWARD-SHOW COVERAGE." "NOW, SOMETHING REALLY JUICY" "AWARD-SHOW COVERAGE." "NOW, SOMETHING REALLY JUICY HAPPENS AT THE SHOW, YOU NEVER" "NOW, SOMETHING REALLY JUICY HAPPENS AT THE SHOW, YOU NEVER KNOW." "HAPPENS AT THE SHOW, YOU NEVER KNOW." "YOU COULD GET A COVER STORY OUT" "KNOW." "YOU COULD GET A COVER STORY OUT OF IT, OR IT COULD GO IN THE" "YOU COULD GET A COVER STORY OUT OF IT, OR IT COULD GO IN THE "HOT STUFF" SECTION AND BE A" "OF IT, OR IT COULD GO IN THE "HOT STUFF" SECTION AND BE A GOSSIP ITEM." ""HOT STUFF" SECTION AND BE A GOSSIP ITEM." "MILA KUNIS LOOKED AMAZING." "GOSSIP ITEM." "MILA KUNIS LOOKED AMAZING." "SO, WE MIGHT RUN A FULL-LENGTH" "MILA KUNIS LOOKED AMAZING." "SO, WE MIGHT RUN A FULL-LENGTH DRESS SHOT OF HER, IN WHICH CASE" "SO, WE MIGHT RUN A FULL-LENGTH DRESS SHOT OF HER, IN WHICH CASE WE CAN'T NECESSARILY RUN ANOTHER" "DRESS SHOT OF HER, IN WHICH CASE WE CAN'T NECESSARILY RUN ANOTHER PICTURE OF HER INSIDE WITH" "WE CAN'T NECESSARILY RUN ANOTHER PICTURE OF HER INSIDE WITH NATALIE PORTMAN, EVEN THOUGH" "PICTURE OF HER INSIDE WITH NATALIE PORTMAN, EVEN THOUGH IT'S REALLY CUTE." "NATALIE PORTMAN, EVEN THOUGH IT'S REALLY CUTE." "SO, IT'S REALLY JUST A GIANT" "IT'S REALLY CUTE." "SO, IT'S REALLY JUST A GIANT PUZZLE." "SO, IT'S REALLY JUST A GIANT PUZZLE." "...WHETHERORNOTTHATRUNS" "PUZZLE." "...WHETHERORNOTTHATRUNS  IN A DIFFERENT SECTION OF THE ...WHETHERORNOTTHATRUNS  IN A DIFFERENT SECTION OF THE MAGAZINE." "IN A DIFFERENT SECTION OF THE MAGAZINE." "RIGHT." "MAGAZINE." "RIGHT." "USWEEKLYWASLAUNCHEDINTHE" "RIGHT." "USWEEKLYWASLAUNCHEDINTHE 1970s TO COMPETE WITH PEOPLE." "USWEEKLYWASLAUNCHEDINTHE 1970s TO COMPETE WITH PEOPLE." "PEOPLE MAGAZINE WAS FIRST 1970s TO COMPETE WITH PEOPLE." "PEOPLE MAGAZINE WAS FIRST PUBLISHED IN 1974." "PEOPLE MAGAZINE WAS FIRST PUBLISHED IN 1974." "ONE OF THE FIRST ISSUES HAD" "PUBLISHED IN 1974." "ONE OF THE FIRST ISSUES HAD GERALD FORD NOT, LIKE, IN A" "ONE OF THE FIRST ISSUES HAD GERALD FORD NOT, LIKE, IN A SUIT, IN THE WHITE HOUSE." "GERALD FORD NOT, LIKE, IN A SUIT, IN THE WHITE HOUSE." "HE'S IN A POOL, AND HIS SHIRT IS" "SUIT, IN THE WHITE HOUSE." "HE'S IN A POOL, AND HIS SHIRT IS OFF." "HE'S IN A POOL, AND HIS SHIRT IS OFF." "SO, IT'S REALLY TRYING TO GIVE" "OFF." "SO, IT'S REALLY TRYING TO GIVE THIS INTIMATE LOOK INTO THESE" "SO, IT'S REALLY TRYING TO GIVE THIS INTIMATE LOOK INTO THESE DIFFERENT PERSONALITIES' LIVES." "THIS INTIMATE LOOK INTO THESE DIFFERENT PERSONALITIES' LIVES." "AND IT WAS A TREMENDOUS SUCCESS" "DIFFERENT PERSONALITIES' LIVES." "AND IT WAS A TREMENDOUS SUCCESS IMMEDIATELY." "AND IT WAS A TREMENDOUS SUCCESS IMMEDIATELY." "US WEEKLY WAS ACTUALLY" "IMMEDIATELY." "US WEEKLY WAS ACTUALLY PUBLISHED BY" "US WEEKLY WAS ACTUALLY PUBLISHED BY THE NEW YORK TIMES COMPANY" "PUBLISHED BY THE NEW YORK TIMES COMPANY ORIGINALLY AND EVENTUALLY SOLD" "THE NEW YORK TIMES COMPANY ORIGINALLY AND EVENTUALLY SOLD IT TO JANN WENNER, THE FOUNDER" "ORIGINALLY AND EVENTUALLY SOLD IT TO JANN WENNER, THE FOUNDER OF ROLLING STONE." "IT TO JANN WENNER, THE FOUNDER OF ROLLING STONE." "IT HAS BEEN A MONTHLY, A" "OF ROLLING STONE." "IT HAS BEEN A MONTHLY, A BIWEEKLY, AND A WEEKLY." "IT HAS BEEN A MONTHLY, A BIWEEKLY, AND A WEEKLY." "THEY HAVE CHANGED ITS FORMAT," "BIWEEKLY, AND A WEEKLY." "THEY HAVE CHANGED ITS FORMAT, ITS TONE, WHO THEY'RE COVERING." "THEY HAVE CHANGED ITS FORMAT, ITS TONE, WHO THEY'RE COVERING." "HE TRIED EVERYTHING, AND NONE OF" "ITS TONE, WHO THEY'RE COVERING." "HE TRIED EVERYTHING, AND NONE OF IT WORKED." "HE TRIED EVERYTHING, AND NONE OF IT WORKED." "IT SEEMED LIKE PEOPLE WAS" "IT WORKED." "IT SEEMED LIKE PEOPLE WAS INVINCIBLE." "IT SEEMED LIKE PEOPLE WAS INVINCIBLE." "AROUND2002,BONNIEFULLER" "INVINCIBLE." "AROUND2002,BONNIEFULLER TOOK OVER US WEEKLY, AND SHE" "AROUND2002,BONNIEFULLER TOOK OVER US WEEKLY, AND SHE CHANGED THE FACE OF CELEBRITY" "TOOK OVER US WEEKLY, AND SHE CHANGED THE FACE OF CELEBRITY REPORTING." "CHANGED THE FACE OF CELEBRITY REPORTING." "A LOT OF THE MAGAZINES WOULD" "REPORTING." "A LOT OF THE MAGAZINES WOULD FEATURE THESE GLAMOROUS SHOTS OF" "A LOT OF THE MAGAZINES WOULD FEATURE THESE GLAMOROUS SHOTS OF CELEBRITIES, AND AT THE TIME" "FEATURE THESE GLAMOROUS SHOTS OF CELEBRITIES, AND AT THE TIME US WEEKLY WASN'T DOING THAT" "CELEBRITIES, AND AT THE TIME US WEEKLY WASN'T DOING THAT WELL." "US WEEKLY WASN'T DOING THAT WELL." "AND SO THE ONLY PHOTOS THAT" "WELL." "AND SO THE ONLY PHOTOS THAT US WEEKLY COULD AFFORD WERE" "AND SO THE ONLY PHOTOS THAT US WEEKLY COULD AFFORD WERE THOSE SHOTS THAT MAGAZINES" "US WEEKLY COULD AFFORD WERE THOSE SHOTS THAT MAGAZINES WOULDN'T PRINT." "THOSE SHOTS THAT MAGAZINES WOULDN'T PRINT." "IWASINTERESTEDIN" "WOULDN'T PRINT." "IWASINTERESTEDIN CELEBRITIES BEING GLAMOROUS, BUT" "IWASINTERESTEDIN CELEBRITIES BEING GLAMOROUS, BUT THEN I ALSO WANTED TO SEE THE" "CELEBRITIES BEING GLAMOROUS, BUT THEN I ALSO WANTED TO SEE THE HUMAN SIDE OF THEM, TOO." "AND SO, WE CREATED A SECTION" "CALLED "STARS ARE JUST LIKE US."" "♪WHOO-OOH" "♪IFICOULDESCAPE" "♪WHOO-OOH" "♪IFICOULDESCAPE" "♪WHOO-OOH" "BONNIESNAPPEDUP THOSESHOTS" "OF CELEBRITIES TAKING OUT THEIR" "GARBAGE, PICKING UP THEIR KIDS." "IT WAS A HOME RUN FOR US." "IGUESSIWAS APIONEER," "BECAUSE THAT WAS THE FIRST TIME" "THAT PAPARAZZI PHOTOS HAD BEEN" "PRESENTED THAT WAY." "SHEDEFINITELYHASTHE GOOD" "HAIR AND THEN THE PRETTY " "HELLO." "YEAH." "SHE'SSOGORGEOUS." "EVERYBODY WANTS TO KNOW WHO" "IT IS AND KIND OF BECOME THE" "EXPERT AND THE INSIDER." "SO, WE WANT TO ALWAYS GIVE THAT." "THAT'S ONE OF THE REASONS WHY" "THEY COME HERE, TO US WEEKLY." "THE WAY THAT WE LAY IT OUT, IT" "ALWAYS DOES FEEL LIKE YOU WERE" "LIKE A MEMBER OF THE PARTY" "THERE." "AND THEY LOVE IT." "DOYOUKNOWIFTHIS THING..." "'CAUSEIFNOT,I'LLTAKE IT." "IT'SNOT." "IT'S KEITH AND NICOLE." "ISTHATNOWHERE?" "WELL,THENI'MUSINGIT." "ALLRIGHT." "WELL,THENI'MUSINGIT." "ALLRIGHT." "LET ME JUST CHECK..." "ALLRIGHT." "LET ME JUST CHECK..." "CAN'TNOTUSEHALLEBERRY." "LET ME JUST CHECK..." "CAN'TNOTUSEHALLEBERRY." "IT'S A CRIME AGAINST HUMANITY" "CAN'TNOTUSEHALLEBERRY." "IT'S A CRIME AGAINST HUMANITY NOT TO RUN..." "IT'S A CRIME AGAINST HUMANITY NOT TO RUN..." "ALLRIGHT." "NOT TO RUN..." "ALLRIGHT." "ALLRIGHT." "ALLRIGHT." "ALLRIGHT." "ALLRIGHT." "ALLRIGHT." "ALLRIGHT." "EVERYBODYWINS." "ALLRIGHT." "EVERYBODYWINS." "WHENBONNIEANDIWORKED" "EVERYBODYWINS." "WHENBONNIEANDIWORKED TOGETHER AS EDITORS AT" "WHENBONNIEANDIWORKED TOGETHER AS EDITORS AT US WEEKLY, I BROKE THE STORY" "TOGETHER AS EDITORS AT US WEEKLY, I BROKE THE STORY THAT BRITNEY SPEARS AND" "US WEEKLY, I BROKE THE STORY THAT BRITNEY SPEARS AND JUSTIN TIMBERLAKE HAD BROKEN UP." "THAT BRITNEY SPEARS AND JUSTIN TIMBERLAKE HAD BROKEN UP." "AND THEN THE NEXT WEEK, WE HAD A" "JUSTIN TIMBERLAKE HAD BROKEN UP." "AND THEN THE NEXT WEEK, WE HAD A FOLLOW-UP TO THAT STORY, AND WE" "AND THEN THE NEXT WEEK, WE HAD A FOLLOW-UP TO THAT STORY, AND WE CREATED THESE SOAP OPERAS." "FOLLOW-UP TO THAT STORY, AND WE CREATED THESE SOAP OPERAS." "THEREWASATIMEWHEN IWAS" "CREATED THESE SOAP OPERAS." "THEREWASATIMEWHEN IWAS  ON THE TABLOIDS EVERY WEEK FOR" "THEREWASATIMEWHEN IWAS  ON THE TABLOIDS EVERY WEEK FOR MAYBE TWO YEAR STRAIGHT..." "ON THE TABLOIDS EVERY WEEK FOR MAYBE TWO YEAR STRAIGHT..." "TRYEVERYDAY." "MAYBE TWO YEAR STRAIGHT..." "TRYEVERYDAY." "...ANDA SOAPOPERA." "TRYEVERYDAY." "...ANDA SOAPOPERA." "[ "THE YOUNG AND THE RESTLESS"" "...ANDA SOAPOPERA." "[ "THE YOUNG AND THE RESTLESS" THEME PLAYS ]" "[ "THE YOUNG AND THE RESTLESS" THEME PLAYS ] IF YOU'RE IN A RELATIONSHIP, AND" "THEME PLAYS ] IF YOU'RE IN A RELATIONSHIP, AND YOU'RE IN THE TABLOIDS ALL THE" "IF YOU'RE IN A RELATIONSHIP, AND YOU'RE IN THE TABLOIDS ALL THE TIME, IT'S LIKE, "WELL, MAYBE" "YOU'RE IN THE TABLOIDS ALL THE TIME, IT'S LIKE, "WELL, MAYBE THAT PART WAS TRUE." "TIME, IT'S LIKE, "WELL, MAYBE THAT PART WAS TRUE." "MAYBE IT WASN'T."" "THAT PART WAS TRUE." "MAYBE IT WASN'T." THEN, ALL THE SUDDEN, YOU'RE A" "MAYBE IT WASN'T." THEN, ALL THE SUDDEN, YOU'RE A VICTIM TO BELIEVING WHAT THEY'RE" "THEN, ALL THE SUDDEN, YOU'RE A VICTIM TO BELIEVING WHAT THEY'RE SAYING AND WHAT THEY'RE WRITING." "VICTIM TO BELIEVING WHAT THEY'RE SAYING AND WHAT THEY'RE WRITING." "GOSSIPISITSELFJUSTASMUCH" "SAYING AND WHAT THEY'RE WRITING." "GOSSIPISITSELFJUSTASMUCH OF A PRODUCT AS A MOVIE IS." "GOSSIPISITSELFJUSTASMUCH OF A PRODUCT AS A MOVIE IS." "ACTUAL PEOPLE'S LIVES ARE TURNED" "OF A PRODUCT AS A MOVIE IS." "ACTUAL PEOPLE'S LIVES ARE TURNED INTO A STORY FOR US TO CONSUME." "INTO A STORY FOR US TO CONSUME." "FOR EXAMPLE, WITH THE LOVE" "FOR EXAMPLE, WITH THE LOVE TRIANGLE OF BRAD PITT AND" "TRIANGLE OF BRAD PITT AND ANGELINA JOLIE AND" "ANGELINA JOLIE AND JENNIFER ANISTON AND ALSO WITH" "JENNIFER ANISTON AND ALSO WITH LIZ TAYLOR AND EDDIE FISHER AND" "LIZ TAYLOR AND EDDIE FISHER AND DEBBIE REYNOLDS IN THE 1950s," "DEBBIE REYNOLDS IN THE 1950s, EACH OF THE PEOPLE IN BOTH OF" "EACH OF THE PEOPLE IN BOTH OF THESE SITUATIONS WAS GIVEN A" "THESE SITUATIONS WAS GIVEN A ROLE TO PLAY " " THE TEMPTRESS," "ROLE TO PLAY " " THE TEMPTRESS, THE INNOCENT MAN IN THE MIDDLE," "THE INNOCENT MAN IN THE MIDDLE, AND THEN THE VICTIM." "AND THEN THE VICTIM." "AND ONCE JENNIFER ANISTON WAS" "AND ONCE JENNIFER ANISTON WAS MADE THE VICTIM, IT'S VERY" "MADE THE VICTIM, IT'S VERY DIFFICULT FOR HER TO BECOME" "DIFFICULT FOR HER TO BECOME SOMETHING ELSE, WHICH IS THE" "SOMETHING ELSE, WHICH IS THE REASON WHY THERE ARE STILL" "REASON WHY THERE ARE STILL MAGAZINE COVERS NOW, YEARS" "MAGAZINE COVERS NOW, YEARS LATER, SAYING JENNIFER ANISTON" "LATER, SAYING JENNIFER ANISTON CAN'T FIND LOVE," "CAN'T FIND LOVE, JENNIFER ANISTON CAN'T GET OVER" "JENNIFER ANISTON CAN'T GET OVER HIM, BECAUSE THAT IS STILL HER" "HIM, BECAUSE THAT IS STILL HER ROLE IS VICTIM, WHEN, REALLY," "ROLE IS VICTIM, WHEN, REALLY, SHE'S OF COURSE FOUND HAPPINESS," "SHE'S OF COURSE FOUND HAPPINESS, AND SHE'S DATED OTHER PEOPLE AND" "AND SHE'S DATED OTHER PEOPLE AND WHATEVER." "BUT THAT HAS BEEN THE ROLE IN" "WHATEVER." "BUT THAT HAS BEEN THE ROLE IN WHICH SHE HAS BEEN SLOTTED." "BUT THAT HAS BEEN THE ROLE IN WHICH SHE HAS BEEN SLOTTED." "INTHEEARLYDAYSOF" "WHICH SHE HAS BEEN SLOTTED." "INTHEEARLYDAYSOF US WEEKLY BECOMING SUCCESSFUL," "INTHEEARLYDAYSOF US WEEKLY BECOMING SUCCESSFUL, PEOPLE MAGAZINE BEGAN TO" "US WEEKLY BECOMING SUCCESSFUL, PEOPLE MAGAZINE BEGAN TO FEATURE MORE OF THESE BREAKUPS" "PEOPLE MAGAZINE BEGAN TO FEATURE MORE OF THESE BREAKUPS AND WHO'S DATING WHOM." "FEATURE MORE OF THESE BREAKUPS AND WHO'S DATING WHOM." "WHENUSWANTEDTOSCOOP" "AND WHO'S DATING WHOM." "WHENUSWANTEDTOSCOOP PEOPLE, AT WHATEVER COST, SO" "WHENUSWANTEDTOSCOOP PEOPLE, AT WHATEVER COST, SO THAT THEY COULD CLAIM THE" "PEOPLE, AT WHATEVER COST, SO THAT THEY COULD CLAIM THE EXCLUSIVE AND THUS ATTRACT" "THAT THEY COULD CLAIM THE EXCLUSIVE AND THUS ATTRACT BIGGER NEWSSTAND SALES." "EXCLUSIVE AND THUS ATTRACT BIGGER NEWSSTAND SALES." "THEREWASTHISGREATPHOTOOF" "BIGGER NEWSSTAND SALES." "THEREWASTHISGREATPHOTOOF JENNIFER LOPEZ READING" "THEREWASTHISGREATPHOTOOF JENNIFER LOPEZ READING US WEEKLY, AND WE WANTED THAT" "JENNIFER LOPEZ READING US WEEKLY, AND WE WANTED THAT SHOT." "US WEEKLY, AND WE WANTED THAT SHOT." "BUT PEOPLE MAGAZINE OUTBID US" "SHOT." "BUT PEOPLE MAGAZINE OUTBID US ALL DAY." "BUT PEOPLE MAGAZINE OUTBID US ALL DAY." "IT KEPT GOING UP AND UP AND UP" "ALL DAY." "IT KEPT GOING UP AND UP AND UP AND UP." "IT KEPT GOING UP AND UP AND UP AND UP." "AND PEOPLE NEVER PUBLISHED THOSE" "AND UP." "AND PEOPLE NEVER PUBLISHED THOSE PHOTOS, BUT THEY PAID TENS OF" "AND PEOPLE NEVER PUBLISHED THOSE PHOTOS, BUT THEY PAID TENS OF THOUSANDS OF DOLLARS JUST SO" "PHOTOS, BUT THEY PAID TENS OF THOUSANDS OF DOLLARS JUST SO THAT WE COULDN'T PUBLISH THEM." "THOUSANDS OF DOLLARS JUST SO THAT WE COULDN'T PUBLISH THEM." "WHATHAPPENEDIS ASERIESOF" "THAT WE COULDN'T PUBLISH THEM." "WHATHAPPENEDIS ASERIESOF BIDDING WARS FOR PHOTOS UNDER" "WHATHAPPENEDIS ASERIESOF BIDDING WARS FOR PHOTOS UNDER BONNIE FULLER AND JANICE MIN" "BIDDING WARS FOR PHOTOS UNDER BONNIE FULLER AND JANICE MIN AFTER HER THAT REALLY ESCALATED" "BONNIE FULLER AND JANICE MIN AFTER HER THAT REALLY ESCALATED THE PHOTO PRICE FOR ALL PHOTOS." "AFTER HER THAT REALLY ESCALATED THE PHOTO PRICE FOR ALL PHOTOS." "EVEN SMALL PHOTOS INSIDE THE" "THE PHOTO PRICE FOR ALL PHOTOS." "EVEN SMALL PHOTOS INSIDE THE MAGAZINE, THEY STILL WANTED TO" "EVEN SMALL PHOTOS INSIDE THE MAGAZINE, THEY STILL WANTED TO BE THE ONLY ONES WHO HAD THEM." "MAGAZINE, THEY STILL WANTED TO BE THE ONLY ONES WHO HAD THEM." "BONNIE FULLER FLIPPED THE" "BE THE ONLY ONES WHO HAD THEM." "BONNIE FULLER FLIPPED THE DEMAND." "BONNIE FULLER FLIPPED THE DEMAND." "SO, INSTEAD OF JUST TRACKING" "DEMAND." "SO, INSTEAD OF JUST TRACKING THE MOMENTS WHEN A STAR WAS" "SO, INSTEAD OF JUST TRACKING THE MOMENTS WHEN A STAR WAS EITHER DOING SOMETHING" "THE MOMENTS WHEN A STAR WAS EITHER DOING SOMETHING SCANDALOUS OR DOING SOMETHING" "EITHER DOING SOMETHING SCANDALOUS OR DOING SOMETHING THAT WAS ABSOLUTELY GLAMOROUS," "SCANDALOUS OR DOING SOMETHING THAT WAS ABSOLUTELY GLAMOROUS, REALLY ON, THE PAPARAZZI NOW" "THAT WAS ABSOLUTELY GLAMOROUS, REALLY ON, THE PAPARAZZI NOW NEEDED PHOTOS OF THE STARS DOING" "REALLY ON, THE PAPARAZZI NOW NEEDED PHOTOS OF THE STARS DOING EVERYTHING IN BETWEEN, WHICH" "NEEDED PHOTOS OF THE STARS DOING EVERYTHING IN BETWEEN, WHICH MEANT NEAR 24-HOUR SURVEILLANCE." "[ HORNS HONKING ] ONCEYOUSPOTACAR, YOULOOK AT THE LAST THREE NUMBERS OF THE" "ONCEYOUSPOTACAR, YOULOOK AT THE LAST THREE NUMBERS OF THE LICENSE PLATE THAT YOU MATCH" "AT THE LAST THREE NUMBERS OF THE LICENSE PLATE THAT YOU MATCH WITH THE CAR." "LICENSE PLATE THAT YOU MATCH WITH THE CAR." "NICKY HILTON " " BLACK" "WITH THE CAR." "NICKY HILTON " " BLACK RANGE ROVER, 069." "NICKY HILTON " " BLACK RANGE ROVER, 069." "PAPARAZZIKNOWALLTHE" "RANGE ROVER, 069." "PAPARAZZIKNOWALLTHE  LICENSE-PLATE NUMBERS." "PAPARAZZIKNOWALLTHE  LICENSE-PLATE NUMBERS." "THEY KNOW ALL THE TAIL-PLANE" "LICENSE-PLATE NUMBERS." "THEY KNOW ALL THE TAIL-PLANE NUMBERS OF THEIR PLANES." "THEY KNOW ALL THE TAIL-PLANE NUMBERS OF THEIR PLANES." "FINDOUTANDTHENCALL MEOR" "NUMBERS OF THEIR PLANES." "FINDOUTANDTHENCALL MEOR  TEXT ME BACK." "FINDOUTANDTHENCALL MEOR  TEXT ME BACK." "THEYPAYPEOPLEOFF " "VALET" "TEXT ME BACK." "THEYPAYPEOPLEOFF " "VALET PARKERS, THE DOORMEN AT HOT" "THEYPAYPEOPLEOFF " "VALET PARKERS, THE DOORMEN AT HOT RESTAURANTS AND CLUBS." "PARKERS, THE DOORMEN AT HOT RESTAURANTS AND CLUBS." "WHOO!" "WEGOTPARISHILTON." "RESTAURANTS AND CLUBS." "WHOO!" "WEGOTPARISHILTON." "THEYHAVEANETWORKOF" "WHOO!" "WEGOTPARISHILTON." "THEYHAVEANETWORKOF INFORMANTS." "THEYHAVEANETWORKOF INFORMANTS." "CHECKOUTWHAT'SHAPPENING." "INFORMANTS." "CHECKOUTWHAT'SHAPPENING." "WANT TO SEE IF OUR CROWD'S" "CHECKOUTWHAT'SHAPPENING." "WANT TO SEE IF OUR CROWD'S MOVING ACROSS THE STREET RIGHT" "WANT TO SEE IF OUR CROWD'S MOVING ACROSS THE STREET RIGHT NOW." "MOVING ACROSS THE STREET RIGHT NOW." "THERE'S A LOT OF PAPARAZZIS" "NOW." "THERE'S A LOT OF PAPARAZZIS AND THEIR CARS." "THERE'S A LOT OF PAPARAZZIS AND THEIR CARS." "YOU SEE THE GUY'S GOT THE TRUNK" "AND THEIR CARS." "YOU SEE THE GUY'S GOT THE TRUNK OPEN." "YOU SEE THE GUY'S GOT THE TRUNK OPEN." "THERE'S A PATH." "OPEN." "THERE'S A PATH." "GET DOWN IN POSITION OURSELVES." "SO,NOBODY'STALKINGABOUT..." "WHENYOUKNOWYOU SEE ONE , YOU JUST GOT TO DEAL WITH ONE GUY, AND YOU HOPE AND PRAY THAT" "YOU JUST GOT TO DEAL WITH ONE GUY, AND YOU HOPE AND PRAY THAT HE DOESN'T START CALLING ALL HIS" "GUY, AND YOU HOPE AND PRAY THAT HE DOESN'T START CALLING ALL HIS FRIENDS, YOU KNOW?" "HE DOESN'T START CALLING ALL HIS FRIENDS, YOU KNOW?" "GO,GO!" "FRIENDS, YOU KNOW?" "GO,GO!" "WITHIN15MINUTES,THEREARE" "GO,GO!" "WITHIN15MINUTES,THEREARE 5 OTHER PEOPLE THAT ARE THERE." "5 OTHER PEOPLE THAT ARE THERE." "LET THE TWO GUYS GET THE SHOT" "LET THE TWO GUYS GET THE SHOT AND BE DONE WITH IT." "AND BE DONE WITH IT." "BUT WHY THERE HAS TO BE" "BUT WHY THERE HAS TO BE 50 PEOPLE GETTING THE SAME 50 PEOPLE GETTING THE SAME SHOT..." "IFI SAWSOMEONEIWANT TO" "SHOT..." "IFI SAWSOMEONEIWANT TO PHOTOGRAPH WALK OUT OF THE" "IFI SAWSOMEONEIWANT TO PHOTOGRAPH WALK OUT OF THE HOUSE, I SURE AS HELL WOULDN'T" "PHOTOGRAPH WALK OUT OF THE HOUSE, I SURE AS HELL WOULDN'T CALL MY BUDDIES." "HOUSE, I SURE AS HELL WOULDN'T CALL MY BUDDIES." "WHY NOT ENJOY THE ENTIRE PIECE" "CALL MY BUDDIES." "WHY NOT ENJOY THE ENTIRE PIECE OF STEAK?" "WHY NOT ENJOY THE ENTIRE PIECE OF STEAK?" "I DON'T GET THE WHOLE CALL" "OF STEAK?" "I DON'T GET THE WHOLE CALL FRIENDS AND RELATIVES AND..." "I DON'T GET THE WHOLE CALL FRIENDS AND RELATIVES AND..." "[ GROWLS ]" "FRIENDS AND RELATIVES AND..." "[ GROWLS ] IT'SLITERALLYBEINGPURSUED" "[ GROWLS ] IT'SLITERALLYBEINGPURSUED LIKE PREY, LIKE AN ANIMAL." "IT'SLITERALLYBEINGPURSUED LIKE PREY, LIKE AN ANIMAL." "WHAT'S" THEPRICEOF BEAUTY"" "LIKE PREY, LIKE AN ANIMAL." "WHAT'S" THEPRICEOF BEAUTY" REALLY WORTH?" "WHAT'S" THEPRICEOF BEAUTY" REALLY WORTH?" "THERE'SNOKINDOFSTRUCTURE." "REALLY WORTH?" "THERE'SNOKINDOFSTRUCTURE." "THERE'S NO TYPE OF REGULATIONS." "THERE'SNOKINDOFSTRUCTURE." "THERE'S NO TYPE OF REGULATIONS." "THERE'S JUST "GET THAT PICTURE." "THERE'S NO TYPE OF REGULATIONS." "THERE'S JUST "GET THAT PICTURE." "GET THAT SHOT." "THERE'S JUST "GET THAT PICTURE." "GET THAT SHOT." "I DON'T CARE WHAT IT TAKES."" "GET THAT SHOT." "I DON'T CARE WHAT IT TAKES." THEYDON'TCAREABOUT" "I DON'T CARE WHAT IT TAKES." THEYDON'TCAREABOUT BREAKING THE LAW." "THEYDON'TCAREABOUT BREAKING THE LAW." "THEY'LL CLIMB A WALL AND TAKE" "BREAKING THE LAW." "THEY'LL CLIMB A WALL AND TAKE PICTURES OVER THE GATE." "THEY'LL CLIMB A WALL AND TAKE PICTURES OVER THE GATE." "THEY'VE DONE IT AT MY OFFICE, IN" "PICTURES OVER THE GATE." "THEY'VE DONE IT AT MY OFFICE, IN MY BACKYARD." "THEY'VE DONE IT AT MY OFFICE, IN MY BACKYARD." "THEY DO IT, THE HELICOPTER." "MY BACKYARD." "THEY DO IT, THE HELICOPTER." "YOU'RE IN YOUR BACKYARD, AND THE" "THEY DO IT, THE HELICOPTER." "YOU'RE IN YOUR BACKYARD, AND THE HELICOPTER'S COMING THAT LOW," "YOU'RE IN YOUR BACKYARD, AND THE HELICOPTER'S COMING THAT LOW, AND YOU KEEP RUNNING IN." "HELICOPTER'S COMING THAT LOW, AND YOU KEEP RUNNING IN." "AND IT'S LIKE A STUPID GAME OF," "AND YOU KEEP RUNNING IN." "AND IT'S LIKE A STUPID GAME OF, YOU KNOW..." "AND IT'S LIKE A STUPID GAME OF, YOU KNOW..." "HAVEYOUEVERTRIEDTOREASON" "YOU KNOW..." "HAVEYOUEVERTRIEDTOREASON WITH " " I KNOW THAT " "HAVEYOUEVERTRIEDTOREASON WITH " " I KNOW THAT -- I'VEALWAYSTRIEDTOREASON." "WITH " " I KNOW THAT -- I'VEALWAYSTRIEDTOREASON." "OH, MY GOD, HAVE I TRIED TO" "I'VEALWAYSTRIEDTOREASON." "OH, MY GOD, HAVE I TRIED TO REASON." "OH, MY GOD, HAVE I TRIED TO REASON." "[ CAMERA SHUTTER CLICKS ]" "REASON." "[ CAMERA SHUTTER CLICKS ] I HAVE TRIED TO REASON WITH" "[ CAMERA SHUTTER CLICKS ] I HAVE TRIED TO REASON WITH THEM." "I HAVE TRIED TO REASON WITH THEM." "I HAVE HAD TALKS ABOUT "COME ON." "THEM." "I HAVE HAD TALKS ABOUT "COME ON." "THERE'S BETTER THINGS THAT YOU" "I HAVE HAD TALKS ABOUT "COME ON." "THERE'S BETTER THINGS THAT YOU CAN DO." "THERE'S BETTER THINGS THAT YOU CAN DO." "YOU CAN ACHIEVE YOUR DREAMS."" "CAN DO." "YOU CAN ACHIEVE YOUR DREAMS." I MEAN, IT'S STUPID." "YOU CAN ACHIEVE YOUR DREAMS." I MEAN, IT'S STUPID." "IT'S JUST GOTTEN OUT OF CONTROL." "I MEAN, IT'S STUPID." "IT'S JUST GOTTEN OUT OF CONTROL." "THEREARECERTAININSTANCES" "IT'S JUST GOTTEN OUT OF CONTROL." "THEREARECERTAININSTANCES WHERE THE PAPARAZZI ARE GONNA" "THEREARECERTAININSTANCES WHERE THE PAPARAZZI ARE GONNA JUST OVEREXCITE THEMSELVES." "WHERE THE PAPARAZZI ARE GONNA JUST OVEREXCITE THEMSELVES." "MOVE!" "JUST OVEREXCITE THEMSELVES." "MOVE!" "YOUGOTTO MOVE!" "MOVE!" "YOUGOTTO MOVE!" "CAMERASGETBROKEN." "YOUGOTTO MOVE!" "CAMERASGETBROKEN." "PEOPLE GET HURT " " THE" "CAMERASGETBROKEN." "PEOPLE GET HURT " " THE AGGRESSION, THE HITS, THE" "PEOPLE GET HURT " " THE AGGRESSION, THE HITS, THE ELBOWS." "AGGRESSION, THE HITS, THE ELBOWS." "YOUWON'TGETNOVIDEO,MAN." "ELBOWS." "YOUWON'TGETNOVIDEO,MAN." "ITRYTO AVOIDIT, BUT THIS" "YOUWON'TGETNOVIDEO,MAN." "ITRYTO AVOIDIT, BUT THIS IS WHAT IT'S ALL ABOUT." "ITRYTO AVOIDIT, BUT THIS IS WHAT IT'S ALL ABOUT." "GET THAT SHOT, NO MATTER WHAT." "IS WHAT IT'S ALL ABOUT." "GET THAT SHOT, NO MATTER WHAT." "[ ALL CLAMORING ]" "GET THAT SHOT, NO MATTER WHAT." "[ ALL CLAMORING ] [ CAMERA SHUTTER CLICKS ]" "IHADAVERYPUBLIC RELATIONSHIP THAT FELL APART, AND I WAS DIAGNOSED WITH BREAST" "RELATIONSHIP THAT FELL APART, AND I WAS DIAGNOSED WITH BREAST CANCER, AND I HAD NEVER BEEN AN" "AND I WAS DIAGNOSED WITH BREAST CANCER, AND I HAD NEVER BEEN AN A-LIST CELEBRITY BEFORE." "CANCER, AND I HAD NEVER BEEN AN A-LIST CELEBRITY BEFORE." "I PRETTY MUCH WAS JUST" "A-LIST CELEBRITY BEFORE." "I PRETTY MUCH WAS JUST PHOTOGRAPHED ON RED CARPETS AND" "I PRETTY MUCH WAS JUST PHOTOGRAPHED ON RED CARPETS AND MAYBE THE OCCASIONAL LUNCH AT" "PHOTOGRAPHED ON RED CARPETS AND MAYBE THE OCCASIONAL LUNCH AT THE IVY OR WHATEVER." "MAYBE THE OCCASIONAL LUNCH AT THE IVY OR WHATEVER." "BUT ONCE THAT HAPPENED " " ONCE I" "THE IVY OR WHATEVER." "BUT ONCE THAT HAPPENED " " ONCE I WAS DIAGNOSED, AND I WAS GOING" "BUT ONCE THAT HAPPENED " " ONCE I WAS DIAGNOSED, AND I WAS GOING THROUGH SUCH UNHAPPINESS AND" "WAS DIAGNOSED, AND I WAS GOING THROUGH SUCH UNHAPPINESS AND SUCH REAL DARK CHAOS IN MY" "THROUGH SUCH UNHAPPINESS AND SUCH REAL DARK CHAOS IN MY LIFE " " I COULDN'T LEAVE MY" "SUCH REAL DARK CHAOS IN MY LIFE " " I COULDN'T LEAVE MY HOUSE." "LIFE " " I COULDN'T LEAVE MY HOUSE." "AND IT REALLY MADE ME, I GUESS," "HOUSE." "AND IT REALLY MADE ME, I GUESS, START TO DISSECT WHAT IT IS THAT" "AND IT REALLY MADE ME, I GUESS, START TO DISSECT WHAT IT IS THAT WOULD MAKE THAT SUCH AN" "START TO DISSECT WHAT IT IS THAT WOULD MAKE THAT SUCH AN INTERESTING THING TO PHOTOGRAPH" "WOULD MAKE THAT SUCH AN INTERESTING THING TO PHOTOGRAPH AND IS THAT WHAT SELLS MAGAZINES" "INTERESTING THING TO PHOTOGRAPH AND IS THAT WHAT SELLS MAGAZINES IS SEEING SOMEBODY AT THEIR" "AND IS THAT WHAT SELLS MAGAZINES IS SEEING SOMEBODY AT THEIR LOWEST?" "AWORDTHATHAS BECOME ABSOLUTELY MEANINGLESS TODAY IS "UNSPEAKABLE."" "ABSOLUTELY MEANINGLESS TODAY IS "UNSPEAKABLE." THERE'S NOTHING THAT'S" ""UNSPEAKABLE." THERE'S NOTHING THAT'S UNSPEAKABLE ANYMORE." "THERE'S NOTHING THAT'S UNSPEAKABLE ANYMORE." "YOUKNOW,STARS'CELLULITE." "UNSPEAKABLE ANYMORE." "YOUKNOW,STARS'CELLULITE." "THEY PUMP GAS, TOO." "YOUKNOW,STARS'CELLULITE." "THEY PUMP GAS, TOO." "THERE ARE STILL LOVE TRIANGLES." "THEY PUMP GAS, TOO." "THERE ARE STILL LOVE TRIANGLES." "IT'S DEGRADING TO WOMEN," "THERE ARE STILL LOVE TRIANGLES." "IT'S DEGRADING TO WOMEN, ESPECIALLY THE WAY THEY SHOW" "IT'S DEGRADING TO WOMEN, ESPECIALLY THE WAY THEY SHOW WOMEN CELEBRITIES." "ESPECIALLY THE WAY THEY SHOW WOMEN CELEBRITIES." "IT'S JUST, LIKE..." "WOMEN CELEBRITIES." "IT'S JUST, LIKE..." "IWASIN HAWAII,AND IHAVE" "IT'S JUST, LIKE..." "IWASIN HAWAII,AND IHAVE  THIS HORRIBLE BIKINI SHOT THAT A" "IWASIN HAWAII,AND IHAVE  THIS HORRIBLE BIKINI SHOT THAT A PAPARAZZI GOT AND CRAP LIGHT AND" "THIS HORRIBLE BIKINI SHOT THAT A PAPARAZZI GOT AND CRAP LIGHT AND A WEIRD ANGLE, AND IT'S" "PAPARAZZI GOT AND CRAP LIGHT AND A WEIRD ANGLE, AND IT'S TERRIBLE." "A WEIRD ANGLE, AND IT'S TERRIBLE." "AND IT WAS EVERYWHERE." "TERRIBLE." "AND IT WAS EVERYWHERE." "AND THEY DID EVERYTHING TO JUST" "AND IT WAS EVERYWHERE." "AND THEY DID EVERYTHING TO JUST MAKE ME LOOK LIKE I WAS JUST" "AND THEY DID EVERYTHING TO JUST MAKE ME LOOK LIKE I WAS JUST THIS BEACHED WHALE WITH" "MAKE ME LOOK LIKE I WAS JUST THIS BEACHED WHALE WITH CELLULITE THIGHS." "THIS BEACHED WHALE WITH CELLULITE THIGHS." "IT WAS JUST SO BAD, AND I WAS" "CELLULITE THIGHS." "IT WAS JUST SO BAD, AND I WAS LIKE, "OH, MY GOD, DO I LOOK" "IT WAS JUST SO BAD, AND I WAS LIKE, "OH, MY GOD, DO I LOOK LIKE THIS?"" "LIKE, "OH, MY GOD, DO I LOOK LIKE THIS?" IHAVEALITTLEGIRL ." "LIKE THIS?" IHAVEALITTLEGIRL ." "I DON'T READ THIS IN FRONT OF" "IHAVEALITTLEGIRL ." "I DON'T READ THIS IN FRONT OF HER." "I DON'T READ THIS IN FRONT OF HER." "I DON'T REALLY READ ANY OF MY" "HER." "I DON'T REALLY READ ANY OF MY MAGAZINES IN FRONT OF MY" "I DON'T REALLY READ ANY OF MY MAGAZINES IN FRONT OF MY DAUGHTER BECAUSE I DON'T WANT" "MAGAZINES IN FRONT OF MY DAUGHTER BECAUSE I DON'T WANT HER TO GET THAT BAD BODY IMAGE" "DAUGHTER BECAUSE I DON'T WANT HER TO GET THAT BAD BODY IMAGE AT SUCH A YOUNG AGE, AND IT" "HER TO GET THAT BAD BODY IMAGE AT SUCH A YOUNG AGE, AND IT HAPPENS REALLY YOUNG." "AT SUCH A YOUNG AGE, AND IT HAPPENS REALLY YOUNG." "I'VE HAD LITTLE GIRLS AS A" "HAPPENS REALLY YOUNG." "I'VE HAD LITTLE GIRLS AS A TEACHER TELL ME THEY'RE FAT AT" "I'VE HAD LITTLE GIRLS AS A TEACHER TELL ME THEY'RE FAT AT FOUR YEARS OLD." "TEACHER TELL ME THEY'RE FAT AT FOUR YEARS OLD." "WHERE ARE YOU GETTING THIS FROM?" "I THINK THE MAGAZINES AND THE" "MEDIA ARE THE CATAPULT." "THAT'S THE BREEDING GROUND FOR" "THEM." "WHETHER IT BE PEOPLE, US, InStyle, GLAMOUR, VOGUE " " THEY ALL PORTRAY WOMEN AS THIS" "InStyle, GLAMOUR, VOGUE " " THEY ALL PORTRAY WOMEN AS THIS UNTOUCHABLE GOAL." "YOUCANCREATETHE ILLUSION THAT SOMEONE IS A NORMAL, ORDINARY PERSON." "THAT SOMEONE IS A NORMAL, ORDINARY PERSON." "IN OTHER WORDS, JOAN CRAWFORD" "ORDINARY PERSON." "IN OTHER WORDS, JOAN CRAWFORD VACUUMS HER OWN HOUSE, OR SHE" "IN OTHER WORDS, JOAN CRAWFORD VACUUMS HER OWN HOUSE, OR SHE HAS THE PERFECT FAMILY." "VACUUMS HER OWN HOUSE, OR SHE HAS THE PERFECT FAMILY." "OR YOU CAN CREATE THE ILLUSION" "HAS THE PERFECT FAMILY." "OR YOU CAN CREATE THE ILLUSION THAT THEY'RE ALOOF AND" "OR YOU CAN CREATE THE ILLUSION THAT THEY'RE ALOOF AND ARISTOCRATIC GODDESSES." "THAT THEY'RE ALOOF AND ARISTOCRATIC GODDESSES." "BUT CONTROL WAS THE NAME OF THE" "ARISTOCRATIC GODDESSES." "BUT CONTROL WAS THE NAME OF THE GAME." "BUT CONTROL WAS THE NAME OF THE GAME." "AND THE WHOLE APPARATUS GREW UP" "GAME." "AND THE WHOLE APPARATUS GREW UP AROUND THAT NEED." "AND THE WHOLE APPARATUS GREW UP AROUND THAT NEED." "THESTUDIOSYSTEMDETERMINED" "AROUND THAT NEED." "THESTUDIOSYSTEMDETERMINED WHICH MOVIES THE STARS WOULD" "THESTUDIOSYSTEMDETERMINED WHICH MOVIES THE STARS WOULD APPEAR IN." "WHICH MOVIES THE STARS WOULD APPEAR IN." "IT ALSO DETERMINED WHERE THEY" "APPEAR IN." "IT ALSO DETERMINED WHERE THEY WOULD LIVE, WHAT CARS THEY WOULD" "IT ALSO DETERMINED WHERE THEY WOULD LIVE, WHAT CARS THEY WOULD DRIVE, AND, IN CERTAIN CASES," "WOULD LIVE, WHAT CARS THEY WOULD DRIVE, AND, IN CERTAIN CASES, WHO THEY WOULD MARRY." "DRIVE, AND, IN CERTAIN CASES, WHO THEY WOULD MARRY." "IT ALSO PROVIDED THEM WITH" "WHO THEY WOULD MARRY." "IT ALSO PROVIDED THEM WITH PROTECTION." "IT ALSO PROVIDED THEM WITH PROTECTION." "ALL OF THE IMAGES CAME THROUGH" "PROTECTION." "ALL OF THE IMAGES CAME THROUGH THE STUDIO'S PUBLICITY" "ALL OF THE IMAGES CAME THROUGH THE STUDIO'S PUBLICITY DEPARTMENT." "THE STUDIO'S PUBLICITY DEPARTMENT." "SO, IF YOU WERE RUNNING A FAN" "DEPARTMENT." "SO, IF YOU WERE RUNNING A FAN MAGAZINE, AND YOU RAN A" "SO, IF YOU WERE RUNNING A FAN MAGAZINE, AND YOU RAN A PHOTOGRAPH WHICH WAS" "MAGAZINE, AND YOU RAN A PHOTOGRAPH WHICH WAS UNFLATTERING, THAT WAS IT." "PHOTOGRAPH WHICH WAS UNFLATTERING, THAT WAS IT." "YOU DIDN'T GET ANOTHER" "UNFLATTERING, THAT WAS IT." "YOU DIDN'T GET ANOTHER PHOTOGRAPH NOT ONLY OF THAT STAR" "YOU DIDN'T GET ANOTHER PHOTOGRAPH NOT ONLY OF THAT STAR BUT OF ALL THE OTHER STARS THAT" "PHOTOGRAPH NOT ONLY OF THAT STAR BUT OF ALL THE OTHER STARS THAT WERE WORKING FOR THAT PARTICULAR" "BUT OF ALL THE OTHER STARS THAT WERE WORKING FOR THAT PARTICULAR STUDIO." "WERE WORKING FOR THAT PARTICULAR STUDIO." "IFONEOF THEIRSTARSWAS" "STUDIO." "IFONEOF THEIRSTARSWAS INVOLVED IN A SCANDAL, THE" "IFONEOF THEIRSTARSWAS INVOLVED IN A SCANDAL, THE STUDIO WOULD RUSH RIGHT IN AND" "INVOLVED IN A SCANDAL, THE STUDIO WOULD RUSH RIGHT IN AND DO DAMAGE CONTROL." "STUDIO WOULD RUSH RIGHT IN AND DO DAMAGE CONTROL." "IT COULD BE HUSHED UP." "DO DAMAGE CONTROL." "IT COULD BE HUSHED UP." "SO, THE CONTROL AT THAT TIME WAS" "IT COULD BE HUSHED UP." "SO, THE CONTROL AT THAT TIME WAS FAIRLY EASY." "SO, THE CONTROL AT THAT TIME WAS FAIRLY EASY." "IT'SJUSTNOTTHE CASE" "FAIRLY EASY." "IT'SJUSTNOTTHE CASE ANYMORE." "ANYMORE." "THE MAINSTREAM MEDIA CAN SAY," "THE MAINSTREAM MEDIA CAN SAY, "WE WON'T REPORT ABOUT 'X,'" ""WE WON'T REPORT ABOUT 'X,' 'Y,' OR 'Z,'" AND IT'S STILL" "'Y,' OR 'Z,'" AND IT'S STILL GONNA BE WIDELY KNOWN BECAUSE SO" "GONNA BE WIDELY KNOWN BECAUSE SO MANY ARE REPORTING IT ON THE" "MANY ARE REPORTING IT ON THE INTERNET." "SO, THE KIND OF CONTROL THAT" "INTERNET." "SO, THE KIND OF CONTROL THAT CELEBRITIES AND THEIR MANAGERS" "SO, THE KIND OF CONTROL THAT CELEBRITIES AND THEIR MANAGERS AND THEIR STUDIOS USED TO HAVE" "CELEBRITIES AND THEIR MANAGERS AND THEIR STUDIOS USED TO HAVE OVER THEIR IMAGES SIMPLY DOES" "AND THEIR STUDIOS USED TO HAVE OVER THEIR IMAGES SIMPLY DOES NOT EXIST ANYMORE." "TMZISNOTABOUTGETTINGTHE" "NEXT TOM CRUISE INTERVIEW." "IT'S JUST NOT." "AND SO, I DON'T THINK THERE'S AS" "MUCH LEVERAGE." "HARVEYLEVINGOTHIS STARTAS A LAWYER AND CORRESPONDENT COVERING THE O.J. SIMPSON TRIAL" "A LAWYER AND CORRESPONDENT COVERING THE O.J. SIMPSON TRIAL IN THE 1990s." "IN THE 1990s." "POLICEAREBANKINGONBLOOD" "POLICEAREBANKINGONBLOOD IN THE FORD BRONCO..." "HESTARTEDTMZIN2004 ,AND" "IN THE FORD BRONCO..." "HESTARTEDTMZIN2004 ,AND WHAT TMZ IS DOING IS TAKING THE" "HESTARTEDTMZIN2004 ,AND WHAT TMZ IS DOING IS TAKING THE TACTICS, THE FORM, THE COLORS," "WHAT TMZ IS DOING IS TAKING THE TACTICS, THE FORM, THE COLORS, THE GENERAL ETHOS OF" "TACTICS, THE FORM, THE COLORS, THE GENERAL ETHOS OF CONFIDENTIAL, AND JUST" "THE GENERAL ETHOS OF CONFIDENTIAL, AND JUST TRANSFERRING IT TO NEW MEDIUM." "CONFIDENTIAL, AND JUST TRANSFERRING IT TO NEW MEDIUM." "ALITTLEOVERHALFPAST THE" "TRANSFERRING IT TO NEW MEDIUM." "ALITTLEOVERHALFPAST THE HOUR NOW." "ALITTLEOVERHALFPAST THE HOUR NOW." "HERE'S A LOOK AT THE STORIES" "HOUR NOW." "HERE'S A LOOK AT THE STORIES THAT YOU MAY HAVE MISSED." "HERE'S A LOOK AT THE STORIES THAT YOU MAY HAVE MISSED." "LINDSAY LOHAN..." "THAT YOU MAY HAVE MISSED." "LINDSAY LOHAN..." "CABLENEWSPUSHEDTHE NETWORK" "LINDSAY LOHAN..." "CABLENEWSPUSHEDTHE NETWORK NEWS TO BE FASTER AND MORE" "CABLENEWSPUSHEDTHE NETWORK NEWS TO BE FASTER AND MORE IMMEDIATE." "NEWS TO BE FASTER AND MORE IMMEDIATE." "AND NOW THE NETWORK NEWS AND" "IMMEDIATE." "AND NOW THE NETWORK NEWS AND CABLE NEWS ARE IN MANY WAYS" "AND NOW THE NETWORK NEWS AND CABLE NEWS ARE IN MANY WAYS RESPONDING TO WHAT HAPPENS ON" "CABLE NEWS ARE IN MANY WAYS RESPONDING TO WHAT HAPPENS ON THE INTERNET." "MEDIAHABITSHAVETOTALLY CHANGED WAYS OF GETTING INFORMATION." "CHANGED WAYS OF GETTING INFORMATION." "PEOPLE GO ONLINE." "INFORMATION." "PEOPLE GO ONLINE." "THEY DON'T WAIT FOR A WEEKLY." "PEOPLE GO ONLINE." "THEY DON'T WAIT FOR A WEEKLY." "THEY DON'T WAIT FOR A MONTHLY" "THEY DON'T WAIT FOR A WEEKLY." "THEY DON'T WAIT FOR A MONTHLY MAGAZINE ANYMORE." "THEY DON'T WAIT FOR A MONTHLY MAGAZINE ANYMORE." "WHEN SOME NEWS BREAKS, THEY WANT" "MAGAZINE ANYMORE." "WHEN SOME NEWS BREAKS, THEY WANT TO KNOW NOW WHAT'S GOING ON." "WHEN SOME NEWS BREAKS, THEY WANT TO KNOW NOW WHAT'S GOING ON." "WHENEVERSOMETHINGHAPPENSTO" "TO KNOW NOW WHAT'S GOING ON." "WHENEVERSOMETHINGHAPPENSTO JUSTIN BIEBER " " LIKE, HIS" "WHENEVERSOMETHINGHAPPENSTO JUSTIN BIEBER " " LIKE, HIS BIRTHDAY WAS YESTERDAY " "JUSTIN BIEBER " " LIKE, HIS BIRTHDAY WAS YESTERDAY -- GOOGLE, SENT TO MY PHONE." "BIRTHDAY WAS YESTERDAY -- GOOGLE, SENT TO MY PHONE." "ROBERT PATTINSON GOT A NEW" "GOOGLE, SENT TO MY PHONE." "ROBERT PATTINSON GOT A NEW HAIRCUT." "ROBERT PATTINSON GOT A NEW HAIRCUT." "SENT TO MY PHONE." "HAIRCUT." "SENT TO MY PHONE." "TMZ JUST FASCINAT" " I'M OBSESSED" "IN2006,TMZBROKETHESTORY  OF MEL GIBSON'S ARREST, WHICH DROVE A TREMENDOUS AMOUNT OF" "OF MEL GIBSON'S ARREST, WHICH DROVE A TREMENDOUS AMOUNT OF TRAFFIC TO THE SITE." "DROVE A TREMENDOUS AMOUNT OF TRAFFIC TO THE SITE." "SINCE THEN, TMZ HAS GROWN INTO" "TRAFFIC TO THE SITE." "SINCE THEN, TMZ HAS GROWN INTO AN INCREDIBLY WELL-READ SITE." "THEY THEN WENT ON TO USE THE BASE PRODUCT, THIS RAW FOOTAGE FROM THE WEBSITE, AND THEN CAME" "BASE PRODUCT, THIS RAW FOOTAGE FROM THE WEBSITE, AND THEN CAME UP WITH A WAY THAT HE COULD" "FROM THE WEBSITE, AND THEN CAME UP WITH A WAY THAT HE COULD REPACKAGE IT ON TELEVISION." "UP WITH A WAY THAT HE COULD REPACKAGE IT ON TELEVISION." "TODAY,ON"TMZ"..." "REPACKAGE IT ON TELEVISION." "TODAY,ON"TMZ"..." "FINALLY,SNOOKIIS GOOD." "TODAY,ON"TMZ"..." "FINALLY,SNOOKIIS GOOD." "NICOLE,YOUWEREAMAZINGON" "FINALLY,SNOOKIIS GOOD." "NICOLE,YOUWEREAMAZINGON "WRESTLEMANIA."" "NICOLE,YOUWEREAMAZINGON "WRESTLEMANIA." YOU DID A GREAT JOB." ""WRESTLEMANIA." YOU DID A GREAT JOB." "IFYOUASKAROUND,ANDYOU" "YOU DID A GREAT JOB." "IFYOUASKAROUND,ANDYOU SAY, "WHY DO YOU COME TO TMZ?"" "IFYOUASKAROUND,ANDYOU SAY, "WHY DO YOU COME TO TMZ?" INCREASINGLY, WHAT YOU'RE GONNA" "SAY, "WHY DO YOU COME TO TMZ?" INCREASINGLY, WHAT YOU'RE GONNA HEAR PEOPLE SAY IS, "THEY SEEM" "INCREASINGLY, WHAT YOU'RE GONNA HEAR PEOPLE SAY IS, "THEY SEEM TO GET THE STORIES FIRST."" "HEAR PEOPLE SAY IS, "THEY SEEM TO GET THE STORIES FIRST." WHENI WASRUNNINGMSNBC,WE" "TO GET THE STORIES FIRST." WHENI WASRUNNINGMSNBC,WE WOULD DO OUR BEST TO MAKE SURE" "WHENI WASRUNNINGMSNBC,WE WOULD DO OUR BEST TO MAKE SURE THE SOURCE WAS CREDIBLE." "WOULD DO OUR BEST TO MAKE SURE THE SOURCE WAS CREDIBLE." "BUT THESE NEWS OPERATIONS SIMPLY" "THE SOURCE WAS CREDIBLE." "BUT THESE NEWS OPERATIONS SIMPLY DON'T HAVE THE TIME OR THE" "BUT THESE NEWS OPERATIONS SIMPLY DON'T HAVE THE TIME OR THE ABILITY TO FACT-CHECK SOME OF" "DON'T HAVE THE TIME OR THE ABILITY TO FACT-CHECK SOME OF WHAT THEY'RE REPORTING." "YOUKNOW,THATWAS ATERRIBLE" "MISQUOTE, AND IT'S VERY GOOD" "THAT YOU BROUGHT THAT UP." "I NEVER SAID THAT IN THAT" "CONTEXT." "HENEVERTALKEDTOTHOSE" "PEOPLE, AND I NEVER TALKED TO" "THOSE PEOPLE, EITHER." "THEY MAKE UP THINGS!" "YEAH, THEY DO!" "IT'SVERYTOUGH, UNFORTUNATELY, FOR A CELEBRITY TO SUE A PUBLICATION." "UNFORTUNATELY, FOR A CELEBRITY TO SUE A PUBLICATION." "YOU HAVE TO PROVE MALICE." "TO SUE A PUBLICATION." "YOU HAVE TO PROVE MALICE." "YOU HAVE TO PROVE NEGLIGENCE." "YOU HAVE TO PROVE MALICE." "YOU HAVE TO PROVE NEGLIGENCE." "ALSO, A LOT OF CELEBRITIES DON'T" "YOU HAVE TO PROVE NEGLIGENCE." "ALSO, A LOT OF CELEBRITIES DON'T WANT TO DRAW ATTENTION TO A" "ALSO, A LOT OF CELEBRITIES DON'T WANT TO DRAW ATTENTION TO A STORY THAT IS COMPLETELY WRONG" "WANT TO DRAW ATTENTION TO A STORY THAT IS COMPLETELY WRONG OR DEFAMATORY OR GIVE PUBLICITY" "STORY THAT IS COMPLETELY WRONG OR DEFAMATORY OR GIVE PUBLICITY TO SOME BLOGGER WHO'S WORKING" "OR DEFAMATORY OR GIVE PUBLICITY TO SOME BLOGGER WHO'S WORKING OUT OF HIS GARAGE." "TO SOME BLOGGER WHO'S WORKING OUT OF HIS GARAGE." "IF YOU SUE THAT PERSON, SUDDENLY" "OUT OF HIS GARAGE." "IF YOU SUE THAT PERSON, SUDDENLY YOU MAKE THEIR SITE RELEVANT." "IF YOU SUE THAT PERSON, SUDDENLY YOU MAKE THEIR SITE RELEVANT." "IHADABIG ,FAMOUSLAWSUIT" "YOU MAKE THEIR SITE RELEVANT." "IHADABIG ,FAMOUSLAWSUIT AGAINST THE SUN NEWSPAPER IN" "IHADABIG ,FAMOUSLAWSUIT AGAINST THE SUN NEWSPAPER IN BRITAIN A LONG TIME AGO, IN THE" "AGAINST THE SUN NEWSPAPER IN BRITAIN A LONG TIME AGO, IN THE '80s, WHICH DROVE ME CRAZY " " IT" "BRITAIN A LONG TIME AGO, IN THE '80s, WHICH DROVE ME CRAZY " " IT WENT ON FOR A YEAR AND A HALF -- '80s, WHICH DROVE ME CRAZY " " IT WENT ON FOR A YEAR AND A HALF -- THAT SAID THAT I SLEPT WITH" "WENT ON FOR A YEAR AND A HALF -- THAT SAID THAT I SLEPT WITH UNDERAGE RENT BOYS, GAVE THEM" "THAT SAID THAT I SLEPT WITH UNDERAGE RENT BOYS, GAVE THEM DRUGS, URINATED ON THEM." "UNDERAGE RENT BOYS, GAVE THEM DRUGS, URINATED ON THEM." "I MEAN, IT MADE MY LIFE HELL." "DRUGS, URINATED ON THEM." "I MEAN, IT MADE MY LIFE HELL." "BUT I GOT A FRONT-PAGE APOLOGY," "I MEAN, IT MADE MY LIFE HELL." "BUT I GOT A FRONT-PAGE APOLOGY, WHICH WAS THE MOST IMPORTANT" "BUT I GOT A FRONT-PAGE APOLOGY, WHICH WAS THE MOST IMPORTANT THING FOR ME." "WHICH WAS THE MOST IMPORTANT THING FOR ME." ""WE WERE WRONG." "WE'RE SORRY."" "THING FOR ME." ""WE WERE WRONG." "WE'RE SORRY." NOW, PEOPLE CAN JUST MAKE UP" ""WE WERE WRONG." "WE'RE SORRY." NOW, PEOPLE CAN JUST MAKE UP WHAT THEY WANT ON THE INTERNET," "NOW, PEOPLE CAN JUST MAKE UP WHAT THEY WANT ON THE INTERNET, AND AS SOON AS THEY PUT IT ON" "WHAT THEY WANT ON THE INTERNET, AND AS SOON AS THEY PUT IT ON THE INTERNET, IT GOES WORLDWIDE." "AND AS SOON AS THEY PUT IT ON THE INTERNET, IT GOES WORLDWIDE." "SO YOU'RE FOREVER DENYING" "THE INTERNET, IT GOES WORLDWIDE." "SO YOU'RE FOREVER DENYING THINGS." "SO YOU'RE FOREVER DENYING THINGS." "THEYDISCOURAGEYOUFROM" "THINGS." "THEYDISCOURAGEYOUFROM GOING AFTER THE TABLOIDS." "THEYDISCOURAGEYOUFROM GOING AFTER THE TABLOIDS." "LIKE, A LAWYER WILL BE LIKE," "GOING AFTER THE TABLOIDS." "LIKE, A LAWYER WILL BE LIKE, "IT'S GONNA COST YOU SO MUCH" "LIKE, A LAWYER WILL BE LIKE, "IT'S GONNA COST YOU SO MUCH MONEY, AND IT'S GONNA TAKE SO" ""IT'S GONNA COST YOU SO MUCH MONEY, AND IT'S GONNA TAKE SO MUCH TIME, AND IT'S NOT GONNA" "MONEY, AND IT'S GONNA TAKE SO MUCH TIME, AND IT'S NOT GONNA MAKE A DIFFERENCE, AND NOBODY'S" "MUCH TIME, AND IT'S NOT GONNA MAKE A DIFFERENCE, AND NOBODY'S GONNA CARE ABOUT THE STORY" "MAKE A DIFFERENCE, AND NOBODY'S GONNA CARE ABOUT THE STORY TOMORROW."" "GONNA CARE ABOUT THE STORY TOMORROW." AND THEY CONVINCE YOU TO JUST" "TOMORROW." AND THEY CONVINCE YOU TO JUST DEAL WITH IT." "AND THEY CONVINCE YOU TO JUST DEAL WITH IT." "WHENALLTHESUDDENYOU'RE" "DEAL WITH IT." "WHENALLTHESUDDENYOU'RE HEARING RUMORS THAT ARE NOT TRUE" "WHENALLTHESUDDENYOU'RE HEARING RUMORS THAT ARE NOT TRUE ON A CNN CRAWL, THAT " " YOU SORT" "HEARING RUMORS THAT ARE NOT TRUE ON A CNN CRAWL, THAT " " YOU SORT OF GO, "THIS IS CNN."" "OF GO, "THIS IS CNN." I DON'T TAKE IT PERSONALLY AT" "I DON'T TAKE IT PERSONALLY AT THIS POINT, BUT THERE WAS" "THIS POINT, BUT THERE WAS SOMETHING ABOUT THE OUTLET OF" "SOMETHING ABOUT THE OUTLET OF CNN THAT FELT LIKE THAT'S A" "CNN THAT FELT LIKE THAT'S A PRESTIGIOUS CHANNEL." "IFYOURESPONDTOCERTAIN" "PRESTIGIOUS CHANNEL." "IFYOURESPONDTOCERTAIN THINGS, YOU'RE RIGHT IN THE" "IFYOURESPONDTOCERTAIN THINGS, YOU'RE RIGHT IN THE SANDBOX WITH THEM." "THINGS, YOU'RE RIGHT IN THE SANDBOX WITH THEM." "IF YOU DON'T RESPOND, THE STORY" "SANDBOX WITH THEM." "IF YOU DON'T RESPOND, THE STORY NOW GROWS BECAUSE OF THE VIRAL" "IF YOU DON'T RESPOND, THE STORY NOW GROWS BECAUSE OF THE VIRAL WORLD AND BECAUSE OF 24-HOUR" "NOW GROWS BECAUSE OF THE VIRAL WORLD AND BECAUSE OF 24-HOUR NEWS CYCLE." "WORLD AND BECAUSE OF 24-HOUR NEWS CYCLE." "SO, WE'RE CONSTANTLY TRYING TO" "NEWS CYCLE." "SO, WE'RE CONSTANTLY TRYING TO FIGURE OUT HOW TO PUT OUT A" "SO, WE'RE CONSTANTLY TRYING TO FIGURE OUT HOW TO PUT OUT A FIRE." "PERFECTEXAMPLEIS  TIGER WOODS." "HE DIDN'T SAY ANYTHING." "TIGER WOODS." "HE DIDN'T SAY ANYTHING." "HE ISSUED A STATEMENT THAT HE" "HE DIDN'T SAY ANYTHING." "HE ISSUED A STATEMENT THAT HE HAD "TRANSGRESSIONS," AND THEN" "HE ISSUED A STATEMENT THAT HE HAD "TRANSGRESSIONS," AND THEN HE DISAPPEARED FOR MONTHS." "WOMEN CAME OUT OF THE WOODWORK," "AND IT ENDED UP BEING A GIANT" "SCANDAL BECAUSE HE LET IT BLOW" "UP." "THINKOFTHISASA SYSTEM." "ANYTHING THAT HAPPENS HERE ALSO HAS A CHAIN REACTION THROUGHOUT" "ANYTHING THAT HAPPENS HERE ALSO HAS A CHAIN REACTION THROUGHOUT THE REST OF THE INDUSTRY, LIKE" "HAS A CHAIN REACTION THROUGHOUT THE REST OF THE INDUSTRY, LIKE TIGER WOODS, WHO, WE WERE BEING" "THE REST OF THE INDUSTRY, LIKE TIGER WOODS, WHO, WE WERE BEING SERVED A VERY TIGHTLY CONTROLLED" "TIGER WOODS, WHO, WE WERE BEING SERVED A VERY TIGHTLY CONTROLLED IMAGE." "SERVED A VERY TIGHTLY CONTROLLED IMAGE." "AS SOON AS THE SCANDAL BROKE, A" "IMAGE." "AS SOON AS THE SCANDAL BROKE, A WATCH COMPANY OR NIKE DOESN'T" "AS SOON AS THE SCANDAL BROKE, A WATCH COMPANY OR NIKE DOESN'T WANT THEIR NAME AFFILIATED WITH" "WATCH COMPANY OR NIKE DOESN'T WANT THEIR NAME AFFILIATED WITH THIS SORT OF BEHAVIOR." "THISMORNING,TMZREPORTS..." "TMZISSAYING..." "TMZHASLEARNED..." "TMZISSAYING..." "TMZHASLEARNED..." "UNTILVERYRECENTLY,MAJOR" "TMZHASLEARNED..." "UNTILVERYRECENTLY,MAJOR NEWS ORGANIZATIONS WOULDN'T HAVE" "UNTILVERYRECENTLY,MAJOR NEWS ORGANIZATIONS WOULDN'T HAVE CITED A TMZ AS A SOURCE." "NEWS ORGANIZATIONS WOULDN'T HAVE CITED A TMZ AS A SOURCE." "AND NOW THEY DO." "CITED A TMZ AS A SOURCE." "AND NOW THEY DO." "THERE'SSOMETHINGBEYONDJUST" "AND NOW THEY DO." "THERE'SSOMETHINGBEYONDJUST REPORTING WHO'S MAKING OUT WITH" "THERE'SSOMETHINGBEYONDJUST REPORTING WHO'S MAKING OUT WITH WHOM." "REPORTING WHO'S MAKING OUT WITH WHOM." "THEREIN LIES THE LOVE/HATE" "WHOM." "THEREIN LIES THE LOVE/HATE RELATIONSHIP THAT WE HAVE WITH" "THEREIN LIES THE LOVE/HATE RELATIONSHIP THAT WE HAVE WITH SOMEONE LIKE LEVIN." "RELATIONSHIP THAT WE HAVE WITH SOMEONE LIKE LEVIN." "HE'S ILLUMINATING THINGS THAT WE" "SOMEONE LIKE LEVIN." "HE'S ILLUMINATING THINGS THAT WE MAYBE DON'T WANT TO KNOW ABOUT" "HE'S ILLUMINATING THINGS THAT WE MAYBE DON'T WANT TO KNOW ABOUT THAT WE ALSO FEEL WE SHOULD KNOW" "MAYBE DON'T WANT TO KNOW ABOUT THAT WE ALSO FEEL WE SHOULD KNOW ABOUT." "THAT WE ALSO FEEL WE SHOULD KNOW ABOUT." "BUT THEN, ON THE FLIP SIDE," "ABOUT." "BUT THEN, ON THE FLIP SIDE, THERE'S A LOT OF SAGGING FLESH" "BUT THEN, ON THE FLIP SIDE, THERE'S A LOT OF SAGGING FLESH AND GIVING THE CAMERA THE" "THERE'S A LOT OF SAGGING FLESH AND GIVING THE CAMERA THE FINGER." "SO, A BLOG WILL HAVE" "UNAUTHORIZED CONTENT THAT MAY OR" "MAY NOT BE FALSE." "MAYBE IN A POST RIGHT ABOVE OR BELOW, JOURNALISTIC CONTENT." "IT'SDICTATINGTHATWELEARN HOW TO DO OUR HOMEWORK, NOT BELIEVE EVERYTHING WE'RE READING" "HOW TO DO OUR HOMEWORK, NOT BELIEVE EVERYTHING WE'RE READING IN BLOGS BECAUSE EVERYBODY HAS" "BELIEVE EVERYTHING WE'RE READING IN BLOGS BECAUSE EVERYBODY HAS AN ANGLE." "IN BLOGS BECAUSE EVERYBODY HAS AN ANGLE." "WE'RE AT A REALLY DANGEROUS SPOT" "AN ANGLE." "WE'RE AT A REALLY DANGEROUS SPOT AS FAR AS OUR INABILITY TO" "WE'RE AT A REALLY DANGEROUS SPOT AS FAR AS OUR INABILITY TO DISCERN WHAT IS FACT AND WHAT IS" "AS FAR AS OUR INABILITY TO DISCERN WHAT IS FACT AND WHAT IS FICTION." "YOUHAVENO CHOICEBUT TO BELIEVE WHAT YOU READ." "[ TAPE REWINDS ]" "BELIEVE WHAT YOU READ." "[ TAPE REWINDS ] YOU HAVE NO CHOICE BUT TO" "[ TAPE REWINDS ] YOU HAVE NO CHOICE BUT TO BELIEVE WHAT YOU READ." "YOU HAVE NO CHOICE BUT TO BELIEVE WHAT YOU READ." "THISONE..." "BELIEVE WHAT YOU READ." "THISONE..." "YEAH." "THISONE..." "YEAH." "...KINDOFSHOCKSME." "YEAH." "...KINDOFSHOCKSME." "YEAH,YEAH." "...KINDOFSHOCKSME." "YEAH,YEAH." "BUTIT'SPROBABLYNOT EVEN" "YEAH,YEAH." "BUTIT'SPROBABLYNOT EVEN TRUE." "BUTIT'SPROBABLYNOT EVEN TRUE." "ANDWE'LLREADIT." "TRUE." "ANDWE'LLREADIT." "WE'LLSTILLREADIT." "ANDWE'LLREADIT." "WE'LLSTILLREADIT." "YEAH." "YOUCAN'TBEATTHE TRUTHOFA" "CAMERA, AND THIS IS WHAT THE" "CELEBRITIES ARE PARANOID ABOUT." "THE CAMERA DOESN'T LIE." "IT DOESN'T STOP THE BOTOX, IT DOESN'T STOP THE SURGERY, AND IT DOESN'T STOP YOU HAVING SEX WITH" "DOESN'T STOP THE SURGERY, AND IT DOESN'T STOP YOU HAVING SEX WITH A COSTAR." "DOESN'T STOP YOU HAVING SEX WITH A COSTAR." "THIS IS REAL." "A COSTAR." "THIS IS REAL." "NO ONE CAN LIE ABOUT THIS" "THIS IS REAL." "NO ONE CAN LIE ABOUT THIS PICTURE." "NO ONE CAN LIE ABOUT THIS PICTURE." "IT'S THERE." "PICTURE." "IT'S THERE." "AND THAT'S ONE OF THE GREAT," "IT'S THERE." "AND THAT'S ONE OF THE GREAT, HISTORICAL SIGNIFICANCES THAT" "AND THAT'S ONE OF THE GREAT, HISTORICAL SIGNIFICANCES THAT PHOTOGRAPHY AND THE MEDIA BRING" "HISTORICAL SIGNIFICANCES THAT PHOTOGRAPHY AND THE MEDIA BRING TODAY." "PHOTOGRAPHY AND THE MEDIA BRING TODAY." "THE PROBLEM IS WITH THE" "TODAY." "THE PROBLEM IS WITH THE CELEBRITIES." "THE PROBLEM IS WITH THE CELEBRITIES." "IT'S INSTANTANEOUS." "CELEBRITIES." "IT'S INSTANTANEOUS." "THEY HAVE NO CONTROL." "IT'S INSTANTANEOUS." "THEY HAVE NO CONTROL." "EVENWHENWE 'RETALKINGABOUT" "THEY HAVE NO CONTROL." "EVENWHENWE 'RETALKINGABOUT AUTHORIZED PHOTOS, THERE'S STILL" "EVENWHENWE 'RETALKINGABOUT AUTHORIZED PHOTOS, THERE'S STILL A LOT THE CELEBRITIES CAN'T" "AUTHORIZED PHOTOS, THERE'S STILL A LOT THE CELEBRITIES CAN'T CONTROL." "A LOT THE CELEBRITIES CAN'T CONTROL." "♪TAKEIT OUT,BABY," "CONTROL." "♪TAKEIT OUT,BABY, AND SHOW ME WHAT YOU REALLY" "♪TAKEIT OUT,BABY, AND SHOW ME WHAT YOU REALLY WANT ♪" "AND SHOW ME WHAT YOU REALLY WANT ♪ ♪ THEY'LL NOT EVER SEE" "WANT ♪ ♪ THEY'LL NOT EVER SEE THE BEAUTY INSIDE ♪" "THISISPRETTYMUCHHOWWE" "RECEIVE THINGS BACK HERE." "PRETTY MUCH THEIR ENTIRE BODY" "GETS RETOUCHED." "WELL, YOU CAN KIND OF SEE." "HERE, WHERE IT ASKS TO CUT IN, WE CUT IN." "WE HAVE TO MAKE SURE THAT ALL" "WE CUT IN." "WE HAVE TO MAKE SURE THAT ALL THE RED CARPETS MATCH, AND IT" "WE HAVE TO MAKE SURE THAT ALL THE RED CARPETS MATCH, AND IT DOESN'T." "THE RED CARPETS MATCH, AND IT DOESN'T." "SO, WE'RE GONNA HAVE TO FIX" "DOESN'T." "SO, WE'RE GONNA HAVE TO FIX THAT." "SO, WE'RE GONNA HAVE TO FIX THAT." "SOME OF THE TIME, THE PEOPLE IN" "THAT." "SOME OF THE TIME, THE PEOPLE IN THE BACKGROUND THAT YOU SEE ARE" "SOME OF THE TIME, THE PEOPLE IN THE BACKGROUND THAT YOU SEE ARE NOT REALLY THERE OR ARE" "THE BACKGROUND THAT YOU SEE ARE NOT REALLY THERE OR ARE DUPLICATED." "NOT REALLY THERE OR ARE DUPLICATED." "WE GET RID OF STAINS ON HER" "DUPLICATED." "WE GET RID OF STAINS ON HER DRESS..." "WE GET RID OF STAINS ON HER DRESS..." "AND WE TRY TO GET RID OF HT" "DRESS..." "AND WE TRY TO GET RID OF HT WRINKLES." "AND WE TRY TO GET RID OF HT WRINKLES." "PAPARAZZI SHOTS NEED A LOT MORE" "WRINKLES." "PAPARAZZI SHOTS NEED A LOT MORE TLC THAN A PHOTO THAT WE GET" "PAPARAZZI SHOTS NEED A LOT MORE TLC THAN A PHOTO THAT WE GET FROM A GREAT PHOTOGRAPHER." "TLC THAN A PHOTO THAT WE GET FROM A GREAT PHOTOGRAPHER." "THAT'S DEFINITELY A LOT LESS" "FROM A GREAT PHOTOGRAPHER." "THAT'S DEFINITELY A LOT LESS WORK." "THAT'S DEFINITELY A LOT LESS WORK." "AND LET'S HELP HER A LITTLE BIT," "WORK." "AND LET'S HELP HER A LITTLE BIT, 'CAUSE SHE LOOKS A LITTLE TIRED." "AND LET'S HELP HER A LITTLE BIT, 'CAUSE SHE LOOKS A LITTLE TIRED." "SOMETIMES WE GET PHOTOS THAT" "'CAUSE SHE LOOKS A LITTLE TIRED." "SOMETIMES WE GET PHOTOS THAT ARE, YOU KNOW, GREEN." "SOMETIMES WE GET PHOTOS THAT ARE, YOU KNOW, GREEN." "YEAH, BUT WE CAN FIX THAT." "ARE, YOU KNOW, GREEN." "YEAH, BUT WE CAN FIX THAT." "THEIDEATHATAPICTURENEVER" "YEAH, BUT WE CAN FIX THAT." "THEIDEATHATAPICTURENEVER  LIES IS SIMPLY NOT TRUE." "THEIDEATHATAPICTURENEVER  LIES IS SIMPLY NOT TRUE." "A PICTURE CAPTURES SOMEBODY AT A" "LIES IS SIMPLY NOT TRUE." "A PICTURE CAPTURES SOMEBODY AT A PARTICULAR MOMENT IN TIME." "A PICTURE CAPTURES SOMEBODY AT A PARTICULAR MOMENT IN TIME." "A CELEBRITY CAN TELL A JOKE AND" "PARTICULAR MOMENT IN TIME." "A CELEBRITY CAN TELL A JOKE AND PULL A FACE OR SOMETHING." "A CELEBRITY CAN TELL A JOKE AND PULL A FACE OR SOMETHING." "AND THEN, WHEN THAT PERSON IS IN" "PULL A FACE OR SOMETHING." "AND THEN, WHEN THAT PERSON IS IN TROUBLE, THAT IMAGE WILL APPEAR," "AND THEN, WHEN THAT PERSON IS IN TROUBLE, THAT IMAGE WILL APPEAR, AND IT WILL LOOK LIKE IT WAS" "TROUBLE, THAT IMAGE WILL APPEAR, AND IT WILL LOOK LIKE IT WAS SHOT AT THE SAME TIME IN" "AND IT WILL LOOK LIKE IT WAS SHOT AT THE SAME TIME IN REACTION TO SOMETHING THAT" "SHOT AT THE SAME TIME IN REACTION TO SOMETHING THAT THEY'VE DONE." "REACTION TO SOMETHING THAT THEY'VE DONE." "SO, IMAGES DON'T ALWAYS TELL THE" "THEY'VE DONE." "SO, IMAGES DON'T ALWAYS TELL THE TRUTH." "SO, IMAGES DON'T ALWAYS TELL THE TRUTH." "IT'S THE CONTEXT." "TRUTH." "IT'S THE CONTEXT." "THE CONTEXT IS VERY IMPORTANT." "IT'S THE CONTEXT." "THE CONTEXT IS VERY IMPORTANT." "SO, I THINK PEOPLE NEED TO BE" "THE CONTEXT IS VERY IMPORTANT." "SO, I THINK PEOPLE NEED TO BE MORE DISCERNING WHEN THEY'RE" "SO, I THINK PEOPLE NEED TO BE MORE DISCERNING WHEN THEY'RE LOOKING AT IMAGES." "MORE DISCERNING WHEN THEY'RE LOOKING AT IMAGES." "RENEEZELLWEGER'SPROBABLY" "LOOKING AT IMAGES." "RENEEZELLWEGER'SPROBABLY ONE OF THE TOUGHEST SHOTS TO GET" "RENEEZELLWEGER'SPROBABLY ONE OF THE TOUGHEST SHOTS TO GET BECAUSE SHE DOESN'T REALLY COME" "ONE OF THE TOUGHEST SHOTS TO GET BECAUSE SHE DOESN'T REALLY COME OUT AND BE SEEN AS OFTEN AS WE'D" "BECAUSE SHE DOESN'T REALLY COME OUT AND BE SEEN AS OFTEN AS WE'D LIKE HER TO BE SEEN." "OUT AND BE SEEN AS OFTEN AS WE'D LIKE HER TO BE SEEN." "HAVEN'TSEENYOUINA WHILE." "LIKE HER TO BE SEEN." "HAVEN'TSEENYOUINA WHILE." "YOU'RELOOKINGGREAT." "THATWASEXHILARATING." "I ENJOY MAKING HER SMILE AND LAUGH AND MAKING HER FEEL GOOD," "I ENJOY MAKING HER SMILE AND LAUGH AND MAKING HER FEEL GOOD, YOU KNOW?" "LAUGH AND MAKING HER FEEL GOOD, YOU KNOW?" "THE RIDE IS ABOUT STAYING IN THE" "YOU KNOW?" "THE RIDE IS ABOUT STAYING IN THE PUBLIC EYE, BECAUSE IF YOU'RE" "THE RIDE IS ABOUT STAYING IN THE PUBLIC EYE, BECAUSE IF YOU'RE FORGOTTEN, THEN MY CAMERA GOES" "PUBLIC EYE, BECAUSE IF YOU'RE FORGOTTEN, THEN MY CAMERA GOES DOWN, AND THEN THE WORLD DOESN'T" "FORGOTTEN, THEN MY CAMERA GOES DOWN, AND THEN THE WORLD DOESN'T KNOW OR EVEN WANT TO CARE ABOUT" "DOWN, AND THEN THE WORLD DOESN'T KNOW OR EVEN WANT TO CARE ABOUT WHO THEY ARE ANYMORE." "KNOW OR EVEN WANT TO CARE ABOUT WHO THEY ARE ANYMORE." "YOU'LL BE GONE IN A FLASH." "WHO THEY ARE ANYMORE." "YOU'LL BE GONE IN A FLASH." "IT'S CALLED HOLLYWOOD." "YOU'LL BE GONE IN A FLASH." "IT'S CALLED HOLLYWOOD." "WHOMAKESTHEMFAMOUS?" "IT'S CALLED HOLLYWOOD." "WHOMAKESTHEMFAMOUS?" "WELL, ACTUALLY, I DO." "WHOMAKESTHEMFAMOUS?" "WELL, ACTUALLY, I DO." "THEY'RE RELIANT ON THE PAPARAZZI" "WELL, ACTUALLY, I DO." "THEY'RE RELIANT ON THE PAPARAZZI TO PHOTOGRAPH THEM TO MAKE THEM" "THEY'RE RELIANT ON THE PAPARAZZI TO PHOTOGRAPH THEM TO MAKE THEM MONEY." "TO PHOTOGRAPH THEM TO MAKE THEM MONEY." "THAT'SDELUSIONAL." "MONEY." "THAT'SDELUSIONAL." "THAT IS ABSOLUTELY DELUSIONAL." "THAT'SDELUSIONAL." "THAT IS ABSOLUTELY DELUSIONAL." "PAPARAZZI DO NOT KEEP YOUR" "THAT IS ABSOLUTELY DELUSIONAL." "PAPARAZZI DO NOT KEEP YOUR CAREER ALIVE." "PAPARAZZI DO NOT KEEP YOUR CAREER ALIVE." "YOU KNOW, WE'RE NOT SAYING," "CAREER ALIVE." "YOU KNOW, WE'RE NOT SAYING, "DON'T TAKE OUR PICTURES."" "YOU KNOW, WE'RE NOT SAYING, "DON'T TAKE OUR PICTURES." WE UNDERSTAND THERE'S A MARKET" ""DON'T TAKE OUR PICTURES." WE UNDERSTAND THERE'S A MARKET HERE." "WE UNDERSTAND THERE'S A MARKET HERE." "BUT A PHOTOGRAPH OF YOU IN YOUR" "HERE." "BUT A PHOTOGRAPH OF YOU IN YOUR BACKYARD SUNBATHING TOPLESS," "BUT A PHOTOGRAPH OF YOU IN YOUR BACKYARD SUNBATHING TOPLESS, 'CAUSE YOU CAN AND YOU SHOULD BE" "BACKYARD SUNBATHING TOPLESS, 'CAUSE YOU CAN AND YOU SHOULD BE ABLE TO, THAT'S A VIOLATION." "'CAUSE YOU CAN AND YOU SHOULD BE ABLE TO, THAT'S A VIOLATION." "AND A PHOTOGRAPH THAT'S IN A" "ABLE TO, THAT'S A VIOLATION." "AND A PHOTOGRAPH THAT'S IN A MAGAZINE " " THERE'S AN AGREEMENT" "AND A PHOTOGRAPH THAT'S IN A MAGAZINE " " THERE'S AN AGREEMENT THAT THIS IS MY JOB, AND I'M TO" "MAGAZINE " " THERE'S AN AGREEMENT THAT THIS IS MY JOB, AND I'M TO BE PHOTOGRAPHED." "THAT THIS IS MY JOB, AND I'M TO BE PHOTOGRAPHED." "ONE IS LIKE HAVING SOMEONE ROB" "BE PHOTOGRAPHED." "ONE IS LIKE HAVING SOMEONE ROB YOUR HOUSE AND GO INTO YOUR" "ONE IS LIKE HAVING SOMEONE ROB YOUR HOUSE AND GO INTO YOUR PANTY DRAWER, AND THE OTHER IS" "YOUR HOUSE AND GO INTO YOUR PANTY DRAWER, AND THE OTHER IS SOMETHING ARTISTIC AND" "PANTY DRAWER, AND THE OTHER IS SOMETHING ARTISTIC AND BEAUTIFUL, AND BOTH ARE IN" "SOMETHING ARTISTIC AND BEAUTIFUL, AND BOTH ARE IN AGREEMENT THAT THIS IS GOING TO" "BEAUTIFUL, AND BOTH ARE IN AGREEMENT THAT THIS IS GOING TO TAKE PLACE." "AGREEMENT THAT THIS IS GOING TO TAKE PLACE." "THERE'S A DIFFERENCE." "TAKE PLACE." "THERE'S A DIFFERENCE." "VITAMINWATERZEROHOTLINE." "THERE'S A DIFFERENCE." "VITAMINWATERZEROHOTLINE." "THIS IS ELLEN." "VITAMINWATERZEROHOTLINE." "THIS IS ELLEN." "HOW CAN I HELP YOU?" "THIS IS ELLEN." "HOW CAN I HELP YOU?" "ASLONGAS YOU'REFAMOUS,YOU" "HOW CAN I HELP YOU?" "ASLONGAS YOU'REFAMOUS,YOU BECOME AN ENORMOUS COMMODITY IN" "ASLONGAS YOU'REFAMOUS,YOU BECOME AN ENORMOUS COMMODITY IN THIS COUNTRY." "BECOME AN ENORMOUS COMMODITY IN THIS COUNTRY." "MYGUESTTONIGHTISSOMEBODY" "THIS COUNTRY." "MYGUESTTONIGHTISSOMEBODY WHO'S BEEN IN THE CENTER OF A" "MYGUESTTONIGHTISSOMEBODY WHO'S BEEN IN THE CENTER OF A HUGE SCANDAL ROCKING AMERICA" "WHO'S BEEN IN THE CENTER OF A HUGE SCANDAL ROCKING AMERICA THIS WEEK." "THIS WEEK." "ANDNEWSIS ABUSINESS." "ANDNEWSIS ABUSINESS." "NEWSPAPER ENTITIES NEED TO SELL" "NEWSPAPER ENTITIES NEED TO SELL PAPERS." "PAPERS." "WEBSITES WANT TRAFFIC." "TELEVISION NETWORKS WANT" "WEBSITES WANT TRAFFIC." "TELEVISION NETWORKS WANT RATINGS." "TELEVISION NETWORKS WANT RATINGS." "DEVELOPINGNEWSOUTOF" "RATINGS." "DEVELOPINGNEWSOUTOF CALIFORNIA " " LINDSAY LOHAN..." "DEVELOPINGNEWSOUTOF CALIFORNIA " " LINDSAY LOHAN..." "INCREASINGLY,THEWAYTOGET" "CALIFORNIA " " LINDSAY LOHAN..." "INCREASINGLY,THEWAYTOGET THAT IS TO HAVE AN ENTERTAINMENT" "INCREASINGLY,THEWAYTOGET THAT IS TO HAVE AN ENTERTAINMENT COMPONENT." "THAT IS TO HAVE AN ENTERTAINMENT COMPONENT." "...RECORD-SETTINGWEEKEND,TO" "COMPONENT." "...RECORD-SETTINGWEEKEND,TO  THE TUNE OF $30 MILLION." "...RECORD-SETTINGWEEKEND,TO  THE TUNE OF $30 MILLION." "...ANDMORETHAN$155MILLION" "THE TUNE OF $30 MILLION." "...ANDMORETHAN$155MILLION THIS OPENING WEEKEND." "...ANDMORETHAN$155MILLION THIS OPENING WEEKEND." "EVERYSUNDAYNIGHT,WHAT'S" "THIS OPENING WEEKEND." "EVERYSUNDAYNIGHT,WHAT'S THE FIRST ITEM WE SEE ON THE" "EVERYSUNDAYNIGHT,WHAT'S THE FIRST ITEM WE SEE ON THE NEWS?" "THE FIRST ITEM WE SEE ON THE NEWS?" "HOW MUCH MONEY A MOVIE MADE OVER" "NEWS?" "HOW MUCH MONEY A MOVIE MADE OVER THE WEEKEND." "THE WEEKEND." ""AVATAR"ISAT THENUMBER-ONE" ""AVATAR"ISAT THENUMBER-ONE SPOT..." "SPOT..." "IMEAN,"AVATAR"HIT A" "IMEAN,"AVATAR"HIT A BILLION, AND IT'S BIGGER THAN" "BILLION, AND IT'S BIGGER THAN THE SECURITY BREACH AT THE" "THE SECURITY BREACH AT THE AIRPORT." "IT'S BIGGER NEWS." "AIRPORT." "IT'S BIGGER NEWS." "WHY?" "IT'S BIGGER NEWS." "WHY?" "NICKPATONWALSHJOININGUS" "WHY?" "NICKPATONWALSHJOININGUS LIVE FROM KABUL, AFGHANISTAN." "NICKPATONWALSHJOININGUS LIVE FROM KABUL, AFGHANISTAN." "MANY THANKS." "LIVE FROM KABUL, AFGHANISTAN." "MANY THANKS." "SHE MADE SURE HE GOT THE" "MANY THANKS." "SHE MADE SURE HE GOT THE MESSAGE." "SHE MADE SURE HE GOT THE MESSAGE." "WAIT UNTIL YOU HEAR ABOUT" "MESSAGE." "WAIT UNTIL YOU HEAR ABOUT CHARLIE SHEEN'S..." "WAIT UNTIL YOU HEAR ABOUT CHARLIE SHEEN'S..." "THECONCEPTOF HARDNEWSHAS" "CHARLIE SHEEN'S..." "THECONCEPTOF HARDNEWSHAS REALLY CHANGED." "THECONCEPTOF HARDNEWSHAS REALLY CHANGED." "CHARLIESHEENINSISTS..." "REALLY CHANGED." "CHARLIESHEENINSISTS..." "ALOTOF WHATUSEDTOBE" "CHARLIESHEENINSISTS..." "ALOTOF WHATUSEDTOBE  CONSIDERED TABLOID IS NOW" "ALOTOF WHATUSEDTOBE  CONSIDERED TABLOID IS NOW MAINSTREAM." "CONSIDERED TABLOID IS NOW MAINSTREAM." "FRANKLY,THEYSTOPPEDTELLING" "MAINSTREAM." "FRANKLY,THEYSTOPPEDTELLING IMPORTANT NEWS ABOUT THE WORLD," "FRANKLY,THEYSTOPPEDTELLING IMPORTANT NEWS ABOUT THE WORLD, AND THEY JUST TELL GOSSIP." "IMPORTANT NEWS ABOUT THE WORLD, AND THEY JUST TELL GOSSIP." "MAYBEYOUNEEDA" " LIKE ," "AND THEY JUST TELL GOSSIP." "MAYBEYOUNEEDA" " LIKE , SOMETIMES, YOU, YOU KNOW, WATCH" "MAYBEYOUNEEDA" " LIKE , SOMETIMES, YOU, YOU KNOW, WATCH SO MANY THINGS OR SOMEBODY'S" "SOMETIMES, YOU, YOU KNOW, WATCH SO MANY THINGS OR SOMEBODY'S GOTTEN STABBED, LIKE, ALL DAY" "SO MANY THINGS OR SOMEBODY'S GOTTEN STABBED, LIKE, ALL DAY LONG, AND THERE WAS A FLOOD" "GOTTEN STABBED, LIKE, ALL DAY LONG, AND THERE WAS A FLOOD HERE." "LONG, AND THERE WAS A FLOOD HERE." "THERE'S AN EARTHQUAKE THERE." "HERE." "THERE'S AN EARTHQUAKE THERE." "LIKE, MAYBE YOU KIND OF WANT TO" "THERE'S AN EARTHQUAKE THERE." "LIKE, MAYBE YOU KIND OF WANT TO KNOW THE NEW SHIRT THAT" "LIKE, MAYBE YOU KIND OF WANT TO KNOW THE NEW SHIRT THAT BRAD PITT'S WEARING." "KNOW THE NEW SHIRT THAT BRAD PITT'S WEARING." "WHODOESN'TLIKEAGOOD" "BRAD PITT'S WEARING." "WHODOESN'TLIKEAGOOD  HOLLYWOOD ESCAPE FROM TIME TO" "WHODOESN'TLIKEAGOOD  HOLLYWOOD ESCAPE FROM TIME TO TIME?" "HOLLYWOOD ESCAPE FROM TIME TO TIME?" "THERE'SANARGUMENTTHAT" "TIME?" "THERE'SANARGUMENTTHAT CELEBRITIES ACT AS" "THERE'SANARGUMENTTHAT CELEBRITIES ACT AS "INFO-TAINMENT"..." "CELEBRITIES ACT AS "INFO-TAINMENT"..." "...PARKINSON'SAWARENESS" ""INFO-TAINMENT"..." "...PARKINSON'SAWARENESS MONTH." "...PARKINSON'SAWARENESS MONTH." "MICHAEL J. FOX ACTUALLYOFTENHELPING" "ISSUES OF REAL CONCERN GETTING" "INTO THE PUBLIC DOMAIN." "SO, FOR INSTANCE, IF" "TRAGICALLY, A CELEBRITY IS ILL" "WITH BREAST CANCER OR SOMETHING" "LIKE THAT, IT DOES RAISE" "AWARENESS." "DOESSPEAKTO THEIMPORTANCE" "OF SCREENING..." "BUTTHERE'SCONCERNONTHE" "OTHER HAND THAT FOCUSING SO MUCH" "ON THE MINUTIAE OF HOW FAMOUS" "PEOPLE LIVE THEIR LIVES IS JUST" "DIVERTING ATTENTION FROM ISSUES" "WHICH THE PRESS SHOULD BE" "FILLING THEIR PAGES WITH." "SARAHPALIN,ENTERTAINMENTOR JOURNALISM?" "SARAHPALINIS AVERYGOOD" "JOURNALISM?" "SARAHPALINIS AVERYGOOD  EXAMPLE OF THE WAY IN WHICH" "SARAHPALINIS AVERYGOOD  EXAMPLE OF THE WAY IN WHICH CELEBRITY CULTURE HAS INFLUENCED" "EXAMPLE OF THE WAY IN WHICH CELEBRITY CULTURE HAS INFLUENCED POLITICS." "CELEBRITY CULTURE HAS INFLUENCED POLITICS." "I'MREADY,ANDCROSSMY" "POLITICS." "I'MREADY,ANDCROSSMY FINGERS, HOPING IT WASN'T A" "I'MREADY,ANDCROSSMY FINGERS, HOPING IT WASN'T A MISTAKE." "FINGERS, HOPING IT WASN'T A MISTAKE." "IMEAN,SAYWHATYOUWILL" "MISTAKE." "IMEAN,SAYWHATYOUWILL ABOUT SARAH PALIN." "IMEAN,SAYWHATYOUWILL ABOUT SARAH PALIN." "SHE HAS BEEN BRILLIANT IN" "ABOUT SARAH PALIN." "SHE HAS BEEN BRILLIANT IN MANIPULATING HER IMAGE." "SHE HAS BEEN BRILLIANT IN MANIPULATING HER IMAGE." "WHATANADRENALINERUSH." "MANIPULATING HER IMAGE." "WHATANADRENALINERUSH." "ITHINKTHERE'SREAL" "WHATANADRENALINERUSH." "ITHINKTHERE'SREAL INDECISION OVER WHETHER OR NOT" "ITHINKTHERE'SREAL INDECISION OVER WHETHER OR NOT SARAH PALIN REALLY WANTS TO BE" "INDECISION OVER WHETHER OR NOT SARAH PALIN REALLY WANTS TO BE PRESIDENT, OR IF SHE JUST WANTS" "SARAH PALIN REALLY WANTS TO BE PRESIDENT, OR IF SHE JUST WANTS TO BE A CELEBRITY." "PRESIDENT, OR IF SHE JUST WANTS TO BE A CELEBRITY." "I THINK IT'S UNCLEAR." "TO BE A CELEBRITY." "I THINK IT'S UNCLEAR." "ITCERTAINLYIS THEQUESTION" "I THINK IT'S UNCLEAR." "ITCERTAINLYIS THEQUESTION THAT'S UNITED HOLLYWOOD AND" "ITCERTAINLYIS THEQUESTION THAT'S UNITED HOLLYWOOD AND WASHINGTON." "THAT'S UNITED HOLLYWOOD AND WASHINGTON." "DEMOCRACYBECOMESANOTHER" "WASHINGTON." "DEMOCRACYBECOMESANOTHER REALITY SHOW." "DEMOCRACYBECOMESANOTHER REALITY SHOW." "ISTRUMPACTUALLYSERIOUS" "REALITY SHOW." "ISTRUMPACTUALLYSERIOUS ABOUT RUNNING FOR PRESIDENT?" "ISTRUMPACTUALLYSERIOUS ABOUT RUNNING FOR PRESIDENT?" "THAT'SNOTGOODFOR ANYONE." "IFTHEMAINSTREAMMEDIAWERE" "TO FOLD, AND CELEBRITY TABLOIDS" "WERE THE ONLY PEOPLE OUT THERE" "PUBLISHING, IT WOULD MEAN THAT" "OUR ENTIRE SYSTEM OF DEMOCRACY" "HAS COLLAPSED." "DEMOCRACY RELIES ON AN INFORMED ELECTORATE TO MAKE EDUCATED DECISIONS AT THE BALLOT BOX." "ELECTORATE TO MAKE EDUCATED DECISIONS AT THE BALLOT BOX." "YOU CAN ONLY DO THAT IF YOU HAVE" "DECISIONS AT THE BALLOT BOX." "YOU CAN ONLY DO THAT IF YOU HAVE ACCESS TO TRUTHFUL, TIMELY" "YOU CAN ONLY DO THAT IF YOU HAVE ACCESS TO TRUTHFUL, TIMELY INFORMATION." "ACCESS TO TRUTHFUL, TIMELY INFORMATION." "THE PUBLIC HAS A LOT OF" "INFORMATION." "THE PUBLIC HAS A LOT OF RESPONSIBILITY HERE." "THE PUBLIC HAS A LOT OF RESPONSIBILITY HERE." "THE PAPARAZZI DOESN'T GET AWAY" "RESPONSIBILITY HERE." "THE PAPARAZZI DOESN'T GET AWAY WITH THIS IN A VACUUM." "THE PAPARAZZI DOESN'T GET AWAY WITH THIS IN A VACUUM." "SO, I THINK CITIZENS NEED TO" "WITH THIS IN A VACUUM." "SO, I THINK CITIZENS NEED TO STEP UP AND START VALUING THAT" "SO, I THINK CITIZENS NEED TO STEP UP AND START VALUING THAT INFORMATION THEY'RE GETTING FROM" "STEP UP AND START VALUING THAT INFORMATION THEY'RE GETTING FROM THEIR LOCAL NEWS GATHERERS." "...THEPARISHILTONSTORY." "WAITA SECONDHERE." "HOLDONASECOND." "WAITA SECONDHERE." "HOLDONASECOND." "I'M GONNA MAKE A POINT." "HOLDONASECOND." "I'M GONNA MAKE A POINT." "WE'RE NOT COVERING THIS, ALL" "I'M GONNA MAKE A POINT." "WE'RE NOT COVERING THIS, ALL RIGHT?" "WE'RE NOT COVERING THIS, ALL RIGHT?" "YEAH,EXACTLY." "RIGHT?" "YEAH,EXACTLY." "EASY, EASY." "YEAH,EXACTLY." "EASY, EASY." "I'MDONEWITHTHE" "EASY, EASY." "I'MDONEWITHTHE  PARIS HILTON STORIES." "I'MDONEWITHTHE  PARIS HILTON STORIES." "WHATDOYOUHAVEAGAINST" "PARIS HILTON STORIES." "WHATDOYOUHAVEAGAINST PARIS HILTON?" "WHATDOYOUHAVEAGAINST PARIS HILTON?" "IHAVENOTHINGAGAINST" "PARIS HILTON?" "IHAVENOTHINGAGAINST PARIS HILTON." "IHAVENOTHINGAGAINST PARIS HILTON." "THAT WAS NOT THE ISSUE." "PARIS HILTON." "THAT WAS NOT THE ISSUE." "THE ISSUE WAS THE STORY AND" "THAT WAS NOT THE ISSUE." "THE ISSUE WAS THE STORY AND WHETHER OR NOT IT WAS WORTHY AS" "THE ISSUE WAS THE STORY AND WHETHER OR NOT IT WAS WORTHY AS THE LEAD." "WHETHER OR NOT IT WAS WORTHY AS THE LEAD." "[ ALL CLAMORING ]" "THE LEAD." "[ ALL CLAMORING ] PARIS,I LOVEYOURLIPS." "ITHINKAT THISPOINTIT'S  GETTING TO BE SUPPLY LEADING DEMAND, BECAUSE LOOK AT HOW MANY" "GETTING TO BE SUPPLY LEADING DEMAND, BECAUSE LOOK AT HOW MANY MAGAZINES THERE ARE NOW." "DEMAND, BECAUSE LOOK AT HOW MANY MAGAZINES THERE ARE NOW." "IT'S LIKE, "DO WE REALLY NEED" "MAGAZINES THERE ARE NOW." "IT'S LIKE, "DO WE REALLY NEED THAT?"" "IT'S LIKE, "DO WE REALLY NEED THAT?" BUT PEOPLE KEEP PICKING THEM UP." "THAT?" BUT PEOPLE KEEP PICKING THEM UP." "I'LLWALKTHROUGHANAIRPORT," "BUT PEOPLE KEEP PICKING THEM UP." "I'LLWALKTHROUGHANAIRPORT, AND THERE WILL BE THREE OUT OF" "I'LLWALKTHROUGHANAIRPORT, AND THERE WILL BE THREE OUT OF FOUR PEOPLE BURIED IN THIS" "AND THERE WILL BE THREE OUT OF FOUR PEOPLE BURIED IN THIS MAGAZINE, AND I'LL WALK THROUGH," "FOUR PEOPLE BURIED IN THIS MAGAZINE, AND I'LL WALK THROUGH, AND NO ONE WILL NOTICE ME, WHICH" "MAGAZINE, AND I'LL WALK THROUGH, AND NO ONE WILL NOTICE ME, WHICH IS GREAT." "AND NO ONE WILL NOTICE ME, WHICH IS GREAT." "BUT THERE IS SOME IRONY THERE." "IS GREAT." "BUT THERE IS SOME IRONY THERE." "AND I UNDERSTAND IT, 'CAUSE I" "BUT THERE IS SOME IRONY THERE." "AND I UNDERSTAND IT, 'CAUSE I CAN GET SUCKED INTO IT." "AND I UNDERSTAND IT, 'CAUSE I CAN GET SUCKED INTO IT." "I CAN SPEND 20 MINUTES ON AN" "CAN GET SUCKED INTO IT." "I CAN SPEND 20 MINUTES ON AN AIRPLANE AND FLIP THROUGH THAT" "I CAN SPEND 20 MINUTES ON AN AIRPLANE AND FLIP THROUGH THAT STUFF, AND I CAN BE IN THAT" "AIRPLANE AND FLIP THROUGH THAT STUFF, AND I CAN BE IN THAT WORLD, READING ABOUT WHO'S" "STUFF, AND I CAN BE IN THAT WORLD, READING ABOUT WHO'S DATING WHO OR LOOKING AT" "WORLD, READING ABOUT WHO'S DATING WHO OR LOOKING AT SOMEBODY'S CELLULITE ON A BEACH" "DATING WHO OR LOOKING AT SOMEBODY'S CELLULITE ON A BEACH OR WHATEVER." "SOMEBODY'S CELLULITE ON A BEACH OR WHATEVER." "AND IT MAKES ME FEEL AWFUL." "YOUKNOW,THECELEBRITIESARE FAMOUS PEOPLE." "THEY KNOW THAT." "FAMOUS PEOPLE." "THEY KNOW THAT." "THEY WORK HARD, I THINK, TO" "THEY KNOW THAT." "THEY WORK HARD, I THINK, TO BECOME A CELEBRITY IN THE FIRST" "THEY WORK HARD, I THINK, TO BECOME A CELEBRITY IN THE FIRST PLACE, AND THEN YOU GOT THEIR" "BECOME A CELEBRITY IN THE FIRST PLACE, AND THEN YOU GOT THEIR PICTURE ALL OVER THE MAGAZINES." "PLACE, AND THEN YOU GOT THEIR PICTURE ALL OVER THE MAGAZINES." "I DON'T FEEL GUILTY AT ALL." "PICTURE ALL OVER THE MAGAZINES." "I DON'T FEEL GUILTY AT ALL." "PLUS, I'M BUYING THE MAGAZINES." "I DON'T FEEL GUILTY AT ALL." "PLUS, I'M BUYING THE MAGAZINES." "IT COSTS ME A LITTLE BIT OF" "PLUS, I'M BUYING THE MAGAZINES." "IT COSTS ME A LITTLE BIT OF MONEY TO EVEN BUY THE MAGAZINES." "IT COSTS ME A LITTLE BIT OF MONEY TO EVEN BUY THE MAGAZINES." "SO..." "I DON'T FEEL GUILTY." "MONEY TO EVEN BUY THE MAGAZINES." "SO..." "I DON'T FEEL GUILTY." "ITCOMESWITHYOURJOB." "SO..." "I DON'T FEEL GUILTY." "ITCOMESWITHYOURJOB." "YOU ASKED FOR THIS LIFE." "ITCOMESWITHYOURJOB." "YOU ASKED FOR THIS LIFE." "YOU WANTED TO BE IN THE" "YOU ASKED FOR THIS LIFE." "YOU WANTED TO BE IN THE LIMELIGHT, IN THE SPOTLIGHT, SO" "YOU WANTED TO BE IN THE LIMELIGHT, IN THE SPOTLIGHT, SO DEAL WITH IT." "LIMELIGHT, IN THE SPOTLIGHT, SO DEAL WITH IT." "YEAH,I KINDOF ASKEDFOR" "DEAL WITH IT." "YEAH,I KINDOF ASKEDFOR  THIS LIFE AND KIND OF KNEW THAT" "YEAH,I KINDOF ASKEDFOR  THIS LIFE AND KIND OF KNEW THAT THIS WAS PART OF IT THAT COMES" "THIS LIFE AND KIND OF KNEW THAT THIS WAS PART OF IT THAT COMES WITH IT." "THIS WAS PART OF IT THAT COMES WITH IT." "BUT THE SAME WAY THE MAGAZINES" "WITH IT." "BUT THE SAME WAY THE MAGAZINES MAKE MONEY, THEY MAKE MONEY FOR" "BUT THE SAME WAY THE MAGAZINES MAKE MONEY, THEY MAKE MONEY FOR ME." "MAKE MONEY, THEY MAKE MONEY FOR ME." "THEY GET THE WORD OUT THAT I" "ME." "THEY GET THE WORD OUT THAT I HAVE A RECORD OUT THERE AND PUT" "THEY GET THE WORD OUT THAT I HAVE A RECORD OUT THERE AND PUT ME IN SOME LIGHT THAT HOPEFULLY" "HAVE A RECORD OUT THERE AND PUT ME IN SOME LIGHT THAT HOPEFULLY SHINES THAT PEOPLE CONNECT TO" "ME IN SOME LIGHT THAT HOPEFULLY SHINES THAT PEOPLE CONNECT TO AND MAKE THEM WANT TO HEAR MY" "SHINES THAT PEOPLE CONNECT TO AND MAKE THEM WANT TO HEAR MY RECORD." "AND MAKE THEM WANT TO HEAR MY RECORD." "THERE'S A PRICE TO FAME." "RECORD." "THERE'S A PRICE TO FAME." "ARE YOU WILLING TO PAY IT?" "THERE'S A PRICE TO FAME." "ARE YOU WILLING TO PAY IT?" "YES,THAT'SPARTOFYOUR JOB" "ARE YOU WILLING TO PAY IT?" "YES,THAT'SPARTOFYOUR JOB IS PROMOTING YOUR WORK." "YES,THAT'SPARTOFYOUR JOB IS PROMOTING YOUR WORK." "BUT NOT " " I DON'T THINK IT'S" "IS PROMOTING YOUR WORK." "BUT NOT " " I DON'T THINK IT'S YOUR JOB WHEN YOU'RE GOING TO A" "BUT NOT " " I DON'T THINK IT'S YOUR JOB WHEN YOU'RE GOING TO A YOGA CLASS." "YOUR JOB WHEN YOU'RE GOING TO A YOGA CLASS." "THAT'S NOT YOUR JOB." "YOGA CLASS." "THAT'S NOT YOUR JOB." "THAT'S AN INVASION OF PRIVACY," "THAT'S NOT YOUR JOB." "THAT'S AN INVASION OF PRIVACY, AND THEY NEED TO STOP." "THAT'S AN INVASION OF PRIVACY, AND THEY NEED TO STOP." "LOOK." "AND THEY NEED TO STOP." "LOOK." "I HAVE A GREAT LIFE." "LOOK." "I HAVE A GREAT LIFE." "I WOULDN'T TRADE MYSELF, EVEN" "I HAVE A GREAT LIFE." "I WOULDN'T TRADE MYSELF, EVEN WITH THE PAPARAZZI FOLLOWING ME." "I WOULDN'T TRADE MYSELF, EVEN WITH THE PAPARAZZI FOLLOWING ME." "BUT NOT BECAUSE I HAVE A GREAT" "WITH THE PAPARAZZI FOLLOWING ME." "BUT NOT BECAUSE I HAVE A GREAT LIFE THEY SHOULD FEEL LIKE THEY" "BUT NOT BECAUSE I HAVE A GREAT LIFE THEY SHOULD FEEL LIKE THEY OWN IT." "WEREPRESENTED" "BARBRA STREISAND FOR MANY, MANY" "YEARS, AND I GOT INTO THE HABIT" "OF CARRYING A LARGE, BLACK" "UMBRELLA, WHETHER THE WEATHER" "CALLED FOR IT OR NOT." "AND IF I SAW PHOTOGRAPHERS COMING TOWARDS US, I WOULD OPEN THE UMBRELLA, AND LIKE TWO" "COMING TOWARDS US, I WOULD OPEN THE UMBRELLA, AND LIKE TWO FOOLS, WE WOULD WALK DOWN THE" "THE UMBRELLA, AND LIKE TWO FOOLS, WE WOULD WALK DOWN THE STREET WITH THE UMBRELLA IN" "FOOLS, WE WOULD WALK DOWN THE STREET WITH THE UMBRELLA IN FRONT OF ME SO THE PHOTOGRAPHERS" "STREET WITH THE UMBRELLA IN FRONT OF ME SO THE PHOTOGRAPHERS WOULD NOT TAKE HER PICTURE." "FRONT OF ME SO THE PHOTOGRAPHERS WOULD NOT TAKE HER PICTURE." "SHE DID NOT WANT HER PICTURE" "WOULD NOT TAKE HER PICTURE." "SHE DID NOT WANT HER PICTURE TAKEN." "SHE DID NOT WANT HER PICTURE TAKEN." "ON THE OTHER HAND," "TAKEN." "ON THE OTHER HAND, FRANK SINATRA, WHO WE" "ON THE OTHER HAND, FRANK SINATRA, WHO WE REPRESENTED, CONTROLLED THAT" "FRANK SINATRA, WHO WE REPRESENTED, CONTROLLED THAT PART OF HIS CELEBRITY BY NEVER" "REPRESENTED, CONTROLLED THAT PART OF HIS CELEBRITY BY NEVER APPEARING IN PUBLIC." "PART OF HIS CELEBRITY BY NEVER APPEARING IN PUBLIC." "[ LAUGHS ]" "APPEARING IN PUBLIC." "[ LAUGHS ] SINATRA WOULDN'T WALK DOWN THE" "[ LAUGHS ] SINATRA WOULDN'T WALK DOWN THE STREET." "SINATRA WOULDN'T WALK DOWN THE STREET." "IF HE HAD TO GO FROM HERE TO" "STREET." "IF HE HAD TO GO FROM HERE TO THERE, IT WAS IN A CAR." "IF HE HAD TO GO FROM HERE TO THERE, IT WAS IN A CAR." "DOYOUREMEMBERWHENWEWERE" "THERE, IT WAS IN A CAR." "DOYOUREMEMBERWHENWEWERE IN THE TRUNK OF SOMEBODY'S CAR," "DOYOUREMEMBERWHENWEWERE IN THE TRUNK OF SOMEBODY'S CAR, TRYING TO GET AWAY?" "IN THE TRUNK OF SOMEBODY'S CAR, TRYING TO GET AWAY?" "IN GINA'S CAR?" "TRYING TO GET AWAY?" "IN GINA'S CAR?" "MM-HMM." "IN GINA'S CAR?" "MM-HMM." "WEWEREJUSTLAYINGINTHE" "MM-HMM." "WEWEREJUSTLAYINGINTHE TRUNK." "WEWEREJUSTLAYINGINTHE TRUNK." "I'M LIKE, "WHEN DID THIS" "TRUNK." "I'M LIKE, "WHEN DID THIS HAPPEN?"" "I'M LIKE, "WHEN DID THIS HAPPEN?" IWANTEDTO GO SHOPPING." "HAPPEN?" IWANTEDTO GO SHOPPING." "I'MLIKE,"I 'MIN ATRUNK" "IWANTEDTO GO SHOPPING." "I'MLIKE,"I 'MIN ATRUNK WITH MY GIRLFRIEND," AND I'M" "I'MLIKE,"I 'MIN ATRUNK WITH MY GIRLFRIEND," AND I'M LIKE, "THIS IS YOUR LIFE?"" "WITH MY GIRLFRIEND," AND I'M LIKE, "THIS IS YOUR LIFE?" WELL, THERE'S NOTHING YOU CAN DO" "LIKE, "THIS IS YOUR LIFE?" WELL, THERE'S NOTHING YOU CAN DO ABOUT IT." "WELL, THERE'S NOTHING YOU CAN DO ABOUT IT." "I WAS LIKE, "I BEG TO DIFFER." "ABOUT IT." "I WAS LIKE, "I BEG TO DIFFER." "I BEG TO DIFFER."" "I WAS LIKE, "I BEG TO DIFFER." "I BEG TO DIFFER." YOUFEELOUTOFCONTROL,LIKE" "I BEG TO DIFFER." YOUFEELOUTOFCONTROL,LIKE YOU HAVE NO CONTROL OVER THIS," "YOUFEELOUTOFCONTROL,LIKE YOU HAVE NO CONTROL OVER THIS, AND THEN YOU REALIZE, "I HAVE TO" "YOU HAVE NO CONTROL OVER THIS, AND THEN YOU REALIZE, "I HAVE TO ACTUALLY CHANGE MY LIFE."" "AND THEN YOU REALIZE, "I HAVE TO ACTUALLY CHANGE MY LIFE." WE'VEMOVEDOUTOFMIAMI." "ACTUALLY CHANGE MY LIFE." WE'VEMOVEDOUTOFMIAMI." "WE'VE TAKEN MEASURES TO JUST" "WE'VEMOVEDOUTOFMIAMI." "WE'VE TAKEN MEASURES TO JUST SORT OF CONCENTRATE ON THE" "WE'VE TAKEN MEASURES TO JUST SORT OF CONCENTRATE ON THE QUALITY OF LIFE." "THERE'SA LOTOF PLACESWHERE" "YOU CAN LIVE, WHERE THERE ARE" "NOT PAPARAZZI." "YOU DON'T HAVE TO BE IN THE PUBLIC EYE." "THERE'S WAYS TO AVOID THE" "PUBLIC EYE." "THERE'S WAYS TO AVOID THE CAMERAS." "THERE'S WAYS TO AVOID THE CAMERAS." "ANDTHENTHEY'LLSAY ,"WELL," "CAMERAS." "ANDTHENTHEY'LLSAY ,"WELL, SHE'S ISOLATED." "ANDTHENTHEY'LLSAY ,"WELL, SHE'S ISOLATED." "SHE LIVES A RAREFIED LIFE." "SHE'S ISOLATED." "SHE LIVES A RAREFIED LIFE." "SHE DOESN'T HAVE THE HUMAN" "SHE LIVES A RAREFIED LIFE." "SHE DOESN'T HAVE THE HUMAN TOUCH." "SHE DOESN'T HAVE THE HUMAN TOUCH." "SHE'S NOT..."" "TOUCH." "SHE'S NOT..." WELL, I'M DESPERATE TO BE LIKE" "SHE'S NOT..." WELL, I'M DESPERATE TO BE LIKE YOU AND YOU AND YOU." "WELL, I'M DESPERATE TO BE LIKE YOU AND YOU AND YOU." "THEYTOLDME THEY'RECOMING" "YOU AND YOU AND YOU." "THEYTOLDME THEY'RECOMING OVER." "THEYTOLDME THEY'RECOMING OVER." "THEBIGBLACKGUY ?" "OVER." "THEBIGBLACKGUY ?" "YEAH." "THEBIGBLACKGUY ?" "YEAH." "YEAH,OKAY." "YEAH." "YEAH,OKAY." "HERECOMESSPENCER." "YEAH,OKAY." "HERECOMESSPENCER." "HERE SHE COMES." "HERECOMESSPENCER." "HERE SHE COMES." "HEY!" "HERE SHE COMES." "HEY!" "HEY,HAPPYBIRTHDAY,SPENCER!" "HEY!" "HEY,HAPPYBIRTHDAY,SPENCER!" "[ CAMERA SHUTTERS CLICK ]" "HEY,HAPPYBIRTHDAY,SPENCER!" "[ CAMERA SHUTTERS CLICK ] MYBIRTHDAYPRESENT." "[ CAMERA SHUTTERS CLICK ] MYBIRTHDAYPRESENT." "LET'SSEEIT ." "LET'SSEE IT." "MYBIRTHDAYPRESENT." "LET'SSEEIT ." "LET'SSEE IT." "THEPROBLEMALWAYSISTHAT" "LET'SSEEIT ." "LET'SSEE IT." "THEPROBLEMALWAYSISTHAT  CERTAIN CELEBRITIES INVITE IN" "THEPROBLEMALWAYSISTHAT  CERTAIN CELEBRITIES INVITE IN THE ATTENTION." "CERTAIN CELEBRITIES INVITE IN THE ATTENTION." "AND SO, THE RESPONSE OF THE" "THE ATTENTION." "AND SO, THE RESPONSE OF THE MEDIA IS, "WELL, WE'RE GETTING" "AND SO, THE RESPONSE OF THE MEDIA IS, "WELL, WE'RE GETTING CALLED."" "MEDIA IS, "WELL, WE'RE GETTING CALLED." THEYSHOULDHAVEAN" "CALLED." THEYSHOULDHAVEAN AGREEMENT." "THEYSHOULDHAVEAN AGREEMENT." "WHETHER IT'S THE PARIS HILTONS" "AGREEMENT." "WHETHER IT'S THE PARIS HILTONS OR THE GIRLS THAT DON'T HAVE AN" "WHETHER IT'S THE PARIS HILTONS OR THE GIRLS THAT DON'T HAVE AN ISSUE WITH IT, THE" "OR THE GIRLS THAT DON'T HAVE AN ISSUE WITH IT, THE "JERSEY SHORES," ALL THOSE" "ISSUE WITH IT, THE "JERSEY SHORES," ALL THOSE TELEVISION SHOWS " " THERE SHOULD" ""JERSEY SHORES," ALL THOSE TELEVISION SHOWS " " THERE SHOULD BE AN AGREEMENT." "TELEVISION SHOWS " " THERE SHOULD BE AN AGREEMENT." "BUT IT DOESN'T MEAN THAT" "BE AN AGREEMENT." "BUT IT DOESN'T MEAN THAT EVERYBODY ELSE IS A" "BUT IT DOESN'T MEAN THAT EVERYBODY ELSE IS A FREE-FOR-ALL." "EVERYBODY ELSE IS A FREE-FOR-ALL." "WHATCOULDANYGUY WANTMORE" "FREE-FOR-ALL." "WHATCOULDANYGUY WANTMORE  THAN THIS ON HIS BIRTHDAY?" "WHATCOULDANYGUY WANTMORE  THAN THIS ON HIS BIRTHDAY?" "WOW!" "LOOKAT THAT." "THAN THIS ON HIS BIRTHDAY?" "WOW!" "LOOKAT THAT." "ALOTOF THETIME,THEY 'RE" "WOW!" "LOOKAT THAT." "ALOTOF THETIME,THEY 'RE TOLD WHERE TO BE AND WHEN." "ALOTOF THETIME,THEY 'RE TOLD WHERE TO BE AND WHEN." "YEAH, IT BECOMES KIND OF A GAME." "TOLD WHERE TO BE AND WHEN." "YEAH, IT BECOMES KIND OF A GAME." "I'VEGOTDARRENCOMINGOUT." "YEAH, IT BECOMES KIND OF A GAME." "I'VEGOTDARRENCOMINGOUT." "I'M GONNA WALK HIM DOWN." "I'VEGOTDARRENCOMINGOUT." "I'M GONNA WALK HIM DOWN." "WELL,WHENHE COMES,WE'LL" "I'M GONNA WALK HIM DOWN." "WELL,WHENHE COMES,WE'LL DEFINITELY..." "WELL,WHENHE COMES,WE'LL DEFINITELY..." "OKAY." "DEFINITELY..." "OKAY." "PUBLICISTSEITHERTIPYOU ,OR" "OKAY." "PUBLICISTSEITHERTIPYOU ,OR THEY'LL GIVE INFORMATION OUT" "PUBLICISTSEITHERTIPYOU ,OR THEY'LL GIVE INFORMATION OUT INDIRECTLY, WHAT THE CLIENT" "THEY'LL GIVE INFORMATION OUT INDIRECTLY, WHAT THE CLIENT WON'T EVEN KNOW, JUST TO BUILD" "INDIRECTLY, WHAT THE CLIENT WON'T EVEN KNOW, JUST TO BUILD MORE HYPE." "WON'T EVEN KNOW, JUST TO BUILD MORE HYPE." "THEY'RE SUPPOSED TO." "MORE HYPE." "THEY'RE SUPPOSED TO." "THAT'S THEIR JOB." "THEY'RE SUPPOSED TO." "THAT'S THEIR JOB." "YEAH,SHEWASTWITTERINGUS." "THAT'S THEIR JOB." "YEAH,SHEWASTWITTERINGUS." "SHETWEETS." "SHETOLDUS." "YEAH,SHEWASTWITTERINGUS." "SHETWEETS." "SHETOLDUS." "TWITTERHASBECOMEANOTHER" "SHETWEETS." "SHETOLDUS." "TWITTERHASBECOMEANOTHER SOURCE." "TWITTERHASBECOMEANOTHER SOURCE." "SHEWASACTUALLYTELLINGUS" "SOURCE." "SHEWASACTUALLYTELLINGUS TO COME HERE." "SHEWASACTUALLYTELLINGUS TO COME HERE." "THAT'SFINE,BUTTHE OWNERS" "TO COME HERE." "THAT'SFINE,BUTTHE OWNERS OF THE ESTABLISHMENT DON'T WANT" "THAT'SFINE,BUTTHE OWNERS OF THE ESTABLISHMENT DON'T WANT YOU ON THEIR PROPERTY." "OF THE ESTABLISHMENT DON'T WANT YOU ON THEIR PROPERTY." "IT'S NOT HER." "IT'S THEM." "YOU ON THEIR PROPERTY." "IT'S NOT HER." "IT'S THEM." "ONETIMEWE HADASOURCETHAT" "IT'S NOT HER." "IT'S THEM." "ONETIMEWE HADASOURCETHAT WAS GIVING US SPECIFIC," "ONETIMEWE HADASOURCETHAT WAS GIVING US SPECIFIC, INCREDIBLE INFORMATION." "WAS GIVING US SPECIFIC, INCREDIBLE INFORMATION." "IT WAS ALMOST AS IF IT WAS" "INCREDIBLE INFORMATION." "IT WAS ALMOST AS IF IT WAS COMING FROM ANGELINA JOLIE'S" "IT WAS ALMOST AS IF IT WAS COMING FROM ANGELINA JOLIE'S MOUTH HERSELF." "COMING FROM ANGELINA JOLIE'S MOUTH HERSELF." "ON WHEN PITT FLEW INTO AFRICA " "MOUTH HERSELF." "ON WHEN PITT FLEW INTO AFRICA -- PRIVATE, LITTLE RESORT " " WE HAD" "ON WHEN PITT FLEW INTO AFRICA -- PRIVATE, LITTLE RESORT " " WE HAD THREE OR FOUR MINUTES TO GET THE" "PRIVATE, LITTLE RESORT " " WE HAD THREE OR FOUR MINUTES TO GET THE PICTURE THAT WAS BOUGHT IN AN" "THREE OR FOUR MINUTES TO GET THE PICTURE THAT WAS BOUGHT IN AN AUCTION OVERNIGHT BY US" "PICTURE THAT WAS BOUGHT IN AN AUCTION OVERNIGHT BY US MAGAZINE." "UNAUTHORIZEDPUBLICITY" "DEFINITELY HAS A ROLE IN" "MAINTAINING A STAR'S VISIBILITY," "AND I THINK THAT TODAY" "CELEBRITIES HAVE LEARNED TO" "ALLOW JUST ENOUGH COVERAGE, SO" "AS TO MAKE IT SEEM LIKE YOU ARE" "GIVING SOME OF YOURSELF BUT AT" "THE SAME TIME MAINTAINING A" "SEMBLANCE OF PRIVACY." "I MEAN, SOMEONE LIKE BRAD AND" "ANGELINA HAVE A REALLY" "METICULOUSLY MAINTAINED STAR" "IMAGE." "BUT THEY ALSO ALLOW SLIGHT" "MOMENTS OF AUTHENTICITY THAT" "MAKE THEM INTERESTING." "ANGELINAJOLIEKNOWSEXACTLY" "THE MOMENT THAT YOU NEED TO HAVE" "THIS PARTICULAR PART OF HER" "PERSONA EXPOSED TO THE WORLD," "THIS PARTICULAR PART OF HER LIFE" "EXPOSED TO THE WORLD, AND SHE'S" "BRILLIANT AT IT." "YOUHAVETO CONSTANTLYBE" "ABLE TO REINVENT YOURSELF, AND" "THE ONES WHO STAY BEFORE US" "REALLY ARE THE ONES WHO, ONE WAY" "OR ANOTHER, MANAGE TO DO" "SOMETHING THAT KEEPS US" "INTERESTED AND FASCINATED." "THAT,TOME ,SMELLSCELEBRITY DOUBLE STANDARDS." "I DON'T AGREE WITH IT." "DOUBLE STANDARDS." "I DON'T AGREE WITH IT." "I THINK IT'S COMPLETELY AND" "I DON'T AGREE WITH IT." "I THINK IT'S COMPLETELY AND UTTERLY WRONG." "I THINK IT'S COMPLETELY AND UTTERLY WRONG." "LIKE, ANGELINA AND BRAD PITT" "UTTERLY WRONG." "LIKE, ANGELINA AND BRAD PITT SAY, "UNDER MY TERMS, I'LL PUT" "LIKE, ANGELINA AND BRAD PITT SAY, "UNDER MY TERMS, I'LL PUT MY CHILDREN ON THE FRONT OF A" "SAY, "UNDER MY TERMS, I'LL PUT MY CHILDREN ON THE FRONT OF A MAGAZINE FOR 15 MILLION BUCKS." "MY CHILDREN ON THE FRONT OF A MAGAZINE FOR 15 MILLION BUCKS." "BUT WHEN YOU'RE PHOTOGRAPHING ME" "MAGAZINE FOR 15 MILLION BUCKS." "BUT WHEN YOU'RE PHOTOGRAPHING ME IN A PUBLIC PLACE, UNH-UNH-UNH," "BUT WHEN YOU'RE PHOTOGRAPHING ME IN A PUBLIC PLACE, UNH-UNH-UNH, THAT'S NOT ON."" "IN A PUBLIC PLACE, UNH-UNH-UNH, THAT'S NOT ON." I DON'T UNDERSTAND THAT." "THAT'S NOT ON." I DON'T UNDERSTAND THAT." "THATWASAVERYINTERESTING" "I DON'T UNDERSTAND THAT." "THATWASAVERYINTERESTING CASE." "THATWASAVERYINTERESTING CASE." "WE WORKED WITH THEM FOR FREE." "CASE." "WE WORKED WITH THEM FOR FREE." "THEY WANTED ALL THE MONEY TO GO" "WE WORKED WITH THEM FOR FREE." "THEY WANTED ALL THE MONEY TO GO TO CHARITY." "THEY WANTED ALL THE MONEY TO GO TO CHARITY." "SO, IT WORKED PERFECTLY." "TO CHARITY." "SO, IT WORKED PERFECTLY." "THE VALUE OF AN EXCLUSIVE IMAGE" "SO, IT WORKED PERFECTLY." "THE VALUE OF AN EXCLUSIVE IMAGE IS VERY HIGH, BECAUSE THAT BABY" "THE VALUE OF AN EXCLUSIVE IMAGE IS VERY HIGH, BECAUSE THAT BABY OR THAT WEDDING HASN'T BEEN" "IS VERY HIGH, BECAUSE THAT BABY OR THAT WEDDING HASN'T BEEN PHOTOGRAPHED BEFORE." "OR THAT WEDDING HASN'T BEEN PHOTOGRAPHED BEFORE." "SO, IF WE CAN WORK WITH THE" "PHOTOGRAPHED BEFORE." "SO, IF WE CAN WORK WITH THE CELEBRITIES AND GET THOSE" "SO, IF WE CAN WORK WITH THE CELEBRITIES AND GET THOSE PICTURES OUT FIRST, IT IS A" "CELEBRITIES AND GET THOSE PICTURES OUT FIRST, IT IS A MASSIVE DISINCENTIVE TO THE" "PICTURES OUT FIRST, IT IS A MASSIVE DISINCENTIVE TO THE PAPARAZZI TO CHASE AFTER THEM," "MASSIVE DISINCENTIVE TO THE PAPARAZZI TO CHASE AFTER THEM, BECAUSE THEY'RE NOT GONNA GET A" "PAPARAZZI TO CHASE AFTER THEM, BECAUSE THEY'RE NOT GONNA GET A LOT OF MONEY FOR THE THIRD" "BECAUSE THEY'RE NOT GONNA GET A LOT OF MONEY FOR THE THIRD PICTURE OF THE BABY, WHEN THE" "LOT OF MONEY FOR THE THIRD PICTURE OF THE BABY, WHEN THE FIRST PICTURES HAVE BEEN" "PICTURE OF THE BABY, WHEN THE FIRST PICTURES HAVE BEEN PUBLISHED EVERYWHERE." "PUBLICITY..." "YOU KNOW, IT'S A GAME PLAYED FOR THE BENEFIT OF EVERYONE" "YOU KNOW, IT'S A GAME PLAYED FOR THE BENEFIT OF EVERYONE INVOLVED UP TO A CERTAIN POINT." "THE BENEFIT OF EVERYONE INVOLVED UP TO A CERTAIN POINT." "AND THAT CERTAIN POINT IS WHERE" "INVOLVED UP TO A CERTAIN POINT." "AND THAT CERTAIN POINT IS WHERE IT GETS DANGEROUS." "DRIVEOUTTHEGARAGE." "COUPLE YARDS DOWN THE STREET, ONE, TWO, THREE, FOUR CARS." "COUPLE YARDS DOWN THE STREET, ONE, TWO, THREE, FOUR CARS." "THEY'D ALL BE SMOKING" "ONE, TWO, THREE, FOUR CARS." "THEY'D ALL BE SMOKING CIGARETTES, WAITING FOR YOU TO" "THEY'D ALL BE SMOKING CIGARETTES, WAITING FOR YOU TO COME OUT." "CIGARETTES, WAITING FOR YOU TO COME OUT." "JUMP IN THEIR CARS, AND THEN" "COME OUT." "JUMP IN THEIR CARS, AND THEN YOU'RE OFF." "JUMP IN THEIR CARS, AND THEN YOU'RE OFF." "[ TIRES SCREECH ]" "YOU'RE OFF." "[ TIRES SCREECH ] THEMAINCARRUNSAYELLOW" "[ TIRES SCREECH ] THEMAINCARRUNSAYELLOW LIGHT." "THEMAINCARRUNSAYELLOW LIGHT." "EVERYBODY BEHIND THAT PERSON," "LIGHT." "EVERYBODY BEHIND THAT PERSON, THE TEN CARS, ARE RUNNING" "EVERYBODY BEHIND THAT PERSON, THE TEN CARS, ARE RUNNING LIGHTS UNTIL IT TURNS GREEN" "THE TEN CARS, ARE RUNNING LIGHTS UNTIL IT TURNS GREEN AGAIN." "LIGHTS UNTIL IT TURNS GREEN AGAIN." "THENYOUFINDYOURSELF" "AGAIN." "THENYOUFINDYOURSELF DRIVING KIND OF LIKE CRAZY JUST" "THENYOUFINDYOURSELF DRIVING KIND OF LIKE CRAZY JUST TO GET AWAY FROM THEM." "DRIVING KIND OF LIKE CRAZY JUST TO GET AWAY FROM THEM." "ONEINTHEFRONT,ONEINTHE" "TO GET AWAY FROM THEM." "ONEINTHEFRONT,ONEINTHE  BACK, ONE ON THE SIDE " " YOU" "ONEINTHEFRONT,ONEINTHE  BACK, ONE ON THE SIDE " " YOU FEEL LIKE A TRAPPED RAT." "BACK, ONE ON THE SIDE " " YOU FEEL LIKE A TRAPPED RAT." "IT'SA MATTEROF PLAYING" "FEEL LIKE A TRAPPED RAT." "IT'SA MATTEROF PLAYING CHICKEN." "IT'SA MATTEROF PLAYING CHICKEN." "EITHER YOU'RE GONNA STOP, OR" "CHICKEN." "EITHER YOU'RE GONNA STOP, OR YOU'RE GONNA CRASH INTO THE CAR." "EITHER YOU'RE GONNA STOP, OR YOU'RE GONNA CRASH INTO THE CAR." "[ TIRES SCREECH ]" "YOU'RE GONNA CRASH INTO THE CAR." "[ TIRES SCREECH ] [ VEHICLES SLAM ]" "[ TIRES SCREECH ] [ VEHICLES SLAM ] [ HORN BLARES ]" "[ VEHICLES SLAM ] [ HORN BLARES ] NICOLERICHIEWASCHASEDBY" "[ HORN BLARES ] NICOLERICHIEWASCHASEDBY A PAPARAZZI AND GOT IN A CAR" "NICOLERICHIEWASCHASEDBY A PAPARAZZI AND GOT IN A CAR ACCIDENT." "A PAPARAZZI AND GOT IN A CAR ACCIDENT." "THANK GOD HER CHILDREN WEREN'T" "ACCIDENT." "THANK GOD HER CHILDREN WEREN'T IN THE CAR." "ITCANGETREALLYDANGEROUS." "LOOK WHAT HAPPENED TO DIANA." "REPORTSSAYAVEHICLE CARRYING THE PRINCESS AND HER ENTOURAGE WAS BEING CHASED BY" "CARRYING THE PRINCESS AND HER ENTOURAGE WAS BEING CHASED BY PHOTOGRAPHERS." "ENTOURAGE WAS BEING CHASED BY PHOTOGRAPHERS." "SEVERAL HOURS AFTER THE" "PHOTOGRAPHERS." "SEVERAL HOURS AFTER THE ACCIDENT, FRENCH EMERGENCY" "SEVERAL HOURS AFTER THE ACCIDENT, FRENCH EMERGENCY SERVICES WERE STILL AT THE" "ACCIDENT, FRENCH EMERGENCY SERVICES WERE STILL AT THE SCENE, CUTTING PEOPLE FROM THE" "SERVICES WERE STILL AT THE SCENE, CUTTING PEOPLE FROM THE WRECKAGE." "THISISN'TTHETIMEFOR" "RECRIMINATIONS BUT FOR SADNESS." "HOWEVER, I WOULD SAY THAT I" "ALWAYS BELIEVED THE PRESS WOULD" "KILL HER IN THE END." "BUT NOT EVEN I COULD IMAGINE" "THAT THEY WOULD TAKE SUCH A" "DIRECT HAND IN HER DEATH, AS" "SEEMS TO BE THE CASE." "IT WOULD APPEAR THAT EVERY PROPRIETOR AND EDITOR OF EVERY PUBLICATION THAT HAS PAID FOR" "PROPRIETOR AND EDITOR OF EVERY PUBLICATION THAT HAS PAID FOR INTRUSIVE AND EXPLOITATIVE" "PUBLICATION THAT HAS PAID FOR INTRUSIVE AND EXPLOITATIVE PHOTOGRAPHS OF HER, ENCOURAGING" "INTRUSIVE AND EXPLOITATIVE PHOTOGRAPHS OF HER, ENCOURAGING GREEDY AND RUTHLESS INDIVIDUALS" "PHOTOGRAPHS OF HER, ENCOURAGING GREEDY AND RUTHLESS INDIVIDUALS TO RISK EVERYTHING IN PURSUIT OF" "GREEDY AND RUTHLESS INDIVIDUALS TO RISK EVERYTHING IN PURSUIT OF DIANA'S IMAGE, HAS BLOOD ON HIS" "TO RISK EVERYTHING IN PURSUIT OF DIANA'S IMAGE, HAS BLOOD ON HIS HANDS TODAY." "WELL,IFTHEPUBLISHERSHAVE  BLOOD ON THEIR HANDS TODAY, SO DO THE READERS OF THOSE" "BLOOD ON THEIR HANDS TODAY, SO DO THE READERS OF THOSE MAGAZINES." "DO THE READERS OF THOSE MAGAZINES." "AFTER THE WHOLE SHOCK OF HER" "MAGAZINES." "AFTER THE WHOLE SHOCK OF HER DEATH, PEOPLE STARTED PUTTING" "AFTER THE WHOLE SHOCK OF HER DEATH, PEOPLE STARTED PUTTING FLOWERS OUTSIDE" "DEATH, PEOPLE STARTED PUTTING FLOWERS OUTSIDE BUCKINGHAM PALACE." "FLOWERS OUTSIDE BUCKINGHAM PALACE." "AND SEVERAL LEGITIMATE NEWS" "BUCKINGHAM PALACE." "AND SEVERAL LEGITIMATE NEWS PHOTOGRAPHERS WERE ASSAULTED" "AND SEVERAL LEGITIMATE NEWS PHOTOGRAPHERS WERE ASSAULTED BECAUSE THEY WERE TAKING" "PHOTOGRAPHERS WERE ASSAULTED BECAUSE THEY WERE TAKING PHOTOGRAPHS OF PEOPLE PUTTING" "BECAUSE THEY WERE TAKING PHOTOGRAPHS OF PEOPLE PUTTING THE FLOWERS THERE." "PHOTOGRAPHS OF PEOPLE PUTTING THE FLOWERS THERE." "THE PEOPLE WHO ASSAULTED THEM" "THE FLOWERS THERE." "THE PEOPLE WHO ASSAULTED THEM WERE THE SAME PEOPLE WHO HAD" "THE PEOPLE WHO ASSAULTED THEM WERE THE SAME PEOPLE WHO HAD BOUGHT THE MAGAZINES THAT MADE" "WERE THE SAME PEOPLE WHO HAD BOUGHT THE MAGAZINES THAT MADE HER IMAGE A VALUABLE COMMODITY." "BOUGHT THE MAGAZINES THAT MADE HER IMAGE A VALUABLE COMMODITY." "PHOTOGRAPHERS WOULD NOT HAVE" "HER IMAGE A VALUABLE COMMODITY." "PHOTOGRAPHERS WOULD NOT HAVE CHASED HER IF THEY COULDN'T HAVE" "PHOTOGRAPHERS WOULD NOT HAVE CHASED HER IF THEY COULDN'T HAVE GOT GOOD MONEY FOR THOSE" "CHASED HER IF THEY COULDN'T HAVE GOT GOOD MONEY FOR THOSE PHOTOGRAPHS." "GOT GOOD MONEY FOR THOSE PHOTOGRAPHS." "AND IT WAS THE PEOPLE WHO WERE" "PHOTOGRAPHS." "AND IT WAS THE PEOPLE WHO WERE BUYING THE MAGAZINES THAT WERE" "AND IT WAS THE PEOPLE WHO WERE BUYING THE MAGAZINES THAT WERE ULTIMATELY SUPPLYING THAT MONEY." "BUYING THE MAGAZINES THAT WERE ULTIMATELY SUPPLYING THAT MONEY." "WHENPRINCESSDIANADIED," "ULTIMATELY SUPPLYING THAT MONEY." "WHENPRINCESSDIANADIED, THERE WAS THAT SENSE OF "WOW," "WHENPRINCESSDIANADIED, THERE WAS THAT SENSE OF "WOW, THIS IS GONNA CHANGE" "THERE WAS THAT SENSE OF "WOW, THIS IS GONNA CHANGE EVERYTHING."" "THIS IS GONNA CHANGE EVERYTHING." WHAT WAS SORT OF THE IMMEDIATE" "EVERYTHING." WHAT WAS SORT OF THE IMMEDIATE IMPACT, DO YOU THINK?" "ITHINKMEDIAINTERESTIN" "PRINCESS DIANA AND PARTICULARLY" "HER DEATH LED TO A CHANGE OF" "CULTURE." "THE COMMERCIAL DEMAND FOR THOSE KIND OF PHOTOS FELL." "BUT, UNFORTUNATELY, IN THE LAST" "KIND OF PHOTOS FELL." "BUT, UNFORTUNATELY, IN THE LAST FEW YEARS, AS THE YOUNGER ROYALS" "BUT, UNFORTUNATELY, IN THE LAST FEW YEARS, AS THE YOUNGER ROYALS STARTING TO JOIN THE FAMILY, THE" "FEW YEARS, AS THE YOUNGER ROYALS STARTING TO JOIN THE FAMILY, THE MEDIA INTEREST IN THEM AND THE" "STARTING TO JOIN THE FAMILY, THE MEDIA INTEREST IN THEM AND THE INTRUSION IS ESCALATING AGAIN." "MEDIA INTEREST IN THEM AND THE INTRUSION IS ESCALATING AGAIN." "...ISJUST16 DAYSAWAY..." "INTRUSION IS ESCALATING AGAIN." "...ISJUST16 DAYSAWAY..." "ANDONTHEBIG DAY ,AVIEWING ...ISJUST16 DAYSAWAY..." "ANDONTHEBIG DAY ,AVIEWING PARTY IN LONDON'S ICONIC" "ANDONTHEBIG DAY ,AVIEWING PARTY IN LONDON'S ICONIC TRAFALGAR SQUARE..." "PARTY IN LONDON'S ICONIC TRAFALGAR SQUARE..." "...THEWORLDIS WAITINGFOR ," "TRAFALGAR SQUARE..." "...THEWORLDIS WAITINGFOR , THE FIRST REAL THEWORLDIS WAITINGFOR , THE FIRST REAL..." "...MORETHANABILLIONPAIRS" "THE FIRST REAL..." "...MORETHANABILLIONPAIRS OF EYES." "...MORETHANABILLIONPAIRS OF EYES." "...ONA FAIRYTALEWE'VEALL" "OF EYES." "...ONA FAIRYTALEWE'VEALL BEEN LIVING AND BREATHING." "...ONA FAIRYTALEWE'VEALL BEEN LIVING AND BREATHING." "...ECHOESOFDIANA'S"Idos. "" "BEEN LIVING AND BREATHING." "...ECHOESOFDIANA'S"Idos. " REMINDSMESO MUCHOFDIANA'S ...ECHOESOFDIANA'S"Idos. " REMINDSMESO MUCHOFDIANA'S WEDDING..." "WHATI LOVEABOUTTEACHING HISTORY IS TO SAY, "WELL, THIS ISN'T THE FIRST TIME THIS HAS" "HISTORY IS TO SAY, "WELL, THIS ISN'T THE FIRST TIME THIS HAS HAPPENED."" "ISN'T THE FIRST TIME THIS HAS HAPPENED." YOU CAN GO BACK AND SHOW HOW IT" "HAPPENED." YOU CAN GO BACK AND SHOW HOW IT ALL HAPPENED BEFORE." "IT'SA MADHOUSEAROUNDHERE." "[ ALL CLAMORING ] GEORGE,WELCOMETO THEPARTY!" "[ ALL CLAMORING ] GEORGE,WELCOMETO THEPARTY!" "WESHOULDRUSHTHIS," "GEORGE,WELCOMETO THEPARTY!" "WESHOULDRUSHTHIS, BRITNEY-STYLE, MAN." "WESHOULDRUSHTHIS, BRITNEY-STYLE, MAN." "I'MGOINGIN ." "BRITNEY-STYLE, MAN." "I'MGOINGIN ." "THISISAGANG-BANG." "I'MGOINGIN ." "THISISAGANG-BANG." "IT'S A GANG-BANG." "THISISAGANG-BANG." "IT'S A GANG-BANG." "KIM!" "IT'S A GANG-BANG." "KIM!" "VERYNICE." "KIM!" "VERYNICE." "[ LAUGHTER ]" "VERYNICE." "[ LAUGHTER ] IAMAPHOTOJOURNALIST." "[ LAUGHTER ] IAMAPHOTOJOURNALIST." "IT'S AN ART." "IAMAPHOTOJOURNALIST." "IT'S AN ART." "NO,THEY'RENOTJOURNALISTS." "IT'S AN ART." "NO,THEY'RENOTJOURNALISTS." "PAPARAZZI ARE PEOPLE WITH A" "NO,THEY'RENOTJOURNALISTS." "PAPARAZZI ARE PEOPLE WITH A CAMERA." "PAPARAZZI ARE PEOPLE WITH A CAMERA." "ANYONE CAN GET A CAMERA." "CAMERA." "ANYONE CAN GET A CAMERA." "YOU CAN GO TO THE DRUGSTORE AND" "ANYONE CAN GET A CAMERA." "YOU CAN GO TO THE DRUGSTORE AND BUY A DISPOSABLE CAMERA." "YOU CAN GO TO THE DRUGSTORE AND BUY A DISPOSABLE CAMERA." "NOW YOU'RE TAKING PICTURES." "BUY A DISPOSABLE CAMERA." "NOW YOU'RE TAKING PICTURES." "YOU'RE ALL THE SUDDEN THIS" "NOW YOU'RE TAKING PICTURES." "YOU'RE ALL THE SUDDEN THIS JOURNALIST?" "YOU'RE ALL THE SUDDEN THIS JOURNALIST?" "NO WAY ARE THEY A JOURNALIST." "JOURNALIST?" "NO WAY ARE THEY A JOURNALIST." "IFTHEY'REALLOWEDTODO" "NO WAY ARE THEY A JOURNALIST." "IFTHEY'REALLOWEDTODO IT " " IF THEY'RE ALLOWED TO" "IFTHEY'REALLOWEDTODO IT " " IF THEY'RE ALLOWED TO CHASE YOU, IF THEY'RE ALLOWED TO" "IT " " IF THEY'RE ALLOWED TO CHASE YOU, IF THEY'RE ALLOWED TO INVADE YOUR PRIVACY, AND THEY" "CHASE YOU, IF THEY'RE ALLOWED TO INVADE YOUR PRIVACY, AND THEY KNOW THEY'RE GONNA MAKE MONEY" "INVADE YOUR PRIVACY, AND THEY KNOW THEY'RE GONNA MAKE MONEY OFF OF IT, THEY'RE NOT GONNA" "KNOW THEY'RE GONNA MAKE MONEY OFF OF IT, THEY'RE NOT GONNA STOP." "OFF OF IT, THEY'RE NOT GONNA STOP." "IFYOU'REAPHOTOGRAPHER," "STOP." "IFYOU'REAPHOTOGRAPHER, TAKE A DECENT PHOTOGRAPH." "IFYOU'REAPHOTOGRAPHER, TAKE A DECENT PHOTOGRAPH." "GO AND LEARN YOUR TRADE." "TAKE A DECENT PHOTOGRAPH." "GO AND LEARN YOUR TRADE." "MAKE SOME BEAUTIFUL PHOTOGRAPHS," "GO AND LEARN YOUR TRADE." "MAKE SOME BEAUTIFUL PHOTOGRAPHS, LIKE IRVING PENN OR SOMEONE LIKE" "MAKE SOME BEAUTIFUL PHOTOGRAPHS, LIKE IRVING PENN OR SOMEONE LIKE THAT." "LIKE IRVING PENN OR SOMEONE LIKE THAT." "WHAT YOU DO IS JUST CRAP." "THAT." "WHAT YOU DO IS JUST CRAP." "IT'S CRAP." "ITMUSTBE FRUSTRATING." "IT MUST BE FRUSTRATING." "WHAT I THINK MIGHT BE EVEN MORE" "FRUSTRATING IS TO NEVER SEE A" "PHOTOGRAPHER AGAIN." "PAPARAZZI ARE DOING JOURNALISM." "THEY ARE GATHERING INFORMATION." "THEY'RE TELLING A STORY OF SOME" "THEY ARE GATHERING INFORMATION." "THEY'RE TELLING A STORY OF SOME SORT AND DISSEMINATING IT TO AN" "THEY'RE TELLING A STORY OF SOME SORT AND DISSEMINATING IT TO AN AUDIENCE." "AUDIENCE." "THEFIRSTAMENDMENTPROTECTS" "THEFIRSTAMENDMENTPROTECTS ARTISTS IN THEIR ABILITY TO BE" "ARTISTS IN THEIR ABILITY TO BE CREATIVE AND SOMETIMES risqué." "CREATIVE AND SOMETIMES risqué." "AND IT ALSO PROTECTS THE" "AND IT ALSO PROTECTS THE PAPARAZZI." "BUT IT DOESN'T NECESSARILY MEAN" "PAPARAZZI." "BUT IT DOESN'T NECESSARILY MEAN THAT IT PROTECTS AGAINST EACH" "BUT IT DOESN'T NECESSARILY MEAN THAT IT PROTECTS AGAINST EACH AND EVERY ACTION." "THAT IT PROTECTS AGAINST EACH AND EVERY ACTION." "THEREDEFINITELYARELIMITS" "AND EVERY ACTION." "THEREDEFINITELYARELIMITS TO FREE SPEECH." "THEREDEFINITELYARELIMITS TO FREE SPEECH." "YOU DON'T GET TO PUBLISH FALSE" "TO FREE SPEECH." "YOU DON'T GET TO PUBLISH FALSE THINGS ABOUT SOMEBODY." "YOU DON'T GET TO PUBLISH FALSE THINGS ABOUT SOMEBODY." "YOU DON'T GET TO PUBLISH" "THINGS ABOUT SOMEBODY." "YOU DON'T GET TO PUBLISH OBSCENITY, CHILD PORNOGRAPHY." "YOU DON'T GET TO PUBLISH OBSCENITY, CHILD PORNOGRAPHY." "YOU DO NOT GET TO INVADE" "OBSCENITY, CHILD PORNOGRAPHY." "YOU DO NOT GET TO INVADE SOMEONE'S PRIVACY BY SHOOTING" "YOU DO NOT GET TO INVADE SOMEONE'S PRIVACY BY SHOOTING WITH A LONG TELEPHOTO LENS INTO" "SOMEONE'S PRIVACY BY SHOOTING WITH A LONG TELEPHOTO LENS INTO SOMEBODY'S BEDROOM." "WITH A LONG TELEPHOTO LENS INTO SOMEBODY'S BEDROOM." "THE SUPREME COURT HAS SAID YOU" "SOMEBODY'S BEDROOM." "THE SUPREME COURT HAS SAID YOU DON'T GET TO DO THOSE THINGS." "THE SUPREME COURT HAS SAID YOU DON'T GET TO DO THOSE THINGS." "YOUTELLME THISKINDOF" "DON'T GET TO DO THOSE THINGS." "YOUTELLME THISKINDOF BEHAVIOR IS COVERED BY WHAT" "YOUTELLME THISKINDOF BEHAVIOR IS COVERED BY WHAT JOURNALISM SHOULD BE COVERED BY?" "BEHAVIOR IS COVERED BY WHAT JOURNALISM SHOULD BE COVERED BY?" "THAT'S JUST BULL." "JOURNALISM SHOULD BE COVERED BY?" "THAT'S JUST BULL." "[LAUGHS]" "THAT'S JUST BULL." "[LAUGHS] BACKOFF." "[LAUGHS] BACKOFF." "[ ALL CLAMORING ]" "BACKOFF." "[ ALL CLAMORING ] WOW,DUDE." "[ ALL CLAMORING ] WOW,DUDE." "NOWAY." "AREYOU KIDDING?" "WOW,DUDE." "NOWAY." "AREYOU KIDDING?" "THESEPEOPLEAREBEHAVING" "NOWAY." "AREYOU KIDDING?" "THESEPEOPLEAREBEHAVING TERRIBLY." "THESEPEOPLEAREBEHAVING TERRIBLY." "IT'S BEYOND RUDE AND CRUDE AND" "TERRIBLY." "IT'S BEYOND RUDE AND CRUDE AND UNACCEPTABLE." "IT'S BEYOND RUDE AND CRUDE AND UNACCEPTABLE." "BUT IT'S VERY HARD TO LEGISLATE" "UNACCEPTABLE." "BUT IT'S VERY HARD TO LEGISLATE GOOD BEHAVIOR." "BUT IT'S VERY HARD TO LEGISLATE GOOD BEHAVIOR." "I'MNOTSOMEBODYFOR MORE" "GOOD BEHAVIOR." "I'MNOTSOMEBODYFOR MORE LAWS, MORE LAWS, AND MORE LAWS," "I'MNOTSOMEBODYFOR MORE LAWS, MORE LAWS, AND MORE LAWS, TO SAY WHO CAN SHOOT A PICTURE" "LAWS, MORE LAWS, AND MORE LAWS, TO SAY WHO CAN SHOOT A PICTURE AND WHO CAN'T AND WHERE THEY CAN" "TO SAY WHO CAN SHOOT A PICTURE AND WHO CAN'T AND WHERE THEY CAN PUT IT AND WHAT THEY CAN DO." "AND WHO CAN'T AND WHERE THEY CAN PUT IT AND WHAT THEY CAN DO." "I MEAN, THAT'S PART OF THE" "PUT IT AND WHAT THEY CAN DO." "I MEAN, THAT'S PART OF THE BEAUTY OF OUR SOCIETY IS THE" "I MEAN, THAT'S PART OF THE BEAUTY OF OUR SOCIETY IS THE FREEDOMS." "BEAUTY OF OUR SOCIETY IS THE FREEDOMS." "BUT THERE'S GOT TO BE SOMETHING" "FREEDOMS." "BUT THERE'S GOT TO BE SOMETHING THAT WE CAN STAND UP MORALLY, AS" "BUT THERE'S GOT TO BE SOMETHING THAT WE CAN STAND UP MORALLY, AS A CULTURE, AND SAY, "HEY, THAT'S" "THAT WE CAN STAND UP MORALLY, AS A CULTURE, AND SAY, "HEY, THAT'S NOT COOL TAKING A PICTURE OF" "A CULTURE, AND SAY, "HEY, THAT'S NOT COOL TAKING A PICTURE OF THAT KID OVER THERE." "NOT COOL TAKING A PICTURE OF THAT KID OVER THERE." "CUT IT OUT."" "THAT KID OVER THERE." "CUT IT OUT." HOW?" "CUT IT OUT." HOW?" "HE'S THE MANAGER OF THIS BIG," "HOW?" "HE'S THE MANAGER OF THIS BIG, BIG, BIG..." "HE'S THE MANAGER OF THIS BIG, BIG, BIG..." "I LOVE TO WALK MY SON TO SCHOOL" "BIG, BIG..." "I LOVE TO WALK MY SON TO SCHOOL BECAUSE IT'S THE TIME OF DAY" "I LOVE TO WALK MY SON TO SCHOOL BECAUSE IT'S THE TIME OF DAY THAT HE'S VERY OPEN." "BECAUSE IT'S THE TIME OF DAY THAT HE'S VERY OPEN." "THE WHOLE WORLD IS INTERESTING" "THAT HE'S VERY OPEN." "THE WHOLE WORLD IS INTERESTING TO HIM." "THE WHOLE WORLD IS INTERESTING TO HIM." "AND TO HAVE LONG LENSES AIMED AT" "TO HIM." "AND TO HAVE LONG LENSES AIMED AT YOU, PURPOSEFULLY GETTING IN" "AND TO HAVE LONG LENSES AIMED AT YOU, PURPOSEFULLY GETTING IN YOUR " " NEVER MIND YOUR PHYSICAL" "YOU, PURPOSEFULLY GETTING IN YOUR " " NEVER MIND YOUR PHYSICAL PATH BUT YOUR EMOTIONAL PATH " "YOUR " " NEVER MIND YOUR PHYSICAL PATH BUT YOUR EMOTIONAL PATH -- IT'S ACTUALLY A SCARY" "PATH BUT YOUR EMOTIONAL PATH -- IT'S ACTUALLY A SCARY FEELING..." "IT'S ACTUALLY A SCARY FEELING..." "[ CAMERA SHUTTERS CLICK ]" "FEELING..." "[ CAMERA SHUTTERS CLICK ] ...LIKE HAVING SHARPSHOOTERS" "[ CAMERA SHUTTERS CLICK ] ...LIKE HAVING SHARPSHOOTERS AIMED AT YOU." "...LIKE HAVING SHARPSHOOTERS AIMED AT YOU." "ALLRIGHTY,HEREITIS." "AIMED AT YOU." "ALLRIGHTY,HEREITIS." "THEMOREINTIMATESHOTSARE" "ALLRIGHTY,HEREITIS." "THEMOREINTIMATESHOTSARE THE ONES THAT PEOPLE CRITICIZE." "THEMOREINTIMATESHOTSARE THE ONES THAT PEOPLE CRITICIZE." ""WELL, WHY DON'T YOU LEAVE THEM" "THE ONES THAT PEOPLE CRITICIZE." ""WELL, WHY DON'T YOU LEAVE THEM ALONE?"" ""WELL, WHY DON'T YOU LEAVE THEM ALONE?" BUT THERE IS A DEMAND FOR IT." "ALONE?" BUT THERE IS A DEMAND FOR IT." "WE JUST SHOOT AND SUBMIT THEM" "BUT THERE IS A DEMAND FOR IT." "WE JUST SHOOT AND SUBMIT THEM INTO THE LIBRARY." "WE JUST SHOOT AND SUBMIT THEM INTO THE LIBRARY." "IT'S UP TO THE AGENCIES, THE" "INTO THE LIBRARY." "IT'S UP TO THE AGENCIES, THE PUBLICATION, THE TV NETWORKS," "IT'S UP TO THE AGENCIES, THE PUBLICATION, THE TV NETWORKS, THE WEBSITES AND BLOGS." "PUBLICATION, THE TV NETWORKS, THE WEBSITES AND BLOGS." "IWANTTO BE LIKEMYDADWHEN" "THE WEBSITES AND BLOGS." "IWANTTO BE LIKEMYDADWHEN I GROW UP SO I DON'T HAVE..." "IWANTTO BE LIKEMYDADWHEN I GROW UP SO I DON'T HAVE..." "WHEREVERYOUREADITORSAW" "I GROW UP SO I DON'T HAVE..." "WHEREVERYOUREADITORSAW IT, ASK THEM WHY DO THEY PUBLISH" "WHEREVERYOUREADITORSAW IT, ASK THEM WHY DO THEY PUBLISH IT?" "CUTEKIDSAREPOPULAR,AND" "CELEBRITIES HAVE A LOT OF CUTE" "KIDS." "A LOT OF WOMEN LOVE TO LOOK AT CUTE BABIES." "NOWTHEY'REHAVINGCOVERSOF THESE MAGAZINES." "IT'S LIKE, "WHO'S THE CUTEST" "THESE MAGAZINES." "IT'S LIKE, "WHO'S THE CUTEST HOLLYWOOD BABY?"" "IT'S LIKE, "WHO'S THE CUTEST HOLLYWOOD BABY?" THEY HAVEN'T DECIDED TO BECOME A" "HOLLYWOOD BABY?" THEY HAVEN'T DECIDED TO BECOME A FAMOUS PERSON." "THEY HAVEN'T DECIDED TO BECOME A FAMOUS PERSON." "SO, YOU CAN'T DO THAT TO THEM." "FAMOUS PERSON." "SO, YOU CAN'T DO THAT TO THEM." "THEREARESO MANYOUTLETSNOW" "SO, YOU CAN'T DO THAT TO THEM." "THEREARESO MANYOUTLETSNOW TO SELL PICTURES OF CELEBRITY" "THEREARESO MANYOUTLETSNOW TO SELL PICTURES OF CELEBRITY KIDS, AND THERE'S SO MUCH MONEY" "TO SELL PICTURES OF CELEBRITY KIDS, AND THERE'S SO MUCH MONEY TO BE MADE IN IT." "KIDS, AND THERE'S SO MUCH MONEY TO BE MADE IN IT." "YOU CAN'T EVEN ARGUE WITH" "TO BE MADE IN IT." "YOU CAN'T EVEN ARGUE WITH SOMEBODY ABOUT THE ETHICS OF IT." "YOU CAN'T EVEN ARGUE WITH SOMEBODY ABOUT THE ETHICS OF IT." "I CAN'T EXPLAIN TO SOMEBODY," "SOMEBODY ABOUT THE ETHICS OF IT." "I CAN'T EXPLAIN TO SOMEBODY, "I'M A HIGH-PROFILE PERSON, BUT" "I CAN'T EXPLAIN TO SOMEBODY, "I'M A HIGH-PROFILE PERSON, BUT MY SON ISN'T." ""I'M A HIGH-PROFILE PERSON, BUT MY SON ISN'T." "AND JUST BECAUSE HE'S WITH ME " "MY SON ISN'T." "AND JUST BECAUSE HE'S WITH ME -- IT'S NOT LIKE A HANDBAG." "AND JUST BECAUSE HE'S WITH ME -- IT'S NOT LIKE A HANDBAG." "HE'S A PERSON."" "IT'S NOT LIKE A HANDBAG." "HE'S A PERSON." AND IT'S WORRISOME." "HE'S A PERSON." AND IT'S WORRISOME." "IT'S REALLY WORRISOME." "IT'S REALLY WORRISOME." "STOP!" "STOP!" "STOP!" "STOP!" "STOP!" "STOP!" "HOW'SEVERYTHINGGOING," "HOW'SEVERYTHINGGOING, BRITNEY?" "BRITNEY?" "STOP." "WHOEVERFLASHESTHESELIGHTS" "STOP." "WHOEVERFLASHESTHESELIGHTS AT MY KID AGAIN, I'LL PUSH YOUR" "WHOEVERFLASHESTHESELIGHTS AT MY KID AGAIN, I'LL PUSH YOUR FACE THROUGH THE BACK OF YOUR" "AT MY KID AGAIN, I'LL PUSH YOUR FACE THROUGH THE BACK OF YOUR HEAD." "FACE THROUGH THE BACK OF YOUR HEAD." "YOU GOT IT?" "HEAD." "YOU GOT IT?" "GETBACK,BACK,BACK,BACK ." "YOU GOT IT?" "GETBACK,BACK,BACK,BACK ." "THATINCLUDESYOU." "GETBACK,BACK,BACK,BACK ." "THATINCLUDESYOU." "IKNOW." "IKNOW." "THATINCLUDESYOU." "IKNOW." "IKNOW." "JACK!" "JACK!" "STOPIT!" "STOPIT!" "STOP TAKING PICTURES!" "STOP TAKING PICTURES!" "STOP IT!" "STOP IT!" "I'M NOT KIDDING!" "STOP TAKING PICTURES!" "I'M NOT KIDDING!" "STOP TAKING PICTURES!" "STOP IT!" "STOP TAKING PICTURES!" "STOP IT!" "THETHOUGHTIS DEVASTATINGTO" "STOP IT!" "THETHOUGHTIS DEVASTATINGTO ME." "THETHOUGHTIS DEVASTATINGTO ME." "IT'S FRIGHTENING, TERRIBLY" "ME." "IT'S FRIGHTENING, TERRIBLY FRIGHTENING TO ME." "IT'S FRIGHTENING, TERRIBLY FRIGHTENING TO ME." "WOW, IT REALLY JUST MADE ME" "FRIGHTENING TO ME." "WOW, IT REALLY JUST MADE ME REALLY UPSET TO THINK ABOUT" "WOW, IT REALLY JUST MADE ME REALLY UPSET TO THINK ABOUT THAT, RIGHT?" "REALLY UPSET TO THINK ABOUT THAT, RIGHT?" "I MEAN, TO HAVE SOMEONE" "THAT, RIGHT?" "I MEAN, TO HAVE SOMEONE FOLLOWING YOUR CHILDREN IS..." "I MEAN, TO HAVE SOMEONE FOLLOWING YOUR CHILDREN IS..." "IT'S ENTERING A PLACE THAT JUST" "FOLLOWING YOUR CHILDREN IS..." "IT'S ENTERING A PLACE THAT JUST NO ONE SHOULD BE." "IT'S ENTERING A PLACE THAT JUST NO ONE SHOULD BE." "LEAVECHILDRENOUTOFIT." "NO ONE SHOULD BE." "LEAVECHILDRENOUTOFIT." "THEY DIDN'T ASK TO BE FAMOUS," "LEAVECHILDRENOUTOFIT." "THEY DIDN'T ASK TO BE FAMOUS, AND THEY HAVE THEIR RIGHTS, TOO." "THEY DIDN'T ASK TO BE FAMOUS, AND THEY HAVE THEIR RIGHTS, TOO." "THE KIDS OUGHT TO BE DOING THE" "AND THEY HAVE THEIR RIGHTS, TOO." "THE KIDS OUGHT TO BE DOING THE SUING." "THE KIDS OUGHT TO BE DOING THE SUING." "AND THAT MIGHT BE A WAY LEGALLY" "SUING." "AND THAT MIGHT BE A WAY LEGALLY TO GET SOME TRACTION ON THIS." "AND THAT MIGHT BE A WAY LEGALLY TO GET SOME TRACTION ON THIS." "THEREAREVERYDIFFERENTLAWS" "TO GET SOME TRACTION ON THIS." "THEREAREVERYDIFFERENTLAWS  OF PRIVACY VIA THE ENGLISH" "THEREAREVERYDIFFERENTLAWS  OF PRIVACY VIA THE ENGLISH COURTS THAN THE AMERICAN COURTS." "COURTS THAN THE AMERICAN COURTS." "J.K. ROWLING BROUGHT PROCEEDINGS" "J.K. ROWLING BROUGHT PROCEEDINGS ON BEHALF OF HER VERY YOUNG SON," "ON BEHALF OF HER VERY YOUNG SON, AND IT WAS HELD THAT HER SON HAD" "AND IT WAS HELD THAT HER SON HAD A REASONABLE EXPECTATION OF" "A REASONABLE EXPECTATION OF PRIVACY, THAT HE WOULDN'T BE" "PRIVACY, THAT HE WOULDN'T BE FOLLOWED AROUND BY PHOTOGRAPHERS" "FOLLOWED AROUND BY PHOTOGRAPHERS ON THE STREET, IN THE SAME WAY" "ON THE STREET, IN THE SAME WAY THAT ANY ORDINARY CHILD WOULDN'T" "THAT ANY ORDINARY CHILD WOULDN'T BE PHOTOGRAPHED BY THE" "BE PHOTOGRAPHED BY THE PAPARAZZI." "AND IT WAS A LANDMARK CASE," "PAPARAZZI." "AND IT WAS A LANDMARK CASE, BECAUSE IT ESTABLISHED THAT THE" "AND IT WAS A LANDMARK CASE, BECAUSE IT ESTABLISHED THAT THE CHILDREN OF FAMOUS PEOPLE SHOULD" "BECAUSE IT ESTABLISHED THAT THE CHILDREN OF FAMOUS PEOPLE SHOULD BE TREATED IN THE SAME WAY AS" "CHILDREN OF FAMOUS PEOPLE SHOULD BE TREATED IN THE SAME WAY AS THE CHILDREN OF ORDINARY" "BE TREATED IN THE SAME WAY AS THE CHILDREN OF ORDINARY PARENTS." "THE CHILDREN OF ORDINARY PARENTS." "A3-YEAR-OLDSUINGMEIN" "PARENTS." "A3-YEAR-OLDSUINGMEIN COURT, I THINK, IS WRONG." "A3-YEAR-OLDSUINGMEIN COURT, I THINK, IS WRONG." "I THINK IT'S ABSOLUTELY" "COURT, I THINK, IS WRONG." "I THINK IT'S ABSOLUTELY RIDICULOUS." "RIDICULOUS." "THE FACT OF THE MATTER IS, THE" "THE FACT OF THE MATTER IS, THE J.K. ROWLING CASE " " I DIDN'T" "J.K. ROWLING CASE " " I DIDN'T LOSE THE CASE." "LOSE THE CASE." "SHE WAS JUST GIVEN THE RIGHT TO" "SHE WAS JUST GIVEN THE RIGHT TO GO TO A TRIAL." "BUT IT WAS " " YOU TAKE ON THE" "GO TO A TRIAL." "BUT IT WAS " " YOU TAKE ON THE WORLD'S RICHEST WOMAN, AND IT" "BUT IT WAS " " YOU TAKE ON THE WORLD'S RICHEST WOMAN, AND IT WAS DAVID AND GOLIATH." "WORLD'S RICHEST WOMAN, AND IT WAS DAVID AND GOLIATH." "INFRANCE,THEYCAN 'TTAKEA" "WAS DAVID AND GOLIATH." "INFRANCE,THEYCAN 'TTAKEA PICTURE OF MY CHILD." "INFRANCE,THEYCAN 'TTAKEA PICTURE OF MY CHILD." "IT'S ILLEGAL." "PICTURE OF MY CHILD." "IT'S ILLEGAL." "IT'S NIGHT AND DAY, IF YOU" "IT'S ILLEGAL." "IT'S NIGHT AND DAY, IF YOU COMPARE PARIS TO LOS ANGELES OR" "IT'S NIGHT AND DAY, IF YOU COMPARE PARIS TO LOS ANGELES OR NEW YORK." "COMPARE PARIS TO LOS ANGELES OR NEW YORK." "HERE,INTHEUNITEDSTATES," "NEW YORK." "HERE,INTHEUNITEDSTATES, PROBABLY ANY JUDGE UNDER THE LAW" "HERE,INTHEUNITEDSTATES, PROBABLY ANY JUDGE UNDER THE LAW IS GOING TO SAY, "HEY, NO, YOU" "PROBABLY ANY JUDGE UNDER THE LAW IS GOING TO SAY, "HEY, NO, YOU DON'T GET TO FOLLOW THEM" "IS GOING TO SAY, "HEY, NO, YOU DON'T GET TO FOLLOW THEM WHEREVER."" "YOU KNOW, THE VERY FIRST CASE" "OUT THERE " " JACQUELINE KENNEDY" "HAD A LAWSUIT AGAINST" "RON GALELLA BECAUSE SHE WAS" "CONCERNED FOR THE SAFETY OF" "CAROLINE AND YOUNG JOHN." "AND SHE WAS ABLE TO GET IT" "DECLARED IN NEW YORK THAT HE HAD" "TO STAY A CERTAIN DISTANCE AWAY" "FROM THOSE CHILDREN." "SINCE THEN, THERE'S PRETTY MUCH BEEN A TRUCE AROUND PRESIDENTIAL CHILDREN." "BEEN A TRUCE AROUND PRESIDENTIAL CHILDREN." "BUT I THINK IT'S A LITTLE BIT" "CHILDREN." "BUT I THINK IT'S A LITTLE BIT DIFFERENT FROM WHAT CHILDREN OF" "BUT I THINK IT'S A LITTLE BIT DIFFERENT FROM WHAT CHILDREN OF CELEBRITIES EXPERIENCE." "IREMEMBERIT WASNIGHT,AND IT WAS REALLY COLD." "[ CAMERA SHUTTER CLICKS ]" "IT WAS REALLY COLD." "[ CAMERA SHUTTER CLICKS ] SO, IMAGINE THE FLASHES ON A" "[ CAMERA SHUTTER CLICKS ] SO, IMAGINE THE FLASHES ON A BABY THAT'S, LIKE, TWO MONTHS," "SO, IMAGINE THE FLASHES ON A BABY THAT'S, LIKE, TWO MONTHS, THREE MONTHS OLD." "BABY THAT'S, LIKE, TWO MONTHS, THREE MONTHS OLD." "SO, I TOLD, "TAKE HER."" "THREE MONTHS OLD." "SO, I TOLD, "TAKE HER." AND WHEN THEY WERE TAKING MY" "SO, I TOLD, "TAKE HER." AND WHEN THEY WERE TAKING MY PICTURE, THEY WERE ALL OVER, AND" "AND WHEN THEY WERE TAKING MY PICTURE, THEY WERE ALL OVER, AND THEY DIDN'T CARE." "PICTURE, THEY WERE ALL OVER, AND THEY DIDN'T CARE." "THEY PUSHED THE BABY." "THEY DIDN'T CARE." "THEY PUSHED THE BABY." "IT NEARLY WENT TO THE FLOOR." "THEY PUSHED THE BABY." "IT NEARLY WENT TO THE FLOOR." "AND THEN, OF COURSE, I CHARGE" "IT NEARLY WENT TO THE FLOOR." "AND THEN, OF COURSE, I CHARGE AFTER THE PHOTOGRAPHER." "AND THEN, OF COURSE, I CHARGE AFTER THE PHOTOGRAPHER." "I MADE SURE THE BABY WAS OKAY." "AFTER THE PHOTOGRAPHER." "I MADE SURE THE BABY WAS OKAY." "AND I WAS JUST SO ANGRY." "I MADE SURE THE BABY WAS OKAY." "AND I WAS JUST SO ANGRY." "MY CHILD COULD HAVE HAD A REALLY" "AND I WAS JUST SO ANGRY." "MY CHILD COULD HAVE HAD A REALLY SERIOUS ACCIDENT." "MY CHILD COULD HAVE HAD A REALLY SERIOUS ACCIDENT." "WHEN YOU'RE TWO, THREE, ON THE" "SERIOUS ACCIDENT." "WHEN YOU'RE TWO, THREE, ON THE STREET " " HE COULD HAVE STEPPED" "WHEN YOU'RE TWO, THREE, ON THE STREET " " HE COULD HAVE STEPPED ON HER!" "STREET " " HE COULD HAVE STEPPED ON HER!" "THAT JUST OUGHT TO BE ILLEGAL." "ON HER!" "THAT JUST OUGHT TO BE ILLEGAL." "IT'S A LITTLE CRIMINAL." "THAT JUST OUGHT TO BE ILLEGAL." "IT'S A LITTLE CRIMINAL." "THERE SHOULD BE CERTAIN RULES, I" "IT'S A LITTLE CRIMINAL." "THERE SHOULD BE CERTAIN RULES, I THINK." "THERE SHOULD BE CERTAIN RULES, I THINK." "IJUSTFEELLIKEIT'S AN" "THINK." "IJUSTFEELLIKEIT'S AN INVASION OF PRIVACY AND THAT" "IJUSTFEELLIKEIT'S AN INVASION OF PRIVACY AND THAT THESE KIDS REALLY DON'T NEED" "INVASION OF PRIVACY AND THAT THESE KIDS REALLY DON'T NEED THAT KIND OF ATTENTION AT THIS" "THESE KIDS REALLY DON'T NEED THAT KIND OF ATTENTION AT THIS POINT IN THEIR LIVES." "THAT KIND OF ATTENTION AT THIS POINT IN THEIR LIVES." "EVENIFTHEIRMOM ORTHEIR" "POINT IN THEIR LIVES." "EVENIFTHEIRMOM ORTHEIR DAD IS THE FAMOUS ONE, IT" "EVENIFTHEIRMOM ORTHEIR DAD IS THE FAMOUS ONE, IT DOESN'T GIVE THE PAPARAZZI NO" "DAD IS THE FAMOUS ONE, IT DOESN'T GIVE THE PAPARAZZI NO RIGHT." "DOESN'T GIVE THE PAPARAZZI NO RIGHT." "THE CHILDREN AREN'T NOTHING TO" "RIGHT." "THE CHILDREN AREN'T NOTHING TO DO WITH IT." "THE CHILDREN AREN'T NOTHING TO DO WITH IT." "YEAH,BUTTHAT'SWHAT" "DO WITH IT." "YEAH,BUTTHAT'SWHAT EVERYONE WANTS TO SEE." "YEAH,BUTTHAT'SWHAT EVERYONE WANTS TO SEE." "EVERYONE WANTS TO SEE THEIR" "EVERYONE WANTS TO SEE." "EVERYONE WANTS TO SEE THEIR KIDS." "EVERYONE WANTS TO SEE THEIR KIDS." "DON'T THEY?" "KIDS." "DON'T THEY?" "THAT'S WHY THEY DO IT." "DON'T THEY?" "THAT'S WHY THEY DO IT." "ISUPPOSE." "THAT'S WHY THEY DO IT." "ISUPPOSE." "IT'STRUE." "ISUPPOSE." "IT'STRUE." "YEAH." "IT'STRUE." "YEAH." "IT'SKINDOF SAD,BUT IT" "YEAH." "IT'SKINDOF SAD,BUT IT MAKES ME MORE INTERESTED IN WHAT" "IT'SKINDOF SAD,BUT IT MAKES ME MORE INTERESTED IN WHAT THE KIDS ARE DOING BECAUSE," "MAKES ME MORE INTERESTED IN WHAT THE KIDS ARE DOING BECAUSE, LIKE, THAT'S THE NEW GENERATION" "THE KIDS ARE DOING BECAUSE, LIKE, THAT'S THE NEW GENERATION OF CELEBRITIES COMING UP." "THEPUBLICHASTOTAKE SOME  DEGREE OF SOME RESPONSIBILITY AND DEMAND THAT THESE SORT OF" "DEGREE OF SOME RESPONSIBILITY AND DEMAND THAT THESE SORT OF PHOTOGRAPHS NOT BE PUBLISHED," "AND DEMAND THAT THESE SORT OF PHOTOGRAPHS NOT BE PUBLISHED, THAT THEY PUT PRESSURE " "PHOTOGRAPHS NOT BE PUBLISHED, THAT THEY PUT PRESSURE -- ECONOMIC, POLITICAL, SOCIAL" "THAT THEY PUT PRESSURE -- ECONOMIC, POLITICAL, SOCIAL PRESSURE " " ON MEDIA ENTITIES TO" "ECONOMIC, POLITICAL, SOCIAL PRESSURE " " ON MEDIA ENTITIES TO SAY, "WE DON'T WANT THIS." "PRESSURE " " ON MEDIA ENTITIES TO SAY, "WE DON'T WANT THIS." "WE WON'T HAVE IT."" "SAY, "WE DON'T WANT THIS." "WE WON'T HAVE IT." COULDYOUJUSTLET THEMBE" "WE WON'T HAVE IT." COULDYOUJUSTLET THEMBE NORMAL PEOPLE?" "COULDYOUJUSTLET THEMBE NORMAL PEOPLE?" "YOUSHOULDBE NORMAL." "NORMAL PEOPLE?" "YOUSHOULDBE NORMAL." "YOU SHOULD BE GOING HOME AND" "YOUSHOULDBE NORMAL." "YOU SHOULD BE GOING HOME AND ENJOY YOURSELF." "YOU SHOULD BE GOING HOME AND ENJOY YOURSELF." "DISGUSTINGWHATYOU'REDOING." "ENJOY YOURSELF." "DISGUSTINGWHATYOU'REDOING." "WEAREWORKING." "DISGUSTINGWHATYOU'REDOING." "WEAREWORKING." "DISGUSTING!" "WOW." "I TOOK A TOTAL OF 289 PICTURES TODAY." "I TOOK A TOTAL OF 289 PICTURES TODAY." "HERE,ATUS WEEKLY,WEGET" "TODAY." "HERE,ATUS WEEKLY,WEGET ABOUT 750,000 TO A MILLION" "HERE,ATUS WEEKLY,WEGET ABOUT 750,000 TO A MILLION IMAGES A MONTH." "ABOUT 750,000 TO A MILLION IMAGES A MONTH." "IMAGESARECOMINGATUSFROM" "IMAGES A MONTH." "IMAGESARECOMINGATUSFROM ALL DIFFERENT ANGLES." "IMAGESARECOMINGATUSFROM ALL DIFFERENT ANGLES." "AND ANYBODY WHOSE EYES ARE" "ALL DIFFERENT ANGLES." "AND ANYBODY WHOSE EYES ARE WORKING WILL SEE ABOUT A" "AND ANYBODY WHOSE EYES ARE WORKING WILL SEE ABOUT A THOUSAND IMAGES A DAY." "WORKING WILL SEE ABOUT A THOUSAND IMAGES A DAY." "WESHOULDBE ASKING" "THOUSAND IMAGES A DAY." "WESHOULDBE ASKING OURSELVES, "WHAT'S HAPPENING IN" "WESHOULDBE ASKING OURSELVES, "WHAT'S HAPPENING IN THIS PHOTO?"" "OURSELVES, "WHAT'S HAPPENING IN THIS PHOTO?" WHERE IT WAS TAKEN, WHEN IT WAS" "THIS PHOTO?" WHERE IT WAS TAKEN, WHEN IT WAS TAKEN " " CONTEXT IS EVERYTHING." "WHERE IT WAS TAKEN, WHEN IT WAS TAKEN " " CONTEXT IS EVERYTHING." "WEAREDRENCHEDAND PILED" "TAKEN " " CONTEXT IS EVERYTHING." "WEAREDRENCHEDAND PILED OVER WITH MEDIA COVERAGE." "WEAREDRENCHEDAND PILED OVER WITH MEDIA COVERAGE." "I'M NOT GONNA SAY IT'S GOOD FOR" "OVER WITH MEDIA COVERAGE." "I'M NOT GONNA SAY IT'S GOOD FOR US OR BAD FOR US." "I'M NOT GONNA SAY IT'S GOOD FOR US OR BAD FOR US." "IT IS WHAT IT IS." "US OR BAD FOR US." "IT IS WHAT IT IS." "AND WE'RE GONNA HAVE TO MAKE THE" "IT IS WHAT IT IS." "AND WE'RE GONNA HAVE TO MAKE THE BEST OF IT." "AND WE'RE GONNA HAVE TO MAKE THE BEST OF IT." "WEWATCHTABLOID-MAGAZINE" "BEST OF IT." "WEWATCHTABLOID-MAGAZINE TELEVISION SHOWS, AND WE BUY THE" "WEWATCHTABLOID-MAGAZINE TELEVISION SHOWS, AND WE BUY THE MAGAZINES, AND WE'RE INVESTED IN" "TELEVISION SHOWS, AND WE BUY THE MAGAZINES, AND WE'RE INVESTED IN REALITY TV." "MAGAZINES, AND WE'RE INVESTED IN REALITY TV." "BUT WE DON'T HAVE AN" "REALITY TV." "BUT WE DON'T HAVE AN INTERCONNECTEDNESS THAT IS" "BUT WE DON'T HAVE AN INTERCONNECTEDNESS THAT IS PERSONAL, WHERE WE'RE SITTING IN" "INTERCONNECTEDNESS THAT IS PERSONAL, WHERE WE'RE SITTING IN FRONT OF EACH OTHER." "PERSONAL, WHERE WE'RE SITTING IN FRONT OF EACH OTHER." "IT'SBECOMETHEDISEASEOF" "FRONT OF EACH OTHER." "IT'SBECOMETHEDISEASEOF OUR CULTURE " " CELEBRITY." "♪ONECUTSYOU DOWN, ONE MAKES YOU FLY ♪ ♪ SO I'LL TAKE BOTH SIDES," "ONE MAKES YOU FLY ♪ ♪ SO I'LL TAKE BOTH SIDES, YEAH ♪" "♪ SO I'LL TAKE BOTH SIDES, YEAH ♪ WEARECOMPLICITINTHE" "YEAH ♪ WEARECOMPLICITINTHE DRIVING OF THIS INDUSTRY." "WEARECOMPLICITINTHE DRIVING OF THIS INDUSTRY." "IT'S SOMETHING THAT WE SHOULD" "DRIVING OF THIS INDUSTRY." "IT'S SOMETHING THAT WE SHOULD THINK ABOUT." "IT'S SOMETHING THAT WE SHOULD THINK ABOUT." "WE SHOULD ANALYZE." "THINK ABOUT." "WE SHOULD ANALYZE." "AND WHAT WE NEED TO ACTUALLY" "WE SHOULD ANALYZE." "AND WHAT WE NEED TO ACTUALLY ENACT CHANGE IS ACTION." "AND WHAT WE NEED TO ACTUALLY ENACT CHANGE IS ACTION." "♪..." "BELIEVINGYOU..." "ENACT CHANGE IS ACTION." "♪..." "BELIEVINGYOU..." "BEAWARE." "♪..." "BELIEVINGYOU..." "BEAWARE." "DON'T BE NAIVE ABOUT WHERE THESE" "BEAWARE." "DON'T BE NAIVE ABOUT WHERE THESE PICTURES ARE COMING FROM." "DON'T BE NAIVE ABOUT WHERE THESE PICTURES ARE COMING FROM." "THEY SELL IT BECAUSE THERE'S A" "PICTURES ARE COMING FROM." "THEY SELL IT BECAUSE THERE'S A MARKET FOR IT." "THEY SELL IT BECAUSE THERE'S A MARKET FOR IT." "CONSIDER WHERE YOU'RE GOING TO" "MARKET FOR IT." "CONSIDER WHERE YOU'RE GOING TO PLACE VALUE." "CONSIDER WHERE YOU'RE GOING TO PLACE VALUE." "WEDON'THAVETOWATCHIT." "PLACE VALUE." "WEDON'THAVETOWATCHIT." "WE DON'T HAVE TO READ IT." "WEDON'THAVETOWATCHIT." "WE DON'T HAVE TO READ IT." "I'VE BEEN GUILTY OF IT MYSELF." "WE DON'T HAVE TO READ IT." "I'VE BEEN GUILTY OF IT MYSELF." "I TRY TO BE A LITTLE MORE" "I'VE BEEN GUILTY OF IT MYSELF." "I TRY TO BE A LITTLE MORE CONSCIOUS OF IT." "I TRY TO BE A LITTLE MORE CONSCIOUS OF IT." "LIKE, IF YOU'RE GONNA HAVE FUN" "CONSCIOUS OF IT." "LIKE, IF YOU'RE GONNA HAVE FUN AND SEE WHAT'S GOING ON IN THE" "LIKE, IF YOU'RE GONNA HAVE FUN AND SEE WHAT'S GOING ON IN THE CELEBRITY WORLD, YOU SHOULD AT" "AND SEE WHAT'S GOING ON IN THE CELEBRITY WORLD, YOU SHOULD AT LEAST BE A LITTLE MORE CONSCIOUS" "CELEBRITY WORLD, YOU SHOULD AT LEAST BE A LITTLE MORE CONSCIOUS ABOUT WHAT'S GOING ON IN THE" "LEAST BE A LITTLE MORE CONSCIOUS ABOUT WHAT'S GOING ON IN THE REAL WORLD." "ABOUT WHAT'S GOING ON IN THE REAL WORLD." "SOMEBODY IN THE ARMY OR" "REAL WORLD." "SOMEBODY IN THE ARMY OR MARINES " " THAT'S A CELEBRITY." "SOMEBODY IN THE ARMY OR MARINES " " THAT'S A CELEBRITY." "DOCTORS THAT SAVE LIVES," "MARINES " " THAT'S A CELEBRITY." "DOCTORS THAT SAVE LIVES, TEACHERS, COPS, FIREFIGHTERS." "DOCTORS THAT SAVE LIVES, TEACHERS, COPS, FIREFIGHTERS." "YOU KNOW?" "TEACHERS, COPS, FIREFIGHTERS." "YOU KNOW?" "THAT'S A CELEBRITY, YOU WANT TO" "YOU KNOW?" "THAT'S A CELEBRITY, YOU WANT TO REALLY GET DOWN TO IT." "THAT'S A CELEBRITY, YOU WANT TO REALLY GET DOWN TO IT." "ALLI WANTEDWHENIGOTINTO" "REALLY GET DOWN TO IT." "ALLI WANTEDWHENIGOTINTO THIS INDUSTRY WAS MAKE SOME" "ALLI WANTEDWHENIGOTINTO THIS INDUSTRY WAS MAKE SOME MONEY " " MAKE A LOT OF MONEY " "THIS INDUSTRY WAS MAKE SOME MONEY " " MAKE A LOT OF MONEY -- MAKE HISTORY." "MONEY " " MAKE A LOT OF MONEY -- MAKE HISTORY." "TOMORROW " " WAKE UP, GET OUT" "MAKE HISTORY." "TOMORROW " " WAKE UP, GET OUT THERE, DO IT AGAIN." "[ INTRODUCTION TO U2's "DESIRE"" "PLAYS ]" "[ ALL CLAMORING ]" "♪YEAH" "WHATAREYOUDOINGTOME ?" "LETMEAT THEM." "THEY WANT OUT OF THERE?" "NO." "♪LOVER,I'MONTHESTREET" "♪ GONNA GO WHERE" "THE BRIGHT LIGHTS" "AND THE BIG CITY MEET ♪" "♪ WITH A RED GUITAR" "ON FIRE ♪" "♪ DESIRE" "♪ SHE'S A CANDLE" "BURNIN' IN MY ROOM ♪" "WHAT'SYOUROPINIONONTHE" "PAPARAZZI?" "DEPENDSONTHEDAY ." "♪OVERTHECOUNTER" "WITH A SHOTGUN ♪" "TOURISTSWILLSOONBEABLE TO" "TAKE A TOUR OF LOS ANGELES" "COURTESY OF A MEMBER OF THE" "PAPARAZZI." "FOR $150, TWO PEOPLE CAN HANG" "OUT WITH PAPARAZZO" "RICK MENDOZA." "HE'S PROBABLY BEST KNOWN FOR" "SUING POP STAR BRITNEY SPEARS" "AFTER SHE ALLEGEDLY RAN OVER HIS" "FOOT." "YOUCANSTANDBEHINDMEBUT" "NOT HIT ME." "LIKE,JESUSCHRISTCOULDCOME" "BACK AFTER 2,000 YEARS, FORGIVE" "US OF ALL OUR SINS." "SOMEBODY GET A PICTURE, PUT IT" "ON TMZ." "THE FIRST COMMENT WOULD BE," ""JESUS IS A FUCKING DOUCHEBAG."" "YOU KNOW WHAT I MEAN?" "♪DESI-I-I-RE" "I'MJUSTGLADTHEYAIN'T" "FUCKING WITH ME." "THAT'S ALL." "CANI RUNONEOVERNOW?" "IS THAT AGAINST THE LAW?" "DO I GET " " IS THERE POINTS FOR" "THAT?" "LIKE, IF I TOOK THREE OR FOUR" "OF THEM OUT, ESPECIALLY THE BIG" "GUY " " GOT TO GET AT LEAST 5 POINTS FOR HIM, RIGHT?" "♪SHE'STHEDOLLARS" "MYWIFEGOT"PAPPED"ATJFK" "LAST NIGHT." "WELL, THEY SEE A BLONDE WITH" "LOUIS VUITTON BAGS." "THEY WERE RIGHT IN HER FACE." "SHE GOES, "HE WAS RIGHT IN MY" "FACE."" "JUST BAP-BAP-BAP-BAP." "AND THEN JUST WALKED AWAY, LIKE" "NOTHING HAPPENED." "[ LAUGHS ]" "♪..." "STEALINGHEARTS" "AT A TRAVELING SHOW ♪" "♪ FOR LOVE OF MONEY, MONEY," "MONEY, MONEY, MONEY, MONEY ♪" "♪ MONEY, MONEY, MONEY," "MONEY, MONEY ♪" "♪ AND THE FEVER GETTING HIGHER," "DESI-I-I-RE ♪" "♪ DESI-I-I-RE" "♪ DESI-I-I-RE" "♪ DESI-I-I-RE" "ALL RIGHT." "♪ DESI-I-I-RE" "♪ DESI-I-I-RE" "ALL RIGHT."