"[Engine Revs]" "[Engine Stops]" "Good morning." "[Cup Clatters]" "[Curtains Draw]" "[Child Moans]" "[Man, Woman Chattering On Radio]" " Turn around." " Mmm?" " Turn around." " [Woman On Radio]... metro area." "The MacDonald-Cartier Freeway, however, is still" "You've got sleep right in the corner of your eye." " There." "That's a good stretch for you." " [Radio Continues, Indistinct]" "Do you want to do the corner of your eye-- your right eye?" "Irene?" "You've got some" "There." "While you're having your coffee, I'll go get the nose drops for you." "[Murmurs]" "It's Wednesday morning, and it's a lovely morning." "Real sunshiny and bright." "And I'll expect you to get up in five minutes." "I'll be back." "Okay." "I'll come help you get dressed in a few minutes, Tony." " Thank you, Davey." " [Blows Nose]" "[Footsteps Departing]" "[Man Chattering On Radio]" "I lost the bird." "I lost my birdie." "[Groans]" " [Door Closes] - [Groans]" "[Man On Radio] Forecast is sunny today and Thursday and milder tomorrow." "[Man Continues, Indistinct]" "## [Background:" ""(I Can't Get No) Satisfaction" Playing]" " Good morning." " [Girl, Muffled] Fuck off." "Hi." "## [Continues]" " It's Terry." " Too damn bad!" " And it's Wednesday morning." " Too bad!" " How was your night?" " Fine!" "Well, it doesn't look fine." "You're hiding under the covers." "Too bad!" " Today is a lot more pleasant, Carol." " Get out of here." "# Hey, hey, hey, hey #" " Open your eyes and see the sunlight." " No!" " You're just trying to hide back into the night." " No, I'm not." "I fuckin' don't exactly appreciate it-- getting waked up by records on full blast!" "Well, that's because I came to you... after a long time after the first wake-up." "I'll ask Bob Bowmanville to turn the records down." "[Muttering, Cursing]" "I'm not getting up." " Carol, this morning you're going to school." " No, I'm not." " Yes, you are." " No, I'm not." "Yes, you are." "You're all right to go to school today." " Bob?" " What?" "Would you please turn the record player way down?" "It's a little bit too noisy." " What?" " Please turn the record player down." "It's too noisy." "It's not gonna help you meet the day, to hide under the covers." "[Boy] Who are the sandwiches for?" " The sandwiches are for, uh-- [Indistinct]" " Go on!" "No, no, no." "You don't hide under the covers, Carol." "## [Record Player Continues]" "[People Chattering]" "[Carol] No." "No." " It's 8:00, Carol." "It's time to get up." " No, I'm not getting up." " Yes, you are." " No, I'm not." " Come on." " No." " Out of bed you come." " No!" " You're all right to get out of bed this morning." " No." " [Man] You're fine to get out of bed." " I'm not getting up!" "I'm not getting up." " Yes, you are." " No." "No." "I'm not getting up." "[Terry] Just put your arm around her." "No, I'm not-- not" "I'm not" "I'm not getting up." "I'm not getting up." " I'm not getting up." " Okay." " I'm not getting up." " [Terry, Indistinct]" " What's the matter?" " I don't want to get up." " Why don't you want to get up this morning?" " I'm not getting up." "I'm not getting up." "[Carol Grunts]" "It must have been a really rough night for you." "What is so awful that you'd want to run away from it?" " It's a lovely, bright Wednesday morning." " [Children Chattering In Distance]" "You should unload yourself of the nighttime so you can be in the daytime with people." " Come on." " No." "Fuck off!" "I'll get up myself!" "Bastard." "You fuckin' pig!" "Let-  [Shouts]" " Make sure her nightgown is down." "Give me help with her hands, Maurice." "Put her elbows down, please." "And make sure her nightgown is down and okay." "Lift her head up." "# So don't play with me 'cause you're playing with fire #" " Is her nightgown down?" " Yeah." "Okay." "Now it's morning time, Carol." "[Child Coughing]" "And everything's the same this morning as it was yesterday, except for your night." "People are getting up and getting dressed and washed and having breakfast." "Now, if they've had bad dreams, they should tell me." "You should tell me, so you don't go carrying them into the daytime with you." " [Man] Terry?" " 'Cause they sure don't make it easy for you to get up." " Terry?" " Right here, Walter." "I wonder if you could give Maurice a hand so I can make breakfast." "Let me slide her a bit this way." " Okay?" " Yep." "[Terry] Thanks." "[Walter] Okay." "That's fine." "[Terry] Carol's been having really hard nights lately." "It's like she gets so scared sometimes that she thinks she hears voices." "Okay, Tony?" " All right, Carol." " What would you like for breakfast?" "[Terry] Breakfast time for all who want breakfast!" "That's okay, Maurice." "I'll call you if I need you." "How are you doing?" "Eh?" "How are you doing?" "How are you doing?" "Eh?" "How are you doing?" "How are you doing?" "Eh?" "Doing pretty bad, huh?" " Huh?" " No!" "No?" "Terry says" " From what Terry says, it sounds pretty" "Sounds intense." "[Sighs]" "You know what I think you need is to come and sit in the sunshine, have some breakfast." "What would you like for breakfast, hmm?" "Terry?" "Terry?" " It's all right." "It's all right." " [Footsteps Approaching]" " Yeah?" " What does, uh-- What does Carol like for breakfast?" " [Carol] Nothing." " Oh, usually a toasted tomato sandwich." "No, I don't!" "I haven't had that in a dog's age!" " In a dog's age?" " And I won't start eating it now." "No." " No?" "What would you like?" " I don't want anything." "I'm not hungry." "So let's see." "One of the food she likes is tomatoes and" "[Carol] I'm not going to have that." " Tomato and lettuce sandwiches." " I don't feel like it, Walter!" " Well, okay." "What do you feel like?" " How about Cheerios?" "No, I don't feel like that neither!" "I don't feel like anything!" "What would you like?" " She had a bad night." " [Coughs] She must have had a bad night." " Now she's saying she won't go to school." " She goes to school." "Yeah." "Okay." "Do you want to help me?" "No, I'm taking kids to school, but I'll help you as soon as I get back." "Of course she goes to school." "There's no question about it." "Okay." "So when are you leaving?" " Immediately." " Okay." "If you'd just tell her she's going to school, settle it now... then you won't have the issue later on." " [Tony, Indistinct]" " Terry?" " Yeah?" " You know what I think?" "I think you're afraid to give her a good blast, you know." "She needs to sound off this morning." "[Tony] You need to blast yourself 'cause you haven't got your coat hanged up yet." " Would you not interfere, Tony?" " I will." "You're not hanging up your coat." " Susan." "Susan?" " [Children Chattering]" "I'm just going over to get the kids from the other school." "Bye, Debbie!" "I'd like to hear why you called me that name." "What's a fig wart look like?" "I haven't even said good morning to you this morning." "Isn't that right?" "And isn't that why you were following me downstairs?" "Eh?" "Is that why you were interfering?" "I had the nerve not to say hello to you on my own." " No." " I think that's why." "Eh?" " No." " Yeah." "Good morning." " Well" " Tomorrow it's school for you, eh?" "[Children Chattering]" "[Carol] Don't look at me!" "What are you" " What are you doing?" "Keeping yourself warm there?" " Yeah." " Where's your housecoat?" "Uh, it's upstairs, I guess." "How about you hustle up and get your housecoat, eh?" "All right." "I want you to be there ready for school tomorrow." " I'm gonna be ready for school." " Yeah, keep yourself warm and looked-after." " Terry?" "Terry?" " And I slept under my blanket." " Freddie should have his housecoat on." " Pardon?" "Freddie should have his housecoat on." "[Terry] All right." "Put on your housecoat." "Good-bye, Tony, Tony, Tony." "Say, you'd better make arrangements about my bike." " I will." " Okay." " [All Chattering] - [Tony Shouting]" " Hey!" " What?" "[Tony Shouting]" " [Children Chattering] - [Boy] Alvyn?" " Was Carol held this morning?" " [Terry] Yeah." " Who held her?" " Maurice and I." " Did you hold her at the point that she hit you?" " No." "Why" " Why did you hold her?" " Why did I hold her?" " Mm-hmm." "Because as I continued to try and get her out of bed, I realized I couldn't do it... without physically lifting her, and I knew she'd blow if I did." "[Walter] If you had called me, I could have got her out without anything." "You know that." " Why do you say that?" " 'Cause I know it." "You mean, once she had allowed her to be hit and so forth... she was engaged in a physical way?" "What do you mean?" "I just think a process-- a whole process goes on between Terry and Carol" " Yes, that's true." " That if I came into the house..." "I could get Carol out ofbed without touching her." "Well, let me ask you a simple question." "Why did you hold her this morning?" "Because I felt if I tried to get her out ofbed, then she'd blow." "And she'd have to be contained." "What did you want from her?" "What was your objective?" " To get her mobilized." " To get her mobilized?" "And you thought holding her would mobilize her?" "It wasn't a holding holding." "It wasn't to push through and find out what her dream was... or to find out what was on her mind." " What was it?" " It was just to get her out of bed without hurting anybody." "Hold to get the kid out of bed?" " Well, we lifted her out of bed, and she was flinging her arms around, so we held her." " I see." "Contained her so you could physically move her out of the bed." "I don't understand a holding session to get a kid out of bed." "You can hold to contain a child when a child is losing control." "For the kid's safety, you have to interfere and provide the structure and security." "You can hold a child to permit the child to ventilate." "She has something in her that has to be expressed... and it'll be acted out in gross behavior that is harmful to her or to somebody else... and you hold her so that she can be contained during the period... that she ventilates this material." "But if you want to get somebody out of bed... you have to find a way to engage them... and allow them to make the-- get their motors running so that they can function." "Now, through a holding, where there's ventilation... you can get communication, very important communication." "Through a holding that's a containment... you can get a very good communication." "But I don't think if you're picking a kid out of bed... and she's fighting you... that this is going to give you very much in the way of communication." "You can imagine the difference it makes to a kid... say, who is just, uh, beginning to develop, uh, ego control... if you can, by talking, manage to help him contain himself... rather than if you move into a holding session too quickly... and by doing that, undermine his own self-confidence." "Here is a kid who is ready to handle-- by verbal signals, by other devices... by the manipulation of him in the group and so forth-- a problem that you don't give him an opportunity to demonstrate his capacity to handle." "You rob him of the chance to experience his own growing strength... and this is the danger in, uh-- in, uh, precipitous holding." " Oh, she called you" " You called me a cheat?" " [Girl] She called first." " There you go." "Two!" "Oh." "My turn." "Two sevens." " Uh" " Two aces." "Oh, you're a cheater!" "Cheater!" "Cheater!" "Here, take 'em all." "Cheater." " Ooh." "Cheater, honestly." " [Carol] What did he do?" " He threw them right by me." " You must have X-ray vision." " [Boy] I don't believe that I cheat." " [Carol] You cheat." " Would you" " I don't even know where I'm gonna put them." "[Carol] Okay, now you're going to be sorry." "The whole god-darn lot of you, for sure." "Cheat!" "One, two, three." " [Tony Shouting]" " Two jacks." "Two jacks." "That's right." " [Carol] He's been goofing up all day today." " [Shouting]" "I'll punch your nose in!" "Fuck off." "Asshole." " He's been goofing all day today." " You fuck off." "You fuck off." " What's that got to do" " Eh?" " You fuck off." " What's that got to do with it?" " You fuck off." " What's that got to do with it?" " Let go of me, or I'll punch your fuckin'" " What's that got to do with anything?" " Just let go of me!" " Eh?" " Fuck off." " Sure will." " [Terry] It's all right." "You fuck off." "Eh?" "[Terry] Let's put Tony on the floor." "That's the best place for him." "Well, then this is gonna be more funner." "[Robyn] Is this your idea of fun, Tony?" "Eh?" "[Girl] I suppose you like doing that, eh, Tony?" "Yeah, you really enjoy this, Tony." "Do you?" "[Terry] I want to know exactly what's on your mind, and I want you to deal with it." "Ow!" "You fuck off." "My fuckin' back, lady." "[Terry] What's the trouble?" "You know exactly what the trouble is." " [Spits]" " You know what it is." " Don't you get your fuckin' breath near me." " [Carol] Fuck everybody!" "That's my pop!" "Why not, Tony?" "Eh?" "Why not?" " Why don't you want my breath" " Your breath!" "What about my breath?" "What about my breath?" " [Shouts]" " What about her breath, Tony?" " What about my breath, Tony?" "Hmm?" " [Tony Groans]" "[Robyn] Why don't you like my breath, hmm?" "[Tony Whimpering]" "We're interested in you right now and how come you're so scared... over someone's breathing and not in anything else." "I'm itching!" "You know, what else is bothering you besides the itch, Tony?" "Eh?" " How come my breath bothers you, eh?" " Ow!" "[Crying]" "How come my breath bothers you, Tony?" "Eh?" " Fuck off!" " How come my breath" "Fuck off." " Tony, why does Robyn's breath scare you?" " Fuck off!" " Fuck off." " Why, Tony?" "It smells awful!" "Why is that, Tony?" "Eh?" "No, don't pull it away." "Don't pull it." "It's okay." "He's not hurting me." "Fuck off!" "[Shouting]" "[Terry, Indistinct]" " Over here?" " [Tony Crying]" "Okay." " Yeah?" " You fuck off!" "Freddie, fuck off." "[Robyn] You tell us exactly what it is, Tony." "Just exactly what it is." " [Groans] I itch!" " Well, that's not it." "You know, I don't care about your itch, Tony!" "All I care about is what's making you feel so miserable!" "That's what I want to hear about!" "I don't want to hear about your leg, and I don't want to hear about your arm... and I don't want to hear about your itch, or I don't want to hear about the way Susan's holding your head!" "I want to hear about what's really bothering you, Tony!" "And I want to hear about why you're so scared of my bad breath." " That's what I want to know." " 'Cause it smells awful!" "Well, why does that bother you so much?" "What does it remind you of?" " You want me to help you bring his arm over?" " Yeah." "Robyn, you know that kid should be handled properly." "You just turn him right around and get him underneath where Susan is." " Right?" "Come right around." " I hate you people!" "You fuck off!" "You're all right, Tony." "You're okay." " They hurt me bad!" " Nobody's hurting you." " Yeah, the kids do!" " Nobody's hurting you." "Kids don't hurt you." "They're helping you." "Kids are helping you, and you know it." "Why do you act as if they're hurting you?" "Let me turn him this way." " I don't feel good this way!" " You're all right." " [Tony Shouts]" " You're all right." "You're okay." "[Robyn] It's what's inside that's hurting you." "Because the kids put my head back." "[Walter] They're just, uh, helping you." "You know?" "Yeah, well, when I got my funny teeth and Robyn's kidding they don't quite go up" "[Indistinct]" "She won't hurt you, Tony." "[Walter] I'm very pleased to see the kids jump in and help you." "You're all right." "If staff don't brush their teeth, it's all right." " [Girl] Can I shut that window?" "It's getting cold in here." " [Walter] So what are you saying that about?" " Okay, then you shut it." " Well, their breath smells when they don't brush." " Why does that bother you?" " So why does that bother you?" "It breathes into me every time I have to take a breath in." " [Boy] Robyn doesn't smoke." " You know, it smells." "You think their bad breath is gonna hurt you?" " Yes, it does hurt!" " How?" " Why does it hurt you?" " Whenever I take a breath in, you know-- it smells awful!" "I think it's fire or something." "You think it's gonna hurt your insides?" "It's fire, and they yelled at me." "[Walter] Imagine thinking people are breathing fire into you." "That's a pretty awful thing to think." "It must be very frightening." "Nobody's gonna breathe fire into you, Tony." "[Robyn] Nobody at all." "[Walter] These are just natural smells that people have." "[Radio:" "Man Singing Pop Ballad] # And stars that fell #" " It can never hurt your insides." " # Like the rain #" " Hmm?" "# Out of the blue #" "Did someone tell you about having fire breathed into you, Tony?" "# And the angels ask me to recall #" "[Robyn] Nobody's going to breathe fire into you, Tony." "# The thrill of them all #" "# Then I will tell them #" "# I remember you #" "# Ooh ##" " [Man] Keep out of all houses!" " Why?" "What do you mean why?" "You're not supposed to go inside." "You'll get hurt." "Okay, he said keep out of all houses." " It's for your own good." " All houses, guys." " Correct!" "Hundred percent." " He said houses." " Yeah." "Okay, let's go, Dalashell!" "What are you waitin' for?" " How much do you want to?" " A hundred by ones." "Two, three, four, five, six, seven, eight." "Thirty!" " Three, four, five, six, seven, eight." " See you, kid." " Cut it out!" "Forty!" " Oh, please help me up." " Okay, here." "[Screams]" "[Shouting] Robert!" "You're gonna get it!" "You're gonna get it, Robert!" "Five, six, seven, eight, nine!" "One hundred!" "Give me your hands." "Not this again." " Come on!" "Come on!" " [Children Laughing]" " My hands are dirty." " Ah, you son of a" "[Boy Grunts, Chatters]" "[Boy Chatters]" "Am I dirty or am I dirty?" "[Indistinct]" " God." " [Boy] Bye-bye." "I wasn't in that house, you know." "[Boy] Neither was I." " [Dalashell] What do you mean, you weren't in the house?" " I wasn't." " What do you mean telling me you weren't in that house?" " I wasn't." " I saw you!" " You didn't." " I closed the door, and I watched." "You left the house." " Sorry." "And I saw you, I saw Douglas, I saw Judy go out of that house!" "I saw you go out of it!" " I wasn't in there!" " So don't give me any of that." "And you knew I was there." "[Boy] I'm not gonna push you down there anymore." "[Boy] Come on, Doug!" "There's Maurice." "[Laughing]" "That's good?" "[Man] A very fine cap you have there, Tony." "[Carol] See what you made me did, you slob?" "You made me cross them out." "Cross out what you didn't want to write in the first place?" " [Chuckles]" " Huh?" "No." "It's what I wanted to write, but I got mad, so I crossed it out." "Uh-huh." " Can we dictate this letter which you wanted before?" " No." "No." " Not yet." "Not yet." " No." " I see." " Terry." " I'm not gonna just sit here" " Let's see what we can do." "[Terry, Indistinct]" " Where did you come from, Tony?" " Sacred Heart." "I beg your pardon?" "Sacred Heart Village?" "I see." "Mm-hmm." "Mm-hmm." "How did you get along in Sacred Heart Village?" " What?" " How did you get along there?" "Fine." "I don't want to go back there." " You don't want to go back there?" " I want to go back there." " You want to go back there." "I see." " [Terry] Would you say that without smiling, please?" " Uh-huh." " Can you?" "Uh-huh." "What is it" " What is it that you liked about Sacred Heart Village?" "There were a lot more comfortable things." "You know, you can ride your bike out-- out on the streets." " Yes." " And they, you know, let you walk out on the streets." " You can walk out on the streets, ride your bike on the streets, yes?" " Mm-hmm." "Could you tell us all the things you don't like about Warrendale?" "They don't allow you to go out on the street, like Sacred Heart" " Yes." " Or ride your bike out on the streets or anything." " Yes." " And you can't ever go out unless they allow you." "I see." "Anything else?" "Surely there must be other things that you dislike." "Hmm?" "Do people like you here in Warrendale, Tony?" " Nope." " Mm-hmm." "[Terry] Tony Duplessis." "Say that again without smiling, please." " Uh-huh." " You'd better hide that big grin behind your hat." "It's such a big one." " Uh-huh." " [Indistinct]" "[Terry] Pardon?" "What do you mean?" " Say that without smiling." " Huh?" "I have a feeling" " I have a feeling that many people like you very much, Tony." " Well, I'll tell you who only likes me." " Who likes you then?" "Douglas Giraud from House One." "That's the only person." " The only person who likes you." " Uh-huh." "The only one." "Just one." "Anybody else?" " No?" " Yep." "Tony?" "You deserve to stay here." "Huh?" "Tony" "No, you've got to for me and for Robert and for" " You deserve to stay here." " Robert who?" "Robyn and Dr. Fischer too." "Everybody." " Carol, do you feel that Tony deserves to stay here?" " Yes." " Of course he does." " No, I don't, Carol!" " Yeah, that makes it unanimous." " I think we all agree that he deserves to stay here." " Wouldn't you think so?" " I don't think" "He's trying to tell us all the time, you know, that he wants to go back to Sacred Heart... because he feels-- he feels that he does not deserve to stay here... but he does, and he deserves" " Well, I'll tell you one thing right now." " Yes." "If I want to take off, I'll take off." "No one can stop me." " Uh-huh." "We will." "We will." " People want you right here, Tony." " That's right." " Oh." "You know, what is Terry going to do without you on her lap for such a long time?" " Oh!" " That's right." "Dr. Fischer, that means you know what!" "Shall we take another look at the letter to Mum and Dad?" "Sure." " It's a nice letter." " It's a nice letter, huh?" "Yeah. "Dear Mum and Dad, I received your letter last week and was very disappoint" ""I mean, very glad to hear from you." ""It seems that everyone is getting a cold." "How are you now?" ""Hope you are feeling a lot better." "I'm feeling a lot better now and I'm back in my diving." ""I really don't know if I'm still gonna be in the competitions on the 26th." "It's really my choice."" "I see." "Now, shall we dictate another letter?" "You dictate it, and I'll write it down." "Uh-huh." "Come on." "Let me hear it." "Dear Mum and Dad, hi." "Hope this letter" " Come on." " Finds you well." " Finds you what?" " Well." "Oh, uh!" "I don't know." " Finds you what?" " Well!" " Well?" "You have to say" " Rotten!" "No, well." "You don't tell me whether I-  [Terry] Is that "rotten" that I heard?" " Rotten, yes." "Go on." "No." "Well!" "I love my parents." "Yes." "Go on." "Repeat after me three times" " I love my parents." " Ooh, I love my parents." " I love my parents." " I love my parents." " I love my parents." " I hate my" " I love my parents." "Uh-huh." "Let's have the letter now." "I would like this letter dictated before we put it away." " Huh?" " Okay." "Here." "You dictate it." "Well, I would like you to dictate it without writing it... because we don't want it written down, do we?" " Oh, you mean a real nasty letter." " Oh, a nasty letter?" "Well, this is a letter that we will really send." "What will be the letter?" "Go on." "Dear stupids." " Dear stupids." "Yes?" " Oh, shorthand." "Yeah." "Yes, go on." " I would love to see you dead." " Yes?" " [Laughing]" " I would love to see you dead." " I fooled you there." " [Terry] That's good and honest!" " It is not!" " Yes, you almost" " You almost fooled me." " You almost fooled me." " Um" "I hope you are feeling pretty rotten." "Yes?" "Go on." "What would you like to tell them about the swimming competition?" " Oh, is that all you want to know?" " Yes." "Go on." " Go ahead." "That's a good start." " Go ahead." "Is that" " No." "No." " Is that all you want me to do... in order to recognize that I'm in existence?" "Huh?" "No, because they'd write, "Sure it is"." "Are you just going to like me... if" "Yeah." "If..." "I" " Win." " If I win" " Underline." " Win" " Underline three times." "In the competitions?" "Um, that's supposed to be competitions." " Yes." " Very well expressed." "Seems you are wiping them out all the time." " No, I'm underlining 'em." " You're underlining it." " I see." "I see." " If" "If." " Wait." "If I" " Yes?" " Win-- win the competitions." " Yes." "I see." "This looks like a much more honest letter." "The official letter we will send away, okay?" "Fold it and send it away to the garbage place." " [Terry] Okay." " Now, where's the other thing?" "This is too precious to send to the garbage." "These are your feelings." "You know that?" "Oh, they can be thrown away." "Look at what you did!" "Do you know that these feelings are very precious?" "They will go straight into our file." " They will not!" " Yes." "No!" "Dr. Fischer!" "Dr. Fischer, you're going off your bloody nut!" "Well, I might." "I might." "But, uh" "Now, you unfold it properly and give it to me." "Walter!" "Do you want to take the other arm, please?" " [Shouts] - [Walter] She can come on her own." "She can come on her own!" " Let me go upstairs for one minute." " Come on." "Can I go upstairs for one minute?" "# Happy anniversary to you #" "# Happy anniversary to you #" "# Happy anniversary, dear Irene #" "# Happy anniversary to you ##" "[High-pitched Voice] Snicker, snicker, snicker." " Everybody" " That's beautiful." "# Irene has an anniversary #" "# We're so glad #" "# It's the best anniversary Irene's ever had ##" "One, two!" "Yay!" " She's not eating." " I want my ice cream now." "No." " Why not?" " You're not eating." "Hey." "Tony, you don't grab the food with your damn hands!" "Sit up, dear." "Yeah, is that all you say to him when he picks the damn butter up with his hands... and throws it back on the dish?" "[Walter] You shouldn't be giving him so much attention." "[Boy] Where's that man hiding?" "Where's he filming us from?" " That's not it, so don't worry." " [Irene] Allan King!" "Too bad!" "You hit me!" "You're asking for it, you bugger." "[Carol] I don't like people throwing food at me!" "There's your bottle, Davey." "You can have it." "Come on." "Quiet time." "It's time for Davey Engels to go to sleep." "Shut up." " Tony, you don't belong in here now." "It's Davey's bedtime." " Hi, Millie!" " It's Davey's bedtime." " Hi!" "[Chattering]" " Terry!" " Hi, Millie." "I wanna skip, Millie." "I wanna skip." "Can you please get Tony from here?" "He's disrupting, uh, Davey's bedtime." "Bullshit!" "Bullshit!" "## [Tony Vocalizing]" "He's interfering with Davey's bedtime." "I won't go." "I won't go!" "I won't go." "I won't go." "I won't go." "I won't go." "I won't go." "[Whispering] I won't go." "I won't go." "I won't go." "I won't go." "I won't go." "I won't go." "No, I" "No." "I won't go to sleep." "What would you like for breakfast?" " [Boy] Pop." "Pop." " The same goes for you." " I'll do it with a milk can." " No, no." "Let" " Terry, I wanted to stop it." "Well, you don't drink it in the first place." "You don't play games with your cup!" "There." "Now you can have it." "And you don't play games with your cup either." " I play games with my spoon." " Stop it." "You don't swing it around." "We've got enough things broken in our house, Tony." "We don't have to break our cups too." " Well, how come he gets to-- - [Freddie] I want that." "[Tony] No!" " [Children Chattering] - [Can Clattering]" "[Tony] How does Bob rate?" "[No Audible Dialogue]" "[Staff, Children Chattering]" " No cheating in this game, boy." " No." "You put it back right up there." "Okay, let's start over again." " No, it was" " Cheaters have to start over again." " What are you doing at school?" " [Indistinct]" "So put your hands like that." " Come on, we'll have a game of cards." " I don't have no cards." " Put them straight like that." " [Boy] I'm doing it." "This is gonna be a game-- This is a game like cards." "Like cards." " Like that." "Like that." " Yeah?" "Right there." "Put 'em like that, right down the bottom of there." " Down at the bottom." "Okay?" " [Freddie] Get out of this room." "Get out of this room." "Patrick, get out of the room." "Get out of the rooml" "That was a dirty trick." "[Freddie] Hey, Tony, how about getting down from that, uh, cupboard?" "[Girl] Bob!" "You were supposed to get the lights and the cigarettes." " You go and get it" " Terry was supposed to go out and get it." " [Tony] You fuckin'don't do this!" " Tony, hurry up and get down." "Come on, you're getting right down, Tony." "You can get down yourself." " You're all right." " Hey!" "You're not supposed to do this." " You're all right, Tony!" " You fuck off!" " You fuck off!" " [Freddie] Tony, just hit the ladder." " You fuck off." " Get down." " I'll get down when I'm ready." " You get down now!" "You fuck off!" "You fuck off." "You fuck off." "You fuck off." "Oh, my God!" "He fuckin' shoved me down to the edge!" " Oh, all right." "You're right here now." " [Shouting, Indistinct]" "Can you come down by the ladder?" "I sure as hell can, if he moves his big fat rear end!" "Ah, where do you want Maurice to sit?" " He can go right over to the other end!" " [Irene] Terry, he always jumps." " Bullshit." "Bullshit." " What's that smile about, Tony Duplessis?" "Come on down." "Come on." "Your story is waiting for you, and I'm waiting for you too." "Let's go." "I'll go right there if he lets go of me." "No, you don't go up." "You come down." "Let's go." " Don't-- - [Freddie] Whoal" "I'll" " I'll jump right in the middle of" " Fine." "Good." "Jump." " Yeah!" "I'll jump." " Come on, let's go." " Fuck off!" "You're gonna" "Come on, Tony." "You're coming right down now." "Don't you" " You fuck off." "Come on." "You fuckin'jack-off." "[Maurice] It's your bedtime." " There's not time for anything else but this." " Terry!" "Terry." "Just pull your hair out of the way." "It's gonna hurt." "He's got a whole gob." "[Tony Babbling]" "How's big fat Santa Claus?" " [Terry] And how's little Tony, huh?" " Uh-huh." "And how is you, Maurice?" "Poor little hair." "[Man] Give me your glasses." "Tony, come on." "Let go." "I don't wanna" "No." " Fuck off, Bowmanville." " Tony, just let go." " Staff can handle it." " Oh, sorry, Terry." " Fuck off." " Don't interfere, please." "Come on, Tony." "[Tony Laughing]" "Tony, you just cut it out!" "[Irene] Tony, let go." "That's fine." "[Tony Laughing]" "Fuck off!" "What are you doing here, you fucking asshole?" " Hey." " Fuck off." " This is your bed, where you ought to be at this time." " Fuck off." "Tony, you can't be climbing up on that closet." " Well, I'll choose my own fuckin' bed." " What are you doing up there?" ""Finally he came to a concrete highway and started up the middle of it... and all the other creatures followed him."" " Robert, what are you doing?" " Drinking milk." " I want you under your covers." " Uh-uh." " Come on." " Uh-uh." " It's quiet time." " Come on." " I want you lying down and ready for bed." " It's not time." " Right now, Bob." " Well, lie down." "Come on." "You're holding us up." "You're holding the story up." " [Robert, Indistinct]" " Hey, this is a good book." "Come on, you don't read this when there's a story being read." "Yes, I can." "I'm listening to the story." "I think I'll read my chapter book too." "Cut it out, Bob." " Well, you don't take my book away from me." " Come on." "I can read it." "I'm listening to you." ""Finally, a boy about Bartholomew's age entered the room." ""He was the king's nephew." ""'What's the matter, UncleJohn?" "' he inquired when he saw the angry king." ""'This boy will not take off his hat', the king replied." ""'Nonsense, nonsense', said the king's nephew, whose name was Grand Duke Wilfred." ""'I'll take care of him." "Send him out to the yard with me.'" " "'All right', said the king." " Oh, yeah." ""And the two boys went right to the yard." ""The grand duke looked at Bartholomew and laughed meanly." ""'Stand over there, against that wall, ' he ordered." ""'I need a little practice with my bow and arrow." ""The grand duke shot one arrow after another until he had no arrows left." "[Carol] Somebody's taken the fuckin'shampoo!" "Dozens of hats had been shot off, but still Bartholomew's head was not bare."" "There's some shampoo in the other bathroom in the closet!" " [Laughing]" " Come on, Bob." "You put that in your drawer, and you too, Robert." "Maurice?" "Maurice?" "Screw a pig." " Come on." " Screw a pig." "It's quiet time." "I want you to lie down and be quiet." " [Robert Chattering]" " You're not gonna get it." "Come on." "I'm not playing games with you, Bob." "Don't you want to wear your pajama top, Tony?" "You gonna be warm enough?" "Okay, I'll wear it." "I want more." "Here." " I want more." " More?" "No." "I think three helpings for one night" "I only had two." " You had one at the table." "Here." " One there." "One here." "One at the table." "One just before." "And this is the third one." "Terry, no, it wasn't, because" "One when you were at snack, and the second one when" "Uh, mine was brung up here." "Oh, I see." "Okay." "Then you had two." "[Male Announcer On Radio, Indistinct]" "[Man On Radio] The two of you are standing there on Main Street." " [Coughing] - [Radio Continues, Indistinct]" "[Sniffles, Moans]" "[Person Coughing]" "And the princess whispered, "You can climb up by using my hair"." "And at first, the man, even though he was little... said, "No, I can't do that." "I'll hurt you." "Your hair isn't strong enough"." "And she said, "You don't realize the strength of a woman"." "And he said, "All right." "If you think you can do it, then I'll try"." "And he started to climb" " And climb." " And climb." "Climb." "And he twisted great chunks of her hair in his hands... and he wrapped both his feet around her hair, as if it was rope... and he climbed all of the way up... and she was able to support him with her head." "And he got into the castle... and he gave the king the secret weapon that he had." "And the next morning, the king used it." "Oh." "Good night." "[Kisses]" "Good dreams." "And tell Walter to come down and say good night to me, okay?" "Yes, I will." "[Door Closes]" "Oh." "These have got to be washed." "[Woman] Just leave them at the front door." " [Indistinct] - [Woman, Indistinct]" " Have you checked who's downstairs?" " What that?" "One of the camera-- The cameraman is" "We will." "Okay." " [Terry] What?" " That's all right." "[Maurice, Indistinct]" "[Terry] Yeah." "[Children Chattering]" "[Boy] Come on!" "I'm cold!" "[Hammering]" " [Tony, Mock Shivering] - [Maurice, Indistinct]" " You guys ready?" " Yep." "[Maurice] The blue station wagon." " Green light!" " [Hammering]" "Red light!" "Stop, Maurice and Kevin." "Okay." "You ready?" "Back, Patrick and Davey Engels!" "Green light." "Red light." "Back, Maurice and Kevin Rainer behind Jim Skinner." "Green light." "Red light." "I can see the reflection in those glasses." "Green light." "Red light." "Back, Jim and Kevin and Danny." " [Danny] You never saw me!" " Yes, I did, Danny." " I never moved!" " You did so." "I can prove that I can see you, Danny Myers!" "[Laughing]" " Oh, my-- - [Laughing] Oh, my!" "Dorothy's sick!" "Oh, poor Dorothy's sick." " No." " I'm missing one." "Don't poison me, please." "[Laughing]" "[Coughing]" "Oh, dear." "Get me a Kleenex quick." "Get her" "Now let me take your place!" "What will you do to me?" "How many throats have you got, Dorothy?" "I got two." "One right one and one wrong one." "Oh!" "[Laughing]" "I'll play dead again." "Okay." "Wake up." "I hated my anniversary, and I-I don't like anniversaries." "I don't like birthdays." "I don't think I ever will." "Maybe part of you was acting the part that" "Maybe you weren't here!" "Walter was sitting right there, and I was lying down right on this couch... after my anniversary dinner." "Feeling how?" " I was crying." " Why?" "What were you crying about?" "[Children Chattering]" "I know I need Warrendale's help... and I know I want to be here... but I also want to be with my mother." "What exactly were you crying about after that dinner?" "We've been through this mother business before." "I was crying about her, and I was crying about you... and I was crying about" "About what?" "Walter?" "Come on, say it." "Don't smile." " I can't say it." " Yes, of course you can say it." "You can say anything that you feel like saying." "Why were you crying about your own mother?" "Irene, why?" "Why?" "It gets kind of pathetic when somebody you just come to meet-- and your own mother... doesn't even go ahead and give you that kind of love... and somebody else has to do it." "You're angry at her for not giving you the kind of love you need." "And sad, too, because she wasn't able to." "You don't have to hide your face." "[Carol] Fuck off." "You can't do piss all for me." "Leave." "That's what you can do." " Leave." " [Object Clatters]" "No, I wouldn't like anything." "I'd like you to leave." "People keep on saying, "Irene, you've changed tremendously"." "Irene, you've done this." "Irene, you've done that." "But?" "But it's-- it's me that has to feel it, isn't it?" "So what do you feel that makes you think this isn't so true?" "[Carol] It's none of your goddamn business." "What are you aware of that you think other people aren't?" "You shut up." "Talk about it." "When you say I've changed so much, and then I go ahead and take a seizure." "It's just" "It's what?" "It's awful." "Why?" "When people say you've changed... you think it means that you can't go back to your old ways of doing things, or you" "Well, I don't wanna go back to my old ways!" "Sorry!" "But you can't change all of a sudden." " [Woman] Freddiel" " You hate that, don't you?" " Freddie." " [Freddie] Yeah." "Don't you?" "You're scared." "That's the thing you want to leave behind most, isn't it?" " Isn't it, Irene?" " [Sniffling]" "Hmm?" "That's the change you want most to happen." "'Cause that's the thing that scares you the most and hurts you the most." "So when people say you've changed, they're talking about that too." "They're talking about your being able to express anger... and other really harsh and violent feelings... so that they don't come out in seizures." "Yeah, they come out in walls!" "That wasn't your fault." "Those two holes in the wall happened when you were having a holding session." "And it was the staff's responsibility to hold you so that that didn't happen." "And it's, you know-- It's as if they had made them, not you." "Because they didn't have you sufficiently safe so that your foot couldn't have done that." "They said I was safe." "You shouldn't feel to blame because you kicked those two holes in the wall." "That would be like punishing you for expressing your feelings." "It's okay to be angry, and it's most okay to be angry when you're being held safely by people." "But they weren't holding you safely enough, so that happened." "And think of how you are now compared to how you were when you came." "When you came, you could hardly even talk about feelings without having a seizure." "And, in two years, you've made terrific gains." "Another year, another two years, the medicine will be enough." "That and your handling your feelings in other ways will be enough... so you don't have seizures, so you don't have that constant fear, Irene." "Okay, I'll be back." "I'll be right back." "[Woman, Indistinct]" "[Crying]" "[Woman, Terry Continue, Indistinct]" "Hasn't there been a change in having the seizures?" " No." " No?" "There hasn't?" "No, because I'm still fucking scared of them!" "That hasn't changed." "[Sobbing]" "Yes, I do." "I understand." "How much do you understand?" "I don't understand it the way you feel it, Irene, but I can understand a little bit." "I don't feel the fear that you fear-- feel." "[Sobbing]" "It's a fear that will go slowly and surely." "[Sobbing Continues]" "And the so-called friendship with Walter, it might as well be off." "Why?" "Because." "Why should I have a friendship with him when he's never around?" "Just because a person isn't around doesn't mean that everything" "And he makes me bloody mad!" "He makes me bloody mad." "He comes in that door and he sits down, he eats, he walks out the door." "Irene, that's because that's all he has time for." "Walter Gunn used to race up and down with me." "You used to." " I know." " We used to play games." "What happens now?" "Hardly nothing." "Well, we do some things together." "It's mostly all feelings, isn't it?" "It shouldn't be just all feelings." "Well, now it's mostly all feelings that-- between our friendship, isn't it?" "Yeah, I think it has been." "But maybe there has to be a time for that too." "Just like when we were first getting to know each other... it was games and it was fun... and it was things we could do without really knowing each other very well." "And now that we know each other better... we're able to share more of the deeper things, not just play." "Yeah, well, deeper things hurt too much." "That's why you need someone you know really well and trust well to share with." "It's like... the time we had together at first, we spent building something... building a trust." "And now that that's there, we can go on to share more things... that are harder to share and that hurt more." "Just like building a house." "Once you build the house, you add a garage." "Once you have the garage, you build something else." "And you grow and you become richer." "But it's hard work." "Pretty soon, maybe I'll become a millionaire." "But you know what I mean, don't you?" "Yeah, I know what you mean." "It sounds so much like... one day, I'm going to hit the jackpot and I'll be a millionaire." "What?" "It sounds so much like-- [Laughs]" "One day, I'm going to hit the jackpot and become a millionaire." "Well, you will." "The jackpot will be knowing yourself and knowing me a whole lot better." "You're getting there." "Well, takes time." "Yeah." " Oh, no, it's not true." " It is." "Well-- [Sighs]" "[Walter] And you'll see there'll be many children who react with" "Not just because of their relationship with Dorothy..." " but because of all the things it stirs up." " Yeah." "Because of the suddenness of it... because this great, healthy, robust, uh, lovely woman, you know, who is suddenly-- just for no reason, is suddenly dead, you know." "It's not as if she was old or falling away or wearing away, this kind of thing." "It'll scare the heck out ofkids who, uh, you know-- who are so scared ofbeing annihilated themselves." "If Tony's already high this week, it'll just send him-- send him that much higher." "Dorothy was that much in-- of the future." "She could have become like a housemother, you know?" "Her size, her looks, her way of doing things-- everything." "Oh, well, let's go and get some lunch ready." " It'll be all right." "You'll see." " All right." "I'm all right now." "So, you and Rachel just go ahead while Terry and I get things organized." " We'll" " Ena?" " Yeah?" "We'll clue you in very carefully before we have a meeting." " Yeah, that's all right." " Okay." "It'll probably be maybe 1:30 or so." " [Walter] Pardon me?" " [Terry] They should be over here." "Hello, Debbie?" "Is John available?" "For the whole day, eh?" "Yeah, maybe you can give me a little advice." "Um, I'm down at Terry's house, and she has a cook." "She had a cook... who had become very much part of the house, you know... and had become like-- like a cook-mother, you know." "She's the only service staff we've got who's really become involved in the program, I think." "You know?" "And she very suddenly and very unexpectedly died this morning." "And so I wanted to get some very careful advice from him on where to go with this." "[Boy Shouting In Distance] Ian!" "Ian!" "Yeah, well, this is what I'd planned." "And we're gonna have all the staff come in and do it very carefully... and be very prepared for it." "My other thought was, um, around a couple of things." "Um, as you know..." "Allan King and his crew are in here doing the filming of the house." "And to me, this is an integral part of what goes on, you know." "And my immediate reaction was, well, we couldn't have them film a meeting like that." "And then my next reaction was, well, you know, this is what we're trying to do." "We're trying to communicate what goes on, what things are all about, you know." "I" " Yeah, they're used to all of the people." "They work very sensitively with the kids." "So I wondered whether-- if there's any limit at which we would draw sort of" "Is this intruding too much?" "Is it going too far?" "Is it" " Would it be more natural to have them film it than not to have them film it?" "You know?" "The one thing I have said, though, is that tonight... we were going to have both a hockey night party in the basement for the boys... and a card party for the girls upstairs." "I think we should cancel both these things out of respect" " No?" " [Door Opens, Closes]" "[Woman, Indistinct]" "[Walter] Oh, God." "Just a second." " [Woman] Do you know where they are?" " They're not here?" "No, and neither is the green station wagon." " Wait." "The blue wagon's gone?" " Not the blue one, the green one." " Was it in the parking lot?" " The green one's in the States." "I'll go ahead." "I may need to call you back on it." "We have the three big boys who are just missing." "Bye." " I should have known." " I'll check in the school, Walter." "Hasn't anybody checked them out, you know, periodically?" "I've been trying to, Walter, but I've been doing all I can." " All right." "Terry?" " Yeah." "Why don't you go ahead on" "Just go ahead." "I'll be back in the house." "We may have it at 2:00." "We may have it at 2:30." "The kids don't know about it." "We may have it at 3:00." " All right." " When we have it, we have it." " We'll just carry on." " Okay?" "Fine." "Good." " See you." " Bye." "[Bob] Did they take off?" " What?" " Did they take off?" " [Tony] Walter!" "Walter!" " Yeah." "They don't appear to be here." "[Girl] Yeah, they did." "Did they take off in the car, Walter?" "No, they didn't take off in the car." "The car's in the United States." "[Tony] The car's in the United States." "Yes." "Mike Kirkpatrick is out with it." " Joanne!" " [TV Playing, Indistinct]" " When did you last see them?" " What?" " When did you last see them?" " I don't know." "I don't remember what time it was or anything." "They were just outside here." "Well, that's too bad." "I think we've let them down." " [Door Closes] - [Walter] Yeah." " [Engine Starts] - [No Audible Dialogue]" "There really isn't very much point in going out here... but just occasionally, you know, you run into them... or you find them doing something." "Well, they've never been off together before, the three of them." "But, separately, they've, uh" "You know, before they came to Warrendale" "Alan, especially, is a-- is a serious delinquent, you know." "He's wired cars and stolen them." "Eddy isn't really a-- hasn't really ever gotten himself into trouble... you know, criminal trouble." "And Jim hasn't really either, you know." "The thing that worries me is that, together... the three of them may get involved in some kind of thing... that separately they wouldn't necessarily, you know." "Sort of to outdo each other, you know." "They're so fantastically competitive with each other that" "They'll get caught up in doing things that none of them will want to do... but they won't know how to stop each other." "They won't have enough self-control to stop each other." "[Debbie] If Eddy was sitting right here, what would you like to say to him for leaving you?" "[Crying] I don't know." "[Ena] You don't know?" "How scary is it to even think of what you'd like to say?" "How much does it scare you, Laurie, to even think of how much anger you've got there... what you might do if people left you?" "How much does that scare you?" "[Debbie] How scared are you that, if you say something to him like you feel... that you'll lose him, when you like him so much?" "I can't even think straight!" "[Crying] Leave me alone!" "So you would recommend giving the police Eddy's grandparents' address." "[Woman On Phone, Indistinct]" "I, uh" "His grandfather's pretty sick?" "Is she" " Is she on the critical list?" "I mean" "I don't know." "It's pretty loaded isn't it, eh?" "Yeah, well, if his grandfather's that-- If his grandmother's that sick, you know... we hardly want to say-- or have the police go on barging up to the door." "You think Eddy would really take them there?" "Maybe you'd better call them." "And just be as, uh" "Uh, extend yourself as nicely as you can... and tell them that you're very concerned about them and that, if they call there... could they please immediately let us know... and that the boys need to be back here and they need very much to be back here." "The three boys are doing very well." "But when they get together that, uh, you know, sometimes they're" "They get, uh-- They're apt to get into trouble." "Just talk their language, you know." "Okay?" "Fine, good." "Bye." "Hi, Robyn." "I'm glad you could come in." "We'll probably have a short meeting down here before we have the meeting with the kids." "Jesus Christ!" "How can you tell kids... when you don't even know the goddamn yourself what's coming off?" "Well, what is it that you're worried about?" "Well, you know, I mean, Dorothy's at work yesterday... then all of a sudden today she's dead." "You know?" "The kids are going to be afraid that they're gonna die in their sleep... and we're gonna die on our days off and" "If there's only something you could say to them, that would make it so much easier." "You say to them that, uh, it's a very hard thing." "You can be just as open about it as you want, you know." " [Children Laughing] - [Boy] Look at 'im, Pat!" "[Boy #2] Welcome back, Ed." "[Woman] Patrick and Robert, inside." "[Patrick] Shut your mouth." " [Woman] What kind of a comment is that?" " You heard me." " You just get inside your house, Patrick." " Shut your mouth." "[Stomps Ice Puddle]" "[Susan] What's the meeting about?" " No, Alvyn." " Just something." "[Irene] Who isn't here that has to be here?" "[Freddie] Is this meeting important?" " Is there a special time?" " [Terry] No." "[Children Chattering]" "This morning, I got some very sad news." "I got a phone call from the hospital... and they told me that Dorothy, our cook, died this morning." " [Children Gasping] - [Girl] Dead." "[Sobbing]" " [Robert] What did she die from?" " [Carol] No, it can't be true!" "[Sobbing] It can't be!" "It can't be true!" "Staff, what'd she die from?" "[Sobbing Continues]" " [Debbie Crying] - [Carol Sobbing]" "The doctors are trying to find out why she's dead now." "[Robert] She was well and healthy." " She was well." " [Sobbing Continues]" " [Tony] Terry, are people" " I know." "It's so sad." "Is our staff going to keep in contact with her?" "[Boy] How can they keep" " I want someone to stay with you." " [Screaming] No!" "No!" "No!" "Fucking let me go!" "Now!" "Let me go now!" "No, we're not going to let you go." "Let me go now!" "I'll fucking kill myself!" "No, you don't want to kill yourself." "Yeah, but it's okay!" "It's okay!" "There's a big hurt there." "[Terry] I'm not going anywhere, Carol." "I'm not going away." "I don't fuckin' want you now!" "I don't want nobody!" "Nobody!" "[Sobbing]" "What?" "It's okay." "[Boys Arguing]" "[Davey] How would you like it if you died?" " [Patrick] You better shut your mouth!" " No, I won't." " Yes, you fuckin' will!" " No, I won't." "How would you like it if you died?" "[Carol] I don't want nobody!" "I don't want nobody!" "I don't want nobody!" "I don't want nobody!" "I don't want nobody!" "I don't want nobody!" "I don't want nobody!" "I don't want nobody!" "I don't want nobody!" "I don't want nobody!" "I don't want nobody now!" "[Carol Whimpering, Crying]" "I wanna die!" "I wanna be dead!" "I wanna be dead!" "[Sobbing Continues]" " [Boy] Walter?" " [Walter] Maurice, come and hold Tony." "[Scoffs]" "So you can pull your bullshit, huh?" "Just shut your mouth." "Now you and me, we're gonna pass-  [Terry] Help me, Walter." " [Carol] She can't be dead!" " Fuck off." "Fuck off." " [Walter] It's all right." "Fuck off." "[Walter] It's all right." "It's all right, Susan." "It's all right." "It's all right." "It's all right." "[Robyn, Indistinct]" "Move her right back here to the wall." "[Gasping, Pounding On Floor]" "Hey, it's all right." "[Robyn] Come on, Susan." "You can let it come, Susan, and relieve your feelings." "Just let it come." "[Robyn] Yesterday, Dorothy was here... and you were having fun with her, and today she's dead." "You'll never, ever see her again." "It's so hard for Susan." "Susan's lost other people before when other people have died." "[Crying]" "You weren't even expecting it." " It's just so hard" " That'll do it for a while." "Let's move over here." "[Robyn, Indistinct]" "[Woman Shouts]" "Maurice, if necessary, you help Terry, all right?" "[Susan Pounding On Floor]" "[Boy Shouts]" "[Irene, Carol Screaming, Sobbing]" "Have you got her?" "Let's move the table right here." "Pull it over, Alvyn." "Pull it right over there." "All right, bring the other one back." "[Terry] Just keep on holding her in that way." "[Crying, Gasping]" "Thank you, Robyn." "You're doing just fine." "Where do you want to go, Terry?" "Before you move, I want to help her move nicely." " What?" " Or else put my leg over." " Where?" "How?" " [Alvyn] Okay, get in there." "You're all right there." "[Walter] How do you want to hold her?" " What?" " Help me with this." " [Irene Sobbing]" " What is it, Irene?" "Come on, Irene." "[Ena] It's all right, darling." "Nobody could get along without her." "[Pounding On Floor]" "She loved you." "It's all right." "It's all right." "[Sobs]" "It's all right." "It's all right to cry, honey." " It's all right to cry." " [Susan] Fuck off!" "Get out of here!" " [Robyn, Indistinct] - [Crying, Whimpering]" "[Walter] It's hard, isn't it?" "Why did she have to die?" "Why?" "It doesn't make sense, does it, Susan?" "It doesn't make sense." "I don't have any fucking feelings about deaths." "It's" " She's no relative to me, is she?" " [Walter] Nobody's telling you how to feel." " Well, if I" " Nobody's telling you how to feel." " All right, then just fuck off." "[Walter] If you'd like to talk to anybody about it, you're very welcome to." " We know it's hard." " If it was my relative, I'd be worrying, but she's not." " [Irene] Why?" " [Ena, Indistinct]" "[Screams]" "Get off me!" "No!" "She's alive!" "She's alive!" "She's alive!" "[Screaming] She's alive!" "Still alive!" "All right" " Hold her." "Hold her." "Don't get hurt, Robert." "It's all right." "It's all right now." "[Screams]" "[Whimpering]" " Let's get" " Alvyn." "Let's move up against the wall now." "It's all right." "I got her." "All right." "Come here." "All right." "[Ena, Indistinct]" "[Tony] But how can people find out if she's dead or not dead?" "You know how a doctor comes up to you with his stethoscope..." " and he puts it on your chest?" " Yeah." "You know those things that go in your ear?" "And you can hear like-- You can feel your heart beat-- like, thud." "[Robert] She could've had some poisoning-- food or something." " [Tony] That's silly." " Put it this way" "[Walter] Pretty frightening when it's someone that young and-  [Tony Chattering]" " And you saw her looking in good health." "In good health?" "She seemed in better health than we are herself." "We don't know that for sure." "She seemed in good health." "Most people don't faint, then they go to the hospital." "Did she have a medical check-up before she come here?" "'Cause you can look at her records and see if" "Dorothy went to the doctor about a month ago because she had had headaches that bothered her." "And the doctor gave her some pills for her headaches." "She'd be cut open to find out what's wrong, right?" "Or she'd be looked at, and there'd be some mark showing." "[Bob] No, she'd be x-rayed." "[Robert] Listen, if she was poisoned by food, right, they'll never find out who did it." "Never." "[Bob] They will." "[Robert] 'Cause it's impossible." "'Cause the only way they can find out is if there's something lying around." "[Freddie] She got $79 or something like that from this insurance company... and she said she'll never withdraw it until she's old." "And then she'll have about 40,000 or 50,000 bucks in her old age." "[Terry] No, you need my arms around you right now." "You're right here close to me." "You don't have to put your arms around me." "[Walter] Why not?" "Why not?" " Because I don't want her to!" " Why not?" "Why don't you want her to?" " Why not, Carol?" " Why don't you want her to, Carol?" "What are you worried about?" "What happens if this happens?" "You like Terry." "You need somebody right now." "Are you afraid something will happen?" "No." "I just don't want her fuckin'arms around me!" " Why don't you say what you're afraid of?" " I don't want your arms around me." " Why don't you say what you're afraid of?" " What are you afraid of?" "Nothing." "I just don't want your arms around me." "Why not?" "Why not, Carol?" "Why not?" "What do you think she's saying when she says that?" "[Man, Indistinct]" " [Irene] She might die." " [Walter] That who might die?" " That who might die?" " Terry might die." "Say that louder." "Say that louder." "That who might die?" "Terry." " Who?" " Terry." "[Walter] Terry, huh?" "I think" "No, I'm not worried of that!" "So don't think I am." "I just don't want her crummy arms around me." "[Walter] Why not?" "Why not?" "Why not?" " [Terry] Why not?" " I'll fuckin' sit on 'em." "Why not?" "What, are you angry at me?" "Are you scared?" "No." "I just don't want" " Take that arm." " No!" "No!" "No!" "It's all right." "It's all right, Carol." "It's all right." "[Bowl Clattering]" "It's all right, Carol." "It's all right." "[Walter] You're punishing yourself, Carol." "You're punishing yourself." "[Robyn] You're just making it harder on you, Carol." " [Terry] You don't need to make it harder on you." " [Robyn] You don't need to be punished." " [Walter] You know, it wasn't you who did it." " [Irene Screams]" "[Robyn] You haven't done anything wrong." " [Irene Screaming] - [Walter] Watch it." "[Screaming Continues]" " Maurice!" " [Screaming]" "Come on, let it out." "Let it out." "[Robert] Patrick, grab that pop bottle." "[Walter] All right." "Watch it." "Sorry, Terry." "I got distracted." "Turn her over again." "You grab one hand." "I got the other." "You got her right hand?" "I mean the other hand." "Come on." "You all right?" "[Irene Screaming]" "Help me cross the other hand." "Hold her." "[Boy] Ena?" "Ena?" "[Walter] Don't turn her head." "[Screaming]" "[Alvyn, Indistinct]" "Why?" "Why did God want Dorothy to die?" "Why?" "Why?" "Why?" "[Screaming] Why?" "Why?" "[Sobbing]" "Why?" "Why?" "Why?" "Why?" " You open your eyes, and you take a look at where you are!" " You stop it!" "You stop it, Carol!" " You cut that out!" " Stop it!" " Leave me alone!" " You cut it out!" "No, we're not gonna leave you alone!" "People aren't gonna leave you alone!" " We're not gonna let you pull that kind of thing!" " We're not gonna leave you alone!" " Come back right here!" " Cut it out!" "Cut it out, Carol!" " You're here!" " Cut it out!" "You're hurting me!" "You're hurting my shoulders!" " You're hurting my shoulders!" " You're all right!" "You're all right!" " You're all right!" "You're all right!" " You're right here!" "You're okay!" " You're all right, Carol!" " But here is where you are and no place else!" "Right here!" "No games!" " Here is where you are and no place else!" " All right, take a look now." "Take a look." "Take a look at House Two." "Take a look at the people in it." "I see 'em!" "I see 'em!" "I see 'em!" "[Terry] So how do you feel about it?" " [Walter] Don't stop, Carol." "You're doing it again!" " So how do you feel about it?" "You're doing it again!" "Don't!" "You stop it!" "[Robyn] Carol, you knock that off!" " [Walter] And stay with it." " I see 'em!" "All right!" "Who do you see?" "Who do you see?" "Who do you see?" "[Terry] Who do you see when you open your eyes?" "Who do you see?" "Get with it, young lady!" " Get with it!" " Who do you see?" "No nonsense!" "No nonsense, Carol!" "No nonsense!" "No nonsense!" " Cut that out!" " Carol!" " Just quit it!" " Shut up!" "Shut up!" " Shut up!" "Shut up!" " Just cut that out!" " And get back here in the house!" " You're doing it again!" "You're doing it again!" " You're doing it again!" " I'm not doin' nothin'!" " Yes, you are!" " Yes, you are!" "Yes, you are!" "You're with us!" "You're with us in this house!" " You're here!" " I know!" "I see you!" "I see you!" " Stay with it!" "Stay with it!" " I am with it!" " Stay with it!" "Stay with it!" " I am!" "I am!" " I am!" "I am!" "I am!" "I am!" " Stay with it!" "Stay with it!" "Carol!" "Right here now!" "Carol!" " Hey!" "Hey!" "Hey!" "Hey!" " I am!" "I am!" " Right with it." "Right with it." " I am!" "I am!" "That's good." "I want to see your eyes looking at me or Terry." " You're right here." "Here." " [Boy Chattering]" "Carol, honey." "Hey, hey, hey." "Hey, hey." "Hey, hey, hey, hey." "[Sobbing] I want Dorothy back!" "I want Dorothy back!" "I want Dorothy back!" " [Gasping]" " Just say it." "Just say it." "[Terry] Say what you feel." "Don't stop." "[Irene Sobbing]" "[Sobbing] Why did she go?" "Why?" "[Screaming] Why?" "Why?" "Why?" "[Sobbing Continues]" "[Woman, Indistinct] Did anybody in this house do it?" "[Woman #2] I wasn't down there when she came in, so I don't know." "Stay with me." "Gently." "Gently." "Gently." "You know, there's no reason why you should treat yourself hard." "I won't let you do that." "Let Terry do it for you." "Let Terry do it nicely for you." " I like brushing my own hair!" " All right, then do it gently!" " You do it properly, Carol." " You're doing it hurtfully to yourself." "Why should you be mad at yourself?" "Why should you hurt yourself?" "Now do your hair gently or not at all." " You don't have to hurt yourself." " You don't touch my hair." " Obviously you're not ready to do it." " Yes, I am!" "Well, you show me." "You prove it to me." "[Terry] You do it gently, the way you're supposed to comb your hair." "I would like to see Terry do it for you." "I'd like to see you be able to let her do it for you." "I can do it myself!" "I'll do everything for myself from now on!" "[Terry] No, you don't have to do everything." "[Walter] All right, everybody." "Take it easy." "[Patrick] Well, she should have!" "[Walter] It's not an easy day." "[Chattering]" "[Boys Shouting, Arguing]" " Slow down." " [Patrick Jabbering]" " Slow down." " [Tony, Indistinct]" " Pat." "Pat." "Pat." " You just did it again." "Pat, you're a senior boy in this house." "Give Tony a hand." " [Patrick Shouting]" " No, no." " [Tony] You started it!" " You shut up!" " [Boys Shouting]" " Don't let Tony get going." " Pat." " [Jabbering]" " Pat, Pat, Pat." "Pat." " Fuck a pig!" "Ena." "Pat, don't let him get you sucked in like that." "[Tony Shouts]" " Don't let Tony get you going." " You make excuses for him every second." " That's fuckin' not true, Patrick." " It is, Tony." "Don't let him get you going." "Tony's the youngest, scaredest kid in the house." " Don't let him suck you in." " Oh!" "[Children Laughing, Chattering]" "[Robyn, Indistinct]" " [Susan] What about me?" " [Debbie] Oh, screw a pig." "Come on." "[Robyn] Here." "Matthew is Dorothy's brother... and he's an immigrant who's come over here just last week from the Bahamas." "And he's all alone now." "So we're looking after him too." "For the next week, or months even, things are going to remind you of Dorothy." " [Walter] Good." "Bye." " Who was that, Walter?" " That was Nina." " What did Nina want?" "Nina wanted to know if things were okay... and she wanted to tell me how the other houses were and how Eddy and Jim and Alan were doing." "All right." "Hey." " How come you're sweating, Walter?" " You wanna know how come I'm sweating?" "I sweat easily." "Some people sweat more easily than others." "It's just a way of life, you know." "Some people sweat a lot." " This afternoon, your whole shirt was wet." " Yeah, I know." " Oh, you look pretty like that." " [Woman] How was the meeting?" "You look so pretty like that." "[Children, Staff Chattering]" "[TV:" "Male Sports Announcer, Indistinct]" "Sit down, sit down." "You don't stand up now." "[Tony] Walter. 4-to-2, Walter." "4-to-2 on Toronto?" "Is anybody betting Chicago?" "I'll raise the bet to 4-to-1 on Chicago." "Did you win two last time?" "Oh, those are mine." "Those are mine." "All right, sit down, everybody." "I'll take the bets separately." " Sit down, sit down, sit down." " Walter, 5-1 and 4-2." "The game's gonna begin, so we'll take the bets sitting down." "4-to-1 on Toronto." " Kevin is what?" " 4-to-1 on Toronto." "[Boy] Score!" "It's Toronto!" "Odds are changing." "It's a good thing those people got their bets in." "The odds are changing." "I get four, Alvyn!" "Alvyn!" "You got a lighter?" "Alvyn." "[Walter] Well, I don't know." "If I stay at the same odds-  [Boy] Hey, Tone." " I know." "You got a lighter?" "A lighter." "What happened to yours?" "[Boys Chattering, Shouting]" "Walter." " Walter." " [Boy] 4-to-2." "Walter!" "Bucky!" "Bang, bang!" "4-to-2!" "[Boy] Turn it up, will ya?" "Bucky!" "Bucky." "Bucky. 4-to-2." "4-to-2." "That's more like it, Bucky." "And where's my pop?" "Uh!" "[Game Announcer] ... over the line." "Back to Horton." "Dryden shoots!" "And he-- Oh!" "He missed the corner." "Hillman waved at it." "Keon tried to keep it in." "He's stopped by Kennedy." "Dryden back to Hillman." "[Walter] Now, we know that yesterday was especially hard for you... and I get the feeling today it continues to be." "So I feel especially strongly that you have a chance to be with people... continue to be with people." "I'd be very concerned if you weren't with people all day long today." "And just whenever you feel like crying, you need to cry." "And you can talk about some of the things you liked doing with Dorothy." "One of the things I want to reassure you very strongly about, Carol... is that you had nothing to do with her dying, nothing at all." " I know that." " I know." "I just want to reassure you." "Because kids-- especially you, I think-- at different times around different people, feel that your feelings affect other people." "They can make them sick or hurt them or do all kinds of things." "And your feelings can't do that." "And anything that ever went on between you and Dorothy before didn't hurt her." "[Walter] How did you sleep last night?" "I didn't much." "Did you think about her during the night?" " Any scary thoughts?" " No." "You just thought about her." "What kind of things did you think about?" "I didn't get to say good-bye to her." "Last night, I had a terrible-- I had a terrible fantasy, about 50 times." " [Walter] What was it?" " That Dorothy was right up there." " That's the kind of thing you need" " And she" " No, she was sort of right there." "Not" " Not looking down." "She was sort of right there." "[Walter] I want to reassure you of two things, Irene." "You had nothing to do with it." "You had nothing to do with the fact that Dorothy died." "No matter what thoughts you had in mind, what thoughts you had about her... what things have happened with her-- you had nothing to do with it." "[Walter] Nothing you did had anything to do with Dorothy's death." "Well, I-I know that." " Good." "I'm glad you know that." " I'm aware of that." "Sometimes kids think that their own thoughts or feelings" " So?" "It's not me." " Can directly affect somebody dying." "I just wanted to reassure all the kids and you, too, that none of you had anything to do with it." "And I wanted to tell you that if you had any thoughts or reactions to it... in the next couple of days or the next week, two weeks..." " to get to people and tell them about it." " Why?" "No matter even if it seems funny or stupid... or, you know, unusual, tell them about it, share it with them." "To me it's just" " Well, I'm a Catholic, and I have my reason why I think they die." "[Woman] Albert!" " [Terry] Why do you think Dorothy" " God wanted them." "God wants somebody, he takes them." "He takes them." "[Walter, Indistinct]" ""We brought nothing into this world..." ""and it is certain we can carry nothing out." ""The Lord gave, and the Lord hath taken away." "Blessed be the name of the Lord. '" "And I woke up just in a certain, you know, particular way... that made me feel as though somebody had died." "And then I woke up and I thought, "Oh, nobody had died." "Dorothy will be in tomorrow"." "You know?" "And I checked through everybody so that-- to make sure that everything was safe and that nobody had died." "And so the morning went on, and then it came to the meeting time." "And then Dorothy had died, so it must have been my fault." " [Terry] No, it wasn't your fault." " [Walter] Freddie." "Freddie." " [Walter] I want you to look at me." " What?" " You had nothing to do with Dorothy's death." " Oh, yeah." "And you know, if you have enough thoughts and anxieties and wishes... out of a million thoughts and anxieties and wishes and hunches and feelings... some of them will come true because" "By matter of chance alone, some of them will come true." "You had nothing to do with Dorothy dying." " How come she was bouncing around" " Dorothy had to do with Dorothy dying." "Yeah, well, look, Dorothy wasn't sick or anything." "Freddie had nothing to do with Dorothy dying." "Freddie's thoughts didn't have anything to do with it-Freddie's feelings, Freddie's actions." " Nothing to do with Freddie had anything to do with Dorothy dying." " Well, I don't think that's fair." " What?" " I don't think that's fair." "And so-- Well, I don't see how she could have died." "So it must have been me." " It had nothing to do with you, Freddie." " Well, then how did she die?" "[Minister] "We meekly beseech thee, O Father..." ""to raise us from the death of sin unto the life of righteousness..." ""that when we shall depart this life..." ""we may rest in him as our hope is this our sister Dorothy doth;" ""And that at the resurrection in the last day..." ""we, with her, may receive that blessing..." ""which thy well-beloved Son shall then pronounce to all that love and fear thee, saying..." ""'Come ye, blessed of my Father..." ""'inherit the kingdom prepared for you from the foundation of the world." ""Almighty God, Father of all mercies and giver of all comfort..." ""deal graciously, we pray thee, with those who mourn." ""Let us pray for ourselves..." ""that we may always be mindful of the shortness and uncertainty of human life." ""Give rest, O Christ, to thy servant with thy saints..." ""where sorrow and pain are no more, neither sighing but life everlasting;" ""Where thou, O Christ, with the Holy Ghost..." ""art most high in the glory of God the Father." "Amen." ""The God of peace that brought again from the dead our Lord Jesus..." ""that great Shepherd of the Sheep..." ""through the blood of the everlasting covenant..." ""make you perfect in every good work to do his will..." ""working in you that which is well pleasing in his sight..." ""through Jesus Christ... to whom be glory forever and ever." "Amen.'" "[Coughing]" "[People Coughing]" "[Whispering, Indistinct]" "[Continues, Indistinct]" "[Coughs]" "I was just telling your wife" "[Indistinct]" "[Terry] Debbie?" "[Children Chattering]" "[Boys Shouting]" "[Boy] Hey, Alvyn!" "[Man] Slow up, Allan." "[Children Chattering]" "Over to your left, Allan." "[All] # Fishermen #" "# There were three jolly fishermen #" "# Fishermen #" "# Fisher-Fisher-Fishermen-men-men #" "# We're three jolly fishermen ##" "[Chattering]" "Can we go down this side and up there?" " [Chattering] - ## [Singing]" "[Terry] Wait, wait." "Strategy." "We're gonna plan what we're gonna do." "[Chattering]" " [Exclaiming] - [Vehicles Passing]" "[Boy] Dedication of Noses, Incorporated." "[Tony] Which way are we going?" "No." "Noses Anonymous." "We're turning left." "Tony, come here." "Tony." "I want you to hold my hand while we go." " Noses Anonymous." " Tony." "Tony." "What?" "I don't want to." " [Shouting, Laughing] - [Walter] Hey." "Hey." "Okay, that's enough now." " [Shrieking, Laughing] - [Tony Shouting]" "[Tony] Fall in, someone." "[Walter] Keep on going." "I just beat you, Tony." "[All] # Green grow the rushes, oh #" "# One is one #" "# One is one and one alone #" "## [Continues, Indistinct]"