"Action, Jake." "Jake, action!" "Cut." "Look, Jake, what's the problem here?" "I want you to open the coffin, just a beat after you open your eyes." "Get him out!" "Raise the camera." "Give me a hand, something's the matter." "Just relax, babe." "Something's weird here." "Jake, are you okay, babe?" "Come on." "What's the matter?" "Come on, speak to me." "Come on, talk." "What's the matter?" "I don't know what happened." "I was in the coffin, I thought everything was okay." "I opened my eyes and the camera was on top of me." "I couldn't move. lt's no big thing." "For a second there, I just couldn't move." "I don't know what happened." "I'm sorry." "Now what happened?" "Joe, get up there!" "Put some water on it!" "Throw some water on it!" "This is great!" "That's terrific!" "You got it under cont" "Look, Jake, you know, you really look exhausted, babe." "Just take a shower and go home." "We lost the sun anyway." "One more time. I can do it." "I know you can." "But you don't have any sun anymore." "Nuts with that Extreme?" "And a Manhattan?" "Fries?" "Rings?" "Anything to drink?" "Two large Cokes with ice." "Onions on everything." "That's to go?" "$4.99." "Keep the change." "Hey, Scully!" "How's that picture coming?" "Good, fine." "I'll have a Jack Daniel's, neat." "Are you serious, Scully?" "You quit drinking, remember?" "Just get the drink, Doug." "What's the matter?" "They cut your big scene?" "Again." "Carol?" "You're a bartender, not a priest." "That's right, I'm a bartender." "Then keep the fucking glass filled." "Keep your own glass filled." "I'm sorry, Doug." "Just don't pay any attention to me." "Need a place to stay?" "I guess I do." "Jake!" "What are you doing here?" "I thought you were working." "I am. I got a week off, so I figured I'd go to some interviews." "Do you know about any sublets?" "No. I'll check around." "Something available immediately?" "Not offhand." "The whole fucking world's here." "Do you two know each other?" "Jake Scully, Sam Bouchard." "Right here." "I'll see you in class." "We got class today?" "3:00." "Right." "Good luck." "What've you been doing lately?" "Well, I just started a low-budget independent horror film." "The Vampire's Kiss." "I play the vampire." "Vampire's Kiss." "Sounds interesting." "Before that I did Petruchio in Taming of the Shrew." "Sounds interesting." "Anything else?" "You mean anything good?" "You are working." "That's good now, isn't it?" "Small town, huh?" "Jack Scully?" "Jake." "Give them hell, man." "I remember that it was dark." "Really black." "And I was just a little kid." "And the wall behind me was cold and damp." "And I was hiding." "I was part of this game, "sardine."" "I was " it" and I was hiding." "And everybody was looking for me." "There was humming, because I was behind the freezer in the basement." "I had jammed myself in so hard behind the freezer that I couldn't move." "I'm afraid." "What are you afraid of?" "They won't find me." "They're not supposed to find you." "But I'm afraid because I can't move." "Well, why don't you cry out?" "I can't. I'm afraid." "Besides, I'm the sardine and they're not supposed to find me." "Particularize that." "Who can't find you?" "My brothers." "They're bigger than me." "It's the first time they ever let me play." "If they're your brothers, they'll want to help you." "No, they won't let me play again." "They're bigger than you, aren't they?" "Will they hurt you?" "How?" "They'll laugh at me for getting stuck and for crying out for help, like a big baby." "That's right." "You are a baby." "I know." "And you're afraid." "You must act." "I can't. I'm afraid." "You'll never escape." "I know." "You'll die." "Bullshit!" "You've got to act!" "Fuck the fear!" "You got to cry out for help!" "Come on, use your body!" "Cry for help." "Come on!" "You can do it, Jake." "I want you to cry out." "I can't!" "I'm a sardine." "Sardines in a can are dead." "They can't feel or be afraid." "But you're alive and afraid." "You're not a goddamn dead sardine." "Big shout, Jake." "Cry out!" "I can't, I can't, I can't." "Come on, Jake." "Leave the guy alone." "Do not interrupt this exercise." "Exercise?" "This looks like a mind-fuck to me." "What's your name?" "You're not a member of this class." "That's right, I'm not." "I thought the class was for acting, not humiliation." "What gives you the right to fuck with this guy's head?" "!" "You'd better leave." "That's a good idea." "You want to act?" "Come on, Jake, class is out." "Come on." "Come on, Jake, let's go." "I'm sorry, Will." "Come on." "I can't do this today." "This is called an "exit."" "Shit." "What a fool I am." "Come on, Jake, you're too hard on yourself." "These guys, they can't get a job." "Put an ad in the trades, call themselves teachers." "What do they teach us?" "How to be more fucked up than we already are!" "That's not it." "Can we get another round?" "Are you married?" "Separated." "Me too, as of yesterday." "We weren't married, but it was almost the same thing." "What happened?" "I'm sorry." "That's none of my business." "It's okay. lt's just.... lt sounds so stupid." "These things usually do." "I caught her in bed with another guy." "Can you believe that?" "You had no idea?" "None." "Christ, I keep seeing it." "Carol lying there." "Her face was glowing." "Her face was glowing?" "How do you get a girl's face to glow?" "I got 1 6 years of humping, not once did I get a glimmer let alone a fucking glow." "Glowing?" "!" "I'm sorry, that's tough." "No, you're right." "It's not that big a deal, really." "You kicked the bitch out, I hope." "l didn't." "Why not?" "It was her place." "Man, you've been through the shitter." "Where're you staying?" "l got a friend with a floor." "You ready for some good news?" "I got a five-week gig coming up." "Seattle Rep's doing Private Lives." "I've been housesitting for a friend." "He gave me a good deal-- -l've been looking for a sublet." "Would this be available right away?" "Wait here." "Let me make a phone call." "Don't move." "Do you like plants?" "Sure." "l can't believe this." "lt's something, isn't it?" "Be it ever so humble.... lt's unbelievable!" "Now, I know it's not much." "Can you handle this-- l've never seen anything like it." "Your friend must be loaded." "He's filthy with the stuff." "Anyway, here they are." "Water them down every day after 6." "Every day after 6." "That's it." "Listen, Sam." "This is really nice of you, man." "No thanks necessary." "One actor helping out another." "That's what it's all about." "Don't let the plants die." "You got it." "Where is he, anyway?" "Alan?" "He spends a lot of time in Europe." "You got a well-stocked bar, rotating bed sauna and Jacuzzi in the back beyond the walk-in closets." "Soon as I pack, you can put your stuff away." "Are you leaving now?" "The hell with it." "I got time for a drink." "I'll still be able to catch the last flight." "Man, what a setup." "This is great." "lsn't it?" "Thank you." "Here's to a friendship" "Wait, wait." "Let's do this right." "Come here." "To Hollywood." "Man, what a view, huh?" "That's just part of it." "There is one very special feature to this house." "What you looking at?" "Where are you?" "There she is." "Showtime!" "I'd like you to meet my favourite neighbour." "See her?" "It gets better." "What's she doing?" "Keep watching." "Want to get closer?" "You bet." "Oh, my God." "Focused?" "She's a little out of focus." "Hang on." "Does she do this a lot?" "Like clockwork, every night." "Every night?" "Jesus!" "Well, what do you think?" "It's something, isn't it?" "Lady does that same gig every night." "Get a look at her face?" "Too bad." "She's gorgeous." "Oh, shit. I gotta get going." "Can I help you?" "Don't forget your scarf." "Here's the key." "Don't make too many long-distance calls." "This is really good of you." "You're doing me a favour too." "Take it easy." "Knock them dead!" "They're already dead in Seattle." "So long!" "Jesus!" "Bastard!" "Where have you been?" "I've been calling all over." "I'm sorry, Frank. I've been having problems with Carol so I've been staying at a friend's house." "You got more problems, Jake." "Rubin fired you." "What?" "You know, fired." "No job anymore." "Some bullshit about artistic differences." "What happened?" "Nothing." "How can he do that?" "They're doing it right now." "Can't we do something?" "Maybe I should talk to Rubin." "Forget it." "They've hired another guy." "How do you know?" "He's my client." "Now bring them up." "You're loving every minute of it, sweetheart." "You're ready to take a chunk out of her neck." "Hands down." "Good." "All right, cut." "Cut!" "Kill the water and steam." "You said you'd give me another chance." "I got a picture to make here." "I got 25 days to make it." "I can't fuck around with a claustrophobic vampire who freezes when he lies down-- l'm not claustrophobic." "Then what?" "Stage fright?" "I don't know what happened." "Well, it's never gonna happen again." "I gotta get back to work." "You promised me another chance." "l lied." "Don't you yell at me." "Get out of here!" "Beat it!" "Joe, get him out of here." "Get out of here!" "Don't yell at me on my set." "There's the door, beat it." "Joe, get him out of here." "Get out the door, you fruitcake." "He's the boss." "lt's not fair." "What's everybody standing around for?" "Get back to work." "Just like clockwork." "There she goes." "Excuse me!" "Could you move, please?" "I gotta go." "Thank you." "Thank you." "Good morning, ma'am." "Thank you." "I have to see you." "What time did you call?" "I'm never home till after 7." "Yes." "He hit me again." "I've got to talk to someone." "Today." "The Beach Terrace Motel?" "I'll wear something special." "You'll see." "Security, please." "Yes, this is Security." "Please come over to Bellini's." "We have a problem." "Excuse me." "May I help you?" "No, thank you." "Did you see that guy?" "It's the cream Mercedes." "Thank you." "Here you are." "Thank you, ma'am." "Could I have my car, please?" "Yes, sir." "Right away." "As soon as possible." "Thank you." "Straight toward the beach and down the stairs." "You've got to come." "I need to talk to you." "I've got to talk to someone." "I need you." "Excuse me." "Someone's following you." "I know." "No, it's not me. I...." "Are you all right?" "He got away." "You got the purse." "You'd better check it." "He got something." "He took something." "What's the matter?" "I'm just a little out of breath." "Can you take me out of here?" "Sure." "Here." "Thank you." "All right." "Thank you." "I feel much better now." "I'm fine." "I saw you back there, and at the hotel." "You've been following me, haven't you?" "Yeah." "Why?" "Did my husband hire you?" "I'm...." "What?" "I can't. I can't do this." "Not here." "Hello, Gloria?" "How are you?" "Maybe you remember me." "This is Jake." "I'm the guy that almost fucked you at the beach today." "Oh, no." "That's terrible." "Hi, Gloria." "Hey, how you doing?" "Hey, Sam, how's everything?" "Great." "Everything okay over there?" "Yeah, no problems." "How's our favourite neighbour?" "Still with the midnight shows?" "You sound a little preoccupied." "I just called to see how things were." "By the way, any messages for me?" "Hello?" "Jake?" "Are you there?" "Yeah. I'm here." "I'm sorry, Sam." "No, there are no messages." "Sorry." "Well, gotta run." "I'll be in touch." "Oh, my God!" "If you'd like to make a call, please" "Hurry, hurry!" "He's right behind you!" "Look out!" "Oh, my God!" "Stop!" "Hey, you guys, stop!" "Stop!" "Stop!" "What do you want?" "What are you doing?" "There's a woman being killed up here." "Come on." "L.A. City Emergency." "This is 91 1." "What are you reporting?" "This is L.A. City Emergency, 91 1." "I'm sorry, I can't hear you." "Please tell me the nature of your emergency." "I can't hear you." "Can you speak up?" "No, don't." "Please don't." "Get him off of me." "He's killing me!" "Stop!" "I'm Detective McLean." "I'm in charge of this investigation." "I see you're an actor." "Ever been in anything?" "Emerald Point and a Hart to Hart that was pretty good." "Very interesting." "You make a living?" "Good-looking boy." "Talented." "Scully, I got a real problem with you." "What do you mean?" "I mean, you're my only witness to this murder." "And you're a peeper." "In my book that's a pervert and a sex offender." "What do you mean, "a sex offender"?" "Save it." "I ask the questions." "What about this Indian?" "He snatched her pocketbook, you got it back for her?" "That's right." "Was anything missing?" "Well, I saw him take a credit card." "Not a credit card." "A card key, Scully." "He used it to get into her house." "Did Gloria know it was missing?" "I don't know." "She didn't say anything to me." "You talked to her?" "Come on, Scully, you must have said something." "lt was just small talk, you know." "No, I don't know." "Did you come on to her?" "Trying to do a number on her head?" "Trying to freak her out with all you know about her life." "Then why were you following Gloria Revelle?" "Because I got concerned when I saw that guy following her." "You kept on her after he disappeared." "l know, I know, because...." "l guess, I wanted to...." "You wanted to what?" "Nothing." "What's this?" "Pants." "Some underpants." "Yours?" "Where'd you get them?" "She dropped them in the trash." "Who?" "Gloria." "And you just picked them up." "Why?" "Come on, Scully, tell the truth." "You fucked her and kept them for a souvenir." "No, you didn't fuck her?" "Or no, you didn't keep them as a souvenir?" "You're just a harmless panty sniffer?" "You got a dirty mind." "That's a laugh." "You peep on her, follow her, fuck her, keep her panties..." "...then watch her being slaughtered." "You're twisting everything around!" "I tried to save her!" "Some save, Scully." "Some save." "Remind me to never put my life in your hands." "Tell me about Alexander Revelle." "What?" "Alexander Revelle." "You know, Gloria's husband." "Friend of yours?" "No, I never met him." "You sure?" "Yeah, I'm sure." "Was he around when Gloria got nailed?" "You think he had something to do with it?" "Gloria Revelle was a rich lady." "Very rich." "When rich wives get dead I usually go after the husband." "The only problem is, you saw a thief." "An Indian killed Gloria Revelle." "I'm not gonna hold you, Scully." "You got witnesses to back up your story." "But I want you to think real hard about this." "As far as I'm concerned, you're the reason she got murdered." "If you hadn't been so busy getting off by peeping on her if you'd called the police about your blood brother, the Indian Gloria Revelle would still be alive." "So, Linda you have your own production company now." "Yes." "Linda Shaw Enterprises." "Linda Shaw Enterprises." "What are some of those "enterprises"?" "We have a film, Deep Ghost." "Ah, The Mating Game...." "The Mating Game?" "One Night at a Time." "One Night at a Time." "Yes." "I believe you have a film opening this Friday at the Pussy Flick Theatre." "What's the title?" "Bold Obsession." "Bold Obsession." "Tell us, Linda, what is your "bold obsession"?" "That script was written for me, because I'm a bit of a exbasitionist." "You are an "exbasitionist"?" "You mean an "exhibitionist"?" "Exhibitionist." "Yeah." "I get so ex cited when I know they're all watching me." "Well, of course they're watching you." "Oh, yeah, so hot...." "Hot?" "It does?" "What happens when you get hot?" "It makes me want to come." "While you're coming, why don't we watch this clip?" "Five minutes, Miss Body." "I'm ready." "We've got five minutes." "Danny, where the hell are you?" "We need you on the set." "Come on, let's go." "Holly Does Hollywood." "The X Cinema!" "L.A. 's classiest X-rated movie house." "See the film everyone's talking about." "Holly Does Hollywood." "And does it well." "Screw Magazine says." ""Holly Body keeps this business where it belongs." "In the gutter. "" "In the words of Eros magazine." ""The Gone With the Wind of adult films. "" "Holly Does Hollywood is a hedonist's heaven." "Hustler magazine gives its highest rating." "Ten nominations, including best picture." "Critics Adult Film Association." "Starring Holly Body." "Holly Does Hollywood." "Now playing at the X Cinema." "And for home viewers, you can pick it up now at Tower Records video sale." "Excuse me." "Do you have Holly Does Hollywood?" "Yeah, we do. lt's in our adult section." "Follow me." "On VHS?" "VHS." "Whatever you want." "Half-inch, three-quarter, Beta." "ls this what you're talking about?" "That's it." "Hello." "Adult Blue Films." "Hello, are you the company that distributes Holly Does Hollywood?" "I'm not just some fucking stunt cock." "I'm an actor!" "You just have to wait." "I've been waiting for more than an hour." "Do you know how many pictures I've made with Holly?" "I'm sure you've made a lot." "I don't have to take this shit." "I have a reputation." "Look, if you want to audition, sit down." "Oh, I'm sorry." "That's okay." "Can I help you?" "How late are the auditions going?" "Probably past 6." "Thank you." "You're welcome." "Bye." "Mr. Corso, Jake Scully." "Pleasure to meet you." "Stand over there." "You ready?" "Go ahead." "I like to watch." "Makes you hot, doesn't it?" "Makes me hot too." "Real hot." "Come over here, I'll show you how hot." "All right." "Take off your clothes." "I want to take some pictures." "What is it that we're watching?" "I don't know." "What are you, some kind of method actor?" "Give it to me one time now" "Relax, don't do it When you wanna go to it" "Relax, don't do it When you wanna come" "Relax, don't do it When you wanna suck it to it" "Relax, don't do it" "When you wanna come" "When you wanna come" "Relax, don't do it When you wanna go to it" "Relax, don't do it When you wanna come" "Relax, don't do it When you wanna suck it to it" "Relax, don't do it" "When you wanna come" "I like to watch." "Makes you hot, doesn't it?" "Makes me hot too." "Why don't you come over here, and I'll show you how hot." "Where's the come shot?" "I thought we were doing Body Talk, not Last Tango." "You were great out there." "Come on, I'll buy you a drink." "A drink?" "I don't even know you." "Hey, I'm talking business." "Come on." "You know the mirror out there?" "That was my idea." "So you're a genius." "But I can make a better film than Corso with my eyes closed." "Films cost money, you know." "I got money." "Then what are you doing in hard-core?" "I wanted to meet you." "Why?" "Because I think you're sensational." "You're the best in the business." "I'll pay you top dollar." "I'll give you points." "Whatever it takes." "Really?" "I want you in my picture." "You're really serious?" "Of course I am." "Okay, good." "There are some things I like to get straight up front so there are no misunderstandings." "I don't blame you." "I do not do animal acts." "I don't do S  M or any variations of that particular bent." "No watersports, either." "I will not shave my pussy, no fist-fucking and absolutely no coming in my face." "I get $2,000 a day, and I don't work without a contract." "Fine. I mean, that's no problem." "I think we got a deal." "You ever do any special work?" "What kind are you looking for?" "A woman alone." "Getting herself off." "It's gotta be really hot." "is that all?" "I have a routine that is a sure 1 0 on the peter-metre." "I know. I've seen it." "A few times." "I'm known far and wide for that little bit of business." "I want you to know I saw Holly Does Hollywood and your acting was top-drawer." "My acting?" "You're fantastic." "Really sensational." "And I'll tell you something else." "You've got a terrific" "Body." "Smile." "Smile?" "Jake?" "Jake Scully!" "Look at you." "Kimberly, how are you?" "l'm fine." "Just lovely." "Aren't you going to introduce me to your friend?" "Holly Body." "Kimberly Hess." "So, Jake, you working?" "Here and there." "We gotta run." "Great to see you." "Jake and I worked together a few times in the past." "I thought I knew everybody in this business." "Really?" "I don't see how someone could know everyone." "Well, it's a funny business." "I wanted to ask you have you heard of any roles that might be right for...?" "I have. I have a tip for you." "Simon La Farge is just casting his picture." "You know him, right?" "Where you from, outer space?" "Just tell him that you ran into me." "Here's his number." "You might want to firm up a little bit before you go and see him." "One more thing." "Do you mind working with ladies?" "Well, no. I mean, acting is acting, right?" "That's right." "I think that's really admirable." "I mean, me myself, I can't get into it." "But...." "Good luck and say hello to Simon for me." "Good seeing you." "Sure." "Thanks." "By the way what's the film about?" "That's good." "We need more comedians in our business." "Good luck." "Very nice." "What can I get you?" "Jack Daniel's?" "How about Jake Scully straight up?" "Very funny." "Listen, Holly...." "l don't want to talk anymore business." "Yeah, well, listen...." "Lie down." "We had one of these in Star Whores." "There's something I gotta tell you." "You're married." "I'm not a producer." "You're not a producer." "Just a second." "I'm not interested in making a film with you." "What are you interested in then?" "You." "I saw you in the house those other nights." "What house?" "You know, that little show you put on with the masturbation routine and the diamonds. I watched you from here." "You were the girl in the window, right?" "That wasn't Gloria, that was you." "What's it to you?" "Just tell me if I'm right." "That was you in the Revelle house." "Right?" "I'm not saying it was me, and I'm not saying it wasn't me." "I'm saying, why are you interested in knowing?" "I think that one of my crazy friends played a practical joke on me." "You know how it is with the idle rich." "Tell me, okay?" "Tell me were you the girl in the house?" "Yeah, it was me." "l knew it." "How did this get set up?" "Tell me, just to satisfy my curiosity, because one of my...." "One of my crazy friends set this up, and I don't know who." "Who hired you?" "You were the one I was playing to?" "And there's no part for me?" "l'm sorry." "So this whole thing was a joke." "It was a practical joke on me." "Did Sam Bouchard set this thing up?" "Did he hire you to do your routine?" "He didn't tell me his name." "Well, whoever you talked to, what did he say?" "This guy called me up and said he'd seen my self-help routine in Holly Does Hollywood and he wanted to hire me to do it in private." "He said he had this friend who got off on peeping." "He didn't tell you who he was?" "No, he didn't tell me his name." "He just sent a messenger over with money and with a card key and a wig." "Please don't leave, okay?" "Stay here for a second." "Can you hold on?" "Jake, it's Sam." "How's it going?" "How are you doing?" "Can you hold on?" "Listen to this guy's voice and tell me if he's the one that hired you." "Please?" "Sorry, you got me in the shower." "How you doing?" "I'm afraid I've got some bad news for you, pal." "What's that?" "Seattle Rep and I had some differences." "I'm heading back to L.A." "I guess you'll have to find another place to crash." "That's him." "You got company?" "I do. lt's kind of a bad time to talk." "You want to call me back in about 1 5 minutes?" "That was the guy who hired you?" "Are you sure?" "l'm sure that was him." "Listen." "You're really sick!" "Listen to me." "lf this is your idea of fun-- l am not a film producer and I am not a rich kid." "No, you're a jerk." "Please just listen to me for a second." "You were hired to come in and do two nights' work." "You were hired to do your routine and leave. ls that true?" "Do you know why?" "You just told me why." "You just told me some guy was playing a joke on you." "He wasn't playing a joke on you." "Do you now want to tell me what it was?" "The truth, Holly." "The truth is a woman was murdered." "It's not funny!" "A woman was murdered." "We were set up by a murderer!" "He wanted to be sure I witnessed the murder." "That's why he hired you." "He arranged it so that I'd be watching." "He wanted me to think Gloria Revelle was the one who was getting off." "Meanwhile, he thought I'd watch and keep watching." "Are you listening to me?" "I don't understand what you've said" "Listen, the man who hired you is a murderer!" "Here, come here." "Please come here." "Do you remember where you did your routine?" "See that house down there?" "That's where you were, right?" "Now do you understand?" "Yes, I understand." "I understand you're sick." "And you're a liar." "You need help." "And I don't like being yelled at." "I should've known when you said I had a nice smile." "No real producer would say that!" "Now get out of my way." "What?" "Come with me to the police." "To the police?" "Are you crazy?" "Listen, you weirdo." "I'm leaving and don't follow me." "I have friends who'll break your legs!" "Let go of me!" "Christ!" "Weirdo!" "I should know better." "It's Hollywood!" "Could I have the Hollywood police?" "Fucking freaky actors!" "That's what there is here." "Masochistic directors." "I should've known when he didn't know what a come shot was." "Detective McLean, please." "Excuse me." "Stop, please?" "Thank you very much, lady!" "I was set up." "Hollywood's busiest sex offender." "Listen to me for a minute." "I got something important to tell you." "I know who killed Gloria Revelle." "is this a confession?" "Just pay attention, all right?" "A few days ago, I was looking for an apartment." "Do you know any sublets available right away?" "No. I'll check around." "Then I noticed this guy." "Sam Bouchard." "He was looking for somebody who needed a place to stay." "I thought it was a coincidence we kept running into each other." "Hi, again." "Anyway, now I realize he was throwing out a net, sizing me up for a part he was casting." "I want you to cry out for help!" "I can't." "And I fit the bill perfectly." "Lovesick sucker, out on his ass." "Shit, what a fool I am." "You know what the part was?" "I'm listening." "The part of the witness." "He said there was a neighbour that did a number on herself every night." "He knew I'd look." "Nice, huh?" "He knew I'd keep looking." "It wasn't Gloria, it was Holly." "That's why I never saw her face." "You sound like one of those conspiracy nuts, plots all around you." "Please just listen to me for a second." "Sam Bouchard is Alexander Revelle." "He hired the Indian to follow Gloria snatch her purse and steal the key to her house and then sneak inside." "When she got home, the Indian opened the blinds so I'd see him kill her." "Alexander Revelle set me up in this house to witness the murder." "And he hired a porno actress to be the bait." "Can I have a ride, please?" "Thanks a lot, you jerks!" "God!" "Oh, my God!" "I've been trying to build a case against the husband all along." "The reason it hasn't panned out is because of your testimony that Gloria was killed by an Indian." "That's it, don't you see?" "That's what he wanted." "It looks like a burglary but it's a murder with me as the witness." "I'm Sam's-- l mean, Alexander Revelle's alibi." "Listen." "Stop, all right?" "Stop right there!" "There has been an accident up there." "People are probably hurt." "Slow down, lady." "And nobody's bothered to stop." "Get in." "It sounds crazy to me." "I know." "But it's the truth." "Maybe you'd better come down here." "Pull it up." "Pull your car right up here, nice and slow." "All right, stay in your car, please." "We'll have it cleaned up in a minute." "Nothing to look at." "Get back in your car, please." "There's a woman being killed in that Ford Bronco." "He hit her on the head with something." "We gotta help her!" "Get back in your car." "He hit her in the back-- l don't have time to run you in." "Please, he's getting away." "Call somebody on the radio." "Don't you understand?" "I saw him killing her." "You fucking idiot!" "That's it." "You're coming with me." "Call Detective McLean." "He knows all about this." "Come here, you son of a bitch!" "Holly, are you okay?" "Look what you did." "You ruined my surprise ending!" "I gave you your part." "The witness." "You were perfect." "You played it to a tee." "But that was it." "End of part." "Wrap Jake Scully." "You had to play the hero improvise all this crap about finding a body double unmasking the Indian." "But you didn't think it through, did you, Jake?" "Sometimes heroes come to tragic ends." "What's the matter, Jake?" "A little short of breath?" "What a terrible way to die." "Especially when you're so claustrophobic." "Wait a minute." "I'm gonna give you another take, Jake." "The only problem is you've got to act." "Come on, Jake." "Action." "Action." "And action." "Jake, action." "Cut!" "Get him out." "Move the camera." "Joe, give me a hand." "Just take it easy." "Something's going on." "Take it easy." "We're getting you out." "We got you." "Don't worry about it." "That's all right." "We're here." "Give him some air." "Talk to me, talk to me." "Walk it off." "Just go for a walk." "Just relax, just breathe in." "Give him some air." "All right, that's good." "What's the matter, babe?" "You had us scared." "What's the problem?" "Wait a minute, wait a minute." "Get away from me." "Just relax." "We're trying to help you." "I know." "I can help myself." "Listen, Scully, why don't you cool off?" "Go on home and we'll shoot this another time, all right?" "Don't lie to me. lf l don't get this shot, you're going to fire me." "Don't be ridiculous." "Why would I do a thing like that?" "Save the speech. I know about your personal commitment to the actors." "So I'm a little claustrophobic." "You'll work around it, right?" "Yeah, that's right." "I don't think I like your attitude." "If I get this shot, you'll like it a lot better, right?" "Let's do it!" "And Jake, you'd better get it right this time." "You're one pain in the ass I don't need." "Roll sound." "Quiet." "And action!" "You bastard!" "Don't be so melodramatic." "Kill!" "Kill!" "What are you doing?" "What am I doing?" "I'm saving you." "From who?" "Listen." "The Indian was Sam Bouchard." "Am I missing something?" "is somebody here I don't see?" "Yes, the dog knocked him in." "Come here, Holly." "Look, he must have knocked him in." "I thought it belonged to Gloria but it must have belonged to the husband." "That's why he never barked at the Indian in the house." "You're right." "We should go to the police." "Really?" "You believe me?" "I believe you're a number one sicko and should be put away for life." "I know all about you guys." "I've seen about you on television." "You're one of those necrophiliacs." "A corpse fucker!" "I am not." "I turn you on all right." "The problem is I'm still moving." "Unconscious is good, but dead is better." "Holly, are you all right?" "Take my hand." "Do not touch me!" "I'm not dead yet." "This all seems crazy, but you've gotta believe me." "I'm trying to help you." "Are you gonna stay in there for the rest of your life?" "Freeze." "Don't move your hand." "How's it look, Doug?" "Good." "Hold that move." "All right, let's 86 the bat." "It's a wrap on the bat." "Get the bat out." "I gotta hold the hand really still." "Help him out." "Turn the water off." "Can I slip out?" "Wait till we get the bar in there." "Between the bottom two fingers." "Good." "Okay, sweetheart, you can slide out." "Don't move the hand." "Freeze the hand." "Makeup." "Touchup for Jake." "Don't move the hand." "Keep the hand very still." "Don't move the bar!" "l'm sorry." "That's okay." "You look great." "Did I flash the teeth enough?" "Best teeth flashing i've seen." "Beautiful, babe." "I'm glad I fired that other asshole." "This part was made for you." "You look sensational." "The bar's falling." "I can't believe I'm holding it." "You getting tired?" "Just a little longer." "Bring in the body double." "The hair looks good." "is that as hot as that water gets?" "Okay, slide in, sweetheart." "Don't move the bar." "It's important." "I'm Mindy." "Pleased to meet you." "Be very, very careful, okay?" "My breasts are very tender." "I got my period." "All right, we good here?" "Now just bring your body up like this." "I can't move my hand." "Keep your hand exactly still." "Let's take the bar out." "Drop the camera." "Get the camera down." "Bring your body to my hand." "Quiet, please!" "I'm trying to think." "You're gonna get a lot of dates when this comes out." "Action." "Action with the hand." "Great action." "Great action, yeah." "is that too hard?" "Subtitles by GELULA  CO., Inc."