"NARRATOR:" "Gledswood Homestead, a sprawling country estate with a history marred by mysterious death." "Ah!" "NARRATOR:" "Tonight on "Haunting" " Australia,"" "Shit." "Can you do that again for me?" "NARRATOR:" "Welcome to the gruesome grounds of Gledswood." "I'm getting a very strong, "Get out,"" "and I'm going to take that warning." "NARRATOR:" "Alleged to be Australia's most haunted homestead." "Jesus." "NARRATOR:" "Where two centuries of tragedy created a household crawling with supposed spirits." "Ah." "NARRATOR:" "Another chilling challenge for the "Haunting" "Australia" team." "From the UK, psychic bad boy, Ian Lawman, medium and ordained exorcist." "And old school supernatural sleuth, Ray Jordan." "From India, ghost hunter and metaphysicist, Gaurav Tiwari." "From Australia, accomplished paranormal researcher," "Allen Tiller." "And medium clairvoyant, Rayleen Kable." "From the US, internationally renowned lead investigator," "Robb Demarest." "I've been investigating the paranormal for over 20 years." "You name it, I've hunted it." "And I believe this team that has what it takes to find out what's haunting down under." "[theme music]" "NARRATOR:" "Situated in the historic MacArthur region of New South Wales, southwest of Sydney, the once grandiose Gledswood Homestead is a ghostly shadow of its former self." "It was once a proud jewel in the crown of local founding family, the Chisholms." "First purchased by wealthy merchant James Chisholm in 1830 as a wedding gift for his son, Jes, three generations would go on to live and die on its expansive grounds, the second suffering heartbreaking losses." "James and Isabel had seven children." "There was Isabelle Emmeline." "She passed away from scarlet fever at the age of five." "NARRATOR:" "One of the little girl ghosts regularly reported at Gledswood?" "They like to sit outside the door and giggle." "So as we sit there quietly, we can hear children go-- [high-pitched laughter]" "NARRATOR:" "Gledswood is allegedly rife with spirit activity, something managing director, Nadine" "Clarke, is all too aware of." "I walked into the main dining room and attempted to open two of the French doors which were jammed shut." "Couldn't, for the life of me, open them." "I then walked back out of the room, out the front door." "NARRATOR:" "Nadine was shocked to find one of the doors wide open." "NADINE (VOICEOVER):" "I believe there are people living in the house." "Whether that's haunted or not, I don't know." "But I believe there are people that live here with us every day." "NARRATOR:" "These people include the ghosts of workers past." "An 1858 newspaper reports groundsman, John Biggs, being killed by a falling tree." "Is Biggs one of the phantom voices said to drift across the lawn and through the house?" "NADINE (VOICEOVER):" "It's so haunted, every single room, there's something going on." "NARRATOR:" "The "Haunting-- Australia" team approaches the foreboding foundations of Gledswood, determined to dredge through its dark history and make contact with its other worldly occupants." "As night descends over its historic lawns, every light in the homestead is extinguished." "To catch the alleged spirits at play, the rooms of Gledswood have been rigged with CCTV cameras, all leading back to surveillance central, where they'll be constantly monitored." "In the pitch dark, our paranormal investigators are ready for action." "Let the ghostly games begin." "Medium Rayleen Kable embarks on a solo psychic mission." "A high definition microcamera rig attached to her body," "Ray and Gaurav in surveillance central, observe her every move." "I'm on my way to the convict's quarters." "NARRATOR:" "Rather than enter the house," "Rayleen is drawn to an outbuilding, where tragic little Isabelle Emmeline, quarantined for scarlet fever, gasped her dying breaths." "I am definitely feeling a lovely little spirit." "I just need to sit and let her know-- [sighs] let her know that I'm actually here now." "NARRATOR:" "Rayleen carefully positions a digital recorder to capture EVPs, or Electronic Voice Phenomenon." "She's actually beautiful." "She's kind of like showing me that she likes me." "I believe, um, that Rayleen's picking up with the, the daughter who actually died in the convict area, in the convict um" "Right." "space." "She's telling me she likes to play." "I like to play." "I like to play." "And I got very, very sick." "And she-- [clears throat] and I say that my throat just wants to go." "[coughing]" "I want to cough." "So I almost feel like um, I want to cough." "Yeah, I just feel like-- so she's sho-- and I can-- as she's showing me in a vision." "And I just see this amazing redness all over here, uh, like being really badly sun burnt." "That's the vision I have of her." "NARRATOR:" "Sore throat and a sunburn like rash are symptoms of scarlet fever." "Today, the disease is treated with antibiotics." "In 1876, there was no cure." "And I thank you very much for having had time with me." "And I'm now going to go out the door." "OK." "I'm just about to enter the front house." "NARRATOR:" "Unpreturbed by the homestead's fearsome reputation, Ray Jorden is first to enter its dark corridors alone." "OK." "I'm just going to go into this room." "NARRATOR:" "Ray displays ghost busting bravado as he tries to make contact with James Chisholm, patriarch of the house." "If you're here with me, show yourself." "We're not scared of you." "Give me any sign you're with me." "Give me a tap or a knock." "I want to see you." "[knock]" "I've just heard what sounded like a tap coming from one of the rooms." "But I can't work out which room it is." "[exhales]" "My heart is literally racing, and it feels different in here." "(WHISPERING) Jesus." "I am shitting myself right now." "I don't know why." "Almost felt like someone's going to jump out on me." "Oh." "Oh, Jesus." "I felt like I was tapped on the shoulder." "NARRATOR:" "Totally spooked, Ray calls a halt to his investigation." "I felt what appeared to be to me a tap on the shoulder." "Unfortunately, I bolted out of the house, because it startled me." "NARRATOR:" "Was it the ghost of Chisholm?" "It could've been Chisolm." "It could've been one of the children." "NARRATOR:" "Hearing a mysterious noise behind him," "Ray plucks up his courage to investigate." "The trail leads to the empty music room." "Um, when I was talking, um, it sounded like a, a snap or a tapping noise coming from this area." "NARRATOR:" "Did Chisolm follow Ray?" "Or was it another of the Gledswood ghosts" "Ray has researched?" "There's um, a priest who apparently, he had a big belly." "People who come into this room can actually feel him rubbing tummies and his tummy like a jolly old, um, a holly old sailor, if you will." "But I don't know." "NARRATOR:" "Intrigued by Ray's supernatural scare, medium, Ian Lawman, dons a microcamera rig and heads inside." "OK." "I'm now in what appears to be a central hallway." "NARRATOR:" "Immediately, he senses a strong presence." "That's really, really quickly." "I can hear noises straight away." "OK." "Straight away here, um, there's a really, really strong male energy." "Um, I don't know um, what connection this energy had with the building at all." "But I feel very um, religious." "So I do feel he would've been a religious man, maybe a priest, a vicar." "NARRATOR:" "Could it be the pudgy priest Ray spoke of?" "Until a church was built in the surrounding district, the Reverend John Polding, who went on to become the first archbishop of Sydney, held mass at Gledswood." "The further I go, I feel um, feeling." "Hello?" "Hello?" "[whispering]" "I'm hearing voices." "Hello?" "(WHISPERING) There." "NARRATOR:" "Outside the house, has the supposed spirit of little Isabel taken a shrine to Rayleen?" "I feel like I've got Isabella with me." "Isn't that interesting?" "NARRATOR:" "And as she approaches Gledswood's cellar, her unearthly escort seems to have a message." "I just-- strangely enough, I just go the words," ""Don't go down the cellar."" "Um, that's always not a nice thing to hear, I guess." "But here we go." "It's a very um, unusual type of feeling." "It just feels like you're going into a different type of um, zone." "OK." "I'm just going to go into the-- the first part of the cellar." "I almost felt like I saw someone straight away." "Is anybody in here?" "There is definitely someone with me, so I'm just going to let this spirit know that by me placing this recorder, it's an opportunity for you to be able to-- (WHISPERING) Holy shit!" "NARRATOR:" "Ray quickly rushes to her side to find out what spooked her in the dark." "I think [inaudible]." "I think there's a snake in there." "[beep]" "I'm not, I think" "Are you OK?" "Are you OK?" "I think there's a snake in there." "A snake?" "A black snake." "All right." "We'll have to get" "I'm serious guys." "Let's [inaudible]." "NARRATOR:" "Not eager to investigate," "Ray hustles Rayleen back to the safety of the control room." "There's a, there's a snake down there." "Far out." "Ah!" "NARRATOR:" "Fearless snake hunter, Gaurav, heads off in search of the rogue reptile." "Exploring abandoned sites is not without risk." "Australia boasts 9 the world's 10 most venomous snakes." "And I always knew that I'll come across a snake that could be poisonous." "But I'm not afraid of snakes." "I love snakes." "There's a snake, but it looks dead." "Yep." "It is dead." "Gaurav removes the poisonous but deceased red bellied black snake." "I have to say, you are one brave investigator." "Yes." "When they talk about the bravest, I think I'm the one." "A man without fear." "[inaudible], I, I couldn't do what you're doing." "But oh." "Um" "So this is your snake Rayleen." "NARRATOR:" "Perhaps Rayleen should have listened to her spirit guide." "I just got the words, "Don't go down the cellar."" "And that's my fear." "My only fear are snakes." "OK." "I think if we go to this convict lock up" "NARRATOR:" "More intrigued by Rayleen's supernatural than serpentine experiences, Allen and Ian head to the convict quarters." "This is where Rayleen believes she connected with he spirit of Isabelle Chisholm, who died of scarlet fever." "A doll is placed on the floor as a trigger object." "ALLEN:" "And I've bought a, a nice-- [audio out]" "Box here." "NARRATOR:" "Allen decides to increase their chances with an EMF pump, which emits specific frequencies of electromagnetic flux." "ALLEN:" "The theory is that the spirits are drawn to that." "NARRATOR:" "Will it encourage the spirit of Isabelle to put in an appearance?" "All this technical equipment frustrates the hell out of me, to be honest with you." "Yep." "Let's turn it on." "NARRATOR:" "But Allen pulls out to more tech equipment-- a vibration detector." "And what this does-- [beeping]" "up any vibration nearby, and it will light it up." "IAN:" "All right." "I've got you." "OK." "I'm not a psychic." "I don't physically see spirits walking around generally day or night." "NARRATOR:" "But apparently, Allen can feel them." "Oh, cold breeze." "IAN:" "Yep." "Really cold breeze coming from over this side." "IAN:" "OK." "It's on my right." "IAN:" "Mhm." "Stay there." "I'll just check the window." "IAN:" "You all right?" "Yeah." "The window is completely shutting and closed." "Just" "There it is again." "IAN:" "Just as you said that, I got a full body shiver." "Yep." "I just got another one." "IAN:" "Did you?" "It almost feels like someone breathing." "IAN:" "Yep." "But it's a really, really cold." "IAN:" "OK." "I've got the full body, so there's somebody with us." "If you can hear me, could you possibly [audio out] at the center of the room where this little doll is and just move it for me just a little bit or touch the box with the little red light on it for me?" "NARRATOR:" "Both investigators believe they can sense the spirit." "But from Allen's detector, nothing." "Potentially, the signs and psychic team of Robb and Rayleen will have more success." "Gledswood appears to be a hive of spirit activity." "So Robb arms himself to the teeth with ghost hunting gear." "For this investigation, I'm going to be using an EVP booster, a pair recorder, a temp change monitor." "We're going to use a lot of equipment in this investigation." "Shh, shh, sh!" "NARRATOR:" "The mysterious voices of Gledswood immediately make themselves known." "Who's talking?" "NARRATOR:" "To improve his odds of tapping into ghostly chatter," "Robb deploys an EVP booster." "And how could it hurt?" "You know, it's not going to-- it's definitely not going to make things worse." "NARRATOR:" "Like Allen, he's also throwing in an EMF pump." "The idea being that specifically, this device will give us the, the energy for spirits." "NARRATOR:" "The session commences." "Could you confirm that you're OK with us being here in some manner-- a sound in the room, a tap on one of our shoulders, speaking loudly enough for us to hear?" "NARRATOR:" "With no reaction from the spirit world," "Robb takes a more direct approach." "What I need you to do is answer as loudly as you can." "Then I'm going to play back the recording." "So at the count of three, please speak as loudly as you can near this recorder." "One, two, three." "I'm going to play this tape back." "NARRATOR:" "The house spirits have gone silent." "A location could have 100 ghosts." "But if none of them want to come forward, the place won't seem haunted." "NARRATOR:" "But Rayleen insists a spirit did come forward." "All the, all the time you was explaining your recorder," "I actually feel I'm getting the name John." "And I saw a male outside of, just outside of these windows." "He had said to me that I'd seen him. "You see me?" he said." "That's how he said it." "So you were having a little chat while I'm trying to do EVP work?" "Yeah, yeah." "Not happy with either of you at the moment." "Well, that's how it happens." "It's not always going to be they'll jump at things." "That's the difference, I guess, between using equipment to using a medium." "NARRATOR:" "With Robb and Allen's new techniques failing to bear paranormal fruit, fellow investigator, Ray Jordan, employs a different tact." "So my investigation methods are what you would call old school." "My old school methods work, because I find them very simple, effective, and easy to use." "He feels a gift tray of trigger objects would attract the spirits of the Chisholm children." "Tonight, I'm going to be using some soft toys and a toy car with some glow in the dark models." "And I'm also going to use some powder on a chalkboard." "So if we get any imprints or any footprints, handprints, we should be able to see, you know, whether we get something." "NARRATOR:" "Ray's methods are based on the work of pioneering researcher, Harry Price, who early in the 20th century, gained fame exposing fake spiritualists." "Now, Harry Price was one of the original investigators." "Known as the grandfather of the paranormal, he used various trigger objects in his experiments, which seemed to work for him." "So hopefully, I will get exactly the same results." "Ray is still sticking to his old school approach." "And for me, I never saw someone investigate in such a manner." "NARRATOR:" "Ray and Gaurav set up in what was once a play room." "Ray sprinkles powder on the chalkboard, then delves into his bag of marbles." "Smaller colored marbles Gaurav." "Great." "Which I'm going to place within the, the powder there, as well." "Actually, maybe two." "There we go." "NARRATOR:" "To capture any movement on photograph, a time lapsed camera is set up." "I'm actually just going to place it on the arm of the, the [inaudible] out there." "NARRATOR:" "Figuring the kids will come out to play if left to their own devices, Ray and Gaurav exit." "In the living room, Robb seemingly continues to be thwarted by a spirit." "Seemed like something kind of dark darted out of my field of vision on the right." "Yeah." "NARRATOR:" "But who was it?" "This gentleman is John, because I do believe his name is John." "ROBB:" "Sure." "NARRATOR:" "The most renowned John in the Gladeswood saga is John Biggs, the convict groundsman killed by a falling tree." "Robb's equipment has failed to capture evidence of his presence." "But he decides to give it one more shot." "Well, here's, here's the options we've got present, all right?" "We have the temperature that will monitor a temp-- a change in the temperature." "We have a voice recorder with an EVP booster." "And we have a video camera here." "What would he prefer to use?" "OK, yeah." "[laughs]" "You're going to laugh at this." "Um, he likes me." "He says, I like you." "So obviously, I'm going to be a facilitator for so long." "John, I didn't do anything to you." "Listen, here's the thing John." "I came here to communicate with you and help you if I can." "If that's not something you're interested in, I'm OK with that too." "What does John think of that?" "He's gone." "Connection, I feel the connection's just gone." "I'm OK with that." "And then tell him it's rude to say he just likes you." "NARRATOR:" "Biggs has left the building, possibly to loiter on the lawn." "I'm just drawn here." "I'm feeling it could be John." "I'm feeling-- yeah, not quite [inaudible] it's his." "NARRATOR:" "Newspapers of the day reported that Biggs died immediately when struck by the tree." "I don't think John was killed instantly." "No?" "No." "So he suffered a little?" "Yeah." "I can see him dragging, crawling." "But as I walk, I'm walking away here." "And I can just to see his apparition fade away." "But when I close my eyes and tune in, it's almost as if I want to go straight onto the uh, gravel." "Ah." "And do you know, the funny thing is is I've just realized what" " I've just opened my eyes properly." "And I've realized exactly what I'm" " I'm still smack in front of the, the steps." "So you are." "NARRATOR:" "In 1858, Gledswood groundsman John Biggs was killed by a falling tree." "Reports at the time state he died instantly from head injuries." "But Ian's psychic vision tells a different story." "So in my opinion, this gentleman was crawling to get help." "Unfortunately, the um, fractured skull got to him before anyone else, which was quite sad." "Ah." "You tend to find the horrific death or the more traumatic, they're the ones wanting to talk to us and explain what happened." "NARRATOR:" "With Rayleen's earlier basement tour cut short by a reptilian run-in, Gaurav feels the area warrants further investigation." "All right." "I am in the cellar." "It's pretty dark here." "All I can see is my camera light." "NARRATOR:" "This is where the photo of what is believed to be a little girl ghost was taken by a tour member." "Gaurav is keen to capture evidence of the supposed spirit." "He employs a full spectrum stills camera, which reads ultraviolet and infrared, as well as standard white light." "Essentially, it sees what the human eye cannot." "A lot of people have seen a little girl here." "Are you here with me?" "My name is Gaurav Tiwari." "What's your name?" "Can you show yourself to me?" "I'm not here to harm you or disturb you." "I'm trying to click pictures." "And I want you to show in one of the pictures if you can." "Can you make any noise, any sound to let me know that you are here?" "(WHISPERING) I just heard a footstep." "NARRATOR:" "A photo, taken moments after Gaurav heard the footsteps, shows an anomalous shape jutting from the wall." "In the previous photograph, the shape seems to be forming." "In the following shot, it is missing altogether." "Zooming in digitally, a human face emerges." "Is it the face of a little girl peeking at Gaurav?" "Unfortunately, the image is grainy." "Gaurav is unable to declare it an apparition." "Having closed the lid on their parlor investigation," "Robb and Rayleen are exiting the Homestead." "But stepping out the door, Rayleen feels she's been entangled in a paranormal web." "It was just like this." "I could walk like that, and I [inaudible]." "Yeah." "That, that happened to Ray before." "Well, because she was ahead of me." "And I've come out." "And it-- and it's just about-- I would say about here." "That feeling of cobwebs is a-- it's an ion change." "NARRATOR:" "Normally, changes in ionization occur before or after an electrical storm." "And the night skies over Gledswood are clear." "So Robb proffers another explanation." "But another downside is that there are a lot of cobwebs here." "High, but on down [inaudible]." "Yeah." "But if it's" " I mean, you see what I'm saying though." "He'd already walked past." "He was in front of me." "So how, how does that happen?" "NARRATOR:" "To see if the Chisholm children took the bait, Ray and Gaura return to the playroom." "Earlier, Ray sprinkled powder on a plate and laid marbles on top." "I think your marbles haven't moved." "I've noticed that this ball here has now got powder all around it, as if it's been rolled." "NARRATOR:" "However, corroboration is required from the time lapse camera." "[child's laughter]" "So let's see what, what [inaudible] pictures." "Yep." "Let's have a look." "NARRATOR:" "But when Ray checks, the camera batteries, which were fully charged, have been inexplicably drained, a phenomenon paranormal investigators believe to be indicative of ghostly activity." "Rayleen enters the coach house." "Instantly, she senses something upstairs." "Oh my god, it feels horrible." "All right." "Someone just tapped-- tapped me on the top of my head." "Like I haven't even gone up the stairs yet." "That's not fair." "Climb slowly, but surely, up the stairs." "Oh." "NARRATOR:" "Unlike the convict lock up earlier, that coach house has Rayleen on edge." "It's an old museum." "And actually, when I walked in earlier, I heard a lot of noise up here." "And there's been lots of reports of this area in particular being-- oh, I just felt something again." "I keep feeling like someone's tapping my head or touching my hair." "Oh." "Oh, whoa, whoa, whoa, whoa." "NARRATOR:" "Recovering from her scare by the spooky swagman," "Rayleen's creeping dread returns." "(WHISPERING) I feel like I'm still being watched." "Oh." "Geez." "OK." "I'm happy to leave this area now." "Oh." "I do feel throughout the whole investigation in there" "I had the energy around me from one side to the other, and then, and then behind me." "NARRATOR:" "On the front lawn, having unraveled the mystery of the groundsman's death," "Ian is ready to return to surveillance central." "But at the last moment, a wispy figure streaks past him in the dark." "As we look closer, it appears to have human form." "Unfortunately, the image is too dark, and its appearance too fleeting for analysis." "Again, evidence alludes our investigators." "Unlike the psychics, the tech team seems to have been foiled by the supposed spirits of Gledswood." "Nevertheless, they're determined to analyze the results of their efforts." "But first, they need to let off some steam." "In true colonial style, they plan to explore the grounds of Gledswood on horseback." "This is Gaurav, Rayleen, Ray, and Allen." "And Ian, we're in here buddy." "Yeah." "I'm watching." "I'm watching." "NARRATOR:" "As it turns out, our psychic bad boy harbors a mortal fear of horses." "Kind of paranoid out there behind me now." "I feel really, really anxious." "They're really close to me." "I know there's a fence, and it rained up." "But I have this massive fear, even as a child." "NARRATOR:" "In fact, Ian has never so much as patted a horse." "I can't answer the root of my problems." "It's just a shear fear inside me, as soon as I see one." "I kind of felt that Ian was challenging me for most fearless ghost hunter." "Where is he now?" "Oh, I'm scared of a horse." "Look buddy, you can take that back to England, because that doesn't fly here in Australia." "For me, I think he should just face his fears, come with us, get on the horse." "We're a team." "We look after each other, and just go for it." "And imagine that you're sitting in a room with two big TV sets." "NARRATOR:" "Again, it's Gaurav to the rescue." "Among his other accomplishments, Gaurav is a certified hypnotist." "He believes he can hypnotize Ian into overcoming his fear of horses." "Whoosh-- black and white TV." "Ian Lawmsn is afraid of horses." "He's petrified." "You don't want to go near them-- whoosh-- color TV." "Ian Lawman is no more afraid of the horses." "Whoosh-- back to black and white TV." "What I did with Ian was a visible squash technique where I replaced his old feelings for horses with a new one." "NARRATOR:" "The team gathers in a show of support." "[applause]" "There you go." "I'm proud of you." "Yeah." "Thank you mate, thanks." "NARRATOR:" "Nevertheless, Ian remains reluctant to ride one." "I'm not going to lie and say, you know, they're my best buddies now." "I'm going to go out and buy one." "Um, but yeah." "I felt OK." "NARRATOR:" "Allen is bailing out, as well." "He's claiming a bad back." "That leaves the fearless foursome." "I must admit, I'm quite anxious about coming off and hurting myself-- a bit apprehensive." "Oh, oh, oh, oh." "What's she doing that for?" "Does she not like me?" "Oh." "Eh." "I don't like-- oh." "NARRATOR:" "The ride ambles along pleasantly until Robb's mount comes to a dead stop." "Yep." "Come on Ben." "NARRATOR:" "Our team leader can take the reins on an investigation." "But apparently, not on a horse." "Hu!" "He's trying to bite me." "NARRATOR:" "Eventually, he gets Ben back on course." "Displaying a good seat, Gaurav fares much better." "I definitely felt like a cowboy without a hat riding on a horse." "NARRATOR:" "Ray is thrilled just to stay aboard." "So I really, really feel proud of myself that I didn't give up." "Yeah, I'm really proud, actually." "NARRATOR:" "And what about Ian?" "Did Gaurav's horsey-hypnotherapy hold?" "Even now, looking over there at the horses in the distance, I still feel, could I really do it?" "And in my head, I'd like to try." "NARRATOR:" "But Ian's equestrian aspirations will have to wait, as our ghost hunters head back inside the house that offered such spirited resistance to their investigatory efforts." "First issue on the table is Rayleen's sticky encounter with a supposedly invisible cobweb." "It was just like this." "I could walk like that, and I just walked" "Yeah." "That-- that happened to Ray before." "NARRATOR:" "Ray reports he was similarly ensnared." "When I entered the side doorway," "I felt like I walked into cobwebs." "So I looked back at the door." "There was nothing there." "NARRATOR:" "A Gledswood tour guide reported this as a common occurrence." "And she said that the reason I felt as if I was walking through cobwebs, she said that I was walking through three spirits, so three generations of the Chisholm family." "I'll tell you the truth." "I don't believe it." "I think if you walk, if you get that feeling, we know that that is an ion change." "It's not walking through three ghosts at the same time." "See, when I work with spirit, that's the first thing I feel." "I walk into a location." "I have that cobweb sensation all over my body." "If I don't get that cobweb sensation," "I, I feel there's no spirits there for me to communicate with, no link." "I need, I need that feeling." "NARRATOR:" "Ian's feelings on investigation night were vivid, none more so than his purported vision of the death of John Biggs." "I don't think John was killed instantly." "I was aware of a thump on my head." "As I looked up, I could see this tree or this brunch falling down." "I can remember falling to the floor." "But I wasn't" " I wasn't dead." "I wasn't um, knocked out clean." "I can remember feeling wetness around my head, so I know there's a lot of blood there." "And I was crawling." "As I was crawling, I was getting weaker, and weaker, and weaker." "So I was guiding myself across the floor." "And when I turned the torch on, I was smack in front of the main entrance." "So in my opinion, this man was trying to crawl to get into the house to ask for help." "[gasping]" "NARRATOR:" "Ian's compelling account has even science-minded skeptics softening." "It would be really easy for a psychic to come forward and say, well, you no," "I know the history of the place." "A guy got hit in the head and died right here." "But that's not what you got." "And even if that challenges the official history, so you didn't go a safe route and just say," "I'm sensing what I heard." "You're being real about it, and I like that." "NARRATOR:" "Psychic Rayleen Kable recorded an EVP, or Electronic Voice Phenomenon in the convict quarters when she believed she was communicating with the spirit of little Isabelle Chisholm." "I actually had a visual old Isabella." "I also had my voice recorder recording, and this is what I got." "Yeah, mummy." "She's saying something about mummy." "Give me a little bit more darling." "Wow." "[inaudible]" "NARRATOR:" "Rayleen's EVP has what sounds like a girl's voice responding to her question." "I mean, give me a little bit more darling." "The EVP's a class A. All five of us here independently heard the same yes." "It's confirming a statement you made." "So it's actually important to the conversation." "It's a great example of the kind of evidence we're trying to find, so good job." "NARRATOR:" "The investigation of Gledswood Homestead has proved a victory for the spiritual over the scientific." "What frustrates me, you guys have got all the technical equipment." "And nothing happens." "What happened?" "Why can't you pick anything up?" "Nothing seemed to happen for us at all." "Um, particularly for me, it was just flat." "There was nothing." "See what you did?" "You tapped into the consciousness of the spirit, and you felt the history, what happened with the spirit." "It was not the kind of communication or an intelligent communication that we could have captured on our equipments or cameras." "The tech guys were frustrated." "We want those EVPs." "We want more video." "We want to see those ghosts like you guys do." "But this time, it was not to be." "But we still came out OK." "One for the psychics." "A message for the tech guys." "I've just got this message coming through. (GROVELY VOICE)" "I think you tech guys really need to up your game, you pretty punks." "Sorry, wasn't me." "So Ian [inaudible], you layed down the challenge." "But we're going to get you next time." "So Ian, uh, he had some comments for the tech department today." "And now, I have a comment for Ian lawman." "Ian Lawman, the UK psychic bad boy, straight from America," "Robb Demarest says, watch your back."