"" Mama, bring me my walking cane." "" I said Mama," "" bring me my walking cane." "" I'm leaving on that midnight train."" "Control, X-ray 1 update." "From X-ray 1." "No movement." "Nothing to report." "No sign of any builders, plumbers at the house?" "No ma'am." "The target appears to be playing loud music." "You'll find in front of you, a profile on Peter Paul Spector." "There's no date and time and the precise wording of the arrest has yet to be formalised." "I'll do that with the officer nominated and brief to make the arrest." "I'd personally like the arresting officer to be the first interviewing officer if possible." "Do you have someone in mind?" "I do." "I've made some enquiries." "Seems like it might work." "Good." "So far we've found no official record for Paul Spector further back than his marriage to Sally Ann Goodall." "We're till waiting on John Paul Spector's army records but one thing we do now know is that Paul Spector is not Jewish." "His father was born John Paul Marshall." "Marshall was adopted by the Spectors who were indeed a Jewish couple." "They devoted most of their lives to adopting and fostering children regardless of their race, colour or creed." "Thoroughly good people it seems." "Where was this?" "North London." "Is John Paul Spector still alive do we know?" "He's alive and in prison." "Where?" "Canada." "In prison for...?" "Murder." "A female victim?" "Male." "I'm not sure if you remember me." "Jim Byrnes." "Of course I remember you." "I've followed your career with some interest." "If I may, I'll get straight to the point." "I want to know if you remember this boy from your time at Cortnacul Orphanage." "I believe he was there from the age of 10 to 13." "From 1989 to 1992." "Is this to do with the recent spate of sexual murders?" "Why do you ask that?" "It must be something of pressing importance to bring the assistant chief constable all the way out here to see me." "Is this your man?" "What can you tell me about him?" "He was a very pretty boy." "I've been following the progress of the case in the newspapers, on the news, with considerable interest." "All those poor murdered girls." "There's a great deal of consternation among the general public." "I'm well aware of that." "I'd like to help." "You can." "By telling me what you remember about that boy." "Would you call my Father?" "You've been defrocked, dismissed from the clerical state." "You are no longer a priest." "Do you know what is sung at a priest's ordination?" "You are a priest forever like Melchizedek of old." "A priest acts on earth as an altar Cristos." "That is as another Christ." "I know one of your victims believed that he was being touched by the hand of God, while you were molesting him." "Because that's what you told him." "All of those boys were willing participants." "Every one of them consented." "I never forced myself on anyone." "They wanted to learn about sex." "Explore their sexual identities." "They enjoyed it." "If they deny that now it's because they can't face their real natures." "A child's consent does not count." "What you were doing had nothing to do with exploring their sexuality and everything to do with misusing power and abusing trust." "I never hurt a boy physically." "And that's a source of pride, is it?" "Do you feel no shame, no guilt?" "Why should I?" "Shame for who you are." "Guilt at what you've done." "I was showing children love, expressing affection." "By performing oral sex on 12 year olds." "How many of those boys still have faith in the Catholic Church, still have faith in God do you think?" "It's a disgrace that I'm thought of as a common criminal and all the good work I did over almost 30 years is forgotten." "Even in this place, I continue my vocation." "A man dying on the floor of his cell begged me for the last rites." "What would you have me do?" "Turn away from him, refuse to confer absolution?" "I was obliged to dispense the sacraments because an indelible priestly character remains in my soul." "I absolved sin." "One word from my lips transformed mere bread and wine into divine flesh and blood." "That power can never be taken away from me." "This was a mistake." "I shouldn't have come here." "Give me the photograph." "You're an important man." "You could let it be known that I will lead the community in sincere prayer for the apprehension of this individual." "Say tomorrow at noon." "Men, women, children." "It could be a mighty force." "I'm sure there are plenty of priests who could lead the community in prayer." "Priests who aren't pederasts serving a 20 year prison sentence." "I can perform any religious ritual that is permitted to any lay person and no-one can stop me." "Let me have the photograph." "Father." "Call me Father." "No." "Then I won't tell you what I know about this boy." "'I don't think I can." "I don't know what's going to happen." "A beautiful night'." "The first example is the known recording of Spector's voice from his interview with DCI Brink." "The second the call from Rose Stagg's phone." "'I don't think I can'." "'I don't know what's going to happen'." "'I'd nearly let myself..'" "'Beautiful night'." "Normally 20 or more different words are needed for a meaningful comparison." "Comparing two voice samples of less than 20 words results in a less conclusive opinion." "Possibly instead of probably." "The call from Rose Stagg's phone was very possibly made by Paul Spector." "It's been 4 days since Rose went missing." "Delaying the arrest in the hope that the suspect leads us to her runs a number of very clear and obvious risks." "Risks that I think we have to take." "'Hey, this is Katie." "Can't come to the phone right now." "Leave a message and I'll call you back'." "Hi." "It's me, I'm outside." "Have you left already?" "'I can't really wait so I'll see you at school." "Bye'." "These are the thermal images from last night." "The only heat signatures are livestock." "Is that all Goodall land?" "Yeah, there's the farmhouse." "What's that?" "Not sure." "Derelict building perhaps." "It's on the list." "We'll take a look later." "No sign of Rose Stagg's car?" "No ma'am." "We'll extend the search further south today." "We need to find that car, James." "From 3, the Benedetto girl into the bank on Waring Street." "I no longer have." "3." "That's the Benedetto girl into the bank, Waring Street." "3 no long has." "Running loose." "5, can you cover?" "From 5." "Entering the bank." "Message from Control, ma'am." "The Benedetto girl has cut school." "She's on the move." "'From 5, I now have'." "Where is she?" "In a bank on Waring Street. 5 now has." "'From 5." "She's making a cash withdrawal." "Looks like a large amount'." "From 5, the Benedetto girl out of the bank on Waring Street." "Walking briskly towards the river." "What's the word on Spector?" "Sitting tight, ma'am." "'From 5, the Benedetto girl is on the footbridge at Lagan Weir'." "From 4." "She's fixed a lock to the fence and thrown away the key." "'A padlock that says Katie and Paul with today's date'." "A love lock." "Target is heading back towards Custom House Square." "'From X-ray 1, standby'." "'Target out of the house'." "Blue and grey hooded top, black track-suit bottoms." "On foot." "Left left towards Lisburn Road." "Now running." "He's running." "Repeat, he's running loose." "'Left left towards Lisburn Road'." "Out for a run or making a run for it?" "'From X-ray 1, target is wearing a backpack'." "Oh Jesus." "From X-Ray 1, that's the target out of the house." "Left, left toward Lisburn Road." "Now running unsighted." "All call signs respond." "It's Gibson." "Is the surveillance blown?" "'From Delta, not possible to say." "Have eyes on target, running loose, approaching Lisburn Road'." "Arrest strategy not yet in place." "Follow." "Do not lose." "'Target now crossing Lisburn Road." "Crossing Lisburn Road'." "'Control from Delta, target crossing Lisburn Road'." "Target is on College Gardens, heading towards Malone Road." "One-way street, unable to pursue." "From Delta, target crossing Lisburn Road into College Gardens." "Heading towards the Malone Road." "Call signs that can back Delta, come in." "'Golf, I can'." "Eyes on target crossing Malone Road." "Repeat, crossing Malone Road." "'Control from Golf, target crossing Malone Road'." "'From Golf." "Target entering Botanic Gardens." "Main gate closed to vehicles." "Running loose'." "All call signs, I need cars blocking all exits." "Golf and Delta, drop two men on foot to cover the gardens." "'From Golf, SO 7 entering park at Botanic Avenue entrance on foot'." "'From 8, in Botanic Gardens at Strandmill'." "From Bravo, turning left on Ridgeway Street heading to university exit." "'From 7, eastern edge of Botanic." "No visual on target'." "'From Bravo, crossing Ormeau Road." "Turning left onto Annadale Embankment No visual'." "'From 8." "Southwest of gardens." "No sign of target'." "Control from 8, no sign of target southwest of gardens." "'From 3, Benedetto girl turning into Bleecker Street. 4 has'." "From 4." "The Benedetto girl has entered the Bleecker Street Hotel." "From 4, the Benedetto girl has entered Bleecker Street Hotel, running loose." "What's happening?" "We lost him." "What?" "We think he's somewhere in The Botanic Gardens." "We have cars covering every exit." "All available surveillance operatives are in the gardens on foot." "'4." "I'm in the lobby of the Bleecker Street Hotel." "Room 12 is registered in the name of Paul Spector'." "Call in the uniforms." "Spector's room is a crime scene." "It needs to be treated accordingly." "Get down on your knees." "Get down on your knees." "This is my hotel." "It's my hotel." "On your feet." "What, I can't walk the corridors of my own hotel?" "Police!" "Open the door." "Police!" "Open up!" "Open the door!" "Police, open the door!" "Katie, Calm down." "You are under arrest." "Get off me!" "Just stop moving." "Get off!" "We have the Benedetto girl." "We believe the girl has attempted to destroy vital evidence." "It might be necessary to conduct a strip search." "Assign Hagstrum responsibility for her care." "We need to provide access to an appropriate adult and put her in a detention room, not in a cell." "Understood." "Thanks." "Spector's juvenile criminal record." "From the south." "I went to see Father Jenson, the pederast who ran the orphanage where Spector was when he was a boy." "He remembered him well." "Peter Baldwin." "PB." "Was he abused by Jenson?" "Jenson says not." "At 13 he was moved to Ballyvale." "It's a home in Dundalk." "It was there it seems, his criminal behaviour began." "You were right." "Breaking and entering." "Ignoring valuables, taking underwear." "He kept a journal too it seems." "Voyeur's map of the town." "Days of the week, times of the day and night." "Places where women could be observed." "Notes about their appearance, age, habits." "Prison changed Jenson?" "No." "He's just as arrogant." "Just as narcissistic." "He's unrepentant." "'From 7, no sign of target'." "Where the fuck is he?" "Will you look who it is." "Stop it!" "Stop that!" "Move back." "Go, move." "Get down on your knees." "Get down on your knees." "Get down on your knees!" "Where's my wife?" "What?" "Liz." "Where is she?" "Don't know Jimmy." "Tell me." "Or so help me, I'll blow your fuckin' brains out!" "I swear to you Jimmy, I don't know where she is." "Find out." "How?" "Make some calls." "Now." "Find out where she is." "I don't have my phone." "Make some calls." "Gibson." "'Responding to an emergency call ma'am." "Back of Elmwood Mews'." "Elmwood Mews." "The caller described two men in bomber jackets, jeans and the third in dark running gear." "It made me think of the CCTV footage of Spector running." "How far aware are you?" "Minutes." "Stay on the line." "It's just I need to follow up for my case notes." "I really need to see her personally." "Elizabeth Tyler." "Paul Spector." "She was in therapy because of the death of her son not because of domestic abuse." "That therapy was interrupted." "Obviously I'll treat any information as confidential." "She's asking her superior." "My knees are hurting." "Can I get up?" "No, you fuckin' can't get up." "It's lovely music." "What?" "They've got me on hold." "What's in your bag?" "What?" "Give me your bag." "Give me it." "What the fuck!" "Put your gun down!" "Nobody move!" "Keep your hands in the air!" "Keep your hands where I can see them!" "Stay where you are, don't move!" "Dani, can you hear me?" "Are you okay?" "Dani." "Sorry ma'am." "We've had a contact." "Were you hit?" "Yeah." "One in the flack jacket." "And Spector?" "Is it Spector?" "Yes ma'am." "One moment." "The suspect has fled the scene in a white City Campers van." "He's 6 foot 2, dark jeans, dark jacket." "He's bleeding from his face." "He's taken my partner's gun." "Establish an outer cordon." "Dani." "Sorry ma'am." "Is Spector still there?" "Yes ma'am." "Any injuries, head injuries?" "No ma'am." "I think he's bleedin' from the nose." "Don't let them take him to the hospital Dani." "Do you hear me?" "Just keep him at the scene." "Yes ma'am." "I've told the custody sergeant at the Serious Crime Suite that you're on your way." "Can I help?" "Yes." "You can." "'From X-ray 1, standby'." "That's the target's wife arriving at the house in the Volvo." "'Control, X-ray 1 wait out'." "That man was on his back, more or less as he's lying now." "Then he made a move, raised his gun." "That's when the male officer fired again." "Two more shots." "Just bring the wrist up." "Don't let me push it forward." "Don't let me push it back." "Burns." "Understood." "Yeah." "Mr. Spector." "Thank you for your statements." "We have your number and address." "We'll be in touch if we need anything more from you." "This is Paul Spector." "He has not worn any protective clothing." "Sign him out." "Paul Spector." "Detective Sergeant Anderson." "I'm arresting you for the unlawful imprisonment of Rose Stagg." "You do not have to say anything but it may harm your defence if you do not mention when questioned, something you later rely on in court." "Anything you do say may be given in evidence." "Do you understand?" "Police officers!" "Sally Ann Spector?" "Yes." "DC Glen Martin and DC McNally." "What's happened?" "Sally Ann Spector, I'm arresting you on suspicion of perverting the course of justice." "What?" "You do not have to say anything but it may harm your defence if you do no mention when questioned, something you later rely on in court" "Anything you do say may be given in evidence." "Your mother is here to see you." "I don't want to see her." "Katie, you are a juvenile." "The law requires an appropriate adult to be present during your custody." "Not her." "Not her." "They came to the house and arrested me and they've brought me to the Down Serious Crime Unit." "Slow down Sally." "I'm sorry." "Why have you been arrested?" "Perverting the course of justice." "In what way?" "They suspect that I lied when they asked me about Paul." "What about Paul?" "Where he was the night that girl died." "What girl?" "The one in the park." "Did you lie?" "Yes." "Is this your one phone call?" "Yes." "Sally." "I'm not a criminal solicitor." "I should contact a colleague." "It's important you don't incriminate yourself." "I'm pregnant Steve." "Please help me." "Please remove your top." "Shoes." "Both the Benedetto girl and Spector have mobile devices with video files on them." "Should we prioritise Spector's?" "Definitely." "Downloading now ma'am." "I must advise you this interview is being recorded." "I'm Detective Constable Glen Martin." "Detective Constable Gail McNally is also present." "The suspect's name is Sally Ann Spector." "Also present is the suspect's solicitor, Steven Jennings." "It is 22.00 hours on Monday, May 7th." "This interview is taking place in the Down Serious Crime Suite." "I'd like each person here to identify themselves on tape for voice identification purposes." "DC Gail McNally." "Steve Jennings, solicitor." "Sally Ann Spector." "Just to make it clear Sally," "The offence you have been investigated for is perverting the course of justice." "What I'm going to do is ask you to give an account of the answers you gave me when I telephoned you on Saturday, 21st April, and asked you to give an account of your husband Paul Spector's" "movements on a series of specific dates." "I believe the account you gave me was false and amounted to an attempt to pervert the course of justice." "Do you understand?" "Yes." "Tell me in your own words how you came to give me that account." "I lied." "I lied to you." "He called me before he went into the police station." "He said the police would probably come round to see me and ask me to confirm what he was about to tell them." "He asked me to lie and say that I'd been with him that night." "That we were at home together." "What reason did he give Sally?" "When he called he didn't give a reason." "So you just did what he asked?" "Yes." "Did he ever give a reason?" "Yes." "When he came back from the station." "Tell them Sally." "Paul worked on a suicide helpline as a volunteer." "Every Friday night all night and some other nights as well." "Or at least that's where I thought he was." "When he came back he told me that he hadn't actually gone to work for the last 3 months." "That he'd been having an affair." "Take your time." "He was having an affair with our babysitter." "She was 15 at the time." "I didn't know what to do." "He said that if I told the police that he'd be put on a sex offenders list." "That he'd go to prison." "That I might even lose my job." "Is that what all of this is about?" "You understand that you're under caution?" "I should also remind you that you have a right to free and independent legal advice." "And that you can talk to a solicitor on the telephone if you so wish." "That light indicates the interview is being monitored." "You've been arrested because we believe that on the night of" "Thursday May 3rd, you abducted Rose Veronica Stagg from her home." "We also believe that you have unlawfully imprisoned Rose Stagg." "That you're holding her somewhere against her will." "You may know Rose Stagg better as Rose McGill." "Your wife has been arrested." "Your home is being searched." "Katie Benedetto has been arrested." "The hotel room you were staying in is being searched." "Things could get out of control for you very quickly Paul." "Are you sure you don't want to speak?" "All the files have downloaded from Spector's phone." "There's some videos you should see." "'My wrists are sore." "Can you untie me please?" "Peter." "Can you unloosen these please'?" "I'm thirsty." "Can you untie me please?" "!" "Please." "Please can you untie me?" "'Please take me home." "Please take me home'." "My babies will be missing me." "They're only little." "They're young." "They need me Peter." "They need me Peter." "I'm sorry." "You were right." "I did go to the police." "Go to the police." "I never will again." "If you untie me now, I won't tell anybody what's happened." "Please Peter." "Please Peter, would you talk to me?" "I miss what we had." "I do." "Tom." "He's not like you." "No-one's like you." "Untie me and we can have what we had again." "It can be better." "I know it's wrong but I'm so turned on." "Peter." "You fucking disgust me!" "You piece of shit." "You fucking worm!" "I know it's you." "You pervert." "You fucking pervert." "You dickless piece of shit." "You're a monster." "You're a monster." "You're a monster." "You're a fucking aberration!" "Fuck you!" "Fuck you!" "Please take me home." "You must've had a terrible childhood to do this to me." "I feel sorry for you." "I really do." "You must've had a terrible childhood." "I feel sorry for you." "I don't want to die here." "Peter please!" "You want to be noticed." "You want to be paid attention to." "Make your mark." "Fine." "Hurt me." "Do whatever you want to me." "Go ahead." "Do your worst." "Nothing you can do will ever take away how much I love my husband." "How much I love my children." "Nothing you can do can make me devalue my life in any way." "I will celebrate life." "I love and I am loved and nothing that you can do can take that away!" "Do you know that?" "!" "DO YOU KNOW THAT?" "Why the the fuck are you watching this?" "You sick shit." "What the fuck is wrong with you?" "I think it's time for a special warning." "See if we can't make an adverse inference from Spector's refusal to answer questions." "I'll pass it on." "I want you to listen carefully to what I'm about to say Paul." "I'm now going to ask you to account for a fact." "The reason I'm asking you to do this is because I believe this fact shows that you are responsible for the abduction and unlawful imprisonment of Rose Stagg." "I must warn you that a record is being made of this interview and may be given in evidence if you're brought to trial" "and that the court may draw proper inference from your silence if you fail or refuse to account for the fact about which you're being questioned." "Do you understand?" "I'm asking you to account for the presence in your phone, the phone we found in your possession at the time of your arrest, of a number of video files featuring the image of Rose Stagg and the sound of her voice." "And images of you." "What is your explanation for those files being found in your phone?" "They've finished questioning your daughter and they're keeping her in custody." "Will you be seeing her again tonight?" "I won't unfortunately but I will see her first thing in the morning." " Give her my love." " Granny!" "I will." "You try not to worry." "Granny, is that Daddy on the phone?" "Gibson." "It's Christine Larkin, ma'am." "Yes." "Some new results from the FSNI." "Tell me." "They've managed to type DNA from the degraded blood sample found on the scissors that ties him to the crime scene." "It's Joe Brawley's blood." "He's entitled to 8 hours uninterrupted rest, ma'am." "If we wake him, I have to reset the clock and you lose 2 hours." "Fetch the jailer." "Yes ma'am." "May I?" "There's something I'd like you to do." "I'm DC Gail McNally." "Paul Spector, I'm further arresting you for the murder of Joseph Brawley and the attempted murder of Ann Brawley." "You do not have to say anything but it may harm your defence if you do not mention when questioned, something you later rely on in court" "Anything you do say may be given in evidence." "Do you understand?" "(english)"