"Previously on "Missing"..." " Come on!" "We have to go!" " Michael's on the train." "Get her in the car." "No!" "Why aren't we out there..." "looking for your son?" "You stole a CIA helicopter and flew to moscow." "They control drugs, arms smuggling, black market diamonds, human trafficking, even murder and extortion." "An unknown ex-operative is at the head of it all." "We call him suspect zero." "Aah!" "Don't touch her!" "Aah!" "He's Viktor Azimoff's son?" "Don't you wonder what became of him?" "All the time." "Nothing." "No Michael Winstone." "Your son was not on the train." "He's dead." "We killed him." "Looks like you lose, Winstone." "Aah!" "Becca Winstone is going down." "Vienna." "You just have to decide if you're going down with her." "You two stay." "There's no prints on the knife, but from the angle and location of the wounds, we're almost certain the killer is female, also very fast, extremely good, a product of expert training." "Sounds like our Becca." "Yeah, it does." "So..." "Where's she go next?" "Any ideas?" "Why you asking me?" "Because you're her friend." "And you." "She left this room from a door that can only be unlocked from the outside." "No, you have been at her side ever since she got to Europe." "Now hold on, Miller." "And you have been making excuses for her, Newman, every step of the way." "If this is about the knife... no, she could've done that on her own." "Ceramic blade." "Just get it past the sensors." "But she couldn't have unlocked that door." "Hey, when we got back, before we found the body, you were alone." "Maybe you opened that door." "Maybe you did." "We need to find her." "Michael." "Michael." "Unter einem Vogel mit seiner kinder." "Mit seiner kinder." "Do you need help?" "I have a meeting in vienna." "The location has something to do with a bird." "Vogel." "Zur vogelkirsche." "Under the wild cherry tree." "Do you know where that is?" "I have no idea." "I am not a traitor, but I am gonna find my son." "You're a little late." "Stay with me." "A little longer." "Just hang on." "Yes." "People are coming." "We're gonna be okay." "Huh?" "No." "Shh." "Shh." "Shh." "Shh." "Shh." "Shh." "Shh." "So, agent Rossi..." "What do you really think happened in there?" "You're asking did I help her?" "From what I understand, you two had a special relationship." "Maybe still do." "So you always knew the truth about Paul, yes?" "He was bad." "Well, that took some doing, but I figured it out eventually." "You think it's him..." "suspect zero?" "Nothing would surprise me now." "Not even the truth about Becca?" "That she was in on it." "Yeah." "That one got me." "The one thing I do know for sure though..." "I love her." "She's like my own daughter." "If that makes me a suspect, too, then... maybe just a fool." "Then I'm a fool, too, a bigger one." "Violet just called in." "Said she caught up with Winstone, who evaded capture and also took her gun." "I'd say you got a problem." "She's the one with the problem." "If she opens fire on my operatives," "I told them to take her down." "It won't start." "Come on!" "Get down!" "Aah!" "Aah!" "Yeah?" "Giancarlo." "Becca." "Ortega thinks that I'm a traitor and that I'm working with Paul." "Okay, listen to me." "You have to get off the streets now." "You're right." "We shouldn't talk on the phone." "I have no right to ask this, but I need your help." "Okay." "Meet me in 20 minutes at the Karlsplatz." "The number 5 car of the 4 u-bahn." "Got it." "You're the only one I can trust." "Okay." "You're the only one I have left." "We have a deal..." "cooperation." "What did she say?" "It's now or never, Rossi." "She wants to meet." "Karlsplatz station, 20 minutes." "That's one of the old protocols I trained her in." "So you're working with us?" "Only on the condition she isn't harmed." "You're in no position to bargain." "Of course I am, Miller." "You need what I know." "I'm going to be right here when you bring her in, and I'm gonna be by her side at every step." "First you better worry about him." "What about it, Rossi?" "You know she could be setting you up." "Either way, if she figures out you're working with us, then..." "I know her better than anyone else." "I know what she is." "She betrayed me." "I'm in." "I'm in." "what are these signs?" "I can't even read these." "These aren't even Russian." "Oksana." "No, no, no, no, no, no." "Oksana, come on." "Come on." "Come on." "Come on." "Come on." "Here." "Look." "Look." "Look." "Look." "Look." "Look." "There's a town up ahead." "We'll find a hospital." "I want one agent on each incoming train, and one on each platform." "Don't crowd her." "Hang back." "Rossi's wearing a tracking device." "She's watching you now." "There goes Rossi." "Time to cowboy up." "Even if she trusts you, she's gotta be sure you're alone." "And not know you're wired." "First rule of spycraft... never say "cowboy up."" "Everyone report." "Follow one, standing by." "Report." "Follow two on the move." "Inbound." "Don't be a hero, Rossi." "Just make sure she's unarmed to gain her trust." "We'll do the rest." "Don't try to speak to her right away." "Let her set the pace." "Just stay with her." "She's given herself enough time." "She should be making contact right..." "About..." "Now." "We need intel." "We don't want civilians getting killed." "Just keep her on the move until you can be certain she isn't armed." "Wait for her to talk." "Tracking device is working, Rossi." "We have you in sight." "She'll get off at the next stop." "Lead him onto the outbound, going the opposite way across the platform." "She's taking the passage to the "d" line." "Now she'll wait in the tunnel until it's clear." "She's boarding the local." "Is that protocol?" "No." "She should be taking the "s,"" "the express to the suburbs." "Good deal, everyone." "See if she'll give us a clue what's next." "Is it safe to talk?" "Thank you for coming." "You don't know how bad it is." "Do you know how bad it is?" "Ortega's dead." "Dax and the agents..." "they think that you killed her." "Stabbed." "Yeah, in the room where she was questioning you." "Who opened that door for you?" "I don't know." "I really don't know." "Something's wrong." "Becca, just tell me the truth." "Just... tell me." "Did you do it?" "No." "I believe you." "Enough to lose the wire?" "I already did." " He's cut us off." " He's cut us off." "Follow one and follow two, intercept now!" "Sir, the transponder's here." "He's not." "Damn it!" "We've been following the wrong train." "Damn it!" "How do we get out of here?" "You are Americans?" "I am." "She's, uh, she's been with me this whole time." "Is this Romania?" "Hungary." "How can you not know what country you are in?" "I'm sorry." "I-I just, uh..." "Can you just tell me if she's gonna be okay?" "The doctor says you came just in time." "It's not as bad as it looks." "It's rush hour." "They can't shut down the entire system." "It's too late now." "They could be anywhere." "I'm sorry, sir." "I had her." "I just..." "Where's Azimoff?" "We don't know." "We downgraded the search for him once we had Winstone." "Well, upgrade it again." "She could still be after him." "Chief, sorry." "I've got an embassy official here." "Mr. Miller, we've just received a transmit from a consular officer in Hungary." "A Michael Winstone just telephoned the embassy there." "He says that he and another person just escaped after being held captive by persons unknown." "They have no passports and are in danger of being arrested by Hungarian police." ""Unter einem Vogel mit seiner kinder."" ""Under the bird with her children."" "That's what I heard Azimoff say in the car, and then something that could be "at the wild cherry tree."" "And it's today?" "Mittwoch?" "It's Wednesday." "All I know is he was taking both Michael and me somewhere." "So what we're looking for... what did he say?" "Uh, "Vogel kirche"?" "What did you say?" "Huh." "What?" "Is my accent really so bad?" "Yeah." "It's terrible." ""Kirche" without the "s" is "church."" "Church, yeah." "But he said "Vogel kirche."" "So where is there in vienna a bird church?" "Let's find out." "The Michael Winstone call came from the Hungarian wine district, about a 24-hour train ride from moscow." "That fits the timeline." "We'll send someone to check it out." "I'll go." "Kid's my godson." "Report what you find." "Naturally." "I'll call you when I have him." "No reports of Azimoff returning to moscow." "We did check his surveillance files." "And?" "Helios transport pays rent on a number of apartments throughout Europe, supposedly for executive use." "There's one here in vienna." "It's worth a shot." "All right." "See who they're leasing it from and if anyone's come in or out." "Danke, schwester." "St. Margaret's church in the old innere stadt is called the bird church." "Features a famous painting of a pelican that people believed, in times of famine, would feed her children with her own blood." "It stands for sacrifice." ""Under the bird with her children."" "We have to get to that church." "Whatever Azimoff is up to, that's where it's going down." ""Zur Vogel kirche."" "Noon mass will just be finishing." "Okay, I'll go inside." "You check the cemetery." "You're risking everything." "Don't think about it." "No, in all this, you're the only one who believes me." "How can you be so sure?" "That you're not working with Paul?" "Does that answer your question?" "And raises a few others." "Becca." " You son of a bitch." " Where's Michael?" "Rebecca, listen to me." "So you can lie to me some more?" "Stop." "It's not what Langley thinks." "Where's Michael?" "!" "I was never working with Azimoff." "I don't believe you." "I was undercover, working against him, and my cover was blown." "Then why are you here?" "Straight swap..." "the stocks for Michael." "It's me they want, not Michael." "They want me dead." "So you'd give your life for his?" "Wouldn't you?" "I'm sorry." "Good-bye, Becca." "Concierge says the apartment's been empty for months." "Nothing there now." "Ground floor, in the back, no view." "If you were Azimoff, why rent it?" "We're wasting time." "This is one lead among a hundred, sir." "Meantime, the target is getting away." "You speak good German for an American." "Vielen dank." "Most don't bother to learn." "I wonder if you could tell me about some other foreigners... not American, living in the ground floor at the back?" "Russians." "Don't listen to the landlady when she tells you they are never there." "Hmm?" "They like it because it has a secret way so you don't see them go in or out." "A secret way?" "From when the house belonged to the bishop..." "Oh." "For his mistresses." "Where does it lead?" "To the church." "You still haven't explained how you got into our country without a passport." "I have told you, like, a half dozen times, we were kidnapped." "Again, not together but separately." "And you escaped on a magical mystery train." "Is that my long-lost godson?" "I was afraid you wouldn't recognize me." "What is it, ten years?" "Oh, my God." "What are you doing here?" "How did you find us?" "Ah, there'll be time to answer questions later." "Right now we gotta get out of here." "Where's mom?" "She's not with you?" "No." "But we have to call her." "I've been trying to call her, but..." "Michael, I can't find her either." "Your mom's in a lot of trouble." "Becca." "Becca." "Becca." "Giancarlo." "Paul was here." "And Azimoff is inside." "He's meeting with Paul." "Swapping Michael for the stock certificates?" "He has them, but that's not what they really want." "Then what?" "They want Paul dead." "But Azimoff doesn't have Michael." "Paul is about to give his life for nothing." "Paul, he doesn't have Michael!" "Whatever happened, we're about half a minute too late." "Seal the building." "I talked to the doctor." "Your friend is gonna be fine." "What else can you tell me about my mom?" "What had to wait until we were alone?" "She's CIA, isn't she?" "So are you." "In here." "I read all your books." "Mom told me not to, so I did." "I always knew you were something at the embassy... something nobody talked about." "I won't deny it." "I'm not asking you to." "But mom?" "There were all these clues." "I just..." "Never put 'em together, like, how she banned anything with a gun in the household, but she knew everything about them." "I saw her take a loaded gun off of a kid in a school parking lot because she could see he was packing." "No one else even noticed." "I saw her try to rescue me from that plane." "Is she the reason that they grabbed me?" "Took me to that place?" "I can't tell you everything." "You understand?" "Mostly because..." "I don't know everything for certain." "But..." "There are a lot of people in the agency that have her under suspicion." "Suspicion of what?" "Doesn't matter." "I know she's innocent." "But I think there's someone else trying to set her up." "It's not just mom who's in trouble." "I had to save her." "I killed a man." "I don't know if you or mom have ever had to do anything like that." "Son." "Look at me." "I have done it." "You never get over it." "But if you did it to save a life, if you had to, then it's all right." "Those you learn to live with." "Now let's get out of here." "Not without her." "No one's come out since we got here." "There were shots fired about four minutes ago that could've come from anywhere down here, the, uh, what do you call it... grab gewolbe, the burial vaults." "Okay, Danke." "Send me in first." "I'll be less obvious than a bunch of cops." "I started this job." "I'd like to finish it." "See what you can do." "Help a fellow out?" "We could both look for her." "You go that way." "Azimoff doesn't have Michael, but he knows who does." "Becca... don't." "Why did they take him?" "Because I had to see him." "I wasn't gonna contact him." "I just..." "I just needed to see him." "So I went to that soccer game, and they saw me." "Someone I don't even know who recognized me." "Once they knew I was alive, they kidnapped Michael..." "To draw me out." "So disappearing..." "You were undercover, and they found out?" "I knew I could never see you again." "Why didn't you tell me?" "Because they would have killed you." "I knew..." "The only way I could stop you looking for me..." "Was to really make you think I was dead." "Becca..." "I..." "Let her go." "It's between us." "He wants you dead." "We can't both walk away." "Who is he?" "Suspect zero?" "You still haven't figured it out?" "What are you waiting for?" "Shoot him." "Kill him." "Maksim." "We just want our son." "That's all we want." "Do what I say." "Shoot him." "Just shoot him!" "Now I have killed both my parents." "Oksana?" "Michael." "Wh-wh-what's happening?" "Everything's fine." "We're fine." "A friend is going to help." "Friend?" "You have friends here?" "Whatever happens, we'll get through it." "I'll make sure." "He was right, in the end." "About what?" "It's who I am..." "And what I am." "You think this makes up for it?" "For all the people I have killed for him?" "I don't know, Maksim." "That night in Paris..." "I would never have killed you." "I only wanted to scare you away." "I don't scare easily." "This way!" "You still can't tell me where we're going?" "Not till we're there." "Or I can be sure who's listening." "Just know that it's safe." "We have to go." "I can't go to the agency." "They think I'm in it with you." "But Martin..." "Martin?" "He never told you?" "Becca, all the time I was undercover, working to bring them down, he was running me." "He was the only one who knew the truth." "That doesn't make sense." "Martin is the one who told me you went bad." "Da?" "Nein." "Ist Maksim." "Yes, I have it." "I'll send it in a minute." "Yes, I will tell him." "It was Martin Newman calling for my father." "Martin is suspect zero." "He wanted to tell him he has successfully recaptured the boy." "No." "Michael Winstone." "No." "Your son."