"[jazz music]" "♪ ♪" "[cheers and applause]" " From the Penn  Teller Theater at the Rio Hotel in Las Vegas, here's our host, Alyson Hannigan." "♪ ♪ [cheers and applause]" " Welcome to "Penn  Teller:" "Fool Us."" "A lot has happened since last season." "Penn wrote a "New York Times" best seller," "Teller directed more Shakespeare, and I covered my entire living room floor with a giant, inflatable Twister board." "We've been very busy." "Now let's get busier and bring out two of the hardest-working men in magic," "Penn and Teller." "[cheers and applause]" "♪ ♪" " Hi." " Hi." " Mwah." "Gentlemen, take your seats." "Not only does a successful fooler win a slot in Penn  Teller's Vegas Spectacular, they also win the coveted Fool Us trophy, which falls from the sky like a gift from... one of our stagehands." "Let's meet our first magician." " My name's Jonathan Burns, and I make everyday objects extraordinary." "I would always do things, like, in gym class to gross out girls." "My leg would be over my head." "I noticed I got a reaction." "So I started doing magic tricks and just tried to wow people that way." "I was always around food." "My mom was a dietician, and my dad sold snack cakes." "And on my show, I use, like, bananas and whipped cream and bread." "I love to play with my food." "I was always told not to, so, of course, I did, and tonight I'll be doing just that." "I'll be playing with my food onstage for Penn and Teller." "[cheers and applause]" " Penn and Teller might not bust this next act, but they'll definitely take his lunch money." "Here is Jonathan Burns." "[cheers and applause]" " Behold magic." "[chimes jingle]" "Magic, magic." "[groans]" "[cheers and applause]" "Check it out, it's a truck, it's a truck, it's a truck." "Now it's a robot." "[chimes jingling]" "Guess I had to prove to you that the magic's real." "That's why I invited two guests to help me out onstage." "Give them a big round of applause, helping us out." "[cheers and applause]" "And I don't know if you guys know this, there's a great Harry Houdini quote." "Houdini once said... [mumbles indistinctly]" "He was underwater at the time." "Just that quote makes me think of many things that we have in common." "We both love magic." "He could escape from a milk can, and I'm lactose intolerant." "So that inspired me to come up as a fromage to the great Houdini, a trick with... [chimes clatter on floor]" "Cheese, yeah." "Today we're using low-fat American, 'cause you are what you eat." "You can pull out any one you want." "You can pull one out." " Pull one out?" " Yeah." "You've got it?" " Yeah." " Excellent." "Okay, you can slide it back in the pack anywhere you like." "Fantastic." "You've got--Excellent." "And then I shuffle." "I used to work at a casino in Wisconsin." "Yeah." "Yeah, check it out." "Do you want to cut the cheese?" "Maybe not, maybe not." "You're not gonna believe this." "Ali, check this out." "One piece calls to me." " That one's it." " That was it?" "Thank you, thank you." "Well, that was great." "What do you guys want to do now?" "We have about 20 or so slices." "Dmitri, you can hold on to those." "I'm gonna have you just count ten slices into my hand, one at a time." "Everyone will count with you." "Nice and slow." "Here we go." "all:" "One, two, three, four, five, six, seven, eight, nine, ten." " Give Dmitri a big round of applause." "Yes." "Nicely done." "You can hand the rest over to her." "She's gonna hold on to those." "Excellent." "Okay, you can come back over to your spot, but hold on to your ten slices." "Place them somewhere on yourself, a secret location, maybe like a pocket, something like that." "But someplace not too warm." "We don't want fondue." "You've got it?" " No, hold up." " Okay, yeah, take your time." "We're not doing anything." "All right." "[laughter]" " All right, go for it." " Oh, those laughs make me nervous." "Yeah, all right." "Ali, same thing." "Ten slices in the hand one at a time." "Everyone will count with you." "Here we go." "all:" "One, two, three, four, five, six, seven, eight, nine, ten." " Give her a big round of applause as well." "Yes." "You want to take a bow or anything?" "Like--that's good, that's good." "You got it." "We'll swap." "You can hold on to your slices." "I guess it was a 24-pack." "Again, place them somewhere on yourself." "Maybe a pocket, a secret location." " I have nowhere." " You don't have a pocket?" " No." " Get creative, yeah." "All right." "Okay, here's a little something for the audience." "Here we go." "Sharp cheddar, all right." "I do need something from the audience." "I need a number between one and five." "Someone yell out a number between one and five." "[all shouting] I heard "two."" "And I heard "seven" over here." "Somebody was homeschooled." "All right, um, what I'm gonna do is I'm gonna attempt to move two slices from Dmitri's pile magically, invisibly through the air and make them land into Ali's pile, and I'm gonna do that with the aid" "of this magic wand." "You guys may feel this happening." "At no point freak out or reach for your cheese." "[jingling]" "[whispering] It's working." " Oh." "[cheers and applause]" "That was one." "The other one's faster." "Don't worry." "All right, Dmitri, take the cheese out of its secret location." "A pocket, you're crazy." "Okay, okay, nice." "And count on the hand one at a time." "Let's see what we did." "Here we go." "One." "all:" "Two, three, four, five, six, seven, eight." " Oh, my God." "[cheers and applause]" "They call me the cheese whiz." "Ali, same thing--take the cheese out of its secret location." "Oh, wow." "I thought you were on house arrest--I didn't realize." "Okay, uh, here we go." "Same thing in the hand, one at a time." "Everyone count with us." "all:" "One, two, three, four, five, six, seven, eight, nine, ten," "11, 12." "[cheers and applause] [chimes jingling]" "Give my volunteers another big round of applause." "You guys can have a seat." "Thank you." "Thank you so much." "[cheers and applause]" " Jonathan Burns, everyone!" "[cheers and applause] Whoo!" "That was amazing." " Yeah." " Very Krafty." "Ah." " Ah, get it?" " Yeah, that's good." "That's good." " Come on, food and magic." " Yeah." " That's fantastic." " I've got a food thing." "I don't know." "You can probably tell from this body." " Yeah, definitely." "Whoo." "Yeah." "But I've heard that you eat fire." " Yeah, you don't want to, like, combine that with the cheese." "It's like a" "Unless you have nachos around." "Right?" "Yeah." "Thanks." "We're almost standing the same." "I'm realizing, I'm sorry." " All right." " Okay." "[both grunting]" "It's like a middle-school dance up here." "I don't know, eh." " All right, well, let's go to the boys, shall we?" " What a great act." " Oh, thank you." " What a great act, oh." "[cheers and applause]" "Pulling out all those-- all those wind chimes over and over again, it's just really fabulous." "And the, uh--and the" "There's no end." "No end." "Teller and I spend a lot of our sessions writing, trying to find out what card tricks we can do with different objects, and we've been through many, many things." "And the idea of doing Cards Across as Cheese Across is pretty great." "And I also should point out if anyone has seen someone do Cards Across and been blown away by that, doing it with cheese is much, much harder." "The sleight of hand you were doing, much harder, but in order to do that difficult sleight of hand, your timing has to be amazing, and your timing was perfect." "You had the audience right in the palm of your hand when you had to do the move." "It was just great." "But it is Cards Across done with cheese, and you're just a wonderful performer, and we'll be seeing a lot of you, I'm sure." " Oh, thanks." "Thank you." " So did they figure it out?" " Yeah, they figured it out." " Ohh." " But it's-- yeah, it's fine." "I actually--I brought my own participation trophy." " Aww." "[laughter and applause]" "Yay!" "Jonathan Burns!" "Thank you." "[cheers and applause]" "Lots more magic to come, including a trick from our very own Penn and Teller." "[jazz music]" "[jazz music] [cheers and applause]" " Welcome back to "Fool Us,"" "where acts from all over the world try to pull one over on Penn and Teller, like this next magician all the way from Belgium." " I am Jo." "I'm from Belgium." "I am a magician and an animal trainer." "When I was eight years old," "I started to do shows for the neighbors." "And my main act was a cat that I'd trained to jump through a hoop of fire." "The way I train animals to do magic tricks is first I show them, I show them again," "I show them a million times." "They know how the trick works, and then they can do it by themself." "I train a chicken with psychic powers." "She can pick up things that no one ever talks about, and still she knows." "I first had to gain her trust until she would allow me to bathe her." "Then we started to eat meals together." "And in the end, we had such a strong relation," "I could even sleep with her." "I'm not a good enough magician to fool Penn and Teller, but maybe my chicken might." "[cheers and applause]" " All right, we've kept him cooped up long enough." "Here's Jo de Rijck." "[cheers and applause]" " Thank you." "Thank you." "Thank you." "Hello, it's so nice for us to be here." "I am Jo, and this is my chicken." "She's a real chicken." "Her name is Curry." "That's right, Chicken Curry." "She's the only chicken in the world that can really read your mind." "Now, I'd like to invite one more lovely chick onto this stage." "Alyson, would you please join us?" "Alyson!" "Hello." " Hello." " Hi, Alyson." " Hi." "Hey." " Hi." " Alyson, this is Curry." "Curry, Alyson." " Nice to meet you." " Can you hold one hand like this?" "Perfect." "Curry, high five." " Aww." " Great." "Cool." "Now, Alyson, before we start this mind-reading experiment, can you please confirm that Curry wears no "electronical" devices, okay?" "So nothing under this wing." " No." " All right." "Nothing under this wing." " Okay." " Nothing on this side?" " Whoo, yeah." " Okay." "Nothing on this side?" " Okay, I've got" " Okay, that's enough." " I believe you." " Now, we first need to make a mental connection." "Therefore, Alyson, please look into her eyes." "[hypnotic music]" "Oh, wait, wait, wait." "She's becoming very nervous." "Are you thinking about barbecue?" " No!" " Please don't do that, okay?" "We all have dreams in our life." "My big dream is to fool Penn and Teller." "Now, I can imagine you also have big dreams." "Maybe something that's still on your bucket list." "Can you think about one dream?" "Don't tell us." "Then I'd like you to write it down on this piece of paper, and when you're finished, just turn it over, okay?" " Okay." " Go ahead." "Wait, Curry, Curry, Curry, don't look." "Don't look, okay?" "It's mentalism." " Okay." " Okay, perfect." "Now, I'd like you to think about three other dreams that are not your dream, okay?" "So make it very confusing for us." "Choose believable dreams that are not yours." "Afterwards, you can hang up the fake dreams together with the real dream, and you can hang them anywhere you want facing the audience." " Oh." " Go ahead." " Okay." " Now, reading someone's mind is very hard for Chicken Curry." "Therefore, she first needs to warm up her psychic powers." "[exhales sharply]" "Curry, focus." "Focus on the feather." "Focus." "Good." "She's warmed up." "Okay, Alyson." " Hmm?" " Okay, you can hang the papers any order you want together with the real dream facing the audience." " All right." " Alyson." " Yes?" " Let's have a look at your dreams." " All right." " To host a craft show." "Write a kids book." "Go to Japan." "Or get a pig." "Great dreams." "Now for the real work." "Thank you." "Curry is gonna read your mind." " Okay." " Think about your dream come true and look into her eyes." "Live the dream." "[hypnotic music]" "I think she got it." "Now please stand over here." "Face the audience." "Don't move anymore." "And whatever happens, don't look back." "Curry, what is her dream?" "We're from Belgium." "She has a little trouble reading the English." "Curry?" "All right." "Curry has made a decision." "We cannot go back." "Alyson, if this is gonna be her dream," "I'd like everybody in the audience to go completely crazy, go absolutely bananas." "It will mean that Curry is gonna live another day." "Alyson, for the very first time, what is your dream?" " Well, whatever it says so she can live." " [chuckles] No, what is your real dream?" " The craft show." " The craft show." "[cheers and applause]" "Curry!" " Yay!" "Okay." " Thank you so much." "One moment." "Thank you." " Ohh." " Now, Penn and Teller," "I'd like to give these papers to you guys just as a souvenir." "There is nothing remarkable about them." "No funny smells, no hidden candies." "They are all yours." "Thank you very much." " Thank you." " Thank you." " Jo de Rijck, everyone!" "Aww." "And Curry!" " Thank you so much." " Aww." "How long have you been together?" " We've been together for seven years now." " Aww." "Well, she's so lovely." " Thank you." "And so are you." "Yeah." " Thank you." "Thank you." "Is this your dream to, like, be in Vegas and perform?" " This is my dream." "Really, since I was eight years old," "I've dreamed of this moment, so thank you guys." " Aww." " And thank you." " Oh." " Thank you." " Yes." "Yeah." " Thank you." " Guys, what do you have to say about the psychic chicken?" "[cheers and applause]" " In case you needed any more proof that this is the greatest show that has ever existed on TV, two grown men have been sitting here deliberating about how a chicken pecked a certain piece of paper." "[laughter]" "Now, the road we want to start going down is that he knew it was the first piece of paper you wrote on that was gonna be the one that was gonna be your real dream, and the other three came later." "So the first piece of paper could in some way be treated or set up in some way to attract the chicken." "Don't get too excited." "We know that's not how you did it." "You gave us these pieces of paper." "We were able to examine them." "We believe these pieces of paper are innocent." "If you've got something hidden in these pieces of paper, you've fooled us." "We don't know what it is." "We think that although there's this homey, farm, barnyard quality to the setup over there, that that conceals a little bit more sophistication." "And we believe that from that, you were able to get the information." "We think we know how it was transmitted to you, but we'd rather not give that up." "And then you were able to then signal the chicken what to do." "So the chicken was not the mentalist." "You were the mentalist, but we're actually saying a little more than that." " [whispers indistinctly]" "I, um-- I know what you see." "They got an impression that I did something, but the impression is wrong." " So wait--so the chicken did all the work?" " She did all the work." "I had no idea what was your dream." " [gasps] So the chicken" " You really didn't?" "You had no idea what dream" " I had no idea." " So wait, the chicken fooled Penn and Teller." " I think we were fooled by a chicken, yes." " Fooled by a chicken!" "[cheers and applause] Yay!" " Thank you so much." " That is a first." " Fooled by a chicken." " Mm-hmm." "Congratulations." " This is a dream come true." "Thank you so much." "Thank you so much." " Give it up for Jo de Rijck!" " Thank you, thank you." " And Curry." "[applause]" "Ha, this is like watching two people win the lottery." "Only when people win the actual lottery, it doesn't make Penn and Teller look bad." "We'll let 'em shake things off during this commercial break." "[jazz music]" "[jazz music] [cheers and applause]" " Welcome back to "Fool Us."" "Check out our next potential fooler." " I'm David Caserta." "Around five or six years old," "I began getting magic kits from my parents." "Every year, that's all I would ask for for Christmas." "Very early on I found that when I was performing smaller tricks, the reaction wasn't as powerful as if I could create something on a larger scale." "[laughter]" "And I thought, if I can learn the acting, the directing, the lighting design, the sound design, the video production," "I could actually control all aspects of the show." "I tried to just meld together these principles of magic and accomplish something original." "[cheers and applause]" " Most parents teach their kids not to play with sharp objects." "So please welcome the questionably parented" "David Caserta." "[cheers and applause]" " Thank you very much." "It's great to be here." "Magicians have been cutting a lady in half since 1921." "Typically a woman would lie down on a long table" "They would take a large box, cover her entire body, and then they would take a saw and cut that box into two separate pieces." "Penn and Teller actually perform a version of that classic illusion, although they do use a box and a beautiful Vegas showgirl." "Well, I was thinking if there's any way of fooling Penn and Teller," "I was going to have to think um, well, outside the box." "So I brought no boxes with a beautiful woman in it." "You have just myself and a saw blade." "So now watch as I fool Penn and Teller." "[cheers and applause] [dramatic music]" "♪ ♪" "♪ ♪ [both scream] [saw whirs]" "[suspenseful music]" "♪ ♪" "[dramatic music]" "♪ ♪ [crowd oohs]" "♪ ♪ [dramatic music]" "♪ ♪" "[cheers and applause]" "♪ ♪" "[cheers and applause]" " David Caserta!" "[cheers and applause]" " Thank you." " Ohh, okay." "Ugh, okay." "Yeah, right." "Yeah, I'm gonna have some nightmares." "Thank you for that." " You're welcome." " Whoa." "Where did you come up with an idea like that?" " I love doing illusions that typically you don't see in a show, so I came up with doing it myself." " Yes, I'm really glad you're not my neighbor." " Oh, thank you." " Yeah." " I think." " Yeah, I just" "So this is, like, a childhood dream come alive?" " Yes, when I was six years old," "I just wanted to become a magician, and I just followed it my entire life, and I actually put some of my goals down, and one of them was to perform in a beautiful Vegas theater and be on national TV." "So this is an opportunity I've been looking for" " Wow." "[cheers and applause]" "Oh, that's fantastic." "All right, I'm gonna see what the guys thought of this." " Wow, you know, a lot of stuff in here." "We love the steampunk prop." "That's really great to see." "And we always like to see the sex reversal." "It's so nice to see." "You know, so often magicians are just greasy guys in tuxes torturing women in front of Mylar, and being willing to torture yourself is a very, very nice thing." "By the way, your blood looks beautiful." " Thank you." " What a nice blood hit." "It was really, really, really nice." "And the real misdirection on this, something we never see in magic is we actually got to see people wearing executioner's hoods that weren't switched in for the magician." " True, true." " You always expect that punch line." "But after looking at it for a while," "Teller has a little bit of a guess that he thinks might be one way you might have done it." "He'll give you a try here." " Exciting." "Do I get" " Hello." " Um, no, no, no." "[laughter]" " He's shaking his head no." "Oh, there's some whispering going on." " Teller's doing more talking than I am." " I know." "Okay, it looks like there's a disagreement, so we're gonna go to the judges." " I'm so glad I made the choice to stay seated." " Yeah." " 'Cause you three look really awkward, and I feel really comfortable." " Yeah." " Yeah." "In the booth, we have Johnny Thompson and Mike Close." "They're listening to everything we say." "Let's see what they think, too." " And the final word is..." "David Caserta... you did not fool them." " Ohh." " Aww." " I was rooting for you, David." "I was rooting for you." " But you definitely entertained us all." "So thank you, David Caserta." "Thank you." "[applause]" "In the words of William Shakespeare, y'all come back now, you hear?" "[jazz music]" "[jazz music] [applause]" " Welcome back to "Fool Us."" "Penn and Teller have already been fooled once." "Let's see if this next magician can do it a second time." "Take a look." " My name is Jimmy Ichihana." "I started out as a high-school math teacher." "I taught algebra II, statistics, and AP calculus, and, really, there's a combination of the math that can apply to magic and probabilities in particular with playing cards." "While I was teaching math, I met my fiancée, Lois." "I talked so much about the magic of Spain that she's like, "We should just move to Madrid."" "We moved to Madrid, spent a year there." "If you love card magic, that's the place to go and study." "She doesn't like to take credit for it, but Lois has really driven me to pursue my passion." "We've been planning our wedding for months and months now, and we get the email for "Penn  Teller:" "Fool Us."" "Please don't make me choose between a wedding date and being on "Penn  Teller:" "Fool Us."" "But it worked out perfectly, that I come down here and then five days later go home and get married." "[cheers and applause]" " Along with two randomly selected world-famous magicians, here is Jimmy Ichihana." "[cheers and applause]" " Thank you very much, everyone." "Thank you guys." "Alyson, would you please join us at the table?" "Everyone, let's welcome Alyson here." "[cheers and applause]" "Absolute pleasure." "Gentlemen." "Thank you so much for having me here." "It's an absolute pleasure to be here." "And I should tell you guys that previously" "I was a math teacher, and so I'm passionate about both mathematics and playing cards." "I'm fascinated by the link between the two-- how a deck starts in an order we know or a pattern we recognize, new deck order." "But with each shuffle, you start to create different patterns, and so, of course, the two colors, the four suits, the 13 values kind of create different patterns every time you give them a shuffle." "And to truly mix a deck of cards, you should shuffle about seven times, is what they say." "Any fewer than that, and patterns will still exist." "And, of course, you may have noticed," "I've shuffled fewer than seven times." "Yeah." "This is good." "This is good." "This means that if you look through the cards, you see patterns and chunks, groups of playing cards that will help us out here in a moment." "So using the skills of the gambler," "I'll attempt to use these patterns to find what we're looking for." "Teller, one, two, or three." "Just one." "Because Teller said one, notice that's one red card followed by one black card." "One red card followed by one black card." "They go in groups of just one." "Penn, give us a number, one, two, or three." " Three." " Three." "Now that would be one, two, and three red cards, now followed by one, two, and three black cards." "That's one, that's two, that's three red cards." "That's one, that's two, that's three black cards." "Groups of one, then groups of three." "Alyson, go ahead and give us a number." "One, two, or three." "What would you like?" " Three." " You'll stick with three." "Okay, so that would be one, that's two, that's three red cards." "That's one, that's two, that's three black cards." "One, two, and three red." "One, two, and three black." "But, of course, I'm deciding when you guys switch, right?" "So we'll try this." "Alyson, give me a number-- one, two, or three." " Three." " You'll stick with three." "Okay, but this time," "Penn, when you'd like Alyson to change her mind, you just say the word "switch."" " Okay." " As soon as he says "switch,"" "you'll give us a new number." " Okay." " Are you clear?" " Yes." " Okay, perfect." "So we'll start with three." "That's one, that's two, that's three red cards." "That's one, that's two, that's three black cards." "That's one, that's two, that's three red." "That's one, that's two, that's three black." "Whenever you say "switch," she'll change her mind." "That's one, that's two, that's three." " Switch." " One." " That's one red, one black, one red, one black, one red, and one black." "A perfect pattern to your guys' words." "Hey, that's--that's-- [chuckles]" "Oh, I appreciate that, guys." "That means a lot." "[laughs]" "Just so everyone knows that we're on the up-and-up here." "This time, Alyson, you'll say the word "switch."" "And when you do, Penn, you'll give us a new number, one, two, or three." " Okay." "Teller, just point for us, red or black?" "Those are for you." "We'll come back to them in just a moment, okay?" "Here we go." "And, Penn, where should we start, one, two or three?" "Your choice." " Uh, two." " Two." "Notice how that's two spades followed by two clubs." "Because there are two suits within the black cards, that's two spades followed by two clubs." "Whenever you say "switch," he'll change his mind." "That's two spades followed by two clubs." "That's two." " Switch." " And two." " Three." " Three." "That's one, that's two, that's three spades." "That's one, that's two, that's three clubs." "That's one" " Switch." " One." " One." "So that's just one spade." "That's one club." "That's one spade." "That's one club." "Those are perfect choices, guys." "Oh, thank you." "[laughs]" "Now, some people may think I'm using extra cards or a partial deck, but I'm not." "I mean, I'm just using exactly 13 cards." "That's 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, and that's 13 there." "And likewise with the clubs, that's 1, 2, 3, 4, 5," "6, 7, 8, 9, 10, 11, 12, and 13 clubs." "And, Teller, we're gonna add one of these to your packet." "Would you like to add the clubs or the spades?" "It's your choice." "The spades." "We'll add those to yours." "And give us a number, one, two, or three." "One." "And one, two, or three." " Two." " Two." "And one, two, or three?" " Three." "Three." "And we'll go around here." "Keep it going." "Three again." "Perfect." " One." " One." " Three." " We've got three left just for you." "Okay, that works out well." "And what we've done here is we've actually simulated a shuffle." "All right, so, when you mix cards, they fall from side to side, and they make an alternating pattern." "Here we've got a group of three, then one, three, two, two, and one." "But, of course, this isn't random at all." "All right, you guys decided how the cards would fall." "There's one final pattern to find." "That's the ace, followed by the two." "Followed by the 3, the 4, the 5, the 6, the 7, the 8, the 9, the 10, the jack, queen, king." "That's all of the clubs in perfect order." "Oh, but wait." "Wait, wait, wait." "You know the funny thing about patterns?" "Patterns repeat." "See, it's not just the clubs." "That's all of the diamonds in perfect order." "That's all of the hearts in perfect order." "That's all the spades." "That's all 52 cards back to the beginning, back to perfect order." "Guys, thank you so much." "Thank you so much." " Wow." " Thank you so much." " Jimmy Ichihana." "Wow." "Oh, my goodness." "That was crazy." " Thanks." "That's what we're striving for." " I'm surprised they let you in Vegas." "[laughter]" "So math..." " Yeah, yeah, so I used to be a high-school math teacher." "I absolutely loved it, and there's definitely a connection between kind of the problem-solving of math and the world of magic when you're doing it, so..." " And did you ever do card tricks for the students?" " Yeah, I absolutely did." "Absolutely." "So a shout-out to-- yeah, a shout-out to them." " That was awesome." "You, like, made kids love math, I bet." " Uh, hopefully, hopefully." " Yeah." " So did you come up with this trick for the show, or have you been doing this for a while?" " I've been working on it for about two years." "So it's a routine that's been out there, and I've tried to add one or two little wrinkles to it that hopefully they haven't seen before." " All right, well, let's-- let's check in with the guys." " Uh, I love this act." "The first thing I said when I sat down was I just love this." "I love this because this is, as Teller said, the junction between juggling and magic." "You have such control over the deck." "It's essentially juggling, the control you have over the deck, but it comes off as supernatural." "It's a Rubik's Cube of complexity." "I will also say we were really calling out those numbers." "The way you performed that would be different every single time you do it." "The real lie about this is the fact that you're doing it so naturally and comfortably..." " Thank you." " Whereas the, uh... the physical handling, and even more so the mental handling is so complex." "You just know that inside out." "This is not some sort of simple children's game like Simon Says." "This is magician's code, but I'm gonna say it outright." "We happen to know about Call to Colors." "And it's a-- it's just beautiful." "And your handling and the math tie-in, and the kind of, sort of-ish telling the truth at the beginning... [laughs] Is kind of wonderful, and if I am wrong and those words don't mean anything to you," "you fooled us, and we are happy if you did, 'cause that's the kind of magic we love to see." " No, you hit the nail on the head." " Aww." " But I had an absolute blast here, guys." "Thank you so much." " It was wonderful, wonderful." " Oh, thank you." "Jimmy Ichihana." " Guys, thanks so much." " He was so good." "[cheers and applause]" " Penn and Teller might be tired of busting magicians, but that's okay, because we're just gonna have them perform next instead." "Don't want to miss it." "[jazz music]" "[jazz music] [cheers and applause]" " Welcome back to "Fool Us."" "Penn and Teller are two of the hardest-working men in show business, and they thought they were done for the night, but we dragged them back out here to close the show." "Here they are, the exhausted Penn and Teller." "[cheers and applause]" "All right." "Okay, guys." "All right, just-- just one more trick." "Just one last-- one more for the night." "Come on, guys." "Wake up." "Yep, just--no." "Just--just one more" "One more little trick." "Just--oh, it's at" "Come on." "Just something." "Come on, Penn." "Yeah, there you go." "That's it." "Yeah, there we go." "Cards." "There's cards." "Teller." "Teller, cards." "Look, he's got a deck of cards." "Whoo-hoo!" "Yay, Teller!" "That's it." "That's it, shuff-- Yeah, ooh, that's good." "Oh, bad shuffle, okay." " Say stop." " Stop." "Ooh, this is exciting." "Okay." " Here's your card." " I'll take that one." " Show it to the camera." " Oh, oh, the camera." "Okay." "There we go." "Okay, nobody's looking." "Clearly." "Okay, I got that." "We all have it." "Yeah, ooh, this is exciting." "Guys, wake up, wake up, wake up!" "Okay, yep." "Now what?" " Put it back in the" " Put it back?" "Okay." " Actually..." " I'll take it." "Oh, I'll take the deck." "Okay." " Shuffle." "Shuffle them up." " Shuffle." "Oh, shuffle, okay." "Well, this is good." "Okay, 'cause you guys can't see how bad I am at shuffling." "This is nice." "All right, I'm really not good at" "Ugh, okay." "All right, yeah?" "Okay." "Oh, good." "Thank you." "All right." "Teller?" "You're not really taking part in this one." " Is" " Teller?" " Is this--this your card?" "Queen of clubs?" " No." " How about a 2 of clubs?" " No." " Okay." "I'll find it." " Oh, boy." " Was it the-- was it the 8 of spades?" " No." "Keep guessing." "Oh, there you go." " 6 of hearts?" " No." " That's the 5 of hearts." " Okay, no." " Is it any one of these cards here?" " Um, no." " All right maybe one of these, right?" "There's a bunch of different ones." " No, I mean, they're probably friends, but that's not it either." "No, I didn't--no." "So, um, Teller, you might want to wake up." " It must be one of these, right?" "'Cause I showed you all the others." " I don't see it there either." "That's weird." "Okay, um..." " So, um..." " Guys?" " Oh, yeah, Teller." "Teller." " Teller, Teller, we really need you on this one." " Is this your card?" "[cheers and applause]" " Ohh." " Is that your card right there?" " Wow." "All right." "Aah!" "Now it's really time to say good night." "So get some rest, and we'll see you next week here on "Penn  Teller:" "Fool Us."" "Sleep tight." "[cheers and applause]"