"The match against fish" "Welcome to 2B Blueberry Road and the dining room." "It's immediately clear we're in for a classic showdown." "There's fish on the menu." "And it's almost the worst thing Stian knows." "So Stian needs to sneak away from the dining table, and get himself as quickly as possible out in the street to play." "And there, the game has started." "Here we have him." "He's already smelled the fish, Stian is on his way out." "Where are you going?" "It's dinner time." "He doesn't get far." "He must occupy his position at the dining table." "Now we'll see how tough the opposition actually is." "It's cod, guys!" "He's fed up." "This isn't good." "We have cod to deal with." "Dad could have chosen something easier." "trout or salmon." "But we get cod." " Yes..." " How did the test go today?" "We have poking here now." "This is more in the direction of mashing, Geir." "Here he hopes that the potato and gravy will disguise the taste of the fish." " Watch here." "Is he going to try it now?" " It would be fantastic." "Are his taste buds mature enough?" "Is this the day when he overcomes eating fish?" "It could almost seem that way." "He actually has the fish in his mouth." "No, no..." " What's going on?" " The cod is on the plate again." "No mature taste buds in sight." " Can I get some juice?" " Do we have something else in sight here?" "He manages to cough and exaggerated it into juice." "There have been some dramatic opening minutes, and now we need a break." "We need that." "Let's look again at one of those dramatic moments." "Potatoes are drawn here from the right and meet the fish in the middle portion." "And sauce is drawn down from the top." "And carrot from the bottom." "It's not a bad tactic, but mashing was not enough for Stian here." "And that's why we're in the kitchen, looking for juice." " So it's over to you, Ole Martin Alfsen." " That's right in the highest tradition." "The mood is despair." "He's mixed strong juice, but will it suffice?" "Is there any chance out there, Ole Martin?" "Fish can be good, but Dad did a poor job, there's little that can be done." "Normally I'd recommend wine or liquor, but not here." "Here I'm completely lost for words." "Not encouraging words from Ole Martin." "Stian slinks back to the dining room." "Can I leave the table?" "Oh my gosh!" "He went in on the attack." "Has his blood sugar recovered?" "No, you haven't eaten anything." "Come on now." " Mom...?" " See that look." "Will Mom come to the rescue?" "Mother with a pleading look to father." "Father responds with an irritated glance to mother." "Mother with an apologetic glance to Stian." "Stian with downcast eyes." "And here we get a smug glance across the table from sister Kaja." "This isn't good." "We're back at square one." "The fish needs to come up from the plate." "But I have such a pain in my stomach." "I do!" "Here we have two classics on the fly:" "A sickness bluff from Stian followed by ridicule from sister Kaja." " Are you ill?" " Yes." "Alright." "Then there'll be no rice pudding either." "Rice pudding?" "I haven't got..." "I have nothing about it in my papers." "Here I have a little note about it." "It's like last Saturday's rice porridge, it's become overdone." "And that means Stian has a horrible dilemma." "What do you do now, Stian?" "Do you stick with the sickness bluff to leave the table?" "If you go in this case, you'll miss the rice pudding." " I can't eat rice pudding or anything." " He's actually staying with the bluff." "Thus we get a hand on his forehead from mother." "Is Stian about to deliver a credible scenario anyway?" " I hope he doesn't have what you had." " Listen to this." "And look here." "Are they about to buy the bluff?" " Yes, you can leave the table." " Oh yes!" "Here we go from the table." "We'll not be eating any more cod." "Fantastic." "He won't have to eat this hideous cod meal." "There goes a free man." "And the fish ends up where it belongs." "This was simply amazing." "Look at this boy leave the table." "We have the fish in the garbage." "We have a victory." "These are wonderful images." " Certainly." "Go to your room and lie down, I'll come up soon." " No, no, no!" "What's happened here?" " He's sent to his room." "He'll leave the table, but he can't go out." "Well this can at best be called a draw." "It's not good to have a stomach ache." "Are you sick?" "Do you need to throw up?" "When all is said and done, we have a boy who is... fresh as a fish." "Subtitles by Squashy Hat (2015)"