"CAPTIONING MADE POSSIBLE BY ORION PICTURES CORPORATION" "Man:" "MY BREAKUP WITH ANNE WAS GOING VERY SMOOTHLY." "WHAT IS THIS?" "UH, IT'S, UH..." "[CLEARS THROAT]" "LIST OF DATES WHEN I'LL BE DOWNTOWN SO WE CAN, YOU KNOW," "AVOID RUNNING INTO EACH OTHER." "IT'S JUST A SUGGESTED SCHEDULE." "ARE YOU EVER GOING TO STOP MAPPING OUT YOUR LIFE?" "OH, AND YOU NEVER PLAN ANYTHING?" "I PLAN." "YOU MAP." "Boy:" "DR. RIEGERT TOLD ME TO COME IN HERE." "SHOULD I WAIT OUTSIDE?" "NO." "COME ON IN, JIMMY." "COME ON." "THAT'S FINE." "[SIGHS]" "LOOK, IF IT DOESN'T BOTHER YOU" "THAT WE'RE GOING TO BE RUNNING INTO EACH OTHER, THEN FINE." "I WAS JUST TRYING TO MAKE THINGS EASIER, THAT'S ALL." "ON WHO?" "YOU NEVER REALLY CONSIDERED IT, DID YOU?" "YES. 6 MONTHS AGO, I SAID I'D THINK ABOUT IT, AND YOU GO AND RESERVE THE GRANGE HALL" "LIKE IT WAS AUTOMATIC I'D SAY YES IN THE END." "WERE YOU JUST GOING TO SEND OUT THE INVITATIONS," "OR WERE YOU GOING TO TELL ME FIRST?" "Jimmy:" "OW!" "OH, SHOOT." "I'M SORRY." "ARE YOU OK?" "JUST A SECOND, OK?" "Man:" "I JUST THOUGHT" "I JUST THOUGHT YOU MIGHT CHANGE YOUR MIND." "IS THAT SO CRAZY?" "NO." "CRAZY IS GETTING A PLOT IN THE ALTAMONT CEMETERY" "WHEN YOU'RE 25." "WELL, YOU HAVEN'T SEEN THE PLOT, OK?" "I MEAN, IT'S A GREAT PLOT." "THERE'S THIS BEAUTIFUL MAPLE TREE ON THE HILL" "EDDIE, I CAN'T HAVE ONE OF YOUR SCHEDULES HAUNTING ME." "I CAN'T." "NOW, I GOT TO GET THIS KID SET UP," "OR DR. RIEGERT'S GOING TO FREAK OUT." "FINE." "I'M DUE AT THE LAB ANYWAY." "Eddie:" "PERKA, WISCONSIN, MY HOMETOWN." "BELIEVE IT OR NOT, SOMETIMES I GOT TO FEEL LIKE THERE WASN'T MUCH TO DO." "BEFORE ANNE DROPPED ME, I NEVER EVEN CONSIDERED THE JOB IN NEW YORK." "[TRAIN WHISTLE BLOWING]" "[GEESE HONKING]" "[WHISTLE BLOWS]" "[MAN TALKING ON TELEVISION]" "[SIREN IN DISTANCE]" "[WOMAN MOANING]" "[BEDSPRINGS SQUEAKING]" "[MAN AND WOMAN MOANING]" "[BEDSPRINGS SQUEAKING FASTER]" "SO THAT WILL BE THE FIRST AND LAST MONTH'S RENT, A DEPOSIT OF ANOTHER 300 ON THE FURNITURE," "A DEPOSIT OF $200 ON THE PHONE AND UTILITIES, PLUS THE FINDER'S FEE FOR RESPONDING TO MY AD," "PLUS I'LL PUT BARS ON THE WINDOWS," "AND BELIEVE ME, THEY COST." "YOU CAN BRING IN ANYTHING YOU WANT." "UH, I DON'T REALLY HAVE ANY FURNITURE." "I'M NOT VERY DOMESTIC." "CAN YOU COOK?" "OF COURSE, NO SMOKING PERMITTED..." "UNLESS IT'S POT." "[CHUCKLES]" "BECAUSE I DO SMOKE POT NOW AND THEN..." "AND HASH, TOO, SOMETIMES..." "WELL, MORE OFTEN SINCE I LOST MY JOB." "I PUT A FICHET LOCK ON THE ENTRANCE, SO IT'S ULTRASAFE HERE." "THERE'S A LITTLE LAUNDRY ROOM IN THE BASEMENT WITH A COUPLE OF NICE TOP-LOADERS." "WHAT YOU THINK ABOUT THE BEACH BLANKET FLICKS?" "[RATTLES DOOR]" "[KEY CLICKS IN LOCK]" "WHAT?" "OH, UH, THE BUZZER'S OUT, SO THE GUY TOLD ME TO YELL UP," "BUT I THOUGHT, YOU KNOW, SINCE YOU'RE HERE, I'LL JUST" "WHAT GUY?" "OH, UM..." "RAY." "NOBODY NAMED RAY LIVES HERE." "HEY." "WHAT DO I LOOK LIKE?" "LIKE A GUY WHO SOLD ME A REAL LOUSY DISABILITY POLICY LAST YEAR." "RAY!" "HEY, RAY!" "YOU EDDIE BRODSKY?" "YEAH." "ALL RIGHT." "HERE YOU GO." "[CAT MEOWS]" "OH, JEEZ." "Ray:" "YOU THOUGHT HE'D KNOW MY NAME?" "WELL, YEAH." "WELL, I KNOW PEOPLE ON MY FLOOR, BUT..." "BUT NO NAMES." "NO." "THAT WOULD BE AN INTRUSION..." "UNLESS IT WAS SOME GIRL I WAS HITTING ON." "RIGHT." "BUT I..." "I WOULDN'T DO THAT, NOT ANYMORE." "SO, UM, LISTEN." "YOU MENTIONED 350 FOR" "YEAH, I MEAN, I WORKED WITH THIS MAGAZINE ONE TIME, AND, UH..." "A LOT OF WOMEN WORKED THERE, RIGHT?" "IT WAS PARADISE." "THEN ONE DAY, BY SOME BIZARRE COINCIDENCE," "I GOT ON THE ELEVATOR WITH THESE 4 WOMEN," "AND AT ONE POINT OR ANOTHER, I HAD SLEPT WITH ALL 4, AND THEY ALL KNEW IT." "LONGEST FUCKING ELEVATOR RIDE OF MY LIFE, MAN." "4 WOMEN IN ONE ELEVATOR?" "MM-HMM." "I HAVEN'T BEEN WITH 4 WOMEN IN THE SAME TIME ZONE." "HA HA HA HA!" "WHAT DO YOU DO?" "GENETIC RESEARCH AT THE WORLD RICE INSTITUTE UP NEAR COLUMBIA." "THROUGH CROSSBREEDING AND BASIC GENETIC WORK," "WE TRY TO DEVELOP BETTER STRAINS OF RICE FOR PROBLEM CONDITIONS." "SAY THERE'S A DROUGHT IN THAILAND." "UM, THE RICE THAT WE DEVELOPED" "WILL LAST SUBSTANTIALLY LONGER THAN THE NATIVE RICE," "AND, UM, PEOPLE, UH, WON'T..." "STARVE." "GOOD PAY?" "NO. [CHUCKLES]" "NO." "IT'S INTERESTING, THOUGH." "AND THAT'S WHY YOU MOVED HERE." "WELL, YEAH." "I NEEDED A CHANGE." "SO, WHEN DO YOU WANT TO MOVE IN?" "MOVE IN NOW?" "YOU DON'T WANT ANY REFERENCES?" "I BROUGHT SOME REFERENCES." "IF YOU KNEW YOUR NEIGHBORS BACK IN WYOMING..." "WISCONSIN." "YEAH." "RIGHT." "THEN I'M NOT WORRIED." "OH." "I'M MEETING SOMEONE." "OH." "OH, OK." "Eddie:" "WHAT ABOUT HIM?" "HE'LL BE OK." "BE GOOD FOR THE MICE." "YOU HAVE MICE?" "JUST A FEW." "SMALL." "YOU ALMOST CAN'T SEE THEM." "Eddie:" "I WAS GOING CRAZY IN THAT HOTEL." "I MOVED IN 3 DAYS LATER." "[ALARM RINGING]" "[RINGING CONTINUES]" "[CLANK]" "[SIGHS]" "[TICKING]" "[FAINT RINGING]" "[WOMAN SHOUTING]" "[RINGING CONTINUES]" "Woman:" "WHAT KIND OF JERK ARE YOU?" "SHUT UP!" "Man:" "HEY!" "HEY!" "TURN THAT THING OFF!" "Second man:" "TURN THAT SHIT OFF!" "COME ON!" "First man:" "COME ON!" "Second man:" "OH, MAN, I CAN'T SLEEP!" "MAN, WHAT'S THE PROBLEM?" "TURN THAT SHIT OFF!" "KILL THAT FUCKING DRUNK, MAN!" "STOP THAT SHIT!" "THERE'S TOO MUCH NOISE OUT THERE!" "I'M TRYING TO SLEEP!" "Woman:" "I'M GOING TO KILL YOU!" "SHUT UP!" "Man:" "SHUT THE FUCK UP!" "[GUNSHOT]" "[SILENCE]" "[SIREN IN DISTANCE]" "OK." "[LOUD EXHALE]" "HEY, RAY." "RAY..." "WHERE CAN I GET THE SCHEDULE" "FOR THE NUMBER 6 SUBWAY TRAIN?" "I NEVER KNOW WHEN THEY'RE COMING." "EEEEOOW!" "HIYAAH!" "HOOEEH!" "Computer voice:" ""A"..."G"..."T"..." ""T"..."A"..."C"..."G"..." "[LETTERS CONTINUE WITH KEYSTROKES]" "DR. BANARJEE." "EDWARD, IT'S GOOD TO SEE YOU." "ARE YOU SETTLED HERE YET?" "NO, BUT I'M WORKING ON IT." "VERY GOOD." "I'M ANXIOUS TO GET YOU STARTED" "RIGHT." "ON THE INDONESIAN STRAIN." "I LIKE VERY MUCH THE SEQUENCING STRATEGY" "YOU DEVELOPED WITH DR. EAGLE." "I WANT YOU TO APPLY THE SAME APPROACH" "TO THIS INDONESIAN STRAIN." "WE MUST FIND ITS RESISTANCE TO ROOT ROT" "FOR TRANSFER TO THE BRAZILIAN VARIETY." "I LOOK FORWARD TO THIS WORK VERY MUCH, DOCTOR." "I'VE..." "I'VE HEARD SUCH" "PLEASE, PLEASE." "NO COMPLIMENTS." "SOON ENOUGH, THE WORK WILL GROW TO THE CEILING," "AND YOU WILL CURSE MY NAME EACH TIME YOU SEE ME." "ALL THE GENETIC SAMPLES YOU'LL NEED ARE HERE." "THE CENTRIFUGE AND INCUBATORS ARE LOCATED IN THAT ROOM." "DOCTOR, I HAVE TO TELL YOU," "THE STRATEGY I DEVELOPED UNDER DR. EAGLE," "IT WASN'T ONE I CAME UP WITH." "IT WAS ACTUALLY A COMPLETE ACCIDENT." "[CHUCKLES]" "EDDIE." "YEAH?" "A COLLEAGUE OF MINE ONCE PUT HUMAN NEURON TISSUE INTO THE WRONG SOLUTION" "AND FOUND THAT THEY MULTIPLIED," "WHICH EVERYBODY BELIEVED WAS IMPOSSIBLE." "IT WAS AN IMPORTANT FINDING." "I JUST DIDN'T WANT TO TAKE CREDIT THAT WASN'T DUE ME." "WELL, SKILL OR LUCK, IT WAS YOUR WORK," "ACHIEVED ONLY THROUGH YOUR METHOD OF WORKING." "WE TAKE BLAME FOR OUR BAD MISTAKES." "WE MIGHT AS WELL GET CREDIT FOR OUR GOOD ONES." "THERE YOU ARE." "THAT'S MINE?" "YES." "DO I--DO I LOOK OK?" "NOPE." "[MUSIC PLAYING, LAUGHTER, AND TALKING]" "Eddie:" "WHOSE PARTY IS THIS?" "NO IDEA." "A GUY AT WORK GAVE ME THE ADDRESS." "YOU MEAN, YOU DON'T EVEN KNOW ANYONE HERE?" "DON'T WORRY ABOUT IT." "YOU'RE WITH ME." "[SQUIRT SQUIRT]" "Woman:" "I'M NEVER GOING TO DO ANOTHER OPEN CALL AGAIN." "YOU SHOULD HAVE SEEN THE BITCH THAT GOT THE PART." "PANTS SO TIGHT YOU COULD READ HER LIPS." "Second woman:" "I MEAN, THAT JUST FIGURES." "THAT IS SO TYPICAL." "Man:" "HAPPINESS?" "YEAH, I HAD A BRUSH WITH HAPPINESS ONCE." "Man:" "YEAH, WELL, I'M IN THE BUSINESS," "SO FROM A PURELY AESTHETIC POINT OF VIEW," "WE'RE KIND OF OFF-BASE." "Woman:" "SO WHAT DO YOU DO IN FILM?" "Man:" "UH, WE'RE ON WITH ABC NEWS." "I SHOOT ALL THEIR WEATHER VIDEO." "THERE'S MORE WOMEN HERE THAN IN MY ENTIRE HOMETOWN." "YOU GOT A GIRL BACK THERE?" "NO." "WE BROKE UP." "WHAT'S YOUR TYPE?" "OH, LET ME GUESS." "YOU'RE ONE OF THESE PICKY BASTARDS" "LOOKING FOR MISS FLAWLESS GORGEOUS." "NO.UH-HUH." "YOU STUDY RICE?" "ON A GENETIC LEVEL, YEAH." "PRETTY WEIRD JOB." "[THUD]" "Man:" "SORRY." "Eddie:" "WHAT DO YOU DO?" "PERFORMANCE ACT." "IT IS ABOUT THE CONTINUED HUNGER FOR RITUAL" "IN THE MODERN INDUSTRIAL SOCIETY." "I JUST DID A PIECE AT LA MAMBA." "WHAT WAS IT ABOUT?" "OH, WHAT I DO ISN'T "ABOUT."" "IT IS SOMETHING IN ITSELF." "IT'S NOT HUNG UP WITH THE WHOLE STAR THING." "INSTEAD OF ASKING, "WHAT IS IT ABOUT?"" "YOU COULD ASK, "WHAT HAPPENS?"" "BECAUSE WITH MY STUFF," "IT'S MORE "HOW" THAN "WHAT."" "IN FACT, THE "HOW" IS THE "WHAT."" "WHAT?" "AMERICANS ARE OBSESSED WITH NUMBERS." "IF IT CAN'T BE MEASURED, IT ISN'T REAL." "WE NEED TO SEE PERCENTAGES AND POLLS AND CALORIE COUNTS." "IF YOU TELL SOMEONE IT'S WARM OUT, THEY NEED TO KNOW THE EXACT DEGREE FAHRENHEIT." "THEY CAN'T JUST GO OUT AND FEEL IT ON THEIR SKIN AND SAY, "OH, YEAH." "IT'S WARM."" "THE NUMBER THAT WE ASSIGN TO THE TEMPERATURE" "BECOMES MORE IMPORTANT, MORE REAL THAN THE TEMPERATURE ITSELF." "YEAH, I--I GUESS PEOPLE DO OVERDO IT SOMETIMES." "SO, HOW LONG HAVE YOU LIVED HERE?" "SEE THAT?" "IT'S THE NUMBER OF YEARS YOU WANT TO KNOW." "THE NUMBER." "SEE?" "OH." "UH, EXCUSE ME." "I THINK I SEE MY DENTIST." "[TOILET FLUSHES]" "OH!" "THE RAINMAN." "[GROANS]" "¿QUE TAL, HOMBRE?" "UH..." "JORDAN, RIGHT?" "YEAH." "YOU USED TO COME INTO" "ARRIBA." "GREAT PLACE, MAN." "YOU GUYS MAKE THE BEST MARGARITAS AROUND." "WELL, NOT ANYMORE." "I'M WORKING AT NEW YORK MAGAZINE IN LAYOUT." "EXCELENTE." "[WOMAN GROANS]" "[VOMITING]" "SO..." "OH, UH, THIS IS MY ROOMMATE EDDIE FROM WISCONSIN." "WISCONSIN, HUH?" "THEY MAKE CHEESE THERE, RIGHT?" "YEAH, THEY DO." "Man:" "JORDANHEIMER!" "BRYCEMAN." "[GRUNTING]" "[TOGETHER] AND EVER THE MOOSE SHALL GO." "Jordan:" "HEY, BRYCE, I WANT YOU TO MEET RAY," "MY FAVORITE FORMER MIXOLOGIST," "AND ED, JUST IN FROM WYOMING." "Jordan:" "BRYCE IS A BOND TRADER, TOO." "WYOMING, HUH?" "UH, WISCONSIN, ACTUALLY." "OH, BECAUSE I WAS GOING TO SAY I'VE NEVER ACTUALLY BEEN THERE," "BUT I'VE SEEN SOME VERY BEAUTIFUL PICTURES OF WYOMING." "BUT WISCONSIN..." "I DON'T THINK I'VE EVEN SEEN PICTURES OF WISCONSIN." "I MEAN, WHAT'S THERE?" "UH, HOUSE, GRASS..." "CHEESE..." "SPACE." "I'M..." "I'M GOING TO GET MY COAT." "IS, UH..." "HE A POET OR SOMETHING?" "Ed:" "OH, UM..." "I'M SORRY." "I DIDN'T MEAN TO INTERRUPT YOU." "I LEFT MY COAT [MOANING]IN HERE." "[WOMAN LAUGHING]IT'S PROBABLY..." "I'LL JUST..." "[MOANING]NO, DON'T STOP." "I'LL JUST FIND IT HERE." "OK, THIS..." "ALL RIGHT, OK." "JUST..." "IF YOU COULD MOVE YOUR LEG." "OK, GREAT." "ALL RIGHT." "THANK YOU." "Ed:" "I THINK I DRANK TOO MUCH." "HI." "[BELCH]" "[ALARM SOUNDING]" "SHH!" "[ALARM STOPS]" "[HONK HONK]" "YOU EVER CONSIDER" "JUST HIRING A SECURITY GUARD?" "HEY, YOU LAUGH, BUT..." "HEY, RAY, YOU OK TO DRIVE?" "I'M FINE." "I HAD ALL THE POISE OF A CACTUS IN THERE." "BAD NIGHT..." "THEY HAPPEN." "YOU GOT TO ALLOW FOR THAT." "I'M OUT OF PRACTICE, I GUESS." "WHAT HAPPENED TO YOUR OLD GIRLFRIEND?" "SHE BROKE IT OFF," "SAID I WASN'T FLEXIBLE," "SAID SHE FELT CLAUSTROPHOBIC." "SHE ACTUALLY GAVE ME A LIST" "OF EVERYTHING WRONG IN OUR RELATIONSHIP." "A LIST?" "A LIST." "I DID ASK FOR ONE, BUT I WAS JOKING." "CLAUSTROPHOBIC." "WHAT DOES THAT MEAN, ANYWAY?" "[LAUGHING]" "YOU KNOW?" "I DON'T KNOW." "IT'S LIKE SOMETIMES WE NEED A..." "A TRANSLATOR." "[BIRD CAWS]" "[COW MOOS]" "Anne:" "I JUST FEEL CLAUSTROPHOBIC." "Woman:" "YOU NEED ME MORE THAN I NEED YOU." "Ed:" "I NEED YOU AS MUCH AS ANYONE NEEDS ANYONE THEY CARE ABOUT." "I'M CONFUSED BECAUSE I HAVEN'T TAKEN THIS PERSPECTIVE ON MY NEEDS BEFORE." "I'M LIKE A BALLOON, AND YOU'RE LIKE A..." "ROCK." "I'M OPEN TO CHANGE." "YOU'RE AN IMMOVABLE OBJECT WHO CAN'T SEE THE BENEFIT OF A LITTLE RISK." "I THINK YOU'RE WRONG." "I'M RIGHT, AS USUAL." "I JUST THINK WE NEED TO TAKE SOME TIME" "TO RETHINK WHAT WE'RE DOING TOGETHER," "MAYBE MAKE THINGS A LITTLE LESS EXCLUSIVE." "THERE'S A GUY AT WORK WHO MAKES THE ZIPPER ON MY JEANS MELT." "NO." "YES." "Ed:" "I DON'T THINK IT'S HEALTHY FOR US TO SEE OTHER PEOPLE." "IF I SEE YOU WITH THAT GUY, I'LL KILL HIM" "AND/OR SEPARATE HIM FROM HIS MOST PRECIOUS ORGAN WITH A DULL BUTTER KNIFE." "Anne:" "LOOK, I JUST NEED TO TAKE SOME TIME TO FIGURE THINGS OUT." "I JUST NEED SOME TIME." "IS THAT TOO MUCH TO ASK?" "WAKE UP." "IT'S OVER." "Man:" "MY HEAD HURTS." "MY HEAD HURTS." "CALL ME LATER." "I'LL BE HOME." "IF YOU THINK I'M GOING TO CHANGE MY MIND, YOU'RE DREAMING." "YEAH." "FINE." "ALL RIGHT." "OK." "Man:" "I CANNOT PUT INTO WORDS" "THE FEELINGS RAGING WITHIN ME AT THIS MOMENT." "SUFFICE IT TO SAY, I AM NOW ENVISIONING PUTTING A GUN TO MY HEAD" "THE MOMENT YOU WALK AWAY FROM ME." "[THUNDER]" "BOB, LATTE?" "I KNOW A PLACE AROUND THE CORNER." "[JAZZ MUSIC PLAYING]" "OH." "OH, THAT'S OK." "I'LL JUST HAVE A HAMBURGER AND SOME FRIES." "[SLAVIC ACCENT] NO, NO, NO, NO." "HAVE SOME PIROGHI," "MUSHROOM BARLEY SOUP, OR BLINTZES." "BLINTZES?" "YOU HAVE SOME." "YOU WILL LIKE THEM." "UM..." "NO, THANK YOU, BUT" "YOU ARE NOT FROM HERE." "YOU HAVE A ACCENT." "I HAVE AN ACCENT?" "YEAH." "NOT NEW YORK." "NO." "UM..." "WISCONSIN." "IT'S IN CALIFORNIA?" "RIGHT." "I'LL HAVE THE BLINTZES AND THE MUSHROOM BARLEY SOUP, PLEASE." "GOOD." "YOU'LL ENJOY." "IF YOU DON'T, TALK TO HIM." "Man:" "WHAT'S THIS?" ""MEYER SAID TODAY" ""THAT HE WOULD SOON GET DOWN TO THE NITTY-GRITTY" "OF THIS YEAR'S CITY BUDGET."" "WHAT'S THIS..." "THIS NITTY-GRITTY?" "UH..." "NITTY-GRITTY MEANS, UM..." "LIKE, ROLLING UP YOUR SLEEVES" "AND REALLY GETTING YOUR HANDS DIRTY IN THE PROCESS." "Man:" "NO, IT DON'T." "NITTY-GRITTY MEANS GETTING TO THE FACTS BEHIND SOMETHING," "THE REAL TRUTH OF THE MATTER." "Woman:" "YOU GUYS GOT IT ALL WRONG." "NITTY-GRITTY IS THE DETAILS, THE BASICS," "Woman:" "GO AHEAD." "READ IT." "THE NUTS AND BOLTS." "NITTY-GRITTY, NOUN ONE:" "THE ESSENTIAL SUBSTANCE OR DETAILS OF A MATTER." "2:" "BASICS, CRUX." "I GUESS YOU WERE THE CLOSEST." "YEAH." "IT'S GOOD." "Eddie:" "DIDN'T I SEE-- WEREN'T YOU AT THAT PARTY" "UH, ON MORTON STREET ABOUT 2 WEEKS AGO?" "OH, AT FLAME'S." "FLAME?" "THE WOMAN WHO HAD THE PARTY." "FLAME." "HER NAME IS FLAME?" "YOU DON'T KNOW HER?" "NO." "I-- UH, NO." "ACTUALLY, NO, I DON'T." "NO." "BUT, I MEAN..." "I WAS THERE." "THAT'S, UM..." "THAT'S A REALLY WONDERFUL BOOK." "UH, YEAH." "YOU'D THINK THE ARCTIC TUNDRA WAS PRETTY BARREN, YOU KNOW," "BUT...[CLEARS THROAT] IT ACTUALLY SUPPORTS" "A REMARKABLE VARIETY OF MOSSES AND LICHEN." "IN FACT, THERE'S APPROXIMATELY 2,600 PHYLA OF MOSSES" "AND ALMOST, UH..." "3,900 STRAINS OF" "[COIN RATTLES ON COUNTER]" "REALLY?" "BYE." "[DOOR SQUEAKS]" "NOTHING LIKE TALK OF A LITTLE ARCTIC FLORA TO WARM THINGS UP." "DON'T TAKE IT PERSONAL." "I SEE HER." "SHE'S NICE..." "BUT YOU NEVER KNOW WHO IS A NICE GUY." "THANKS..." "ELENKA." "IS PLEASURE." "Man:" "MEN, HOW MANY TIMES HAVE YOU TRIED TO MEET A WOMAN IN PUBLIC" "ONLY TO HAVE YOUR GENIAL ADVANCES BRUTALLY REJECTED?" "AND I BET YOU THOUGHT, "WAIT." "I'M JUST A NICE GUY."" "BUT LET'S BE HONEST, GUYS." "MOST OF YOU ARE SKUNKS." "WELL, NOW THERE'S ONE SURE WAY YOU CAN SHOW THE GALS" "YOU'RE THE REAL mccoy." "IT'S THE OFFICIAL NICE GUY I.D. CARD FROM NICE GUYS "R" US." "HERE IT IS, GUYS, YOUR PASSPORT TO INTIMACY." "FLASH THIS CARD, AND YOU'RE AN INSTANT CONFIDANT," "NO ifs, ands, OR buts ABOUT IT." "THIS DOCUMENT SHOWS YOU'VE ENDURED" "THE DOZENS OF PHYSICAL AND PSYCHOLOGICAL TESTS WE CONDUCT." "NICE GUY CARD HAS CHANGED MY LIFE." "HI." "MY NAME'S JIM." "OH." "YOU'RE ONE OF THOSE NICE GUYS." "THERE'S A GLUT OF SLOBS OUT THERE." "DISTINGUISH YOURSELF AND DO IT TODAY AT NICE GUYS "R" US." "[ALARM BEEPING]" "[ALARM STOPS]" "[SHOWER RUNNING]" "WE GOT TO TALK TO THE SUPER ABOUT THE BOILER." "IT WAS FREEZING IN HERE THIS MORNING." "[SOFT SQUEAKS AND SCRATCHING]" "Ed:" "TELL HIM WE HAVE MICE, TOO, HUH?" "HE'LL TELL ME TO BE GLAD THEY'RE NOT RATS." "LOOK, I'LL PICK UP SOME GLUE TRAPS AND PUT THEM DOWN," "AND WHEN THE LITTLE DIRTBAGS GET STUCK," "YOU JUST..." "WHAM!" "WHACK THEM IN THE HEAD." "IT'S QUICK, PAINLESS." "I COULD MAKE A TRAP." "ED, WE'VE GOT ENOUGH OF YOUR GADGETS AROUND HERE ALREADY." "I FEEL LIKE I'M LIVING WITH THE NUTTY PROFESSOR." "IT'S HOW I RELAX." "MM-HMM." "WHY DON'T THIS ONE RELAX BY KILLING SOME MICE IS WHAT I WANT TO KNOW." "YOU'RE DOING IT AGAIN." "CAN'T YOU TELL WHAT SHE'S THINKING?" "IF I COULD READ MINDS, GIRLS WOULDN'T GIVE ME SO MUCH TROUBLE." "TROUBLE?" "WE SHOULD PUT A TURNSTILE ON YOUR BEDROOM DOOR." "WE'D MAKE RENT IN A WEEK." "OH, OH." "YOU THINK THAT'S HEALTHY?" "IT'S BETTER THAN CELIBACY." "NO--YEAH, BUT THAT'S..." "IT'S UNHEALTHY." "I MEAN, I'D LOVE TO HAVE ONE GIRL." "I REALLY WOULD." "ONE GIRL THAT I COULD TALK TO EVERY DAY," "YOU KNOW, MEET HER FAMILY AND GET HER GIFTS." "MAKE HER DINNER AT NIGHT, YOU KNOW?" "I DON'T KNOW." "I..." "I CAN'T DO THAT." "I DON'T KNOW." "I JUST CAN'T DO IT." "RAY..." "HOW ABOUT YOU INTRODUCE ME" "TO ONE OF YOUR LADY FRIENDS?" "NO." "I'M NOT THE FIXING-UP TYPE, YOU KNOW?" "DID THAT FOR MY COUSIN FRANK LAST YEAR," "AND HE STILL WON'T TALK TO ME." "COME ON." "WHY DON'T YOU DO WHAT MY SISTER'S ALWAYS TELLING ME?" "GO TO MUSEUMS." "VERY NICE, THE WOMEN AT MUSEUMS." "THE CLOISTER." "CHECK IT OUT." "YEAH?" "MM-HMM." "NAH." "[MONKS CHANTING AND PIGEONS COOING]" "Woman:" "MARGE, IF THOSE AREN'T" "THE MOST GORGEOUS CARVINGS!" "NICE STONEWORK." "JUST LIKE MY GARDEN PATIO, EXCEPT REAL." "I WOULDN'T MIND GETTING BURIED LIKE THAT." "THOSE OLD RELIGIOUS GUYS HAD IT GOOD." "VERY IMPRESSIVE." "[BELL TOLLING]" "OW!" "Man:" "THAT'S A QUESTION THAT COMES UP A LOT." "CERTAINLY THERE'S AN AUTOBIOGRAPHICAL ELEMENT..." "HI." "AT LEAST, THAT'S WHAT PEOPLE GENERALLY SAY." "ALL MY WORK IS AUTOBIOGRAPHICAL," "EXCEPT THE HORSE STUFF." "Second man:" "YOUR MATERIALS, WHERE DO YOU GET THEM?" "Woman:" "I WAS WONDERING ABOUT THAT." "First man:" "MY WRAP IS FABRICATED TO MY SPECIFICATIONS" "BY ARTISANS IN AUSTRIA." "Second woman:" "I SAW YOUR SHOW LAST YEAR, AND IT WAS REALLY AMAZING." "THIS ONE IS EVEN MORE IMPRESSIVE." "THIS I KNOW." "[CLEARS THROAT]" "HI." "HE'S SORT OF GOT" "THIS FISHER-PRICE THING GOING ON, YOU KNOW?" "I..." "IT'S PLAYFUL." "IT'S NOT STUFFY." "I LIKE THAT." "OH, YEAH?" "YEAH." "YEAH, YOU KNOW, I FEEL EXACTLY THE SAME WAY." "REALLY?" "YEAH." "WHAT'S THIS..." "THIS STUFF HE'S USING?" "OH, IT'S BUBBLEWRAP." "IT'S THE SAME AS ALWAYS." "THIS IS NOT BUBBLEWRAP." "I REALLY WOULDN'T TOUCH THAT IF I WERE YOU." "[POP]" "Man:" "OH, MY GOD." "Man:" "DID YOU SEE THAT?" "YOU POPPED MY SCULPTURE." "I DIDN'T MEAN TO." "IT JUST POPPED." "SIR, YOU'RE GOING TO HAVE TO GO." "I BARELY TOUCHED IT." "I'M SORRY." "YOU'RE GOING TO HAVE TO GO." "IT'S GOING TO BE ALL RIGHT." "HE POPPED MY SCULPTURE." "IT'S OK, SWEETIE." "IT'S RUINED." "I CAN'T BELIEVE THIS." "WELL, I GET MORE PRACTICE THAN YOU DO." "WHEN I'M BOGGLED AT WORK, I COME HERE." "YEAH, BUT YOU'VE GOT, LIKE, 10 YEARS ON ME." "I MEAN..." "THAT'S NOT OLD OLD." "I THINK LESS THAN YOU." "WHAT?" "THINK LESS." "FOR SCIENCE, THAT'S FINE," "BUT HERE, YOU'RE LOST IF YOU DON'T STAY LOOSE." "RIGHT." "LOOSE." "I'LL HAVE TO REMEMBER THAT." "ALL RIGHT." "THAT'S IT FOR ME." "IT'S HOME." "[CRUNCH]" "OH, SHIT." "DO YOU HAVE A PEN?" "YEAH." "GOOD, BECAUSE I DON'T, AND I WANT TO PUT A NOTE ON THAT CAR" "WITH THE JERK'S PLATE NUMBER." "WOULD YOU HOLD THAT?" "THANKS." "WHAT AN IDIOT." "YEAH." "IT WAS, UH..." "L24-A... 672, RIGHT." "672." "WHAT A DICK." "WHAT ARE YOU DOING?" "PUTTING MY PHONE NUMBER DOWN AS A WITNESS." "OH, WELL, THEN I'LL PUT MINE DOWN, TOO." "OH." "THAT'S THAT." "YEAH." "YOU LOOK FAMILIAR." "YEAH." "THE YALTA." "REMEMBER, THE COFFEE SHOP." "YOU WERE READING YOUR BOOK." "I WAS THE..." "RIGHT, RIGHT." "RIGHT." "HOW ARE YOU DOING?" "GOOD." "GOOD." "HOW YOU DOING?" "GOOD." "ANYWAY, I GOT TO GO." "OH." "OK." "BYE..." "NATALIE." "BYE..." "EDDIE." "EDDIE." "BYE." "YOU BETTER CALL, OR I'M GOING TO SMACK YOU." "Ray:" "ALL RIGHT, DON'T MAKE ME COME IN THERE." "HI." "NATALIE?" "Natalie:" "WHO IS THIS?" "UM, THIS IS, UH..." "THIS IS EDDIE BRODSKY." "UM, WE MET, UM, YESTERDAY" "WHEN THAT CAR BUMPED INTO THE..." "OH, RIGHT." "HI." "NATALIE'S MY FULL NAME, BUT NO ONE CALLS ME THAT." "THEY CALL ME LEE." "OH." "SO DID THAT GUY CALL YOU ABOUT HIS CAR," "BECAUSE I DIDN'T HEAR FROM HIM," "AND I WAS WONDERING WHAT HAPPENED." "NO, NO." "HE DIDN'T." "UM, NO." "HE DIDN'T." "I WAS, UM..." "I WAS JUST WONDERING..." "I, UH..." "I, WELL, I THOUGHT YOU WERE..." "I THOUGHT YOU WERE REALLY, UH..." "PLEASANT, AND, UH..." "I WAS JUST WONDERING IF YOU'D LIKE TO, UH," "I DON'T KNOW, HAVE DINNER" "OR SEE A MOVIE OR SOMETHING" "SOMETIME." "YOU DON'T HAVE TO EXPLAIN." "I MEAN, I THOUGHT YOU WERE NICE." "I MEAN, I HAVE NO IDEA." "YOU MIGHT BE A COMPLETE JERK," "BUT THE THING IS, UM..." "THAT'S FINE." "REALLY, IT'S FINE." "UM, IT WAS..." "IT WAS JUST A SHOT IN THE DARK." "LOOK, SO, UH, TAKE CARE." "THANKS." "BYE-BYE." "REALLY PLEASANT?" "Eddie:" "I KNOW." "I KNOW." "SMOOTH." "YEAH." "THAT'S..." "THAT'S GREAT." "I.D.?" "SOMEDAY I'LL BE HAPPY I LOOK SO YOUNG." "MORE THAN YOU KNOW." "WISCONSIN." "MAKE CHEESE THERE, DON'T THEY?" "YEP, THEY DO." "WHAT KIND?" "AMERICAN?" "YEAH, AMERICAN." "YELLOW AMERICAN OR WHITE AMERICAN?" "ALL AMERICAN." "YELLOW AND WHITE?" "UH-HUH." "WHAT DO THEY PUT IN THAT YELLOW TO MAKE IT THAT COLOR?" "YOU KNOW, I..." "I REALLY..." "I REALLY COULDN'T TELL YOU." "YOU REALLY FROM WISCONSIN?" "* WHEN I'M ALL ALONE AT NIGHT *" "* I TURN ON THE RADIO *" "* I LISTEN TO SOME MUSIC *" "* OR I TRY TO FIND A TALK SHOW *" "* JUST BETWEEN ME AND YOU *" "* EVERY WORD THEY SAY IS TRUE *" "* SOMEONE SPEAKS TO ME *" "* SOMEONE TRIES TO TELL ME SOMETHING *" "* I BELIEVE THEM *" "* I BELIEVE IN THE POWER OF THE SPOKEN WORD *" "* EVERYTHING THAT I HAVE EVER HEARD *" "* MAKES SENSE TO ME *" "* AND IF YOU GOT A BETTER WAY THEN *" "* SET ME DOWN AND TELL ME WHAT TO DO *" "* AND I'LL *" "* BELIEVE YOU, TOO *" "* I'LL *" "* BELIEVE IN YOU *" "[APPLAUSE]" "I THINK I WAS A LITTLE OFF, BUT IT WAS VERY NICE." "HI." "DID YOU HEAR US?" "YEAH." "IT WAS GOOD." "WELL, WE COULD ALWAYS USE SOME WORK." "LISTEN, UM, CAN I BUY YOU A DRINK?" "OH." "UH..." "SHALL WE MEET OUT FRONT IN ABOUT 10 MINUTES?" "YEAH." "THAT'S FINE." "YOU ARE PERSISTENT, AREN'T YOU?" "I CAN TAKE NO FOR AN ANSWER." "YOU WANT TO SEE A MOVIE?" "YEAH--UH, NO!" "LOOK, I AM IDIOTICALLY BUSY RIGHT NOW" "WITH, UM, REHEARSALS AND STUFF." "I'M REALLY NOT A FUN PERSON TO BE AROUND" "RIGHT NOW." "OH." "OH..." "OK." "I DON'T EVEN KNOW ANYTHING ABOUT YOU." "WELL, UM, I'M 25." "I JUST MOVED HERE FROM WISCONSIN." "UM, I EARN A LIVING" "STUDYING THE GENETICS OF RICE PLANTS," "EXCITING AND INTENSELY DANGEROUS LINE OF WORK." "THANKS, BUT I CAN'T." "OK." "SURE." "THANKS FOR THE MUSIC." "HEY." "I'M GLAD THAT YOU LIKED US." "I DO." "Elenka:" "TOO MANY CARS EVERYWHERE." "CITY'S GOING TO CRUMBLE" "UNLESS EVERYBODY GETS LIKE CHINA, DRIVES BICYCLES." "WHAT ABOUT THE MAYOR?" "HE COULD HAVE HIS BIG BICYCLE," "OR ELSE WHOLE CITY'S GOING TO CRUMBLE." "REMEMBER WHAT I SAY." "I GOT IT." "WHY DON'T YOU COME TO THE BAKE SALE?" "MEET A NICE UKRAINIAN GIRL THERE." "HAVEN'T BEEN TO CHURCH IN YEARS, ELENKA." "I THINK I FORGOT HOW TO PRAY." "YOU DON'T HAVE TO PRAY AT THE BAKE SALE." "YOU HAVE ONLY TO LIKE CAKE." "I DON'T THINK SO, BUT THANKS, ELENKA." "[THUNDER]" "WELL, IT'S FIXED." "CONNECTOR WAS LOOSE." "FREE BREAKFAST ALL WEEK FOR YOU." "WHAT IS THIS IN THE PAPER?" "IT SAYS ABOUT THE TOLLBOOTH ROBBERY." ""THE TOLLBOOTH ATTENDANT SAID" ""THAT AFTER HE GAVE THE THIEVES THE MONEY," "THEY WERE OUT OF THERE LICKETY-SPLIT."" "WHAT IS THIS LICKETY-SPLIT?" "Lee:" "FAST." "QUICK." "HE DIDN'T WASTE ANY TIME." "UH, WHAT DO YOU SAY TO DINNER ON FRIDAY?" "UH, I SAY, UM... 8:00?" "I'LL COOK." "OK." "SO..." "DO YOU HAVE AN ADDRESS?" "UM..." "YEAH." "I DO." "I..." "I..." "OK." "UH, I'LL SEE YOU THEN." "OK." "[SMOKE ALARM SOUNDING]" "[ALARM CONTINUING]" "[ALARM STOPS]" "Ray:" "WHOA, TAKE IT EASY." "THOUGHT YOU WERE LEAVING." "WELL, CAN'T I GET A LOOK AT HER?" "YOU GOT TO LEAVE AS SOON AS SHE COMES, OK?" "YEAH, ALL RIGHT." "OH, GREAT." "LOOK." "SHE'S LATE ALREADY." "OH, MY GOD." "WHAT, 5 MINUTES?" "HA HA HA!" "YOU'RE RIGHT." "I KNOW." "YOU'RE RIGHT." "I'VE GOT TO RELAX." "IT'S JUST..." "IT'S LIKE..." "SHE'S, LIKE, THE FIRST GIRL THAT I'VE MET" "WHERE I FEEL" "LIKE SOMETHING COULD ACTUALLY HAPPEN WITH," "YOU KNOW WHAT I MEAN?" "MM-HMM." "ED, SHE'S THE ONLY GIRL YOU'VE MET." "WELL, YOU KNOW, THERE'S-- THERE'S THAT." "SHOULD I STAY AT ERICA'S TONIGHT?" "IT'S OUR FIRST DATE, RAY." "YOU GOT TO ALLOW FOR THAT." "I WOULD." "YOU WOULD ALLOW FOR THINGS" "THAT I CAN'T EVEN PRONOUNCE." "OH!" "DIDN'T YOU EVER DO A GIRL ON THE FIRST DATE?" "DO?" "RAY, I DO LAUNDRY." "I DO DISHES." "I DON'T DO WOMEN." "I MEAN, SEX IS NOT..." "A TRANSITIVE ACT, YOU KNOW." "I MEAN, IT'S..." "IT'S AN INTRANSITIVE ACT." "YOU TALK TO HER LIKE THAT," "SEX WILL BE A NONEXISTENT ACT." "[DOORBELL BUZZES]" "THAT'S HER." "OK." "UM..." "GET YOUR COAT." "ACT LIKE YOU'RE LEAVING." "RIGHT." "HEY, HOW ARE YOU?" "YOU LOOK GREAT." "HI." "COME IN." "WOW, YOU LOOK GREAT." "THAT'S FUNNY." "THAT'S VERY FUNNY." "HERE WE GO." "[KNOCK ON DOOR]" "[DOOR OPENS]" "HI." "LEE, RIGHT?" "Lee:" "THAT'S ME." "I'M EDDIE'S ROOMMATE RAY WHO'S JUST LEAVING." "OH, VIOLIN." "HEY." "HI." "WILL YOU BE ENTERTAINING?" "UH, I JUST HAD REHEARSAL." "IN A BAND?" "YEAH." "BYE, RAY." "RIGHT." "WELL, GOOD-BYE." "BYE." "HERE, UM..." "LET ME GET YOUR COAT." "SO HOW DID YOU AND RAY HOOK UP?" "RAY PUT AN AD OUT IN THE NEWSPAPER," "AND I ANSWERED IT." "AND YOU GET ALONG?" "YEAH, WE REALLY DO." "WE GET ALONG." "WE SORT OF BALANCE EACH OTHER OUT, I GUESS." "YEAH?" "MM-HMM." "HE'S, UM..." "HE KIND OF JUST GOES FOR WHAT HE WANTS, YOU KNOW," "AND I KIND OF..." "HOLD BACK MORE, I GUESS, SOMETIMES." "YOU SURE TRIED TO GET TO KNOW ME." "WHAT DOES THAT TELL YOU?" "THAT YOU'RE LYING." "WELL, THANK YOU." "[CAT MEOWS]" "OOH." "KEYS, COME HERE." "NO, IT'S OK." "UM, THIS WILL SOUND PRETTY STUPID PROBABLY," "BUT, UM..." "I DON'T KNOW, YOU JUST SEEMED LIKE" "YOU KNEW WHO YOU WERE, YOU KNOW," "AND YOU DIDN'T MAKE ANY BONES ABOUT THAT," "AND I FIND THAT REALLY..." "UM..." "COMPELLING." "[CAT REGURGITATING]" "OH, GOD." "HERE." "LET ME HAVE HER." "YOU KNOW WHAT, IT'S OK." "IT'S..." "UH, IT'S JUST A FURBALL." "UM..." "LET ME GET YOUR NAPKIN." "DAMN." "UM..." "UM..." "YOU KNOW, IF YOU BRUSH HER EVERY COUPLE OF DAYS," "IT KEEPS HER FROM EATING HER OWN HAIR WHEN SHE CLEANS HERSELF." "OH, I..." "I HAVEN'T HAD A CAT BEFORE, SO I..." "[CAT CRIES]" "KEYS." "NO, IT'S OK." "SHE'S NOT GOING TO DO IT AGAIN." "IT'S OK." "LOOK, I'M FINE." "YOUR CARPET'S GOT A STAIN..." "AND WITH THIS ONE, THAT MIGHT BE AN IMPROVEMENT." "YOU'RE RIGHT." "YOU'RE TOTALLY RIGHT." "SO WHEN DID YOU GUYS START UP THE BAND?" "WE MET IN COLLEGE." "WE HAD A SIMILAR WAY OF THINKING, SLIGHTLY..." "BENT?" "YEAH." "I'D LIKE TO THINK" "THAT IF RAYMOND CARVER AND HOAGY CARMICHAEL GOT TOGETHER," "THEY WOULD HAVE SOUNDED LIKE US." "[EDDIE CLEARS THROAT]" "SO, UH..." "WHEN DID YOU GET INTO THE VIOLIN?" "OH, MY PARENTS SENT ME TO MUSIC CAMP." "MUSIC CAMP?" "YEAH." "YOU KNOW, SENDING THE KIDS UP TO THE MOUNTAINS" "SO THAT THEY CAN SPEND ALL DAY PRACTICING THEIR SCALES" "IN A TENT THAT SMELLS LIKE RACCOON PEE." "NO SWIMMING OR HIKING OR ANYTHING?" "OH, NO." "THAT WOULD BE FUN." "NO, IF YOU ACTUALLY WANTED TO HAVE FUN," "THEY ACTED LIKE YOU WEREN'T SERIOUS ABOUT MUSIC." "I HATED IT." "DO YOU MIND IF I..." "NO." "I MEAN..." "SURE, YOU CAN." "SURE." "SO WHY DID YOU STICK WITH IT, THEN?" "WELL..." "IN HIGH SCHOOL, THEY HAD A TALENT SHOW," "AND I DECIDED TO WRITE SOMETHING," "AND, UH, IT WAS ONE OF THOSE JONI MITCHELL THINGS" "WHERE SHE TRIED TO CRAM AN ENTIRE RELATIONSHIP INTO A 3-MINUTE SONG." "IT WAS BAD." "IT WAS REALLY BAD." "BUT I JUST KEPT WRITING." "YOU KNOW, LITTLE SONGS ABOUT GUYS" "AND GAMES OF BACKYARD..." "LAWN DART..." "BESIDES THE FRENCH HORN, THE VIOLIN HAS" "THE MOST COMPLEX OVERTONES OF ANY WESTERN INSTRUMENT." "LIKE THE FLUTE." "IF YOU SAW THE FLUTE ON A SPECTROGRAPH," "IT WOULD BE, LIKE, THIS ONE SPIKE," "WHEREAS THE VIOLIN HAS ALL THESE..." "OTHER, UH, OVERTONES." "YOU SMELL LIKE COOKIES." "IT'S A PERFUME THAT I MADE MYSELF..." "WITH VANILLA AND MUSK AND..." "AND AMBER." "[CAT MEOWS]" "[MEOW]" "[MEOW]" "[MEOW]" "[MEOW]" "[MEOW]" "[MEOW]" "[MEOW]" "[MEOW]" "[MEOW]" "OH, GREAT." "CAN YOU TAKE HER, PLEASE?" "OH!" "A GLUE TRAP." "THAT'S AWFUL!" "WHY..." "WHY IS THAT AWFUL?" "LOOK AT THEM." "THEY'RE TERRIFIED." "YOU WANT TO TAKE THEM HOME?" "NO." "WELL, I SHOULD PROBABLY PUT THEM OUT OF THEIR MISERY." "HOW ARE YOU GOING TO DO THAT?" "I'LL JUST FIND SOMETHING." "I'LL JUST WHACK THEM OVER THE HEAD." "WHAT ABOUT LETTING THEM GO?" "NO." "THIS STUFF'S LIKE DENT-U-CREME." "THEY'RE STUCK." "BUT DO YOU HAVE TO KILL THEM?" "WHAT DO YOU SUGGEST, REHAB?" "I MEAN..." "WHAT WOULD YOU DO?" "I DON'T KNOW." "I WOULDN'T HAVE PUT DOWN" "ONE OF THOSE GLUE TRAPS IN THE FIRST PLACE." "WELL, UM, RAY PUT THESE DOWN." "I DIDN'T PUT THESE DOWN." "UM..." "I KNOW." "IT'LL BE PAINLESS." "I'LL JUST..." "I'LL JUST" "TURN OFF THE PILOT LIGHT IN THE OVEN, AND I'LL JUST..." "YOU'RE GOING TO GAS THEM." "NO." "LOOK, COULD YOU JUST..." "COULD YOU JUST" "TAKE HER IN THE OTHER ROOM, OK?" "[MEOW]" "[CLANG]" "[CAT GROWLS]" "[CLANG]" "[GROWL]" "SO..." "UH..." "YOU WANT SOME COFFEE?" "OR I HAVE SOME BEN  JERRY'S." "NO." "I THINK I SHOULD PROBABLY GO, I THINK." "YOU'RE LEAVING?" "YEAH." "I JUST FEEL A LITTLE FUNNY." "OH." "OK." "UM..." "IS IT ABOUT THE MICE, BECAUSE" "NO." "IT WAS A NORMAL THING TO DO..." "I GUESS." "BYE." "BAD DATE, HUH?" "I SAW YOU KNOCKED OUT ON THE COUCH WHEN I CAME IN." "NO." "IT WAS A GOOD DATE..." "THEN I COMMITTED 2 MURDERS." "MICE." "OH." "WE GOT 'EM?" "YEAH, WE GOT 'EM." "PUT A DAMPER ON THINGS, HUH?" "LET'S JUST SAY FIRST DATES GO BETTER WHEN NOTHING DIES." "Woman:" "MORNING." "HEY." "HOW YOU DOING?" "HEY." "Woman:" "HELLO?" "MOM?" "EDDIE." "HOW ARE YOU, HONEY?" "AAH!" "AAH." "UH, I'M FINE." "HOW ARE YOU DOING, MOM?" "WHEN ARE YOU COMING BACK, EDDIE?" "THIS IS WHERE I WORK, MOM." "IT'S NOT A VACATION I COME BACK FROM." "I DON'T UNDERSTAND WHY YOU CAN'T GET WORK AROUND HERE." "MOM, LET'S NOT GO INTO THIS, OK?" "I'M DRINKING TEA WITH LEMON AND HONEY." "THAT'S GOOD." "THAT WILL HELP, RIGHT?" "COULDN'T HURT." "JUST MAKE SURE YOU GET SOME REST." "NO GALLIVANTING AROUND TOWN, OK?" "NO, I WOULDN'T GALLIVANT, MOM." "I AVOID ACTIVITIES I CAN'T SPELL." "VERY FUNNY." "[INTERCOM BUZZES]" "UH, MOM, LOOK, THAT'S THE DOOR." "I'VE GOT TO GO, OK?" "I'LL TALK TO YOU SOON." "OK." "REMEMBER, NO GALLIVANTING." "RIGHT." "OK." "I'LL TALK TO YOU, MOM." "BYE." "[COUGHING]" "YES?" "HELLO?" "Man:" "THIS IS THE SANITATION DEPARTMENT," "OFFICER SANCHEZ." "I'M LOOKING FOR EDWARD BRODSKY." "UH, IS THERE A PROBLEM..." "OFFICER?" "THERE'S A PROBLEM WITH YOUR GARBAGE." "IF YOU COULD COME DOWN, SIR." "UH, YEAH." "OK." "I'M COMING." "[COUGHING]" "HI." "WHAT'S UP?" "THIS YOUR GARBAGE, SIR?" "I DON'T KNOW." "WHY?" "THIS WAS INSIDE." "OK." "IT'S MINE." "WHAT'S THE MATTER?" "I FOUND THIS IN THE TRASHCAN ON THE STREET." "IT'S ILLEGAL TO PUT YOUR HOUSEHOLD TRASH INTO A CITY GARBAGECAN." "UH, WAIT, WAIT, WAIT A MINUTE." "I PUT IT OUT HERE." "I PUT IT IN THIS ONE." "IT WAS RIGHT HERE." "JUST LIKE THAT." "THAT'S NOT WHERE I FOUND IT." "YEAH, WELL, HOMELESS GUYS GO THROUGH THIS STUFF" "ALL THE TIME FOR BOTTLES AND CANS..." "IT WAS TWIST TIED." "50 BUCKS!" "THIS IS NUTS!" "HEY." "EXCUSE ME." "EXCUSE ME, SIR." "THIS IS RIDICULOUS." "I'M NOT GOING TO PAY THIS SO YOU CAN FILL SOME TICKET QUOTA." "LOOK, I DON'T CARE IF YOU PAY IT, EAT IT," "OR ROLL IT INTO TOILET PAPER." "HEY, WATCH IT!" "Man:" "GO AHEAD!" "TRY SOMETHING!" "OH, CHRIST." "YEAH, YEAH." "GO AHEAD, MISTER." "I'VE GOT YOU COVERED." "YOUR EVERY MOVE IS BEING CAPTURED..." "COME ON." "Ed:" "WHAT ARE YOU DOING HERE?" "CAN I TALK TO YOU?" "Man:" "YOU GOING TO BEAT UP THE GIRL, TOO?" "[CRUNCH]" "JESUS." "COME ON." "LET'S GET INSIDE." "Man:" "IT'LL BE LIVE AT 5:00." "YOU BETTER BELIEVE IT, MAN." "OH!" "VERY NICE!" "WHAT A NICE CIVICS LESSON, OFFICER." "THANK YOU." "GET OUT OF HERE." "YOU WANT TO BE A STAR ON TONIGHT'S NEWS?" "WAIT, WAIT, WAIT." "YOU'RE NOT TOUCHING MY GARBAGE." "YOU PUT THAT BOOK AWAY!" "LEE:" "WELL, THAT WASN'T TOO SMART, WAS IT?" "Ed:" "WHAT?" "MESSING WITH THAT COP." "HE WAS BEING A JERK." "HE'S A COP." "I THOUGHT I WAS CYNICAL." "YOU, CYNICAL?" "ME, CYNICAL." "WHAT DID YOU THINK THIS PLACE WOULD BE LIKE..." "WISCONSIN WITH MORE PEOPLE AND A SUBWAY?" "IS IT UNREASONABLE TO WANT TO PUT OUT" "MY GARBAGE WITHOUT FEAR OF ARREST?" "YOU GOT TO DEAL WITH NEW YORK ON ITS OWN TERMS," "OR YOU CAN FORGET ABOUT IT." "DOES THE SAME GO FOR YOU?" "LOOK, I, UH, I'M INVOLVED WITH SOMEONE," "AND THAT'S WHY I..." "OH, GOD." "OOH." "[COUGHS]" "YOU KNOW, IT USED TO ALWAYS DEPRESS ME" "THAT EVERY EXPERIENCE IN LIFE, YOU KNOW," "ONCE IT HAPPENED, WAS GONE FOREVER," "NEVER TO BE REPEATED OR RELIVED." "SINCE I GOT HERE, THAT'S STARTING TO FEEL LIKE A BONUS." "YOU'RE SERIOUS, THOUGH, AREN'T YOU?" "ABOUT NEW YORK OR" "NO." "ABOUT THE PAST." "YEAH." "I'D LIKE, FOR ONE MINUTE," "TO REMEMBER WHAT THE WORLD FELT LIKE WHEN I WAS 6." "SEEING THE WORLD LIKE IT ENDED AT THE TOWN LINE." "OR WHAT IT FELT LIKE BEING IN LOVE WHEN I WAS 15." "IT CAN'T COME CLOSE." "WAS IT LOVE, THOUGH?" "NICE FEELING...." "WHATEVER IT WAS." "WHY DIDN'T YOU JUST TELL ME THAT YOU HAVE A BOYFRIEND?" "I DON'T KNOW." "IT'S NOT EXACTLY A PERFECT RELATIONSHIP." "HE'S REALLY TALENTED." "WE MET UP AT THIS WORKSHOP IN NEW HAMPSHIRE LAST SUMMER," "AND HE TAUGHT ME A LOT." "HE HELPED ME WITH MY WRITING, AND..." "LOOK..." "ARE YOU ALWAYS LIKE THIS?" "OW, OW!" "JUST KIDDING." "OH, MY GOD." "I'M GOING TO GET YOUR COLD." "TELL ME YOU'VE NEVER KISSED A GUY WITH A COLD BEFORE." "YOU KNOW WHAT?" "I CAN'T DO THIS." "I CAME HERE TO TELL YOU THAT I HAD A BOYFRIEND," "AND NOW I'M ON THE KITCHEN FLOOR WITH YOU, AND, UH..." "LOOK, I REALLY LIKE YOU." "I HAVE TO GO." "[DOOR CLOSES]" "YES." "HERE." "THIS BASE PAIR CORRESPONDS TO THIS SEQUENCE." "[KNOCK ON DOOR]" "[KNOCKING]" "OH, NO." "WHAT IS IT?" "THE CHILDREN." "THEY COME HERE ONCE A YEAR FOR A TOUR." "Dr. Banarjee:" "SO THIS IS D.N.A." "IT IS FORMALLY KNOWN AS DEOXYRIBONUCLEIC ACID." "IT IS MADE UP OF A SERIES OF BUILDING BLOCKS." "THERE'S ADENINE AND THYMINE AND GUANINE AND CYTOSINE," "WHICH WE REPRESENT WITH THE LETTERS" "Boy:" "IS THAT THIAMINE," "LIKE THAT STUFF THEY PUT IN CEREAL, IT'S FORTIFIED WITH?" "Dr. Banarjee:" "NO." "NO." "THAT'S THIAMINE." "THAT'S A VITAMIN." "THIS IS THYMINE, A NUCLEIC ACID." "UH..." "THEY'RE VERY DIFFERENT." "IT'S, UH, IT'S..." "DOCTOR?" "UH, YES, EDDIE." "MAYBE I COULD TAKE A CRACK." "OH, BE MY GUEST." "HI." "I'M EDDIE." "WHAT WE DO HERE IS WE STUDY D.N.A..." "UM, WHICH IS A LIST OF INSTRUCTIONS," "LIKE THE ONES YOU MIGHT FIND IN A BOX OF BROWNIES." "NOW, D.N.A. IS A RECIPE FOR MAKING ALL LIVING THINGS," "LIKE A BANANA OR A WHALE OR ALL OF YOU GUYS." "MAYBE YOU SHOULD TEACH SOMEDAY." "NO." "NO." "I LIKE RESEARCH." "ANYWAY, IT'S THE ONE THING" "THAT'S GOING RIGHT FOR ME NOW." "OH?" "WHY IS THAT?" "OH, I'VE--I'VE STOPPED TRYING TO FIGURE IT OUT." "IT'S LIKE, WITH SOME THINGS, THE MORE I ANALYZE THEM," "THE LESS CLEAR THEY BECOME." "I USED TO THINK THAT IF I STUDIED ANYTHING ENOUGH," "I COULD UNDERSTAND IT," "BUT LATELY I'VE JUST FELT LIKE SOME MYSTERIES ARE PERMANENT." "TO HER, I BET YOU'RE AS MUCH OF A PUZZLE." "Man: 1, 2, 3; 2, 2, 3." "* I DON'T KNOW THE TIME *" "* AND I DON'T KNOW THE DAY OF THE WEEK *" "* OR THE MONTH OR THE YEAR OR MY NAME *" "* I DON'T UNDERSTAND WHY IT SEEMS SO IMPORTANT *" "* TO BE SOMEWHERE WHEN YOU'RE NOT SURE WHY YOU CAME *" "All: * I BROKE MY WATCH WHEN I PUT UP MY CALENDAR *" "* I LEFT MY MAP ON THE ROOF OF MY CAR *" "* I NEED SOMEBODY TO MAKE IT SEEM WORTH IT *" "* TO SEARCH FOR A LIGHT SWITCH OR REACH FOR A STAR *" "Man: * WOULD YOU BE MY CLOCK *" "* IF I PROMISED NOT TO HANG YOU TOO CLOSE TO THE WINDOW *" "* OR THE PICTURE OF THE POPE?" "*" "* I WON'T SET YOU BACK, AND I WON'T PUSH YOU FORWARD *" "* I JUST WANT TO LOOK IN YOUR FACE AND SEE HOPE *" "* THERE'S SO MUCH TO DO AND SO MUCH TIME TO DO IT *" "* I TRY HARD TO CONCENTRATE, TRY HARD TO THINK *" "* I'VE GOT A NEW OVEN THAT COOKS FOOD IN 12 SECONDS *" "* NOW I'M EATING SO QUICK I'VE GOT HOURS TO DRINK *" "All: * TIME'S UNPREDICTABLE *" "* JUST WHEN YOU THINK THAT YOU'VE LEARNED HOW TO SAVE IT *" "* YOU SPEND ALL DAY ON HOLD *" "* I NEED SOMEONE WHO CAN SHOW ME THE DIFFERENCE *" "* BETWEEN USING IT WISELY AND JUST GROWING OLD *" "I'M SORRY." "IT'S O.K. SEE YOU TOMORROW, LEE." "BYE, AL." "SEE YOU TOMORROW." "GOOD LUCK." "HEY." "WHAT ARE YOU DOING?" "OK." "I CAN'T DO THIS ANYMORE." "ED, SHE'S ONLY ONE GIRL." "SHE'S NOT SOME MAGIC BULLET THAT'S GOING TO MAKE YOUR LIFE RIGHT." "I DIDN'T SAY THAT." "I NEVER SAID THAT." "WELL, YOU DIDN'T HAVE TO." "LOOK, YOU'RE HEALTHY." "YOU LIKE YOUR JOB." "YOU HAVE AN EXCEPTIONAL ROOMMATE." "YOU KNOW, I'D LIKE TO SEE YOU WITHOUT A FUCKING GIRL," "SEE WHAT IT WOULD FUCKING DO TO YOU." "I'M STARTING TO TALK LIKE YOU." "FIRST OF ALL, RAY OBERGON BEING WITH A WOMAN" "IS LIKE A FACT OF NATURE, LIKE GRAVITY," "LIKE THE SUPERIORITY OF BASKETBALL OVER FOOTBALL AS A TEAM SPORT." "WOW, ARE YOU DELUDED." "CAN I BE BUSYBODY AND SAY SOMETHING?" "Ed:" "LIKE YOU NEED PERMISSION NOW?" "I READ ONCE, YEARS AGO, WHEN GREAT PIANO PLAYER DIES," "ARTHUR RUBINSTEIN, ON HIS LAST BIRTHDAY," "SOMEBODY ASK HIM HOW COME THAT HE LIVE SO LONG," "AND HE TELL THEM WHEN HE WAS ABOUT 20" "AND THE GIRL WHO HE LOVED THE MOST IN LIFE LEFT HIM," "HE IS SO DEPRESSED, HE GOES TO HIS BEDROOM AND TRIES TO HANG HIMSELF," "BUT IT DOESN'T WORK." "ROPE, IT BREAKS OR SOMETHING," "SO HE WALKS TO THE STREET HE LIVES ON," "AND SUDDENLY EVERYTHING LOOKS DIFFERENT." "FROM THAT DAY ON, HE DECIDE, NEVER EXPECT ANYTHING FROM LIFE," "ONLY TO TAKE A BIG BITE WHATEVER COMES HIS WAY," "SO HE WAS NEVER DISAPPOINTED." "Man:" "ARE YOU TELLING THAT STORY AGAIN?" "IT'S NOT A STORY." "IT'S THE TRUTH." "IT'S WHAT HE SAID." "SO MANY TIMES." "SO MANY TIMES." "[ANSWERING MACHINE BEEPS]" "EDDIE, IT'S LEE." "WE'RE PLAYING AT A PLACE CALLED BROWNIE'S ON AVENUE 8 TONIGHT." "CAN YOU COME?" "I'D LIKE TO TALK." "HEY, WHAT'S THE MATTER?" "YOU OK?" "ERICA SAID..." "ERICA SAID SHE DIDN'T WANT TO SEE ME AGAIN." "OH." "I'VE NEVER SEEN YOU THIS UPSET ABOUT A" "WELL, I AM." "I MEAN, I ACTUALLY LET MYSELF..." "FORGET IT." "IT'S OVER." "LOOK, I'M GOING TO GO HEAR LEE PLAY AT THIS BAR." "WHY DON'T YOU COME ALONG?" "BE GOOD FOR YOU TO GET OUT OF THE APARTMENT." "TAKE YOUR MIND OFF..." "OK." "GET THAT SHIT AWAY FROM ME." "I DON'T WANT TO SEE ONE FUCKING BIT OF IT." "I EVEN LET HER PUT HER POTPOURRI IN MY GODDAMN UNDERWEAR DRAWER." "* YOU TWISTED YOUR ANKLE, I CARRIED YOU *" "* YOU GOT A DIVORCE, SO I MARRIED YOU *" "* YOU FELL OFF A CLIFF, SO I BURIED YOU *" "* I WISH THERE WERE MORE BAD TIMES TO SEE YOU THROUGH *" "Lee: * YOU NEVER HAD RABIES, YOU NEVER GAINED WEIGHT *" "* YOU NEVER CAME HOME WITH A SCAR *" "* YOU NEVER DRANK POISON, YOU WATCHED WHAT YOU ATE *" "* YOU NEVER SO MUCH AS PUT A SCRATCH ON MY CAR *" "Al: * SO MANY THINGS DID GO WRONG *" "* BUT THE LIST IS NOT LONG ENOUGH *" "* NOT ENOUGH BAD THINGS TO FILL UP A SONG *" "Both: * YOU TWISTED YOUR ANKLE, I CARRIED YOU *" "* YOU GOT A DIVORCE, SO I MARRIED YOU *" "* YOU FELL OFF A CLIFF, SO I BURIED YOU *" "* I WISH THERE WERE MORE BAD TIMES TO SEE YOU THROUGH *" "WHAT WAS THAT?" "[MUSIC ENDS]" "THANKS." "THANKS VERY MUCH." "THANK YOU." "MAN, YOU THINK I SHOULD CALL HER?" "YEAH, YOU SHOULD DEFINITELY CALL HER." "YOU GOT ANY CHANGE?" "YEAH." "HEY." "Ed:" "HEY." "YOU GUYS SOUNDED GREAT." "THANKS." "UM, REMEMBER RAY?" "YEAH." "HEY, RAY." "HI." "IT'S VERY UNIQUE STUFF." "HUH." "LOOK, I GOT TO WRAP UP AND GET PAID," "AND DO YOU WANT TO MEET ME OUTSIDE IN, LIKE, 10 MINUTES?" "YEAH." "YEAH." "OK." "OK." "WHAT THE HELL'S THE MATTER WITH YOU?" "WHAT?" "UNIQUE?" "ALL RIGHT." "ORIGINAL." "I KNOW YOU GOT TO TALK, SO I'M GOING TO HEAD OUT." "I WANT A FULL REPORT." "YEAH." "OK." "SURE." "WHAT ABOUT YOU?" "YOU GOING TO BE OK?" "I GUESS." "LEE." "I WANT TO TALK TO YOU." "YEAH." "WELL, I DON'T WANT TO TALK TO YOU, OK?" "NOT HERE." "NOT NOW." "YOU CAN CALL ME." "Man:" "YOU CAN'T TALK TO ME FOR 5 MINUTES?" "WHAT DO YOU GOT TO DO THAT'S SO IMPORTANT?" "I TOLD YOU I DON'T WANT TO TALK TO YOU." "IS THIS WHO YOU'RE RUSHING TO SEE?" "WHAT, ARE YOU FUCKING THIS GUY?" "WHAT?" "AND WHAT IF I WAS?" "ARE YOU OK, LEE?" "Man:" "HEY." "WHAT'S GOING ON HERE?" "WHAT THE HELL ARE YOU DOING?" "I LOVE YOU." "YOU JUST FUCKED UP." "[KARATE YELL]" "Ed:" "GET HIM, RAY!" "LISTEN TO ME!" "OH." "ARE YOU ALL RIGHT?" "Ed:" "COULDN'T YOU HAVE JUST SAID, "NO, I'M NOT SLEEPING WITH HIM." "I'VE NEVER SLEPT WITH HIM." "I WOULDN'T DREAM OF SLEEPING WITH HIM"?" "I'M SORRY." "I THINK HE REDESIGNED MY JAW." "BOYFRIEND?" "YEAH--NO!" "HE USED TO BE." "WELL, HE'S A SWEET GUY." "ARE YOU OK?" "YEAH." "WHO'S THE VIKING?" "Lee:" "HE USED TO BE A GOLDEN GLOVES." "I'M HEADING HOME." "WHAT IS THIS PLACE?" "IT'S JUST A PLACE I LIKE TO GO TO..." "SOMETIMES." "Lee:" "HE'S REALLY NOT A BAD GUY." "OH, NO." "HE'S A DOLL." "WHAT'S THE STORY WITH YOU TWO?" "WHY DID YOU ASK TO SEE ME TONIGHT?" "WHAT IS GOING ON HERE?" "OK." "OK." "YOU SMOKE?" "YEAH, WELL, I GOT HYPNOTIZED LAST YEAR," "AND I WAS FINE UNTIL NOW." "IN THE LAST YEAR," "RAPHAEL AND I MUST HAVE SPLIT UP, LIKE, A DOZEN TIMES," "BUT LAST WEEK, THAT WAS IT." "HATING SOMEONE ALL THE TIME" "WHO YOU USED TO LOVE PART OF THE TIME..." "IT JUST TOOK ME A WHILE TO SEE IT." "SO..." "WHY DID YOU WANT TO SEE ME?" "I WANTED TO SEE YOU." "WHY IS THAT SO HARD TO SAY?" "I'VE NEVER BEEN WITH A GUY LIKE YOU." "WH-WHAT'S A GUY LIKE ME LIKE?" "LET ME ASK YOU" "HAVE YOU EVER EVEN CONSIDERED SEEING A THERAPIST?" "BEFORE I MET YOU?" "OOH, THANKS, BUT THERE, YOU SEE?" "SEE WHAT?" "IT'S JUST THAT YOU ARE SO..." "I DON'T KNOW." "YOU'RE SO..." "NORMAL." "NORMAL." "THAT--THAT REALLY SUCKS." "I'M WORRIED WHAT IT WILL BE LIKE" "TO BE WITH SOMEONE AS EASY AS YOU." "WELL, I'M ACTUALLY AN INCREDIBLE PAIN IN THE ASS." "MY OLD GIRLFRIEND GAVE ME THIS LIST OF ALL MY FAULTS." "IT'S COMPREHENSIVE." "I'LL GIVE IT TO YOU." "MIGHT HELP YOU FOR FUTURE REFERENCE." "THERE'S" "THERE'S SOMETHING ABOUT YOU THAT I CAN'T LET GO OF." "I DON'T KNOW IF THAT MAKES ANY SENSE," "BUT THAT'S AS TRUE AS I CAN EXPLAIN IT TO YOU." "THE STRANGE THING IS THAT..." "TO ME, THAT DOES MAKE SENSE." "Lee:" "I'LL BE RIGHT OUT." "[WATER RUNNING]" "[BIRD CHIRPS]" "THAT'S NICE WORK." "THAT'S BOB BARKER." "HAD HIM 7 YEARS." "HE KNOWS EVERYTHING ABOUT ME." "Ed:" "DOES HE TALK?" "I COULDN'T FIND ANY." "OH, THAT'S OK." "ON FIRST AND FIFTH THERE'S A 24-HOUR STORE." "WE DON'T HAVE TO DO THIS NOW." "I MEAN, IT MIGHT BE MORE FUN NOT TO BE ABLE TO." "WHAT?" "DOES THAT SOUND WEIRD?" "NO." "NO." "I JUST NEVER THOUGHT I'D MEET A GUY WHO'D FEEL THAT WAY." "I DON'T." "I'M JUST TRYING TO MAKE A GOOD IMPRESSION." "[LAUGHING]" "OH." "[LEE CONTINUES LAUGHING]" "Al and Lee: * YOU TWISTED YOUR ANKLE, I CARRIED YOU *" "* YOU GOT A DIVORCE, SO I MARRIED YOU *" "* YOU FELL OFF A CLIFF, SO I BURIED YOU *" "* I WISH THERE WERE MORE BAD TIMES TO SEE YOU THROUGH *" "Lee: * YOU NEVER GOT MEASLES, YOU NEVER GOT GOUT *" "* YOU NEVER SUGGESTED CHARADES *" "* YOU NEVER GOT DIZZY, YOU NEVER FELL OUT *" "* YOU NEVER PICKED UP ANY LIVE HAND GRENADES *" "Al: * SO MANY THINGS DID GO WRONG *" "* BUT THE LIST IS NOT LONG ENOUGH *" "* NOT ENOUGH BAD THINGS TO FILL UP A SONG *" "Both: * YOU TWISTED YOUR ANKLE, I CARRIED YOU *" "* YOU GOT A DIVORCE, SO I MARRIED YOU *" "* YOU FELL OFF A CLIFF, SO I BURIED YOU *" "* I WISH THERE WERE MORE BAD TIMES TO SEE YOU THROUGH *" "CAPTIONING MADE POSSIBLE BY ORION PICTURES CORPORATION" "CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC." "PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE" "[DIFFERENT SONG] * NICKIE KNOWS THAT THEY BUILT THE EMPIRE *" "* ON MORE THAN A STIFF UPPER LIP *" "* NICKIE KNOWS IT TOOK MORE THAN AN ACCENT *" "* WITH ALL THE WORDS CAREFULLY CLIPPED *" "* AND ALL THE IMAGES OF PROMS AND PALACES *" "* WOULD NEVER ADD UP TO MUCH *" "* ALL THE HISTORIANS AND EMINENT VICTORIANS CRAVE A FAMILIAR TOUCH *" "* SHE'S READING A SIGN, SHE'S TRACING A LINE *" "* BETWEEN LIVINGSTONE AND STANLEY *" "* SHE HAS A PLAN, SHE UNDERSTANDS *" "* TEA AND SYMPATHY *" "* DA DA DA DA DA DA DA DA DA DA DA DA DA DA DA DUM *" "* DA DA DA DA DA DA DA DA DA DA DA DA DA DA DA DA DA DUM *" "* NICKIE SEES THE UNITED KINGDOM *" "* THROUGH THE STEAM FROM A WHISTLING POT *" "* NICKIE SEES THERE'S ROOM FOR EXPANSION *" "* IF SHE STRIKES WHILE THE IRON IS HOT *" "* AND ALL THE IMAGES OF BOWLER HATS AND CARRIAGES *" "* WOULD NEVER ADD UP TO MUCH *" "* ALL THE MEMORIES OF RAINY HOLIDAYS *" "* BRING BACK THE FAMILIAR TOUCH *" "* SHE'S READING THE LEAVES, ROLLING UP HER SLEEVES *" "* FOR TEA AND SYMPATHY *" "* SHE HAS A PLAN, SHE UNDERSTANDS *" "* TEA AND SYMPATHY *" "* SHE'S READING THE LEAVES, ROLLING UP HER SLEEVES *" "* FOR TEA AND SYMPATHY *" "* SHE HAS A PLAN, SHE UNDERSTANDS *" "* TEA AND SYMPATHY *" "* DA DA DUM *"