"¶ ¶" "¶ LIVEINTHESHADOWOFTHE" "LIVEINTHESHADOWOFTHE HOLLYWOOD SIGN, WELCOME TO THE" "HOLLYWOOD SIGN, WELCOME TO THE DOLBY THEATRE, AND THE OSCARS." "DOLBY THEATRE, AND THE OSCARS." "STARTPROCEEDINGWITHTHE" "STARTPROCEEDINGWITHTHE  COUNTDOWN." "COUNTDOWN." "STRAPIN." "STRAPIN." "TEN." "TEN." "NINE." "NINE." "EIGHT." "EIGHT." "SEVEN." "SEVEN." "HANGON." "HANGON." "FIVE." "FIVE." "FOUR." "FOUR." "THREE." "THREE." "TWO." "TWO." "ONE." "ONE." "EACHPERSONYOUSPEAKTOHAS" "EACHPERSONYOUSPEAKTOHAS HAD A DAY." "HAD A DAY." "SOME OF THE DAYS HAVE BEEN GOOD." "SOME OF THE DAYS HAVE BEEN GOOD." "SOME BAD." "SOME BAD." "WHAT IS IT TO BE HUMAN?" "WHAT IS IT TO BE HUMAN?" "WHAT IS IT TO BE ALIVE?" "WHAT IS IT TO BE ALIVE?" "TELLMEWHYIT'SSOIMPORTANT" "TELLMEWHYIT'SSOIMPORTANT FOR IT TO SAY HELLO?" "FOR IT TO SAY HELLO?" "NOONESAIDTHE JOB 'S" "NOONESAIDTHE JOB 'S SUPPOSED TO BE EASY." "SUPPOSED TO BE EASY." "NOONESAIDIT'SSUPPOSEDTO" "NOONESAIDIT'SSUPPOSEDTO BE THAT HARD, EITHER." "BE THAT HARD, EITHER." "WE'LLFIGUREIT OUT." "WE'LLFIGUREIT OUT." "WE'LLUSETHEFORCE." "WE'LLUSETHEFORCE." "THAT'SNOTHOWTHE FORCE" "THAT'SNOTHOWTHE FORCE WORKS!" "WORKS!" "IBLEWMYSELFUP." "IBLEWMYSELFUP." "WOO!" "WOO!" "BECAUSEI 'MSTUPID." "BECAUSEI 'MSTUPID." "THAT'SNOTSTUPIDITY." "THAT'SNOTSTUPIDITY." "THAT'S FRAUD." "THAT'S FRAUD." "TELLMETHEDIFFERENCE" "TELLMETHEDIFFERENCE BETWEEN STUPID AND ILLEGAL AND" "BETWEEN STUPID AND ILLEGAL AND I'LL HAVE MY WIFE'S BROTHER" "I'LL HAVE MY WIFE'S BROTHER ARRESTED." "ARRESTED." "BECAREFULWITHTHAT." "BECAREFULWITHTHAT." "IT'SOKAY." "IT'SOKAY." "IT'S NOT LOADED." "IT'S NOT LOADED." "WHATIFYOUHAD THE CHANCETO" "WHATIFYOUHAD THE CHANCETO FIND OUT HOW BIG WE COULD REALLY" "FIND OUT HOW BIG WE COULD REALLY BE?" "BE?" "IGOTSOMETHINGTOSAY." "IGOTSOMETHINGTOSAY." "ISTHATTHEBESTYOUCANDO ?" "ISTHATTHEBESTYOUCANDO ?" "WHATA LOVELYDAY!" "WHATA LOVELYDAY!" "DOYOUHAVEYOURSEAT BELT" "DOYOUHAVEYOURSEAT BELT  ON?" "ON?" "YOU'REASKINGME THATNOW ?" "YOU'REASKINGME THATNOW ?" "SORRYABOUTTHAT." "SORRYABOUTTHAT." "NEEDED TO LET OFF A LITTLE" "NEEDED TO LET OFF A LITTLE STEAM." "STEAM." "THEY'REALLLOOKINGATYOU." "THEY'REALLLOOKINGATYOU." "BELIEVEME." "BELIEVEME." "THEY'RE ALL LOOKING AT YOU." "THEY'RE ALL LOOKING AT YOU." "YOU'RETHEONLYONE WHO SEES" "YOU'RETHEONLYONE WHO SEES THE WORLD IN THE SAME WAY I DO." "THE WORLD IN THE SAME WAY I DO." "NOONESEESTHE WORLDTHE" "NOONESEESTHE WORLDTHE SAME WAY YOU DO." "SAME WAY YOU DO." "YOUSEETHISGUY HERESTARING" "YOUSEETHISGUY HERESTARING BACK AT YOU?" "BACK AT YOU?" "THAT'S YOUR TOUGHEST OPPONENT." "THAT'S YOUR TOUGHEST OPPONENT." "I BELIEVE THAT IN BOXING AND I" "I BELIEVE THAT IN BOXING AND I DO BELIEVE THAT IN LIFE." "DO BELIEVE THAT IN LIFE." "ICANDO THIS." "ICANDO THIS." "ICANDO THIS." "ICANDO THIS." "YOU'REGOINGTO LOVEIT." "YOU'REGOINGTO LOVEIT." "WHAT?" "WHAT?" "THEWORLD." "LADIESANDGENTLEMEN,PLEASE WELCOME YOUR HOST, CHRIS ROCK!" "THANKYOU!" "THANK YOU, THANK YOU, THANK YOU!" "THANK YOU, THANK YOU, THANK YOU!" "WOO!" "WOO!" "MAN, I COUNTED AT LEAST 15 BLACK" "MAN, I COUNTED AT LEAST 15 BLACK PEOPLE ON THAT MONTAGE." "PEOPLE ON THAT MONTAGE." "HEY!" "HEY!" "WELL, I'M HERE AT THE ACADEMY" "WELL, I'M HERE AT THE ACADEMY AWARDS." "AWARDS." "OTHERWISE KNOWN AS THE WHITE" "OTHERWISE KNOWN AS THE WHITE PEOPLE'S CHOICE AWARDS." "PEOPLE'S CHOICE AWARDS." "YOU REALIZE IF THEY NOMINATED" "YOU REALIZE IF THEY NOMINATED HOSTS, I WOULDN'T EVEN GET THIS" "HOSTS, I WOULDN'T EVEN GET THIS JOB." "JOB." "Y'ALL BE WATCHING NEIL PATRICK" "Y'ALL BE WATCHING NEIL PATRICK HARRIS RIGHT NOW." "HARRIS RIGHT NOW." "BUT THIS IS " " THIS IS THE" "BUT THIS IS " " THIS IS THE WILDEST, CRAZIEST OSCARS TO EVER" "WILDEST, CRAZIEST OSCARS TO EVER HOST, BECAUSE YOU HAVE ALL THIS" "HOST, BECAUSE YOU HAVE ALL THIS CONTROVERSY, THE NO " " NO BLACK" "CONTROVERSY, THE NO " " NO BLACK NOMINEES, YOU KNOW?" "NOMINEES, YOU KNOW?" "AND PEOPLE ARE LIKE, CHRIS, YOU" "AND PEOPLE ARE LIKE, CHRIS, YOU SHOULD BOYCOTT, CHRIS, YOU" "SHOULD BOYCOTT, CHRIS, YOU SHOULD QUIT, YOU SHOULD QUIT." "SHOULD QUIT, YOU SHOULD QUIT." "YOU KNOW, HOW COME IT'S ONLY" "YOU KNOW, HOW COME IT'S ONLY UNEMPLOYED PEOPLE THAT TELL YOU" "UNEMPLOYED PEOPLE THAT TELL YOU TO QUIT SOMETHING, YOU KNOW?" "TO QUIT SOMETHING, YOU KNOW?" "NO ONE WITH A JOB EVER TELLS YOU" "NO ONE WITH A JOB EVER TELLS YOU TO QUIT." "TO QUIT." "SO, I THOUGHT ABOUT QUITTING." "SO, I THOUGHT ABOUT QUITTING." "I THOUGHT ABOUT IT REAL HARD." "I THOUGHT ABOUT IT REAL HARD." "BUT I REALIZED, THEY'RE GOING TO" "BUT I REALIZED, THEY'RE GOING TO HAVE THE OSCARS ANYWAY." "HAVE THE OSCARS ANYWAY." "THEY'RE NOT GOING TO CANCEL THE" "THEY'RE NOT GOING TO CANCEL THE OSCARS BECAUSE I QUIT." "OSCARS BECAUSE I QUIT." "YOU KNOW?" "YOU KNOW?" "AND THE LAST THING I NEED IS TO" "AND THE LAST THING I NEED IS TO LOSE ANOTHER JOB TO KEVIN HART," "LOSE ANOTHER JOB TO KEVIN HART, OKAY?" "OKAY?" "I DON'T NEED THAT." "I DON'T NEED THAT." "KEV " " KEV RIGHT THERE." "KEV " " KEV RIGHT THERE." "KEV MAKE MOVIES FAST." "KEV MAKE MOVIES FAST." "EVERY MONTH." "EVERY MONTH." "PORNO STARS DON'T MAKE MOVIES" "PORNO STARS DON'T MAKE MOVIES THAT FAST." "THAT FAST." "NOW, THE THING IS, WHY ARE WE" "NOW, THE THING IS, WHY ARE WE PROTESTING " " THE BIG QUESTION," "PROTESTING " " THE BIG QUESTION, WHY THIS OSCARS?" "WHY THIS OSCARS?" "WHY THIS OSCARS, YOU KNOW?" "WHY THIS OSCARS, YOU KNOW?" "IT'S THE 88th ACADEMY AWARDS." "IT'S THE 88th ACADEMY AWARDS." "IT'S THE 88th ACADEMY AWARDS," "IT'S THE 88th ACADEMY AWARDS, WHICH MEANS " " THIS WHOLE NO" "WHICH MEANS " " THIS WHOLE NO BLACK NOMINEES THING HAS" "BLACK NOMINEES THING HAS HAPPENED AT LEAST 71 OTHER" "HAPPENED AT LEAST 71 OTHER TIMES." "TIMES." "OKAY?" "OKAY?" "YOU GOT TO FIGURE THAT IT" "YOU GOT TO FIGURE THAT IT HAPPENED IN THE '50s, IN THE" "HAPPENED IN THE '50s, IN THE '60s." "'60s." "YOU KNOW, IN THE '60s, ONE OF" "YOU KNOW, IN THE '60s, ONE OF THOSE YEARS, SIDNEY DIDN'T PUT" "THOSE YEARS, SIDNEY DIDN'T PUT OUT A MOVIE." "OUT A MOVIE." "I'M SURE " " I'M SURE THERE WERE" "I'M SURE " " I'M SURE THERE WERE NO BLACK NOMINEES, SOME OF THOSE" "NO BLACK NOMINEES, SOME OF THOSE YEARS." "YEARS." "SAY 62 OR 63 AND BLACK PEOPLE" "SAY 62 OR 63 AND BLACK PEOPLE DID NOT PROTEST." "DID NOT PROTEST." "WHY?" "WHY?" "BECAUSE WE HAVE REAL THINGS TO" "BECAUSE WE HAVE REAL THINGS TO PROTEST AT THE TIME." "PROTEST AT THE TIME." "YOU KNOW?" "YOU KNOW?" "WE HAVE REAL THINGS TO PROTEST." "WE HAVE REAL THINGS TO PROTEST." "YOU KNOW?" "YOU KNOW?" "TOO BUSY BEING RAPED AND LYNCHED" "TOO BUSY BEING RAPED AND LYNCHED TO CARE ABOUT WHO WON BEST" "TO CARE ABOUT WHO WON BEST CINEMATOGRAPHER." "CINEMATOGRAPHER." "YOU KNOW, WHEN YOU " " WHEN YOUR" "YOU KNOW, WHEN YOU " " WHEN YOUR GRANDMOTHER'S SWINGING FROM A" "GRANDMOTHER'S SWINGING FROM A TREE, IT'S REALLY HARD TO CARE" "TREE, IT'S REALLY HARD TO CARE ABOUT BEST DOCUMENTARY FOREIGN" "ABOUT BEST DOCUMENTARY FOREIGN SHORT." "SHORT." "BUT WHAT HAPPENED THIS YEAR?" "BUT WHAT HAPPENED THIS YEAR?" "WHAT HAPPENED?" "WHAT HAPPENED?" "PEOPLE WENT MAD, YOU KNOW?" "PEOPLE WENT MAD, YOU KNOW?" "SPIKE GOT MAD AND JADA WENT MAD" "SPIKE GOT MAD AND JADA WENT MAD AND WILL AND EVERYBODY WENT MAD," "AND WILL AND EVERYBODY WENT MAD, YOU KNOW?" "YOU KNOW?" "LIKE " " JADA GOT MAD, JADA SAYS" "LIKE " " JADA GOT MAD, JADA SAYS SHE'S NOT COMING, PROTESTING," "SHE'S NOT COMING, PROTESTING, I'M LIKE " " DOESN'T SHE HAVE A" "I'M LIKE " " DOESN'T SHE HAVE A TV SHOW?" "TV SHOW?" "JADA BOYCOTTING THE OSCARS IS" "JADA BOYCOTTING THE OSCARS IS LIKE ME BOYCOTTING RIHANNA'S" "LIKE ME BOYCOTTING RIHANNA'S PANTIES." "PANTIES." "I WASN'T INVITED." "I WASN'T INVITED." "OH, THAT'S " " IT'S NOT AN" "OH, THAT'S " " IT'S NOT AN INVITATION I WOULD TURN DOWN." "INVITATION I WOULD TURN DOWN." "BUT I UNDERSTAND, I " " I'M NOT" "BUT I UNDERSTAND, I " " I'M NOT HATING." "HATING." "I UNDERSTAND YOU'RE MAD." "I UNDERSTAND YOU'RE MAD." "JAD A IS MAD." "JAD A IS MAD." "HER MAN WAS NOT NOMINATED." "HER MAN WAS NOT NOMINATED." "I GET IT." "I GET IT." "I GET IT." "I GET IT." "YOU GET MAD." "YOU GET MAD." "SAID IT'S NOT FAIR THAT WILL WAS" "SAID IT'S NOT FAIR THAT WILL WAS THIS GOOD AND DOESN'T GET" "THIS GOOD AND DOESN'T GET NOMINATED." "NOMINATED." "YOU'RE RIGHT." "YOU'RE RIGHT." "IT IS ALSO NOT FAIR THAT WILL" "IT IS ALSO NOT FAIR THAT WILL WAS PAID $20 MILLION FOR "WILD" "WAS PAID $20 MILLION FOR "WILD WILD WEST," OKAY?" "WILD WEST," OKAY?" "OKAY?" "OKAY?" "YOU KNOW, THIS YEAR, THE OSCARS," "YOU KNOW, THIS YEAR, THE OSCARS, THINGS ARE GOING TO BE A LITTLE" "THINGS ARE GOING TO BE A LITTLE DIFFERENT." "DIFFERENT." "THINGS ARE GOING TO BE A LITTLE" "THINGS ARE GOING TO BE A LITTLE DIFFERENT AT THE OSCARS." "DIFFERENT AT THE OSCARS." "THIS YEAR, IN THE IN MEMORIUM" "THIS YEAR, IN THE IN MEMORIUM PACKAGE, IT'S JUST GOING TO BE" "PACKAGE, IT'S JUST GOING TO BE BLACK PEOPLE THAT WERE SHOT ON" "BLACK PEOPLE THAT WERE SHOT ON THEIR WAY TO THE MOVIES." "THEIR WAY TO THE MOVIES." "YES." "YES." "YES." "YES." "I SAID IT." "I SAID IT." "ALL RIGHT?" "ALL RIGHT?" "HEY, IF YOU WANT BLACK NOMINEES" "HEY, IF YOU WANT BLACK NOMINEES EVERY YEAR, YOU NEED TO JUST" "EVERY YEAR, YOU NEED TO JUST HAVE BLACK CATEGORIES." "HAVE BLACK CATEGORIES." "THAT'S WHAT YOU NEED." "THAT'S WHAT YOU NEED." "YOU NEED TO HAVE BLACK" "YOU NEED TO HAVE BLACK CATEGORIES." "CATEGORIES." "YOU ALREADY DO IT WITH MEN AND" "YOU ALREADY DO IT WITH MEN AND WOMEN." "WOMEN." "THINK ABOUT IT." "THINK ABOUT IT." "THERE'S NO REAL REASON FOR THERE" "THERE'S NO REAL REASON FOR THERE TO BE A MAN AND A WOMAN CATEGORY" "TO BE A MAN AND A WOMAN CATEGORY IN ACTING." "IN ACTING." "IT'S " " COME ON!" "IT'S " " COME ON!" "THERE'S NO REASON!" "THERE'S NO REASON!" "IT'S NOT TRACK AND FIELD." "IT'S NOT TRACK AND FIELD." "YOU DON'T HAVE TO SEPARATE THEM." "YOU DON'T HAVE TO SEPARATE THEM." "YOU KNOW, ROBERT DE NIRO'S NEVER" "YOU KNOW, ROBERT DE NIRO'S NEVER SAID, I BETTER SLOW THIS ACTING" "SAID, I BETTER SLOW THIS ACTING DOWN SO MERYL STREEP CAN CATCH" "DOWN SO MERYL STREEP CAN CATCH UP." "UP." "NO." "NO." "NOT AT ALL, MAN." "NOT AT ALL, MAN." "IF YOU WANT BLACK PEOPLE EVERY" "IF YOU WANT BLACK PEOPLE EVERY YEAR AT THE OSCARS, JUST HAVE" "YEAR AT THE OSCARS, JUST HAVE BLACK CATEGORIES, LIKE BEST" "BLACK CATEGORIES, LIKE BEST BLACK FRIEND." "BLACK FRIEND." "THAT'S RIGHT." "THAT'S RIGHT." "AND THE WINNER FOR THE 18th YEAR" "AND THE WINNER FOR THE 18th YEAR IN A ROW IS WANDA SIKES." "IN A ROW IS WANDA SIKES." "THIS IS WANDA'S 18th BLACK" "THIS IS WANDA'S 18th BLACK OSCAR." "OSCAR." "BUT HERE'S THE REAL QUESTION." "BUT HERE'S THE REAL QUESTION." "THE REAL QUESTION EVERYBODY" "THE REAL QUESTION EVERYBODY WANTS TO KNOW, EVERYBODY WANTS" "WANTS TO KNOW, EVERYBODY WANTS TO KNOW, IN THE WORLD, IS" "TO KNOW, IN THE WORLD, IS HOLLYWOOD RACIST?" "HOLLYWOOD RACIST?" "IS HOLLYWOOD RACIST?" "IS HOLLYWOOD RACIST?" "YOU KNOW, THAT'S " " THAT'S A " "YOU KNOW, THAT'S " " THAT'S A -- YOU KNOW, YOU GOT TO GO AT THAT" "YOU KNOW, YOU GOT TO GO AT THAT AT THE RIGHT WAY." "AT THE RIGHT WAY." "IS IT BURNING CROSS RACIST?" "IS IT BURNING CROSS RACIST?" "NO." "NO." "IS IT FETCH ME SOME LEMONADE" "IS IT FETCH ME SOME LEMONADE RACIST?" "RACIST?" "NO, NO." "NO, NO." "IT'S A DIFFERENT TYPE OF RACIST." "IT'S A DIFFERENT TYPE OF RACIST." "NOW, I REMEMBER ONE NIGHT I WAS" "NOW, I REMEMBER ONE NIGHT I WAS AT A FUND-RAISER FOR PRESIDENT" "AT A FUND-RAISER FOR PRESIDENT OBAMA, A LOT OF YOU WERE THERE," "OBAMA, A LOT OF YOU WERE THERE, AND, YOU KNOW, IT'S ME AND ALL" "AND, YOU KNOW, IT'S ME AND ALL OF HOLLYWOOD." "OF HOLLYWOOD." "AND ALL THE, YOU KNOW, IT'S ALL" "AND ALL THE, YOU KNOW, IT'S ALL OF US THERE AND THERE'S ABOUT" "OF US THERE AND THERE'S ABOUT FOUR BLACK PEOPLE THERE, ME," "FOUR BLACK PEOPLE THERE, ME, LET'S SEE, QUINCY JONES, RUSSELL" "LET'S SEE, QUINCY JONES, RUSSELL SIMMONS, QUEST LOVE, YOU KNOW," "SIMMONS, QUEST LOVE, YOU KNOW, THE USUAL SUSPECTS, RIGHT?" "THE USUAL SUSPECTS, RIGHT?" "AND EVERY BLACK ACTOR THAT" "AND EVERY BLACK ACTOR THAT WASN'T WORKING." "WASN'T WORKING." "NEEDLESS TO SAY, KEV HART WAS" "NEEDLESS TO SAY, KEV HART WAS NOT THERE, OKAY?" "NOT THERE, OKAY?" "SO, AT SOME POINT, YOU GET TO" "SO, AT SOME POINT, YOU GET TO TAKE A PICTURE WITH THE" "TAKE A PICTURE WITH THE PRESIDENT." "PRESIDENT." "AND AS THEY'RE SETTING UP THE" "AND AS THEY'RE SETTING UP THE PICTURE, YOU GET A LITTLE MOMENT" "PICTURE, YOU GET A LITTLE MOMENT WITH THE PRESIDENT, I'M LIKE," "WITH THE PRESIDENT, I'M LIKE, MR. PRESIDENT, YOU SEE ALL THESE" "MR. PRESIDENT, YOU SEE ALL THESE WRITERS AND PRODUCERS AND" "WRITERS AND PRODUCERS AND ACTORS?" "ACTORS?" "THEY DON'T HIRE BLACK PEOPLE." "THEY DON'T HIRE BLACK PEOPLE." "AND THEY'RE THE NICEST WHITE" "AND THEY'RE THE NICEST WHITE PEOPLE ON EARTH." "PEOPLE ON EARTH." "THEY'RE LIBERALS." "THEY'RE LIBERALS." "CHEESE." "CHEESE." "THAT'S RIGHT." "THAT'S RIGHT." "IS HOLLYWOOD RACIST?" "IS HOLLYWOOD RACIST?" "YOU'RE DAMN RIGHT HOLLYWOOD'S" "YOU'RE DAMN RIGHT HOLLYWOOD'S RACIST." "RACIST." "BUT IT ISN'T THE RACIST YOU'VE" "BUT IT ISN'T THE RACIST YOU'VE GROWN ACCUSTOMED TO." "GROWN ACCUSTOMED TO." "HOLLYWOOD IS SORORITY RACIST." "HOLLYWOOD IS SORORITY RACIST." "IT'S LIKE " " WE LIKE YOU," "IT'S LIKE " " WE LIKE YOU, RHONDA, BUT YOU'RE NOT A CAPPA." "RHONDA, BUT YOU'RE NOT A CAPPA." "THAT'S HOW HOLLYWOOD IS." "THAT'S HOW HOLLYWOOD IS." "BUT THINGS ARE CHANGING." "BUT THINGS ARE CHANGING." "THINGS ARE CHANGING." "THINGS ARE CHANGING." "YEAH, WE GOT A BLACK ROCKY THIS" "YEAH, WE GOT A BLACK ROCKY THIS YEAR." "YEAR." "SOME PEOPLE CALL IT "CREED," I" "SOME PEOPLE CALL IT "CREED," I CALL IT BLACK ROCKY." "CALL IT BLACK ROCKY." "AND THAT'S A BIG " " THAT'S AN" "AND THAT'S A BIG " " THAT'S AN UNBELIEVABLE STATEMENT, I MEAN," "UNBELIEVABLE STATEMENT, I MEAN, BECAUSE ROCKY TAKES PLACE IN A" "BECAUSE ROCKY TAKES PLACE IN A WORLD WHERE WHITE ATHLETES ARE" "WORLD WHERE WHITE ATHLETES ARE AS GOOD AS BLACK ATHLETES." "AS GOOD AS BLACK ATHLETES." "ROCKY'S A SCIENCE FICTION MOVIE." "ROCKY'S A SCIENCE FICTION MOVIE." "THERE ARE THINGS THAT HAPPENED" "THERE ARE THINGS THAT HAPPENED IN "STAR WARS" THAT ARE MORE" "IN "STAR WARS" THAT ARE MORE BELIEVABLE THAN THINGS THAT" "BELIEVABLE THAN THINGS THAT HAPPENED IN "ROCKY."" "HAPPENED IN "ROCKY." WE'RE HERE TO HONOR ACTORS." "WE'RE HERE TO HONOR ACTORS." "WE'RE HERE TO HONOR FILM." "WE'RE HERE TO HONOR FILM." "AND THERE'S A LOT OF SNUBS." "AND THERE'S A LOT OF SNUBS." "A LOT OF SNUBS." "A LOT OF SNUBS." "ONE OF THE BIGGEST SNUBS NO" "ONE OF THE BIGGEST SNUBS NO ONE'S TALKING ABOUT, MY FAVORITE" "ONE'S TALKING ABOUT, MY FAVORITE ACTOR IN THE WORLD IS PAUL GEE" "ACTOR IN THE WORLD IS PAUL GEE M" "M GIAMATI." "GIAMATI." "I BELIEVE HE'S THE GREATEST" "I BELIEVE HE'S THE GREATEST ACTOR IN THE WORLD." "ACTOR IN THE WORLD." "THINK ABOUT WHAT HE'S DONE." "THINK ABOUT WHAT HE'S DONE." "LAST YEAR, HE'S IN "12 YEARS A" "LAST YEAR, HE'S IN "12 YEARS A SLAVE," HATES BLACK PEOPLE." "SLAVE," HATES BLACK PEOPLE." "THIS YEAR, HE'S IN "STRAIGHT" "THIS YEAR, HE'S IN "STRAIGHT OUTTA COMPTON," LOVES BLACK" "OUTTA COMPTON," LOVES BLACK PEOPLE." "PEOPLE." "LAST YEAR, HE'S WHOOPING LUPITA," "LAST YEAR, HE'S WHOOPING LUPITA, THIS YEAR, HE'S CRYING AND" "THIS YEAR, HE'S CRYING AND EASY-E'S FUNERAL." "EASY-E'S FUNERAL." "THAT'S RANGE." "THAT'S RANGE." "BEN AFFLECK CAN'T DO THAT." "BEN AFFLECK CAN'T DO THAT." "BUT WHAT I'M TRYING TO SAY IS," "BUT WHAT I'M TRYING TO SAY IS, YOU KNOW, IT'S NOT ABOUT" "YOU KNOW, IT'S NOT ABOUT BOYCOTTING ANYTHING, IT'S JUST," "BOYCOTTING ANYTHING, IT'S JUST, WE WANT OPPORTUNITY." "WE WANT OPPORTUNITY." "WE WANT THE BLACK ACTORS TO GET" "WE WANT THE BLACK ACTORS TO GET THE SAME OPPORTUNITIES AS WHITE" "THE SAME OPPORTUNITIES AS WHITE ACTORS." "ACTORS." "THAT'S IT." "THAT'S IT." "THAT'S IT." "THAT'S IT." "YOU KNOW?" "YOU KNOW?" "JUST " " YOU KNOW, NOT JUST ONCE," "JUST " " YOU KNOW, NOT JUST ONCE, YOU KNOW?" "YOU KNOW?" "LEO GETS A GREAT PART EVERY" "LEO GETS A GREAT PART EVERY YEAR." "YEAR." "AND, YOU KNOW, AND " "AND, YOU KNOW, AND -- EVERYBODY " " ALL YOU GUYS GET" "EVERYBODY " " ALL YOU GUYS GET GREAT PARTS ALL THE TIME." "GREAT PARTS ALL THE TIME." "BUT WHAT ABOUT THE BLACK ACTORS?" "BUT WHAT ABOUT THE BLACK ACTORS?" "LOOK AT JAMIE FOXX." "LOOK AT JAMIE FOXX." "JAMIE FOXX, ONE OF THE BEST" "JAMIE FOXX, ONE OF THE BEST ACTORS IN THE WORLD, MAN." "ACTORS IN THE WORLD, MAN." "JAMIE FOXX " " HE IS." "JAMIE FOXX " " HE IS." "JAMIE FOXX WAS SO GOOD IN "RAY,"" "JAMIE FOXX WAS SO GOOD IN "RAY," THAT THEY WENT TO THE HOSPITAL" "THAT THEY WENT TO THE HOSPITAL AND UNPLUGGED THE REAL RAY" "AND UNPLUGGED THE REAL RAY CHARLES, LIKE, WE DON'T NEED TWO" "CHARLES, LIKE, WE DON'T NEED TWO OF THESE." "OF THESE." "NO, MAN." "NO, MAN." "BUT THE BIG " " YOU KNOW," "BUT THE BIG " " YOU KNOW, EVERYTHING IS NOT ABOUT RACE," "EVERYTHING IS NOT ABOUT RACE, MAN." "MAN." "ANOTHER BIG THING TONIGHT IS," "ANOTHER BIG THING TONIGHT IS, YOU'RE NOT ALLOWED " " SOMEBODY" "YOU'RE NOT ALLOWED " " SOMEBODY TOLD ME THIS, YOU'RE NOT ALLOWED" "TOLD ME THIS, YOU'RE NOT ALLOWED TO ASK WOMEN WHAT THEY'RE" "TO ASK WOMEN WHAT THEY'RE WEARING ANYMORE." "WEARING ANYMORE." "IT'S A WHOLE THING." "IT'S A WHOLE THING." "YOU KNOW, ASK HER MORE." "YOU KNOW, ASK HER MORE." "YOU HAVE TO ASK HER MORE." "YOU HAVE TO ASK HER MORE." "NOW " " YOU KNOW, LIKE, YOU ASK" "NOW " " YOU KNOW, LIKE, YOU ASK THE MEN MORE." "THE MEN MORE." "HEY, EVERYTHING'S NOT SEXISM," "HEY, EVERYTHING'S NOT SEXISM, EVERYTHING'S NOT RACISM." "EVERYTHING'S NOT RACISM." "THEY ASK THE MEN MORE, BECAUSE" "THEY ASK THE MEN MORE, BECAUSE THE MEN ARE ALL WEARING THE SAME" "THE MEN ARE ALL WEARING THE SAME OUTFITS, OKAY?" "OUTFITS, OKAY?" "EVERY GUY IS WEARING THE EXACT" "EVERY GUY IS WEARING THE EXACT SAME THING." "SAME THING." "YOU KNOW, IF GEORGE CLOONEY" "YOU KNOW, IF GEORGE CLOONEY SHOWED UP WITH A LIME GREEN TUX" "SHOWED UP WITH A LIME GREEN TUX ON AND A SWAN COMING OUT HIS" "ON AND A SWAN COMING OUT HIS ASS, SOMEBODY WOULD GO, WHAT YOU" "ASS, SOMEBODY WOULD GO, WHAT YOU WEARING, GEORGE?" "WEARING, GEORGE?" "HEY, WELCOME TO THE 88th OSCARS!" "HEY, WELCOME TO THE 88th OSCARS!" "ACADEMY AWARDS." "ACADEMY AWARDS." "YES." "YES." "THANK YOU." "THANK YOU." "YOU WANT DIVERSITY, WE GOT" "YOU WANT DIVERSITY, WE GOT DIVERSITY!" "DIVERSITY!" "PLEASE WELCOME EMILY BLUNT AND" "PLEASE WELCOME EMILY BLUNT AND SOMEBODY WHITER, CHARLIZE" "SOMEBODY WHITER, CHARLIZE THERON." "TONIGHT'SOSCARSCEREMONY WILL FOLLOW A PARTICULAR ORDER" "WILL FOLLOW A PARTICULAR ORDER THAT TRACKS THE FILMMAKING" "THAT TRACKS THE FILMMAKING PROCESS ITSELF." "PROCESS ITSELF." "SO, WE BEGIN OUR PRESENTATION AT" "SO, WE BEGIN OUR PRESENTATION AT THE PLACE WHERE EVERY GREAT" "THE PLACE WHERE EVERY GREAT MOVIE BEGINS, WITH A STORY THAT" "MOVIE BEGINS, WITH A STORY THAT SIMPLY HAD TO BE TOLD." "SIMPLY HAD TO BE TOLD." "WRITERS,WEKNOWTHATYOU'RE" "WRITERS,WEKNOWTHATYOU'RE THE TRUE BACKBONE OF THE" "THE TRUE BACKBONE OF THE INDUSTRY AND WE LOVE YOU FOR IT." "INDUSTRY AND WE LOVE YOU FOR IT." "WE ALSO THINK YOU'RE ALL" "WE ALSO THINK YOU'RE ALL EXTREMELY HOT." "EXTREMELY HOT." "A WRITER WROTE THAT." "A WRITER WROTE THAT." "HEREARETHISYEAR'SHIGHLY" "HEREARETHISYEAR'SHIGHLY ORIGINAL NOMINEES FOR BEST" "ORIGINAL NOMINEES FOR BEST ORIGINAL SCREENPLAY." ""STRAIGHT OUTTA COMPTON," SCREENPLAY BY JONATHAN HERMAN" "SCREENPLAY BY JONATHAN HERMAN AND ANDREA BERLOFF." "AND ANDREA BERLOFF." "STORY BY S. LEIGH SAVIDGE, ALAN" "STORY BY S. LEIGH SAVIDGE, ALAN WENKUS AND ANDREA BERLOFF." "WENKUS AND ANDREA BERLOFF." "SO,WHAT'SAGUY FROMCOMPTON" "SO,WHAT'SAGUY FROMCOMPTON DO WHEN HE STARTS MAKING REAL" "DO WHEN HE STARTS MAKING REAL MONEY FROM THAT?" "MONEY FROM THAT?" "LAFLTERFROMTHEASSEMBLED," "LAFLTERFROMTHEASSEMBLED, NOT FROM CUBE." "NOT FROM CUBE." "SILENCE, THEN?" "SILENCE, THEN?" "CUBE?" "CUBE?" "BUYRAIDERGEARAND CURL" "BUYRAIDERGEARAND CURL ACTIVATOR." "ACTIVATOR." ""BRIDGEOFSPIES,"WRITTENBY" ""BRIDGEOFSPIES,"WRITTENBY MATT CHARMAN AND ETHAN COEN AND" "MATT CHARMAN AND ETHAN COEN AND JOEL COEN." "JOEL COEN." "DONOVAN PACES IN A DETENTION" "DONOVAN PACES IN A DETENTION ROOM." "ROOM." "HE TURNS TO SEE ABLE STANDING" "HE TURNS TO SEE ABLE STANDING JUST INSIDE THE DOOR." "JUST INSIDE THE DOOR." "DONOVAN " "DONOVAN -- THEDEATHSENTENCEISNOTA" "THEDEATHSENTENCEISNOTA  FOREGONE CONCLUSION." "FOREGONE CONCLUSION." "DON'T WORRY." "DON'T WORRY." "I'MNOTAFRAIDTODIE, MR." "I'MNOTAFRAIDTODIE, MR. DONOVAN." "DONOVAN." ""EXMACHINA,"WRITTENBYALEX" ""EXMACHINA,"WRITTENBYALEX  GARLAND." "GARLAND." "THEY EXCHANGE A LOOK, THEN AVA" "THEY EXCHANGE A LOOK, THEN AVA RESTS A HAND." "RESTS A HAND." "THEN, THE POWER DIES." "THEN, THE POWER DIES." "CALEB " "CALEB -- DON'TTALK." "DON'TTALK." "JUST LISTEN." "JUST LISTEN." "YOU WERE RIGHT ABOUT NATHAN." "YOU WERE RIGHT ABOUT NATHAN." "EVERYTHING YOU SAID." "EVERYTHING YOU SAID." "WHATISHE GOINGTODOTO ME ?" "WHATISHE GOINGTODOTO ME ?" "HE'SGOINGTO REPROGRAMYOUR" "HE'SGOINGTO REPROGRAMYOUR A.I." "A.I. "SPOTLIGHT,"WRITTENBY JOSH" ""SPOTLIGHT,"WRITTENBY JOSH SINGER AND TOM McCARTHY." "SINGER AND TOM McCARTHY." "IT'SFROM'93." "IT'SFROM'93." "ROBBIELOOKSDOWN." "ROBBIELOOKSDOWN." "WE SEE THE CLIP." "WE SEE THE CLIP." "LAWYER FOR PORTER VICTIMS SAY 20" "LAWYER FOR PORTER VICTIMS SAY 20 OTHER PIECES IN THE AREA ARE" "OTHER PIECES IN THE AREA ARE ACCUSED." "ACCUSED." "ROBBIE'S FACE CHANGES, SASHA" "ROBBIE'S FACE CHANGES, SASHA WAITS, EXPECTING A RESPONSE." "WAITS, EXPECTING A RESPONSE." "ROBBIE?" "ROBBIE?" "THATIT?" "THATIT?" "ROBBIE'STONECATCHESSASHA" "ROBBIE'STONECATCHESSASHA BY SURPRISE." "BY SURPRISE." "YEAH,YEAH,THAT'SIT." "YEAH,YEAH,THAT'SIT." ""INSIDEOUT,"SCREENPLAYBY" ""INSIDEOUT,"SCREENPLAYBY PETE DOCTER, MEG LEFAUVE AND" "PETE DOCTER, MEG LEFAUVE AND JOSH COOLEY." "JOSH COOLEY." "ORIGINAL STORY BY PETE DOCTER," "ORIGINAL STORY BY PETE DOCTER, RONNIE DEL CARMEN." "RONNIE DEL CARMEN." "ALLRIGHT,HEREYOU GO." "ALLRIGHT,HEREYOU GO." "YOUR NEW EXPANDED CONSOLE IS UP" "YOUR NEW EXPANDED CONSOLE IS UP AND RUNNING." "AND RUNNING." "THENEWCONSOLELIGHTSUP." "THENEWCONSOLELIGHTSUP." "COOL,UPGRADE." "COOL,UPGRADE." "FEARLEANSON THECONSOLE." "FEARLEANSON THECONSOLE." "DIDI JUSTDO THAT?" "DIDI JUSTDO THAT?" "GUYS,WHAT'SPUBERTY?" "GUYS,WHAT'SPUBERTY?" "IDON'TKNOW." "IDON'TKNOW." "PROBABLY NOT IMPORTANT." "PROBABLY NOT IMPORTANT." "ANDTHEOSCARGOESTO" "ANDTHEOSCARGOESTO--  "SPOTLIGHT."" ""SPOTLIGHT." JOSH SINGER AND TOM McCARTHY." "JOSH SINGER AND TOM McCARTHY." "THISISTHEFIRSTOSCARFOR" "THISISTHEFIRSTOSCARFOR JOSH SINGER AND TOM McCARTHY." "JOSH SINGER AND TOM McCARTHY." "THIS IS THE THIRD NOMINATION FOR" "THIS IS THE THIRD NOMINATION FOR TOM McCARTHY, WHO IS ALSO" "TOM McCARTHY, WHO IS ALSO NOMINATED FOR DIRECTING" "NOMINATED FOR DIRECTING "SPOTLIGHT."" "WE'VEGOTTO THANKOPENROAD , WE'VE GOT TO THANK PARTICIPANT." "WE'VE GOT TO THANK PARTICIPANT." "WE HAVE TO THANK OUR WONDERFUL" "WE HAVE TO THANK OUR WONDERFUL PRODUCERS, MICHAEL SUGAR, STEVE" "PRODUCERS, MICHAEL SUGAR, STEVE GOLIN." "GOLIN." "WE HAVE TO THANK OUR WONDERFUL" "WE HAVE TO THANK OUR WONDERFUL CAST AND CREW FROM BOSTON AND" "CAST AND CREW FROM BOSTON AND TORONTO." "TORONTO." "MY WIFE, WHO MAKES ME A BETTER" "MY WIFE, WHO MAKES ME A BETTER WRITER EVERYMAKES ME A" "WRITER EVERYMAKES ME A BETTER HUMAN EVERY DAY." "BETTER HUMAN EVERY DAY." "AND MY FATHER, BRUCE SINGER, WHO" "AND MY FATHER, BRUCE SINGER, WHO TAUGHT ME HOW TO DREAM." "TAUGHT ME HOW TO DREAM." "THANKYOUVERYMUCH." "THANKYOUVERYMUCH." "WE MADE THIS FILM FOR ALL THE" "WE MADE THIS FILM FOR ALL THE JOURNALISTS WHO HAVE AND" "JOURNALISTS WHO HAVE AND CONTINUE TO HOLD THE POWERFUL" "CONTINUE TO HOLD THE POWERFUL ACCOUNTABLE AND FOR THE" "ACCOUNTABLE AND FOR THE SURVIVORS WHOSE COURAGE AND WILL" "SURVIVORS WHOSE COURAGE AND WILL TO OVERCOME IS REALLY AN" "TO OVERCOME IS REALLY AN INSPIRATION." "INSPIRATION." "WE HAVE TO MAKE SURE THIS NEVER" "WE HAVE TO MAKE SURE THIS NEVER HAPPENS AGAIN." "HAPPENS AGAIN." "TO RHONDA PRICE, TO MY BEAUTIFUL" "TO RHONDA PRICE, TO MY BEAUTIFUL WIFE WENDY, NORA, VIVIAN, MY" "WIFE WENDY, NORA, VIVIAN, MY FAMILY AND ALL OUR FRIENDS, WE" "FAMILY AND ALL OUR FRIENDS, WE THANK YOU." "THANK YOU." "THIS ONE'S FOR YOU, GENO." "THIS ONE'S FOR YOU, GENO." "WE LOVE YOU." "WE LOVE YOU." "LOVE YOU, MOM AND DAD." "Announcer:" "NOW,PLEASE WELCOME OSCAR NOMINEE RYAN" "WELCOME OSCAR NOMINEE RYAN GOSLING AND OSCAR WINNER RUSSELL" "GOSLING AND OSCAR WINNER RUSSELL CROWE." "GOODEVENING,FOLKS." "WE'RE HERE TO PRESENT THE" "WE'RE HERE TO PRESENT THE AWARD FOR BEST ADAPTED" "AWARD FOR BEST ADAPTED SCREENPLAY." "SCREENPLAY." "NOTTOGETTOO" "NOTTOGETTOO  TECHNICAL, THAT'S THE SCREENPLAY" "TECHNICAL, THAT'S THE SCREENPLAY THAT WAS THE VERY BEST AT" "THAT WAS THE VERY BEST AT ADAPTING TO WHATEVER HARSH" "ADAPTING TO WHATEVER HARSH CONDITIONS AND OBSTACLES WERE" "CONDITIONS AND OBSTACLES WERE THROWN IN ITS WAY." "THROWN IN ITS WAY." "NO,IT'SASCREENPLAYADAPTED" "NO,IT'SASCREENPLAYADAPTED FROM ANOTHER SOURCE SUCH AS A" "FROM ANOTHER SOURCE SUCH AS A NOVEL, PLAY, SHORT STORY OR TV" "NOVEL, PLAY, SHORT STORY OR TV SHOW." "SHOW." "AGREETODISAGREE." "AGREETODISAGREE." "OKAY?" "OKAY?" "AGREETHATYOU'REWRONG." "AGREETHATYOU'REWRONG." "LOOK,LET'SNOTFIGHT." "LOOK,LET'SNOTFIGHT." "I MEAN, MY GOD." "I MEAN, MY GOD." "WE HAVE TWO ACADEMY AWARDS" "WE HAVE TWO ACADEMY AWARDS BETWEEN US." "BETWEEN US." "THIS IS BENEATH US." "THIS IS BENEATH US." "DIDYOUWINANOSCAR?" "DIDYOUWINANOSCAR?" "NOTWHENYOUPUT ITLIKE" "NOTWHENYOUPUT ITLIKE  THAT, BUT YOU HAVE TWO, SO," "THAT, BUT YOU HAVE TWO, SO, THERE'S TECHNICALLY TWO BETWEEN" "THERE'S TECHNICALLY TWO BETWEEN US." "US." "IHAVEONE." "IHAVEONE." "YOUHAVETWO." "YOUHAVETWO." "IHAVEONE." "IHAVEONE." "AGREETODISAGREE." "AGREETODISAGREE." "CAN WE GO ON AND GIVE OUT THIS" "CAN WE GO ON AND GIVE OUT THIS AWARD SO MORE PEOPLE CAN HAVE" "AWARD SO MORE PEOPLE CAN HAVE OSCARS LIKE WE DO?" "OSCARS LIKE WE DO?" "LISTEN,MATE." "LISTEN,MATE." "YOU CAN'T JUST GO AROUND" "YOU CAN'T JUST GO AROUND SAYING " "SAYING -- HEREARETHENOMINEESFOR" "HEREARETHENOMINEESFOR BEST ADAPTED SCREENPLAY." "BEST ADAPTED SCREENPLAY." "CHARLES RANDOLPH AND ADAM McKAY" "CHARLES RANDOLPH AND ADAM McKAY FOR "THE BIG SHORT," BASED ON" "FOR "THE BIG SHORT," BASED ON THE BOOK BY MICHAEL LEWIS." "THE BOOK BY MICHAEL LEWIS." "MICHAEL SITS BEHIND DRUMS AND" "MICHAEL SITS BEHIND DRUMS AND PLAYING TO PANTERA." "PLAYING TO PANTERA." "FINALLY, HE BREAKS THE STICKS" "FINALLY, HE BREAKS THE STICKS FROM PLAYING TOO HARD." "FROM PLAYING TOO HARD." "WE HEAR HIS WIFE FROM UPSTAIRS." "WE HEAR HIS WIFE FROM UPSTAIRS." "WIFE?" "WIFE?" "MICHAEL?" "MICHAEL?" "MICHAEL?" "MICHAEL?" "YES." "YES." "ISEVERYTHINGOKAY?" "ISEVERYTHINGOKAY?" "YES,HONEY." "YES,HONEY." "AREYOUSURE?" "AREYOUSURE?" "YEAH,BABY." "YEAH,BABY." "NICKHORNBYFOR"BROOKLYN,"" "NICKHORNBYFOR"BROOKLYN," BASED ON THE NOVEL BY COLM" "BASED ON THE NOVEL BY COLM TOIBIN." "TOIBIN." "HE SEES HER AND HIS FACE BREAKS" "HE SEES HER AND HIS FACE BREAKS OUT INTO A RADIANT AND RELIEVED" "OUT INTO A RADIANT AND RELIEVED SMILE." "SMILE." "SHE SMILES BACK AND WALKS DOWN" "SHE SMILES BACK AND WALKS DOWN THE REMAINS STEPS TOWARDS HIM." "THE REMAINS STEPS TOWARDS HIM." "TONY?" "TONY?" "ALLI WANTTO DO IS TRAVEL" "ALLI WANTTO DO IS TRAVEL HOME WITH YOU, NO FOOD, NO" "HOME WITH YOU, NO FOOD, NO DRINK, NO NOTHING." "DRINK, NO NOTHING." "I KNOW YOU GOT TO STUDY AND GET" "I KNOW YOU GOT TO STUDY AND GET SOME SLEEP, I'LL TAKE YOU TO" "SOME SLEEP, I'LL TAKE YOU TO YOUR HOUSE AND SAY GOOD NIGHT." "YOUR HOUSE AND SAY GOOD NIGHT." "OTHERWISE " "OTHERWISE -- BASED ON THE NOVEL "THE PRICE OF" "BASED ON THE NOVEL "THE PRICE OF SALT" BY PATRICIA HIGHSMITH." "SALT" BY PATRICIA HIGHSMITH." "WOULDYOULIKETOCOME VISIT" "WOULDYOULIKETOCOME VISIT ME THIS SUNDAY?" "ME THIS SUNDAY?" "CAROLWAITSFORTHE ANSWER." "CAROLWAITSFORTHE ANSWER." "YES." "YES." "WHATA STRANGEGURLYOU ARE ." "WHATA STRANGEGURLYOU ARE ." "WHY?" "WHY?" "FLUNGOUTOF SPACE." "FLUNGOUTOF SPACE." "SHEFEELSHERSELFBLUSHAND" "SHEFEELSHERSELFBLUSHAND LOOKS AWAY FROM CAROL." "LOOKS AWAY FROM CAROL." "SHE TRIES TO ATTEND TO HER LUNCH" "SHE TRIES TO ATTEND TO HER LUNCH AND MARTINI." "AND MARTINI." "DREW GODDARD FOR "THE MARTIAN,"" "DREW GODDARD FOR "THE MARTIAN," BASED ON THE NOVEL BY ANDY" "BASED ON THE NOVEL BY ANDY WE'RE." "WE'RE." "HITSTHEGROUNDLIKEAWET" "HITSTHEGROUNDLIKEAWET  RAG." "RAG." "MARK TALKS TO CAMERA." "MARK TALKS TO CAMERA." "HIS CLOTHES ARE SCORCHED." "HIS CLOTHES ARE SCORCHED." "HIS HAIR IS SINGED IN PATCHES." "HIS HAIR IS SINGED IN PATCHES." "MARK " "MARK -- SO,YEAH." "SO,YEAH." "I BLEW MYSELF UP." "I BLEW MYSELF UP." "EMMADONOGHUEFOR"ROOM,"" "EMMADONOGHUEFOR"ROOM," BASED ON HER NOVEL." "BASED ON HER NOVEL." "HETOLDSHISTRUCKUPTO THE" "HETOLDSHISTRUCKUPTO THE VENT SO IT CAN DJOIN IN." "VENT SO IT CAN DJOIN IN." "JACK?" "JACK?" "WHYDOTHEALIENSNEVER" "WHYDOTHEALIENSNEVER SCREAM BACK?" "SCREAM BACK?" "IGUESSTHEYSTILLCAN'THEAR" "IGUESSTHEYSTILLCAN'THEAR US." "US." "WE'LLDOIT LOUDER,OKAY?" "WE'LLDOIT LOUDER,OKAY?" "OKAY." "OKAY." "ANDTHEOSCARGOESTO" "ANDTHEOSCARGOESTO--  CHARLESRANDOLPHANDADAM" "CHARLESRANDOLPHANDADAM McKAY, "THE BIG SHORT."" "McKAY, "THE BIG SHORT." THISISTHEFIRSTWINFOR" "THISISTHEFIRSTWINFOR ADAM McKAY, WHO IS ALSO" "ADAM McKAY, WHO IS ALSO NOMINATED FOR DIRECTING "THE BIG" "NOMINATED FOR DIRECTING "THE BIG SHORT" THIS YEAR." "AH" "THANKYOUSOMUCH TO THE ACADEMY." "THE ACADEMY." "ALSO, THANK YOU TO MICHAEL" "ALSO, THANK YOU TO MICHAEL LEWIS, FOR WRITING AN AMAZING" "LEWIS, FOR WRITING AN AMAZING BOOK." "BOOK." "IT INSPIRED CHARLES AND I SO" "IT INSPIRED CHARLES AND I SO MUCH." "MUCH." "THANK YOU TO PARAMOUNT FOR" "THANK YOU TO PARAMOUNT FOR TAKING A RISK ON A MOVIE THAT'S" "TAKING A RISK ON A MOVIE THAT'S ABOUT FINANCIAL ESOTERICA." "ABOUT FINANCIAL ESOTERICA." "THANK YOU TO MY BEAUTIFUL WIFE" "THANK YOU TO MY BEAUTIFUL WIFE AND MY CHILDREN, LILY ROSE, MY" "AND MY CHILDREN, LILY ROSE, MY TWO DAUGHTER, LILY ROSE AND" "TWO DAUGHTER, LILY ROSE AND PEARL, I LOVE YOU SO MUCH." "PEARL, I LOVE YOU SO MUCH." "MOST OF ALL, IF YOU DON'T WANT" "MOST OF ALL, IF YOU DON'T WANT BIG MONEY TO CONTROL GOVERNMENT," "BIG MONEY TO CONTROL GOVERNMENT, DON'T VOTE FOR CANDIDATES THAT" "DON'T VOTE FOR CANDIDATES THAT TAKE MONEY FROM BIG BANKS, OIL" "TAKE MONEY FROM BIG BANKS, OIL OR WEIRDO BILLIONAIRES." "OR WEIRDO BILLIONAIRES." "STOP." "STOP." "GO, SORRY." "GO, SORRY." "THANKYOUVERYMUCH,PLAN B." "THANKYOUVERYMUCH,PLAN B. THIS VERY MUCH TO PARAMOUNT, TO" "THIS VERY MUCH TO PARAMOUNT, TO MY WIFE." "MY WIFE." "TO MY KIDS, I AM SO HAPPY TO BE" "TO MY KIDS, I AM SO HAPPY TO BE YOUR FATHER." "YOUR FATHER." "THANK YOU." "Announcer:" "SOMEOF  HOLLYWOOD'S MOST EXCITING STARS" "HOLLYWOOD'S MOST EXCITING STARS ARE COMING UP." "ARE COMING UP." "PLUS, MORE FROM CHRIS ROCK," "PLUS, MORE FROM CHRIS ROCK, NEXT." "NEXT." "¶" "¶ ASYOUKNOW,FOR THE SECOND" "ASYOUKNOW,FOR THE SECOND YEAR IN A ROW, ALL THE ACTING" "YEAR IN A ROW, ALL THE ACTING NOMINEES ARE WHITE." "NOMINEES ARE WHITE." "BUT WORST THAN THAT, IF YOU ARE" "BUT WORST THAN THAT, IF YOU ARE A BLACK ACTOR, JUST GETTING AN" "A BLACK ACTOR, JUST GETTING AN OPPORTUNITY TO BE IN A MOVIE CAN" "OPPORTUNITY TO BE IN A MOVIE CAN BE A STRUGGLE." "BE A STRUGGLE." "LET'S TAKE A LOOK." "LET'S TAKE A LOOK." "WHATAREYOUDOING?" "WHATAREYOUDOING?" "SORRY." "SORRY." "YOU'REJOY." "YOU'REJOY." "I'MJOY?" "I'MJOY?" "COMEON." "COMEON." "GO." "GO." "GO." "GO." "UM- " "UM- - IT'SNOTROCKETSCIENCE." "IT'SNOTROCKETSCIENCE." "IT'S A MOP." "IT'S A MOP." "JUSTSAYSOMETHING." "JUSTSAYSOMETHING." "SORRY." "SORRY." "THESE LIGHTS ARE SO BRIGHT." "THESE LIGHTS ARE SO BRIGHT." "UM " "UM -- OH,MYGOD." "OH,MYGOD." "TELL HER TO SAY SOMETHING ABOUT" "TELL HER TO SAY SOMETHING ABOUT THE MOP." "THE MOP." "TALKABOUTTHEMOP ." "TALKABOUTTHEMOP ." "SAYSOMETHING!" "SAYSOMETHING!" "MAYBE ONE DAY THEY'LL MAKE A" "MAYBE ONE DAY THEY'LL MAKE A MOVIE ABOUT A SKINNY WHITE LADY" "MOVIE ABOUT A SKINNY WHITE LADY THAT MADE A MOP." "THAT MADE A MOP." "A BLACK GIRL WOULD HAVE TO" "A BLACK GIRL WOULD HAVE TO INVENT THE CURE FOR CANCER" "INVENT THE CURE FOR CANCER BEFORE THEY GIVE HER A TV MOVIE." "BEFORE THEY GIVE HER A TV MOVIE." "OH,MYGOD." "OH,MYGOD." "BUTHEY,I'MNOT MAD ." "BUTHEY,I'MNOT MAD ." "BECAUSE I KNOW HOW TO PLAY THE" "BECAUSE I KNOW HOW TO PLAY THE GAME." "GAME." "JOY." "JOY." "AHH!" "AHH!" "THEREARENO ACTRESSESIN" "THEREARENO ACTRESSESIN THIS MOVIE!" "THIS MOVIE!" "MY AGENT CALLED YOU TWICE." "MY AGENT CALLED YOU TWICE." "THEN I CALLED YOU 16 TIMES." "THEN I CALLED YOU 16 TIMES." "YOU SHOULD HAVE CALLED ME BACK." "YOU SHOULD HAVE CALLED ME BACK." "LOOKATME ." "LOOKATME ." "I'M A BLACK THESE BEE YAN," "I'M A BLACK THESE BEE YAN, STARRING IN HIS FIRST DRAMATIC" "STARRING IN HIS FIRST DRAMATIC ROLE." "ROLE." "AH!" "AH!" "HELLO?" "HELLO?" "I'MTHEDANISHGIRL!" "I'MTHEDANISHGIRL!" "THESE DANISHES IS GOOD, GIRL!" "THESE DANISHES IS GOOD, GIRL!" "NAILED IT." "NAILED IT." "GUYS,I 'M" "I 'MHERE." "GUYS,I 'M" "I 'MHERE." "OH,ISHE STILLUPTHERE?" "OH,ISHE STILLUPTHERE?" "OH,YEAH." "OH,YEAH." "SHOULDWEGETHIM ?" "SHOULDWEGETHIM ?" "YEAH,YOUSHOULDGET ME." "YEAH,YOUSHOULDGET ME." "DON'TWORRY,BLACKASTRONAUT," "DON'TWORRY,BLACKASTRONAUT, WE WILL." "WE WILL." "ITWILLCOST$2,500." "ITWILLCOST$2,500." "OH,THAT'SALOT ." "OH,THAT'SALOT ." "CAN WE JUST LEAVE HIM UP THERE?" "CAN WE JUST LEAVE HIM UP THERE?" "AH." "AH." "GUYS,I CANHEARYOU ." "GUYS,I CANHEARYOU ." "I'M RIGHT HERE." "I'M RIGHT HERE." "HI." "HI." "YEAH, MIGHT BE A PR PROBLEM." "YEAH, MIGHT BE A PR PROBLEM." "I'LLTELLYOUWHAT'SAPR" "I'LLTELLYOUWHAT'SAPR PROBLEM." "PROBLEM." "SPENDING 2,500 WHITE DOLLARS TO" "SPENDING 2,500 WHITE DOLLARS TO SAVE ONE BLACK ASTRONAUT." "SAVE ONE BLACK ASTRONAUT." "WE'LL ALL BE OUT OF JOBS." "WE'LL ALL BE OUT OF JOBS." "WHAT?" "WHAT?" "WHITE DOLLARS?" "WHITE DOLLARS?" "YEAH,BUTIDON 'TREALLYSEE" "YEAH,BUTIDON 'TREALLYSEE A BLACK ASTRONAUT." "A BLACK ASTRONAUT." "DO YOU SEE A BLACK ASTRONAUT" "DO YOU SEE A BLACK ASTRONAUT ANYWHERE?" "ANYWHERE?" "IDON'TSEEABLACK" "IDON'TSEEABLACK ASTRONAUT." "ASTRONAUT." "I'MRIGHTHERE[BLEEP]!" "I'MRIGHTHERE[BLEEP]!" "OH,GOSH." "OH,GOSH." "YOU WANT TO GET LUNCH?" "YOU WANT TO GET LUNCH?" "OH,YEAH." "OH,YEAH." "WHAT ABOUT SOME PHO?" "WHAT ABOUT SOME PHO?" "IHAVEN'TEATENSINCEJUNE ." "IHAVEN'TEATENSINCEJUNE ." "HEY, WHERE ARE YOU GOING?" "HEY, WHERE ARE YOU GOING?" "SEE." "SEE." "TOLD YOU THEY WEREN'T GOING TO" "TOLD YOU THEY WEREN'T GOING TO BRING YOU BACK." "BRING YOU BACK." "CANYOUHELPME?" "CANYOUHELPME?" "KISSMYASS." "KISSMYASS." "NO!" "IT'SHARDTO GETAJOB." "BUT LET ME TELL YOU SOME GOOD" "BUT LET ME TELL YOU SOME GOOD NEWS." "NEWS." "THE ACADEMY HAS TAKEN STEPS TO" "THE ACADEMY HAS TAKEN STEPS TO FIX THIS PROBLEM." "FIX THIS PROBLEM." "THAT'S WHY IT IS MY HONOR TO" "THAT'S WHY IT IS MY HONOR TO INTRODUCE THE NEW DIRECTOR OF" "INTRODUCE THE NEW DIRECTOR OF OUR MINORITY OUTREACH PROGRAM." "OUR MINORITY OUTREACH PROGRAM." "PLEASE WELCOME MISS STACEY DASH." "PLEASE WELCOME MISS STACEY DASH." "ICANNOTWAITTOHELP MY" "ICANNOTWAITTOHELP MY PEOPLE OUT." "PEOPLE OUT." "HAPPY BLACK HISTORY MONTH!" "HAPPY BLACK HISTORY MONTH!" "THANK YOU." "THANK YOU." "THANKYOU." "THANKYOU." "BUT ENOUGH ABOUT BLACK PEOPLE." "BUT ENOUGH ABOUT BLACK PEOPLE." "LET'S BRING OUT SARAH SILVERMAN." "I'MHERETO INTRODUCETHE  FIRST OF TONIGHT'S NOMINEES FOR" "FIRST OF TONIGHT'S NOMINEES FOR BEST ORIGINAL SONG, "WRITING'S" "BEST ORIGINAL SONG, "WRITING'S ON THE WALL."" "ON THE WALL." IT'S FROM "SPECTRE," THE LATEST" "IT'S FROM "SPECTRE," THE LATEST JAMES BOND FILM, WHICH I DID NOT" "JAMES BOND FILM, WHICH I DID NOT SEE." "SEE." "I GUESS " " I GUESS I WAS A BOND" "I GUESS " " I GUESS I WAS A BOND GIRL, IN THAT I HAD SEXUAL" "GIRL, IN THAT I HAD SEXUAL INTERCOURSE WITH JAMES BOND" "INTERCOURSE WITH JAMES BOND FOLLOWED BY NEVER HEARING FROM" "FOLLOWED BY NEVER HEARING FROM HIM AGAIN EVER." "HIM AGAIN EVER." "LIKE, NEVER, LIKE, NOT EVEN A" "LIKE, NEVER, LIKE, NOT EVEN A TEXT." "TEXT." "AND I KNOW HE HAS A CELL" "AND I KNOW HE HAS A CELL PHONE " " HE HAS FOUR OF THEM." "PHONE " " HE HAS FOUR OF THEM." "IT'S TUNE." "IT'S TUNE." "WHATEVER." "WHATEVER." "MAYBE HE LIKES SLEEPING WITH" "MAYBE HE LIKES SLEEPING WITH VULNERABLE WOMEN WITH HEAVY" "VULNERABLE WOMEN WITH HEAVY JEWISH BOOBS AND THEN NEVER" "JEWISH BOOBS AND THEN NEVER CONTACTING THEM AGAIN." "CONTACTING THEM AGAIN." "MAYBE THAT'S HIS THING." "MAYBE THAT'S HIS THING." "KNOW WHAT MY THING IS?" "KNOW WHAT MY THING IS?" "BEING IN FRONT OF 80 MILLION" "BEING IN FRONT OF 80 MILLION PEOPLE ON LIVE TV AND SAYING" "PEOPLE ON LIVE TV AND SAYING WHATEVER COMES INTO MY MIND." "WHATEVER COMES INTO MY MIND." "OH, HERE'S SOMETHING." "OH, HERE'S SOMETHING." "JAMES BOND, NOT A GROWER OR A" "JAMES BOND, NOT A GROWER OR A SHOW-ER." "SHOW-ER." "I DON'T WANT TO SAY HE'S" "I DON'T WANT TO SAY HE'S TERRIBLE AT SEX, BUT HE DID" "TERRIBLE AT SEX, BUT HE DID SLEEP WITH 55 WOMEN IN 24 MOVIES" "SLEEP WITH 55 WOMEN IN 24 MOVIES AND MOST OF THEM TRIED TO KILL" "AND MOST OF THEM TRIED TO KILL HIM AFTERWARDS." "HIM AFTERWARDS." "AND IN MY OPINION, I DON'T THINK" "AND IN MY OPINION, I DON'T THINK HE'S STREET ENOUGH." "HE'S STREET ENOUGH." "BUT MY PERSONAL MISHIGAS ASIDE," "BUT MY PERSONAL MISHIGAS ASIDE, I'M HERE TO INTRODUCE AN ARTIST" "I'M HERE TO INTRODUCE AN ARTIST WHO, THROUGH NO FAULT OF HIS" "WHO, THROUGH NO FAULT OF HIS OWN, SANG THE LATEST BOND THEME" "OWN, SANG THE LATEST BOND THEME SONG." "SONG." "SINGING "WRITING'S ON THE WALL,"" "SINGING "WRITING'S ON THE WALL," HERE IS THE BRILLIANT SAM SMITH." "¶ ¶ I'VE BEEN HERE BEFORE" "¶ I'VE BEEN HERE BEFORE BUT ALWAYS HIT THE FLOOR ¶" "BUT ALWAYS HIT THE FLOOR ¶ ¶ I'VE SPENT A LIFETIME RUNNING" "¶ I'VE SPENT A LIFETIME RUNNING AND I ALWAYS GET AWAY ¶" "AND I ALWAYS GET AWAY ¶ ¶ BUT WITH YOU I'M FEELING" "¶ BUT WITH YOU I'M FEELING SOMETHING" "SOMETHING THAT MAKES ME WANT TO STAY ¶" "THAT MAKES ME WANT TO STAY ¶ ¶ IF I RISK IT ALL" "¶ IF I RISK IT ALL COULD YOU BREAK MY FALL?" "¶" "COULD YOU BREAK MY FALL?" "¶ ¶ HOW DO I LIVE?" "¶ HOW DO I LIVE?" "HOW DO I BREATHE?" "¶" "HOW DO I BREATHE?" "¶ ¶ WHEN YOU'RE NOT HERE" "¶ WHEN YOU'RE NOT HERE I'M SUFFOCATING ¶" "I'M SUFFOCATING ¶ ¶ I WANT TO FEEL LOVE" "¶ I WANT TO FEEL LOVE RUN THROUGH MY BLOOD ¶" "RUN THROUGH MY BLOOD ¶ ¶ TELL ME IS THIS WHERE I GIVE" "¶ TELL ME IS THIS WHERE I GIVE IT ALL UP ¶" "IT ALL UP ¶ ¶ FOR YOU ¶" "¶ FOR YOU ¶ ¶ I HAVE TO RISK IT ALL ¶" "¶ I HAVE TO RISK IT ALL ¶ ¶ CAUSE THE WRITING'S ON THE" "¶ CAUSE THE WRITING'S ON THE WALL ¶" "WALL ¶ ¶ A MILLION SHARDS OF GLASS" "¶ A MILLION SHARDS OF GLASS THAT HAUNT ME FROM MY PAST ¶" "THAT HAUNT ME FROM MY PAST ¶ ¶ AS THE STARS BEGIN TO GATHER" "¶ AS THE STARS BEGIN TO GATHER AND THE LIGHT BEGINS TO FADE ¶" "AND THE LIGHT BEGINS TO FADE ¶ ¶ WHEN ALL HOPE BEGINS TO" "¶ WHEN ALL HOPE BEGINS TO SHATTER" "SHATTER KNOW THAT I WON'T BE AFRAID ¶" "KNOW THAT I WON'T BE AFRAID ¶ ¶ IF I RISK IT ALL" "¶ IF I RISK IT ALL COULD YOU BREAK OUR FALL?" "¶" "COULD YOU BREAK OUR FALL?" "¶ ¶ HOW DO I LIVE?" "¶ HOW DO I LIVE?" "HOW DO I BREATHE?" "¶" "HOW DO I BREATHE?" "¶ ¶ WHEN YOU'RE NOT HERE" "¶ WHEN YOU'RE NOT HERE I'M SUFFOCATING ¶" "I'M SUFFOCATING ¶ ¶ I WANT TO FEEL LOVE" "¶ I WANT TO FEEL LOVE RUN THROUGH MY BLOOD ¶" "RUN THROUGH MY BLOOD ¶ ¶ TELL ME IS THIS WHERE I GIVE" "¶ TELL ME IS THIS WHERE I GIVE IT ALL UP ¶" "IT ALL UP ¶ ¶ FOR YOU I HAVE TO RISK IT" "¶ FOR YOU I HAVE TO RISK IT ALL ¶" "ALL ¶ ¶ CAUSE THE WRITING'S ON THE" "¶ CAUSE THE WRITING'S ON THE WALL ¶" "YEAH!" "AMAZING." "AMAZING." "NO, HEY, HEY." "NO, HEY, HEY." "MY FAVORITE SONG IS "FATHER" "MY FAVORITE SONG IS "FATHER FIGURE."" "FIGURE." ALL RIGHT." "ALL RIGHT." "LADIES AND GENTLEMEN, PLEASE" "LADIES AND GENTLEMEN, PLEASE WELCOME KERRY WASHINGTON AND" "WELCOME KERRY WASHINGTON AND SUPERMAN HIMSELF, HENRY CAVILL." "SUPERMAN HIMSELF, HENRY CAVILL." "TONIGHT,WE'REGOINGTOSEE" "TONIGHT,WE'REGOINGTOSEE HIGHLIGHTS FROM THE MOVIES" "HIGHLIGHTS FROM THE MOVIES NOMINATED FOR BEST PICTURE." "NOMINATED FOR BEST PICTURE." "THE FIRST IS A SCI-FI EPIC WITH" "THE FIRST IS A SCI-FI EPIC WITH HEART, A CLASSIC ADVENTURE SAGA" "HEART, A CLASSIC ADVENTURE SAGA THAT'S AS BIG AS AN ENTIRE" "THAT'S AS BIG AS AN ENTIRE PLANET AND YET OCCURS AT THE" "PLANET AND YET OCCURS AT THE SMALLEST POSSIBLE HUMAN SCALE " "SMALLEST POSSIBLE HUMAN SCALE -- THAT OF ONE MAN ALONE." "THAT OF ONE MAN ALONE." "HERE IS "THE MARTIAN."" "HERE IS "THE MARTIAN." THISISSPACE." "THISISSPACE." "IT DOES NOT COOPERATE." "IT DOES NOT COOPERATE." "TURNSOUTHE 'SALIVEAND WE" "TURNSOUTHE 'SALIVEAND WE LEFT HIM ON MARS." "LEFT HIM ON MARS." "HE'SGOINGTO STARVETO" "HE'SGOINGTO STARVETO DEATH." "DEATH." "ATSOMEPOINT,EVERYTHINGIS" "ATSOMEPOINT,EVERYTHINGIS GOING TO GO SOUTH AND YOU'RE" "GOING TO GO SOUTH AND YOU'RE GOING TO SAY, THIS IS IT." "GOING TO SAY, THIS IS IT." "THIS IS HOW I END." "THIS IS HOW I END." "NOW, YOU CAN EITHER ACCEPT THAT" "NOW, YOU CAN EITHER ACCEPT THAT OR YOU CANAN GET TO WORK." "OR YOU CANAN GET TO WORK." "MISSIONCONTROL,WE AREGO" "MISSIONCONTROL,WE AREGO FOR LAUNCH." "FOR LAUNCH." "LET'SGOGETOUR BOY ." "LET'SGOGETOUR BOY ." "YOUSOLVEONEPROBLEMANDYOU" "YOUSOLVEONEPROBLEMANDYOU SOLVE THE NEXT ONE AND IF YOU" "SOLVE THE NEXT ONE AND IF YOU SOLVE ENOUGH PROBLEMS, YOU GET" "SOLVE ENOUGH PROBLEMS, YOU GET TO COME HOME." "TO COME HOME." "OURNEXTNOMINEEFOR BEST" "OURNEXTNOMINEEFOR BEST PICTURE CONFRONTS THE" "PICTURE CONFRONTS THE QUESTION " " HOW CAN YOU" "QUESTION " " HOW CAN YOU UNDERSTAND SOMETHING THAT" "UNDERSTAND SOMETHING THAT AFFECTED MILLIONS OF PEOPLE" "AFFECTED MILLIONS OF PEOPLE AROUND THE WORLD, WHICH BUT" "AROUND THE WORLD, WHICH BUT CONFOUNDED US ALL?" "CONFOUNDED US ALL?" "THANKS TO SOME BRILLIANT WRITING" "THANKS TO SOME BRILLIANT WRITING AND DIRECTING, INNOVATIVE" "AND DIRECTING, INNOVATIVE EDITING AND A FANTASTIC ENSEMBLE" "EDITING AND A FANTASTIC ENSEMBLE CAST, "THE BIG SHORT"" "CAST, "THE BIG SHORT" ACCOMPLISHED THAT REMARKABLE" "ACCOMPLISHED THAT REMARKABLE FEAT, FINDING HUMOR AND PATHOS" "FEAT, FINDING HUMOR AND PATHOS ALONG THE WAY." "ALONG THE WAY." "HERE IS "THE BIG SHORT."" "HERE IS "THE BIG SHORT." WHATISTHAT?" "WHATISTHAT?" "THAT'SAMERICA'SHOUSING" "THAT'SAMERICA'SHOUSING MARKET." "MARKET." "WHILE THE WHOLE WORLD WAS HAVING" "WHILE THE WHOLE WORLD WAS HAVING A BIG PARTY, A FEW SAW SOMETHING" "A BIG PARTY, A FEW SAW SOMETHING BY DOING SOMETHING THE REST OF" "BY DOING SOMETHING THE REST OF THE SUCKERS NEVER THOUGHT TO DO." "THE SUCKERS NEVER THOUGHT TO DO." "THEY LOOKED." "THEY LOOKED." "IFWE'RERIGHT,PEOPLELOSE" "IFWE'RERIGHT,PEOPLELOSE  HOMES." "HOMES." "PEOPLE LOSE JOBS." "PEOPLE LOSE JOBS." "PEOPLE LOSE PENSIONS." "PEOPLE LOSE PENSIONS." "THEHOUSINGMARKETISROCK" "THEHOUSINGMARKETISROCK  SOLID." "SOLID." "IT'SA TIMEBOMB." "IT'SA TIMEBOMB." "IFINDHOUSES." "IFINDHOUSES." "YOUGUYSSAIDYOU WANTTOGET" "YOUGUYSSAIDYOU WANTTOGET RICH, NOW YOU'RE RICH." "RICH, NOW YOU'RE RICH." "INTHEYEARSTHATFOLLOWED," "INTHEYEARSTHATFOLLOWED, HUNDREDS OF BANK EXECUTIVES WENT" "HUNDREDS OF BANK EXECUTIVES WENT TO JAIL." "TO JAIL." "JUST KIDDING." "JUST KIDDING." "Announcer:" "ANDNOW,LAST" "Announcer:" "ANDNOW,LAST YEAR'S OSCAR-WINNING SUPPORTING" "YEAR'S OSCAR-WINNING SUPPORTING ACTOR, J.K. SIMMONS." "ACTOR, J.K. SIMMONS." "THEFIVEWOMENNOMINATEDFOR" "THEFIVEWOMENNOMINATEDFOR BEST SUPPORTING ACTRESS THIS" "BEST SUPPORTING ACTRESS THIS YEAR DEVELOPED REMARKABLY" "YEAR DEVELOPED REMARKABLY ROUNDED AND CONVINCING" "ROUNDED AND CONVINCING CHARACTERS " " A MURDEROUS" "CHARACTERS " " A MURDEROUS FUGITIVE WITH A PRICE ON HER" "FUGITIVE WITH A PRICE ON HER HEAD, A YOUNG WOMAN DRAWN INTO A" "HEAD, A YOUNG WOMAN DRAWN INTO A FORBIDDEN RELATIONSHIP IN THE" "FORBIDDEN RELATIONSHIP IN THE 1950s, AN INTREPID REPORTER 1950s, AN INTREPID REPORTER SEARCHING FOR TRUTH, AN ARTIST" "SEARCHING FOR TRUTH, AN ARTIST WHOSE SPOUSE UNDERGOES" "WHOSE SPOUSE UNDERGOES PIONEERING GENDER CONFIRMATION" "PIONEERING GENDER CONFIRMATION SURGERY AND THE PLAIN-SPOKEN" "SURGERY AND THE PLAIN-SPOKEN MARKETING CHIEF WHO GOES" "MARKETING CHIEF WHO GOES TOE-TO-TOE WITH STEVE JOBS." "TOE-TO-TOE WITH STEVE JOBS." "HERE ARE THE NOMINEES FOR" "HERE ARE THE NOMINEES FOR PERFORMANCE BY AN ACTRESS IN A" "PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE." "SUPPORTING ROLE." "JENNIFER JASON LEIGH, "THE" "JENNIFER JASON LEIGH, "THE HATEFUL EIGHT."" "HATEFUL EIGHT." YOU'REMAKINGTHEBIGGEST" "YOU'REMAKINGTHEBIGGEST MISTAKE OF YOUR LIFE." "MISTAKE OF YOUR LIFE." "WHEN OUR BOYS GET HERE IN A" "WHEN OUR BOYS GET HERE IN A COUPLE OF DAYS, THEY'RE GOING TO" "COUPLE OF DAYS, THEY'RE GOING TO CUT YOUR NUTS OFF AND THERE" "CUT YOUR NUTS OFF AND THERE WON'T BE A STICK LEFT IN THAT" "WON'T BE A STICK LEFT IN THAT TOWN UNBURNED." "TOWN UNBURNED." "WELL,I GUESSISHOULDBE" "WELL,I GUESSISHOULDBE PLUM SCARED RIGHT NOW, HUH?" "PLUM SCARED RIGHT NOW, HUH?" "IFYOUHADANY BRAUNBRAINS," "IFYOUHADANY BRAUNBRAINS, WOULD BE." "WOULD BE." "ROONEYMARA,"CAROL."" "ROONEYMARA,"CAROL." WHATAMITHINKING?" "WHATAMITHINKING?" "I'M THINKING THAT I'M UTTERLY" "I'M THINKING THAT I'M UTTERLY SELFISH " "SELFISH -- DON'TDOTHIS." "DON'TDOTHIS." "YOU HAD NO IDEA." "YOU HAD NO IDEA." "HOW WOULD YOU HAVE KNOWN?" "HOW WOULD YOU HAVE KNOWN?" "ANDI SHOULDHAVESAIDNOTO" "ANDI SHOULDHAVESAIDNOTO  YOU, BUT I NEVER SAY NO." "YOU, BUT I NEVER SAY NO." "AND IT'S SELFISH, BECAUSE " "AND IT'S SELFISH, BECAUSE -- BECAUSE I JUST TAKE EVERYTHING" "BECAUSE I JUST TAKE EVERYTHING AND I DON'T KNOW ANYTHING AND I" "AND I DON'T KNOW ANYTHING AND I DON'T KNOW WHAT I WANT AND HOW" "DON'T KNOW WHAT I WANT AND HOW COULD I WHEN ALL I EVER DO IS" "COULD I WHEN ALL I EVER DO IS SAY YES TO EVERYTHING?" "SAY YES TO EVERYTHING?" "RACHELMcADAMS,"SPOTLIGHT."" "RACHELMcADAMS,"SPOTLIGHT." YOUADMITTO MOLESTINGBOYS" "YOUADMITTO MOLESTINGBOYS AT ST." "JOHN THE BAPTIST?" "AT ST." "JOHN THE BAPTIST?" "YES,YES,BUT" "ASISAID , I" "YES,YES,BUT" "ASISAID , I NEVER GOT ANY PLEASURE FROM IT." "NEVER GOT ANY PLEASURE FROM IT." "THAT'S IMPORTANT TO UNDERSTAND." "THAT'S IMPORTANT TO UNDERSTAND." "RIGHT." "RIGHT." "BUT " " CAN YOU TELL ME WHERE AND" "BUT " " CAN YOU TELL ME WHERE AND HOW YOU FOOLED AROUND WITH THESE" "HOW YOU FOOLED AROUND WITH THESE BOYS?" "BOYS?" "IWANTTO BE CLEAR." "IWANTTO BE CLEAR." "I NEVER RAPED ANYONE." "I NEVER RAPED ANYONE." "THERE'S A DIFFERENCE." "THERE'S A DIFFERENCE." "I SHOULD KNOW." "I SHOULD KNOW." "HOWWOULDYOUKNOW?" "HOWWOULDYOUKNOW?" "IWASRAPED." "IWASRAPED." "ALICIAVIKANDER,"THEDANISH" "ALICIAVIKANDER,"THEDANISH GIRL."" "GIRL." EXACTLYWHATHAPPENEDBETWEEN" "EXACTLYWHATHAPPENEDBETWEEN YOU LAST NIGHT?" "YOU LAST NIGHT?" "NOTHING." "NOTHING." "IT WAS NOTHING." "IT WAS NOTHING." "DIDHEKNOWITWASYOU?" "DIDHEKNOWITWASYOU?" "ITWASN'TAS SIMPLEASTHAT ." "ITWASN'TAS SIMPLEASTHAT ." "IWATCHEDHIMKISSYOU." "IWATCHEDHIMKISSYOU." "CAN YOU PLEASE MAKE AN EFFORT?" "CAN YOU PLEASE MAKE AN EFFORT?" "KATEWINSLET,"STEVEJOBS."" "KATEWINSLET,"STEVEJOBS." YOUHAVETO THINKYOU 'RE" "YOUHAVETO THINKYOU 'RE HAVING A BIZARRE OVERREACTION TO" "HAVING A BIZARRE OVERREACTION TO A 19-YEAR-OLD GIRL ALLOWING HER" "A 19-YEAR-OLD GIRL ALLOWING HER MOTHER TO LIST HER OWN HOUSE?" "MOTHER TO LIST HER OWN HOUSE?" "SHECOULDHAVETRIED." "SHECOULDHAVETRIED." "SHE'SSUPPOSEDTO STOPHER" "SHE'SSUPPOSEDTO STOPHER  MOTHER?" "MOTHER?" "THAT PARTICULAR MOTHER " "THAT PARTICULAR MOTHER -- SHEDIDIT TO SPITEME." "SHEDIDIT TO SPITEME." "IDON'TCAREIFSHEPUTA" "IDON'TCAREIFSHEPUTA PIPE BOMB IN THE WATER HEATER." "PIPE BOMB IN THE WATER HEATER." "YOU'RE GOING TO FIX IT NOW." "ANDTHEOSCARGOESTO" " A ALICIA VIKANDER, "THE DANISH" "ALICIA VIKANDER, "THE DANISH GIRL."" "GIRL." THISISTHEFIRSTOSCARAND" "THISISTHEFIRSTOSCARAND NOMINATION FOR ALICIA VIKANDER." "THISISINSANE." "WOW." "WOW." "THANK YOU SO MUCH, THE ACADEMY" "THANK YOU SO MUCH, THE ACADEMY FOR THIS INCREDIBLE RECOGNITION." "FOR THIS INCREDIBLE RECOGNITION." "I SHARE THIS WITH OUR FABULOUS" "I SHARE THIS WITH OUR FABULOUS CREW AND CAST AND I WANT TO" "CREW AND CAST AND I WANT TO THANK " " I WANT TO THANK GALE" "THANK " " I WANT TO THANK GALE AND ANN AND NINA AND WORKING" "AND ANN AND NINA AND WORKING TITLE AND FOCUS AND TOM, WHERE" "TITLE AND FOCUS AND TOM, WHERE ARE YOU?" "ARE YOU?" "MY DIRECTOR " " THANK YOU SO MUCH" "MY DIRECTOR " " THANK YOU SO MUCH FOR YOUR SUPPORT AND BELIEF IN" "FOR YOUR SUPPORT AND BELIEF IN ME AND " " EDDIE, THERE YOU ARE." "ME AND " " EDDIE, THERE YOU ARE." "THANK YOU FOR BEING THE BEST" "THANK YOU FOR BEING THE BEST ACTING PARTNER." "ACTING PARTNER." "I COULD HAVE NEVER DONE IT" "I COULD HAVE NEVER DONE IT WITHOUT YOU." "WITHOUT YOU." "YOU RAISED MY GAME." "YOU RAISED MY GAME." "I WOULDN'T BE HERE IF IT WASN'T" "I WOULDN'T BE HERE IF IT WASN'T FOR MY DREAM TEAM, WHICH IS" "FOR MY DREAM TEAM, WHICH IS TERESA, CHARLES, LAURA, I WANT" "TERESA, CHARLES, LAURA, I WANT TO THANK MY FRIENDS AND MY MOM" "TO THANK MY FRIENDS AND MY MOM AND DAD " " THANK YOU FOR GIVING" "AND DAD " " THANK YOU FOR GIVING ME THE BELIEF THAT ANYTHING CAN" "ME THE BELIEF THAT ANYTHING CAN HAPPEN EVEN THOUGH I WOULD HAVE" "HAPPEN EVEN THOUGH I WOULD HAVE NEVER BELIEVED THIS." "NEVER BELIEVED THIS." "THANK YOU." "THANK YOU." "Announcer:" "COMINGUP ,STEVE" "Announcer:" "COMINGUP ,STEVE CARELL AND TINA FEY." "CARELL AND TINA FEY." "MUSIC FROM THE WEEKND." "MUSIC FROM THE WEEKND." "PLUS, MORE FROM CHRIS ROCK." "PLUS, MORE FROM CHRIS ROCK." "¶" "¶ WE'REBLACK." "WE'REBLACK." "UM " " OF ALL THE GIRL ON GIRL" "UM " " OF ALL THE GIRL ON GIRL MOVIES I WATCHED THIS YEAR, I" "MOVIES I WATCHED THIS YEAR, I GOT TO SAY, "CAROL" WAS ABOUT" "GOT TO SAY, "CAROL" WAS ABOUT THE THIRD-BEST." "THE THIRD-BEST." "HERE TO PRESENT THE AWARD FOR" "HERE TO PRESENT THE AWARD FOR BEST COSTUME DESIGN," "BEST COSTUME DESIGN, ACADEMY AWARD WINNER AND A" "ACADEMY AWARD WINNER AND A NOMINEE TONIGHT, LADIES AND" "NOMINEE TONIGHT, LADIES AND GENTLEMEN, MISS CATE BLANCHETT." "GENTLEMEN, MISS CATE BLANCHETT." "COSTUMESAREMUCHMORETHAN" "COSTUMESAREMUCHMORETHAN  JUST THE CLOTHES ACTORS WEAR ON" "JUST THE CLOTHES ACTORS WEAR ON SCREEN." "SCREEN." "THEY'VE BEEN CALLED THE SKIN OF" "THEY'VE BEEN CALLED THE SKIN OF THE CHARACTER, AN INTEGRAL PART" "THE CHARACTER, AN INTEGRAL PART OF DEFINING THE CHARACTERS WE" "OF DEFINING THE CHARACTERS WE PLAY." "PLAY." "THIS AWARD RECOGNIZES THE" "THIS AWARD RECOGNIZES THE STYLE-MAKERS, COLORISTS AND" "STYLE-MAKERS, COLORISTS AND FABRICATORS OF THAT WONDERFUL" "FABRICATORS OF THAT WONDERFUL SKIN." "SKIN." "FROM THEIR ABUNDANT IMAGINATIONS" "FROM THEIR ABUNDANT IMAGINATIONS CAME FAIRYTALE FASHIONS," "CAME FAIRYTALE FASHIONS, POST-APOCALYPTIC CREATIONS AND" "POST-APOCALYPTIC CREATIONS AND PRECISE HISTORICAL" "PRECISE HISTORICAL RECONSTRUCTIONS " " ALL OF THEM" "RECONSTRUCTIONS " " ALL OF THEM MASTERPIECES." "MASTERPIECES." "HERE ARE THE NOMINEES FOR" "HERE ARE THE NOMINEES FOR ACHIEVEMENT IN COSTUME DESIGN." "ACHIEVEMENT IN COSTUME DESIGN." ""CINDERELLA," COSTUME DESIGN BY" ""CINDERELLA," COSTUME DESIGN BY SANDY POWELL." "SANDY POWELL." ""THE DANISH GIRL," COSTUME" ""THE DANISH GIRL," COSTUME DESIGN BY PACO DELGADO." "DESIGN BY PACO DELGADO." ""CAROL," COSTUME DESIGN BY SANDY" ""CAROL," COSTUME DESIGN BY SANDY POWELL." "POWELL." ""THE REVENANT," COSTUME DESIGN" ""THE REVENANT," COSTUME DESIGN BY JACQUELINE WEST." "BY JACQUELINE WEST." ""MAD MAX:" "FURY ROAD," COSTUME" ""MAD MAX:" "FURY ROAD," COSTUME DESIGN BY JENNY BEAVAN." "DESIGN BY JENNY BEAVAN." "AND THE OSCAR GOES TO " " JENNY" "AND THE OSCAR GOES TO " " JENNY BEAVAN, "MAD MAX:" "FURY ROAD."" "BEAVAN, "MAD MAX:" "FURY ROAD." THISISTHESECONDOSCARAND" "THISISTHESECONDOSCARAND TENTH NOMINATION FOR JENNY" "TENTH NOMINATION FOR JENNY BEAVAN, WHO TOOK HOME HER FIRST" "BEAVAN, WHO TOOK HOME HER FIRST OSCAR IN THIS CATEGORY FOR "A" "OSCAR IN THIS CATEGORY FOR "A ROOM WITH A VIEW."" "ROOM WITH A VIEW." WHATANOTHERLOVELYDAY ." "WHATANOTHERLOVELYDAY ." "VERY QUICKLY, IF IAN SMITH, OUR" "VERY QUICKLY, IF IAN SMITH, OUR AMAZING EXECUTIVE PRODUCER FROM" "AMAZING EXECUTIVE PRODUCER FROM SCOTLAND HADN'T SENT ME A TEXT," "SCOTLAND HADN'T SENT ME A TEXT, SAYING, WHAT ARE YOU DOING AT" "SAYING, WHAT ARE YOU DOING AT THE MOMENT, AND THEN GOT ME ON A" "THE MOMENT, AND THEN GOT ME ON A PLANE OUT TO MEET GEORGE MILLER" "PLANE OUT TO MEET GEORGE MILLER AND DOUG MITCHELL, I WOULDN'T," "AND DOUG MITCHELL, I WOULDN'T, OBVIOUSLY, BE STANDING HERE." "OBVIOUSLY, BE STANDING HERE." "IT WAS A YEAR OF OUR LIVES IN" "IT WAS A YEAR OF OUR LIVES IN THE NAMIBIAN DESERT." "THE NAMIBIAN DESERT." "WE HAD THE MOST AMAZING CREW." "WE HAD THE MOST AMAZING CREW." "I HOPE THAT " " I HEARD THEY WANT" "I HOPE THAT " " I HEARD THEY WANT TICKER TAPE, THE NAMES WERE" "TICKER TAPE, THE NAMES WERE GOING ON THE SCREEN, BUT" "GOING ON THE SCREEN, BUT HONESTLY, IF ANYBODY WANTS TO" "HONESTLY, IF ANYBODY WANTS TO KNOW MORE ABOUT ANY OF THEM," "KNOW MORE ABOUT ANY OF THEM, JUST GET IN TOUCH WITH ME," "JUST GET IN TOUCH WITH ME, THROUGH MY WONDERFUL AGENTS." "THROUGH MY WONDERFUL AGENTS." "BUT IT WAS AN INCREDIBLE" "BUT IT WAS AN INCREDIBLE EXPERIENCE, SO, I JUST WANT TO" "EXPERIENCE, SO, I JUST WANT TO SAY ONE QUITE SERIOUS THING AND" "SAY ONE QUITE SERIOUS THING AND I'VE BEEN THINKING ABOUT THIS A" "I'VE BEEN THINKING ABOUT THIS A LOT, BUT ACTUALLY, IT COULD BE" "LOT, BUT ACTUALLY, IT COULD BE HORRIBLY PROPHETIC, MAD FAX, IF" "HORRIBLY PROPHETIC, MAD FAX, IF WERE DON'T STOP POLLUTING OUR" "WERE DON'T STOP POLLUTING OUR ATMOSPHERE, SO, YOU KNOW, IT" "ATMOSPHERE, SO, YOU KNOW, IT COULD HAPPEN." "COULD HAPPEN." "Announcer:" "PLEASEWELCOME" "Announcer:" "PLEASEWELCOME TINA FEY AND OSCAR NOMINEE," "TINA FEY AND OSCAR NOMINEE, STEVE CARELL." "STEVE CARELL." "PRODUCTIONDESIGNERSTAKEUS" "PRODUCTIONDESIGNERSTAKEUS TO BEAUTIFUL NEW WORLDS." "TO BEAUTIFUL NEW WORLDS." "THE INTERIOR OF A SPACESHIP." "THE INTERIOR OF A SPACESHIP." "THETHINGWHEREABEAR LIVES." "THETHINGWHEREABEAR LIVES." "ANARTSTUDIOIN1920s" "ANARTSTUDIOIN1920s COPENHAGEN." "COPENHAGEN." "TOMHANKS'SHOUSE?" "TOMHANKS'SHOUSE?" "ATYRANT'SMOUNTAINLAIRIN" "ATYRANT'SMOUNTAINLAIRIN THE DYSTOPIAN STEAMPUNK FUTURE." "THE DYSTOPIAN STEAMPUNK FUTURE." "WHAT?" "WHAT?" "TINAHASBEENDRINKING." "TINAHASBEENDRINKING." "BUT THAT SHOULD NOT TAKE AWAY" "BUT THAT SHOULD NOT TAKE AWAY FROM THE BEAUTIFUL WORK OF THIS" "FROM THE BEAUTIFUL WORK OF THIS YEAR'S NOMINEES FOR BEST" "YEAR'S NOMINEES FOR BEST PRODUCTION DESIGN." "PRODUCTION DESIGN." "THENONIMEESARE" "THENONIMEESARE-- "BRIDGE OF SPIES," PRODUCTION" ""BRIDGE OF SPIES," PRODUCTION DESIGN BY ADAM STOCKHAUSEN AND" "DESIGN BY ADAM STOCKHAUSEN AND SET DECORATION BY RENA DEANGELO" "SET DECORATION BY RENA DEANGELO AND BERNHARD HENRICH." "AND BERNHARD HENRICH." ""THE DANISH GIRL," PRODUCTION" ""THE DANISH GIRL," PRODUCTION DESIGN BY EVE STEWART AND SET" "DESIGN BY EVE STEWART AND SET DECORATION BY MICHAEL STANDISH." "DECORATION BY MICHAEL STANDISH." ""THE MARTIAN," PRODUCTION DESIGN" ""THE MARTIAN," PRODUCTION DESIGN BY ARTHUR MAX AND SET DECORATION" "BY ARTHUR MAX AND SET DECORATION BY CELIA BOBAK." "BY CELIA BOBAK." ""THE REVENANT," PRODUCTION" ""THE REVENANT," PRODUCTION DESIGN BY JACK FISK AND SET" "DESIGN BY JACK FISK AND SET DECORATION BY HAMISH PURDY." "DECORATION BY HAMISH PURDY." ""MAD MAX:" "FURY ROAD," PRODUCTION" ""MAD MAX:" "FURY ROAD," PRODUCTION DESIGN BY COLIN GIBSON AND SET" "DESIGN BY COLIN GIBSON AND SET DECORATION BY LISA THOMPSON." "DECORATION BY LISA THOMPSON." "ANDTHEOSCARGOESTO-- "MAD" "ANDTHEOSCARGOESTO-- "MAD MAX:" "FURY ROAD."" "MAX:" "FURY ROAD." COLIN GIBSON AND LISA THOMPSON." "COLIN GIBSON AND LISA THOMPSON." "THISISTHEFIRSTOSCARAND" "THISISTHEFIRSTOSCARAND NOMINATION FOR COLIN GIBSON AND" "NOMINATION FOR COLIN GIBSON AND LISA THOMPSON." "ITNEVERCEASESTOANNOYME HOW MANY PEOPLE IT TAKES TO MAKE" "HOW MANY PEOPLE IT TAKES TO MAKE ME LOOK COMPETENT, SO YOU GET" "ME LOOK COMPETENT, SO YOU GET ONE OF THESE, YOU GET AN IDEA OF" "ONE OF THESE, YOU GET AN IDEA OF THE MULTITUDES OF AUSTRALIANS," "THE MULTITUDES OF AUSTRALIANS, NEW ZEALANDERS, BRITS," "NEW ZEALANDERS, BRITS, AMERICANS, SOUTH AFRICANS," "AMERICANS, SOUTH AFRICANS, NAMIBIANS, WHO ALL CAME TOGETHER" "NAMIBIANS, WHO ALL CAME TOGETHER UNDER GEORGE'S VISION TO BRING" "UNDER GEORGE'S VISION TO BRING YOU A TALE ABOUT A MAN WITH" "YOU A TALE ABOUT A MAN WITH MENTAL HEALTH ISSUES, AN AMPUTEE" "MENTAL HEALTH ISSUES, AN AMPUTEE AMAZON AND FIVE RUNAWAY SEX" "AMAZON AND FIVE RUNAWAY SEX SLAVES, SO, I'D LIKE TO CHALK" "SLAVES, SO, I'D LIKE TO CHALK THIS ONE UP AS THE FIRST OSCAR" "THIS ONE UP AS THE FIRST OSCAR FOR DIVERSITY." "FOR DIVERSITY." "THANKYOU,ACADEMY,AND THANK" "THANKYOU,ACADEMY,AND THANK YOU TO THE MOST AMAZING CREW." "YOU TO THE MOST AMAZING CREW." "THANK YOU." "THANK YOU." "Announcer:" "LADIESAND" "Announcer:" "LADIESAND GENTLEMEN, MARGOT ROBBIE AND" "GENTLEMEN, MARGOT ROBBIE AND OSCAR WINNER, JARED LETO." "OSCAR WINNER, JARED LETO." "EVERYACTORKNOWSTHATA" "EVERYACTORKNOWSTHATA MEMORABLE CHARACTER IS A" "MEMORABLE CHARACTER IS A COLLABORATION WITH A LOT OF" "COLLABORATION WITH A LOT OF DIFFERENT PEOPLE, ESPECIALLY" "DIFFERENT PEOPLE, ESPECIALLY WITH THIS NEXT GROUP OF" "WITH THIS NEXT GROUP OF NOMINEES." "NOMINEES." "WITHOUTTHEGENIUS" "WITHOUTTHEGENIUS CONTRIBUTIONS OF MAKEUP ARTISTS" "CONTRIBUTIONS OF MAKEUP ARTISTS AND HAIR STYLISTS, WE WOULDN'T" "AND HAIR STYLISTS, WE WOULDN'T LOSE OURSELVES IN CLASSIC FILMS" "LOSE OURSELVES IN CLASSIC FILMS LIKE "THE GODFATHER," "ELEPHANT" "LIKE "THE GODFATHER," "ELEPHANT MAN," "RAGING BULL," "MAGIC MIKE" "MAN," "RAGING BULL," "MAGIC MIKE 2."" "2." THINK ABOUT IT." "THINK ABOUT IT." "LET'S BE HONEST." "LET'S BE HONEST." "THEY DESERVE AN AWARD JUST FOR" "THEY DESERVE AN AWARD JUST FOR PUTTING UP WITH THESE ACTORS," "PUTTING UP WITH THESE ACTORS, NOT TO MENTION THE PROSTHETICS," "NOT TO MENTION THE PROSTHETICS, THE WIGS." "THE WIGS." "THE OCCASIONAL MERKIN." "THE OCCASIONAL MERKIN." "IF YOU HAPPEN TO BE LAUGHING," "IF YOU HAPPEN TO BE LAUGHING, PLEASE EXPLAIN IT TO THE PERSON" "PLEASE EXPLAIN IT TO THE PERSON NEXT TO YOU." "NEXT TO YOU." "AND IF YOU AREN'T, GOOGLE IT." "AND IF YOU AREN'T, GOOGLE IT." "HEREARETHENOMINEESFOR" "HEREARETHENOMINEESFOR ACHIEVEMENT IN MAKEUP AND" "ACHIEVEMENT IN MAKEUP AND HAIRSTYLING." "HAIRSTYLING." ""MAD MAX:" "FURY ROAD," LESLEY" ""MAD MAX:" "FURY ROAD," LESLEY VANDERWALT, ELKA WARDEGA AND" "VANDERWALT, ELKA WARDEGA AND DAMIAN MARTIN." "DAMIAN MARTIN." ""THE 100-YEAR-OLD MAN WHO" ""THE 100-YEAR-OLD MAN WHO CLIMBED OUT THE WINDOW AND" "CLIMBED OUT THE WINDOW AND DISAPPEARED," LOVE LARSON AND" "DISAPPEARED," LOVE LARSON AND EVA VON BAHR." "EVA VON BAHR." ""THE REVENANT," SIAN GRIGG," ""THE REVENANT," SIAN GRIGG, DUNCAN JARMAN AND ROBERT" "DUNCAN JARMAN AND ROBERT PANDINI." "PANDINI." "ANDTHEOSCARGOESTO-- "MAD" "ANDTHEOSCARGOESTO-- "MAD MAX:" "FURY ROAD."" "MAX:" "FURY ROAD." THISISTHEFIRSTOSCARAND" "THISISTHEFIRSTOSCARAND NOMINATION FOR LESLEY" "NOMINATION FOR LESLEY VANDERWALT, ELKA WARDEGA AND" "VANDERWALT, ELKA WARDEGA AND DAMIAN MARTIN." "WOW." "AMAZING." "AMAZING." "YOU CAN POP THE CORKS AT HOME," "YOU CAN POP THE CORKS AT HOME, WE'RE BRINGING HOME GOLD." "WE'RE BRINGING HOME GOLD." "FANTASTIC." "FANTASTIC." "THANK YOU VERY MUCH TO THE" "THANK YOU VERY MUCH TO THE ACADEMY." "ACADEMY." "THANK YOU VERY MUCH TO WARNER" "THANK YOU VERY MUCH TO WARNER BROTHERS." "BROTHERS." "THANK YOU TO ALL OF FANTASTIC" "THANK YOU TO ALL OF FANTASTIC CREW ACROSS THE GLOBE." "CREW ACROSS THE GLOBE." "THERE WERE MANY OF THEM, AS" "THERE WERE MANY OF THEM, AS COLIN SAID." "COLIN SAID." "A LOT OF IT HAS ALREADY BEEN" "A LOT OF IT HAS ALREADY BEEN SAID BY JENNY AND COLIN, BUT" "SAID BY JENNY AND COLIN, BUT ONCE AGAIN, WE WANT TO THANK" "ONCE AGAIN, WE WANT TO THANK GEORGE, WHO IS, YOU KNOW, IT WAS" "GEORGE, WHO IS, YOU KNOW, IT WAS HIS VISION, HIS VISION, AND" "HIS VISION, HIS VISION, AND THANK YOU FOR TAKING US ALL" "THANK YOU FOR TAKING US ALL ALONG." "ALONG." "YOU'RE AMAZING, GEORGE, WE LOVE" "YOU'RE AMAZING, GEORGE, WE LOVE YOU." "YOU." "ANDJUSTLIKETOTHANKMY" "ANDJUSTLIKETOTHANKMY PARENTS AND MY BEAUTIFUL" "PARENTS AND MY BEAUTIFUL ONE-WEEK-OLD TODAY DAUGHTER AND" "ONE-WEEK-OLD TODAY DAUGHTER AND HER BEAUTIFUL MOTHER." "HER BEAUTIFUL MOTHER." "ANDALLOURSUPPORTERSBACK" "ANDALLOURSUPPORTERSBACK  HOME." "HOME." "THANKYOUSO MUCH." "THANKYOUSO MUCH." "THANK YOU TO THE ACADEMY." "THANK YOU TO THE ACADEMY." "Announcer:" "LADIESAND" "Announcer:" "LADIESAND GENTLEMEN, PLEASE WELCOME OSCAR" "GENTLEMEN, PLEASE WELCOME OSCAR WINNER BENICIO DEL TORO AND" "WINNER BENICIO DEL TORO AND JENNIFER GARNER." "A" REVENANT"" "A DEADSPIRIT THAT COMES BACK TO LIFE TO" "THAT COMES BACK TO LIFE TO TERRORIZE THE LIVING." "TERRORIZE THE LIVING." "REGARDING OUR NEXT BEST PICTURE" "REGARDING OUR NEXT BEST PICTURE NOMINEE, IT REPRESENTS THE" "NOMINEE, IT REPRESENTS THE EXTRAORDINARY POWER OF HUMAN" "EXTRAORDINARY POWER OF HUMAN ENDURANCE." "ENDURANCE." "INSPIRED BY TRUE EVENTS, IT'S" "INSPIRED BY TRUE EVENTS, IT'S THE EPIC TALE OF A LEGENDARY" "THE EPIC TALE OF A LEGENDARY EXPLORER'S QUEST TO SURVIVE A" "EXPLORER'S QUEST TO SURVIVE A VICIOUS WINTER AND FIND" "VICIOUS WINTER AND FIND REDEMPTION AFTER HE'S BRUTALLY" "REDEMPTION AFTER HE'S BRUTALLY MAULED AND LEFT FOR DEAD." "MAULED AND LEFT FOR DEAD." "HERE IS "THE REVENANT."" "YOUKNOWHOWFAR ICAME FOR HIM." "HIM." "HE'S AFRAID." "HE'S AFRAID." "RIGHTHEREON THESMARTEND" "RIGHTHEREON THESMARTEND OF THIS RIFLE." "OF THIS RIFLE." "BE HERE FOR AS LONG AS" "BE HERE FOR AS LONG AS NECESSARY." "NECESSARY." "IUNDERSTAND." "IUNDERSTAND." "IDOTHATFOR YOU ." "IDOTHATFOR YOU ." "IAUNTAFRAIDTODIE." "IAUNTAFRAIDTODIE." "I'VE DONE IT ALREADY." "INOURNEXTBESTPICTURE NOMINEE, CIVILIZATION HAS" "NOMINEE, CIVILIZATION HAS COLLAPSED AND THE WORLD IS A" "COLLAPSED AND THE WORLD IS A TOXIC WASTELAND." "TOXIC WASTELAND." "TWO REBELS ARE PURSUED BY A" "TWO REBELS ARE PURSUED BY A RUTHLESS TYRANT AND HIS GANGS IN" "RUTHLESS TYRANT AND HIS GANGS IN A HIGH-OCTANE ROAD WAR." "A HIGH-OCTANE ROAD WAR." "HERE IS "MAD MAX:" "FURY ROAD."" "ASTHEWORLDFELL,EACH OF US, IN OUR OWN WAY, WAS BROKEN." "US, IN OUR OWN WAY, WAS BROKEN." "IT WAS HARD TO KNOW WHO WAS MORE" "IT WAS HARD TO KNOW WHO WAS MORE CRAZY." "CRAZY." "ME OR EVERYONE ELSE." "ME OR EVERYONE ELSE." "I AM THE ONE REDUCED TO A SINGLE" "I AM THE ONE REDUCED TO A SINGLE ENTITY." "ENTITY." "SURVIVE." "SURVIVE." "MY NAME IS MAX." "MY NAME IS MAX." "Announcer:" "COMINGUP ,MORE" "Announcer:" "COMINGUP ,MORE FROM CHRIS ROCK, LIVE." "FROM CHRIS ROCK, LIVE." "¶" "¶ OKAY,IT'SALWAYS" "OKAY,IT'SALWAYS FASCINATING TO MEET THE REAL" "FASCINATING TO MEET THE REAL PEOPLE THAT THE MOVIES ARE BASED" "PEOPLE THAT THE MOVIES ARE BASED ON." "ON." "AND SOME OF THEM ARE HERE" "AND SOME OF THEM ARE HERE TONIGHT." "TONIGHT." "FROM "JOY," THE REAL JOY MANGANO" "FROM "JOY," THE REAL JOY MANGANO IS HERE." "IS HERE." "GIVE IT UP FOR JOY." "GIVE IT UP FOR JOY." "FROM "SPOTLIGHT," THE BOSTON" "FROM "SPOTLIGHT," THE BOSTON GLOBE REPORTER, THE REAL MIKE" "GLOBE REPORTER, THE REAL MIKE REZENDES IS HERE." "REZENDES IS HERE." "GIVE IT UP FOR MIKE." "GIVE IT UP FOR MIKE." "AND FROM "STRAIGHT OUTTA" "AND FROM "STRAIGHT OUTTA COMPTON," THE REAL SUGE KNIGHT" "COMPTON," THE REAL SUGE KNIGHT IS HERE." "IS HERE." "GIVE IT UP FOR SUGE." "GIVE IT UP FOR SUGE." "GLD TO SEE YOU COULD MAKE IT," "GLD TO SEE YOU COULD MAKE IT, SUGE." "SUGE." "PLEASE WELCOME ONE OF TONIGHT'S" "PLEASE WELCOME ONE OF TONIGHT'S NOMINEES, RACHEL McADAMS, AND A" "NOMINEES, RACHEL McADAMS, AND A SHOULDA BEEN NOMINEE, MICHAEL B." "SHOULDA BEEN NOMINEE, MICHAEL B. JORDAN." "THEUNIQUEVISUALSTYLES COMPOSED BY OUR NEXT NOMINEES" "COMPOSED BY OUR NEXT NOMINEES WERE ACHIEVED BY CREATIVE USE OF" "WERE ACHIEVED BY CREATIVE USE OF FORMATS AS VARIED AS THE STORIES" "FORMATS AS VARIED AS THE STORIES THEY CAPTURED." "THEY CAPTURED." "FROMA SOFTANDSUBTLELOVE" "FROMA SOFTANDSUBTLELOVE  STORY SHOT ON SUPER" "STORY SHOT ON SUPER 16-MILLIMETER FILM, TO A 16-MILLIMETER FILM, TO A LARGER-THAN-LIFE ACTION THRILLER" "LARGER-THAN-LIFE ACTION THRILLER SHOT IN THE WIDESK PWIDESCREEN" "SHOT IN THE WIDESK PWIDESCREEN 70-MILLIMETER FORMAT, NOT USED 70-MILLIMETER FORMAT, NOT USED SINCE THE 1960s, HERE ARE THE" "SINCE THE 1960s, HERE ARE THE NOMINEES FOR ACHIEVEMENT IN" "NOMINEES FOR ACHIEVEMENT IN CINEMATOGRAPHY." "CINEMATOGRAPHY." ""THE HATEFUL EIGHT," ROBERT" ""THE HATEFUL EIGHT," ROBERT RICHARDSON." "RICHARDSON." ""CAROL," ED LACHMAN." ""CAROL," ED LACHMAN." ""SICARIO," ROGER DEAKINS." ""SICARIO," ROGER DEAKINS." ""MAD MAX:" "FURY ROAD," JOHN" ""MAD MAX:" "FURY ROAD," JOHN SEALE." "SEALE." ""THE REVENANT," EMMANUEL" ""THE REVENANT," EMMANUEL LUBEZKI." "LUBEZKI." "AND THE OSCAR GOES TO " " E MANUL" "AND THE OSCAR GOES TO " " E MANUL LIUBEZKI" "LIUBEZKI LUBEZKI, "THE REVENANT."" "LUBEZKI, "THE REVENANT." THISISTHESECONDWINFOR" "THISISTHESECONDWINFOR EMANUEL LLUBEZKI." "EMANUEL LLUBEZKI." "HE HAS A TOTAL OF EIGHT CAREER" "HE HAS A TOTAL OF EIGHT CAREER NOMINATIONS." "NOMINATIONS." "ACADEMY,THANKYOUSOMUCH ." "ACADEMY,THANKYOUSOMUCH ." "THIS IS INCREDIBLE." "THIS IS INCREDIBLE." "I WANT TO SHARE IT WITH THE CAST" "I WANT TO SHARE IT WITH THE CAST AND CREW, ESPECIALLY WITH MY" "AND CREW, ESPECIALLY WITH MY COME PCOMPADRE,INNARITU." "COME PCOMPADRE,INNARITU." "LEO AND TOM." "LEO AND TOM." "ALL THE PRODUCERS, REGENCY AND" "ALL THE PRODUCERS, REGENCY AND FOX, ALL THE FREEDOM AND" "FOX, ALL THE FREEDOM AND SUPPORT." "SUPPORT." "MY WIFE, LAUREN, I LOVE YOU SO" "MY WIFE, LAUREN, I LOVE YOU SO MUCH." "MUCH." "HAPPY BIRTHDAY." "HAPPY BIRTHDAY." "TO MY PARENTS, MY FRIENDS AND TO" "TO MY PARENTS, MY FRIENDS AND TO ALL THE CINEMATOGRAPHERS THAT" "ALL THE CINEMATOGRAPHERS THAT WERE NOMINATED WITH ME, I ADMIRE" "WERE NOMINATED WITH ME, I ADMIRE YOU SO MUCH, I LOVE YOUR WORK." "YOU SO MUCH, I LOVE YOUR WORK." "ALEJANDRO, THANK YOU SO MUCH." "ALEJANDRO, THANK YOU SO MUCH." "Announcer:" "ANDNOW,PLEASE" "Announcer:" "ANDNOW,PLEASE WELCOME PRIYANKA CHOPRA AND LIEV" "WELCOME PRIYANKA CHOPRA AND LIEV SCHREIBER." "ALLNIGHTTONIGHT,WE'VEBEEN  TAKING YOU THROUGH THE" "TAKING YOU THROUGH THE FILMMAKING PROCESS AS WE PRESENT" "FILMMAKING PROCESS AS WE PRESENT THIS YEAR'S OSCARS." "THIS YEAR'S OSCARS." "WESTARTEDWITHTHE SCRIPT," "WESTARTEDWITHTHE SCRIPT, ADDED IN OUR ESSENTIAL" "ADDED IN OUR ESSENTIAL PRODUCTION ELEMENTS " " DESIGN," "PRODUCTION ELEMENTS " " DESIGN, COSTUMES, HAIR AND MAKE-UP AND" "COSTUMES, HAIR AND MAKE-UP AND CINEMATOGRAPHY." "CINEMATOGRAPHY." "ONCESHOOTINGBEGINS,THE" "ONCESHOOTINGBEGINS,THE  FOOTAGE EVENTUALLY ENDS UP IN" "FOOTAGE EVENTUALLY ENDS UP IN THE SKILLFUL HANDS OF AN EDITOR." "THE SKILLFUL HANDS OF AN EDITOR." "THE SUBTLE BRILLIANCE OF THIS" "THE SUBTLE BRILLIANCE OF THIS NEXT GROUP OF ARTISTS COMES" "NEXT GROUP OF ARTISTS COMES THROUGH IN THE ALMOST INVISIBLE" "THROUGH IN THE ALMOST INVISIBLE RHYTHMS OF GREAT FILMMAKING." "RHYTHMS OF GREAT FILMMAKING." "HEREARETHENOMINEESFOR" "HEREARETHENOMINEESFOR ACHIEVEMENT IN FILM EDITING." "ACHIEVEMENT IN FILM EDITING." ""THE BIG SHORT," HANK CORWIN." ""THE BIG SHORT," HANK CORWIN." "FROMTHEBOSTONGLOBE." "FROMTHEBOSTONGLOBE." "WHATDOYOUWANT?" "WHATDOYOUWANT?" ""SPOTLIGHT,"TOMMcARDLE." ""SPOTLIGHT,"TOMMcARDLE." "IWOULDJUSTLIKETOASKA" "IWOULDJUSTLIKETOASKA FEW " "FEW -- "THEREVENANT,"STEPHEN" ""THEREVENANT,"STEPHEN MIRRIONE." "MIRRIONE." ""STARWARS:" "THEFORCE" ""STARWARS:" "THEFORCE AWAKENS," MARYANN BRANDON AND" "AWAKENS," MARYANN BRANDON AND MARY JO MARKEY." "MARY JO MARKEY." ""MAD MAX:" "FURY ROAD," MARGARET" ""MAD MAX:" "FURY ROAD," MARGARET SIXEL." "SIXEL." "ANDTHEOSCARGOESTO" "ANDTHEOSCARGOESTO--  MARGARET SIXEL, "MAD MAX:" "FURY" "MARGARET SIXEL, "MAD MAX:" "FURY ROAD."" "ROAD." THISISTHEFIRSTOSCARAND" "THISISTHEFIRSTOSCARAND NOMINATION FOR MARGARET SIXEL." "NOMINATION FOR MARGARET SIXEL." "WOW." "WOW." "MAD MAX IS DOING OKAY TONIGHT." "MAD MAX IS DOING OKAY TONIGHT." "THANK YOU SO MUCH TO THE" "THANK YOU SO MUCH TO THE ACADEMY." "ACADEMY." "MAD MAX WAS THE BEST REVIEWED" "MAD MAX WAS THE BEST REVIEWED FILM OF 2015." "FILM OF 2015." "AUDIENCES LOVED IT, AND TO BE" "AUDIENCES LOVED IT, AND TO BE HONORED TONIGHT IS JUST MORE" "HONORED TONIGHT IS JUST MORE THAN WE COULD HAVE EVER HOPED" "THAN WE COULD HAVE EVER HOPED FOR." "FOR." "BUT IT TOOK ENORMOUS CREATIVE" "BUT IT TOOK ENORMOUS CREATIVE COURAGE AND GUTS TO MAKE THIS" "COURAGE AND GUTS TO MAKE THIS FILM." "FILM." "SO, I WANT TO SAY THANKS TO" "SO, I WANT TO SAY THANKS TO GEORGE MILLER, DOUG MITCHELL," "GEORGE MILLER, DOUG MITCHELL, THE WHOLE CREW THAT ENDURED SIX" "THE WHOLE CREW THAT ENDURED SIX MONTHS IN THE DESERT TO BRING" "MONTHS IN THE DESERT TO BRING BACK THE MOST AMAZING FOOTAGE." "BACK THE MOST AMAZING FOOTAGE." "IT'S IN THE EDIT ROOM THAT THE" "IT'S IN THE EDIT ROOM THAT THE FILM IS FINALLY FORGED." "FILM IS FINALLY FORGED." "IT'S THE FINAL REWRITE." "IT'S THE FINAL REWRITE." "SO, I WANT TO THANK ALL THE" "SO, I WANT TO THANK ALL THE WORKING POSTS WHO WORK WITH" "WORKING POSTS WHO WORK WITH THEIR HANDS, HEADS AND MOST" "THEIR HANDS, HEADS AND MOST IMPORTANTLY, THEIR HEARTS." "IMPORTANTLY, THEIR HEARTS." "THANK YOU." "INHONOROF BLACKHISTORY MONTH, THE ACADEMY OF MOTION" "MONTH, THE ACADEMY OF MOTION PICTURES AND ARTS AND SCIENCE" "PICTURES AND ARTS AND SCIENCE HAS PREPARED THIS SPECIAL" "HAS PREPARED THIS SPECIAL PRESENTATION." "PRESENTATION." "LET'S TAKE A LOOK." "LET'S TAKE A LOOK." "HELLO." "HELLO." "I'M ANGELA BASSETT." "I'M ANGELA BASSETT." "THE ACADEMY OF MOTION PICTURE" "THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES HAS LONG" "ARTS AND SCIENCES HAS LONG ACKNOWLEDGED PEOPLE OF COLOR." "ACKNOWLEDGED PEOPLE OF COLOR." "AND TONIGHT, WE HONOR SOMEONE" "AND TONIGHT, WE HONOR SOMEONE WHO HAS SHATTERED BARRIERS WITH" "WHO HAS SHATTERED BARRIERS WITH HIS GROUNDBREAKING PERFORMANCES." "HIS GROUNDBREAKING PERFORMANCES." "WHETHER IN SERIOUS DRAMAS LIKE" "WHETHER IN SERIOUS DRAMAS LIKE "ENEMY OF THE STATE" OR IN" ""ENEMY OF THE STATE" OR IN WHIMSICAL PRODUCTIONS LIKE" "WHIMSICAL PRODUCTIONS LIKE "SHARK TALE" OR WHEN HE WAS A" ""SHARK TALE" OR WHEN HE WAS A FRESHER TALENT, THIS MAN HAS" "FRESHER TALENT, THIS MAN HAS LONG BEEN AN INSPIRATION TO HIS" "LONG BEEN AN INSPIRATION TO HIS PEOPLE." "PEOPLE." "YOU CAN CALL IT ACTOR, PRODUCER," "YOU CAN CALL IT ACTOR, PRODUCER, COMEDIAN, MUSICIAN." "COMEDIAN, MUSICIAN." "BUT WE JUST LIKE TO CALL HIM" "BUT WE JUST LIKE TO CALL HIM JACK BLACK." "JACK BLACK." "FOR BLACK HISTORY MONTH MINUTE," "FOR BLACK HISTORY MONTH MINUTE, I'M ANGELA BASSETT." "I'M ANGELA BASSETT." "Announcer:" "THEMINIONSARE ON" "Announcer:" "THEMINIONSARE ON THEIR WAY." "THEIR WAY." "AND COMING UP, MUSIC FROM THE" "AND COMING UP, MUSIC FROM THE WEEKND, AND LA" "WEEKND, AND LA ¶" "¶ Announcer:" "PLEASEWELCOME" "Announcer:" "PLEASEWELCOME CHADWICK BOSEMAN AND CHRIS" "CHADWICK BOSEMAN AND CHRIS EVANS." "CHRISANDIHAVEBEEN ASKED TO PRESENT TWO AWARDS TO THE" "TO PRESENT TWO AWARDS TO THE INCREDIBLY TALENTED PEOPLE" "INCREDIBLY TALENTED PEOPLE RESPONSIBLE FOR STIRRING OUR" "RESPONSIBLE FOR STIRRING OUR IMAGINATION THROUGH THE USE OF" "IMAGINATION THROUGH THE USE OF SOUND." "SOUND." "SOUNDADDSDIMENSIONTOFILM ," "SOUNDADDSDIMENSIONTOFILM , WHETHER IT BE SIMPLE AND" "WHETHER IT BE SIMPLE AND NATURALISTIC OR TERRIFYING AND" "NATURALISTIC OR TERRIFYING AND OUT OF THIS WORLD." "OUT OF THIS WORLD." "FIRST UP, HERE ARE THE NOMINEES" "FIRST UP, HERE ARE THE NOMINEES FOR ACHIEVEMENT IN SOUND" "FOR ACHIEVEMENT IN SOUND EDITING." "¶" "ANDTHEOSCARGOESTO--  "MAD MAX:" "FURY ROAD," MARK" ""MAD MAX:" "FURY ROAD," MARK MANGINI AND DAVID WHITE." "MANGINI AND DAVID WHITE." "THISISTHEFIRSTOSCARAND" "THISISTHEFIRSTOSCARAND NOMINATION FOR DAVID WHITE." "NOMINATION FOR DAVID WHITE." "THE FIRST WIN AND FOURTH" "THE FIRST WIN AND FOURTH NOMINATION FOR MARK MANGINI, WHO" "NOMINATION FOR MARK MANGINI, WHO WAS PREVIOUSLY TOM NATE DNOMINA" "WAS PREVIOUSLY TOM NATE DNOMINA "A" ""A "ALADDIN" AND "THE FIFTH" ""ALADDIN" AND "THE FIFTH ELEMENT."" "ELEMENT." YES!" "YES!" "FORTHOUSANDSOF YEARS,WE'VE" "FORTHOUSANDSOF YEARS,WE'VE BEEN TELLING STORIES IN THE DARK" "BEEN TELLING STORIES IN THE DARK AROUND A FLICKERING LIGHT." "AROUND A FLICKERING LIGHT." "WHETHER A CAMPFIRE OR A" "WHETHER A CAMPFIRE OR A PROJECTOR, DAVID AND I DO IT" "PROJECTOR, DAVID AND I DO IT WITH SOUND." "WITH SOUND." "GEORGE MILLER WOULD TELL US, MAD" "GEORGE MILLER WOULD TELL US, MAD MAX IS A FILM WE SEE WITH OUR" "MAX IS A FILM WE SEE WITH OUR EARS." "EARS." "I KNEW SOUND COULD TELL MY" "I KNEW SOUND COULD TELL MY STORY, BUT NOTHING QUITE LIKE" "STORY, BUT NOTHING QUITE LIKE THIS." "THIS." "SOUND ARTISTS ARE STORY TELLERS." "SOUND ARTISTS ARE STORY TELLERS." "THANK YOU, GEORGE." "THANK YOU, GEORGE." "I HOPE TO SEE YOU AROUND THE" "I HOPE TO SEE YOU AROUND THE NEXT CAMPFIRE." "NEXT CAMPFIRE." "YEAH,I 'MSOPROUD,SOPROUD" "YEAH,I 'MSOPROUD,SOPROUD TO WORK ON THIS LOUD, LOUD, LOUD" "TO WORK ON THIS LOUD, LOUD, LOUD FILM THAT ACTUALLY HAD SILENCE" "FILM THAT ACTUALLY HAD SILENCE IN IT." "IN IT." "SO GOOD TO WORK WITH THIS GUY" "SO GOOD TO WORK WITH THIS GUY AND I'M PROUD TO REPRESENT ALL" "AND I'M PROUD TO REPRESENT ALL MY AUSTRALIAN COLLEAGUES." "MY AUSTRALIAN COLLEAGUES." "YEAH!" "YEAH!" "YEAH!" "YEAH!" "GO GEORGE!" "ALLRIGHT." "WHY NOT?" "WHY NOT?" "THENEXTOSCARISFORSOUND" "THENEXTOSCARISFORSOUND  MIXING." "MIXING." "ITRECOGNIZESTHECOMPLEXART" "ITRECOGNIZESTHECOMPLEXART OF PRECISELY MANIPULATING EVERY" "OF PRECISELY MANIPULATING EVERY SINGLE EFFECT, FROM THE FAINTEST" "SINGLE EFFECT, FROM THE FAINTEST BREATH TO THE LOUDEST EXPLOSION." "BREATH TO THE LOUDEST EXPLOSION." "HERE ARE THE NOMINEES." "[ SCREAMING ] USETHECABLESFROMTHE" "USETHECABLESFROMTHE GUIDELINE." "GUIDELINE." "ANCHOR IT WITH THE ROVER!" "ANCHOR IT WITH THE ROVER!" "WATCHOUT!" "WATCHOUT!" "AHH!" "CANI TRYTHAT?" "I LIKE THIS THING!" "I LIKE THIS THING!" "ANDTHEOSCARGOESTO" "ANDTHEOSCARGOESTO--  "MAD MAX:" "FURY ROAD," CHRIS" ""MAD MAX:" "FURY ROAD," CHRIS JENKINS, GREGG RUDLOFF AND BEN" "JENKINS, GREGG RUDLOFF AND BEN OSMO." "OSMO." "THISISTHEFIRSTOSCARAND" "THISISTHEFIRSTOSCARAND NOMINATION FOR BEN OSMO." "NOMINATION FOR BEN OSMO." "THE THIRD WIN AND FIFTH" "THE THIRD WIN AND FIFTH NOMINATION FOR CHRIS JENKINS." "NOMINATION FOR CHRIS JENKINS." "AND THE THIRD WIN AND SEVENTH" "AND THE THIRD WIN AND SEVENTH NOMINATION FOR GREGG RUDLOFF." "THANKYOUVERYMUCH." "FIRST OF ALL, BIG SHOUTOUT TO" "FIRST OF ALL, BIG SHOUTOUT TO THE ACADEMY." "THE ACADEMY." "THANK YOU FOR ALL YOUR SUPPORT" "THANK YOU FOR ALL YOUR SUPPORT OF OUR CREATIVE CRAFT." "OF OUR CREATIVE CRAFT." "TO OUR FELLOW NOMINEES, WE CAN'T" "TO OUR FELLOW NOMINEES, WE CAN'T SAY ENOUGH." "SAY ENOUGH." "WE ARE SO PROUD TO BE IN YOUR" "WE ARE SO PROUD TO BE IN YOUR COMPANY AND WE'RE SO PROUD TO" "COMPANY AND WE'RE SO PROUD TO REPRESENT TONIGHT." "REPRESENT TONIGHT." "TO GEORGE MILLER, YOU ARE THE" "TO GEORGE MILLER, YOU ARE THE HEART AND SOUL OF ALL OF THIS." "HEART AND SOUL OF ALL OF THIS." "CAN'T SAY ENOUGH ABOUT YOU." "CAN'T SAY ENOUGH ABOUT YOU." "THANK YOU, THANK YOU, THANK YOU" "THANK YOU, THANK YOU, THANK YOU FOR GIVING US THE OPPORTUNITY." "FOR GIVING US THE OPPORTUNITY." "TO WARNER BROTHERS, TO ALL OF" "TO WARNER BROTHERS, TO ALL OF OUR FRIENDS THERE, THE PEOPLE" "OUR FRIENDS THERE, THE PEOPLE THAT SUPPORT US, AND MOST OF" "THAT SUPPORT US, AND MOST OF ALL, TO OUR FAMILIES, TO JEAN" "ALL, TO OUR FAMILIES, TO JEAN AND TO SUE, TO JAMES UP IN THE" "AND TO SUE, TO JAMES UP IN THE CHEAP SEATS, THANK YOU ALL VERY," "CHEAP SEATS, THANK YOU ALL VERY, VERY MUCH." "VERY MUCH." "THANKS,EVERYBODY." "THANKS,EVERYBODY." "THANKS TO ALL THE AUSTRALIANS," "THANKS TO ALL THE AUSTRALIANS, NAMI" "NAMI NAMIBIANS." "YOUSEE?" "GO!" "¶ Announcer:" "ANDNOW,HEREIS" "Announcer:" "ANDNOW,HEREIS ACTOR AND PERFORMANCE CAPTURE" "ACTOR AND PERFORMANCE CAPTURE ARTIST, ANDY SERKIS." "ARTIST, ANDY SERKIS." "THANKYOU." "THANKYOU." "THANK YOU." "THANK YOU." "THE MOST IMPORTANT THING TO KNOW" "THE MOST IMPORTANT THING TO KNOW ABOUT VISUAL EFFECTS IS THAT NO" "ABOUT VISUAL EFFECTS IS THAT NO MATTER HOW REVOLUTIONARY OR" "MATTER HOW REVOLUTIONARY OR SOPHISTICATED THE TECHNOLOGY WE" "SOPHISTICATED THE TECHNOLOGY WE USE IS, IT STILL TAKES BEATING" "USE IS, IT STILL TAKES BEATING HEARTS AND MINDS OF HUMAN" "HEARTS AND MINDS OF HUMAN BECOMES TO MAKE MOVIE MAGIC." "BECOMES TO MAKE MOVIE MAGIC." "AS FILM MAKERS AND AS ACTORS IN" "AS FILM MAKERS AND AS ACTORS IN THE 21st CENTURY, WE CAN CREATE" "THE 21st CENTURY, WE CAN CREATE ANY WORLD WE WANT." "ANY WORLD WE WANT." "WE CAN PLAY ANYTHING WE WANT." "WE CAN PLAY ANYTHING WE WANT." "CHRIS, IF YOU WERE TO PUT ON A" "CHRIS, IF YOU WERE TO PUT ON A MOTION CAPTURE SUIT RIGHT NOW," "MOTION CAPTURE SUIT RIGHT NOW, YOU COULD PLAY A PLANET" "YOU COULD PLAY A PLANET THREATENING MONSTER TO DONALD" "THREATENING MONSTER TO DONALD TRUMP AND " " ACTUALLY, THAT'S" "TRUMP AND " " ACTUALLY, THAT'S NOT VERY DIVERSE, BUT ANYWAY." "NOT VERY DIVERSE, BUT ANYWAY." "HAVING HAD THE HONOR OF WORKING" "HAVING HAD THE HONOR OF WORKING WITH MANY OF THE GREATEST, I" "WITH MANY OF THE GREATEST, I HAVE A REAL SPECIAL APPRECIATION" "HAVE A REAL SPECIAL APPRECIATION FOR THE MEN AND WOMEN THAT" "FOR THE MEN AND WOMEN THAT DEDICATE THEMSELVES AND FIND THE" "DEDICATE THEMSELVES AND FIND THE DELICATE BALANCE BETWEEN" "DELICATE BALANCE BETWEEN ILLUSION AND FLESH AND BLOOD." "ILLUSION AND FLESH AND BLOOD." "HERE ARE THE NOMINEES FOR THIS" "HERE ARE THE NOMINEES FOR THIS YEAR'S ACHIEVEMENTS IN VISUAL" "YEAR'S ACHIEVEMENTS IN VISUAL EFFECTS." "EFFECTS." ""STAR WARS:" "THE FORCE AWAKENS,"" ""STAR WARS:" "THE FORCE AWAKENS," ROGER GUYETT, PATRICK TUBACH," "ROGER GUYETT, PATRICK TUBACH, NEAL SCANLAN AND CHRIS CORBOULD." "NEAL SCANLAN AND CHRIS CORBOULD." ""EX MACHINA," ANDREW WHITEHURST," ""EX MACHINA," ANDREW WHITEHURST, PAUL NORRIS, MARK ARDINGTON AND" "PAUL NORRIS, MARK ARDINGTON AND SARA BENNETT." "SARA BENNETT." ""THE REVENANT," RICH MCBRIDE," ""THE REVENANT," RICH MCBRIDE, MATTHEW SHUMWAY, JASON SMITH AND" "MATTHEW SHUMWAY, JASON SMITH AND CAMERON WALDBAUER." "CAMERON WALDBAUER." ""THE MARTIAN," RICHARD STAMMERS," ""THE MARTIAN," RICHARD STAMMERS, ANDERS LANGLANDS, CHRIS LAWRENCE" "ANDERS LANGLANDS, CHRIS LAWRENCE AND STEVEN WARNER." "AND STEVEN WARNER." ""MAD MAX:" "FURY ROAD," ANDREW" ""MAD MAX:" "FURY ROAD," ANDREW JACKSON, TOM WOOD, DAN OLIVER" "JACKSON, TOM WOOD, DAN OLIVER AND ANDY WILLIAMS." "AND ANDY WILLIAMS." "AND THE OSCAR GOES TO " "AND THE OSCAR GOES TO -- "EXMACHINA."" ""EXMACHINA." ANDREW WHITEHURST, PAUL NORRIS," "ANDREW WHITEHURST, PAUL NORRIS, MARK ARDINGTON AND SARA BENNETT." "MARK ARDINGTON AND SARA BENNETT." "THISISTHEFIRSTOSCARAND" "THISISTHEFIRSTOSCARAND NOMINATION FOR ANDREW" "NOMINATION FOR ANDREW WHITEHURST, PAUL NORRIS, MARK" "WHITEHURST, PAUL NORRIS, MARK ARDINGTON AND SARA BENNETT." "I'MREALLYBADATPREDICTING THIS, APPARENTLY." "THIS, APPARENTLY." "THIS IS SO UTTERLY UNEXPECTED." "THIS IS SO UTTERLY UNEXPECTED." "VISUAL EFFECTS IS MASSIVELY A" "VISUAL EFFECTS IS MASSIVELY A TEAM GAME." "TEAM GAME." "MORE SO MAYBE THAN ANY OTHER" "MORE SO MAYBE THAN ANY OTHER DEPARTMENT." "DEPARTMENT." "WE HAVE TO THANK PEOPLE IN TWO" "WE HAVE TO THANK PEOPLE IN TWO DIRECTIONS." "DIRECTIONS." "WE'VE GOT TO THANK THE STUDIO," "WE'VE GOT TO THANK THE STUDIO, WE'VE GOT TO THANK THE" "WE'VE GOT TO THANK THE PROD" "PROD PRODUCTION, ALEX FOR BEING AN" "PRODUCTION, ALEX FOR BEING AN AMAZING DIRECTOR." "AMAZING DIRECTOR." "AND WE HAVE TO THANK THE TEAMS" "AND WE HAVE TO THANK THE TEAMS OF ARTISTS, PRODUCTION AND" "OF ARTISTS, PRODUCTION AND TECHNICAL PERSONNEL AND DOUBLE" "TECHNICAL PERSONNEL AND DOUBLE NEGATIVE AND UTOPIA WHO ARE" "NEGATIVE AND UTOPIA WHO ARE AMAZING." "AMAZING." "WITHOUT THEM, WE ARE NOTHING." "WITHOUT THEM, WE ARE NOTHING." "THANK YOU SO, SO MUCH." "THANK YOU SO, SO MUCH." "THANKYOU." "THANKYOU." "Announcer:" "LADIESAND" "Announcer:" "LADIESAND GENTLEMEN, PLEASE WELCOME OLIVIA" "GENTLEMEN, PLEASE WELCOME OLIVIA MUNN AND JASON SEGEL." "MUNN AND JASON SEGEL." "PEOPLEOFTENCOMPLAIN" "PEOPLEOFTENCOMPLAIN-- JASON, THE OSCARS ARE TOO SHORT." "JASON, THE OSCARS ARE TOO SHORT." "YOU SIMPLY DON'T GIVE OUT ENOUGH" "YOU SIMPLY DON'T GIVE OUT ENOUGH AWARDS." "AWARDS." "WHICHISWHYWEHELD AWHOLE" "WHICHISWHYWEHELD AWHOLE  OTHER OSCARS TWO WEEKS BEFORE" "OTHER OSCARS TWO WEEKS BEFORE TONIGHT THAT'S SO EXCLUSIVE," "TONIGHT THAT'S SO EXCLUSIVE, NONE OF YOU COULD COME." "NONE OF YOU COULD COME." "THE ANNUAL SCI-TECH AWARDS." "THE ANNUAL SCI-TECH AWARDS." "YOU KNOW IT." "YOU KNOW IT." "THEACADEMY'SSCI-TECHAWARDS" "THEACADEMY'SSCI-TECHAWARDS HONOR THE WIZARDS WHO NOT ONLY" "HONOR THE WIZARDS WHO NOT ONLY SEE THE FUTURE OF MOVIES, BUT" "SEE THE FUTURE OF MOVIES, BUT INVENT NEW WAYS TO BRING THAT" "INVENT NEW WAYS TO BRING THAT VISION TO LIFE." "VISION TO LIFE." "JASONANDIWEREHONOREDTO" "JASONANDIWEREHONOREDTO HOST THIS YEAR'S CEREMONY AND" "HOST THIS YEAR'S CEREMONY AND BASK IN THE ACHIEVEMENTS OF" "BASK IN THE ACHIEVEMENTS OF HOLLYWOOD'S TOP ENGINEERS," "HOLLYWOOD'S TOP ENGINEERS, PROGRAMMERS AND SCIENTISTS TO" "PROGRAMMERS AND SCIENTISTS TO FIND OUT THE EXACT DAY ROBOTS" "FIND OUT THE EXACT DAY ROBOTS TAKE OVER." "TAKE OVER." "AUGUST 27." "AUGUST 27." "HEREARESOMEHIGHLIGHTS." "HEREARESOMEHIGHLIGHTS." "THISYEAR'S11 SICIENTIFIC" "THISYEAR'S11 SICIENTIFIC AND TECHNICAL AWARDS WENT TO " "AND TECHNICAL AWARDS WENT TO -- A GIGANTIC INFLATABLE GREEN" "A GIGANTIC INFLATABLE GREEN SCREEN." "SCREEN." "FOURDIFFERENTMEDIAREVIEW" "FOURDIFFERENTMEDIAREVIEW STATIONS EACH ALLOWING" "STATIONS EACH ALLOWING SIMULTANEOUS COLLABORATION BY" "SIMULTANEOUS COLLABORATION BY ARTISTS AROUND THE WORLD." "ARTISTS AROUND THE WORLD." "ANAMAZINGCOLORMONITOR." "ANAMAZINGCOLORMONITOR." "ANDA REVOLUTIONARYANIMATION" "ANDA REVOLUTIONARYANIMATION SYSTEM THAT USES 3-D PRINTERS." "SYSTEM THAT USES 3-D PRINTERS." "ANDTHENTHEREWAS THE " "ANDTHENTHEREWAS THE -- IMAGE SHAKER!" "IMAGE SHAKER!" "A DEVICE THAT ALLOWS CAMERAMEN" "A DEVICE THAT ALLOWS CAMERAMEN TO CREATE EARTHQUAKES ON DEMAND." "TO CREATE EARTHQUAKES ON DEMAND." "LET'SNOTLEAVEOUT THE" "LET'SNOTLEAVEOUT THE  SOFTWARE." "SOFTWARE." "THERE WAS A 3-D TEXTURING TOOL." "THERE WAS A 3-D TEXTURING TOOL." "ANDA TRACKINGSYSTEMTHAT" "ANDA TRACKINGSYSTEMTHAT CREATES FANTASTICALLY REAL" "CREATES FANTASTICALLY REAL IMAGES." "IMAGES." "LASTLY,THEACADEMYSALUTED" "LASTLY,THEACADEMYSALUTED SMPTE, FOR 100 YEARS OF SETTING" "SMPTE, FOR 100 YEARS OF SETTING THE TECHNICAL STANDARDS FOR OUR" "THE TECHNICAL STANDARDS FOR OUR INDUSTRY." "INDUSTRY." "ONBEHALFOF THESOCIETYOF" "ONBEHALFOF THESOCIETYOF MOTION PICTURE AND TELEVISION" "MOTION PICTURE AND TELEVISION ENGINEERS, I THANK THE ACADEMY" "ENGINEERS, I THANK THE ACADEMY FOR THIS PRESTIGIOUS" "FOR THIS PRESTIGIOUS RECOGNITION." "RECOGNITION." "THISISNOTTHE WAY TOOUR" "THISISNOTTHE WAY TOOUR SEATS!" "SEATS!" "[ R2-D2 BEEPING ]" "[ R2-D2 BEEPING ] IFORGOTTHETICKETS?" "IFORGOTTHETICKETS?" "HOW DARE YOU!" "HOW DARE YOU!" "THE TICKETS WERE YOUR JOB," "THE TICKETS WERE YOUR JOB, NITWIT." "NITWIT." "DON'T ENCOURAGE HIM, BB-8." "DON'T ENCOURAGE HIM, BB-8." "[ R2-D2 BEEPING ]" "[ R2-D2 BEEPING ] ACTUALLY,I DONOTLOOKLIKE" "ACTUALLY,I DONOTLOOKLIKE  HIM." "HIM." "HE HAPPENS TO LOOK RATHER LIKE" "HE HAPPENS TO LOOK RATHER LIKE ME." "ME." "HOW DO YOU THINK WE MADE IT THIS" "HOW DO YOU THINK WE MADE IT THIS FAR?" "FAR?" "[ BB-8 BEEPING ]" "[ BB-8 BEEPING ] OH,MY!" "OH,MY!" "IT IS JOHN WILLIAMS!" "IT IS JOHN WILLIAMS!" "I ALWAYS ENJOY HEARING HIS" "I ALWAYS ENJOY HEARING HIS MUSIC." "MUSIC." "HE'S SO VERY TALENTED FOR A" "HE'S SO VERY TALENTED FOR A HUMAN." "HUMAN." "HIS 50th OSCAR NOMINATION" "HIS 50th OSCAR NOMINATION TONIGHT?" "TONIGHT?" "MY GOODNESS!" "MY GOODNESS!" "AND HE HAS ALREADY WON FIVE FOR" "AND HE HAS ALREADY WON FIVE FOR COMPOSING." "COMPOSING." "NO WONDER HE HAS A GOOD SEAT." "NO WONDER HE HAS A GOOD SEAT." "[ BB-8 BEEPING ]" "[ BB-8 BEEPING ] YES,WEMUSTFINDOURS AT" "YES,WEMUSTFINDOURS AT ONCE." "ONCE." "COME ALONG, YOU TWO." "COME ALONG, YOU TWO." "HMM." "HMM." "HE IS QUITE HANDSOME, I SUPPOSE." "HE IS QUITE HANDSOME, I SUPPOSE." "WAIT!" "WAIT!" "WAIT!" "WAIT!" "WAIT FOR ME!" "WAIT FOR ME!" "R-2!" "R-2!" "BB-8!" "BB-8!" "DON'T LEAVE ME!" "L RIGHT." "I'VE BEEN OUT HERE WORKING FOR A" "I'VE BEEN OUT HERE WORKING FOR A COUPLE OF WEEKS, FOR A LITTLE" "COUPLE OF WEEKS, FOR A LITTLE WHILE, RIGHT?" "WHILE, RIGHT?" "AND I'VE BEEN AWAY FROM MY TWO" "AND I'VE BEEN AWAY FROM MY TWO DAUGHTERS AT A VERY IMPORTANT" "DAUGHTERS AT A VERY IMPORTANT TIME IN THEIR LIFE." "TIME IN THEIR LIFE." "I HAVE MISSED MOST OF GIRL SCOUT" "I HAVE MISSED MOST OF GIRL SCOUT COOKIE SEASON." "COOKIE SEASON." "I HAVEN'T BEEN THERE TO HELP" "I HAVEN'T BEEN THERE TO HELP THEM SELL COOKIES, AND LAST" "THEM SELL COOKIES, AND LAST NIGHT, ZORA, MY YOUNGEST CALLED" "NIGHT, ZORA, MY YOUNGEST CALLED ME UP, SAID, DADDY, HOW COME WE" "ME UP, SAID, DADDY, HOW COME WE NEVER SELL THE MOST COOKIES." "NEVER SELL THE MOST COOKIES." "HOW COME MRS. DUNN WINS EVERY" "HOW COME MRS. DUNN WINS EVERY YEAR?" "YEAR?" "IT WOULD BEEN SO MUCH TO MY TWO" "IT WOULD BEEN SO MUCH TO MY TWO LITTLE GIRLS IF WE COULD BEAT" "LITTLE GIRLS IF WE COULD BEAT LINDA DUNN." "LINDA DUNN." "SO, I WANT YOU TO REACH INTO" "SO, I WANT YOU TO REACH INTO YOUR MILLIONAIRE POCKETS AND I" "YOUR MILLIONAIRE POCKETS AND I WANT YOU TO BUY SOME OF MY" "WANT YOU TO BUY SOME OF MY DAUGHTER'S GIRL SCOUT COOKIES." "DAUGHTER'S GIRL SCOUT COOKIES." "LOOK AT MY BABIES UP THERE." "LOOK AT MY BABIES UP THERE." "ARE YOU GOING TO DENY MY" "ARE YOU GOING TO DENY MY PRINCESSES SOME COOKIES?" "PRINCESSES SOME COOKIES?" "ALL RIGHT, TINA FEY!" "ALL RIGHT, TINA FEY!" "GET THAT MONEY, GIRL." "GET THAT MONEY, GIRL." "MAKE THAT MONEY." "MAKE THAT MONEY." "YEAH, TINA FEY." "YEAH, TINA FEY." "CHARLIZE THERON." "CHARLIZE THERON." "YES." "YES." "YES." "YES." "OKAY." "OKAY." "YOU GET THEM." "YOU GET THEM." "YOU GET THEM." "YOU GET THEM." "LEO!" "LEO!" "YOU MADE $30 MILLION." "YOU MADE $30 MILLION." "COME ON." "COME ON." "COME ON!" "COME ON!" "MICHAEL B. JORDAN'S HERE." "MICHAEL B. JORDAN'S HERE." "YOU KNOW WHAT?" "YOU KNOW WHAT?" "NO, NO, YOU GOT ENOUGH GIRLS." "NO, NO, YOU GOT ENOUGH GIRLS." "COME ON." "COME ON." "LET'S GET THIS MONEY." "LET'S GET THIS MONEY." "LET'S GET THIS MONEY!" "LET'S GET THIS MONEY!" "ALL RIGHT." "ALL RIGHT." "THANK YOU." "THANK YOU." "GIVE IT TO THE GIRLS." "GIVE IT TO THE GIRLS." "GIVE IT TO THE GIRLS." "GIVE IT TO THE GIRLS." "OH, LOU GOSSETT." "OH, LOU GOSSETT." "WATCH OUT NOW." "WATCH OUT NOW." "YOUDIABETES." "YOUDIABETES." "YOU CAN'T HAVE THESE." "YOU CAN'T HAVE THESE." "WHILE THIS IS GOING ON, LET'S" "WHILE THIS IS GOING ON, LET'S GET BACK TO THE AWARDS." "GET BACK TO THE AWARDS." "HERE TO PRESENT THE OSCAR FOR" "HERE TO PRESENT THE OSCAR FOR BEST ANIMATED SHORT FILM, PLEASE" "BEST ANIMATED SHORT FILM, PLEASE WELCOME THE MINIONS!" "WELCOME THE MINIONS!" "THANKYOU!" "THANKYOU!" "AH " "[ LAUGHTER ] "BEAR STORY," GABRIEL OSORIO AND" ""BEAR STORY," GABRIEL OSORIO AND PATO ESCALA." "PATO ESCALA." ""PROLOGUE," RICHARD WILLIAMS AND" ""PROLOGUE," RICHARD WILLIAMS AND IMOGEN SUTTON." "IMOGEN SUTTON." ""SANJAY'S SUPER TEAM," SANJAY" ""SANJAY'S SUPER TEAM," SANJAY PATEL AND NICOLE GRINDLE." "PATEL AND NICOLE GRINDLE." ""WE CAN'T LIVE WITHOUT COSMOS,"" ""WE CAN'T LIVE WITHOUT COSMOS," KONSTANTIN BRONZIT." "KONSTANTIN BRONZIT." ""WORLD OF TOMORROW," DON" ""WORLD OF TOMORROW," DON HERTZFELDT." ""BEARSTORY." THIS IS THE FIRST OSCAR AND NAME" "THIS IS THE FIRST OSCAR AND NAME NATION FOR GABRIEL OSORIO AND" "NATION FOR GABRIEL OSORIO AND PATO ESCALA." "WOW." "WEAREREALLYHAPPYRIGHT" "WEAREREALLYHAPPYRIGHT NOW." "NOW." "WE WANT TO THANK THE ACADEMY," "WE WANT TO THANK THE ACADEMY, OUR FAMILIES, AND EVERYONE IN" "OUR FAMILIES, AND EVERYONE IN CHILE WHO HAVE SUPPORTED US AND" "CHILE WHO HAVE SUPPORTED US AND TRUSTS IN OUR WORK." "TRUSTS IN OUR WORK." "PERSONALLY, I WANT TO DEDICATE" "PERSONALLY, I WANT TO DEDICATE THIS ACHIEVEMENT TO MY" "THIS ACHIEVEMENT TO MY GRANDFATHER, WHO IS THE ONE WHO" "GRANDFATHER, WHO IS THE ONE WHO INSPIRED THIS STORY, AND TO ALL" "INSPIRED THIS STORY, AND TO ALL THE PEOPLE, LIKE HIM, WHO HAVE" "THE PEOPLE, LIKE HIM, WHO HAVE SUFFERED IN EXILE." "SUFFERED IN EXILE." "WE REALLY HOPE THAT THIS MUST" "WE REALLY HOPE THAT THIS MUST NEVER HAPPEN AGAIN." "NEVER HAPPEN AGAIN." "THANKS." "THANKS." "THANKYOU,ALL." "THANKYOU,ALL." "WE ARE FROM A SMALL COUNTRY" "WE ARE FROM A SMALL COUNTRY CALLED CHILE." "CALLED CHILE." "THIS IS THE FIRST OSCAR FOR OUR" "THIS IS THE FIRST OSCAR FOR OUR COUNTRY." "COUNTRY." "SO, IT'S VERY IMPORTANT FOR" "SO, IT'S VERY IMPORTANT FOR US " " THANK YOU ALL." "US " " THANK YOU ALL." "[ SPEAKING FOREIGN LANGUAGE ]" "Announcer:" "TOPRESENTTHE  AWARD FOR BEST ANIMATED FEATURE" "AWARD FOR BEST ANIMATED FEATURE AS THEY CELEBRATE THE 20th" "AS THEY CELEBRATE THE 20th ANNIVERSARY OF "TOY STORY," HERE" "ANNIVERSARY OF "TOY STORY," HERE ARE BUZZ LIGHTYEAR AND WOODY." "ARE BUZZ LIGHTYEAR AND WOODY." "WOW,BUZZ,CANYOU BELIEVE," "WOW,BUZZ,CANYOU BELIEVE, IT'S BEEN 20 YEARS SINCE YOU AND" "IT'S BEEN 20 YEARS SINCE YOU AND I MET IN ANDY'S ROOM?" "I MET IN ANDY'S ROOM?" "YOUMEAN20 YEARSSINCEYOU" "YOUMEAN20 YEARSSINCEYOU TRIED TO TERMINATE ME BY PUSHING" "TRIED TO TERMINATE ME BY PUSHING ME OUT THE WINDOW IN ANDY'S" "ME OUT THE WINDOW IN ANDY'S ROOM." "ROOM." "COMEON,BUZZ." "COMEON,BUZZ." "I TOLD YOU, THAT WAS AN" "I TOLD YOU, THAT WAS AN ACCIDENT." "ACCIDENT." "BESIDES, IF IT WASN'T FOR ME," "BESIDES, IF IT WASN'T FOR ME, YOU'D STILL BE WALKING AROUND" "YOU'D STILL BE WALKING AROUND LIKE A CLUELESS SPACE RANGER." "LIKE A CLUELESS SPACE RANGER." "HI, I'M BUZZ LIGHTYEAR." "HI, I'M BUZZ LIGHTYEAR." "I COME IN PEACE." "I COME IN PEACE." "TO INFINITY AND BEYOND." "TO INFINITY AND BEYOND." "REALLY?" "REALLY?" "YOU'RE GOING TO MOCK ME IN FRONT" "YOU'RE GOING TO MOCK ME IN FRONT OF 900 MILLION PEOPLE AT THE" "OF 900 MILLION PEOPLE AT THE ACADEMY AWARDS." "ACADEMY AWARDS." "LOOK,BUZZ,AN ALIEN." "LOOK,BUZZ,AN ALIEN." "WHERE?" "WHERE?" "IFITWASN'TFOR ME, YOU 'DBE" "IFITWASN'TFOR ME, YOU 'DBE WALKING AROUND LIKE AN OLD" "WALKING AROUND LIKE AN OLD COWBOY TV STAR." "COWBOY TV STAR." "HEY!" "HEY!" "HOWDY HEY, YOU'RE MY FAVORITE" "HOWDY HEY, YOU'RE MY FAVORITE DEPUTY." "DEPUTY." "YEE-HAW!" "YEE-HAW!" "RIDE LIKE THE WIND." "RIDE LIKE THE WIND." "ALLRIGHT,ENOUGHALREADY." "ALLRIGHT,ENOUGHALREADY." "THE NOMINEES FOR ANIMATED " "THE NOMINEES FOR ANIMATED -- REACH FOR THE SKY!" "REACH FOR THE SKY!" "COME ON, BUZZ." "COME ON, BUZZ." "THENOMINEESFORANIMATED" "THENOMINEESFORANIMATED FEATURE FILM ARE " "FEATURE FILM ARE -- "SHAUN THE SHEEP MOVIE," MARK" ""SHAUN THE SHEEP MOVIE," MARK BURTON AND RICHARD STARZAK." "BURTON AND RICHARD STARZAK." ""ANOMALISA," CHARLIE KAUFMAN," ""ANOMALISA," CHARLIE KAUFMAN, DUKE JOHNSON AND ROSA TRAN." "DUKE JOHNSON AND ROSA TRAN." ""BOY AND THE WORLD," ALÊ ABREU." ""BOY AND THE WORLD," ALÊ ABREU." ""WHEN MARNIE WAS THERE,"" ""WHEN MARNIE WAS THERE," HIROMASA YONEBAYASHI AND" "HIROMASA YONEBAYASHI AND YOSHIAKI NISHIMURA." "YOSHIAKI NISHIMURA." ""INSIDE OUT," PETE DOCTER AND" ""INSIDE OUT," PETE DOCTER AND JONAS RIVERA." "JONAS RIVERA." "AND THE ENVELOPE PLEASE." "AND THE ENVELOPE PLEASE." "THANKS,GUYS." "THANKS,GUYS." "YOU'REWELCOME." "YOU'REWELCOME." "ANDTHEOSCARGOESTO" "ANDTHEOSCARGOESTO--  "INSIDEOUT",PETEDOCTERAND" ""INSIDEOUT",PETEDOCTERAND JONAS RIVERA." "JONAS RIVERA." "THISISTHEFIRSTOSCARAND" "THISISTHEFIRSTOSCARAND SECOND NOMINATION FOR JONAS" "SECOND NOMINATION FOR JONAS RIVERA." "RIVERA." "THE SECOND NOMINATION FOR PETE" "THE SECOND NOMINATION FOR PETE DOCTER, WHO IS ALSO NOMINATED" "DOCTER, WHO IS ALSO NOMINATED FOR BEST SCREENPLAY THIS YEAR" "FOR BEST SCREENPLAY THIS YEAR FOR "INSIDE OUT."" "FOR "INSIDE OUT." HE TOOK HOME HIS FIRST OSCAR FOR" "HE TOOK HOME HIS FIRST OSCAR FOR "UP."" ""UP." WEARESO LUCKY,BECAUSE," "WEARESO LUCKY,BECAUSE, REGARDLESS OF A GOLD MAN OR NOT," "REGARDLESS OF A GOLD MAN OR NOT, WE GET TO MAKE STUFF." "WE GET TO MAKE STUFF." "RIGHT,WEDO ,ANDONTHIS" "RIGHT,WEDO ,ANDONTHIS  FILM, EVERY SINGLE STORY BOARD," "FILM, EVERY SINGLE STORY BOARD, EVERY SINGLE FRAME, CUT, LINE OF" "EVERY SINGLE FRAME, CUT, LINE OF DIALOGUE, EVERY SINGLE PIXEL WAS" "DIALOGUE, EVERY SINGLE PIXEL WAS DONE BY THE AMAZING ARTISTS WE" "DONE BY THE AMAZING ARTISTS WE WORK WITH AT PIXAR." "WORK WITH AT PIXAR." "THEY SHOULD BE UP THERE WITH US" "THEY SHOULD BE UP THERE WITH US TONIGHT." "TONIGHT." "WE LOVE THEM." "WE LOVE THEM." "ALONG WITH THE AMAZING CAST." "ALONG WITH THE AMAZING CAST." "BEST CAST EVER, WE LOVE YOU." "BEST CAST EVER, WE LOVE YOU." "WEWANTTO THANKOUR WIVES," "WEWANTTO THANKOUR WIVES, AMANDA " "AMANDA -- MICHELLE." "MICHELLE." "OURKIDS." "OURKIDS." "THIS WAS BORN FROM WATCHING OUR" "THIS WAS BORN FROM WATCHING OUR KIDS GROW UP, WHICH IS NOT EASY." "KIDS GROW UP, WHICH IS NOT EASY." "IF YOU ARE IN JUNIOR HIGH, HIGH" "IF YOU ARE IN JUNIOR HIGH, HIGH SCHOOL, WORKING IT OUT," "SCHOOL, WORKING IT OUT, SUFFERING, THERE ARE DAYS YOU" "SUFFERING, THERE ARE DAYS YOU ARE GOING TO FEEL SAD, ANGRY," "ARE GOING TO FEEL SAD, ANGRY, GOING TO BE SCARED." "GOING TO BE SCARED." "THAT'S NOTHING YOU CAN CHOOSE," "THAT'S NOTHING YOU CAN CHOOSE, BUT YOU CAN MAKE STUFF." "BUT YOU CAN MAKE STUFF." "MAKE FILMS, DRAW, WRITE, IT WILL" "MAKE FILMS, DRAW, WRITE, IT WILL MAKE A WORLD OF DIFFERENCE." "MAKE A WORLD OF DIFFERENCE." "THANK YOU." "PLEASEWELCOMENEXTYEAR'S HOST, KEVIN HART." "HOST, KEVIN HART." "HELLO." "HELLO." "HEY, MAN, MAKE SOME NOISE FOR" "HEY, MAN, MAKE SOME NOISE FOR CHRIS ROCK, DOING AN AMAZING JOB" "CHRIS ROCK, DOING AN AMAZING JOB UP HERE." "UP HERE." "MY GUY." "MY GUY." "MY GUY." "MY GUY." "ALL RIGHT, LOOK, BEFORE I DO" "ALL RIGHT, LOOK, BEFORE I DO THIS, I WANT TO TAKE A SECOND TO" "THIS, I WANT TO TAKE A SECOND TO GET SOMETHING OFF MY CHEST." "GET SOMETHING OFF MY CHEST." "FIRST AND FOREMOST, I'M A" "FIRST AND FOREMOST, I'M A POSITIVE GUY." "POSITIVE GUY." "I FEED OFF POSITIVE ENERGY AND I" "I FEED OFF POSITIVE ENERGY AND I FEEL LIKE POSITIVE OVERALL BEATS" "FEEL LIKE POSITIVE OVERALL BEATS NEGATIVE." "NEGATIVE." "WITH THAT BEING SAID, I WANT TO" "WITH THAT BEING SAID, I WANT TO TAKE A MOMENT TO APPLAUD ALL OF" "TAKE A MOMENT TO APPLAUD ALL OF MY ACTORS AND ACTRESSES OF COLOR" "MY ACTORS AND ACTRESSES OF COLOR THAT DIDN'T GET NOMINATED" "THAT DIDN'T GET NOMINATED TONIGHT." "TONIGHT." "THE REASON WHY I SAY THAT IS" "THE REASON WHY I SAY THAT IS BECAUSE I WANT THEM TO" "BECAUSE I WANT THEM TO UNDERSTAND THAT TONIGHT SHOULD" "UNDERSTAND THAT TONIGHT SHOULD NOT DETERMINE THE HARD WORK AND" "NOT DETERMINE THE HARD WORK AND EFFORT THAT YOU PUT INTO YOUR" "EFFORT THAT YOU PUT INTO YOUR CRAFT." "CRAFT." "AT THE END OF THE DAY, WE LOVE" "AT THE END OF THE DAY, WE LOVE WHAT WE DO AND WE ARE BREAKING" "WHAT WE DO AND WE ARE BREAKING MAJOR GROUND DOING IT." "MAJOR GROUND DOING IT." "THESE PROBLEMS OF TODAY WILL" "THESE PROBLEMS OF TODAY WILL BECOME PROBLEMS OF THE OLD." "BECOME PROBLEMS OF THE OLD." "LET'S NOT LET THIS NEGATIVE" "LET'S NOT LET THIS NEGATIVE ISSUE OF DIVERSITY BEAT US." "ISSUE OF DIVERSITY BEAT US." "LET'S CONTINUE TO DO WHAT WE DO" "LET'S CONTINUE TO DO WHAT WE DO BEST AND WORK HARD." "BEST AND WORK HARD." "WITH THAT BEING SAID " "WITH THAT BEING SAID -- CONGRATULATIONS ON AN AMAZING" "CONGRATULATIONS ON AN AMAZING YEAR, OKAY?" "YEAR, OKAY?" "THAT'S FROM ME TO THEM." "THAT'S FROM ME TO THEM." "CONGRATULATIONS." "CONGRATULATIONS." "I ALSO WANT TO SAY THAT I ONLY" "I ALSO WANT TO SAY THAT I ONLY CAME TONIGHT BECAUSE I THOUGHT" "CAME TONIGHT BECAUSE I THOUGHT FOR SURE THAT I WOULD GET A SEAT" "FOR SURE THAT I WOULD GET A SEAT IN THE FRONT ROW AND IT STILL" "IN THE FRONT ROW AND IT STILL DIDN'T HAPPEN." "DIDN'T HAPPEN." "I DON'T KNOW WHY, BUT I THOUGHT" "I DON'T KNOW WHY, BUT I THOUGHT THIS WAS THE YEAR TO KIND OF" "THIS WAS THE YEAR TO KIND OF SHOW MY FACE MORE IN THE FRONT" "SHOW MY FACE MORE IN THE FRONT ROW BECAUSE OF ALL OF THE BLACK" "ROW BECAUSE OF ALL OF THE BLACK STUFF THAT WAS GOING ON." "STUFF THAT WAS GOING ON." "I WAS LIKE, THEY'LL GO TO ME." "I WAS LIKE, THEY'LL GO TO ME." "AND YOU DIDN'T." "AND YOU DIDN'T." "BUT WHATEVER." "BUT WHATEVER." "IT'S OKAY." "IT'S OKAY." "I HAVE A SUIT WITH SHINY STUFF" "I HAVE A SUIT WITH SHINY STUFF ON IT, SO, I STILL MADE A" "ON IT, SO, I STILL MADE A STATEMENT." "STATEMENT." "OKAY, GUYS, RIGHT NOW, LET'S" "OKAY, GUYS, RIGHT NOW, LET'S MOVE ON WITH THE SHOW." "MOVE ON WITH THE SHOW." "LISTEN." "LISTEN." "OUR SECOND NOMINATED SONG" "OUR SECOND NOMINATED SONG TONIGHT WAS A BIG HIT FOR THIS" "TONIGHT WAS A BIG HIT FOR THIS NEXT PERFORMER, WHO ACTUALLY" "NEXT PERFORMER, WHO ACTUALLY DOMINATED THE R  B CHARTS IN" "DOMINATED THE R  B CHARTS IN 2016." "2016." "PERFORMING "EARNED IT" FROM" "PERFORMING "EARNED IT" FROM "FIFTY SHADES OF GREY," LADIES" ""FIFTY SHADES OF GREY," LADIES AND GENTLEMEN, PLEASE MAKE SOME" "AND GENTLEMEN, PLEASE MAKE SOME NOISE FOR MY GUY, THE WEEKND." "¶ ¶" "¶ ¶ YOU MAKE IT LOOK LIKE IT'S" "¶ YOU MAKE IT LOOK LIKE IT'S MAGIC" "MAGIC 'CAUSE I SEE NOBODY" "'CAUSE I SEE NOBODY NOBODY BUT YOU, YOU, YOU ¶" "NOBODY BUT YOU, YOU, YOU ¶ ¶ I'M NEVER CONFUSED" "¶ I'M NEVER CONFUSED HEY, HEY I'M SO USED TO BEING" "HEY, HEY I'M SO USED TO BEING USED ¶" "USED ¶ ¶ SO I LOVE WHEN YOU CALL" "¶ SO I LOVE WHEN YOU CALL UNEXPECTED" "UNEXPECTED 'CAUSE I HATE WHEN THE MOMENT'S" "'CAUSE I HATE WHEN THE MOMENT'S EXPECTED ¶" "EXPECTED ¶ ¶ SO I'MA CARE FOR" "¶ SO I'MA CARE FOR YOU, YOU, YOU ¶" "YOU, YOU, YOU ¶ ¶ I'MA CARE FOR" "¶ I'MA CARE FOR YOU, YOU, YOU, YOU YEAH ¶" "YOU, YOU, YOU, YOU YEAH ¶ ¶ 'CAUSE, GIRL, YOU'RE PERFECT" "¶ 'CAUSE, GIRL, YOU'RE PERFECT YOU'RE ALWAYS WORTH IT ¶" "YOU'RE ALWAYS WORTH IT ¶ ¶ AND YOU DESERVE IT" "¶ AND YOU DESERVE IT THE WAY YOU WORK IT ¶" "THE WAY YOU WORK IT ¶ ¶ 'CAUSE, GIRL, YOU" "¶ 'CAUSE, GIRL, YOU EARN EARNED IT ¶" "EARN EARNED IT ¶ ¶ GIRL YOU EARN EARNED IT ¶" "¶ GIRL YOU EARN EARNED IT ¶ ¶ ON THAT LONELY NIGHT" "¶ ON THAT LONELY NIGHT WE SAID IT WOULDN'T BE LOVE ¶" "WE SAID IT WOULDN'T BE LOVE ¶ ¶ BUT WE FELT THE RUSH" "¶ BUT WE FELT THE RUSH IT MADE US BELIEVE IT WAS ONLY" "IT MADE US BELIEVE IT WAS ONLY US ¶" "US ¶ ¶ CONVINCED WE WERE BROKEN" "¶ CONVINCED WE WERE BROKEN INSIDE" "INSIDE YEAH INSIDE YEAH ¶" "YEAH INSIDE YEAH ¶ ¶ 'CAUSE, GIRL, YOU'RE PERFECT" "¶ 'CAUSE, GIRL, YOU'RE PERFECT YOU'RE ALWAYS WORTH IT ¶" "YOU'RE ALWAYS WORTH IT ¶ ¶ AND YOU DESERVE IT" "¶ AND YOU DESERVE IT THE WAY YOU WORK IT ¶" "THE WAY YOU WORK IT ¶ ¶ 'CAUSE, GIRL, YOU" "¶ 'CAUSE, GIRL, YOU EARN EARNED IT ¶" "EARN EARNED IT ¶ ¶ GIRL YOU EARN EARNED IT ¶" "Announcer:40YEARSAFTERHIS BIG SCREEN DEBUT, WILL ROCKY" "BIG SCREEN DEBUT, WILL ROCKY BALBOA KNOCK OUT HIS OPPONENTS?" "BALBOA KNOCK OUT HIS OPPONENTS?" "WE'LL FIND OUT, WHEN THE OSCARS" "WE'LL FIND OUT, WHEN THE OSCARS RETURN, LIVE FROM THE DOLBY" "RETURN, LIVE FROM THE DOLBY THEATRE, ON ABC." "Announcer:" "PLEASEWELCOME ACADEMY AWARD WINNERS KATE" "ACADEMY AWARD WINNERS KATE WINSLET AND REESE WITHERSPOON." "WINSLET AND REESE WITHERSPOON." "AGAMEOF CATAND MOUSE" "AGAMEOF CATAND MOUSE DURING THE MOST FRIGID MOMENTS" "DURING THE MOST FRIGID MOMENTS OF THE COLD WAR SHAPES THE STORY" "OF THE COLD WAR SHAPES THE STORY OF OUR NEXT BEST PICTURE" "OF OUR NEXT BEST PICTURE NOMINEE." "NOMINEE." "WHEN A SOVIET SPY IS CAPTURED" "WHEN A SOVIET SPY IS CAPTURED AND PUT ON TRIAL, ONE AMERICAN" "AND PUT ON TRIAL, ONE AMERICAN MUST DEFEND HIS COUNTRY'S" "MUST DEFEND HIS COUNTRY'S FUNDAMENTAL PRINCIPLES OF" "FUNDAMENTAL PRINCIPLES OF JUSTICE AND DECENCY AGAINST" "JUSTICE AND DECENCY AGAINST ENEMIES BOTH FOREIGN AND" "ENEMIES BOTH FOREIGN AND DOMESTIC." "DOMESTIC." "HERE IS "BRIDGE OF SPIES."" "HERE IS "BRIDGE OF SPIES." IPLEDGEALLEENLEE JANSTO" "IPLEDGEALLEENLEE JANSTO THE FLAG." "THE FLAG." "WEHAVEENGAGEDINA WARWITH" "WEHAVEENGAGEDINA WARWITH THE SOVIET UNION." "THE SOVIET UNION." "SOVIETSGOTTHEIRGUY ." "SOVIETSGOTTHEIRGUY ." "WE WANT YOU TO NEGOTIATE THE" "WE WANT YOU TO NEGOTIATE THE SWAP." "SWAP." "I'MANINSURANCEAGENT." "I'MANINSURANCEAGENT." "YOUWORKFORTHE CIA NOW ." "YOUWORKFORTHE CIA NOW ." "THEFAMILYOF AMAN TRYINGTO" "THEFAMILYOF AMAN TRYINGTO FREE A TRAITOR." "FREE A TRAITOR." "YOUSHOULDBE CAREFUL." "YOUSHOULDBE CAREFUL." "YOUDONOTKNOWWHOYOUARE" "YOUDONOTKNOWWHOYOUARE DEALING WITH." "DEALING WITH." "WHAT'S THE NEXT MOVE WHEN YOU" "WHAT'S THE NEXT MOVE WHEN YOU DON'T KNOW WHAT THE GAME IS." "DON'T KNOW WHAT THE GAME IS." "ANDJUSTICEFORALL ." "ANDJUSTICEFORALL ." "OURNEXTBESTPICTURENOMINEE" "OURNEXTBESTPICTURENOMINEE RECOUNTS A TRUE STORY OF" "RECOUNTS A TRUE STORY OF FEARLESS LOCAL JOURNALISM." "FEARLESS LOCAL JOURNALISM." "DESPITE OBSTACLES AT EVERY TURN," "DESPITE OBSTACLES AT EVERY TURN, A TEAM OF UNDAUNTED JOURNALISTS" "A TEAM OF UNDAUNTED JOURNALISTS INVESTIGATES ALLEGATIONS OF" "INVESTIGATES ALLEGATIONS OF SEXUAL ABUSE IN ONE OF THE" "SEXUAL ABUSE IN ONE OF THE WORLD'S MOST POWERFUL" "WORLD'S MOST POWERFUL INSTITUTIONS." "INSTITUTIONS." "HERE IS "SPOTLIGHT."" "HERE IS "SPOTLIGHT." THEBOSTONPRIESTABUSED80" "THEBOSTONPRIESTABUSED80 KIDS." "KIDS." "THE CHURCH DID NOTHING." "THE CHURCH DID NOTHING." "THIS STRIKES ME AS AN ESSENTIAL" "THIS STRIKES ME AS AN ESSENTIAL STORY TO A LOCAL PAPER." "STORY TO A LOCAL PAPER." "THAT'SWHATYOURTEAMWOULD" "THAT'SWHATYOURTEAMWOULD DO?" "DO?" "WE'REGOINGAFTERTHE SYSTEM." "WE'REGOINGAFTERTHE SYSTEM." "WE'REGOINGTO TELLTHIS" "WE'REGOINGTO TELLTHIS STORY." "STORY." "WE'RE GOING TO TELL IT RIGHT." "WE'RE GOING TO TELL IT RIGHT." "THISISNOTJUSTBOSTON." "THISISNOTJUSTBOSTON." "AND IT GOES RIGHT TO THE" "AND IT GOES RIGHT TO THE VATICAN." "VATICAN." "WEGOTTO GO WITHTHISNOW." "WEGOTTO GO WITHTHISNOW." "NO,I 'MNOTGOINGTORUSH THE" "NO,I 'MNOTGOINGTORUSH THE STORY." "STORY." "IF IT TAKES A VILLAGE TO RAISE A" "IF IT TAKES A VILLAGE TO RAISE A CHIDE, IT TAKES A VILLAGE TO" "CHIDE, IT TAKES A VILLAGE TO ABUSE ONE." "ABUSE ONE." "HOWDOYOUSAY NOTOGOD," "HOWDOYOUSAY NOTOGOD, RIGHT?" "RIGHT?" "POWERFUL." "POWERFUL." "THANK YOU." "THANK YOU." "WELL, TONIGHT, I'VE BEEN CALLING" "WELL, TONIGHT, I'VE BEEN CALLING OUT HOLLYWOOD FOR ITS LACK OF" "OUT HOLLYWOOD FOR ITS LACK OF DIVERSITY AND I DON'T WANT TO" "DIVERSITY AND I DON'T WANT TO JUST COMPLAIN." "JUST COMPLAIN." "I WANT TO HELP SOLVE THE PROBLEM" "I WANT TO HELP SOLVE THE PROBLEM AND THAT'S GOING TO TAKE A FRESH" "AND THAT'S GOING TO TAKE A FRESH PERSPECTIVE." "PERSPECTIVE." "SO, I WENT FAR AWAY FROM" "SO, I WENT FAR AWAY FROM HOLLYWOOD, I WENT AS FAR AWAY AS" "HOLLYWOOD, I WENT AS FAR AWAY AS I COULD." "I COULD." "I WENT TO MY FAVORITE MOVIE" "I WENT TO MY FAVORITE MOVIE THEATER IN COMPTON." "THEATER IN COMPTON." "LET'S TAKE A LOOK." "LET'S TAKE A LOOK." "¶" "¶ INYOUROWNWORDS,WHAT IS" "INYOUROWNWORDS,WHAT IS THE OSCAR CONTROVERSY ABOUT?" "THE OSCAR CONTROVERSY ABOUT?" "WELL,I GUESSIT 'SABOUT" "WELL,I GUESSIT 'SABOUT GIVING BLACKS A CHANCE TO WIN." "GIVING BLACKS A CHANCE TO WIN." "WEREYOUUPSETWHENYOUHEARD" "WEREYOUUPSETWHENYOUHEARD  THERE WERE NO BLACK NOMINEES" "THERE WERE NO BLACK NOMINEES THIS YEAR?" "THIS YEAR?" "ACTUALLY" "I MEAN,IWASN'T" "ACTUALLY" "I MEAN,IWASN'T SURPRISED, BUT I MEAN, KIND OF" "SURPRISED, BUT I MEAN, KIND OF BOTHERED ME A LITTLE BIT." "BOTHERED ME A LITTLE BIT." "ITWASTERRIBLE." "ITWASTERRIBLE." "IMEAN,LIKE,SMACKAWHITE" "IMEAN,LIKE,SMACKAWHITE  MAN BAD?" "MAN BAD?" "ALMOST." "ALMOST." "YOU STILL GO TO JAIL IN L.A. FOR" "YOU STILL GO TO JAIL IN L.A. FOR SMACKING A WHITE MAN." "SMACKING A WHITE MAN." "YOUGETTHREEYEARSFORA" "YOUGETTHREEYEARSFORA  HARD LOOK." "HARD LOOK." "RIGHTABOUTTHAT." "RIGHTABOUTTHAT." "DIDYOUTHINKABOUTRIOTING" "DIDYOUTHINKABOUTRIOTING AND LOOTING?" "AND LOOTING?" "NO,WEDIDTHATALREADYANDI" "NO,WEDIDTHATALREADYANDI DIDN'T GET NOTHING THE FIRST" "DIDN'T GET NOTHING THE FIRST TIME." "TIME." "I WAS TOO LITTLE." "I WAS TOO LITTLE." "THISWASYOURTIMETOGET" "THISWASYOURTIMETOGET THAT TV." "THAT TV." "IKNOW,RIGHT?" "IKNOW,RIGHT?" "SO,DIDYOUSEE ANY OFTHE" "SO,DIDYOUSEE ANY OFTHE OSCAR-NOMINATED MOVIES." "OSCAR-NOMINATED MOVIES." "YOU SEE "SPOTLIGHT?"" "YOU SEE "SPOTLIGHT?" NO,WHATTHEHELLISTHAT?" "NO,WHATTHEHELLISTHAT?" "NO." "NO." "NO." "NO." "DOYOUFEELTHAT"TRUMBO"" "DOYOUFEELTHAT"TRUMBO" SHOULD HAVE BEEN A BIGGER HIT?" "SHOULD HAVE BEEN A BIGGER HIT?" "DIDYOUSEE"THEBIGSHORT ?"" "DIDYOUSEE"THEBIGSHORT ?" IDIDNOT." "IDIDNOT." ""BRIDGEOFSPIES?"" ""BRIDGEOFSPIES?" WHEREAREYOUGETTINGTHESE" "WHEREAREYOUGETTINGTHESE MOVIES FROM?" "MOVIES FROM?" "THEY'REREALMOVIES." "THEY'REREALMOVIES." "ICOMETO THEMOVIESALLTHE" "ICOMETO THEMOVIESALLTHE TIME." "TIME." "THESEAREREALMOVIES." "THESEAREREALMOVIES." "LIKE,INLONDONAND STUFF?" "LIKE,INLONDONAND STUFF?" "DIDYOUSEE"BRIDGEOF" "DIDYOUSEE"BRIDGEOF SPIES?"" "SPIES?" NO." "NO." "NO, I DID NOT." "NO, I DID NOT." "I HAVE NEVER HEARD OF THAT" "I HAVE NEVER HEARD OF THAT MOVIE." "MOVIE." "TOMHANKS." "TOMHANKS." "I'VEHEARDOF HIM." "I'VEHEARDOF HIM." "ANDSTEVENSPIELBERG." "ANDSTEVENSPIELBERG." "I'VEHEARDOF HIM." "I'VEHEARDOF HIM." "DIDYOUSEE"STRAIGHTOUTTA" "DIDYOUSEE"STRAIGHTOUTTA COMPTON."" "COMPTON." IDIDSEETHAT." "IDIDSEETHAT." "ILOVEDIT ." "ILOVEDIT ." "OFCOURSE." "OFCOURSE." "OH,YEAH." "OH,YEAH." "YES,I DID." "YES,I DID." "OH,HELLYES." "OH,HELLYES." "WHAT'SYOURFAVORITEMOVIEOF" "WHAT'SYOURFAVORITEMOVIEOF ALL TIME?" "ALL TIME?" ""SUPERFLY."" ""SUPERFLY." "SUPERFLY."" ""SUPERFLY." NOW, WHAT WAS YOUR FAVORITE" "NOW, WHAT WAS YOUR FAVORITE WHITE MOVIE OF THE YEAR?" "WHITE MOVIE OF THE YEAR?" "OH,MAN." "OH,MAN." ""BYTHESEA."" ""BYTHESEA." WITH " " BRAD PITT AND ANGELINA" "WITH " " BRAD PITT AND ANGELINA JOLIE." "JOLIE." "WOW." "WOW." "NOT EVEN THEY WOULD SAY THAT." "NOT EVEN THEY WOULD SAY THAT." "HERE'S A REAL OSCAR." "HERE'S A REAL OSCAR." "I'M GOING TO GIVE YOU THIS AND I" "I'M GOING TO GIVE YOU THIS AND I WANT YOU TO LOOK INTO THAT" "WANT YOU TO LOOK INTO THAT CAMERA AND GIVE YOUR SPEECH." "CAMERA AND GIVE YOUR SPEECH." "I WANT YOU TO TELL HOLLYWOOD HOW" "I WANT YOU TO TELL HOLLYWOOD HOW YOU FEEL RIGHT NOW." "YOU FEEL RIGHT NOW." "UM" "FIRSTANDFOREMOST ," "UM" "FIRSTANDFOREMOST , I'D LIKE TO THANK GOD." "I'D LIKE TO THANK GOD." "THISSHOULDBE NOTJUST" "THISSHOULDBE NOTJUST WHITE, IT SHOULD BE ASIAN," "WHITE, IT SHOULD BE ASIAN, HISPANIC, THERE'S SO MUCH TALENT" "HISPANIC, THERE'S SO MUCH TALENT OUT THERE OF ALL RACES." "OUT THERE OF ALL RACES." "IFEELLIKEMOSTOFY'ALL" "IFEELLIKEMOSTOFY'ALL  KIND OF OWE US, SO, YOU'RE NOT" "KIND OF OWE US, SO, YOU'RE NOT REALLY HIP TO, WHAT, THE YOUNGER" "REALLY HIP TO, WHAT, THE YOUNGER PEOPLE LIKE." "PEOPLE LIKE." "ILIKETO THANKTHE ACADEMY" "ILIKETO THANKTHE ACADEMY FOR NOMINATING YET ANOTHER WHITE" "FOR NOMINATING YET ANOTHER WHITE PERSON THIS YEAR." "PERSON THIS YEAR." "UM " " I WOULD COMPLAIN, BUT IT" "UM " " I WOULD COMPLAIN, BUT IT WAS ME, SO, MAYBE I'LL COMPLAIN" "WAS ME, SO, MAYBE I'LL COMPLAIN NEXT YEAR." "NEXT YEAR." "YOUGIVEBLACKACTORSMORE" "YOUGIVEBLACKACTORSMORE  AWARDS, BECAUSE THEY DESERVE IT" "AWARDS, BECAUSE THEY DESERVE IT AND THEY WORK HARD FOR IT JUST" "AND THEY WORK HARD FOR IT JUST LIKE ANYBODY ELSE." "LIKE ANYBODY ELSE." "HOW ABOUT THAT?" "HOW ABOUT THAT?" "AMERICA." "AMERICA." "YEAH." "YEAH." "ITAKETHISHOME." "ITAKETHISHOME." "NO,NO." "NO,NO." "WHAT?" "WHAT?" "Announcer:" "PLEASEWELCOME" "Announcer:" "PLEASEWELCOME LAST YEAR'S OSCAR-WINNING" "LAST YEAR'S OSCAR-WINNING SUPPORTING ACTRESS, PATRICIA" "SUPPORTING ACTRESS, PATRICIA ARQUETTE." "CONSIDERFIVEPOWERFUL PERFORMANCES, EACH ONE" "PERFORMANCES, EACH ONE COMPELLING, ORIGINAL, UNIQUE." "COMPELLING, ORIGINAL, UNIQUE." "AN EX-NEUROLOGIST TURNED" "AN EX-NEUROLOGIST TURNED FINANCIAL GENIUS." "FINANCIAL GENIUS." "A DISLOYAL AND SADISTIC FUR" "A DISLOYAL AND SADISTIC FUR TRAPPER." "TRAPPER." "A PERSUASIVE INVESTIGATIVE" "A PERSUASIVE INVESTIGATIVE JOURNALIST." "JOURNALIST." "A SOVIET SPY, PIVOTAL TO A" "A SOVIET SPY, PIVOTAL TO A PRISONER EXCHANGE." "PRISONER EXCHANGE." "AND AN AGING FIGHTER NAMED" "AND AN AGING FIGHTER NAMED ROCKY BALBOA." "ROCKY BALBOA." "THESE ARE THE CHARACTERS GIVEN" "THESE ARE THE CHARACTERS GIVEN THOUGHTFUL PORTRAYALS BY THE MEN" "THOUGHTFUL PORTRAYALS BY THE MEN NOMINATED FOR PERFORMANCE BY AN" "NOMINATED FOR PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE." "ACTOR IN A SUPPORTING ROLE." "HERE ARE THE NOMINEES." "HERE ARE THE NOMINEES." "CHRISTIAN BALE, "THE BIG SHORT."" "CHRISTIAN BALE, "THE BIG SHORT." THEHOUSINGMARKETISPROPPED" "THEHOUSINGMARKETISPROPPED UP ON THESE BAD LOANS." "UP ON THESE BAD LOANS." "IT'S A TIME BOMB." "IT'S A TIME BOMB." "I WANT TO SHORT IT." "I WANT TO SHORT IT." "THROUGHWHATINSTRUMENT," "THROUGHWHATINSTRUMENT, MICHAEL?" "MICHAEL?" "THERE ARE NO INSURANCE CONTRACTS" "THERE ARE NO INSURANCE CONTRACTS OR OPTIONS FOR MORTGAGE BONDS." "OR OPTIONS FOR MORTGAGE BONDS." "THE BONDS ARE TOO STABLE." "THE BONDS ARE TOO STABLE." "LAWRENCE" "JUST" " THISIS" "LAWRENCE" "JUST" " THISIS WHAT I'M GOING TO DO." "WHAT I'M GOING TO DO." "I AM GOING TO GET A BANK TO MAKE" "I AM GOING TO GET A BANK TO MAKE ME ONE." "ME ONE." "TOMHARDY,"THEREVENANT."" "TOMHARDY,"THEREVENANT." YOULIEDTO ME ." "YOULIEDTO ME ." "I HAVE THE SKILLS AND THE SENSE" "I HAVE THE SKILLS AND THE SENSE OF YOU, BOY." "OF YOU, BOY." "THERE'S NO POINT, YOU" "THERE'S NO POINT, YOU UNDERSTAND?" "UNDERSTAND?" "GOD GIVETH, GOD TAKETH AWAY." "GOD GIVETH, GOD TAKETH AWAY." "MARKRUFFALO,"SPOTLIGHT."" "MARKRUFFALO,"SPOTLIGHT." THEYKNEWANDTHEYLETIT" "THEYKNEWANDTHEYLETIT HAPPEN TO KIDS." "HAPPEN TO KIDS." "OKAY?" "OKAY?" "IT COULD HAVE BEEN YOU." "IT COULD HAVE BEEN YOU." "IT COULD HAVE BEEN ME." "IT COULD HAVE BEEN ME." "IT COULD HAVE BEEN ANY OF US." "IT COULD HAVE BEEN ANY OF US." "WE GOT TO NAIL THESE SCUM BAGS." "WE GOT TO NAIL THESE SCUM BAGS." "WE HAVE TO SHOW PEOPLE THAT" "WE HAVE TO SHOW PEOPLE THAT NOBODY CAN GET AWAY WITH THIS." "NOBODY CAN GET AWAY WITH THIS." "NOT A PRIEST OR A CARDINAL OR A" "NOT A PRIEST OR A CARDINAL OR A FREAKING POPE." "FREAKING POPE." "MARKRYLANCE,"BRIDGEOF" "MARKRYLANCE,"BRIDGEOF SPIES."" "SPIES." WAITINGFORANOTHERMAN ?" "WAITINGFORANOTHERMAN ?" "YEP." "YEP." "YOUWANTHIM,TOO ?" "YOUWANTHIM,TOO ?" "IWANTHIM." "IWANTHIM." "DOESN'TMATTERWHATHEWANTS." "DOESN'TMATTERWHATHEWANTS." "I'M IN CHARGE AND YOU ARE FREE" "I'M IN CHARGE AND YOU ARE FREE TO GO." "TO GO." "PLEASE GO." "PLEASE GO." "[ SPEAKING FOREIGN LANGUAGE ]" "[ SPEAKING FOREIGN LANGUAGE ] ICANWAIT." "ICANWAIT." "SYLVESTERSTALLONE,"CREED."" "SYLVESTERSTALLONE,"CREED." IDON'TEVENKNOWWHAT I'M" "IDON'TEVENKNOWWHAT I'M DOING HERE." "DOING HERE." "I GOT OTHER PLANS IN MY LIFE AND" "I GOT OTHER PLANS IN MY LIFE AND THIS WASN'T PART OF IT." "THIS WASN'T PART OF IT." "YOUR FATHER WAS SPECIAL." "YOUR FATHER WAS SPECIAL." "TELL YOU THE TRUTH, I DON'T KNOW" "TELL YOU THE TRUTH, I DON'T KNOW IF YOU'RE SPECIAL." "IF YOU'RE SPECIAL." "ONLY YOU WILL KNOW THAT." "ONLY YOU WILL KNOW THAT." "I AIN'T GOING TO COME OVERNIGHT." "I AIN'T GOING TO COME OVERNIGHT." "YOU ARE GOING TO TAKE A BEATING." "YOU ARE GOING TO TAKE A BEATING." "YOU ARE GOING TO GET KNOCKED" "YOU ARE GOING TO GET KNOCKED OUT, YOU'RE GOING TO GET UP AND" "OUT, YOU'RE GOING TO GET UP AND WE'RE GOING TO SEE IF YOU GOT" "WE'RE GOING TO SEE IF YOU GOT THE RIGHT THING." "THE RIGHT THING." "BUT YOU GOT TO WORK HARD." "BUT YOU GOT TO WORK HARD." "I SWEAR TO GOD, IF YOU'RE NOT" "I SWEAR TO GOD, IF YOU'RE NOT GOING TO DO IT " " I'M OUT." "GOING TO DO IT " " I'M OUT." "OH,SORRY." "OH,SORRY." "AND THE OSCAR GOES TO " " MARK" "AND THE OSCAR GOES TO " " MARK RYLANCE, "BRIDGE OF SPIES."" "RYLANCE, "BRIDGE OF SPIES." THISISTHEFIRSTOSCARAND" "THISISTHEFIRSTOSCARAND NOMINATION FOR MARK RYLANCE." "I'VEALWAYS" " I'VEALWAYS JUST ADORED STORIES, HEARING" "JUST ADORED STORIES, HEARING THEM, SEEING THEM, BEING IN" "THEM, SEEING THEM, BEING IN THEM, SO, FOR ME TO HAVE THE" "THEM, SO, FOR ME TO HAVE THE CHANCE TO WORK WITH, I THINK," "CHANCE TO WORK WITH, I THINK, ONE OF THE GREATEST STORYTELLERS" "ONE OF THE GREATEST STORYTELLERS OF OUR TIME, STEVEN SPIELBERG," "OF OUR TIME, STEVEN SPIELBERG, HAS JUST BEEN SUCH AN HONOR." "HAS JUST BEEN SUCH AN HONOR." "AND UNLIKE SOME OF THE LEADERS" "AND UNLIKE SOME OF THE LEADERS WE'RE BEING PRESENTED WITH THESE" "WE'RE BEING PRESENTED WITH THESE DAYS, HE LEADS WITH SUCH LOVE," "DAYS, HE LEADS WITH SUCH LOVE, HE IS SURROUNDED BY MASTERS IN" "HE IS SURROUNDED BY MASTERS IN EVERY CRAFT, AND NOT THE LEAST," "EVERY CRAFT, AND NOT THE LEAST, MR. TOM HANKS." "MR. TOM HANKS." "I'M SO PLEASED THAT OUR FILM HAS" "I'M SO PLEASED THAT OUR FILM HAS BEEN NOMINATED SO MANY TIMES," "BEEN NOMINATED SO MANY TIMES, AND AS A FACE OF THE FILM, I" "AND AS A FACE OF THE FILM, I MEET MANY PEOPLE IN THE STREETS" "MEET MANY PEOPLE IN THE STREETS AND IT'S LOVELY TO HAVE THEM," "AND IT'S LOVELY TO HAVE THEM, THEY ARE ALWAYS SAYING, WOULD IT" "THEY ARE ALWAYS SAYING, WOULD IT HELP, AND ALL THAT STUFF." "HELP, AND ALL THAT STUFF." "AND IF YOU EVER WONDER ABOUT" "AND IF YOU EVER WONDER ABOUT ACTING WITH TOM HANKS, WOULD IT" "ACTING WITH TOM HANKS, WOULD IT HELP, THE ANSWER IS CLEARLY YES." "HELP, THE ANSWER IS CLEARLY YES." "I WANT TO JUST SAY THANK YOU TO" "I WANT TO JUST SAY THANK YOU TO MY FELLOW NOMINEES, I DON'T KNOW" "MY FELLOW NOMINEES, I DON'T KNOW HOW THEY SEPARATE MY ACTING FROM" "HOW THEY SEPARATE MY ACTING FROM YOUR GLORIOUS ACTING IN THESE" "YOUR GLORIOUS ACTING IN THESE WONDERFUL FILMS THAT YOU ARE IN." "WONDERFUL FILMS THAT YOU ARE IN." "I DON'T KNOW HOW THEY SEPARATED" "I DON'T KNOW HOW THEY SEPARATED THE FIVE OF US FROM ALL THE" "THE FIVE OF US FROM ALL THE OTHER SUPPORTING ACTORS WHO ARE" "OTHER SUPPORTING ACTORS WHO ARE MAKING FILMS AT THE MOMENT." "MAKING FILMS AT THE MOMENT." "IT'S A WONDERFUL TIME TO BE AN" "IT'S A WONDERFUL TIME TO BE AN ACTOR AND I'M PROUD TO BE PART" "ACTOR AND I'M PROUD TO BE PART OF IT." "OF IT." "THANK YOU." "THANK YOU." "Announcer:" "COMINGUP ,LOUIS" "Announcer:" "COMINGUP ,LOUIS C.K., MORE FROM CHRIS ROCK, LADY" "C.K., MORE FROM CHRIS ROCK, LADY GAGA PERFORMS AND A SPECIAL" "GAGA PERFORMS AND A SPECIAL TRIBUTE FROM DAVE GROHL." "TRIBUTE FROM DAVE GROHL." "¶" "¶ IKNOWYOU'REHUNGRY." "IKNOWYOU'REHUNGRY." "YOU WISH YOU GOT A COOKIE RIGHT" "YOU WISH YOU GOT A COOKIE RIGHT NOW, RIGHT?" "NOW, RIGHT?" "YOU KNOW OUR NEXT PRESENTER FROM" "YOU KNOW OUR NEXT PRESENTER FROM HIS SHOW "HORACE AND PETE" AND" "HIS SHOW "HORACE AND PETE" AND HIS WORK ON THE EMMY-WINNING" "HIS WORK ON THE EMMY-WINNING "CHRIS ROCK SHOW."" ""CHRIS ROCK SHOW." PLEASE WELCOME LOUIS C.K." "PLEASE WELCOME LOUIS C.K. THAT'SGOOD,MAN,THANKYOU." "THAT'SGOOD,MAN,THANKYOU." "THANK YOU." "THANK YOU." "I'M HERE TO PRESENT THE AWARD" "I'M HERE TO PRESENT THE AWARD FOR BEST DOCUMENTARY SHORT FILM." "FOR BEST DOCUMENTARY SHORT FILM." "WHICH IS MY FAVORITE AWARD." "WHICH IS MY FAVORITE AWARD." "THIS IS EASILY MY FAVORITE" "THIS IS EASILY MY FAVORITE SUBJECT." "SUBJECT." "IT REALLY IS." "IT REALLY IS." "THIS IS THE ONE AWARD THAT HAS" "THIS IS THE ONE AWARD THAT HAS THE OPPORTUNITY TO CHANGE A" "THE OPPORTUNITY TO CHANGE A LIFE." "LIFE." "BECAUSE, I MEAN, I'M HAPPY FOR" "BECAUSE, I MEAN, I'M HAPPY FOR ALL OF YOU, BUT YOU CAME HERE" "ALL OF YOU, BUT YOU CAME HERE WINNERS AND YOU ARE LEAVING" "WINNERS AND YOU ARE LEAVING MILLIONAIRES." "MILLIONAIRES." "NOT GOING TO MAKE THAT BIG A" "NOT GOING TO MAKE THAT BIG A DIFFERENCE." "DIFFERENCE." "THE REST OF THE OSCARS ARE GOING" "THE REST OF THE OSCARS ARE GOING TO MANSIONS AND THE HOME OF" "TO MANSIONS AND THE HOME OF PEOPLE WITH GOOD UNIONS." "PEOPLE WITH GOOD UNIONS." "THIS IS DOCUMENTARY SHORT FILM." "THIS IS DOCUMENTARY SHORT FILM." "YOU CANNOT " " IT'S NOT EVEN" "YOU CANNOT " " IT'S NOT EVEN DOCUMENTARY FEATURE, YOU KNOW?" "DOCUMENTARY FEATURE, YOU KNOW?" "AL GORE GOT ONE OF THOSE AND" "AL GORE GOT ONE OF THOSE AND MICHAEL MOORE." "MICHAEL MOORE." "THIS IS " " NO, YOU CANNOT MAKE A" "THIS IS " " NO, YOU CANNOT MAKE A DIME ON THIS." "DIME ON THIS." "THESE PEOPLE WILL NEVER BE RICH" "THESE PEOPLE WILL NEVER BE RICH AS LONG AS THEY LIVE." "AS LONG AS THEY LIVE." "SO, THIS OSCAR MEANS SOMETHING," "SO, THIS OSCAR MEANS SOMETHING, BECAUSE ALL THEY DO IS TELL" "BECAUSE ALL THEY DO IS TELL STORIES THAT ARE IMPORTANT." "STORIES THAT ARE IMPORTANT." "NOW, YOU ALL DO, BUT YOU ALSO" "NOW, YOU ALL DO, BUT YOU ALSO GET RICH." "GET RICH." "BUT THESE PEOPLE " " ALL THEY GOT" "BUT THESE PEOPLE " " ALL THEY GOT IS THIS OSCAR IS GOING HOME IN A" "IS THIS OSCAR IS GOING HOME IN A HONDA CIVIC." "HONDA CIVIC." "THE PERSON WHO OWNS THIS " " THIS" "THE PERSON WHO OWNS THIS " " THIS OSCAR IS GOING TO BE THE NICEST" "OSCAR IS GOING TO BE THE NICEST THING THEY EVER OWN IN THEIR" "THING THEY EVER OWN IN THEIR LIFE." "LIFE." "IT'S GOING TO GIVE THEM ANXIETY" "IT'S GOING TO GIVE THEM ANXIETY TO KEEP IT IN THEIR CRAPPY" "TO KEEP IT IN THEIR CRAPPY APARTMENT." "APARTMENT." "HERE ARE THE NOMINEES FOR BEST" "HERE ARE THE NOMINEES FOR BEST DOCUMENTARY SHORT SUBJECT." "DOCUMENTARY SHORT SUBJECT." ""BODY TEAM 12," DAVID DARG AND" ""BODY TEAM 12," DAVID DARG AND BRYN MOOSER." "BRYN MOOSER." ""CHAU, BEYOND THE LINES,"" ""CHAU, BEYOND THE LINES," COURTNEY MARSH AND JERRY FRANCK." "COURTNEY MARSH AND JERRY FRANCK." ""CLAUDE LANZMANN:" "SPECTRES OF" ""CLAUDE LANZMANN:" "SPECTRES OF THE SHOAH," ADAM BENZINE." "THE SHOAH," ADAM BENZINE." ""A GIRL IN THE RIVER:" "THE PRICE" ""A GIRL IN THE RIVER:" "THE PRICE OF FORGIVENESS," SHARMEEN" "OF FORGIVENESS," SHARMEEN OBAID-CHINOY." "OBAID-CHINOY." ""LAST DAY OF FREEDOM," DEE" ""LAST DAY OF FREEDOM," DEE HIBBERT-JONES AND NOMI TALISMAN." "HIBBERT-JONES AND NOMI TALISMAN." "ANDTHEOSCARGOESTO" " MAD" "ANDTHEOSCARGOESTO" " MAD MAX " " NO." "MAX " " NO." ""A GIRL IN THE RIVER:" "THE PRICE" ""A GIRL IN THE RIVER:" "THE PRICE OF FORGIVENESS," SHARMEEN" "OF FORGIVENESS," SHARMEEN OBAID-CHINOY." "OBAID-CHINOY." "THISISTHESECONDOSCARAND" "THISISTHESECONDOSCARAND SECOND NOMINATION FOR SHARMEEN" "SECOND NOMINATION FOR SHARMEEN OBAID-CHINOY." "THANKGODIHAVETWOOFTHEM NOW." "NOW." "THIS IS WHAT HAPPENS WHEN" "THIS IS WHAT HAPPENS WHEN DETERMINED WOMEN GET TOGETHER." "DETERMINED WOMEN GET TOGETHER." "FROM THE WOMAN IN MY FILM WHO" "FROM THE WOMAN IN MY FILM WHO REMARKABLY SURVIVED AND HONOR" "REMARKABLY SURVIVED AND HONOR KILLING AND SHARED HER STORY, TO" "KILLING AND SHARED HER STORY, TO SHEILA AND LISA FROM HBO, TO" "SHEILA AND LISA FROM HBO, TO TINA BROWN, WHO SUPPORTED ME" "TINA BROWN, WHO SUPPORTED ME FROM DAY ONE." "FROM DAY ONE." "TO THE MEN WHO CHAMPION WOMEN" "TO THE MEN WHO CHAMPION WOMEN LIKE JEFF BARTS IN MY FILM, WHO" "LIKE JEFF BARTS IN MY FILM, WHO EDITED THE FILM, TO MY FRIEND" "EDITED THE FILM, TO MY FRIEND WHO BROUGHT THIS FILM TO THE" "WHO BROUGHT THIS FILM TO THE GOVERNMENT, TO ALL THE BRAVE MEN" "GOVERNMENT, TO ALL THE BRAVE MEN OUT THERE, LIKE MY FATHER AND MY" "OUT THERE, LIKE MY FATHER AND MY HUSBAND, WHO PUSH WOMEN TO GO TO" "HUSBAND, WHO PUSH WOMEN TO GO TO SCHOOL AND WORK AND WHO WANT A" "SCHOOL AND WORK AND WHO WANT A MORE JUST SOCIETY FOR WOMEN." "MORE JUST SOCIETY FOR WOMEN." "LAST WEEK " " THIS WEEK, THE" "LAST WEEK " " THIS WEEK, THE PAKISTANI PRIME MINISTER HAS" "PAKISTANI PRIME MINISTER HAS SAID THAT HE WILL CHANGE THE LAW" "SAID THAT HE WILL CHANGE THE LAW ON HONOR KILLING AFTER WATCHING" "ON HONOR KILLING AFTER WATCHING THIS FILM." "THIS FILM." "THAT IS THE POWER OF FILM." "THAT IS THE POWER OF FILM." "Announcer:" "ANDNOW,PLEASE" "Announcer:" "ANDNOW,PLEASE WELCOME DAISY RIDLEY AND DEV" "WELCOME DAISY RIDLEY AND DEV PATEL." "STORIESOFREALLIFEANDREAL LIVES ARE WHERE ALL" "LIVES ARE WHERE ALL DOCUMENTARIES START." "DOCUMENTARIES START." "WHEN THESE TRUE STORIES ARE" "WHEN THESE TRUE STORIES ARE TURNED INTO GREAT FILMS, THEY" "TURNED INTO GREAT FILMS, THEY CAN ENGAGE AUDIENCES WITH A" "CAN ENGAGE AUDIENCES WITH A SPECIAL INTENSITY." "SPECIAL INTENSITY." "THISYEAR'SDOCUMENTARY" "THISYEAR'SDOCUMENTARY MASTERPIECES INCLUDE TWO" "MASTERPIECES INCLUDE TWO BIOGRAPHIES OF BRILLIANT BUT" "BIOGRAPHIES OF BRILLIANT BUT TROUBLED ARTISTS, AND THREE" "TROUBLED ARTISTS, AND THREE FILMS ABOUT PEOPLE FIGHTING BACK" "FILMS ABOUT PEOPLE FIGHTING BACK AGAINST OPPRESSION AND INJUSTICE" "AGAINST OPPRESSION AND INJUSTICE WHEN POLITICS BECOME DEEPLY" "WHEN POLITICS BECOME DEEPLY PERSONAL." "PERSONAL." "HEREARETHENOMINEESFOR" "HEREARETHENOMINEESFOR BEST DOCUMENTARY FEATURE." "BEST DOCUMENTARY FEATURE." ""AMY," ASIF KAPADIA AND JAMES" ""AMY," ASIF KAPADIA AND JAMES GAY-REES." "GAY-REES." "IDON'TTHINKI'M GOINGTO" "IDON'TTHINKI'M GOINGTO BE " " I DON'T THINK I COULD" "BE " " I DON'T THINK I COULD HANDLE IT." "HANDLE IT." ""CARTELLAND,"MATTHEW" ""CARTELLAND,"MATTHEW HEINEMAN AND TOM YELLIN." "HEINEMAN AND TOM YELLIN." "YOUCAN'TSTOPTHE CARTEL." "YOUCAN'TSTOPTHE CARTEL." "NO MATTER WHAT YOU DO." "NO MATTER WHAT YOU DO." ""THELOOKOF SILENCE,"JOSHUA" ""THELOOKOF SILENCE,"JOSHUA OPPENHEIMER AND SIGNE BYRGE" "OPPENHEIMER AND SIGNE BYRGE SORENSEN." "SORENSEN." ""WHAT HAPPENED, MISS SIMONE?"" ""WHAT HAPPENED, MISS SIMONE?" LIZ GARBUS, AMY HOBBY AND JUSTIN" "LIZ GARBUS, AMY HOBBY AND JUSTIN WILKES." "WILKES." "NINASIMONEWASAFREE" "NINASIMONEWASAFREE  SPIRIT, IN AN ERA THAT DIDN'T" "SPIRIT, IN AN ERA THAT DIDN'T REALLY APPRECIATE A WOMAN'S" "REALLY APPRECIATE A WOMAN'S GENIUS." "GENIUS." ""WINTERONFIRE:" "UKRAINE'S" ""WINTERONFIRE:" "UKRAINE'S FIGHT FOR FREEDOM," EVGENY" "FIGHT FOR FREEDOM," EVGENY AFINEEVSKY AND DEN TOLMOR." "AFINEEVSKY AND DEN TOLMOR." "ANDTHEOSCARGOESTO" "ANDTHEOSCARGOESTO--  "AMY," ASIF KAPADIA AND JAMES" ""AMY," ASIF KAPADIA AND JAMES GAY-REES." "GAY-REES." "THISISTHEFIRSTOSCARAND" "THISISTHEFIRSTOSCARAND NOMINATION FOR ASIF KAPADIA AND" "NOMINATION FOR ASIF KAPADIA AND JAMES GAY-REES." "OH,WOW." "THANK YOU." "THANK YOU." "THIS IS AMAZING." "THIS IS AMAZING." "THANK YOU TO EVERYONE IN THE" "THANK YOU TO EVERYONE IN THE ACADEMY, EVERYONE THAT VOTED FOR" "ACADEMY, EVERYONE THAT VOTED FOR US." "US." "ALL THE LOVE YOU HAVE SHOWN TO" "ALL THE LOVE YOU HAVE SHOWN TO THE FILM." "THE FILM." "TO THE CONTRIBUTORS, EVERYONE" "TO THE CONTRIBUTORS, EVERYONE THAT TRUSTED US TO ACTUALLY MAKE" "THAT TRUSTED US TO ACTUALLY MAKE THIS FILM." "THIS FILM." "THIS FILM IS ALL ABOUT AMY," "THIS FILM IS ALL ABOUT AMY, SHOWING THE WORLD WHO SHE REALLY" "SHOWING THE WORLD WHO SHE REALLY WAS." "WAS." "THE BEAUTIFUL GIRL, THE AMAZING" "THE BEAUTIFUL GIRL, THE AMAZING SOUL." "SOUL." "FUNNY, INTELLIGENT, WITTY." "FUNNY, INTELLIGENT, WITTY." "SOMEONE SPECIAL." "SOMEONE SPECIAL." "SOMEONE WHO NEEDED LOOKING" "SOMEONE WHO NEEDED LOOKING AFTER." "AFTER." "WE JUST WANTED TO SHOW THE WORLD" "WE JUST WANTED TO SHOW THE WORLD WHO SHE REALLY WAS." "WHO SHE REALLY WAS." "THANKYOUTO A-24,THE GANG" "THANKYOUTO A-24,THE GANG ON THE CORNER, EVERYBODY AT" "ON THE CORNER, EVERYBODY AT UNIVERSAL." "UNIVERSAL." "CHRIS KING, OUR EDITOR, THIS IS" "CHRIS KING, OUR EDITOR, THIS IS FOR YOU, MY FRIEND." "FOR YOU, MY FRIEND." "AND LASTLY, THIS IS FOR THE" "AND LASTLY, THIS IS FOR THE FANS." "FANS." "AMY'S FANS WHO LOVED HER THROUGH" "AMY'S FANS WHO LOVED HER THROUGH THICK AND THIN." "THICK AND THIN." "THAT'S ALL SHE EVER REALLY" "THAT'S ALL SHE EVER REALLY NEEDED." "NEEDED." "THANK YOU VERY MUCH." "THANK YOU VERY MUCH." "ANDOURFAMILIESAND OUR" "ANDOURFAMILIESAND OUR  WIVES AND OUR CHILDREN." "WIVES AND OUR CHILDREN." "THANK YOU." "YOUKNOW,THEPEOPLETHAT  MADE UKRAINE ON FIRE ARE GOING" "MADE UKRAINE ON FIRE ARE GOING TO HATE AMY WINEHOUSE'S MUSIC" "TO HATE AMY WINEHOUSE'S MUSIC FOR THE REST OF THEIR LIVES." "FOR THE REST OF THEIR LIVES." "CUT THAT OFF." "CUT THAT OFF." "AS ALWAYS, THE RESULT OF" "AS ALWAYS, THE RESULT OF TONIGHT'S ACADEMY AWARDS HAVE" "TONIGHT'S ACADEMY AWARDS HAVE BEEN TAB EWE LATE EWE LATED" "BEEN TAB EWE LATE EWE LATED PRICEWATERHOUSECOOPERS." "PRICEWATERHOUSECOOPERS." "I WANT YOU TO WELCOME MING ZU," "I WANT YOU TO WELCOME MING ZU, BAI LING AND DAVID MOSCOWI TZ." "BAI LING AND DAVID MOSCOWI TZ." "IT'S OKAY." "IT'S OKAY." "IF ANYBODY IS UPSET ABOUT THAT" "IF ANYBODY IS UPSET ABOUT THAT JOKE, JUST TWEET ABOUT IT ON" "JOKE, JUST TWEET ABOUT IT ON YOUR PHONE THAT WAS ALSO MADE BY" "YOUR PHONE THAT WAS ALSO MADE BY THESE KIDS." "THESE KIDS." "OKAY?" "OKAY?" "Announcer:" "COMINGUP ," "Announcer:" "COMINGUP , PERFORMANCES FROM DAVE GROHL AND" "PERFORMANCES FROM DAVE GROHL AND LADY GAGA AND MORE FROM CHRIS" "LADY GAGA AND MORE FROM CHRIS ROCK." "¶ ALLRIGHT,GUYS." "ALLRIGHT,GUYS." "THE BIG MOMENT OF THE NIGHT." "THE BIG MOMENT OF THE NIGHT." "AND I'M NOT TALKING ABOUT BEST" "AND I'M NOT TALKING ABOUT BEST PICTURE." "PICTURE." "NO." "NO." "WE'RE ABOUT TO SEE HOW MUCH" "WE'RE ABOUT TO SEE HOW MUCH MONEY WE RAISED SELLING GIRL" "MONEY WE RAISED SELLING GIRL SCOUT COOKIES, ALL RIGHT?" "SCOUT COOKIES, ALL RIGHT?" "THAT'S RIGHT." "THAT'S RIGHT." "I WANT TO THANK ALL OF YOU," "I WANT TO THANK ALL OF YOU, BECAUSE A LOT OF YOU KICKED IN." "BECAUSE A LOT OF YOU KICKED IN." "A LOT OF YOU KICKED IN." "A LOT OF YOU KICKED IN." "HARVEY WEINSTEIN, KISS MY ASS." "HARVEY WEINSTEIN, KISS MY ASS." "BUT EVERYBODY ELSE, I LOVE YOU," "BUT EVERYBODY ELSE, I LOVE YOU, OKAY?" "OKAY?" "MY DAUGHTERS CANNOT WAIT TO SEE" "MY DAUGHTERS CANNOT WAIT TO SEE HOW MUCH MONEY WE HAVE RAISED." "HOW MUCH MONEY WE HAVE RAISED." "SO, HERE WE GO WITH THIS TOTE" "SO, HERE WE GO WITH THIS TOTE BOARD." "BOARD." "NOW, LAST YEAR " " LAST YEAR, WE" "NOW, LAST YEAR " " LAST YEAR, WE MADE, YOU KNOW, $600 AND" "MADE, YOU KNOW, $600 AND FINISHED NUMBER TWO." "FINISHED NUMBER TWO." "SO, LET'S SEE IF WE DID IT." "SO, LET'S SEE IF WE DID IT." "OKAY, LINDA DUNN." "OKAY, LINDA DUNN." "HERE WE COME." "HERE WE COME." "LET'S " " OH, YES!" "LET'S " " OH, YES!" "$65,243." "$65,243." "THANK YOU." "THANK YOU." "AND I WANT TO SEND A SPECIAL" "AND I WANT TO SEND A SPECIAL THANKS TO SUGE KNIGHT FOR BUYING" "THANKS TO SUGE KNIGHT FOR BUYING THE MOST COOKIES." "THE MOST COOKIES." "THANK YOU, SUGE." "THANK YOU, SUGE." "THANKS A LOT, SUGE, ALL RIGHT." "THANKS A LOT, SUGE, ALL RIGHT." "OH, MAN, THIS IS GREAT." "OH, MAN, THIS IS GREAT." "LOLA, ZORA, LOVE YOU." "LOLA, ZORA, LOVE YOU." "SEE YOU TUESDAY." "SEE YOU TUESDAY." "PLEASE WELCOME ACADEMY" "PLEASE WELCOME ACADEMY AWARD-WINNER WHOOPI GOLDBERG." "INADDITIONTO THEGOLDEN STATUES WE'RE PRESENTING" "STATUES WE'RE PRESENTING TONIGHT, THE ACADEMY'S BOARD OF" "TONIGHT, THE ACADEMY'S BOARD OF GOVERNORS HONORS INDIVIDUALS FOR" "GOVERNORS HONORS INDIVIDUALS FOR EXCEPTIONAL CONTRIBUTIONS TO THE" "EXCEPTIONAL CONTRIBUTIONS TO THE MOTION PICTURE ARTS AND" "MOTION PICTURE ARTS AND SCIENCES, AND FOR HUMANITARIAN" "SCIENCES, AND FOR HUMANITARIAN EFFORTS THAT HAVE BROUGHT CREDIT" "EFFORTS THAT HAVE BROUGHT CREDIT TO OUR INDUSTRY." "TO OUR INDUSTRY." "LAST NOVEMBER, THREE OUTSTANDING" "LAST NOVEMBER, THREE OUTSTANDING ACADEMY AWARD NOMINATED ARTISTS" "ACADEMY AWARD NOMINATED ARTISTS WERE RECOGNIZED WITH HONORARY" "WERE RECOGNIZED WITH HONORARY OSCARS " " ACTRESS GENA ROWLANDS," "OSCARS " " ACTRESS GENA ROWLANDS, FILMMAKER SPIKE LEE AND WITH THE" "FILMMAKER SPIKE LEE AND WITH THE JEAN HERSHOLT HUMANITARIAN" "JEAN HERSHOLT HUMANITARIAN AWARD, ACTRESS DEBBIE REYNOLDS." "AWARD, ACTRESS DEBBIE REYNOLDS." "HERE ARE A FEW MOMENTS FROM THE" "HERE ARE A FEW MOMENTS FROM THE CELEBRATION." "¶ GENAROWLANDSSMASHEDTHE" "GENAROWLANDSSMASHEDTHE  FEMALE STEREOTYPE OF HER TIME." "FEMALE STEREOTYPE OF HER TIME." "SHEHASHADTHE MOSTPROFOUND" "SHEHASHADTHE MOSTPROFOUND INFLUENCE ON MY WORK." "INFLUENCE ON MY WORK." "ITHINKI'LLTAKEHIMHOME" "ITHINKI'LLTAKEHIMHOME WITH ME TONIGHT." "WITH ME TONIGHT." "IAMTRULYPROUDANDDEEPLY" "IAMTRULYPROUDANDDEEPLY HONORED TO PRESENT THE" "HONORED TO PRESENT THE REMARKABLE DEBBIE REYNOLDS WITH" "REMARKABLE DEBBIE REYNOLDS WITH THE JEAN HERSHOLT HUMANITARIAN" "THE JEAN HERSHOLT HUMANITARIAN AWARD." "AWARD." "DEBDEBBIE,FOREVERYTHINGTH" "DEBDEBBIE,FOREVERYTHINGTH YOU ARE AND EVERYTHING YOU'VE" "YOU ARE AND EVERYTHING YOU'VE DONE, THANK YOU." "DONE, THANK YOU." "IT'SBEENAWONDERFULJOURNEY" "IT'SBEENAWONDERFULJOURNEY WITH A WONDERFUL FRIEND, WHO" "WITH A WONDERFUL FRIEND, WHO INSPIRES ME A LOT." "INSPIRES ME A LOT." "OUR PARTNER, PIONEER," "OUR PARTNER, PIONEER, PHENOMENON." "PHENOMENON." "ITISEASIERTOBETHE" "ITISEASIERTOBETHE PRESIDENT OF THE UNITED STATES" "PRESIDENT OF THE UNITED STATES AS A BLACK PERSON THAN THE HEAD" "AS A BLACK PERSON THAN THE HEAD OF A STUDIO." "OF A STUDIO." "I DIDN'T FIND FILM." "I DIDN'T FIND FILM." "FILM FOUND ME." "FILM FOUND ME." "THANK YOU VERY MUCH." "THANK YOU VERY MUCH." "Announcer:" "LADIESAND" "Announcer:" "LADIESAND GENTLEMEN, THE PRESIDENT OF THE" "GENTLEMEN, THE PRESIDENT OF THE ACADEMY OF MOTION PICTURE ARTS" "ACADEMY OF MOTION PICTURE ARTS AND SCIENCES, CHERYL BOONE" "AND SCIENCES, CHERYL BOONE ISAACS." "ONBEHALFOF THEACADEMY, CONGRATULATIONS TO ALL THE" "CONGRATULATIONS TO ALL THE NOMINEES AND OSCAR WINNERS." "NOMINEES AND OSCAR WINNERS." "YOUR WORK IS THE REASON THIS WAS" "YOUR WORK IS THE REASON THIS WAS AN AMAZING YEAR FOR OUR" "AN AMAZING YEAR FOR OUR INDUSTRY." "INDUSTRY." "YOUR ARTISTRY AND SKILLS ARE" "YOUR ARTISTRY AND SKILLS ARE TRULY WORTHY OF THE ACADEMY'S" "TRULY WORTHY OF THE ACADEMY'S HIGHEST HONOR." "HIGHEST HONOR." "AND AS WE REFLECT UPON YOUR WORK" "AND AS WE REFLECT UPON YOUR WORK OF THE PAST YEAR, TONIGHT IS" "OF THE PAST YEAR, TONIGHT IS ALSO A TIME TO TALK ABOUT THE" "ALSO A TIME TO TALK ABOUT THE FUTURE." "FUTURE." "THE OSCARS CELEBRATE THE" "THE OSCARS CELEBRATE THE STORYTELLERS WHO HAVE THE" "STORYTELLERS WHO HAVE THE OPPORTUNITY TO WORK IN THE" "OPPORTUNITY TO WORK IN THE POWERFUL MEDIUM OF FILM." "POWERFUL MEDIUM OF FILM." "AND WITH THAT OPPORTUNITY COMES" "AND WITH THAT OPPORTUNITY COMES RESPONSIBILITY." "RESPONSIBILITY." "OUR AUDIENCES ARE GLOBAL AND" "OUR AUDIENCES ARE GLOBAL AND RICH IN DIVERSITY, AND EVERY" "RICH IN DIVERSITY, AND EVERY FACET OF OUR INDUSTRY SHOULD BE" "FACET OF OUR INDUSTRY SHOULD BE AS WELL." "AS WELL." "EVERYONE IN THE HOLLYWOOD" "EVERYONE IN THE HOLLYWOOD COMMUNITY HAS A ROLE TO PLAY IN" "COMMUNITY HAS A ROLE TO PLAY IN BRINGING ABOUT THE VITAL CHANGES" "BRINGING ABOUT THE VITAL CHANGES THE INDUSTRY NEEDS SO THAT WE" "THE INDUSTRY NEEDS SO THAT WE CAN ACCURATELY REFLECT THE WORLD" "CAN ACCURATELY REFLECT THE WORLD TODAY." "TODAY." "THE ACADEMY BOARD OF GOVERNORS" "THE ACADEMY BOARD OF GOVERNORS RECENTLY TOOK CONCRETE ACTION" "RECENTLY TOOK CONCRETE ACTION AND SENT A MESSAGE THAT" "AND SENT A MESSAGE THAT INCLUSION ONLY SERVES TO MAKE US" "INCLUSION ONLY SERVES TO MAKE US ALL STRONGER." "ALL STRONGER." "AND IT'S IMPORTANT THAT ALL THE" "AND IT'S IMPORTANT THAT ALL THE MEMBERS OF THE ACADEMY, AND" "MEMBERS OF THE ACADEMY, AND EVERYONE IN THIS ROOM, HELP" "EVERYONE IN THIS ROOM, HELP DELIVER THAT MESSAGE." "DELIVER THAT MESSAGE." "EACH OF YOU IS AN AMBASSADOR WHO" "EACH OF YOU IS AN AMBASSADOR WHO CAN INFLUENCE OTHERS IN THE" "CAN INFLUENCE OTHERS IN THE INDUSTRY." "INDUSTRY." "IT'S NOT ENOUGH TO JUST LISTEN" "IT'S NOT ENOUGH TO JUST LISTEN AND AGREE." "AND AGREE." "WE MUST TAKE ACTION." "WE MUST TAKE ACTION." "WHILE CHANGE IS OFTEN DIFFICULT," "WHILE CHANGE IS OFTEN DIFFICULT, IT IS NECESSARY." "IT IS NECESSARY." "DR. MARTIN LUTHER KING ONCE" "DR. MARTIN LUTHER KING ONCE SAID, "THE ULTIMATE MEASURE OF A" "SAID, "THE ULTIMATE MEASURE OF A MAN IS NOT WHERE HE STANDS IN" "MAN IS NOT WHERE HE STANDS IN MOMENTS OF COMFORT AND" "MOMENTS OF COMFORT AND CONVENIENCE, BUT WHERE HE STANDS" "CONVENIENCE, BUT WHERE HE STANDS AT TIMES OF CHALLENGE AND" "AT TIMES OF CHALLENGE AND CONTROVERSY."" "CONTROVERSY." I AM CONFIDENT THAT TOGETHER WE" "I AM CONFIDENT THAT TOGETHER WE CAN SHAPE A FUTURE OF WHICH ALL" "CAN SHAPE A FUTURE OF WHICH ALL OF US CAN BE PROUD." "OF US CAN BE PROUD." "THANK YOU." "THANK YOU." "Announcer:" "ANDNOW,PLEASE" "Announcer:" "ANDNOW,PLEASE WELCOME ACADEMY AWARD WINNER," "WELCOME ACADEMY AWARD WINNER, LOUIS GOSSETT JR." "LOUIS GOSSETT JR." "THANKYOU." "THANKYOU." "EVERY TIME WE REMINISCE ABOUT" "EVERY TIME WE REMINISCE ABOUT A MOVING SCENE, LAUGH AT A" "A MOVING SCENE, LAUGH AT A PRICELESS BIT OF COMEDY OR" "PRICELESS BIT OF COMEDY OR RECALL A STORY THAT GAVE US A" "RECALL A STORY THAT GAVE US A NEW OUTLOOK ON LIFE, WE HONOR" "NEW OUTLOOK ON LIFE, WE HONOR THE ARTISTS BEHIND THOSE" "THE ARTISTS BEHIND THOSE MOMENTS." "MOMENTS." "NOW, TONIGHT, WE CELEBRATE THE" "NOW, TONIGHT, WE CELEBRATE THE FINE WORK IN THE MOVIES, WE ALSO" "FINE WORK IN THE MOVIES, WE ALSO REFLECT ON SOME OF THE" "REFLECT ON SOME OF THE UNFORGETTABLE MEMBERS OF OUR" "UNFORGETTABLE MEMBERS OF OUR COMMUNITY WE HAVE LOST DURING" "COMMUNITY WE HAVE LOST DURING THE LAST YEAR." "THE LAST YEAR." "SO NOW, WITH THIS SPECIAL" "SO NOW, WITH THIS SPECIAL PERFORMANCE BY DAVE GROHL, LET'S" "PERFORMANCE BY DAVE GROHL, LET'S REMEMBER SOME CHERISHED FRIENDS" "REMEMBER SOME CHERISHED FRIENDS WHOSE LASTING WORK CONTINUES TO" "WHOSE LASTING WORK CONTINUES TO INSPIRE AND ENTERTAIN THE WORLD." "¶ ¶ BLACKBIRD SINGING IN THE DEAD" "¶ BLACKBIRD SINGING IN THE DEAD OF NIGHT" "OF NIGHT TAKE THESE BROKEN WINGS AND" "TAKE THESE BROKEN WINGS AND LEARN TO FLY ¶" "LEARN TO FLY ¶ ¶ ALL YOUR LIFE" "¶ ALL YOUR LIFE YOU WERE ONLY WAITING" "YOU WERE ONLY WAITING FOR THIS MOMENT TO ARISE ¶" "FOR THIS MOMENT TO ARISE ¶ ¶ BLACKBIRD SINGING IN THE DEAD" "¶ BLACKBIRD SINGING IN THE DEAD OF NIGHT" "OF NIGHT TAKE THESE SUNKEN EYES AND LEARN" "TAKE THESE SUNKEN EYES AND LEARN TO SEE ¶" "TO SEE ¶ TOUS,MR.BOND." "TOUS,MR.BOND." "WE ARE THE BEST." "WE ARE THE BEST." "¶ YOU WERE ONLY WAITING" "¶ YOU WERE ONLY WAITING FOR THIS MOMENT TO BE FREE ¶" "FOR THIS MOMENT TO BE FREE ¶ ¶ BLACKBIRD FLY" "¶ BLACKBIRD FLY BLACKBIRD FLY ¶" "¶ IWISHYOUTHE BESTOF" "IWISHYOUTHE BESTOF EVERYTHING." "EVERYTHING." "TRULYFORSOMEMEN ,NOTHING" "TRULYFORSOMEMEN ,NOTHING IS WRITTEN UNLESS THEY WRITE IT." "NOWYOU'RETALKING." "WE GOT OLD HERBIE BACK!" "WE GOT OLD HERBIE BACK!" "ICANTEACHYOU HOW TO" "ICANTEACHYOU HOW TO BEWITCH THE MIND AND ENSNARE THE" "BEWITCH THE MIND AND ENSNARE THE SENSES." "¶ BLACKBIRD FLY BLACKBIRD FLY" "BLACKBIRD FLY INTO THE LIGHT OF THE DARK BLACK" "INTO THE LIGHT OF THE DARK BLACK NIGHT ¶" "NIGHT ¶ NO,I BUYYOUUP." "NO,I BUYYOUUP." "YOU DON'T BUY ME UP." "YOU DON'T BUY ME UP." "¶ BLACKBIRD SINGING IN THE DEAD" "¶ BLACKBIRD SINGING IN THE DEAD OF NIGHT" "OF NIGHT TAKE THESE BROKEN WINGS AND" "TAKE THESE BROKEN WINGS AND LEARN TO FLY ¶" "LEARN TO FLY ¶ ¶ ALL YOUR LIFE" "¶ ALL YOUR LIFE YOU WERE ONLY WAITING" "YOU WERE ONLY WAITING FOR THIS MOMENT TO ARISE ¶" "FOR THIS MOMENT TO ARISE ¶ ¶ BLACKBIRD SINGING IN THE DEAD" "¶ BLACKBIRD SINGING IN THE DEAD OF NIGHT" "OF NIGHT TAKE THESE BROKEN WINGS AND" "TAKE THESE BROKEN WINGS AND LEARN TO FLY ¶" "LEARN TO FLY ¶ ¶ ALL YOUR LIFE" "¶ ALL YOUR LIFE YOU WERE ONLY WAITING" "YOU WERE ONLY WAITING FOR THIS MOMENT TO ARISE ¶" "FOR THIS MOMENT TO ARISE ¶ IBELIEVEIMIGHTBEOF" "IBELIEVEIMIGHTBEOF  SERVICE." "SERVICE." "¶ YOU WERE ONLY WAITING" "¶ YOU WERE ONLY WAITING FOR THIS MOMENT TO ARISE ¶" "FOR THIS MOMENT TO ARISE ¶ IHAVEALWAYSBEENANDALWAYS" "IHAVEALWAYSBEENANDALWAYS SHALL BE YOUR FRIEND." "¶" "¶ ALLRIGHT,BEFOREWEMOVE" "ALLRIGHT,BEFOREWEMOVE  ON, I WANT TO GIVE A THANKS TO" "ON, I WANT TO GIVE A THANKS TO THE GIRL SCOUTS OF LOS ANGELES" "THE GIRL SCOUTS OF LOS ANGELES FOR THEIR HELP." "FOR THEIR HELP." "THANK YOU." "THANK YOU." "THANK YOU." "THANK YOU." "WOO, THIS IS CLOSE TO ME." "WOO, THIS IS CLOSE TO ME." "ALL RIGHT, FROM "ROOM," PLEASE" "ALL RIGHT, FROM "ROOM," PLEASE WELCOME JACOB TREMBLAY, AND MY" "WELCOME JACOB TREMBLAY, AND MY MAN " " WAIT, OH, ABRAHAM ATTAH." "MAN " " WAIT, OH, ABRAHAM ATTAH." "COME ON." "WE'REHERETO PRESENTTHE  AWARD FOR " "AWARD FOR -- THANKS,CHRIS." "THANKS,CHRIS." "I LOVED YOU IN "MADAGASCAR."" "I LOVED YOU IN "MADAGASCAR." HE'S A ZEBRA." "HE'S A ZEBRA." "HE'S HILARIOUS." "HE'S HILARIOUS." "FOR OBVIOUS REASONS, ABRAHAM AND" "FOR OBVIOUS REASONS, ABRAHAM AND I ARE HERE TONIGHT TO PRESENT" "I ARE HERE TONIGHT TO PRESENT THE OSCAR FOR BEST LIVE ACTION" "THE OSCAR FOR BEST LIVE ACTION SHORT." "SHORT." "THENOMINEESTHISYEARSHOW" "THENOMINEESTHISYEARSHOW  THAT WHEN IT COMES TO MAKING AN" "THAT WHEN IT COMES TO MAKING AN IMPACT ON THE BIG SCREEN, SIZE" "IMPACT ON THE BIG SCREEN, SIZE REALLY DOESN'T MATTER." "REALLY DOESN'T MATTER." "HEREARETHENOMINEESFOR" "HEREARETHENOMINEESFOR BEST LIVE ACTION SHORT FILM." "BEST LIVE ACTION SHORT FILM." ""AVE MARIA," BASIL KHALIL AND" ""AVE MARIA," BASIL KHALIL AND ERIC DUPONT." "ERIC DUPONT." ""DAY ONE," HENRY HUGHES." ""DAY ONE," HENRY HUGHES." ""EVERYTHING WILL BE OKAY (ALLES" ""EVERYTHING WILL BE OKAY (ALLES WIRD GUT)," PATRICK VOLLRATH." "WIRD GUT)," PATRICK VOLLRATH." ""SHOK," JAMIE DONOUGHUE." ""SHOK," JAMIE DONOUGHUE." ""STUTTERER," BENJAMIN CLEARY AND" ""STUTTERER," BENJAMIN CLEARY AND SERENA ARMITAGE." "SERENA ARMITAGE." "ANDTHEOSCARGOESTO" "ANDTHEOSCARGOESTO--  SERENA ARMITAGE." "SERENA ARMITAGE." "THISISTHEFIRSTOSCARAND" "THISISTHEFIRSTOSCARAND NOMINATION FOR BENJAMIN CLEARLY" "NOMINATION FOR BENJAMIN CLEARLY AND SERENA ARMITAGE." "Announcer:" "PLEASEWELCOME" "THANKYOU." "YOU KNOW, WHEN YOU MAKE YOUR" "YOU KNOW, WHEN YOU MAKE YOUR FIRST EVER FILM, YOU GOT TO" "FIRST EVER FILM, YOU GOT TO CONVINCE A LOT OF PEOPLE TO JUMP" "CONVINCE A LOT OF PEOPLE TO JUMP ON BOARD AND TAKE A RISK FOR THE" "ON BOARD AND TAKE A RISK FOR THE FIRST TIME DIRECTOR, AND, YOU" "FIRST TIME DIRECTOR, AND, YOU KNOW, TO EVERY SINGLE MEMBER OF" "KNOW, TO EVERY SINGLE MEMBER OF THE CAST AND CREW, TO JUMP ON" "THE CAST AND CREW, TO JUMP ON BOARD, I'M FOREVER GRATEFUL." "BOARD, I'M FOREVER GRATEFUL." "TO THE ACADEMY, FOR THIS AWARD," "TO THE ACADEMY, FOR THIS AWARD, IT'S SUCH A HUGE HONOR." "IT'S SUCH A HUGE HONOR." "THANK YOU SO MUCH." "THANK YOU SO MUCH." "TO MY AMAZING PARENTS, FOR UP" "TO MY AMAZING PARENTS, FOR UP THE SUPPORT, THANK YOU." "THE SUPPORT, THANK YOU." "AND MATTHEW, YOU ARE THIS FILM," "AND MATTHEW, YOU ARE THIS FILM, BROTHER." "BROTHER." "EVERY DAY IS A PROUD DAY TO BE" "EVERY DAY IS A PROUD DAY TO BE IRISH, BUT TODAY MORE THAN" "IRISH, BUT TODAY MORE THAN USUAL." "USUAL." "FOR EVERYONE BACK HOME FOR ALL" "FOR EVERYONE BACK HOME FOR ALL THE SUPPORT, THANK YOU SO MUCH." "THE SUPPORT, THANK YOU SO MUCH." "ONBEHALFOF MYSELFAND" "ONBEHALFOF MYSELFAND  SHAWN, WE JUST WANT TO THANK BEN" "SHAWN, WE JUST WANT TO THANK BEN FOR BRINGING US ON THE JOURNEY" "FOR BRINGING US ON THE JOURNEY AND FOR THE ACADEMY FOR HONORING" "AND FOR THE ACADEMY FOR HONORING SHORT FILMS." "SHORT FILMS." "THANK YOU." "Announcer:" "PLEASEWELCOME INTERNATIONAL STARS SOFIA" "INTERNATIONAL STARS SOFIA VERGARA AND BYUNG-HUN LEE." "VERGARA AND BYUNG-HUN LEE." "THISYEAR'SNOMINEESFOR" "THISYEAR'SNOMINEESFOR  FOREIGN LANGUAGE FILM ALL" "FOREIGN LANGUAGE FILM ALL SHOWCASE THE SPECIAL ABILITY OF" "SHOWCASE THE SPECIAL ABILITY OF MOVIES TO TRANSPORT US IN SPACE" "MOVIES TO TRANSPORT US IN SPACE AND TIME." "AND TIME." "ANOUTPOSTIN AFGHANISTAN,A" "ANOUTPOSTIN AFGHANISTAN,A NAZI CONCENTRATION CAMP, A" "NAZI CONCENTRATION CAMP, A CONSERVATIVE TURKISH VILLAGE," "CONSERVATIVE TURKISH VILLAGE, THE AMAZON RAIN FOREST, AND THE" "THE AMAZON RAIN FOREST, AND THE MIDDLE EAST DURING WORLD WAR I." "MIDDLE EAST DURING WORLD WAR I. ALL OF THIS YEAR'S FILMS TAKE" "ALL OF THIS YEAR'S FILMS TAKE PLACE ON BATTLEFIELDS OF ONE" "PLACE ON BATTLEFIELDS OF ONE SORT OR ANOTHER." "SORT OR ANOTHER." "THEFILMMAKERSEXPLORETHE" "THEFILMMAKERSEXPLORETHE  FUNDAMENTAL ASPECTS OF HUMANITY" "FUNDAMENTAL ASPECTS OF HUMANITY THAT BOTH DIVIDE US AND," "THAT BOTH DIVIDE US AND, SOMETIMES, BIND US TOGETHER." "SOMETIMES, BIND US TOGETHER." "HEREARETHENOMINEESFOR" "HEREARETHENOMINEESFOR BEST FOREIGN LANGUAGE FILM." "BEST FOREIGN LANGUAGE FILM." "FROM COLOMBIA, "EMBRACE OF THE" "FROM COLOMBIA, "EMBRACE OF THE SERPENT," DIRECTED BY CIRO" "SERPENT," DIRECTED BY CIRO GUERRA." "GUERRA." "FROM FRANCE, "MUSTANG," DIRECTED" "FROM FRANCE, "MUSTANG," DIRECTED BY DENIZ GAMZE ERGUVEN." "BY DENIZ GAMZE ERGUVEN." "FROM HUNGARY, "SON OF SAUL,"" "FROM HUNGARY, "SON OF SAUL," DIRECTED BY LASZLO NEMES." "DIRECTED BY LASZLO NEMES." "FROM JORDAN, "THEEB," DIRECTED" "FROM JORDAN, "THEEB," DIRECTED BY NAJI ABU NOWAR." "BY NAJI ABU NOWAR." "FROM DENMARK, "A WAR," DIRECTED" "FROM DENMARK, "A WAR," DIRECTED BY TOBIAS LINDHOLM." "BY TOBIAS LINDHOLM." "ANDTHEOSCARGOESTO-- "SON" "ANDTHEOSCARGOESTO-- "SON OF SAUL," HUNGARY." "OF SAUL," HUNGARY." "THISISTHESECONDOSCARAND" "THISISTHESECONDOSCARAND NINTH NOMINATION FOR HUNGARY." "WOW." "THANKS TO THE ACADEMY FOR THIS" "THANKS TO THE ACADEMY FOR THIS INCREDIBLE HONOR." "INCREDIBLE HONOR." "THANK YOU FOR TOM BERNARD," "THANK YOU FOR TOM BERNARD, MICHAEL BARKER, FOR SUPPORTING" "MICHAEL BARKER, FOR SUPPORTING US." "US." "THANKS TO HUNGARY FOR FUNDING" "THANKS TO HUNGARY FOR FUNDING THIS FILM." "THIS FILM." "I WANT TO SHARE THIS WITH MY" "I WANT TO SHARE THIS WITH MY MAIN ACTOR, AND THE INCREDIBLE" "MAIN ACTOR, AND THE INCREDIBLE CAST AND CREW THAT BELIEVE IN" "CAST AND CREW THAT BELIEVE IN THIS PROJECT WHEN NO ONE ELSE" "THIS PROJECT WHEN NO ONE ELSE DID." "DID." "YOU KNOW, EVEN IN THE DARKEST" "YOU KNOW, EVEN IN THE DARKEST HOURS OF MANKIND, WHEN " " IN THE" "HOURS OF MANKIND, WHEN " " IN THE DARKEST HOURS OF MANKIND, THERE" "DARKEST HOURS OF MANKIND, THERE MIGHT BE A VOICE WITHIN US THAT" "MIGHT BE A VOICE WITHIN US THAT ALLOWS US TO REMAIN HUMAN." "ALLOWS US TO REMAIN HUMAN." "THAT'S THE HOPE OF THIS FILM." "THAT'S THE HOPE OF THIS FILM." "THANK YOU VERY MUCH." "THANK YOU VERY MUCH." "THANK YOU." "Announcer:" "LADIESAND GENTLEMEN, THE VICE PRESIDENT OF" "GENTLEMEN, THE VICE PRESIDENT OF THE UNITED STATES, JOE BIDEN." "THE UNITED STATES, JOE BIDEN." "THANKYOU." "THANKYOU." "THANK YOU VERY MUCH." "THANK YOU VERY MUCH." "THANK YOU." "THANK YOU." "HEY, HOW ARE YOU?" "HEY, HOW ARE YOU?" "NO, NO, NO." "NO, NO, NO." "THANK YOU." "THANK YOU." "I'M THE LEAST QUALIFIED MAN HERE" "I'M THE LEAST QUALIFIED MAN HERE TONIGHT." "TONIGHT." "THANK YOU." "THANK YOU." "GOOD EVENING." "GOOD EVENING." "GOOD EVENING." "GOOD EVENING." "AND THANK YOU VERY MUCH." "AND THANK YOU VERY MUCH." "DESPITE SIGNIFICANT PROGRESS" "DESPITE SIGNIFICANT PROGRESS OVER THE LAST FEW YEARS, TOO" "OVER THE LAST FEW YEARS, TOO MANY WOMEN AND MEN ON AND OFF" "MANY WOMEN AND MEN ON AND OFF CLUJ" "CLUJ COLLEGE CAMPUSES ARE STILL" "COLLEGE CAMPUSES ARE STILL VICTIMS OF SEXUAL ABUSE." "VICTIMS OF SEXUAL ABUSE." "AND TONIGHT, I'M ASKING YOU TO" "AND TONIGHT, I'M ASKING YOU TO JOIN MILLIONS OF AMERICANS," "JOIN MILLIONS OF AMERICANS, INCLUDING ME, PRESIDENT OBAMA," "INCLUDING ME, PRESIDENT OBAMA, THE THOUSANDS OF STUDENTS I'VE" "THE THOUSANDS OF STUDENTS I'VE MET ON COLLEGE CAMPUSES, AND THE" "MET ON COLLEGE CAMPUSES, AND THE ARTISTS HERE TONIGHT, TO TAKE" "ARTISTS HERE TONIGHT, TO TAKE THE PLEDGE." "THE PLEDGE." "A PLEDGE THAT SAYS, I WILL" "A PLEDGE THAT SAYS, I WILL INTERVENE IN SITUATIONS WHEN" "INTERVENE IN SITUATIONS WHEN CONSENT HAS NOT OR CANNOT BE" "CONSENT HAS NOT OR CANNOT BE GIVEN." "GIVEN." "LET'S CHANGE THE CULTURE." "LET'S CHANGE THE CULTURE." "WE MUST AND WE CAN CHANGE THE" "WE MUST AND WE CAN CHANGE THE CULTURE, SO THAT NO ABUSED WOMAN" "CULTURE, SO THAT NO ABUSED WOMAN OR MAN LIKE THE SURVIVORS YOU" "OR MAN LIKE THE SURVIVORS YOU WILL SEE TONIGHT, EVER FEEL THEY" "WILL SEE TONIGHT, EVER FEEL THEY HAVE TO ASK THEMSELVES, WHAT DID" "HAVE TO ASK THEMSELVES, WHAT DID I DO?" "I DO?" "THEY DID NOTHING WRONG." "THEY DID NOTHING WRONG." "SO, FOLKS, I REALLY MEAN THIS," "SO, FOLKS, I REALLY MEAN THIS, I'M SINCERE." "I'M SINCERE." "TAKE THE PLEDGE." "TAKE THE PLEDGE." "GO LOOK AT, VISIT ITSONUS.ORG." "GO LOOK AT, VISIT ITSONUS.ORG. PERFORMING HER OSCAR-NOMINATED" "PERFORMING HER OSCAR-NOMINATED SONG "TIL IT HAPPENS TO YOU,"" "SONG "TIL IT HAPPENS TO YOU," WRITTEN WITH DIANE WARREN, FOR" "WRITTEN WITH DIANE WARREN, FOR THE FILM "THE HUNTING GROUND,"" "THE FILM "THE HUNTING GROUND," WELCOME MY FRIEND AND A" "WELCOME MY FRIEND AND A COURAGEOUS LADY HERSELF, LADY" "COURAGEOUS LADY HERSELF, LADY GAGA." "¶" "¶ YOU TELL ME IT GETS BETTER IT GETS BETTER IN TIME ¶" "IT GETS BETTER IN TIME ¶ ¶ YOU SAY I'LL PULL MYSELF" "¶ YOU SAY I'LL PULL MYSELF TOGETHER" "TOGETHER PULL IT TOGETHER" "PULL IT TOGETHER YOU'LL BE FINE ¶" "YOU'LL BE FINE ¶ ¶ TELL ME, WHAT THE HELL DO YOU" "¶ TELL ME, WHAT THE HELL DO YOU KNOW" "KNOW WHAT DO YOU KNOW ¶" "WHAT DO YOU KNOW ¶ ¶ TELL ME HOW THE HELL COULD YOU" "¶ TELL ME HOW THE HELL COULD YOU KNOW" "KNOW HOW COULD YOU KNOW ¶" "HOW COULD YOU KNOW ¶ ¶ TILL IT HAPPENS TO YOU" "¶ TILL IT HAPPENS TO YOU YOU DON'T KNOW HOW IT FEELS ¶" "YOU DON'T KNOW HOW IT FEELS ¶ ¶ HOW IT FEELS" "¶ HOW IT FEELS TILL IT HAPPENS TO YOU ¶" "TILL IT HAPPENS TO YOU ¶ ¶ YOU WON'T KNOW" "¶ YOU WON'T KNOW IT WON'T BE REAL" "IT WON'T BE REAL NO, IT WON'T BE REAL ¶" "NO, IT WON'T BE REAL ¶ ¶ WON'T KNOW HOW IT FEELS" "¶ WON'T KNOW HOW IT FEELS TILL YOUR WORLD BURNS AND" "TILL YOUR WORLD BURNS AND CRASHES ¶" "CRASHES ¶ ¶ TILL YOU'RE AT THE END" "¶ TILL YOU'RE AT THE END THE END OF YOUR ROPE ¶" "THE END OF YOUR ROPE ¶ ¶ TILL YOU'RE STANDING IN MY" "¶ TILL YOU'RE STANDING IN MY SHOES" "SHOES I DON'T WANNA HEAR A THING FROM" "I DON'T WANNA HEAR A THING FROM YOU" "YOU FROM YOU, FROM YOU ¶" "FROM YOU, FROM YOU ¶ ¶ 'CAUSE YOU DON'T KNOW" "¶ 'CAUSE YOU DON'T KNOW TILL IT HAPPENS TO YOU ¶" "TILL IT HAPPENS TO YOU ¶ ¶ YOU DON'T KNOW HOW I FEEL" "¶ YOU DON'T KNOW HOW I FEEL HOW I FEEL" "HOW I FEEL HOW I FEEL ¶" "HOW I FEEL ¶ ¶ TILL IT HAPPENS TO YOU" "¶ TILL IT HAPPENS TO YOU YOU WON'T KNOW" "YOU WON'T KNOW IT WON'T BE REAL ¶" "IT WON'T BE REAL ¶ ¶ HOW COULD YOU KNOW?" "¶ HOW COULD YOU KNOW?" "NO, IT WON'T BE REAL ¶" "NO, IT WON'T BE REAL ¶ ¶ HOW COULD YOU KNOW?" "¶ HOW COULD YOU KNOW?" "WON'T KNOW HOW I FEEL ¶" "WON'T KNOW HOW I FEEL ¶ ¶ TILL IT HAPPENS TO YOU" "¶ TILL IT HAPPENS TO YOU HAPPENS TO YOU" "HAPPENS TO YOU HAPPENS TO YOU ¶" "HAPPENS TO YOU ¶ ¶ HAPPENS TO YOU" "¶ HAPPENS TO YOU HAPPENS TO YOU" "HAPPENS TO YOU HAPPENS TO YOU ¶" "HAPPENS TO YOU ¶ ¶ HOW COULD YOU KNOW?" "¶ HOW COULD YOU KNOW?" "TILL IT HAPPENS YOU" "TILL IT HAPPENS YOU YOU WON'T KNOW" "YOU WON'T KNOW HOW I FEEL ¶" "Announcer:" "COMINGUP ,THE AWARDS FOR SONG AND SCORE." "AWARDS FOR SONG AND SCORE." "PLUS, MORE FROM CHRIS ROCK, LIVE" "PLUS, MORE FROM CHRIS ROCK, LIVE FROM THE DOLBY THEATRE." "¶ Announcer:" "ANDNOW,OSCAR" "Announcer:" "ANDNOW,OSCAR NOMINATED COMPOSER PHARRELL" "NOMINATED COMPOSER PHARRELL WILLIAMS AND WINNER OF THE JEAN" "WILLIAMS AND WINNER OF THE JEAN HERSHOLT HUMANITARIAN AWARD," "HERSHOLT HUMANITARIAN AWARD, QUINCY JONES." "QUINCY JONES." "JUSTA HANDFULOF NOTESWITH" "JUSTA HANDFULOF NOTESWITH JUST THE RIGHT COMBINATION CAN" "JUST THE RIGHT COMBINATION CAN UNITE A GROUP OF TOTAL STRANGERS" "UNITE A GROUP OF TOTAL STRANGERS IN A DARKENED MOVIE THEATER." "IN A DARKENED MOVIE THEATER." "I WAS BLESSED TO HAVE GONE TO" "I WAS BLESSED TO HAVE GONE TO THE U.S.S., THE UNIVERSITY OF" "THE U.S.S., THE UNIVERSITY OF STEVEN SPIELBERG, WHEN WE" "STEVEN SPIELBERG, WHEN WE COPRODUCED "THE COLOR PURPLE"" "COPRODUCED "THE COLOR PURPLE" AND WE USED TO REFER TO THE" "AND WE USED TO REFER TO THE MUSIC AS EMOTION LOTION." "MUSIC AS EMOTION LOTION." "THISYEAR'SEXCEPTIONAL" "THISYEAR'SEXCEPTIONAL COMPOSITIONS ARE SURE TO BRING" "COMPOSITIONS ARE SURE TO BRING THAT SPECIAL SENSE OF SHARED" "THAT SPECIAL SENSE OF SHARED EXPERIENCE TO AUDIENCES FOR" "EXPERIENCE TO AUDIENCES FOR YEARS TO COME." "YEARS TO COME." "HERE ARE THE NOMINEES FOR BEST" "HERE ARE THE NOMINEES FOR BEST ORIGINAL SCORE." "ORIGINAL SCORE." ""BRIDGE OF SPIES," BY THOMAS" ""BRIDGE OF SPIES," BY THOMAS NEWMAN." "NEWMAN." "¶" "¶ "CAROL," BY CARTER BURWELL." ""CAROL," BY CARTER BURWELL." "¶" "¶ "SICARIO," BY JOHANN JOHANNSSON." ""SICARIO," BY JOHANN JOHANNSSON." "¶" "¶ "THE HATEFUL EIGHT," BY ENNIO" ""THE HATEFUL EIGHT," BY ENNIO MORRICONE." "MORRICONE." "¶" "¶ "STAR WARS:" "THE FORCE AWAKENS,"" ""STAR WARS:" "THE FORCE AWAKENS," BY JOHN WILLIAMS." "BY JOHN WILLIAMS." "¶" "ANDTHEOSCARGOESTO--  "THE HATEFUL EIGHT," BY ENNIO" ""THE HATEFUL EIGHT," BY ENNIO MORRICONE." "MORRICONE." "THISISTHEFIRSTOSCARAND" "THISISTHEFIRSTOSCARAND SIXTH NOMINATION FOR ENNIO" "SIXTH NOMINATION FOR ENNIO MORRICONE." "MORRICONE." "HE RECEIVED AN HONORARY AWARD IN" "HE RECEIVED AN HONORARY AWARD IN 2006 IN RECOGNITION OF HIS MAG 2006 IN RECOGNITION OF HIS MAG KN" "KN MAGN" "MAGN MAGNIFICENT CONTRIBUTIONS TO THE" "MAGNIFICENT CONTRIBUTIONS TO THE ART OF FILM MUSIC." "Translator:" "THANKYOUTOTHE ACADEMY FOR THIS PRESTIGIOUS" "ACADEMY FOR THIS PRESTIGIOUS ACKNOWLEDGEMENT." "ACKNOWLEDGEMENT." "MY TRIBUTE GOES TO THE OTHER" "MY TRIBUTE GOES TO THE OTHER NOMINEES, AND IN PARTICULAR TO" "NOMINEES, AND IN PARTICULAR TO THE ESTEEMED JOHN WILLIAMS." "THE ESTEEMED JOHN WILLIAMS." "THERE ISN'T A GREAT SOUNDTRACK" "THERE ISN'T A GREAT SOUNDTRACK WITHOUT A GREAT MOVIE THAT" "WITHOUT A GREAT MOVIE THAT INSPIRES IT." "INSPIRES IT." "I WANT TO THANK QUENTIN" "I WANT TO THANK QUENTIN TARANTINO FOR HAVING CHOSEN ME" "TARANTINO FOR HAVING CHOSEN ME TO MAKE THIS EXTRAORDINARY FILM." "TO MAKE THIS EXTRAORDINARY FILM." "I DEDICATE THIS AWARD TO MY" "I DEDICATE THIS AWARD TO MY WIFE, MARIA, WHO IS THERE" "WIFE, MARIA, WHO IS THERE WATCHING ME." "WATCHING ME." "THANK YOU." "Announcer:" "LADIESAND GENTLEMEN, LAST YEAR'S OSCAR" "GENTLEMEN, LAST YEAR'S OSCAR WINNERS FOR ORIGINAL SONG," "WINNERS FOR ORIGINAL SONG, COMMON AND JOHN LEGEND." "EVERYMUSICIANDREAMSOF WRITING AND PERFORMING A SONG" "WRITING AND PERFORMING A SONG THAT RESONATES WITH THE PEOPLE" "THAT RESONATES WITH THE PEOPLE WHO HEAR IT." "WHO HEAR IT." "WHEN THAT SONG BECOMES A PART OF" "WHEN THAT SONG BECOMES A PART OF A MOVIE, IT'S FOREVER BONDED" "A MOVIE, IT'S FOREVER BONDED WITH THE SPIRIT AND THE MESSAGE" "WITH THE SPIRIT AND THE MESSAGE OF THE FILM." "OF THE FILM." "THESONGSNOMINATEDTHISYEAR" "THESONGSNOMINATEDTHISYEAR  ARE AS POWERFUL AS THE FILMS IN" "ARE AS POWERFUL AS THE FILMS IN WHICH THEY APPEARED." "WHICH THEY APPEARED." "THREE OF THEM HAVE BEEN" "THREE OF THEM HAVE BEEN PERFORMED FOR US TONIGHT." "PERFORMED FOR US TONIGHT." "HERE ARE THE NOMINEES FOR BEST" "HERE ARE THE NOMINEES FOR BEST ORIGINAL SONG." "ORIGINAL SONG." ""MANTA RAY," FROM "RACING" ""MANTA RAY," FROM "RACING EXTINCTION," MUSIC BY J. RALPH" "EXTINCTION," MUSIC BY J. RALPH LYRIC BY ANOHNI." "LYRIC BY ANOHNI." "¶" "¶ "SIMPLE SONG #3," FROM "YOUTH"" ""SIMPLE SONG #3," FROM "YOUTH" MUSIC AND LYRIC BY DAVID LANG." "MUSIC AND LYRIC BY DAVID LANG." "¶" "¶ "EARNED IT," FROM "FIFTY SHADES" ""EARNED IT," FROM "FIFTY SHADES OF GREY," MUSIC AND LYRIC BY THE" "OF GREY," MUSIC AND LYRIC BY THE WEEKND, AHMAD BALSHE, JASON" "WEEKND, AHMAD BALSHE, JASON QUENNEVILLE AND STEPHAN MOCCIO." "QUENNEVILLE AND STEPHAN MOCCIO." ""TIL IT HAPPENS TO YOU," FROM" ""TIL IT HAPPENS TO YOU," FROM "THE HUNTING GROUND" MUSIC AND" ""THE HUNTING GROUND" MUSIC AND LYRIC BY DIANE WARREN AND LADY" "LYRIC BY DIANE WARREN AND LADY GAGA." "GAGA." ""WRITING'S ON THE WALL," FROM" ""WRITING'S ON THE WALL," FROM "SPECTRE," MUSIC AND LYRIC BY" ""SPECTRE," MUSIC AND LYRIC BY JIMMY NAPES AND SAM SMITH." "JIMMY NAPES AND SAM SMITH." "ANDTHEOSCARGOESTO" "ANDTHEOSCARGOESTO--  JIMMY NAPES AND SAM SMITH FOR" "JIMMY NAPES AND SAM SMITH FOR "WRITING'S ON THE WALL."" ""WRITING'S ON THE WALL." THISISTHEFIRSTOSCARAND" "THISISTHEFIRSTOSCARAND NOMINATION FOR JIMMY NAPES AND" "NOMINATION FOR JIMMY NAPES AND SAM SMITH." "IACTUALLYCAN'TBREATHE RIGHT NOW." "RIGHT NOW." "OH, MY GOD." "OH, MY GOD." "THANK YOU TO THIS MAN RIGHT" "THANK YOU TO THIS MAN RIGHT HERE, JIMMY NAPES." "HERE, JIMMY NAPES." "TO ALL THE NOMINEES, YOU'RE" "TO ALL THE NOMINEES, YOU'RE INCREDIBLE." "INCREDIBLE." "GAGA, YOU'RE INCREDIBLE." "GAGA, YOU'RE INCREDIBLE." "I READ AN ARTICLE A FEW MONTHS" "I READ AN ARTICLE A FEW MONTHS AGO AND HE SAID THAT NO OPENLY" "AGO AND HE SAID THAT NO OPENLY GAY MAN HAD EVER WON AN OSCAR," "GAY MAN HAD EVER WON AN OSCAR, IF THIS IS THE CASE, EVEN IF IT" "IF THIS IS THE CASE, EVEN IF IT ISN'T THE CASE, I WANT TO" "ISN'T THE CASE, I WANT TO DEDICATE THIS TO THE LGBT" "DEDICATE THIS TO THE LGBT COMMUNITY, ALL AROUND THE WORLD." "COMMUNITY, ALL AROUND THE WORLD." "I STAND HERE " " I STAND HERE" "I STAND HERE " " I STAND HERE TONIGHT AS A PROUD GAY MAN AND I" "TONIGHT AS A PROUD GAY MAN AND I HOPE WE CAN ALL STAND TOGETHER" "HOPE WE CAN ALL STAND TOGETHER AS EQUALS ONE DAY." "AS EQUALS ONE DAY." "THANK YOU SO MUCH." "ALLRIGHT." "CONGRATULATIONS, NO JOKES THERE." "CONGRATULATIONS, NO JOKES THERE." "NOT GOING TO GET ME IN TROUBLE." "NOT GOING TO GET ME IN TROUBLE." "PLEASE WELCOME OLIVIA WILDE AND" "PLEASE WELCOME OLIVIA WILDE AND OSCAR NOMINEE SACHA BARON COHEN." "IKNOWWHATYOU WERETHINKING WHEN I WALKED ON." "WHEN I WALKED ON." "HERE COMES YET ANOTHER TOKEN" "HERE COMES YET ANOTHER TOKEN BLACK PRESENTER." "BLACK PRESENTER." "BUT IT AIN'T JUST." "BUT IT AIN'T JUST." "IT'S ALL PEOPLE OF ALL COLORS." "IT'S ALL PEOPLE OF ALL COLORS." "HOW COME THERE'S NO OSCAR FOR" "HOW COME THERE'S NO OSCAR FOR THEM." "THEM." "AND OF COURSE, THE AMAZING BLACK" "AND OF COURSE, THE AMAZING BLACK LORD FROM "STAR WARS," DARTH" "LORD FROM "STAR WARS," DARTH VADER." "VADER." "THIS IS FOR YOU." "THIS IS FOR YOU." "NOW, CHECK OUT A MOVIE ABOUT A" "NOW, CHECK OUT A MOVIE ABOUT A ROOM FULL OF WHITE PEOPLE." "ROOM FULL OF WHITE PEOPLE." "¶ WHEN EVENING WHEN THE SUN WENT" "¶ WHEN EVENING WHEN THE SUN WENT DOWN ¶" "DOWN ¶ ¶ AND THE JUNGLE FIRE WAS" "¶ AND THE JUNGLE FIRE WAS BURNING ¶" "BURNING ¶ YOUHAVETO UNDERSTAND,WE" "YOUHAVETO UNDERSTAND,WE CAN'T KEEP LIVING LIKE THIS." "CAN'T KEEP LIVING LIKE THIS." "YOU'REJUSTTRICKINGME." "YOU'REJUSTTRICKINGME." "JACK." "JACK." "THE WORLD IS SO BIG." "THE WORLD IS SO BIG." "WHEN JACK CAME, I JUST KNEW THAT" "WHEN JACK CAME, I JUST KNEW THAT I HAD TO KEEP HIM SAFE." "I HAD TO KEEP HIM SAFE." "GOINGTOCOMETOTHEDOOR." "GOINGTOCOMETOTHEDOOR." "SO, YOU'RE GOING TO HELP ME." "SO, YOU'RE GOING TO HELP ME." "I'MSCARED." "I'MSCARED." "IKNOW." "IKNOW." "YOU'RE GOING TO LOVE IT." "YOU'RE GOING TO LOVE IT." "WHAT?" "WHAT?" "THEWORLD." "THEENIGMAOF ARRIVALCREATES THE DRAMA IN OUR FINAL BEST" "THE DRAMA IN OUR FINAL BEST PICTURE NOMINEE." "PICTURE NOMINEE." "A YOUNG WOMAN SEARCHING FOR A" "A YOUNG WOMAN SEARCHING FOR A BETTER LIFE MUST DECIDE WHETHER" "BETTER LIFE MUST DECIDE WHETHER TO RESIST THE PULL OF HER NATIVE" "TO RESIST THE PULL OF HER NATIVE COUNTRY AND MAKE A NEW HOME IN" "COUNTRY AND MAKE A NEW HOME IN THE PLACE THAT HAS WELCOMED" "THE PLACE THAT HAS WELCOMED GENERATIONS OF ASPIRATIONAL" "GENERATIONS OF ASPIRATIONAL NEWCOMERS." "NEWCOMERS." "HERE IS "BROOKLYN."" "HERE IS "BROOKLYN." ¶" "¶ WELCOMETOTHEUNITEDSTATES," "WELCOMETOTHEUNITEDSTATES, MA'AM." "MA'AM." "DEARROSE." "DEARROSE." "I STILL MISS YOU AND MOTHER AND" "I STILL MISS YOU AND MOTHER AND THINK ABOUT YOU EVERY DAY." "THINK ABOUT YOU EVERY DAY." "I'MNOTIRISH." "I'MNOTIRISH." "YOUDON'TSOUNDIRISH." "YOUDON'TSOUNDIRISH." "FORTHEFIRSTTIMEI'VE BEEN" "FORTHEFIRSTTIMEI'VE BEEN  IN AMERICA, I'M REALLY HAPPY." "IN AMERICA, I'M REALLY HAPPY." "I GOT MARRIED IN BROOKLYN BEFORE" "I GOT MARRIED IN BROOKLYN BEFORE I CAME HOME." "I CAME HOME." "I'M GOING TO LIVE IN BROOKLYN," "I'M GOING TO LIVE IN BROOKLYN, NEW YORK." "NEW YORK." "I KNOW IT." "I KNOW IT." "YES." "YES." "Announcer:" "THEBIGACTING" "Announcer:" "THEBIGACTING AWARDS ARE STILL TO COME." "AWARDS ARE STILL TO COME." "PLUS, FIND OUT WHICH ONE OF" "PLUS, FIND OUT WHICH ONE OF THESE DIRECTORS WILL TAKE HOME" "THESE DIRECTORS WILL TAKE HOME THE OSCAR." "THE OSCAR." "¶" "¶ Announcer:" "PLEASEWELCOME" "Announcer:" "PLEASEWELCOME WRITER, PRODUCER AND DIRECTOR," "WRITER, PRODUCER AND DIRECTOR, J.J. ABRAMS." "J.J. ABRAMS." "TOTHEFIVEDIRECTORS" "TOTHEFIVEDIRECTORS NOMINATED TONIGHT, YOU HAVE BEEN" "NOMINATED TONIGHT, YOU HAVE BEEN SINGLED OUT FOR YOUR COURAGE." "SINGLED OUT FOR YOUR COURAGE." "THE COURAGE TO STAY TRUE TO YOUR" "THE COURAGE TO STAY TRUE TO YOUR VISIONS, TO INSPIRE PASSION IN" "VISIONS, TO INSPIRE PASSION IN YOUR CASTS AND CREWS, AND TO" "YOUR CASTS AND CREWS, AND TO DREAM, EVEN THOUGH DREAMS CAN" "DREAM, EVEN THOUGH DREAMS CAN EASILY AND UNEXPECTEDLY TURN" "EASILY AND UNEXPECTEDLY TURN INTO NIGHTMARES." "INTO NIGHTMARES." "BUT DESPITE THE INHERENT RISKS," "BUT DESPITE THE INHERENT RISKS, THE ASTOUNDING FILMS YOU'VE MADE" "THE ASTOUNDING FILMS YOU'VE MADE HAVE RESULTED IN A COMBINED 37" "HAVE RESULTED IN A COMBINED 37 NOMINATIONS, INCLUDING THIS" "NOMINATIONS, INCLUDING THIS AWARD." "AWARD." "HERE ARE THE NOMINEES FOR" "HERE ARE THE NOMINEES FOR ACHIEVEMENT IN DIRECTING." "ACHIEVEMENT IN DIRECTING." "I'MJUSTABIG BELIEVERIN," "I'MJUSTABIG BELIEVERIN, YOU DO WHAT YOU NEED TO DO TO" "YOU DO WHAT YOU NEED TO DO TO TELL THE STORY." "TELL THE STORY." "ADAMMcKAY,"THEBIG SHORT."" "ADAMMcKAY,"THEBIG SHORT." IT'SA STORYABOUTWHAT'S" "IT'SA STORYABOUTWHAT'S HAPPENING RIGHT THIS SECOND." "HAPPENING RIGHT THIS SECOND." "IT'S GOT THE IMPORTANCE AND FUN" "IT'S GOT THE IMPORTANCE AND FUN TO IT, AS WELL." "TO IT, AS WELL." "LIKETOWORKASMUCH ASI" "LIKETOWORKASMUCH ASI POSSIBLY CAN FOR AS LONG AS I" "POSSIBLY CAN FOR AS LONG AS I POSSIBLY CAN WITH THE ACTORS." "POSSIBLY CAN WITH THE ACTORS." "LENNYABRAHAMSON,"ROOM."" "LENNYABRAHAMSON,"ROOM." TOM McCARTHY, "SPOTLIGHT."" "TOM McCARTHY, "SPOTLIGHT." INVOLVED IN THE PRESENCE OF" "INVOLVED IN THE PRESENCE OF THINKING THE THING INTO" "THINKING THE THING INTO EXISTENCE." "EXISTENCE." "ATTHEENDOFTHEDAY,OUR" "ATTHEENDOFTHEDAY,OUR JOB IS TO TELL STORIES, BUT IT" "JOB IS TO TELL STORIES, BUT IT IS NICE TO FEEL LIKE THE MOVIE" "IS NICE TO FEEL LIKE THE MOVIE HAS SOMETHING TO SAY." "HAS SOMETHING TO SAY." "TOMMcCARTHY,"SPOTLIGHT."" "TOMMcCARTHY,"SPOTLIGHT." IT'SRAREYOUGET TOWORK ON" "IT'SRAREYOUGET TOWORK ON MATERIAL THAT YOU GENUINELY" "MATERIAL THAT YOU GENUINELY BELIEVE HAS SOCIAL RELEVANCE," "BELIEVE HAS SOCIAL RELEVANCE, AND SO, I FEEL LIKE WE WERE" "AND SO, I FEEL LIKE WE WERE REALLY MOTIVATED BY THAT." "REALLY MOTIVATED BY THAT." "THEWAYIAPPROACHTHIS WAS" "THEWAYIAPPROACHTHIS WAS LONG TAKES, NOT MANY CUTS." "LONG TAKES, NOT MANY CUTS." "ALEJANDROG.INARRITU,"THE" "ALEJANDROG.INARRITU,"THE REVENANT."" "REVENANT." VERYPRECISECHOREOGRAPHY." "VERYPRECISECHOREOGRAPHY." "REHEARSE." "REHEARSE." "BEAUTIFUL WAY TO USE WHAT CINEMA" "BEAUTIFUL WAY TO USE WHAT CINEMA IS FOR." "IS FOR." "SHOOTINGMOSTLYIN CONTINUITY" "SHOOTINGMOSTLYIN CONTINUITY REPLICATED WHAT THE CHASE IS." "REPLICATED WHAT THE CHASE IS." "GEORGEMILLER,"MADMAX :" "FURY" "GEORGEMILLER,"MADMAX :" "FURY ROAD."" "ROAD." ITWASAN OPPORTUNITYTODO" "ITWASAN OPPORTUNITYTODO WHAT I ATTEMPTED TO DO BACK" "WHAT I ATTEMPTED TO DO BACK THEN, BUT TO USE THE NEW" "THEN, BUT TO USE THE NEW TECHNOLOGY." "ANDTHEOSCARGOESTO--  ALEJANDRO G. INARRITU, "THE" "ALEJANDRO G. INARRITU, "THE REVENANT."" "REVENANT." THISISTHEFOURTHOSCARAND" "THISISTHEFOURTHOSCARAND SEVENTH NOMINATION FOR ALEJANDRO" "SEVENTH NOMINATION FOR ALEJANDRO G. INARRITU." "G. INARRITU." "HE TOOK HOME THREE OSCARS LAST" "HE TOOK HOME THREE OSCARS LAST YEAR FOR "BIRDMAN."" "THANKYOUTO THEACADEMY." "I CAN'T BELIEVE THIS IS" "I CAN'T BELIEVE THIS IS HAPPENING, I " " IT IS AMAZING TO" "HAPPENING, I " " IT IS AMAZING TO RECEIVE THIS AWARD TONIGHT." "RECEIVE THIS AWARD TONIGHT." "BUT " " IT'S MUCH MORE BEAUTIFUL" "BUT " " IT'S MUCH MORE BEAUTIFUL FOR ME TO SHARE IT WITH ALL THE" "FOR ME TO SHARE IT WITH ALL THE TALENT AND CRAZY CAST AND" "TALENT AND CRAZY CAST AND COLLEAGUES AND CREW MEMBERS" "COLLEAGUES AND CREW MEMBERS ALONG THE CONTINENT THAT MADE" "ALONG THE CONTINENT THAT MADE THIS FILM POSSIBLE, TO ALL AND" "THIS FILM POSSIBLE, TO ALL AND EACH OF YOU." "EACH OF YOU." "I THANK YOU FROM MY HEART." "I THANK YOU FROM MY HEART." "LEO " " YOU ARE "THE REVENANT."" "LEO " " YOU ARE "THE REVENANT." THANK YOU FOR GIVING EVERY SOUL," "THANK YOU FOR GIVING EVERY SOUL, YOUR SOUL, YOUR HEART." "YOUR SOUL, YOUR HEART." "YOUR LIFE." "YOUR LIFE." "TOM HARDY, ALL THE NATIVE" "TOM HARDY, ALL THE NATIVE AMERICAN CAST, ALL THE ENGLISH" "AMERICAN CAST, ALL THE ENGLISH AMERICAN CAST, THANK YOU VERY" "AMERICAN CAST, THANK YOU VERY MUCH FOR YOUR TRUST, FOR YOUR" "MUCH FOR YOUR TRUST, FOR YOUR TALENT." "TALENT." "I WANT TO THANK CHIVO, THANK YOU" "I WANT TO THANK CHIVO, THANK YOU FOR BRINGING THE LIGHT TO THIS" "FOR BRINGING THE LIGHT TO THIS JOURNEY AND I WANT TO THANK," "JOURNEY AND I WANT TO THANK, TOO, TO ARNOLD MILTON, THANK YOU" "TOO, TO ARNOLD MILTON, THANK YOU FOR YOUR UNCONDITIONAL SUPPORT." "FOR YOUR UNCONDITIONAL SUPPORT." "MY PRODUCERS, ALL THE PEOPLE " "MY PRODUCERS, ALL THE PEOPLE -- I " " I AM VERY LUCKY TO BE HERE" "I " " I AM VERY LUCKY TO BE HERE TONIGHT, OKAY?" "TONIGHT, OKAY?" "BUT UNFORTUNATELY, MANY OTHERS" "BUT UNFORTUNATELY, MANY OTHERS HAVEN'T HAD THE SAME LUCK." "HAVEN'T HAD THE SAME LUCK." "THERE IS A LINE IN THE FILM THAT" "THERE IS A LINE IN THE FILM THAT SAYS, THEY DON'T LISTEN TO YOU," "SAYS, THEY DON'T LISTEN TO YOU, WHEN THEY SEE THE COLOR OF YOUR" "WHEN THEY SEE THE COLOR OF YOUR SKIN." "SKIN." "SO, WHAT A GREAT OPPORTUNITY TO" "SO, WHAT A GREAT OPPORTUNITY TO OUR GENERATION TO REALLY" "OUR GENERATION TO REALLY LIBERATE OURSELVES FROM ALL" "LIBERATE OURSELVES FROM ALL PREJUDICE AND, YOU KNOW, THIS" "PREJUDICE AND, YOU KNOW, THIS WAY OF THINKING AND MAKE SURE" "WAY OF THINKING AND MAKE SURE FOR ONCE AND FOREVER THAT THE" "FOR ONCE AND FOREVER THAT THE COLOR OF SKIN BECOME AS" "COLOR OF SKIN BECOME AS IRRELEVANT AND THE LENGTH OF OUR" "IRRELEVANT AND THE LENGTH OF OUR HAIR." "HAIR." "THIS IS FOR MY FATHER." "THIS IS FOR MY FATHER." "THANK YOU VERY MUCH." "THANK YOU VERY MUCH." "Announcer:" "STILLTO COME,THE" "Announcer:" "STILLTO COME,THE  MOST ANTICIPATED AWARDS OF THE" "MOST ANTICIPATED AWARDS OF THE NIGHT " " ACTRESS, ACTOR AND BEST" "NIGHT " " ACTRESS, ACTOR AND BEST PICTURE." "PICTURE." "FIND OUT WHO WINS, RIGHT HERE." "¶ YEAH!" "YEAH!" "IT IS LATE." "IT IS LATE." "IT IS INFOMERCIAL LATE." "IT IS INFOMERCIAL LATE." "OKAY." "OKAY." "NOW, I WANT TO SAY HELLO TO" "NOW, I WANT TO SAY HELLO TO TONIGHT'S MUSICAL DIRECTOR," "TONIGHT'S MUSICAL DIRECTOR, HAROLD WHEELER." "HAROLD WHEELER." "SAY HELLO." "SAY HELLO." "YEAH." "YEAH." "THERE HE IS." "THERE HE IS." "ALL RIGHT." "ALL RIGHT." "WE DO THAT JUST SO HAROLD CAN GO" "WE DO THAT JUST SO HAROLD CAN GO TO THE GOVERNOR'S BALL." "TO THE GOVERNOR'S BALL." "PLEASE WELCOME LAST YEAR'S" "PLEASE WELCOME LAST YEAR'S WINNER FOR BEST ACTOR AND A" "WINNER FOR BEST ACTOR AND A NOMINEE TONIGHT, MR. EDDIE" "NOMINEE TONIGHT, MR. EDDIE REDMAYNE." "GOODEVENING." "THE FIVE EXTRAORDINARY ARTISTS" "THE FIVE EXTRAORDINARY ARTISTS NOMINATED FOR BEST ACTRESS" "NOMINATED FOR BEST ACTRESS DELIVERED PERFORMANCES WITH" "DELIVERED PERFORMANCES WITH COMPLEXITY AND DEPTH." "COMPLEXITY AND DEPTH." "THEY BROUGHT TO LIFE A" "THEY BROUGHT TO LIFE A DIVORCE-BOUND WOMAN WHO FINDS" "DIVORCE-BOUND WOMAN WHO FINDS UNEXPECTED PASSION WITH A SHOP" "UNEXPECTED PASSION WITH A SHOP GIRL." "GIRL." "A YOUNG MOTHER WHO, WITH HER" "A YOUNG MOTHER WHO, WITH HER SON, ESCAPES CAPTIVITY AND" "SON, ESCAPES CAPTIVITY AND ADJUSTS TO THE WORLD OUTSIDE." "ADJUSTS TO THE WORLD OUTSIDE." "A STRUGGLING SINGLE MOTHER AND" "A STRUGGLING SINGLE MOTHER AND INVENTOR WHO BUILDS A BUSINESS" "INVENTOR WHO BUILDS A BUSINESS EMPIRE." "EMPIRE." "A WOMAN WHOSE MARRIAGE IS TESTED" "A WOMAN WHOSE MARRIAGE IS TESTED BY THE REVELATION OF A" "BY THE REVELATION OF A DECADES-OLD SECRET." "DECADES-OLD SECRET." "AND A YOUNG IRISH IMMIGRANT TORN" "AND A YOUNG IRISH IMMIGRANT TORN BETWEEN TWO COUNTRIES AND TWO" "BETWEEN TWO COUNTRIES AND TWO SEPARATE LIVES." "SEPARATE LIVES." "HERE ARE THE NOMINEES FOR" "HERE ARE THE NOMINEES FOR PERFORMANCE BY AN ACTRESS IN A" "PERFORMANCE BY AN ACTRESS IN A LEADING ROLE." "LEADING ROLE." "CATE BLANCHETT, "CAROL."" "CATE BLANCHETT, "CAROL." HOWMUCHAREYOU PAYINGFOR" "HOWMUCHAREYOU PAYINGFOR THIS?" "THIS?" "IWISHICOULDOBLIGEYOU," "IWISHICOULDOBLIGEYOU, MA'AM, BUT THE TAPES HAVE BEEN" "MA'AM, BUT THE TAPES HAVE BEEN SENT TO YOUR HUSBAND." "SENT TO YOUR HUSBAND." "THATCAN'TBE RIGHT." "THATCAN'TBE RIGHT." "MYREPUTATIONRESTSONMY" "MYREPUTATIONRESTSONMY EFFICIENCY." "EFFICIENCY." "HOWDOIKNOWYOU'RENOT" "HOWDOIKNOWYOU'RENOT LYING?" "LYING?" "BRIELARSON,"ROOM."" "BRIELARSON,"ROOM." WECALLHIMOLD NICK." "WECALLHIMOLD NICK." "I DON'T KNOW WHAT HIS REAL NAME" "I DON'T KNOW WHAT HIS REAL NAME IS." "IS." "BUT HE PRETENDED HIS DOG WAS" "BUT HE PRETENDED HIS DOG WAS SICK " "SICK -- WHATISTHEDOG 'SNAME?" "WHATISTHEDOG 'SNAME?" "THEREWASN'TADOG !" "THEREWASN'TADOG !" "HE WAS TRYING TO TRICK ME." "HE WAS TRYING TO TRICK ME." "OKAY?" "OKAY?" "THERE WASN'T A DOG." "THERE WASN'T A DOG." "OLD NICK STOLE ME." "OLD NICK STOLE ME." "IWANTADIFFERENTSTORY." "IWANTADIFFERENTSTORY." "NO,THISIS THESTORYTHAT" "NO,THISIS THESTORYTHAT  YOU GET." "YOU GET." "JENNIFERLAWRENCE,"JOY."" "JENNIFERLAWRENCE,"JOY." PLEASE." "PLEASE." "TOMMY NEEDS TO BE CHANGED!" "TOMMY NEEDS TO BE CHANGED!" "OH, CHRIS SEE." "OH, CHRIS SEE." "WHAT ARE YOU DOING?" "WHAT ARE YOU DOING?" "I JUST " "I JUST -- WHATAREYOUDOING?" "WHATAREYOUDOING?" "YOU'REGOINGTO LOSEANOTHER" "YOU'REGOINGTO LOSEANOTHER JOB." "JOB." "YOU'RESICK" " I'MASINGER," "YOU'RESICK" " I'MASINGER, THAT'S WHAT I DO." "THAT'S WHAT I DO." "YOU'RENOTMAKINGANY MONEY" "YOU'RENOTMAKINGANY MONEY SINGING." "SINGING." "GET IN YOUR CAR AND GO TO YOUR" "GET IN YOUR CAR AND GO TO YOUR JOB." "JOB." "I CAN'T DO THIS." "I CAN'T DO THIS." "I CAN'T DO THIS." "I CAN'T DO THIS." "I AM LOSING MY MIND!" "I AM LOSING MY MIND!" "CHARLOTTERAMPLING," "CHARLOTTERAMPLING, "45 YEARS."" ""45 YEARS." IREALLYNEEDYOU TOWANT TO" "IREALLYNEEDYOU TOWANT TO BE THERE." "BE THERE." "IDOWANTTOBETHERE ." "IDOWANTTOBETHERE ." "THERE'SONETHING,HAVEN'T" "THERE'SONETHING,HAVEN'T BEEN ENOUGH FOR YOU." "BEEN ENOUGH FOR YOU." "IT'S SOMETHING ALTOGETHER" "IT'S SOMETHING ALTOGETHER DIFFERENT THAT EVERYONE ELSE" "DIFFERENT THAT EVERYONE ELSE FEELS IT, TOO." "FEELS IT, TOO." "YOUREALLYBELIEVEYOU" "YOUREALLYBELIEVEYOU  HAVEN'T BEEN ENOUGH FOR ME?" "HAVEN'T BEEN ENOUGH FOR ME?" "NO,I THINKIWAS ENOUGHFOR" "NO,I THINKIWAS ENOUGHFOR YOU." "YOU." "I'M JUST NOT SURE YOU DO." "I'M JUST NOT SURE YOU DO." "SAOIRSERONAN,"BROOKLYN."" "SAOIRSERONAN,"BROOKLYN." WEHAVETALKEDABOUTYOU." "WEHAVETALKEDABOUTYOU." "AND I LIKE YOU." "AND I LIKE YOU." "AND I LIKE BEING WITH YOU." "AND I LIKE BEING WITH YOU." "AND " " MAYBE I FEEL THE SAME" "AND " " MAYBE I FEEL THE SAME WAY." "WAY." "SO, THE NEXT TIME YOU TELL ME" "SO, THE NEXT TIME YOU TELL ME YOU LOVE ME, IF THERE IS A NEXT" "YOU LOVE ME, IF THERE IS A NEXT TIME, I'LL SAY I LOVE YOU, TOO." "TIME, I'LL SAY I LOVE YOU, TOO." "ANDTHEOSCARGOESTO" " BRIE" "ANDTHEOSCARGOESTO" " BRIE LARSON, "ROOM."" "LARSON, "ROOM." THISISTHEFIRSTOSCARAND" "THISISTHEFIRSTOSCARAND NOMINATION FOR BRIE LARSON." "OH,WOW!" "THANK YOU." "THANK YOU." "THANK YOU, FIRST, TO THE" "THANK YOU, FIRST, TO THE ACADEMY." "ACADEMY." "I WANT TO START BIG, BECAUSE THE" "I WANT TO START BIG, BECAUSE THE THING THAT I LOVE ABOUT MOVIE" "THING THAT I LOVE ABOUT MOVIE MAKING IS HOW MANY PEOPLE IT" "MAKING IS HOW MANY PEOPLE IT TAKES TO MAKE IT, SO, I WANT TO" "TAKES TO MAKE IT, SO, I WANT TO START FIRST WITH THE TORONTO" "START FIRST WITH THE TORONTO FILM FESTIVAL, WHO GAVE US A" "FILM FESTIVAL, WHO GAVE US A CHANCE, WHO GAVE US A PLATFORM" "CHANCE, WHO GAVE US A PLATFORM FIRST." "FIRST." "A-24, FOR TAKING THIS MOVIE INTO" "A-24, FOR TAKING THIS MOVIE INTO THEIR HANDS AND SHARING IT WITH" "THEIR HANDS AND SHARING IT WITH THE WORLD." "THE WORLD." "THANKS TO OUR DIRECTOR, WHO IS" "THANKS TO OUR DIRECTOR, WHO IS ABSOLUTELY INCREDIBLE." "ABSOLUTELY INCREDIBLE." "EMMA, WHO CREATED THIS WORLD." "EMMA, WHO CREATED THIS WORLD." "JACOB TREMBLAY, MY PARTNER" "JACOB TREMBLAY, MY PARTNER THROUGH THIS." "THROUGH THIS." "IN EVERY WAY POSSIBLE." "IN EVERY WAY POSSIBLE." "MY REAL PARTNER, ALEX GREENWALD," "MY REAL PARTNER, ALEX GREENWALD, I LOVE YOU." "I LOVE YOU." "TO MY PARENTS, MY AGENT, MY" "TO MY PARENTS, MY AGENT, MY MANAGER, THE REST OF MY TEAM, MY" "MANAGER, THE REST OF MY TEAM, MY FRIENDS, MY FAMILY, THANK YOU SO" "FRIENDS, MY FAMILY, THANK YOU SO EVERYONE WHO PARATILTICIPATED I" "EVERYONE WHO PARATILTICIPATED I "ROOM."" ""ROOM." THANK YOU TO THE FANS." "THANK YOU TO THE FANS." "THANK YOU TO THE MOVIE-GOERS." "THANK YOU TO THE MOVIE-GOERS." "THANK YOU FOR GOING TO THE" "THANK YOU FOR GOING TO THE THEATER AND SEEING OUR FILM." "THEATER AND SEEING OUR FILM." "I APPRECIATE IT." "I APPRECIATE IT." "THANK YOU." "THANK YOU." "Announcer:" "NEXT,THEMOST" "Announcer:" "NEXT,THEMOST TALKED-ABOUT AWARDS OF THE YEAR." "TALKED-ABOUT AWARDS OF THE YEAR." "WHICH ACTOR WILL WIN?" "WHICH ACTOR WILL WIN?" "AND WILL YOUR FAVORITE FILM TAKE" "AND WILL YOUR FAVORITE FILM TAKE HOME THE OSCAR?" "Announcer:" "ANDNOW,PLEASE WELCOME LAST YEAR'S WINNER FOR" "WELCOME LAST YEAR'S WINNER FOR LEADING ACTRESS, JULIANNE MOORE." "LEADING ACTRESS, JULIANNE MOORE." "THESEFIVEACTORSHAVE" "THESEFIVEACTORSHAVE REWARDED MOVIE-GOERS WITH FULLY" "REWARDED MOVIE-GOERS WITH FULLY DIMENSIONAL CHARACTERS, SOME" "DIMENSIONAL CHARACTERS, SOME DRAWN FROM REAL-LIFE, ALL OF" "DRAWN FROM REAL-LIFE, ALL OF THEM LARGER THAN LIFE." "THEM LARGER THAN LIFE." "THE BLACKLISTED SCREENWRITER" "THE BLACKLISTED SCREENWRITER DALTON TRUMBO." "DALTON TRUMBO." "THE RESOURCEFUL ASTRONAUT" "THE RESOURCEFUL ASTRONAUT ABANDONED ON MARS." "ABANDONED ON MARS." "THE VENGEFUL FRONTIERSMAN," "THE VENGEFUL FRONTIERSMAN, BETRAYED BY HIS COMPANIONS." "BETRAYED BY HIS COMPANIONS." "THE BRILLIANT AND COMPLICATED" "THE BRILLIANT AND COMPLICATED CO-FOUNDER OF APPLE." "CO-FOUNDER OF APPLE." "AND ONE OF THE FIRST PEOPLE TO" "AND ONE OF THE FIRST PEOPLE TO UNDERGO GENDER CONFIRMATION" "UNDERGO GENDER CONFIRMATION SURGERY." "SURGERY." "HERE ARE THE OUTSTANDING" "HERE ARE THE OUTSTANDING NOMINEES FOR PERFORMANCE BY AN" "NOMINEES FOR PERFORMANCE BY AN ACTOR IN A LEADING ROLE." "ACTOR IN A LEADING ROLE." "BRYAN CRANSTON, "TRUMBO."" "BRYAN CRANSTON, "TRUMBO." WHENYOUHEARMEWORKING,YOU" "WHENYOUHEARMEWORKING,YOU DON'T KNOCK." "DON'T KNOCK." "BUTIT'SMY BIRTHDAY." "BUTIT'SMY BIRTHDAY." "YOUDON'TKNOCK." "YOUDON'TKNOCK." "EVER." "EVER." "SO,THEHOUSEISONFIRE, YOU" "SO,THEHOUSEISONFIRE, YOU DON'T WANT TO KNOW?" "DON'T WANT TO KNOW?" "IWORKIN THEBATHTUB." "IWORKIN THEBATHTUB." "SURROUNDED BY WATER." "SURROUNDED BY WATER." "SO, I'M FAIRLY CERTAIN THAT EVEN" "SO, I'M FAIRLY CERTAIN THAT EVEN IF THE WHOLE COUNTRY WAS ON" "IF THE WHOLE COUNTRY WAS ON FIRE, THAT I COULD STILL" "FIRE, THAT I COULD STILL FUNCTION AS THIS FAMILY'S" "FUNCTION AS THIS FAMILY'S PERSONAL SLAVE AND ALL I ASK IS" "PERSONAL SLAVE AND ALL I ASK IS NOT TO BE INTERRUPTED FOR EVERY" "NOT TO BE INTERRUPTED FOR EVERY LITTLE SLICE OF BIRTHDAY CAKE." "LITTLE SLICE OF BIRTHDAY CAKE." "MATTDAMON,"THEMARTIAN."" "MATTDAMON,"THEMARTIAN." I'MABOUTTO LEAVEWHEREI'M" "I'MABOUTTO LEAVEWHEREI'M GOING TO COMMANDEER THE AREA." "GOING TO COMMANDEER THE AREA." "NOBODY GAVE ME PERMISSION TO DO" "NOBODY GAVE ME PERMISSION TO DO THIS AND THEY CAN'T UNTIL I'M ON" "THIS AND THEY CAN'T UNTIL I'M ON BOARD THE ARIES 4." "BOARD THE ARIES 4." "SO, THAT MEANS I'M GOING TO BE" "SO, THAT MEANS I'M GOING TO BE TAKING A CRAFT OVER IN" "TAKING A CRAFT OVER IN INTERNATIONAL WATERS WITHOUT" "INTERNATIONAL WATERS WITHOUT PERMISSION, WHICH, BY" "PERMISSION, WHICH, BY DEFINITION, MAKES ME A PIRATE." "DEFINITION, MAKES ME A PIRATE." "SPACE PIRATE." "SPACE PIRATE." "LEONARDOdicaprio,"THE" "LEONARDOdicaprio,"THE REVENANT."" "MICHAELFASSBENDER,"STEVE JOBS."" "JOBS." DON'TSENDHIMAROUNDTOSLAP" "DON'TSENDHIMAROUNDTOSLAP ME AROUND THE PRESS." "ME AROUND THE PRESS." "ANYBODY ELSE, ANYONE BUT" "ANYBODY ELSE, ANYONE BUT RAINMAN." "RAINMAN." "DON'T MANIPULATE HIM LIKE THAT." "DON'T MANIPULATE HIM LIKE THAT." "WHATEVER YOU MAY THINK, I'M" "WHATEVER YOU MAY THINK, I'M ALWAYS GOING TO PROTECT HIM." "ALWAYS GOING TO PROTECT HIM." "COMEON,STEVE." "COMEON,STEVE." "THAT'SWHATMENDO." "THAT'SWHATMENDO." "EDDIEREDMAYNE,"THEDANISH" "EDDIEREDMAYNE,"THEDANISH GIRL."" "GIRL." IPROMISED" "IPROMISED--  EINARISDEAD." "EINARISDEAD." "WE BOTH HAVE TO ACCEPT THAT." "WE BOTH HAVE TO ACCEPT THAT." "YOU TOOK CARE OF ME, BUT NOW, I" "YOU TOOK CARE OF ME, BUT NOW, I HAVE TO TAKE CARE OF MYSELF, I" "HAVE TO TAKE CARE OF MYSELF, I HAVE TO HAVE A LIFE OF MY OWN." "HAVE TO HAVE A LIFE OF MY OWN." "AND YOU NEED TO DO THE SAME." "ANDTHEOSCARGOESTO--  LEONARDO dicaprio." "LEONARDO dicaprio." "THISISTHEFIRSTOSCARAND" "THISISTHEFIRSTOSCARAND SIXTH NOMINATION FOR LEONARDO" "SIXTH NOMINATION FOR LEONARDO dicaprio." "THANKYOU,THANKYOU ." "THANK YOU, THANK YOU ALL SO VERY" "THANK YOU, THANK YOU ALL SO VERY MUCH." "MUCH." "THANK YOU TO THE ACADEMY, THANK" "THANK YOU TO THE ACADEMY, THANK YOU TO ALL OF YOU IN THIS ROOM." "YOU TO ALL OF YOU IN THIS ROOM." "I HAVE TO CONGRATULATE THE OTHER" "I HAVE TO CONGRATULATE THE OTHER INCREDIBLE NOMINEES THIS YEAR" "INCREDIBLE NOMINEES THIS YEAR FOR THEIR UNBELIEVABLE" "FOR THEIR UNBELIEVABLE PERFORMANCES." "PERFORMANCES." ""THE REVENANT" WAS A PRODUCT OF" ""THE REVENANT" WAS A PRODUCT OF THE TIRELESS EFFORTS OF AN" "THE TIRELESS EFFORTS OF AN UNBELIEVABLE CAST AND CREW." "UNBELIEVABLE CAST AND CREW." "I GOT TO WORK ALONGSIDE FIRST" "I GOT TO WORK ALONGSIDE FIRST OFF, TO MY BROTHER IN THIS" "OFF, TO MY BROTHER IN THIS EN" "EN END" "END ENDEAVOR, MR. TOM HARDY." "ENDEAVOR, MR. TOM HARDY." "TOM " " YOUR FIERCE TALENT ON" "TOM " " YOUR FIERCE TALENT ON SCREEN CAN ONLY BE SURPASSED BY" "SCREEN CAN ONLY BE SURPASSED BY YOUR FRIENDSHIP OFFSCREEN." "YOUR FRIENDSHIP OFFSCREEN." "TO ALEJANDRO." "TO ALEJANDRO." "AS THE HISTORY OF CINEMA" "AS THE HISTORY OF CINEMA UNFOLDS, YOU HAVE FORGED YOUR" "UNFOLDS, YOU HAVE FORGED YOUR WAY INTO HISTORY." "WAY INTO HISTORY." "WHAT AN UNBELIEVABLE TALENT YOU" "WHAT AN UNBELIEVABLE TALENT YOU ARE." "ARE." "THANK YOU TO YOU AND CHIVO FOR" "THANK YOU TO YOU AND CHIVO FOR CREATING A TRANSCENDENT" "CREATING A TRANSCENDENT CINEMATIC EXPERIENCE FOR ALL OF" "CINEMATIC EXPERIENCE FOR ALL OF US." "US." "EVERYBODY AT FOX AND NEW" "EVERYBODY AT FOX AND NEW REGENCY." "REGENCY." "YOU ARE THE CHAMPION OF THIS" "YOU ARE THE CHAMPION OF THIS EN" "EN END" "END ENDEAVOR." "ENDEAVOR." "MY TEAM." "MY TEAM." "I HAVE TO THANK EVERYONE FROM" "I HAVE TO THANK EVERYONE FROM THE VERY ONSET OF MY CAREER, MR." "THE VERY ONSET OF MY CAREER, MR. JONES FOR CASTING ME IN MY FIRST" "JONES FOR CASTING ME IN MY FIRST FILM, MR. SCORSESE FOR TEACHING" "FILM, MR. SCORSESE FOR TEACHING ME SO MUCH." "ME SO MUCH." "TO MR. RICK YORN, THANK YOU FOR" "TO MR. RICK YORN, THANK YOU FOR HELPING ME NAVIGATE MY WAY" "HELPING ME NAVIGATE MY WAY THROUGH THIS INDUSTRY." "THROUGH THIS INDUSTRY." "TO MY PARENTS, NONE OF THIS" "TO MY PARENTS, NONE OF THIS WOULD BE POSSIBLE WITHOUT YOU." "WOULD BE POSSIBLE WITHOUT YOU." "MY FRIENDS, I LOVE YOU." "MY FRIENDS, I LOVE YOU." "AND I WANT TO SAY THIS." "AND I WANT TO SAY THIS." "MAKING "THE REVENANT" WAS ABOUT" "MAKING "THE REVENANT" WAS ABOUT MAN'S RELATIONSHIP TO THE" "MAN'S RELATIONSHIP TO THE NATURAL WORLD." "NATURAL WORLD." "A WORLD THAT WE FELT IN 2015 WAS" "A WORLD THAT WE FELT IN 2015 WAS THE HOTTEST YEAR IN RECORDED" "THE HOTTEST YEAR IN RECORDED HISTORY." "HISTORY." "OUR PRODUCTION NEEDED TO MOVE TO" "OUR PRODUCTION NEEDED TO MOVE TO THE SOUTHERN TIP OF THIS PLANET" "THE SOUTHERN TIP OF THIS PLANET JUST TO BE ABLE TO FIND SNOW." "JUST TO BE ABLE TO FIND SNOW." "CLIMATE CHANGE IS REAL." "CLIMATE CHANGE IS REAL." "IT IS HAPPENING RIGHT NOW." "IT IS HAPPENING RIGHT NOW." "IT IS THE MOST URGENT THREAT" "IT IS THE MOST URGENT THREAT FACING OUR ENTIRE SPECIES AND WE" "FACING OUR ENTIRE SPECIES AND WE NEED TO WORK TOGETHER AND STOP" "NEED TO WORK TOGETHER AND STOP PROCRASTINATING." "PROCRASTINATING." "WE NEED TO SUPPORT LEADERS" "WE NEED TO SUPPORT LEADERS AROUND THE WORLD WHO DO NOT" "AROUND THE WORLD WHO DO NOT SPEAK FOR THE BIG POLLUTERS, THE" "SPEAK FOR THE BIG POLLUTERS, THE BIG CORPORATIONS, BUT WHO SPEAK" "BIG CORPORATIONS, BUT WHO SPEAK FOR ALL OF HUMANITY, FOR THE" "FOR ALL OF HUMANITY, FOR THE INDIGENOUS PEOPLE OF THE WORLD." "INDIGENOUS PEOPLE OF THE WORLD." "FOR THE BILLIONS AND BILLIONS OF" "FOR THE BILLIONS AND BILLIONS OF UNDERPRIVILEGED PEOPLE WHO WILL" "UNDERPRIVILEGED PEOPLE WHO WILL BE MOST AFFECTED BY THIS." "BE MOST AFFECTED BY THIS." "FOR OUR CHILDREN'S CHILDREN AND" "FOR OUR CHILDREN'S CHILDREN AND FOR THOSE PEOPLE OUT THERE WHOSE" "FOR THOSE PEOPLE OUT THERE WHOSE VOICES HAVE BEEN DROWNED OUT BY" "VOICES HAVE BEEN DROWNED OUT BY THE POLITICS OF GREED." "THE POLITICS OF GREED." "I THANK YOU ALL FOR THIS AMAZING" "I THANK YOU ALL FOR THIS AMAZING AWARD TONIGHT." "AWARD TONIGHT." "LET US NOT TAKE THIS PLANET FOR" "LET US NOT TAKE THIS PLANET FOR GRANTED." "GRANTED." "I DO NOT TAKE TONIGHT FOR" "I DO NOT TAKE TONIGHT FOR GRANTED." "GRANTED." "THANK YOU SO VERY MUCH." "THANK YOU SO VERY MUCH." "Announcer:" "LADIESAND" "Announcer:" "LADIESAND GENTLEMEN PLEASE WELCOME, OSCAR" "GENTLEMEN PLEASE WELCOME, OSCAR WINNER MORGAN FREEMAN." "THEMOVIEMAKINGPROCESSIS COMPLETE." "COMPLETE." "THE PICTURE THAT HITS THE BIG" "THE PICTURE THAT HITS THE BIG SCREEN IS THE RESULT OF" "SCREEN IS THE RESULT OF COLLABORATION BY DEDICATED" "COLLABORATION BY DEDICATED PRACTITIONERS OF THE ART, MANY" "PRACTITIONERS OF THE ART, MANY OF WHOM WE RECOGNIZED TONIGHT." "OF WHOM WE RECOGNIZED TONIGHT." "WRITERS, DIRECTORS, DESIGNERS," "WRITERS, DIRECTORS, DESIGNERS, CINEMATOGRAPHERS, EFFECTS" "CINEMATOGRAPHERS, EFFECTS ARTISTS, EDITORS, COMPOSERS," "ARTISTS, EDITORS, COMPOSERS, ACTORS AND NOW, OF COURSE, THE" "ACTORS AND NOW, OF COURSE, THE PRODUCERS WHO GUIDE THE PROCESS" "PRODUCERS WHO GUIDE THE PROCESS FROM THE FIRST GLIMMER OF AN" "FROM THE FIRST GLIMMER OF AN IDEA TO THE FINAL FADEOUT." "IDEA TO THE FINAL FADEOUT." "OUR LAST AWARD HONORS THAT" "OUR LAST AWARD HONORS THAT MAGICAL REALIZATION." "MAGICAL REALIZATION." "ONCE AGAIN, HERE ARE THE" "ONCE AGAIN, HERE ARE THE NOMINEES FOR BEST PICTURE." "NOMINEES FOR BEST PICTURE." ""BROOKLYN."" ""BROOKLYN." "ROOM."" ""ROOM." "SPOTLIGHT."" ""SPOTLIGHT." "BRIDGE OF SPIES."" ""BRIDGE OF SPIES." "THE BIG SHORT."" ""THE BIG SHORT." "THE REVENANT."" ""THE REVENANT." "THE MARTIAN."" ""THE MARTIAN." "MAD MAX:" "FURY ROAD."" ""MAD MAX:" "FURY ROAD." AND THE OSCAR GOES TO " "AND THE OSCAR GOES TO -- "SPOTLIGHT."" ""SPOTLIGHT." "SPOTLIGHT"HASSIXOSCAR" ""SPOTLIGHT"HASSIXOSCAR NOMINATIONS THIS YEAR, WINK FOR" "NOMINATIONS THIS YEAR, WINK FOR BEST ORIGINAL SCREENPLAY AND" "BEST ORIGINAL SCREENPLAY AND BEST PICTURE." "THANKYOU,HELLO,EVERYBODY." "I LOVE YOU, LAUREN." "I LOVE YOU, LAUREN." "WOW." "WOW." "THIS FILM GAVE A VOICE TO" "THIS FILM GAVE A VOICE TO SURVIVORS." "SURVIVORS." "AND THIS OSCAR AMPLIFIES THAT" "AND THIS OSCAR AMPLIFIES THAT VOICE, WHICH WE HOPE WILL BECOME" "VOICE, WHICH WE HOPE WILL BECOME A CHOIR THAT WILL RESONATE ALL" "A CHOIR THAT WILL RESONATE ALL THE WAY TO THE VATICAN." "THE WAY TO THE VATICAN." "HOPE" "HOPE POPE FRANCIS, IT'S TIME TO" "POPE FRANCIS, IT'S TIME TO PROTECT THE CHILDREN AND RESTORE" "PROTECT THE CHILDREN AND RESTORE THE FAITH." "THE FAITH." "THANK YOU VERY MUCH." "THANK YOU VERY MUCH." "WEWOULDNOTBEHERE TODAY" "WEWOULDNOTBEHERE TODAY WITHOUT THE HEROIC EFFORTS OF" "WITHOUT THE HEROIC EFFORTS OF OUR REPORTERS." "OUR REPORTERS." "NOT ONLY DID THEY AFFECT GLOBAL" "NOT ONLY DID THEY AFFECT GLOBAL CHANGE, BUT THEY ABSOLUTELY SHOW" "CHANGE, BUT THEY ABSOLUTELY SHOW US THE NECESSITY FOR" "US THE NECESSITY FOR INVESTIGATIVE JOURNALISM." "INVESTIGATIVE JOURNALISM." "WE'DLIKETO THANKOUR" "WE'DLIKETO THANKOUR  PARTNERS, EVERYONE AT OPEN ROAD." "PARTNERS, EVERYONE AT OPEN ROAD." "JEFF AND JONATHAN AND EVERYONE" "JEFF AND JONATHAN AND EVERYONE AT PARTICIPANT." "AT PARTICIPANT." "E-1 ANONYMOUS CONTENT." "E-1 ANONYMOUS CONTENT." "JOSH STINGER AND TOM McCARTHY," "JOSH STINGER AND TOM McCARTHY, YOUR VISION IS UNPARALLELED." "YOUR VISION IS UNPARALLELED." "TO OUR CAST, IF THERE EVER WAS A" "TO OUR CAST, IF THERE EVER WAS A PERFECTLY CALIBRATED ENSEMBLE," "PERFECTLY CALIBRATED ENSEMBLE, YOU ARE IT." "YOU ARE IT." "THANK YOU SO MUCH." "THANK YOU SO MUCH." "ALLRIGHT!" "ALLRIGHT!" "THANK YOU." "THANK YOU." "I WANT TO UNVIT EVERYBODY HERE" "I WANT TO UNVIT EVERYBODY HERE TO THE B.E.T. AWARDS THIS" "TO THE B.E.T. AWARDS THIS SUMMER." "SUMMER." "AND I JUST WANT TO SAY GOOD" "AND I JUST WANT TO SAY GOOD NIGHT." "NIGHT." "THIS HAS BEEN AN AMAZING" "THIS HAS BEEN AN AMAZING EXPERIENCE." "EXPERIENCE." "CONGRATULATE ALL THE OSCAR" "CONGRATULATE ALL THE OSCAR WINNERS." "WINNERS." "BUY SOME GIRL SCOUT COOKIES." "BUY SOME GIRL SCOUT COOKIES." "BLACK LIVES MATTER." "BLACK LIVES MATTER." "THANK YOU!" "THANK YOU!" "BROOK LUNN!" "OUR EXCLUSIVE BACKSTAGE EXPERIENCE, EXTENDED THANK YOUS" "EXPERIENCE, EXTENDED THANK YOUS AND MORE HIGHLIGHTS." "AND MORE HIGHLIGHTS." "PLUS, LATER TONIGHT IT'S "JIMMY" "PLUS, LATER TONIGHT IT'S "JIMMY KIMMEL LIVE" AFTER THE OSCARS" "KIMMEL LIVE" AFTER THE OSCARS WITH CHRIS ROCK, BEN AFFLECK," "WITH CHRIS ROCK, BEN AFFLECK, TRACY MORGAN AND MORE POST-OSCAR" "TRACY MORGAN AND MORE POST-OSCAR FUN." "FUN." "AND TOMORROW, "GMA'S" LIVE FROM" "AND TOMORROW, "GMA'S" LIVE FROM HOLLYWOOD WITH ALL ACCESS INSIDE" "HOLLYWOOD WITH ALL ACCESS INSIDE TONIGHT'S MOST GLAMOROUS PARTIES" "TONIGHT'S MOST GLAMOROUS PARTIES AND EPIC SURPRISES YOU'LL NEVER" "AND EPIC SURPRISES YOU'LL NEVER SEE COMING." "SEE COMING." "IT'S "GMA'S" OSCAR AFTER PARTY" "IT'S "GMA'S" OSCAR AFTER PARTY TOMORROW MORNING!" "THE RECIPIENTS OF THE OSCARS." "AND FINALLY, THE RESULTS OF ALL" "AND FINALLY, THE RESULTS OF ALL THE SECRET VOTING ARE KNOWN ONLY" "THE SECRET VOTING ARE KNOWN ONLY TO THE INDEPENDENT ACCOUNTING" "TO THE INDEPENDENT ACCOUNTING FIRM OF PRICEWATERHOUSECOOPERS" "FIRM OF PRICEWATERHOUSECOOPERS UNTIL THE SEALED ENVELOPES ARE" "UNTIL THE SEALED ENVELOPES ARE OPENED ON THE AIR."