"Your papers, S ir?" "You are a mag ician?" "And what are you h id ing?" "I do n't I ike to foo I ar ou nd." "You have the red reg istration car d for the car?" "What registration?" "I always get thr oug h th is way." "Maybe, but it's changed s i nce yester day." "So if y ou do n't have the red reg istr atio n car d," "I'm confis cating y our veh icle." "What is th is box?" "That is a magic bo x that I use." "We'I I see." "Sir, we've got our hands o n a strange co ntraptio n." "We don't know what the box is for, but it's fu II of electr o n ic compo nents." "B y all evidence, it's of some importance." "We must i nform OTAN." "The electro nics contai ned i n th is black box are of a type comp letely u nk nown." "And they appear to be i ntact." "Our r adar is practical ly useless." "Th is man must talk." "We wi I I get to the bottom of th is." "You wi I I talk." "Oh, my watch." "You bastar d." "It wou Id be better to talk." "I wi I I talk, u ntie my hands." "You're a mag ician." "U ntie them yourself." "You are lazy." "I wi I I talk." "I have already br oug ht fifteen such bo xes i nto Greece." "And I am not the o n ly one." "The other s wil I bri ng more." "Your m iss i les." "I see them bei ng bad ly lau nched." "Or even." "Not lau nched at al I." "And now I wou Id have a cigarette." "It's agai nst regu latio ns." "Ah." "Regu latio ns." "At least g ive me a I ig ht." "Thank y ou," "I prefer a cigar." "You are smart, but it's over." "Where are the boxes you've brought i n?" "You'I I have to find them y ourselves." "Me." "I'm leavi ng." "C yan ide." "What a foo I." "My dear S harps, we are o Id friends." "But the o ne time" "I really need y ou, you are good for noth ing!" "And instead of chewi ng o n that louk oum you..." "My dear Caleb, do n't speak bad ly of louk oum." "It was y ou who suggested it i n the fir st p lace." "It was after al I, a good idea." "Ah, let's not stray from the subject." "It's bad enoug h that our r ockets have go ne astray, and thr own the entire Mediterranean defense s ystem i n the to i let." "I'm certai n that Greece is o ver-ru n with these b lack bo xes." "I don't believe tales to Id by a s leepwalker." "That man was boasti ng i n the class ic man ner of a dru nkard." "It's the first dev ice they've tried to smugg le i nto th is territory." "Bes ides, I was already i nformed." "You were informed of noth ing." "You know very wel I we are always i n the know." "Ah." "Wel I then, how do y ou exp lai n our radar not worki ng?" "It's that thr ee quarters of y our eng i neers are good for noth i ng." "I n any case, I advise you to stir thi ngs up a I ittle." "You must have someo ne in y our ar senal who can take care of th is, no?" "I do n't anymor e." "Wel I then choose y our best." "WH O'S GOT TH E B LAC K B O X?" "I do not ask you to bel ieve, but perhaps to dream..." "Good, and now exp lain y ourself." "It's al I of a questionable nature." "Well first there are these bo xes, they're jamm ing the aerial radar." "So we cal led the CIA, o n ly between us," "S harps is an idiot." "Ah, yes it goes without say i ng." "He to Id me about the m ission." "What a jump." "Yes." "So I looked." "And I fou nd." "Ah." "Good." "I n the canal?" "N o, I have an i nformant i n C ori nth." " So al I is wel I?" " Yes." " You know what I thi nk?" " N o." "It won't be I ike that at al I." "That's not at al I what's goi ng to happen." "You k now how it works, o ne guy gets an idea, a seco nd comes and adapts it for use, and a th ir d arrives to make it happen and changes everyth ing." "Ah, yes but not i n Greece, everyth i ng here" " has been writ i n advance." " O h real ly?" " By Aristotle, and the Gods." " Do n't count o n it." "Your naivete wi I I be y our u ndo ing." "C ome o n, let's go see S harps." "N o, listen, I isten they'I I bawl me out because I've fou nd someth i ng." "Let's go i nstead to my place and see my wife." " N o, we'I I go afterwar ds." " N o." "Now." " I said afterwar ds." " N o." "Now." " We're gone." " We're gone." "Put out those cigar s, y ou know I can't stand the smell of tobacco." "That lead of y ours, went nowhere." "No more expenses." "But I'm on fire." "But if I was i n your p lace and y ou were do i ng a j ob" "I ike m i ne, I'd say to myself," ""Obv ious ly I'm goi ng to g ive y ou another twenty four hour s."" "I n the course of my lo ng career this is the first time" "I've heard an agent complai n about havi ng to go o n vacatio n." "Real ly the o n ly o ne who wi II be comp laini ng is my wife." "I forgot." "It is true that it wil I be a pleasure to be ab le to keep" "Mrs. F ord with us for a few more hours." "Hey." "H o." "So what's go ing to happen with us?" "What are we talki ng about." "Well the twenty four hours." "I'I I g ive them to y ou, of course." "You comp lai n without reas o n." "Yes." "Were you fo llowed?" "N o." "D id you tel I any o ne about our meeti ng?" "N o." "Go." "Can I help y ou?" "N o?" "Well then get out of here." "Another coup by Pireo's Kids." "That's twenty times now they've come up with a new and clever way to rob me." "Bravo for those kids." "And y ou're sure that a storefro nt." "Open to al I the elements is the ideal location for a..." "Perfect." "Who would th i nk that this was my h ideout." "The spot where I sp i n my sp ider's web." "I'll start worryi ng the day they stop steal i ng my loukoum." "And one last th i ng gentlemen:" "It's not my louk oum that risk drawi ng the attentio n of the other camp." "But clums i ly torn pants." "See Dex, th is is where it's al I happen ing." "Th is is where the radar is bei ng thrown off." "The route to Corinth?" "The route to C ori nth." "You know, I th ink y ou're bril I iant." "Ah." "Yes." "I'm fantastic." "You know noth ing and yet y ou charge ahead." "Why not?" "I d ive i n." "Yeah, but there s hou Id be water." "And a better boss than that loukoum, Sharps." " Oh, like that?" " An o Id p ig." "A I ittle mo nster that one." "A d irty I ittle o Id man." "Yes, and vulgar." "Really a v i llai n of a man." "Ah." "You thi nk so too?" "Ooh la la." "Guys I ike S harps get u nder my ski n." "What are you looki ng at?" "Hu h?" "What are you looki ng at?" "The Acr opo I is." "What's at the Acr opo I is?" "Noth ing special." "It's always the same." "I can't afford to rip my pants," "I've got no o ne to fix them for me." "You shou Id get married." "Imposs ib le, y ou're already taken." "Serious ly, I thi nk I've fou nd the spot." "Now is it real ly so bad that y our I ittle radar has fal len i II?" "Another weekend lost because of those I ittle b lack bo xes?" "C ome o n now, no I ies, I adore y ou." "But if we do n't find al I the boxes Socrates smugg led i n." "Between you and me, when man comm its su icide there's a reaso n." "The radar's busted." "N o radar, no m issi les." "If the other s ide fi nds out they'I I take advantage." "And then you'I I see." "N o mor e weekends." "Ever." "Al I y ou th i nk about is fig hting." "There are..." "Excuse me." "There are other th ings i n I ife bes ides looking for I ittle b lack boxes." "You k now dear, if it wasn't I ittle b lack bo xes it would be b ig red o nes." "That's my j ob." "You knew that when y ou married me." "Excuse me." "You were wr o ng to turn down the ice cream." "It's heart-breaki ngly good." "Why have you sent Robert away from Athens?" "I get the feeli ng it's a stup id m issio n." "It is." "So that you can chase me?" "A discrete chase." "If he knew, you'd be spend i ng a pai nfu I fifteen m inutes together." "He's i n good s hape at the moment." "I am his boss." "I know he can be foo I ish, but not so foo lis h that he would h it me." "He respects me." "Boss or not." "I n any case, count o n me." "I wo n't say a th i ng." "I knew you wou Id understand." "Dirty p ig." "Agai n." "I'I I do it agai n." "Al I of it." "Al I of it." "Dirty p ig." "Madam, may I be of help?" "Certai n ly, clear the table." "I'm I isteni ng." "Don't act I ike a ch i Id." "You are a woman, a woman who is very attractive." "It's love." "Love?" "What." "Iove?" "Yes, it's love." "You want me Sharps?" "Oh, my dear chi Id." "What's go i ng on i n your head?" "The future." "But what can we do here in front of all these people my charm ing S han ny." "I do n't I ike y our stare S harps." "It makes me feel d irty." "Excuse me." "I'm s orry Sir." "I d id n't r eal ize that was your daug hter." "Do you have a light?" "Thanks." " What is the name I gave you on the p hone?" " Alcib lade." "Yes, Alcibiade." "Were you fo llowed?" "I'm worried." "They suspect s ometh i ng, It's not safe to be seen." "You g ive me the handshake." "And I'll tel I you everyth i ng I k now." " A thousand do I lar s." " A thousand dol lars?" "A thousand do llars and I'll tel I y ou everythi ng I know." "Al I rig ht." "I'm I isteni ng." "A thousand dol lars." "Wel I understood a thousand do I lars, but I always pay after." "I'm I isteni ng." "Wel I I have no cho ice." "Okay, everyth ing goes thr oug h the Kahl ides marb lery." "Th is is how it's go ing down:" "Mr. Kah I ides..." "Alcibiade!" "Alcib lade!" "You do n't j ust leave the organ izatio n without co nsequences." "We've had our eye o n you." "You've been maki ng mysterious p hone calls." "We do not like that at al I." "Let's go." "Come out." "P lease, do y ou have a match?" "Thank y ou." "What are you do i ng there?" "I'm looki ng at y ou." "Leave me alo ne." "I do n't like being looked at." "Why?" "Because it makes me nerv ous, it makes me nerv ous." "Lend me your sung lasses." "N o." "Lend me your sung lasses." "N o." "Lend me y our..." " N o." "Lend me your sung lasses." "N o." "Don't an no y the tourist." "Hel lo sweetie, put the champag ne o n ice." "Yes, I fou nd it." "Lo ve you." "Keep go i ng." "I'm dying of heat." "D id y ou k now the radar situatio n is in the pocket?" "The I ittle b lack boxes." "Yes, I fou nd out who it was." "Your guy i n C ori nth?" "Yes, I ike all s imp le th i ngs, it's gen ius." "Go get a I ittle champag ne and I'I I exp lain." "You'll lo ve it." "Lazy bum." "I'I I wake y ou up." "You do n't k now what y ou're m issi ng." "Briefly." "To co nclude my testimony Your H o nour, testimo ny that kind enough to request of me," "I affirm by my co nscience, my sou I, that the F ord couple was not getti ng alo ng." " D irty I iar." " Madam!" " D id s he hurt y ou?" " N o." "No." "We are al I too aware of Mrs. F ord's v io lence." "I'm mostly th i nking of Robert Ford." "A v is itor." "I n the name of the Father, the So n and the Ho ly Spirit." "Brav o." "You come to cons ol me the n ig ht before my release." "It wou Id have been better if you had been here when I arrived." "Anyway, I'm go i ng to tel I y ou what I th i nk." "It's not God speaki ng, it's man." "What is th is farce?" "I met your husband o n the n ig ht of h is death." "We had a rendezv ous at the Port of C orinth." "He stayed." "Me, si nce then they've been after me." "Who do you mean "they"?" "The o nes I ratted out to your husband." "The o nes with the I ittle b lack bo xes." "He prom ised me a thousand do llars and never got the chance to give it to me, so he owes me." "And you have the audacity to come and claim them from me?" "Yes." "But not without reas on." "The i nformatio n I gave him is sti II valid, they're even better." "Qu ite frankly if they bri ng down the radar, it's o ver." "And how do I know you're tel li ng the truth?" "I'm being fo I lowed." "I need payment." "G ive me the thousand dol lars, and you save my I ife." "But y ou know that I do n't have any mo ney." "Th is do I I maki ng is not exactly lucrative." "I'm begg i ng you, tel I me what you know." "On y our k nees." "It's time." "Co nti nue with y our co nfess io n." "I'I I wait for you, morn i ng after tomorrow at 8: 30." "You and the thousand do llars." "Outs ide the door of the C hapel of" "Sai nt Penelope of the F lowers, at the Athens cemetery." "Okay Father." "For today or tomorrow?" "Neither today or tomorrow." "The day after tomorrow." "8: 30" "Go away." "My dear ch ild, you don't want to see me?" "Here is y our opportu nity." "I do n't want to leave." "Oh yes, yes." "But Greek law is clear, you are a foreig ner." "I got you out." "Yes, after putti ng me i n there." "I got you out." "You have three days before y ou must leave for good." "Three days?" "You'I I have time to leave flowers o n your husband's grave." "M i nd your own bus i ness Sharps." "I wil I do what I want." "I say th is o n ly to be of service to you, o ne last time." "Okay, do me o ne last favour, g ive me a thousand do llars." "I got a lead yesterday." "You have on ly o ne lead my dear, to the airport and away." "N o, B ob was rig ht." "I wi II avenge h is death, I wil I go rig ht to the end." "And I wil I expose your ig nom i ny, y our I ies, your hopelessness." "Okay, okay, okay." "Leave me alone, I'm stay i ng in Greece." "I'll go where I want and you can't stop me." "Let go of me." "I'I I have you fo I lowed by my men." "You wi II not escape me." "I assure y ou." "I'm prepared to do anythi ng for those thousand do I lars." "Anythi ng?" "Yes." "Even s leep ing with you." "But you'I I be spent before we get started." "Well do ne." "Dex." "I got your letters." "You knew I was getti ng out today?" "Yes." "What is it." "I'm sorry, but S harps order me not to let you out of my s ig ht u nti I y ou were on the p lane." "Here." "But y ou wo n't do that." "You're go ing to help me." "Of course." "That's what I'm paid to do, rig ht up to the p lane." "No Dex." "I can't leave." "I've red isco ver ed the lead Bob was fo llowi ng." "Bob's leads." "He was always inventi ng new leads." "We lo ve h im for those fantas ies." "So y ou too." "Listen to me Shan ny, I isten." "S harps is an idiot." "It's true." "But for th is one time, he's rig ht." "I can't b lame h im." "I have to pr otect you." "You'I I be safe i n America." "Dex, y ou're letters weren't the o n ly thi ng I got i n priso n." "A also had a vis it." "From the man who was with Bob i n C ori nth, the day he died." "I have to meet him tomorr ow with mo ney." "Let go of th is daydream, S han ny." "I do n't want, I do n't want you to d ie." "Why s hould it matter to you?" "It matters." "I'm not the same." "Do n't be si I ly." "You do n't have any mo ney, y ou do n't k now where to go." "I've got you." "And I'm not letti ng go." "Come on, let's go." "One m i nute." "Dex, let me go wi ndow-s hop a I ittle." "It's been so lo ng." "F ive m i nutes." " Welcome back Madam." " Room two-twelve." "We're in a d ifferent apartment?" "Why?" "S harps' idea." "I can't bear com i ng back here." "That's what S harps thoug ht." "I'll take the master bedr oom, and y ou take the other." "G ive me the thousand dol lars." "N o." "Cut." "I've bas ical ly ex changed one priso n for another." "Talk less if you want to wi n." "It's your turn." "You already owe me two hu ndred and fifty do I lars." "Okay." "Yes." "Car d." " There y ou go." " Good." "Two." "I call." "You trust me, or you want me to s ig n someth ing, because I call." "Go." "Four lad ies." "Ah, four ki ngs." "Wel I that makes it seven hu ndred and fifty do I lars." "I'm th irsty." "Madam." "Oh, Sir, you've returned." "I trust you had a good trip, S ir?" "Do y ou need me for anyth i ng." "S ir?" "I rang for the chamber maid." "I am the chamber maid." "Sir." "Everyth i ng is i n or der Madam, all you have to do is show up at the airport tomorrow morni ng, o ne hour before departure." "Yes." "It's j ust that I've changed my m i nd," "I want to refu nd the ticket." "Okay, just a moment." "Madam?" "Good day S ir." "I wou Id like to refund this ticket please." "With pleasure, y ou bought th is ticket y ourself?" "No, it was g iven to me." "Oh." "Wel I, you are very lucky, that ki nd of th i ng does n't happen to me." "The o n ly thi ng is I am ob I lged to cal I the gentleman who bought the ticket for you." "It's regu latio n." "It was Mr...?" "Oh, do n't bother." "As you like, but we are here to serve y ou." "Yes." "It's j ust that I've changed my m i nd." "Thank you, I'I I be on my way." "As you like." "Al I thr oug h the Athen ian night," "S hanny soug ht her o ne thousand do llars in vai n." "My chi Id, why are y ou cry i ng?" "Are y ou pursued by u n happi ness?" "Wou Id you care for a drink?" "Yes." "Wou Id you care for a I ittle ci nema?" "Yes." "Little M iss F i F i." "The best." "The best." "And so?" "One thousand dol lars." "Wel I that's quite a sum." "Half now, and the rest o n del ivery." "Watch, now she'I I be late." "You don't seem to care." "I thoug ht y ou were hopi ng to see our ravishi ng y oung widow." "If that's real ly the way you feel." "You would have do ne a better job shadowi ng her yesterday." "You're certai n s he was talki ng about a rendezv ous in this cemetery?" "Yes." "I n any case." "It's getti ng hotter." "It's go i ng to be hel I." "Stop fidgeti ng I ike that, th is is not the p lace." "There s he is." "S he's changed." "It cou Id have been her." "S he's capable of anyth i ng." "Excuse me father." "Looking at the time is useless." "Shan ny wi II be here in two m i nutes." "Oh, real ly?" "What makes y ou th i nk that?" "I sense it." "You sense and I doubt." "Where are you go i ng?" "Where are you go i ng?" "What no nsense are you up to now." "I or der you..." "I or der y ou to stay here." "Excuse me Madam, the C hapel of Sai nt Penelope, is it here?" "Yes." "And there are no other C hapels of Sai nt Penelope in this cemetery?" "Oh, yes." "There are five my good S ir." "Buy my gu ide, there al I i n here." "Sai nt Penelope of the F lowers," "Sai nt Penelope of the Goats," "Saint Penelope of the Return," "Sai nt Penelope of the Weavers," "Saint Penelope..." "You broug ht the money?" "Yes." "G ive it to me." "Half now, the balance on del ivery." "I'm supposed to trust y ou?" "You do n't want it?" "I have no cho ice." "You'r e qu ite the bus i nesswoman." "Al I rig ht, I'm I isteni ng, who kil led my husband?" "It al I started i n C ori nth." "It's the Kah lides Marb lery network." "Mr. Kah I ides." "Run." "There's no better reaso n for waiti ng here than there was over there." "The chur ch is decided ly more emancipated, even the orthodo x." "G ive me back my bi noculars." "Take me with y ou." "Where are you go i ng?" "You?" "To Cori nth." "Oh that's perfect, me too." "Okay." "Thank y ou." "Wou Id y ou I ike a sardi ne?" "Yes, thank y ou." "They're good." "Sard i nes are so good." "Here, open it." "The opener is terrib le." "I was n't made to be a trucker." "Two years ago I was a fi nalist in the Apo I lon ian co ntest." "But u nfortunately I lost the fi nal." "There was someo ne more handsome than y ou?" "N o, it was the cu ltural issues questio ns." "Sardi nes are s o good." "We are go ing to be terrib ly late." "Oh, we have another coup le of m i nutes." "What can I say about myself?" "Mr. Kah I ides is my boss." "When you say that, y ou've said that you've said it al I." "Do you see h im very often?" "A coup le times a day." "Sometimes at n ig ht." "When you say that, you've said it al I." "So y ou're not curious?" "I do n't th i nk about it." "Yes?" "I feel good with you." "Yes, I k now." "You're very sure of y ourself." "And the statue?" "Wher e are you taki ng it?" "To the temp le s ite." "Why, do n't y ou I ike it?" "Yes, yes it's very beautiful." "But it's strange, do n't they usual ly carve those o n site?" "It's com ing straig ht fr om the quarry." "Certai n ly, it's not har d to guess." "N o, it's not that at al I." "What I'd I ike is to go to the is land and v is it the quarryman." "It's a passio n of m i ne." "If y ou ar e very n ice, I'I I take y ou." "Oh yes J oslo, I pr om ise to be very n ice." "But for now we abs olutely have to go because y ou are go i ng to be very late." "J os io." "O ver here." "When I ask you to do someth ing, y ou do it." "But the statue is over there S ir." "Two hours late." "You can't be upset just because I'm a I ittle late." "Precisely." "Who is that woman y ou've got with y ou?" "Don't y ou k now better than to bring s omeo ne here?" "H ow did y ou know?" "I k now everythi ng J os io." "U nderstand me?" "Wher e is s he?" "The statue is i n the truck in perfect shape." "I'm talki ng about the woman." "S he's i n the cab." "I n impeccab le s hape too?" "Let's go have a look." "My dear J os io, normal ly I'd show someone the door for bei ng late less than an hour." "But unwitti ng ly y ou have broug ht me a g ift of immeasurab le importance." "Al I for the best boss." "So it's a fam i ly i II ness." "The husband nos i ng arou nd my warehouse." "And y ou at the work s ite." "Let's trace th is back to it's s our ce, tel I me why?" "I have nothi ng to say." "Anyth i ng you want." "I pr om ise." "I'I I tel I you everythi ng you want to know." "Bri ng me up." "I'I I tel I y ou everythi ng I promise." "Anyth i ng you want." "Anyth i ng." "Thank y ou, without you I'd be dead." "N o, I can't take any credit," "I can't stand to see a woman mistreated." "So you're o n my s ide then?" "I can't get i nv o lved in y our busi ness." "I just lost my boss, I just lost my j ob," "I've been shot at and my boss is o n my tai I." "I know h im, he wo n't forget." "No, I'm getti ng my thi ngs together and go i ng to my cousi n's i n Thessaloniki." "But I need you, don't leave." "There's noth i ng to do." "I do n't u nderstand what's go ing o n, and when I do n't u nderstand s omethi ng, I'm afraid." "But J os io, y ou'I I u nderstand everyth i ng soo n." "P lease stay with me for a I ittle whi le." "Come to my hotel." "N o o ne wil I look for you there, and I have friends that can help y ou." "You do n't have any mo ney to get away?" "N o." "Exactly." "Dex wi I I get you some." "At your hotel?" "Yes at the H i lton." "At the H i lto n?" "B ig time." "I'I I get my th i ngs and come back." " Okay Thank y ou." " Okay?" "Can I, can I park my motor cycle at the hotel?" "Of course." "See you s oon." "Let me go." "You're crazy." "Shut up." "Bastard." "At least I ike th is I can s leep i n peace." "I to Id y ou, you'I I have al I the proof you need." "Josio wil I be here i n a m i nute and you'I I see." "Wel I he's not here now." "J ust s hut up a mi nute." " But" " S hut up." "What, I'm supposed to trust y ou so you can sl ip through my fi ngers again?" "Sharps is threaten i ng me with a transfer to Was h ingto n." "You're I isten i ng to me right?" "Yes Dex." "You are comp letely crazy to be co nti nuously riski ng your I ife." "You are stupid." "You do n't even know what y ou are looking for, or what y ou're protecti ng." "You are nasty." "You ar e dangerous." "You are stubborn like an old Mexican goat." "I swear J oslo is comi ng." "I can't do it anymore Dex." "I can't." "Okay J os io." "F or the last time, where is the American?" "What." "What are y ou goi ng to do to her?" "Tel I me where she is." "She's at the H i lton H otel." "Thank y ou." "Poor S han ny, betrayed by her trucker." "He's off to Thessalo niki." "Peop le dream about adventure." "But the moment ther e's a threat of danger, they're gone." "Deep down they thi nk of noth i ng but dream i ng." "Their I ittle nook, with their I ittle motorcycle." "With their I ittle p hotos." "What do we do." "I've always been to Id that mad ness is co ntag ious." "Where is your I ittle marblery?" "We can't wait u nti I tomorrow to vis it it." "Let's go." "So here we are." "Wel I. Let's go." "But how can we." "We haven't even begu n." "I have a p lan." "I'm sorry, o ver there." "Yes?" "What is it?" "Inspectio n." "Thank y ou." "Hey, hey." "You stil I. I've never seen your face before." "Are you new?" "No, but I wanted to, wait a m i nute..." "Brav o, wel I do ne." "I have a better plan." "Wait a mi nute and ri ng agai n in twenty seco nds." "Get out of here you lazy..." "Listen, I isten I j ust..." "Or I'I I have you transferred to another sector." "Respect the u n iform." "There, there." "Gently." "Oh, the I ittle rabb its." "The rabb its, the rabb its." "N ow is not the time." "Come on." "Quickly." "N othi ng." "Noth ing." "N oth i ng." "There's noth i ng o ver there either." "Maybe J os ie is at the hotel now, I'I I cal I." "Yes." "There's not much here." "Hel lo?" "Hello th is is Mrs. F or d i n r oom two-twelve." "Has anyo ne been by to see me?" "N o, N o o ne has come for you Madam." "Thank you." "Wel I, let's start again." "You take that room o ver there." "I'll take th is one." "We've already looked over there." "It's not poss ib le." "They've do ne it o n purpose." "They were already o n their guar d." "We're not goi ng to fi nd anyth i ng." "We have to fi nd someth i ng." "Alcib lade to Id Robert it was i n the marb le and repeated it to me." "I was attacked at the s ite, so it has to be true." "Th is is where they are hid i ng the stup id black bo xes, but wher e?" " Who could that be?" " Don't answer it." "Dex, the head." "What is it?" "The head." "The head what?" "Lts Artem is, Aphrod ite, a good woman that o ne." "Break it." "You're crazy." "Saw it open, I'm sure of it." "Totally crazy." "Dex." "You were rig ht." "The bo x." "N o." "Let's go." "Oh, I br oke my heel." "We have to go ar ou nd the marb lery." "We have to go see S harps." "Better yet, we'I I pho ne him." "May I make a p ho ne cal I?" "I'I I get my shoes wh ile y ou p ho ne S harps." "H urry." "613-696." "Oh, what good tim ing." "Wait." "I'm tel I ing you, we weren't dr eaml ng." "We saw the b lack bo xes." "I ns ide the head." "The trick head." "Exactly." "And there wer e at least five mor e I ike it." "F ive more." "Ah, there's Captai n Dan ilou, now we'I I fi nd out what's go ing o n." "You wake me at s ix i n the morni ng." "I cal I my best man in the Greek Security forces to rummage ar ou nd an ho nest man's tomb yar d." "And al I of th is for s ome no n-existent heads that make me look rid iculous." "U nbel ievable." "U nbel ievable." "You already look rid icu lous." "Obv ious ly they've been mo ved." "I do n't know what they d id, but they ex ist." "Useless idiot." "S harps." "You ar e so rude." "I'm g iving y ou my res ig nation." "I accept." "At least there's someth i ng pos itive." "You can leave." "D ismissed." "As for y ou, I'm not giv i ng you an i nch unti I we get to the p lane." "I have to go to the hotel to get my su itcase." "Useless." "Dex, take care of her su itcases and meet us at the airport." "You're crazy." "I gave y ou my res ignatio n." "Do it for me." "It wil I g ive me time to lay a flower on Robert's grave." "Okay." "Pr o vided he apo log izes." "Sorry for the face." "Good." "Why are you looki ng at me I ike that?" "Gal lantry, I'm gazing i nto your eyes." "If you were truly gallant, y ou'd offer me a cup of coffee." "One last cup." "So be it." "D irty o Id bastar d." "What d id y ou say?" "So n and grandso n of a p ig." "Mean o Id man." "Sti nki ng rat." "Offspring of hel I, ch i Id of Satan." "May I?" "Thank y ou honey." "Hel lo?" "Yes, wh ich cafe?" "Hel lo?" "Sir, your lady friend gave me th is message j ust a few m i nutes ago, beh i nd her husband's back." "She wants y ou to meet her at the cemetery." "That's a good I ittle spot for lo vers." "Are y ou real ly so afraid that I'I I get away?" "I'm not afraid of anyth ing." "I fear neither God, nor Devil." "I obey Sop hocles." "ANNOU NCEMEN TS" "Does it please y ou?" "What does it matter to y ou?" "Let's not part angry at o ne another." "I do n't want y ou to remember me i n a bad I ig ht." "Do y ou want it?" "It's y ours." "If y ou would j ust come th is way." "Wou Id you I ike to s it down?" "N o thank y ou." "My dear friend, y ou comp letely m isunderstand my story y ou know." "Thi ngs cou Id be s o much easier." "We cou Id laugh even." "You have been courageous, but naive as a ch i Id." "S he's crazy." "When the mysteries surpass our abi I ity to u nderstand." "Let us pay ho nour to their creators." "Who are y ou?" "I've been waiting for y ou s ince your release fr om priso n." "Mr. Kah I ides was sur e y ou'd come here g iven your u ndying lo ve for poor Mr. F or d." "Let's go." "Have you seen a y oung woman al I dressed i n green?" "N o, but I had a y oung foreig n woman buy a r ose." "One rose." "You don't for get a customer I ike that." "Do n't bother send i ng r ei nforcement." "I've caged the b ird." "These chases are always the same, the o ne who stays put, catches the prey." "KAH LI DES F AMI LY" "Dex!" "Dex!" "Hello." "Hel lo S harps." "Sharps!" "Leave it there." "Come back in half an hour." "Be carefu I." "Yes Boss." "Let's go C ocotte." "So here you are." "You want to see?" "You'I I see." "I have to comp I iment y ou, it's not everyday that a woman heeds her husbands words." "Wel I, let's see." "Like him, you've go ne too far, way too far." "Too far." "And now you are at my home." "The sea with al I it's majesty, the marb le." "Do n't y ou th i nk the best ideas are the simp lest o nes?" "I n Switzerland I h id my I ittle b lack bo xes i n cans of condensed mi lk." "I n Italy i n mando I i ns." "I n Greece..." "Do n't tire y ourself, I know where." "I n temp les and statues." "Not only in statues, we are certai n ly not s hort on ideas." "These four here are for the reconstructio n of our cheris hed ru i ns." "But these here." "They are for the destructio n of your m iss i les." "A I ittle marvel no?" "All that's left is to transport it to a temp le and activate" "the mechan ism to deactivate all of your radar." "Without recourse." "There's noth i ng left to be do ne." "Noth ing." "Not even for a beautifu I sp y I ike y ourself." "Such a tease, but you leave me no cho ice." "Your body is so beautifu I, so attractive." "It wi I I be destr o yed o n the rocks below and disappear into the sea." "Ah how foo I ish." "E noug h talking." "Fi nis h it." "Brave and i ntel ligent." "You ar e a courageous woman, worthy of the companio ns hip of a man like myself." "If you had o n ly wanted it." "I too am a widower." "I u nderstand your help less ness." "If o n ly you had wanted it." "But y ou never said a th i ng." "Mr. Kah lides." "If y ou want?" "I too suffer the g lacial co Id of so I itude." "S han ny." "No S han ny." "S han ny." "Oh, S han ny." "Oh, S ir." "He wo n't have suffer ed." "He didn't suffer." "Thanks to my tireless efforts in the face of danger," "I am p leased to i nform y ou of the destructio n of the entir e co nti ngent of black boxes." "One second boss." "The entire co ntingent of black boxes." "That must have been hard." "More than y ou'I I ever know." "Are you tired?" "You're ready for me to go?" "N o." "N o." "Come with me." "There's no r oom." "Yes, it's a special fl ig ht for a co nference, there's a lot of room." "But there's no time to get a ticket is there?" "You wou Id n't th i nk, but it can be do ne very qu ickly." "S hou Id I come with y ou?" "N o, you do n't have to." "Not yet." "My I ittle S han ny." "Two mo nths are not enough." "It's bad." "I don't love you anymore." "Yes, and Sharps would have me out the door," "I'd lose my j ob." "That wou Id r ob you of your d ig n ity." "So, I'I I be seeing y ou?" "See y ou." "Here." "ANNOU NCEMEN TS" "I'm happ y you're here." "I was scared." "TH E EN D"