"A Ahmet Uluçay Film" ""BOUTS OUT OF WATERMELON RINDS"" "My son?" " What's your name?" " Recep." "Look at my face." "You are quite a good looking boy." "If you happen to have any melons cracking, put them in the can." "I have cows, I will feed them." "Bring the can when it's full, ok?" "Let me show you my house, come on." "I will feed the cows with the stuff." "This is my house." "Knock the handle on the door and say my name out loud, OK?" "What did she say to you?" "Who?" "Nezihe." "Wasn't she telling you something?" "She wants melons that crack up for her cows." "It's always either the birds or the assholes that get to eat Kemal's stuff anyways..." "Are these from Adana, Kemal?" "No, Uncle Salih, Diyarbakýr" "Why didn't you bring them from Adana this year?" "Adana or Diyarbakýr..." "They are all same." "No tricks in Kemal's melons." "Check it..." "What's this?" "Can't we even trust a melon in this world?" "It's okay as long as it doesn't get sold off to a customer." "Take it." "Thank you, I don't want it." "Why not?" "It's doesn't belong to an orphan." "How is it?" "Like honey..." "Shall I weigh up five kilos?" "Not much time before prayers." "Afterwards, if God willing..." "Master..." "Yeah?" "Can you give me some money?" "What're you gonna do with money?" "I'm gonna buy some paint and a brush." "What's up?" "What's the brush and paint for?" "I'm gonna paint a sign and hang it right there on the tree." "You know how to do that?" "I'm a painter." "Painter?" "Good." "All we needed is a sign." "Never seen a painter before?" "You are quite a painter." "Look at the melons!" "Who could tell them from real ones?" "You made the seeds too?" "Should I write "Watermelon Man" here?" "No." "Write "The Happy Watermelon Man. "" "And here, "A kilo for 75"" "Good job." "You should have gone to school." "Sister!" "Auntie!" "This is yours." "What is it?" "Your mother, brought it to our stand." "Who are you?" "Apprentice to the watermelon man." "Mother!" "A boy brought you a tin can." "Take it girl, don't leave the boy waiting." "Thanks, my son." "Who was that?" "The apprentice." "He brought watermelon rinds." "Did mom start begging around now for watermelon rinds?" "Now the gypsy boys are coming to our house." "He is not a gypsy." "He is the vendor's apprentice." "Her mother's daughter, that's what she is..." "Here you are, brother." "Good evening." "Good bye." "Master, it's late." "Can I go?" "Ok!" "boy, you can go." "Master, my friend is waiting, can I go now?" "Did you take the bread up to my house?" "Yes, I did." "Was the auntie home?" "Yes, she was." "You can go then." "Good bye." "What's up?" "If I don't ask, he never remembers himself." "My master is a cool man." "You should have gone to the tailor's, that's a clean job." "There's more money in the barber's business." "All you need is water and some soap." "I also want to learn to extract a tooth and to circumcise." "I wouldn't touch the dirty dicks even for a hundred bucks." "The tailor's was a clean job..." "Did he beat you up again today?" "Hit on my head a couple of times." "There is a saying:" ""The barber cuts the hair of bald men, his hands smell all dirty amen... "" "What're you gonna do with all that cash?" "We're gonna open a movie theatre, aren't we?" "We're building the machine ourselves." "We don't need that much cash." "All that's missing is some chairs." "They get to see movies in a village, what's up with asking for chairs?" "Oh, is it you, crazy boy?" "You scared us, buddy." "We wonder if you were still a partner or not." "He is a real man and does not change his mind." "The only thing is, he doesn't change his torchlight for ours." "We're gonna put it on the machine." "Nope..." "Let's change it with ours." "Nope" "Turn off your light." "Mom shouldn't see us." "We should put the ladder away before we leave." "If she gets suspicious, she'll burn our films again." "Direct your light to the candle." "Hold the film, and pull it real fast." "This time we're definitely gonna hit 24 frames." "Ready." "Let's go." "You think we can't get 24 frames per second?" "I bet it was even 124." "Then you couldn't do a proper shutter." "How else am I supposed to do..." "My arms are dead..." "Come and do it yourself." "Ok, let me try." "Should we read that book again?" "No need, we memorized the whole thing." "Move away!" "Do we have to watch out for you, too?" "Let him shake it if he wants to." "Maybe then we will catch the motion." "You hold your hands here." "Right in front of mine." "Here we go." "Start!" "Move, son of a bitch!" "Move, moveey move, moveey!" "Stop being silly." "This man has to move." "in the name of God!" "Recep!" "What?" "Have you lit Granddad's candles?" "I forgot." "I will do it right away, mom." "You never forget to play with the pictures." "All we have is Father Gayi in this whole world." "All you need to do is light two candles." "Stop messing with that moovey, you will scare away our good luck." "Granddad." "Give us a hand." "We've been pulling them like crazy." "We really do hit 24 frames per second, but still there's no movement." "Oh, I almost forgot." "There's a girl called Nihal in the neighborhood where we sell watermelons." "She's so beautiful." "She's actually older than me, but who cares..." "If I could ever take her and we have a boy I would name him after you. "Suleyman... "" "Mehmet, look." "Did we take the ladder away from the wall last night?" "Why are you asking?" "Why are you asking why?" "If my mom sees the ladder, she'll find our films and burn them." "Don't say that." "The films are gone again..." "Shit!" "It is my fault to trust you." "If I give you four sheeps to herd, I'm sure you will lose two of them." "Find a better place to hide the stuff." "Let's not forget to take out our hats." "Are the buns fresh?" "Poor boy, eating himself with plain bread..." "Hurry up, come up to my house, at least you'll have tea with your roll." "Thank you auntie, but it's all right..." "Come on, you will." "Why do you want to eat dry bread?" "The master could arrive." "Let him arrive." "You'll have your tea before he arrives." "Sit down here." "Have your glass of tea and leave in good time." "Good looking rascal." "Dry bread in the morning is no good." "Nihal, go get some tea for the boy." "Sister, who is that?" "Mom's relatives." "Here, take this tea." "We are feeding the poor." "You should become my son, will you?" "Good looking rascal." "God gave me two girls, but no boy." "How many brothers and sisters are you?" "Three." "All boys?" "Two boys and a girl." "One boy is enough for a household." "Your mother should give you to us." "All right?" "Ha, is it all right?" "All right." "Don't stay hungry." "Where do you eat lunch?" "At the shop." "We eat watermelon and cheese." "That's good." "Don't stay hungry." "So, he will play moveey ha?" "What a difficult job it is to raise a son all alone?" "Don't know how he got into this devil's invention." "It is the genies pulling it, I know." "They can't do anything." "I have the tomb of Father Gayi at my house." "What's going on?" "You are sleeping standing up like a milkman's horse..." "You almost fell off the chair, boy." "Did you rock a cradle till morning like I did?" "I started dozing off too." "I'll go home and take a little nap." "If anyone asks for me, tell them that I will be back." "What's this, crazy man, is this a new habit?" "Do we need circus performances?" "You God damn mule!" "Are we here to do circus performance?" "You God damn mule!" "Why are you making strange faces?" "Here I am trying to teach you an art, and all you do is fool around." "If you won't behave, then get the fuck off!" "Have you ever seen any other village folk get to be artisans?" "Let them work their fields." "Shall I ask the price of the camera?" "Should have become apprentice to the photographer." "You think there's money in it?" "Maybe he needs an apprentice." "I should ask." "Forget it." "He has a sour face just like your master." "I'll ask him anyways." "Wait here a minute." "He said, "I hardly feed myself. "" "Told ya." "Did you ask the price of the camera?" "I did." "He said they're no good for us." "So they're good for his mother?" "Us being villagers, these city folk think a camera is too much for our hands." "We keep working like a mule and they take photographs." "Fuck it." "We'll build our own machine." "Oh, man..." "They must be our films." "What films?" "Look!" "Come here, I swear I won't beat you." "God damn it." "You couldn't even hide them in a good place, man." "You guys, what do you want?" "Can we take a closer look at the machine?" "I have no time, mind your own business." "Ask for film strips to be thrown away." "What do you want this time?" "Have you got any strips of film to be thrown away?" "Take it and get the hell out of here." "I can't deal with you two." "No more knocking on this door." "What the hell are you two doing there?" "Fuck off, you rascals." "Here we go." "Pull!" "Pull!" "The time has come." "I'm sure the man will move." "Come on!" "Move!" "The film is over." "Forget it." "It will not move." "Even if we use a projection machine, that man will not move." "The master is real dirty." "Why doesn't he use an ashtray?" "Boy, my mom is calling you." "For what?" "She says you should come and have some tea." "I was very late today." "My master will scream at me." "You can have the tin can." "My mom said don't come back without him." "You have to have some tea." "Do the watermelons come from your village?" "What?" "Do the watermelons grow in your field?" "Nope." "Where do they grow?" "in Adana." "What's grown in your village?" "Walnuts, plums, mulberries, cherries and cornelian cherries." "Bring me some cornelian cherries from the village?" "They are not ripe yet." "Then bring me walnuts." "All right." "Can you bring them tomorrow?" "All right." "What is the name of your village? "Flirting Birds Village"" "You have birds there?" "Yeah." "Do they flirt?" "Yeah." "Small birds?" "Very small, but not that small." "Is the watermelon man your father?" "Nope." "My father died in the military." "Mine too." "His dead body was sent over by the military." "We were very rich at those times." "Why are you pinching me?" "Mommy!" "..." "What now?" "Strange boys are coming to our house." "Shut up!" "Don't want him here!" "Do not to speak so loud to me!" "Your little daughter is playing with boys." "He is such a young kid." "He is a stranger." "You are embarrassing me!" "I don't want him here." "Shut up, I said!" "Do not want him here!" "That's it!" "Granddad are you there?" "Things are not going well here." "This girl is going to kill me." "She looks down upon me." "You'd better no to ask about the cinema matter." "We are in big trouble." "The pictures are not moving though we make twenty four frames per second." "Granddad, you must help us." "What's in the bag?" "Walnuts." "Are you going to open a walnut shop next to the watermelons?" "No man, it's something else." "What?" "Just something else." "You're keeping a secret from me?" "As you wish." "There's a girl in the neighborhood, she asked for them." "What girl?" "It's just a girl." "Her mother gives me tea in the mornings, and I bring them walnuts." "Don't fall in love with her?" "No man, she is too young." "She has mucus oozing out of her nose." "How old is she?" "Fourteen, fifteen." "And how old are you?" "When did your mucus dry out?" "Is she beautiful?" "Very beautiful." "But her older sister, Nihal, she's even more beautiful." "So you're in love with her then?" "How old is she?" "Maybe twenty." "So you'll marry her and call her mother, ha?" "It is non of your business." "What is it, girl?" "Recep!" "I brought walnuts." "Mother, Recep brought walnuts!" "Walnut?" "..." "Walnut?" "My mom is calling you, Recep." "What is it?" "You are going to have tea." "I had tea at the village." "Then you will have some food." "I had food, too." "Come on, my mom is calling you." "No, thank you." "Fine." "I won't have your tea." "You think I'm a beggar?" "Recep, what are you doing here?" "Nothing." "Nothing?" "Are you ill?" "Nope." "Come on, get up, we'll have tea." "I had some in village, auntie." "You'll have some here, too." "You were my son, did you forget?" "Or did you change your mind?" "Look at my face, you good looking rascal." "Come on, we'll have tea." "What happened?" "Or I'll slap the back of your neck." "Come on, my good looking rascal." "Auntie, my master could come." "Do not worry." "You finish before he comes." "He never comes before eleven o'clock." "Come here." "Sit next to me." "Right there." "You were supposed to become my son, you forgot too quickly." "Let me put some cream on your bread." "Plain bread is no good." "My good looking rascal." "Your hair is very beautiful." "Soft like silk." "I like it." "What do you use when you wash your hair?" "Hair clay." "Look at her bird's nest." "It won't accept a comb." "Auntie, I should go." "No, I won't let you." "You'll have your meal first." "Don't look so careful my boy, the mirror will break." ""The champions who started the game very fast... "" ""... scored early with Sanli... "" ""... but could not score again in the rest of the game... "" ""... the guest team equalized... "" "Master, I'm gonna buy a comb and a mirror, can you give me some money?" "Mirror and comb?" "Where did this come from, mirror and comb?" "Is there a hot situation?" "What?" "Are you in love with the girls?" "No, master, I swear." "You liar..." "Lying without feeling ashamed?" "The girls are beautiful, aren't they?" "Man shouldn't ashamed of his master." "The girls are beautiful, aren't they?" "They are." "And their mother is beautiful, too, isn't she?" "She is." "Then I'll take their mother, and you'll be my son in law." "All right." "Here you go." "Get me a pack of cigarette as well." "Don't be late, OK?" "From now on we'll get along fine with you." "After all, we'll be family." "What're you doing?" "Good thing the master didn't see me." "I must have dozed off." "The master is here!" "Say "I'm here for a hair cut"." "I came for a hair cut." "Come on, cut your friend's hair, let's see if you got it." "How do you want it?" "Shorten it up just a little." "I don't know how to shorten it yet." "Just cut it off." "What's hair good for at his age?" "Use number three my son!" "I said number three!" "Look at him, he is still confused." "He is still playing!" "Don't have him cut it off too deeply." "I don't like it that way." "Are you gonna pay for its seeds?" "It'll grow back." "Besides, your friend will get practiced." "Did you ever see me starting the haircut from there?" "Start from the back of the neck!" "Mom, enough, my eyes are burning, mother!" "Will you stop moving?" "Shut up." "You hairy little brat." "Not that one!" "The other bottle..." "We don't use that bottle on every customer." "Just on the very special ones." "Do your friend a favour." "Give it to your friend." "He deserves it." "No need." "I said you deserved it!" "No need." "Take the money, come on!" "You are looking like a star." "And you were telling that you didn't like short hair." "If they ask you where the cologne is from, tell them you got it at Kamil the barber's shop." "What were you going to do with long and dirty hair, you peasent boy?" "What did you do to your head, boy?" "Come here!" "Sit down." "What is that, a pumpkin?" "Look at my face." "Why did you have it shaved off?" "It's nothing." "Nothing?" "You just bought a mirror and a comb this morning." "Tell me now, why did you get it shaved?" "Nothing..." "Does a man hide anything from his father in law?" "The cologne is cool, by the way." "It smells good." "What happened to the hair, really?" "Tell me now." "All right, it's your business." "Damn it!" "Look at this face." "Shameless bastard!" "..." "Comb your mom with this!" "Shameless bastard!" "Take it." "What's this?" "The hair cut fee." "I won't take it." "You deserved it, man." "You messed it up real bad." "They say the inexperienced blacksmith learns the trade on infidels' horses." "How am I gonna look at Nihal's face now, my man?" "It's all over." "Go and fall in love with the younger girl then." "She likes you already." "Here, take your money." "I won't." "What kind of thing that to say?" "Take the young one?" "Could such a thing be posibble?" "I can't live without Nihal, I swear." "I offered her walnuts and she wouldn't take them." "It was obvious that she was no good for you." "Here, take the money." "I won't." "She's no good for me?" "Of course she is." "If only I could make that movie..." "Now, I'm a wretched watermelon boy." "I'll become a director, and then you'll see what happens." "What difference would it make, man?" "Her eyes are set high up." "Who's high up?" "I'm saying I'll be a movie man." "When will this hair grow back, my man?" "In two months, I guess." "What?" "The watermelon season will be over by then." "I'll be back in the village." "It's the pumpkin season now..." "Thanks to you." "Maybe the girl would have given in." "Now I have to go and guard the village?" "Won't we come down to town to go to a movie?" "You'll see her then." "Here, take the money." "I'm ruined for sure, man." "This morning I'd bought a mirror and a comb." "My master gave me one of his older white shirts." "Her mother kept saying, how beautiful my hair is." "She would definitely give me the girl." "She used to say, you be my son." "I'm really ruined." "Enough, boy." "Here, take your money." "I won't." "You wont?" "I'll throw it in the ditch then." "Don't do that, man." "I ain't got a single penny left." "Take it, then." "You keep it." "Now I am the baldboy of the village." "And the pictures don't move." "Forget it, sit down." "OK guys, start loading these." "Shall I help them master?" "Let the bastards carry themselves." "Count it, will ya?" "It's all right." "Count it even when you find it on the ground." "It's all right, I said." "Give out your blessing." "Bless you." "Put this in front, so it won't get break." "Hey, be careful." "Where's the 250 gr weight?" "The 250 gram weight is missing." "Look around." "Take this." "No, master." "Forget it." "Take it!" "Or I won't care if you're my son in law and beat you up." "If you ride a boat made out of watermelon rinds, you're bound to sink soon." "Take care." "Recep, keep on with the school!" "What are you doing with those?" "We'll play them." "Play them?" "How will you do that?" "Come here." "We're building a machine." "Machine?" "What is this machine like?" "It's out of wood." "There's a light inside." "It won't do it." "I tried it too in the past." "All in vain..." "It was only a shadow theatre." "Look, there's some more film in the wooden boxes." "You can take those too." "Make them move if you can." "We have them arrive half dead anyways." "The film broke fifty times last night." "And the audience started chanting, "dance Kadir, dance. "" "Like I tear them up on purpose." "Mister, can I take this poster, too?" "It's torn." "Let me see." "Take it." "Go and find yourself a proper job." "This cinema business can not be done with wooden boxes." "What did you do, boy?" "The bastard almost tore it off." "What did you do?" "We went broke." "What did you break?" "We went bankrupt." "Where did this come from, all of a sudden?" "We're broke, man, don't you get it?" "If you ride a boat made out of watermelon rinds, you're bound to sink." "My master, he was a cool guy." "And I couldn't see Nihal." "I was gonna give her a letter, four pages long." "You can't give her anything." "All because of you." "Why's that?" "Just go ahead." "Say "I love you. "" "Is anyone holding you?" "How am I gonna face her, looking like a pumpkin?" "Don't keep saying "it's because of you." "" I can take the letter to her for you." "Do you have it with you?" "Yeah." "But she wouldn't take it." "Why not?" "She's not one of those girls." "I wish she would." "Let me give it to her and we'll see." "Ok, Take it to her." "They're all the same." "I'm gonna talk to the girl, for sure." "Just so I'm not to blame anymore." "It is sickening me." "Put the blame on master, not me." "It's sickening me." "Sister, remember the watermelon boy..." "What about him?" "Recep, the watermelon salesman's apprentice..." "Are you dumb, boy?" "What do I care about Recep?" "He's really in love with you." "You fall in love with him a little, too." "He wrote you this letter, look..." "Fuck off!" "Or I'll hand you to the police." "You fool!" "What happened, did you see her?" "I did." "Swear on it." "I saw her I swear." "What happened to your face?" "There's nothing wrong with my face." "Nothing wrong?" "It is roasted like toast bread." "Did they beat you?" "My master did." "When?" "Just now." "Why?" "Didn't you run off from work, man?" "He saw me in the neighborhood of your girls and beat me out in the street." "Anyways." "Did Nihal take the letter?" "She did." "And?" "..." "I just gave it." "I don't care about the rest." "Didn't she say anything?" "She took the letter and put it inside her blouse." "You swear?" "Do I owe you a lie?" "What did she say?" "Nothing." "What if she handed me to the police?" "Come on, let's go to our village." "What have we got from this town?" "From the girls or from the watermelons?" "These town girls, they're all the same." "Not Nihal." "Ex cept for her." "Ex cept for Nihal." "All the others are bitches." "God damn town." "We end up gazing at you from afar." "After watermelons and stuff, we are back at being shepard boys." "You are right." "If we get to be moviemen and make a film, you think Nihal would come to me?" "What do you need Nihal for, when you have all the actresses?" "Still..." "Nihal is different..." "We should just follow those train tracks and take off from here." "Where to?" "As far as we can go..." "They say that pain of the heart is comforted by traveling." "Mehmet, I say you should talk to the girl." "Who, Nihal?" "Yeah." "Ask her "do you have an answer to the letter?"" "This is as far as I go, brother." "I won't go near them again." "If anything good is gonna come, it'll come from cinema." "You're right man." "When do you think Nihal will write an answer?" "Dunno." "What's the hurry?" "I've walked by their house a hundred times, nothing happens." "You could go to her, and ask her." "No way." "My duty is over." "The rest is up to you." "Time will come when I'll do you a favour." "Nope." "She might take me to the police." "Why should she do that, man?" "If she were to do that, she wouldn't have taken the letter." "Dunno." "If I were you, I wouldn't go either." "Why?" "Just because..." "I have to go." "I don't care if you come or not." "If you are my friend, don't go there." "Listen to me." ""..." "Every frame on the film remains still for one forty eighths of a second..." ""... and leaves its place for the following frame. "... in film projectors... "" ""... this function of generating movements with stops... "" ""... is performed by a mechanism called "Maltese Cross,... "" ""..." "Maltese Cross has four slots on it and the sliding film is stopped by it..."" "Remains still for one forty eights of a second..." "One forty eights of a second..." "Here is, the picture moved finally." "Of course..." "And we pull on the strip like crazy." "Turn off your lights." "The pictures moved, I swear." "Do not lie." "Turn off your lights!" "I swear they did." "How?" "Come and see." "Hit him!" "Hit the bastards!" "They're really moving, man!" "The picture must have remained still for one forty eigths of a second." "One more time." "One more time." "It's easy for you to say." "Hand me your flashlight then." "Nope." "Granddad, are you there?" "The pictures moved." "I swear." "If you could see..." "It was our fault." "We were pulling on the film like crazy." "Turns out the film has to pass through the light in stuttered movements." "Thanks, granddad." "We couldn't do it without your help?" "Look at that! "MO VEEY BO YS"" "Who wrote this?" "We don't know big brother." "I swear we didn't." "Stop it!" ".." "Turn off the lights." "Uncle Ali Dede came to look at the moveey." "Did you come to look at the moveey?" "It's just a shadow." "Uncle, sit down, we can't see." "We can't see." "Sit down, we can't see!" "Who invented this word "moveey," ha?" "We got to be known as "moveey boys. "" "What's up with that?" "Cinema is what this is called, cinema." "The batteries are out." "We have to go down to town." "Let's also check out the theatre for new film strips." "Don't go near the girl's neighborhood, though." "Why not?" "My master might see me." "He can't." "Thay are the opposite sides of town" "Still, just in case." "I hope the cinema man has cut off lots of pieces." "Also, let's take 50 pennies from the audience." "We have no money for the batteries." "Why don't I go and see the girl tonight?" "I'll tell her everything." "Don't go there." "Why not?" "She might take you to the police." "Let her do it." "This is love." "These are the ones that play on the moveey?" "Yeah." "How do they get to move?" "It's our job..." "Can this move too?" "Who is this, you infidel?" "My fiancee." "Who's your fiancee?" "She's dead." "This three battery flashlight of yours..." "If you give that to us, we'll make your fiancee move." "Will she come out of the grave?" "No, she won't" "What do you want the one in the grave?" "This picture will move, isn't that enough?" "You're the man, partner." "Let it move." "Not now." "Did you ever see it move during the day?" "Come here when it's dark." "And your fiancee will come here too." "All right?" "I am waiting for you here." "I am not going anywhere." "I am warning you once again." "Forget her." "Think about cinema only." "You go in if you want." "No, I'm waiting for you." "Auntie Nezihe is not home?" "They have moved away a while ago, son." "Where to?" "Somewhere like Balikesir or Eskisehir." "Nezihe got married." "Maybe to Kutahya, I don't know." "The girls left, too?" "She wouldn't leave them here." "She just took them and left." "It's hard times now." "And the girls have grown up." "Sooner or later they're gonna get married too." "Are you Nezihe's relative?" "No, I used to bring watermelon rinds for her cows." "No cows left, son." "She sold them all." "Nuriye!" "Do you hear me?" "The Izmir train passed through." "It's midnight." "Let's go to our village." "Told you not to go there." "Didn't I?" "These town girls are like cats, nobody can deal with them." "Even Mehmet the Wrestler couldn't deal with those cats." "Nuriye, I'm cold." "Come out, if you will." "I don't want to get sick." "We used to meet with you near the barn, before you died." "Enough already." "Don't be child." "Aren't there any other girls for you?" "I thought, if she ever came back She shouldn't wait out in the cold." "This is Omer's doing." "It's our fault." "Walking with the crazy upsets the stomach." "We couldn't just pay for the damn three battery torch." "Let's go to the beach and watch the sea, we'll feel better." "There's nothing better than the beach." "Yeah, really." "Look at the sea!" "Makes a man feel good inside." "If only we had some money and bought that 8mm camera." "I already wrote a script." "What's it like?" "Very nice." "Listen." "A winter night..." "There's a lonely water mill worker." "He has someone knocking his door at midnight." ""I have grain to be processed. "" "The man is scared." "How couldn't he be scared?" "He says "what is this sound?"." "The water mill worker lies down in his bed, scared." "The same voice repeates loudly: "Hey, mill worker, I have grain to be processed!"" "Nothing like the beach, man!" "We don't have such a friend." "You, go on with your story." "The mill worker gets up from his bed." "There is a terrible snowstorm outside." "The mill worker does not open the door." "He has realized that these are not real men." "Genies?" "Who knows?" "The man is yelling from one side and the storm from the other side." "How much is this 8mm camera anyways?"