"We cannot afford to waste more time, comrades." "Every day, we fall further behind in space weapons." "That must and will change." "I still believe Maria von Klausen is the key to our problems." "She is the sole reason the U.S. is at least 18 months ahead of us in space laser applications." "We need von Klausen." "We keep failing to get her." "We have got to be ruthless damn the consequences and simply grab her." "[KRUTIOV LAUGHS]" "Perhaps you have a better suggestion, comrade Krutiov." "You seem to be vastly amused." "You spout your vigorous tactics but you're doomed before you begin." "Let me get Maria von Klausen for you." "I won't have to flex more than my fingers." "This would be a lot easier if I could see what I was doing, leatherneck." "I know, but 93 percent of the bad guys are gonna lock your hands behind your back." "That's because they wanna make it harder, not easier." "Please, keep trying." "AMANDA:" "Hello." " Hi, Lee, come on in." "Now just raise the lever tumblers." "Raising lever tumblers." "LEATHERNECK:" "Align the gates." "AMANDA:" "Align the gates." " And release the bolt." " Release the bolt." "All right, Mrs. King, you did it." "Good for you." "Took Ace about, uh, six weeks before he could Houdini himself..." " ...out of the cuffs." "AMANDA:" "Really?" "Ah." "Old "entry and escape" course?" "Some things never change." " Until they phase out doors with locks." "AMANDA:" "Ha, ha." "Look, uh, I gotta go." " I'll leave this kit with you." " Thank you, leatherneck." "LEATHERNECK:" "Study on these." " I will." "Give me a call if you get stuck, okay, figuratively or otherwise." "[AMANDA LAUGHS]" "LEATHERNECK:" "Bye." " See you." " So, what's up?" " Billy wants to see us in the bullpen." "That is, unless you're still tied up." "Nope, I'm available." "[LEE LAUGHS]" "LEE:" "Let's go, come on." "Not sure what we've got, but one of our contacts inside the Soviet Embassy photographed several pages of this script by Tony Martinet." " Parisian Intrigue." " He was hot a couple of years ago." "Critics compared him to Edward Albee." "Huh." "Didn't know you were a drama buff." "Well, actually, I had a professor at UVA who got me interested." "Loved Martinet, had us read his plays, and I was in a performance the drama club put on." "Why I thought you might help us figure out why the Russians are interested." "Look." "They've made a lot of notes in the margins." " Mm-hm." "Awful lot of dialogue changes." "AMANDA:" "Hmm." "Someone didn't like Martinet's words." "They tried to change it to "you look sad tonight the crystal dew drops of dashed dreams insult your eyes."" " Oh, come on, that's not Martinet." "BILLY:" "But what is?" "Deep background check on him will take several days." "His career took a nose dive in the late '70s and since then there hasn't been a scratch on his file." " People thought he had a lot of talent." " Someone still does." "According to this, he's directing the world premiere of Parisian Intrigue at a Georgetown theater." "Opens Friday." "BILLY:" "Results on the script from..." " ...crypto and graphology?" "FRANCINE:" "Good news, and bad." "Crypto says, "Not exactly Anton Chekhov, but clean."" "Graphology made a handwriting analysis of the notes in the margin." "You ready for this?" "There is a 75 percent chance that it's Dr. Serge Krutiov." " Krutiov?" " Krutiov's Moscow's number one brain bender." "He's Vienna-trained, a shrink and he took the art of psychological warfare to new lows." "Yeah, I know, I read a Kremlin study on him." "They called him "The Puppet Master."" "Yeah, that's a polite description." "I've seen what he's done to people's minds, and how he enjoys it." "He's sick." "And he's big league." "If he's involved with this, it's important." " I want this one, Billy." " You got it." "Start with Carl Valentine, the guy who is producing Martinet's play." "He brought the Bolshoi to America a few years ago." "Maybe he's got connections with the Soviets." " Amanda." "AMANDA:" "Yes, sir." "Cover the rehearsal and see if you can pick Martinet's mind a little." "Excuse me, but if Krutiov is involved in this I mean, don't you think that calls for, uh, trained agents?" " We don't know what we're dealing with." " Yes, but" "And Amanda is familiar with Martinet's works." "This could be a valuable asset at this stage of the game." " Right-- BILLY:" "Shh." "Amanda, if this does get hot, I want you on the bench." " Understand?" " Understood." "Hey, two days until opening night." "I thought you'd sound happier." "Are you getting bored with me?" "I'd spin a line, "what's an opening night compared to a night with you"..." " ...you'd accuse me of being a bad writer." " Not your writing I'm thinking about." "You're sweet." "Don't mind me." "I'm just grinding my teeth about the backers." "They're braying about idiotic changes in the script." "It's your play, Tony." "Don't change a word if you don't want to, and stop worrying." "Save your energy for us for tomorrow." "I don't see enough of you to appreciate an off night, if you follow my drift." "I'd follow it anywhere." "[DOOR OPENS]" "Look, here comes my producer." "See you tomorrow." " Bye." " Hello, Tony." "Carl, what is this?" "The script is set, you know that." "Oh, Tony, it's all part of the process." "A guy puts $20,000 into a show, and he thinks he's Flo Ziegfeld." "You never should have seen this." "Now will you go to work please?" "You're brilliant." "The play's brilliant." " Leave everything to me." " All right." "There's just something about the smell of a theater, isn't there?" " Yeah, stale air-conditioning." "Heh." " Oh." "LEE:" "Ah, that's Martinet talking to the blond at the bar." "AMANDA:" "Mm-hm." " Good luck." "I'll see you later." " Yeah." "The bottles are sugar glass so you can really bash him and just spit your line in his face." "Your corruption is complete, schweinehund!" "Good." "But even more venom." "Oh." "Hello, Mr. Martinet?" "Well, I'm Amanda Keen..." " ...from Washington After Five." " Yes, hello." "Sorry to keep you waiting." " Been tied up with my producer." " No problem." "Hope this is a good time." "Promise me the cover of your next issue..." " ..." "I'm yours." " Oh, well." "Over here." "VALENTINE:" "I'm doing this play because it interests me." "But a producer of your stature, why Martinet?" "His track record is pretty shaky." "But his dramatic work is solid, it's profound." "It's even visionary." "Dramatic tastes go in cycles." "I think Martinet's time has come again." "Ah, so you think that Martinet's play can pay off?" "That's what I tell my backers." "It isn't called show art, Mr. Steadman, it's show business." "That's the bottom line." "Excuse me, I have to leave you." "Oh, one more thing, uh...." "Off the record." "We haven't seen the Bolshoi Ballet in D.C. since 1981." "Now, are you planning to bring them back?" "Oh, absolutely not." "I took such a bath on the Bolshoi." "The overhead was monstrous, the artists were temperamental and the red tape was endless." "No, thank you." "I will never do business with the Bolshoi again." "Heh, well, that's our loss, isn't it?" "So after the Off-Off-Broadway production of Institutions in '76...?" "Ah, how shall I put this?" "Uh, a period of intense introspection." "Hmm, well, I know the audience for Neo-Absurdist theater kind of dwindled." "I couldn't get arrested." "You know Neo-Absurdism?" "[CHUCKLES]" "I've read all your plays." "I was even in a production in college, Tiger Tracks." " I was the Wailing Walrus." "Mm-hm." " Oh, yes?" "Well, you're perfect." "Oh." "I think my favorite line was, um, "I don't care what the King says...."" "[IN UNISON] "Pickle that herring!"" "Ha, ha, I think you do understand." "You know, we just lost the understudy for the female lead." " Would you be interested?" " I couldn't do that." " No?" " No, absolutely not." " That was in the college" " Just read a scene." "Please?" " Well...." " Okay." " Give it a whirl." " Yeah." "[AMANDA CLEARS THROAT]" "Do you always put your left hand in your pocket, Mr. Valentine?" "Yeah, I think so." "You're ten minutes late." "Explain, please." "Cornered by a reporter from a local rag on my way out of the theater." "Keep your eyes open about this so-called reporter and your mouth shut." "Now, I assume that Mr. Martinet's response was as I predicted." "It was practically verbatim." "It was uncanny." "It was like he was some kind of actor spouting dialogue." " In a sense, he is." " I don't understand." "He's a second rate, washed-up playwright." "What do you want with him?" "Do you know about cats and curiosity, Mr. Valentine, hmm?" "Well, tomorrow, we will administer the coup de grace to Mr. Martinet." "Oh, Mr. Valentine, make sure you wear a blue suit." " Tomorrow, rehearsal at 10 sharp." "WOMAN:" "Oh, okay, great." " Bye." "MAN:" "See you then." "We may not need you, but if we do, you'll be wonderful." "Thank you very much." " Good night." " Good night." "[GROUP CHATTERING]" "[SIGHS]" "[THUDDING]" " Amanda?" " Ah!" "[AMANDA SIGHS]" " How'd you do with Martinet?" " Very well." "Made me the understudy to the female lead." "Understudy?" "Great, that's a good cover." " Is this the script?" " No." "This is a revised script." "Dated tomorrow." "How'd you do with Valentine?" "Eh, standard stuff about production values." " Well, you know, this is kind of funny." " What?" "There are a lot of changes, but Tony didn't say anything about a re-write." " Well, let's look at it from the beginning." " Hmm." "Let's see here...." " Oh." " Here on page one." ""Crystal dewdrops of dashed dreams."" "Krutiov wrote that in the margin of the script from the Soviet Embassy." "AMANDA:" "Mm-hm." "Let's get this to Billy." "Come on." ""Don't worry, she's one of us, though a--"" " Cynic, sweetheart." " I know." " Simp." " Fellas." "[IN FRENCH ACCENT] "Do you really believe the promises of Utopia?"" ""I don't think so, but I could be wrong."" ""You remind me of the dancing weasel, sometimes happy, sometimes sad."" "Mon Dieu, mon Dieu." " Amanda?" " [IN NORMAL VOICE] Yes?" "Don't understand this "Man in the Shadows" character." "He just sits at the end of the bar and says, "Mon Dieu, mon Dieu."" "Mother, he is in the shadows, right?" "He's foreshadowing the fall of Paris to the Germans." " This is weird." " Sweetheart, it's called Neo-Absurdism." "See, everything stands for something else." "Whole play takes place in a Paris cafe and that's, um, the war, or the world." "And the French chanteuse is the free spirit of the French people." "Right?" "The free spirit of the French people does a cancan on the bar?" "An act of defiance, mother." "Oh, whatever happened to musicals?" " Your line." "DOTTY:" "Okay, all right." "Mon Dieu, mon Dieu." "I'm going to watch TV." " Sweetie." " Not part of the play." "[TV PLAYING INDISTINCTLY]" " Neither am I." " Fellas." " Another act of defiance." " Mother." "Mon Dieu." "You have two mon Dieus." "Mon Dieu, mon Dieu." "Thank you." "[KNOCKS ON DOOR]" "Yes." "Ms. von Klausen." "We'll have the car at Gate 2 at precisely 3:47 tomorrow for Operation Potomac Plaza." "It's so cute the way you turn my rendezvous into full-blown security operations." "[CHUCKLES]" "Well, it's my job, ma'am." "Twenty-four-hour guards." "Besides, it's, uh, only once a month." "So comforting the way you make this public life seem so very private." "It is private, isn't it?" "You don't listen, or have cameras, do you?" "Heh, Ms. von Klausen, we don't...." "We wouldn't, um...." "Heck no." "[GASPS]" "[DOOR CLOSES]" "Okay, Carl Valentine's tax returns for 1981." "LEE:" "Phew." "If that's a bad year for him love to see what a good one looked like." "Heh." "Francine's coordinating a five-year screening of surveillance films from the Soviet Embassy." "Maybe we can catch Mr. Valentine in another lie." " It's 10:00." "I gotta get to" " Gonna memorize these lines, huh?" " I've already memorized most of them." " Yeah?" "Uh, how about act two, scene two, "The Chanteuse and the German Soldier"?" " Go ahead." " "You are the soul of decadence."" "[IN FRENCH ACCENT] Better than to be soulless." ""You see through me to that hollow place inside."" " Give me a break." " Don't ad-lib." " Your opacity is transparent." " Huh?" " I'll explain the subtext later." " Ah." ""Well, perhaps that's why I drink." "Another, maybe this one is the one to make me forget." Heh." " Wine will make you forget." " Uh?" "Yes." "I have another in mind." "No hangover either." " That isn't your line." " Who cares?" "Uh, we've got those embassy tapes ready, but I you've got your hands full." " [IN NORMAL VOICE] Rehearsing." " Yeah." "Mm-hm." "Oh." "Oh, when is opening night?" "[LAUGHS]" "A little joke." "[DOOR CLOSES]" "ERNIE:" "No, no, no...." "Nothing yet." "Ernie's running August, September and October." "No." "No, no...." "Yep, there he is." "No." "Yep." " There he is again, there he is again" " All right, Ernie, show us." "Carl Valentine." "And look who he's arm-in-arm with:" "Serge Krutiov." "Puppet master is right in our backyard." "Something's cooking." "Something big." "I'll stick to Valentine like a 10-week tan." "Thanks, Ernie." " You're the greatest." "ERNIE:" "You're right." "[DOOR CLOSES]" "[ROAD RUNNER BEEPING]" "The actors got the new scripts." "When Tony reads what you've written, he'll come apart at the seams." "I've created a precise, psychological equation." "As a result, Mr. Martinet will agree to do something out of character." "You said that nobody would be hurt." "Mr. Martinet has a special friend, a woman friend." "We'll manipulate him and voilà, he'll manipulate her." "You're certain about yourself, aren't you?" "Totally." "So when you get to the theater this is what you say to Mr. Martinet:" "Oh, mon Dieu." "This is terrible." "[ACTORS GRUMBLING]" "What is this, Carl?" "Why is this?" "Carl?" "Wait a minute." "Talk to me." "WOMAN:" "Maybe he can find what's going on." "[ACTORS CHATTERING]" "Backers insisted on the changes, so I made them." "I've sunk a lot of money into this..." " ...and I don't intend to lose it." " If don't agree to this garbage?" "They'll produce it without you and Tony Martinet's last chance at a big comeback evaporates." "Heh, this can't be happening." "Carl, please, can't you talk to them?" "Beg them to reconsider." "Can't you do something?" "No, but there's something that you can do." "What?" "[CLEARS THROAT]" "These revised scripts were waiting for us when we got here." "Tony nearly had a fit." "Where is he now?" "He headed toward his office with Valentine." "Who was just cheek-to-cheek with Serge Krutiov." " In Washington?" " Mm-hm." "I don't know what bizarre web he's weaving." "I guarantee you it is unpleasant." "Now it is time for you to hit the bench." " Remember what Billy said." " Hey, this is a good cover." "This is a really good cover." "Krutiov would probably never come here." "It's a good cover." "You're asking me to commit treason." "I won't do it." "I can't." "You follow your conscience right back to Equity Waiver theater and your $10-an-hour acting classes." "We open tomorrow night." "Do what they want, we perform your play." "Otherwise...." "You're gonna need this." "There are instructions on the card inside." "People, please, may I have your attention, everyone." "I'm delighted to announce that Tony has convinced me..." " ...to go back to the original script." "MAN:" "All right!" "[CHEERING AND APPLAUDING]" "For a playwright who just got his script back, Tony doesn't look very happy." "Take these out and burn them." "Stay with Martinet, I'll hang with Valentine." "Remember" " Right." "Be careful." " Yeah." "We'll start rehearsing from the top in ten minutes." "MAN:" "Okay." "MARTINET:" "Well, I've been on hold." "Yes, this is Tony Martinet, I'd like to confirm a reservation." "That's right." "Yes, I'll be arriving about 4:00." "Yes, that's right." "Thank you." "[LINE RINGING]" "WOMAN:" "Potomac Plaza Hotel." "Francine, are you telling me Lee hasn't picked up any of his messages?" "FRANCINE:" "That's right." " All right." "When he does, would you tell him I'm at the Potomac Plaza hotel and ask him to meet me here as soon as he can." " Okay, okay." " Thank you very much." " Okay, bye-bye." "AMANDA:" "Goodbye." "[AMANDA SIGHS]" " Oh, well, hello." " What are you doing here?" "You'd know if you picked up your messages." "I've been busy following Valentine." "He's in a room." " You were supposed to stay with Martinet." " I am." "He's gonna be here any minute." "[ELEVATOR DINGS]" "Let's go." " Third floor." "AMANDA:" "Right." "[ELEVATOR DINGS]" "We're gonna need backup." "Hello, Mr. Martinet." " Nice to see you again." " Thank you." "Uh, you know the, uh, drill." " I hate to do it" " Frisk away, Walter." "[GRUNTS]" "[PLAYING CLASSICAL MUSIC]" "Oh, Ms. von Klausen's favorite." "Heh." "[MUSIC STOPS]" "I'll bring her right up." "Enjoy your evening." "Martinet and now some muscle thrown in." "Very interesting." "[DOOR CLOSES]" "Come on." "Here." "This should do it." "We can get inside any room, and see across into Martinet's room." "Yeah." "LEE:" "Well, this is perfect." "[CLASSICAL MUSIC PLAYING OVER SPEAKERS]" "MARIA:" "Hey, sailor." " New in town?" " No." " I've docked here before." " I remember." "You have that tattoo that's so much fun to find." "[BOTH LAUGH]" "AMANDA:" "This is embarrassing." "[CAMERA SHUTTER CLICKING]" "This is the seamy side of secret agent work." "Just be glad we're not hiding under the bed." "It happens." "[BOTH CHUCKLE]" "I think you're gonna like my latest little number." "Emphasis on the "little." Heh." " He put something in the glass." " Yes, he did." " Hmm." " Oh, I'll drink to that." "AMANDA:" "Uh-oh." "LEE:" "Got an audience." "AMANDA:" "Yeah." "[KNOCKING ON DOOR]" "It's the only way." "AMANDA:" "Can we discuss this?" "LEE:" "Later." "[CROWD GASPS]" "WOMAN:" "Are they hurt?" "[CROWD CHATTERING]" "That's the reporter I told you about, and a woman I saw at the theater." "KRUTIOV:" "That reporter is Lee Stetson, an American agent." "Misha, I have an errand for you." "[ENGINE STARTS]" "Scarecrow, there is no law against a man and a woman having a tryst." "With a ton of muscle outside?" "What for, help set the mood?" "Remember, Billy, we saw Martinet drug the woman's drink." "I'm telling you, something is going down." "Let's assume that there is, and I'm not saying that I believe that yet." "We cannot afford to tip our hand to Krutiov." "All right." "Agreed, agreed." "Could you send Francine to the Potomac Plaza to do her hooker number and low-profile surveillance?" "You got it." "As soon as Amanda gets changed, you get back here with those photos." "If we can ID the woman, maybe we'll really have something." "LEE:" "Okay, will do." "[PHONE RINGING]" " Hello?" " Oh, hello, Tony." "Um...." "You must be having second thoughts about this but let me assure you that unless you go through with this neither you nor Dr. von Klausen will leave this hotel alive." "Good morning." "Welcome to the Strategic Defense Initiative Task Force Review." "I'll turn this meeting over to Dr. von Klausen who will give us a summary of the project to date." "[APPLAUDING ON RECORDING]" "Maria?" "[MARIA SIGHS]" "Thank you, Dr. Weber." "The D-14 laser has a G factor of 5.444 under a full load." " Hello, Mrs. King." "AMANDA:" "Hello, girls." " Excuse me, miss." " Yeah." " You know where Baldwin Park is?" " Uh, you made a wrong turn" "Don't make a sound or you're dead." "Now, move." "Get in." "[ENGINE STARTS]" "[PHONE RINGS]" "MARTINET [ON RECORDING]:" "This is Tony Martinet." "I'm not here right now, please leave a message." "[MACHINE BEEPS]" "MARIA [ON RECORDING]:" "Thank you, Dr. Weber." "The D-14 laser has a G factor of five...." "Never should have agreed to do this." "Never had a choice, none whatsoever." "This will assuage your guilt." "Call it a bonus." "I know you want one." "No time for quibbling." "[DOORBELL BUZZES]" "That will be Mr. Martinet." "It's over." "Good." " Can I have the tape?" " This tape?" "MARIA [ON RECORDING]:" "Thank you, Dr. Weber, the D-14...." " The rest is erased." " Tony, will you be serious?" "If you don't come through with this, they're gonna kill you and kill me." "I waited ten years to get my play produced and I had to betray the woman I love for it." "I know what that makes me." "When I know that Maria is safe when the curtain comes down at the end of opening night, tomorrow then you get the tape." "[LEE SNORING]" " [WHISPERING] Lee?" "Lee?" " Oh." "Thank goodness." "I thought you'd never wake up." " Can you sit up?" "Okay." " Unh." "He hit me with a hypo of something real potent." "Take it easy." "[BOTH SIGH]" "It's night." "Where are we?" "I don't know." "I think we're headed toward the Blue Ridge." "We better get out of here..." " ...before we reach the Atlantic." " You have a half-rake?" " Lock pick?" " Yeah, half-rake." "Yeah, I've got a double diamond in my collar stay." " Ain't gonna do any good, Amanda." " I got it." " These are tight, my hands are dead." "AMANDA:" "Lucky we got the 7 percent of the guys that don't cuff you behind your back." "[LAUGHS]" "Hey." "Leatherneck's gonna move you all the way up to safecracking." " Yeah, what's he gonna do to you?" " I'd settle for grand theft auto." "Unh." "Ow." " Sorry." " Ooh." " Okay." "Let me get the other." " Yeah." "This thing's locked from the driver's seat." " Got it?" " Yeah." "Give it a tug." "[LEE SIGHS]" "This will have to do." "This is a car, not a bottle of wine." "[LEE SCOFFS]" "[BOTH GRUNTING]" " Are you all right?" "Huh?" " Yeah." " Yeah." " Oh, my God!" "[LEE GROANS]" "I'm sorry." "Yeah." "I did my "happy hooker" number on the muscle at the Potomac Plaza and the last thing they wanted to do was talk." "The woman left the hotel at 6:05 this morning under heavy guard and she seemed fine." " Where'd she go?" " Uh, an apartment at the Watergate." " The lease is in the name of Jones." " Original." "Question and answer boys get anything of the Russian?" "Nyet." "Worked him for hours, all they know is he's Krutiov's chauffeur." "[LEE SIGHS]" "This whole thing hinges on the woman, Billy, we have got to ID her." "We know where she lives." "Why don't we bring her in, find out what's going on?" "We can't drag people in here without cause." " Come on, Krutiov will fill that bill." "BILLY:" "Agreed." "But we have to know more before we do." "That way, we're smart and tough at the same time." "Okay." "Come on, Amanda." " I'll introduce you to Ernie, the camera." "AMANDA:" "Oh." "See you later, sir." "ERNIE:" "No, no, no...." "Not with State Department." "Tapes are from Defense." " How does he do that?" " It's a special talent." "We're lucky to have him." "ERNIE:" "No, no, no" " Yep." " How many frames back?" " Seventeen." "FRANCINE:" "Maria von Klausen?" "I'd say it's a perfect match." "Anything else?" "She's Director of Laser Research for the Strategic Defense Initiative." "Star Wars?" "Star Wars?" "We haven't got it." "Grandma, Mom's not even in the first string." "She's an understudy." "An understudy is someone who takes over if the actor gets sick." "It's very important." "This is gonna be boring if somebody doesn't get sick." "PHILIP:" "Yeah." "[MAN SNORING]" "LEE:" "You could have said anything, Dr. von Klausen." "Blood analysis indicates that he gave you a new psychotropic the Russians are calling the déjà vu drug." "Afraid you've been compromised, Dr. von Klausen." "I can't believe Tony would do this." "He was probably pushed pretty hard." "Which is Krutiov's forte." " When I searched him, he was clean." " Could've hidden it anywhere." "All you need is a thousandth of a grain of that stuff." "Let's presume we have a level nine security breach." " Sound the alert, Francine." " Okay." "You and Amanda go out and round up Martinet and bring him here." "I'll work with Walter..." " ...get Dr. von Klausen under wraps." "AMANDA:" "Yes, sir." "He probably had no control over this, Maria." "A pig, is it?" "[LAUGHS]" "Am I a pig and am I to take it you think all Germans are pigs?" "Mon Dieu, mon Dieu." "Shut up, you fool!" "Barkeep, another bottle of this swill." "Your corruption is complete, schweinehund!" "[ACTORS LAUGH]" "You may as well wear your Schnaps along with your shame." "ACTOR 1:" "Mon Dieu, mon Dieu." "ACTOR 2:" "Make him shut up about his god." " His god" " I'll kill that poor imbecile-- ACTOR 3:" "Careful, Fritz." "These customers of mine would happily slit your gullet and throw you in the cellar." "ACTOR 2:" "They can scour the city for me." "They'll kill a hundred of you for one of us" "ACTRESS:" "A bargain." "[ACTOR LAUGHS]" "Can't a man buy a decent night's entertainment in this city?" "I wanna see a dance!" "ACTRESS:" "Dance?" "For you?" " There's Tony." " Tony Martinet?" "Just finished talking to Dr. von Klausen." "[ACTORS SPEAKING INDISTINCTLY]" " You are a good actor." "I can always tell." " Tony, you've got to help us." "Ah." "I don't even know how I got into this." "Said they'd kill her if I didn't." "AMANDA:" "We know what you've been through but we need your help now." "You have to tell us who your contact is." "MARTINET:" "Carl Valentine." "I'm supposed to give the tape to him after the play." " After the play?" " I recorded the information but wouldn't give it until I knew Maria was safe and the curtain had come down on opening night." " Where is the tape?" " It's on stage." "In the tobacco tin on the bar." "ACTOR:" "A little dance." " All right, let's bring the curtain down." " Not in the middle of the play." "[FRENCH ACCORDION MUSIC PLAYING ON STAGE]" "Valentine, damn you." " Would you keep an eye on that stage?" " Right." "Carl." "Get out of here." "[ALL GRUNTING]" "And my little chanteuse takes to my lead...." "Don't do it." "See, my love?" "We glide across the floor like courting swans." "Ha, ha." "ACTRESS:" "More like stiff-legged German dog." " Give me that tobacco tin." " Stop that man." "He is Gestapo." " I don't remember this part." " She's wonderful." "If you have to, use it." "ACTRESS:" "Stop him!" " Quit pulling her." "I paid." "Give me that tobacco tin." "Give me that tobacco tin." "This is a real gun." "ACTRESS:" "It's not for you." "[LEE GRUNTS]" " Yeah!" " Take the money back." "This dance has only just begun." "Mademoiselle doesn't want to dance." "[AUDIENCE APPLAUDING]" "[AUDIENCE CHEERING]" "MAN 1:" "Bravo!" "MAN 2:" "Bravo!" " Bravo!" "MAN 3:" "Bravo!" "[AUDIENCE CHEERING]" "Oh, nice performance." "A bit improvisational." "Will they give Tony therapy or something before they try him?" "Yeah, they will." "Krutiov really messed up his mind." " Amanda?" " Yeah." "[AMANDA SIGHS]" "You know, you and I do have a lot to talk about." " Yeah?" " Yeah." "We have been...." "Getting to know each other for what, uh...." " Three years." "Mm-hm." " Three years, now." "And I think there's a lot about you that I don't know." "I'm sure gonna enjoy trying to find out." "[DOOR CLOSES]" " Is Lee in the Q Bureau?" "FRANCINE:" "I think so." "AMANDA:" "Uh-oh." "Lee?" "Amanda?" "No, not this time." "[DOOR CLOSES]" "[LEE CHUCKLES]" "Yeah." "[English" " US" " SDH]"