"Mr. Blackwood?" "Sir?" "Mr. Blackwood, lim sorry." "You did ring, sir?" "Come down." "lim so..." "So very sorry." "I didnlt see the steps." "They made me do it." "I didnlt... lf l want to see my child again," "I must comply." "Mr. Blackwood." "Please understand." "Precious teeth." "Beautiful teeth." "Ransom for my boy." "Yes." "Daddy." "I brought you something more to eat." "Not childrenls teeth like you wanted, but please accept them in exchange for him." "Childrenls teeth." "Oh, no, thatis the best I could do." "And theylre my own." "You see?" "My own." "Please." "Give me back my son!" "Yes, your son is down here." "Reach for him." "Son?" "Son!" "Son!" "Grab my hand!" "we've now begun our descent into T.F. Green Airport." "Please return to your seat, make sure it is in..." "Shels landed." "What do you think?" "Too much?" "No, itis perfect." "Just like you." "Therels my girl." "Sally?" "Wow!" "Look how tall you are!" "What are you, 1 7 now?" "Dad, you know how old I am." "I know. lim being silly." "Hey." "Good morning, sir." "Thank you." "Come on." "Sally, this is Kim." "Kim, Sally." "Hi, Sally. itis nice to meet you." "I love you. I love you." "Thanks." "What about a picture?" "You got your camera?" "Itis good to see you." "good morning, rhode island!" "Everything okay?" "Yeah." "we've got fog this morning and a slight chance of a shower later on." "Smell that fresh air, kiddo?" "Sure beats the smog of LA, huh?" "I have to call Mom now." "Just press one and the green." "hi, you've called Joanne and the magical Sally!" "Leave us a message." "L.C. delivered the flooring." "If it rains, lim afraid itis going to warp." "Well, just put it in the garage." "Sally, say hello to Mr. Harris." "Nice to meet you." "Come take a look at the house." "Mr. Harris." "Mr. Harris, would you give me a hand..." "Howls it going?" "Good." "When do you think youlll be finished?" "No problem." "Good, huh?" "lt smells funny." "You should have smelled it before." "They had moldy newspapers everywhere, and dead pigeons all over the floor and poop." "Lots of it." "itis Jacobyls office." "Mr. Jacoby." "Oh, hey, Michelle." "Sorry." "I donlt know." "Hold on. llll check." "You got the photographs?" "I like to draw, too." "You work here?" "No, Sally, I live here." "lim the interior designer." "Do you know what that is?" "Of course you do." "You see all the animal paintings and friezes?" "Theylre by Emerson Blackwood, a man who once lived here." "He was a very famous wildlife painter." "Hey, Sally, look." "You want to try?" "What do you have there?" "l found it." "Thatls mine." "It was my grandmotherls." "When I was little, my mother gave it to me." "My mom gave me to my dad." "Sally?" "You want to see your room?" "What do you think?" "Kim and I worked really hard to get it ready." "Check this out." "Itis pretty great, huh?" "It looks better at night." "How long am I staying here?" "What did your mother tell you?" "She told me I was coming to visit." "But then she packed all my clothes." "She didnlt explain anything to you?" "No." "Sally." "Your mother and I are worried about you." "She thinks that maybe youlre feeling sad and she thought that..." "Well, we thought that perhaps a change might be good for you and that you could come and live here with Kim and me until we finish the work on the house and sell it." "Then we could move somewhere else and..." "Sally?" "Come on." "Open the door." "Come on." "Let me in." "Are you going to marry her?" "Thatls between Kim and me." "Mom said you only liked her because she was young." "But she isnlt." "Shels old." "Sally." "Open the door." "Come on, sweetheart." "Open the door." "Sally, please, letls talk about this." "Look, I know... I know it must be tough." "Youlve had a long flight, and itis strange being in a new house." "I want to go to bed now." "Okay." "Donlt forget to brush your teeth." "Yould be a terrible poker player." "Youlve been ironing that shirt for half-an-hour." "She sure didnlt take to me." "I wouldnlt take it personally." "Shels like that with everybody." "Those pills she takes, what are they?" "Adderall, I think." "Jesus." "Thatls her mother for you." "That woman medicated our dogs." "So, what about Jacoby?" "His assistant said he still hasnlt looked at the new photographs yet." "Hels had them for a week." "l know." "Welre still in the running, and heis still coming to the dinner." "He should just give us the cover." "Yes, he should." "He gave it to the Spencer restoration two years ago and you have done miracles here." "We have done miracles here." "Itis not all about me." "Thank you." "These are new?" "Yeah." "Great." "If we get the cover of architectural Digest, we wonlt need to take out another bank loan, will we?" "You know what your daughter told me today?" "What?" "She said your wife gave her to you." "Kids say all kinds of things they donlt mean." "It couldnlt have gone any worse today." "I feel like the evil stepmother." "The evil and very old stepmother." "Letls not forget the old part." "Because I was kind of thinking you were looking a little ancient." "Oh, yeah?" "Oh, yeah." "The stuffed bear?" "What was I thinking?" "Come on. itis great." "She likes it." "I saw it in her room." "On her bed?" "Well, above the bed." "Hanging by a noose." "Thatls okay." "Nice sign of affection, I think." "Sally." "Her name is Sally." "Sally!" "What do you think?" "Yeah." "Looks great." "Have you seen Sally?" "Yeah, shels on the bench." "Sally!" "It is not safe for you back here." "Hey." "Whatls going on?" "Everything okay?" "Keep her out from the back of the house." "She could fall in." "Weld be in a hell of a mess." "I didnlt do anything." "Therels pits." "Old wells." "Itis dangerous for a child." "Mr. Harris is right, Sally." "He knows." "His grandfather worked at the house." "You shouldnlt be back here." "But I found a basement." "There is no basement." "Easy, Harris. llll take her. itis okay." "Itis there!" "Itis right there!" "Therels a reason this house is called Fallen Mill." "The English had a mill here, and it fell into a sinkhole." "Thatls why most of the houses around here donlt have basements." "This one does." "You may want to check this out." "itis unsafe for a child." "Pull on that." "Look!" "I told you it was here!" "Can you believe this?" "This is definitely hollow." "lim going to get some tools." "You sure you want to do this now?" "Of course!" "You kidding?" "We can fix this easy if we have to." "You may want to step back." "Mr. Hurst, I..." "Therels a door in here." "Where did you put the old house keys?" "Theylre in yourjunk drawer in the office." "Okay." "Have a look." "Oh, wow." "You be careful, Sally." "Okay?" "Okay." "How the hell did we miss this?" "That must be the garden window." "Itis all of his paints and old colored pencils." "This is amazing." "Wow." "Alex, look at this." "Harris, did you know about this?" "This place isnlt safe." "Especially for kids." "Itis okay. llll keep an eye on her." "This must be where Blackwood worked." "I found another door." "Look at these sketches." "itis an ash pit, I think." "Yeah. itis bolted shut." "These are incredible." "Okay." "Letls go, Sally." "Come on, Sally." "Letls go." "Sally, come on." "This must be like King Tutls tomb for you." "Which is why we shouldnlt be touching anything." "This stuff must be valuable." "Shels gone." "No, she will come back." "They always do." "Yes, they always do." "I donlt think thatls important, Alan." "No, I just need to make sure I get the paintings and furniture back in time for the dinner." "You told me you could." "Come on." "How long have we known each other?" "llll write you a post-dated check." "Hold on." "Itis either walnut or mahogany, I think." "Yeah." "There you are." "I thought maybe we could bake scones." "I promised Mrs. Underhill we wouldnlt make too much of a mess." "No." "Thatls all right." "What have you got there?" "My doll." "And my drawing stuff." "Looks like itis just you and I baking scones today." "I made sandwiches for everyone." "Sally, open the grate." "Yes, open the grate." "Set us free." "Who are you?" "What do you look like?" "Welve been locked up for so long." "Set us free." "Come down." "Youlll see what itis like down here." "Wait a minute, will ya?" "Therels other children down here." "Theylre just like you." "Come and play with them." "Sally?" "Sally." "What are you doing down here?" "l heard something." "Rats, probably. itis time for dinner." "lt was a voice." "Really smart rats, then." "No!" "Listen." "Nothing." "Come on." "Letls go, kiddo." "l forgot my bag." "Hurry it up, then." "Sally, now!" "We can get this tomorrow." "We canit get the rest of these for two weeks." "What about the burnt umber?" "Itis much warmer, and we can get it for half the price." "You not hungry?" "Sally?" "Donlt you like rice?" "Mrs. Underhill made apple pie for dessert." "Apple pie has gluten, and Mommy says gluten is bad for my concentration." "Oh, come on." "You love apple pie." "We can worry about your concentration tomorrow." "Mommy says no gluten." "Whatls your mother filling your head with?" "How about some chocolate milk?" "No." "llll make something else." "Hold on." "Sally, you need to eat this, or you can go to your room." "Okay?" "Good night, Dad." "What?" "Did that work on you when you were a kid?" "Shels testing us, Kim." "Thatls what kids do." "Whols the parent here?" "Certainly not me." "I didnlt mean that." "No." "Youlre right. lim not a parent." "We talked about this, remember?" "No, you told me about this, Alex." "lim not sure lim ready to be anybodyls mother." "I had a hard enough time getting over my own childhood to have to deal with somebody elsels." "Listen, will you help me with this, please?" "I realize this is terrible timing, but I donlt have a choice." "I canit just send her back." "Thatls not what lim asking you to do." "Apple pie." "Thanks." "Hello?" "Hi, Alex." "It's Joanne." "Hi, Joanne." "Can I speak to Sally?" "No, you canit." "Why not?" "Because shels asleep." "Welre three hours ahead, remember?" "What were you thinking not telling her she was going to be living here?" "You and I had a conversation." "I asked you if you wanted me to tell her." "don't do this every time I have..." "Youlre the one who wanted her here." "I love you. I love you." "Did you just speak to me?" "I love you. I love you." "I love you." "The light, it hurts us." "Yeah." "Turn out the light." "I love you." "Turn out the light." "We want to be friends." "Wherels my doll?" "With us." "Sallyls doll is with us." "Who are you?" "Welre your friends." "Friends?" "Where?" "Come down to the basement and play with us." "Where are you?" "What are you?" "Hungry." "very hungry." "I have food." "Let me see you." "I wonlt hurt you, I promise." "Sally?" "What are you doing under there?" "lim looking for my doll." "Looking for what?" "lim looking for my doll." "How about Teddy instead?" "No." "Thatls all right." "Did you lose a tooth?" "Thatls not mine." "l found it." "You found it?" "Here in the house?" "Yeah." "Can I call Mommy now?" "No, itis too late." "Shels probably asleep." "I donlt think you should keep this." "Itis not very sanitary." "What about this light?" "Should I..." "Leave it on, please." "All right, well, sleep well." "Sally, would you do me a favor?" "Would you try to, maybe, be friends with Kim?" "Yes." "Thanks, kiddo." "Kim, have you seen my razor?" "We have to leave in five minutes." "Yeah." "Have you seen my razor?" "Here, take mine." "Five minutes." "My dress." "Sally. I want to talk to you downstairs right now." "I cannot believe you cut up Kimls clothes." "I didnlt do it." "l didnlt do anything. I swear." "Stop lying." "It was a horrible thing to do." "And it was dangerous." "You could have cut yourself." "What did you use, my razor?" "Let me see your hands." "itis mine." "What is this?" "Where did you get this?" "Let me go home." "You canit go home." "Just let me go home." "lim sorry about this." "Shels never done anything like this before." "Shels obviously very angry about something." "Alex, that is not anger." "That is fear." "We need to go." "Mrs. Underhill," "Kim and I have an appointment at the historical society." "Welll be back this afternoon." "Sally, welre going out." "Listen to Mrs. Underhill and do what she says." "And you think about what you need to say to Kim, okay?" "Sally." "Are you there?" "Did you cut Kimls clothes?" "Do you have my dadls razor?" "You have to tell me the truth." "If you want to be friends." "I wonlt be angry." "Sallyls not angry." "Theylre angry." "No, lim not angry." "They donlt want to, but we do." "Come down here, Sally." "Come down and play." "You said you were hungry." "Do you like raisins?" "We said we liked them." "See?" "Delicious." "Delicious." "Yeah." "So delicious." "Did you do something bad?" "You have to answer if you want to be friends." "Yes, friend." "Sally?" "What are you doing down here in the dark?" "Were you talking to someone?" "is there someone here with you?" "No. lim all alone." "Therels nobody here." "Why donlt you go help Mrs. Underhill make lunch?" "Go on." "Off you go now." "Thatls right." "Up those steps!" "Quick as you can, now!" "Harris." "You old fool." "I swear. I didnlt tell them anything!" "No." "No, please!" "Get away!" "I had an accident!" "Call for help!" "Donlt look." "I could hear screams down there." "Noises." "Did you see anything?" "He asked me to leave the cellar." "It was so dark in there, he must have stumbled." "Mr." "Hurst, thank God!" "What happened?" "Are you William Harrisl employer?" "Yeah." "Therels been an accident." "Are you okay?" "Wherels Sally?" "lim sorry." "She saw him." "I tried to cover her eyes, and I was too late." "Where is she?" "Shels in the garden." "I am sorry!" "Sally?" "Hi." "Are you scared?" "Do you want to talk about it?" "is Mr. Harris going to die?" "No, Sally." "He is going to be okay." "Can I show you something?" "This is my favorite part of the house." "Blackwood loved nature." "He imported these fish from Japan." "And so did we." "Theylre called koi." "Theylre considered magical." "Badgers can spot them against the mud at the bottom because of their bright colors." "So what makes them special is also what makes them vulnerable." "They have to be tough." "And you, too, Sally." "I didnlt touch your clothes." "I swear to God, I never touched them!" "l didnlt touch them." "Sally." "I didnlt!" "Didnlt cut them, I promise." "I donlt care about my clothes." "I canit really tell. 1 804, I think." "Itis hard to see." "The coin is pretty worn down." "She probably found it in Blackwoodls studio." "I donlt want her going down there anymore." "lim worried about her, Kim. itis not safe." "This is Joanne." "Mommy?" "oh, sweetie, it's you!" "How are you?" "Can I come home?" "You want to come..." "The sashimi." "Stuart, the sashimi." "l donlt like it here." "You what?" "Honey, don't fret. lt's so beautiful there." "You just need to get used to it." "But itis cold." "Honey, what?" "My bed is too big." "Sweetheart." "And I think lim getting sick." "You're not getting sick." "It will take a little tiny bit of getting used to, but you are going to be so happy there." "okay?" "I promise." "You'll get used to it." "I got to go, honey." "Mommy's got to go." "I'll see you soon." "Bye!" "Kim?" "Donlt leave." "Whatls wrong?" "Even when lim asleep." "And donlt turn off the lights." "llll be right here." "Come on." "Kim?" "I love you. I love you." "Daddy!" "Daddy!" "Daddy, please!" "Daddy!" "Sally, whatis the matter?" "I donlt want them to come anymore." "Who, Sally?" "The little things." "They live in the basement." "They gave me the silver dollar." "They said they wanted to be my friend." "But theylre horrible and mean." "You just had a nightmare." "Donlt say that!" "Itis okay." "My bear." "Look what they did to my bear." "Your dad tells me art is your favorite subject." "I wish I could draw." "Drawing is easy." "The other kids canit do feet and hands." "When you say 'Ithe other kids,'l do you feel theylre different from you?" "My doctor back home asked me that." "What was your answer?" "Okay." "Letls start with something easier." "Whatls your favorite color?" "What is that?" "Purple?" "Black." "How about these little things you saw?" "What do you think they are?" "Fairies." "Or gnomes." "But scary ones?" "And you say they know your name?" "They talk to you?" "Yes." "What do they say?" "They want to play with me." "is that all?" "They say my parents donlt love me." "Can I go now?" "Just a few more questions, okay?" "There is a lot of anxiety in that little girl and a deep belief that she's not wanted." "I believe thatls whatls triggering these fantastic episodes." "She told me she found a little tray filled with teeth right inside that fireplace." "Yeah." "She found a tooth, but that doesnlt mean anything, does it?" "Shels constructing this elaborate fantasy about wrinkles, claws, fangs." "Shels individuated each one of those things, her imaginary world, its inhabitants." "Itis as detailed as any live ever encountered." "What do we do?" "lid like to try her on a stronger medication, for a start." "llll ask her doctor in LA to send me a copy of her charts." "You call my office, make another appointment." "Okay, great." "Meanwhile, llll give you something to help her sleep." "lim going to be late. I canit believe it." "If we donlt get the extension on this loan, welre not going to get the paintings or the furniture back on time." "We forgot the invitations for the historical society." "Maybe we should just postpone the dinner." "Kim, it's architectural digest." "We have to get the house on the cover." "l know." "lf we donlt, lim never going to get my career back, and welre not going to sell the place." "How often have we talked about this?" "What about whatls been happening?" "Harris?" "That was an accident." "lim talking about Sally." "itis all in her head!" "Itis real to her. lt doesnlt matter if we see it." "Come on!" "Calm down!" "lim going to walk. ltlll be faster." "llll see you back at home." "lim not sure how lucid helll be." "Hels pretty heavily sedated." "Mr. Harris, I know this is difficult, but I need to understand something." "I need to know what Sally saw so that I can help her." "is she out of the house?" "No." "Out." "She needs to be out of there." "Why?" "Why was that room sealed up?" "Grandfather." "Your grandfather closed it up?" "Yes." "Why?" "After..." "After what?" "Blackwood." "What about Blackwood?" "Lot 1 1 34." "Public library." "get her out of the house." "The library will be closing in 15 minutes." "The library will be closing in 15 minutes." "Thank you." "Excuse me." "Can I help you?" "lim looking for the librarian." "Lot 1 1 34." "Emerson Blackwood, Special Collections." "One sec." "Right this way." "Canlt remember the last time anyone requested these." "Theylre beautiful." "lim a designer." "live been working at Fallen Mill." "Wow." "Now, thatis a privilege." "Personally, I think Emerson Blackwood rivaled Audubon." "Come across his mural?" "A mural?" "Where?" "There in the house, supposedly." "If you do, lid love to see it." "Hello?" "Now, itis pretty ironic, really." "For a committed realist, someone who insisted on drawing only from nature, to do these at the end of his life." "live looked at everything by Blackwood, and live never seen any of these." "You wouldnlt." "The family made it a restricted donation." "These may never be published." "ls it possible to get copies?" "llll see what I can do." "'lWrinkles, claws, teeth?" "'l" "Have you ever read Machen?" "Arthur Machen." "Welsh." "He believed in fairy folk, these ancient entities from the netherworld, predating mankind." "Blackwood quotes him extensively." "Here, that line." "There." "'lOne life must be taken.'l" "These creatures had to take one human life every time they emerged to replenish their ranks." "Many of these creatures fed on the bones, the teeth of young children." "And then thereis a truce, a pact of sorts, between Pope Sylvester ll and these ancient beings in the year 999." "In exchange for human teeth, they start leaving silver pieces under the pillow." "Now, this is the last known drawing by Emerson Blackwood, made shortly before his disappearance and the loss of his child." "His child?" "Blackwoodls only son vanished, lost." "Not long after, Blackwood himself disappeared without a trace." "No!" "No!" "No!" "Please!" "No!" "Sally, whatis wrong?" "Sally, open the door!" "Oh, my God!" "Dear, thank goodness youlre home." "Where is she?" "l put her to bed." "She wouldnlt stop screaming." "Sally?" "Kim!" "Shels not down here." "I think shels run away." "Shels done it before." "Once she tried to walk all the way back to LA from our family home in Boston." "I wouldnlt be surprised if thatls what shels doing." "I went and visited Harris today." "Blackwood had a son." "Did you know that?" "And when he was eight, he disappeared." "And Blackwood vanished a few days later." "Why are you telling me this?" "A lot of what Blackwood wrote at the end of his life, itis awfully close to Sallyls story, gnomes, creatures, all of it." "Kim, donlt tell me you believe this." "Something terrible happened in that basement." "We need to leave." "What are you talking about?" "Put a million miles between us and that house." "Every cent i have is in that house." "And youlre saying that we just walk away?" "I accept that my daughter has problems, okay?" "Thank you." "We all know that." "But they do not involve monsters in the basement." "There she is." "Come on, Sally." "Get in the car." "Sally, please, just tonight, and after the party welll talk, okay?" "Four, three, two and one." "There." "After the party, I will get you out of here." "No matter what. I promise." "Sally!" "No." "I took it from them." "You canit have this." "They stole it." "You donlt understand." "l need it to fight back." "Absolutely not." "Please!" "Nobody believes me." "Sally, I trust you, and you can tell me anything at all." "They donlt like bright lights." "Those things." "They donlt?" "Then I have a good idea." "Mr. Jacoby, I am so glad you could make it." "Alex, call me Charles." "Charles." "My wife, Evelyn." "Hello, Alex." "Itis a pleasure." "Come on in." "The house looks absolutely fantastic." "Youlve done a remarkable job." "Well, thank you." "Weld love the nickel tour." "Of course." "Thatls the whole point." "The foyer, obviously." "The mahogany, we shipped from the very same vendor that Blackwood used in London." "Itis been in business since 1 865." "You know Bill from the heritage board." "Easy, Sally." "Not everybody wants to have their photograph taken." "So, Alex, whereis Kim?" "I think shels still upstairs." "Why donlt you step into the library, grab a drink, and llll join you in a moment." "Kim, hey, whatis going on?" "Her drawings." "Theylre exactly Blackwoodls sketches." "Yeah, lim sure she probably saw your photographs and copied them." "No, she didnlt." "Kim, please, Jacobyls here." "Alex, this is your daughter!" "l know." "This is serious!" "Just because you keep denying it does not mean" "itis not happening." "Kim, I canit do..." "Excuse me, Mr. Hurst." "When should we serve dinner?" "Ten minutes, please." "Kim, everybody is waiting." "Will you come downstairs?" "We can talk about this later." "No." "l have proof, Dad." "Look!" "Not now, honey." "Please!" "Not now." "Come on!" "Welcome, everybody." "Please, have a seat." "If I could just say a few words to all of you friends of Fallen Mill, both big and small." "Thank you forjoining us this evening." "It means a great deal to us." "Every aspect of this restoration has followed the exact specifications and materials used in the original construction of the house, including the wood assembling techniques, the layout in the kitchen, even the lacquering process for all the timber." "Itis something Kim and I are very proud of, and lim sure all of you, with your vast array of expertise, will appreciate the attention to detail." "The art you see on the walls, the friezes, even the furniture that youlre sitting on, has all been meticulously chosen, reassembled or restored, depending on its condition, to, I think, truly represent the essence of the Blackwood collection." "So, thank you to the heritage board for their assistance, and to the historical society," "and, of course, to our guest of honor, Charles Jacoby." "Your interest in our projects is nothing short of inspirational." "So, thank you." "And finally, to the house itself." "May its newly restored life be long and happy." "I guess not everybody is a fan of tonightls menu." "Poor Sally." "No one believes you." "What do you want?" "Please just tell me what you want!" "We want you!" "Daddy!" "Daddy, please!" "Daddy!" "Sally?" "Daddy!" "Sally?" "Daddy, theylre in here!" "Open the door!" "Charles." "Whatls going on in there?" "No!" "Get off of me!" "Stop it!" "Sally!" "Sally." "Sally." "Look at me." "Sally, look at me." "Look at me." "Picture, I took a picture." "l think we better call it a night." "l think we should." "Itis okay. itis okay." "Alex, can I talk to you?" "I feel like I have no idea what to do." "I love my daughter, Kim," "and I love you." "I love you, too." "We should go, right?" "llll get Sally ready." "llll get the car." "Will you put this in the car?" "Yeah." "Kim?" "Hi." "Where are we going?" "Welre going to go to a hotel downtown." "Welre going to get you out of here." "Alex?" "Itis okay, itis okay." "A life will be taken." "One life must be taken." "A life will be taken." "One life must be taken." "Sally." "Sally!" "Childls teeth!" "Kim?" "Daddy?" "Kim?" "Kim!" "Kim!" "Please." "Kim." "Wake up, please!" "Wake up, Kim." "Wake up, Kim." "Wake up, Kim." "Wake up, Kim." "Wake up, Kim." "The key." "The key." "Kim, please!" "Daddy!" "No!" "Kim!" "Kim, please!" "Sally?" "Sally?" "Sally!" "Kim!" "Let go of me!" "Donlt make me go in there!" "Kim!" "Please!" "Kim?" "Please, Kim!" "lim here, Sally!" "No, please!" "Sally!" "Kim?" "No!" "Go away!" "Hold on!" "Hold on!" "I got you." "Keep them away, Sally." "Use the light." "Use the light." "Kim!" "Get him." "No!" "Please!" "Get away from me!" "Get off of me!" "When I cut this rope, Sally, you run!" "Please!" "You run!" "You got that?" "No, what about you?" "No!" "Please!" "Be strong." "Kim!" "No!" "Sally?" "Sally, are you okay?" "Sally." "Alex?" "Kim!" "Dad?" "Daddy?" "Daddy." "Please!" "Thatls far enough, Sally." "I love you, Kim." "They will find us." "They will find us and hurt us." "We must fight." "No, we will go deeper, and we will wait." "They will forget, and others will come." "When will they come?" "When will we get them?" "Soon, soon." "We have all the time in the world." "Yes." "All the time in the world."