"♪♪♪" "HERE, bessie." "COME ON, bessie." "COME ON ." "GO GET YOUR stick." "CHUCK!" "COME ON, bessie." "[Man] CHUCK!" "COME ON ." "YOU READY?" " YOU ALL SET?" " YEAH, I TH ink SO." "It'LL ALL BE HERE WHEN YOU GET BACK." "I KNOW." "YOU'RE NOT having SECOND THOUGHTS?" "NO." "WHY?" "It'S A YEAR OF YOUR life." "AND TH is OCEAN ACADEMY isn'T RECOGN ized AS accredited." " BY YALE." " BY ANY Ivy LEAGUE SCHOOL." "YOU CAN'T AFFORD TWO OF US AT YALE OR BROWN" "OR ANY Ivy LEAGUE SCHOOL, ANYWAY, DAD." "YOUR BROTHER GOT A SCHOLARSH ip, AND YOU KNOW YOU'D GET ONE TOO." "I'M NOT H im!" "I JUST DON'T CARE ABOUT THAT STUFF right NOW." "It'LL BE A GOOD TH ing, DAD." "[Horns Honking]" " HERE." " THANKS, MOM." " YOU HAVE EVERYTH ing?" " YES." " PASSPORT?" " l'LL BE fine, MOM." "WHY DO YOU LOOK SO DOWN?" "TH is is YOUR DREAM COME TRUE." " THAT'S NOT WHY HE'S letting ME GO." " OF COURSE it is." "NO. lT'S BECAUSE HE HOPES it'LL LOOK GOOD ON MY RECORD." "WELL." "either WAY, YOU'RE going." "besides, HE WOULD'VE LOVED TO HAVE BEEN ABLE TO DO TH is." " THEN WHY didn'T HE?" " HE NEVER HAD THE OPPORTUN ity." "It HASN'T BEEN EASY FOR H lM, BOTH H is BOYS going OFF AT THE SAME time." "ALL right." "TH is is YOUR BUS ticket TO Idlewild." " sir?" " JUST TH is ONE." "AND, UH, TH is will GET YOU FROM Idlewild TO miami ." "TH is is YOUR PLANE TlCKET" "DAD?" "I'LL BE OKAY." "REALLY." " MAKE US PROUD, SON ." " OKAY." "[Chuck Narrating] TODAY THE ADVENTURE begins." "I'VE given UP MY LAST YEAR OF H igh SCHOOL TO join THE CREW" "OF THE brigantine SCHOOL SH ip, ALBATROSS," "TO sail HALFWAY AROUND THE WORLD AND BACK." "DAD'S MADE ME promise TO KEEP A JOURNAL." "It'S like A CHORE, BUT it'S PART OF THE DEAL I HAD TO MAKE." "BECAUSE TODAY, I LEAVE THE PATH THAT HE HAD CHOSEN FOR ME" "AND instead TAKE MY OWN ." "♪♪♪" "ALBATROSS?" "YEAH ." "ROBERT MARCH ." "WHO THE HELL ARE YOU?" "UH, GlEG, CHUCK." "[Singing Hymn]" "GlEG CHUCK?" "WHAT ARE YOU, A native OR SOMETH ing?" "NO, it'S JUST CHUCK." "HEY, JOHNSTONE, I'M surprised TO SEE YOU HERE" "AFTER THE OLD BOWSPRlT affair." "YEAH, WELL l'M BACK FOR SOME MORE." "[Robert] listen TO TH is, MAN ." "ROMEO HERE WAS going AT it with SOME LOCAL girl in THE J lBSHEET." "AFTER THE DEED WAS DONE." "WHOA." " HEY, HE SAYS THEY did THE DEED." " TRUST ME." "WE did THE DEED." "ALL right, MAN ." "AFTER THE ALLEGED DEED WAS DONE, THEY FELL ASLEEP." "MR. McCREA WALKS ON DECK AND HEARS CASANOVA sawing LOGS." "HE CALLS THE WHOLE CREW ON DECK, UP GOES THE J lb" "AND OUT ROLL TOD-O AND THE girl NAKED AS GODDAMN" "ADAM AND EVE, I SWEAR." "WHOA, HERE WE ARE, GUYS." "HOME, SWEET HELL ON WATER." "[Tod] WHOO-HOO!" "[Dog Barking]" "SMOKED fish, SMOKED fish ." "[indistinct Talking]" "LET'S GO." "I give YOU ONE DOLLAR FOR EVERY fish ." "NO, NO." "WHAT HAPPENED TO it?" "SHE CLEANS UP." "WE'LL HAVE HER SH lPSHAPE BEFORE SHE SHOVES OFF." "[Robert] COME ON ." ""NOW WOULD I give A THOUSAND FURLONGS OF SEA" ""FOR AN ACRE OF BARREN GROUND." "OH, SH it." ""LONG HEATH, BROWN FURZE, ANYTH ing." "will ABOVE BE DONE." "BUT I WOULD fain die A DRY DEATH ."" "[Laughing] REMEMBER?" "HELLO, ROBERT." "EXCUSE ME, sir, BUT WHAT'S THAT SUPPOSED TO MEAN?" "It'S SHAKESPEARE, TOD." "THE TEMPEST, ACT ONE, SCENE ONE." " l SUGGEST YOU READ it." " YEAH, AND WHY is THAT?" "BECAUSE it'S THE SONG YOU'LL ALL BE singing WHEN WE PUT OUT TO SEA." "ARBEDAR!" "ARBEDAR." "OH, GEEZ, MAN ." "I FORGOT ABOUT H lM." " WHERE ARE YOU FROM, ROBERT?" " CALlFORN lA, MAN ." "HAVE A SMOKE." "HOW YOU doin'?" "ROBERT MARCH ." "DEAN PRESTON ." " H I, MY NAME is gli martin ." " H I ." "CHUCK GlEG." "THAT'S MY BROTHER." "HE'S DEAD." "I'M going TO TAKE TH is ONE." "WELL, in CASE YOU HAVEN'T noticed, it'S ALREADY BEEN TAKEN ." "WHAT'S WRONG with THAT ONE?" "WHAT?" "I'M SURE it'S JUST AS COMFORTABLE AS TH is ONE is," "BUT I GET NOSEBLEEDS, SO" "DOES ANYONE HAVE A PROBLEM with THAT?" "DO YOU?" "ABSOLUTELY NOT!" "OKAY, GUYS, listen UP." "SHAY JENN ings, first MATE OF THE ALBATROSS." "TH is HERE is DR. alice SHELDON ." "I'M SH ip'S SURGEON ." "I'M in CHARGE OF YOUR ACHES AND pains." "AND I TEACH biology, MATH AND science." "GlRARD PASCAL HERE is THE SH ip'S COOK." "YOU WANT TO KEEP ALL YOUR fingers, HUH?" "STAY THE HELL OUT OF MY GALLEY UNLESS YOU'RE invited" "AND YOU HAVE CLEAN HANDS." "SOME OF YOU ALREADY MET MR. McCREA." "In CASE YOU HAVEN'T figured it OUT, HE TEACHES english ." "SO WHEN THE HECK DO WE GET TO MEET EL capitan, HUH?" "MAYBE HE'S gettin' H is WOODEN LEG WAXED." "[Shay] skipper ON DECK!" "HELLO." "[Shay] ON YOUR FEET, GENTLEMEN ." "COME ON, LET'S GO!" "martin ." "PRESTON ." "JOHNSTONE." "LAPCH lCK." "GET rid OF it, MARCH ." "DOWD." "FLAMBERG." "BURROWS." "GlEG." "YOU'RE GONNA WANNA LOSE THAT." " WHO'D I miss?" " BEAUMONT, sir." "HE'S NOT HERE YET." "THE SH ip BENEATH YOU is NOT A TOY," "AND sailing'S NOT A GAME." "THE ALBATROSS will TAKE US FAR, GENTLEMEN," "BUT SHE DEMANDS CONSTANT attention ." "RESPECT THAT, AND WE'LL DO fine." "[Skipper] ONE MORE TH ing." "NOTH ing HAPPENS ON TH is SH ip THAT I DON'T KNOW ABOUT." "SHE SPEAKS TO ME in THE N ight, SO DON'T TEST ME." "NOT EVEN A little." "[Bell Ringing]" ""NO MAN is AN island, entire OF itself." ""AND THEREFORE NEVER SEND TO KNOW FOR WHOM THE BELL TOLLS." "It TOLLS FOR THEE." JOHN DONNE." "I'LL SEE YOU ON DECK." "LET'S GO!" "[Shay] ALL right!" "COME ON, ROLL OUT, sailors." "ALL HANDS ON DECK." "sixty SECONDS." "THAT'S ONE minute, JOHNSTONE." "[Shay] GO, GO, GO!" "OKAY, LET'S RUN ." "RUN!" "COME ON, RUN, RUN, RUN ." "GUYS, line UP single file, PLEASE." "single file." "OKAY, EVERYBODY, swim!" " WHOO!" " GUYS, I'M NOT joking." "into THE WATER." "[Shay] I'M NOT joking, BOYS." "COME ON, into THE WATER." "LET'S GO!" "LET'S GO!" "EVERYONE." "GO, GO, GO!" "HEY, PRESTON, WHAT'S THE MATTER NOW?" "COME ON, EVERYONE swims." "I DON'T." "YOU will if YOU WANT TO EAT." "YOU GONNA swim FOR YOUR BREAKFAST, YOU little WEASEL?" "GO FOR it, MAN!" " ALL right." " COME ON, YOU sissy, GO!" "[Tod] LET'S GO, YOU little MONKEY." "COME ON, SHAY!" "[Dean] MOVE lT, YOU MAGGOT!" "SHOW 'EM WHAT YOU'RE MADE OF!" "[Bird Caws]" "YEAH!" "[Cheering] N lCE dive!" "WHOO!" "NOT TOO BAD." "ALL RlGHT. I'VE BEEN in twice." "SO, WHAT'S it GONNA BE?" "[Rooster Crows]" "I'VE GOT five BUCKS THAT SAYS HE DOESN'T." " l GOT TEN SAYS HE DOESN'T live." " l'LL TAKE A DOLLAR OF THAT." " JESUS." " l CAN'T WATCH TH is." "SHH ." "AY ." "[Cheering]" "[Cheering Continues]" "skipper ON DECK!" "YOU KNOW WHAT'S OUT THERE?" "wind AND rain AND SOME DAMN big WAVES." "REEFS AND ROCKS AND SANDBARS" "AND ENOUGH FOG AND N ight TO H ide it ALL." "SO WHY THE HELL DO it, THEN?" "BU lids CHARACTER, MR. PRESTON," "OF WH ich YOU ARE in DESPERATELY SHORT SUPPLY." "THE kind YOU ONLY find ON mountaintops AND DESERTS," "ON battlefields AND ACROSS OCEANS." "N Ice dive, PRESTON ." "If WE DON'T HAVE ORDER, WE HAVE NOTH ing." ""WHERE WE GO ONE, WE GO ALL."" "[Ringing]" "[Chuck Narrating] SOME OF US ARE HERE FOR discipline, SOME FOR ESCAPE." "AND THE REST DON'T EVEN KNOW WHY." "I'M NOT SURE WHERE l fit in, BUT I CAN SEE A SMALL piece OF MYSELF in EACH OF THEM." "I TH ink I'LL HAVE friends HERE, AND I HOPE TH is will BE HOME." "WHAT ARE YOU looking AT?" "HMM?" "WHY'D YOU JUMP?" "'CAUSE I FELT like it." "It WAS SO H igh, YOU KNOW." "LET ME TELL YOU SOMETH ing." "AS SOON AS YOU GROW SOME BALLS, DOUGHNUT," "LET ME KNOW AND I'LL TELL YOU ALL ABOUT it." "I THOUGHT it WAS A PRETTY stupid STUNT MYSELF TOO." "WHAT WAS THAT?" "YOU HEARD WHAT I said." "[Grunts]" "DON'T EVER CALL ME stupid." "[Tracy Whimpers, Groans]" "HE didn'T MEAN it." "[Gasping, Panting]" "LET ME TELL YOU girls SOMETH ing." "I DO WHAT I WANT TO DO WHEN I WANT TO DO it," "AND I DON'T give A DAMN WHAT SOME AHAB UP THERE SAYS otherwise." "♪♪♪" "WELL, if it ain'T HOWARD HUGHES COME TO FLY ME HOME, BOYS." "[Shay] THERE YOU GO." "THAT'S it." "NO, USE YOUR--USE YOUR WHOLE HAND, WHOLE HAND." "WHAT'S THE MATTER with YOU?" "THE OTHER WAY." "AHOY THERE!" "GOOD AFTERNOON!" "[Chuckles]" "ALBATROSS, HUH?" "[Chuckling] DOESN'T inspire A LOT OF confidence, DOES it?" "ON THE CONTRARY, THE ALBATROSS is considered A VERY GOOD OMEN ." "LEGEND HAS it THEY EMBODY THE spirits OF LOST sailors." "ONLY BAD LUCK lF YOU kill ONE." "[Man] I'M NOT interested in LEGENDS." "francis BEAUMONT." "THAT'S MY SON BEH ind YOU ." "FRANK." " FRANK." " sir." "YOU'RE A DAY LATE." "WE KEEP A SCHEDULE ABOARD SH ip." "lives DEPEND ON it." "YOUR CABLE said YOU WOULD NOT BE putting OUT until LATE OCTOBER." "AS YOU CAN SEE, THERE'S A LOT OF WORK TO DO." "MM-HMM." "Indentured servitude is NOT WHAT MY SON HAD in mind." "TH is is A working SH ip." "PROMPTNESS is NOT A LUXURY, it'S A necessity," "AS is THE WORK TO maintain HER." "YOUR SON will DO H is PART if HE WANTS TO STAY ON BOARD." "I'LL BE HONEST with YOU ." "TH is WAS H is MOTHER'S idea." "A ROMP THROUGH THE caribbean SOUNDS MORE like A holiday" "THAN AN education, if YOU ASK ME." "It will BE MORE THAN THAT, I CAN promise YOU ." "ALL right." "YOU TAKE GOOD CARE OF MY SON ." "[Francis] HE'LL NEED A HAND with THAT." "It'S HEAVY." "WELL, FRANK." "WE'LL DO OUR BEST." "ALL right, TAKE H im BELOW, SHAY." "sing ALONG." "GO!" "♪ ME WAY, HEY, HEY, YA ♪" "YOU GOT it." "HE'S GOT it." "ATTA BOY!" "HEAD UP, EYES UP." "THEN THE LEG." "KEEP moving UP." "LOOK UP WHEN YOU'RE going UP." "NOT SO FAST, FRANK." "THAT'S it!" "KEEP YOUR ARMS straight, SHOULDER LENGTH ." "[Alice] OKAY, NOW I WANT YOU OUT ON THESE SPARS" "BUT I DON'T WANT YOU TO RELEASE THE GASKETS until I TELL YOU ." "THAT'S GOOD." "JUST KEEP YOUR BACK inside THE BACKROPE." "OKAY, NOW REMEMBER, THESE ARE THE sails." "THEY CAN SH ift." "THEY'RE NOT LOCKED." "AVAST hauling." " OVER." " STOP!" "GENTLEMEN, WHEN YOU HEAR AN ORDER, SHOUT it OUT!" "I WANT TO KNOW YOU'VE HEARD AND UNDERSTAND." " SET THE main ." " SET THE main!" "[Together] SET THE main!" "SET THE main!" "main!" "[McCrea] HEAVE!" "HEAVE!" "[Screams, Gagging]" "SHAY!" "skipper!" "skipper!" "[Gagging]" "GET H im!" "GET H im!" "SOMEBODY, GET TO H lM!" "EXCUSE ME!" "[Gagging]" "COME HERE!" "AAH ." "PUT YOUR FEET ON HERE." "[Panting]" "ALL right, COME ON ." "WATCH YOURSELF NOW." "OKAY, TAKE it EASY." "ARE YOU ALL right?" "[Coughing] YEAH ." "HUH?" "It WAS MY FAULT." "I WAS REACH ing FOR THE" "WHY didn'T YOU climb UP THERE, SON?" "SPEAK UP." "'CAUSE HE'S afraid TO climb." "is THAT TRUE?" "SHAY, WHY WASN'T I MADE AWARE OF TH is?" "It'S YOUR JOB TO KNOW!" "If SOMETH ing GOES WRONG UP THERE, THE OTHER 1 6 PEOPLE ON BOARD" "CAN'T BE wondering if HE'S going TO DO H is JOB OR NOT." " swing UP, SON ." " WHAT?" "UP YOU GO right NOW." "[Snickers]" " YOU GOT SOMETH ing TO SAY?" " NO." "THEN KEEP YOUR MOUTH SHUT!" "It TAKES discipline TO MAKE it OUT HERE." "THERE ARE NO special CASES." " NOW, WHAT'S it GONNA BE?" " l'M SORRY." "SORRY'S NOT GONNA CUT it." "NOW, GET UP THERE!" "GET goin'!" "THAT'S it." "ONE HAND in FRONT OF THE OTHER, SON ." "WE'LL DO it TOGETHER." "AND DON'T LOOK DOWN ." "YOU LOOK in MY EYES." "LOOK in MY EYES!" "climb." " COME ON ." "WE'LL DO it TOGETHER." " l CAN'T." "YOU climb, DAMN it!" "[Screaming] THAT'S it." "[Screaming Continues]" "ARE YOU hating TH is?" "HUH, ARE YOU?" "I HATE YOU, YOU SON OF A bitch ." "GOOD!" "GOOD!" "HATE YOUR WAY UP ANOTHER RUNG." "DO It right NOW!" "[Screaming]" "[Both Screaming]" "[Whimpers]" "ALL right, ALL right." "ALL right, COME DOWN ." " OH, GOD." " STAY THERE." "YOU'RE ALL right." "THAT'S it." "[Skipper] COME ON ." "THAT'S it." "It'S ALL right." "[Crying]" " lT'S ALL right." " l'M SORRY." "[Crying] I'M ONLY going TO SAY TH is ONE time." "I'M NOT HERE TO wipe YOUR NOSES AND YOUR ASSES." "I'M NOT YOUR MOTHER." "HE CAN TAKE CARE OF H lMSELF." "[Crying]" "ARE THERE ANY OTHER phobias I NEED TO KNOW ABOUT?" " NO, sir." " EXCELLENT!" "SHAY, find MR. martin A position TO SU it H is condition ." "AND REMEMBER SOMETH ing." "SOONER OR LATER, WE ALL HAVE TO FACE it." "[Bell Ringing]" "HEY." "WE'RE AWFULLY QU iet TON lGHT." "SOMETH ing ON YOUR mind, GlRARD?" "I TH ink YOU WERE TOO TOUGH ON martin ." " YOU DO, HUH?" " YES, I DO." "THEY'RE GREEN, ALL OF 'EM, AND FULL OF THEMSELVES." "THAT'S A DANGEROUS combination ." " HE pissed ON H is PANTS." " MMM, AND ALL OVER ME." "WHAT DO YOU CALL THAT?" "humiliation train ing?" "BECAUSE I'M PRETTY familiar with psychological THEORY." "THERE'S NOTH ing I'VE READ" "WHAT YOU DO, YOU TRAUMATlZE THE KlD" "THE point is!" "WE'RE AS STRONG AS OUR WEAKEST link." "I DON'T WANT TO find THAT OUT THE HARD WAY." "SO I will CHALLENGE THEM AS will YOU ." "AND THEY will COME TOGETHER." "AND I DON'T CARE if THEY like ME OR NOT." "DOES THAT APPLY TO THE STAFF, TOO, sir?" "I'LL TELL YOU WHAT, GlRARD." "I'LL STAY OUT OF YOUR GALLEY, YOU STAY OFF MY POOP DECK." "WE'LL GET ALONG fine THAT WAY." "otherwise, it'S going TO BE A LONG ride." "I WANT A HEAD COUNT WHEN THEY'RE in THE RACKS." "WE'RE putting OUT in THE MORN ing." " GOOD N ight." " GOOD N ight, skipper." " GOOD N ight, alice." " GOOD N ight." "[Swearing ln Spanish]" "[Sighs] I'VE SEEN H lM SNATCH THE tail OF A TEMPEST AND STUFF it" "screaming into A BOTTLE." "THE bilges ARE FULL OF 'EM." "McCREA, WHAT DO YOU MEAN BY THAT?" "HE'S BEEN BEYOND THE REACH ." "HE'LL DO WELL BY US ALL, GlRARD." "HE'S A REAL SALT." "GOT ONE FOR ME?" "NO, THESE I paid TWO DOLLARS FOR..." "HAVANA." "OH!" "♪♪♪" "HOW YOU doin'?" "LOOK, I appreciate, YOU KNOW, YOUR CONCERN AND ALL." "BUT, UH, like skipper said, I CAN TAKE CARE OF MYSELF." "I KNOW." "JUST BROUGHT YOU A COKE." "♪♪♪ I FEEL like I GOT YOU into TH is." "FORGET it." "MY OWN BROTHER AND I USED TO climb TO THE TOP" "OF TH is OLD BEECH TREE in THE BACKYARD AND WATCH" "THE SUN GO DOWN like TH is." "MY, UM, PARENTS, THEY'D, UH, THEY'D fight A LOT," "SO WE'D SNEAK OUT THERE WHERE WE COULDN'T HEAR 'EM." "DO YOU believe I miss it?" "I MEAN, ALL THE CRAP I HAD TO PUT UP with AT HOME AND I'M still homesick." "WELL, I WOULDN'T WORRY." "I'M SURE THEY'LL HAVE SOME fight LEFT in 'EM BY THE time WE GET BACK." "THAT'S A FACT." "[Chuck Narrating] AND SO it WAS THAT AFTER WEEKS OF train ing" "with THE hurricane SEASON BEH ind US," "THE ALBATROSS TOOK TO THE OPEN SEA." "In EACH OF US WERE feelings OF excitement AND hesitation" "FOR THE MAN AT THE HELM AND THE unfamiliar WORLD" "HE WOULD BE leading US into." "[Skipper] GlEG." "COME HERE." "TAKE THE WHEEL." "C'MERE." "HOLD HER STEADY into THE wind." "SOUTHWEST BY WEST." "YES, sir." "AH, holding HER STEADY SOUTHWEST BY WEST sir." "♪ in SOUTH australia 'ROUND CAPE HORN ♪" "WHAT'S WRONG, MR. McCREA?" "SEEMS like WE'RE SHORT ON singers, skipper." "EVERYONE sings ABOARD A windjammer, GENTLEMEN ." "LETS EVERYONE KNOW YOU'RE in SYNC." "It SHOWS UN ity, THAT ALL THOUGHTS ARE ONE." "besides, I like it." "♪ HEAVE AWAY, YOU rolling kings HEAVE AWAY, HAUL AWAY ♪" "♪ HEAVE AWAY YOU'LL HEAR ME sing ♪" "WE'LL BEAR OFF TO PORT AND RUN downwind." "OKAY, MR. McCREA, STAND BY TO EASE THE main SHEET." "[Shay] ROBERT, GET ON THE J lBSHEET." "FALL OFF TO PORT." "EASE HER AROUND TO A heading OF NORTHEAST." " sing OUT WHEN YOU'RE THERE." " YES, sir." "[Shay] ALL right, STAND BY TO LOOSE THE SQUARES." " NORTHEAST, sir." " SPEAK UP, BOY!" " NORTHEAST, sir!" " LOOSE THE SQUARES!" "[Tod] LOOSE THE SQUARES!" "LOOSE THE SQUARES!" "[Shouts]" "ALL right, LOOSEN THOSE GASKETS." "ALL THE OTHER sails UP." "WHAT'S taking SO LONG, HUH?" "KEEP YOUR EYE ON THE PENNANT, CHUCK." "If YOU J lb NOW WE'LL HAVE PEOPLE in THE WATER." "[Chuck] YES, sir!" "[McCrea] STORM AT SEA!" "ALL STOP ON THE engine." "[Bell Ringing]" "♪♪♪" "BEHOLD THE POWER OF THE wind." "[Bell Ringing]" "skipper, THE CREW is doing GROUP BOOT OVER THE side." "[McCrea] ALL right, KEEP it OVER THE side." "THAT'S it." "COME ON ." "OKAY." "WHOA, BOY." "WATCH YOUR STEP." "SHOULD WE TURN AWAY?" "YOU CAN'T RUN FROM THE wind, SON ." "YOU trim YOUR sails, FACE THE music, AND KEEP going." "TH is GUY'S certifiable." "NO, HE'S SU lClDAL, MAN ." "WE WON'T HAVE ANY CREW LEFT, skipper." "EXCELLENT point!" "HOW'D YOU like TO HAVE TO BET ON TRACY HERE getting US HOME TODAY?" "EACH ONE OF YOU is responsible FOR THE REST." "It'S UP TO YOU ." "NOTH ing like A little experience TO PUT TH ings in perspective, HUH?" "I WANT YOU ALL TO MAKE SURE YOUR GEAR is STOWED." "McCREA, YOUR TEAM will STAND WATCH ." "EVERYONE ELSE H lT THE RACK." "[Frank] HEY, skipper?" "listen, I'M NOT staying OUT HERE, OKAY?" "ROBERT, TAKE H is PLACE." "ROBERT, I GOT AN idea." "WHY DON'T YOU HELP ME SWAB THE DECKS?" "[Shay] STAND BY TO GO ABOUT." "OH, GOD." "WATCH YOURSELF." "GET in YOUR BUNK." "[Frank] CHECKED OUT." "[Boys Grunting, Groaning]" "[Bell Ringing]" " HARDEN UP THE main staysail." " AYE, skipper." "HARDEN UP THE main staysail." "WHOA!" "JESUS!" "skipper!" "skipper, THE J lb'S BLOWN OUT!" "bring it in AND RUN UP THE STORM J lb." "STAY OUT OF REACH OF THE BLOCKS!" "[McCrea] HAUL ON THE DOWN HAUL." "LET GO OF YOUR SHEETS." "HOLD ON TO YOUR CLEWS AND BLOCKS." "WELL, WE'RE in it NOW." "[Alice] LOOK OUT!" "WHOA!" " WHAT DO WE DO?" " GET BLOCK AND TACKLE!" "I'LL GO TO BLOCK AND TACKLE." "ROBERT, HERE." "HOLD ON, DEAN ." "I'M going in ." "[McCrea] GET H im." "EASY OVER, alice." " HOLD HER STEADY!" " holding HER STEADY, sir!" "[McCrea] YOU ALL right?" "HANG ON, DEAN!" "MORE line!" "HOLD ON!" "GRAB THE line!" "NOW THE LADDER." "[Yells] AH!" "ALL right, TAKE it." "COME ON in, DEAN ." "swing AROUND, ALL right?" "COME ON ." "YOU ALL right?" "[McCrea] THERE YOU GO." "THERE YOU GO, ALL right." "[Robert] YOU ALL right?" "N Ice dive, PRESTON ." "YOU ALL right?" "[Skipper] NOW YOU GOT SOMETH ing TO write HOME ABOUT." "LEAVE MY wife ALONE AND GO in AND GET WARM." "ALL right, LET'S bring HER in AND RUN UP THE STORM J lb." "LET'S bring THE STORM J lb UP." "LET'S GO." "♪♪♪" " N lCELY DONE." " THANK YOU, sir." "YOU'RE enjoying TH is." "YES, sir." "[Chuck Narrating] THE SEAS LASTED 1 6 HOURS" "AND WHEN WE WEREN'T throwing UP, it SCARED THE HELL OUT OF US." "skipper NEVER LEFT THE DECK." "NOT ONCE." "I TH ink HE LOVED EVERY minute OUT THERE." "HE'S STRONG, TOUGH, AND HE WON'T TAKE NO FOR AN ANSWER." "BUT HE MAKES YOU WANT TO PLEASE H lM." "I WONDER if WE'LL EVER live UP TO H is expectations." "[Whimpering] HELP ME!" "GlL, HEY, gli." "WAKE UP!" "WAKE UP, WAKE UP!" "HEY, HEY, EASY, EASY." "[Panting] lT'S OKAY." "[Panting] YOU'RE OKAY." " l WAS falling." " lT WAS JUST A BAD DREAM." "It WAS SO REAL." "HERE'S THE TH ing." "WHENEVER YOU'RE having A N lGHTMARE like THAT" "AND YOU CAN'T GET OUT OF it, ALL YOU HAVE TO DO is SAY," ""ONE, TWO, THREE, WAKE UP."" "ONE, TWO, THREE, WAKE UP." "THAT'S it, AND YOU JUST COME OUT OF it." " WHO TOLD YOU THAT?" " MY DAD." "It'S THE ONLY GOOD advice HE EVER GAVE ME." "[Chuck] lS THAT HOW HE died?" "HE FELL OUT OF THE BEECH TREE in THE BACKYARD," "AND UM, BROKE H is NECK." "I WAS ON A CAMP OUT AWAY FROM HOME." "l" "THEY MUST'VE BEEN going AT it," "YOU KNOW, throwing TH ings, PUSH ing." "[Gil] A REAL KNOCKDOWN ." "THEY didn'T find H im until THE NEXT MORN ing." "THEY didn'T EVEN KNOW WHY HE WAS UP THERE." "[Sobbing]" "YOU NEVER TOLD THEM WHY HE WAS THERE?" "[Sighs] I COULDN'T." "I COULDN'T." "[Skipper] REMEMBER, BE BACK BY 7:00 P.M." "WE GOT A SHALLOW REEF TO CROSS, AND I'M NOT going TO wait." "[Chatting]" "I COULD GO FOR THAT in A HEARTBEAT." "YEAH, MAN, THAT WAS A MATCHED SET FOR SURE." "YOU'RE GONNA BE paying FOR it, BECAUSE SHE'S A professional, BOYS." "YEAH?" "HOW DO YOU KNOW?" "'CAUSE I KNOW, MAN ." "I KNOW." "NOW believe ME, I KNOW." "I'LL TELL YOU WHO'S GOT SOME N lCE ONES." "WHO?" "DR. alice SHELDON, THAT'S WHO." "[Frank] OH, YEAH?" "HOW THE-- HOW DO YOU KNOW THAT?" "DOGWATCH, N ight AFTER THE STORM, I'M looking in THE skipper'S skylight." "AND THERE THEY WERE, doing THE NASTY DANCE." "[Frank] YOU JUST HAPPENED TO BE standing THERE?" "[Gil] WHAT'D THEY LOOK like?" "WHAT?" "YOU KNOW, HER, UH, HER HOOTERS." "COME ON, MAN, YOU SOUND like YOU NEVER EVEN SEEN A pair." "SHUT UP. I'VE SEEN 'EM." "WELL, EVEN considering THAT SHE'S 30, BONER city, FELLAS." "NO foolin', MAN?" "BUT, seriously, WHAT'D THEY LOOK like FOR REAL?" " YOU'RE A DAMN virgin, AREN'T YOU?" " NO." "[Laughing]" "♪♪♪" "COME ON, give ME WHAT YOU GOT." "WHAT YOU GOT THERE?" "HERE YOU GO." "THAT'S A DOLLAR." " TOD?" " A DOLLAR FROM ROBERT." " LET'S GO." " YEAH, ALL right." "[Dean] TH is isn'T ENOUGH ." "COME ON, TH is is pathetic." "YOU GOT SOMETH ing, BEAUMONT?" "I'M NOT GONNA SPEND MY MONEY SO gli CAN GET H is CHERRY BROKEN ." "DADDY'S MONEY." "ALL right, DADDY'S BOY, DADDY'S BOY." "HOLD THAT, GlEG." "WE'RE GONNA spin FOR it THEN, JUST TO MAKE MR. DADDY'S BOY HAPPY." "ALL right?" "HERE YOU GO." "THE winner GETS A 1 5-MlNUTE HONEYMOON ." "GATHER 'ROUND." "[Cheering, Laughing]" "[Dean] ALL right, GO GET 'EM, tiger!" "HEY, MAN ." "[Boys Chatting, Laughing]" " l GOT SEVEN DOLLARS." " YOU MUST BE in A HURRY." "COME ON ." "MONEY?" "OH, right." "wait HERE." "OKAY." "OKAY." "HEY, FRANK, WHAT'S taking YOU SO LONG?" "WE'RE waiting ON YOU, BRO." "LET'S GET OUTTA HERE." "HEY, FRANK!" "[Door Opens]" "H I, BABY." "UM..." "WHAT YOU waiting FOR?" "WHOA!" "WHOA!" "[Laughing] HEY, WHAT HAPPENED?" "NOTH ing, NOTH ing HAPPENED." "ALL right?" "[Boys Laughing]" "WHY NOT?" "OH, I DON'T KNOW." "LET'S SEE." "PERHAPS BECAUSE SHE WAS OLDER THAN MOSES?" "YOU OWE US SEVEN BUCKS." "YOU SET ME UP." "ALL right?" "YOU SET ME UP." "DON'T LOOK AT ME, BUDDY." "YOU'RE THE ONE with THE" "SEE YOU LATER, LlMPDlCK!" "[Chuck] I RAN OUTTA THERE." "I TURNED AND RAN AND SLAMMED THE DOOR BEH ind ME." "MY PARENTS DON'T DO it ANYMORE." "[Laughing]" "THEY DON'T. I SWEAR." "MY PARENTS DON'T DO it ANYMORE." "THEY TELL YOU THAT?" "NO. I figured it OUT." "[Bell Ringing] WHAT time is it?" "[Chuck] WHAT time is it?" "OH, SH it, MAN!" "[Bell Ringing]" "[Chuck] WHERE is it?" "JESUS H ." "christ." "[Tod] YOU GUYS, WE'RE SCREWED." "I KNEW WE SHOULDN'T'VE GONE." "I KNEW it." "SHUT UP!" "YOU SOUND like MY sister." "HOW THE HELL DO YOU idiots SUPPOSE WE'RE going TO GET OUT OF HERE?" "WE'LL TH ink OF SOMETH ing." "DON'T WORRY." "OH, YEAH?" "I FEEL SO MUCH BETTER NOW THAT YOU'RE HERE BECAUSE LUGHEAD" "OVER HERE'S going TO TH lNK" "NO, NO, NO, NO!" "[Gagging]" "GET OFF H im!" "[Chuck] DEAN!" "DEAN!" "YES, CHUCK, N Ice." "[McCrea Kicking On Boat] UP!" "UP!" "COME ON!" "GET UP!" "LET'S GO!" "COME ON, GET UP." "LET'S GO!" "LET'S GO!" "LET'S GO!" "skipper?" "YOU KNOW WHAT A LOOSE CANNON is?" "A COUPLE OF THOUSAND POUNDS OF pig iron CRASH ing AROUND" "THE DECK in A STORM." "MAYBE TAKE OUT A MAST, PUNCH A HOLE right THROUGH THE HULL." "SEND A MAN-OF-WAR straight TO THE BOTTOM." "PEOPLE ARE like THAT sometimes." "BEFORE YOU KNOW it, THEY'RE PUNCH ing HOLES in EVERYTH ing." "I'M TH lNKlNG OF shutting TH is WHOLE TH ing DOWN ." "[Rooster Crowing] I CAN FLY YOU ALL HOME FROM GRENADA." "It'S GONNA BE NEW YEARS BY THE time WE H lT PORT." "I WANT A tight SH ip." "I WANT THEM ALL SHAVED AND in CLEAN CLOTHES" "WHEN WE GET THERE." "WE HAVE AN obligation TO HOST A CRU ise" "FOR SOME DUTCH STUDENTS THERE." "EACH ONE OF YOU is going TO BE responsible FOR A STUDENT." "I EXPECT YOU TO BE COURTEOUS AND THOUGHTFUL." "If EVERYTH ing GOES WELL AND YOUR TEST SCORES ARE ACCEPTABLE, I might reconsider." "ALL right." "THAT'S it." "GET 'EM ON BOARD, McCREA." "right, skipper." "ALL right, COME ON, SHAKE it OFF." "WHAT HAPPENED, HUH?" "[Bell Ringing]" "[John Kennedy On Radio] unlike THAT OF THE soviets since THE END OF WORLD WAR I I," "DEMONSTRATES THAT WE HAVE NO desire TO dominate OR CONQUER" "ANY OTHER nation ." "JOHNSTONE, WHAT DO YOU SAY I HAVE A CRACK AT THE WHEEL THERE?" "negative, TWERP." "AND YOU still OWE ME TWO BUCKS." "[Kennedy Continues] AND BECOME ADJUSTED TO living daily ON THE BULL'S-EYE" "OF soviet missiles" "LOCATED inside THE U .S.S.R." "OR in submarines." "In THAT SENSE, missiles in CUBA ADD TO AN ALREADY" "CLEAR AND PRESENT DANGER, ALTHOUGH it SHOULD BE NOTED" "THE nations OF latin america HAVE NEVER previously BEEN" "SUBJECTED TO A potential NUCLEAR THREAT." "BUT TH is SECRET, swift extraordinary BU lLDUP OF COMMUN ist missiles in AN AREA WELL-KNOWN TO HAVE A special AND H istorical RELATlONSH ip" "TO THE UN lTES STATES AND THE nations" "OF THE WESTERN hemisphere in violation OF soviet ASSURANCES," "AND in defiance with american AND hemispheric POLlCY" "♪♪♪" "fifteen minutes, GENTLEMEN ." "fifteen minutes." "WHERE'RE YOU going?" " TO TAKE A piss." " OH, REALLY?" "YEAH, YOU WANNA COME in AND SHAKE it FOR ME?" "[Dean] WHAT ARE YOU doin'?" "YOU WERE cheating." " l DON'T WANT TO listen TO TH is." " YES, YOU DO, stupid!" "YOU GET CAUGHT cheating, YOUR ASS is ON THE first PLANE" "BACK TO lDlOTVlLLE." "CUT it OUT!" "CUT it OUT, DEAN!" "CUT it OUT!" "If FRANK HAD CAUGHT YOU, HE WOULD HAVE RATTED YOU OUT in A SECOND." "listen TO US." "YOU GET CAUGHT cheating AND YOU'RE OFF THE BOAT!" "[Dean] I CHEATED TO GET ON THE BOAT, DAMN it!" "I DOCTORED THE GRADES SO I COULD MAKE THE CUT." "I'M A MORON, ALL right?" "ARE YOU satisfied NOW?" "YOU'RE NOT A MORON, DEAN ." "BET?" "It TAKES ME HALF A DAY TO GET THROUGH ONE CHAPTER OF McCREA," "AND I still DON'T HAVE ANY idea WHAT HE'S talking ABOUT." "KNOW WHY lT TAKES ME SO LONG TO write ALL THOSE PAPERS?" "BECAUSE I CAN'T SPELL." "THEY EVEN kicked ME OUT OF VO-TECH BECAUSE I COULDN'T READ A slide RULE." "THAT'S right." "I COULD SHOW YOU HOW TO READ A slide RULE." "[Whispering] OH, WHAT THE FUCK?" "[Crying]" "HOW LONG HAVE YOU BEEN standing THERE?" "LONG ENOUGH ." "I'M NEVER GONNA PASS THE BOARDS." "I'LL TELL YOU WHAT." "YOU DON'T CHEAT ANYMORE, AND WE'LL MAKE SURE" "YOU GET THE GRADES, OKAY?" "WE'LL START OUR OWN private STUDY GROUP." "NOBODY ELSE KNOWS." "YOU'LL ACE THAT TEST." " l'M in ." " ME TOO." "WHY WOULD YOU GUYS DO THAT?" "YOU GUYS DON'T HAVE TO DO THAT." "'CAUSE, MAN, WE, UM" "WE GOT A HARD-ON FOR YOU, PANSY." "[Laughing]" "[Sea Gulls Squawking]" "♪♪♪" "WHOA!" "OH, NO, wait." "[Dean] WHAT DO YOU GOT?" "[Tod] WHOA!" "[Robert] wait, wait, wait." "[Tod] ALL right, FELLAS." "WE GOT WOMEN ." "[Laughing] YES!" "[Shouting]" "HOLD YOUR HEAD line!" "SLACK YOUR spring!" "MlDSH lPS." "TAKE A TURN ON THE STERN line." "[McCrea] GET THE HEAVlN' lines READY." "STAND BY THE FENDERS!" "GO ON, GET UP THERE." "[Robert] READY THE line FOR THE PORT side." "ALL right, ALL right, ALL right." "BE CALM, GENTLEMEN ." "BE CALM." "SLACK YOUR spring!" "GODDAMN" "AH, GOOD MORN ing, ladies." "[Together] GOOD MORN ing." "ALL SECURE alongside." "fin ish with engines." "fin ish ALL engines." "ONE TH ing, THOUGH ." "WHAT ARE WE SUPPOSED TO SAY TO 'EM?" "ARE YOU serious, MAN?" "COME ON, GET in THE GAME." "THEY DON'T SPEAK english ." "WELL, THERE ARE SOME TH ings EVERYBODY DOES in THE SAME LANGUAGE." "HOW ARE YOU SUPPOSED TO MAKE THE first MOVE?" "WELL..." "BEBOLD." "HOW YOU doin', ladies?" "DEAN PRESTON ." "HERE YOU GO." "MRS. JENSEN?" "JENSEN ." "[Jensen] THE girls HAVE BEEN looking FORWARD TO TH is FOR SOME time." "HELLO, TH is is MY wife alice." "HOW DO YOU DO?" "[Skipper] SHAY, HELP THESE ladies ON BOARD." "I TH ink WE'RE going TO HAVE A WONDERFUL sail TOMORROW." "YOU might HAVE YOUR girls DRESS, UH, YOU KNOW, CASUAL." "THANK YOU, captain ." "THEY will." " TH is is GlRARD, OUR CHEF." " WELCOME." "ladies, TH is AREA OF THE SH ip is THE BOW." "TH is is THE FOREMAST AND THE FOREMAST FlFE rail with pins," "holding lines WE USE TO CONTROL THE sails ALONG THE FOREMAST." "THERE ARE SHEETS USED TO SET THE sails," "AND THERE ARE CLEW lines USED TO HAUL THE sails BACK in ." "EVERY line ALONG THE fife rail SERVES A specific PURPOSE." "THE SH ip BENEATH YOU is NOT A TOY, ladies." "RESPECT THAT, AND WE'LL ALL DO fine." "If YOU'LL FOLLOW ME TH is WAY." "[Girls Giggling]" "♪♪♪" "SO ONE FULL TURN OF THE WHEEL is indicated BY THE KlNGSPOKE," "WH ich is TH is right HERE WlTH" "[Sniffs] UM, ladies." "THE WHEEL, ALL right?" "UM, THEN, UH-- THAT'S" "WE WERE walking AROUND AND SOMEBODY'S CLEVER idea." "I GUESS WE SAW TH is BROTHEL." "TH is REALLY PRETTY WOMAN ." "AND SHE WAS A WOMAN!" "[Bell Ringing]" "KEEP it UP, frankie." "COME ON ." "AHOY THERE!" "surprise!" "surprise!" "FRANK!" "OOH!" "OH, FRANK!" "[Francis] WELL, WELL." "WHAT DO WE HAVE HERE?" "GOOD AFTERNOON, captain ." "TH is is MY wife, MRS. BEAUMONT." " HELLO." " HELLO." "PLEASURE TO MEET YOU ." "[Francis] WE THOUGHT WE WOULD DROP BY AND SEE if YOU WERE ALL still in ONE piece." "AND OF COURSE WE ARE." "[Francis] WELL, YOU NEVER CAN TELL, CAN YOU?" "WHAT CAN WE DO FOR YOU TODAY?" "WE JUST THOUGHT WE'D give OUR little BOY A BREAK" "FROM THE MONOTONY." "It'S NOT MONOTONOUS." "NEVERTHELESS." "COME ON!" "HOP TO, BOY." "WE HAVEN'T GOT ALL DAY." "WHAT'S TH is?" "ALL right, GENTLEMEN ." "BEST behavior, PLEASE." "WE sail with THE tide." "THAT'S 6:00 A.M SHARP." "ARE YOU listen ing TO ME?" "TRACY, WHAT time ARE WE leaving?" "six O'CLOCK." "ALL right, HAVE A GOOD time BUT DON'T BE LATE." "ALL right." "THANKS, DAD." "♪♪♪" " PLEASE COME in ." " THANK YOU ." "It'S MAGN lFlCENT." "[Chatting, Giggling]" "It'S GOT LOTS OF RUM in it." "♪♪♪" "FRANK." "FRANK!" "HEY." "WHAT'S WRONG?" "YOU DON'T like STEAK?" "HMM?" "I SHOULD BE eating with THE CREW." "WELL, YOU'RE NOT." "YOU'RE eating with US." "SO, sit UP, HUMOR ME AND EAT YOUR STEAK." " WHY did YOU COME HERE?" " WHY AM I HERE?" "WE missed YOU, SWEETHEART." "WHY in THE SAM H lLL DO YOU TH ink I'M HERE?" "WE JUST WANTED TO CHECK ON YOU ." "THAT'S ALL." " STAY OUT OF TH is." " l DON'T NEED YOU spying ON ME." " spying?" " FRANK!" "THANKS A LOT, SON ." " l CAN TAKE CARE OF MYSELF." " OH, REALLY?" "HUH ." "I CAN'T wait FOR THAT, SON ." "YOU PUT ME ON TH is stupid BOAT in THE first PLACE." "I didn'T WANT TO GO, BUT I did." "WHY DO YOU HAVE TO EMBARRASS ME?" "WHY CAN'T YOU JUST LEAVE ME ALONE?" "YOU COME outside with ME." "BUT, FRANClS" "STAY HERE." "It'S ALL right." "[Horn Honking]" "FRANK." "FRANK!" "GET YOUR HANDS OFF ME!" "francis, STOP it!" "SETTLE DOWN ." "LET GO OF H lM." "LET GO OF ME!" "francis, JUST-- TAKE YOUR HANDS OFF OF H lM!" "listen TO ME, YOU LlTTLE" "francis, YOU'RE hurting H lM!" "NOW, STOP it!" "YOU HEAR ME?" "DON'T YOU DARE EVER TALK TO ME like THAT." "francis!" "MY GOD!" "MY GOD!" "NOW, FRANK." "FRANK!" "[Panting]" "OH, christ!" "WHAT is THE MATTER with YOU?" "♪♪♪" "DO YOU WANT TO DANCE?" "YEAH, YEAH ." "I CAN'T EVER REMEMBER feeling TH is WAY ABOUT MYSELF," "OR A PLACE, OR SOMEONE like YOU ." "WE'VE COME SUCH A LONG WAY AND WE'VE SEEN SO MANY TH ings," "BUT-- TH is lS" "[Speaking Danish]" "WHAT?" "[Danish]" "I'M NOT, UM, I'M NOT SO GREAT AT expressing MYSELF." "AND MAYBE THE ONLY REASON I CAN DO it right NOW is BECAUSE I KNOW YOU DON'T UNDERSTAND A WORD I'M saying." "right." "ROGER MARlS STEPS UP TO THE PLATE!" "It'S A CORKER DOWN THE pipe!" "[Screams] lT'S OUTTA HERE!" "[Yelling] FRANK, WHAT'S going ON?" "FRANK!" "COME ON!" "It'S A CORKER DOWN THE pipe!" "FRANK, WHAT'S goin' ON?" "FRANK, WHAT THE HELL ARE YOU doing?" "[Yelling] lT'S OUTTA HERE!" "TALK TO ME." "TELL ME WHAT HAPPENED." "I JUST DON'T CUT THE MUSTARD." "COME ON ." "LET'S GO." "I DON'T HOLD UP UNDER scrutiny." "CHUCK!" "CHUCK!" " GlEG!" " WHAT?" "OH, YOU" "DOUBLE-TlME it, MAN ." "FRANK'S in TROUBLE." "[Sighs] I GOTTA GO. I'M SORRY." "I'LL SEE YOU ." "COME ON ." "♪♪♪" "TOD, DANCE." "ONE, TWO, THREE, FOUR." "HEY, BUDDY, HOW YA doin'?" "YOU KNOW YOU'RE GONNA WORK FOR ME SOMEDAY." "FRANK?" "WHY DON'T WE GO?" "WHY DON'T WE GO?" "LET ME GO. I WAS invited TOO!" "LOOK AT THESE GUYS." "THEY'RE HOMOS." "FRANK, WE'RE GONNA GO." "GET OFF ME!" "I'M fine, ALL right?" "FRANK?" "STOP doing THAT." "WHAT ARE YOU GUYS, HOMOS?" "HEY, HEY, HEY, HEY!" "CALM DOWN ." "SHH ." "If YOU DON'T CALM DOWN, I'M GONNA HAVE TO HURT YOU ." "It'S OKAY." "WE GOT YOU ." "GET H im UP." "GET H im OUTTA HERE." "GET H im OUTTA HERE." "♪♪♪" "DO YOU REMEMBER THE LAST time YOU AND I DANCED?" "YOU'RE GONNA TELL ME again ANYWAY." "It WAS ON THE DECK OF THE YANKEE" "THE N ight YOU ASKED ME TO MARRY YOU ." "I WASN'T MUCH OLDER THAN THEY ARE." " SHALL WE?" " l DON'T WANNA." "OKAY." "MAY I?" "DON'T slip, captain ." "YOUR STUDENTS ARE WATCH ing." "GOTTA GET MY SEA LEGS HERE." "[Sighs]" "coming ABOUT." " YOU READY?" " l'M READY." "[Laughs] YOU KNOW, SHELDON," "sometimes, NOT OFTEN, YOU ACT ALMOST HALF HUMAN ." "I AM HALFWAY HUMAN ." "LOOK AT THOSE TWO OVER THERE." "[Whispering]" ""MUCH HAVE I TRAVELED in REALMS OF GOLD." ""AND MANY GOODLY STATES AND kingdoms SEEN ." ""'ROUND WESTERN Islands i'VE BEEN," "WH ich BARDS in FEALTY TO APOLLO HOLD."" "DO YOU KNOW WHAT HE'S talking ABOUT HERE?" "[Snickering] AH, humility." "HE'S saying HE HAS TRAVELED THE SEAS AS HOMER did," "AS ULYSSES BEFORE H lM." ""THAT DEEP-BROWED HOMER."" "brilliant, SEASONED, wise OF THE mind." "HE COMMANDS THE VOYAGE OF THE imagination" "like A GOD." "piss ON HOMER, sir." "WE'RE livin' lT." "[Boys Laughing]" "THAT'S THE spirit, DEAN ." "DOLPH ins OFF THE STERN!" "AW, DOLPH ins." "OKAY." "COME ON ." "COME ON!" "LOOK!" "THERE'S ONE OVER THERE!" "[Boys Cheering] beautiful!" " OH, WOW!" "TH is is incredible!" " OH, SHE'S beautiful." "[Shouting]" "LOWER H lM DOWN ." "COME ON!" "YES!" "[Squealing]" "WHAT THE HELL, GUYS?" "WHAT HAPPENED?" "WHAT'S going ON?" "GU ide HER alongside." "THAT'S it." "ALL right, EASE HER AWAY." "bring THE NOSE UP ONTO THE SLED." "OKAY." " DEAN, WATCH THE SPEAR." " ALL right." "HAUL AWAY." "EASY." "EASY." "tighten it OFF, tim." "THAT'S it." "WHOA!" "ALL right, EASE AWAY." "EASY." "KEEP it coming." "WHAT DO YOU TH ink?" "HE'S PUNCTURED HER LUNG." "N Ice SHOT." "MAN, I'M NOT GONNA kill it." "YOU ALREADY HAVE." "GO ON, DO it." "NO WAY." " WHAT THE HELL'S WRONG with YOU?" " BACK OFF, MAN!" "YOU WANNA kill SOMETH in' SO BAD?" "It'S JUST A fish ." "It'S JUST A fish!" "COME ON!" "LET'S SEE WHAT YOU'VE GOT!" "THAT'S WHAT I THOUGHT." "YOU'RE DONE HERE." "YOU'RE going HOME." "[Tracy] THE GUY'S GONE ballistic, ALL right?" "I'M telling YOU, HE'S GONE MENTALLY insane." "It'S like cabin FEVER OR SOMETH ing like THAT." "ALL right, MAN ." "ENOUGH ." "It'S still NOT right." "THEY SHOULDN'T BE puttin' H lM OFF THE BOAT." " THE GUY'S OUTTA CONTROL." " WE'VE ALL BEEN OUT OF CONTROL." "BUT WE'RE A CREW." "NO, wait, wait." "THAT'S WHAT TH is WHOLE TH ing is SUPPOSED TO BE ABOUT." "YOU'RE THE LAST PERSON THAT SHOULD BE WH in ing ABOUT US" "being A CREW right NOW." "OH YEAH?" "HOW DO YOU figure THAT?" "I'D LOVE TO GO into THE SUBJECT OF vertigo AND EVERYTH ing," "BUT I WOULDN'T WANT YOU TO piss YOUR PANTS." "YOU KNOW WHAT I'M sayin'?" "OH, YEAH, TRACY?" "COME ON!" "GET" " STOP it!" "YOU'RE A REAL JERK." "YOU KNOW THAT?" "TELL lT TO THE DOLPH in, PRESTON ." "HE DESERVES ANOTHER CHANCE." "WE'D DO THE SAME FOR YOU ." "YOU KNOW THAT." "YOU DO WHATEVER YOU WANT, gli." "ALL right?" "It'S NOT GONNA MAKE ANY difference ANYWAY." " THE DOLPH in WAS A SYMPTOM." " OF WHAT?" "OF A fight HE CAN'T win OUT HERE." " BUT, sir, it'S H is FATHER." " lT'S H is FATHER, sir." "OH, it'S H is FATHER." "MM-HMM." "HE SENT H lM DOWN HERE." "ALL OF THEM." "THEY SENT US DOWN HERE BECAUSE THEY WANT US TO CHANGE" "OR GROW UP OR SOMETH ing," "AND ALL THEY DO is TRY AND KEEP US THE SAME." "I MEAN, HE HAS ALL THESE expectations" "ABOUT WHO H is SON SHOULD BE, AND HE DOESN'T EVEN KNOW" "WHO FRANK is." "HOW DO YOU TH ink YOU GOT HERE?" "DO YOU TH ink THEY OWE YOU SOMETH ing?" "DO YOU TH ink THEY ENJOY riding SUBWAYS AND COMMUTER trains?" "THE SAME repetition DAY in AND DAY OUT JUST TO KEEP YOU in TENN is SHOES AND private SCHOOL?" "YOU KNOW, THERE ARE GROUND RULES in families" "JUST like ON TH is SH ip." "YOU CAN UNDERSTAND THAT." "DOES FRANK KNOW HOW YOU GUYS FEEL?" "I DON'T KNOW." "WELL, SOMEBODY SHOULD TELL H lM." "THAT'S it." "WELL, I'M ALL EARS." " YOU MAY NOT like WHAT YOU HEAR." " OH, I CAN TAKE it." "chris, THEY'VE BECOME WHAT WE WANTED." "THEY'RE A CREW." "THAT'S WHY THEY CAME." "DO YOU REMEMBER WHY WE BEGAN TH is?" "SELF-RELlANCE AND discipline TO THE COMMUN ity OF sailing." " l HAVEN'T FORGOTTEN ." " MMM." "COMMUN ity." "THAT BOY DOESN'T KNOW THE MEAN ing OF THE WORD." "SO, THE BEST TH ing YOU CAN DO is TO KEEP H im right HERE." "HE HAS A LOT OF PROBLEMS." "HE BETTER START TO LEARN TO DEAL with THEM." "[Sighs] OH, captain compassionate SPEAKS." "It'S NOT ABOUT compassion ." "It'S NOT ABOUT WHAT HAPPENS HERE." "It'S ABOUT WHAT THEY TAKE AWAY with THEM." "HE WAS coming AROUND." "HE WAS coming APART!" "HE LOST CONTROL OUT THERE!" "AND WHAT is SO important ABOUT being in CONTROL?" "HE'S JUST GONNA HAVE TO figure THAT OUT, isn'T HE?" "I'M NOT talking ABOUT H lM." "[Horn Honking]" "[Chuck Narrating] WE WATCHED in silent PROTEST." "ABOARD SH ip, THE LOW MORALE WAS MATCHED ONLY BY THE feeling" "THAT MAYBE skipper WAS NO different THAN OUR OWN FATHERS BACK HOME." "WE'LL miss FRANK." "JESUS!" "YEAH, I'M--l'M SORRY." "[Gil] frankie!" "[Bell Ringing]" "BYE, BYE!" "[Bell Ringing]" "BYE, frankie!" "WHOO-OO-OO!" "BYE, BUDDY!" "THEY NEVER GAVE UP ON YOU, YOU KNOW." "[Gil] BYE, frankie!" "I GOT A PROBLEM, MAN ." " WE ALL HAVE PROBLEMS." " NO." "A big PROBLEM." "I'M pissing fire." " fire?" " fire." "HMM." "HAD A GOOD time in GRENADA, did YOU, TOD?" "YEAH ." "I did, ACTUALLY." "THANKS FOR askin'." "TURN AROUND." "OW!" "OW." "OW." "[Groans]" "HOLD THAT." "NEXT!" "[Groaning]" "ROBERT!" "DROP YOUR PANTS." "WAY TO GO, valentino." "I NEVER EVEN COPPED A FEEL in GRENADA." "WELL, YOUR SEXUAL orientation is NOT MY PROBLEM." "[McCrea] WHAT DO YOU MAKE OF it, skipper?" ""VENCEREMOS."" "CUBANS." "I'LL GET THE HORN ." "JESUS!" "SHE'S GOT GUNS." "[Gunfire]" "GET DOWN!" "EVERYBODY DOWN!" "RUN UP THE COLORS." "WE'RE americans, DAMN it!" "SHAY!" "RUN UP THE COLORS!" "JESUS christ!" "ARE THEY GONNA sink US?" " TAKE in ALL sail!" "DO It NOW." " sails DOWN!" "GET going!" "GO ON!" "HERE'S THE HORN, skipper." "WHO THE HELL DO THEY TH ink THEY ARE?" "[Commander Speaking Spanish]" "THEY WANT US TO identify OURSELVES." "TELL THEM WE'RE THE american SCHOOL SH ip ALBATROSS." "USE YOUR BEST PUERTO rican ACCENT." "[Spanish]" "[Girard] THEY TH ink WE'RE carrying CUBAN REFUGEES, captain ." "I DON'T TH ink THEY'RE going TO TAKE it lightly" "THAT I'M A CUBAN national." "NOTH ing'S going TO HAPPEN ." "remind THEM THAT according TO THE GENEVA convention" "firing ON citizens ON THE H igh SEAS is AN ACT OF WAR." "[Spanish]" "THEY SAY THEY'RE acting ON THE direct ORDER OF fidel CASTRO." "[Spanish]" "[Continues ln Spanish]" "TELL THEM TO COME ABOARD." "DO It!" "COME ON!" "[Spanish]" "give ME YOUR PASSPORT." "give it TO ME." "COME ON, DO it." "I DON'T TH lNK" "YOU'VE COME A LONG WAY, GENTLEMEN," "BUT TH is is NO time FOR HEROES." "I NEED YOU TO BE BOYS right NOW." "THAT'S AN ORDER." "GET BELOW." "find YOUR PASSPORTS." "bring 'EM ON DECK." "[McCrea] ALL right, LET'S GO." "ON THE DOUBLE!" "LET'S GO find THOSE little bits." "ON DECK right NOW!" "COME ON, GET YOUR STUFF." "GO, GO, GO, GO!" "DON'T WORRY." "NOTH ing'S GONNA HAPPEN ." "PRESTON, GOT it?" "LET'S GO." "LET'S GET OUTTA HERE." "TRACE!" "TRACE, COME ON!" "DAMN it!" "WHAT?" "I CAN'T find MY PASSPORT." "OH, NO!" "is TH is YOUR STUFF HERE?" "JESUS, WHAT A" "COME ON, WE GOTTA GO." " l CAN'T find MY PASSPORT!" " DON'T WORRY ABOUT it." "LET'S GO!" "NOW, DAMN it!" "[Spanish]" "HE'S PUERTO rican ." "YOU KNOW, captain, playing CAT AND MOUSE is NOT VERY SMART." "NOT FOR THE MOUSE." "DO YOU KNOW YOU'RE violating international LAW BY" "boarding MY SH ip?" "BUT YOU invited US." "THAT'S BULLSH it, MAN ." "SHH ." "YOUR CANNONS MADE A compelling ARGUMENT." "[Spanish]" "[McCrea?" "] lT'S OKAY." "HE'S GOT ONE." "I'VE GOT A PASSPORT." "I SWEAR TO GOD." "A STOW AW AY?" "HE LEFT H is PASSPORT in GRENADA." "It'S being mailed TO H lM in PANAMA." "I LEFT it LAST time WE BOARDED." "THAT is UNFORTUNATE." "WE'LL HAVE TO TAKE H im with US." "NO!" "NO!" "ALL right, ALL right, ALL right." "If HE'S CUBAN, CASTRO WEARS A DRESS!" "ALL right." "NOW WE'VE SEEN WHAT YOU CAN DO with A BOY." "HOW WOULD YOU like TO GO A FEW ROUNDS with A GROWN-UP?" "NONE OF MY CREW is leaving TH is SH ip." "SEVENTH CAVALRY." "WHAT ARE YOU looking AT?" "YOU WANT TO TAKE A SOUVEN lR, YOU TAKE ME." "[Spanish]" "ALL right, THAT'S it." "LET'S MOVE, GENTLEMEN ." "NOW YOU will REALLY HAVE SOMETH ing TO TEACH YOUR STUDENTS, captain ." "LAS ESTRELLAS ES LO UN ico QUE UN marinero NECESSlTA PARA NAVEGAR." "WHAT'D HE SAY?" "HE SAYS A REAL sailor ONLY NEEDS THE STARS TO navigate with ." "[Chuckles]" "[Chuck Narrating] AND SO HE GU lDED US silently THROUGH THE CONVOY OF WARSH lPS." "AND WE LATER LEARNED THEY WERE BOUND" "FOR A LlTTLE-KNOWN destination CALLED THE BAY OF pigs." "AS WE RODE THE TRADES, HE SHARED THE ancient SECRETS" "OF HOW TO READ THE WAVES AND FOLLOW THE STARS." "PANAMA AND THE americas ROSE AND FELL AWAY again ." "with THE LOCKS OF MlRAFLORES AND A continent BEH ind US," "WE ENTERED into A NEW OCEAN AND A NEW WORLD" "THAT WE WOULD STAKE AND claim AS OUR OWN ." "ALL right, PENS DOWN ." "time'S UP." "LEAVE YOUR PAPERS." "[Skipper] congratulations, GENTLEMEN ." "ALL HANDS MAY GO ASHORE if YOU PLEASE." "[Cheering] YOU'RE ON YOUR OWN ." "BE CAREFUL." "[Skipper] BUZZER'S GONE OFF, DEAN ." "[Chuck Narrating] WE HAD TRAVELED OVER 6,000 miles" "AND slipped PAST THE EQUATOR TO THE VERY EDGE OF THE EARTH ." "like darwin BEFORE US, WE WOULD SEE THE bliss OF NATURE in THE ABSENCE OF MAN ." "It WAS AS if THE ALBATROSS HAD TAKEN US TO ANOTHER time." "TODAY I finally UNDERSTAND HOMER." "THE JOURNEY'S THE TH ing." "♪♪♪" "[Shouting]" "[Shouting Continues]" "♪♪♪" "SHOULD BE A pencil in THERE." "HOLD THAT." ""WHERE WE GO ONE, WE GO ALL." ""BRlGANTlNE ALBATROSS." "N lNETEEN HUNDRED AND SlXTY-ONE."" "THAT ABOUT SAYS it ALL, HUH?" "[Shay] GET in THERE, GUYS." "CHUCK GlEG." "TOD JOHNSTONE." "GlL martin ." "DEAN PRESTON ." "TRACY LAPCH lCK." "WHAT ARE THEY doing?" "claiming their PLACE in THE WORLD." "WHY didn'T YOU GO?" "I COULDN'T." "It'S MY WATCH ." "UH-UH ." "I COULD'VE STAYED." " listen ." "YOU HEAR THAT?" " WHAT?" "THE SOUND OF AN EMPTY SH ip." "[Boys Chanting]" "[Chanting Continues]" "[Bell Ringing]" "HOW YOU doing?" "OKAY." "HOW'D YOU DO?" "730 VERBAL. 61 0 MATH ." "congratulations." "WHAT ABOUT YOU?" "It'S 1 1 00!" "[Laughs] DEAN, YOU GOT AN 1 1 00!" "THAT'S GREAT!" "I KNOW." "[Gil] YOU KNOW?" "I JUST CAN'T believe it, YOU KNOW?" "I COULDN'T HAVE DONE it without YOU GUYS, THOUGH ." " l REALLY COULDN'T." " YOU did." "TH is is YOU, DEAN ." "ALL YOU ." "NOBODY ELSE." "THANK YOU ." "YOU'RE WELCOME, stupid." "I'M JUST testing." "WHEN ARE YOU GONNA LEARN, YOU little wise ASS?" " HERE." " THANKS." "FEELS different, DOESN'T it?" " WHAT?" " goin' BACK." "[Sighs] I DON'T WANT it TO END." "I DON'T WANNA BE WHAT I WAS WHEN I LEFT." " WHAT WAS THAT?" " ANONYMOUS." "[Sighing] I'VE BEEN AClNG TESTS MY WHOLE life" "AND I still HAVEN'T figured it OUT." "figured WHAT OUT?" "WHO I AM." "[Dean] ARE YOU kidding?" "I'LL TELL YOU WHO YOU ARE." "GLUE." "YOU'RE THE GLUE THAT HOLDS EVERYONE AROUND YOU TOGETHER." "TH lNK I'M GONNA CHOKE ON THE "FEEL GOOD."" "[Laughing]" "♪♪♪" "[Thunderclaps]" "[Radio] ON THE pilot." "HE NEEDS HELP." "THERE GOES THE umbilical CORD FROM THE REDSTONE ROCKET." "WE'RE into COUNTDOWN ." "HOW ARE YOU, ROBERT?" "[Radio] WE'RE into THE TWO-MlNUTE point" "AND AT TH is point in THE SPACECRAFT ALL THE lNTERlOR CAMERAS ARE STARTED." "TWO minutes AND counting." "EVERYTH ing is working fine AT THE MOMENT." "THE radio mikes ARE NOW ON in THE SPACE CAPSULES." " SHEPARD CAN TALK TO CONTROL." " HERE WE GO." "GOOD LUCK, HUH?" "[Radio] ONE minute AND 30 SECONDS TO BLASTOFF lF NO FURTHER HOLDS BOTHER US AT TH is point." "THE MERCURY CONTROL COUNT OF THE LAST minute YOU will HEAR in JUST A MOMENT, BUT I notice THAT THE CHERRY picker is being MOVED THROUGH, AND WE ARE coming UP TO" "THE MORN ing WATCH?" "BELOW." "[Radio] COUNTDOWN, WH ich YOU will HEAR in TEN-SECOND BREAKS." "WE HAVE JUST PASSED THE 92nd MARK." "THE CHERRY picker, THE SAFETY DEVlCE" "[Bell Ringing]" ""lF YOU CAN KEEP YOUR HEAD WH ile ALL ABOUT YOU ARE losing theirs" ""AND blaming it ON YOU;" ""lF YOU CAN TRUST YOURSELF WHEN ALL MEN DOUBT YOU," "BUT MAKE ALLOWANCE FOR their doubting TOO."" "MORN ing WATCH is ON!" ""YOURS is THE EARTH AND EVERYTH ing in it," "WH ich is MORE, YOU'LL BE A MAN, MY SON ."" "[Bell Ringing] OKAY!" "YOU HAVE FUN ." "[Radio] fifty SECONDS AND counting." "SWEET DREAMS, martin ." "[Radio] HAS BEEN CUT OFF." "It is NOW automatically isolated FROM THE REST OF THE ATMOSPHERE." "It HAS its OWN ." "[Volume increased]" "THE TEST CONDUCTOR in THE SPACE CONTROL CENTER HAS TAKEN OVER." "[Shay] bill, BOB, tim, charlie, GO ALOFT!" "GET THOSE LATCHES CLOSED!" "[Radio Continues]" " MORN ing, SHAY." " HEY, TRACY." " WOULD YOU trim THE main, PLEASE?" " trimming THE main!" " NORTH BY WEST." " NORTH BY WEST." "GET OUT OF HERE, BOB." "LET THE REAL MEN TAKE OVER." "LOOKS like WE'RE GONNA GET WET." "YEAH, WE NEED it." "I'M GONNA TAKE A N lCE LONG BATH ." "CATCH SOME WATER FOR MY LAUNDRY." "SAVE SOME FOR ME, BUDDY, HUH?" "YEAH ." "YEAH, YOU GOT it." "goin' BELOW!" "EVERYBODY OKAY?" "ALL HANDS, KEEP OUT OF THE rigging." "STAY CLEAR OF THE MASTS." "ALL right, GENTLEMEN ." "THOR'S HAD H is FUN ." "LET'S KEEP A SHARP EYE." "[Wind blowing]" "[Radio] WE'RE coming UP TO COUNTDOWN WH ich GOES in five SECONDS." "NO, SHAY!" "DOG HER DOWN!" "STAY OUT OF THE rigging!" "DOG HER DOWN!" "[Laughing, Cheering]" "[Ringing]" "[Alarm Sounding] BATTEN DOWN ALL HATCHES!" "[Yelling]" "skipper!" "WH ite SQUALL." "HOLD tight!" "HOLD tight!" "[Chuck] SHAY!" "[Shay Groans]" " WE'RE losin' lT!" " TURN it OVER!" "LOOK OUT!" "[Screaming]" "[Radio] AGON lZlNGLY SLOWLY." "GET OUTTA HERE!" "GET OUTTA HERE!" "HELP!" "[Tracy] TOD!" "TOD!" "TOD!" "TURN TO PORT!" "TURN TO PORT!" "TURN TO PORT!" "NO!" "STARBOARD!" "STARBOARD!" "PORT, TOD!" "PORT!" "PORT!" "PORT, DAMN it!" "TURN TO PORT!" "LOOK OUT!" "LEAVE it, TOD!" "GET OUT!" "BACK!" "BACK!" "COME ON, TOD." "GRAB ON!" "GRAB ON!" "COME ON!" "GlL, COME ON ." "LET'S GO." "LET'S GET OUTTA HERE." "[Ship Creaking] NOW, gli!" "COME ON!" "COME ON, LET'S GO." "EVERYBODY OUT!" "KEEP moving." "WE'VE LOST HER!" "FREE THE staysail." "YES, sir!" "FREE THE staysail!" "GRAB A lifeboat." " skipper!" " right HERE." "COME ON, OUT." "OUT TH is WAY." "GET OUT." "ANYBODY in HERE?" "ANYBODY in HERE?" "HEY!" "GET 'EM OUTTA THERE." "SHAY!" "SAHLER!" "[Screaming]" "[Skipper] GlRARD!" "GlRARD!" "[Rings]" "[Radio] america'S FASTEST traveling MAN" "[Skipper] SHAY!" "SHAY!" "GlRARD!" "OH!" "[Screaming] alice!" "GET BACK, GUYS!" "GET BACK!" "SHE'S GONNA ROLL!" " GET in THE lifeboat, NOW!" " HOLD ON ." "GlRARD!" " DEAN!" " YEAH ." "YEAH ." "OVER HERE." "[Skipper] SAHLER!" "MARSH!" "GlL!" "GlL!" "WHERE'S gli?" "[Screaming] HELP!" "ONE, TWO, THREE." "WAKE UP." "ONE, TWO, THREE." "WAKE UP." " WHERE'S alice?" " l TH ink THEY'RE inside." "COME ON!" "NO!" "STAY BACK!" "SHE'S rolling!" "[Groaning]" "SHE'S DOWN THERE!" "GlL!" "skipper, I'LL TRY FORWARD." "GlL!" "GlL!" "GlL, YOU GOTTA GET OUTTA HERE." "SHE'S goin' DOWN!" "THERE'S SOMETH ing DOWN THERE blocking THE DOOR!" "GET ME OUTTA HERE, CHUCK." "GET ME OUT, PLEASE!" "COME ON, CHUCK." "I WANT OUT." "GlL, I CAN'T MOVE it." "YOU GOTTA PUSH HARDER." "PUSH FROM YOUR side!" "GlL!" " PUSH HARDER FROM YOUR side!" " l DON'T WANNA die!" "CHUCK!" "CHUCK!" "CHUCK!" "WE GOTTA GO, CHUCK!" "COME ON!" " SHE'S goin' DOWN ." " COME ON, CHUCK!" "LET'S GO!" "GlL, YOU'VE GOTTA PUSH FROM YOUR side." "NO, gli!" "CHUCK, WE'VE GOTTA GO!" "HELP ME with TH is DOOR!" "HE'S DROWN ing!" "[Gagging, Coughing]" "It'S TOO LATE!" "It'S going OVER!" "skipper, it'S TOO LATE!" "WE CAN'T STAY ON" "GET OFF THE SH ip!" "GET 'EM in THE BOAT!" " DO it!" " ALL right, skipper." "[Crying] OH, PLEASE!" "[Grunting]" "♪♪♪" "DEAN!" "[Bell Rings]" "[Ringing]" "♪♪♪" "[Chuck Narrating] GlRARD, alice, DEAN, gli." "TODAY I HATE THE SEA." "It will NEVER LOOK THE SAME again ." "LOOK." "SHEPARD." "[Crying]" "♪♪♪" "skipper!" "skipper!" "skipper, LOOK!" "LOOK!" "McCREA!" "♪♪♪" "captain SHELDON, CAN YOU give US A STATEMENT?" "[Excited Chatting] WHAT THE HELL WENT ON OUT THERE?" "[Excited Chatting]" "GET AWAY FROM ME." "DO YOU HAVE ANYTH ing TO SAY TO THESE PARENTS?" "YES, AND it'S private." "[Siren Wailing]" " SON!" " DAD?" "♪♪♪" "[Charles] THOUGHT WE'D find A STORE." "GET YOU fixed UP AND GET YOU SOMETH ing TO EAT." "SOUND GOOD?" "HEY!" "YOUR size right ON TOP." "HERE." "WHY DON'T YOU TAKE THESE in THE BACK THERE AND SEE HOW THEY fit?" "MA'AM, DO YOU HAVE BOXER SHORTS?" " right OVER THERE, sir." " OKAY." "[Panting]" "[Crying]" "[Gil's Voice] COME ON!" "CHUCK, GRAB MY ARM!" "GRAB MY ARM!" "[Gil's Voice Continues]" "[Sea Water Roaring]" "[Charles] CHUCK, YOU OKAY in THERE?" "UH, l-l'M SORRY." "WE'LL BE right BACK FOR THE CLOTHES." "[Shay] THEY'RE GONNA TRY TO TAKE H is license." "[Tod] WHY?" "BECAUSE THEY NEED it TO BE simple." "THEY NEED A REASON ." " WHO?" " ALL OF THEM." " EVERYONE ON THAT DOCK." " WHAT ARE WE SUPPOSED TO DO?" "TELL 'EM WHAT WE KNOW." "THE TRUTH ." " l MEAN, THAT'S WHAT HE'D WANT." " THE TRUTH ." "WE WENT OVER in A SQUALL." "WHAT'S WRONG with THAT?" "EVERYBODY KNOWS WHY WE WENT OVER, TOD." "It WASN'T FROM THE SQUALL." "YOU J lBED THE BOAT." "LOOK, I WAS trying TO GET HER upwind, ALL right?" "I MEAN, THAT'S WHAT YOU'RE SUPPOSED TO DO!" "THAT'S NOT WHAT THE skipper THOUGHT." "NOT WHEN YOU GOT THE SQUARES UP." "HE WAS trying TO spill OUT THE air FROM THE main ." "It WAS comin' FOUR points OFF THE BOW, TRACY." "It NEVER WOULD'VE" "WERE YOU ON THE DECK?" "BECAUSE I WAS standing right THERE!" "ALL I KNOW is THAT TOD DlSOBEYED AN ORDER twice." "LOOK, it didn'T" "THAT'S WHEN THE BOAT WENT OVER." "It didn'T GO OVER until I TURNED HER PORT!" "MAN, YOU'RE ALL missing THE point, ANYWAY." "TH is is BECAUSE OF FRANK." " FRANK AND DEAR OLD DAD." " WHAT ARE YOU talking ABOUT?" "I'M talking ABOUT, THEY'RE HERE, staying AT THE DAMN RHETT HOUSE." "HOW DO YOU TH ink TH is TH ing GOT PUT TOGETHER SO FAST?" "THE OLD MAN'S BEEN OUT FOR skipper since DAY ONE." "THE skipper BOOTED H is kid OFF THE BOAT!" "WHAT did YOU EXPECT?" "I TOLD YOU HE WAS A TURNCOAT THE DAY WE kicked H lM OFF, MAN ." "DAMN kid." "[Bell Ringing]" "FRANK?" "[Francis] FRANK!" "CAN WE TALK?" "YEAH, I GUESS." "WHAT ARE YOU doing HERE?" "FRANK, WHO ARE YOU talking TO?" "[Frank] YEAH, it'S ALL right." "I'LL BE in in A minute." "WHAT DO YOU WANT?" "EVERYONE'S saying THAT THAT TH is WHOLE tribunal is HAPPEN ing" "BECAUSE OF YOUR OLD MAN ." "AND BECAUSE OF YOU ." "is THAT TRUE?" "It'S JUST typical, isn'T it?" " lS it TRUE, FRANK?" " l GOTTA GO." "FRANK, HE WAS NOT OUT ON THAT SH ip!" "HE DOESN'T KNOW WHAT HAPPENED." "YOU DON'T KNOW WHAT HAPPENED!" " l KNOW ENOUGH!" " FRANK, PLEASE!" "FRANK, GET H lM TO CALL it OFF." "I'M SORRY." "wait." "WHAT is TH is?" "YOU DO WHAT YOU'VE GOTTA DO, FRANK." "[Tyler] THE UN ited STATES COAST GUARD HAS BEEN ASKED" "TO CONDUCT TH is maritime hearing TO consider THE revocation" "OF captain christopher SHELDON'S U .S." "MASTER SEAMAN'S certificate." "ALL right, captain SANDERS, YOU MAY begin ." "THE ALBATROSS." "BY ALL ACCOUNTS, A SOUND VESSEL." "AN experienced captain, AN ABLE CREW." "AND YET it lies OUT THERE ON THE BOTTOM in 2,000 FATHOMS with its BACK BROKEN ." "THERE ARE serious questions" "THAT DEMAND OUR MOST serious consideration" "SO THAT WE might UNDERSTAND, SO THAT PERHAPS" "WE MAY PREVENT SUCH A SAD EVENT FROM EVER taking PLACE again ." "A FREAK accident?" "A ONE in A million meteorological ANOMALY?" "OR WAS it inexperience, MlSJUDGMENT?" "negligence?" "WE'LL SEE." "PLEASE." "THANK YOU ." "[Sanders] captain SHELDON ..." "captain SHELDON," "WOULD YOU consider YOURSELF A GOOD JUDGE OF CHARACTER" "WHEN it CAME TO THE BOYS?" "[Skipper] YES." "AND it WOULD BE important, WOULD it NOT, in YOUR position" "TO HAVE SOME SENSE OF their STRENGTHS AND WEAKNESSES?" "YES, OF COURSE." "DO YOU RECALL AN incident involving gli martin?" "WHAT incident WOULD YOU BE referring TO?" "WELL, is it TRUE THAT YOU FORCED gli martin TO climb THE MAST" "WHEN it WAS CLEAR THAT HE WAS ACROPHOBlC?" "HE climbed WHEN HE WAS READY." "WERE YOU AWARE THAT H is BROTHER WAS killed in A FALL?" "YES, I WAS." "sir, WERE YOU AWARE AT ANY time OF THE USE OF ALCOHOL" "AMONG YOUR CREW?" "YES, I WAS." " YOU didn'T DO ANYTH ing ABOUT it?" " NO, I did NOT." "HAD YOU EVER SEEN A WH ite SQUALL BEFORE TH is incident?" "NO." "AND WHAT MAKES YOU SO SURE it WAS ONE?" "I CAN'T BE SURE." "YOU REALLY FELT THAT YOUR CREW WAS UP TO THE conditions?" "WE HAD COME 1 2,000 miles TOGETHER THROUGH EVERY kind" "OF SEAS imaginable." "EXCEPT A WH ite SQUALL." "NOW, with ALL DUE RESPECT, captain, THEY'RE ONLY BOYS." "THEY'RE MUCH MORE THAN THAT, sir." "is it TRUE THAT THE REASON YOU EXPELLED FRANK BEAUMONT" "FOR killing A DOLPH in ." "AND THAT YOU invited H lM TO strike YOU," "TO fight it OUT ON THE DECK OF THE SH ip?" "YES, THAT is TRUE." "SO, YOU ALLOWED THE USE OF ALCOHOL, AMONG TH ings, TO GO UNPUN lSHED" "AND YET YOU EXPELLED TH is BOY FOR killing A fish ." " A MAMMAL." " A MAMMAL." "It WOULD APPEAR TO ME sir, with ALL DUE RESPECT," "THAT YOUR STEWARDSH ip AS captain OF THE ALBATROSS" "COULD BE characterized AS RECKLESS, UNBALANCED," "with NO discipline WHATSOEVER." "[Chuckles]" "DO YOU find TH is FUNNY?" "SOME kind OF JOKE?" "I DON'T TH ink ONE SECOND OF TH is is FUNNY sir." "THE national WEATHER service SAYS WH ite SQUALLS" "ARE A meteorological PHENOMENON OF THE imagination ." "WHAT DO YOU SAY TO THAT?" "WHAT HAPPENED TO MY SH ip WAS NOT imagined." "It WAS NOT A DREAM sir." "NO, captain SHELDON, it WAS NOT." "It WAS A N lGHTMARE." "[Sanders] NOW, SHAY, I NEED YOU TO HELP ME OUT." "ON THE DAY OF THE accident," "DO YOU REMEMBER WHERE YOU WERE WHEN THE LlGHTN ing first STRUCK?" "I WAS ON DECK." "MMM, MlDSH lPS." "during TH is SQUALL THAT ENSUED," "WHY didn'T YOU DROP ANY sail?" "[Shay] skipper CALLED US OUT OF THE rigging." "[Sanders] BUT YOUR instinct WAS TO LOSE sail?" "skipper'S instinct WAS TO NOT GET ANY ANY OF US ELECTROCUTED." "HOW OLD ARE YOU, SON?" "fifteen ." "[Gallery Murmuring]" "AND YOU WERE THE first MATE OF THE ALBATROSS, is THAT CORRECT?" "I AM THE first MATE OF THE ALBATROSS." "THAT'S CORRECT." "AND ARE YOU A professional sailor, SON?" "NO, I'M NOT A professional sailor." "[Murmuring]" "YOU SAY YOU TURNED HARD TO STARBOARD WHEN THE GUST H it." "I THOUGHT WE'D HAVE A BETTER CHANCE if I HEADED into THE wind." "BUT THE captain ORDERED YOU HARD TO PORT." " twice." " l'M SORRY?" "twice!" "is THAT WHAT YOU WERE trained TO DO?" "NO." "SPEAK UP, SON ." "I CAN'T HEAR YOU ." "I said NO." "AND WHAT did YOU TH ink HE WAS trying TO DO?" "PUT HER OFF." "TO LET THE BLOW drive THE BOAT downwind." "BY THE "BLOW" YOU'RE referring TO THE FORCE OF THE STORM." "is THAT right?" "LET THE BLOW drive THE BOAT downwind," "AND neutralize OUR CANVAS." "SO WHEN THE captain GAVE YOU AN ORDER CONTRARY" "TO YOUR train ing," "YOU THOUGHT HE WAS making A mistake." "NO." "THEN WHY SON?" "WHY didn'T YOU FOLLOW H is ORDER?" "BECAUSE..." "[Crying] I PAN lCKED." "YOU KNOW THAT'S NOT TRUE, TOD!" "[Gallery Murmuring]" " DO YOU believe HE PAN lCKED?" " WHAT THE HELL is HE doing?" "[Tyler] QU let, PLEASE." "[Gavel Bangs]" "MAYBE YOU CAN'T SEE WHAT'S HAPPEN ing HERE, BUT I CAN ." "TOD, I appreciate WHAT YOU'RE trying TO DO HERE." "MAYBE YOU COULD live with it, BUT I COULDN'T." "If YOU TH ink I'M GONNA LET A 1 7-YEAR-OLD TAKE responsibility," "THEN YOU underestimate ME." "THE ALBATROSS WAS MY SH ip." "THE OCEAN ACADEMY WAS MY SCHOOL." "HER responsibility is mine AND mine ALONE." "I CAN'T bring YOUR SONS BACK." "If YOU WANT MY ticket, if THAT will EASE YOUR pain," "THAT'S THE LEAST THAT I CAN DO." " TH is, TH is is EASY." " captain SHELDON?" " captain?" " NO." "ORDER, PLEASE, ORDER." "TH is proceeding is NOT OVER." "I HAVE FURTHER questions" " NO." " FOR TH is witness." "ORDER!" "DON'T YOU WALK OUT ON US, skipper!" "YOU DON'T!" "[Panting]" "YOU TELL ME." "WAS it ALL JUST A lie?" "WAS it?" "BECAUSE WE listened TO YOU, WE believed YOU!" "AND WE ARE still HERE." "BAD TH ings HAPPEN sometimes, AND THERE is NOTH ing" "THAT YOU CAN DO ABOUT it." "It WASN'T YOU OR TOD." "It WASN'T YOU, TOD." "It WAS ALL OF US, EVERYONE in TH is ROOM." "BECAUSE WE ALL KNEW THE risks WE WERE taking going OUT THERE." "YOU paid OUR TU ition, AND YOU TOLD US TO GO." "SO WHY DO WE JUST HAVE TO invent SOME REASON NOW" "FOR WHY TH is HAPPENED?" "JUST pin it ON ONE PERSON?" "WHY?" "THEN SHAME ON YOU, skipper." "SHAME ON YOU!" "[Tyler] MR. GlEG." "I WAS in COMMAND OF THE ALBATROSS." "AND I WAS responsible FOR precious CARGO." "It WAS MY JOB TO GET YOU ALL HOME SAFELY" "with MY KNOWLEDGE AND MY skill." "THAT'S THE CONTRACT THAT I MADE with YOUR PARENTS." "BUT SOMETH ing HAPPENED OUT THERE." "I LOST CONTROL." "MAYBE JUST FOR AN instant, MAYBE ALL ALONG. I'M NOT SURE." "BUT I KNOW TH is." "I NEVER SAW it coming." "It WAS like I JUST WOKE UP AND A HAND CAME DOWN" "AND PUSHED MY sails into THE SEA." "It GOT AWAY FOR ME, THE WHOLE TH ing." "AND PEOPLE died." "NOW YOU'RE YOUNG AND STRONG." "EVERYTH ing'S AHEAD OF YOU ." "YOU TOLD US, "WHERE WE GO ONE, WE GO ALL."" "WELL, WE believed YOU ." "WE lived BY it, sir." "AND--AND NOW YOU'RE saying THAT WHERE YOU GO, WE CAN'T FOLLOW." "MR. GlEG." "THE ALBATROSS WASN'T JUST A SH ip OR A SCHOOL." "It WAS SOMETH ing THAT WE MADE." "SOMETH ing THAT'S inside OF US." "THAT'S WHO YOU ARE, skipper." "WHAT YOU GAVE US." "YOU carried US." "NOW LET US CARRY TH is TOGETHER." "LET US CARRY TH is TOGETHER." "LET lT GO." "JUST GO HOME." "[Bell Ringing]" "[Ringing]" "♪♪♪" "[Chuck Narrating] THEY didn'T TAKE H is ticket TODAY." "BUT I WONDER if HE'LL EVER GO TO SEA again ." "I KNOW ONE TH ing." "If HE did, WE'D ALL GO with H lM." "TO A MAN ." "NO DOUBT." "NOT EVEN A question ." "TODAY HE joined THE circle HE CREATED BY allowing US" "TO SHARE H is BURDEN ." "THE BURDEN OF SEA captains AND FATHERS," "THE BURDEN OF MEN ." "In THE END, it JUST COMES DOWN TO ONE TH ing." "YOU CAN'T RUN FROM THE wind." "YOU FACE THE music, YOU trim YOUR sails, AND KEEP going." "♪ SHE'S THE DARK STAR OVER THE SEA ♪" "♪ GO WHERE MY TRUE LOVE is waiting FOR ME ♪" "♪ RODE THE SOUTH wind CANVAS THE STARS ♪" "♪ HARNESS THE moonlight SO SHE CAN SAFELY GO ♪" "♪ 'ROUND THE CAPE HORN TO VALPARlSO ♪" "♪ RED THE PORT light STARBOARD THE GREEN ♪" "♪ HOW will SHE KNOW OF THE devils I'VE SEEN ♪" "♪ CROSS in THE SKY ♪" "♪ STAR OF THE SEA ♪" "♪ UNDER THE moonlight THERE SHE CAN SAFELY GO ♪" "♪ 'ROUND THE CAPE HORN TO VALPARlSO ♪" "♪ VALPARlSO ♪" "♪ THOUGH EVERY ROAD I WALK will TAKE ME DOWN TO THE SEA ♪" "♪ with EVERY BREATH OF promise in MY SACK ♪" "♪ EVERY LOVE will ALWAYS SEND THE SH ip OF MY HEART ♪" "♪ OVER THE rolling SEA ♪" "♪ lF I SHOULD die ♪" "♪ WATER'S MY GRAVE ♪" "♪ SHE'LL NEVER KNOW if I'M DAMNED OR I'M SAVED ♪" "♪ SEE THE GHOSTS FLY OVER THE SEA ♪" "♪ UNDER THE moonlight THERE SHE CAN SAFELY GO ♪" "♪ 'ROUND THE CAPE HORN TO VALPARlSO ♪" "♪ VALPARlSO ♪"