"CAPTIONING MADE POSSIBLE BY WARNER BROS." "[GUNSHOTS]" "STAY DOWN." "JUST STAY DOWN." "FREEZE!" "JUST FREEZE." "YOUR HANDS EVER SHAKE, FRANK?" "SOMETIMES." "IT'S JUST ADRENALINE." "OF COURSE." "HOW DID YOU KNOW?" "I SAW HIM WASHING THE CAR." "SO DID I." "THEY DON'T WASH CARS ON THE PARKING LEVELS." "FRANK, I'D LIKE YOU TO STAY ON." "I'M NO GOOD IN A PERMANENT POSITION." "MY..." "MY FEET GO TO SLEEP." "Crowd chanting:" "RACHEL!" "RACHEL!" "RACHEL!" "RACHEL!" "Man:" "RACHEL!" "[CROWD CHEERS]" "[SCREAMS]" "¶ JUST WALK AWAY, RENEE... ¶" "YOU'RE TURNING DOWN 2,000 BUCKS A WEEK?" "SO, YOU'RE SAYING YOU WON'T PROTECT RACHEL MARRON" "JUST BECAUSE SHE'S IN SHOW BUSINESS?" "I DON'T DO CELEBRITIES." "2,500." "LOOK, THERE'S SEVERAL GOOD MEN AVAILABLE" "FOR THAT KIND OF MONEY." "HAVE YOU TALKED TO RACINE..." "FITZGERALD..." "PORTMAN?" "YEAH." "PORTMAN WAS INTERESTED," "BUT WE HEARD THAT YOU WERE THE BEST." "THERE'S NO SUCH THING." "FARMER, WE'RE TALKING ABOUT A VERY FRIGHTENED LITTLE LADY" "WITH AN 8-YEAR-OLD SON." "BELIEVE ME, I WOULDN'T BE HERE" "IF I DIDN'T THINK THIS WAS FOR REAL." "FARMER, SHE BEGGED ME TO GET YOU." "PLEASE, FARMER." "PLEASE, FARMER, JUST" "ALL RIGHT." "I'LL COME." "OK?" "I'LL LOOK THE SITUATION OVER." "IF I TAKE IT," "IT'S 3,000 A WEEK." "[WHISTLES]" "YOU MUST BE VERY DEADLY FOR 3 GRAND A WEEK." "WATCH AND SEE." "SHIT." "I KNOW IT'S SOMETHING..." "HEY!" "SORRY." "BETTER NOT STAND THERE EITHER." "[STATIC BUZZ]" "Man:" "YES?" "FRANK FARMER TO SEE MISS MARRON." "WHAT?" "ALEXANDER GRAHAM BELL TO SEE MISS MARRON." "GOT AN APPOINTMENT?" "YEAH." "THE ATOMIC NUMBER OF ZINC IS 30." "ALL RIGHT." "YEAH." "CAN I HELP YOU?" "ARE YOU THE MAN ON THE INTERCOM?" "NO." "CAN I HELP YOU?" "MY NAME'S EDISON." "I HAVE AN APPOINTMENT WITH MISS MARRON." "UH-HUH." "AND THAT WAS ARRANGED BY, UH..." "MR. DEVANEY." "OH, OK." "WELL, GO RIGHT AHEAD, MR. EDISON." "WHAT HAPPENED TO YOUR ARM?" "A DOLL." "[DOORBELL CHIMES]" "YES?" "HENRY FORD TO SEE MR. DEVANEY." "WHO?" "HENRY FORD." "COME IN, PLEASE." "[ROCK MUSIC PLAYS]" "HOLD STILL." "YEAH." "ONE MORE." "ALL RIGHT." "PLAYBACK, EVERYBODY." "YEAH!" "THAT'S IT!" "Woman:" "THAT'S WHAT I'M TALKING ABOUT." "THAT'S WHAT I WANT." "RORY, YOU KICKED IT." "I'M GLAD YOU CAME." "COME ON." "I'LL INTRODUCE YOU TO RACHEL." "TONY!" "I BET YOU LOVED IT." "HE DOESN'T KNOW GREAT ART." "RACHEL, FRANK FARMER'S HERE." "IS THIS ME?" "IT'S TERRIFIC." "FRANK FARMER'S HERE." "WHO'S HERE?" "FRANK FARMER." "THE BODYGUARD." "I THINK RORY SHOULD BE MY BODYGUARD." "[LAUGHTER]" "RAISE YOUR BUTT AND COME MEET HIM." "[GROANS]" "ALL RIGHT, I'M UP." "FRANK FARMER..." "RACHEL MARRON." "HELLO." "HI." "WELL, YOU DON'T LOOK LIKE A BODYGUARD." "WHAT DID YOU EXPECT?" "WELL, I DON'T KNOW." "MAYBE A TOUGH GUY?" "THIS IS MY DISGUISE." "WELL, HIS TIMING'S GOOD." "THIS IS NICKI, RACHEL'S SISTER" "AND PERSONAL SECRETARY." "NICE TO MEET YOU, MR. FARMER." "TONY SCIBELLI..." "SY SPECTOR, RACHEL'S PUBLICIST." "SO, CAN WE GET YOU A DRINK?" "ORANGE JUICE." "STRAIGHT?" "YEAH." "NICKI." "LISTEN, THIS WHOLE THING IS BILL'S IDEA." "THIS SUDDEN OBSESSION WITH PROTECTING ME" "COME ON, BABY, GET UP." "TONY'S ALWAYS DONE MY SECURITY," "AND I THINK WE'VE DONE JUST FINE." "BILL'S RIGHT, RACHEL." "IT'S TIME YOU TOOK MORE PRECAUTIONS." "THE NUMBER OF NUTS WRITING FAN LETTERS JUMPS" "EVERY TIME RACHEL'S ON A MAGAZINE COVER." "NOT LIKE THIS." "RELAX, GUYS, RELAX." "I SAID I'M GOING TO DO IT." "SEE WHAT I'M DEALING WITH HERE?" "I'LL DO THIS PROVIDED WE UNDERSTAND EACH OTHER." "I'M NOT GOING TO LET THIS ALTER MY LIFE." "HONEY, THAT'S NOT GOING TO BE A PROBLEM." "RACHEL RUNS AN INFORMAL HOUSEHOLD." "WE'RE ALL ON A FIRST-NAME BASIS." "I'M SURE YOU'RE GOING TO FIT IN FINE." "YOU CAN CHOOSE WHATEVER ALARM SYSTEM" "YOU WANT FOR THE HOUSE." "IMPROVED SECURITY FOR THE GATE." "RACHEL!" "WHAT ELSE?" "I THINK I'M SAFE WHEN I'M HERE AT THE HOUSE." "SO I GUESS THE MAIN THING WILL BE WHEN I GO OUT." "TONY WILL FILL YOU IN ON ALL THAT STUFF." "I DON'T WANT YOU FOLLOWING ME EVERYWHERE I GO." "THE IMPORTANT THING IS THIS, THOUGH:" "I WILL NOT ALLOW FLETCHER TO BE AFFECTED BY THIS." "WE'LL TELL THE BOY" "YOU'VE GOT SOME OTHER FUNCTION, OK?" "I DON'T WANT HIM TO THINK HE'S IN PRISON, EITHER," "SO THE HOUSE MUST NOT BE ALTERED IN ANY WAY." "HE SHOULDN'T EVEN BE AWARE THAT YOU'RE HERE." "MISS MARRON..." "RACHEL." "THERE'S BEEN A MISTAKE, A MISUNDERSTANDING." "SO IF YOU'LL SHOW ME THE QUICKEST WAY OUT," "I'LL SAVE US EACH A LOT OF TROUBLE." "YOU CAN GO BY THE POOL." "NICE MEETING YOU." "THE DOOR ON THE END." "TONY, SHUT UP." "FARMER, WAIT A MINUTE." "WE SHOULDN'T BE BEGGING THIS GUY." "SY, I'M HANDLING THIS." "FARMER, WOULD YOU WAIT A MINUTE?" "I SHOULD'VE TOLD YOU MORE," "BUT I WAS AFRAID YOU WOULDN'T DO IT." "I THOUGHT YOU TWO WOULD REACH AN UNDERSTANDING." "WE DID." "SHE'S NOT A BAD PERSON," "AND WHETHER SHE KNOWS IT OR NOT, SHE NEEDS YOU." "YOU'VE COME THIS FAR." "JUST WAIT ONE MINUTE." "I WANT TO SHOW YOU SOMETHING." "PLEASE, FARMER." "ALL RIGHT." "HI." "HI." "HOW ARE YOU TODAY?" "I'M FINE." "HOW ABOUT YOURSELF?" "OH, I'M FINE." "DO YOU LIKE BOATS?" "UH..." "NO, I DON'T LIKE BOATS." "WHY NOT?" "I DON'T KNOW." "SURE, YOU DO," "BUT YOU DON'T WANT TO TELL ME." "YOU'RE A PRETTY SMART KID." "ONE TIME I WAS STUCK ON A BOAT" "WITH SOME PEOPLE FOR FOUR MONTHS." "A LIFEBOAT?" "NO." "IT WAS A BIG WHITE YACHT." "YOU'RE THE BODYGUARD, AREN'T YOU?" "WHAT DO YOU KNOW ABOUT IT?" "I'VE GOT EARS." "WELL, I'LL REMEMBER THAT." "THIS IS JUST IN THE LAST SIX MONTHS." "HAVE YOU TRIED HAVING THESE PROFESSIONALLY ASSESSED?" "BILL SAID YOU USED TO BE" "WITH THE SECRET SERVICE." "THAT'S RIGHT." "YOU EVER GUARD THE MAIN MAN?" "I WAS TWO YEARS WITH CARTER," "FOUR WITH REAGAN." "REAGAN GOT SHOT." "NOT ON MY SHIFT." "THAT'S GOOD." "THIS COULD BE SOMETHING." "YOU THINK IT COULD BE THE SAME GUY?" "THE ONE WHO RIGGED THE DOLL?" "DID YOU TELL MISS MARRON ABOUT IT?" "DOES SHE KNOW ABOUT THE DOLL?" "WE SAID THERE'D BEEN ME ELECTRICAL PROBLEM" "WHILE SHE WAS ON STAGE, LIKE A SHORT CIRCUIT." "SHE DOESN'T NEED THIS KIND OF WORRY NOW." "THIS WOULD REALLY UPSET HER." "WHAT ABOUT THE POLICE?" "NO NEED." "NO ONE GOT HURT." "THE CHAUFFEUR GOT HURT." "THAT WAS NOTHING." "IT WAS JUST OUR PEOPLE THERE." "SY, I THINK WE SHOULD SHOW HIM THE ROOM." "¶ SHARE MY LIFE ¶" "¶ TAKE ME FOR WHAT I AM ¶" "¶ 'CAUSE I'LL NEVER CHANGE ¶" "¶ ALL MY COLORS FOR YOU ¶" "IS THIS HER BEDROOM?" "YEAH." "NO." "SHE SLEEPS IN A ROOM" "NEXT TO FLETCHER'S DOWN THE HALL." "SY HAD THIS DONE FOR A MAGAZINE LAYOUT." ""SUPERSTARS AND THEIR BOUDOIRS."" "DID YOU SEE IT?" "NO." "WE FOUND THE LETTER HERE." "SOMEONE WAS IN HERE?" "SOMEBODY BROKE IN" "AND MASTURBATED ON THE BED." "SHE DOESN'T KNOW ABOUT THIS EITHER?" "ARE YOU KIDDING?" "THIS WOULD REALLY FREAK HER OUT, WOULDN'T IT?" "WHAT DO YOU THINK?" "WELL..." "SOMEONE PENETRATES THE HOUSE," "GETS UPSTAIRS, JERKS OFF ON THE BED," "I'D SAY THAT QUALIFIES AS A PROBLEM." "WE DON'T NEED THIS." "WHAT KIND OF PROBLEM?" "THE HOUSE IS WIDE-OPEN." "EXCUSE ME?" "THE HOUSE IS WIDE-OPEN." "YOU PEOPLE HAVE NO CLUE WHAT SECURITY IS" "OR HOW TO ACHIEVE IT." "TELL ME HOW, AND I'LL ACCOMMODATE YOU." "I CAN'T PROTECT HER LIKE THIS." "LIKE WHAT?" "I WON'T BE RESPONSIBLE FOR HER SAFETY" "IF SHE DOESN'T UNDERSTAND WHAT'S GOING ON." "I'LL TALK TO HER." "I'LL MAKE HER UNDERSTAND." "BILL..." "I'LL TALK TO HER." "SHE WON'T GIVE YOU ANY STATIC, FRANK." "YOU'VE GOT MY WORD ON THAT." "SURE, SHE WILL." "SO WHAT JOB IS PERFECT?" "YOU'RE A BODYGUARD, AREN'T YOU?" "YEAH." "¶ I HAVE NOTHING ¶" "¶ NOTHING ¶" "¶ NOTHING ¶" "¶ DON'T MAKE ME ¶" "¶ CLOSE ONE MORE DOOR ¶" "¶ I DON'T WANNA HURT ANYMORE ¶" "¶ STAY IN MY ARMS ¶" "¶ IF YOU DARE... ¶" "John Tesh on television:" "WELL, GUESS WHAT?" "IT'S OSCAR TIME AGAIN," "AND THIS YEAR THE SMART MONEY'S ON" "RACHEL MARRON FOR BEST ACTRESS." "WITH THE THEME SONG FROM HER LAST MOVIE" "I HAVE NOTHING STILL BIG ON THE CHARTS," "IT LOOKS LIKE THE VERSATILE ACTRESS-SINGER" "COULD SOON END UP ACTUALLY HAVING EVERYTHING." "¶ I HAVE NOTHING ¶" "¶ NOTHING ¶" "¶ NOTHING ¶" "¶ IF I DON'T ¶" "¶ HAVE YOU ¶" "¶ YOU ¶" "[SQUEALING]" "WHY'D YOU SAY YOUR NAME WAS EDISON?" "I WANTED TO SEE HOW DIFFICULT IT WAS TO GET IN." "AND IT WASN'T, WAS IT?" "NO." "HERE." "PUT IT ON YOUR ARM." "WHAT'S THIS?" "IT'LL HELP WITH THE ACHE." "I'LL BET YOU CAN FILL UP A WHOLE DAY" "WASHING THE CARS AND DRIVING MISS MARRON AROUND." "WELL, THAT'S MY JOB." "WE'RE ADDING TO YOUR DUTIES." "HUH?" "WE'RE ADDING TO YOUR DUTIES." "YOU'RE MY NEW ASSISTANT." "SAYS WHO?" "HENRY, I'VE SPENT A LOT OF TIME GUARDING PEOPLE" "ALL OVER THE WORLD, AND ONE THING IS TRUE." "NO MATTER HOW INCOMPETENT THE ASSASSINS," "NO MATTER HOW MUCH THEY MISS THEIR TARGET," "THERE'S ONE PERSON WHO ALWAYS GETS HIT." "WHO?" "THE COCKY BLACK CHAUFFEUR." "PUT THIS IN THE POOL." "OVER TO THE LEFT A LITTLE BIT." "THIS GATE WILL BE REPLACED NEXT WEEK." "I'LL HAVE TWO CAMERAS HERE." "ONE, A FACE CAMERA BY THE CALL BOX," "AND THE SCENE CAMERA ON TOP OF THIS PILLAR" "LOOKING DOWN." "THESE TREES HERE, I WANT THEM CUT BACK" "SO THE LIGHTS CAN SHINE ONTO THE PROPERTY." "THE PEOPLE WHO CUT THE PROPERTY" "I WANT TO MAKE SURE WE KNOW WHO THEY ARE." "OVER HERE..." "I WANT THESE ALL CUT BACK." "MISS MARRON'S PAID ENOUGH" "FOR THE PROPERTY," "SHE OUGHT TO BE ABLE TO SEE IT." "HEY, WHAT YOU LOOKING AT?" "FRANK." "A FENCE IS GOING TO COME IN" "ALL AROUND THIS PARTICULAR AREA." "IT'LL START HERE," "DOWN AROUND BY THE GATE." "COME ON." "LET'S GO." "[TIRES SQUEAL]" "NOT YET, NOT YET, NOT YET..." "NOW BRAKE." "POWER." "AND STOP." "¶ SO, CALL ME, BABE ¶" "¶ OOH-OOH-OOH ¶" "¶ SOMEDAY, SOME WAY ¶" "¶ 'CAUSE I ¶" "¶ I NEVER WANTED ANYONE ¶" "COME HERE, BO." "COME HERE." "THAT'S A..." "UNUSUAL TACTIC FOR A GUARD DOG," "BUT IT'S EFFECTIVE." "YOU CAN TAKE A LOOK AROUND IF YOU WANT." "SORRY TO DISTURB YOU." "IT'S ALL RIGHT." "IT'S AN EXCUSE TO REST." "THIS IS MY PERSONAL PLACE." "I'M THE ONLY ONE WHO WORKS OUT AROUND HERE." "OH..." "MY OWN EGO WALL." "NO PLATINUM RECORDS." "IS THIS YOU AND RACHEL?" "MM-HMM." "WHEN I WAS A KID," "I PUT TOGETHER THIS LITTLE BAND." "WE USED TO PLAY HIGH SCHOOL DANCES" "AND STUFF LIKE THAT." "THEN RACHEL JOINED THE ACT," "AND, AS YOU CAN IMAGINE," "SHE WAS QUITE A LITTLE ENTERTAINER." "EVEN THEN SHE HAD A WAY OF STOPPING THE SHOW." "SO..." "I KIND OF QUIT" "PROFESSIONALLY ANYWAY." "YOU NEVER WENT BACK?" "IT WAS PRETTY OBVIOUS" "WHO THE STAR IN OUR FAMILY WAS." "A LOT OF WORK WENT INTO THIS." "A LOT OF WORK." "NO FINGERPRINTS, THOUGH." "YOU THINK THIS ONE IS TIED TO THE DOLL?" "THAT'S WHAT HER MANAGER THINKS." "THIS "I HAVE NOTHING" THING IS A NATURAL," "CONSIDERING THE RECORD AND THE MOVIE." "I SORT OF LOST TRACK OF YOU" "AFTER WASHINGTON, FRANK." "YEAH." "SO, HOW'S PRIVATE STUFF?" "IT'S FINE." "IT'S BIG MONEY, HUH?" "HUH?" "IT IS." "IT'S BIG MONEY, RIGHT?" "YOU WOULDN'T WANT THIS JOB, RAY." "OHH!" "IT IS BIG MONEY." "FUCK!" "I KNEW IT." "YOU NEED AN ASSISTANT?" "I'M DUE TO GET OUT OF HERE," "AND I'VE HAD IT" "WITH ASSHOLIC BEHAVIOR." "WHAT A SCUMBAG WE'RE COVERING." "A WALKING SCHLONG SENATOR WHO SHALL REMAIN NAMELESS..." ""HELLFIRE HENRY" KENT." "SHH!" "SOMEBODY WANTS TO POP HIM." "THAT'S NOT SURPRISING, CONSIDERING" "WHAT THE SHITHEAD'S BEEN SAYING." "DO EVERYONE A FAVOR." "AS YOU KNOW, WE'RE NONPOLITICAL THESE DAYS." "HEY!" "I'LL SEND THE STUFF TO WASHINGTON," "AND BEHAVIORAL SCIENCES" "OUGHT TO HAVE AN ANSWER IN A COUPLE DAYS." "THANKS." "RAY, WHY AM I GETTING ALL THIS COOPERATION?" "ARE YOU KIDDING?" "SHE'S A BIG STAR." "IMPORTANT PEOPLE CARE ABOUT HER." "FRANK, POLITICS AND SHOW BIZ" "IT'S THE SAME THING THESE DAYS." "WELL, THANKS." "THERE SHE IS, HONEY." "CAN I HAVE YOUR AUTOGRAPH?" "NO, HONEY..." "SURE, YOU CAN." "WE'RE BIG FANS." "CAN WE GET A PICTURE?" "SHE'LL BE SO PLEASED." "YOU'RE OUR FAVORITE ACTRESS." "COME ON, NICKI, TAKE A GOOD ONE." "OH, SY." "THANK YOU SO MUCH." "YOU'RE WELCOME." "WE REALLY APPRECIATE IT." "I'M SURPRISED YOU DIDN'T PLUG 'EM." "HELP ME WITH THIS STUFF." "SIGN SOME "MUCH LOVE, RACHEL,"" "AND YOU SIGN, "PEACE AND LOVE."" "LET ME SET YOU STRAIGHT ABOUT A FEW THINGS, FRANK." "FOR STARTERS, I LOVE THIS LADY." "WHAT I DO FOR HER, I DO OUT OF LOVE." "I'M NOT SOME HIRED FUCKING GUN" "HERE TO MAKE HER LIFE MISERABLE." "I DO THINGS THE WAY SHE LIKES." "HER HAPPINESS IS EVERYTHING TO ME." "NO PROBLEM." "I'D LIKE TO KNOW HOW YOU HANDLE THINGS." "I HANDLE THINGS FINE." "YOU WATCH ME, AND YOU'LL LEARN SOMETHING." "TURN RIGHT HERE." "IS THAT HIM?" "WHAT'S GOING ON?" "SHORTCUT." "YOU WANT ME TO DO A 180?" "NO, I DON'T WANT YOU TO DO A 180." "I WANT YOU TO SLOW DOWN." "TAKE THE CAR UP TO THE HOUSE." "HEY!" "¶ I WANNA RUN TO YOU ¶" "¶ OOO-OOO ¶" "[HAMMERING]" "[WORKMEN TALKING]" "¶ I WANNA RUN ¶" "¶ WON'T YOU HOLD ME IN YOUR ARMS ¶" "¶ AND KEEP ME SAFE FROM HARM ¶" "[YELLING]" "[DRILLING]" "SHUT UP!" "SHUT UP!" "JUST SHUT UP!" "HE'S THROUGH RUINING MY LIFE." "I'M GETTING GOD DAMN SICK OF RUNNING UP HERE" "EVERY TIME HE STEPS ON YOUR TOES." "FARMER, WOULD YOU COME IN HERE FOR A MINUTE?" "YOU UNDERSTAND?" "DID YOU KNOW HE WAS NUTS?" "YOU KNOW WHO COULDN'T GET PAST" "THE GATES YESTERDAY?" "WHO?" "ROBIN LEACH." "OH, YOU THINK THAT'S FUNNY?" "THE MAN SPEAKS TO 20 MILLION PEOPLE" "AND HE CAN'T EVEN GET IN HERE!" "DID HE HAVE AN APPOINTMENT?" "WHAT'S THIS ABOUT BRUNCH AT CHARLIE'S?" "RACHEL'S BEEN GOING EVERY SUNDAY FOR THE LAST 5 YEARS." "I KNOW." "I DON'T WANT HER" "DOING ANYTHING SHE'S ALWAYS DONE." ""I DON'T WANT HER DOING ANYTHING" "SHE'S ALWAYS DONE."" "THE MAN'S A FANATIC!" "SO ARE THE GUYS HE'S PROTECTING YOU FROM." "WELL, EXCUSE ME IF I DON'T FAINT." "THEN THINK ABOUT FLETC" "WHAT DO YOU WANT?" "I WANT PEACE AROUND HERE!" "FRANK?" "WE'RE ALMOST DONE." "AND I WANT TO EAT BRUNCH WITH MY FRIENDS." "SO GO ON TUESDAYS." "TUESDAY MORNING BRUNCH?" "WHERE'D YOU GET THIS GUY, BILL?" "LOUISE, YOU'VE GOT TOO MUCH GREAT STUFF, GIRL." "TAKE IT ALL, DARLING." "YEAH." "TRY THIS ON." "YEAH." "HEY, FARMER, YOU WANT TO COME IN HERE WITH ME..." "JUST TO BE SAFE?" "YOU PROBABLY WON'T BELIEVE THIS," "BUT I HAVE A REPUTATION FOR BEING A BITCH." "I DIDN'T USED TO BE," "BUT YOU GET KNOWN FOR BEING A CERTAIN WAY," "A WAY PEOPLE THINK YOU ARE," "AND PRETTY SOON, YOU GET LIKE THAT." "GUESS YOU CAN'T HELP IT." "OH, SO YOU DON'T THINK SO." "YOU'RE SUCH AN EXPERT ON FAMOUS PEOPLE, HUH?" "I'VE SEEN A FEW." "AND YOU DISAGREE?" "YOU CAN BE AS YOU CHOOSE TO BE." "IT'S AN ACT OF DISCIPLINE SOMETIMES," "BUT IT CAN BE DONE." "IS THAT WHY YOU NEVER STAY" "WITH ONE OF YOUR CLIENTS?" "THEY TOO UNDISCIPLINED FOR YOU?" "OR IS IT THAT YOU MIGHT START" "TO CARE ABOUT THEM?" "THAT'S RIGHT." "CAN'T YOU ANSWER STRAIGHT JUST ONCE?" "YOU'RE TOO CLEVER FOR ME." "I CAN'T KEEP UP." "LOOK AT ME, FARMER!" "YOU DON'T APPROVE OF ME, DO YOU?" "DISAPPROVAL IS A LUXURY I CAN'T AFFORD." "OH, IT GETS IN THE WAY, RIGHT?" "DON'T LIKE YOUR EMOTIONS GETTING TO YOU?" "NEVER MIX BUSINESS WITH PLEASURE?" "THAT'S RIGHT." "WILL YOU GRAB THAT JACKET FOR ME," "THE RED ONE, PLEASE?" "I'M HERE TO KEEP YOU ALIVE, NOT HELP YOU SHOP." "THANKS." "¶ I KNOW ¶" "¶ THAT WHEN YOU LOOK AT ME ¶" "¶ THERE'S SO MUCH THAT YOU JUST DON'T SEE... ¶" "TWO MINUTES." "THREE, FOUR." "OK, WAIT." "I WANT TO MAKE IT REALLY FULL." "SHH, SHH, SHH, SHH." "WAIT A MINUTE." "WHAT?" "¶ CAN'T YOU SEE THE HURT IN ME?" "¶" "¶ OH, I FEEL SO ALL ALONE ¶" "¶ I WANNA RUN TO YOU ¶" "¶ OOH OOH ¶" "¶ I WANNA RUN TO YOU ¶" "¶ OOH OOH OOH ¶" "¶ WON'T YOU HOLD ME IN YOUR ARMS ¶" "¶ AND KEEP ME SAFE FROM HARM?" "¶" "¶ I WANNA RUN TO YOU ¶" "¶ OOH OOH ¶" "¶ I WANNA RUN TO YOU ¶" "¶ OOH OOH OOH ¶" "PUT IT STRAIGHT UP." "RIGHT THERE." "HOLD IT." "HOLD IT REAL STILL." "WHAT EXACTLY AM I LOOKING FOR?" "A BOMB." "DON'T WORRY." "I ALREADY CHECKED." "PUT IT BACK HERE." "GET IT IN A LITTLE DEEPER." "HOLD IT STILL." "OK, NOW TURN IT." "GOOD." "THERE." "RIGHT THERE." "HOLD IT THERE FOR A SECOND." "SON OF A BITCH." "I THOUGHT IT WAS DINNER." "ARE WE GOING SOMEWHERE ELSE?" "THE MAYAN." "WHAT'S THE MAYAN?" "IT'S A CLUB, FRANK." "COME ON, HENRY." "LET'S" "SPECTOR, YOU HAVE TO TELL ME" "ABOUT THESE THINGS." "I JUST DID." "NICE SUIT, FRANK." "RACHEL." "I WANT YOU TO KEEP THIS." "IT'S BEAUTIFUL." "IT'S FITTED WITH A RADIO TRANSMITTER." "WHEN YOU CLOSE THE CLASP," "IT SENDS A SIGNAL," "SO IF THERE'S EVER A PROBLEM" "AND WE'RE SEPARATED," "JUST PRESS IT, AND I'LL KNOW YOU NEED ME." "OK, SHE KNOWS HOW IT WORKS." "COME ON." "LET'S GET GOING." "COME ON, HENRY." "LET'S GO." "LOOK AT THIS." "LOOK AT THIS, RACHEL." "THEY DIDN'T FORGET." "THEY DON'T FORGET." "GET INSIDE." "THE SHOW'S INSIDE." "HENRY, JUST KEEP THE CAR MOVING." "RACHEL!" "HEY!" "HEY!" "HEY!" "HOW YOU DOING UP THERE?" "RACHEL!" "RACHEL!" "[GLASS BREAKS]" "YEAH, THAT'S RIGHT." "HE'S FROM PARIS." "HE'S AN AMAZING DIRECTOR." "PERFORMANCE ARTIST, TOO, APPARENTLY." "THIS IS HIS FIRST VIDEO." "RACHEL LOVES IT." "THIS IS SY'S IDEA." "I HONESTLY THOUGHT SHE WAS GOING TO TALK TO YOU." "LOOK, YOU TOLD ME I HAD AN EXCLUSIVE." "MAYBE LATER." "I MEAN, WHAT CAN I SAY?" "HI." "LAURIE." "HOW ARE YOU?" "YOU KNOW PAUL, DON'T YOU?" "I KNOW WHO SHE IS, SY." "SHE NORMALLY DOESN'T DO THIS KIND OF PLACE." "HE THINKS IT'LL BE GOOD FOR THE VIDEO." "HE SENT ANOTHER ONE." "WHAT DO YOU MEAN, ANOTHER ONE?" "WHAT DO YOU MEAN, ANOTHER ONE?" "THEY DIDN'T TELL YOU." "DIDN'T TELL ME WHAT?" "THERE WERE SOME LETTERS BEFORE, RACHEL," "SAME KIND OF THING-- THREATS, ODDBALL STUFF." "WE DIDN'T WANT TO WORRY YOU." "AND SOMEBODY GOT INTO THE HOUSE." "SOMEONE WAS IN MY HOUSE?" "LET'S NOT GET HYSTERICAL." "SOMEONE WAS IN MY HOUSE WHILE FLETCHER WAS THERE?" "FLETCHER'S OK." "THE HOUSE IS LIKE FORT KNOX." "I MEAN--RIGHT, FRANK?" "WE SHOULD GET HER OUT OF HERE." "THERE'S NO WAY ANYONE" "NO WAY ANYONE COULD WHAT?" "EVERYBODY CALM DOWN." "LET'S JUST SEE HOW SHE IS, OK?" "HOW DO YOU FEEL, HONEY?" "[DOOR BURSTS OPEN]" "RACHEL!" "RACHEL!" "RACHEL!" "RACHEL!" "RACHEL!" ""WATCH THE DOOR" MEANS NO CANDY." "IT MEANS NO FLOWERS." "DO YOU THINK HE'S OUT THERE?" "HE'S HERE, ISN'T HE?" "HE MIGHT BE." "FRANK, WE DON'T KNOW THAT!" "BUT YOU KNOW HE WAS IN MY HOUSE, SY!" "LET'S GO HOME, SY." "WE'LL HAVE TO MAKE AN ANNOUNCEMENT." "FINE, BILL, YOU MAKE IT!" "YOU TELL THEM!" "THEY'LL TEAR THE FUCKING PLACE APART!" "RACHEL!" "RACHEL!" "RACHEL!" "RACHEL!" "LADIES AND GENTLEMEN..." "OH, MY GOD!" "RACHEL!" "I'M SORRY, BUT DUE TO CIRCUMSTANCES" "BEYOND OUR CONTROL..." "RACHEL!" "RACHEL!" "RACHEL!" "RACHEL!" "WAIT!" "WAIT!" "WAIT!" "RACHEL, DON'T DO IT." "IT'S NOT WORTH IT." "NO FUCKING FREAK IS GOING TO RUN ME OFFSTAGE." "GET THIS VIDEO OUT FRONT CUED UP." "TONY, COME ON, LET'S GO." "WE'RE ON." "CHANGE OF PLAN." "WE'RE NOT COMING." "WHAT?" "I'M AFRAID RACHEL WILL NOT BE ABLE TO APPEAR TONIGHT." "RACHEL!" "RACHEL!" "RACHEL!" "RACHEL!" "RACHEL!" "RACHEL!" "RACHEL!" "JUST A MINUTE." "GIVE ME A CHANCE." "BILL DEVANEY, EVERYBODY." "HELLO, HELLO, HELLO." "HELLO!" "HELLO!" "JUST WANTED TO STOP BY" "AND MAYBE SING A SONG." "I HOPE YOU DON'T MIND, DO YOU?" "YEAH!" "ALL RIGHT, THANK YOU SO MUCH." "LISTEN, ISN'T BILLY THOMAS THE GREATEST?" "I MEAN, HE'S THE GREATEST." "GO FOR IT, RACHEL!" "YOU WANT TO SEE MY NEW VIDEO?" "[MUSIC PLAYS]" "¶ I GOT THE STUFF THAT YOU WANT ¶" "¶ I GOT THE THING THAT YOU NEED ¶" "¶ I GOT MORE THAN ENOUGH ¶" "¶ TO MAKE YOU DROP TO YOUR KNEES ¶" "¶ 'CAUSE I'M THE QUEEN OF THE NIGHT ¶" "¶ THE QUEEN OF THE NIGHT ¶" "¶ OH, YEAH ¶" "¶ OH, YEAH ¶" "¶ OH, YEAH, YEAH ¶" "ARE WE HAVING A COMMUNICATIONS PROBLEM HERE?" "WHAT?" "I SAID, ARE WE HAVING A COMMUNICATIONS PROBLEM HERE?" "EXCUSE ME." "I NEED TO KEEP THIS AISLE CLEAR." "I KNOW YOU GOT A JOB TO DO HERE." "YOU GOT TO UNDERSTAND RACHEL HAS A JOB TO DO, TOO." "THAT'S WHAT SHE'S DOING, FRANK..." "OUT THERE." "I MEAN, LOOK, SHE'S SO HOT RIGHT NOW." "THIS IS HER TIME." "IF SHE DOESN'T GET OUT THERE, SHE'S DEAD." "FORGET THE CRAZY DEATH THREATS." "IF SHE DOESN'T SING," "SHE'S DEAD ANYWAY." "¶ OH, YEAH ¶" "¶ OH, YEAH, YEAH ¶" "HANDLED PROPERLY, THIS WHOLE THING COULD BE GOOD" "FOR $1 MILLION WORTH OF FREE PUBLICITY." "ONE WORD IN PRINT ABOUT THIS, ABOUT ANYTHING." "¶ QUEEN OF THE NIGHT ¶" "¶ QUEEN OF THE NIGHT ¶" "¶ OH, YEAH ¶ ¶ OH, YEAH ¶" "¶ OH, YEAH, YEAH ¶" "¶ YOU GOT THE PROBLEM ¶" "¶ IT'S THE WAY THAT I AM ¶" "¶ THEY SAY I'M TROUBLE ¶" "¶ AND I DON'T GIVE A DAMN ¶" "¶ BUT WHEN I'M BAD, I'M GOOD ¶" "¶ YES, I AM ¶" "¶ I JUST WANNA GET LOOSE ¶" "¶ AND TURN IT UP FOR YOU, BABY ¶" "¶ I GOT THE STUFF THAT YOU WANT ¶" "¶ I GOT THE THING THAT YOU NEED ¶" "¶ THING THAT YOU NEED ¶" "¶ I GOT MORE THAN ENOUGH ¶" "¶ TO MAKE YOU DROP TO YOUR KNEES ¶" "¶ 'CAUSE I'M THE QUEEN OF THE NIGHT ¶" "¶ THE QUEEN OF THE NIGHT ¶" "¶ OH, YEAH ¶" "¶ OH, YEAH ¶" "¶ OH, YEAH, YEAH ¶" "¶ OH, YEAH ¶" "OH!" "AAH!" "AAH!" "AAH!" "COME ON, OUT OF THE WAY!" "TONY!" "I'LL TAKE CARE OF THIS." "FOLLOW ME!" "WHERE'S THE FUCKING LIMO?" "Frank:" "GO!" "[HORN HONKS]" "HENRY, IT'S ME, SY!" "STOP IT!" "FUCK!" "Frank:" "KEEP DRIVING, HENRY." "NEVER DONE THAT BEFORE." "IT'S BEEN A LONG NIGHT." "[SNIFFS]" "DON'T YOU WANT TO KNOW WHY I BEHAVE THAT WAY?" "I KNOW WHY." "I DON'T WANT TO TALK ABOUT THIS AGAIN." "HEY, GOTCHA, DIDN'T I?" "BET YOU'RE WONDERING WHAT I'M DOING, RIGHT?" "OOH!" "DIDN'T KNOW I JOGGED, DID YOU?" "WHAT?" "YOU AFRAID I MIGHT GET PICKED OFF" "IN MY SNAZZY RUNNING SUIT?" "NO, I'M AFRAID I MIGHT HAVE TO JOG WITH YOU." "WILL YOU WALK WITH ME A LITTLE?" "LOOK, I KNOW THIS IS KIND OF LATE," "BUT THANK YOU." "I'M REALLY GLAD YOU'RE HERE," "AND I'M GOING TO TRY TO COOPERATE." "THAT WOULD BE GOOD." "FARMER, I HAVE THIS PROBLEM..." "THIS MINOR LITTLE PROBLEM, YOU SEE?" "I LIKE TO GO OUT FOR AN EVENING, YOU KNOW," "WITH A GUY, YOU KNOW, LIKE A DATE..." "BUT I CAN'T GO OUT ON A DATE" "BECAUSE YOU HAVE TO BE WITH ME EVERY MINUTE." "I MEAN, WHAT IF HE WANTS" "TO INVITE ME UP TO HIS PLACE AFTERWARDS?" "ARE YOU GONNA COME, TOO?" "SO..." "THE ONLY THING I CAN FIGURE..." "IS FOR YOU TO TAKE ME OUT." "THAT'S WHAT I WAS WONDERING..." "YOU KNOW?" "I MEAN, WHAT DO YOU THINK?" "ONLY IF YOU WANT TO." "ONLY IF YOU WANT TO." "Nicki:" "RACHEL!" "GOD, THIS IS SO EMBARRASSING." "YOU DECIDE, OK?" "YEAH?" "SANDY HARRIS IS ON THE PHONE." "I'LL CALL HER BACK." "I'M GETTING FIXED UP HERE." "[FOOTSTEPS]" "[SPEAKING JAPANESE]" "WELL, HE DIDN'T LOOK LIKE HE WANTED TO DIE TO ME." "THERE'S A BIG DIFFERENCE" "BETWEEN WANTING TO DIE" "AND HAVING NO FEAR OF DEATH." "AND SO BECAUSE HE HAD NO FEAR OF DEATH," "HE WAS INVINCIBLE?" "WHAT DO YOU THINK?" "WELL, HE SURE CREAMED THEM ALL IN THE END." "YEAH, IT WAS A GOOD MOVIE, HUH?" "YEAH, IT WAS GOOD." "HOW MANY TIMES HAVE YOU SEEN THAT MOVIE?" "UH...62 TIMES." "62 TIMES?" "GOSH." "I'VE SEEN IT A LOT." "YOU CAN SAY THAT." "I'VE SEEN IT A LOT." "[COUNTRY MUSIC PLAYS]" "ANOTHER BEER, SIR?" "NO." "NO, THANKS." "YOUR KIND OF PLACE?" "YEAH." "YOUR KIND OF MUSIC?" "ABSOLUTELY, YEAH." "YOU FIGURE NO ONE CAN GET BY YOU HERE, HUH?" "IF SOMEONE'S WILLING TO SWAP HIS LIFE FOR A KILL," "NOTHING CAN STOP HIM, RACHEL." "GREAT." "WHAT DO I NEED YOU FOR?" "HE MIGHT GET ME INSTEAD." "AND YOU'RE READY TO DIE FOR ME?" "IT'S THE JOB." "AND YOU'D DO IT?" "WHY?" "CAN'T SING." "WELL, MAYBE THERE'S SOME GLORY" "IN SAVING A PRESIDENT OR SOMEBODY," "BUT JUST ANYBODY?" "YOU MEAN LIKE YOU?" "YEAH, LIKE ME." "IT'S A MATTER OF CONDITIONING AND DISCIPLINE." "I DON'T TRUST DISCIPLINE." "I KNOW, AT THAT CRUCIAL MOMENT," "I'D COP OUT." "IT HAPPENS." "MMM, BUT NOT TO YOU, FIERCE FRANK, HUH?" "IT HAPPENS." "SO HAVE YOU EVER LIKED ANYBODY?" "WHAT DO YOU MEAN?" "LIKE ME." "A GIRL." "YEAH, A LONG TIME AGO." "HMM, WHAT HAPPENED?" "DO YOU MIND IF I ASK?" "YOU MIND IF I DON'T ANSWER?" "I DON'T WANT TO PRY." "OH, YEAH, I CAN SEE THAT." "WHAT?" "SHE DIDN'T DIE, DID SHE?" "WHILE YOU WERE PROTECTING HER," "SHE GOT KILLED, RIGHT?" "GOD, THAT'S NOT IT, IS IT?" "THAT'S IT, ISN'T IT?" "NOBODY'S PERFECT." "I'M SORRY, FRANK." "I'M SORRY." "NO." "NICE TRY, THOUGH." "YOU..." "FRANK." "IT WAS LESS DRAMATIC THAN THAT." "SHE DIDN'T LOVE ME ANYMORE." "CAN YOU IMAGINE THAT?" "NO, NOT REALLY." "SO..." "IS THIS A FULL-SERVICE DATE, FRANK?" "I'M JUST ASKING YOU TO DANCE." "COME ON." "YOU CAN DANCE, CAN'T YOU?" "¶ BUT I KNOW ¶" "¶ I'LL THINK OF YOU ¶" "¶ EACH STEP OF THE WAY ¶" "¶ AND I ¶" "¶ WILL ALWAYS LOVE YOU ¶" "¶ OH, I WILL ALWAYS LOVE YOU ¶" "THIS IS KIND OF A COWBOY SONG, HUH?" "YEAH." "¶ BITTERSWEET ¶" "¶ MEMORIES ¶" "¶ THAT'S ALL THAT I ¶" "WHAT?" "NOTHING." "IT'S NOTHING." "WHAT?" "I MEAN, IT'S SO DEPRESSING." "HAVE YOU LISTENED TO THE WORDS?" "¶ WHAT YOU NEED ¶" "IT IS KIND OF DEPRESSING." "YES, IT IS." "IT'S ONE OF THOSE" ""SOMEBODY'S ALWAYS LEAVING SOMEBODY" SONGS." "YEAH." "[DISHES BREAK]" "DON'T WORRY." "DON'T WORRY." "I'LL PROTECT YOU." "¶ OH, I WILL ALWAYS LOVE YOU ¶" "¶ OH, I WILL ALWAYS LOVE YOU ¶" "IT'S VERY QUIET HERE." "SO YOU EVER GOING TO HANG THESE UP?" "MAYBE WHEN I'M HERE LONG ENOUGH." ""WEST VIRGINIA UNIVERSITY FOOTBALL."" "GOD, TAKE A LOOK AT YOU." "WHAT DID YOU PLAY?" "END." "WERE YOU TOUGH?" "NO, I WAS FAST." "SO YOU WERE IN THE SECRET SERVICE." "WHAT MADE YOU GET OUT?" "MONEY." "YEAH, I CAN SEE YOUR TASTES ARE EXTRAVAGANT." "MAY I?" "YEAH." "BE CAREFUL." "SWOOSH." "SWOOSH." "SWOOSH." "YOU'RE A HARD ONE" "TO FIGURE OUT, FRANK FARMER." "A BODYGUARD MUST KNOW VERY LITTLE PEACE." "WATCH THIS." "I'VE NEVER FELT THIS SAFE BEFORE." "NO ONE COULD GET BY YOU." "RIGHT NOW IT MIGHT NOT BE TOO DIFFICULT." "WHAT ARE YOU DOING?" "FRANK?" "I DON'T WANT TO GET CONFUSED" "ABOUT WHAT I'M DOING HERE." "I'M NOT CONFUSED." "YOU PAY ME TO PROTECT YOU." "THAT'S WHAT I DO." "HAVE I DONE SOMETHING WRONG?" "NO." "NOTHING." "THEN WHAT IS IT?" "DO YOU WANT ME TO BEG?" "NO." "WHAT'S GOING ON, FRANK?" "I WANT TO KEEP IT STRAIGHT IN MY HEAD" "WHAT JOB I'M DOING." "AND WHAT IS THAT, EXACTLY?" "MAKING ME FEEL LIKE SHIT?" "NO." "I'M SORRY." "THIS IS MY FAULT." "DON'T APOLOGIZE, FOR GOD'S SAKE." "TELL ME WHAT I DID." "I'M A BIG GIRL." "YOU DIDN'T DO ANYTHING." "IT WAS ME." "I GOT INVOLVED WITH MY CLIENT." "YOUR CLIENT?" "I MADE A MISTAKE." "YOUR CLIENT?" "SO YOU'RE NOT ATTRACTED TO YOUR CLIENT ANYMORE?" "OH, CHRIST, I TOLD YOU WHY." "I" "I CAN'T..." "I CAN'T PROTECT YOU LIKE THIS." "SO THAT'S IT FOR ME?" "THAT'S IT?" "YEAH." "WELL, I DON'T BELIEVE IT!" "YOU CAN LIVE WITH IT OR FIRE ME." "BUT I CAN'T FUCK YOU." "SHE'S REAL MAD AT YOU, ISN'T SHE?" "SHE TOLD ME SHE DOESN'T UNDERSTAND" "WHY YOU'RE BEING SO SHITTY TO HER." "I DON'T LIKE IT WHEN YOU USE THAT LANGUAGE." "I SPENT A LOT OF TIME" "LEARNING NOT TO REACT TO THINGS" "LIKE OTHER PEOPLE DO." "THAT'S MY JOB." "BUT IT DOESN'T ALWAYS WORK." "IT DOESN'T ALWAYS WORK." "I DON'T THINK I UNDERSTAND." "I'M AN OLD MAN COMPARED TO YOU, PAL," "AND I DON'T UNDERSTAND EITHER." "I'M STARTING TO GET THE FEELING" "THAT I NEVER WILL." "TA-DA!" "THOUGHT YOU'D LIKE TO KNOW." "EVERYONE SAID SHE WAS A SURE THING." "BUT, OF COURSE, YOU ALREADY KNEW THAT." "I AM SORRY." "IT'S COMPLETELY OUT OF LINE." "IT'S NONE OF MY BUSINESS." "COME ON, BUDDY." "LET'S GO." "[ENTERTAINMENT TONIGHT THEME PLAYS]" "John Tesh:" "IT'S OFF TO MIAMI TODAY" "FOR BEST ACTRESS NOMINEE RACHEL MARRON." "SHE WILL GIVE TWO AIDS CHARITY CONCERTS" "AT THE GLAMOROUS FONTAINEBLEAU HILTON." "1,000 A PLATE, NO LESS," "AND IT'S A BRAVE MAN WHO'D DENY" "THE LOVELY LADY WAS WORTH EVERY CENT." "Woman on two-way radio:" "ROGER, 12. 14 SAYS..." "Man:" "THIS IS MOBILE 1 TO STATION 2." "0-2, ENGINEERING." "HAVE THEM DO A 14 REFERENCE" "TO PRESIDENTIAL SUITE BALCONY RIGHT AWAY." "IT'S OK." "THEY'RE CLEAR." "MOBILE 2 TO CATERING." "SECURITY REQUESTS MAIN KITCHEN AISLE" "TO BE KEPT FREE OF ALL OBSTRUCTIONS" "ON TROPIGALA STAGE LEVEL," "EFFECTIVE IMMEDIATELY." "MOBILE 2 TO FRONT OF HOUSE." "SECURITY REQUESTS UPDATED LIST OF ALL TICKET HOLDERS" "FOR RACHEL MARRON CONCERT." "PLEASE FAX COPIES OF ANY NAMES WHICH WERE ADDED TO THE LIST" "TO SECURITY CENTRAL OFFICE AS SOON AS POSSIBLE." "WHAT A SILLY JOB THIS IS." "Man:" "OK, WE'RE ROLLING." "SHOW TIME, EVERYBODY." "IS THIS REALLY NECESSARY?" "YES, IT IS LET'S GO." "QUIT BITCHING, FARMER." "THIS IS THE PART YDO GET PAID FOR." "COULD YOU GIVE US A MINUTE?" "HOW DO YOU LIKE OUR CITY?" "OH, I LOVE IT." "I LOVE MIAMI." "¶ TAKE MY LOVE ¶" "¶ I'LL NEVER ASK FOR TOO MUCH ¶" "¶ JUST ALL THAT YOU ARE ¶" "¶ AND EVERYTHING THAT YOU DO ¶" "¶ I DON'T REALLY NEED TO LOOK ¶" "¶ VERY MUCH FARTHER ¶" "¶ I DON'T WANT TO HAVE TO GO ¶" "¶ WHERE YOU DON'T FOLLOW ¶" "¶ I'M HOLDIN' BACK AGAIN ¶" "¶ THIS PASSION INSIDE ¶" "¶ I CAN'T RUN FROM MYSELF ¶" "¶ THERE'S NOWHERE TO HIDE ¶" "¶ YOUR LOVE I'LL REMEMBER FOREVER ¶" "¶ DON'T MAKE ME CLOSE ONE MORE DOOR ¶" "¶ I DON'T WANT TO HURT ANYMORE ¶" "¶ STAY IN MY ARMS ¶" "¶ IF YOU DARE ¶" "¶ OR MUST I IMAGINE YOU THERE?" "¶" "¶ DON'T WALK AWAY FROM ME ¶" "¶ I HAVE NOTHING ¶" "¶ NOTHING ¶" "¶ NOTHING ¶" "¶ DON'T MAKE ME ¶" "¶ CLOSE ¶" "¶ ONE MORE DOOR ¶" "¶ I DON'T WANNA HURT ANYMORE ¶" "¶ STAY IN MY ARMS ¶" "¶ IF YOU DARE... ¶" "DID YOU ARRANGE ALL THIS?" "MM-HMM." "HEY, HEY." "THAT'S ME." "HELLO, FRANK." "PORTMAN." "BEEN A LONG TIME." "YOU ON THE JOB?" "YEAH, WELL..." "TECHNICALLY, I'M OFF DUTY," "BUT THE GOVERNOR MIGHT SHOW UP HERE LATER," "SO I THOUGHT I'D GIVE IT A LIGHT CHECK." "SOMEONE ELSE IS COVERING HIM RIGHT NOW." "HOW OLD'S SHE?" "MAYBE 18." "[APPLAUSE]" "Rachel:" "THANK YOU." "THANK YOU." "THANK YOU SO MUCH." "LISTEN, YOU'RE SO RIGHT." "SO RIGHT." "I WANT YOU ALL TO HAVE A GOOD TIME" "AND DRINK AS MUCH OF BEN SCHILLER'S LIQUOR" "AS YOU POSSIBLY CAN." "THANK YOU." "WELL, I'D CALL THAT" "A STEP UP FROM THE PRESIDENT." "PROBABLY SINGS BETTER, TOO." "A HANDFUL..." "OH, YEAH." "LOST TRACK OF YOU AFTER THE REAGAN THING." "YEAH." "WASN'T YOUR FAULT, FRANK." "YOU WEREN'T EVEN THERE." "I NEED A DRINK." "OOH!" "THAT'S ORANGE JUICE." "SO, WHO ARE YOU?" "GREG PORTMAN." "I TAKE IT YOU'VE MET MY BODYGUARD." "WE USED TO WORK TOGETHER." "OH." "OH, WELL, WELL." "SO WHAT DO YOU DO NOW?" "SAME THING AS FARMER." "OH, TWO SAMURAI, HUH?" "SO, ARE YOU WORKING NOW?" "NOT RIGHT NOW." "GOOD." "BECAUSE I'M THE ONLY PERSON IN THIS ROOM" "THAT NEEDS PROTECTION." "LET'S GO GET A DRINK." "A REAL ONE." "ORANGE JUICE, SIR?" "I'VE BEEN WATCHING YOU ALL NIGHT" "FROM ACROSS THE ROOM." "WHY DON'T YOU GO BACK THERE" "AND KEEP WATCHING?" "NO." "NO, I'M NOT DOING THIS." "I THINK YOU ARE." "NO." "NO!" "PLEASE GO NOW." "NOT RIGHT NOW." "TONY." "MR. PORTMAN WAS JUST LEAVING US." "GOOD NIGHT, RACHEL." "SHIT." "WHAT ARE YOU LOOKING AT?" "YOU PROBABLY NEVER HAD A HEAVY NIGHT" "IN YOUR WHOLE DAMN DISCIPLINED LIFE." "OHH." "COFFEE?" "YOU KNOW, FARMER," "YOU'RE A SELF-RIGHTEOUS SON OF A BITCH." "AND DON'T LAUGH AT ME." "DON'T YOU DARE JUDGE ME!" "OH, GIVE ME A BREAK, WILL YA?" "I MEAN, I DIDN'T TELL YOU TO FUCK" "EVERYBODY IN THE HOTEL." "FUCK THIS." "I DON'T NEED THIS SHIT FROM YOU." "INDUSTRIAL DETERGENT, FRANK." "IT MATCHES THE TRACES IN THE GLUE." "WE'RE GETTING TO HIM." "WE'RE GOING TO NAIL THIS SUCKER." "DON'T TAKE TOO LONG, ALL RIGHT?" "FRANK, IT IS GOOD MONEY, ISN'T IT?" "YEAH, IT'S GOOD MONEY." "RACHEL?" "WHERE IS SHE?" "I DON'T KNOW." "WHERE'S TONY?" "I DON'T KNOW." "I THOUGHT YOU WERE WITH HER." "THURINGER, THIS IS FARMER." "WHERE'S YOUR MAN AT THE DOOR?" "THE DOOR TO THE SUITE." "WHERE IS HE?" "GET SOMEBODY UP HERE NOW." "HE DOESN'T KNOW." "WHERE YOU GOING?" "HI, BILL." "RACHEL, WHERE IN THE HELL HAVE YOU BEEN?" "I WENT TO BAL HARBOUR FOR A LITTLE SHOPPING." "Tony:" "YOU WANT THESE IN THE BEDROOM, RACH?" "Rachel:" "NO, LEAVE THEM RIGHT THERE." "I WANT TO TAKE A LOOK AT THEM." "Bill:" "YOU HAD US WORRIED." "YOU KNOW YOU'RE NOT SUPPOSED TO DO THAT." "BILL, I'LL DO WHAT I WANT WHEN I WANT." "BESIDES..." "I'M TIRED OF HANGING AROUND A BUNCH OF DEADBEATS." "NO OFFENSE, TONY." "ONE MORE TIME, AND I'M GONE." "YOU REMEMBER SOMETHING, FARMER." "YOU WORK HERE." "YOU WORK FOR ME." "RACHEL." "WHERE YOU GOING, FARMER?" "I'M GOING TO CHECK THE ROUTE, AS USUAL." "DID FLETCHER CALL?" "GOMEZ!" "LOUIS GOMEZ!" "WHAT ARE YOU DOING?" "IT'S NONE OF YOUR FUCKIN' BUSINESS." "MOVE IT." "WHY DON'T YOU STICK IT UP YOUR ASS, HUH?" "STOP!" "STOP!" "DON'T HURT MY HUSBAND!" "PLEASE DON'T HURT MY HUSBAND!" "PLEASE DON'T HURT MY HUSBAND." "HE NO DO NOTHING." "[CRYING]" "OH, PLEASE, MISTER, PLEASE." "I'M SORRY." "[RING]" "HELLO." "MOMMY?" "FLETCHER, BABY, IS THAT YOU?" "NO-O-O-O." "NO-O-O-O." "FRANK." "LISTEN." "UH..." "I'M THROUGH, BILL." "WHAT?" "I SAID I'M THROUGH." "I'LL GET YOU BACK TO L.A. AND THAT'S IT." "THE GUY WITH FLETCHER CAN COVER YOU" "TILL YOU GET A REPLACEMENT." "SHE GOT A CALL WHILE YOU WERE DOWNSTAIRS." "I DON'T CARE." "IT WAS HIM, FRANK." "SAME GUY." "IT REALLY SHOOK HER UP." "SHE THOUGHT IT WAS FLETCHER" "CALLING FROM L.A." "SHE'LL BE REASONABLE NOW." "COME ON!" "SAVE IT, DEVANEY!" "THE PEOPLE WHO HIRE ME," "THEY DON'T HAVE TO BE CONVINCED" "TO SAVE THEIR OWN LIVES." "CALL ME WHEN SHE'S READY TO GO DOWN." "FRANK?" "FARMER, NOTHING THAT'S HAPPENED" "BETWEEN US MATTERS." "I UNDERSTAND NOW." "AND YOU'RE GOING TO HAVE TO BELIEVE ME," "BECAUSE I'M NOT GOING TO BEG." "IT WASN'T WHAT HE SAID." "IT WAS THE WAY HE SAID IT." "FRANK, I NEED YOU." "I'M AFRAID." "AND I HATE MY FEAR." "PLEASE PROTECT ME." "PROTECT FLETCHER." "IF ANYTHING EVER HAPPENED TO HIM, FRANK" "I CAN'T." "I CAN'T PROTECT YOU LIKE THIS." "IT'S, UH..." "IT'S IMPOSSIBLE." "THE ODDS ARE ALL ON HIS SIDE." "I WILL DO WHATEVER YOU SAY." "HA HA HA HA." "I'D WANT TO TAKE YOU AWAY FROM HERE" "FOR A WHILE." "ALL RIGHT." "I CAN DO THAT." "IT WOULD MEAN CANCELING" "THE REST OF YOUR CONCERT DATES." "ALL RIGHT." "NO MORE SY." "YOU GIVE DEVANEY AND TONY A VACATION." "OK." "ALL RIGHT." "YOU CROSS ME UP THIS TIME, RACHEL," "I SWEAR I'LL KILL YOU MYSELF." "[ARF ARF]" "[ARF]" "LAKE'S A LITTLE LOW." "IT'LL RISE WHEN IT THAWS." "THEY ALL IN TROUBLE?" "HA HA." "J-JUST ONE." "[CONVERSATION]" "SAY HELLO TO HIM." "HEY, HE LIKES YOU, FLETCHER." "SO, IS THAT GOING TO PROTECT US?" "YEAH, HE'S, UH," "HE'S A TRAINED NOISEMAKER." "COME HERE, FOSTER." "TERRIFIC." "JUST WHAT WE NEED." "I DON'T LIKE BIG DOGS." "THEY DON'T KNOW WHO THEY'RE EATING." "OH, AND THIS ONE DOES?" "YEAH, THIS ONE DOES." "[GRRR] GRRR!" "GRRR." "EXCUSE ME." "KATHERINE HAD THIS PLACE ORGANIZED" "JUST THE WAY SHE WANTED IT." "THAT'S FRANK'S MAMA." "Frank:" "COME ON, PULL IT." "YOU KNOW, FLETCHER CAN'T SWIM VERY WELL." "I GUESS HE BETTER STAY IN THE BOAT, THEN." "TRY AGAIN." "WANT ME TO PULL WITH YOU?" "FRANK TELLS ME YOU'RE A SINGER." "YEAH, THAT'S RIGHT." "YEAH, WELL, UH..." "WE'RE KIND OF OUT OF THINGS UP HERE." "I'M SORRY." "THAT'S OK." "YOU MUST BE VERY SUCCESSFUL" "IF YOU NEED SOMEONE LIKE FRANK." "IT'S VERY QUIET HERE." "FRANK SPENT SIX MONTHS UP HERE" "AFTER THAT REAGAN THING." "THE REAGAN THING?" "FRANK WASN'T THERE THE DAY REAGAN WAS SHOT." "HE'S NEVER GOTTEN OVER IT." "THAT'S, UM..." "THAT'S THE DAY WE BURIED KATHERINE." "HE'S A REAL RASCAL NOW." "TELL US." "Father:" "I NEVER HIT HIM, EVER." "YOU SHOULD'VE." "THAT'S VERY UNUSUAL FOR MY PEOPLE." "SO WHAT HAPPENS," "HE'S ABOUT 10 YEARS OLD," "HE COMES TO ME, AND HE STARTS COMPLAINING." "DAD, I'M GOING TO TELL ABOUT THE TIME" "YOU STRIPPED IN COURT." "OH, WOW!" "YEAH!" "I DON'T MIND." "I'M PROUD OF THAT." "SO, ANYWAY..." "HE STARTS PLAYING TACKLE FOOTBALL" "WHEN HE'S 10 YEARS OLD," "AND ONE DAY HE COMES TO ME AND HE SAYS" "HE'S AFRAID OF BEING HIT." "SAYS IT'S MY FAULT." ""HOW COME YOU NEVER HIT ME?"" "HE SAYS TO ME." "HOW ABOUT THAT, HUH?" "HE GOT OVER IT." "TURNED INTO ONE HELL OF A WIDE RECEIVER." "HE WAS ALWAYS LIKE THAT, MY SON." "COULDN'T STAND BEING AFRAID." "IF SOMETHING SCARED HIM," "HE'D JUST KEEP DOING IT UNTIL THE FEAR WENT AWAY." "HIS MAMA WAS THE SAME WAY." "YOU HAVE A BEAUTIFUL FAMILY." "YOU HAD ENOUGH TO EAT?" "FLETCHER, WIPE YOUR MOUTH." "SAVE SOME FOR DESSERT." "YOU THROUGH, BUCKET MOUTH?" "I WON'T TELL THEM ABOUT WHEN YOU WERE 13" "AND FIRST FOUND OUT ABOUT GIRLS." "HE CAME HOME ONE NIGHT..." "COME ON, FRANK." "YOU CAN RUN, BUT YOU CAN'T HIDE." "[LAUGHING]" "ALL RIGHT." "SO I'M..." "BLACK, RIGHT?" "UH-UH!" "DON'T TOUCH THAT." "YOU KNOW YOU'RE WHITE." "IT'S YOUR MOVE." "IT'S MY MOVE?" "YOU'RE SURE?" "THE LAST MOVE," "I TOOK YOUR ROOK WITH MY BISHOP." "THAT'S RIGHT." "HOW LONG HAS THIS BEEN GOING ON?" "THREE YEARS." "FIRST YEAR HE REALLY HAD ME ON THE RUN." "WHAT DO YOU THINK?" "KNIGHT TO KING 4." "CITY KID." "SON, YOU COME HERE AND SIT WITH ME." "WELL, THAT'S IT FOR ME, GUYS." "I'M TIRED." "I'M GOING TO BED." "YOU'RE IN TROUBLE." "YEAH, WELL..." "FOSTER, RIGHT HERE." "TURN AROUND." "GOOD BOY." "GOOD NIGHT, RACHEL." "GOOD NIGHT, FRANK." "GOOD NIGHT, FOSTER." "IT'S GOOD TO HEAR YOU LAUGH." "STAY." "YOU'RE VERY THOROUGH." "WHAT'S HAPPENING WITH YOU AND RACHEL?" "COME ON." "ONE MINUTE SHE HAS MAGNETIC HANDS," "AND THE NEXT, SHE HATES YOU." "I DON'T KNOW WHAT'S GOING ON RIGHT NOW." "YOU FOLLOW ALL HER MOVES THIS CLOSELY?" "IT'S A LIVING." "NO, IT'S NOT." "YOU MUST THINK MY LIFE'S PRETTY SICKLY, DON'T YOU?" "NO." "YOU MUST." "I DO." "THEN WHY DON'T YOU CHANGE IT, NICKI?" "IS IT THAT EASY?" "HMM?" "YOU'RE A LOVELY WOMAN." "BUT YOU DON'T WANT ME." "I'M SURPRISED." "THOROUGH FELLOW LIKE YOURSELF." "WHY STOP AT ONE SISTER" "WHEN YOU COULD HAVE FUCKED THEM BOTH?" "I MAKE MY MISTAKES." "LOOK, YOU DIDN'T SAY NO TO THE BOSS." "IS THIS ELK?" "NOPE." "A DEER?" "YEP." "FELLA'S BIG." "¶ JESUS LOVES ME ¶" "¶ YES, JESUS LOVES ME ¶" "FIRST TIME I'VE HEARD CHURCH MUSIC" "IN THE MIDDLE OF THE WEEK." "¶ FOR THE BIBLE ¶" "¶ TELLS ME SO ¶" "¶ JESUS LOVES ME ¶" "¶ OH, YES, HE DOES ¶" "¶ JESUS LOVES ME ¶" "¶ OH, YES, HE DOES ¶" "¶ JESUS LOVES ME ¶" "¶ OH, YES, HE DOES ¶" "¶ FOR THE BIBLE ¶" "¶ TELLS ME SO ¶" "HEY, KIDDO." "HEY, HONEY." "WHERE'S FLETCHER?" "FLETCHER!" "FLETCHER!" "SHIT!" "FLETCHER!" "FLETCHER, NO!" "FLETCHER!" "FLETCHER!" "HELP!" "HE CAN'T SWIM!" "FLETCHER!" "HELP!" "FLETCHER!" "HELP!" "COME ON, SON." "LET ME HAVE HIM!" "LET ME HAVE HIM!" "FLETCHER!" "OH, CHRIST, FRANK." "HERE, FRANK." "JESUS." "WHAT WERE YOU DOING?" "FRANK, YOU'RE CRAZY!" "YOU'RE OUT OF YOUR MIND!" "YOU COULD HAVE DROWNED HIM, FRANK!" "I'M SORRY." "I GOT CARELESS." "HOW WILL WE GET THE BOAT BACK?" "PUT THEM IN THERE." "DOESN'T MATTER." "SOMEONE'S CUT THE PHONE LINES." "COULD BE ANYWHERE BETWEEN HERE AND TOWN." "BOTH THE CARS ARE DEAD." "I CAN'T SEE HOW IT WAS DONE." "HENRY?" "WHO COULD HAVE KNOWN YOU'RE HERE?" "I DON'T KNOW." "THIS PLACE HAS NOTHING TO DO WITH HER." "MAYBE IT'S GOT SOMETHING TO DO WITH YOU." "WE CAN'T WALK OUT OF HERE AT NIGHT WITH THEM." "I KNOW." "LET'S BUTTON DOWN TONIGHT." "WE'LL WALK OUT AT FIRST LIGHT." "[BREATHING]" "I WAS AN IDIOT LAST NIGHT." "SO, WHAT DID YOU THINK ABOUT TODAY?" "I THINK THIS IS NO MANIAC." "HE KNOWS WHAT HE'S DOING." "YOU'RE RIGHT." "HE DOES." "TELL ME ABOUT HIM." "WHO IS IT, NICKI?" "HE ALMOST GOT FLETCHER." "HOW DO WE STOP HIM?" "HE ALMOST GOT THE BABY." "WHO IS IT?" "I DON'T KNOW." "CALL IT OFF." "HE DOESN'T EVEN KNOW WHO HIRED HIM." "I DON'T KNOW WHO HE IS." "HE DOESN'T KNOW WHO I AM." "ALL RIGHT." "HOW DID YOU DO IT?" "I WENT" "HOW?" "I WENT TO A BAR IN EAST L.A." "I ASKED AROUND." "THERE WAS THIS GUY" "NAME." "I WANT A NAME!" "ARMANDO." "HE ARRANGED IT." "THAT'S ALL I KNOW." "IT'S ALL PAID FOR?" "IS IT ALL PAID FOR?" "AND THEN SOME, OK?" "TILL IT'S DONE." "HE KEEPS GOING UNTIL HE KILLS HER?" "YEAH." "YES." "WHAT'S THE NAME OF THE BAR?" "I'M NOT SURE." "I WAS VERY STONED." "ALL RIGHT." "ALL RIGHT." "HOW ABOUT THE LETTERS?" "THE LETTERS CAME FIRST." "I DON'T KNOW WHO'S WRITING THE LETTERS." "SHIT, THEY'RE READING MY MIND." "THOSE ARE MY THOUGHTS." "I HATE HER." "IT MADE ME THINK I COULD DO IT," "BUT I WOULD NEVER HURT THE BABY." "I WOULD NEVER HURT FLETCHER." "I KNOW." "YOU GOT TO STOP IT." "WE WILL." "WE WILL." "YOU AND ME." "OK." "OK." "OK." "FRANK, DON'T YOU EVEN WANT TO KNOW WHY?" "YOU TOLD ME." "SHE HAS EVERYTHING." "[FOSTER GROWLS]" "SO WHAT IF WE CAN'T FIND THIS GUY" "SHH." "SHH." "STAY HERE AND DON'T MOVE." "[GRRR]" "GOD!" "IT'S ME!" "WHAT'S HAPPENING?" "STAY WITH RACHEL." "NO!" "NO!" "STOP!" "I'M THE ONE WHO PAID" "DAD?" "WE'RE ALL RIGHT." "IT DOESN'T MAKE ANY SENSE, FRANK." "WHAT DO YOU MEAN?" "WE ALREADY GOT HIM." "WHERE?" "HERE." "LAST NIGHT IN L.A." "YOU SHOULD SEE THIS GUY'S LOCKER." "HE'S OBSESSED WITH HER." "YOU SURE IT'S HIM?" "FORENSICS SAY A 100% POSITIVE I.D." "AND HE'S GOT A BLACK TOYOTA 4x4." "RAY'S WITH HIM NOW." "IT'S YOU THAT SENT HER THE LETTERS, OK?" "WE DON'T NEED YOU TO ADMIT IT." "WE KNOW." "NO!" "NO!" "WHOEVER YOU GOT THERE WASN'T HERE LAST NIGHT." "THIS WAS..." "THIS WAS A PROFESSIONAL." "THIS IS CRAZY." "WHAT DO YOU WANT TO DO, FRANK?" "HOW LONG CAN YOU KEEP HIM?" "TECHNICALLY, ALL HE'S DONE IS WRITE SOME LETTERS." "48 HOURS MAXIMUM." "YOU KNOW THE DEAL." "I KNOW." "¶ JESUS LOVES ME... ¶" "Reporter:" "STRINGENT SECURITY" "SURROUNDED THE FUNERAL IN BEVERLY HILLS TODAY" "OF MUSIC EXECUTIVE NICKI MARRON," "WHO WAS GUNNED DOWN LAST WEEK" "BY AN UNKNOWN INTRUDER." "NICKI WAS THE ELDEST SISTER" "OF ENTERTAINER RACHEL MARRON." "A SPOKESMAN FOR THE OSCAR-NOMINATED ACTRESS SAID" "SHE WAS DEVASTATED BY THE TRAGIC EVENT," "ADDING THAT IT CAST A PALL" "OVER THE UPCOMING ACADEMY AWARD CEREMONIES." "IT'S NOT KNOWN IF MS. MARRON" "WILL ATTEND THE OSCARS." "¶ FOR THE BIBLE ¶" "¶ TELLS ME SO ¶" "YOU OK, FRANK?" "YEAH, FLETCHER, I'M OK." "HOW ABOUT YOURSELF?" "I COULDN'T SLEEP." "IT WAS SO SCARY JUST THINKING ABOUT IT." "DO YOU FEEL SCARED, FRANK?" "EVERYBODY'S AFRAID OF SOMETHING." "THAT'S HOW WE KNOW WE CARE ABOUT THINGS" "WHEN WE'RE AFRAID WE'LL LOSE THEM." "WHAT ARE YOU AFRAID OF?" "I THINK YOU SHOULD TRY" "TO GO BACK TO SLEEP NOW, PAL, ALL RIGHT?" "IS IT THE MAN WHO KILLED NICKI?" "ARE YOU AFRAID OF HIM?" "NO." "THEN WHAT?" "WHAT ARE YOU AFRAID OF?" "I'M AF" "I'M AFRAID OF NOT..." "BEING THERE." "IT'S LATE, FLETCHER." "WANT ME TO TAKE YOU UP TO YOUR ROOM?" "NO." "DO YOU MIND IF I SIT DOWN?" "NO." "IT ISN'T OVER YET, IS IT?" "SO HE'LL COME AGAIN?" "IT'S POSSIBLE." "AT THE OSCARS?" "MAYBE." "YOU KNOW, WHEN I WAS BACK IN SQUIRREL HILL," "I STARTED BETTING MY FRIENDS 50 BUCKS EACH" "THAT SOMEDAY I'D WIN AN OSCAR." "SO YOU CAN UNDERSTAND HOW IMPORTANT IT IS" "FOR THEM TO SEE ME THERE IF I WIN." "IF EVERY ONE OF THOSE PIKERS COMES THROUGH," "IT COULD ADD UP TO A LOT OF MONEY." "I DON'T KNOW, RACHEL." "IT'S..." "I THINK IT'S STILL DANGEROUS." "I DIDN'T GET TO THIS PLACE IN MY LIFE" "BY DOING THE SMART THING EVERY TIME." "HOW ABOUT YOU, FRANK FARMER?" "OUT THERE ON THE EDGE." "HAVEN'T YOU DONE SOMETHING IN YOUR LIFE" "THAT JUST DIDN'T MAKE MUCH SENSE" "EXCEPT SOMEWHERE INSIDE YOU," "IN YOUR STOMACH SOMEWHERE?" "I KNOW YOU HAVE," "BECAUSE NOBODY GETS GOOD WITHOUT IT," "AND I KNOW YOU'RE GOOD." "LOOK, I DON'T KNOW WHY THIS IS HAPPENING TO ME..." "BUT I KNOW IT'S NOT YOUR FAULT." "AND I HOPE YOU CAN HEAR ME," "BECAUSE THIS IS THE WAY I SAY I'M SORRY." "SO I'M GOING TO THE OSCARS AND SEE IF I WIN," "AND I'M NOT GOING TO WORRY ABOUT IT AT ALL" "BECAUSE I HAVE YOU TO PROTECT ME, RIGHT?" "THAT'S RIGHT." "THAT'S RIGHT." "JASON!" "JASON BOGARD, LADIES AND GENTLEMEN." "JASON BOGARD." "COMING OUT NOW..." "BEN GLASS, LADIES AND GENTLEMEN." "BEN'S MOVING FROM TV TO MOVIES." "OH, IT'S ROBIN MILLER." "ROBIN, OVER HERE." "Man on two-way radio:" "A-LIMOS 14, 27, 29." "MOVE UP TO ARRIVALS AREA." "WE'LL GO STRAIGHT BACK TO THE GREEN ROOM," "RIGHT, FRANK?" "GOT THAT, TONY?" "TONY KNOWS WHAT HE'S DOING." "I WISH YOU GUYS WOULD RELAX A LITTLE BIT." "NOTHING BAD'S GOING TO HAPPEN, ALL RIGHT?" "UNLESS I LOSE THE FUCKING AWARD." "JESUS, WHAT A CREW." "SCREW IT." "I'M TIRED OF WORRYING ABOUT IT." "WHEN YOUR TIME IS UP..." "IT'S UP." "RIGHT, FRANK?" "YES, THIS COULD BE THE BIG MOMENT." "WHO IS THAT?" "LET'S SEE." "THAT LOOKS LIKE..." "ONE OF OUR BIG BEST ACTRESS ACADEMY AWARD NOMINEES." "YES!" "YES!" "RACHEL!" "RACHEL MARRON!" "RACHEL!" "RACHEL!" "RACHEL!" "RACHEL!" "RACHEL MARRON," "LADIES AND GENTLEMEN!" "HOW ARE YOU?" "I'M FINE." "AND YOU?" "VERY GOOD." "YOU LOOK LOVELY TONIGHT." "THEY LOVE YOU." "ISN'T THAT GREAT?" "HOW ABOUT BEING THE QUEEN OF THIS NIGHT?" "LET'S HOPE I'M THE QUEEN OF THIS NIGHT." "GOOD LUCK IN THERE." "RACHEL MARRON, EVERYBODY." "BILL!" "BILL!" "SECURITY BRACELET CHECK." "THANK YOU." "AND THE AWARD" "FOR BEST ACHIEVEMENT IN SOUND GOES TO..." "KAY COLVIN AND MYCHAL SMITH" "FOR HOT AND COLD!" "THANK YOU SO MUCH." "I WANT TO THANK OUR PRODUCERS" "KAREN GOLDEN AND ED GORSUCH." "THANK YOU." "THERE'S A GAP-- HOUSE LEFT," "ROWS DOUBLE "E," DOUBLE "F."" "GET ME SOME FILLERS." "HI, RACHEL." "YOU LOOK BEAUTIFUL." "I NEED TO FILL YOU IN" "ON SOME OF YOUR RESPONSIBILITIES." "ALL RIGHT, SKIP." "RIGHT NOW, IT'S BEST SOUND," "THEN ANOTHER SONG, THEN YOU." "AT PRECISELY 8:07," "YOU'LL BE PRESENTING WITH CLIVE HEALY." "THESE ARE YOUR LINES." "THE TELEPROMPTER'S STRAIGHT AHEAD" "AND, WE PRAY, WORKING PERFECTLY." "THANKS, SKIP." "RACHEL, I UNDERSTAND IT'S MY GREAT HONOR" "TO ESCORT YOU ONSTAGE TONIGHT." "YEAH, THAT'S RIGHT, CLIVE," "AND I DON'T LIKE IT ONE BIT" "THAT YOU LOOK SKINNIER THAN ME." "I WISH." "HOW'S THE HOLLYWOOD CRICKET TEAM DOING?" "Woman on headset:" "COMING OUT OF COMMERCIAL" "IN 5...4...3...2..." "CUE MUSIC..." "AND CUE ROBERT..." "AND INTO ROBERT'S MONOLOGUE." "WELCOME BACK TO THE 67th ACADEMY AWARDS." "I HEARD THAT IN NEW YORK THE ECONOMY'S GOTTEN SO BAD" "THAT THE MAFIA HAS LAID OFF FIVE JUDGES." "TONY?" "I'M GOING TO LOOK AROUND." "THEN I'LL COME BACK FOR HER." "OKEY-DOKE." "AND HEY-- NO MORE CARROTS." "DID YOU LIKE THE COUPLE THAT WON BEST SOUND?" "EVER SEE A WOMAN WORKING ON SOUND LOOK LIKE THAT?" "SHE MUST HAVE BEEN THE BOOM GIRL." "THE BA-DA-BING, BA-DA-BOOM GIRL THERE." "IF SHE'S WORKING SOUND, WHO'S LISTENING?" "30 SECONDS TO LIGHTING CHANGE." "HE WAS VERY ELOQUENT." ""THIS IS THE MOST HAPPIEST DAY OF MY LIFE."" "HIS MOTHER WAS THE MOST PROUDEST OF HIM THEN, HUH?" "GIVE HIM A 20 SECONDS, PLEASE." "PORTMAN." "HEY, FRANK." "HOW YOU DOING?" "WHAT ARE YOU DOING HERE?" "JUST ON THE JOB." "WHO?" "HIM." "SHORT-TERM GIG," "BUT PROFITABLE." "10 SECONDS." "LISTEN, FRANK, I'M SORRY ABOUT MIAMI." "5...4...3...2..." "CUE MUSIC..." "AND CUE DANCERS." "¶ DON'T MAKE ME CLOSE ONE MORE DOOR ¶" "WELL, BACK TO WORK." "PROBABLY SEE YOU AT THE GOVERNOR'S BALL." "¶ STAY IN MY ARMS IF YOU DARE ¶" "¶ MUST I IMAGINE YOU'RE THERE?" "¶" "¶ DON'T WALK AWAY FROM ME ¶" "NOT A BAD VOICE." "NOW, I WANT THAT BROAD RUN OUT OF TOWN." "SHE'S GOT TO GO." "TONY, YOU THERE?" "TONY, YOU THERE?" "YEAH, FRANK." "YEAH." "TONY, THIS IS THE NIGHT." "I THINK HE'S GONNA GO FOR HER" "IN FRONT OF ALL THE CAMERAS." "THAT'S CRAZY." "THAT'S HOW HE WANTS IT TO LOOK," "EXCEPT HE ISN'T CRAZY." "HE'S VERY CLEVER." "EXCUSE ME." "EXCUSE ME." "YOU CAN'T USE THAT BACK HERE." "THE BREAKTHROUGH'S KILLING OUR RADIO MIKES." "I'LL HAVE TO DISCONNECT YOU." "ALL RIGHT." "I SAID I'LL DO IT." "FRANK?" "YOU'LL GET IT BACK RIGHT AFTER THE SHOW." "Skip:" "RACHEL?" "CLIVE?" "WHAT'S WRONG?" "WE'RE READY TO GO." "FRANK..." "RACHEL, SHALL WE GO?" "EXCUSE ME, GENTLEMEN." "IS THIS NECESSARY?" "MUST WE HAVE EVERYONE?" "WE HAVE OUR OWN MAN AT THE DOOR." "NO." "I WANT HIM." "FINE." "STAY ALERT." "COME, RACHEL." "LET US BRIGHTEN THIS FIRMAMENT." "¶ OH ¶" "¶ YOU, YOU, YOU, YOU ¶" "¶ YOU ¶" "COMING THROUGH, PLEASE." "COMING THROUGH." "TIME?" "HOW MUCH TIME?" "RESETTING STAIRCASES." "RESETTING STAIRCASES." "SCENERY COMING IN." "HEADS UP, GUYS." "30 SECONDS TO LIGHTING CHANGE." "COMING THROUGH, PLEASE." "YOU'RE LOOKING BEAUTIFUL." "30 SECONDS." "DON'T PANIC." "CLEAR THIS AREA, PLEASE." "COMING RIGHT HERE." "STAND BY CAPTION SUPERS." "GIVE 'EM 20 SECONDS, PLEASE." "OK, RACHEL." "UP THE STEPS," "TO THE RIGHT, AND THROUGH." "CLIVE, UP THE STEPS," "TO THE LEFT, AND THROUGH." "YOU'LL MEET ON THE LANDING." "WATCH YOUR STEP GOING DOWN." "SOMEBODY SPILLED SOME WATER." "RACHEL?" "SHALL WE?" "DO TRY AND RELAX, RACHEL." "YOU MUST BE VERY EXCITED." "THANK YOU." "MOVING ON HERE." "TO PRESENT THE AWARD FOR BEST SONG," "HOLLYWOOD'S NEWEST ROYAL COUPLE." "HE IS ENGLAND'S KNIGHT IN SHINING ARMOR." "SHE IS AMERICA'S QUEEN OF THE NIGHT." "PLEASE WELCOME CLIVE HEALY AND RACHEL MARRON." ""WELL, RACHEL..." ""I KNOW YOU ONLY CAME TO PRESENT THIS AWARD" "AND WILL WANT TO LEAVE AS SOON AS WE'RE DONE."" "[LAUGHTER]" ""NO, CLIVE." "I'M VERY INTERESTED..." "BEST ACTOR."" "[LAUGHTER]" ""OVER THE COURSE OF THE EVENING," ""WE'VE HEARD FIVE SMASHING SONGS" "AND THE NAMES OF THEIR ARTISTS."" ""NO MATTER WHAT ANYONE THINKS," ""I KNOW YOU HAVE NO PERSONAL FAVORITES." ""THE BEST SONG NOMINEES ARE" ""CLOCK ON THE WALL," ""FROM THE DINING ROOM TABLE," "BY DANA S. LEE AND SARAH SPRING."" "[APPLAUSE]" ""GIVE ME YOUR TRUST," ""FROM OUT OF THE GLOOM--"" "[BEEPING]" ""BY DAVID SIEGEL AND BARBARA G. GORDON."" "[BEEPING]" ""I HAVE NOTHING" ""FROM QUEEN OF THE NIGHT," "BY NANCY GARBER."" "[APPLAUSE]" ""AND REFLECTIONS OF MY HEART" "FROM HOT AND COLD BY LESLIE MORAES."" "[APPLAUSE]" ""LET'S FIND OUT..." "WHO THE WINNER IS."" "THE ENVELOPE." "RACHEL, SHALL I DO THE HONORS?" "[LOUD BEEPING]" "AND THE WINNER IS..." "I HAVE NOTHING FROM QUEEN OF THE NIGHT." "MUSIC AND LYRICS BY NANCY" "SOMEBODY CHECK INTO..." "SHE'S GOOD." "NAH, SHE'S GOOD, FRANK." "[CONCERNED VOICES]" "Rachel:" "I'M OK!" "I'M FINE!" "I ALWAYS SAID SHE WAS NUTS." "I'M OK, ALL RIGHT?" "FARMER!" "YOU MADE ME INTO A RAVING LUNATIC!" "15 SECONDS." "FOR GOD'S SAKE!" "OK." "I GOT YOU." "YOU OK?" "YEAH!" "10 SECONDS." "FUCKING ACTRESSES." "WHERE'S PORTMAN?" "PORTMAN." "WHO?" "NEVER HEARD OF HIM." "THREE..." "AND YOU'RE ON." "IF YOU WANT TO BE IN YOUR SEAT" "FOR THE BEST ACTRESS AWARD, YOU HAVE TO GO NOW." "I'M MOVING AS FAST AS I CAN." "YOU GO TWITCH SOMEWHERE ELSE!" "HONEY, EVERYTHING'S FINE." "NO ONE NOTICED A THING." "EVERYONE IN THIS BUILDING" "IS READY TO JUMP OUT OF THEIR SKIN WITH NERVES." "BULLSHIT!" "YOU SAW ME." "FARMER'S MAKING ME INTO A FUCKING LUNATIC!" "YOU'RE DRIVING HER CRAZY." "I KNOW WHO IT IS." "SHUT UP." "WILL YOU SHUT UP?" "SHUT UP!" "YOU'RE A MANIAC!" "YOU'VE EMBARRASSED ME IN FRONT OF" "BILLIONS OF PEOPLE, AND YOU WON'T QUIT!" "RACHEL, WAIT FOR FRANK." "THREE MINUTES" "YOU CALM THE FUCK DOWN!" "Rachel:" "WELL, IS HE COMING OR NOT?" "TONY, I KNOW WHO IT IS." "WHO?" "IT'S PORTMAN." "REMEMBER?" "THE GUY-- THE GUY IN MIAMI." "OH, YEAH." "THE PENCIL-NECK." "IS ANYBODY COMING WITH ME?" "AFTER TONIGHT, YOU'RE BACK IN CHARGE." "THIS GUY KNOWS NOTHING ABOUT SHOW BUSINESS." "TWO MINUTES TO BEST ACTRESS." "YOU'RE AN ASSHOLE." "HERE TO PRESENT THE BEST ACTRESS AWARD," "WE HAVE THE MAN WHO LAST YEAR RECEIVED OUR TOP HONOR" "FOR HIS PERFORMANCE IN SOUTH OF WACO." "LADIES AND GENTLEMEN, LET'S WELCOME MR. TOM WINSTON." "THANK YOU, ACADEMY." "TONY." "DID YOU SEE HIM?" "NO." "I NEED YOU ON THE OTHER SIDE." "DOING WHAT?" "YOU SEE THOSE PEOPLE STANDING THERE?" "THEY DON'T NEED TO BE THERE." "MOVE THAT GUY WITH THE CAMERA." "I'LL TAKE CARE OF IT." ""RACHEL MARRON FOR QUEEN OF THE NIGHT."" "TONY!" "TONY!" "AND..." "WHAT ARE YOU GOING THERE?" "HEY, I SAID YOU!" "OW!" ""RACHEL MARRON!" "QUEEN OF THE NIGHT!"" "GO TO COMMERCIAL!" "HE'S GOT A GUN!" "HE'S GOT A GUN!" "RACHEL!" "FRANK, WHAT ARE YOU DOING?" "PORTMAN!" "PORTMAN!" "LOOK OUT!" "OH, MY GOD!" "ONE OF US WANTS TO KNOW WHAT'S GOING ON." "SHE'S BLEEDING!" "SHE'S BLEEDING!" "IT'S NOT ME!" "IT'S NOT ME!" "HE'S MY BODYGUARD!" "FRANK, FRANK..." "NO, NO, NO!" "FRANK, FRANK." "STAY WITH ME, FRANK." "STAY WITH ME." "COME ON, FRANK." "COME ON, COME ON." "GOD!" "HURRY UP!" "COME ON, FRANK." "STAY WITH ME." "STAY WITH ME, BABY." "STAY WITH ME." "LET THEM WORK." "LET THEM WORK." "HEY, HEY, HEY!" "HA HA!" "HOW'S IT GOING?" "IT'S UNDER CONTROL." "IT WON'T BE THE SAME WITHOUT YOU." "HI, FRANK!" "HOW YOU DOING, FLETCH?" "YOU SHOULDN'T BE HERE." "SO YOU'RE QUITTING SHOW BUSINESS, HUH?" "YEAH." "TOO BAD." "YOU HAD TALENT." "FLETCHER, GO TO THE PLANE." "GO." "SO, HOW'S THE NEW GUY?" "HE'S GOT WHITE HAIR, FRANK." "HE'S VERY GOOD." "YEAH, BUT DID YOU HAVE TO GET ME AN OLD MAN?" "I DON'T TRUST YOU." "YEAH, WELL, LET'S GET THIS OVER WITH, OK?" "GIVE ME A KISS." "GOODBYE, RACHEL." "GOODBYE, FRANK." "¶ IF I ¶" "¶ SHOULD ¶" "¶ STAY ¶" "¶ I WOULD ONLY BE IN ¶" "¶ YOUR WAY-AY-AY ¶" "¶ SO I'LL ¶" "¶ GO ¶" "YOU OK?" "YEAH, I'M OK." "¶ BUT I KNOW ¶" "¶ I'LL THINK OF YOU ¶" "¶ EVERY STEP OF ¶" "¶ THE WAY-AY-AY ¶" "WAIT!" "¶ AND I--I ¶" "¶ I ¶" "¶ WILL ALWAYS ¶" "¶ LOVE YOU-OU-OU ¶" "¶ I ¶" "¶ WILL ALWAYS ¶" "¶ LOVE YOU-OU ¶" "¶ YOU ¶" "¶ MY DARLING, YOU ¶" "¶ BITTERSWEET ¶" "¶ MEMORIES ¶" "¶ THAT IS ALL ¶" "¶ I'M TAKING ¶" "¶ WITH ME-E-E ¶" "¶ SO GOODBYE ¶" "¶ PLEASE DON'T CRY ¶" "¶ WE BOTH KNOW ¶" "¶ I'M NOT WHAT YOU ¶" "¶ YOU NEE-EE-EED ¶" "¶ AND I--I ¶" "¶ I ¶" "¶ WILL ALWAYS LOVE YOU-OU-OU ¶" "¶ I WILL ALWAYS ¶" "¶ LOVE YOU-OU ¶" "OUR SPEAKER THIS EVENING" "HAS BEEN A LONE, COURAGEOUS VOICE." "HE ALONE HAS CHALLENGED THOSE" "WHO HAVE LINKED ORGANIZED CRIME" "WITH LEGITIMATE BUSINESS THROUGHOUT OUR STATE." "WELCOME, CONGRESSMAN." "FIRST OUR BENEDICTION WILL BE DELIVERED" "BY THE REVEREND PHILLIP HARDY" "OF THE FIRST PRESBYTERIAN CHURCH OF IOWA RAPIDS." "HEAVENLY FATHER," "PLEASE BLESS US TODAY" "AS WE MEET IN FRIENDSHIP AND DUTY." "AND, LORD, WHATEVER DANGEROUS ENDEAVORS" "THOSE AMONG US MAY TAKE," "LET THEM NEVER BE" "WITHOUT YOUR SANCTUARY," "FOR WE ALL KNOW IN OUR HEARTS" "THAT EVEN THOUGH WE MAY PASS THROUGH" "THE VALLEY OF THE SHADOW OF DEATH," "YOU ARE WITH US," "GUIDING AND PROTECTING US." "AMEN." "¶ AND I--I--I ¶" "¶ WILL ALWAYS LOVE YOU-OU-OU ¶" "¶ I WILL ALWAYS ¶" "¶ LOVE YOU ¶" "¶ I WILL ALWAYS ¶" "¶ LOVE YOU-OU-OU ¶" "¶ I WILL ALWAYS LOVE YOU-OU-OU ¶" "¶ I WILL ALWAYS ¶" "¶ LOVE YOU-OU-OU ¶" "¶ YES, I--I WILL ALWAYS ¶" "¶ LO-O-O-OVE ¶" "¶ YOU-OU-OU ¶" "¶ YOU-OU ¶" "¶ MY DARLING, YOU ¶" "¶ YOU KNOW, YOU KNOW I DO ¶" "¶ I'LL ALWAYS LOVE ¶" "¶ YOU-OU-OU ¶" "¶ I'VE GOT THE STUFF THAT YOU WANT ¶" "¶ I'VE GOT THE THING THAT YOU NEED ¶" "¶ I'VE GOT MORE THAN ENOUGH ¶" "¶ TO MAKE YOU DROP TO YOUR KNEES ¶" "¶ 'CAUSE I'M THE QUEEN OF THE NIGHT ¶" "¶ THE QUEEN OF THE NIGHT ¶" "¶ OH, YEAH ¶" "¶ OH, YEAH ¶" "¶ OH, YEAH, YEAH ¶" "¶ DON'T MAKE NO DIFFERENCE IF I'M WRONG OR I'M RIGHT ¶" "¶ I'VE GOT THE FEELIN' AND I'M WILLIN' TONIGHT ¶" "¶ WELL, I AIN'T NOBODY'S ANGEL ¶" "¶ WHAT CAN I SAY?" "¶" "¶ WELL, I'M JUST THAT WAY ¶" "¶ I'VE GOT THE STUFF THAT YOU WANT ¶" "¶ THE STUFF THAT YOU WANT ¶" "¶ THE THING THAT YOU NEED ¶" "¶ THING THAT YOU NEED ¶" "¶ I'VE GOT MORE THAN ENOUGH ¶" "¶ TO MAKE YOU DROP TO YOUR KNEES ¶" "¶ 'CAUSE I'M THE QUEEN OF THE NIGHT ¶" "¶ QUEEN OF THE NIGHT ¶" "¶ QUEEN OF THE NIGH¶" "¶ QUEEN OF THE NIGHT ¶" "¶ OH, YEAH ¶" "¶ OH, YEAH, YEAH ¶" "¶ JUST SAY IT, SAY IT, SAY IT ¶" "¶ 'CAUSE I'M THE QUEEN OF THE NIGHT ¶" "¶ QUEEN OF THE NIGHT ¶" "¶ QUEEN OF THE NIGHT ¶" "¶ QUEEN OF THE NIGHT ¶" "¶ OH, YEAH ¶" "¶ OH, YEAH ¶ ¶ OH, YEAH ¶" "¶ YEAH ¶" "¶ YOU GOT A PROBLEM WITH THE WAY THAT I AM ¶" "¶ THEY SAY I'M TROUBLE ¶" "¶ AND I DON'T GIVE A DAMN ¶" "¶ BUT WHEN I'M BAD I KNOW I'M BETTER ¶" "¶ I JUST WANNA GET LOOSE ¶" "¶ AND TURN IT UP ¶" "¶ FOR YOU, BABY ¶" "¶ 'CAUSE I'VE GOT THE STUFF THAT YOU WANT ¶" "¶ STUFF THAT YOU WANT ¶" "¶ THE THING THAT YOU NEED ¶" "¶ I'VE GOT MORE THAN ENOUGH ¶" "¶ TO MAKE YOU DROP TO YOUR KNEES ¶" "¶ 'CAUSE I'M THE QUEEN OF THE NIGHT ¶" "¶ QUEEN OF THE NIGHT ¶" "¶ QUEEN OF THE NIGHT ¶" "¶ OH, YEAH ¶ ¶ OH, YEAH ¶" "¶ JUST SAY IT, SAY IT AGAIN ¶" "¶ 'CAUSE I'M THE QUEEN OF THE NIGHT ¶" "¶ THE QUEEN OF THE NIGHT ¶" "¶ QUEEN OF THE NIGHT ¶" "¶ OH, YEAH, OH, YEAH ¶" "¶ OH, YEAH ¶" "¶ OH, YEAH ¶" "BREAK IT DOWN." "¶ BABY ¶" "¶ EE-EUW-YEAH ¶" "¶ OH-OH-EE-EUW ¶" "¶ I'VE GOT THE STUFF THAT YOU WANT ¶" "¶ THE STUFF THAT YOU WANT ¶" "¶ THE THING THAT YOU NEED ¶" "¶ I'VE GOT MORE THEN ENOUGH ¶" "¶ TO MAKE YOU DROP TO YOUR KNEES ¶" "¶ 'CAUSE I'M THE QUEEN OF THE NIGHT ¶" "¶ THE QUEEN OF THE NIGHT ¶" "¶ QUEEN OF THE NIGHT ¶" "¶ QUEEN OF THE NIGHT ¶" "¶ OH, YEAH ¶" "¶ OH, YEAH, UH-UH ¶" "¶ SAY IT AGAIN ¶" "¶ 'CAUSE I'M THE QUEEN OF THE NIGHT ¶" "¶ QUEEN OF THE NIGHT ¶" "¶ QUEEN OF THE NIGHT ¶" "¶ QUEEN OF THE NIGHT ¶" "¶ OH, YEAH, OH, YEAH ¶" "¶ OH, YEAH, YEAH ¶" "¶ 'CAUSE I'M THE QUEEN OF THE NIGHT ¶" "¶ THE QUEEN OF THE NIGHT ¶" "¶ OH, YEAH, OH, YEAH... ¶" "CAPTIONING MADE POSSIBLE BY WARNER BROS."