"Previously on Project Runway..." "You're going to be designing your own textile." "I've never designed my own fabric." "Wow." "I want one of these at home." "Oh, I love it!" "I kind of had a block on this challenge." " Unblock." " This is getting so hard." "Emilio, you are the winner of this challenge." "Thank you." "Maya, you're in." "I don't want to be safe." "I want to win a challenge." "This was yet another simple cocktail dress." "Anthony, you're out." "Mila, which one of them will be in, and which one will be out?" "I'm sorry, Cerri." "I think I'm gonna go with Kristina." "Thank you." "Cerri, I'm sorry." "That means you're out." "This is Project Runway." "The winner of Project Runway will receive a fashion spread in marie claire magazine, an opportunity to sell their line on bluefly." "Com, a $50,000 technology suite to create, design, and run their business from HP and Intel, and $100,000 from L'Oréal Paris to launch their line." " Can I have coffee now, please?" " Sure." "Thank you, Seth." " I know." " You know, now that Anthony's gone, a lot of chatter, a lot of singing and a lot of jacked-up bull[bleep]" "We'll be missing, meaning a lot of fun." "He had an amazing run." "A lot of people wrote him off early, but he came through." "There is six of us left." "The competition is getting more and more intense." " [Toaster clicks]" " Mila, your toast is ready." "In the prior challenge, the judges were extremely hard on everyone." "I don't find anything intriguing about this print." "It's like a disco straitjacket." "This is a full-on catastrophe." "And so I'm stressed out just like everybody else." "But I do think my age and experience have taught me that I just have to brush myself off and move on." "I'm proud to be the youngest in the competition." "But it's a little scary sometimes, because I think everybody else has more experience than I do." "It's definitely getting harder." "I guess I haven't seen anything yet." " Ready?" " Yep." "Let's do it." "Thank you." " Hello." " Hi, Heidi." "It's time for your next challenge." "It's getting harder and harder for us to decide who will go each week." "So now, more than ever, your designs must set you apart from the competition." "And with that in mind, I'm excited to tell you that you'll be designing a look for a celebrity." "This person does have a little bit of a reputation for being opinionated, headstrong, and knowing what they want." "And I'm glad that I'm not in your shoes." "Tim will be waiting for you in the workroom to fill you in on all of the details." "Good luck, and I'll see you on the runway." "Bye." "[All] Bye." "[Seth Aaron] A very, very picky, opinionated celebrity." "I'd just totally be making [bleep] up if I said I wasn't nervous." "A celebrity." "We're all excited." "Designers, I hope you're ready for this challenge." "Okay." "You'll be designing a red-carpet look for a celebrity." "Oh, yeah." " Would you like to meet the celebrity?" " Yes." " It's [bleep] Heidi." " [Laughter]" "Hi." "[Tim] Welcome to the workroom, Heidi." "I love being here." "You said the celebrity is opinionated and picky." "I am very, very, very opinionated and very, very, very picky." " Yes, indeed." " And we love that about you." "No." "But I'm very excited, because I do want you to design for me, but I also do not want you to lose your point of view as a designer." "You have to think more simple when you think about the red carpet, because it has to work from all angles." "I will not have a bump, so think of me without ze bump." "I also will show you some things" " that I've worn in the past." " You'll have a dossier." " Sounds good?" " [Designers] Sounds great." "I do want to be on the best-dressed list..." " That's right." "...and not on the worst-dressed list." " Thank you, Heidi." " [Applause]" "All right." "I'm going to give you 30 minutes to sketch, then we're going shopping at Mood," " where you'll have a budget of $300." " Oh." "I'll be back in 30 minutes." "Thank you." "Actually, dressing Heidi Klum, not for a client, but for her, what she likes... this is a big deal." "This is one you want to win." "D You've got 30 minutes d d To make or break yourself d [laughing]" "[Jonathan] Being in the bottom last challenge was such a shock to me." "I was so confident in my outfit that I have decided that I am in reverse world, and I have no idea how to be in the top unless I make something really ugly." "And the judges would probably love it." "I don't do red-carpet dresses very often, so that worries me a little bit." "But that said, she wants something that is simple and elegant, and I definitely know how to do that." "I want to do what I do best, which is volume and texture." "And it needs to have some special detail that could be captured easily by cameras." "This is paparazzi." "This is 100 flashbulbs at the same time." "This is not about being subtle." "This has to be "wow, bam" from the moment it steps off." "[Tim] Designers, may I have your attention, please?" "Maya has something very important to share with you." "She and I have just had a talk." "So I've decided to leave the competition." " No." " No way." "Are you [bleep] crazy?" " Oh, my God." " Yeah." "I just feel like I'm really not ready to, like, go all the way yet." "We're all completely dumbfounded." " Wow." " Maya, come on." "You're so close." "[Jonathan] She's made it to the final six, and she's so talented." "She really could make it to Bryant Park." "I've done a lot, but I'm not quite ready to get to that point yet, so..." "In the beginning, I thought that I had really, really what it took." "And I do think I have great ideas." "But I just got out of school, and I'm feeling like" "I'm not fully developed as a designer yet." "What worries me about you is that you are very referential." "It's always drawing from another designer's point of view." "The day you put a collection on the catwalk that will say "inspired by," and that will destroy you." "There's some things about my own point of view as a designer that I still need to work out." "I don't want to put myself out there when I'm not completely ready to." "And I'm having a hard time just, like, performing on command, you know?" "Don't want to just see it through for one more challenge?" "No." "I really think..." "I really think that it's my time." "But I feel really, really happy that I've been here with you guys." "You guys have been really inspiring to me." "Well, we're desperately sorry to lose you, Maya." "Oh, my God." "I'm gonna miss you." "I'm really shocked." "I thought that she really wanted to go to Bryant Park." "[Jonathan] Perplexed." "Baffled." "None of us really understand why she's decided to leave." "[Jay] I think a lot of it has to do with her age." "To be that young and have this much pressure." "That's a cop-out." "If you're gonna leave, say, "Okay, I'm gonna design my ultimate outfit, and let them kick me out on that outfit."" " Good luck, Seth Aaron." " Thank you." "Don't quit." "Quitters never win." " Bye, guys." " Bye." "[Maya] I know my limits." "I've made my decision, and I think it's time for me to go." "[Sighs]" "Wow." "I never expected that." " I never expected that." " [Mila] I didn't, either." "[Seth Aaron] You think it was just the moment?" "Like, we're right here, it's the end, and what if I do make it, and I don't know what the hell to do once I get there?" "Yeah, I think so." "I think she's been feeling the pressure a lot lately." "You know, we work 18, 20 hours a day, seven days a week." "You're pretty much drained all the time." "So, you know, anybody sitting at home, saying, "Oh, my God, I can't believe Maya quit"..." "You know what?" "[bleep] off." "You have no clue." "Don't judge." "You come here and try it." "But at least I'm coming in alone this time." "That was a bit of a shock, yes?" " Yes." " Yeah, that was just wow." " Very shocking." " Yeah." "I'm as stunned as you all are." "Yeah." "But let's rally ourselves." "I'm gonna rally you." "And let's head off to Mood, because we still have a challenge." " Mood!" " Let's go." "All right, designers." "Don't disappoint Heidi." "No pressure." "Your 30 minutes starts now." "Something that's gonna photograph beautifully." "That looks like blush." "I want something that's gonna really make her pop." "This is beautiful." "I'm gonna look for a beautiful print that I can do my cutwork between." "I really want to do a brighter color so the judges can really see it from the runway." "Ten minutes." "This time, instead of using such high contrast materials," "I'm using gunmetal gray with gold." "You have two minutes remaining, everyone." "Okay, Mila, you just need to commit." "[Seth Aaron] You know, other people are using colors, and that really represents who they are." "But in Heidi's look book, half the dresses are black." " Time." " Perfect." "Come on, everyone." "Let's go back to Parsons." "Thank you, Mood." "And then there were five." "Since Maya has opted out, that leaves five of us." "It's a lot to process." "It's really hard to focus on the work, to be honest." "[Seth Aaron] How is that gonna play into the challenges?" "Who's going next?" "I mean, any one of us could go, including myself." "D Not d But I could." "Time to simplify." "Designers, I have an announcement." "There are five of you." "We were fully expecting for there to be six, therefore we are bringing a designer back." "All of our little worlds have just been turned upside down." "[Sighs]" "Crap." "Who could it be?" "Coming up on Project Runway..." " Seth Aaron." " Yes, sir?" "I need to have a word with you outside." "Uh-oh." "And the day keeps getting weirder and weirder." "Basically, like the space in between your bra." "There is no space in between the bra." "Do you just want to have a quick look?" "But this reminds me a little bit of, like, curtains." "[Tim] Designers, there are five of you." "We were fully expecting for there to be six." "The stake of the competition was really hinging on the fact that there were six of us, so Maya's place will need to be filled." "Here she is, boys!" "[Laughter]" "I have a second chance at greatness." "Hi!" "Who wants Anthony back?" "But, hell, who wouldn't want Anthony back?" "I like him." "You should like him, too." "We wanted to bring the last designer who was eliminated back." "And I'm very glad to be back." "All right?" "So it's anyone's game." "I knew you'd figure out how to talk your way back in." "We need a level playing field, and if someone goes home, someone's injured, you know, just like in a football game, they bring someone else in." " D Chocolate pudding d" " Chocolate pudding's glad to be back." "I'm actually really happy to have Anthony back." "You know, it's a shame to lose Maya, but Anthony is a breath of fresh air in that workroom." "I'm going to give you 30 minutes to sketch." "Then you'll be going to Mood with a budget of $300 and 30 minutes to shop." "And we will give you extra time that will correspond to the time that you've missed in the workroom" " that the other designers have had." " All right." "So it's a make-it-work moment for you, too." " Yes." "Thank you, Tim." " Thanks, Anthony." " Welcome back." " Thank you." "I am an ambassador." "I could be the representative of second chances." "It would be wonderful if the judges have to take a deep breath and say, "Wait a minute."" "However, I just don't think that my ultimate goal is to prove something to them." "This time around, the one person I need to impress is myself." "Anthony, time to go to Mood, though I'm sending you off on your own." "Tim, it won't be right if you don't say "Anthony, don't pick that."" "[Both laugh]" "I have to have a winning mind in order for me to make it all the way through." "I can't doubt myself." "I have to be able to show my best." "[Emilio] How's it going, Jay?" "Good, so far." "[Jonathan] I can't believe that it's Heidi's challenge that we only have one day." " You're doing your cutwork, right?" " Yeah." "Anytime I do this cutwork technique, I'm aware of how long it takes." "I'm gonna sew layers of fabric together, and then cut away at them at different levels to create an openwork filigree." "I have nine and a half hours to finish a freaking masterpiece." "The fabric is very, very drapey and kind of see-through, so my first thing is to build a fully boned understructure that will support the delicate fabric on top." "So, basically, I'm making two dresses." "I hope my dress is interesting enough." "[Seth Aaron] Mine's pretty simple." "I want to create a sleek silhouette that will teardrop onto the floor, and my fit proportion is an absolute must." "It's a busy day for me in here, let me tell you." " Tim!" " Seth Aaron." " Yes, sir?" " I need to have a word with you outside." "Uh-oh." "And the day just keeps getting weirder and weirder." "Today really hurt me in the way that I am able to focus on my work." "All of the events that have been happening..." "I feel like it's really putting me behind." " [Whistling] - [Mila] What's up?" "Um, Valeria got offered Donna Karan." "My model's been offered a job." "Unfortunately, it takes place on runway day." "So she's going." " Oh, she is?" " Yeah." "She took the job." "So I get Cerri." "I've never worked with Cerri." "She is not Valeria's shape, but at this stage," "I'm already so far into it, I don't know what's gonna happen." " I's back." " You're back." "One day to make a freaking red-carpet gown that's gotta pass the scrutiny of the judges?" "[Sighs]" "[Anthony] I do feel some pressure, but I cannot allow the pressure that I'm feeling to consume me." " Designers." " Hi, guys." " Hi, Heidi." " [Tim] Look who I have." "Are you guys working hard?" "Yeah." " And Miss Thing is back." " [Tim] Yeah." " Welcome back." " Thank you." "I'm glad to be back, Heidi." "Heidi's going to take a look around." "What the hell?" "I wanna see what you guys have been doing." "Heidi's never been in the workroom before with us here, anyways." "All the designers are sweating bullets." " Can we have a look?" " You're kidding me." " Hello." " Hello." "[Emilio] Heidi is not a shy judge." "Heidi is very particular about every little detail." "I love black, obviously, but I didn't want to go black-black, so I found this great smoked black." "This looks like a short dress." "You're taking it long, right?" "Oh, yeah." "I gotta fit it 'cause I have a new girl." " Oh, yeah." " Yeah." "There's nothing wrong with black... simple and long." "I feel like something has to be a little bit more somewhere." "Especially on the red carpet." "You always have to have, like, some sort of showstopper." " Thank you, Seth Aaron." " You're back." " Ooh, and you're going black and white." " Yeah." "What happens here?" "Is this all gonna be, like, smooth and stuff?" "Well, after the waist, it kind of just falls." "I'm not designing it to hug." "I want it to move." " I like black and white." " So it's potentially" " something very exciting." " Yeah." " What are you doing?" " What I'm creating is, like, a long mermaid." "What's beautiful about this fabric is the further away you go from it, the less you see the individual sequins." "And how do you make it go to the floor?" "I have to then just seam it on the bias." " It's gonna be very, very difficult." " Mm-hmm." " Which is a good thing." " It is a good thing." " Thank you so much." " Thank you, Emilio." "The whole idea is to kind of, like, continue these lines below the hip, which will kind of, like, ruffle." "So you're gonna do this with this hard fabric and with the soft fabric?" "Yes." "Just think about, you know, we don't want to look bigger than we are." "Think about how to do it and make her not look" " like she has..." " A big ass." "...been sitting around eating pie and cake." "[Jay] You know, this is a good thing." "At the end of the day, she's wearing this piece that I'm designing for her, so her opinion matters." "So there is the cleavage, but there is a block there." "How does that look?" "It's basically, like, the space in between your bra." "There is no space in between the bra." "Do you just want a quick look?" "See?" "They kind of are together." "Can I just show you?" "[Tim] Look at this experience you're having." " [Laughing]" " I know." " Hi." "How are you doing?" " Good." "Tell us, what are you doing?" "Okay, so I've combined three different fabrics." "And, you know, I was toying with the idea of doing some sort of combination of these two or even three fabrics for this strap area." "Is it too simple?" "It's not too simple for me." "But are the other ones better?" " Okay." " Food for thought." " Food for thought, for sure." " Thank you." "I started with a color that wasn't in your dossier, but I thought would be beautiful on you, which was coral." "Oh, yeah." "I think your palette's wonderful." " To be honest, I do like these together." " Mm-hmm." "But this reminds me a little bit of, like, curtains." "She immediately hates the fabric that I've been working on for eight hours." "I think, like, all this twisting and this stuff is really beautiful." "I would say cut this bit off and do more with these three things." "My feeling is, if you can make this work" " in the next four hours," " Okay." "You will be driving a very important point home to our judge about how versatile you are as a designer" " and how well you can respond." " Yeah." " Let's let him work." " Exactly." "Thank you." " [Heidi] Bye, everybody." " [Jay] Thank you." " [Tim] Bye, everyone." " [Heidi] See you on the runway." " I can't wait." " Me, too." "There we go." "[Laughs]" "Heidi mentions that she wants [high-pitched voice, accent] All sorts of drapey pieces that all lay over each other and go into the skirt and swirl around the dress." "That's a dress that would probably take about a week to make." "So, um, if I start now," "I should be done next Thursday." "[Model] Hi." "Ooh." "That's hot." "Yeah, I'm happy for her, and I'm happy I got you." " You didn't know?" " No." "Good evening." "[Squealing]" "Why is Anthony here?" "'Cause, um, Maya quit." "You're kidding." " Did you guys see that coming?" " No." " It was just out of the blue." " [Mutters]" "Since we haven't worked together, I just need to fit this 'cause I know you're thinner through here than she is." "I have not seen Cerri." "I don't know her measurements." "Like, where her back falls or anything." "So I'm working on having to revamp something I've already started." "So I'll pull that." "This'll be pulled already." "I'm just going to go forward and hope it's enough to put me through." " Whoo!" " Okay." " Thank you so much, sweetie pie." " Thank you, babe." "I'll see you tomorrow." " Good night." " See you." "Oh, my God." "A lot has gone down today." "People are really trying to pull out the tricks, at the same time, balancing the timeframe," "Maya's leaving, Valeria's leaving..." "Oh, Lord, I'm sweating like a freaking pig here." " [Jonathan] It's insanity in here." " [Anthony screams]" "It's definitely becoming a huge pressure cooker." "[Shouting] Where the hell is my..." "Heidi's scared that I'm gonna make her butt look big." "I either need to change it or just go with my gut and just do what my original intention is." "I just have to figure it out." "If they don't give us any more time," "I don't know if there's gonna be a show tomorrow." "So, the drapey dress that I'm making for Heidi is disgusting and looks horrifying on my mannequin." " It's do-or-die time." " Are you making a brand-new dress?" " Yes." " Wow." "I tear the entire thing apart, pull out any extra yardage I have." "I start a third dress." " That's what you call... talent." " Making it work." "I'm thinking really drapey bias-cut panels, short to show off Heidi's legs." "Hopefully Brandise is wearing a dress tomorrow." "Coming up on Project Runway..." "Are you gonna be able to do it?" "You have to do it." "A, it doesn't say Heidi, and B, it doesn't say red carpet." " [Yells]" " We're going down to the runway." "I think it's just a matter of taste." "Due to all the changes, my shutdown time is 2:30." "So I was only was able to sleep for an hour, but I'm working through it." "Oh, Lord." "I'm feeling really tired and stressed, and I'm worried after Heidi's critique yesterday." "I'm definitely sweating here." "Fire." "Oh, yeah." "Everybody is a little unsure of where they are, you know?" "We just don't have enough time to pull out red-carpet looks." "It's always good when we're all in the same awful, horrible sinking boat." "God be with me today." "[Chuckling]" "I'm gonna take this moment to send out a special message to Miss Maya." "Thank you, and God bless you, too." "[Laughing]" "[Yells]" "[Yells]" "I try to keep my momentum up." "I'm kind of a spastic-type person, so even me at half speed is way faster than the average person." "[Muttering]" "I am feeling very, very, very, very rushed." "There is so much to do." "I am absolutely redesigning the front of my dress." "Not because I sewed it wrong, just because the interface is doing something weird, and I just do not have time to deal with it." "So life is very interesting right now." "This piece I'm making..." "it's so intricate and tricky that I just have to finish it and show the judges that I can do other things besides things that I've been doing over the past challenges." "You can't go out there thinking you know anything about what they're thinking." "You go out there, present something nice and hope for the best." "[Mila] Jonathan... he started over." "He made an entire new dress last night at 11:30." "I look over, and it's just got a funky hem on it, and it doesn't really look like good draping, unfortunately." "[Sighs]" "I do find some relief in seeing other designers struggling, because if I'm in the bottom, maybe somebody else's dress will tank worse than mine." "[Emilio] I'm a little behind." "I still have to do a zipper, and that always can be problematic." "I need every second I can get." "Good morning, everyone." "[Designers] Good morning, Tim." "How are you?" "We are stressed for time, Mr. Tim." "[Anthony] Well, Tim, last night, I didn't get home till 2:35, and then I was back up at 5:00." "Are you gonna be able to do it?" " You have to do it." " I have to do it, but I'm working through it." "All right, designers." "You have an hour to send your models to the L'Oréal Paris makeup room and the Garnier hair salon. red carpet, Heidi Klum." "Wow the judges." "I mean, I hate to say it, work like there's no tomorrow," " because for one of you, there won't be." " There won't be tomorrow." "That's right." "I'm going to send in your models." "So I want you to put this on so I can put it on the right height." "And then, while you're down getting makeup, I'll just... [whoosh]" " [Man] Not so polished?" " Yeah." "Not so polished." "It's a smoke-black tight dress with a little... with studs on it." "And it's gonna work." "Pow!" "Should be good to go." "I like the look on her." "It's almost vampire-Iooking." "So we'll see how they react to that." "[Emilio] What Seth Aaron has selected..." "A, it doesn't say Heidi, and B, it doesn't say red carpet." "Designers, in ten minutes, you and your models and I are going down to the runway." " Thank you, Tim." " Make it work." "I think Heidi's going to look amazing in my dress." "It's super sexy, sophisticated, and modern." "[Jonathan] Mila's dress fits a little strangely today." "She may have a little bit of a problem." "Designers and models, we're going down to the runway." " Here we go." " You look beautiful, baby." "This is so different from anything else I've put down the runway that maybe the judges will love it because they hate what I usually do." "This is it." "It's at the end." "There's six of us left, and I don't want to go home." "I think it's just a matter of taste." "Well done." "Coming up on Project Runway..." "I think it is too simple." "There isn't a woman on the planet who would say" ""Oh, I want people to think I have a fat butt."" "We do not have a winner for this challenge." " Hello." " [All] Hi." "Welcome to the runway." "As you know, in fashion, one day you're in, and the next day you're out." "And then maybe the next day, you're in again." "Right, Anthony?" "There are six of you here, and after tonight, there will be five." "For this challenge, we asked you to design a red-carpet look for me." "I'm looking for a design that I can wear to one of the many red-carpet events that I go to." "All right, let's meet the judges." "First, we have top American designer Michael Kors." " Hey, guys." " [Designers] Hi, Michael." "Fashion Director for marie claire magazine, Nina Garcia." "[Designers] Hi, Nina." "We have a surprise guest judge today who has spent a lot of time on the red carpet." "Internationally known actress and style icon, [designers gasp]" "Jessica Alba." " [Jessica] Hi, guys." " [Designers] Hi." "Hi, I'm Jessica." "Hi." "We know." " Nice to meet you all." " Nice to meet you, too." "I'm so happy to be here." "I'm so happy to be on the show." "We're happy to have you." "We will score your designs as they come down the runway." "One of you will be named the winner, and one of you will be out." "Let's start the show." "There's something about me that likes to exaggerate certain areas of women." "Especially the butt area." "I guess I like big butts." "[Laughing]" "I made a really nice dress, but I think that it's not as well constructed as I usually like my things to be." "But the quality of the work is there, and I think the judges are going to see that." "The gown is absolutely beautiful." "It moves." "It's not stiff." "It's refreshing." "She looks expensive." "She exceeds my expectations as she walks down the runway." "I love it." "I absolutely love the dress." "One thing I always do is look at it in awe, and then look at Heidi's face." "I can tell she's either mesmerized or she's curious." "I'm very happy." "It's just everything that I wanted it to be." "Seeing Brandise in my dress makes me feel a little bit confident and a little bit scared at the same time." "The front of the dress is appearing a little flat, but when she hits the end of the runway, and she shows the judges her back," "I can see that they're all a little bit taken by the detailing there." "This is where I need to be for this competition... spectacular, expensive, put together, polished, beautifully executed, knockout, wow moment, winner." "We're going to talk to all of you today." "One of you will be named the winner, and one of you will be out." "Seth Aaron, tell us about your red-carpet look." "I went for a more sleek, sophisticated look." "When I designed this, I thought who I was designing it for, but wanted to keep it still me." "I think you worried too much about you." "I would be more worried about making something that would be flattering for Heidi." "This almost looks like if you were at an awards ceremony, this would be the girl who actually came out and carried the statue when you won, but this isn't the winner." "I like it." "I do." "I think it's me." "Maybe I got wrapped up in who it was for... overwhelmed." "My biggest thing is this is for Heidi for the red carpet." "It just doesn't really seem like something that I've seen her in." "I think it has to have some sort of sex appeal somewhere." "Either it's the cleavage isn't done in a way that looks glorious, or I don't know where the wow effect is." "[No audible dialogue]" "Anthony, tell us about your look." "I wanted to create a beautiful palette for you to accessorize, and there isn't a color palette more sophisticated than black and white if done properly." "And I most definitely think that my design today speaks to my aesthetic." "I love your dress." "Oh, Jesus." "It's very sexy, but it's not too sexy, it's not vulgar." "It's very elegant." "I love when she was walking and it flowed." "It's beautiful from all angles." "I love it." "I think it's great." "I think you're finally in your zone." "[Nina] I think it's stunning." "I think you really captured the glamour of the red carpet." "Heidi would look fantastic in it." "So would Jessica, so would many other celebrities." "And it's nice that it's like, you know, one movie on one side and another movie on the other side, depending on how you feel." "[Chuckling]" "Mila, tell us about your look." "I wanted to do something sleek and sexy for you with some modern lines." "And I thought about jewelry again, 'cause I know how much you love jewelry and how many options you might have." "You know, I like this type of dress, and I wear them a lot." "I just think it might be a little too wide in the bust area." "I hate how the cups fit her." "They're spreading out to the side, and the strap's in the wrong place, so it's not doing fabulous things for the chest." "'Cause, quite honestly, if you wear this dress, it's about the cleavage." "I think it is too simple." "I feel like it is not a showstopper." "Emilio, tell us about your look." "I designed a very sophisticated silhouette, but the fabric was what inspired me." "It was like liquid gold." "'Cause it's still a metallic, but we wanted to keep the fluid lines to it." "It's impeccable." "And her hair is great with it." "Great." "It is simple, but it is sexy at the same time, and it has an amazing fit." "[Nina] This fabric could've looked really cheap, and it looks very expensive." "But very easily, it could've gone the opposite direction." "[Jessica] I think it fits like a glove." "The trick that you did that other designers do as well..." "'Cause I've worn these glittery, strapless dresses." "And it's building the entire dress underneath is key." "Jay, tell us about your look." "I wanted to design a strapless short dress." "And I had in my mind I wanted to use color this time, but not too strong." "And it's a 360 experience of the same thing we see as she turns around." "The design of the corset, I think, is beautiful." "And it is impeccable." "I saw it, like, this close up." "It's just the bottom needs to have a little different something something." "If you're gonna play with volume on bottom, there isn't a woman on the planet who would say" ""Oh, I want people to think I have a fat butt and big hips."" "She just doesn't exist." "Can you turn around?" "You have the horizontal pleating, and then you have the ruffles." "She looks wide." "She's tiny." "[Jessica] My hips are bigger after I gave birth, but I'm still trying to disguise it, personally." "I still try to wear things to keep that to a minimum." "Jonathan, tell us about your look." "I wanted to do something that was a little easier, a little sexier, maybe a little more fun." "I love short, but, boy, is this short." "I think if she even takes a big enough step, you might see her butt cheek." "It might be just a little too short." "The back of the dress..." "There's something effortless about the way the back of that dress is draped." "The front looks like you were like," ""I've got ten minutes left, and I gotta jam this fabric in here!"" "Did you run out of fabric?" "I ran out of coral, yes." "This is the third dress." " You made three?" " Yes." "You made three." "So this is the third version or the third dress?" "The second version of this dress, the third dress." "So this really was an insane rush that we're looking at in the front." "It looks it." "The color choice for this dress makes her look waxy, plasticky." " And it won't photograph." " [No audible dialogue]" "Okay, we've heard what you had to say." "We're gonna have a little chat, and then I'm gonna call you back." "You can leave the runway." "Thank you." "Okay, let's talk about Seth Aaron." "He just went super safe and quite boring." "No sense of surprise." "You're on the red carpet." "You want some surprise." "It looks like she was going to a funeral." "You have an insane body." "You should see that." "Let's talk about Anthony." "He was basically let go." "And then we had another designer..." "Maya was her name." "It was too much stress for her, so she left." "The rules are the last person that was let go comes back." "This is a tough show to be on, but this is nothing compared to the real world." "But Anthony..." "That was quite a beautiful dress that he made." "Gorgeous." "Really chic and very elegant." "[Nina] Part of the allure of that dress" " is when you walk, and there's the..." " [Michael] The leg." " Yes, the leg," " I like the length." "And the movement to it." "I would wear that dress." "Can I borrow it?" "It's really unfortunate with Jonathan." "You know, I don't know what went wrong here." "The terribly sloppy front, which I think was so unflattering." "It really did look like just a dull pillowcase that you had bunched." " Waxy." "Plasticky." " Yeah, waxy." " The color was really strange." " The color." "It looked very amateur." "Let's talk about Jay." "If the skirt would've been fuller, in fact, it would've looked intentional." "Even these ruffles..." "they need to go a different way." "Like, they should've just been going a different way completely, if he wanted volume in that skirt." "[Heidi] I said I don't want to look big." "I mean, who does?" "You don't wanna be big in the thighs or big on the booty." "Not that you have, you know, a big butt." "I mean, that's the last thing you'd want." "Let's talk about Emilio." "He is the only one who knew to put the right structure" " into the dress." " Amazing." "Look how perfect that was." "[Nina] He really worked that fabric to its best potential." "[Heidi] I like glitter, but it is the right kind of glitter." "It is not like crazy glitter." "I loved that." "What about Mila?" "It looked like something that the Housewives of New Jersey would wear." "[Michael] And the cut was really so unflattering." "Not for red carpet." "It kind of seems more appropriate for a cocktail..." "Go to dinner." "Go to dinner with your husband, you know." "Mila's talented, and she has great skills, but do we want to see more from her?" "Have we made our decision?" "All right." "Let's bring them back out." "The six of you represent the best and the worst." "One of you will be named the winner, and one of you will be out." "The six of you represent the best and the worst, and one of you will be out." "Designers, we do not have a winner for this challenge." "[Groans]" "We have two winners." "Emilio, you are the winner of this challenge." "Thank you." "I absolutely adored your dress." "It was impeccable." "I really can't wait to wear it on the red carpet." "Great." "I'm looking forward to it." "Jessica, would you like to tell us who the other winner is?" "I would." "Anthony, you are the other winner." "I would actually like to wear your dress," " if, um, that's okay with you." " [Gasps]" "Girl, anytime." "Congratulations." "You can leave the runway." "Thank you again, everyone." "Come out." "Oh." "I didn't know if I could leave." "[Emilio] Four total, three consecutive wins." "This is where I wanted to be at the end of the competition." "Whoo!" "[Anthony] Never in a million years did I think that" "I would be invited back, only to win a challenge." "And not just any challenge." "A challenge that will allow my garment to be featured on Jessica Alba." "Oh, my God." "Wow." "Seth Aaron, you're in." " You can leave the runway." " Wow." "Thank you." "Mila, you're in." " You can leave the runway." " Thank you." "Thanks for another chance." "Jay, this was not a flattering red-carpet dress, and no woman wants to look bigger than she is." "And I warned you about that." "Jonathan, though there was some nice detail in the back, the front was a mess." "This was another effort that fell short of your talent." "Jay," " you're in." " Thank you." "You can leave the runway." "Which means, Jonathan, you're out." "Auf Wiedersehen." "Good luck." "Thank you." "Thank you all so much." "I appreciate everything." "Good luck." "I wish I could lie and say that I'm more surprised that I'm eliminated." "How could I ever compete with the kind of gown that Emilio created or Anthony created with a dress that I made in two hours?" " Ohh!" " [Anthony] Hey, boo!" "My roommate." "I'm very excited about where I got in this competition." "Oh, my God!" "This is definitely closing a chapter." "Jonathan, we are going to miss you so much." "I have to send you to the workroom to clean up your space." "No problem." "I did it." "I came here." "I kicked a little bit of ass." "Not all bad." "But I'm going home with my head held high." "Next time on Project Runway..." "And then there were five." "This challenge will decide who goes to Fashion Week." "[Emilio] This is the one challenge that everyone needs to put it all out there." "Emilio just had a viewing party." " Of course he did." " [Laughing]" "[Mila] The stakes are higher than ever." "[Tim] You need to turn up the volume." "Any direction I go in, I'm wrong." " It's our last challenge." " [Mila] I know." "[Sighs]" "I think the pants..." "we have crazy crotch." "It is a complete snooze." "[Michael] She's like a big blue condom." "Visit myLifetime." "Com to learn more about the fashion you've seen on tonight's show."