"♪ GONE ARE MY BLUES AND GONE ARE MY TEARS ♪" "♪ I'VE GOT GOOD NEWS TO SHOUT IN YOUR EARS ♪" "♪ THE LONG LOST DOLLAR HAS COME BACK TO THE FOLD ♪" "♪ WITH SILVER YOU CAN TURN YOUR DREAMS TO GOLD, OH ♪" "♪ WE'RE IN THE MONEY WE'RE IN THE MONEY ♪" "♪ WE'VE GOT A LOT OF WHAT IT TAKES TO GET ALONG!" "♪" "♪ WE'RE IN THE MONEY THE SKY IS SUNNY ♪" "♪ OLD MAN DEPRESSION YOU ARE THROUGH YOU DONE US WRONG!" "♪" "♪ WE NEVER SEE A HEADLINE 'BOUT A BREADLINE TODAY ♪" "♪ AND WHEN WE SEE THE LANDLORD ♪" "♪ WE CAN LOOK THAT GUY RIGHT IN THE EYE, OH ♪" "♪ WE'RE IN THE MONEY COME ON, MY HONEY ♪" "♪ LET'S LEND IT, SPEND IT SEND IT ROLLING AROUND ♪" "(all) ♪ WE'RE IN THE MONEY I SAY, WE'RE IN THE MONEY ♪" "♪ WE'VE GOT A LOT OF WHAT IT TAKES TO GET ALONG!" "♪" "♪ WE'RE IN THE MONEY LOOK UP, THE SKIES ARE SUNNY ♪" "♪ OLD MAN DEPRESSION YOU ARE THROUGH YOU DONE US WRONG!" "♪" "♪ WE NEVER SEE A HEADLINE 'BOUT A BREADLINE TODAY ♪" "♪ AND WHEN WE SEE THE LANDLORD ♪" "♪ WE CAN LOOK THAT GUY RIGHT IN THE EYE ♪" "♪ WE'RE IN THE MONEY COME ON, MY HONEY ♪" "♪ LET'S LEND IT, SPEND IT SEND IT ROLLING AROUND ♪" "♪[scatting]" "♪ WE'RE IN THE MONEY, OH, COME ON, MY HONEY ♪" "♪ LET'S LEND IT, SPEND IT SEND IT ROLLING AROUND ♪" "[men chattering]" "♪[music continues playing]" "HEY, WHO ARE YOU?" "YOU'LL FIND OUT." "COME ON, BOYS." "MIGHT AS WELL BEGIN RIGHT HERE." "GET OUT OF HERE." "GET OUT OF HERE." "HEY, YOU, YOU, HEY, HEY, GO TAKE THEM CLOTHES OFF." "GO ON." "COME ON, YOU PUNK, GET OUT OF HERE." "COME ON, GET THESE MUSIC RACKS OUT OF HERE." "WAIT A MINUTE." "WAIT A MINUTE." "WHAT IS THIS?" "WHAT IS THIS?" "WELL, WHO ARE YOU?" "I'M BARNEY HOPKINS PRODUCER OF THIS SHOW." "OH, YEAH?" "WELL, IT'S TOUGH LUCK, BROTHER." "I'M FROM THE SHERIFF'S OFFICE." "LEGAL ATTACHMENT TO COLLECT FOR THE CREDIT." "CORPUS DELICTI, OR SEIZE THE BODY." "WHAT, AGAIN?" "DON'T YOU DARE." "DON'T WORRY, SIS," "THIS WILL LOOK NICE IN THE SHERIFF'S OFFICE. [all chattering]" "WHAT'S THE EXCITEMENT?" "IT MEANS THEY CLOSE THE SHOW, DUMBBELL." "(man) HEY, GIVE ME THAT COSTUME." "I BEG YOUR PARDON." "WELL, WE'VE GOT TO TAKE IT BACK, ACTRESS." "WELL, THAT'S AS FAR BACK AS IT GOES." "SORRY, MISS, THEY GOT TO HAVE THAT TOP." "YOU CAN AT LEAST GIVE ME CAR FARE." "WHAT FOR?" "THIS IS OUR DRESS REHEARSAL." "WE GOT A GREAT SHOW." "IT OPENS TOMORROW NIGHT." "YOU CAN'T DO THIS TO ME JUST BECAUSE I DON'T PAY A FEW BILLS." "WHEN THE SHOW OPENS, I WILL PAY UP." "TELL IT TO THE SHERIFF." "THIS IS THE 4TH SHOW IN 2 MONTHS" "THAT I'VE BEEN IN OF AND OUT OF." "THEY CLOSE BEFORE THEY OPEN." "THE DEPRESSION, DEARIE." "I CAN REMEMBER WHEN THAT ALARM CLOCK USED TO RING." "THOSE GOOD OLD DAYS WHEN YOU HAD TO GET UP." "COME ON, LET'S GET UP AND LOOK FOR WORK." "I HATE STARVING IN BED." "NAME ME A BETTER PLACE TO STARVE." "YOUR STOMACH." "WELL, LET'S GET UP AND GET DRESSED." "I THOUGHT WE MIGHT TRY THE FLEA CIRCUS." "MAYBE THEY GOT SOMETHING FOR US THERE." "WHAT CAN WE GET AT A FLEA CIRCUS?" "FLEAS." "YOU CAN GET THOSE HERE." "ALL RIGHT." "COME ON, LET'S GET UP. 1, 2, 3. [groans] [all groan]" "HOW ABOUT SOME NOURISHMENT?" "YEAH, WHAT'S ON THE MENU, TRIXIE?" "WELL, WE'LL SEE WHAT THE NEIGHBORS HAVE TO OFFER." "YOU GUYS CUT THE BREAD AND SET THE TABLE." "HAVE WE ANY BREAD?" "YEAH, HAVE WE ANY TABLE?" "[laughs]" "WHAT NEIGHBORS?" "OH, WHAT NEIGHBORS?" "I CAN REMEMBER NOT SO LONG AGO A PENTHOUSE ON PARK AVENUE." "WITH A REAL TREE, AND FLOWERS," "AND A FOUNTAIN, AND A FRENCH MAID." "AND A WARM BATH WITH SALT FROM YARDLEY'S." "AND A LITTLE DRESS THAT SCHIAPARELLI RAN UP." "AND A SNAPPY ROADSTER, AND A RIDE THROUGH THE PARK." "NOW STEALING MILK." "THAT'S ALL RIGHT." "THE DAIRY COMPANY STOLE IT FROM A COW." "JUST ABOUT A YEAR AGO THIS TIME, I WAS ON MY WAY TO HAVANA." "THE BIRDS WERE SINGIN' AND THE SKY WAS BLUE." "AND I SAID TO THE BIG MUG IN THE NEXT PEW, "I NEED $200, BIG BOY."" "AND HE SAID, "IN MY PANTS POCKET."" "YOU KNOW, I REACHED OVER AND I TOOK $500 OUT OF HIS BACK PANTS POCKET" "JUST LIKE THAT." "AND ALL I GOT LEFT ARE HIS PAJAMAS, AND I'M A MILK SNATCHER. [knocking on door]" "HMM, GUESS WE GOT TO GIVE IT BACK. [knocking continues]" "MAYBE IT'S THE PIANO REMOVER." "FAY!" "WHO'D YOU THINK IT WAS, THE WOLF?" "IF IT WAS, WE'D EAT IT." "WHY THE BLUE SPECTACLES, GRANDMA?" "SO THE LANDLADY WON'T RECOGNIZE ME." "I'M OBLIGATED TO HER FOR A LITTLE ITEM CALLED RENT." "WELL, IF YOU'VE COME TO MAKE A TOUCH, THE BANK HAS FOLDED." "YOUR MILLIONS ARE SAFE, TRIXIE." "I CAME TO TELL YOU GALS GOOD NEWS." "BARNEY'S PUTTIN' ON A NEW SHOW." "BARNEY?" "BARNEY HOPKINS?" "REHEARSALS START IN 2 WEEKS." "HE MUST HAVE FOUND AN ANGEL." "WELL, COME ON, LET'S GO OVER AND FIND OUT." "THAT'S RIGHT." "AS SOON AS THE MOB FINDS OUT, THEY'LL ALL BE AFTER HIM." "COME ON, LET'S HURRY." "WE CAN'T ALL GO." "WE HAVEN'T GOT ENOUGH DECENT CLOTHING" "LEFT TO WRAP AROUND ONE OF US." "YEAH, AND IF ONE DOESN'T LOOK MODISH WITH BARNEY, IT'S THUMBS DOWN." "LET'S SEE IF WE CAN SCARE UP ENOUGH" "TO MAKE AT LEAST ONE OF US LOOK, AS YOU SAY, MODISH." "WHO'S TO GO?" "LET'S MATCH FOR IT." "TAXIS." "YELLOW." "CHECKERED." "RED TOP." "(Polly) BLACK AND WHITE. [traffic humming]" "CHECKERED!" "CHECKERED!" "OH, CAROL WINS." "OH, GEE." "I LOOK MUCH BETTER IN CLOTHES THAN ANY OF YOU." "IF BARNEY COULD SEE ME IN CLOTHES" "HE WOULDN'T RECOGNIZE YOU." "SAY, WHAT HAPPENED TO YOUR LOVELY MINK COAT?" "UNCLE'S GOT IT." "UNCLE'S GOT EVERYTHING." "WE'VE EVEN HOCKED OUR INLAYS." "HONEY, YOU'LL HAVE TO GIVE ME MY STOCKINGS BACK." "SURE, THERE THEY ARE." "FAY?" "YOU GOT TO GIVE CAROL THAT DRESS." "DON'T, I'VE GOT TO GO BACK TO THE DRUGSTORE." "OH, WE'LL GIVE YOU SOMETHING GOOD ENOUGH FOR A DRUGSTORE." "I KNOW, BUT THE DRESS BELONGS TO THEM." "I'M A HOSTESS THERE." "STAND STILL." "SO AM I A HOSTESS." "I'VE GOT TO ENTERTAIN BARNEY WITH THE IDEA OF PUTTING US TO WORK." "DON'T FORGET TO STAND IN THE LIGHT, CAROL," "WHEN YOU'RE TALKING TO BARNEY." "THEY CERTAINLY KNOW WHAT THEY'RE DOING" "WHEN THEY DRESS THEIR HOSTESSES IN THAT DRUGSTORE." "WELL, YOU DON'T LOOK BAD." "NOW, TAKE THESE PAPERS" "GET THROUGH THE ENEMY'S LINES, AND RIDE LIKE BLAZES." "TAXI FARE." "LOTS OF LUCK, CAROL." "THANKS." "WELL, HERE WE GO, LAUGHING AND WONDERING." "SAY, WATCH YOURSELF IN THE CLINCHES." "DON'T FORGET THAT DRESS" "BELONGS TO THE DRUGSTORE." "I'D LIKE TO MEET THAT DRUGGIST." "NOW, THE BEST COMEDIAN ON BROADWAY WILL PROCEED TO MAKE BEDS." "WELL, I'M GOING TO GET A GLASS OF MILK." "♪[piano playing]" "♪ IN THE SHADOWS LET ME COME AND SING TO YOU ♪" "♪ LET ME DREAM A SONG THAT I CAN BRING ♪" "♪ TO YOU ♪" "♪ TAKE ME IN YOUR ARMS AND LET ME CLING TO YOU ♪" "♪ LET ME LINGER LONG ♪" "♪ LET ME LIVE MY SONG ♪" "♪ IN THE WINTER, LET ME BRING THE SPRING ♪" "♪ TO YOU ♪" "♪ LET ME FEEL THAT I MEAN EVERYTHING ♪" "♪ TO YOU ♪" "♪ LOVE'S OLD SONG ♪" "♪ WILL BE NEW ♪" "♪ IN THE SHADOWS, WHEN I COME AND SING ♪" "♪ TO YOU ♪" "♪ DEAR ♪" "♪ IN THE SHADOWS ♪" "♪ WHEN I COME AND SING ♪" "♪ TO YOU ♪" "OH, YOU CAN'T TURN THESE SHEETS ANYMORE." "THEY'VE ONLY GOT 2 SIDES." "POLLY, WILL YOU QUIT MOONING OVER" "THAT GOOD-FOR-NOTHING SONGWRITER AGAIN?" "NOW WHERE'S THAT GOING TO GET YOU?" "OH, HE'S WONDERFUL, TRIXIE." "HONEY, HE'S A SONGWRITER." "SO IS IRVING BERLIN." "WHAT'S WRONG ABOUT BEING A SONGWRITER?" "HOW LONG HAVE YOU KNOWN HIM?" "2 WEEKS?" "WHAT DO YOU KNOW ABOUT HIM?" "I KNEW EVERYTHING I WANTED TO KNOW THE MINUTE I MET HIM. [telephone ringing]" "MAYBE IT'S CAROL." "OH." "HELLO. [sobbing]" "IT'S TRUE, IT'S REALLY TRUE." "HE'S PUTTIN' ON A SHOW." "OH, IT'S TRUE." "BARNEY'S PUTTING ON A SHOW." "WE'RE COMIN' RIGHT UP TO THE APARTMENT." "BE THERE IN 10 MINUTES." "PHONE ALL THE GIRLS." "PHONE FAY AND RUTH AND MARY AND GWEN." "PHONE THEM ALL." "TELL THEM TO COME RIGHT UP TO THE APARTMENT." "HE HASN'T CAST YET, NO." "HURRY AND DON'T LOSE HIM." "THEY'RE COMING UP." "WHO?" "BARNEY AND CAROL." "PHONE FAY." "PHONE ALL THE GIRLS." "WE'RE ALL SET." "NO, NO, YOU PHONE 'EM." "SAY, I'VE GOT TO DIG UP THE OLD SEX APPEAL." "THE WAY I FEEL THIS MORNING I'LL NEED A STEAM SHOVEL." "HALF A MILE, 4, 8..." "STEP ON IT, POLLY." "THEY OUGHT TO BE HERE ANY MINUTE NOW." "(Polly) ALMOST READY." "OH, GOSH, TO THINK THAT WE'RE GOING TO HAVE REAL JOBS AGAIN, EARN MONEY." "YEAH, AND I'VE BEEN OFF THE GOLD STANDARD SO LONG. [knocking on door]" "OH, IT'S THEM." "COME ON IN, BARNEY, AND MEET THE GIRLS." "HELLO, MR. HOPKINS." "HOWDY." "HOWDY." "(all) HELLO, MR. HOPKINS." "(Barney) I'VE SEEN THAT FACE BEFORE." "WELL, IF IT ISN'T BARNEY." "GOOD OLD, SMILING, BIG-HEARTED BARNEY." "BARNEY, WE HEAR YOU'RE PUTTIN' ON A SHOW." "YES, I'M DOIN' A SHOW." "WELL, YOU SOUND MORE ENTHUSIASTIC THAN USUAL." "DOES THAT MEAN IT'S GOOD?" "YOU SAID IT'S GOOD." "IT'S THE FINEST THING I EVER HAD." "OH, COME ON OVER HERE AND SIT DOWN" "AND TELL US ALL ABOUT IT, MR. HOPKINS." "WELL, I'VE FIGURED IT OUT FROM EVERY ANGLE, KIDS." "AND I CAN'T SEE HOW IT'LL RUN LESS THAN 6 MONTHS" "OR GROSS LESS THAN HALF A MILLION." "THAT'S FIGURIN' ON $30,000 A WEEK." "AT THE BROADHURST WE COULD DO $40,000." "WE'LL DO $40,000 WITH THIS SHOW." "(Polly) GOSH." "I REMEMBER YOU." "OH, DO YOU?" "YOU WERE IN THE CHORUS." "SOMEDAY YOU'RE COMING OUT OF THE CHORUS." "OH, THANK YOU, MR. HOPKINS." "COULD YOU USE ME, TOO, MR. HOPKINS?" "SURE, I'M GOING TO USE ALL THE GIRLS I USED BEFORE." "CAROL, HERE, WILL BE FEATURED" "AND TRIXIE AS COMIC." "I GOT SOME IDEAS FOR SONG NUMBERS FOR YOU, HONEY," "THAT WILL DRAPE 'EM OVER THEIR SEATS." "SOMETHING NEW, DIFFERENT." "WHAT'S THE SHOW ABOUT?" "IT'S ALL ABOUT THE DEPRESSION." "WE WON'T HAVE TO REHEARSE THAT." "NOW, IT'S MY IDEA..." "♪[piano playing]" "WHO'S THAT PLAYING?" "OH, SOME PALOOKA SONGWRITER." "I DON'T KNOW THAT NUMBER, WHAT IS IT?" "IT'S HIS OWN." "HE COMPOSES MUSIC." "SHUT THE WINDOW AND LET'S GET ON WITH THIS." "WAIT A MINUTE." "THAT'S NOT BAD." "ASK THE FELLOW TO COME ON OVER." "OH, BRAD." "HELLO." "COME ON OVER, QUICK." "ALL RIGHT." "YOU KNOW, THAT NUMBER'S GOT A GREAT FEEL TO IT." "THE BOY'S GOT SOMETHING." "YEAH, A PIANO." "WHAT'S HE DONE?" "WELL, HE HASN'T HAD A CHANCE TO DO ANYTHING YET, MR. HOPKINS." "BUT HE HAS GENIUS." "YEAH?" "WELL, THE SHOW BUSINESS COULD STAND A LITTLE GENIUS. [knocking on door]" "OH." "BARNEY, WHAT'S THE IDEA OF WASTING TIME WITH A GENIUS" "WHEN THERE'S HARD-WORKING GIRLS LIKE US TO WORRY ABOUT?" "WHAT IS IT, HONEY?" "COME ON, I WANT YOU TO MEET SOMEBODY." "THIS IS BRAD ROBERTS, MR. HOPKINS." "MR. HOPKINS IS OUR PRODUCER." "NEVER MIND THAT." "SIT DOWN AND PLAY." "PLAY WHAT?" "THAT NUMBER YOU WERE JUST PLAYING." "I KNOW, BUT I-- DON'T BE AFRAID, YOU'RE AMONG FRIENDS." "GO ON, BRAD." "WELL, ALL RIGHT." "OH, I BEG YOUR PARDON." "SAY, WHAT'S THIS ALL ABOUT, ANYWAY?" "GO AHEAD AND PLAY." "SING IT IF YOU GOT WORDS." "ALL RIGHT." "HERE GOES." "♪ I'VE GOT TO SING A TORCH SONG ♪" "♪ FOR THAT'S THE WAY I FEEL ♪" "♪ WHEN I FEEL A THING ♪" "♪ THEN I CAN SING ♪" "♪ IT MUST BE REAL ♪" "♪ I COULDN'T SING A GAY SONG ♪" "♪ IT WOULDN'T BE SINCERE ♪" "♪ I COULD NEVER CROON ♪" "♪ A HAPPY TUNE ♪" "♪ WITHOUT A TEAR ♪" "♪ I HAVE MY DREAMS, BUT ONE BY ONE ♪" "♪ THEY VANISH IN THE SKY ♪" "♪ I TRY TO SMILE AND FACE THE SUN ♪" "♪ BUT ROMANCE PASSES BY ♪" "♪ I'VE GOT TO SING A TORCH SONG ♪" "♪ TO SOMEONE FAR APART ♪" "♪ FOR THE TORCH I BEAR ♪" "♪ IS BURNING THERE ♪" "♪ RIGHT IN ♪" "♪ MY HEART ♪" "THAT'S GREAT." "I LIKE IT." "YOU GOT ANYTHING ELSE?" "YES, I HAVE A COUPLE OF THINGS." "WELL, PLAY 'EM." "PLAY 'EM." "ALL RIGHT." "♪[piano playing] [knocking on door]" "OH, HELLO, MR. HOPKINS." "CHARMING TO SEE YOU AGAIN." "SIT DOWN." "SIT DOWN." "NO, I DON'T LIKE THAT, SON." "IT'S TOO DULL." "WHAT IS THIS, A PIANO LESSON?" "OR ARE WE GOING TO HEAR ABOUT THIS SHOW? [shushing]" "SAY, HAVE YOU GOT SOMETHING WITH KIND OF A MARCH EFFECT," "MARCH RHYTHM TO IT?" "YES, I HAVE." "I HAVE SOMETHING ABOUT A FORGOTTEN MAN." "BUT I DON'T HAVE THE WORDS TO IT YET." "PLAY IT, PLAY IT." "♪[playing]" "I TELL YOU, I JUST GOT THE IDEA FOR IT LAST NIGHT." "I WAS DOWN ON TIMES SQUARE, WATCHING THOSE MEN IN THE BREADLINE" "STANDING THERE IN THE RAIN, WAITING FOR COFFEE AND DOUGHNUTS." "MEN OUT OF A JOB, AROUND THE SOUP KITCHEN. [piano stops playing] STOP!" "♪[piano playing] GO ON." "THAT'S IT!" "THAT'S WHAT THIS SHOW'S ABOUT!" "THE DEPRESSION, MEN MARCHING, MARCHING IN THE RAIN." "DOUGHNUTS AND CRULLERS, MEN MARCHING, MARCHING," "JOBS, JOBS, AND IN THE BACKGROUND," "CAROL, SPIRIT OF THE DEPRESSION." "A BLUE SONG." "NO, NOT A BLUE SONG, BUT A WAILING." "A WAILING." "AND THIS GORGEOUS WOMAN" "SINGING THIS SONG THAT'LL TEAR THEIR HEARTS OUT." "THE BIG PARADE." "THE BIG PARADE OF TEARS." "THAT'S IT." "THAT'S IT." "WORK ON IT." "WORK ON IT." "I'D LIKE TO DO A SPECIALTY." "SIT DOWN." "YOU'LL DO A BLACKOUT." "I'LL CANCEL MY CONTRACT WITH WARREN AND DUBIN." "THEY'RE OUT." "I WANT YOU TO WRITE THE MUSIC FOR THIS SHOW, AND THE LYRICS." "CAN YOU WRITE LYRICS?" "YOU BET HE CAN." "I'VE GOT IT ALL FIGURED OUT, AND I WANT YOUR STUFF, SON." "IT'S GREAT." "I DEFINITELY WANT IT." "MR. HOPKINS, YOU CAN HAVE IT" "ON ONE CONDITION." "YEAH?" "IF MISS PARKER, POLLY, HAS A PRINCIPAL PART IN THE SHOW." "SHE'S HELPED ME A LOT, AND SHE'S REALLY GREAT HERSELF." "YOU'RE TELLIN' ME?" "I'M TELLIN' YOU." "AND I'LL TELL YOU SOMETHING ELSE, TOO." "YOU GOT A SWELL VOICE AND A GREAT PERSONALITY." "YOU'RE DIFFERENT." "YOU'VE GOT CLASS." "I WANT YOU TO SING IN THIS SHOW." "THANKS A LOT, BUT THAT'S IMPOSSIBLE." "NOW LISTEN, YOU AND POLLY WOULD MAKE A SWELL TEAM," "LIKE THE ASTAIRES." "YOU'D BE A KNOCKOUT FOR THE MUSHY INTEREST" "I'M SORRY, BUT IT'S IMPOSSIBLE." "BUT, BRAD, WHY NOT?" "I CAN'T, HONEY, FOR A LOT OF REASONS." "LET ME GET IN ON THIS." "ISN'T THERE GOING TO BE ANY COMEDY IN THIS SHOW?" "PLENTY." "THE GAY SIDE, THE HARD BOILED SIDE," "THE CYNICAL AND FUNNY SIDE OF THE DEPRESSION." "I'LL MAKE 'EM LAUGH AT YOU STARVIN' TO DEATH, HONEY." "BE THE FUNNIEST THING YOU EVER DID." "DID YOU EVER SEE ME RIDE A PONY?" "WHEN DO REHEARSALS BEGIN, BARNEY?" "REHEARSALS?" "(Carol) UH-HUH." "WHEN I GET THE MONEY." "GET THE MONEY?" "(all) MONEY?" "MONEY?" "THAT'S ALWAYS THE WAY IT IS." "I GOT THE SHOW," "I GOT THE MUSIC, I GOT THE CAST," "I GOT THE THEATER, ALL RARING TO GO," "AND IT'S THE OLD, OLD STORY." "MONEY." "NO MONEY AT ALL?" "NOT EVEN THE OLD SHOESTRING." "BUT YOU SAID..." "YOU LET US THINK THAT" " WHAT DID I LET YOU THINK?" "I TOLD YOU I HAD A GREAT SHOW, AND I HAVE." "BUT YOU SAID IT WAS ALL SET." "IT IS SET." "IT'S BEEN SET FOR 6 MONTHS." "EVERY TIME I GET AN ANGEL TO PUT UP THE BANKROLL," "SOMETHING HAPPENS." "I HAD ONE YESTERDAY." "ONLY TODAY, HE CAME TO ME AND SAID HE AND HIS WIFE" "WHO WAS SUING HIM FOR DIVORCE, HAD BECOME RECONCILED" "AND SHE DIDN'T WANT HIM FOOLING AROUND IN THE SHOW BUSINESS." "AND HERE I AM, HOLDING THE BAG." "YOU'VE GOT YOUR NERVE, BARNEY." "WHAT ABOUT THESE GIRLS?" "THEY'VE GIVEN UP JOBS JUST BECAUSE YOU SAID THAT..." "OH, YOU OUGHT TO BE ASHAMED OF YOURSELF." "GEE, IT'S TOUGH ENOUGH WITHOUT YOU MAKIN' MUGS OUT OF US." "WE COUNTED ON THIS, ALL OF US." "WAIT A MINUTE, KIDS." "I'M NOT GOING TO LET YOU DOWN." "I'VE GOT OTHER IRONS IN THE FIRE. 2 MEN ARE DUE HERE TOMORROW FROM OUT OF TOWN." "TEXAS CATTLE." "YEAH, TEXAS CATTLE." "HOW CAN THEY SELL CATTLE?" "WHO EATS MEAT ANYMORE?" "ALL I CAN SAY IS..." "HOW MUCH DO YOU NEED?" "$50,000." "THERE ISN'T $50,000 IN THE WORLD." "NOT TO PUT A SHOW ON WITH, ANYWAY." "ALL RIGHT THEN, WHO NEEDS $50,000?" "MAKE IT $40,000, $25,000." "IF I WANTED TO CHISEL, AND I KNOW HOW TO CHISEL," "I COULD DO IT FOR $15,000, BUT..." "I'LL ADVANCE YOU $15,000." "SAY, WHAT DOES HE USE?" "I'LL SMOKE IT, TOO." "QUIT JOKING, WILL YOU?" "IT ISN'T SMART TO MAKE GAGS WHEN GIRLS ARE STARVING." "OH, BRAD, THIS IS TOO SERIOUS A MATTER TO ALL OF US." "HONEY, I MEAN IT." "I'LL BE GLAD TO DO IT." "WHERE CAN YOU GET $15,000?" "HE MEANS REAL MONEY, NOT STREETCAR TRANSFERS." "REMEMBER, ONE CONDITION:" "POLLY IS FEATURED." "ANYTHING YOU SAY." "NOPE." "I CAN'T GIVE YOU A CHECK FOR CERTAIN REASONS." "I'LL GIVE YOU CASH TOMORROW." "IS THAT ALL RIGHT? [chuckling] YOU FELL FOR IT, BARNEY." "HE DID." "HE FELL FOR IT." "THAT'S WHAT'S COMMONLY KNOWN AS A GAG." "IT'S NOT A GAG." "I MEAN IT." "TOMORROW I'LL BE IN YOUR OFFICE AT 10:30." "YOU HAVE MY WORD FOR IT." "WELL, I'M GOING TO GO WORK ON THAT NUMBER A LITTLE," "SO I'LL SEE YOU LATER." "GOODBYE, HONEY. [door shuts]" "BRAD." "YES?" "BRAD, THIS IS CRUEL." "WHAT, HONEY?" "TO KID ABOUT A THING LIKE THIS." "I'M NOT KIDDING." "I'LL GIVE HIM THE MONEY." "HE'LL HAVE IT IN HIS OFFICE AT 10:30 TOMORROW MORNING." "WHERE ARE YOU GOING TO GET $15,000?" "WELL, HONEY, I'LL TELL YOU..." "SEE THIS RING?" "I JUST GIVE IT A LITTLE TWIST, MAKE A WISH, PRESTO." "OH, BRAD." "OH, TRUST ME, WILL YOU, HONEY?" "AND I'M NOT JOKING." "THAT'S JUST THE TROUBLE." "I DO TRUST YOU." "OH, HONEY." "WHAT?" "NO, I WON'T SAY IT YET." "I HAVE AN IDEA, AND I WANT TO GET TO THE PIANO" "BEFORE I LOSE IT." "SEE YOU LATER, HUH." "HE MEANT IT." "REALLY, HE DID." "I'D STAKE MY LIFE ON IT." "FAITH, HOPE, AND CHARITY." "YOU HAVE FAITH, BARNEY HOPES, AND WE ALL NEED CHARITY." "♪[piano playing]" "WAIT A MINUTE." "LISTEN." "HE'S GOT IT." "JUST WHAT I WANT." "DON'T YOU HEAR THAT WAILING?" "WAILING." "MEN MARCHING, MARCHING, MARCHING IN THE RAIN." "JOBS." "JOBS." "GEE, DON'T IT GET YOU?" "WELL?" "THERE'S NO ANSWER AT MR. ROBERTS' APARTMENT." "NOW TRIXIE CAN SAY, "I TOLD YOU SO,"" "BUT I WON'T." "IT HURTS TOO MUCH. [door shuts]" "COME IN." "COME IN." "GIGOLO EDDIE ALWAYS SHOWS UP AT THE WRONG TIME." "HELLO, BARNEY." "HEARD YOU GOT YOUR MITTS ON SOME DOUGH TO OPEN A SHOW." "THOUGHT YOU MIGHT WANT TO CELEBRATE." "FRESH OFF THE BOAT." "WELL, YOU HEARD WRONG." "PULL UP A COFFIN" "AND LIE DOWN WITH THE REST OF US." "GEE, BUSINESS IS SO TOUGH THAT NOBODY EVEN WANTS TO OWE ME ANYMORE." "YOU CAN GO." "BUT YOU HIRED ME FOR THE DAY." "I THOUGHT I WAS GOING TO NEED A SECRETARY." "WELL, YOU'LL PAY ME FOR THE DAY," "OR I'LL MAKE A COMPLAINT TO THE AGENCY." "I WISH THERE WAS SOMEBODY I COULD COMPLAIN TO." "WHO ARE YOU?" "(all) WE'RE THE ZIPKY KENTUCKY HILLBILLIES." "WHO?" "THE KENTUCKY HILLBILLIES." "SINGING." "DANCING." "MUSIC." "WISECRACKS." "DO YOU KNOW YOUR OLD KENTUCKY HOME?" "YOU SAID IT." "SCRAM RIGHT BACK THERE." "YOUR OLD MAMMY'S WAITIN' FOR YOU." "WE GET IT. [all chattering]" "I BETTER LOCK THIS JOINT BEFORE THE ACROBATS" "AND MIDGETS START FLOCKING IN." "GOOD MORNING." "YOU'RE EARLY." "I-I'M SORRY I KEPT YOU ALL WAITING." "YEAH?" "I GOT A NEW IDEA FOR A NUMBER" "AND I LOST ALL TRACK OF TIME." "GOT A PIANO?" "I'LL PLAY IT FOR YOU." "HEY, LISTEN, KID, I'M THE COMEDIAN AROUND HERE." "WE'VE HAD ENOUGH OF YOUR GAGS." "THEY'RE NOT FUNNY." "PLEASE STOP IT, BRAD." "THERE'S A LIMIT TO EVERYTHING." "I'M GOING TO LOCK THIS OFFICE." "GET OUT OF HERE, ALL OF YOU." "DON'T YOU WANT THE MONEY?" "DON'T KID ME." "THERE YOU ARE. $15,000, CASH." "BRAD, I ALWAYS KNEW YOU WERE ON THE LEVEL. [all cheering]" "REHEARSALS START AT 9:00 IN THE MORNING." "FRESH OFF THE BOAT. [all laugh]" "♪[orchestra playing]" "♪ PETTIN' IN THE PARK ♪" "♪ BAD BOY!" "♪" "♪ PETTIN' IN THE PARK ♪" "♪ BAD GIRL!" "FIRST YOU PET A LITTLE ♪" "♪ LET UP A LITTLE ♪" "♪ AND THEN YOU GET A LITTLE KISS ♪" "♪ PETTIN' ON THE SLY ♪" "♪ OH, MY!" "♪" "♪ ACT A LITTLE SHY AW, WHY?" "♪" "♪ STRUGGLE JUST A LITTLE THEN HUG A LITTLE ♪" "♪ AND CUDDLE UP AND WHISPER THIS ♪" "♪ COME ON, I'VE BEEN WAITING LONG ♪" "(Brad) WAIT A MINUTE." "WAIT A MINUTE." "HOLD IT." "HOLD IT, GIRLS." "OH, GORDON, LISTEN," "YOU'VE GOT TO PUT SOME LIFE INTO THAT SONG." "YEAH?" "YOU GOT TO SING IT WITH SOME PEP AND SOME FEELING." "YOU GOT THE WHOLE THING WRONG." "LISTEN." "PLAY ME THE FIRST CHORUS, WILL YOU?" "♪[orchestra playing] HERE'S THE WAY IT GOES." "NOW COME ON." "♪ PETTIN' IN THE PARK ♪" "♪ BAD BOY!" "♪" "♪ PETTIN' IN THE PARK ♪" "♪ BAD GIRL!" "♪" "♪ FIRST YOU PET A LITTLE ♪" "♪ LET UP A LITTLE ♪" "♪ THEN YOU GET A LITTLE KISS ♪" "♪ PETTIN' ON THE SLY OH, MY!" "♪" "♪ ACT A LITTLE SHY AW, WHY?" "♪" "♪ STRUGGLE JUST A LITTLE THEN HUG A LITTLE ♪" "♪ CUDDLE UP AND WHISPER THIS ♪" "♪ COME ON ♪" "♪ I'VE BEEN WAITING LONG ♪" "♪ WHY DON'T WE GET STARTED?" "♪" "WAIT A MINUTE, WAIT A MINUTE." "WHAT AM I DOING THAT'S SO WRONG?" "WELL, LISTEN, YOU DO THIS RIGHT IN THE MIDDLE PART." "♪ COME ON, I'VE BEEN WAITING ♪" "THAT'S NOT THE MELODY." "HERE IT IS." "♪ COME ON ♪" "♪ I'VE BEEN WAITING LONG WHY DON'T WE GET STARTED?" "♪" "ALL RIGHT." "ALL RIGHT." "NOW, LET ME TELL YOU SOMETHING." "I'VE BEEN A JUVENILE FOR 18 YEARS" "AND YOU'RE GOING TO TELL ME HOW TO SING A SONG?" "COME ON, FELLOWS, LET ME DOWN, WILL YOU?" "I WANT TO GET A GLASS OF WATER." "COME ON, GIRLS AND BOYS, SHOW ME THAT DANCE CHORUS." "COME ON, SNAP INTO IT." "HIT IT NOW." "COME ON, LET'S GO." "GIVE IT TO ME NOW." "LISTEN, BRAD, WHY DON'T YOU DO THIS JUVENILE PART YOURSELF?" "YOU'VE GOT IT OVER GORDON LIKE A TENT." "RECONSIDER." "GIVE YOUR SONGS A BREAK." "BARNEY, I TOLD YOU, I CAN'T DO IT." "YOU SAY YOU CAN'T, BUT YOU DON'T TELL ME WHY." "YOU'VE GOT A VOICE." "YOU GOT PERSONALITY." "YOU CAN DO IT, BUT YOU WON'T." "WHY?" "BARNEY, WILL YOU LET IT GO AT THAT ONCE AND FOR ALL?" "NO PUBLIC APPEARANCES." "HI, SWEETS." "HELLO." "LISTEN, HONEY, YOU'VE GOT QUITE A YEN FOR THAT BOY, HAVEN'T YOU?" "OH, I, UH, I LIKE HIM, OF COURSE." "THERE'S SOMETHING AWFUL FUNNY ABOUT HIM, SOMETHING VERY MYSTERIOUS." "LISTEN, DID HE EVER TELL YOU WHERE HE GOT THAT $15,000?" "NO." "AND WHY HE HAS TO LIVE ON $25 A WEEK" "WHEN HE CAN GO OUT AND COME BACK WITH THAT MUCH MONEY?" "NOW, LOOK. "TORONTO BANK CLERK TOOK $20,000" "FROM BANK AND DISAPPEARED."" "I CAN READ." "THAT'S QUITE A COINCIDENCE, I SHOULD SAY." "WHAT'S A COINCIDENCE?" "AND LOOK." ""NEW YORK POLICE ASKED TO CHECK UP BROADWAY NIGHTSPOTS."" "AND HERE'S THE DESCRIPTION OF HIM: "5'9", DARK HAIR"" "THAT COULD DESCRIBE ANYBODY." "IT COULDN'T DESCRIBE ME, AND IT COULDN'T DESCRIBE YOU" "AND IT DOES DESCRIBE HIM." "HE IS ABOUT 5'9"" "AND HE HAS GOT DARK HAIR, AND WHERE DID HE GET THAT CASH?" "WELL, DON'T BE RIDICULOUS, TRIXIE." "YOU'RE LETTING YOUR IMAGINATION RUN AWAY WITH YOU." "NOW, LISTEN, HONEY, I DON'T WANT TO SEE YOU FALL IN LOVE WITH A GUY" "WHO'S GOING TO GET YOU INTO A LOT OF TROUBLE." "I KNOW, BUT, BUT I'M SURE." "WHAT ARE YOU SURE?" "WHAT DO YOU ACTUALLY KNOW ABOUT HIM?" "DOES HE EVER TALK ABOUT HIMSELF?" "DOES HE EVER MENTION HIS FAMILY?" "YOU REMEMBER THAT HE WOULDN'T GIVE BARNEY A CHECK," "IT HAD TO BE CASH?" "AND HE WON'T GO OUT THERE AND PLAY GORDON'S PART." "WHY?" "BECAUSE HE'S AFRAID THAT NEWSPAPER..." "NOW, LISTEN, DON'T TALK, AND DON'T COME BACK HERE." "YOU PROMISE?" "I SAID I WOULDN'T, DIDN'T I?" "SO LONG." "DON'T SAY ANYTHING TO ANYONE, WILL YOU, TRIXIE?" "[people chattering]" "ON STAGE." "(stage director) STAGE, LADY." "COME ON." "ON STAGE." "♪[band playing]" "YOU KNOW, THIS STUFF IS JUST AS GOOD" "TO RUB WITH AS IT IS TO DRINK." "IT PENETRATES. [groaning] SHOW ME THE SPOT." "HE'S BEEN RUBBING ME FOR AN HOUR," "AND HE SAYS, "SHOW ME THE SPOT."" "[Gordon groaning]" "WHAT'S THIS?" "IT'S HIS LUMBAGO." "GET UP." "I CAN'T, I TELL YOU." "I CAN'T." "OH, YOU CAN'T GET UP, CAN'T YOU?" "OH!" "NO, DON'T." "PLEASE, OH, DON'T." "STRAIGHTEN UP, YOU PERMANENT JUVENILE." "OH, I CAN'T, I TELL YOU." "I CAN'T." "YOU DON'T SUPPOSE YOU'RE GOING OUT THERE AND SINGING A LOVE SONG" "WITH YOUR BACK DOUBLED UP, DO YOU?" "WHAT KIND OF A LOVE SONG DO YOU THINK THIS IS?" "YOU'VE GOT TO STRAIGHTEN UP." "YOU'VE GOT TO STOP BEING A BABY." "MIND OVER MATTER." "MIND OVER MATTER. [groaning]" "I CAN'T, I TELL YOU." "I GOT A SHOW." "I SPENT WEEKS AND MONTHS GETTING A SHOW." "I'VE WORKED." "I'VE SLAVED." "OPENING NIGHT." "WE OPEN TONIGHT, AND HE'S GOT LUMBAGO." "GO OUT AND ANNOUNCE THE SHOW IS POSTPONED." "GIVE THEM THEIR MONEY BACK." "TELL 'EM OUR JUVENILE MAN'S DYING OF OLD AGE." "LISTEN, KID, NOW IT'S UP TO YOU." "NOW YOU'VE GOT TO DO IT." "YOU'VE GOT TO GO ON IN HIS PLACE." "I CAN'T DO THAT, BARNEY." "WHY CAN'T YOU DO IT?" "THE CURTAIN'S GOING UP." "THE SHOW IS GOING ON." "YOUR GIRL'S IN IT." "YOUR MUSIC'S IN IT." "YOUR MONEY'S IN IT." "YOU'VE GOT TO GO ON AND DO IT." "THERE'S A REASON WHY." "THERE CAN'T BE ANY REASON." "ALL RIGHT." "WELL, WHAT IS YOUR REASON?" "NOW, LISTEN, I DON'T CARE IF YOU HAVE TO GO TO JAIL" "AFTER THIS PERFORMANCE," "YOU OUGHT TO FORGOT ABOUT YOURSELF AND DO THIS ANYWAY." "DO YOU KNOW WHAT IT MEANS IF THIS SHOW DOESN'T GO ON?" "DO YOU KNOW WHAT IT MEANS TO THE GIRLS IN THIS SHOW?" "THOSE POOR KIDS WHO GAVE UP JOBS" "AND WILL NEVER BE ABLE TO FIND OTHER ONES, THESE TIMES." "THOSE KIDS WHO'VE BEEN LIVING ON NOTHING," "STARVING THEMSELVES THE 6 WEEKS WE'VE BEEN REHEARSING" "HOPING FOR THIS SHOW TO GO ON AND BE A SUCCESS?" "WELL, THEY'RE COUNTING ON YOU." "YOU CAN'T LET THEM DOWN." "YOU CAN'T." "IF YOU DO, WELL, GOD KNOWS WHAT'LL HAPPEN TO THOSE KIDS." "THEY'LL HAVE TO DO THINGS I WOULDN'T WANT ON MY CONSCIENCE," "AND IT WILL BE ON YOURS." "NOW, YOU CAN GO OUT AND SING GORDON'S PART, AND PUT THIS SHOW OVER." "AND IF YOU DON'T, WELL, I DON'T CARE WHAT YOUR REASON IS." "SHE'S RIGHT, BRAD." "I HADN'T THOUGHT ABOUT IT IN THAT WAY." "YES, OF COURSE." "I'LL DO IT." "GREAT, KID." "I KNEW YOU WOULD." "WALTER, GET GORDON'S DRESS SUIT." "GET HIM A DRESSING ROOM." "HE'S NOT ON FOR 7 MINUTES." "THEY WON'T HAVE TO HOLD THE CURTAIN." "RIGHT." "COME ON, KIDS, WE'VE GOT TO" " OH, BOY." "GET HIM READY." "GEE, IF ANYTHING HAPPENS TO HIM NOW, WE'RE RESPONSIBLE." "THERE'S MORE TO THAT KID THAN I THOUGHT THERE WAS." "HE HAS NERVE." "HE'S REGULAR." "HE BELONGS IN THE SHOW BUSINESS." "HE'S RISKING GOING TO PRISON FOR US." "OH, I LIKE THAT KID." "IF HE GOES TO PRISON FOR THIS," "I'LL VISIT HIM THERE, I SWEAR I WILL." "I WANT TO SEE HIM AND LET HIM KNOW THAT I KNOW WHAT IT MEANS." "BRAD." "(Brad) HELLO." "PUT YOUR EAR CLOSE TO THE DOOR." "I WANT TO WHISPER SOMETHING TO YOU." "ALL RIGHT, HONEY." "OH, BRAD, IT'S WONDERFUL OF YOU TO TAKE THIS CHANCE TONIGHT." "IT'S--IT'S COURAGEOUS." "OH, IT'S NOT COURAGEOUS, EXACTLY." "SAY, BUT HOW DO YOU KNOW?" "DO YOU KNOW?" "OH, BUT DON'T THINK ABOUT IT, BRAD." "JUST, JUST THINK ABOUT, I LOVE YOU." "AND I ALWAYS WILL, NO MATTER WHAT HAPPENS." "OH, GEE, THAT'S SWELL, HONEY." "AFTER TONIGHT, YOU CAN TELL ME ALL ABOUT IT." "I'LL UNDERSTAND, AND, AND MAYBE I CAN HELP." "AFTER TONIGHT?" "(stage director) HURRY, MISS PARKER." "HURRY, MR. ROBERTS." "WISH US LUCK, SWEETHEART." "OH, I DO." "I DO." "I WISH US LUCK. [audience applauding]" "♪[orchestra playing]" "♪ EVERY NIGHT A BODY SHOULD RELAX ♪" "♪ AFTER ALL THE WEAR AND TEAR ♪" "♪ GET THAT OXYGEN YOUR BODY LACKS ♪" "♪ GET IT IN THE OPEN AIR ♪" "♪ GO AND FIND A LITTLE RENDEZVOUS ♪" "♪ UNDERNEATH THE STARRY SKIES ♪" "♪ TAKE SOMEONE WHO'S SWEET ALONG WITH YOU ♪" "♪ FOR A LITTLE EXERCISE ♪" "♪ PETTIN' IN THE PARK ♪" "♪ BAD BOY!" "♪" "♪ PETTIN' IN THE DARK BAD GIRL!" "♪" "♪ FIRST YOU PET A LITTLE LET UP A LITTLE ♪" "♪ THEN YOU GET A LITTLE KISS ♪" "♪ PETTIN' ON THE SLY ♪" "♪ OH, MY!" "♪" "♪ ACT A LITTLE SHY AW, WHY?" "♪" "♪ STRUGGLE JUST A LITTLE THEN HUG A LITTLE ♪" "♪ AND CUDDLE UP AND WHISPER THIS ♪" "♪ COME ON, I'VE BEEN WAITING LONG ♪" "♪ WHY DON'T WE GET STARTED?" "♪" "♪ COME ON, MAYBE THIS IS WRONG ♪" "♪ WELL, GEE, WHAT OF IT?" "♪" "♪ WE JUST LOVE IT PETTIN' IN THE PARK ♪" "♪ BAD BOY!" "♪" "♪ PETTIN' IN THE DARK BAD GIRL!" "♪" "♪ WHATCHA DOIN', HONEY?" "♪" "♪ OH, I FEEL SO FUNNY ♪" "♪ I'M PETTIN' IN THE PARK WITH YOU ♪" "♪ PETTIN' IN THE PARK ♪ [scatting]" "♪ PETTIN' IN THE DARK ♪ [scatting]" "♪ LET UP A LITTLE ♪" "♪ THEN YOU GET A LITTLE KISS ♪" "♪ PETTIN' ON THE SLY ♪ [scatting]" "♪ ACT A LITTLE SHY ♪ [scatting]" "♪ STRUGGLE JUST A LITTLE THEN HUG A LITTLE ♪" "♪ CUDDLE UP AND WHISPER THIS ♪ [scatting]" "♪ PETTIN' IN THE PARK ♪" "♪ BAD BOY!" "♪" "♪ PETTIN' IN THE DARK BAD GIRL!" "♪" "♪ WHATCHA DOIN', HONEY?" "♪" "♪ OH, I FEEL SO FUNNY ♪" "♪ PETTIN' IN THE PARK WITH YOU ♪" "(boys) ♪ PETTIN' IN THE PARK BAD BOY!" "♪" "♪ PETTIN' IN THE DARK BAD GIRL!" "♪" "♪ FIRST YOU PET A LITTLE LET UP A LITTLE ♪" "♪ AND THEN YOU GET A LITTLE KISS ♪" "♪ PETTIN' ON THE SLY OH, MY!" "♪" "♪ ACT A LITTLE SHY AW, WHY?" "♪" "♪ STRUGGLE JUST A LITTLE THEN HUG A LITTLE ♪" "♪ AND CUDDLE UP AND WHISPER THIS ♪" "♪ COME ON, I'VE BEEN WAITING LONG ♪" "♪ WHY DON'T WE GET STARTED?" "♪" "(boy #1) ♪ COME ON ♪" "(boy #2) ♪ COME ON ♪" "(boys) ♪ MAYBE THIS IS WRONG ♪" "♪ BUT, GEE, WHAT OF IT?" "WE JUST LOVE IT ♪" "♪ PETTIN' IN THE PARK BAD BOY!" "♪" "♪ PETTIN' IN THE DARK BAD GIRL!" "♪" "♪ WHATCHA DOIN', HONEY?" "I FEEL SO FUNNY ♪" "♪ I'M PETTIN' IN THE PARK WITH YOU ♪" "[whistles] [whistles]" "[all laughing]" "[wind blowing]" "(girls) ♪ PETTIN' IN THE PARK BAD BOY!" "♪" "(boys) ♪ PETTIN' IN THE DARK BAD GIRL!" "♪" "(all) ♪ FIRST YOU PET A LITTLE LET UP A LITTLE ♪" "♪ AND THEN YOU GET A LITTLE KISS ♪" "(chorus) ♪ PETTIN' ON THE SLY OH, MY!" "♪" "♪ ACT A LITTLE SHY AW, WHY?" "♪" "♪ STRUGGLE JUST A LITTLE THEN HUG A LITTLE ♪" "♪ AND CUDDLE UP AND WHISPER THIS ♪" "♪ COME ON, I'VE BEEN WAITING LONG ♪" "♪ WHY DON'T WE GET STARTED?" "♪" "♪ COME ON, MAYBE THIS IS WRONG ♪" "♪ BUT, GEE, WHAT OF IT?" "♪" "♪ WE ALL LOVE IT ♪" "♪ PETTIN' IN THE PARK BAD BOY!" "♪" "♪ PETTIN' IN THE DARK BAD GIRL!" "♪" "♪ WHATCHA DOIN', HONEY?" "I FEEL SO FUNNY ♪" "♪ I'M PETTIN' IN THE PARK WITH YOU ♪" "[thunder rumbling]" "[thunder continues rumbling]" "(chorus) ♪ PETTIN' IN THE PARK BAD BOY!" "♪" "♪ PETTIN' IN THE DARK BAD GIRL!" "♪" "♪ PET A LITTLE LET UP A LITTLE ♪" "♪ AND THEN YOU GET A LITTLE KISS ♪ [metallic clanging] ♪ PETTIN' ON THE SLY OH, MY!" "♪ [metallic clanging] ♪ ACT A LITTLE SHY AW, WHY?" "♪" "♪ STRUGGLE A LITTLE THEN HUG A LITTLE ♪" "♪ AND CUDDLE UP AND WHISPER THIS ♪" "♪ COME ON, I'VE BEEN WAITING LONG ♪" "♪ WHY DON'T WE GET STARTED?" "♪" "♪ COME ON ♪" "♪ MAYBE THIS IS WRONG BUT, GEE, WHAT OF IT?" "♪" "♪ WE JUST LOVE IT ♪ [inaudible] ♪ PETTIN' IN THE PARK BAD BOY!" "♪" "♪ PETTIN' IN THE DARK BAD GIRL!" "♪" "♪ WHATCHA DOIN', HONEY?" "I FEEL SO FUNNY ♪" "♪ I'M PETTIN' IN THE PARK WITH YOU ♪" "[all chattering]" "WHO IS THE BOY?" "BRAD ROBERTS, ACCORDING TO THE ANNOUNCEMENTS." "AND THE PROGRAM SAYS HE DID MOST OF THE MUSIC, TOO." "SMART KID." "WELL, THERE'S SOMETHING FAMILIAR ABOUT HIM." "I'VE SEEN HIM." "NOT IN THE THEATER, EITHER." "WAIT A MINUTE." "LET ME HAVE A NICKEL." "YEAH." "YEAH." "I'M GOING TO FIND OUT. [inaudible]" "LISTEN." "WHY, I CAN'T BELIEVE IT." "THE DESCRIPTION, AND I KNEW I'D SEEN HIM SOMEPLACE BEFORE." "LET'S GO BACK AND GET BARNEY TO TELL US THE TRUTH." "WHAT A FRONT-PAGE STORY THAT WILL MAKE." "COME ON BACK WITH ME. [doorbell buzzing]" "POLLY, LOOK AT THIS." "(Polly) WHAT?" "LOOK AT IT." "(Polly) OH, GOSH." "OH, I CAN'T BELIEVE IT." "I NEVER DREAMED OF SUCH A THING." "[Trixie laughing] I ALWAYS KNEW THAT KID WAS SOMEBODY." "YOU CAN'T FOOL ME MUCH." "WHY, TRIXIE LORRAINE, YOU THOUGHT I WAS A FOOL" "TO HAVE ANYTHING TO DO WITH THIS." "YOU DON'T KNOW WHEN I'M KIDDING, DO YOU?" "MR. BRADFORD?" "HE'S OVER THERE ON THE LOUNGE, SIR." "THANK YOU." "GOOD MORNING." "GOOD MORNING, ROBERT." "YOU'RE LATE." "NOT MUCH, AM I? 17 MINUTES." "HELLO, PEABODY." "HOW ARE YOU, YOUNG MAN?" "SIT DOWN." "THANK YOU." "I'LL COME DIRECTLY TO THE POINT, ROBERT." "YOUR FAMILY IS GREATLY DISTURBED OVER WHAT HAS OCCURRED." "I HOPE YOU APPRECIATE THE FACT THAT I FLEW HERE THIS MORNING" "IN UNCERTAIN WEATHER." "AS TRUSTEE OF YOUR ESTATE AND YOUR ELDER BROTHER," "I REPRESENT THE FAMILY" "IN SAYING THAT WE CANNOT HAVE YOU" "MIXED UP IN THIS THEATER BUSINESS." "YOU KNOW HOW WE FEEL." "YOUR MOTHER IS GREATLY CONCERNED" "AND EVERY MEMBER OF YOUR FAMILY." "I CANNOT BEGIN TO DESCRIBE TO YOU," "MY DEAR BOY, THE EXTENT OF THE SHOCK." "I'M SORRY EVERYBODY IN THE FAMILY IS SHOCKED" "BUT I'D BETTER COME DIRECTLY TO THE POINT, TOO." "MUSIC IS MY CAREER, YOU KNOW THAT." "MUSIC, YES-- WELL, I MEAN THE KIND OF SONGS" "THAT'S SUNG IN SHOWS, AND OVER THE RADIO, AND ON RECORD." "I DON'T MEAN THE KIND OF MUSIC PLAYED BY THE BOSTON SYMPHONY ORCHESTRA." "YOU HAVE TO BE HALF DEAD TO COMPOSE THAT." "I WANT TO WRITE THIS OTHER KIND OF MUSIC." "THIS SHOW WAS MY BIG OPPORTUNITY." "THE SHOW CLICKED." "I'VE GOT MY START, AND I'M GOING ON WITH IT." "AS TO APPEARING WITH THE SHOW," "I KNOW HOW YOU FEEL ABOUT THAT." "AND I DID THE BEST I COULD TO STAY OUT OF IT." "BUT AN EMERGENCY CAME UP, AND I HAD TO DO IT." "NOW I CAN'T LET THEM DOWN." "BESIDES, I LIKE IT." "MUCH AS THE FAMILY REGRETS THAT ONE WHO BEARS OUR NAME" "SHOULD GO IN FOR THIS SORT OF SENSATIONAL CAREER" "IN PREFERENCE TO BANKING," "NEVERTHELESS, WE'VE AGREED NOT TO OPPOSE YOU." "ONE THING, HOWEVER, WE MUST AND WILL INSIST UPON." "AND WHAT'S THAT?" "THIS GIRL, THIS SHOWGIRL WHOSE NAME IS LINKED WITH YOURS..." "POLLY PARKER." "WELL, WHAT OF IT?" "WHAT OF IT?" "SIMPLY THIS" "LISTEN." "BEFORE YOU SAY ANYTHING ABOUT HER, YOU BETTER KNOW THIS." "I'M IN LOVE WITH POLLY PARKER, AND I'M GOING TO MARRY HER." "IF SHE'LL HAVE ME." "WHAT?" "I'M GOING TO COMPLAIN TO THE HOUSE COMMITTEE." "JUST WHAT I SAID." "YOU'LL MARRY THIS CHEAP LITTLE SHOWGIRL" "OH, WAIT A MINUTE." "THAT'S PRETTY MUCH OF AN OLD-FASHIONED IDEA." "FAMILIES DON'T INTERFERE WITH LOVE AFFAIRS NOWADAYS." "AND IF THEY DO, IT DOESN'T MEAN ANYTHING." "IF YOU MARRY THAT GIRL, YOU'LL GET NOT ONE CENT OF INCOME." "I DON'T HAVE TO REMIND YOU THAT UNTIL YOU'RE 30," "I HAVE THE ABSOLUTE LEGAL RIGHT TO CUT OFF YOUR INCOME." "I UNDERSTAND, AND IF THAT'S ALL YOU HAVE TO SAY TO ME," "YOU'RE JUST WASTING YOUR TIME." "I'VE GOT MORE IMPORTANT THINGS TO DO." "I SHALL CERTAINLY COMPLAIN TO THE HOUSE COMMITTEE." "I CAN'T UNDERSTAND HIM." "IT'S THE GIRL." "I KNOW THESE SHOWGIRLS." "THEY'RE JUST LITTLE PARASITES, LITTLE GOLD DIGGERS." "I DON'T DOUBT IT." "I REMEMBER, IN MY EARLY YOUTH," "I TROD THE PRIMROSE PATH ON THE GREAT WHITE WAY." "THERE I LEARNED THE BITTER TRUTH THAT ALL WOMEN OF THE THEATER" "WERE CHISELLERS, PARASITES." "OR AS WE CALL THEM, GOLD DIGGERS." "I REMEMBER," "WELL, ONE EXPERIENCE I HAD WITH A WOMAN OF THE THEATER." "IT WAS THE DAY OF THE BIG HARVARD GAME." "WE ALL CAME DOWN." "A STOUT COMPANY OF YOUNG BLADES" "EAGER TO LEARN ABOUT LIFE." "I MET THIS GIRL AT THE STAGE DOOR OF THE OLD CASINO." "WE WENT TO RECTOR'S FOR A BITE." "I HAD A COLD BIRD AND A BOTTLE." "SHE NIBBLED AT A STEAK." "HER NAME WAS EUNICE." "SHE CALLED ME FUFFY." "I DON'T KNOW WHY SHE DID, BUT SHE CALLED ME FUFFY." "I'M GOING TO SEE HER." "OH, I DON'T KNOW WHERE SHE IS NOW." "THAT WAS 30 YEARS AGO." "OH, NO, I MEAN THIS POLLY PARKER WOMAN." "I WOULDN'T GO IF I WERE FOR YOU." "YOU'RE ONLY PUTTING YOURSELF INTO THEIR HANDS." "I TELL YOU, THEY'RE ALL BLACKMAILERS, GOLD DIGGERS, PARASITES." "I RESIGN." "NO." "YES." "♪ WHEN I FEEL A THING ♪" "♪ THAT I CAN SING ♪" "♪ IT MUST BE REAL ♪" "♪ I COULDN'T SING A GAY SONG ♪" "♪ IT WOULDN'T BE SINCERE ♪" "♪ I COULD NEVER CROON A HAPPY TUNE ♪ [doorbell buzzing]" "COME IN." "(Trixie) HEY, SHUT THE BATHROOM DOOR." "(Carol) I WILL, TRIXIE." "♪ WITHOUT A TEAR I HAVE MY DREAMS ♪ [doorbell buzzing] (Carol) COME IN, COME IN." "♪ THEY VANISH IN THE SKY ♪" "♪ I TRY TO SMILE AND FACE THE SUN ♪" "♪ BUT ROMANCE PASSES BY ♪" "WELL, WHO IS IT?" "(Lawrence) I AM J. LAWRENCE BRADFORD." "YES?" "I'VE COME TO SEE MISS POLLY PARKER." "OH, YES?" "I'M THE BROTHER OF ROBERT TREAT BRADFORD," "WHOM YOU PROBABLY KNOW AS BRAD ROBERTS." "OH, YOU'RE BRAD'S BROTHER." "SIT DOWN, I'LL BE DRESSED IN JUST A MINUTE." "DON'T BOTHER, MISS PARKER." "I CAN SAY WHAT I HAVE TO SAY" "BUT--BUT YOU SEE, I'M NOT" "PLEASE, MISS PARKER." "I'VE JUST SPOKEN TO MY BROTHER." "HE TELLS ME, UH, HE WANTS TO MARRY YOU." "YOU'RE MAKING A MISTAKE." "IF YOU'LL LET ME EXPLAIN" "DON'T BOTHER TO EXPLAIN." "I'VE TOLD HIM IF HE DISGRACES THE FAMILY BY MARRYING A SHOWGIRL," "THE FAMILY IS THROUGH WITH HIM." "DID YOU SAY, "DISGRACE THE FAMILY BY MARRYING A SHOWGIRL"?" "I SAID EXACTLY THAT." "SHOWGIRLS ARE REPUTED TO BE, UH," "PARASITES, CHISELLERS, GOLD DIGGERS. [exclaims]" "SHOWGIRLS ARE EXCELLENT IN THEIR WAY," "ATTRACTIVE CREATURES, EVEN FASCINATING," "BUT HARDLY FITTED TO SHINE IN THE UPPER SOCIAL CIRCLES." "THIS IS NOT DIRECTED AGAINST YOU PERSONALLY, MISS PARKER." "NO, I UNDERSTAND THAT, NOT PERSONALLY." "ALL SHOWGIRLS ARE PARASITES, CHISELLERS, AND GOLD DIGGERS." "EXACTLY." "AND NOW-- YOU BETTER LET ME TELL YOU" "JUST TELL ME HOW MUCH?" "HOW MUCH WHAT?" "WHAT IS YOUR PRICE?" "HOW MUCH DO YOU WANT TO RELEASE HIS BROTHER" "FROM HIS PROMISE TO MARRY YOU?" "WELL, THIS IS VERY FUNNY." "I SEE NOTHING AMUSING IN IT, MISS PARKER." "PLEASE, DON'T LET'S WASTE TIME." "HOW MUCH?" "I'M SORRY." "SORRY?" "NO PRICE ON ME." "OH, BUT I INSIST, MISS PARKER." "YOU MUST HAVE A PRICE." "I'M INCLINED TO BE GENEROUS IN THE MATTER." "AFTER ALL, I REALIZE THAT BOB IS A HEADSTRONG BOY." "BUT I'M IN CHARGE OF HIM," "AND I FEEL I KNOW WHAT IS BEST FOR HIM." "I'VE HAD ABOUT ENOUGH OF THIS." "IF YOU DON'T MIND... [gasps]" "OH, I BEG YOUR PARDON, BUT AM I INTERRUPTING?" "NO, NOT AT ALL." "THIS IS BRAD'S BROTHER, J. LAWRENCE BRADFORD." "I'M CHARMED." "BEWARE, TRIXIE'S A SHOWGIRL." "MMM, WHO IS THIS DISTINGUISHED LOOKING YOUNG MAN?" "(Carol) I DON'T KNOW." "I'M FANEUIL H. PEABODY." "FANEUIL?" "FANEUIL." "WHEN I KNOW YOU BETTER, I'LL CALL YOU FANNY." "HAVE YOU GOT A CIGARETTE?" "MMM, GOLD." "OH, MY ERROR." "HAVE YOU A LIGHT?" "MMM, YOUR HAND IS SHAKING." "WHAT AN UNEXPECTED PLEASURE." "NOW, COME ALONG, LET'S SIT OVER ON THE OTHER SIDE OF THE ROOM." "OH, COME ON." "COME ALONG." "YOU KNOW, I USED TO KNOW SOME PEABODYS," "BUT I THINK THEY CAME FROM TEXAS." "OH, SIT DOWN, NOW." "COME ON, SIT DOWN." "THERE." "MR. J. LAWRENCE BRADFORD TELLS ME I MUST GIVE BRAD UP." "HE ALSO SAYS WE'RE CHISELLERS AND GOLD DIGGERS," "AND WANTS TO KNOW MY PRICE." "WELL, HAVE YOU TOLD HIM, POLLY?" "I WAS ABOUT TO TELL HIM WHERE TO HEAD IN." "OH, I WOULDN'T BE TOO HASTY." "I'D AT LEAST DISCUSS IT FURTHER." "AFTER ALL, WE'RE GROWN UP, SENSIBLE." "YOU'RE A WOMAN OF THE WORLD." "I'M A MAN OF THE WORLD." "OH, WE OUGHT TO HAVE A CONFERENCE." "ISN'T THAT WHAT BUSINESSMEN ALWAYS HAVE WHEN THEY'RE AWAY FROM HOME?" "CONFERENCES?" "I KNOW A NEW SPEAKY." "IT JUST OPENED." "THEIR LIQUOR IS GOOD, AND DO I KNOW GOOD LIQUOR." "IT'S RIGHT AROUND THE CORNER, AND WE'LL BE WITH YOU IN JUST 2 MINUTES." "I'LL JUST SLIP INTO SOMETHING. [gasps] OH, I BEG YOUR PARDON." "WHAT'S THAT?" "MY SLIP." "COME ALONG, POLLY, DEAR." "LET'S NOT KEEP THEM WAITING. [exclaiming]" "HERE'S SOMETHING FOR YOU TO READ" "MR. BRADFORD." "AND, UH," "HERE ARE SOME PICTURES FOR YOU TO LOOK AT." "NOW, YOU AMUSE YOURSELVES, WON'T YOU?" "WE'LL JUST BE 2 MINUTES." "FANNY. [door shuts]" "PEABODY, YOU'RE DISGUSTING." "I'M GOING TO TELL THEM THE TRUTH AND KICK THEM OUT." "AFTER WHAT HE CALLED YOU?" "A PARASITE?" "SAY, WHAT IS A PARASITE?" "YOU BETTER RESENT IT." "HE DID GET UNDER MY SKIN." "STUCK-UP SNOB." "THEY'VE HAD THEIR TURN." "LET'S HAVE OURS." "WE'LL TAKE THEM FOR A RIDE." "USE THE BATHROOM WHILE I USE THE PHONE." "UH, ENDICOTT 2." "HELLO, MADAM MINNIE?" "THIS IS TRIXIE LORRAINE." "SAY, YOU KNOW THE HAT WITH THE, UH..." "YEAH." "NO, NO." "THE EXPENSIVE ONE." "[doorbell buzzing]" "[doorbell continues buzzing]" "OH, DID THE BUZZER BUZZ? [exclaiming]" "OH, WHAT'S THAT?" "A C.O.D. FOR MISS POLLY PARKER." "$75." "$75 JUST FOR A LITTLE HAT?" "[Trixie exclaiming]" "BUT SHE'LL LOOK ADORABLE IN THAT, WON'T SHE?" "YES, SHE WILL." "NOW LET ME SEE." "WHAT DOES C.O.D. MEAN? [chuckles] THAT MEANS YOU'VE GOT TO PAY FOR IT." "OH, HOW INCONVENIENT." "WELL, YOU'LL HAVE TO TAKE IT BACK." "OH, DEAR." "SHE'LL BE IN SUCH A BAD MOOD." "WHO WILL?" "POLLY." "SHE DID SO WANT TO WEAR THAT HAT" "WHEN SHE WENT OUT FOR LUNCH WITH YOU TODAY." "OH, DEAR." "WHEN SHE DOESN'T GET WHAT SHE WANTS, [laughs] YOU JUST DON'T KNOW POLLY." "OH, SO DISAGREEABLE." "SHE'S NO FUN AT ALL." "JUST SITS THERE." "SHE WON'T AGREE TO ANYTHING YOU SAY." "SHE PROBABLY WON'T EVEN WANT TO GO WITH US." "WE 3 WILL JUST HAVE TO GO ALONE." "THERE YOU ARE, BOY." "TAKE IT BACK." "HERE, HERE, WAIT A MINUTE." "HOW MUCH IS IT?" "$75." "$75 FOR A HAT?" "WELL, SURE, THAT'S WHAT THE TICKET CALLS FOR." "HERE." "LEAVE THE HAT." "OH, YOU DARLING MAN." "POLLY'S JUST GOING TO LOVE YOU FOR THIS." "POLLY, THIS SWEET BIG BROTHER OF BRAD'S" "HAS INSISTED UPON PAYING FOR YOUR HAT." "OH, BUT HE MUSTN'T DO THAT." "OH, BUT HE HAS." "OH, BUT I COULDN'T." "OH, BUT YOU MUST." "OH, THAT LOOKS ADORABLE ON HER, DOESN'T IT?" "DOESN'T IT?" "YES, NOW ALL YOU NEED IS A CORSAGE." "I THINK LILIES OF THE VALLEY AND GARDENIAS." "I GUESS I'LL NEED ORCHIDS." "SHALL WE SEND OUT FOR SOME?" "YES." "LET'S BE GOING." "I MUST GET A 4:00 TRAIN TO BOSTON." "OH, I'M VERY SORRY, MR. BRADFORD." "BUT I JUST COULDN'T LEAVE THE ROOM WITHOUT A CORSAGE." "AND I WOULDN'T LET POLLY." "I JUST COULDN'T LET HER GO OUT THAT WAY." "WE'LL BUY YOU A CORSAGE ON THE WAY." "BUT LET'S HURRY." "OH, ISN'T HE A DARLING?" "YOU'RE JUST SO GENEROUS. [doorbell buzzing]" "OH, UH, OH, POLLY, I WONDER IF YOU WOULD ANSWER THAT." "I'M GOING TO POWDER MY NOSE." "WELL, WHAT'S THIS?" "LOOKS LIKE ANOTHER HAT." "WE HAVE A HAT, MY LAD." "OH, BUT I WAS" "YOU MUST HAVE THE WRONG ADDRESS." "OH, NO." "WHO'S THE HAT FOR?" "A MISS TRIXIE LORRAINE." "OH, IT'S FOR TRIXIE." "OH, LET ME SEE IT." "LOOK, ISN'T THIS DUCKY?" "LOOK." "HOW MUCH?" "WELL, UH, IT'S SOMEWHERE..." "LET ME SEE THE BILL." "BILL." "YES, SIR." "$75." "DO ALL HATS COST $75?" "NOW, YOU DEAR, SWEET MAN." "YOU ARE NOT GOING TO PAY FOR THAT." "YOU'RE NOT." "TRIXIE." "COME ON IN, TRIXIE." "I'M VERY MUCH AFRAID I HAVEN'T THE CHANGE." "HOW MUCH DO YOU NEED?" "$5." "OH, YOU JUST KEEP THAT." "BUY YOURSELF A YACHT." "OH, BUT I GET SO SEASICK." "WELL, THANKS." "TRIXIE, TRIXIE." "DID, UH, DID YOU CALL ME, POLLY?" "ISN'T THIS DARLING?" "HANDSOME BOUGHT IT FOR YOU. [exclaims] YOU SWEET LAMB." "HE SHOULDN'T HAVE PAID FOR IT." "OH, DEAR." "NOW HE'LL THINK I'M EXTRAVAGANT." "OH, BUT WHAT A PRETTY HAT." "YOU DO LIKE ME IN IT, DON'T YOU?" "YOU KNOW, I THINK WE OUGHT TO TAKE A STROLL" "ON FIFTH AVENUE AND LOOK AT THE SHOPS." "OH, YOU'D BE SURPRISED HOW REASONABLE THINGS ARE THESE DAYS." "COME ON, J. LAWRENCE." "[exclaiming] [both laughing]" "I'M A BUSY MAN, MISS PARKER." "AND I CANNOT AFFORD TO WASTE MORE TIME" "IN COMING TO AN UNDERSTANDING WITH YOU." "I'VE BEEN WANTING TO ASK YOU A QUESTION." "ARE YOUR EYES HAZEL?" "MY EYES?" "MMM-HMM." "PLEASE, MISS PARKER." "THEY ARE HAZEL." "AND SUCH NICE EYES." "SUCH A GOOD, KIND EXPRESSION." "MISS PARKER, PLEASE." "OH, NOW DON'T BE SO FORMAL." "DIDN'T YOU PROMISE TO CALL ME POLLY?" "POLLY." "THANKS." "[exclaiming]" "I BEG YOUR PARDON." "OH, THAT'S ALL RIGHT, FANNYKINS." "I'VE GOT TO HAVE ANOTHER CIGARETTE. [exclaims] PLATINUM." "MMM." "OH, HELLO, EVERYBODY." "GET HER." "JUST WHEN I WAS BEGINNING TO HAVE A GOOD TIME." "INTRODUCE ME, WON'T YOU?" "OH, I THOUGHT YOU'D LEFT." "MISS FORTUNE, MR. BRADFORD." "HOW DO YOU DO?" "CHARMED." "Y-Y-YOU DIDN'T INTRODUCE ME." "OH, MISS FORTUNE, THIS IS MR. PEABODY." "OH, MR. PEABODY." "MISS FORTUNE." "MY GOOD FORTUNE." "MY GOOD MAN, ARE YOU BY ANY CHANCE PUNNING?" "UH, I'M QUITE A PUNSTER." "I GET IT." "I SUPPOSE YOU WERE A STROKE ON YOUR COLLEGE PUNSING TEAM." "THAT'S FUNNY." "THAT'S VERY FUNNY." "MISS FORTUNE, WON'T YOU JOIN US?" "OH, I'D LOVE TO." "I'M JUST IN THE MOOD." "SOME CHAMPAGNE?" "INDEED, MY DOCTOR RECOMMENDS IT." "DID YOU HAVE A MOTHER?" "WHAT?" "WHOSE NAME WAS EUNICE?" "NO, I DON'T THINK SO." "I DID HAVE A MOTHER." "WHOSE NAME WAS GERTRUDE." "YOU LOOK LIKE EUNICE." "YOU DO LOOK LIKE EUNICE." "[Fay screams]" "WHAT'S THE MATTER?" "FAY HAS AN ATTACK OF CHISELING." "IT'S CHRONIC WITH HER." "ANOTHER LOOK AT HIM WITH THOSE BEDROOM EYES," "AND I'LL BREAK YOUR LEG." "EXCUSE ME FOR WHISPERING." "FAY AND I HAVE SO MUCH IN COMMON." "CAN WE HAVE SOME MORE CHAMPAGNE?" "A QUART." "[sighing]" "(Lawrence) NOW I TELL YOU, THERE'S ONLY ONE THING TO DO." "WE'VE GOT TO SPEND MORE TIME HERE." "WE'VE GOT TO SEE MORE OF HER." "I DON'T WISH TO SEE ANY MORE OF HER." "WHAT I'VE SEEN CONVINCES ME." "WE ABSOLUTELY MUST MAKE HER THINK WE'RE AN EASY PROPOSITION." "SUCKERS, YOU MIGHT SAY." "WHAT ARE YOU SHAKING YOUR HEAD FOR?" "I'M THINKING OF THE CONSEQUENCES." "I BELIEVE" "I CAN MAKE THIS GIRL TRANSFER HER AFFECTION FROM HIM TO ME." "WHAT?" "OH, DON'T MISUNDERSTAND ME." "NOTHING PERSONAL IN IT." "THIS GIRL IS SMART." "NOW WHAT ARE YOU SHAKING YOUR HEAD FOR?" "ARE YOU AFRAID?" "UH, UH," "A-AFRAID OF WHAT?" "WELL, I CONFESS I'M A LITTLE AFRAID." "THAT GIRL IS VERY FASCINATING." "BUT WE'RE NOT BOYS, ARE WE?" "WELL, HARDLY." "WE'RE MEN, AREN'T WE?" "AND WE NEEDN'T SUCCUMB TO THAT SORT OF FEMININE ALLURE." "NEED WE?" "INDEED, WE NEEDN'T." "NEED WE?" "JUST BECAUSE THEY WANT SOMETHING" "WE, WE DON'T HAVE TO GIVE IN, DO WE?" "NO." "NOT AT ALL." "NOW LET ME HAVE A LIGHT, PLEASE." "A LIGHT?" "CERTAINLY." "OH, UH." "A LIGHT?" "OH, YES, YES." "WHERE'S YOUR LIGHTER?" "OH, MY," "M-MY LIGHTER?" "OH." "(Carol) WHERE'D YOU GET THE LIGHTER?" "FANNY GAVE IT TO ME." "OH, FANNY?" "THIS IS MARVELOUS." "THIS IS WONDERFUL." "WHO'S FANNY?" "FANNY IS FANEUIL H. PEABODY." "THE KIND OF MAN I'VE BEEN LOOKING FOR," "LOTS OF MONEY AND NO RESISTANCE." "OH, OLD PEABODY'S THE FAMILY LAWYER." "OH, THIS IS GREAT." "WELL, I DON'T THINK IT'S SO FUNNY." "WE MUST TELL BRAD'S BROTHER THE TRUTH." "THE TRUTH ABOUT WHAT?" "THE TRUTH ABOUT CAROL NOT BEING ME." "OH, NO, NO, YOU'VE GOT TO GO ON WITH IT." "HE THINKS HE'S PRETTY DARN SMART." "TAKE HIM FOR A RIDE." "YOU SAID IT." "LET'S GO ON PLAYING THIS GAME." "GEE, IT'S FOR PRIZES." "LOOK WHAT I GOT ALREADY:" "GOLD, PLATINUM, ANIMALS." "THAT'S NOTHING COMPARED TO WHAT I'M GOING TO GET OUT OF FANNY." "WELL, I DON'T THINK IT'S RIGHT." "IT'S ONLY GOING TO CAUSE BRAD MORE TROUBLE." "HEY, LISTEN." "I COULD DO SOMETHING THAT'D MAKE HIM COME TO POLLY ON HIS KNEES" "AND BEG HER TO MARRY BRAD." "I'VE GOT AN IDEA." "THAT'S RIGHT, HONEY." ""USE WELL BEFORE SHAKING."" "WE'RE GOING TO HAVE A LOT OF UNNECESSARY TROUBLE." "BUT I'D MARRY POLLY WITH OR WITHOUT HIS CONSENT." "I WANT TO GET EVEN WITH HIM." "OH, I WANT A CHAUFFEUR WITH A CAR." "I WANT A CHAUFFEUR WITH BUTTONS AND A UNIFORM." "AND I WANT A DOG." "I WANT A DOG NAMED FANNY." "(Trixie) BUY THE LITTLE DOGGIE FOR TRIXIE." "WHAT DO YOU WANT THE BEAST FOR?" "THEN I'LL HAVE SOMETHING TO REMEMBER YOU BY." "WHAT NAME DO YOU WISH TO ENGRAVE ON THE COLLAR, MADAM?" "FANNY." "IT'S, UH, NOT THAT KIND OF A DOG." "HIS NAME IS FANNY." "IT'S A PET NAME." "OH." "EVERY TIME I LOOK AT MY DOG, I'LL THINK OF YOU." "THEN I'LL HAVE 2 LITTLE FANNYS." "HERE, HOLD HIM WHILE I POWDER MY NOSE. [birds chirping]" "SHALL WE DANCE?" "CERTAINLY." "WHY NOT?" "I THOUGHT THIS WAS MY DANCE." "SORRY, BOB." "WHY DON'T YOU DANCE WITH THIS NICE YOUNG LADY?" "THANKS." "I'LL DANCE WITH WHOM I PLEASE." "SHALL WE INDULGE?" "WHY SURE, WHAT CAN I LOSE?" "MY BROTHER'S JEALOUS." "HE HAS NO REASON TO BE." "I AM NOT PREPARED TO SAY THAT." "WELL, THEN, I'LL SAY IT FOR YOU." "YOU'RE AS LIGHT AS A HEIFER, A FEATHER." "YOU KNOW," "I'M MUCH MORE THE SORT OF MAN FOR YOU, POLLY." "YES, YOU HAVE YOUR GOOD POINTS." "LET'S DANCE, HONEY." "DON'T LOOK AT ME THAT WAY." "HE MAY SEE YOU." "AM I REGISTERING JEALOUSY OR AM I NOT?" "NO, YOU'RE WONDERFUL." "WATCH IT." "LOOK JEALOUS." "HERE THEY COME." "COME ON, HONEY." "LET'S DANCE." "OK." "I BET YOU THINK IT'S BOLDER, DANCING THIS WAY." "I THINK IT'S DELIGHTFUL." "[chuckles]" "I'M A CLUMSY SOUL." "OH, YOU'RE A DEAR." "I'M GETTING OLD." "AREN'T WE ALL?" "SAY, I'M A LITTLE BIT OLD MYSELF." "YOU, OLD?" "WHY, YOU'RE THE VERY PERSONIFICATION OF YOUTH." "OH, THANKS," "BUT HONEST, I DON'T KNOW WHAT'S THE MATTER WITH ME." "I HAVE A YEN FOR A LITTLE HOUSE IN THE COUNTRY," "AND THE FIRESIDE," "AND CARPET SLIPPERS FOR THE OLD MAN." "WHO'S THE OLD MAN?" "YOU'D RUN IF I TOLD YOU." "OH, I COULDN'T RUN VERY FAR." "I'M VERY FAT." "SAY, CAN YOU IMAGINE ME GETTING SENTIMENTAL?" "THE MOST HARD BOILED DAME ON THE DIRTY WHITE WAY." "YOU'RE NOT HARD BOILED." "THAT'S JUST ON THE SURFACE." "UNDERNEATH, YOU'RE" "SAY, WHAT DO YOU KNOW ABOUT ME UNDERNEATH?" "UH, I MEAN" "OH, I KNOW WHAT YOU MEAN, YOU OLD SUGAR." "YOU WATCH OUT." "I'M FALLING IN LOVE WITH YOU." "HELLO, BOY." "WHEN LOVE COMES AT MY AGE" "GUESS WHO?" "IT'S LITTLE FAY." "YES." "IT'S LITTLE PHOOEY." "OH, FAY, DARLING, I HAVE SOMETHING TO SHOW YOU." "WILL YOU EXCUSE US, PLEASE?" "SURELY." "SURELY." "CAN YOU SEE THAT?" "SEE WHAT?" "CAN YOU READ WHERE IT SAYS EXIT?" "EXIT." "YOU SAID IT." "YOU START WALKING, AND YOU KEEP WALKING." "AND IF YOU EVER COME NEAR HIM AGAIN, I'LL BREAK BOTH YOUR LEGS." "I COULD EASILY RESENT THAT. [screaming] SCRAM." "DID LITTLE FAY CRY OUT?" "NO, THAT MUST'VE BEEN THE CORNET YOU HEARD." "PARDON ME, BUT I THINK THIS IS MY DANCE." "OH, I'M SO SORRY." "QUITE ALL RIGHT." "BEAUTIFUL, ISN'T IT?" "YES, BEAUTIFUL." "YOU KNOW, I'VE BEEN WATCHING YOU AND WONDERING..." "YOU'RE SO OBVIOUSLY A GIRL OF BREEDING." "WHO ARE YOUR PEOPLE?" "MY FATHER?" "MY FATHER WAS AN OFFICIAL IN THE GOVERNMENT SERVICE. [whispering] HER FATHER WAS A LETTER CARRIER." "MOTHER, MOTHER WAS AN INVALID." "HER MOTHER COULD HAVE LICKED JOHN L. SULLIVAN." "THEN HOW DID IT HAPPEN?" "WHAT ARE YOU DOING IN THE THEATER?" "WELL, YOU SEE, IT WAS LIKE THIS." "I WAS AT FINISHING SCHOOL" "WHEN MY PARENTS DIED." "AND THEY LEFT ME..." "AN ORPHAN." "YES, AN ORPHAN." "I HAD TO FIND SOMETHING TO DO," "EARN MONEY." "AND ALL I COULD FIND WAS..." "WELL, YOU SEE?" "I DO SEE." "YOU'RE THE SORT OF CHILD WHO," "THE SORT OF GIRL WHO..." "NOT CHEAP, NOT VULGAR." "NOT AT ALL LIKE PEOPLE IN THE THEATER." "YOU KNOW, YOU ARE THE GIRL" "MY BROTHER SHOULD BE INTERESTED IN." "WELL, I DON'T LIKE THAT." "NEITHER DO I." "SO WE'RE ALL TOO VULGAR FOR J. LAWRENCE BRADFORD." "NO." "NOT AT ALL." "ALL EXCEPT THIS NICE LITTLE GIRL." "I'M TOO CHEAP AND VULGAR." "NO." "I DIDN'T MEAN THAT." "I'M GOING HOME." "I'M NOT GOING TO STAY AND BE INSULTED LIKE THIS." "(Lawrence) POLLY." "POLLY." "I'M GETTING LONESOME." "POLLY, YOU MISUNDERSTOOD ME." "I THINK YOU'RE..." "(Trixie) HERE I AM, HONEY." "I WANT TO MAKE YOU UNDERSTAND THAT" "I WOULDN'T OFFEND YOU FOR ANYTHING IN THE WORLD." "OH, LET'S FORGET IT." "HOW ABOUT ANOTHER DRINK?" "HERE." "I'LL FORGIVE YOU." "BOTTOMS UP." "I WANT TO SAY..." "ABOUT YOU..." "LIKE ME?" "LIKE ISN'T THE WORD." "IT GOES DEEPER THAN THAT, POLLY." "I DON'T UNDERSTAND IT MYSELF." "I LOVE YOU, POLLY." "YOU'RE DRUNK." "NO, I'M NOT-- YES, YOU ARE." "YOU'RE DRUNK." "I LOVE YOU, POLLY." "OH, YOU DON'T MEAN A WORD YOU'RE SAYING." "YOU'RE JUST PLAYING, AREN'T YOU?" "I AM, YOU KNOW." "OH, STOP IT." "OH, YOU ARE DRUNK. [knocking on door]" "WHO IS IT?" "(Trixie) IT'S ME, TRIXIE." "WHERE'S YOUR KEY?" "HERE IT IS." "I CAN'T MANAGE IT, MY FINGERS ARE FROSTBITTEN." "WHERE'D YOU LEAVE FANNY?" "I LEFT FANNY BEHIND." "HE'S WAITING." "WELL, WHAT'S THE MATTER WITH HIM, SLEEPING SICKNESS?" "HE PASSED OUT." "WELL, HE DOESN'T HAVE TO PASS OUT ALL OVER OUR LOUNGE." "SAY." "SAY WHAT?" "HAVE I AN IDEA?" "ASK ME, "HAVE I AN IDEA?"" "HAVE YOU AN IDEA?" "LISTEN." "WE'LL STICK HIM INTO BED, YOUR BED." "OH, NO, YOU DON'T." "OH, DON'T GET EXCITED." "YOU'LL SLEEP WITH ME." "OH." "THEN, WHEN HE WAKES UP IN THE MORNING," "WILL WE HAVE HIM WHERE WE WANT HIM?" "WILL HE DO JUST WHAT WE WANT HIM TO DO?" "ASK ME, WILL HE?" "I DON'T LIKE IT." "YOU WANT TO GET EVEN WITH HIM, DON'T YOU?" "YES, I DO." "CAN'T YOU SEE, WHEN HE WAKES UP IN THE MORNING," "WHAT WILL HE ASK HIMSELF?" "WHAT WOULD ANYONE ASK HIMSELF?" ""WHAT HAS HAPPENED?" HE WILL ASK HIMSELF." ""WHAT AM I DOING IN THIS GIRL'S BED?" HE WILL ASK HIMSELF." "AND HOW MANY ANSWERS ARE THERE TO THAT?" "YOU TELL ME." "OH, BUT NOTHING WILL HAVE HAPPENED." "OF COURSE NOT, NOTHING WILL HAVE HAPPENED." "YOU SAID IT." "BUT HE'LL THINK..." "SAY, YOU KNOW WHAT HE'LL FEEL LIKE?" "HE'LL FEEL LIKE, WHAT DO THEY CALL THEM?" "OH, YES, A CAD." "IT'S A BET." "I'LL DO IT." "YOU TAKE HIS HEAD." "NO." "YOU TAKE HIS HEAD, I'LL TAKE HIS FEET." "I DON'T WANT TO LOOK AT HIM ANYMORE." "SAY, YOU KNOW, I THOUGHT YOU WERE GETTING KIND OF STUCK ON HIM." "DON'T BE STUPID, TRIXIE." "I WAS JUST PUTTING ON A GOOD ACT." "A VERY GOOD ACT." "YOU CERTAINLY FOOLED ME." "OK, DEARIE, HERE YOU GO TO BED." "THERE, NOW, MY LITTLE MAN." "IF YOU THINK I'VE FALLEN FOR THAT APPLE-CHEEKED BOYFRIEND," "I'VE BEEN CHISELING." "SAY, YOU'D BE SURPRISED WHAT PLANS I HAVE FOR HIM." "AND WILL HE BE SURPRISED." "SAY, I'M GOING TO TAKE HIM LIKE GRAHAM TOOK WATERLOO" "OR WHATEVER HE TOOK." "♪ AND WHEN HE ♪" "♪ WAKES UP IN THE MORNING ♪" "♪ WHEN HE WAKES UP IN THE ♪" "HEY, WHAT'S THIS?" "IT CAN'T BE." "IT ISN'T." "IT IS." "OH, HOW DID HE GET THERE?" "HE PASSED OUT, SO WE TUCKED HIM IN." "OH, THIS IS WONDERFUL." "THIS IS MARVELOUS." "I'M AFRAID WE'VE GONE TOO FAR." "GONE TOO FAR?" "YES." "OH, NO, THIS IS ONLY THE BEGINNING." "I HAVE TO RUN." "I'VE SOMETHING IMPORTANT TO ATTEND TO." "I'LL BE BACK IN AN HOUR." "SO, MY DEAR BROTHER," "YOU'LL CUT OFF MY INCOME, WILL YOU?" "WON'T LET ME MARRY POLLY, WILL YOU?" "WELL, LISTEN, OLD FELLOW, YOU DON'T KNOW IT YET," "BUT YOU'RE GOING TO WAKE UP A KINDER AND A WISER MAN." "(Trixie) GOOD MORNING." "GOOD MORNING." "HOW WOULD YOU LIKE YOUR EGGS?" "WHERE DO YOU THINK YOU'RE GOING?" "DO YOU THINK YOU CAN DO WHAT YOU DID LAST NIGHT AND GET AWAY WITH IT?" "RUIN A YOUNG GIRL'S FUTURE JUST BECAUSE SHE LOVES YOU?" "I DON'T KNOW WHERE I AM, OR WHAT YOU'RE SAYING." "OH, THAT'S TOO BAD." "I'LL TELL YOU WHERE YOU ARE." "OH, I KNOW WHERE I AM, ALL RIGHT." "I MEAN, FIGURATIVELY SPEAKING, I'M CONFUSED." "I DON'T KNOW WHAT HAPPENED." "WELL, I DO." "PLENTY, BROTHER, PLENTY." "TELL ME," "NOW WHAT DO YOU WANT ME TO DO?" "SIT DOWN." "HOW MUCH IS IT WORTH TO YOU?" "WORTH?" "WHAT FOR?" "CALL IT PAYMENT FOR A NIGHT'S LODGING, IF YOU LIKE." "YOU DON'T MEAN IT." "POLLY DOESN'T KNOW" "LISTEN, WHAT DO YOU THINK POLLY IS?" "I NEVER WOULD HAVE BELIEVED IT." "BUT WHY NOT?" "WHAT ELSE COULD I EXPECT?" "YOU SAID IT." "WHAT ELSE?" "I KNOW WHAT YOU NEED, A PEN." "$5,000, IS THAT SATISFACTORY?" "WHAT DO YOU THINK THIS IS, THE MILLS HOTEL?" "$10,000, THEN." "AND THAT'S ALL I'LL DO." "WELL, DON'T FEEL GENEROUS." "IT'S NOT SO MUCH." "THAT'S YOUR OPINION." "UH, THE PEN?" "AND NOW, HAVE YOU ANY OBJECTION IF I GO ON MY WAY?" "OBJECTIONS?" "OH, LET ME OPEN THE DOOR FOR YOU." "THANK YOU." "COME BACK WHEN YOU CAN'T STAY SO LONG." "[Trixie exclaiming]" "I'VE GOT IT." "GOT WHAT?" "REST YOUR EYES ON THAT." "WHAT'S THE MATTER, ISN'T IT ENOUGH?" "I DON'T WANT IT." "I DON'T WANT ANY OF IT." "SAY, WHAT'S THE MATTER WITH YOU?" "I KNEW IT." "YOU ARE CARRYING THE TORCH FOR THAT BACK BAY CODFISH." "I'M NOT." "I HATE HIM." "SURE YOU DO." "WHY HE'S GOT NO MORE FEELINGS THAN A HYENA." "HE HAS, TOO." "DON'T YOU TALK THAT WAY ABOUT HIM." "WHY?" "WE'VE JUST BEEN PLAYING HIM FOR A SUCKER." "HE'S JUST A CHUMP." "HE'S NOT A CHUMP." "HE'S KIND, AND HE'S GOOD." "SURE, YOU HATE HIM, ALL RIGHT." "NO, I DON'T." "I LOVE HIM." "I'VE NEVER FELT SO HAPPY IN ALL MY LIFE." "I'VE, UH..." "I'VE GOT A CONFESSION TO MAKE." "WELL?" "WELL..." "LAST NIGHT" "I TOLD MISS LORRAINE, TRIXIE," "THAT I CARED FOR HER DEEPLY" "AND SHE ADMITTED AN EQUAL AFFECTION FOR ME." "FOR THE FIRST TIME IN MY LIFE, TRUE LOVE," "REAL LOVE, WITH A REAL WOMAN." "LOOK." "LOOK AT THAT." "I'VE BEEN TRICKED." "YOU CERTAINLY HAVE." "THAT'S THE GIRL." "THAT'S THE GIRL ROBERT PLANNED TO MARRY ALL ALONG." "THE ONE I INTENDED TO SAVE HIM FROM." "THERE'S NO DOUBT ABOUT IT." "THEY'VE CERTAINLY MADE A FOOL OF YOU." "WHAT ABOUT YOU?" "WHO, ME?" "WELL, I..." "DID YOU KNOW?" "IF YOU KNEW, WHY DIDN'T YOU TELL ME?" "WHAT DO YOU THINK I BROUGHT YOU ALONG FOR, ANYWAY?" "TO HEAVE PONDEROUS, RIDICULOUS SIGHS AT THAT GIRAFFE?" "WHO ARE YOU CALLING A GIRAFFE, SIR?" "I'VE A SUSPICION IT'S THE WOMAN I LOVE." "YOU LOVE." "YOU GIVE ME A PAIN." "YOU'RE COMING ALONG WITH ME." "I'LL SHOW THEM I'M NOT SUCH AN EASY MARK." "WHERE TO?" "TO THAT WOMAN'S HOUSE." "THE ONE WHO POSED AS POLLY PARKER, WHO LED ME ON." "I'M NOT GOING WITH YOU." "I CAN'T." "WHY?" "WELL," "I HAVE, UH, A DINNER ENGAGEMENT." "A CONFERENCE." "ALL RIGHT, I'LL GO BY MYSELF." "BUT I'LL SHOW HER." "BUT I NEVER SAID YOUR BROTHER WANTED TO MARRY ME" "AND I NEVER SAID MY NAME IS POLLY." "I TOOK THAT FOR GRANTED." "YOU TAKE TOO DARN MUCH FOR GRANTED." "I'LL ASK YOU TO RETURN MY CHECK, PLEASE." "YOUR CHECK?" "THAT'S ON EXHIBITION OVER THERE ON THE WALL." "I KNEW YOU'D PROBABLY STOP PAYMENT ON IT." "I'LL TAKE THE NECESSARY STEPS" " YOU'LL DO WHAT?" "LISTEN, YOU MADE A SAP OUT OF YOURSELF" "AND YOU TRIED YOUR BEST TO MAKE A SAP OUT OF ME." "NOW I NEVER WANT TO SEE YOU AGAIN, UNDERSTAND?" "AND AS FOR YOUR CHECK..." "WELL, YOU DON'T THINK I HOLD MYSELF" "AS CHEAPLY AS ALL THAT, DO YOU?" "CHEAPLY?" "$10,000?" "THAT'S YOUR ESTIMATE OF ME, NOT MINE." "THAT CHECK IS FRAMED, NOT CASHED." "I PUT IT THERE TO REMIND ME" "NEVER TO GET MIXED UP WITH YOUR KIND AGAIN." "NOW GET OUT, WILL YOU, PLEASE?" "GET OUT." "NO, I WILL NOT GET OUT." "YOU MUST." "NO, I WILL NOT." "NOT UNTIL I'VE TOLD YOU WHAT I THINK OF YOU." "DON'T YOU DARE." "GET OUT." "I WAS DRUNK THE LAST TIME." "I'M NOT NOW." "I MEAN IT." "I LOVE YOU, POLLY." "MY NAME'S NOT POLLY." "WHATEVER YOUR NAME IS." "CAROL, THAT'S MY NAME." "CHEAP AND VULGAR CAROL." "DAUGHTER OF A BROOKLYN SALOON KEEPER" "AND A WOMAN WHO TOOK IN WASHING." "CAROL, THE TORCH SINGER AT CONEY ISLAND," "CHEAP AND VULGAR." "EVERY TIME YOU SAY CHEAP AND VULGAR," "I'M GOING TO KISS YOU." "CHEAP AND VULGAR." "CHEAP AND VULGAR." "CHEAP AND VULGAR." "I DIDN'T MEAN TO FALL IN LOVE WITH YOU." "I WAS ONLY PLAYING A GAME." "I DIDN'T MEAN TO FALL IN LOVE WITH YOU, EITHER." "I WAS TRYING TO PLAY A LITTLE GAME MYSELF." "YOU'RE GOING TO FORGIVE BRAD AND POLLY, AREN'T YOU?" "NO, I'M NOT." "OH, BUT YOU MUST." "IF THEY'RE MARRIED-- THEY ARE." "THEY PHONED ME FROM THE CITY HALL." "I'LL HAVE THEIR MARRIAGE ANNULLED." "OH, BUT YOU SAID" "I DON'T CARE WHAT I SAID." "I WAS CONFUSED, UPSET." "MAYBE YOU'RE CONFUSED ABOUT US." "NO, THAT'S ONE THING I'M SURE ABOUT." "BUT THEIR MARRIAGE IS OFF, DEFINITELY OFF." "WELL, THEN SO IS OURS." "YOU MEAN YOU WON'T MARRY ME?" "I CERTAINLY DO." "OH, I'M LATE." "THE SHOW." "SORRY." "BUT POLLY" "SEE YOU LATER." "CAROL." "YOU HAVEN'T TOLD ME." "WE'VE GOT TO SETTLE THIS." "CAROL. [women chattering]" "♪[orchestra playing]" "♪ SHADOWS ON THE WALL ♪" "♪ I CAN SEE THEM FALL ♪" "♪ HERE AND THERE ♪" "♪ EVERYWHERE ♪" "♪ SILHOUETTES IN BLUE ♪" "♪ DANCING IN THE DEW ♪" "♪ HERE AM I ♪" "♪ WHERE ARE YOU?" "♪" "♪ IN THE SHADOWS LET ME COME AND SING TO YOU ♪" "♪ LET ME DREAM A SONG THAT I CAN BRING TO YOU ♪" "♪ TAKE ME IN YOUR ARMS AND LET ME CLING TO YOU ♪" "♪ LET ME LINGER LONG ♪" "♪ LET ME LIVE MY SONG ♪" "♪ IN THE WINTER LET ME BRING THE SPRING ♪" "♪ TO YOU ♪" "♪ LET ME FEEL THAT I MEAN EVERYTHING TO YOU ♪" "♪ LOVE'S OLD SONG ♪" "♪ WILL BE NEW ♪" "♪ IN THE SHADOWS WHEN I COME AND SING ♪" "♪ TO YOU ♪" "(chorus) ♪ IN THE SHADOWS LET ME COME AND SING TO YOU ♪" "♪ LET ME DREAM A SONG THAT I CAN BRING TO YOU ♪" "♪ TAKE ME IN YOUR ARMS AND LET ME CLING TO YOU ♪" "(chorus) ♪ LET ME LINGER LONG ♪" "♪ LET ME LIVE MY SONG, DEAR ONE ♪" "♪ IN THE WINTER LET ME BRING THE SPRING TO YOU ♪" "♪ LET ME FEEL THAT I MEAN EVERYTHING TO YOU ♪" "♪ LOVE'S OLD SONG WILL BE NEW ♪" "♪ IN THE SHADOWS WHEN I COME AND SING ♪" "♪ TO YOU, DEAR ♪" "♪ IN THE SHADOWS WHEN I COME AND SING ♪" "♪ TO YOU ♪" "(chorus) ♪ IN THE SHADOWS LET ME COME AND SING TO YOU ♪" "♪ LET ME DREAM A SONG THAT I CAN BRING TO YOU ♪" "♪ TAKE ME IN YOUR ARMS AND LET ME CLING TO YOU ♪" "♪ LET ME LINGER LONG LET ME LIVE MY SONG ♪" "♪ LET ME BRING THE SPRING TO YOU ♪" "♪ I'LL MEAN EVERYTHING TO YOU ♪" "♪ LOVE'S OLD SONG ♪" "♪ LOVE'S OLD SONG ♪" "♪ WILL BE NEW ♪" "♪ WILL BE NEW ♪" "♪ IN THE SHADOWS WHEN I COME AND SING TO YOU ♪" "♪[orchestra playing]" "♪ IN THE WINTER LET ME BRING THE SPRING TO YOU ♪" "♪ LET ME FEEL THAT I MEAN EVERYTHING TO YOU ♪" "♪ LOVE'S OLD SONG WILL BE NEW ♪" "(both) ♪ IN THE SHADOWS WHEN I COME AND SING ♪" "♪ TO YOU, DEAR ♪" "♪ IN THE SHADOWS WHEN I COME AND SING ♪" "ON STAGE." "ON STAGE." "HURRY UP, BOYS." "SNAP IT UP, WILL YOU?" "ON STAGE, FORGOTTEN MAN NUMBER." "FORGOTTEN MAN NUMBER, EVERYBODY ON STAGE." "COME ON, GIRLS, MAKE IT SNAPPY." "FORGOTTEN MAN NUMBER, ON STAGE." "ALL RIGHT, GIRLS, ON STAGE." "FORGOTTEN MAN NUMBER." "ON STAGE, FORGOTTEN MAN NUMBER." "ALL RIGHT, MISS CAROL, FORGOTTEN MAN NUMBER." "CONGRATULATE US." "WE ARE MAN AND WIFE." "YOU'RE NOT." "I OUGHT TO KNOW, I'M THE BRIDE." "OH, TRIXIE, I'M SO GLAD." "WE'RE MARRIED, TOO." "MY HEARTIEST CONGRATULATIONS." "SAME TO YOU, PEABODY." "OH, ISN'T IT WONDERFUL?" "AT MY AGE?" "AT ANY AGE." "WELL, COME ON, HONEY." "HELLO." "HELLO." "I GOT HIM SIGNED, SEALED, AND DELIVERED." "GOOD GIRL." "KEEP HIM CLOSE TO HOME." "HERE, WAIT A MINUTE." "I UNDERSTAND YOU 2 ARE MARRIED." "I'M GOING TO HAVE IT ANNULLED." "YOU CAN'T ANNUL OUR MARRIAGE." "NOT YOURS, STUPID, HIS." "YOU CAN'T DO THAT." "YES, I CAN." "[inaudible]" "♪[orchestra playing]" "YOU'VE INTERFERED ENOUGH." "WE'RE MARRIED," "AND WE'RE GOING TO STAY MARRIED." "TODAY YOU ASKED ME TO MARRY YOU." "HE DID?" "YES, HE DID." "YES, I PROPOSED, AND I WAS SINCERE." "IF YOU DO THIS TO POLLY AND BRAD," "I WOULDN'T MARRY YOU IF YOU WERE THE LAST MAN ON EARTH." "I TOLD YOU THAT ONCE, AND I MEANT IT." "MUCH AS I LOVE YOU, NEVERTHELESS, I AM DETERMINED" "TO LOOK AFTER MY BROTHER'S INTERESTS, WHETHER HE LIKES IT OR NOT." "ARREST HIM." "YOU HAVE A WARRANT." "PERJURY." "FALSIFICATION OF AGE IN OBTAINING A MARRIAGE LICENSE." "YOU CAN'T HOLD ME ON THAT." "TECHNICALLY, WE CAN, PENDING AN INVESTIGATION." "OH, BRAD, WHAT ARE WE GOING TO DO?" "WHAT'S HOLDING UP THE SHOW?" "DO YOU WANT TO RUIN ME?" "MY BROTHER JUST HAD ME ARRESTED FOR GETTING MARRIED." "ARRESTED?" "WHERE'S THE COP?" "HERE HE IS." "DETECTIVE JONES." "DETECTIVE, MY EYE." "HE'S A HAM ACTOR." "THAT'S NO WAY TO SPEAK OF AN ARTIST." "WHY, I'VE PLAYED WITH SIR HENRY IRVING," "GEORGE ARLISS, AND DAVID WARFIELD." "SCRAM." "YOU'RE A WASHOUT." "YOU'VE BEEN PLAYING COPS ON BROADWAY FOR 25 YEARS." "SNITCH." "GET OUT THERE AND DO YOUR NUMBER." "IS EVERYBODY NUTTY?" "HERE." "WHAT'S THIS?" "I'M SURE CAROL WILL ENDORSE IT TO YOU FOR A WEDDING PRESENT." "$10,000." "WHAT A BROTHER." "YOU MEAN, WHAT A SISTER-IN-LAW." "YOU MEAN, WHAT A FANNY. [music stops playing]" "♪[orchestra playing]" "I DON'T KNOW IF HE DESERVES A BIT OF SYMPATHY." "FORGET YOUR SYMPATHY." "IT'S ALL RIGHT WITH ME." "I WAS SATISFIED TO DRIFT ALONG FROM DAY TO DAY" "TILL THEY CAME AND TOOK MY MAN AWAY." ""REMEMBER MY FORGOTTEN MAN" ""YOU PUT A RIFLE IN HIS HAND" ""YOU SENT HIM FAR AWAY" ""YOU SHOUTED, 'HIP, HOORAY!" "'" ""BUT LOOK AT HIM TODAY!" ""REMEMBER MY FORGOTTEN MAN" ""YOU HAD HIM CULTIVATE THE LAND" ""HE WALKED BEHIND A PLOW THE SWEAT FELL FROM HIS BROW" ""BUT LOOK AT HIM RIGHT NOW!" ""AND ONCE HE USED TO LOVE ME" ""I WAS HAPPY THEN" ""HE USED TO TAKE CARE OF ME" ""WON'T YOU BRING HIM BACK AGAIN?" ""'CAUSE EVER SINCE THE WORLD BEGAN" ""A WOMAN'S GOT TO HAVE A MAN" ""FORGETTING HIM, YOU SEE" ""MEANS YOU'RE FORGETTING ME" ""LIKE MY" "MY FORGOTTEN MAN"" "(woman) ♪ REMEMBER MY FORGOTTEN MAN ♪" "♪ YOU PUT A RIFLE IN HIS HAND ♪" "♪ YOU SENT HIM FAR AWAY ♪" "♪ YOU SHOUTED, "HIP, HOORAY!" ♪" "♪ BUT LOOK AT HIM TODAY!" "♪" "♪ REMEMBER MY FORGOTTEN MAN ♪" "♪ YOU HAD HIM CULTIVATE THE LAND ♪" "♪ HE WALKED BEHIND A PLOW THE SWEAT FELL FROM HIS BROW ♪" "♪ BUT LOOK AT HIM RIGHT NOW!" "♪" "♪ AND ONCE, HE USED TO LOVE ME ♪" "♪ I WAS HAPPY THEN ♪" "♪ HE USED TO TAKE CARE OF ME ♪" "♪ WON'T YOU BRING HIM BACK AGAIN?" "♪" "♪ 'CAUSE EVER SINCE THE WORLD BEGAN ♪" "♪ A WOMAN'S GOT TO HAVE A MAN ♪" "♪ FORGETTING HIM, YOU SEE ♪" "♪ MEANS YOU'RE FORGETTING ME ♪" "♪ LIKE MY FORGOTTEN MAN ♪" "[people whistling] [people cheering]" "[thunder rumbling]" "(chorus) ♪ WE ARE THE REAL FORGOTTEN MEN ♪" "♪ WHO HAVE TO LEAD THIS LIFE AGAIN ♪" "♪ WE SAUNTERED FORTH TO FIGHT FOR GLORY WAS OUR PRIDE ♪" "♪ BUT SOMEHOW GLORY DIED ♪" "♪ REMEMBER YOUR FORGOTTEN MEN ♪" "♪ YOU'VE GOT TO LET US LIVE AGAIN ♪" "♪ WE CAME, WE MARCHED AWAY TO FIGHT FOR U.S.A. ♪" "♪ BUT WHERE ARE WE TODAY?" "♪" "♪ AND ONCE, HE USED TO LOVE ME ♪" "♪ I WAS HAPPY THEN ♪" "♪ HE USED TO TAKE CARE OF ME ♪" "♪ WON'T YOU BRING HIM BACK AGAIN?" "♪" "(chorus) ♪ 'CAUSE EVER SINCE THE WORLD BEGAN ♪" "♪ A WOMAN'S GOT TO HAVE A MAN ♪" "♪ FORGETTING HIM, YOU SEE ♪" "♪ MEANS YOU'RE FORGETTING ME ♪" "♪ LIKE MY ♪" "♪ FORGOTTEN MAN ♪"