"Previously on Project Runway..." "You will be working in teams of two to create a high-end signature look." "I will choose Jesse." " Ah." " I'll do the pants." "It's very difficult to work with Jesse." "I want to see my [beep] dress." "I'm just trying to rein in the crazy." "Wow." "That's the fabric?" "If you're not doing it right, get the hell out of my way." "I think it's beautifully done." "Mila, congratulations." "You're the winner of this challenge." "[Mila] Whew." "Ping, that means you're out." "Anthony, you choose which model will be in." " Sarah, today is your day." " Thank you." "That means you're out." "This is Project Runway." "Yes!" "I am fashion." "Look at me." "The search for the next big fashion designer." "It's cut or be cut." "Just make it work." "16 designers." "Great clothes." "Great style." "I've got it all." "Three finalists will make it to Mercedes Benz Fashion Week." "Well, I won't do anything to win." "I will." "But only one can be the winner." "My weapon of choice." "For these 16 designers," "Project Runway is the chance of a lifetime." "The winner of Project Runway will receive a fashion spread in marie claire magazine, an opportunity to sell their line on bluefly." "Com, a $50,000 technology suite to create, design, and run their business from HP and Intel, and $100,000 from L'Oréal Paris to launch their line." "Look at that empty bed." "I wasn't too surprised that Ping was sent home, because she had been in the bottom three before, and at this point I'm sort of bonding with Janeane." "She's my last roommate left." "It's hard to bond with people, really, though, because we're all competing against each other." "[Groans]" "So as I move into the fourth challenge," "I am really, really excited to still be in this competition." "I do really want my dream to come true." "I want to make it to Bryant Park." "And I think I'm already showing the judges that I'm capable of designing amazing stuff." "So are you nervous to make a comeback from the bottom of the barrel?" "It wasn't my fault we're in the bottom." "I feel like I really just need to get everything from the last challenge out of my mind and really just approach this one fresh." "I think I can hopefully just come out strong and get myself out of that bottom area." "I feel like I'm a little buddy with Mila because we're similar in a lot of ways." "She's kind of like the older version of me, which is kind of funny." "Like, we wear a lot of the same colors and we kind of have similar personalities, but, you know, of course she's competition 'cause we have similar styles." "D Ta-da d" "I don't know why you're taking so long." " Ladies." " Bye, apartment." " Hello." " Hi, Heidi." "Mila, you won the last challenge, and that is going to give you immunity" " and you cannot be eliminated." " Yay!" "For your next challenge, you will be designing a look for a fashion week gala." "Whoo!" "And Tim is waiting for you to fill you in on all the details." "He will also introduce you to a group of very inspiring women." "Good luck, and I'll see you on the runway." "Heidi, she's very vague, but she says," ""You will be working with very inspirational women."" "And that just..." "That leaves it open for anything." " Good morning, designers." " Good morning, Tim." "I am delighted to introduce you to Lisa Walker, vice president of innovation for Campbell's Soup Company." "Campbell's is proud to team up with the American Heart Association's" ""Go Red for Women" movement to create signature Campbell red dresses for our Campbell's "Address Your Heart" program." "These dresses have been worn by top celebrities at the Red Dress Awards during fashion week, and this gala is designed to honor women who have been personally impacted by this disease." "So designers, with that in mind, your challenge is to create this year's signature dress for the Campbell's "Address Your Heart" program." "And in keeping with tradition, red must be a prominent color in your dress, and the Campbell branding must be present, all right?" "Lisa has very kindly provided us with Campbell-branded fabric that you can use in your dress if you choose, or you can create your own brand elements using supplemental fabric or a combination of both, and... there is one more very exciting dimension to this challenge." "You will be designing for a very inspiring group of women." "Let's meet them." "I want you to know that each of these amazing women has in some form or another been impacted by heart disease, and the winning design will be worn by one of these amazing ladies to the Red Dress Awards during New York Fashion Week," "and the winning designer will accompany their muse to the event." "I'm just so excited." "It's already feeling very emotional." "And if there was one challenge that I could win besides making it to the final three, this would be it." "If we get to go to the gala event during fashion week, it would mean the world to me." "And the winning design will be put into limited production and sold on projectrunway." "Com to benefit the American Heart Association." "Our models for this challenge have been randomly assigned to us." "I'm a little nervous, but I'm actually excited to be able to work with a real woman." "Designers, I'm going to send you into the workroom with your new models." "You will have 30 minutes to have a discussion and to sketch your design idea." "Then we are going shopping at Mood, okay?" "Take it away!" "Are models are all women impacted by heart disease." "These women have overcome so much and suffered so much that this challenge instantly becomes very personally important to all the designers." " So what's your story?" " My heart stops." "Apparently, it stops whenever I get dehydrated," "I get too hot, I stand for too long." "Okay." "I have two kids." "I'm married for 34 years." "Julie, she's an amazing woman." "We started talking about how she had died for two minutes." "I've never met anyone in my whole entire life who died and came back to life." "To hear a story like that is just so inspiring." "Oh, my God!" "So you're gonna make me pretty 'cause I survived, right?" "I would like to design something classy and sassy." "My biggest challenge is coming up with something that's gonna flatter her body and still read "theme dress, gala, not something you can buy off the rack."" "I can do a really good detail where this fabric is pleated." "That way you have the Campbell brand." "I'm really excited 'cause she's really, really tiny, and I'm gonna make her a fitted dress, which is what she wants." "Love it." "Love it." "We could do something with, like, a Z-neck line." "You want a long dress?" "Okay." "More like a chiffon," " like a silky, flowing dress?" " Yes." "Okay." " I'm just gonna do a cutout of a star." " Okay." "I decide, with my model, actually, that we're going to use the star icon because it is present on the Campbell's Soup can." "I kind of like the idea of maybe it being right at your knee." " I'm open." "I'm open." " Okay." "Okay." "I know that I have immunity, but it doesn't make me want to work any less." "And, wow, if I can win another one, two in a row, why not?" "I want it to be youthful, and I want it to be elegant at the same time, so..." "Kaitlin really likes the idea of doing a cut-out back and doing something sexy and fresh, so it's gonna have the structure that I'm usually doing, but it'll have a little bit more of an elegance to it." " [Laughing]" " That's it." "You are hilarious!" "She's been dealing with hypertension for so long, and just to know that I can make her feel special in this moment, that meant a lot to me because I had to move my mother with me to Georgia" "because she just got out of heart surgery." "I mean, people don't know what you go through." "No, they don't." "Like, when my mom came out of heart surgery," "I was like, "Oh, my God."" "I know what it's like to have someone who's gone through complications with their heart, and it is no thing to take for granted." "Well, like I said, you use me as the model, but you use your mom as the inspiration." "You're right." "Okay, Tisha, I don't like tears, so clean 'em up." "We cannot be in here crying." ""What did you do to that girl?"" "Designers, it's time to say farewell to your models, only temporarily." "It's gonna be wonderful." "I'll make you look beautiful." "I know you will." "Thank you so much." "We'll see you later." "All right, designers." "Grab whatever you need." "We're going to Mood." "All right, designers, I have your $100 budget." "Around Mood, you will find bins filled with red fabric that is within the brand color story." "But you're not limited to these fabrics." "30 minutes." "Your time starts now." "[Emilio] Jen and I are on the same page." "She loves her legs and her shoulders." "So we're doing a really cute, flirty cocktail dress in a beautiful fiery red." " Does this look cheap?" " This looks awfully Valentine's Day." "I decided to go with a jacket." "It needs to be a nice fabric." "I can't go with something cheap." " I don't have enough money for that." " Jersey print." "Go." "I have to get my boning!" "[Screams]" "All right, designers, that's time." "Time is up." "Everyone needs to be in line." " That's $96.43." "There you go." " Awesome." " Thank you, Mood!" " Thank you!" " Hi, everybody." " Hi, Tim." "You have until midnight tonight, a little bit of time tomorrow, but very little." "So this is a one-day challenge." "These women are not 34-25-35." "So to make a gala-worthy gown in 10 hours is daunting." "Thank you, everyone." "Make it work." "I know you will." "[Anna Marie] I'm self-taught as a fashion designer, but I just spent four years studying print-making, and I'm tracing the Campbell's logo onto red chiffon." "It's something that'll be different." "It'll set me aside from everyone else." "[Maya] My model and I are really attracted to the shape of the heart, and we wanted to use that, but not in a very literal sense so the dress wouldn't look too Valentine's Day" "but in more of an abstract form on the dress to represent the cause." "[Amy] I am more stressed than usual." "She's gonna be walking down a runway for the first time, and the last thing I want is for her to feel unattractive, so it's a lot of pressure." "[Seth Aaron] The models are size 4, size 6, stuff we do every day." "We don't even have to make a pattern." "We can cut that blindfolded." "This is honestly the largest challenge that I've ever faced as a designer." "Coming up on Project Runway..." "Oh, shoot!" "There's a bucket of water right here, and I just dipped my dress in it." "Everyone is gonna have to really pull something out of a bag because we are all pressed for time." "Three facets of this challenge is that A, we're designing for real women;" "B, red has to be our predominant color in our design;" "and C, we have to somehow incorporate" "Campbell's branding into our design." "Three very difficult things to do." "So not like totally disgusting, right?" "That's beautiful." "I like the lines." "Oh, shoot!" "The fabric is alive." "It literally moves and has a mind of its own." "Every time I cut it or sew it, it's a different shape." "I don't even know what the front or back is at this point." "Guess there will be a seam there." "These are gonna be double, and then under-stitch underneath the other side." "[Jay] When I met Julie, I said to myself," ""I need to make her look taller,"" "so the design I had in mind, there's a lot of vertical lines going on, so I'm hoping that it's gonna work for her." " Good to see you." " How's it going?" " Good." "How are you?" " Good." "Can you hold that right there for me?" "[Amy] Nadine comes in, and I'm still working on the chiffon, but it's not even attached together to put on the dress yet." "I hope that she's not too nervous, or at least not as nervous as I am." " It's looking good." " Thank you." "[Anna] I'm excited, 'cause I think I'm satisfying one of my primary goals, which is to create an empowering experience for Stephanie." "Ooh, impressive." "There you go." "Slide your other arm over there." "So Jen comes back for our fitting, and I'm glad" "I didn't cut yet because there were parts that I needed to adjust and pieces I need to extend and tuck." "[Anthony] Many people are just not accustomed to using anything besides model-sized women, and these women represent all different shapes and sizes." "You're gonna rock this dress." " You're gonna work it." " We rock the runway." "He is so talented." "The dress is exactly what we said we were gonna do this morning." " Amazing." " Your mommy will be proud." "Yeah?" "Me, my twin brother, and my other brother grew up with having a single mother, so it was really, really rough, but my past has made me so passionate about what I want to do," "which is fashion, because it's taken me so far already, and there's so many more years to come." "I'm happy here." "All of this is making me happy." "It's just the front." "This is why we're here." "Let's talk about it." "Yeah, I mean, other than that, it's gorgeous." "Sweet, sweet Rose." "I loved Rose." "She started going into, "Well, I was thinking..."" "and she started talking about Grecian draping and pin-tuck, and I've done a few of those, but it's really not known as my style." "Oh, I love it so much." " Okay." " I really, really do." "Bottom line is I wanted to make Rose happy." "She's been through a lot of [beep]" "The doctor just said, "Hey, how long have you had a heart murmur?"" "And I just looked at the doctor and said," ""Excuse me?"" "[Janeane] Designing for somebody specifically that I can meet and speak with is actually quite helpful because I can get inspired by Beth's personality." "I really want to bring that out in what she's wearing." "I need to put Beth in this dress." "It's amazing." "Would you really look at me and think I had open-heart surgery, seriously?" " No, no." " Or a lot of the women here today?" "It is so cute on you." "It's amazing, a lot of these women that are still happy and smiling and can motivate us." "It definitely put a spin on the competition for me." "'Cause prior to this challenge, it was all about me, me, me, me." "But after meeting the ladies, you realize that there are greater things in this world than just winning a challenge." "Thank you, sweetie." "There's a bucket of water right here, and I just dipped my dress in it." "Of course, my dress takes a dunk in a bucket of water." "Of course." "Of course." "'Cause I'm Janeane." "This happens to me." "But I have to make this work, so, moving on, you know?" " Hello, Tim." " How is everyone?" " Wonderful." " Are you doing well?" " Yes, sir." " All right." "I want to check in with you..." " Okay." "Okay." "...and see for myself." " How's it going?" " Good." "How's it going for you?" "I want to keep it real simple." "She's got a real full figure, and I want to just try to slim her and heighten her." "And then I'm gonna do a jacket, and it's basically this shape, and it'll come down lower and the sweetheart neckline will pop out from it." "Without this jacket, I don't think you have very much in terms of fashion." " Stop telling me that." " But it's true." " Anna." " Hi, Tim." "How are you?" " I'm good." "How are you?" " I'm challenged to break up sort of her body shape visually so that it complements her figure." "And then I started going in this direction..." " What is that?" " I just traced with a pen..." " Oh!" "...the detailing." "So I wanted to do something that was a little more subtle." "Nice, actually." " So, Mila, how are you doing?" " Hey there, Tim." "I'm using red and ivory taffeta." "I like this with the stars." "The star wraps around the back, and I actually think it's gonna be flattering." " And you had a fitting." "How did it go?" " She's a really tough fit." "Frankly, I'm glad that we have an opportunity to work with real women for just this reason..." "because it's a good lesson." "And there's a strategy, too, with proportion..." " You're doing it." "...and the shape." " Jesus, so talk to me." " Okay, I have Tricia." "She said she wanted something really fitted" " and she wanted to show her cleavage." " You've done both." "And then I incorporated the fabric, which I think I did pretty well" " 'cause it doesn't look cheap." " Mm-hmm." "She absolutely loves it." "It fits her really good." " Good, so you got her into it." " Yeah." " Hi, Maya." " Hello." " Talk to me." " I wanted to... embrace sort of the heart shape." " I see it." " Yeah." "I don't know if I'll have time, but I really wanted to make a cocktail purse with the Campbell's print." " I'd do it." " Yeah." "So how's Amy?" "I'm still trying to get the foundation done." "I'm really concerned about fit with this challenge because I want her to feel really comfortable and like it's fitting her correctly." "I wanted to leave her left side open." "She has a scar here that she used to hide and now she kind of is proud of going through what she's gone, so I want to focus..." " It's a badge of courage." "...exposing that." "Absolutely." " Work away here." "Thank you, Amy." " Okay." "Thanks." "Seth Aaron, when did you go Grecian on us?" " Two hours ago." " What happened?" "I have Rose." "She flipped out over it." "I said, "I want to make her happy."" "I don't dislike this." "I think it has a beautiful, graceful elegance." "But if someone gave me a quiz and asked me which designer in this room this belonged to, you'd probably be the last one on the list." "I could see that." "[Chuckles]" "It shouldn't compromise who you are as a designer, because in the end, who you're really pleasing" " are the judges." " Right." "I'm not advancing the plot here." "I'm gonna let you get back to work." "All right, designers, I'm going to leave you for the night, and I fully expect when I walk in here tomorrow that everything will be done." " Okay, Tim." " Okay." "Thank you all." "[Seth Aaron] Tim gives me his critique, and I thought for a second." "I can't lose myself within the client and not represent myself on the runway." "So I grab that Grecian gown and I tear it off the mannequin and say," "I got two and a half hours before the end of the day." "I'm gonna give it my all and make it happen." "I think Anna is gonna have an issue with her garment, just the overall construction, and Jay's dress is really..." "I don't know what it is." "It's a train wreck." "I think everyone is gonna have to really pull something out of a bag because we are all pressed for time." " Nobody's done." " I'm in bad shape." "I have a lot of work to do still." "Everybody's kind of in the same place." "How do they expect us to make an evening gown in one day?" "People are kind of freaking out." " Coming up on Project Runway..." " Go, go, go." "[Jonathan] Everyone's running." "Everyone's grabbing irons." "This is definitely a fashion emergency of Chernobyl proportions." "[Gasps] No!" "[Anthony] These women have gone through enough." "The last thing you want to put them through is," ""Ma'am, not only did you survive heart disease." "Now you have to survive Nina and Michael Kors and Heidi Klum telling you how horrible I have made you look in this garment."" "[Ben] Yeah, exactly." "I did everything at a quarter instead of a half, even though I patterned it at a half." " I have a lot to get done." " Yeah, you do." "It'll be amazing if I can pull it off." " After you." " Thank you." " D Heigh-ho, Heigh-ho d" " Who are you calling "ho"?" "Wow, there's a lot of red in here." "[Amy] I am very crunched for time this morning." "I have, like, 70°/° of the dress to get done, and I'm very, very nervous about making sure that it fits her and being something that's interesting." "[Ben] I'm a little worried for Seth." "Just a couple hours before the end of the night, he started to make another look, and I'm hoping that it's gonna work out for him." "After running through a few different designs," "I decided to take the retro" "Campbell's Soup approach, is what I call it." "This is more of a cooter gown than a couture gown." "[Amy] Since we all did red dresses, it's kind of like comparing oranges to oranges, or apples to apples, in this case." "Each one needed to be a little bit different to stand out." "Every single one of us is very worried at this point." "There are a couple of designers that are pretty much done, but I don't think that any of the designs, including mine, really as great as they could be if we had more time." "Shoot." "Good morning, designers." "We will be sending in your models shortly." "You will each have an hour to send them to the Garnier Hair Salon and the L'Oréal Paris makeup room." "If they're bringing in their own shoes, then use the bluefly." "Com wall for accessories." "Okay, go, go, go." " Good morning." " [Seth] How are you today, sweetie?" "So good to see you." "If I could fit it on you real quick..." "[Anna] I feel rushed a little bit because making sure everything lays the way" "I think it should, I'm working right up to the last moment." " Oh!" "Very nice." "Very nice." " Yeah?" "I think that looks good." "The necklace looks good too." " Oh, I just need to roll it and hem it." " Perfect." "That's great." "Like, good times!" "[Emilio] What is that?" "It looks like a cheap flag at the Thanksgiving Day parade." "It was important for you to be true to yourself." "I'm just, like, floored that I pulled this dress out of my ass in the last minute, and it actually was the right cut for her I should've done earlier yesterday." "I'm really confident about my dress." "My model looks beautiful in it, and I think it shapes her body really well." "I feel like Jesus needs to worry about his dress, just because it's so short and so tight and it doesn't really read "gala party."" "I love it." "It's exactly what I wanted." "It almost makes having heart surgery worth it." "Oh!" "Okay, let's go get you dolled up." "[Man] Are we thinking Farrah Fawcett?" "Make her look fabulous." "Yes, but more curl." " And this in the back?" " Yeah, well, maybe not so high." "This is a nice experience for you." "Absolutely." "My husband's birthday was the first day." "This is definitely a fashion emergency of Chernobyl proportions because everyone's running, everyone's grabbing irons, everyone's pressing, the iron's spitting on fabrics." "People are really doing anything they can to scramble to finish their dresses in the last moment." "[Gasps] No!" "I'll be right back." "This'll just take a second." "Designers, guest models, this is it." " [Cheering]" " All right, yea!" "We're going down to the runway." "Follow me." "Amy, are you the last?" "That's it." "Coming up on Project Runway..." "This dress was just like a bag tied in the middle." "I'm just not sure about your taste." "Welcome to the runway." "As you know, in fashion one day you're in, and the next day you're out." "There are 13 of you here, and after tonight there will be 12." "Your challenge was to design a dress for the Campbell's "Address Your Heart" program." "Also, for this challenge you designed for women whose lives have been impacted by heart disease." "The winning look will be worn at the annual Red Dress Awards during New York Fashion Week and will be sold on projectrunway." "Com." "All right." "Let's meet the judges." "First we have top American designer Michael Kors." " Hey, guys." " Hello." "Fashion director for marie claire magazine Nina Garcia, designer and co-founder of Marchesa," " Georgina Chapman." " Hello." "Her dresses have been worn by the likes of Anne Hathaway," "Halle Barry, and Jennifer Lopez." "We will score your designs as they come down the runway." "One of you will be named the winner, and one of you will be out." "All right." "Let's start the show." "[Jonathan] I'm so happy with how happy Christina is when she comes out on the runway, and I think I really gave her that classic elegance with a few tweaks here and there to keep it modern and keep it fresh." "[Emilio] The dress expresses my voice, yes, but it's more my client's voice, and this is one challenge where I let her take the lead, and I think we got what we wanted." "[Maya] I'm feeling really good about the dress." "It stands out." "It's a little different." "It has a lot of texture in it, and it has a feminine quality and also sort of an edgy quality which I love." "[Emilio] She is incredible on the runway." "Anthony found a way to make this full-figured woman look just as classy, confident and polished as the women who are size 4 and size 6." "[Amy] I felt pretty confident watching her come down the runway." "I think the dress definitely has my design sensibility in it." "All in all, the design suits her very well." "[Jesus] When I'm looking at my dress," "I think it does express me as a designer." "I think the construction's beautiful, the fit's beautiful, and I think that my detail looks amazing." "And the best thing is that I satisfy my client." "[Anna] Steph is really enjoying herself." "Seeing her so happy overwhelmed my feelings of disappointment in myself about how the garment actually turned out." "I think I really struggled with the super-formal evening gown aspect." "[Jay] I felt great." "Watching Julie, she just looked very sweet and happy and so cute, and she told me she's happy with the way it looks and the way it fits." "[Jesse] Everything looks really good." "The look came together really well." "The fit is really right where I want it." "She loves it, and I'm really liking what I'm seeing." "[Ben] She looks stunning." "She looks absolutely amazing, and the dress fits and she's able to move in it and it's a really great feeling because I know that I did what I needed to do." "[Mila] She looked so confident, and she looks great in the dress." "It looked different than any other dress that was up there, so I was happy about that." "It just kind of went "pow."" "[Janeane] I feel like I made a pretty dress, you know?" "I mean, it's not perfect, but it has a nice hem and I like the flowers and I did my job, so I'm happy about it." "[Seth Aaron] Here comes Rose, and, my God, she worked that dress like there was no tomorrow." "It definitely expressed my point of view." "She's happy, I'm happy, so we're both good." "If I call your name, please step forward." "Mila," "Maya, Anna," "Amy, Jesse," "Jesus, please step forward." "If I have not called your name, congratulations." "Your scores have qualified you to move on to the next challenge." "You can leave the runway." "The six of you represent the highest and the lowest scores." "One of you will be named the winner and one of you will be out." "Let's bring out your models." "Mila, tell us about your look." "Well, when I was looking at the Campbell's dossier," "I sort of gravitated towards the star icon, and then I just incorporated the logo fabric right here as a trim." "When I saw this dress, it made me smile." "I just thought it was really fun, yet it has a sense of "classic" at the same time, which is really hard to achieve." "[Nina] I love how you incorporated the branding." "I love how you thought about the star." "I thought that was brilliant." "[Heidi] I think that this is a dress that maybe not every woman can pull off, but you pulled that dress off really, really well." "[Michael] I agree, because you just looked like," ""Hey, I own this dress." "I'm rocking it."" "Looks great, so I think job well done." "Jesse, tell us about your look." "I was going with something that worked with her body, so I wanted to cinch the waist and fill the bust." "And then also I was thinking I wanted to have a jacket that she could pair with it." "I think that it's a sweet dress, but I don't think that it stands out enough." "To me it looks a little costumey, like maybe a little bit of a majorette, like she should have a baton or something." "The use of the branding was not that creative." "[Michael] Like some sort of strange corsage." "Jennifer, do you have a problem taking the jacket off so we can see?" "[Georgina] I would question putting white at that point in the waist." "I think that's never flattering on anybody." "[Nina] I think the neckline is very beautiful, and I think it frames her face very nicely." "If it would've been crepe or something that moved, that had a little bit less of a shine," "I think you would've been in a much better situation." "Jesus, tell us about your design." "Okay, well, we, of course, had to incorporate the labeling, so I decided to incorporate it on the side and pleat it to make it look more elegant." "I also decided to create these straps right here to give it kind of like a glamorous look, and she wanted a short dress." " Michael, what do you think?" " Where do I start?" "You basically took a checklist of everything that can turn tacky and combined it into one garment." "Tight red satin, that short, plus the built-in straps..." "I think perhaps there's just too many elements going on in this dress." "I think if you took maybe the rhinestones away, you would end up with a more successful dress." "I think the eye doesn't know quite where to go when you're looking at it." "I definitely think that you have very good construction skills." "I'm just not sure about... your taste." " Less is more." "You have to be very..." " Careful." "Careful about not going overboard with these very cliché items." "Amy, tell us about your look." "For Nadine and I, it was very important that she feels very sexy and confident in her dress." "We wanted to do a strapless top to show off her scar and kind of everything she's been through." "I thought it was really beautiful." "I love the fabric that you picked." "I love the movement of the dress." " It feels very modern, very feminine." " Thank you." "I think the dress is beautiful." "When you walked out, it moved, it worked so beautiful, and you looked so ethereal and confident, and I could tell that you were really happy in the dress." "The word "elegant" in today's times can seem old-fashioned, but what I loved here... it was elegant but it was modern." " Thumbs up." "You look fabulous." " Thank you." "Anna, tell us about your look." "Well, Stephanie and I wanted to go away from sort of a red rectangle, and so we focused on using color in such a way that would break up and create more of a waist for her." "[Nina] I do like the bottom half of the dress, but I don't think a razor-back silhouette on her, who is broader in the shoulders, is gonna help her out." "[Michael] And I think that the way this is cut..." "You wanted to whittle her waist in, but I actually think it's making her look very broad on top and not bringing my eye up to her face." "It doesn't feel to me like an evening dress." "Perhaps the color choice of the flesh is just a touch off." "[Heidi] Maya, tell us about your look." "We talking about having something with a lower neckline that shows her scar, and she was talking about how she used to cover it up, and now she wants to be proud of it." "For me, there's something interesting about this dress." "I feel like there's a design there." "Gives, like, a nice shape to the body." "[Nina] I kind of see a half of a heart." "The effort that you put into the draping is what we found interesting." "And I like the clutch." "I thought that was clever." "The dress made me want to look again, and I think that's always a great thing." "It's very flattering." "I think it looks really good on you." "It's interesting and elegant at the same time." "So overall, I think a pretty great job." "Thanks." "Okay, we've heard what you've had to say." "We're going to have a chat." "Then I'll call you back." "Thank you very much." "You can leave the runway." "Let's start with Jesse." "I don't understand why he would make such a short, white jacket." "It still didn't fit." "The shoulder on the jacket was terrible." "However, one thing I did like was his neckline." "From the waist up, the dress was very flattering on her." " Good bosoms." " Yep." "Excellent." "Let's move on to Jesus." "Mm!" "Mm, mm, mm!" "I had full flashback to shiny, short, tight, tacky..." "All of that." "We've seen it before." "And then let's add the crystals on top of it." "It would've been a whole other story without the straps." "He is really good at sewing." "He knows how to make clothes." "It's really, unfortunately, it boils down to taste is something that you just can't learn." " Anna." " This dress was just... like a bag tied in the middle." "But I understood where she was coming from from a design point of view." "It felt contemporary, and it felt young." "I just felt it was inappropriate for the challenge." "Okay, let's move on to the designers that we did like." "Let's start with Mila." "I loved the braiding of the Campbell branding." "I liked the star." "I loved the neckline." "She put it on the perfect spot." "She really captured the spirit of her model." "And she had fun with it." "I think that Amy also did a really beautiful dress." "The way she handled the fabrics was really great." "Yes." "I loved the subtle shine of the charmeuse coming through the chiffon so it wasn't a big charmeuse dress." "And I think also it was the right silhouette for her client." "She looked chic and modern." "Okay, let's move on to Maya." "I did like it, but I wasn't sure whether I should like it." "It was a strange thing." "I was looking at it like," "I really shouldn't be going for this dress, but there was something there that kept drawing me back." "And to see something with a little more interest I think was nice." "There was thought, there was workmanship, there was surprise." "It is about heart health, so she brought the heart..." "one side of the heart... into it." "Right." "She didn't integrate the Campbell's." " But I liked the bag." "The bag was cute." " Yeah." "Okay, so we've made our decision?" "Good." "Let's bring them back out." "The six of you represent the best and the worst." "One of you will be named the winner, and one of you will be out." "[Heidi] One of you will be named the winner, and one of you will be out." "Maya, you're in." "You can leave the runway." "Thank you." "Amy, you are the winner of this challenge." "Your dress was elegant, moved beautifully, and made your client look happy and gorgeous." "Nadine will be very memorable at the red dress gala, and your dress will be sold on projectrunway." "Com." " You can leave the runway." " Thank you so much." "[Amy] It feels really great to finally win a challenge." "It was really important for me to win this one, so I'm really happy that it turned out the way it did for Nadine and I both." "It's really exciting." "It's an adrenaline rush, and I want to keep going." "Mila, another good job." " You're in." "You can leave the runway." " Thank you." "Jesse, you're in." " You can leave the runway." " Thank you." "Anna, Jesus, one of you will be out." "Jesus, your dress was trying to be too many things at once and ended up looking tacky and cheap." "We again question your taste level." "Anna, you made some serious misjudgments." "This dress was poorly made and unflattering for your client's figure." "Anna... you're in." "You can leave the runway." "Thank you." "I'm sorry, Jesus." "That means you're out." "Okay." "Thank you." "It was a great experience." " Auf Wiedersehen." " Bye." "Thank you." "[Jesus] I'm shocked." "I'm just really, really shocked at this point that I've been eliminated from the contest." "Oh, mi hijo." "But you know what?" "I'm really happy because I put in my 100°/° and I feel that at the end I did satisfy my client." "Aw, Jesus, you're awfully good-spirited." "I am, yeah." "Thank you so much." "It was a great experience." " Great having you here." " I have to send you to the workroom" " to clean up your space." " Cool." "Okay." " We'll see more of you." " You guys as well." "Bye." "Hey, I'm only 21." "There's so much more of Jesus Estrada that people are gonna see." "Everything the judges told me I'm gonna take with me, and that's just gonna make me a really, really strong designer in the future." "Next time on Project Runway..." "This challenge is one of the biggest in the history of Project Runway, and the reward is unprecedented." " Whoo!" " And they're off." " Whoa." " I just want to get out of this alive." " Come on." " I'm in a mode of hysteria." "You don't want it to look like clown clothes." "That worries me." "I wish they would give us more time in this challenge, but life isn't fair, so why the hell should Project Runway be?" "This would not work at all." "It's like three ingredients that leave you feeling nauseous." "Visit myLifetime." "Com to learn more about the fashion you've seen on tonight's show."