"(ACCORDION PLAYING)" "Cha, cha, cha." " Hot dogs here." "Get your hot dogs here." " One hot dog." "Right, sir." "I said, 'Get with it, chick!" "Get with it!" "What's the point of coming 'if you don't go for the beat, huh?" "What's the point?" "'" "Yeah, but Vera, when she goes, she really goes." "You see, he does look like Dave Brubeck only shorter." " I thought Brubeck was shorter." " Oh, no." "Very big." "Well, I can't get with him." "I do try, but I just can't!" "Him, he's so square, it's like dancing with a load of dice." "No." "Variety, Miss, Melody Maker." "I'll bring 'em back in the morning." "MAN:" "Johnny!" "Johnny, this isn't a lending library." "All right, I'm not paying a subscription." "Hello, boy." "I've got second in the third and third in the fourth." "I've got no appetite!" "Look, let's come to the Spieler." "It might break the box." " Still racing, Racer?" " What else?" "I got a hot tip for you." "Meesa Masheena in the 4:30." " On you, too, better." " LEON:" "Two salt beef on rye!" " Dying to see your new look, Leon." " Have you got music?" " What am I, La Scala?" " Hi, Leon." " You want this eat or take?" " Eat." "Two salt beef on rye." "Four shillings." "Hi, Johnny." " How are the alterations coming?" " Expensive." "And no." " No what?" " No nothing from you." "I don't want no propositions." "Did I make?" "I didn't make!" "I've got a big enough proposition with all this!" "All right, so give me a cup of coffee and I won't waste your time by telling you what to make Leon's new expresso the most habitated teenage club in Soho." " Thank you very much." "One coffee!" " Make me up six salt beef on white" " and four..." "No, two smoked salmon." " To eat?" "Oh, no, it's too many." "To take." "If it's not against your principles." "Oh, by the way, you heard I'm handling the Beast Rhythm Group." "Beast Burns and his Beasts making a bomb!" "Six salt beef on rye!" "The rye's more fresher." "Who wants Beasts?" "Everybody wants to listen to music today, Leon." "Everybody wants it!" " So, what's with this new juke box?" " They'll fix it." "It's music, ain't it?" "Leon, for half of what that machine, with its degenerate can-music costs, you can have a real live artiste in this place, a personality, someone that the kids will eat up!" "No." "N-O!" "You're talking to an educated man, Leon." "I could spell even four-letter words before I was six!" "Take a night off!" "Don't you want to open this great new enterprise with a splash, something that will get you into the papers?" "Now look at this." "Just look." "'Teenage kids making music in expressos.'" "It's creating such interest." " It's a good publicity." " It's fabulous publicity!" "I can book you an artiste into here which'll make this place beat out greetings from Croydon to Willesden!" "The kids will come flocking in here!" "Cost you a mere £20 a week for a first-class artiste." " £5 cash." "Booking charge." " (CHUCKLING) Some hope." " Hope, unlike charity, costs nothing." " It's still too expensive." "Six beef, two salmons." "I want you know that I come from a long line of small-capital big-hopers, some of whom did not die bankrupt." "Look, Johnny, why don't you stick to drumming?" "You're a good drummer, boy, but what kind of a manager!" " Hah!" " What's so funny?" "I put in a few cucumbers to last." "I was just thinking what a great opportunity you're missing for the sake of a mere fiver." " I'm glad." " Oh, well, that's how it is." "Some fellas are just not cut out for success." "Ah, that's how it is." "Look, Leon," "I'll book you a top personality and throw in a group to back him." "A mere 20, the package." "No?" " A mere no." " All right." "All right!" "So thank you and good night," "Leon expresso bar schlemiel!" "Hey, you're actually paying?" "I told you, foolish man, I own a fortune in talent." "It just so happens I'm a fiver short tonight." "Eh, Johnny, wait a minute." "For curiosity's sake, what's the proposition?" " No, it's too late, Leon, forget it." " All right, all right!" "All right." "So, book me a genius, but cheap." "That juke box will cost me a fortune." "I shouldn't be doing this, but for an old friend..." "You can do anything you like with me, can't you, Leon?" "Just anything." "Well, I must be out of my mind." " Want to come upstairs, dear?" " Now, Penelope, do you mind?" "Johnny, I'm sorry, I'm getting so short-sighted." "In your business, it's better you don't see." " Good evening, my little Chinese rose." " Wotcha, Johnny." " And what teenage folly are they up to?" " Just started Historical Honeys." "(JAZZY LOCH LOMOND)" "(MUSIC STOPS)" "Now, if you boys were good at school and studied history carefully, you'll remember tales of bygone ages." "Let us turn back history's pages, study scenes of dirty plot." "In those days, gosh, they had the lot!" "First, Mary Queen of Scots in kiltie." "(PROJECTOR CLANKING)" "She of treason was found guilty." "Then she came an awful cropper on the headsman's wicked chopper." "Next, the Ides of March in Rome." "And Caesar wished he'd stayed at home." "'Cause on that day he passed away." "With his last words, 'Get tu, Brute!" "'" "(MUSIC CONTINUES PLAYING)" "♪ You can look at the goods, but don't touch" "♪ Ah, the goods are the goods, but don't touch" "♪ You wouldn't walk in Cartier's and touch every stone" "♪ You wouldn't stroke a Mayfair mink that wasn't your own" "♪ Which means unless you're serious, just leave the loot alone" "♪ You can look at the goods, but don't touch" "♪ You can value the stocks, but don't touch" "♪ Though the stocks are in frocks, you don't touch" "♪ You can't walk in the Dorchester, Savoy or the Ritz" "♪ And open up the showcases to handle the bits" "♪ Which means until you own the goods, don't touch the exhibits" "♪ You can hover like an eagle" "♪ But until you make it legal" "♪ You can look at the goods, but don't touch ♪" "(MUSIC PLAYING)" "(ALL APPLAUDING)" "Hello, Charlie boy." " (MUSIC ENDS) - (AUDIENCE APPLAUDING)" "Come on, Alma!" "Ready, get dressed!" "How can you strip if you're not dressed?" "The work's ageing you, Charlie." "Oh, it's like Smithfield Meat Market around here." " So you're here, then." " So I'm here, then." "Kiss me properly." "I was using my new voice tonight." "Do you like it?" "It was an experience, Maisie doll." "Doll, I wouldn't have missed it for 50% of Val Parnell." "Undo me." "You know, I think, um..." "Well, I think we might go straight home tonight, watch telly, have a few laughs." " (GIGGLING) I hadn't thought about it." " Well, don't rupture your brain!" "Oh, don't be." "I'm all pathological when I'm doing a show." "It's all those bald heads out there." "It's like playing to an egg box!" " So long as you don't lay the eggs." " I'm getting out of it soon." " So, at least mention my new voice." " We could both do with an early night." "I'm dying of hunger." "Besides, I've got our supper already cooking to death here." "MAISIE:" "Sorry, Johnny." "My teacher says I'm a new Judy Garland." "Send me the bill for the testimonial." "I told her to send you all the bills." "It's nice you have so much faith in me." "Do you want to take in the finale?" "Nothing personal, kid, but I think I need some fresh air." "You two." "You've been running nearly as long as the show." "It's known as fidelity." "And your G-string's slipped." "Shh." "(UPBEAT MUSIC PLAYING)" "You know the trouble with nonstop review?" "People are always waiting." "You wait for the slummers to come in, the slummers wait for the girls to go on stage, the girls wait for the slummers to go home to their wives." "Five shows a day, non-stop, everybody's waiting." "That's life." "We all have to wait together." "I love that Chinese philosophy." "Here come the raincoats." "You better flash those almond eyes." " Hello, Johnny, glad to see you." " Hi, Kakky, how's the film business?" "Ah, I have very interesting plans with Dietrich the girl, Gable the boy and Brando for my heavy." "Good chemistry, huh?" "Now, look, Kakky, do me a favour and tap somebody else this week." "It sparkles!" "Something." "All I've gotta do, get these three people and I am back in business!" "Good, good." "We'll all buy tickets." "Now, where the hell is Maisie?" "Maisie!" "You know, I was the man who introduced the bubble bath into show business!" " Well, the bubble's burst now, Dad." " Tell Maisie to get the lead out." "Who first bathed a girl in ass's milk?" "Answer me that." "When I made The Private Life of Omar Khayyam." " Does 10 shillings speak?" " Mmm, you'll be my associate producer." " Be great, be great." " Dietrich the girl, Gable the man and..." "Good night!" "So what did you do?" "Decide to give them another show?" "Here, carry the dinner." " Why can't we go out sometimes?" " Maisie..." "Why can't we see a bit of life?" "Five shows a day, you see life, Maisie." "I'm taking you home for a little light relief." " Johnny Jackson, I want to dance." " But you've been dancing all day!" " I want to go to a jazz club." " Look, definitely no jazz." "So, why're you against jazz all of a sudden?" " Look, Mais..." " It's ridiculous." "You're making money out of these things, so why shouldn't we listen to 'em, occasionally?" "Maisie, why do you have to torture me?" "A woman has moods." "But, Maisie doll, can't you listen to... (INSTRUMENTAL ROCK 'N' ROLL PLAYING)" " Hi, Johnny, how's you, man?" " Hallelujah!" "Johnny, I wanna dance!" "Sure, sure." "I'll go and see if Arthur Murray's around someplace." "Cokes, Peps or coffee?" "One of each." "We like to mix our drinks." "The sky's the limit, doll!" "Well, give me a sandwich." "I'm hungry." "What, and spoil your supper?" "Here." "Chew on this for a while." "(CROWD CLAMOURING)" "Here he comes." "If we're lucky, we'll be witness to an affray." " Come on." " And if I did?" "(UPBEAT MUSIC PLAYING)" "And if things weren't bad enough, we have to pick on amateur talent night." "Come on, let's go." "Sit down." "This is my night out, remember?" "(GIRLS SQUEALING)" "Oh, come on, kid, we've got homework to do." "Sit down." "Bad for your reputation as a manager to be seen working." "Beast." "Oh, hello." "Hiya, talent." "Beast, you shouldn't let these spare-time geniuses use your skins." "I'm not a musician any more, I'm a wet nurse." "ALL:" "One..." "Two..." "Three..." "Four..." "Five..." "Six..." "Seven..." "Eight!" "♪ Well, love ain't no lady" "♪ And love ain't no fool" "♪ Young love is rough and tough" "♪ And if you wanna win, you gotta play it real cool" "♪ Yeah, love, like a fire" "♪ Cosy and bright" "♪ Warms you with flames of desire" "♪ And burns you up all day and tears your heart out at night" "♪ Oh, when her lips look real invitin'" "♪ Brother, you're hit" "♪ Just take it slow, oh, daddio" "♪ You'll live it up and soon be dead" "♪ Love is a fever" "♪ Death in disguise" "♪ Love has no rules for fools" "♪ Who fall for all the lies that women tell with their eyes" "♪ Ooh, ooh, yeah!" "♪" "(PEOPLE SHOUTING)" "♪ Love is a fever" "♪ Yeah, death in disguise" "♪ Love has no rules for fools" "♪ Who fall for all the lies that women tell with their eyes" "♪ Oh, just take it slow, oh, daddio" "♪ You'll live it up and soon be dead ♪" "(ALL CHEERING)" "I'd say that child's got more sex than age." "How would I know?" "I'm abnormally normal." "(CHEERING CONTINUES)" " Leon's Tom-Tom!" " Say again." "I've got the perfect setting for all this teenage violence." "Here, you carry on with your dinner." "I'll be right back." "You, uh, strangle the old vocal cords very effectively, my boy." " Do what?" " The old tonsil caper." "Ah, that's nothing." "It's the old drums I fancy." "I got the rhythm kind of natural, like." "It comes natural." "It's that golden voice you want to cultivate." "Any schmuck can irritate those skins." "I wanna play drums." "Well, um, perhaps I can arrange that for you." "Now, look." "Let's discuss it over a cool Coke." " Are you a teacher, then?" " No, professor." " Got no money for lessons." " Naturally." "Who has?" " Two vintage Cokes, Elvis." " I've got one, thanks." "Thank you and good night, Johnny Jackson." "P.S., sleep well." "Maisie, I want you to meet a talent of the first order." " Um, what's your name, kid?" " Bert Rudge." " Bert Rudge, this is Maisie King." " How are you?" "You have the dessert." "It's been yet another memorable evening!" "Oh, wait a minute, doll!" "Wait a minute." "Here." "Put your address down there." "I'll talk to you first thing in the morning." "I gotta go to work tomorrow morning." "I work the Fun Fair, bottom of Frith Street." " What, with that golden talent?" " Are you sending me up?" " Who looks after you, kid?" " Me." " No manager?" " What, for this?" "I do it for kicks." "Well, you're off sick tomorrow, son." "You've got a great future as a singer." "I don't want to sing, I want to play drums." "You shall have my own personal kit." "I'll see you at your home first thing in the morning." "Oh, and by the way, your first lesson as a professional, no more singing for free." "Oh, I've left my dinner behind." "You carried me away, kid!" "Carried me away!" "And how's the most unavailable strip in town?" "Still doing her own stripping." "Thank you." "Get back to your washboard, scrubber." "I'm switching you to an expresso." " Oh, no..." " Oh, yes." "Get." "You owe me money." "Work for it." "Look, Maisie doll, I'm always waiting for you while you're singing, don't I?" "So, you can wait for me while I'm working." "All right, but let's go somewhere." "We're going!" "Home!" "And your breath smells of garlic." "The pickled cucumber's leaking all over my hand." "Sorry." "My favourite perfume." "Salt beef." "Are we always going to celebrate our lover's tiffs with delicatessen?" "You know caviar gives you a rash." "Leon's sandwiches are the worst in Soho." "That fur isn't the best either." "You know, as soon as I make my first million..." " Yes?" " I'm gonna have it cleaned for you." "All right, so, tell me." "Tell you what?" "We're back in camp, far from the Indians." "Relax." "I don't want to relax." "I'm still waiting to hear what you thought of my new voice." "Mmm, I think I made the right choice. (SNIFFS)" "Delicious." "Still lukewarm." " Johnny..." " You're a lucky kid!" " I'd like your opinion!" " Black Velvet without the champagne." "I want an honest opinion." "Relax." "I'll tell you." "No charge." "I'm not in the mood." " I want a frank opinion." " So take your things off." "How can I give you an honest opinion while you're dressed?" "Maisie..." "Maisie, did we walk 'round London with you like that?" "Well, there's not much point in putting my things on at the theatre if I've gotta to take 'em all off again, here." " Supposing you had an accident." " You're the only accident I ever had." "Oh, I love your love talk." "No, I don't want a man, I want a manager." "Tell me first what you thought of my number." "Well..." "Well, Maisie..." "You're a highly talented girl, but..." " You didn't like it." " Well..." " It's a small voice, Maisie." " It's getting bigger every lesson!" "Well, yes, but, um..." "Oh, be like me, doll, give up gracefully." "Thanks for nothing, pig!" "(MUTTERING)" "Look at that bed!" "How can you live like this?" "Come on, let's make it." "Now, look, Maisie, there's no point making it..." "I said, make it!" "Don't act like we're married." "It spoils everything." "Nobody else in the world is so pathological about the word marriage." "Come, straighten these." "Well, haven't I been faithful to you for two years?" "As far as you know." "You want the Tin Pan Alley award?" "I'm only faithful because I'm not married to you." "Only a married man is unfaithful, Maisie." "The sheet comes before the blanket, nowadays." " So, my voice doesn't move you?" " Oh, sure I'm moved, doll, but this is no playground." "It's a jungle." "And it eats up pretty little birds like you in great quantities." "They get swallowed up." "Nobody ever knows they've gone, nobody ever misses them." "Are you trying to tell me, in your tender way, you'd miss me?" "If you don't know already, how can I tell you?" "You've got a wonderful way of not saying a thing." "I don't say it because maybe I'd mean it." "And anything I mean, I'm not foolhardy enough to say." "Can't you say it just once?" "Say what you mean in this jungle, and you're a dead jackal." "How did I ever tangle with you?" "You're not my girlhood dream at all!" "I want you to know that." " Now, Maisie..." " Give me the pillow!" "All I'm saying is, enjoy your lessons, but don't expect too much, because practically nobody's a star, Maisie." "Including most stars." "What's with this Bert kid, then?" "Well, this boy's our stake in the future of British show business, and I'm gonna manage him." "I'm just not with you the way your mind works." "You're always finding talent that turns out to be untalented." "I just knew, against my own intelligence, which I insult every day of my working life, that one of these boys would make it." "But not me." "Look, Maisie, I've only got a very small organisation." "One artiste is all I can handle at a time." "You just don't think of me that way, do you?" "Well, I do that way, Maisie." "But not that way." "Well, at least he can't give you what I can give you, I hope." "Hope justified!" "You see what a waste of time it is making a bed?" " Cor, look!" "Who's he?" " (SHOUTING)" " Boys, boys..." " (BOYS CLAMOURING)" "(DOORBELL RINGING)" " Yes?" " Mrs Rudge?" " What if?" " Is your son, Bert, at home?" " No." " No?" "What's he been doing?" "I'll kill him!" "No, no need for violence, Mrs Rudge." "I bring tidings of joy to you and the entire Rudge tribe." "Hey, what is all this?" " Who's he?" " Where's young Bert?" "Nicer type of probation officer these days." " Hiya, guv." " Well, there's my boy!" "Now, you listen to me, mister, he don't tell me what he gets up to at nights hanging around the West End, and I don't want to know." "Don't speak to the gentleman like that, Mum." "He's the bloke I told you about." "Gonna be my manager." "He's gonna make me." "Make you what?" " Someone people dig." " That's it, Mrs Rudge." "Mmm?" "Our boy is gonna be the idol of teenagers everywhere." "Recordings, variety bookings." "Why, he'll even open up shoe shops for cash." "And it only requires your signature." "I ain't signing." "It's all a swindle." "Whenever I ever signed anything, it's always been a swindle for me." "Hello?" "I'd like you to meet my new guv'nor, Dad." "I'll have a bitter." "The pleasure is mine, Mr Rudge, and congratulations." "And perhaps you'd prefer to sign." " Oh, is he the man from the..." " Success, Mr Rudge, any moment now." "You have produced one of the major talents in Britain today." "Yes, you, by marrying Mrs Rudge and begetting Herbert, have contributed in no small measure to the pleasure of hundreds of little people like yourselves." "Oh, poor bastards." "All we need is the signature and a peep into the boy's birth certificate." "Don't you dare!" "Now, Mrs Rudge, when did you say the lad was born?" "I didn't." "And mind your own bloody business." "It's nobody's business when he was born!" "Now, look, Mrs Rudge." "It's just in the case of minors, we have to get things right for the book." "I don't want no nosy parkers nosing 'round my marriage business!" "Dad, tell him to belt up and get out!" "JOHNNY:" "But think what a difference this will make to your standard of living, Mrs Rudge." " Here you are, handsome." " Oh, lovely!" " Here, give me that back!" " Now, Mrs Rudge..." "Oh, that's none of your business!" "But I'm his guiding light, his helping hand, his mentor." "I see." "Ah-ha." "Oh, I follow." "My dear Mrs Rudge, it can happen to the best of us." "My own mother." "Need I say more?" "That's right, Myrtle, you always was too touchy about..." "You, shut up!" "You had your say years ago!" "You're his mum, I'm his old man." "It's all that matters, ain't it, mate?" "This just makes for an extra bond between us." "We don't want all that shouting all over the place." "But you're the only one that's shouting, Mrs Rudge." " Oh, yes." "Definitely, yes." " You belt up!" "So, come on, now." "There's no need for self-consciousness amongst friends." "Just sign this little go-ahead to handle Herbert's career." " Why should I?" " Where the dots are, Mrs Rudge." "That little swine's never brought me more than two quid a week!" " Why should I do anything for him?" " Cor, haven't I got expenses?" " I've got a lot of expenses." " What about me then?" "What do I got for your 18 years except expenses?" "How much do you think this haircut costs?" "Peanuts?" "Twelve bob a week, I tell you." " Down, boy." " Well, she'll always on at me." "Always." "This isn't pie in the sky we're talking about." "Why, you'll even see your boy on television." "The beloved face of your own little Bert reflected in the hot cod's eye which watches every home in Britain!" " We got no money for television!" " Sign, madam, and you will have a contemporary home fit for British voters to watch television in." "How do I know what all this mean, all this whereas, where if and wherefrom." "I don't wanna know about any of that." "It's an insurance for your future." "Have kids." "Go on, have kids and get done!" "I don't know what we have 'em for!" "He's a good boy, Mrs Rudge." "He'll look after you fine, if you'll just sign." "Have kids..." "I've got this drunk." "He can't have two pennies in his pocket without being a good-time Charlie with drinks all 'round for every Tom, Dick and Harry." " (YELLING INDISTINCTLY)" " Just sign..." "And that Edna there." "Always after the boys." "Where's she going to end up?" "And him!" "Oh, stow it, stow it!" "This is all very highly embarrassing to a stranger..." "I don't know." "Definitely, I don't know why we have kids for!" "I'll tell you what you had kids for." "So you can bleed 'em white!" " Call yourself a mother?" " Don't you talk to me like that." "(ARGUING)" " Come on, you talented little Bertie." " And don't come back!" " (CHUCKLES) Poor bastard." " (DOOR SLAMMING)" "Look, kid, you don't have to go back to the Fun Fair." "We can fix up a contract over a nice cup of hot, milky coffee." "Well, I'll just have a few shots." "You know, it sort of relieves my feelings." "All right, be my guest." "Hey, Bert." "Your old man's been around." "Oh, stow the old man!" "Look, the kid's a little off colour this morning." " Give him a dozen shots." " But he shoots off more than he sells." "Who cares about a few legalities?" "Good shot." "After all, the relationship between a manager and artiste is one of friendship." "(CERAMIC SHATTERING)" "You're a great shot, kid." "Takes me back to my few weeks in the Guards." "So, um..." "So, we hand in the old resignation, turn our backs on all of the fun at the Fun Fair, and we go along to Leon's Expresso." "Are you listening to me, Bertie?" "That's better." "I guess I feel all right now." "You can tell the guv I'm jacking it in." "Oh, your courage will be rewarded, my boy." "Just sign here." "Now, let's get this straight." "Are you offering me money for bashing the bongos?" "And your singing." "Don't forget the real gold part of your talent." " So, when do I get the money?" " You're holding up business." " This is business!" " It is?" "Now, look, my boy, we'll start you off modestly on the expresso circuit." "A lovely, loud little joint, just around the corner." "We'll crash off from there." "England's only chance of getting to the moon next." "Sign here, you talented little child." "Do I get the money now?" "Eventually." "On this five-year contract," " we go 50-50, all right?" " Fifty what?" "All right, if that's the way you feel about it, 50-50." " Shake." " So, how much do I get?" "Look, from now on, half of everything you earn is going to go to you." "Bert Rudge." "Hmm, a nice, honest, square name, but just a teeny bit uncommercial." "Now, let me see." "Uh, Crasher, Basher, Banger..." "I've got it!" "Bongo!" "Bongo Herbert!" "There we are, all signed and witnessed." " Witnessed?" "Who's the witness, then?" " I'm the witness, then." "Maisie King?" "Is that you?" "Maisie's a friend, who, not knowing how to write, gives me the use of her signature." "What will I tell the guv'nor, then?" "Tell him to put up a plaque." ""Bongo Herbert worked here." Come on, kid." "First, Mary Queen of Scots in kiltie." " All right, where are you, Mary?" " (PROJECTOR CLANKING)" "Hold it!" "Hold it!" "And who's the historical expert who thought up that combination?" "Well, it's not easy, Charlie." "They just sent along a box of assorted tops." "You didn't expect to go on television in the buff, did ya?" "This is a decent, respectable country." "You wouldn't talk to us like that if we had a union." " Oh, belt up and break for coffee!" " GIRLS:" "Great!" "Hello, you." " Hello, star-maker!" " Hail, Caesar!" "Oh, Maisie." "Hi, Johnny." "Do you want some coffee?" "Hey, what's all the overdress for?" "Royal visit?" "We've got 10 seconds on some television show, so we're going straight." "Well, don't let it become a habit." "Now, look, Maisie, I want you to make a telephone call for me." "Why can't you make it?" "Because I won't be here." "I'll be at Garrick Records." "Which is where I want you to telephone me at 11:45 precisely and ask for me." "But you know it's against the rules to use the telephone." "So give Charlie half-a-crown for his cut in the infringement." " What do you want me to say?" " At 11:45 precisely," "I want you to say, 'This is HMV." "'Could we please speak to Bongo Herbert's manager?" "'" "Repeat the message." "This is HMV." "Could we please speak to Bongo Herbert's manager?" "Who's Bongo Herbert?" "I've just signed him today." "He's that great kid we heard last night." "Fast work, eh?" "What's all this HMV jazz?" "Now, look, Maisie, you get on with your act and I'll get on with mine." "11:45 on the dot." "(ROCK 'N' ROLL MUSIC PLAYING)" " Mr Mayer." " Yes?" "There's someone to see you." "Mr Johnny Jackson." " Johnny Jackson?" " Used to arrange music for you." " Says it's urgent." "Would you see him?" " Normally, no." "But at this moment, a pleasure!" "Mr Mayer, how are you keeping?" "I'm surviving, Johnny, but it's against my own nature." "Are you looking for work?" "Work?" "Haven't you heard?" "I'm a manager." "Is the business so short of managers, it has to drag good musicians away from their instruments?" " Who wants to listen to good musicians?" " I want to listen to good musicians." "Funny to think, Johnny, that you and Aida are both things of the past." "That's what happens if you're modern in your time." "Not bad, eh?" "Hmm, she'll do well." "She's got gloss, schmaltz, and she carries her jewelled mink as to a manor born." "Just booked her show for television." "That's what it is today." " So, what's on your mind, Johnny?" " I've got a boy." "Oi, please, Johnny, not you also." "Everybody's got a boy!" "Instead of eating their fingernails today, they wear them down with the guitar." "But this boy's got a completely new gimmick." "Yes, he plays the guitar with his nose." "All right!" "All right, so I bring you a talent because you're an old friend, and you treat me like schnorrer!" "Look, Johnny, for the sake of our old association, maybe I could find you a few arrangements to do." "Mr Mayer, I'm not asking for charity, I'm offering you Bongo Herbert!" " What for a name, Bongo Herbert?" " All the big companies are after him." "Why, Nixa, Philips, even HMV!" "Sure, sure, sure." "And he'll be in the next Command Performance?" " All right." " Do me a personal favour." "That's I'm trying to do." "I've got so many of these young schmendricks." "All right, you made your point." "Nice to have seen you again, Mr Mayer." " What do you make the time?" " Almost 11:45." "Thank you, Johnny." "All the best." "Go in health." " Stomach tablets?" " Yes." "New kind." "Have one. 40% more pepsin." "Listening to all this dreck has made me a double ulcer man." "I know how you feel, I got the same trouble." " You're an ulcer man?" " Am I an ulcer man!" "Good." "Now you begin to sound like you're a manager." "I can taste the extra pepsin!" "Sorry not to do business on this occasion." "But who knows..." " (PHONE RINGING)" " The telephone, Mr Mayer." "Never mind the phone." "To see an old friend!" "Could be important." "What's more important than friendship?" "Well, something could have dropped out of the top 10." " Top 10?" " Top 10!" " Who is it?" " HMV, Mr Mayer." "They want Bongo Herbert's manager." "I'm sorry, Mr Mayer, but, well, things are popping." "You don't mind?" " It's a pleasure." " Thank you." "Hello?" "Johnny Jackson speaking, Bongo Herbert's manager." " We're calling about Bongo Herbert." " Oh, yes, that's right." "Well, I can't give you a decision right now." "Well, you see, I've got a deal pending for Bongo elsewhere." "Well, of course your offer's very attractive, but, uh..." "Well, we'll be in touch." "And thank you for calling." "Goodbye." "Again, marvellous to see you, Mr Mayer." "I'm sorry we can't do anything." "Maybe next time." "Just a minute." "Sit down, please." " I don't want to waste your time." " So, where is this boy of yours?" "You want to see him in his right setting, Mr Mayer." "All right, so bring him along and empty us a cradle." "He's opening a new place tonight at the Tom-Tom." "Give yourself an outing." " Oi." "All right." " Do you good." "As you leave, kindly switch on Aida, please." "With pleasure, Mr Mayer." " (INSTRUMENTAL ROCK MUSIC PLAYING) - (RHYTHMIC CLATTERING)" " The kid's great, isn't he, Leon?" " Yeah." "I get all my genuine Italian peasant-style cups and saucers broke." " Oh, two free cups, Leon." " You've already had six free cups!" " From now on, you pay!" " We're doing great business, boy." "It's a free cappuccino to each new customer, isn't it, Leon?" "What's so new about you?" "I got a great idea for a great picture." "Kakky, Kakky, the coffee's free, you don't have to give a performance for it." "Not at the theatre, Johnny, to see your girl televisionised?" "Sure." "Um, it's tonight, isn't it?" "Personally, I would never compromise myself by making pictures for television." "I'll be back." "Hey, Johnny!" "Hey, Johnny, wait a minute!" "Why them and not me?" "Why can't I get my Tom-Tom on Television?" "Strip, and I'll guarantee you a spot." "(RHYTHMIC CLATTERING OF CUPS)" "Stop it!" "Stop it!" "From now on, all free coffee must be paid for!" "Here, what's the programme?" "Television strip with mother?" "It's a documentary for Cosmorama." "What, a documentary at the Intime?" "What'll they think of next?" "♪ You can value the stocks, but don't touch" "♪ Though the stocks are in frocks, you don't touch" "♪ You can't walk in the Dorchester, Savoy or the Ritz" "♪ And open up the showcases to handle the bits" "♪ Which means until you own the goods, don't touch the exhibits" " What's cooking, flower drum girl?" " I am." "Phew, it's hot in here!" "Well, it looks as if the completely un-unique, unfabulous, unsensational Maisie King is finding fame." " The lot look queer in clothes." " Is Gilbert Harding here?" "Who's he?" "Why, you ignorant little lotus blossom." "You can't have Cosmorama without Gilbert..." "Ah!" "Good evening, Mr Harley." "I'm the press man for this joint." "Don't go asking me for too many plugs." "You're what the corporation" " doesn't like about plugs." " Who's asking?" "I just wanted to say what a great idea it was for a serious, well-informed documentary mob like yours to take a look at the way these wonderful teenage kids live." "All right, cut film." "Well, that's extremely kind of you." " Simon." " Uh, Maisie King!" "Maisie!" "Come over here and meet a real personality." "You know, my friend and I are some of your greatest fans." "Well, Miss King, that was most interesting." "It had an authentic quality of gay delinquency." "Oh, it looks much better in the real costume." "What did you think of my voice?" "What I admire most about these kids is their energy, their vitality, their life!" "You know, straight after the show, do you know what this little lady's gonna be doing?" "What?" "She'll be rocking like mad with the other kids down at the Tom-Tom." " She will?" " Oh, and where's that now?" "Well, it's a sort of contemporary youth centre on the other side of Compton Street." "Come on, kid, dress!" "Let's get with it!" "See you down there, chum." "Well, Simon, we may as well wrap this up and get over to that Tom-Tom place, see if we can get some candid stuff." "What's all this Tom-Tom routine?" "This is our day, Maisie." "I should've had faith." "I should have realised that luck can be so undiscriminating, it could even happen to me." "You know, if I get a plug in Cosmorama, we may well be in profit." "I could get advanced course singing lessons for as little as half a guinea!" " Get moving!" " Hey!" ""In profit", I love those words!" "Come on, kid." "I want you all to come down to the Tom-Tom with me." "Why do I want to go there for?" "I'm tired." "Yes, I wanna go to bed." "Can't you keep your mind off work?" "Now, come on, now." "Be my guests!" "All the expresso you can drink!" "Make a night of it!" "Live it up." "Come on, now, get ready!" "Come on." "(CAR HORNS BLARING)" "(INDISTINCT CHATTERING)" "How long have we gotta stay in this nuthouse for juveniles?" "This is a recreation centre." "Go in and recreate." "I'll be down in a minute, doll." " Where are you going?" " Come on, kids, I'm waiting for someone." "Will you balance the budget with all this secrecy?" "Look, Maisie, when I'm doing business, don't waste my time with economics." "Oh, you handle business so businesslike!" "Oh, do me a favour, Maisie." "(HORN HONKING)" "Evening, Mr Mayer." "Is the ulcer doing well tonight?" "I already feel a small centre of irritation." "What?" "Television for an expresso opening?" " What else?" " How short of material can they get?" "It's the boy, Mr Mayer." "He's mustard." "Just mustard." "Mustard schmustard!" "Public places degenerated so far," "I'm finding great difficulty in getting down to it." "How low can you sink?" "Just a little lower, Mr Mayer." "It's down in the cellar." "(INSTRUMENTAL ROCK MUSIC PLAYING)" "Well, here we are in a typical expresso coffee bar." "In this rather synthetically exotic decor, the teenagers relax after their working day." "That is if you can call it relaxation." "Of course, you and I might prefer the quiet atmosphere of an old English pub." "But these youngsters get their kicks, as they put it, under plastic palm trees, where they sit to hatch and plot their teenage rebellion." "Let's see what they think about it." "You, sir, what do you think about it?" " Why me?" " Oh, thank you." " Have a cappuccino, Mr Mayer." " Yes, please, flat." "Uh, one flat, Leon." "This is my friend." "Miss King, Mr Mayer, Garrick Records." " How are you?" " How do you do, Ms King?" "Chat him up." "(UPBEAT MUSIC PLAYING)" "Look, look, look what these devils do to my paint." "Just see what it does to your business." "I always say this is the best part of the day for me, just sitting peacefully, sipping cafe." "At least coffee will keep me awake." "As a matter of interest, Mr Mayer, how do you sleep?" " What do I want to sleep for?" " Please yourself." "Awake, I can count sheep going into the record shops buying my discs." "(LAUGHS)" "Oh, don't you love this character?" "I'll be right back." "Make conversation." " Come on, Bongo baby." "You're on." " I just did it." "Well, do it again." "Just hog that camera." "Wherever that camera goes, let it find you." " Right." "Three, four..." " (MUSIC STARTS)" "Of course, Mr Mayer," "I wouldn't say my voice is quite ready for opera just yet, but..." "Perhaps, you'd be kind enough to stop chatting Mr Mayer and listen to this brilliant boy." "♪ My heart was so heavy" "♪ With longing for you" "♪ My arms were so lonely" "♪ Lonesome and blue" "♪ Alone in my sorrow" "♪ I heard a voice cry" "♪ A voice in the wilderness" "♪ A voice from the sky" "♪ Have faith in your darling" "♪ The voice seemed to say" "♪ Be true to her memory She'll come back one day" "♪ And though there was no one, nobody to see" "♪ A voice in the wilderness" "♪ Brought comfort to me" "♪ We had a quarrel, I was unkind" "♪ Why did you leave me?" "♪ Love made me blind" "♪ My darling, forgive me" "♪ I yearn for your touch" "♪ Have pity, come back now" "♪ I need you so much" "♪ Believe me and you'll hear it" "♪ The voice from above" "♪ A voice in the wilderness" "♪ The voice of true love ♪" "(GENTLE INSTRUMENTAL MUSIC PLAYING)" "(MUSIC ENDS)" "(AUDIENCE CHEERING AND APPLAUDING)" "(MUTTERS INDISTINCTLY) What do you think about him?" "Good evening, miss." "But don't you think the boy's got something, Mr Mayer?" "Something, he's got." "What it is, I don't want to know." "But you can be frank with me, Mr Mayer." "What's your feeling about this boy?" " Nausea, nausea!" " Nausea?" "♪ When I see this little bleeder and compare him with Aida, nausea" "♪ Nausea" "♪ A boy who owns an Austin-Healey Twice as great as Beni Gigli" "♪ Nausea" "All your life, you should be so sick." "♪ When this talent's in the lolly, if you take the risk" "♪ You'll make more than Bobby Rawley from his nauseating disc" "♪ Call this music?" "What a scandal" "♪ In his grave is turning Handel" "♪ Nausea, nausea, nausea" "♪ All he need's a crew cut, a sweatshirt and some jeans" "♪ And he'll be better box office than all your... (INDISTINCT) Hey!" "♪ When I hear these coffee barmen" "♪ And think what they did to Carmen, nausea" "♪ Nausea" "♪ Years ago, they would be failure" "♪ Now, they're cutting out Sibelius" "♪ Nausea, nausea" "♪ So try to sell the meister singers in expresso bars" "♪ All they want is shyster singers plucking back on their guitars" "♪ When I think of Don Pasquale" "♪ And compare him with this Charlie, nausea" "♪ Nausea, nausea ♪" "(SPITTING)" "I want you to know, Mr Mayer, that I appreciate your frankness." "With opera, I lost my shirt." "Yet, from this rock dreck, I make money." "All right, I'll give you £35 for one disc, two sides of your Bongo, no royalty." " It's a deal?" " Hard cash." "It's a special concession to an ulcer man, and in cash." " It's a deal." " Good." " One, two and..." " Hello, Johnny." "What do you think of them?" "Oh, kinky, but nice, nice!" "Fetches me quite a new class of clientele." "Good, let me be your financial adviser." "Always ready to try something new." "Invest in a car." "Love on wheels." "It's the safest thing." "I think you've got something there." "Where do they put these things?" "Now, Penelope, you've been warned." "It's a fine thing if a girl can't look up a used car bargain." "(HORN HONKS)" "Hi." "So, what's high?" "Things have reached an all-time low." " Now what's happened?" " Exactly nothing." "It's a week since I signed Bongo to make a record, no record." "A week since he opened at the Tom-Tom, no paragraphs." " MAISIE:" "At least you got some money." " Money?" "You call this money?" "Two pounds, seven shillings and nine pence and a life membership at the Tom-Tom." " Money is useless." " Is that all you've got left?" "At this rate, Bongo's going to be a very old teenager before I can retire to the south of France." "But the advanced singing lessons, Johnny." "You promised." "Never." "Not since I was a boy scout." "You said the next..." "Sorry, doll, you'll have to keep on stripping." "At this rate, I'm gonna be a very old stripper before I can retire to the south of France." "Oh, that's the brave little artiste." " What's for lunch?" " Guess." "Same as I've been guessing for the last 3,000 Thursdays, spaghetti." " It's special today, though." " You mean it's not overcooked?" " Remember what day it is?" " Black Thursday." " It's our anniversary." " Congratulations." "Of what?" "Two years ago, today, you bought me my first salt beef sandwich." "Why do women always want to remember such things?" "Well, they do." " Why, I don't know." " Now, look, Maisie doll, with all my money, do we have to eat off newspapers?" "They're the lunch edition." "I thought they'd give you an appetite." "Look." "That, with meatballs and the spaghetti, is my anniversary present to you." " Timber!" " How hungry are you?" "'Cosmorama presents...' Oh, it's just like I thought." "Just like you thought?" "Yeah, that's why I told him to hog that camera." "You didn't know they'd plaster the newspapers with his face." "'Cosmorama presents Teenage Rebellion, BBC Television." "'Saturday Night. 8:30.'" "Well, oh, I didn't know for sure, but I knew!" "I knew!" "That's one thing I've got against you, Johnny Jackson." "In all the two years you've been my sole agent, you'll never admit you don't know..." "Still out of order!" "Why do I pay for it?" " It's out of order because you don't." " Oh." "Get this junk off the table!" "You're ruining these valuable newspapers." "That junk happens to be our anniversary lunch." "Where are you going?" "I've gotta organise Mayer, the press..." "Oh, and Gilbert Harding!" "But the food's ready!" "Listen, Maisie doll, when I'm cooking, you shouldn't be!" " I even got some wine!" "Red wine!" " Well, keep it warm!" "I hate wine!" "I hate meatballs!" "And I hate agents!" "♪ I wish I could hate your method of lovin'" "♪ I wish I could hate those dangerous charms" "♪ But what's a girl gonna do who hates to love you" "♪ When she loves to hate in your arms?" "♪ I'm longing to loathe your lovable laughter" "♪ I want to be footloose, fancy and free" "♪ But when I'm footloose and free, it's you I fancy" "♪ Oh, worry, go-lucky me" "♪ I wish I could kill our beautiful friendship" "♪ I wish I could douse your passionate flame" "♪ But what's a girl gonna do who aims to miss you" "♪ When she's always missing her aim?" "♪ I'd like to forget past, present and future" "♪ If only my head and heart could agree" "♪ But you're my past and my future at the present" "♪ Don't know if I hate to love you or love to hate you" "♪ Worry, go-lucky me ♪" "One, two, three." "I arranged to get my boy national advertising, a 45-minute programme, weekend peak viewing, and you haven't even got his disc out yet!" "He sings on this programme?" "What else can he do?" "Interview the Queen Mother?" " Fix a recording session this afternoon." " SECRETARY:" "This afternoon?" "Don't give me problems!" "Fix it!" "Your boy's disc will be in the shops late on Monday." "Satisfied?" "Satisfied." "You've made a wise decision, Mr Mayer." "This will restore the public's faith in Garrick Records." "(DOOR CLOSES)" "I suppose he's a likeable fellow." " Cosmorama." "Which studio, please?" " Studio six." "Got an appointment?" "Special urgent delivery." "Gilbert Harding." "Personal." "I'll phone him through." "Oh, it's more than my job's worth to keep him waiting." " Hey, you've got to be announced!" " I'm not proud." "Yes, I know, boy, I know." "You may very well be right." "But my personal view has always been very strong." "The Archbishop should come in through there." "Oh, my dear Mr Harding." "I'd like to congratulate you on the publicity for your Teenage Rebellion programme." " Extremely kind of you, I'm sure." " Sensational, just sensational." " Haven't we met before?" " Oh, it's not impossible." "My show business interests are extensive." "As I was saying, the ads for your programme are fabulous." "Well, I'm so grateful to you, but as you see, we're very busy." "You see, I happen to be closely related to this Bongo Herbert." "The boy you're featuring in your advert." "Oh, yes." "You his father?" " Uh, no, closer than that." "Manager." " Hmm." "I'm afraid we cannot allow you to use the film material of our client." "But we've made him the keynote." "He runs through the whole film." "I'm afraid our lawyers feel that this programme of yours, praiseworthy as it may well be, is denigratory to our client's professional status." "Would you care to see the documents?" "We had no idea the boy had any professional status." "My dear Harding, the kid has records coming out all the time." "Why, Garrick Records have an immense investment in him." "You're not just exploiting an unprotected kid, you know." "I assure you, we have no desire to exploit anyone." "Anyone at all." "Better sit down." "We don't want our boy exhibited as a teenage curiosity." "Teenagers are regarded by the corporation with the deepest reverence." "By me, too, I assure you." "We're quite prepared to pay your client a fair fee." "It isn't the mere money, Harding." "We're loaded." "It's the principle of the thing." "How much have you in mind?" " Fifty." " Oh, please!" "Seventy-five." "It's a documentary." "Yes, but Bongo Herbert isn't an inexpensive herringbone!" "We have the most eminent people coming to discuss this Bongo and his symptoms." "I mean, his art." "It's a programme on the highest level." "And 100 is as far as we're prepared to go." "I've been watching you very closely, Harding, and I've come to the conclusion that you're a deeply sincere person and I'm gonna do my best to help you." "Well, I'm very glad if you feel that way, Mr, um..." "Uh, Jackson." "So, we'll take the 100." "Uh, ask your cashier to leave it for me on my way out." " Very well." " Now, about this eminent discussion." "Mmm-hmm." "I have one or two modest suggestions." " Mmm." " Do sit down." "Oh, dear." "Now, my dear Harding..." "Well, here we are in a typical expresso coffee bar." "And in this rather synthetically exotic decor, the teenagers relax after the day's work." " Am I on yet?" " It's finished." "Oh, no, I missed it." "Missed my first film." "How did I look?" "You came out wonderful, Bongo." "No kidding?" "Hey, why wasn't Johnny here to see me?" " What kind of a manger is he, anyway?" " For you, good." "Probably holding Mayer down to a hot television set." "Perhaps I'll come on again, huh?" "Well, I don't know about you, but that left me absolutely breathless just watching it again." "Now, what is the answer to this astonishing phenomenon of our time?" "With us in the studio tonight, we have a distinguished panel of experts to discuss it." " The Reverend Tobias Craven." " Good evening." "An important Harley Street psychiatrist." "Good evening." "And last, but certainly not least, a man who has been responsible for much of what we're here to discuss," "Mr Johnny Jackson, a well-known artist manager." " Hiya, cats!" " How the hell did he get on there?" "Oh, that Johnny." "He's a really deep character!" "Now, Doctor, would you say this was just a healthy sign of high spirits?" "It's not as simple as that." "Adolescents in our time demand outlets for their frustration." "See?" "You're frustrated, Bongo!" " You need some bint!" " Seek elsewhere." "The drums Bongo beats may stand for someone he doesn't like, or they may be a simple means of evacuating tension." " What's all that about?" "Huh?" " Bint." "The whole mass of whirling conflict surge up to a pounding climax." "Afterwards, in its relaxation of tension, the face is almost beautiful." "Hear that?" "You're almost beautiful, Bongo." " Do me a favour." " Shh!" " GILBERT:" "Craven?" " Speaking personally," "I welcome the whole phenomenon." "After all, many popular songs do have a touch of religion." "JOHNNY:" "Uh, speaking for myself..." "Of course, many others are frankly pagan." "JOHNNY:" "Uh, speaking for myself..." "We have to reach the people at their own level." "GILBERT:" "Mr Jackson?" "Still speaking for myself," "I would definitely say that the Rev is onto something there." "This boy, Bongo Herbert, we must all bear in mind, is a real symbol of modern youth, and this number which we heard him sing, Voice In The Wilderness, will, we believe, introduce a new era in the hit parade." "GILBERT:" "Uh, the psychiatrist..." "Yes, Doctor?" "JOHNNY:" "Because get this, kids, the disc of Voice In The Wilderness will be on sale in your local record shops any minute now." "Well, thank you, Mr Jackson." "There you have the..." "There is, of course, something in what Mr Jackson says." "I started a jive club at our youth centre some time ago." "Later, we converted it into skiffle." "Now, I think it not impossible that I start a bongo club in my crypt." "JOHNNY:" "Oh, good for you, Rev!" "A big hand for the Rev, kids!" "You just heard the attitude of a really great modern churchman, if I may say so." "Just because we want a few kicks as well is no reason we should be unreligious." "Oh, thank you, Mr Jackson." "There you have the..." "JOHNNY:" "And talking about religion, kids," "I don't want you to regard Bongo as a substitute, even though his latest Garrick recording," "A Voice In The Wilderness, is the greatest you ever heard!" "I am speaking on behalf of both me and Bongo..." " Mr Jackson." " ...when I say, go to church this Sunday." "Me and Bongo often go together to the same little local church where Bongo was christened 18 years ago." "How can he say those things?" "How can he lie so well?" "(SIGHS) ...and his little sister and his dad, who have made so many sacrifices for him." "Bongo gives thanks for all you wonderful people who've made his career possible." "(MUSIC PLAYING)" "♪ I never had it so good since the day I was born" "♪ Corn is growing where there used to be barren soil" "♪ What a life" "♪ I struck oil" "♪ I never had it so rich before" "♪ I was sliding the slope, then I signed up a dope" "♪ Bongo, you opened the door" "♪ I never had it so good until I learned to be bad" "♪ Glad to tell you I'm no longer misunderstood" "♪ I never had it so good, good, good" "♪ I never had it so good ♪" "We have to proceed cautiously and quietly." "It's number five in the top 10." "How cautious can you get?" "Look!" "Look at my systematic planning on the Dixie Collins LP." "She hasn't been seen here for years, and already we have pre-sold 50,000!" "Good for you." "But how does it help us?" " We gotta have action!" " Shh!" "Quietly." "As a young ulcer man, you should take things quietly." "Find a new gimmick and make a second record." "You should pardon the suggestion." "But with a property as hot as Bongo, I can go anywhere." "Sure, you can go to Nixa, Philips, even HMV, after the second record." "Remember, I have an option." " Please." " (LOWERS VOLUME)" "If you don't want the boy, release us." "Let us make a little loot." "We consumed that few pounds of nicotine and salt beef a long time ago." "My boy, business is a very unfair thing." "That's why I'm going to give you a small percentage on your third record." "But we haven't made our second record yet!" "First, we make a contract for the third, and then we discuss the second." "I see." "So, you do want the boy?" "You can be frank with me, Mr Mayer." "The boy can be a first-class property with Garrick direction." "Understand?" " (INTERCOM BUZZES)" " Yes?" "WOMAN:" "You car's here, Mr Mayer, and the Dixie Collins press reception is in half an hour." "Thank you, miss." "Details, we'll discuss later." "Now, I have to go to the Dorchester." "You know how demanding a real star can be, even if she isn't twinkling too brightly at the moment." "I know I can trust you to give Bongo and me a fair deal, Mr Mayer." "You cannot!" "But what alternative do you have?" "(DOOR CLOSES)" "(PLAYING NOTES)" "Smoking, smoking!" "What kind of a hobby is smoking?" "You need a bint!" "I keep telling you." "'Bint is the best nerve tonic there is." "I personally recommend it.'" "Signed Beast." " Can't you get off it?" " Not since I was 12." "Sort of takes you by the throat, Bongo." "Got no time for all that jazz." "Besides, I got other problems." "Wish I had other problems." " Hi, guv." " So, what new gimmick have you spawned?" "It's another Bongo in the moronic so far." "'When I beat my chick with a solid rock.'" "Look, get with it, Beast." "Mayer wants something different!" "So, why can't this be different?" "We could put some more echo on Bongo, wire up something or other." "Sing it for the guv, kid." "No, I just can't get with it today." " I don't know what's the matter with me." " It's that mother of yours." "Hmm?" "Has she been here?" "No, but she's been in all the expressos looking for me." "Mother!" "Hmm, Mother!" "Mother!" "Maybe that's it!" "A new kind of rock-with-Mother song!" "A sort of Oedipus rock!" "Yeah, that's what we should be doing, Beast!" "Putting down in music what..." "What Bongo and all the other kids in the country is worried about!" " Me?" "I'm just an ordinary kid." " Yeah, yeah." "Save the humility for the press." "Now, we've got to be analytical about this." "Well, look at the headlines you've had." "For a few days, you've become a sort of national anti-hero." "You're every poor little fish in the country, only covered in gold chips!" " Who, me?" " Yes, you, you talented little berk!" "You've got a chip on your shoulder and an H-bomb in your pants." "A sneer, a twitch, a hell in your head!" "It's you against the world, baby, and the world loves you for hating it." "That's what this is, a great hate number!" "I've just had a vision!" "That simple priest on TV the other night, if he can get our message, the least we can do is get his!" "Now, so far, what have we got in the act?" " Sex?" " We've got." " Beat?" "Violence?" " We've got." "We've got." "We've got." " Bash!" "We need more bash." " All that, we've got!" "We've got it all, except one thing!" "Religion!" "We've got to get religion!" "Where are you going?" "Heaven?" "(CAR HONKING)" "Gent..." "Gent..." "Gentlemen!" "So, Miss Collins is a little late." "After all, she's a lady." "Isn't she?" " Only by sex." " It's the routine star treatment." "I'm Surprised Dixie can still remember the routine." "Rosemary's getting so terribly late." "I'm sorry, I really can't wait any more." "But Patricia, my sweet, I know how much Dixie is longing to talk to you." "So are plenty others, dear, provided I quote them." "What would we poor press agents do without your marvellous column?" "Yes, have another cocktail." "It's a privilege for Garrick Records that Miss Collins comes to us." "For England, too, Mr Mayer." "Falling stars are just what we need." "What are we playing at?" "I'm tired and I've got a deadline to meet." "To me, dear, you always look as fresh as a midday edition." "I've got three more of these tea parties to get to." "No, Eddie, don't be like that!" "Angels, in all these years, have I ever let you down?" "Look, I know it's her natural environment, but do you think you could possibly drag your client out of the bedroom?" "Ladies and gentlemen of the press, your hostess, Miss Dixie Collins." "(MURMURING)" "Hello, darlings!" "How perfectly wonderful of you all to come." "(REPORTERS SHOUTING QUESTIONS)" "Boys, boys, please!" "Will some gorgeous gentleman get me a drink?" "What exactly is the truth about your fourth marriage, Miss Collins?" "The same tragedy as the third, darling, but then, with me, everything goes in cycles." "Up and down, up and down!" "Why is it so long since you visited England, Miss Collins?" "Oh, you know, so many dates, so many husbands, none of them English." "What a pretty dress!" "Dixie, there's some doubt about your date of birth." "Would you care to clear it up?" "Certainly, darling." "I'm Scorpio." "(CHUCKLES)" "And you're Patricia Lewis." "Simply everybody reads your column back in America." " Hello!" " Dixie, whatever became of that young flamenco singer?" "The California oranges just didn't agree with him, the poor darling, so I re-exported him back to Spain." "MAN:" "Miss Collins." "Thank you." "Gee, it's sure tough to get a drink at this party." " She can look after herself, that girl." " Use has developed the muscles." "You got to admit it, she looks marvellous." "I admit it, but I can't enjoy it." " Oh, no!" " Which paper are you?" "The Financial Times." "I just had to see you, Mr Mayer." "I've got a great idea for Bongo." "It's haunting me." "All right, but not now." "Come to my office." "But it's almost classical." "At the same time, it's got a reverential attitude towards life." " You're not holding my attention." "Go!" " It's a sort of Ave Maria with heart!" " Italian numbers are out." " In a word, Mr Mayer, religion!" "You're a bloody nuisance, but you're a trier." "All right, I'll buy religion." "So, take a drink and go." "(LAUGHTER)" "There's a good one!" "What shows are you doing here, Miss Collins?" "Well, I know Gus has arranged a TV spectacular." "It's a beautiful show, beautiful!" "What will the rest of the show be?" "We hope to book some of that wonderful talent you have so much of in this country." " Like who, for example?" " Like whom, for example?" " Well, like Bongo Herbert, for example." " (LAUGHING)" "What do you think of Bongo Herbert, Dixie?" "I'd just love another drink!" " To the rich in heart." " Thank you." "I'll get another." "And thank you." "You've never even heard of Bongo, have you, Miss Collins?" "Does anybody have an American cigarette?" "Bongo is one of our most promising younger stars, a real Garrick find." "I have always done everything I could to help young talent on." " That's so true." " Can we say that" "Bongo will be in your show, then, Miss Collins?" "Any kid Gus Mayer says is promising is gonna get a big push from me." " (ALL LAUGHING)" " Got it?" "Good quote." "Well, that's it, everybody." "Goodbye." "Anybody coming to the Savoy?" "(ALL SHOUTING OVER EACH OTHER)" " Going so soon?" " I'm sorry, Rosemary." "We've got four stars waiting for us, including Son of Lassie." "Jack, darling, why not stay?" "I promise you, we'll give you a completely new angle." "Sorry, darling, she's had her moment." "Bye." "Jack, darling!" "Jack!" "So how are you, my precious?" "Elated and exhausted, Gus." "We'll have one glass of champagne, alone." "No more for me, thanks." "I'm getting a bit burpy." "And sorry I had to throw you to the wolves." "Any man who can pre-sell 50,000 records for me can throw me anywhere he likes." "To the too-long-delayed return of a great lady." "You know, Gus, I hope this whole thing comes off." "I'm getting so cold over there that, for the first time in my life, I'm terrified." "Travel hopefully, darling." "I'm making a tele-recording made of the Dixie Collins show." "And I'll send it straight to New York." "They'll go mad for it!" "(CHUCKLES) Gus!" "Would you like to be my sixth husband?" " Do I look like Henry VIII?" " Who the hell is Pinky?" " Your second." " Oh, yes, the heel." "All these years, she didn't care about her darling son." "But now she thinks I'm making some money, she wants the lot." "You ought to go and see her, Bongo." "She's probably very proud of you." "Well, she's too late." "I've always been alone, and that's the way it's gonna stay." "That's the way it is in this business." "You kid yourself from time to time, but really, you're always on your own." "But it's all right for you." "You've got Johnny." "Oh, sure." "So have you." "I'm just something he sells." "Like rat poison or fish and chips." "It's funny, you don't like it because he sells you, and I don't like it because he won't sell me." "But it's all right for you." " You're sort of dedicated." " What to?" "Stripping?" "What I mean is, to you, singing is sort of an art." "Perhaps that's why no one will buy it." "For me, it's more like a drug." "Takes my mind off quite a few things." "What are you doing after the show, sweetie?" "Meeting my boyfriend in the vice squad." "Want to come?" "(CHATTERING)" "So, this is where you come in your spare time." "We'll have to watch your voice doesn't start breaking." " I just fancied a few drinks." " Big, big problems he has!" "All I have to worry about is finding numbers for him, fixing records, booking him on TV shows." "All the rest, he can do himself!" "Don't pick on the kid." "He was lonely." "So, little white mother Maisie is comforting him." "Why not?" "Do you have an exclusive contract on my spare time?" " Look, I just fancied a few drinks." " So, now you've had them." "Now, get out!" "I told you not to push him around." "I'll bear in mind what you say." "Blow, Bongo!" " He's my guest." " Drop it, Maisie." "I'm going." " Now, look." " You look!" "I've got 50% of what he's got." "He hasn't got 50% of what I've got." "If that remark is supposed to refer to me, you can take it right back!" "You're a big help, you are!" "I need the kid for work, and you're busy getting him drunk." "What are you, a sadist or something?" "Most of the time I'm with you, I wish I was!" "Oh, now, look, Maisie doll," "I've been working very hard, I'm under a lot of tension!" "Well, stay under and drown!" "(MUSIC PLAYING OVER RADIO)" "Ah, what the hell." "For art, one has to make sacrifices." "(VOCALISING)" " (PHONE RINGING)" " Hell!" "If it's you, I'm asleep!" "You want to be careful whom you say you're not in to." "I am being careful." "That's why I'm telling you I'm not in." "What was it you required?" "Just because we have a little scene every so often," "I mean, you don't have to hibernate." " Oh, come over here, baby." " No!" "I'm having a nice quiet read, and it's very relaxing." "If you were a gentleman, you'd come over here." "But you can..." "Well, you can read here, baby." "Come on, you can relax here." "Why can't you come over here, anyway?" "Well, I'd love to, baby." "Really, I would." "But, well, I've got a lot of very important calls coming through." "I'm expecting Hollywood on the line any minute now." "You know, it's mid-morning over there." "Thanks for the geography lesson, and good night!" "Oh!" "Maisie, but I've got so many important things to discuss with you." "Something..." "Well, something that really means our whole future." "Our whole future?" "Yes, that's right, baby." "Oh, come over." "There's so much I want to tell you." "Well, maybe I will." "Maybe I will." "Of course, I have to dress first." "Oh!" "That's great, baby!" "That's great." "Look, I'll go and make us some coffee, you come right over." "You know, I've got so many business problems." "What have you and me got to do with business problems?" "Well, isn't it of some interest to you that I succeed?" "You know, if Bongo doesn't get that..." "So, it's Bongo!" "You don't want me, you just want someone to talk to about that bloody Bongo!" " Who else have I go to talk to?" " I'm not in a talking mood." "I'm sorry I insulted your ignorance by even suggesting that I could talk to you!" "You only got up in the middle of the night because you want a little rabbit!" "You want to chat it up with someone!" " It's an insult!" "You're kinky!" " Who's kinky?" " You're bent!" " Who's bent?" " Don't you shout at me!" " Who's shouting?" " Good night!" " Good night!" "(ORCHESTRAL FANFARE PLAYING)" "(DRUMS BEATING)" "Thank you." "Thank you." "And now, straight from New York, Hollywood and Las Vegas, we are very happy to be able to afford the fantabulous, fantastico Dixie Collins!" "(BIG BAND MUSICAL INTRO)" "(DISTANT APPLAUSE)" "Well, this is it, golden boy!" "Hey, hey." "Smoking when that velvet voice is about to perform?" "She's around here somewhere, I just know she's around here somewhere." "Don't tell me my little virgin's found himself a piece of frontline frippet?" "It's my mother I'm talking about." "She's around here somewhere." "So, where else should a boy's mother be but at his side at a time like this?" "Edna phoned me she's on the warpath." "She's got the needle to me." "And she wants half my money." "I'd give her half of mine if I thought it would make her happy." " You would?" " Look, it isn't as simple as all that." "Now, listen to me, kid." "She won't come around here." "You have my personal guarantee." " Fix her for me, Johnny." " Sure, I'll fix her for you!" "I'm your manager, aren't I?" "Your friend, your chum, your protector." "Now, go out there and kill 'em!" "Tonight, eight million telly-hugging imbeciles are going to fall in love with you simultaneously!" " (APPLAUSE)" " Thank you!" "Thank you, all!" "You, too, up there!" "It's wonderful to know you still love me!" "Now, here's a new singer making his very first variety appearance." "Your own Bongo Herbert!" "(APPLAUSE AND CHEERING)" "Thank you, thank you very much." "Thank you very much, thank you very much indeed." "It's not generally known that I'm a deeply religious boy," "And here in this theatre tonight, we're glad it's Sunday, because, well, we've had a number specially written for this show" "We'd like to dedicate it to..." "To a lady who taught us that there's someone bigger than you or I, my mother." "For my mother I'd like to sing for you my latest recording," "The Shrine on the Second Floor." "Take it, Bert." "(MUSICAL INTRO)" "♪ I was born in the heart of a city" "♪ In a room that I'll always adore" "♪ Though it's not much to see" "♪ It's like heaven to me" "♪ The shrine on the second floor" "♪ There's a beautiful grey-haired Madonna" "♪ Who once taught me what life had in store" "♪ And I lift up my eyes to that saint in disguise" "♪ In the shrine on the second floor" "(CHOIR VOCALISING)" "♪ Whenever my troubles seem too much to bear" "♪ I look for the answer, and then" "(CHOIR CONTINUES)" "♪ I kneel down and see that light shining there" "♪ And everything turns out right again" "♪ When I'm old and I find that I'm lonely" "♪ I'll return to my heaven once more" "♪ I'll remember the face of a lady of grace" "♪ On the shrine on the second floor" "♪ When I'm old and I find that I'm lonely" "♪ I'll return to my heaven once more" "♪ I'll remember the face" "♪ Of a lady of grace" "♪ On the shrine" "♪ On the second floor ♪" "(CHEERING AND WHISTLING)" " That was lovely, wasn't it?" " Mmm?" "You've sold another 50,000 records tonight, my darling Dixie. 50,000!" "Gus, if that doesn't get me a New York series," " I'll just have to marry a prince!" " (BOTH LAUGHING)" " (KNOCK AT DOOR)" " Yes?" " Only me." "Can I bring my daughter in?" " Of course." "Gus, fix some drinks." " Yes." " Oh, Ms Collins, it was simply splendid." "All my chums were there." "Goodness, we couldn't have adored it more." " Oh, thank you." " I told you everyone will be utterly delighted to have you back." "Rosemary, I'm delighted to have me back, too." "Mumsy, I do wish you'd let me go on the stage." "I will, darling, if you ever get an offer." "So far you've not had an offer of any sort." "Mumsy, that's quite unfair." "It's only my third season." "Cynthia, you have lipstick on your teeth." "It was absolutely topping, Miss Collins." " Word of an officer and a gentleman." " Oh, rather." "Oh, goodness!" "You did very well, my little robin!" "It was a most moving experience!" "I got a message from Miss Collins herself." "She's invited me 'round to her dressing room for a drink." "This is better than I thought." "If she takes a fancy to you," "I may be able to book you onto any other shows she's doing." "You've got to get into the habit of cultivating the right people, because every right person, you know, makes you a little more right." "Ah, Harry, just the man we're looking for." "Look." "I want you to take a picture of the boy with Miss Collins." " They won't let us in." " What do you mean they won't let you in?" "You've got to be with the right people." "Now, you wait there." " Now, may we..." " No press in here, I'm afraid." " But..." " Not even the Financial Times." "Can't you recognise fellow artistes?" "This is Bongo Herbert." "Oh, I invited Mr Herbert to come around for a drink." "Well, in that case, do come in, Mr Herbert." "With your father." "Oh, isn't he sweet?" "Isn't he pure, pure heaven?" "Miss Collins, I want to tell you what a wonderful experience it was to witness the triumphant return of one of the greatest." "I'm sure you've always prayed for me." "The face is familiar, but I can't place the flattery." " Johnny Jackson." " Manager and friend..." "I didn't know the two went together." "...to the star of the future, Bongo Herbert." "Well, stars of present and future, I must love you and leave you all." "Late nights are hell for a man with a stomach condition." "Good night." " Sleep well, darling." " I'll let you know." "Shrine is a masterpiece." "Come to my office tomorrow." "Pleasure." "I asked you around for drinks, Bongo, to tell you," "I think you've got an awful lot to offer, and I hope I can help you." "Oh, goodness, Bongo, do say something." "Yes, speak to Cynthia." "She's your generation." "Something in Cockney." "Apples and pears and things." "I thought you was marvellous, Miss Collins." " WOMEN:" "Ah." " Now, isn't that nice?" "It was nice of you to come 'round." "So sorry to have to rush you, but Miss Collins has to get dressed." "I've always thought you was marvellous, Miss Collins, ever since I was a kid." " Funnily enough, so have I." " I happen to have a photographer." "No more photographs." "We've had all the..." "Just one for the kid's album." "Please, Miss Collins." "I can't think of a cuter album to be in." "Go on, get your masterpiece." "It may be royalty next." "Flash them pearlies, Bongo." "That's enough." "Just one for the album." "Miss Collins, you have just brought a moment of happiness into the life of a deprived child." "From now on, I'm personally going to see that he's available for any show of yours at any time." "Bless you." "Home to beddy-byes, Bongo baby." " Good night." " Good night, doll." "(DOOR CLOSES)" "You really think I did all right tonight, Guv?" "You have done well tonight, drummer boy." "So have I." "All you need to succeed in this business is one success after another." "Now, remember, on this battlefield, the only mercy shown to losers is to finish 'em off." "But not to worry." " Home, Bongo." "See you in the morning." " But I don't want to go home." "Well, what's the matter, kid?" "Aren't you comfortable in Beast's flat?" "Well, look now, don't let those girls of his get you down." "Here's a bonus." "Stop off and buy yourself a sandwich." "Taxi!" "(CAR APPROACHING)" "This is better than beating your brains out at Leon's." "The Caprice." "And don't eat too much!" " Oh, sorry, miss." " It's okay, I'm just leaving." " Would you like the flowers?" " Ohh..." "They're yours." "It's lovely having you back again, Miss Collins." "I remember when you done your first show here." "So do I." " (CLEANING LADY SIGHS)" " Oh, uh..." " What's the stage doorman called?" " Arthur." "That's right, Arthur." " Good night, Arthur." " You remembered my name." "But of course." "Good night." "Could I have your autograph, Miss Collins, please?" "Of course, thank you." " Like the show?" " Loved it." " Good." "You, too?" " You gave a divine performance." " Could you sign 'To Harry', please?" " Yes, I'll do that." " Thank you." " Bye-bye." " Oh, Miss Collins." " Well, hello." "The photographers have all gone." "Oh, I hate 'em." "They try make you look a proper Charlie." "You look more of a Charlie when they leave you alone!" "Well, good night again." "Uh, Miss Collins, you..." "You asked me for a drink." "So I did." "Well, you better come and have one then." "What I have I got to lose?" "My virtue?" "(WOMEN SQUEALING)" " Relax, let yourself go." " Cor, what a place!" " Mix me a champagne cocktail, darling." " Yes, of course, but I've never..." "Oh, what am I saying?" "I'll mix it." "Maybe you'd like to wash your hands or something." "Oh, no, thanks." "I washed my hands in the dressing room, before the show." " I know what that is." " Good." "Then, open it." "I bet your manager gives you lots of that to drink." "Johnny's not too bad when you get to know him." "He gave me a quid tonight to buy coffee and sandwiches." "I'd like to see his face now, if he could see me." " (CORK POPS)" " Gave you a quid?" "Oh, yes, he's all right with money." "He gives me wages every week." "And even then, he's always slipping me half a bob for this or that." "Is he your manager or your owner?" "He's my manager." "I owe everything I am to him." "All the best, then." "I can see you're used to champagne cocktails." "Nice drink, innit?" " Very nice." "Help yourself to another." " Thanks." "Don't mind if I do." "You mean this manager of yours pays you a salary?" "What do you mean?" "Wages, like?" "What do you do here?" "Drop of this, drop of that?" "That's it." "Not too much of that." "Well, it's not like wages exactly." "Not like I used to get when I was working the Fun Fair." "We go halves, see." "Everything what I earn, we share and share alike." "Very nice of Johnny, really." " Cheerio, then." " Cheerio." "You've made a couple of records, too, I understand?" "(COUGHING)" "Goes up your nose if you drink it too fast!" "Yes, The Shrine on the Second Floor number's my second." "How do you think it'll go?" "I understand there's a market, although personally, mothers leave me cold." "They do?" "Me, too." "I hate mothers." "Do you know, when I was a kid in the war, my mother used to leave me to play on the bombsite all day, while she went out and worked in a munitions factory." "I suppose we all had to do our bit." "I know I did." "Often." "I think I'll have another one of these." "Take it easy, now." "Have you eaten tonight?" "No, I haven't eaten all day." "Too sort of nervous." "I bet you never get nervous, Dixie." "I bet nothing in the whole world ever makes you nervous." "You know, you wouldn't think so to look at me, but I'm really a very nervous type." " Ohh!" " Oopsy you, I think maybe you are." "Sit down." "I never, ever thought I'd ever have a drink with you, Dixie." "If anybody had said I would, I'd have said, 'Never.'" "You're looking a little pale." "I think perhaps I ought to send you home." "I'm never going home, never, not ever." " I've got a headache." " I'll get you a hangover pill." "Don't worry, I'll get it." "Is it in there?" "I can look after myself." "Don't you worry." " Look after myself, he says." " Cor!" " It's really lovely." " Oh, dear." "It really is very, very lovely." "I shouldn't have let you take those drinks so fast." "How was I to know your manager starves you?" "Here." "You've been a perfect lady to me, Dixie." "Does that feel better?" "It's the loveliest feeling I ever had in my life." "Good." "This is so comfy, so very, very comfy." "Oh, dear." " (KNOCKS ON DOOR)" " Are you awake, darling?" "Come in, darling." "Only me." " I hope you had a good sleep." " Wonderful!" "Such a success, darling." "They're all raving about..." "Really?" "Let me see." "It's a wonderful press." "All the pictures of you have come out so well." "Here's another one, darling." "You've done a great job, Rosemary." "I want you to know that." "You can hardly blame me, darling." "If you insist on asking a snotty-nosed little teddy boy 'round to your dressing room." "Rosemary, darling, take it very easy." "Because you're in terrible danger of losing your livelihood." " (KNOCKING)" " Good morning!" "May I come in?" " I'd advise you not to." " Good morning, Gus." "I salute you, my darling." "What sensational reviews!" "I've done my best." "For weeks now," "I've practically been sleeping with the gentlemen of the press." "Don't be modest, darling." "Do I detect a certain amount of tension?" "Dixie's a little concerned about the space given to Bongo Herbert." "(LAUGHS) Both Garrick stars!" "Both with records out this week!" "It's marvellous." "That's what I always say, go straight to the horse's mouth and you get a load of horse blossoms." " (PHONE RINGS)" " Take it away." " Let's be big about this." " Why?" " Associated Press." " I'll take it." "Give it to me!" "Yes, this is Dixie Collins." "Well, I'm a little overwhelmed, of course." "Oh, I was delighted with Bongo's success." "He's such a sweet, talented kid." "I'm sure he'll go far." "Mmm." "In fact, I'm giving him a little party to celebrate his success." "That's right." "Bye." " A party?" " Oh, what the hell, why not?" "He's really a very cute boy." " (BUZZER RINGS)" " Let the breakfast in, Rosemary." "You're hired again." "That's what I call taking it like a real pro." "Tell me, Gus, is the kid really that naive or is it an act?" "Six months of such naiveté and he'll be earning 1,000 a week!" "That'll be a neat 500 for that enterprising manager of his." "How so?" "He's owns 50% of Bongo." "Fifty?" "This is monstrous!" " 50%?" " Have some coffee, Gus." "No, thanks, I'm too upset." "I'll see you later, beautiful. 50%!" "I'm upset that you're upset, Mr Mayer, but I have a completely legal and binding contract with Bongo." "And so far, he's not complained." "I'm not questioning the legality of your contract." "I'm simply suggesting that you are being a little unfair." "So, poor little Bongo!" "Instead of making a fortune every month, he only makes half a fortune." "I'm not talking about Bongo!" "It's me you are being unfair to!" "Why should you own half of such a property?" "Are you suggesting perhaps that, um, you should have an interest?" " It could be to our mutual benefit." " (CLASSICAL MUSIC PLAYING)" "I feel the need to contemplate." "If you don't mind, not while I am talking business!" "You may be talking business, Mr Mayer, but I'm not!" "I've been beating a bare living out of this business for too many years to be of a generous nature!" "Look, Johnny, to me, money isn't everything." "How could it be, with one foot in the classics?" "You put me onto a good artist." "And in return, I'm not going to be too small about it." "Just how small are you not going to be, Mr Mayer?" "(LAUGHS)" "I'm arranging a show for the halls up north, featuring our recording stars." "I want Bongo to top the bill." " How much?" " 400 a week on a 12-week tour." "Furthermore, I'm going to give you a back royalty on both records." "So, charity begins in the Charing Cross Road after all!" "But there is a slight case of condition." "How stupid of me." "Naturally." "There would be." "Don't bite the hand that feeds you." "With my delicate stomach?" "From here to eternity," "Bongo will be on exclusive contract to record for Garrick." " In return, we feature him nationwide." " I get it." "This way you both get it." "Fair?" "As things go, Mr Mayer, very fair." "It's like I always say, my boy, in this business even us, in this world, nothing is for nothing." "This I already noticed, Mr Mayer." "♪ Everything's for everyone" "♪ On the other side" "♪ There'll be free ambrosia" "♪ Beyond the great divide" "♪ Everything's for everyone" "♪ Where the living's high" "♪ There's a little snag, Jack" "♪ First, you've got to die" "♪ Nothing is for nothing" "♪ That's the human plan" "♪ Line up for the rat race" "♪ Man must live on man" "♪ Nothing is for nothing" "♪ Nothing is for free" "♪ I'll look after you, Jack" "♪ You look after me ♪" "Now?" "Right." "That's it, boys, you've taken enough for a souvenir programme." " Bye-bye boys, thank you." " Off you go." "Been wonderful having you, darling." "Good night." "Successful, I should say." "Rosemary, you're fantastico, just fantastico!" " Super!" " Absolutely topping, Miss Collins." " Word of an officer and a gentleman." " We'll drop Bongo off for you." "Bongo and I have a little business to discuss." "Oh, goodness!" "Oh, well, I do hope you have the happiest possible business discussion, darling." " Good night, Rosemary." " Come along, celibate." "Come back later, boys." "See you in the morning, Rosemary." "Dixie, about my account." "In the morning, darling." "Off you go." "Nighty-bye!" "They're gone." "Bongo?" " High up, aren't we?" " I've been higher." "It was a smashing party, Dixie." "Thanks a lot." "You can't half lay it on." "Glad you enjoyed it, sweetie." "They are some strange characters, though." "And that Lady Rosemary." "Funny to think that stuck-up Cynthia is her chicko." "Rosemary's perfectly capable of breeding, although naturally she avoids it whenever possible." "Come over here, Bongo." "Let's talk about your future." "All those cars look real squashed." "Old Johnny's doing very well for me." "Old Johnny's doing very well for old Johnny, too." "What does he plan for you?" "Oh, this and that." "A bit of variety." "You know, the usual." "So long as it brings in the loot." "I know the routine." "Beat all you can out of a singer for a year, then when the kids are bored, dump him." "Johnny'd never dump me." "Not while you're getting bookings, he won't." "But a pop singer's life is short." "I've had three lives already, and I'm not that old." " What's he doing to develop your talent?" " Like to swing with me, Dixie?" "You can't go on being a teenage singer for very far beyond your teenage, you know." "Yeah, that's right." "What am I gonna do when I hit 20?" "I'm gonna ask Johnny what I'm gonna do when I hit 20." "He ought to be thinking about it." "Bad things can happen to you in this racket if you don't look ahead." "Be terrible to be out of it, though, wouldn't it?" " (CHUCKLING) You're infected, all right." " Never had a day's illness in my life." " You're full of health, are you?" " I'll say." "Good." "Let's go inside." "It's getting cold." " You know something, Dixie." " What?" "If I didn't have my bongos to work it out on, I'd flip my lid." "Isn't there anything else you like better?" "Well..." "There is something else." " Do tell." " (CHUCKLES) No, I don't like to." "Go on." "I've had requests for practically everything in my time." "No, I feel silly." " I won't laugh." " It's the one thing I really want." " Maybe it can be arranged." " Well..." "It's a motor scooter!" "Not a motorbike, a red scooter." "What a pity I don't carry an agency for them." "And who would you take with you on the pillion of your little motor scooter, Bongo?" "I'd get one of them boxes fixed on the back, for my sandwiches." "(LAUGHS) Bongo, that's really a new twist." "Haven't you got a steady girlfriend?" "Why is everybody always on with this girlfriend routine?" "It's not unnatural or illegal, you know." "It's not even taxed." "Yet." "Ah, girlfriends just pin you down." "Anyway, they're always wanting things." "Sometimes it's mutual." "I don't go much for these guys like Beast, wasting themselves the whole time." " So long as he gets his kicks." " He ought to be saving it for his drums." "You've got enough for drums and a steady girlfriend." "(DOOR BUZZER RINGING)" " Of all times." " I'll get it." "Sit down." "Don't waste yourself." "(DOOR BUZZER RINGS)" "Oh, I hope I'm not too late for the party, Miss Collins." "The party's over, Mr Jackson." "We all missed you very much." "I'd like to thank you for all the help you are giving our boy." "Think nothing of it, Mr Jackson." "Good night." "I really mean it, Miss Collins." "It's not often a star looks down the way you are on Bongo." "Do come in." "I know that you are very happy for my boy." "I'm happy, too." "When success comes to someone you've nursed carefully along like a sick whelp, well, you can understand, Miss Collins, you get a bit careful about that kid." "I thought animals like you became extinct with giant lizards." "I'll take that as a compliment from a great lizardess." " I'm gonna be very plain, Miss Collins." " You are very, very plain." "I don't want you interfering with my business interests." "Oh, nothing personal of course." "BONGO:" "Who is it, Dixie?" "Who but your ever-loving old Uncle Johnny?" "You've been quite the social lion tonight, kid." "Yeah." "But where am I gonna be when I'm 20?" "Who cares?" "Now clear your cretinous mind for a minute and listen to me." " I ought to be developing myself." " I booked a tour for you. 400 a week." " Bashing them bongos, I suppose." " What else, playing The Old Vic?" "This is the big time!" " I know, I know." " Well, you ungrateful idiot, react." "Don't just sit there all smug and deodourised all of a sudden!" "What do you think about all this, Dixie?" "Never mind about what Dixie thinks." " Please, carry on." "My days are all mine." " Who gets the nights?" "Careful, dear." "Dixie's been advising me about my career." "You've got to think ahead in this business." "Leave the visionary part to me." "You just remember that you're great only so long as the teenage public thinks you're one of them." " What do I care about those grimy yobs?" " Start going fancy on them, make as if you were for one brief moment superior, and you, my little chicken, have had it." "Uncle Johnny really is telling you the truth about life." "Let's begin to understand one another, Miss Collins." "Bongo takes his orders from me." "Now put out that cheap cigar and get those glad rags and come have a quick look at the numbers for your new act." " What I do is my business!" " Half is mine." "Aren't you playing this just a little too tough?" "I'm just protecting my half." "Good night, Miss Collins." "Get." "All right, Mr Jackson." "Let's see what we can do with the other half." "(CHILDREN SHOUTING EXCITEDLY)" "Blimey, who's inside?" "Is it the Queen?" "Nah, stop it, she wouldn't come down here." " Cor!" "Look at her!" " Who are you?" " It's a film star!" " Never seen her in films!" "No, she's on television!" " Cor!" "Look at that figure." " She's a smasher!" " Look at Father Christmas!" " (CHILDREN ALL SHOUT EXCITEDLY)" "(CHILDREN LAUGHING)" "Where can I find Mrs Rudge?" "You've found her." "And if you're looking for Bongo Herbert, he don't live here any more." "No, but he asked me to call, Mrs Rudge." " Oh, he did?" " Mmm." " I suppose you'd better come in, then." " Thank you." "Bring those in, George." "(CHATTERING OUTSIDE)" "Put them there, George." " Isn't this homey?" " What's all that?" "Presents from Bongo, Mrs Rudge, for you and the family." "Him, sending those parcels?" "He never comes near us." "So, what's he sending us parcels for?" "You've got to realise, Mrs Rudge, Bongo's become an enormous success." "When success comes to the young, It sometimes upsets them for a while." "It upset me, I know that." "All those presents for me?" "For the whole family." "You see, Mrs Rudge, you may not have thought so, but Bongo thinks a great deal about you." "He's been trying to see you." "What's stopped him, then?" "He knows where we live, don't he?" "I'm afraid Mr Jackson doesn't consider that Bongo ought to give too much attention to his relatives." "That's that spivvy manager of his, I suppose." "Mr Jackson is very concerned that nothing should interrupt Bongo's career." "So he don't let him see his own mother." "Well, Mrs Rudge, you did give your consent." "I never gave my consent to nothing." "But you did agree to Bongo's contract with Mr Jackson." "I didn't sign no contract." "Maybe If I had, we'd have got something out of it." "But Bongo's under 21, Mrs Rudge." "His contract isn't legal unless his parents agree to it." "We didn't agree to nothing, and we don't get nothing out of it." "Well, then, you mustn't blame Bongo." "You're right." "I'm gonna do that Jackson." "He's come between me and my son." "I'm gonna do him." " For Bongo's sake, I think you should." " I will." "You know, Mrs Rudge, I'd just love a cup of real English tea." "Help yourself, dear." "It may be a bit cold by now." " Having fun, sweetie?" " Never been so happy, Dixie." "That's what we want, darling." "Won't be long." "Okay." "I want you to know I really appreciate your telling me about all this." "I'm sure you do, Gus." "After all, there's nothing to prevent you taking the boy over completely." "If I do so, it would be only be on a perfectly straight legal basis." "Never mind the ethical discussion." "You just get your legal bloodhounds onto this right away." " Can I use your phone?" " I can't wait." "Regardless of my old friendship for Johnny," "I feel for all our sakes, I have no alternative." "Get me Horseacre and Brixton, Chancery Lane." "Mind you, darling, you'll forgive an old friend being perhaps a little personal..." "No, I won't, Gus." "All that concerns you is that I intend to use Bongo in my New York act." "Have you heard from them yet?" "They've only had the tele-recording this morning." " Do you think I'll get an offer?" " I'm sure of it." "Any moment." "Horseacre, a little matter of legal contract." " I'll leave you to your business." " Thank you again, darling." "It's a matter of an underage minor contracted as an artist." "(JAZZ MUSIC PLAYING)" "(MUSIC STOPS)" "Maisie?" "Maisie, has the kid been around here?" "Oh, sure." "We have lots of young boys around here." "Shh!" "They'll think it's the police rounds." "Maisie doll, this is urgent!" " So, what's the matter?" " I can't find Bongo." " So?" " He ran out of rehearsal." " Oh, is that all?" " What do you mean, 'Is that all?" "'" "I've got the greatest deal I've ever lined up in my life, and this stupid imbecile suddenly decides to go and get temperamental." "All right, don't bite me as well as everybody else." "Who's biting?" "I'm just worried, that's all." "So you come to little white mother Maisie." "All right, twist the knife!" "Ever since you got into the gravy, you've been screaming as though you were drowning." "Why does he do this to me?" "Don't worry, Johnny." "He's probably chatting it up with some wide-eyed kid in a coffee bar somewhere." "Maybe you're right." "I think I know the very kid." "Like the sun, Bongo, you mustn't take too much of it at once." "Anything you say, Dixie." "You're the boss now." "Good." "Turn over." "Do you think..." "You think Johnny will make any trouble?" "Johnny is not in a position to make anything any more." "It's gonna be marvellous going to the States." " With me?" " Yeah, with you." "I bet you thought I was a real drip when I got sloshed here that first night." "(CHUCKLES) You'd be surprised what I thought." "You see, I never thought of me and you in that way." "Well, you wouldn't really." "But I'll say this for you, Dixie, you've got what it takes." " I've got the lot, haven't I?" " The lot." "Very lonely having the lot alone." "Come on, you alone?" "You're always in the papers." "Sure, sure." "What kind of act do we get to do in New York?" "Mmm." "I haven't thought out the details yet." "You'll sing..." "Uh, yeah." "I'll freshen it up a bit, you know, put a bit of pep into your show." " Thanks!" " Well, let's face it, Dixie, you're fabulous, but you're a bit on the square side." " (CHUCKLES) I am, am I?" " Still... (YAWNS)" " You're maybe getting on a bit." " I think maybe I am." "But you're real class." " I wonder if you're gonna help me much." " Help you what?" "Help me." "Oh, hell, turn over." "You're done this side." "Bongo?" "♪ You can fool all of the people" "♪ Some of the time" "♪ You can fool some of the people" "♪ All of the time" "♪ Try to convey you're as young as the day" "♪ When a boy first kissed you" "♪ Try to imply that the years passing by" "♪ Somehow have missed you" "♪ You can fool most of the people" "♪ Lead them astray" "♪ As a rule, most of the people" "♪ Like it that way" "♪ Telling them lies, throwing dust in their eyes" "♪ Isn't hard to do" "♪ Fool them all" "♪ But you can't fool you ♪" "I'm a fool." "(FOOTSTEPS APPROACHING)" "Why are you crucifying me, Bongo baby?" "What the hell are you doing here?" "That's what I came here to ask you." "Well, we've got work to do." "You're a variety artiste." "The tour, remember?" "You're trespassing on Dixie Collins' property." "And Dixie Collins is trespassing on mine." "Now, you listen to me, Bert Rudge," "I've got two seats booked on the Birmingham train on Monday." "Well, you better flog one of them sharpish." "I'm not coming." "Say that again." "Look, the tour's no good for my career." "All those kids screaming their heads off." "Is that what you want for me?" "So, 400 a week is bad?" "You're just like that old woman of mine." "You don't care about me, it's just the money." "So, suddenly it's all for love, is it?" "We've gotta love you, you idiot!" "Dixie and I are doing an act together." "Maybe we'll even do a film together." "I suppose it'll be about this great star, who, underneath it all, is just a lonely woman, and this great little kid, who, underneath it all, is just a rotten, ungrateful little scut!" " Get out." " Now, get this message and get it clear." "I own 50% of you, no matter which part you'r%giving to Madam Collins!" "DIXIE:" "You keep your filthy mind to yourself." "And you keep your filthy hands off my property!" "He's got a four-year contract with me." "In a pig's eye, he has a contract." "It's about as legitimate as you are." "You've got a real yen for that boy, haven't you?" "You're a real case." "So are you, my friend." "His signature doesn't mean a thing." "He's underage." "I see." "But only for signing contracts and voting, I suppose." "Everything else, he either knows already or you'll teach him." "I don't have to take this from you." "Get out or I'll have you thrown out." "I can get his parents to sign that contract anytime, if I wasn't..." "His parents will never sign with you because they've already signed with somebody else." "Will you leave now, or shall I have you pushed over the edge?" "Oh, it's gonna look great in the press." "'Much fancied film star stables unbroken street Arab.'" "Say what you like." "It means as little as that contract of yours." "Bongo is underage." "To me, he looks, all of a sudden, very grown up." "Not that way." "The way you came in." "That's the end of him." " You're free, Bongo, you're free!" " Tell me about New York, Dixie." "Well, it's full of Johnny Jacksons and Gus Mayers..." "And Bongo Herberts?" "Don't worry, honey, you're unique." "(CHUCKLES)" "All right, so I signed the contract for Bongo's tour, but not for dates like these!" "The dates are the same dates for anybody." "I wouldn't even offer them to a troop of performing dogs." "I'm sorry, Mr Mayer, but I won't let him play." " Brava!" " Now, what's that for?" "You are a performing dog, Johnny." "I want you to know I appreciate your performance." "Now, let's finish the comedy." " I'm afraid we mustn't." " You hear me out!" "You have signed on behalf of Bongo Herbert, and you can't deliver." "What do you mean, I can't deliver?" "You can't deliver him because you've never had him on a legal basis!" "Oh, I see." "So, you enjoy the confidence of Miss Dixie Collins." "My dear Johnny, no one could be sorrier than I am, but you've placed me in a very difficult position." "What am I to do?" "I have contracts to live up to." "I ought to have known." "My little gutter-lily glistening up at that fabulous grifter!" "I understand how you must feel, my boy, but I cannot, with the best will in the world, allow your misfortune to become my own." "All right, so I'm in trouble, Mr Mayer." "If I had a way of helping you out, oh, believe me, I would." "I'm glad you feel that way, my boy." "I would hate to sue you." " It's better this way." " Which way?" "It's better that I, after all, an old friend," " should take over the boy." " Cable, Mr Mayer." "Thank you." "Oh, I get it." "I follow." "Oh, what the hell!" "If I can invent one Bongo Herbert, I can invent another." " See you around, Mr Mayer." " Just a minute." " Get me Miss Collins at the Dorchester." " Right away." "I want you to sit in on this." "It's very kind of you, Mr Mayer, but I don't want to do any arrangements for you." "Sit down, please." "It may cheer you a little to know that business losses, like death, come to all of us." "No matter who." "SECRETARY:" "Miss Collins on the line, Mr Mayer." "Hello, Dixie, darling, I just received a cable." "From New York?" "That's wonderful, Gus." "What does it say?" "They want Bongo." "His own show for 13 weeks." "That's terrific!" "I can't wait to tell him!" "When do we leave?" "Well, Bongo leaves next week." "It might be smart to go with him." "Why wouldn't I go with him?" "You said we had 13 shows?" "Who knows, Dixie, darling, if you play your cards right, you might get on two or three of them." " Who was it, Dixie?" " An old man with a scythe." " What's a scythe?" " Sort of a very big knife." "What did you do that was so wrong?" "You made Bongo, didn't you?" "I made him, but I can't deliver him." "In this business, Maisie, If you can't deliver, that's criminal." "And why are they all against you?" "They just don't happen to share your eccentric taste, that's all." " They just don't understand you." " That's right." "Whenever anyone said you were a bastard, I always denied it." "Good, kid, but don't bother to deny it." "Just explain that it's a bastard world and I'm a fully paid-up member." "How long will you be away?" "Only a few weeks, and don't look so miserable." "I'm only going on a band tour." "Where's me other brush?" "In the kitchen." "Well, go on." "Go on, get it." "I've got a train to catch." "You said you'd never go back to band work." "We've got debts to pay, doll." "You wouldn't want me to, well, welch on all those delicatessen supplies, and well, there's your singing teacher." "You'd never welch on anybody." "You're so faithful, it's heart-breaking." "Things were never so bad." "It's not fair!" "Things are back to normal, and they were never fair." "How could Bongo do this to you?" "For a blonde broad and a one-way trip to Broadway." "And Mayer ought to be ashamed of himself." "There's no shame in this trade, Maisie." "Mayer is a great flesh broker." "When he cracks the whip, everybody performs!" "The whole world loves a big agent, Maisie, but a small one's anybody's whore." "Come on, lover doll." "What time do you have to be at the show?" "Drusilla's walking on for me, but I've got to do the last one." "Well, that's all right." "Being seen onto a train at night makes me feel like an immigrant." "You're so right, my friend." "Johnny, I didn't see you in a month of Sundays!" " Kakky, not now, Kakky." "Not now." " Johnny!" "When are we gonna get together again?" "I told you, it's only a few weeks." "It's nothing." "At last, I've got a proposition that is 110%!" " You remember my picture, Omar Khayyam?" " I was a schoolboy." " I wasn't even born." "I'm sorry I was!" " Easy, doll, I'm not dying." "They are making a stage musical with it." "Look, Kakky." "Kakky, we're having a private conversation here." "Here, I'm in business again." "Here is what I owe you over the past five years." "Plus sixpence." "I always keep very neat accounts." "Who said good deeds go unrewarded?" "In case the public interest in strip declines while I'm away." " Go on, you better go now, doll." " Oh, Johnny..." "I'll phone you from Manchester in the morning." "I should never have spent so much on those singing lessons." "Idiot!" "I love..." "Your voice." "Go on now." "I happen to own the stage rights of Omar Khayyam." "Good, good." "You'll sell out and retire." "It couldn't happen to a nicer pioneer of spectacle." "Sell out nothing!" "I'm going to produce." "I got only one problem." "Who do I get for Khayyama?" " Khay-who-ma?" " Omar Khayyam's girlfriend." "She's a sort of a period Judy Garland, you understand?" " You know something, K.A.?" " What?" "I just happen to have, under contract to me, an absolutely brand new, entirely gorgeous, all British, real, sensational Judy Garland!" "That's impossible!" "K.A., in this business, nothing is impossible!" "(INDISTINCT CONVERSATIONS)"