"Trust me." "I'm the Doctor." "Geronimo!" "The Doctor will see you now!" "Now I've done it." "no!" "# Anybody who thinks I can't do it any more" "# Better step right back and take that... # isn't it?" "He's the Doctor!" "# Take that... #" "Who da man?" "I'm never saying that again." "Fine!" "# Anybody who thinks I can't do it any more" "# Better step right back and take that" "# I've got the formula I've got the formula" "# Take that!" "I'll reign on all of yer... #" "Talk to me!" "panicking at once." "Do you know what they need?" "Me." "that... #" "Hello." "Am I late?" "Everything is going to be fine." "Run." "# Anybody who thinks I can't do it any more" "# Better step right back and take that that... #" "Hello." "I'm the Doctor. the new Doctor begins his journey." "everyone." "we're about to start." "this one." "Just so you feel relaxed." "let's kill them with this one." "We'll go round the table and say our names just because I never tire of saying I'm Steven Moffat and I'm the executive producer and head writer of Doctor Who." "CHEERING AND APPLAUSE" "I play the Doctor." "I'm playing Amy." "I'm playing Amelia." "Amelia's garden." "creepy." "then Amelia's house and like the garden it's old and a bit run down." "but a bit spooky." "dolls and pencils..." "It's Easter now so I hope I didn't wake you." "it is an emergency." "Amelia is the first human being that he sees in his new regenerated form which I think alien life form." "He meets her and she's in her garden in her nightie with a torch." "the Doctor." "his eyes are wild and dancing." "He's looking right at Amelia." "Can I have an apple?" "apples... maybe I'm having a craving." "That's new." "I've never had cravings before." "The new Doctor is essentially the same man he has been for all the previous 906 years of his life." "There is no such thing as the 11th Doctor." "There's one Doctor with 11 faces." "He is the same man." "Argh!" "mister?" "I'm fine." "It's OK." "This is all perfectly nor..." "Who are you?" "I don't know yet." "I'm still cooking." "you feel very different." "But is the continuing story of the same man with a different face." "if I give it a good project that way." "Um..." "I mean I'll..." "I won't...." "What I'll do is probably do a lean forward as well." "Yeah." "Are we going to get that?" "It's like being born again." "new smell." "you know?" "action." "why does your box say "police"?" "Can I go from the top?" "Keep purchase on that bad boy." "please." "B camera." "action." "why does your box say "police"?" "please." "There's a lack of kind of cynicism that happens when we're adults and it's like children see things and accept them and try them and spit them out." "That's disgusting." "What is that?" "An apple." "I hate apples." "You said you loved them." "I'll have yoghurt." "Yoghurt's my favourite." "I hate yoghurt." "It's just stuff with bits in." "new rules." "It's like eating after cleaning your teeth everything tastes WR-O-O-O-NG! kind of physically it's all sporadic and weird and he's hitting himself and not really knowing how to react to this new body but also his personality is regenerating as well." "What's wrong with you?" "Wrong with me?" "fry something." "cut there." "because he'd never seen the show was that he was tonally perfect from the off." "He got what sort of part it is." "the nuttiness of it." "Just instantly." "It was just so obvious." "It was such an obvious choice." "I'd found out I'd got the role." "I'd come out of an audition and it was for a pilot sitcom and No. have I got it?" "Yes." "no pacing up and down this cobbled street in Aldgate." "actually." "And I was just... ecstatic." "so I told them." "They couldn't quite believe it." "My Mum and Dad didn't sleep for at least a day." "this is Dad." "This is Confidential." "Mother's wearing her semi Patrick Charleston coat." "right anyway." "because it was early in the morning and I was just eating a bowl of cornflakes." "The phone went and I saw that it was Matt." "just call me the Doctor." "Why?" "call me the Doctor." "I shouted Lynne." "really." "we couldn't tell a soul and that was the most difficult bit for Lynne and I because we couldn't tell anybody and there were a couple of nights where we just sat up at night and talked about it because we couldn't talk about it to anybody else." "It's a kind of mad thing to happen to you." "The show has such momentum and such brilliance and grace and all the good things that it has that it does cover a great deal of interest from the media." "as best you can." "It was odd." "I think it's odd for your family and stuff because it becomes part of their life as well." "I was standing at a bar in a local pub one evening and" ""You're Doctor Who's granddad?" "My autograph?" "he wants the autograph." "from Doctor Who's granddad and he was dead happy." "I'm famous in the village through Matt now." "I sort of carried it around with me like a little piece of gold in my pocket or whatever it was." "I remember walking down the road." "I walked to Camden and listened to Frank Sinatra and felt pretty much on top of the world." "yeah." "I walked past a window and looked in a thing" "I'm the Doctor." "# I've got you" "# Under my skin" "# I've got you" "# Deep in the heart of me" "# So deep in my heart that you're really a part of me" "# I've got you" "# Under my skin. #" ""How lucky we are because what he is bringing to the role is absolute dedication brilliant acting." "I think Matt's amazing." "I think he's brilliant actor. we're really proud." "# Under my skin... # brilliant actor." "We're incredibly lucky." "I've never experienced anything like that where you take over the reins of something as did Chris." "I think they were both brilliant Doctors." "you can only be ever true to your own do you know what I mean?" "And try and make it work for you in your way. let's make it mine." "being the new Doctor means getting your hands on a brand new TARDIS." "what have you got for me this time?" "Look at you." "It's still bigger on the inside but designer Ed Thomas has a few surprises in store for the new Doctor." "This is where we've got to as it stands." "you've got to go for it." "You've got to chance everything and he's changed everything." "everything." "it's time for a new set." "It's time to surprise people again." "The fact is we've got more space now than when the original TARDIS set was built." "let's make it even bigger on the inside." "The first thing I saw was the scale." "It's much bigger than the old TARDIS." "The depth of it!" "I love the levels. a black liquid floor or a black Perspex floor so we get reflections." "What we've never been able to achieve on this TARDIS is we've never been able to go underneath." "I love the idea of going underneath." "strange ways." "that was the idea." "An even bigger on the inside TARDIS and let's just go mad with it." "The biggest change of this TARDIS is we've really pimped it up." "the man who designs the TARDIS." "We're going to have a look round and he's going to show me how to fly it and what bit's what." "So!" "Enter!" "This is the new TARDIS." "This is where I do my correspondence." "Right." "We've got all sorts of sections." "each one has a different purpose." "which is blown glass." "We searched high and low to find somebody that could blow us the glass to the scale they did and these chaps in Bristol pulled it off for us." "I know." "It's almost twice as big." "It's enormous." "It varies off in all directions." "am I right in saying if you walk up there you end up... over there?" "You do." "It's very clever." "It's all done with mirrors." "look." "which are just incredible." "There's so much detail." "Oh!" "A new one." "Lovely." "I've prepared a manual for you here." "mechanical..." "This will tell you where everything you need is." "What do these do?" "What does it say?" "Quantum form foam manipulators." "Absolutely!" "It's a quantum foam manipulator." "How could I not know that?" "you'll need to revise this and learn this." "Absolutely!" "This is your version of the iPod." "Ha!" "My tune list." "You put your music in there and on your go." "aren't they?" "all the lights and wires." "It feels like it does have life." "Yes." "That's what's amazing about it." "That's where we've achieved something special on this one." "We have an awful lot of moving parts in here." "it really is full of life and this is the Gallifreyan text." "The carvings on here are all the Gallifreyan text is the Doctor's language." "back in time." "of course." "It's all there for you." "I'm hitting a lot of double... which is why you're in the trouble you're in." "THEY LAUGH maybe?" "let's do that." "And that is actually lit by this liquid?" "Yeah." "Can I touch it?" "You can." "And it's not just water?" "It's water with a bit of food colouring in it to make it look like oil." "What's this then?" "That's a protective sheath over the heart of the TARDIS." "Yeah..." "So underneath there is what literally drives it." "It kind of feels like the most brilliant den in the world." "Yeah." "I hope you like it." "I hope you have many hundreds of years time travelling in it." "It is pretty much the most brilliant thing to come into every day." "It's like a giant playground." "it's thrilling." "I feel very privileged to have such a TARDIS." "the TARDIS undergoes a regeneration the old one has one last bumpy ride." "Maybe a bit more coming out of the base areas." "The TARDIS has just come hurtling through space." "It's gone careering through this shed and buried itself straight into the ground." "give it a bit more impact." "just to give it a bit more of a... like it's actually properly hit the ground and dress it nicely for that shot." "So there's no way at all this could be just a little bit more like that?" "is if we wedge the back end up." "We can do that." "We can put it on a jaunty angle." "Fancy that?" "Yeah." "Let's do that." "Yeah." "So it looks like it's made an impact." "love. which I love and it looks brilliant." "directing the smoke." "it's all looking good." "thank god." "I'll come to... who is a superstar." "She's just a diamond." "You couldn't ask for better." "She's lovely." "She takes direction." "She listens and she's just like she's been doing it for years." "and action!" "I've got to get back in there." "it's going to burn!" "But..." "But..." "It's just a box." "How can a box have engines?" "It's not a box." "It's a time machine." "What?" "Caitlin's a little star." "She's lovely." "yeah." "And brilliant and very... you know." "or anything." "If Caitlin moves a tiny bit to her left." "don't you?" "darling." "Are you really clever at school?" "No." "No." "you're really clever in life." "that's cooler." "I think she's wonderful." "I'm the Doctor." "Geronimo!" "SPLASHING" "grinding engines heave into life and the TARDIS fades from view." "Amelia's staring and then she's racing back into the house." "She comes tearing into her bedroom and grabs a tiny suitcase from under her bed a toothbrush." "you run to me and get...?" "Clothes." "Then you put them in and you grab your...?" "Teddy." "Toothbrush." "put that in and you come and get...?" "Teddy." "Put him in and you run out and get...?" "shawl." "shawl." "shawl." "I bet you get it wrong." "THEY LAUGH" "Stand by. wearing a coat and hat over her night clothes." "sits on it and waits." "I met my cousin for the first time at the read through of episode one." "I'm related to Karen Gillan." "She's my cousin." "She grew up in Ireland and I left Inverness quite young." "we just never met." "We'd always just missed each other and the first time I met her was at the read through. there's family resemblance and there's just a connection there because we are of the same blood." "Action!" "You're Amelia." "You're late." "you're the little girl." "I'm Amelia and you're late." "promised you all the time in space and said he'd be back in five minutes and you spend the rest of your life wondering if that was real or if that's ever going to turn up. he's going to get a much harder time" "because she's the girl who waited and he's the man that didn't show up." "What happened?" "12 years." "You hit me with a cricket bat." "12 years." "A cricket bat." "12 years and four psychiatrists." "Four?" "young lady." "Amy is a sassy lady." "She's really got a mind of her own." "She doesn't tend to take the Doctor's word as gospel." "She just has her own opinions on things and doesn't listen to everything he says and she questions him and challenges him all the time." "That's what's lovely about this relationship." "It's quite tempestuous because Amy's very strong willed and is not afraid to give the Doctor a clap across the face if he needs it." "She's got this inner confidence in her and she can really handle herself in situations." "She's incredibly witty." "She's fun." "Her and the Doctor have a great time together." "sit still." "what are you doing?" "Amy?" "Why did you say six months?" "Why did you say five minutes?" "Are you not going to turn your back?" "Nope." "That is not possible." "That was two years ago." "What?" "You're a policewoman?" "I'm a kiss-o-gram!" "You're Amelia." "You're late." "you're the little girl." "I'm Amelia and you're late." "Are you from another planet?" "Come with me." "Where?" "Wherever you like." "Why me?" "Why not?" "THEY LAUGH the crew have the mighty task of turning the home of Amy Pond." "We've done a lot of London in Doctor Who." "The truth is it became almost one of the cliches of the series because we did it so often." "You saw it so much." "You got bored of it." "So we thought what other iconic English thing can you do?" "A beautiful little village - why not?" "action!" "What is this place?" "Where am I?" "Leadworth." "Where's the rest of it?" "This is it." "Is there an airport?" "No." "Nuclear power station?" "No." "half an hour by car." "We don't have half an hour." "Do we have a car?" "that is." "20 minutes to save the world and I've got a Post Office." "And it's shut." "What is that?" "It's a duck pond." "Why aren't there any ducks?" "I don't know." "There's never any ducks." "Then how do you know it's a duck pond?" "As you can see it's quite a big village." "We've had to dress the whole lot." "street signs..." "Post Office headlines and details there." "You come right the way through to the book store." "Various books outside there relevant to Leadworth." "All the postcards on the stands." "All perfect for Leadworth." "all the leadwork on the windows." "all of that stuff to do with them." "that's part of what's gone on so far." "All the residents know so there's letter drops." "why we're here." "what we're doing." "It's all very well organised and 99% of the time it all goes really well." "Are you ready?" "Catch." "Oh!" "Oh!" "I'll try and get the keys." "or not?" "just to keep it..." "I think it is." "Struggle a bit and know that..." ""You know who I am..." "I can be a bit mad at the top." "Who are you?" "But you know who I am." "it's the end of the world in 20 minutes." "please." "Camera set... action!" "I can do it." "run to your loved ones and say goodbye or stay and help me." "I'm sorry." "no!" "What are you doing?" "there's a lot of stuff that happens that makes it quite tricky to stage and a tie has to get trapped into the door." "what are you doing?" "No." "Still running." "Reset!" "the most significant story beat there is the fact that they stop and have this moment together." "Catch!" "I'm the Doctor. everything you've ever known is over." "I don't believe you. 20 minutes." "Just believe me for 20 minutes." "Look at it." "It's a kind of nod back to the moment they had together when she was a kid." "Look at it." "Fresh as the day you gave it to me and you know it's the same one." "I don't think anyone will really notice but we cranked the camera up slightly so we've made it slightly slow motion when they have this little moment together." "So it just slightly goes a bit magical." "Amy... believe for 20 minutes." "I think the moment with the apple is the moment where she actually has to make the choice whether she goes with it or not." "she's spent all those years hardening her heart against the idea of an imaginary friend." "because she's sceptical." "She doesn't..." "She's learned to be tough on things like that." "I bet she was mean about Santa Claus." "I bet she was mean about the Tooth Fairy. you don't expect your imaginary friend to turn up and be exactly what he claimed to be all those years ago." "you've had 12 years of growing up to be a slightly different person than you were going to be because this person let you down and they're standing there even though everything they're saying is completely bonkers." "That's the moment where she has to decide that she's not grown up in a way." "That she can still be a child." "She's still allowed to believe in her childhood hero." "What do we do?" "Stop that nurse." "The sun's going down and you're photographing a man and a dog." "Why?" "Amy..." "Hi." "well..." "I think the relationship between Amy and Rory is quite complicated." "He's completely in love with her." "er..." "She likes running off and going on adventures and he's determined to..." "I think he's a romantic at heart and he's determined to get her but has no idea how to do it and gets very nervous when she's around." "I think she really does love him but I think there are a lot of things that she needs to do in her life before she can admit how much she loves him." "Rory is the guy who's grown up not being the doctor very young age." "he's never turned up." "He's the man who's tried to train to be a doctor but ended up being a nurse." "He's the one who's not quite making it." "He looks a tiny little bit like him but isn't the same." "So he's grown up in the shadow of Amy's imaginary friend and" "Amy's imaginary friend turns out to be real." "please." "he came back." "he was a game!" "Amy's always talked about this raggedy doctor that she's met and obviously she's had a few problems dealing with who he is and she's obviously talked about him a lot to Rory and he's become this fantasy figure that she thinks is amazing and Rory used to have to dress up as him" "because they've known each other for years and years." "He's been in love with her for years and years." "Rory's always wanted to be that doctor to her because he's this mythical character and then when the Doctor arrives he realises that why?" "because... he can't be there because he's in hospital." "in a coma." "Yeah. so it's just like going to work with your mate." "you see." "Disguises himself as anything." "INAUDIBLE" "The quaint old village green is also home to a very new way of seeing the world through the eyes of the Doctor." "It's a brilliant little sequence." "We go into the Doctor's head and his eye and we see all the things that he's taking in and the camera sort of jolts round on this journey." "It takes all these photographs of people." "I've seen this." "The Doctor notices everything." "He notices that when everyone else is using their camera phones he notices one man on the village green who has his back to it because he's taking a picture of something completely different on his camera phone." "That's Rory." "That's what the Doctor's trying to remember." "So even while the crisis is landing all around him he can notice one person not doing what he'd expect them to do." "wait!" "I missed it." "I saw it and I missed it." "What did I see?" "I saw..." "What did I see?" "So there's a camera moving into his eye." "I saw." "Then we go into this sequence where he's remembering what's just happened." "all yours." "if you like." "if I'm taking..." "I'd take 20 stills moving towards you." "we take them into an editing programme." "basically." "It looks like live action." "Kind of like a time slice which is that matrix effect you move around in a moment in time." "The effect you can liken it to most is those flip books that you have as kids." "You flip through them and there's lots and lots of drawings of a stick man and he looks like he's juggling or skipping or whatever." "actually." "It's just like the most elaborate game of musical statues." "This is going to look brilliant." "My legs went numb." "My bum went numb." "I couldn't really feel anything." "But it was worth it in the end." "You get the camera to go under a bench and spin round." "and then you take a step." "you take a step." "and they had done a contra zoom on that." "Which is really effective. because it is a human trying to get themselves in the same position again and again and again." "So you end up with this slight..." "You end up with more of a kind of... and that is what I wanted." "Because I wanted it to be in his head." "One thing's for sure." "it is only a matter of time before the special-effects team get their hands on you." "I have got cold hands." "Aaaaaaah!" "This is cruel." "mate." "though." "yeah!" "I don't believe you!" "I am cold today." "because it is holes in the raggedy doc's costume." "Gloves." "They have a little hot pouch inside." "the sonic screwdriver is about to explode in my hand as I have a bit of a face-off with Prisoner Zero." "isn't it? inside that will be an explosive device. just make sure you keep your fingers down like that." "Not go right up?" "No." "I'll bring it over." "Will it blow my thumb off?" "It'll be fine." "say yes or no?" "That is the producer." "mate." "Cheers." "Matt's hand is about to explode." "because I always get scared when we do special effects." "So I just get to do lots of reacting." "I thought so." "you will get a real jump out of me." "but we are bearing up." "We are troopers." "We are imagining we're in the Caribbean." "actually." "With some pina coladas." "please!" "here we go." "action." "And nothing says non-terrestrial like a sonic screwdriver." "boy boom!" "#" "the ladder!" "up and down." "The fire engine crew is off down the road." "THEY BARK don't you?" "The telephone box explodes." "no!" "And cut there." "Cut there." "and he's getting things wrong." "and and he has got to improve. and he is the Doctor." "What's in here?" "I'm saving the world." "I need a decent shirt." "To hell with the raggedy." "Time to put on a show." "I really do." "I think it is perfect." "professor-type look." "But a mad professor with a bow tie and everything." "as well. and it really suits the way he looks and moves and everything." "my costume." "as well." "Braces that are coming off." "I will just reapply them." "And then we have got this lovely tweed jacket." "A watch." "but I think the idea is that the Doctor can just go to Venice or Paris or wherever and just tap it once or twice." "Boots." "I'll pan up." "and my jeans." "Rolled up at the bottom." "I think it manages a bit of... a bit of explorer..." "I think it has to feel like an extension of your personality." "for me." "So this was a good idea?" "You were leaving?" "Leaving is good." "Staying away is better." "'There are a couple of moments in there where we see him 'firing on all cylinders as the Doctor.'" "There is the moment when he is on the rooftop and he has just picked his costume." "Well?" "then!" "The Doctor will see you now. getting the bow-tie on and being in his outfit." "What do you think?" "That's when he's arrived." "That's when he's back on form." "That's when he's properly there." "Hello." "I'm the Doctor." "Geronimo!" "Subtitles by Red Bee Media Ltd" "E-mail subtitling@bbc.co.uk"