"THIS PLAN WILL RESTORE US" "AND RID THE WORLD OF THE OBSERVERS." "(male announcer) PREVIOUSLY ON FRINGE... (Edwin) A MAN CAME HERE AND WENT DOWN INTO THE MINE." "HIS NAME WAS DONALD." "I DON'T KNOW ANY DONALD." "HE WAS TAKEN AWAY" "AGAINST HIS WILL BY TWO INVADERS." "[grunting]" "YOU NEVER KNOW WHEN TO GIVE UP." "[gunshot]" "ETTA." "NO, NO, NO, NO, NO." "(Olivia) WHY WOULD WE GET HER BACK JUST TO LOSE HER AGAIN?" "[cries]" "(Anil) THEIR ABILITIES ARE AIDED BY TECH." "I WOULD BE TEN TIMES WHAT YOU ARE IF I HAD" "THAT TECH IN MY HEAD." "[grunts] [groans]" "[gentle metallic whirring] [whirring stops]" "[crack]" "(Walter) HELLO, IT'S ME." "BUT YOU KNOW THAT ALREADY." "THIS IS TAPE SEVEN." "I DON'T HAVE MUCH TIME," "SO I'M GOING TO SHOW YOU" "HOW TO GET THE NEXT PIECE OF THE PLAN" "AND EXPLAIN ON THE WAY." "I AM ON QUINCY STREET HEADING SOUTH." "HEY, I JUST WANTED AND EXPLAIN TO LET YOU KNOW" "I'M GONNA BE A LITTLE LATE GETTING BACK." "UH, DIDN'T WANT YOU GUYS TO WORRY." "I'VE GOT ONE MORE REPORT TO FILE," "AND THEN I'M OUT OF HERE." "SO I'LL SEE YOU SOON." "HEY, I JUST WANTED TO LET YOU KNOW" "I'M GONNA BE A LITTLE LATE GETTING BACK." "UH, DIDN'T WANT YOU GUYS TO WORRY." "I'VE GOT ONE MORE REPORT TO FILE," "AND THEN I'M OUT OF HERE." "SO I'LL SEE YOU SOON." "[door opens]" "(Olivia) PETER?" "PETER." "[gun slips into holster]" "HOW DID YOU GET HERE?" "THE MONORAIL." "YOU DIDN'T COME HOME THIS AFTERNOON." "YOU WEREN'T ANSWERING YOUR COMM." "YEAHI-TURNED IT OFF." "I WASN'T GOING TO STAY FOR THAT MUCH LONGER." "[sighs]" "I JUST NDE TO SEE HER." "I'VE THOUGHT ABOUT COMING HERE TOO." "I FEEL CLOSER TO HER HERE." "NO, IT'S OKAY." "PLAY IT." "PLAY IT." "HEY, I JUST WANTED TO LEW" "I'M GONNA BE A LITTLE LATE GETTING BACK." "UH, DIDN'T WANT YOU GUYS TO WORRY." "I'VE GOT ONE MORE REPORT TO FILE," "AND THEN I'M OUT OF HERE." "SO I'LL SEE YOU SOON." "PETER, WHEN YOU FEEL LIKE THIS," "I JUST WANT YOU TO INCLUDE ME." "IT'S FINE THAT YOU COME HERE." "JUST TELL ME." "I WANT TO UNDERSTAND WHAT YOU'RE GOING THROUGH," "AND I WANT YOU TO UNDERSTAND WHAT I'M GOING THROUGH." "YOU'RE RIGHT." "I'M SORRY." "AT IS THAT?" "WHEN WE COLLAPSED THE CORRIDOR," "ONE OF THE OBSERVERS NICKED ME." "IT'S OKAY." "I'M FINE." "HERE WE ARE." "167 CEDAR STREET." "NOW WE NEED TO MAKE OUR WAY TO T FOURTH FLOOR." "APARTMENT 413." "HOPEFULLY WITHOUT RUNNING INTO THIS TYRANNICAL" "(woman) YOU AGAIN." "YOU'RE A FRIEND OF THAT RENTER" "UP ON FOUR, AREN'T YOU?" "(Walter) MORE OF A COLLEAGUE." "(woman) WELL, I DON'T KNOW" "WHAT YOU'RE DOING UP THERE IN THAT APARTMENT," "BUT IF I HEAR ANY MORE STRANGE NOISE," "I'M CALLING THE SUPER." "SO THEY SAID THERE'S NO MORE HOURS, SO I'M DONE." "HOW YOU GOING TO MAKE THE MONEY?" "CHECK OVER THERE LATER." "[indistinct chatter]" "ALL RIGHT, OKAY." "DO I KNOW YOU?" "I NEED TO GET INTO APARTMENT 413." "IS IT OCCUPIED?" "FOURTH FLOOR HAS BEEN RED-TAGGED FOR 20 YEARS." "NODY GOES TRE." "HEY, WHAT'S YOUR BUSINESS HERE?" "NONE OF YOURS." "[floor creaks]" "[stairs creaking] [stair cracks] [panting] loor creaking]" "[grunts]" "[melancholy piano music]" "♪ ♪" "[sighs]" "[mysterious music]" "♪" "[floor creaking]" "WALTER?" "WALTER?" "HEY." "I WAS WONDERING WHERE EVERYBODY WAS." "HAVE YOU SEEN WALTER?" "NO, WHY?" "WELL, I WENT IN TO WAKE HIM UP." "HIS BED HAS NOT BEEN SLEPT IN." "HE'S NOT IN THE COLD STORAGE." "HE ALSO LEFT THE AMBER LASER ON AND ON THE FLOOR." "THE TAPE WE WERE WORKING ON LAST NIGHT" "IS ALREADY OUT OF THE AMBER." "I THINK HE LEFT." "KNOWS BETTER THAN TO GO OUT ALONE." "WHAT THE HELL IS HE THINKING?" "THE RED LINEQUINCY STREET TO WORCESTER UNION STATION." "WHATEVER MODE..." "MAYBE HE'S GONE OFF TO FOLLOTH TAPE." "HE'S RETRACING HIS STEPS?" "I HAVE CREATED, OR RATHER," "WE HAVE CREATED" "A UNIQUE AND EFFICIENT HIDINGLA" "FOR A CRITICAL PIECE OF THE PLAN" "TO DEFEAT THE OBSERVERS." "IT IS UNDETECTABLE TO THE OBSERVERS' INSTRUMENTS." "AS I HAVE MENTIONED" "MAY I HELP YOU?" "[softly] AS I MENONED," "I HAVE HAD SOME EXPERIENCE" "WITH TRANSVERSING PARALLEL UNIVERSES." "WHAT WE HAVE DONE IS WE HAVE OPENED A SPACE" "IN THE MEMBRANE THAT SEPARATES THE TWO UNIVERSES." "A "POCKET UNIVER," IF YOU ." "[bus stop alert beeps]" "THIS IS VERY IMPORTANT." "DO NOT, UNDER ANY CIRCUMSTANCES" "IS THAT RASPBERRY FILLING?" "RASPBERRY, IS IT?" "TWO." "NOW, SINCE THE POCKET UNIVERSE EXISTS" "IN INTER-DIMENSIONAL SPACE," "MANY OF THE USUAL LAWS OF PHYSICS WON'T APPLY." "AND THERE ARE FEW PLACES ON EARTH" "WHERE TWO PLUS TWO DOES NOT EQUAL FOUR." "AND THIS IS ONE OF THEM." "IT CAN BE QUITE DISTURBING." "TRY NOT TO WORRY ABOUT IT." "THIS TAPE WILL GUIDE YOU EVERY STEP OF THE" "TRY NHERE WE ARE." "ABOUT IT." "167 CEDAR STREET." "CEDAR STREET?" "THAT'S DOWNTOWN WORCESTER." "APARTMENT 413... 167 IS IN THE Q9 DISTRICT." "THAT WHOLE NEIGHBORHOOD HAS BEEN BOMBED OUT." "IT'S MOSTLY ABANDONED." "(man) HI, WALTER." "TAKE THIS." "MY ARMS ARE GETTING TIRED." "UH, DONALD..." "DONALD?" "THAT WAS THE NAME OF THE MAN THAT W WTING FOR WALTER, 21 YEARS AGO?" "YEAH." "YOUR EYES ARE NOT DECEIVING YOU." "THE EFFECT IS CAUSED BY LIGHT REFRACTED OFF" "WE, NEVER MIND, THAT'S NOT IMPORTANT." "BUT DOWN HERE," "THESE LINES DENOTE" "THEY'LL PROVE USULNAL DEMARCATIO" "YOU WILL NEED TO REFER TO THEM." "DONALD, LEAVE THE CAMERA WITH ME." "[softly] I REALIZE," "WHOEVER YOU ARE," "THATHIMUST SEEM VERY COMPLICATED." "IT IS." "EXTREMELY." "BUT DON'T FRET." "IT WILL ALL BECOME CLEAR ON WRE SELY SIDE." "THSEENCE GOES LIKE THIS." "NOW, KICK OUT 90 DEGREES TO THE RIGHT." "BACK 2 METERS." "AND THEN TO THE LEFT." "AND PIVOT 210 DEGREES TO THE LEFT." "AND STEP OUT." "WHAT HAPPENED?" "(Walter) AND STEP OUT." "IS IT DAMAGED?" "I DON'T SEE ANY GRINDING OR FLECKS OF AMBER." "(Astrid) MAYBE THEY JUST STOPPED RECORDING." "WELL, IT DOESN'T MAKE ANY SENSE." "I MEAN, IF WALTER'S GONE TO RETRIEVE" "WHATEVER IT IS THAT'S IN THIS POCKET UVERSE," "THEN WHY WOULD HE GO ALONE?" "I DON'T KNOW." "IT'S NOT LIKE HIM." "[door rattles]" "NOT THAT WAY." "[panting]" "[eieusic]" "♪ ♪" "OH!" "ARE YOU DONALD?" "NO, I'M CECIL." "HOW DID YOU GET HERE?" "DO YOU KNOW HOW TO GET OUT OF HERE?" "YES, I DO." "AND YOU'LL NEVER KNOW" "IF YOU KEEP THREATENING ME." "HOW DID YOU END UP HERE, CECIL?" "I WAS IN ONE OF THE APARTMENTS." "THE RESISTANCE MUST HAVE BEEN IN THE AREA" "BECAUSE THE IN" "THE INVADERSITE OLE BLOCK" "TH LIGHT BOMBS, AND..." "THE LAST THING I REMEMBER WAS A FSH" "AND THEN I WOKE UP HERE." "YOU WERE BLOWN INTO HERE." "THE FORCE OF THE EXPLOSION OF THE LIGHT BOMBS" "MUST HAVE BLOWN YOU HERE," "WHICH IS MOST LIKELY WHY YOU'RE STILL ALIVE." "WHEN DID THIS HAPPEN?" "[stammers] I'VE BEEN HERE FIVE DAYS." "FIVE DAYS?" "BUT HOW HAVE YOU SURVIVED?" "THERE'S NO FOOD HERE, NO WATER." "THERE'S WATER." "SHOW ME." "IT'S MINE." "IF YOU HOPE TO EVER GET OUT OF HERE," "YOU WILL SHOW ME." "YOU SURE THIS IS THE RIGHT PLACE?" "I'M SURE." "(Cecil) DON'T WORRY, YOU WON'T FALL." "[dripping]" "(Cecil) I'VE MANAGED ALMOST HA A CUP EVERY NIGHT." "SOMEINBEHIND THIS WALL." "PERHAPS SOME KIND OF..." "REFRIGERATION UNIT." "THAT'S WHAT'S CAUSING THE CONDENSATION." "NO." "I'VE BEEN ALL AROUND THIS PLACE" "EVERY WHICH WAY." "THERE'S NOTHING ON THE OTHER SIDE OF THIS WALL." "I'D LIKE TO HAVE A LOOK FOR MYSELF." "FOLLOW ME." "WHAT I'D LIKE TO KNOW" "IS HOW YOU KNOW YOUR WAY IN AND OUT OF HERE." "'CAUSE I'VE BEEN HERE BEFORE." "I JUST CAN'T REMEMBER IT." "I'M SURPRISED HE MADE IT UP THERE." "WALTER'S FULL OF SURPRISES TODAY." "WALTER!" "(Peter) WALT!" "I THOUGHT WE WERE LEAVING." "NOT UNTIL I FIND WHAT I CAME FOR." "FOR A WHILE, I THOUGHT THIS WAS PURGATORY." "[door rattles]" "WHAT HAVE YOU DONE TO DESERVE THAT?" "THE APARTMENT I WAS IN WASN'T MINE." "I WAS STEALING THINGS." "I WOULDN'T HAVE BEEN THERE OTHERWISE." "WHAT COULD BE WORTH STEALING" "IN THOSE BOMBED OUT APARTMENT" "THEY WEREN'T BOMBED OUT WHEN I GOT THERE." "YOU'VE BEEN HERE FIVE DAYS, RIGHT?" "YEAH." "THOSE APARTMENTS ARE CONDEMNED." "THE BUILDING WAS BLOWN UP 20 YEARS AGO." "WHAT YEAR IS IT?" "IT'S 2016." "IT'S 2036." "WHAT ARE YOU TALKING ABOUT?" "PERHAPS, IN SOME WAY, YOU ARE IN PURGATORY." "THIS IS A POCKET UNIVERSE." "TIME AND SPACE LOOP IN ON THEMSELVES HERE." "SO YOU CAN'T GET OUT." "THAT'S WHY IT JUST SEEMED LIKE DAYS TO YOU." "MY WIFE IS WAITING FOR ME." "NOT ANYMORE." "LET'S GO." "LOOK AT THESE FOOTPRINTS." "HE WAS HERE." "(Olivia) HE MUST HAVE GONE INTO THE POCKET." "(Walte KICK OUT 90 DEGREES TO THE RIGHT." "(Peter) THERE'S ONLY ONE WAY TO FIND OUT." "(Walter) 2 METERS," "AND THEN TO THE LEFT." "AND PIVOT 210 DEGREES TO THE LEFT." "AND STEP OUT." "(Wte DONALD, HOW ARE WE DOING?" "AM I IN FOCUS?" "NOT YET." "I'LL WAIT." "(Peter) LOOK AT THIS." "BACK IN THE LAB, IT WENT TO BLACK." "IT WAS THE END OF THE TAPE." "WE'RE READY." "(Peter) AND NOW THERE'S MORE FOOTAGE." "WELL, HOW IS THAT POSSIBLE?" "YOU ARE NOW IN THE POCKET UNIVERSE." "DON'T BE ALARMED." "YOU WILL NOTICE THAT THINGS WORK DIFFERENTLY HERE." "YOU'LL SEE A DOOR." "GO THROUGH IT." "YOU'LL SEE A LONG HALLWAY." "TURN..." "LEFT, WALTER." "(Walter) LEFT." "THK YOU, DONALD." "LOOKS LIKE SOMETHING WALTER WOULD'VE DESIGNED" "WHEN HE WAS TRIPPING." "(Walter) [clears throat]" "FOLLOW ME." "WHAT YOU'RE ABOUT TO FIND IS VERY IMPORTANT." "CAPTAIN WINDMARK," "I'VE JUST BEEN ALERTED." "WALTER BISHOP HAS BEEN SIGHTED IN QUADRANT 9." "YOU ARE CERTAIN." "YES." "(Walter) NOW, REACHING THE HALLWAY, TURN RIGHT." "[laughs] NOT LEFT." "IF YOU CONTINUE ON TO WHERE THE HALL YOU'RE IN DEAD-ENDS" "YOU WILL FIND THAT IT'S NOT A DEAD END AT ALL." "ARE YOU GETTING THIS, DONALD?" "YES, WALTER." "BECAUSE IT DOESN'T LOOK LIKE THE CAMERA'S RECORDING." "IT'S FINE, WALTER." "BUT THE LIGHT'S NOT ON." "HE'S RIGHT." "WAIT, NO, NOW IT IS ON." "THIS WAY." "WALTER, WAIT." "WHAT'S WRONG?" "WHY AREN'T YOU COMING?" "OH, DEAR." "ARE YOU AFRAID?" "(Peter) THEY'RE NOT ALONE." "THERE'S NOTHING TO BE AFRAID OF." "HE'S TALKING TO SOMEBODY ELSE." "IT'S SOMEONE SIDES DONALD?" "YEAH, LOOK." "HIS EYE LINE IS DIFFERENT." "HE'S TALKING TO SOMEBODY ELSE." "IT'THROUGH THE LOOKING-GLASS, SIAND WHAT ALICE FOUND THERE?" "[bang] THIS PLACE IS LIKE THAT." "WALTER!" "THERE'S NOTHING IN THERE." "(Olivia) WALTER." "OLIVIA..." "PETER." "WAIT THERE." "(Peter) WALTER." "YOU KNOW YOU'RE NOT SUPPOSED TO LEAVE THE LAB ALONE." "I'M SO SORRY." "I DON'T UNDETA." "ALL I THOUGHT ABOUT" "WAS RETRIEVING WHAT WAS ON THAT TAPE." "I COULDN'T THINK ABOUT ANYTHING ELSE." "ALL I CARED ABOUT WAS FINDING THE NEXT PIECE OF THE PLAN." "IS THAT DONALD, WALTER?" "NO, 'SCOLLATERAL DAMAGE." "THAT'S CECIL." "HE IS COMPLETELY IRRELEVANT TO THE PLAN!" "SO WHAS DOING HERE?" "HE ENDED UP HERE" "THROUGH A SERIES OF UNFORTUNATE EVENTS." "HE WAS BLOWN HERE BY AN EXPLOSION." "WHEN?" "20 YEARS AGO," "BUT FOR HIM, IT'S ONLY BEEN DAYS." "EVERYTHING WITHIN THIS POCKET WRAPS IN ON ITSELF," "INCLUDING TIME." "THAT'S WHY WE HAVE TO HURRY" "AND FIND WHATEVER IT IS I HID HERE." "WALTER!" "THERE'S MO ON THE TAPE." "YOU CAN'T SEE IT UNTIL YOU ENTER THE POCKET." "OF COURSE." "THE TIME ANOMALIES WOULDN'T ALLOW THE CAMERA" "TO OPERATE PROPERLY." "LET ME SEE." "THE KEY IS..." "TO KNOW WHAT YOU'RE LOOKING FOR." "IN THIS CA, WE'RE LOOK." "THE FORBIDDEN FRUIT." "THE ROOT OF ALL KNOWLEDGE." "IFOR WHAT, I PROMISE,E WHEWILL BE A SHT TIME.G." "D IT WILL BE SAFE AND COMFORTABLE," "I ASSURE YOU." "WHO IS THAT?" "YOU HONESTLY DON'T RECOGNIZE HIM?" "IT MUST HAVE BEEN WIPED FROM MMIND," "LIKE THE OTHER PARTS OF THE PLAN." "NO, WALTER, IT WAS A CASE THAT WE WORKE" "THE BOY, HE WA DEMOLITION SITE.UN" "MAYBE WALTER DIDT EXPERIE" "IN THEAMWAY THAT WE DID." "IS HE ONE OF THEM?" "AN OBSERVER?" "WELL, AT FIRST, WE THOUGHT THAT HE WAS JUST A BOY." "BUT THEN HE STARTED TO EXHIBIT EMPATHIC ABILITIES." "HE HELPED US FIND A MURDERER." "AN EMPATH." "REMARKABLE." "WHY WOULD I NEED AN EMPATH?" "I DON'T KNOW." "IT WAS 20 YEARS AGO." "BUT NOT FOR HIM." "LIKE CECIL," "TO HIM, HE'S ONLY BEEN WAITING FOR DAYS." "LIKE I SAID ON THE TAPE," "WE USED THIS PLACE TO HIDE HIM," "TO KEEP HIM SAFE" "UNTIL SOMEONE COULD RETURN FOR HIM." "PRESS PLAY, PETER." "SHOW ME MORE." "WE'RE NEARLY THERE." "NOW WE'RE LOOKING FOR AN APPLE." "THIS ONE." "WHAT'S THAT, DONALD?" "THESE MARKINGS ARE VERY STRANGE." "OF ALL THE THINGS WEE SEEN IN HE, LTER," "THAT'S WHAT YOU FIND STRANGE?" "THERE'S THE HAND." "(Walter) [whispers] WELL, I WONDER WHERE IT COULD BE?" "WOULD IT BE-- OH." "[laughs] OH-HO!" "HERE WE E!" "[laughs]" "THERE IT IS." "(Walte OH, JUST WAIT HERE NOW." "DONALD, PLEASE." "HERE IIS." "[lock rattles]" "HE'S NOT HERE." "WHERE IS HE?" "WHERE IS HE?" "[dramatic music]" "WE DESIGNED THIS ROOM JUST FOR YOU." "YOU MUST STAY HERE" "AND WAIT FOR US TO RETURN AND GET YOU." "OH, FOR US, IT COULD BE QUITE A LONG TIME, BUT..." "R YOU, IT WILL SEEM LIKE NO TIME AT ALL." "[laughs gently]" "NOW YOU SEE WHERE WE'VE KEPT HIM." "TO UNDERSTAND HIS PURPOSE," "REFER TO TAPEIGHT." "(Olivia) YOU DEFINITELY LEFT HIM HERE." "MAYBE NALD MOVED HIM." "ITHA BE 20 YEARS." "(Peter) WALTER..." "I THINK THIS IS A PORTABLE AIR-DEGRADATION UNIT." "(Olivia) SO HE" " HE WAS AN OBSERVER." "WHAT DIFFERENCE DOES IT MAKE?" "HE'S GONE." "DO YOUNDSTAND?" "HE WAS A PART OF THE PLAN SOMEHOW." "AND WITHOUT ALL THE PARTS," "WALTER, CALM DOWN." "NO, THE PLAN IS UIT'S TOO LATE!" "[panting]" "THEY MUST HAVE GOTN THIS OUT OF MY MIND." "WINDMARK!" "HE MUST HAVE FOUND THE BOY!" "EVERYTHING WE'VE DONE IS FOR NOTHING!" "[weakly] IT'S FOR NOTHING." "WALTER?" "SEARCH PARAMETERS REMAIN THE SAME." "BUILDING TO BUILDING..." "DOOR TO DOOR." "LET'S GO." "COME WITH ME." "(Peter) THERE YOU ARE." "IF THEBSERVERS HAD KNOWN ABOUT THIS POCKET," "THEY WOULD HAVE SHUT IT DOWNA ." "THE ONLY PERSON OTHER THAN YOU" "THATNETHIS PLACE EXISTED AND HOW TO NAVIGATE IT" "IS DONALD." "THAT MAKES SENSE." "BUT WHY WOULD HE MOVE THE BOY?" "I DON'T KNOW." "MAYBE HE THINKS YOU'RE DEAD." "WE WERE MISSING FOR A LONG TIME." "AND YOU HAVE NO IDEA WHO DONALD IS," "WHERE YOU MET HIM, NOTHING?" "NO." "WE HAVE TO FIND HIM." "DONALD." "WHOEVER IS." "IT'S THE ONLY WAY WE'LL EVER KNOW FOSURE." "WALT, PETER?" "I THINKI'VE GOT SOMETHING." "(Olivia) IT'S NOT THERE." "DID YOU SEE THIS RADIO ANYWHERE IN THAT ROOM?" "NO." "NO." "I THINK WHOEVER TOOK THE BOY LEFT THIS BEHIND." "PURPOSELY?" "MM-HMM." "BATTERIES MUST BE DEAD." "OR IT DOESN'T WORK IN THIS POCKET." "LIKE THE VIDEO CAMERA, THINGS WORK DIFFERENTLY HERE." "SO ONCE WE GET IT OUTSIDE... (Walter) OF COURSE." "THAT'S BRILLIANT, IVIA." "AND PERHAPS IT WILL SOMEHOW HELP US GET TO DONALD." "ASSUMING HE'S STILL ALIVE." "SO SHOULD WE GET OUT OF HERE?" "PLEASE." "OH, COME ON, GUYS." "OH" "[dramatic music]" "♪ ♪" "[grunts]" "WALTER, WE HAVE TO MOVE." "BACK DOWN THE STAIRS." "GO." "GO!" "(Peter) STOP." "THIS WAY." "THAT'S IT." "YOU FOUND IT, PETER." "(Peter) OLIVIA, CROSS RIGHT HERE." "[grunts] [screams] [grunting] [gun clicking] [gunshot]" "(Peter) YOU OKAY?" "YEAH." "[gunshot]" "[gunshots]" "[gunshots]" "OLIVIA, MOVE." "THERE'S NO TIME." "GET WALTER OUT OF HERE." "I'LL DRAW THEM OFF AND MEET YOU AT THE MONORAIL." "GO!" "[gunshot] OH!" "(Peter) [grunts] [sighs] [grunting]" "I KNOW WHAT YOU HAVE DONE." "YOU HAVE MADE A GRAVE MISTAKE." "YOU DO NOT REALIZE WHAT IS HAPPENING TO YOU." "THEY USUALLY HAVE A" "THE DOORS ARE CLOSING." "[indistinct chatter]" "YEAH, I THINK THAT'LL WORK, THANK YOU." "OH, THAT'S MINE." "(woman over P.A.) CLEAR THE WALKWAY." "WALTER, HE'S NOT COMING." "WE GOT TO GO BACK FOR HIM." "PETER." "HOW'D YOU DO THAT?" "DO WHAT?" "GET US OUT OF THERE?" "HOW'D YOU FIND YOUR WAY BACK TO THE PORTAL?" "I DON'T KNOW, BUT I'LL TAKE IT." "(woman over P.A.) PLEASE TAKE YOUR SEATS." "[passengers murmuring]" "WHAT'S WRONG?" "(Olivia) THIS RADIO WAS LEFT FOR US IN THE POCKET UNIVERSE." "LOOK, THE TUNING DIAL HAS BEEN JAMMED." "IT'S, LIKE, STUCK ON ONE FREQUENCY." "WHY?" "NOTHING'S BEING TRANSMITTED." "NOT YET." "YOU OKAY, WALTER?" "I CAN'T STOP THINKING ABOUT THAT MAN." "ALL HE WANTED WAS TO GET OUT OF THERE." "AND I DIDN'T HELP HIM." "I DIDN'T CARE ABOUT HIM." "ALL I CARED ABOUT" "SAVING THE WORLD." "WALTER." "YOU ARE NOT RESPONSIBLE FOR THAT MAN'S DEATH." "HE DIED 20 YEARS AGO," "THE NIGHT HE BROKE INTO THAT APARTMENT" "AND THE LIGHT BOMB WENT OFF." "IF IT WASN'T FOR YOUR POCKET," "HE WOULD HAVE DIED THEN AND THERE." "PERHAPS." "I SAW A MAN..." "HALF-STARVED." "AND I USED HIM" "BECAUSE IT SUITED ME." "BECAUSE HE WAS NOTHING MORE" "THAN AN ACCEPTABLE LOSS" "AS LONG AS I GOT WHAT I NEEDED." "IS THAT WHO I AM, PETER?" "IS THAT SOMETHING YOU CAN SEE" "COMING FROM MY MIND?" "FROM MY HEART?" "AM I THE PERSON THAT WOULD..." "LEAVE IN THE MIDDLE OF THE NIGHT" "ON HIS OWN?" "WALTER." "THOSE ARE THE ACTIONS OF A MAN OF HUBRIS, ARROGANCE." "AND THAT'S NOT ME, PETER." "IT'S HIM." "HIM?" "DON'T YOU SEE?" "I'M NOT SAFE." "IT'S MY MIND." "EVER SINCE THE PIECES OF MY BRAIN" "WERE REIMPLANTED," "IT'S BEEN CHANGING..." "ME..." "BACK INTO THE MAN I WAS BEFORE." "BIT BY BIT." "I'M LOSING MYSELF, PETE." "I'M LOSING THE MAN THAT YOU HELPED ME BECOME." "LISTEN TO ME." "I'M NOT GONNA LET THAT HAPPEN." "WE NEED YOU." "YOU ARE OUR ONLY HOPE TO DEFEAT THE OBSERVERS." "AND I'M GONNA BE HERE WITH YOU," "EVERY STEP OF THE WAY." "PLEASE, SON," "WHATEVER HAPPENS," "DON'T LET ME GO." "I WON'T, DAD." "I PROMISE." "[foreboding music]" "♪ ♪"