"Previously on Project Runway... [laughing]" "You will be creating a look out of potato sacks." "Why is this navy blue?" "It's all one piece." "Should it be one piece?" "I kind of like that way." "The dress is too tight on your model." "A plain potato sack would be more flattering." "If you turn around, you see a butt." " Yeah." "It does." " They'll notice you!" "I feel like I don't see enough of the challenge in a way." "Jay, you're the winner of this challenge." "Thank you so much." "Pamela, that means you're out." "Seth Aaron, which one would be out?" "I would like to work with..." "Thera." "I'm sorry, Elizaveta." "That means you're out." "This is Project Runway." "Yes!" "I am fashion." "Look at me." "The search for the next big fashion designer." "It's cut or be cut." "Just make it work." "16 designers." "Great clothes." "Great style." "I've got it all." "Three finalists will make it to Mercedes Benz Fashion Week." "Well, I won't do anything to win." "I will." "But only one can be the winner." "My weapon of choice." "For these 16 designers," "Project Runway is the chance of a lifetime." "The winner of Project Runway will receive a fashion spread in marie claire magazine, an opportunity to sell their line on bluefly." "Com, a $50,000 technology suite to create, design, and run their business from HP and Intel, and $100,000 from L'Oréal Paris to launch their line." " Yeah." " [Laughter]" "In order for me to go forward in this competition," "I need to be me, and I need to design what Jesus Estrada designs." "I think Ping should have gone home." "I'm completely shocked that she's still here." "She's putting her contacts in." "Uh-oh." "I can only see through one eye." "Maybe that'll help you design." "All right, fellas, let's take it out." "Oh, shoes!" "Got your cane?" "Hello." " Hello." " How are you?" "It's time for your next challenge." "Would you like to meet some of the most iconic fashion designers of all time?" " Yes." " Mm-hmm." "Tim is ready to introduce you to them, as well as fill you in of all the details for your next challenge." "Good luck, and I'll see you on the runway." "Bye, everybody." " Bye." " Bye." "I'd never met top designers before." "Of course, it's Project Runway, so who knows?" "I know exactly where we're going." "I know that that's the Met in front of us, and I'm super excited because that is one of the most inspiring places in the world." "Good morning, designers, and welcome to the Metropolitan Museum of Art." "We are standing in the newly reopened" "American wing's Charles Engelhard Court." "Surrounding us are ten iconic looks from the curatorial department of the Costume Institute." "And, as a fashion designer, the ultimate achievement it to be part of this collection." "For this challenge, you will be working in teams of two to create a high-end signature look, a look, frankly, that could fit in with this company." "And in order to ensure your success, we are giving you $500... [cheering] ...the highest in the history of Project Runway." "[Applauding]" "You'll have two days for this look." " Yes!" " Oh, that's great." "Jay, as the winner of the last challenge, you are automatically a team leader." "Next is Jesus." "Anthony." "[Whooping]" "Janeane." " Mila." " Two for the girls." "Ping." "I am very excited to be a leader because I'm very good at delegating responsibilities and give clear instructions." "And our last team leader is Emilio." "Beginning with Jay, you will each select your other team member." "Maya, will you work with me?" "Jesus, who are you choosing?" "Amy." "Anthony?" "I choose this day Seth Aaron." "Where's my brown sugar?" "Oh, right here." "Ben, will you be my buddy?" " Yes." " Okay." "Jonathan has excellent construction skills," " so..." " Let's win it." "[Jesse] Anna and I are the only ones left, and Ping has the decision to make, and I don't know how to play it because ultimately I really don't want Ping to pick me." "I will choose..." "Jesse." "Ah." "L..." "I don't know how this is gonna work." "So, Emilio..." "We're going to do it." "You're the classic American girl." "Designers, before we go back to Parsons to sketch," "I want you to take some time and really get inspired by these incredible iconic pieces." "I'm standing, like, this close to a classic Dior." "There's no glass." "There's no security guards." "No pimples." "And it's just... ah." "See how Madame Gres has done this?" "Little beads?" "I've never been this close to couture before." "[Tim] Isn't it thrilling?" "I feel like I'm going to cry." "I feel the same way." "I want our look to be really bold." "I love all the... appliqué work." "[Jesse] This stuff I'm looking at is just awe-inspiring." "Balenciaga and Dior both were designers that I very much looked up to, so just to sit there and see that in front of me is absolutely amazing." "Oh, Ben, give me a hug." "I'm so excited." "All right, designers." "Let's go back to Parsons and sketch." "Which tables do you want?" "I'm thinking I'm very drapey and three-dimensional, soft and organic" " and flowing kind of thing..." " Very much." "...and you are very tailored and precise." " Exactly." "So I was thinking combine these two." "This will be black on top." " Okay, the jacket." " Yeah." "So the surprise element will be the yellow." "The yellow." "Tim definitely made sure to tell us that in the end the team lead had the final decision." "And I tell you, Mila has no problem making decisions." "Too risky." "Like a jacket or bolero" " or something?" " I think, like, a bolero." "Janeane and I want to do two pieces because we want a look that is going to be multi-functional." "Is there a way we could cheat around here?" " Because..." " No." "I think we should really focus on that boat neck." "I really felt like I wanted to take the lead on this one because if we get in the bottom, since he has immunity," "I would be the one to go home, and so I have to be the one to defend this." "All right, design teams, we're going to Mood." "Thank you." "Designers, welcome to Mood." "You have 45 minutes, and your time starts now." "Okay." "Hello." "Jesus and I are going to do kind of a dramatic dress with a large vest over it." "I like this one." "I'm just excited to get a lot of expensive fabrics." "Yeah, that's the look." "Ping, make sure you know what you're grabbing." "Oh, this side is beautiful." "Gosh, it's awful physical work." "Are you planning on being able to do this?" "No." "You do it." "That's going to [bleep] up my pattern." "We want to cut it all together." " I don't want to have..." " Yeah, yeah, okay." "...half a yard extra..." "Give me that one." "Let's see the... the colors." "I like the fact that it's hard and soft." "Hard, soft." "You want this 1 yard, right, Ping?" "Where is my sketch book?" " We found something." " Good." "Can we just keep this here for a minute and keep looking?" "This is a good possibility." "I want to take a nod to the sixties, to something kind of stunning and fashion-forward at the same time." " [Chattering]" " Has anybody seen my sketch book?" "Designers, you have five minutes remaining." "It's not important." "Forget it." "Let's take this, and let's go back downstairs." "Jesse, Jesse!" "Hold on to that." "That's $500 that's sitting around." "I just lost my sketch book." "I don't want to lose the 500." "[Giggling]" " We..." "Did we get everything?" " Yeah." "Ping, Jesse, you have two minutes remaining." "[Giggling] We got it." " There you go." " Thank you." "Whoo!" "483." "Thank you." " Bye." " Bye, Mood." "You start drawing." "I want you to center back first of all." "[Anna] Emilio and I are paired up together, and it's a little intimidating for me that he really is established as the designer, versus my relative newness." "Emilio, are you some kind of secret genius?" "He has more of a bold design sense, and in a way I have sort of a softness and a certain adaptiveness." "Let's get onto the coat as soon as we can." "Bear with me because I tend to, like, really need to, like, digest things." "Mila is a very meticulous worker, very planned." "She spends a lot of time pettepatternn making, so we work a little bit differently." "She's doing a lot of thinking, and I'm doing a lot of executing." "We were always told that this should be a team effort." "However, the team leader does take more responsibility and is at greater risk." "I don't want it to look like a Miss America sash, though." " Are you seeing it right here?" " Yeah." "So the necklace will be attached, but it's not going to be..." "It won't be attached to the skirt." "You're going to cover all this?" "I'm not going to do all this work if you're going to cover it." "It's very difficult to work with Jesse." "I do things less by the book." "He may feel insecure with my approach." "I'll do the pants." "Match with that." "Just pants?" "With Ping, we're always worried about time." "She's constantly changing ideas, and things are always evolving." "We got to pick our ideas." "Don't tell me anything anymore." "Let me..." "I..." "I'm not used to... to... to, you know, to wonder about my designs." "I feel like I'm just trying to rein in the crazy." "The reason why I keep changing is because you make me doubt about my design and..." "It's not that I'm doubting the vision." "I just want to know that there is one." "Coming up on Project Runway..." "Wow." "That's the fabric?" "You're not doing it right, get out of my way." "You two look really stressed out if you ask me." "We don't have time to finish it." "Our challenge is to create a high-end signature look based on our personal style as designers." "Right on, brother." "Ping and Jesse are fighting the whole time, so it's really hard to see if they're going to be able to pull off a cohesive look." "You only worry about this right now, and I'll continue to think about the entire look." "And then I'll tell you exactly..." "No, that's... that's a good place to start." "So far, it's been great working with Jonathan." "We're very excited about our look." "Do these look too wingy to you?" "He's given me the lead in the construction of the coat, and he's making the top and the pants." "Don't screw it up, Jonathan." "Don't try to get in my head, Jesse." "Mila's going to punch you in the throat." "[Anthony] Our color palette is bright yellow, red, and black, so at this point I think that we're designing a gown for the Vice President of McDonald's." "However, everybody needs a dress." "[Jesse] I'm building a dress that is about 30 different pieces that will be pieced together sort of like origami." "We got two days to do it, and I think we're going to need a lot more time." "Today we're ready." "We're thinking..." "Anthony are like "Sweet." "We got all day to finish just this little bit of stitch work,"" "and Tim walks in." "Good morning, everybody." "Good morning, Mr. Tim." "Gather around, please, right over here." "Classic." "I've gathered you together to tell you that you will be creating an additional look." "You all know that there is a mass market customer who wants to wear fashionable yet affordable clothes." "So for the second part of this challenge, you will be creating what I'm calling a Look for Less, using 10°/° of the budget you have for your signature look." " $50?" " 50 bucks." "I'll go buy some napkins and paper towels and some hot glue." "I mean, what do you do with 50 bucks?" "And this Look for Less will be derived from the look of another team." " What?" " [Laughing]" "The key word here is derivation." "You are designers." "You are not plagiarists." "As I pull each team from the bag, that team will declare which team's look they want to work with." "We have Ping and Jesse." "I would say Emilio." "Janeane and Ben." "We'll do Mila and Jonathan's." " Okay." " Yeah." "Jay and Maya." "We're going to go with Ben and Janeane." "Mila and Jonathan." "We're going to go..." " Anthony and Seth." " Yeah." "Okay." "Anthony and Seth Aaron." "Jesus and Amy." "And now we have Jesus and Amy." "Ping and Jesse." " Emilio and Anna, you have Maya and Jay." " Great." "We have to make another outfit inspired by another designer's look." "I'm shocked at this point because we're still not done with our other look." "All right, you will now have 20 minutes." "Then we're going shopping at Mood." "And I only want one team member, so your 20 minutes begins right now." "Go, go." "[Jesus] Ping's construction is very drapey, and if we can just grab a piece of fabric and drape a pair of beautiful pants." "Jay's and Maya's dress is very sculptural, so Anna and I decided to design an asymmetrical dress in their colors." "Do the lace at the bottom, and so the peach right here." "At this point, my mind's just going "Peach and lace?"" "It's like old lady." "Our time frame is horrifying." "We are going to do a really cute cocktail dress." "I mean, we could put straps on it." "This is their sketches." "We're not copying them, but making it cheaper." "I'm not copying it." "What I'm saying is we don't need to do a jacket." "[Jesse] We just sketched together something that's not too difficult." "I'm just a little worried because I won't be going shopping, so I don't know what Ping is going to come back with." "All right, designers, your 20 minutes starts right now." "They're off." " Nothing like that up here." " Okay, okay." "Yeah." "Black and white." "Mila and Jonathan have been using silk." "Okay." "I need it." "But cotton, obviously, is absolutely appropriate for a Look for Less." "Dark ribbon." "I know where..." "Ping, five minutes." "This is perfect." "Designers, time is up." " I'm done." " Come on, everyone." "Let's go back to Parsons." "Thank you, everybody." "Now I've got the fabulous, fabulous fabric." " Look." " [Jesse] I don't even know the best way to describe it, but it's a nice hooker kind of shiny synthetic something." "I can just imagine the judges saying "This looks cheap."" "[Jay] I'm a little nervous that we won't be able to finish, but at the same time, I have immunity, so there really isn't a lot of pressure." "We've cut the patterns, and Maya's responsibility is to sew these pieces together." "Why do you bring your ass over here spectating?" " Taking a break." " Oh." "I secretly wish that I wasn't working with Jay because if he didn't have immunity, he would probably be working a little harder." "Oh, my God." "We have the skirt pattern." "At this point, Ben and I have a really solid design, but it's, like, the first time from starting the challenge where I feel really good about the work." "That saves us an hour." " That's good." " Yeah." "I'm still cranking out the coat because it really needs to be perfectly sewn together." "I love how, like, we haven't even thought about starting on our second like you." "If you're not making it, you know it's not getting done." "At this point, the workload still hasn't changed." "I'm still sewing everything." "Mila's still making the coat." "Now I'm making the second look as well, so that is concerning me a little bit." "Yeah, yeah, I'm fine till people bring me the paper" " and change the game." " Well, this is ugly." "I'm the type that if you're not doing it right, get the hell out of my way because I will keep changing it until I'm happy." "If I don't compromise 100°/° to what you want, then you can't seem to find a middle ground with me." "Seth Aaron is not accustomed to working with other individuals, but I knew that slapping the hell out of Seth Aaron was probably not the best way to get the greatest result." " Mm-mm." " Mm-hmm." "I'm going to make you write it in blood because every time you say you like something you change it." "Yes." "Good." "How are you?" "We made a beautiful dress for you." "Look." "I'm basically running the fittings now as well as constructing everything." " Can we look at it just..." " No, no." "Wait, wait, wait, wait." "Don't say no." "I don't think Jesse takes me seriously as a leader." "He questions about everything I said to him." "It was a question because we're experimenting because I want to see my [bleep] dress." "And I think it's very unprofessional behavior." "You guys can trust me to play with it and be dramatic." "Go the other way with it." "I don't want to start it like this." "I want to start it with the sleeve on." "Keep her damn mouth quiet." "I'm the team leader." "I know you're the team leader." "You're making that clear." "Ping and Jesse are like Lucy and Ricky." "Just shut up and work." "Isn't it time for them to go?" "Bye, y'all." "Bye." "I was just saying, Ping, you've been really doing an awesome job." "Your dress is beautiful." "Thank you." "Yes." "Ahem." "Ping." "Hmm?" "You didn't have nothing nice to say in return to me?" "[Laughing] I think you're very funny, very sweet, very nice." "I like you, too, sister." "How is everybody?" "Hi." "You two look really stressed out if you ask me." "Well, we're still constructing a lot." "Do you have a time line?" "We want to build this by midnight tonight." "Yeah." "What's the status of the second look?" "We're thinking of doing it long sleeved, but if we don't have time to finish the whole thing," " we'll just do a vest." " Keep it simple." "Tim is doubting the fact that we can get this finished on time, but I think when you have some fire under your ass, you sort of... where there's a will, there's a way." " Ping, Jesse." " Hello, Tim." "Where are you in this process?" "Well, for this one, we only need to stitch them together." "How did this fit her?" "Shockingly well." "Where do you stand with the second look?" "Basically, doing a short pleated skirt, and then the top..." " Wow." "That's the fabric?" " Yeah." "It's like a cheap and cheerful wrapping paper." "But this is very expensive fabric," " and it's very..." " Looks cheap." " All right." " I've been telling you, Ping." "Make it work." "Anthony, Seth Aaron, talk to me." "[Seth Aaron] This dress truly is couture." "It's mostly hand sewing." "This is our other look, and we're going to do a blouse with some pleated detail." "You have so clearly identified that it's coming from Jesus and Amy." " [Anthony] Right." " I'd say you have the freedom to do whatever you want with the top." "Well, Papa here has already made a, um, asymmetric top, and for whatever reason, he's decided to abandon it." "If it's on the floor, you abandoned it." "Stop acting up in front of company." "Now come on." " Hi, Mila, Jonathan." " Hi." "Tell me where you are in this process." "Well, we fit this on our model, and we just need some finishing." "I think it's beautifully done, and I know what this is." "This is Anthony and Seth Aaron." "Yes." "That's a good thing that I know what it is." " It's a good thing that you knew." " Yeah." "All right, designers, work, work, work, all of you." "Damn." "It's a mess." "[Jesse] I got the dress pretty much together." "I'm just going to let Ping work on these other elements to get her out of the way, and I'll just basically, you know, bust my ass to make this happen." "It's time." "Coming up on Project Runway..." "This is beautiful, dude." "The Anthony and Seth Aaron dress... hideous." "You have ten minutes." "Time is running out." "We're leaving to where?" " Ping." " Oh, no, no, no, no, no." "[Seth Aaron] Are you prepared for today?" "I'm stacked, packed, and ready to attack." "Jonathan must be on that right now." "Oh, Jonathan's feeling the pain." "Yeah." "Mila's only done the jacket." "Period." "For two days." "Runway Day is going to be a busy day." "Mila's time management issues are concerning to me." "I have not had a challenge yet where I've left the room and not had a finished garment." "So I'm so nervous." "It's so nice." " What?" " You look so nice together." "[Giggling]" "We look like we're going to a funeral." "The death of our hopes and dreams." "All right, let's do this." "This is beautiful, dude." "The Anthony and Seth Aaron dress... great concept, hideous execution." "Anthony spent too much time decorating and not enough time figuring out proper construction." "I want to do the best that I can do, and I really want to win." "Jay is kind of slacking a little bit." "It's making me a little frustrated that he's leaning on his immunity." "I was also thinking we should redo that dress a little bit, maybe." "I feel Jesse is much more concerned about his own safety during this competition than the teamwork quality." "My insecurity about this is that, you know, if they ask who made everything, it's like you made everything but the coat, pretty much." "Mila took everything that might have been outside of her realm and put it on me just in case it backfired." "I know how badly Mila wants to be here, and I do think she would sell me out on the runway." "I also know that I would sell her out." "Okay." "Where, like, one person's more in charge of, like, sewing and..." "Exactly." "This whole outfit was such a vision of mine." " Good morning." " Hi, Tim." "Good morning, everybody." "How are you?" " Good." " Good." "Designers, it is a big day." "It's your first team challenge judging." "So each team will have an hour to send their models to the Garnier Hair Salon and the L'Oréal Paris Makeup Room, all right?" "All right." "I trust that you have studied and that you're using it very thoughtfully." "I'm sending in your models, so let's do it." " Yeah!" " Whoo!" " I'll see you a little later." " All right." "You're going second, and you're going first." "Oh, where's the clock?" "I'm a little concerned for Jesse and Ping, only because they've been bickering a lot." "Ping, what do you think of doing this button right in the center?" "Oh, no, no, no, no, no, no, no." "I think their Look for Less doesn't really resemble" "Emilio and Anna's look." "They kind of missed the mark on that one." "Make sure that this doesn't pouf up too much." "Amy and I are really, really happy about what we had created." "I cannot be in the bottom two anymore." "Did you already consult makeup?" "It's time for makeup?" "Just keep it really fun and fresh and young." "Smoky eyes." "And the pale skin." "Skin." "We want sort of like a natural sleek thing." "Very springy, classic." "[Man] Three minutes, guys." "Designers and models, you have ten minutes before we go down to the runway, all right?" "Do you like it?" "Does it feel okay?" "Yeah." "Absolutely." "Let's go." "I haven't seen the rear yet." "Time is running out, and it's not easy to make a grand dress in a day and a half." "I did the best I could." "When the model put on the signature look," "I think it's beautiful." "Designers and models, this is it." "We're going down to the runway right now." "Is anyone listening to me?" " Yes, Tim." " Come, come." " [Chatter]" " Let's go, Anth." " Let's go." " We're leaving to where?" "Down to the runway show." "Are you sure?" "At this point, safe is a victory for me, so that's my goal, and it sucks to shoot that low, but ultimately, middle, safe is all I want." "Jay, Jonathan, Jesse, Ping." " Ping." " Yes." "Coming up on Project Runway..." "They're both really ugly." "Ha ha ha." "I'm at the cotillion party from hell." "Welcome to the runway." "As you know in fashion, one day you're in, and the next day you're out." "For this challenge, you worked in teams." "Your first assignment was to create a high-end signature look." "Then we gave you a little twist." "We asked you to create a second look that was a more affordable design for $50." "You were asked to use another team's signature look for inspiration, but you were not to copy it." "All right, let's meet the judges." "First we have top American designer Michael Kors." " Hey, guys." " Hey, Michael." "Fashion director from marie claire magazine" " Nina Garcia." " Hi, everyone." "And acclaimed British designer Matthew Williamson." "Ah." "We will score your designs as they come down the runway." "One of you will be named the winner, and one or more of you will be out." "All right, let's start the show." "[Anthony] The gown is everything I needed it to be." "The dress is beautiful, and it speaks greatly to who I am and what I celebrate." "And that's classic elegance and beauty." "Amy and I, we're both really, really happy about what we have created." "It looks really high fashion." "It looks modern, and Holly looks amazing in it." "[Mila] I feel so confident about the signature look." "I am absolutely thrilled with the way it turned out." "I feel like this was the first challenge in which I could truly express my point of view." "It looked amazing." "[Janeane] As I see my signature look walk down the runway," "I'm so satisfied." "It's well made, and I think Brittany looks really great up there." "[Emilio] The dress fits like a glove." "We could have been more innovative, but I'm working with someone who had very limited experience, so I had to scale down just to make sure that we had a garment on the runway." "[Maya] The dress definitely expresses my voice as a designer because it's a little bit futuristic, but yet has sort of an old, classic Hollywood style to it." "It's kind of one of those dresses where you either think it's really cool or you think it's really weird, so it was a leap of faith for me." "[Ping] The signature look, it's beautiful." "It's more beautiful than I ever thought." "I think it's very elegant." "[Amy] So the Look for Less is a great look." "It's a really good interpretation of Ping and Jesse's outfit, so I'm excited to see what the judges think." "[Seth Aaron] Our Look for Less was well done." "You know, 50 bucks and a few hours, we did a pretty good job." "But, looking at the judges," "I'm not sure if they're liking it, hating it, wanting to burn it, I have no idea." "[Jonathan] Our second look is definitely the scaled-down version of the signature look that we were inspired by." "We asked Monique to be bouncy and flirty." "That's exactly what she gave us... fun and flirty." "[Ben] We're both, you know, extremely proud of the Look for Less." "Even though it's not our particular look, it's still our work, and it's very cool." "[Anna] The Look for Less, I'm really confident, and it looks really sellable." "It's youthful." "It's really a reflection of me." "[Jay] I like the outfit." "The skirt fits, the top fits, and the vest is really cute." "I feel like we've both represented our design aesthetic." "[Jesse] I think our second look is not as strong as it could be." "It's not how I would represent myself if I had the choice." "If I call your name, please step forward." "Janeane and Ben," "Jesus and Amy," "Emilio and Anna, please step forward." "If I have called your name... congratulations." "Your scores have qualified you to move on to the next challenge." "You can leave the runway." "The eight of you have the highest and the lowest scores." "One of you will be named the winner, and one or more of you will be out." "Anthony, Seth Aaron," "Ping and Jesse, your teams have the low scores." "We're going to talk with the teams of the highest scores first, and then we'll bring you back out." "You can leave the runway." "Let's bring out your models." "Jay, you have immunity this week, so did you kind of slack a little bit this week?" "The immunity did not mean anything to me." "Good." "Please tell us first about your signature look." "I wanted to make something that looked like it could be in a museum, something that a collector would want to have." "It's unique, dramatic." "I think it's really striking." "I particularly like this very bare side where you cut it very thin." "Feels very modern." "Let's bring out the look that inspired your Look for Less." "We've really just played with a lot of, like, the lines and the curves and combining those, you know, two things together." "[Maya] The whole thing costs $46." "$46. and that was $500." "Yeah." "This is more interesting, has more work, more dimension in it, than that." "Your $46 blows the 500 out of the water." "Mila, Jonathan, please tell us about your signature look." "Well, the concept here was to create an evening ensemble that was fun yet still elegant." "For me, you guys sold me absolutely on the signature look." "I think that suit looks amazing." "I would love to have that." "And I can see you in it." "Lorena, can we see it from the back?" "I think it's kind of a sportswear inspired." "It's very clean, graphic." "The coat looks fabulous." "I really love this look." "Thank you." "Let's bring out the look that inspired your Look for Less." "We were inspired by Seth Aaron and Anthony." "We took their gown into a juniors kind of phase." "First off, any editor would be like," ""A baby doll dress?" "Forget it."" "It could have been something very, very modern and simple, and it would have still been your interpretation of that." "And it probably would have been a lot stronger." "We did throw around the idea of a trapeze." "I think we probably should have gone with our instinct." "The most important thing as a designer is your instinct." "Listen to your gut." "But kudos." "I love the coat, and I'm happy to see some separates." "My God, this is how people dress." "There's logic." " Thank you." " Thank you." "Okay, we've heard what you had to say." "You can leave the runway." "Thank you." "Okay, let's bring out the designers with the low scores." "Ping, Jesse, would you please tell us first about your signature look?" "When we went to the museum and saw all those very famous clothes," "I'm thinking I need to design something that's basically timeless." "Can I just see what happens when she doesn't hold it?" "It's a tail, basically." "I just feel like this is just a bunch of fabric wrapped around a model." "[Michael] She's got to stand like the Statue of Liberty to wear this dress." "She looks like she had her little lace negligee on and you were working on her, draping some fabric, and suddenly a bell went off, and she ran out with the draping fabric." "Let's bring out the look that inspired you." "[Ping] I designed the top." "Um, Jesse designed the skirt." "I don't think anyone designed anything." "I think the only thing that it has in common with the original outfit is that it's got some gray in it." "It's just an ill-fitting, blah dress." "Who did most of the sewing?" "I sewed both of the dresses because I had to teach sewing lessons while we were working." "You had to teach sewing lessons to Ping?" "Yes." "That's what he meant." "Megan is dying to say something." "She never fit me in this." "So she never really looked at you in the dress." "Never." "Well, it... it shows." "Let's move on." "Anthony, Seth Aaron?" "We really love the classic Dior silhouette, so that was our foundation for this gown." "It looks like I'm at the cotillion party in the South from hell." "Because this is so costumey, this gown." "I mean, she's in Gone With the Wind." "Ha ha ha!" "What would you have done to have made it more modern and more forward-thinking?" "We can't design it for you." "It's how you translate your inspiration into your aesthetic." "[Heidi] Let's bring out the look that inspired you." "Okay, explain your Look for Less, please." "[Anthony] We were spending too much time trying to figure out how we were going to do the top." "We needed to simplify and move forward." "That is how much you stand behind your outfit." "We just had to do something because we were running out of time." "It looks like kind of an acetate cocktail dress on the cheap dress floor." "And you look at the inspiration, you know..." "Yes." "It's beautiful." "You could have had a little bit more see-through-ness." "She a little bit more skin, maybe." "And that's my fault." "They're both really ugly." "Too much and too much looking back, as opposed to looking forward." "And I'm surprised, Seth, you didn't step in." "I did respect he was the leader, but it was 50-50, and this is what we ended up with." "And I'm going to stand behind it." "We've heard what you had to say." "We're going to have a little chat, and then I'll bring you back out." "You can leave the runway." "Let's start with Jay and Maya." "I loved the Look for Less." "It was one of the few outfits" "I think that you could take off the runway." "She looks like lots of girls would want to look like." "They actually, for $46, turned out something that looked chic, had edge to it, and was wearable." "It was all of the above." "And they managed to do it very, very nicely." "Also designers that we did like was Mila and Jonathan." "I thought the coat was really exciting, and it had a real signature to it." "It was unique to my eye." "It looked like it stood out from the crowd." "And it was made beautifully." "Well, I like the idea that she didn't make a dress." "And it has Mila's signature on it." "It's very her." "Let's talk about Ping's dress." "It was a confusing, labored cacophony of ideas." "What I don't appreciate is that she did not pay any attention whatsoever to the Look for Less, but she spends more time with the signature piece..." "And doesn't even fit the other dress." "Let's talk about Anthony and Seth Aaron." "I feel they were too literal in their inspiration." "I don't know if it was clear in their minds that it was about going to the museum, being inspired, but then making a fashionable dress for today." "It looked costumey." "Needs to go back in the museum." "Okay, so we've made our decision." "Right." "Let's bring them back out, then." "Your teams had the highest and the lowest scores." "One of you will be named the winner, and one or more of you... will be out." "One of you will be named the winner... and one or more of you... will be out." "Jonathan... you're in." "You can leave the runway." "Thank you." "Mira, your signature look was exciting and modern." "We're glad that you thought about something other than a gown." "Congratulations." "You're the winner of this challenge." "Thank you so much." "You also have immunity for the next challenge" " and cannot be eliminated." " Yes." "You can leave the runway." "Thank you." "It feels amazing to win this challenge." " [Cheering]" " Mira!" "You won." " I won, I won, I won!" " Whoo!" "This challenge was really important to me because the signature look was so true to who I am as a designer." "It just really means a lot to me." "Maya, you're in." "You can leave the runway." "Thank you." "Jay, you're in." "You can leave the runway." "You had the lowest scores, and one of you..." "maybe two... will be out." "Anthony and Seth Aaron, instead of giving us forward-Iooking, you gave us costumey, old-fashioned ball gown." "And your Look for Less was poorly made and really unflattering." "Ping and Jesse, your Look for Less was under-designed, ill-fitting, and a major snooze." "On the other hand, the signature look was overworked and literally had to be held up by your model." "It was a mess." "Seth Aaron, you're in." "You can leave the runway." "Thank you so much." "Jesse, you're in." "You can leave the runway." "Thank you." "Anthony... you're in." "Mm." "You can leave the runway." "Congratulations." "I'm sorry, Ping." "That means you're out." "Auf Wiedersehen." "Bye." "Thank you." "I came here to learn and to see what I can do." "And I truly feel that I did amazing job." "I even surprised myself." "I would like you to remember the happy Ping, not the crying Ping, even though I cried a lot." "[Chattering]" "Win or not, it's really not my priority." "The journey continues." "I have to send you to the workroom" " to clean up your space." " Okay." "And I cannot imagine that workroom without you." "I'm proud of myself." "This will be unforgettable experience in my entire life." "Next time on Project Runway..." "You will be designing for a very inspiring group of women." "That leaves it open for anything." "Go, go, go." "This is honestly the largest challenge that I've ever faced as a designer." "Oh, shoot!" "This is definitely a fashion emergency of Chernobyl proportions." "People are kind of freaking out." " Michael, what do you think?" " Where do I start?" "Shiny, short, tight, tacky." "I'm just not sure about your taste." "Good bosoms." "Yep." "Excellent. about the fashion you've seen on tonight's show."