"( clears throat )" "I, ERIC, UM... ( playing fanfare )" "AND NOW..." "IT'S... ( Sousa's "Liberty Bell March" playing )" "MONTY PYTHON'S FLYING CIRCUS." "( music ends with fart )" "MICHAEL NORMAN RANDALL" "YOU HAVE BEEN FOUND GUILTY" "OF THE MURDER OF ARTHUR REGINALD WEBSTER" "CHARLES PATRICK TRUMPINGTON" "MARCEL AGNES BERNSTEIN, LEWIS ANONA RUDD" "JOHN MALCOLM KERR" "NIGEL SINCLAIR ROBINSON, NORMAN ARTHUR POTTER" "FELICITY JAYNE STONE" "JEAN-PAUL REYNARD, RACHEL SHIRLEY DONALDSON" "STEPHEN JAY GREENBLATT" "KARL-HEINZ MULLER" "BELINDA ANNE VENTHAM" "JUAN-CARLOS FERNANDEZ" "THOR OLAF STENSGAARD" "LORD KIMBERLEY OF PRETORIA" "LADY KIMBERLEY OF PRETORIA" "THE RIGHT HONOURABLE NIGEL WARMSLEY KIMBERLEY" "ROBERT HENRY NOONAN AND FELIX JAMES BENNETT" "ON OR ABOUT THE MORNING OF THE 19th OF DECEMBER, 1972." "HAVE YOU ANYTHING TO SAY BEFORE I PASS SENTENCE?" "YES, SIR." "I'M VERY SORRY." ""VERY SORRY"?" "!" "YES, SIR." "IT WAS A VERY, VERY BAD THING TO HAVE DONE" "AND I'M REALLY VERY ASHAMED OF MYSELF." "I CAN ONLY SAY IT WON'T HAPPEN AGAIN." "TO HAVE MURDERED SO MANY PEOPLE IN SUCH A SHORT SPACE OF TIME" "IS REALLY AWFUL" "AND I REALLY AM VERY, VERY, VERY SORRY THAT I DID IT" "AND ALSO THAT I'VE TAKEN UP SO MUCH" "OF THE COURT'S VALUABLE TIME" "LISTENING TO THE SORDID DETAILS" "OF THESE SENSELESS KILLINGS OF MINE." "I'D PARTICULARLY LIKE TO SAY" "A VERY PERSONAL AND SINCERE SORRY TO YOU, M'LORD" "FOR MY APPALLING BEHAVIOR THROUGHOUT THIS TRIAL." "I'D ALSO LIKE TO SAY SORRY, TOO, FOR THE POLICE" "FOR PUTTING THEM TO SO MUCH TROUBLE" "FOR THE LITERALLY HOURS OF WORK THEY'VE HAD TO PUT IN" "COLLECTING EVIDENCE" "AND IDENTIFYING CORPSES AND SO FORTH." "YOU KNOW, I THINK SOMETIMES WE OUGHT TO REALIZE" "THE DIFFICULT AND OFTEN DANGEROUS WORK" "INVOLVED IN TRACKING DOWN VIOLENT CRIMINALS LIKE MYSELF" "AND I'D JUST LIKE THEM TO KNOW" "THAT THEIR FINE WORK IS AT LEAST APPRECIATED BY ME." "OH, NO, NO." "WE WERE ONLY DOING OUR JOB." "NO, NO, REALLY." "THAT'S VERY GOOD OF YOU TO SAY THAT" "BUT I KNOW WHAT YOU'VE BEEN THROUGH." "OH, NO, NO." "WE'VE HAD WORSE." "IT WAS PLAIN SAILING, APART FROM THE ARREST." "I KNOW AND I'M GRATEFUL." "I'D LIKE TO APOLOGIZE, TOO, TO THE PROSECUTING COUNSEL" "FOR DRAGGING HIM IN HERE MORNING AFTER MORNING" "IN SUCH LOVELY WEATHER." "WELL, I WOULD HAVE HAD TO COME IN ANYWAY." "AH, GOOD." "BUT WHAT A PRESENTATION OF A CASE." "OH." "THANK YOU." "OH, NO." "IT'S A PRIVILEGE TO WATCH YOU IN ACTION." "I NEVER HAD A CHANCE." "OH, YES, YOU DID." "OH, NOT AFTER THAT SUMMING UP." "GREAT." "OH." "THANK YOU." "AND NOW I MUST COME TO THE JURY." "WHAT CAN I SAY?" "I'VE DRAGGED YOU IN HERE DAY AFTER DAY" "KEEPING YOU AWAY FROM YOUR HOMES" "YOUR JOBS, YOUR LOVED ONES" "JUST TO HEAR THE PRIVATE DETAILS" "OF MY PETTY ATROCITIES." "NO, NO." "IT WAS VERY INTERESTING." "BUT YOU COULD HAVE HAD A MUCH NICER CASE." "OH, NO, NO, NO." "MURDER'S MUCH MORE FUN." "YES." "AND SO MANY OF THEM." "EXCELLENT." "WE'VE HAD A TERRIFIC TIME." "I'M SORRY." "I'M VERY MOVED." "SO, M'LORD IT ONLY REMAINS" "FOR YOU TO PASS THE MOST SAVAGE SENTENCE ON ME" "THAT THE LAW CAN PROVIDE." "WELL, UH, NOT NECESSARILY." "UH, NO, M'LORD." "THE FULL PENALTY OF THE LAW IS HARDLY SUFFICIENT." "I INSIST I MUST BE MADE AN EXAMPLE OF." "WELL, YES AND NO." "I MEAN, SOCIETY AT LARGE..." "OH, NO, M'LORD!" "NOT WITH MASS MURDER." "OH, BUT IN THIS CASE, DON'T YOU THINK...?" "YES, YES." "OH, COME ON, M'LORD!" "YOU'VE GOT TO GIVE ME LIFE." "NO!" "NO." "NO." "WELL, TEN YEARS AT LEAST." "COME ON." "TEN YEARS?" "( in unison ):" "SHAME, SHAME." "WELL, FIVE THEN." "BE FAIR." "NO, NO, NO, NO." "I'M GIVING YOU THREE MONTHS." "OH, MY GOD, THAT'S SO EMBARRASSING." "I WON'T HEAR OF IT." "GIVE ME SIX." "PLEASE." "WELL..." "ALL RIGHT." "SIX MONTHS." "THANK YOU, M'LORD." "BUT SUSPENDED." "OH!" "( all cheering )" "THREE CHEERS FOR THE DEFENDANT!" "HIP-HIP..." "ALL:" "HOORAY!" "HIP-HIP..." "ALL:" "HOORAY!" "HIP-HIP..." "ALL:" "HOORAY!" "FORHE'S A JOLLY GOOD FELON" "FORHE'S A JOLLY GOOD FELON" "FORHE'S A JOLLY GOOD FELON...  ( gravelly voice ):" "WHICHNOBODYCANDENY... ( note sliding up and down the scale )" "IT'S NO GOOD, SPIDER." "YOU CAN'T ESCAPE THAT EASILY." "WE'RE COMING IN AFTER YOU." "( soft grunt )" "( soft grunt )" "THIS WAY, DAVIS." "( distant breathing )" "HMM." "WE'D BEST SEPARATE." "I'M GOING DOWN THERE." "YOU CHECK THE RIGHT VENTRICLE." "( grunts )" "ANY SIGN OF HIM, DAVIS?" "WHY, NO." "NOTHING HERE." "ALL RIGHT." "WE'LL CHECK THE SPLEEN." "WAIT!" "( footsteps pounding )" "OH, MY GOD!" "HE'S DOWN THE BACK OF US!" "QUICK!" "WE'VE GOT TO CATCH HIM" "BEFORE HE REACHES THE NECK." "OH, NO." "TOO LATE, DAVIS!" "HE'S GOT OUT!" "( munching )" "OH!" "HE'S EATING!" "RUN FOR IT!" "AH!" "( muffled ):" "OH, MY GOD!" "WE'RE HERE IN THE STOMACH!" "OH..." "Narrator:" "THIS LITTLE-KNOWN ICELANDIC SAGA" "WRITTEN BYAN UNKNOWN HAND IN THE LATE 13th CENTURY" "HAS REMAINED UNDISCOVERED UNTIL TODA Y." "NOW IT COMES TO YOUR SCREENS FOR THE FIRST TIME" "FRESH FROM THE LEA VES OF ICELAND'S HISTORY." "THE TERRIBLE NJORL'S SAGA..." "IT'S NOT THAT TERRIBLE." "NO, I MEANT TERRIBLY VIOLENT." "OH, YEAH." "YEAH." "ERIK NJORL, SON OF FROTHGAR" "LEA VES HIS HOME TO SEEK HANGAR THE ELDER" "AT THE HOUSE OF THORVALD NLODVISSON" "THE SON OF GUDLEIF" "HALF-BROTHER OF THORGIER, THE PRIEST OF LJOSA WATER" "WHO TOOK TO WIFE THURUNN, THE MOTHER OF THORKEL BRAGGART" "THE SLA YER OF GUDMUND THE POWERFUL" "WHO KNEW HOWAL, SON OF GEERNON, SON OF ERIK FROM VADALESC" "SON ARVAL GRISTLEBEARD, SON OF HARKEN" "WHO KILLED BJORTGUAARD IN SOCHNADALE IN NORWA Y" "OVER GUDREED, DAUGHTER OF THORKEL LONG" "THE SON OF KETTLE-TROUT" "THE HALF-SON OF HARVIYOUN HALF-TROLL" "FATHER OF INGBARE THE BRA VE" "WHO WED ISENBERT OF GOTTENBERG" "THE DAUGHTER OF HANGBARD THE FIERCE..." "Announcer:" "WEAPOLOGIZE FOR AN ERROR IN THE SAGA." "EVIDENTLY THORGIER, THE PRIEST OF LJOSA WATER" "WHO TOOK TO WIFE THURUNN, THE MOTHER OF THORKEL BRAGGART" "THE SLA YER OF GUDMUND THE POWERFUL" "WHO KNEW HOWAL, SON OF GEERNON, SON OF ERIK FROM VADALESC..." "Narrator:" "WELL, I'M AFRAID WE'RE HA VING A LITTLE TROUBLE" "GETTING THIS VERY EXCITING ICELANDIC SAGA STARTED." "IFANY OF YOU AT HOME HA VEANY IDEAS" "ABOUT HOW TO GET THIS EXCITING SAGA STARTED AGAIN" "HERE'S THEADDRESS TO WRITE TO:" "HELP THE EXCITING ICELANDIC SAGA 18-B MacNORTEN BUILDINGS, OBAN." "HELLO, UM, WELL" "I WAS THE THIRD VOICE YOU HEARD JUST NOW." "UH, I'M SORRY ABOUT THAT TERRIBLE MESS." "IT WASN'T ALL THAT TERRIBLE." "NO, NO, I MEANT TERRIBLE IN THE SENSE OF UNFORTUNATE." "OH." "ANYWAY, UM, OUR PLEA" "FOR ASSISTANCE HAS BEEN ANSWERED" "BY THE NORTH MALDEN ICELANDIC SAGA SOCIETY" "WHO'VE GIVEN US SOME VERY USEFUL INFORMATION ABOUT THE SAGA" "AND SO WE CARRY ON NOW WITH "NJORL'S SAGA"" "WITH OUR THANKS GOING ONCE AGAIN" "TO THE NORTH MALDEN ICELANDIC SAGA SOCIETY." "Narrator:" "ERIK NJORL, SON OF FROTHGAR" "RODE OFF INTO THE DESOLATE PLAIN." "DA YAND NIGHT HE RODE" "LOOKING NEITHER TO RIGHT NOR LEFT" "STOPPING NEITHER FOR FOOD NOR REST." "12 DA YSAND NIGHTS HE RODE, THROUGH RAIN AND STORM" "THROUGH WIND AND SNOW" "BEYOND THE ENCHANTED WATERFALL" "THROUGH THE ELFIN GLADES" "UNTIL HE REACHED HIS GOAL." "( dramatic chord )" "HE HAD FOUND THE RICH AND PLEASANT LAND" "BEYOND THE MOUNTAINS..." "THE LAND WHERE GOLDEN STREAMS" "SANG THEIR WA Y THROUGH FRESH, GREEN MEADOWS" "WHERE THERE WERE HALLSAND PALACES" "AN EXCELLENT SWIMMING POOL" "AND ONE OF THE MOSTATTRACTIVE" "BONUS INCENTIVE SCHEMES" "FOR INDUSTRIAL DEVELOPMENT IN THE CITY." "ONLY 15 MILES FROM EXCELLENT" "THAMES-SIDE DOCKING FACILITIES" "AND WITHIN EASY REACH OF THE PROPOSED M25." "HERE IT WAS THAT ERIC NJORL, SON OF FROTHGAR" "MET THE MA YOR" "MR. ARTHUR HUDDINUT, A LOCAL SOLICITOR." "WELCOME TO NORTH MALDEN." "YES, EVERYONE IS WELCOME TO NORTH MALDEN" "BUT NONE MORE SO THAN THE BUSINESSMEN AND INVESTORS" "WHO SHAPE OUR SOCIETY OF THE FUTURE." "HERE AT NORTH MALDEN... ( continues talking )" "Announcer:" "AND WEAPOLOGIZE TO VIEWERS OF NJORL'S SAGA" "WHO MA Y BE CONFUSED" "BY SO MANY REFERENCES TO NORTH MALDEN." "AND AFTER A FRANK EXCHANGE OF VIEWS, WE HA VEAGREED" "TO CARRY ON SHOWING THIS VERSION SUPPLIED TO US" "BY THE NORTH MALDEN ICELANDIC SAGA SOCIETY" "ON THE UNDERTAKING THAT FUTURE SCENES" "WILL ADHERE MORE CLOSELY" "TO THE SPIRIT OF 12th CENTURY ICELAND." "Narrator:" "WITH MOIST EYES, ERIC LEA VES THIS HAPPY LAND" "TO RETURN TO THE HARSH UNECONOMIC REALITIES" "OF LIFE IN THE LAND OF LJOSA WATERS." "ON HIS WA Y, ERIC RESTED A WHILE" "IN THE LAND OF BJORNSSTRAND-- THE LAND OF DARK FORCES" "WHERE GILDOR WAS KING." "( dramatic chord )" "THESE WERE THE DUKES OF THE LAND OF BJORNSSTRAND." "PROUD WARRIORS WHO BORE ON THEIR CHESTS" "THE LETTERS OF THEIR DREAD NAME." "( phone ringing )" "Announcer:" "Uh, hello?" "Is that the North maiden IceLandic Society?" "Man:" "Yes, that's right." "It's about this saga." "Oh, yes, the icelandic saga." "Yes." "Good, isn't it?" "well, uh, well, I don't know but, I mean, you promised us that you would stick to the spirit of the original text." "Yes, that's right." "well, I mean, a Lot of these things that are happening" "I mean, well, they just don't quite ring true." "well, it's a new interpretation, really." "well, we didn't want a new int..." "I mean, we wanted the proper thing." "I mean, just Look what's happening now." "Banners were a very important part of IceLandic Lore, Mr. mills." "well, then, I mean, no, no, I'm sorry." "I just can't accept that." "It's gone too far." "I'm very sorry, but we'LL have to terminate the agreement." "Oh!" "well, you're just trying to cash in on the BBC's exciting IceLandic saga." "That's business, Mr. mills." "well, that's as may be but it's not the way the BBC works." "well, I'm very sorry you feel that way but, uh, you know, if you ever want to come to maiden... ( hangs up phone )" "( stirring music ) 8:00 IS A PEAK VIEWING HOUR" "SO NATURALLY, WE TEND TO STICK TO OUR COMEDY OUTPUT." "UNLESS, OF COURSE, THERE'S SPORT" "BECAUSE, OF COURSE, WE KNOW THIS IS POPULAR" "AND POPULARITY IS WHAT TELEVISION IS ABOUT." "QUITE FRANKLY, I'M SICK AND TIRED" "OF PEOPLE ACCUSING US OF BEING RATINGS CONSCIOUS." ""RATINGS CONSCIOUS"?" "TRANSMITTING BLAND GARBAGE, M'LORD." "MMM." "THANK YOU." "NOW I'M REALLY CHEESED OFF!" "I MEAN, IT'S NOT YOUR HIGHBROW, BLEEDING PLAYS" "THAT PULL IN THE VIEWERS, YOU KNOW." "THANK YOU." "I MEAN, JOE PUBLIC" "DOESN'T WANT TO SIT DOWN AND WATCH THREE HOURS" "OF DOCUMENTARIES EVERY EVENING." "THANK YOU." "HE WANTS TO SIT DOWN" "AND HE WANTS TO BE ENTERTAINED!" "HE DOESN'T WANT A LOAD OF..." "NO, REALLY!" "I'M ABSOLUTELY FED UP WITH IT!" "I REALLY AM!" "CASE DISMISSED." "( gavel pounding )" ""CASE DISMISSED," M'LORD?" "ALL RIGHT" " FIVE YEARS." "THANK YOU, M'LORD." "CALL THE NEXT CASE, PLEASE." "CALL ERIK NJORL" "SON OF FROTHGAR, BROTHER OF HANGNOR..." "CALL ERIK NJORL" "SON OF FROTHGAR, BROTHER OF HANGNOR..." "Third man:" "CALL ERIK NJORL" "SON OF FROTHGAR, BROTHER OF HANGNOR... ( all continue reading lineage )" "Third man:" "...THE SLAYER OF GUDMUND'S SON... ( choked-off exclamation )" "YOU ARE ERIK NJORL, SON OF FROTHGAR..." "GET ON WITH IT." "WOULD YOU RAISE YOUR RIGHT HAND?" "HE OBVIOUSLY CAN'T RAISE HIS RIGHT HAND" "YOU SILLY USHER PERSON." "CAN YOU RAISE YOUR RIGHT LEG, MR. NJORL?" "CAN YOU RAISE ANY PART OF YOUR BODY, MR. NJORL?" "I SEE." "WELL, WE'LL SKIP THAT." "WELL, JUST TAKE THE BOOK" "IN YOUR RIGHT HAND, MR. NJORL" "WITHOUT RAISING ANY PART OF YOUR BODY." "OH." "WHAT IS IT NOW" "YOU PERSISTENTLY SILLY USHER?" "HE CAN'T HOLD THE BIBLE, M'LORD." "OH, SCREW THE BIBLE!" "LET'S GET ON WITH THIS BLEEDING TRIAL!" "I'VE GOT A GAY LIB MEETING AT 6:00." "SUPERINTENDENT LUFTHANSA, WILL YOU PLEASE READ THE CHARGE?" "IS A CHARGE STRICTLY NECESSARY, M'LORD?" "THE PRESS IS HERE." "OH!" "OH, SORRY." "UM..." "RIGHT!" "HERE WE GO." "YOU ARE HEREBY CHARGED:" "ONE, THAT YOU DID, ON OR ABOUT 1126" "CONSPIRE TO PUBLICIZE A LONDON BOROUGH" "IN THE COURSE OF A BBC SAGA;" "TWO, THAT YOU WERE" "WILLFULLY AND PERSISTENTLY A FOREIGNER;" "THREE, THAT YOU CONSPIRED TO DO THINGS" "NOT NORMALLY CONSIDERED ILLEGAL;" "FOUR, THAT YOU WERE CAUGHT IN POSSESSION" "OF AN OFFENSIVE WEAPON" "VIZ, THE BIG, BROWN TABLE DOWN AT THE POLICE STATION." "THE BIG, BROWN TABLE DOWN AT THE POLICE STATION?" "IT'S THE BEST WE COULD FIND, M'LORD." "AND FIVE:" "ALL TOGETHER NOW!" "ALL:" "ASSAULTING A POLICE OFFICER!" "THANK YOU!" "CALL POLICE CONSTABLE PAN-AM." "INTO THE WITNESS BOX" "CONSTABLE!" "THERE'LL BE PLENTY OF TIME FOR THAT LATER ON." "NOW..." "YOU ARE POLICE CONSTABLE PAN-AM?" "NO!" "I DENY THAT TO THE LAST BREATH IN MY BODY!" "OH!" "SORRY." "YES." "POLICE CONSTABLE, DO YOU RECOGNIZE THE DEFENDANT?" "NO!" "NEVER SEEN HIM BEFORE IN MY LIFE!" "OH!" "YES!" "YES!" "HE'S THE ONE!" "HE DONE IT!" "I'D RECOGNIZE HIM ANYWHERE." "SORRY, SUPER." "CONSTABLE, WILL YOU PLEASE TELL THE COURT" "IN YOUR OWN WORDS WHAT HAPPENED." "OH, YES!" "I WAS PROCEEDING IN A NORTHERLY DIRECTION" "UP ALITALIA STREET..." "WHEN I SAW THE DECEASED..." "STANDING AT AN UPSTAIRS WINDOW" "BARING HER BOSOM AT THE GENERAL PUBLIC." "SHE THEN TOOK OFF HER..." "WAIT A TICK!" "WRONG STORY." "OH, YES!" "THERE WERE THREE NUNS IN A RAILWAY COMPARTMENT" "AND THE TICKET IN..." "NO?" "ANYWAY, I CLEARLY SAW THE DECEASED..." "THE DEFENDANT!" "DEFENDANT!" "SORRY." "SORRY, SUPER." "I CLEARLY SAW THE DEFENDANT" "DOING WHATEVER HE'S ACCUSED OF" "UH, RED-HANDED." "WHEN KICKED, UH, CAUTIONED, HE SAID..." ""IT'S A FAIR..." "COP, I DONE IT ALL." "RIGHT." "NO..." "DOUBT ABOUT..." "THAT."" "THEN, BOUND AS HE WAS TO THE CHAIR" "HE ASSAULTED MYSELF" "AND THREE OTHER CONSTABLES" "WHILE BOUNCING AROUND THE CELL." "THE END." "THANK YOU, THANK YOU." "AND FOR MY NEXT PIECE OF EVIDENCE..." "I-I THINK YOU'D BETTER LEAVE IT THERE, CONSTABLE." "EXCELLENT EVIDENCE, CONSTABLE." "THANK YOU VERY MUCH." "NOW, MR. NJORL, WILL YOU TELL THE COURT, PLEASE" "WHERE WERE YOU ON THE NIGHT OF 1126?" "MOVE ANY PART OF YOUR BODY" "IF YOU WERE NORTH OF A LINE FROM THE HUMBER TO THE MERSEY." "IS HE IN THERE, DO YOU THINK?" "HELLO, HELLO, DEFENDANT?" "ARE YOU THERE?" "COO-EE!" "DEFENDANT?" "I THINK WE BETTER GO AND HAVE A LOOK, MAURICE." "DON'T CALL ME MAURICE IN COURT!" "ARE YOU IN THERE?" "MR. NJORL?" "( footsteps )" "THIS WAY, DAVIS." "HE'S NOT GETTING AWAY THIS TIME." "WE'LL GO DOWN THERE AND THROUGH THE LEFT LUNG." "IT WAS AROUND THE LEFT LUNG THAT... ( chuckling )" "ONCE AGAIN, I'VE PROVED TOO CLEVER FOR..." "Announcer:" "AND NOW, THE STOCK MARKET REPORT" "BY EXCHANGE TELEGRAPH." "TRADING WAS CRISP AT THE START OF THE DAY" "WITH SOME BRISK BUSINESS ON THE FLOOR." "RUBBER HARDENED, AND STRING REMAINED CONFIDENT." "LITTLE BITS OF TIN CONSOLIDATED" "ALTHOUGH BISCUITS SANK AFTER AN EARLY GAIN" "AND STOOLS REMAINED ANONYMOUS." "ARMPITS RALLIED WELL AFTER A POOR START." "NIPPLES ROSE DRAMATICALLY DURING THE MORNING" "BUT HAD DECLINED BY MID-AFTERNOON" "WHILE TEETH CLENCHED, AND BUTTOCKS REMAINED FIRM." "SMALL, DARK, FURRY THINGS INCREASED SEVERELY ON THE FLOOR" "WHILST RUDE JELLIES WOBBLED UP AND DOWN" "AND BOUNCED AGAINST RISING THIGHS" "WHICH HAD SPREAD TO ALL PARTS OF THE COUNTRY BY MID-AFTERNOON." "AFTER LUNCH, NAUGHTY THINGS DIPPED SHARPLY" "FORCING GIBLETS UPWARDS WITH THE NICKY NACKY NOO." "TING TANG TONG RANKLED DITHELY, LITTLE TIPPLES POOPED" "AND POPPY THINGS WENT PONG!" "GIBBLE GABBLE GOBBLE" "WENT THE RICKETY RACKETY ROO, AS THE..." "EH, THAT'LL TEACH YOU TO BE NORMAL." "( footsteps going downstairs )" "( door opening )" "( tuneless humming )" "HMM?" "( surprised exclamation )" "( grunting )" "HMM." "HELLO, MRS. PREMISE." "HELLO, MRS. CONCLUSION." "BUSY DAY?" "BUSY?" "I JUST SPENT FOUR HOURS" "BURYING THE CAT." "FOUR HOURS TO BURY A CAT?" "YES." "HE WOULDN'T KEEP STILL." "WRIGGLING ABOUT, HOWLING ITS HEAD OFF." "OH, IT WASN'T DEAD THEN?" "WELL, NO, NO." "BUT IT'S NOT AT ALL A WELL CAT." "SO AS WE WERE GOING AWAY FOR A FORTNIGHT'S HOLIDAY" "I THOUGHT I BETTER BURY IT JUST TO BE ON THE SAFE SIDE." "QUITE RIGHT." "YOU DON'T WANT TO COME BACK FROM SORRENTO TO A DEAD CAT." "IT WOULD BE SO ANTICLIMACTIC." "YES, KILL IT NOW." "THAT'S WHAT I SAY." "YES." "WE'RE GOING TO HAVE" "TO HAVE OUR BUDGIE PUT DOWN." "REALLY?" "IS HE VERY OLD?" "NO." "WE JUST DON'T LIKE IT." "WE'RE GOING TO TAKE IT" "TO THE VET TOMORROW." "TELL ME, HOW DO THEY PUT BUDGIES DOWN THEN?" "WELL, IT'S FUNNY YOU SHOULD ASK THAT" "BUT I'VE JUST BEEN READING A GREAT BIG BOOK" "ABOUT HOW TO PUT YOUR BUDGIE DOWN" "AND APPARENTLY, YOU CAN EITHER HIT THEM WITH A BOOK" "OR YOU CAN SHOOT THEM JUST THERE" "JUST ABOVE THE BEAK." "JUST THERE?" "YES." "WELL, WELL, WELL." "OF COURSE, MRS. ESSENCE FLUSHED HERS" "DOWN THE LOO." "OH, NO, YOU SHOULDN'T DO THAT." "NO, THAT'S DANGEROUS." "YES, THEY BREED IN THE SEWERS" "AND EVENTUALLY YOU GET EVIL-SMELLING FLOCKS" "OF HUGE, SOILED BUDGIES" "FLYING OUT OF PEOPLE'S LAVATORIES" "INFRINGING THEIR PERSONAL FREEDOM." "GOOD MORNING, MRS. CUT-OUT." "MORNING, MRS. CUT-OUT." "IT'S A FUNNY THING, FREEDOM." "I MEAN" "HOW CAN ANY OF US BE REALLY FREE" "WHEN WE STILL HAVE PERSONAL POSSESSIONS?" "YOU CAN'T." "YOU CAN'T." "I MEAN, HOW CAN I GO OFF AND JOIN FRELIMO" "WHEN I'VE GOT NINE MORE INSTALLMENTS" "TO PAY ON THE FRIDGE?" "NO, YOU CAN'T." "YOU CAN'T." "WELL, THIS, OF COURSE, IS THE WHOLE CRUX" "OF JEAN-PAUL SARTRE'S ROADS TO FREEDOM." "NO, IT BLOODY ISN'T." "THE NUB OF THAT IS HIS CHARACTERS STAND" "FOR ALL OF US IN THEIR DESIRE TO AVOID ACTION." "MIND YOU, THE MAN AT THE OFF-LICENSE" "SAYS IT'S AN EVERYDAY STORY" "OF FRENCH COUNTRY FOLK." "WHAT DO THEY KNOW?" "NOTHING." "60 NEW PENCE FOR A BOTTLE OF MALTESE CLARET." "( scoffs ) I PERSONALLY THINK THAT-- OH, BEG YOUR PARDON" "I PERSONALLY THINK THAT JEAN-PAUL'S MASTERWORK" "IS AN ALLEGORY OF MAN'S SEARCH FOR COMMITMENT." "NO, IT ISN'T." "YES, IT IS." "'TISN'T!" "'TIS!" "NO, IT ISN'T!" "ALL RIGHT." "WE CAN SOON SETTLE THIS." "WE'LL ASK HIM." "DO YOU KNOW HIM?" "YES." "WE MET ON HOLIDAY LAST YEAR." "IN IBIZA?" "YES." "HE WAS STAYING THERE WITH HIS WIFE" "AND MR. AND MRS. GENET." "OH, I DID GET ON WELL WITH MADAM S." "WE WERE LIKE THAT." "WHAT WAS JEAN-PAUL LIKE?" "WELL, YOU KNOW, A BIT MOODY." "YES." "YES." "HE DIDN'T JOIN IN THE FUN MUCH." "JUST SAT THERE THINKING." "STILL, MR. ROTTER CAUGHT HIM A FEW TIMES" "WITH A WHOOPEE CUSHION." "LE CAPTITALISME ET LA BOURGEOISIE" "ILS SONT LA MEME CHOSE... ( imitates fart )" "OH, WE DID LAUGH." "OH, DEAR." "WELL, WE'LL GIVE HIM A TINKLE THEN." "YES, ALL RIGHT." "SHE SAID THEY WERE IN THE BOOK." "WHERE'S THE PARIS TELEPHONE DIRECTORY?" "IT'S ON THE DRYER." "NO, NO." "THAT'S BUDAPEST." "OH, HERE WE ARE." "SARTRE, SARTRE..." "IT'S 621036." "OH, THANK YOU, MRS. FARLEY." "HELLO?" "PARIS 621036, PLEASE." "AND MAKE IT SNAPPY, BUSTER." "Both:" "THEGIRLFROMIPANEMA GOES WALKING" "TALLANDYOUNGAND TAN ..." "HELLO." "HELLO, MRS. SARTRE." "IT'S BEULAGH PREMISE HERE." "OH, PARDON." "C'EST BEULAGH PREMISE ICI." "OUI, OUI, DANS IBIZA." "OUI." "WE MET..." "NOUS NOUS RECONTRONS AU HOTEL MIRAMAR." "OUI, A LA BARBEQUE, C'EST VRAI." "EST-CE QUEJEAN EST CHEZ VOUZ?" "OH, MERDE." "WHEN WILL HE BE FREE?" "OH, PARDON." "QUAND SERA T'IL LIBRE?" "( laughing )" "SHE SAYS HE'S SPENT THE LAST 60 YEARS" "TRYING TO WORK THAT ONE OUT." "OH, TREZAMUSANT, MADAME S." "OUI, ABSOLUMENT." "A BIENTOT." "WELL, HE'S OUT DISTRIBUTING PAMPHLETS TO THE MASSES" "BUT HE'LL BE IN AT 6:00." "OH, WELL, I'LL RING B.E.A. THEN." "OH, LOOK!" "PARIS!" "THAT'S NOT PARIS." "JEAN-PAUL WOULDN'T" "LIVE HERE." "IT'S A RIGHT OLD DUMP." "BUT THIS IS WHERE THEY WERE WRONG." "FOR THIS WAS NO OLD DUMP, BUT A TOWN WITH A FUTURE" "AN URBAN ELDORADO WHERE THE BUSINESSMAN OF TODAY CAN ENJOY" "THE FACILITIES OF TOMORROW IN THE COMFORT OF YESTERDAY." "PROVIDED BY A GO-GETTING, GO-AHEAD COUNCIL" "WHO KNOW JUST HOW LOUD MONEY CAN TALK." "INTEREST RATES..." "WELL, IT'S NONE OF MY BUSINESS" "BUT WE HAD THE SAME TROUBLE" "WITH ONE OF OUR ICELANDIC SAGAS." "THESE PEOPLE ARE TERRIBLY KEEN" "BUT THEY DO RATHER TEND TO TAKE OVER." "I THINK I'D STICK TO CARIBBEAN ISLANDS IF I WERE YOU." "FINE." "AND NOW, BACK TO THE SAGA." "( dramatic musicplaying )" "( music dwindles discordantly )" "( wind blowing )" "HERE" " THIS IS NOT PARIS." "THIS IS ICELAND." "OH..." "WELL." "PARIS MUST BE OVER THERE THEN." "OH." "( both singing ):" "THEGIRLFROMIPANEMA GOES WALKING...  ( accordion musicplaying )" "OOH, HERE WE ARE." "NUMBER 25." "OH, YES." "FLAT ONE" "YVES MONTAND, FLAT THREE, JACQUES COUSTEAU" "FLAT FOUR, JEAN GENET AND FRIEND..." "Both:" "OOH, YES." "FLAT FIVE, MAURICE LAROUX." "WHO'S HE?" "NEVER HEARD OF HIM." "FLAT SIX, MARCEL MARCEAU" "WALKING AGAINST THE WIND, LIMITED." "FLAT SEVEN, INDIRA GANDHI." "SHE GETS ABOUT A BIT, DOESN'T SHE?" "YES." "YES." "FLAT EIGHT, JEAN-PAUL AND BETTY-MURIEL SARTRE." "( buzzing )" "Woman:" "Oui?" "C'EST NOUS, BETTY-MURIEL." "EXCUSEZ QUE NOUS SOMMES EN RETARD." "Entrez." "OUI, MERCI." "...Maisjesuisforte... ( man coughing )" "( knocking )" "OH, RUBBISH." "BONJOUR." "PARLEZ VOUZANGLAIS?" "OH, YES." "GOOD DAY." "HELLO, LOVE." "HOW ARE YOU?" "THIS IS MRS. CONCLUSION FROM NUMBER 46." "OH, NICE TO MEET YOU, DEAR." "HELLO." "HOW'S THE OLD MAN BEEN?" "OH, DON'T ASK." "HE'S IN ONE OF HIS BLEEDING MOODS." "THE BOURGEOISIE THIS, IT'S THE BOURGEOISIE THAT." "HE'S LIKE A LITTLE CHILD SOMETIMES." "( coughs )" "I WAS ONLY TELLING THE RANIERS THE OTHER DAY" "OF COURSE, HE'S ALWAYS RUDE TO THEM" "ONLY CLASSY FRIENDS WE GOT" "I WAS SAYING, "SOLIDARITY WITH THE MASSES"" "I SAID, "PIE IN THE SKY."" "( laughing )" "OOH, YOU'RE NOT A MARXIST, ARE YOU, MRS. CONCLUSION?" "NO, I'M A REVISIONIST." "OH, GOOD." "I MEAN, LOOK AT THIS PLACE!" "I'M AT MY WITS' END" "REVOLUTIONARY LEAFLETS EVERYWHERE." "ONE OF THESE DAYS, I'LL REVOLUTIONARY LEAFLETS HIM." "( laughing )" "IF IT WASN'T FOR THE GOAT" "YOU COULDN'T GET IN HERE FOR PROPAGANDA." "WELL, VERY WELL." "CAN WE, UH, POP IN" "AND HAVE A WORD WITH HIM?" "YES, COME ALONG." "THANK YOU." "BUT BE CAREFUL." "HE'S HAD A FEW." "OH." "MIND YOU, HE'S GOOD AS GOLD IN THE MORNING" "I'VE GOT TO HAND IT TO HIM" "BUT COME LUNCHTIME, IT'S A BOTTLE OF VIN ORDINAIRE." "SIX GLASSES AND HE'S READY TO AGITATE." "UH, COO-EE!" "JEAN-PAUL?" "JEAN-PAUL?" "AH, IT'S ONLY US." "OH, PARDON, C'ESTMEME NOUS." "Jean-PauL:" "OUI." "JEAN-PAUL, YOUR FAMOUS TRILOGY, RUESA LIBERTE" "IS IT AN ALLEGORY OF MAN'S SEARCH FOR COMMITMENT?" "OUI." "TOLD YOU SO." "OH, COITUS." "TODAY, WE LOOK AT A VANISHING RACE" "A PROBLEM PEOPLE WHO ARE FAST DISAPPEARING" "OFF THE FACE OF THE EARTH..." "A RACE WHO ONE MIGHT SAY ARE LOSING A WINNING BATTLE." "THEY LIVE IN A SUNSHINE PARADISE" "A CARIBBEAN DREAM WHERE ONLY REALITY IS MISSING..." "FOR THIS IS WHICKER ISLAND..." "AN ISLAND INHABITED ENTIRELY BY EX-INTERNATIONAL INTERVIEWERS" "IN PURSUIT OF THE IMPOSSIBLE DREAM." "THE WHOLE PROBLEM OF WHICKER ISLAND" "IS HERE IN A NUTSHELL." "THERE ARE JUST TOO MANY WHICKERS." "THE LIGHT-WEIGHT SUITS..." "THE OLD SCHOOL TIES..." "THE PRACTICED VOICE OF THE SEASONED CAMPAIGNER..." "CANNOT HIDE THE BASIC TRAGEDY HERE." "THERE JUST AREN'T ENOUGH RICH PEOPLE LEFT" "TO INTERVIEW." "YOU CAN'T TEACH AN OLD DOG NEW TRICKS" "AND SO YOU FIND THEM..." "SITTING BESIDE ELEGANT SWIMMING POOLS..." "SIPPING MARTINIS..." "AND WAITING FOR THE INEVITABLE INTERVIEW." "I TALKED TO THE ISLAND'S ONLY WHITE MAN, FATHER PIERRE." "FATHER PIERRE, WHY DID YOU STAY ON" "IN THIS COLONIAL CAMPARI-LAND" "WHERE THE CLINK OF GLASSES MINGLES" "WITH THE MURMUR OF A MILLION MOSQUITOES" "WHERE WATERFALLS OF WHISKY WASH AWAY THE WORRIES" "OF A WORLD-WEARY WHICKER" "WHERE GIN AND TONICS JINGLE IN A GYROSCOPIC JUBILEE" "OF SOMETHING BEGINNING WITH "J"?" "FATHER PIERRE, WHY DID YOU STAY ON HERE?" "WELL..." "MAINLY FOR THE INTERVIEWS." "WELL, THERE YOU HAVE IT." "A CRUMBLING..." "EMPIRE IN THE SUN-DRENCHED..." "CARIBBEAN, WHERE THE CLICHES SPARKLE ON THE WATERS..." "LIKE THE MUSIC OF REPEAT FEES..." "AND SO..." "FROM WHICKER ISLAND..." "IT'S..." "FARE..." "WELL, AND..." "BON..." "VOY..." "AGE." "( Sousa's "Liberty Bell March" playing )" "[Captioning sponsored by THE U.S. DEPARTMENT OF EDUCATION and AE TELEVISION NETWORKS" "Captioned by The Caption Center WGBH educational Foundation]"