"TYRA BANKS:" "Previously on America's Next Top Model..." "Some of the girls were reluctant to get makeovers." "EBONY:" "It was kind of like just having, like, hair color from H-E double hockey sticks." "BANKS:" "A medical emergency nearly knocked Adrianne out of the competition." "Ebony learned how tough the criticism can get." "The texture of your skin needs alotof work." "But in the end, it was Nicole who was sent packing." "Seven girls remain." "Who will be eliminated tonight?" "THE REALITY's" "It's real, It's exciting, It's..." "Good morning!" "Hello!" "Guess who's here!" "Wake up." "Wake up!" "Wake up!" "It's time to work out!" "Yes, come on!" "We're leaving in a half hour!" "Jon the trainer is supposed to, um, whip us all into shape." "Hello!" "Oh, yeah!" "It's time to go!" "Come on!" "No going back to bed!" "GISELLE:" "The last elimination was the worst for me." "BANKS:" "Giselle, if you don't think you're fierce, if you don't think you're hot, if you don't think that you're great, then I won't." "Constructive criticism..." "Yeah, right." "Three, four, five..." "So left leg up, and left leg back." "Reverse, one more time." "Three, four, five, six, seven, eight, nine, ten." "Reverse." "Hold them out there." "ADRIANNE:" "I bust my balls here every week." "Tell myself, every week, I'm going to be the last one standing." "SILVERMAN:" "Adrianne had issues today with, um, stomach problems." "She had, uh, food poisoning, so her level of commitment, just being there, was impressive." "Supposed to make my skin fabulous." "The judges basically told me that my skin was not good." "I got it, girl." "I'll work on it." "Itwillbe flawless." "GISELLE:" "Ebony, she's..." "She uses so much grease on herself, that, like, her grease gets on the doorknobs of the bathroom." "She's so..." "loud." "He's like, "Hey, you get up on your booty and you move it!"" "Oh, yeah, he's so hot." "Makes me bubble right inside." "SHANNON:" "I think each week is definitely a new playing field, just because you have a different task." "So some may excel in this area, and some may excel in that area, so things can change, most definitely." "GISELLE:" "Tyra and Mel told us to be downstairs in the lobby." "We did not know what was going on." "All righty." "Do you guys know where you are today?" "(mumbled responses)" "Some sort of theater." "Some sort of theater." "Well, you guys are in an acting school, one of the premiere acting schools in New York City, and I have brought in a woman by the name of Alice Spivak." "Alice is a premiere acting coach and she has taught a lot of different models." "We're not here today to teach you guys how to be actresses for a movie." "We're here to teach you how to incorporate it into modeling." "I think acting's very important with modeling, especially with selling products." "Now Alice is going to do acting exercises with you to loosen you up, and later this week you'll be tested on your abilities." "All right, y'all-- Alice Spivak, come on out." "I was thinking of doing a imaginary little scene, maybe wrapped around an object." "An object, in acting, is a prop." "And also an object can be another person, a living object." "Ebony's all excited because she can't wait to go." "I chose to begin with just wild, improvisational work, giving them a basic groundwork for acting." "ELYSE:" "I've never done any acting, except for the fabulous production" "Black Elk Speaks in seventh grade." "SPIVAK:" "Elyse really needed to open up, and she opened up a little at a time." "Now the second person who comes in, brings in the relationship." "So, Shannon, you better get out there, because she's starting already." "(imitates whip cracking)" "It's not about me, it's about you, thinking you all that and you not." "Are you using those Colgate strips?" "You're not using the Colgate strips that I got you, honey." "ELYSE:" "My God." "Sit down, Giselle!" "I'm talking!" "I'm seeing mice, girl." "SPIVAK:" "Shannon needs to take it more seriously." "I was watching and felt a real progression going on with the girls." "Giselle is really very good, really." "Robin surprised me in her total freedom." "But who moved me in terms of being private and being in the moment was Ebony." "BANKS:" "Well, thank you." "Oh, you're welcome." "I'll see you tomorrow." "Yes." "For models first starting out, living space is at a premium." "So with three girls already gone," "I had the girls from the Miami room move into the Tokyo room to keep it real." "ADRIANNE:" "Everyone's like," ""So, you're moving out of Miami into Tokyo now, right?"" "And I was like, "Huh?"" "ROBIN:" "When they moved out, it just feels like home." "Miss Kesse and Miss Shannon out, we have the whole side to ourselves now." "It's wonderful." "God is good." "GISELLE:" "When we found out that Ebony and Adrianne were moving into our room, we were like, "Okay, whatever, but I was excited to hear that Adrianne was moving in." "It was okay that Ebony was moving in, 'cause we hadn't had any kind of problems yet." "(sighs)" "Hey!" "Mum's the word!" "What are you doing?" "!" "What do you think?" "!" "What's going on?" "How are we doing?" "Don't we look fabulous tonight?" "ELYSE:" "J. Alexander surprised us at the house." "Everyone was in their pajamas andsoready to go to sleep." "SHANNON:" "J. came in, and he is the runway expert-- totally." "And J.'s been working with us on our walk." "He can work that runway." "I think J. Alexander is the bomb." "I think he is such a diva." "I gotta rest." "Well, we got a little walking lesson before you start resting, baby." "I sorta see, you know, just like, where you guys sort of like, left off and where you picked up." "ALEXANDER:" "Miss Ebony, baby." "I need long steps from you." "Let me stand next to you." "Ooh, girl." "You about to be fried." "You are!" "You are about to be..." "You are about to be..." "Yes?" "...fried." "It's just..." "I was going through issues, so I'm, you know, moisturizing." "Well, baby, what kind of issues was you going through that you're moisturizing?" "I'm trying to figure it out." "With no sleep, it's no, you know, dry, you know." "ELYSE:" "There was grease all over because of her new moisturizing regime." "Ugh." "Before you go, we gotta ask you a question:" "Can you be a celebrity judge now ba-donka-donk contest right quick?" "Ba-donka-donk is a dance." "?" "Shake that booty ?" "(hip-hop song playing)" "ELYSE:" "Everybody gets together and shakes their donk donks..." "um, for a prize." "I don't even want to participate in that." "?" "Come on, be at the club, everybody booty, break it... ?" "It's not just a shake, it's a swivel." "So you've got to get, like, the swivel into it." "?" "From the left to the right, everybody booty make it... ?" "KESSE:" "Something that I really, really like to do, that's dance." "?" "Come on, be at the club, everybody booty, break it... ?" "Girl." "?" "Let me see you shake it, shake it ?" "?" "Gonna shake it from the left to the right ?" "?" "Everybody gonna... ?" "ELYSE:" "Kesse is hilarious." "She goes to church and she's part of the holy room, and yet she does dirty dancing." "?" "Get on the floor, let me see them hips... ?" "Dang." "You went to pick up a quarter." "This is the official diva of the house." "Everybody give Kesse a round of applause!" "ADRIANNE:" "The only reason" "I didn't win is I didn't do the splits, which I don't see has anything to do with the butt." "No!" "What is she going to tell her?" "Giselle said that she was going to tell Ebony to wash her hands before she touches anything." "So I can't wait for the, um," "Giselle vs. Ebony anti-grease showdown." "I sincerely hope to be there." "ADRIANNE:" "These people live like pigs." "Now, I vacuum." "I load the dishwasher." "The house looks like crap." "ROBIN:" "It's nasty." "We have a couple of people that don't clean up behind themselves, then, um, it becomes a problem for the whole house." "Oh, well, our side is clean." "The wonderful Christians, that, you know, think they're better than everybody and they're holier than thou." "I clean up their messes all the time." "Elyse." "ELYSE:" "Giselle really set the precedent for laziness, with her constant sleeping and unwillingness to exert the effort to go and get herself a bowl of Lucky Charms in the morning." "KESSE:" "I don't think she's used to pulling her weight." "I think she's used to people cleaning up behind her." "EBONY:" "She can be a little annoying, but she's 18." "What do you expect?" "We have to act today." "SPIVAK:" "Hello." "EBONY:" "Alice came over again, and, um, we had a competition." "Yesterday was a big learning day, but also, today is a challenge day." "I'm selecting somebody on the basis of the effort and the desire, and the award is... a spa treatment." "No!" "And that award winner..." "Can select two?" "SPIVAK:" "...can select two others." "EBONY:" "The reward was going to get your nails done, and getting a massage." "That's something that we all want, we all need." "And the other four get to clean up this place." "Well, this is going to be great." "I am going to get stuck cleaning." "SPIVAK:" "That's what happens today." "So it's hard when it's cold reading and you have to look up, but it's okay, too, because I want to see just how much you can use the copy and look up and talk, and look back down." "So who wants to read cold?" "Giselle?" "Just read it?" "Just read cold." "Okay. "I can't believe that Jeff broke up with me, with me." "I knew I should have broken up with him first."" "SPIVAK:" "I think that Giselle is the most worried about doing as well, or better." "SHANNON:" ""I knew I shouldn't have" ""broken up with him first!" ""I hate crying." ""I refuse to cry." "My eyes just get way too puffy."" "SPIVAK:" "Shannon, she kind of jumps in, dives in, splashes around a bit, and maybe it'll come out all right." ""I wish I could cry" ""the way Audrey Hepburn did" ""inBreakfast at Tiffany's." "It was so cute."" "SPIVAK:" "Adrianne was softer." "Smiling and, uh, she became relaxed almost like a professional." "I wish my eyes were bigger." "Maybe I could arch my eyebrows more." "SPIVAK:" "Elyse, I think is a really lovely girl." "She can really do different things." "She can be strong." "She can also get emotional." ""What does he know anyway!" "?" "He thinks he's so smart, because he's a brain surgeon."" "SPIVAK:" "Kesse is wanting to do it." "Her tendency is to push too hard." ""What does he mean I'm self-centered?" ""My yoga instructor says that the center of your self is where I need to be."" "SPIVAK:" "It's going to be hard with Ebony." "She's very aggressive, and she's very frustrated, which can make her very angry." ""I need to bleach my teeth." ""They're getting so yellow." ""Oh, my gosh, my teeth are yellow." ""My eyebrows are bushy, and my eyes are beady." ""No wonder he broke up with me." "I've got to get him back."" "SPIVAK:" "Robin turned into the most surprising." "She really can act." "So you all did so well, that I will give the award to Robin." "(applause)" "GISELLE:" "What's funny is that Robin won that acting challenge-- whatever you want to call it-- and made it seem like she was the big actress of the bunch." "SPIVAK:" "Robin... will pick her two." "My pick is Shannon and Miss Kesse." "ELYSE:" "It wouldn't have really been a reward for me to get my nails done." "I'm sure I just would have chipped them anyway immediately." "But, um, I wasn't necessarily looking forward to cleaning the house." "ADRIANNE:" "I am not living like a pig anymore." "I can't take it." "My house is immaculate." "Just like, ?" "Bling, bling, bling, bling, bling!" "?" "And I come here, and it's, like, (spurting)" "No." "GISELLE:" "Could you do me one favor?" "Just one favor?" "And I hope it's not like a bad thing or anything." "After you put the..." "your stuff on, could you make sure you, like, thoroughly clean your hands?" "Just because it gets on the doorknobs and it's, like, slippery." "Um, okay, I'll try to concentrate on that." "Just that." "That's all I have a problem with, I mean," "I don't even know if it's a real big problem or anything." "That's all and it's not in a bad way at all, like at all." "KESSE:" "Instead of us having to go to the spa, the spa came to us, while the other four girls had to clean." "Look how good her nails look." "It's, like, everybody's giving us attention." "Are they cleaning our bathroom, too?" "KESSE:" "They have the massage table in Tokyo, where they had to see it while they were cleaning." "That was so mean." "The people that were left to clean the house, were the same people that have been cleaning the house." "Except for Giselle." "Giselle's something else." "Ow!" "Ahh...!" "Ebony, Adrianne and Elyse were, like, scrubbing, doing floors, windows." "She wasn't doing anything." "I have a question." "I was just wondering, like, after you're done, and in between girls, I could sit, just like, you know, or just stand really quick, just like this, and you could just go like that." "MAN:" "I could do that." "Oh, my God." "When she said that," "I blurted out, you know," ""Hey, you know, you've got to be kidding me." "You've got to be kidding me."" "Well, she got upset." "Yes, honey." "You're sitting here." "I asked him a question." "You're like, "Are you kidding me?" "Are you kidding me?" I'm not talking to you." "But you know what?" "I cannot help your immaturity." "I am sorry." "Nobody's going to like you." "No, seriously." "You're doing that stupid age thing again." "What stupid age thing?" "Bring up the age." "I'm not going through it." "Sweetie, I'm not going through it with you." "I just don't understand." "I'm not going through it with you." "I don't understand." "I'm not going through with you." "I need to ask you a question." "I am sorry." "There's nothing you can do about it." "I treat you the same way I treat this young lady here." "I treat everybody the same exact way." "You know why?" "Because you're asking for massages while we're cleaning up, instead of cleaning the tub like you said you were gonna do." "You're my roommate, and I need to get along with my roommates." "And I don't understand why you have to act like that." "You know what, sweetie?" "Go and talk to somebody else about it, but don't do it with me." "Because I'm very intelligent and I'm not going to play this little slow game with you." "She was, like, "This is so immature," "I'm not even going to talk about it anymore."" "But then, "Oh, okay, Miss Mature Woman, go, you know, you don't want to talk about it."" "But yet she's talking about it with Adrianne." "I'm missing a lot of everything, because I wasn't listening to anything." "Okay, Giselle said that she was going to clean the bathroom." "She went in there, started cleaning..." "I didn't hear that either, but now..." "Okay, but anyway, that's not what she said." "I'm being nice by saying that." "Put it like this." "She was in the bathroom cleaning, and I assume that's what she was doing." "She's done things like that before, where she did absolutely nothing." "That's immaturity." "I have no time for that." "I'm baffled." "I'm baffled." "I have garbage to put away." "Excuse me." "I don't care." "That 18-year-old, and me trying to be, you know, a great role model and all that, that needs a cut at one point." "This is a competition." "I'm not here to be a role model." "I'm here on a competition." ""This is a competition." "This is a competition."" "It's, like, we're in the house right now." "Would you calm down with the damn competition." "Excuse me, that's fine with you." "That's your opinion." "But I see my situation with you, I see it... let me finish first." "I let you finish." "You know, we try to say something and oh, oh, oh." "She has to like bark over your voice and it's so frickin' annoying." "You feel like I'm overbearing." "You're talking, but that's on you for not saying nothing." "But I can't." "That's my problem." "That's on you." "That's on you, baby." "You have to work that out and I can't help that." "I can though." "It was a quintessentially Ebony-esque freak-out." "I have nothing else really to say." "Is there anything else you wanted to say to me?" "Fabulous." "If you want to say something, girl, you've got a mouth." "You can definitely use it." "I'm going to finish my strawberry shortcake, or whatever it is-- cheesecake-- and work it out." "I didn't like the way Giselle handled the situation." "You know, I felt as though she has a tendency to take things very personal." "GISELLE:" "At this point, I really don't even care anymore." "I am not going to go out of control here, because I can, but I won't." "And..." "She's young." "She doesn't realize the consequences of what she does." "I think she has no clue." "But I'm just going to be myself." "That's the best I can do." "EBONY:" "So..." "I'm sorry, guys, that I had all of you come in here, but I wanted to know if it's okay if my girlfriend comes over for about an hour or two today." "Tonight." "ROBIN:" "Ebony is a lesbian and I find this offensive." "But I cannot pass judgment on her," "I just know that some people did proclaim that they, you know, they love the Lord, and are Christians, you know, are not always cut the right way." "Where will you guys be at?" "My bedroom." "SHANNON:" "My beliefs on homosexuality" "I think that, definitely, it is wrong." "It says in the Bible that it's an abomination to the Lord." "I don't personally, like, agree with it." "Can you tell me why you don't agree with it?" "I mean, just because I don't agree with, you know..." "you know, lesbian and gay relationships." "But, I mean, I can't judge you." "ADRIANNE:" "They're so innocent, you know?" "A gay person." "They're like, gay-- that's wrong, wrong, wrong." "I'm, like, what are you going to see in this industry?" "Are you going to sit there and preach to these people and tell them they're going to burn in the fiery pits of hell, because they have a gay lover?" "If it's not in my room, or in the room where we sleep, you know what I'm saying?" "It's fine." "I just, you know, like," "I just don't want it in our living quarters." "I can't stop her, you know, from having someone over." "Everybody has to deal with their own sins." "Fabulous." "I understand." "We working it?" "I'm trying to work it, okay?" "Hi." "I'm looking for Ebony." "Ebony!" "EBONY:" "Yes?" "Come hither." "I have something to ask you." "Hang on one second." "EBONY:" "The girls kind of tricked me a little bit." "Um, I was inside, you know, getting my stuff together, and making sure everything was neated up." "So I come out, and my girlfriend, Ka, she's hiding by the door." "You are so crazy." "Y'all are so crazy." "Y'all call me in, and it's quiet." "That's mean." "Hi, sweetie." "I might as well take it off." "Wow." "Can you believe I am so bald?" "You are... (both giggling)" "They jacked me up and I had to cut my own damn hair." "I don't give a ..., because it don't matter." "It look good anyway." "It does!" "EBONY:" "The girls were very nice." "You know, they came in and introduced themselves." "Where's the introduction?" "Oh, I'm so sorry." "This is..." "Introduce yourself, ladies." "I'm Giselle." "Ka." "EBONY:" "This is Ka." "Ka?" "Ka." "This is Kesse." "Nice to meet you." "They're going out partying." "It seemed that Robin and Shannon didn't even want to meet Ka." "They pretty much stayed in the other room." "ADRIANNE:" "I have so many gay friends." "I don't care." "She's really, really cool, and she really loves her girlfriend." "EBONY:" "Wild color." "Really pretty, and this is the bottom." "Mm-hmm!" "ELYSE:" "I really liked her." "She was exactly like I expected." "She obviously loved her a lot." "I'm so proud of you." "EBONY:" "Having her here was great." "It really let me know that she's okay and that she's in this for the long run." "We had gotten a letter from Tyra." "All right, ladies and gentlemen." "You have a shoot tomorrow." "Be ready to go in the main room at 8:00 a.m., no makeup on." "Sweet." "They better do my hair." "GISELLE:" "Our little Tyra note said shoot in the morning." "We're like, okay, photo shoot!" "We were excited." "Some people were nervous." "ELYSE:" "Because of the acting lessons that we took," "I knew there was going to be some kind of acting involved." "What's up, guys?" "Hi." "Okay, so today, you guys are shooting a commercial." "And the amazing thing about commercials for a model, is that almost everybody has a TV." "So this is where your stardom is solidified." "This is where Cindy Crawford, Claudia Schiffer, and myself, got famous." "By entering people's homes." "By entering that TV." "With a commercial, it's less forgiving." "With photo shoots, it's snap, you messed up, okay, snap, you messed up again, okay, snap." "Okay, that one's perfect." "With this, it is constant motion and every single frame in this film has to be perfect." "This is your director today, Loren Haynes." "He is your savior." "This is your best friend today." "This is the person that you listen to." "He knows best." "So this is a commercial." "It's for contact lenses." "We've got copy, which is dialogue." "You've got to come out." "We've got movement, attitude." "So what I'm going to do here, is give you the copy" "There's copy in this." "You guys have to learn it." "The choreographer took us outside and we kind of got this little routine together for the commercial." "One, two, three and four." "Color is power." "A one, two, three, four." "Color is emotion." "Ooh." "You don't have to leave your hand here." "Just move it." "You don't have to do anything, right?" "GISELLE:" "I'm like, okay, lady." "I've been a dancer for 15 years." "I know what you're talking about." "So I kind of got a little cocky there, but I didn't show it." "I was just thinking it and I was like, ugh." "This is the hard work." "Are those silicone?" "Yeah." "Action." "Color is power." "KESSE:" "Never in a million years would I think I would be doing a commercial, which was so much fun." "Color is emotion." "Color is excitement." "Kesse was great and wonderful and she tried and she worked really hard and her personality was there, and she, you know, wanted to make it work." "Last scene." "Action." "Color is intrigue." "HAYNES:" "Elyse had character." "She had energy, she had so much likability, and nothing was forced." "Color is emotion." "Color is passion." "Color is excitement." "It was really embarrassing." "I can't wait to see that and laugh at it." "And here we go." "Take one." "And fresh color is only for your eyes." "SHANNON:" "One line was a little bit hard for me." "I could not get the line down." "I kept on saying, and fresh color is only for your eyes." "And fresh color, is only..." "HAYNES:" "Just think the word color." "Fresh Look is color, color, color." "At least I got it right once." "Fresh Look is color for your eyes." "HAYNES:" "I think Shannon had a tough time with it, with the dialogue." "I think her personality and so forth was great and she, you know, there's so much there, but it was just work again, just because she couldn't hit the right copy." "MAN:" "Giselle's in the house." "Color is power." "GISELLE:" "The director was like" ""Okay, I want you to flirt with the camera, and I want you to be sensuous."" "Color is emotion." "Fantastic." "GISELLE:" "I did it, and the director loved it." "Passion..." "Passion." "HAYNES:" "Giselle's doing great." "She's great emotion, great energy, passion, she's able to bring a lot in to the face." "Action." "Passion." "Passion." "Passion. "Peh-ssion" to passion." "I'm from Chicago." "Okay, well, lose it." "I'm trying." "They're hammering me for my accent, and I had to sit there and try not to talk like a Chicagoan." "Passion." "HAYNES:" "With Adrianne, you know, had a problem with her, just not being able to lose the homeboy attitude." "Am I saying it right, yo?" "You gotta help me out." "HAYNES:" "Not even close." "Let's do one more shot." "You've got one more chance at it." "Passion." "Okay, you're consistent." "Roll sound, roll video, roll digital." "And Fresh Look is color for your eyes." "HAYNES:" "Cut, let's see that again." "And Fresh Look is color for your eyes." "HAYNES:" "Fantastic, cut." "She's great." "I mean, her face was beautiful." "Her movement was fantastic." "She was virtually a pro." "Camera ready." "EBONY:" "I'm very good at selling products." "I've been in retail for, um, actually, since I was 19." "I think with commercials, it's more of I'm selling the product." "You know, are you the image that we believe will sell this product." "Action." "And Fresh Look is color for your eyes." "Do us a favor." "When you walk out and do that thing, try not to do the hop with your shoes." "Got it." "We hear that click, click, click." "I see, okay." "HAYNES:" "As we got into the temper shot, where she had to get the movement, the dialogue, and the steps, she got nervous and she couldn't quite hold on to it." "MAN:" "Four, three, two..." "Action." "And Fresh Look is color for your eyes." "HAYNES:" "She forgot all the steps that she learned from the choreographer." "And couldn't quite, you know, get it in there." "And fresh color and Fresh Look is color..." "HAYNES:" "The last take on that." "Thank you, Ebony." "MAN:" "Three, two, one, action." "ALL:" "Fresh Look, beautiful eyes." "And we cut." ""Tomorrow, six of you will be continuing on" ""to become America's Next Top Model." "One of you will be eliminated."" "(loudly sings ominous theme)" "ELYSE:" "When I first met Ebony, I actually thought she would win the competition, but today at the commercial, she didn't do a very good job memorizing her lines." "I think the biggest limitation to Giselle as a model, is Giselle and her discomfort around the people who are criticizing her." "I'm really nervous about our next elimination." "I have a gut, gut, gut feeling that it will be my turn to go." "GISELLE:" "When Shannon came back in from her shoot, she got kind of frustrated." "You don't know how long you have in this house, so... you better be prepared." "I really, really, really, really, really want this." "EBONY:" "We all have this ultimate dream, and no matter how much people might say" "I don't care about this," "I know that they care." "You know, and um, I'm just as scared as them." "Welcome, ladies." "It's been another exciting week in your journey towards becoming America's Next Top Model." "The winner will receive a Revlon contract, a contract with" "Wilhelmina Models, Inc., and a fashion spread inMarie Claire." "Once again, we have our panel of expert judges." "Our expert judges are here to evaluate you on the different aspects of the modeling industry." "First, we have Janice Dickinson," "Janice is one of the world's first supermodels." "Next, we have Beau Quillian." "Beau Quillian is the fashion editor atMarie Claire." "We have Kimora Lee Simmons." "She's the owner and creative director of Baby Phat Fashions." "And, as you know, we have a special guest." "This week's judge is your commercial director," "Loren Haynes." "Now, this week, you guys have entered a new arena in the modeling industry." "You're not just posing stiff like mannequins, you actually filmed a television commercial, and here it is." "Color is power." "Color is emotion." "Color is excitement." "And Fresh Look is color for your eyes." "Color is intrigue." "Adventure, passion." "And Fresh Look is color for your eyes." "Fresh Look, beautiful eyes." "BANKS:" "Now it's time for your individual evaluation." "And Shannon, you're first." "HAYNES:" "Hey, Shannon." "We're going to do a cold reading, okay?" "So we're going to give you the script." "You have a few minutes to look at it, and then, similar to what we did yesterday, okay?" "So we're sort of creating an audition situation." "You ready?" "Okay, action." "Hey... come here." "Yes, you." "See this super, sexy smile?" "Know how I keep it looking so great?" "Water." "It has a special teeth-whitening formula to keep my pearly whites all right-- no." "And the taste?" "Like refreshing crystal snowflakes, falling on a sparkling snow-covered mountain." "Water." "Water." "Water." "Water." "Water." "Water." "Wat..." "Water." "Okay." "I think that your look is so welcoming, you know, especially when it comes to TV." "It's important to not be too intimidating on TV because you have to reach a broad amount of people." "It looks like you landed from another planet because you have so much teeth." "The teeth thing, you've got to kind of really work on that." "Breaking into the big grin thing." "I have a big smile, too, and a lot of teeth." "When I smile naturally, my top lip goes away." "You have to practice that in the mirror." "There's this and then there's this." "Okay?" "You really weren't scared of it." "You didn't give it too much, and you really got the sexy thing." "HAYNES:" "The camera loves you." "And you worked it, you worked that camera beautifully." "Thanks." "I think that the commercial was great." "You've got a killer smile." "Yes, ma'am." "Kind of loosen up and not be so pageantry standing in front of us." "Yes, ma'am." "I don't like when you call me "ma'am."" "I think it's condescending." "Just sit there and say, "Okay." You don't have to say" ""Yes, sir, no, sir, yes, ma'am, no, ma'am."" "This is not a pageant." "BANKS:" "If she wins this contest, is she going to go, "Thank you!" "Thank you!"" "Just pull back a little bit, all right?" "Robin, one more thing." "Yes, sir?" "You can call me "ma'am" anytime." "(laughing)" "When you talk it makes me want to grit my teeth." "My biggest problem I had with you, was that one word: passion." "BANKS:" "There's different ways that you can read the same line." "I'll do it for you, I mean..." ""Tyra, give me sexy."" "(breathy):" "Passion." ""Tyra, give it to me soft."" "(softly):" "Passion." ""Tyra, give it to me excited."" "(assertive):" "Passion." "I was worried about this spot, then we get to the close-ups." "Boy, did your face and your eyes carry it." "QUILLIAN:" "It's your self- confidence again." "I'm still seeing a little bit of a lack of it." "Actually, I thought yesterday boosted my self-confidence a lot more." "I thought you were great." "You always have something nice to say." "Not always." "I'm the devil on the board." "I did not know you were a dancer." "And if I did," "I would've pushed you a lot harder yesterday." "I'm sort of shocked at that." "Give them all the goods." ""I can kick." ""I can spin." "I can twirl." ""I can stand on my head." "What do you want?"" "DICKINSON:" "I think that was the worst reading" "I've ever, I've ever heard." "I mean, how long have you wanted to be a model?" "The reading sucked." "I'm sorry." "Okay." "And then as far as the commercial," "I thought you looked so beautiful, and the contacts looked great, but it just seemed a little stilted." "HAYNES:" "We had to work a long time on your spot, to get this." "I see they let you keep the lenses." "SIMMONS:" "Or you stole them like a real top model!" "(laughing)" "BANKS:" "There was a little bit of quirkiness that wasn't working, but then every now and then it would work, like a certain giggle and a certain kind of awkwardness that kind of played in your favor." "QUILLIAN:" "I agree with Tyra." "There were moments that it worked, and there are moments that it kind of seemed like you were a little marionette dolly that had her strings cut." "Elyse, you've got to practice." "Anything else?" "BANKS:" "Thanks, Elyse." "BANKS:" "Let's start with Elyse." "Elyse was so awkward in her commercial, it was uncanny." "But I think it did work for her." "DICKINSON:" "But she has what it takes, as far as I'm concerned, to stay in the competition today." "Adrianne?" "She has to take speech classes to work the mouth thing." "SIMMONS:" "I don't think her smile is gonna get..." "I'm not impressed by her." "HAYNES:" "She brings her own natural quality, but the direction, again, the key was the voice, too." "There were so many limitations," "I think, that she has." "She tried, but not a natural." "BANKS:" "Kesse." "There's something a little bit pedestrian about her." "BANKS:" "I thought Kesse in the commercial" " I was just floored by how beautiful she looked in the commercial." "SIMMONS:" "I think she constantly shows improvement, and I know that's a big factor here." "BANKS:" "Robin." "I can't get over the Yes-Ma'am- No-Ma'am pageant queen." "BANKS:" "I think Robin is beautiful." "I think she represents America." "I think Shannon could be America's sweetheart." "She just needs to work on her sexuality, and she needs to work on knowing how to work her smile a little bit better." "Janice?" "Yeah, I agree." "There's so many teeth in her mouth." "I mean, it's like, maybe she should have a few removed." "BANKS:" "Ebony?" "DICKINSON:" "I'm kind of waning on Ebony." "Beau?" "I thought she blossomed in front of the television camera." "I thought she was so fantastic." "But her performance, all in all, has been so up and down." "I think we have to take that in to account." "I agree with Beau." "I think that Ebony is, for me, personally, she has a harshness, like a rough edge." "HAYNES:" "But then the minute she opens her mouth with a smile, it just warms up and it goes away for me." "I felt yesterday that she was really working hard." "But I felt internally it was just paining, you know, it was a pain to her, that, "God, I have to do this."" "BANKS:" "Now there's Giselle." "Beau?" "Well, we've been talking to Giselle about self-confidence from the get-go." "And she's not behind herself." "You know, nobody's ever going to book her with an attitude like that." "HAYNES:" "She's beautiful and she has a natural... a natural energy and sexuality." "DICKINSON:" "I think that her insecurity really came through today." "We're all insecure to a point." "Others mask it better." "Whether she can break away from that," "I think that's sort of the question with her." "BANKS:" "This elimination process gets tougher and tougher each week." "But somebody has to go home." "And the judges have reached their decision." "EBONY:" "My spirit is telling me, you must just be the best you can be." "You know, and not think negatively." "GISELLE:" "It's another stressful day and I'm just worried that" "I'm going to get eliminated." "BANKS:" "There are seven of you standing in front of me." "But I only have six photos in my hands." "These six photos represent the women that are still in the running to becoming America's next top model." "Kesse." "Congratulations." "You're still in the running to becoming America's next top model." "Thank you." "Elyse." "Congratulations." "You're still in the running to becoming America's next top model." "Thank you." "(gritted teeth):" "Adrianne, we think you're gorgeous." "(laughing)" "We think you're absolutely gorgeous." "The bangs were gorgeous, but you really don't know what the hell I'm saying right now." "And half the time we don't know what the hell you're saying either." "(normal voice):" "So open your mouth." "Congratulations." "Robin." "Robin, you are full of confidence." "This isn't Miss America." "This is not Miss USA." "There are no sashes on anybody." "You are not Miss Tennessee in this competition." "In fact, top models hate beauty queens, because we're constantly getting compared to them, and I ain't no beauty queen." "Congratulations." "Shannon." "You've got those beautiful pearly whites." "As far as obsessing over lines, they're just lines." "Relax." "Just let it go." "But what I don't want you to let go is your sensuality and your sexuality." "It's there." "Just because you ain't done it yet, don't mean "doneit."" "Don't mean that it's not there." "Nobody just wants to look at..." ""Hi." You know?" "Nobody wants to look at that." "Congratulations." "You're still in the running to become" "America's next top model." "Will Giselle and Ebony please step forward?" "I only have one photo in my hands." "Whoever receives it will still be in the running to becoming America's next top model." "And the other young lady must immediately return to the penthouse and pack your bags and go home." "Giselle..." "Even as you stand here right now, it's like, "Where is the self-esteem?"" "You ever been to a club and you see a girl that is not necessarily the most attractive girl in that club, but all the guys in the club want her?" "And you're like, "Why?"" "The reason they all want her is because she believes sheisthat finest girl in that club." "Ebony..." "You are beautiful and your smile is breathtaking." "But you have, when you come in to the room, we sense a chip on your shoulder-- a type of anger that makes you push yourself too hard... to the point where you lose focus and you become difficult to work with." "Giselle." "Congratulations." "You're still in the running to become" "America's next top model." "Thank you, Ebony." "GISELLE:" "Whoa, she just walked out without even saying anything." "That sucks because she didn't say good-bye." "Hi, it's me." "I need you to call me." "You never know how you're going to feel after something, you know, that's so important to you, until it happens." "It's more of just the words that were said." "You know, um, Tyra said it seemed as though I was a little angry about something." "And I think that was more hurtful, because, um, almost like, she couldn't see how happy I was to be there." "BANKS:" "Stay tuned for scenes from our next episode." "Here's what's coming up onAmerica's Next Top Model." "ADRIANNE:" "Grease me like you're my mama." "BANKS:" "The girls sex it up for the camera." "And Elyse's health becomes an issue." "She looks at herself in the mirror and does like this." "I've never had an eating problem." "This girl is killing herself." "(sobs)" "I hate it here." "(giggles)" "You shut up."