"HOW TO LIVE IN THE FRG" "Bend them as much as you like, they won't break." "Look, now he's sitting." "You can bend it right round." "Let's suppose the bathtub is here, the thermometer floats in the water, you control the temperature once more and your left hand holds the baby's left shoulder." "You begin with the head, soap it and rinse it, and you go step by step to the neck, under the arm." "Don't forget any creases, wash between each finger..." "Now they all fall down." "It's fun to try and keep them standing up." "What's that supposed to be?" "It's coming." " Yes... now turn it towards you." "And now I should..." "We can't do that now, chin out, and out it comes." "Now it won't come out, that's clear." "I have to turn the shoulder once more." "My arm is still in it." "Take a look at the pelvis, how we look inside, it's supposed to be the real size." "You have to turn it in the bath to wash its back." "Naturally you're afraid the first time." "You replace the left hand with the right one  and turn the baby towards you, get a grip, and as long as the head rests on the forearm, nothing can happen." "Turn it the other way, it will fall in the water." "Then soap its back, giving it a chance to see where it's swimming." "Now replace the left hand with the right one again and turn it back towards your body." "When you've washed the front and want to wash its back, turn the baby towards you on your forearm." "Begin by replacing the left hand with the right one and turning it here." "Don't lay it on your hand, hold its arm, if it lies on your hand the head is very heavy and can roll off your hand." "Now it has drowned." "Then she went on building, more and more children appeared, and there were lots of lively scenes." "The roles were clearly divided, the mother went on with her housework, she stood here at first." "Then there was a discussion about whether that child could go play with them, and the baby was crying:" ""I want to go too!"" "Baby is already two and wants to go with them, but because she's so small... because something might happen she's not allowed to." "The other children always want to play alone, and then they can't look after her." "They even forget her." "I forgot my sister once too, when Mandy was three." "When you wanted to play." "I was playing with my friend Sandra and afterwards I forgot to take Mandy with us." "She was three and looked everywhere for us, she ran out on the street and I said:" ""Mandy, stay where you are!" And a car came." "I pulled her back." "And I said:" ""Mandy, don't do that again." "When I shout 'get out of the way', you just keep playing."" "It gave you a big shock." "Stop!" "Look, what did he do?" "What did he do wrong?" "He went on the bike path without looking." "You must first look to see if a bicycle is coming." "Now to the curbstone!" "Look left, look right... not down!" "See, he is looking down!" "Nothing is coming that way, only ants." "Yes!" "That's right!" "Don't look down." "Up, up!" "That's right." "And then one of the little girls says, this one." "And I had the feeling, that she has a lot to do with Winny, and the baby has a lot to do with Winny." "She said:" ""We'll take care."" "She offers on behalf of the other children:" ""We'll look after the little one, let her come."" "and then  the father says:" ""No!" "You abandoned her once already."" "To which the mother says:" ""I'm going to do the washing."" "She doesn't get involved in this discussion - abandoned or not; but just goes on with her housework." "Yes!" "Now look over the other shoulder to see if anyone is coming." "Good!" "Again!" "And then you walk, but don't look down!" "Always with your head up!" "Now you, please!" "She ran out in front of the car and then I said... about one or two meters,..." "the car was still behind,... because it honked for Mandy to get out of the way." "I was really afraid." " You were afraid..." "Feel your pelvis, your thighs!" "And pay attention when it begins to hurt there, when you feel you're tensing there." "You have two possibilities:" "to hold tight, you know that;" "hold tight, be strong." "And you have another possibility, to be weak." "To simply let yourself go, to feel the pain, to express it." "You've just had a break between contractions." "You've rested, and you already feel another pang from the belly, increasing, a contraction." "And you greet the contraction with a big deep breath, be glad that the contraction is coming." "because it means that the birth is getting closer." "That's right." "And the contraction grows stronger, you feel a stronger pull, maybe even a strong pain in your sacrum," "or in the front as well, in the pubic bone." "And the contraction is now at its peak... really strong." "You have the feeling you won't make it, but you try to breathe with the contraction, and not against it, because you know that it takes you a bit further." "If the pressure gets too strong, Mrs. Müller, then pant like this..." "I will." " Very good." "Keep talking!" "And look at the child!" "There's another contraction coming!" "Pant!" "Pant!" "Good, Mrs. Müller." "Now the contraction is over." "You did that wrong." "I'm sorry, that's wrong." "Always outwards, very important." "If you maintain this movement you are at the top again, and it was all wasted and you've made it worse than before." "Ok?" "Do that one hand movement again, then I'll be satisfied." "Outwards, perfect." "And now talk to Mrs. Müller again!" "So, you can press with the next contraction." "It's coming." "Place your hand on the perineum." "Quite flat." "It's pressing." " And?" "Soon you can press too." "Now you can continue pushing." "The one hand stays here - and now talk to Mrs. Müller!" "Mrs. Müller, press." "Yes, harder!" "Talk!" " Keep pressing, Mrs. Müller!" "Hard!" "It's coming." "Mrs. Müller, push again, and more!" "More, more!" "Go on, the head is coming." "Now the head is there." "Stop, don't push anymore!" "Pant!" "Rinse!" "The head is already there." "Just once." "Slowly!" "And now the child does something." "The child turns." "While you were busy here, the shoulder appeared." "That's the shoulder joint." "Now your hands flat..." "Don't claw, flat!" "What happens now, what are you doing now?" "Pressing a bit more." " Mrs. Müller should press too." "Now you see, the front shoulder is free." "Now she should pant." " Now she should pant, yes." "But Mrs. Müller complains, it's taking too long." "Pant, Mrs. Müller." "Pant, Mrs. Müller, it's almost there, pant!" "Head down  and the hands flat!" " I don't have such long fingers." "Doesn't matter." "Mrs. Müller, the baby is there, a girl." "Lovely." "Would you like to put the baby on your breast?" "Must it lie on it's stomach?" " Thank you." "Keep it nice and warm, they cool down quickly." "That was it!" "While I was pregnant I thought:" "hopefully she won't have his ears and his eyes... and she has his ears and his eyes." "And then..." "it didn't used to be so bad." "I stuck them down, so I didn't see them, but now that she's bigger:" "no eyebrows, too pale... and the thin hair, those big ears, and then those eyes;" "sometimes when she looks at me, so sharp-witted, how he always beat me... that's probably reflected... he used to beat me, when Winny was small, she saw it." "Once or twice." "Then I moved out." "Get your paws off me!" "I'll throw it on the floor." " No." "I've had enough." "Then it can break." "You won't get it." "Of course..." " That doesn't help." "You can imagine why I left." "It's like this every day, and our daughter gets the same." "Get out of here, when I see you I feel sick." "And when I tell Sabine about you, she starts to cry." "Yes." "She's like you." "You won't get me out of my home." "She goes in the cupboard, takes money, the car papers are in there too." "Get out of here, I tell you!" "No violence in my presence!" "I want to move freely in my own home." "I'm a free citizen." "Would you like me to help you?" "I like her somehow, but I don't like this body contact with her." "I don't want her to touch me, hug me." "And I've thought about it, maybe I don't like her to squeeze me." "Now and then, yes, but not too often." "Anyway not like I do with Mandy." "And when she gives me a kiss, it has to be quick." "Not too long." "On your part?" " Yes." "On my part." "Although I don't want it that way, but it comes from inside me, this aversion, my body acts on its own, I don't even think about it." "Sometimes, when she comes, I pull myself together and think:" ""My God, take her in your arms..."" "because I have a bad conscience, otherwise I wouldn't do it at all." "And I think it has to do with the father." "Because I absolutely hate him." "I'm so ashamed that I have a child from that man, you can't imagine." "But it was different once?" "She doesn't even own the dirt under her fingernails." "Not even the dirt under her fingernails." "Let's take a look at how these persons are standing in relationship to one another." "I want to briefly establish this." "Here  we have the two factious parties  and here  the two police officers." "And here we have exactly - I don't know who said it," " I thought you had or colleague Ihnenfeld - ... it would be better to somehow separate the two, so they can't even see one another." "As long as they can see one another, they're going to exchange insults." "You'll hear from my lawyer." "We're writing down the particulars anyway..." "I want a copy, do I get a copy?" "No, you don't, but you can..." "Why don't I?" "If you're taking things anyway, and confiscating them, I want something on paper." "Let me tell you, these are civil proceedings..." "I don't find it very civil." " If you think you have rights of action..." " You bet I do!" "Get out, you cave animal!" " You can bring legal action..." "Just look at that face." "Get out!" "You're drinking again." " It stinks in this room." "Get out!" "And what does it stink of?" "You've been drunk and haven't washed for three days, I know you." "Good-bye and mean it." "Your time is up." "Do you want to blow you nose first, Alexander?" "Try the other one, Alexander!" "Now Alexander, think first, don't pick the shape up right away!" "Think first and look!" "Think first!" "Look!" "Try the other one!" "We've managed that." "We're finished with this game." "Morning, Mr. Fuller." "Take a seat!" "I'm a patient person, really." "But today I've had enough." "Hello, Mrs. Schüler, please sit down." "What can I do for you?" "Good morning, Mrs. Müller." " Good morning." "I'm Mr. Darius." " You're Darius." "Good." "I was asked to appear here." "Let me first see what time you were to be here." "Good." "Nine o'clock." "I'm here on the dot." "What kind of job are you looking for?" "Something to do with electronics, I thought." "Electrician." " I have your certificate here." "I don't see how you'll manage that." "As you can see from my documents," "I'm 31 years old, have gained considerable experience in material supplies," " as you can see from my references." "To begin with I must tell you one thing:" "you see in my c.v  from... 1984 to '85 it says:" "self-employed." "I want to tell you the plain truth from the start, that's something I added, so I could get to see you." "Everything was fine work-wise until 1983, only I began to have personal problems," "which I tried to push aside with the help of alcohol." "Am I to understand, Mr. Fuller, that you weren't self-employed?" "Right." "Good morning." "Good morning." "I'm Mrs. Schulz." " Would you like to sit down?" "You were recommended to me because I wanted some personal consultation." "I realize that I'm not getting anywhere with my problems." "I'd like to have a look at what you're doing." "Perhaps you'd like to tell me something about yourself?" "I can assure you, I can also supply you with proof, that I went into therapy," "which I concluded successfully, and..." "I'm still involved." "I attend self-help groups." "And you know:" "I compare myself with other people, that is, when I go to a bar" "I feel sorry for the people who are still involved." "I have quite definitely decided on life, that means for me a life without alcohol." "What surprised me was your revelation, but  I want to say that I don't feel you lied to me." "In retrospect it's preferable than having you tell me some fairy tale about your self-employment." "Well, it's still a bit irritating, but... when I say: "You'll hear from me", it's not just words." "I really want to think it over, and I can tell you, your chances are very good." "Can we leave it like that?" "Thank you." "Hi." "I'm most annoyed." "Had to wait a long time at the teller." "I'm very disappointed in you." " Why is that?" "What a nerve!" "It's good you came straight to me." "Why did you have to wait?" "You've come to the right place, perhaps I can help you." "What's the problem?" "I wasted ten whole minutes today waiting at the teller." "I have to pay increased charges again." "Why?" "Did you receive your money?" "Yes, of course, but it took ten minutes." "I can't steal time either." "The higher charges have upset many of our customers, but you must also see the advantages of a personal account." "You have the cheque card for example..." "I don't have a cheque card." "Good, well there are other advantages, for example:" "all the printed forms you receive here are free of charge." "Perhaps particularly interesting here:" "you mentioned yesterday, I believe, that you find it difficult to ignore a customer's question but you did just that when you played your part." "I don't know if anyone noticed:" "Mrs. Goller cried angrily:" ""Must I receive this post?"" "There's no sense in answering this from your point of view." "You countered it with a question..." "Must I receive this post?" "Did you receive your money?" "Do you have your savings book with you?" " Yes, I do." "I also received my money." "I just want to say it took too long." "You're in a special hurry today?" "So it took a long time at the teller?" "We'll interrupt there, you're having a nice consultation, that's not our subject." "Where are you going?" " Round the corner." "You can have it." "Mr. Pohl-Jordan?" "Hello, my name is Weil, from Allianz insurance." "Come in." "We haven't met personally." "Unfortunately not." "Many I sit down?" " Sure." "The heat is unbearable." "Yes, it's a bit rough at the moment." "Right, but we all have to live with it." "Air-conditioning is the best investment." "You certainly have achieved a good standard of living." "I've put in a few years work so I should have something to show for it." "So you certainly want to keep it." " I had planned on that." "I stood in my kitchen - I have a big kitchen, and the ground was covered in clothing, a few feet deep." "I couldn't walk at all, here were three anoraks and..." "You have your eyes closed," "I think you have the image in front of you." "Speak in the present:" "I'm standing in my kitchen, I see... try, because you have it in front of you." "I..." "I want to work here." "The wall would be here." "Over here." "My kitchen is much larger in reality than in the dream." "In the dream it was rather small, not bigger than what I mark out here." "So, the wall is over there." "This is the stove..." "Is she falling out?" "If you all move over a little, you can look through the windscreen and see what is happening." "If the driver were to open her seat belt now the following would happen:" "She would fall almost a meter with her weight onto the person below her, and if there is nobody below her, then the prominent parts on the passenger door would certainly cause injuries." "Therefore an exit should be planned." "For this we begin with the driver sitting above." "First she supports herself with one hand on the head-rest of the seat below." "Then she looks for a second support for her leg, on the instrument panel on the driving column, or even on the door depending on how long her leg is." "Using these two points, that means arm and leg, she can push upwards, and take pressure off the safety belt." "She can now unfasten her seat belt with the other hand, she comes down slowly with both feet on the door below without injuring the passenger and climbs, controlled and slowly, up the seats, as if up a ladder and up out of the car." "But she doesn't just jump down and run away, because there is a second person in the car... instead the instruction should aim, by a practical..." "or by establishing communication, combined with a practical designated target, to ensure that the second person also leaves the vehicle safely." "Only when both are out of the vehicle, should one jump down and leave the scene of the accident." "Yes?" " Mr. Götz?" "Good morning, my name is Hoffschläger," "We had an appointment today." "May I come in?" " Please do." "Hello, Mr. Götz." " Take a seat." "Shall I go straight through?" " Yes, please." "Tell me, Mr. Götz, do you also find parking a problem here?" "Yes, it's difficult." "I've been driving round for half an hour, thought it might take a while  damn difficult near you." "The weather on top of it, the heat!" "Not a good day." "How does the weather affect you?" " Badly, when one has to work." "I'd prefer to be on holiday." " You're no better off than I." "Tell me, Mr. Götz, we'll get right down to it..." "What would happen if you hadn't come home last night?" "Have you ever thought about that?" "Never, one can't think about such things." "Outer side, outer side!" "Hello!" "Outer side!" "Fingers off the bosom!" "Just the edge." "That's why it's called: pressure point." "It's just one point." "Not the whole hand!" "Not with this side?" "It may look like one is using the whole hand but it's one pressure point." "One particular spot." "I can press better this way." "You can do it that way if you can press better, but you mustn't press with the palm of your hand." "It's just one point." "Only one." "That's very important, ladies and gentlemen, it's the most important point, for it activates four heart ventricles simultaneously!" "This is a so-called diagram." "Here, on this horizontal line, we'll mark down the years you've had this fear." "If you've had the phobia for ten years, you make ten marks." "And here on the vertical line is the severity of the fear." "If you're very afraid you must make a mark up here." "And then we'll plot the phobia's development over the years." "I want to go home!" "Yes, express it!" " I want to go home!" "Yes, draw attention to yourself, show that you are there too!" "That not only the others are important." "This serious point is November '87." "I was in university and I had a weak spell with the physical symptoms:" "fear, sweating, racing heartbeat, and so on." "He just hits it and doesn't ask." "Then in February I had another collapse, a more severe one, the symptoms were much, much stronger, with heart spasms." "I had a physical checkup and in April '88 I went into hospital, because I couldn't leave my apartment, not even to go to the postbox." "And  there it was mainly group oriented therapy and I made pretty good progress." "How are you doing?" " Fine!" "Good morning!" "In any case I'm for stew." "Good morning!" " Good morning!" "How are you?" "We're just considering... what we're going to eat." "But he doesn't eat that." "He doesn't eat meat loaf." "He doesn't." "We can't have that." "Let's have pork." " Cabbages are cheap at the moment." "White cabbage, savoy cabbage, they're in season." "I have a new recipe." "White cabbage with paprika..." " You're now 58 years old." "In a stew or as a side dish?" " As the main course." "Stew." " Stew." "Then with mincemeat too." " Mincemeat is in it." "That's better than pork." "I'm not allowed to eat pork..." "What are we going to eat, make a suggestion!" "I'm doing that." "White or savoy cabbage stew, browned..." "Or stuffed cabbage..." "or stuffed paprika." "That's a good suggestion." "Stuffed cabbage or stuffed paprika." "We had stuffed paprika last time." "Don't shout so!" "Look who's talking, you're shouting the loudest." "... too expensive!" "Fried chicken!" "Three chickens are 15, 16, 17 marks." "Get them at the market for about 5, 6 marks each." "We don't need to fry them, they're ready to eat." "That's not really the point." "You can talk about reality." "Oh, I can talk about reality too." "Your stove has appeared, let it talk." "I'm the stove and for Eva-Dörte an important part of the home." "Because... she likes to cook on me and... when she cooks she's in a good mood,  yes, she feels  sure of herself and well and..." " Big!" "That's not so important." "But she can do something and make something nice for others, and  that gives her pleasure." "But now the stove is covered in stuff, so I can't cook." "And to cap it all - a pot is standing there with a ghastly porridge and it's pouring itself on the stove, on the clothes, pieces of clothing, and the cream peas are spilling over it." "300 grams for four persons, so we need 1200 grams, not two kilos, that's too much." "If we make a mixed pan, and add the vegetables right away, then we need less meat." "Just buy everything on the list, quite simple!" "Instead of the vegetables a salad." "Cucumber or..." "Vegetables." "Cold hors d'oeuvres?" "Parma ham." "When you put a meal together yourself, remember not to mix warm and cold dishes if possible." "So if she has eaten a hot soup, it wouldn't be right to now serve something cold." "Unless it's a salad, which could also be a side dish." "But one doesn't switch:" "warm, cold, warm, cold... unless - there are always exceptions - you have a very long menu, then you often serve a cold dish in between, to allow the stomach to shrink, so you can continue eating." "But those are meals with at least 5 courses." "Sorbet." " To neutralize the taste." "Yes, to neutralize." "But the cold shrinks the stomach too, then it's possible to accommodate something more." "That's when you're sitting for several hours." "Should be a warm hors d'oeuvres." "Could be a warm fish, or it could be a salad, that's the exception." "One can eventually have it in between..." "Now it comes from the right." "And now you may eat." "And then like this?" "First this, then this, then this again." "For what we're about to receive, may the Lord make us truly thankful." "Amen." "I've cooked something specially good today:" "Stew." "I hope you all like it." "Elisabeth, how was school today?" "You said you were doing a maths paper." "Here is the fillet steak with sauce Bearnaise," "French fries and a nice beer... that will go well with it." " But I didn't order that." "I ordered fillet steak with a baked potato, salad without dressing and a mineral water, and I would like to have that." "First rate!" "Fantastic!" "What is it?" " Liver." "Has it been seasoned?" "Yes." "Ready for cooking, frying, prepared." "It's all full." "I'll make it run over." "I'll make it run over." "Here comes the food." "The highlight." "The highlight." "The absolute highlight comes now." "Do you want to sit here?" "Pass me a plate." "I'd put the potatoes over there first." "Makes no difference." " I thought you were an artist." "Exactly, artists do the unusual." "Not the usual thing, the citizen does that." "Because there are hardly any artists." "The more unusual the better." " There are hardly any artists." "There are millions of artists!" "All rubbish artists!" "The best ones live in the East Block." "In the second cultural circle." "Those are still artists, because they're restricted." "Everywhere in the world, in China, in Japan, in South America, everywhere, in the USA." "I have to talk to her." "Then I'll come to you." "I had to clean the toilet again today, it looked like a pigsty." "I really don't understand what you're doing." "I don't either." "Haven't you considered what you're doing to your body?" "First you gorge yourself and then you vomit it up." "I don't know how it started either." "This losing weight, eating so little the whole time, it's not possible anymore." "I've done it the whole time." "I've done a zero diet twice, and I felt so awful." "I couldn't go on jogging because I was so weak." "I just can't starve anymore." "I don't know why I eat so much and then vomit." "You don't need to starve." "I've told you a hundred times:" "Look at me!" "Am I fat?" "I eat regularly three meals a day and not too much." "When you constantly overeat it's no wonder you get no pleasure out of it, and become fat." "In the final position..." "you have one beat, you can leave it out, one step." "You can, when you turn and open it, make one step less." "You can leave that step out." "Who is it?" "The police." "What do you want?" " Open up please." "The door is open." "Come in." "Hello." " What do you want?" "Are you Christian Mathias Heller?" "We have here a summons." "We must ask you to come with us." "What is it for?" "It concerns the 20 mark, the transgression you committed." "I paid that." " We know nothing about that." "I can show you my receipt." "I paid it at the post office." "We have the summons and you'll have to come with us for now." "You can of course take the receipt with you." "You can't do that." "I only have to show it to you." "We still have to take you with us." "This isn't the first time I've had to go through this." "Please stand up, take your things and come with us!" "Hold this, will you?" " Put it down somewhere." "Always the same thing, the same scene." "I pay it and the cops still arrest me." "Ring, ring!" "Growing old isn't fun, believe me!" "Lotti..." " Yes, granny." "I know." "Lotti, I hardly dare say it," "I'm standing in the phone box again." "I'm locked out..." " And I'm locked out." "Alright, granny." "I really couldn't help it this time..." "I really couldn't help it this time, it was the wind." "I'm standing here in my slippers." "We don't need..." " We don't need the locksmith this time." "You have my spare key." "Can you come right away?" "Alright granny, I'll be right there." "I say, do you hear that?" "There is something." " Those are engine sounds." "A tank." "Go back, alert the company commander, he must come." "Alright." " I'll continue observation." "We'll assume that we approach the person from behind and place our legs between their feet." "In an extreme situation, if he resists, we can exert pressure here, to prevent it." "Perhaps pressure isn't the right word, one must use a certain physical force, so that he falls forward." "Obviously only when he really offers resistance." "Perhaps it should be a bit more pithy, this astonishment, he's been lying for 2, 3 hours, there was nothing until now and then all of a sudden " "NATO's been waiting thirty years for this:" "the first tank crawls over the hill, right." "You don't say this but one should hear it, like:" ""Isn't that something?" "I hear something over there." "It's the sound of a tank!" "Now!" "Don't you hear it too?"" "You say: "I hear it too." Then comes your story:" "'get the commander' and 'I'll continue observation'" "He's in this room here." "Just a moment." "What's going on out there?" "What do men do for us anyway?" "They may take off their long underwear when spring comes, but they never use face packs, or go on a rice diet." "Really." "We take pains with ourselves and what then?" "Then I'm slim and beautiful..." " Stop!" "Once again." "Can't you show that you remember the telephone?" "Remember how?" " The piece is so short anyway." "Look like this or try the doorknob, and search a bit and then..." "But then she must come even sooner because I can't make the text any longer." "Ok." "But so that one understands:" "the search is over, now the idea of the telephone." "Then I can't see the telephone?" "God in heaven, how can you see it!" "It's only like that here, unfortunately." "Mrs. Behrend, I'm constantly beseeching you, try and put yourself in the granny's place." "You aren't Mrs. Behrend with a sweet granddaughter, you're the granny standing in front of a closed door, with the key inside." " We have that now." "Ok." "And it's a temporary solution that the phone is here." "Therefore you run back." "The telephone isn't nearer than the next corner." "You have to run there, it's not right here..." "So you don't see the telephone." "We take pains with ourselves..." " One moment." "Mrs. Behrend, hello." "You're still thinking too long." "You stop searching and thinking." "Yes, now you traipse over there." "And what then?" "Then I'm slim and beautiful, and I walk with Willy through the Garden Show, and people say:" "Such a lovely woman... running around with such an old man." "That's not right." "And beautiful because of Köhnlechner, the wonder healer?" "When do I meet the man?" "Alright, I'm coming" "Hello, who is it?" "Which door shall I knock on?" "Brief mental preparation." "Can't one have any peace and quiet." "Shut the door." "Police." " Anyone can say that." "Keep your hands on the table, lay the gun on the side." "Here?" "Where shall I put the gun?" "Hands off the table!" "On the table, off the table..." "You don't know what you want." "Stand up." "Go over there." "Against the wall!" " Yes, but no commotion here." "Haven't done anything." " Legs apart!" "Drank a bit, quite harmless." " Feet back!" "A bit more!" "More!" "A bit more!" "It's not so easy." "I had an operation there." "Charlie, here is Charlie 1." "Enemy armored tank at Bravo" "Plus 2 Minus 3, approaching our position." "Will destroy, end." "So men, I'll move the company up, you then take position immediately, and we'll destroy the vehicle." "Understood?" " Understood." "Good luck." "We must take you with us, because you've been firing the gun..." "to the station." "It's not even live." "It's just a toy, you can see that." "You can't just run around the home with a gun..." "It's my place and I can do what I want." " No, you can't." "The caretaker has complained that you're firing the gun, endangering people." "I haven't endangered anybody..." " And drinking." "You mustn't do that." "Don't you drink?" " Not on duty." "I'm not on duty either." "That's your problem, you're off duty,  you'll come with us." " Teetotalers, can't stand them." "Tank gunner, attention!" "In front of you... tank passing through gap, destroy immediately!" "Look, there it is!" "We'll knock it out." "Yes, that was good." "Now you must pay attention:" "... the left hand, these three fingers, you don't need them, sometimes they move a bit due to the concentration, and then your fingers are a distraction." "You must watch that the left hand doesn't move." "No, the right one too." "Yes, the left is good now, the fingers are controlled, now the right one too, now the right ones are doing it." "Yes, and when you put your hands on your hips, firmly, look here:" "movement - rest, and not a bit of movement and a bit of unrest." "But rather, movement - rest." "Not a long rest, but a complete one." "Yes, and when you begin to move the skirt, be firm too, slow, but make a definite start after the rest." "Can we make the moment of letting it fall one beat later?" "Think about the fingers on your right hand!" "Yes." "Ok, there is this:" ""Dada, baby", there you can make a definite arm movement." "Listen to it first!" "Exactly, and the "baby" is on the hips." "I thank you, despite everything." "And what do we do  about the music?" "We probably have it somehow in our heads..." "In our heads..." "But we probably don't have the same rhythm..." "Doesn't matter, we'll manage." "I'd rather, if we're going to dance, not to have to step on one another's feet." "Would you like to lead?" "Yes, I would." " Alright!" "But I still think it's difficult without music." "Not for me." "And for you?" "You mean, we should try it?" " Yes." "Well, alright." " If you wish to, we're game." "A waltz!" " That's what you said." "Yes." "We'll do it." "It's very important that each time you take something off you're aware of the specialness of what you're doing." "I can't concentrate so long and so much." "You must." "Then stand straight for a moment, let your arms fall... do that, stand straight, let your arms fall, and close your eyes." "Let all concentration go for a moment." "Really go." "Good." "More, more." "You can turn around if you don't wish to be observed." "Then let your head fall... your whole upper body  let it hang!" "Dangle back and forth a little!" "No, your whole upper body!" "Arm!" "Yes..." "Let them hang!" "Hang!" "And now straighten up again... and decide, until the end of the rehearsal, to really make an effort." "It won't take much longer." "No, don't dress immediately!" "Prepare yourself." "Take a moment to prepare yourself." "Thank you very much." "It was fine, for my feet." "I would have preferred it with music, but I was astonished too how it worked." "Good morning." "A nice place you have here." "Not very tidy, didn't get round to it, but..." "That's atmosphere." "Have a seat." " Thank you." "Mr. Götz, let's begin right away:" "have you ever thought about what would happen if you hadn't come home last night?" "Do you know... what your family's financial situation would be?" "I've never really thought about it." "We place our bed wagon close by." "Washing should never lie on the floor, so it's important to put it straight into the washing compartment." "The shirt is fastened, front and back." "And a certain woman, who suffered from bleedings for twelve years, and had suffered many things of many physicians, but nothing had bettered." "Rather, she had gotten worse." "Since she had heard of Jesus, she came up in the crowd behind Him, and touched His garment." "There." "Now I cover her again." "Yes." "Can someone help me to..." " ... slip it under?" "Push the towel right underneath." "If the patient is able you can ask them to lift their bottom." "Then I wash the genitals." "Yes, and what..." " Especially in the folds." "First the groin." "Yes, exactly." "There are folds in the skin, they must be particularly well washed and dried, because sweat tends to collect." "And with the genitals, if it's a woman, Ute, what do you pay attention to?" " In which direction I wash  always towards the back, so that no bacteria collects in the vagina." "Always towards the symphysie..." "And then downward." "Wash the labia majora and minora well." "The vagina must be dried well." "Here I would just dab." "For she said:" "If I shall touch but His clothes," "I shall be whole." "And at once the source of her bleeding dried up, and she felt in her body that she was healed of this plague." "But Jesus immediately realized how power had gone out Him, therefore He turned around and asked the crowd:" "Who hath touched my clothes?" "His disciples said unto Him:" "Thou seest the multitude thronging Thee, and sayest Thou:" "Who hath touched me?" "But he looked around to see who had done it." "Then the woman, knowing what had happened to her, stepped forth, frightened and trembling she threw herself at His feet and told Him the whole truth." "Then He said unto her:" "Daughter, thy faith hath made thee whole;" "go in peace and be whole of thy plague." "You both mean the same thing, but let us articulate clearly what we wish to take from the client?" "Fear." "Exactly, fear." "For when we say:" "Imagine you won't come home tomorrow, we're making them afraid." "We have a profession where we have to point out the risks involved." "Many people have no idea what risks there are, nor do they know how to insure themselves." "That's our job." "Therefore we must ask such questions, but putting them in the past tense, thus removing the client's fear." "Mr. Kopchinsky, you wanted to say something." "Above all, what's important is:" "one puts an idea in the client's head, so that he begins to think:" "what would have happened yesterday, what would the situation be today?" "And I think it's important that the client confronts himself with the question." "Ok." "Yes, Mr. Rittmer?" "I would like to add that by consulting the client we wish to create a positive future for them, and therefore it's not favorable to put the what-would-happen-if- question in the future." "I think with this basic attitude, that, with the consultation, we want to make the client's future secure and positive," "I think we can take a break, you've earned it." "And we'll continue later." "Ok?"