"Don't trust t-squares." "Live in a round house." "Your walls are flat." "No cheeks, no chin, no belly, no navel." "The pigeons stay away." "Don't trust t-sqaures." "Live in a round house." "Take hammer and chisel to those angles and edges and bring them to life." "Don't trust t-squares." "Live in a round house." "Your windows are all straight, just like your neighbour's." "Your doors are all the same." "Nowhere can the eye take hold." "Don't trust t-squares." "Live in a round house." "Paint a butterfly on your door, flowers and the moon and things you can't explain." "Don't trust t-squares." "Live in a round house." "Today we live in chaos." "In a chaos of straight lines." "In a jungle of straight lines." "The t-square is the symbol for the new illiteracy." "The t-square is the symptom of decline." "A man must have the right to transform his house as he pleases, inside and out." "He must have the right to paint his house." "So from far away it is clearly visible a human being lives there." "We must cut down this jungle of straight lines which imprisons us." "let us rejoice when moss, mould and dirt bring life to the house." "Painting and sculpture are now free." "Everyone can produce whatever he pleases and exhibit it." "But this basic freedom does not exist in architecture." "The straight line is godless and immoral." "The straight line is not a creative but a reproductive line." "It's an embodiment neither of God nor of the human spirit but of the comfort-seeking brainless human ant." "As a young man, I am like a young dog." "I fetch and carry and get no reward." "Now I'm forty, wearing clean socks." "Now everyone is nice to me." "Everyone wants a slice of me." "Nobody's mad at me no more." "As a poor man, I am like a dog." "I sleep in the cubbyhole." "I am happy for no reason." "When the money starts-a-flowing the world becomes round." "I buy a house by the water and am happy for no reason." "As a dead man, I'm like a dead dog." "Don't need no water nor bread, I'm not ill nor healthy." "When they play the trumpet, I get up and wash my face." "I hear the old clarinet and see the old light." "Have a piece of cake." "When was the last time you ate something?" "Since the last time I was here." "Tell me about Venice." "You know I don't talk much." "How is your ship coming along?" "Where will you be going?" "To Sicily, to Taormina." "Will you take me with you?" "What did you paint there?" "The yellow ships of Taormina." "Do you remember us lying on a mattress?" "Look, they said you were the only Austrian..." "See, there you are:" "Hundertwasser." "Yes, but this is a load of rubbish." "The people I like are not even mentioned." "See, I thought it was an art magazine, but it's a business magazine." "This is Fritz's studio in Venice." "And here I especially liked the red roots, the little window and the brick wall." "I put in the Salute and Saint Mark's Square and the Doge's Palace and boats." "One boat is pretty accurate but the others are more imaginary." "I put that church in too." "Of course, it's not the way it really is." "That house there, like a palace, is a cultural heritage." "My son lives there on the top floor." "When my son was small, we took a trip to Mödling." "We took a break and he sat himself on a tree stump." "Suddenly he shouted:" "Look, mother!" "Lots of butterflies landed on his fingers." "Then men came and caught the butterflies." "It was a beautiful spot."