"IN THE HIGH SUMMER OF SILENT" "CINEMA, THEY WERE THE GOLDEN" "THEY WERE THE GOLDEN COUPLE OF THE SCREEN." "DOUGLAS FAIRBANKS AND MARY" "MARY PICKFORD, KING AND QUEEN OF" "QUEEN OF HOLLYWOOD." "SHE WAS AMERICA'S WEETHEART," "AND HE WAS UNIVERSALLY KNOWN AS" "AS DOUG, THE ALL-AMERICAN OPTIMIST" "WHOSE ATHLETIC PRESENCE HAD ALL" "THE VIGOR OF PIONEERING AMERICA." "AT WORK AND AT PLAY, THEY MADE" "EVERYTHING SEEM EFFORTLESS." "AND WITH THE ALMOST LIMITLESS" "RESOURCES OF HOLLYWOOD, DOUG AND" "MARY CREATED THE BIGGEST" "ADVENTURE PLAYGROUND OF" "THEM ALL." "LIKE THE MONARCHS THEY WERE," "THEY HELD COURT IN THE WEST" "COAST EQUIVALENT OF A PALACE," "WHICH THEY NAMED PICKFAIR." "GENUINE CROWNED HEADS BEAT A" "PATH TO THEIR DOOR." "HERE THEY PADDLE THEIR OWN" "CANOE, STRICTLY FOR THE CAMERAS." "AT THE HEIGHT OF THEIR FAME" "THE APPEARANCE OF DOUG AND MARY" "COULD STOP THE TRAFFIC IN ANY" "CITY IN THE WORLD." "THEY BROUGHT 300,000 MUSCOVITES" "OUT TO SEE THEM AT A TIME WHEN" "THEIR FILMS WERE OFFICIALLY" "BANNED IN SOVIET RUSSIA." "THEY WERE SO MUCH A PART OF THE" "SILENT ERA THAT WHEN THE SILENCE" "DIED, THEIR POPULARITY DIED" "THEIR POPULARITY DIED WITH THEM." "AND SO DID THEIR MARRIAGE." "BUT WHILE IT LASTED, DOUG AND" "MARY'S FACES ON THE SCREEN" "STOOD FOR ALL THE GLAMOUR AND" "ROMANCE OF HOLLYWOOD." "THEY WERE HOLLYWOOD." "MARY PICKFORD WAS BORN GLADYS" "SMITH IN TORONTO, CANADA," "IN 1893." "MARY WAS JUST 5 WHEN HER MOTHER" "PUT HER ON THE STAGE AS" ""BABY GLADYS."" "THE SUCCESS OF BABY GLADYS" "PULLED HER MOTHER CHARLOTTE," "BROTHER JACK, AND SISTER LOTTIE" "INTO SHOW BUSINESS." "THE WHOLE FAMILY COULD BE HIRED" "FOR $20 A WEEK." "BY 1907, BABY GLADYS HAD BECOME" "MARY PICKFORD, PLAYING IN THE" "DAVID BELASCO BROADWAY HIT" ""THE WARRENS OF VIRGINIA."" "ANOTHER MEMBER OF THE CAST WAS A" "YOUNG ACTOR CALLED" "CECIL DE MILLE." "CECIL LATER ADDED A "B" TO HIS" "NAME AND BECAME A FAMOUS" "MOVIE DIRECTOR." "MARY WAS ALSO GRAVITATING TO" "THE MOVIES, BUT NOT OUT OF CHOICE." "THICY Y RE" "CALLED, WERE CONSIDERED" "DEMEANING EMPLOYMENT FOR STAGE" "ACTORS." "BUT IN THE THOUSANDS OF" "NICKELODEONS MUSHROOMING ACROSS" "AMERICA, A NEW INDUSTRY WAS" "BEING BORN." "ITS POTENTIAL WAS, AS YET," "UNREALIZED." "BUT ONE MAN WHO HAD SEEN THE" "FUTURE WAS THE DIRECTOR" "D.W. GRIFFITH, FOR WHOM MARY WENT TO" "WORK AS AN EXTRA AT THE BIOGRAPH" "STUDIO IN NEW YORK." "GRIFFITH AT FIRST THOUGHT HER" "TOO LITTLE AND TOO FAT, BUT" "MARY WAS SOON EARNING $100" "A WEEK." "LITTLE MARY'S CURLS AND IMPISH" "GRIN, SEEN IN COUNTLESS" "NICKELODEONS, MADE HER ONE" "OF THE FIRST UNIVERSALLY" "RECOGNIZABLE FIGURES THROWN UP" "BY THE TECHNOLOGY OF" "THE MASS SOCIETY." "FILMS WERE GETTING BIGGER, TOO." "D.W. GRIFFITH'S EPIC," ""BIRTH OF A NATION," MADE MOVIEGOING" "RESPECTABLE FOR THE MIDDLE" "CLASSES." "PICKFORD LEFT GRIFFITH IN 1912," "AFTER MAKING "THE NEW YORK HAT,"" "HER 75th TWO-REELER IN 3 YEARS." "SHE HAD BEEN IN THE VANGUARD" "OF THE EMERGING STAR SYSTEM, WHICH" "WAS TURNING THE MOVIES INTO" "BIG BUSINESS." "THE GISH SISTERS, LILLIAN AND" "DOROTHY, TWO MORE GRADUATES OF" "BIOGRAPH, WERE AMONG MARY'S" "RIVALS." "SHE SET OUT TO ECLIPSE THEM." "IN 1913, THE PRODUCER" "ADOLPH ZUKOR TOLD CHARLOTTE PICKFORD," ""IF THE PICTURES SUCCEED, WE" "EXPECT TO PAY ACCORDING TO THE" "DRAWING POWER OF THE" "BOX OFFICE."" "THE GIRL WITH THE GOLDEN CURLS" "WAS BIG BOX OFFICE." "BY 1915, MARY PICKFORD WAS" "EARNING $10,000 A WEEK." "SOON SHE WOULD BE THE FIRST" "WOMAN TO EARN A MILLION DOLLARS." "SHE WAS NOT JUST AN ACTRESS, BUT" "A FORMIDABLE BUSINESSWOMAN." "PICKFORD ONCE SAID, "MY CAREER" "WAS PLANNED." "THERE WAS NEVER ANYTHING" "ACCIDENTAL ABOUT IT."" "DOUGLAS FAIRBANKS WAS BORN INTO" "A WELL-TO-DO FAMILY IN 1883." "HE ENJOYED A PLAYBOY YOUTH" "BEFORE GOING ON THE STAGE AND" "BY 1915 HAD BECOME A BROADWAY" "STAR." "HE WAS A POPULAR JUVENILE LEAD," "EDGING INTO HIS MID THIRTIES," "WHEN IN 1915 THE TRIANGLE" "CORPORATION SIGNED FAIRBANKS TO" "FILM ONE OF HIS STAGE HITS," ""THE LAMB."" "D.W. GRIFFITH, WHO SUPERVISED" "THE PRODUCTION, WAS NOT" "IMPRESSED." "GRIFFITH SUGGESTED FAIRBANKS" "MIGHT BE BETTER OFF IN THE" "KEYSTONE KOPS." "DOUG WAS NO SLOUCH WHEN IT CAME" "TO COMIC BUSINESS, AS HE" "DEMONSTRATED WHILE LARKING WITH" "WITH CHARLIE CHAPLIN, BUT HE DIDN'T" "TAKE GRIFFITH'S BARBED ADVICE." "FAIRBANKS PERSEVERED, AND IN A" "SERIES OF SATIRICAL COMEDIES" "SCRIPTED BY ANITA LOOS, HE" "CREATED A CHARACTER WHO" "CRYSTALLIZED THE IMPULSES AND" "DAYDREAMS OF MILLIONS OF" "AMERICAN MOVIEGOERS." "WITH THEIR MUSCULAR, MORAL" "TONE, THE FAIRBANKS' FILMS" "RESEMBLED GYMNASTIC SERMONS." "THEIR PLOTS LACED WITH SKITS ON" "CURRENT FADS AND FASHIONS." "DOUG WAS IRREPRESSIBLE," "BURSTING WITH BOYISH HIGH" "SPIRITS, ALTHOUGH HE WAS NOT" "EXACTLY BOYISH ANYMORE." "BY 1917 FAIRBANKS WAS" "FAMOUSENOUGH FOR A PEAK TO BE NAMED" "AFTER HIM IN THE YOSEMITE" "NATIONAL PARK." "THIS WAS THE YEAR THAT THE" "UNITED STATES WENT TO WAR" "AGAINST GERMANY." "MOVIE STARS LIKE MARIE DRESSLER" "AND DOUGLAS FAIRBANKS HELPED TO" "SELL WAR BONDS." ""LITTLE MARY" ALSO LENT A HAND." "PEACE BROUGHT PROSPERITY AND," "IN 1919, THE FORMATION OF" "UNITED ARTISTS BY PICKFORD, FAIRBANKS," "CHAPLIN, AND GRIFFITH." "ONE STUDIO EXECUTIVE OBSERVED," ""SO THE LUNATICS HAVE TAKEN OVER" "THE ASYLUM."" "THIS WAS LESS THAN FAIR TO" "PICKFORD, WHO HAD A BUSINESS" "BRAIN LIKE A STEEL TRAP." "UNITED ARTISTS WAS ESSENTIALLY A" "DISTRIBUTION COMPANY, DESIGNED" "TO GIVE FILMMAKERS MORE CONTROL" "OVER THEIR PRODUCT AND GREATER" "PROFITS AT A TIME WHEN" "THE BIG STUDIOS WERE BECOMING" "INCREASINGLY POWERFUL." "ITS FOUNDERS HAD HIGH HOPES." "PICKFORD AND FAIRBANKS HAD BEEN" "CONDUCTING AN AFFAIR SINCE 1916." "BOTH WERE MARRIED--DOUG TO" "HEIRESS BETH SULLY, AND MARY TO" "BOTH WERE MARRIED--DOUG TO HEIRESS BETH SULLY, AND MARY" "TO ACTOR EN M MOORE.." "THEIR EXTRAMARITAL AFFAIR HAD" "FILLED THE GOSSIP COLUMNS, BUT" "IT WAS NOT UNTIL MARCH 1920 THAT" "PICKFORD DIVORCED OWEN MOORE." "DOUG DIVORCED BETH, AND A MONTH" "LATER HE MARRIED MARY IN A" "SECRET CEREMONY HELD IN A SMALL" "HOLLYWOOD CHURCH." "IN JUNE 1920, DOUG AND MARY" "IN JUNE 1920, DOUG AND MARY SAILED TO EUROPE ON A DELAYED 6-WEEK HONEYMOON WHICH WAS ONE" "OF THE MOST HECTIC AND PUBLIC" "IN HISTORY." "BOUNDING DOWN THE GANGPLANK AT" "SOUTHAMPTON, DOUG SEEMED MORE" "THAN USUALLY HYPERACTIVE." "IN LONDON, THOUSANDS OF FANS" "WAITED ALL NIGHT OUTSIDE THE" "RITZ HOTEL TO SEE THEIR IDOLS." "WHEN DOUG AND MARY EMERGED, THE" "CRUSH WAS SO GREAT THAT MARY HAD" "TO BE RESCUED BY THE POLICE." "THE STRAIN AND ALARM CAN BE SEEN" "ON HER FACE." "THE UNIVERSAL APPEAL BESTOWED" "BY SILENT CINEMA MEANT THAT THE" "BIGGEST MOVIE STARS ACHIEVED AN" "EMINENCE UNMATCHED TODAY." "STATESMEN LIKE WINSTON" "CHURCHILL, ACCOMPANIED BY HIS" "SON RANDOLPH, WERE ALMOST" "PATHETICALLY EAGER TO BE SEEN IN" "THE COMPANY OF CHARLIE CHAPLIN." "DOUG AND MARY WERE IN THE" "SAME LEAGUE." "EDWINA AND DICKIE MOUNTBATTEN" "WERE AMONG THE ARISTOCRATIC" "GUESTS AT PICKFAIR WHICH ALSO SAW THE SECOND" "MARRIAGE OF MARY'S BROTHER JACK." "JACK, WHO HAD A REPUTATION AS A" "PLAYBOY, WAS TO DIE IN 1933." "BUT THIS WAS THE DREAM TIME FOR" "DOUG AND MARY." "AT PICKFAIR, THE DINNER TABLE" "WAS ALWAYS SET FOR 12." "ON ONE MEMORABLE OCCASION," "ALBERT EINSTEIN USED A FORK AND" "DINNER PLATE TO DEMONSTRATE THE" "THEORY OF RELATIVITY TO" "HOLLYWOOD'S FINEST." "BUT PICKFORD, WHO HAD A CASH" "REGISTER MIND, RAN HER WEST" "COAST VERSION OF THE WHITE HOUSE" "WITH NOTABLE FRUGALITY." "AT THIS STAGE IN THEIR LIVES," "NEITHER DOUG NOR MARY WERE" "DRINKERS." "ALCOHOL SELDOM FLOWED AT" "PICKFAIR." "SURREAL HOME MOVIES, SHOT ON THE" "LAWN WITH AN EVER-CHANGING CAST" "OF CELEBRITIES, WERE AMONG" "DOUG'S FAVORITE PASTIMES." "CHARLIE CHAPLIN IS ABOUT TO" "MAKE AN INTRIGUING INTERVENTION." "ON THE BIG SCREEN, MARY'S FANS" "FROZE HER IN A STATE OF" "PERMANENTLY-ARRESTED" "ADOLESCENCE." "ALTHOUGH SHE DID NOT APPEAR AS" "A YOUNG GIRL UNTIL HER 24th" "FEATURE FILM AND CONSTANTLY" "TRIED TO VARY HER ROLES," "IT WAS AS LITTLE ANNIE ROONEY," "POLLYANNA, AND REBECCA OF" "SUNNYBROOK FARM THAT PICKFORD" "WAS CHERISHED BY FILMGOERS." "WHEN SHE WAS WELL INTO HER" "THIRTIES, MARY WAS STILL" "DRESSING UP AS THE GIRL WITH THE" "GOLDEN CURLS TO WELCOME" "IMPORTANT VISITORS TO THE" "STUDIO." "BUT THE FILMS SHE MADE, LIKE" "THE GEESE, REMAINED FIRMLY IN" "HER GRIP." "IT WAS PICKFORD WHO DIRECTED" "HER JOURNEYMAN DIRECTORS AND" "CALLED THE SHOTS WITH THE MOVIE" ""MONEY MEN."" "MEANWHILE, DOUG HAD LAUNCHED" "HIMSELF ON A NEW CAREER AS A" "SWASHBUCKLER, ACQUIRING HIS" "TRADEMARK PENCIL MUSTACHE IN" ""THE THREE MUSKETEERS."" "AS "ZORRO," "ROBIN HOOD," AND" ""THE BLACK PIRATE," THERE WAS" "ALWAYS A DEVIL-MAY-CARE GRIN" "PLASTERED ACROSS DOUG'S" "SUNBURNED FACE." "HE INSISTED ON AUTHENTIC" "SPECTACLE AND LIKED TO DO HIS" "OWN STUNTS." "DIRECTOR ALLAN DWAN RECALLED" "THAT DOUG WAS "VERY ATHLETIC AND" "ENJOYED EVERY MINUTE." "PICTURES WERE MADE FOR HIM." "HE WORKED WITH SPEED AND GRACE." "THE ONLY THING THAT INTERESTED" "US WAS A SWIFT, GRACEFUL MOVE" "THE THING A KID VISUALIZES IN" "HIS HERO."" "SETS WERE CAREFULLY CONSTRUCTED" "SO THAT DOUG DID NOT HAVE TO" "STRETCH AN EXTRA INCH FOR" "ANYTHING." "AND THE SETS WERE MAGNIFICENT," "DEMONSTRATING DOUG'S SKILLS AS" "ACTION HERO AND PRODUCER." "NO ONE HAS BETTERED FAIRBANKS'" "GENIUS FOR THE MAKING AND" "MARKETING OF ADVENTURE MOVIES." "THE PROBLEM FOR DOUG WAS THAT HE" "WAS ALWAYS "ON."" "FILMED WITH STONE-FACED COWBOY" "STAR WILLIAM S. HART--CRACKING A" "RARE SMILE--AND A RELAXED" "RUDOLPH VALENTINO, FAIRBANKS" "MUGS WILDLY FOR THE CAMERA." "ON THE BADMINTON COURT IN THE" "STUDIO GYM, HE'S BRIEFLY" "UPSTAGED BY MARY BUT RECOVERS TO DEMONSTRATE" "THE NATURAL ATHLETICISM WHICH" "ANIMATED HIS FILMS." "BUT EVEN ON THE GOLF COURSE" "WITH HIS CRONIES, DOUG COULD NOT" "CONTAIN HIS MANIC HIGH SPIRITS." "THERE WAS ALWAYS SOMETHING OF" "THE SCHOOLBOY PRANKSTER ABOUT" "HIM." "HE WAS AT HIS PEAK BUT ALSO IN" "HIS FORTIES." "THE STRAIN OF MAINTAINING A" "THE STRAIN OF MAINTAINING A YOUTHFUL BODY IN AN AGING FRAME" "WAS MAKING FAIRBANKS MUSCLEBOUND" "AND UNWELL." "IN SPITE OF OUTWARD SHOWS OF" "AFFECTION, DOUG KEPT HIS" "DISTANCE FROM HIS SON" "BY BETH SULLY." "DOUG JR." "NURSED AMBITIONS OF" "BECOMING A MOVIE STAR HIMSELF." "MARY EXPLAINED IT AWAY BY" "REMARKING THAT SENIOR "WAS SO" "MUCH OF A LITTLE BOY HIMSELF" "THAT I DON'T THINK HE FELT LIKE" "A FATHER."" "DOUG OFTEN SEEMED MORE AT EASE" "DOUG OFTEN SEEMED MORE AT EASE WITH YOUNGSTERS" "THAN WITH HIS CONTEMPORARIES." "THERE WAS A REASON." "THE TRUTH WAS THAT DOUGLAS" "FAIRBANKS COULDN'T BEAR THE" "THOUGHT OF A RIVAL." "HE AND HE ALONE HAD TO BE THE" "CENTER OF ADMIRING ATTENTION." "HE TRIED TO BREAK UP HIS SON'S" "ROMANCE WITH THE YOUNG JOAN" "CRAWFORD, THEN AN AMBITIOUS" "SILENT STARLET." "WHEN THE COUPLE EMBARKED ON A" "SHORT-LIVED MARRIAGE IN 1929," "THE CEREMONY WAS IN NEW YORK," "NOT AT PICKFAIR." "DOUG WIRED HIS GOOD WISHES AT" "THE LAST MOMENT." "ANY HINT THAT ALL WAS NOT WELL" "WITH THE PERFECT MARRIAGE" "BETWEEN DOUG AND MARY WOULD HAVE" "HORRIFIED THEIR LEGION OF FANS." "HOLLYWOOD, TOO, WAS CHANGING." "RUDOLPH VALENTINO HAD BEEN THE" "GREAT LOVER OF THE SILENT" "SCREEN, WHOSE STARING EYES AND" "FLARED NOSTRILS WERE BEACONS OF" "SEXUAL TABOO." "BUT VALENTINO, THE DEMON LOVER," "FLOURISHED ONLY BRIEFLY." "HE DIED OF PERITONITIS IN NEW" "YORK IN 1926." "HIS BODY CAME BACK BY TRAIN TO" "LOS ANGELES, STOPPING AT A SMALL" "STATION ON THE CITY LIMITS TO" "AVOID THE FRANTIC CROWDS." "HOLLYWOOD'S FINEST PAID THEIR" "RESPECTS, AND DOUG AND MARY WERE" "THERE TO MOURN VALENTINO'S" "PASSING." "CORPORATE HOLLYWOOD, IN THE FORM" "OF THE BIG STUDIOS, NOW" "CONTROLLED THE DESTINIES OF THE" "STARS." "THE FILM CAPITAL HAD BECOME A" "FACTORY TOWN, WHERE THE BIGGEST" "PLANTS, LIKE MGM, TURNED OUT" "DREAMS FOR SALE ON SPRAWLING" "BACK LOTS." "THE STARS WERE STUDIO" "EMPLOYEES, JUST LIKE THE" "HUNDREDS OF TECHNICIANS WHO" "BROUGHT THEM TO THE PUBLIC." "THEY WERE PAID MORE THAN THE MEN" "BEHIND THE CAMERA, BUT IN THE" "FINAL COUNT, THEY WERE JUST AS" "DISPENSABLE." "VALENTINO'S SUCCESSOR AS THE" "GREAT LOVER HAD BEEN" "JOHN GILBERT, WHO HAD ROMANCED GRETA" "GARBO BOTH ON AND OFF THE SET OF" ""FLESH AND THE DEVIL."" "THIS KIND OF PASSION WAS A LONG" "WAY FROM "POLLYANNA."" "THE THREAT OF SOUND HUNG OVER" "THE THREAT OF SOUND HUNG OVER HOLLYWOOD." "FAIRBANKS' LAST SILENT FEATURE" "WAS "THE IRON MASK."" "ONCE AGAIN HE PLAYED THE DASHING" "D'ARTAGNAN, AND ONCE AGAIN THE" "RAPIERS FLICKERED." "BUT THIS TIME DOUG DIED AT THE" "END OF THE FILM." "DOUG'S ASCENT TO A CELLULOID" "HEAVEN WAS AN INTIMATION OF HIS" "OWN SCREEN MORTALITY." "FOR DOUG AND MARY, "THE" "BEGINNING" MEANT COMING TO TERMS" "WITH THE MICROPHONE." "A NUMBER OF BIG STARS FELL AT" "THE FIRST FENCE--AMONG THEM," "JOHN GILBERT." "OTHERS SURVIVED." "ONE WHO MADE THE TRANSITION WAS" "DOUG AND MARY'S ERSTWHILE" "DAUGHTER-IN-LAW, JOAN CRAWFORD." "LIGHTS..." "CAMERA." "YOU WENT TO HIS ROOMS" "PREPARED TO KILL HIM OR GET" "THESE LETTERS BACK, DIDN'T YOU?" "I DID NOTHING OF THE KIND." "I HAD NO MORE IDEA OF KILLING" "HIM THAN I HAD OF KILLING MY" "OWN MOTHER." "BUT YOU DID KILL HIM." "THAT'S A LIE!" "I DID NOT!" "YOU WENT TO HIS ROOMS AT 10:00 OR THEREABOUTS." "YOU ASKED FOR THESE, THEY" "REFUSED YOU, AND THEN YOU" "KILLED HIM." "PICKFORD HAD GREETED THE NEW" "ERA BY BEING PUBLICLY SHORN OF" "THE HAIR WHICH HAD MADE HER" "FAMOUS." "SHE STILL WORE HER HOLLYWOOD" "CROWN AS IF TO THE MANOR BORN." "...OUR QUEEN!" "[APPLAUSE AND CHEERS]" "BUT DESPITE APPEARANCES, IT" "WAS SLIPPING." "IN HER FIRST TALKIE, MARY PLAYED" "A VAMP IN "COQUETTE."" "IT WAS A STARTLING" "TRANSFORMATION, AND IT WON" "PICKFORD AN OSCAR." "BUT DOUG AND MARY WERE THEN" "UNHAPPILY TEAMED IN A FALTERING" "SCREEN VERSION OF" ""THE TAMING OF THE SHREW."" "DOUG WAS MOODY ON THE SET," "READING HIS LINES FROM BIG" ""IDIOT BOARDS."" "LATER, HE TOOK TO TRAVELING" "ABROAD." "[SPEAKING ITALIAN]" "[CHUCKLES]" "[CHUCKLES] I'M DELIGHTED TO BE BACK IN ROME" "[CHUCKLES] AGAIN." "DOUG WAS FREQUENTLY" "ACCOMPANIED BY THE SLIM FIGURE" "OF THE FORMER SINGER SYLVIA" "HAWKES, THE WIFE OF LORD ASHLEY," "HEIR TO A BRITISH EARLDOM." "THE WORLD'S SWEETHEART WAS" "LOSING HER HUSBAND TO ANOTHER" "MARRIED WOMAN." "MARY THEN MADE A CATASTROPHIC" "MISTAKE, CONFIDING IN THE" "VIPERISH GOSSIP COLUMNIST" "LUELLA PARSONS." "LUELLA PROMISED TO REMAIN" "SILENT AND THEN BROKE THE STORY." "DOUG AND MARY'S MARRIAGE HAD" "ONCE BEEN A NATIONAL MONUMENT." "NOW IT WAS CRUMBLING." "DOUG'S LAST FILM, "THE PRIVATE" "LIFE OF DON JUAN," WAS MADE IN" "ENGLAND." "THERE IS A POIGNANT IRONY IN HIS" "PERFORMANCE AS THE AGING LEGEND" "SEEKING ANONYMITY." "HOW DO YOU WANT TO USE YOUR" "FREEDOM?" "I WANT TO REST." "I WANT TO LEAD A SIMPLE LIFE" "WITH SIMPLE PEOPLE." "NOT TO BE A CELEBRITY FOR A" "WHILE." "TO BE UNKNOWN, NO WOMEN." "AND ALONE." "TO EAT WHAT I LIKE." "TO DO WHAT I LIKE." "AFTER ALL, THERE COMES A TIME" "IN A MAN'S LIFE WHEN HE NEEDS" "REST." "AND I'M GOING TO HAVE IT." "OH, I'M SO HAPPY..." "AND SO SLEEPY." "GOOD NIGHT, LEPORELLO." "AND DON'T WAKE ME UNTIL IT'S" "TIME FOR MY FUNERAL." "LIKE THE TROUPER SHE WAS," "MARY SOLDIERED ON, VISITING" "TORONTO IN 1934 AS THE GUEST OF" "HONOR IN HER NATIVE CITY'S" "CENTENARY CELEBRATIONS." "TODAY IS A MEMORABLE ONE FOR" "ME AND ONE THAT I SHALL REMEMBER" "AS LONG AS I LIVE." "MY HEART IS TOO FULL." "I--I CAN'T FIND THE WORDS TO" "TELL YOU HOW I FEEL." "I JUST WANT TO SAY THAT I LOVE" "ALL OF YOU." "GOOD-BYE." "MARY SAID GOOD-BYE TO DOUG IN 1935, WHEN THEY WERE DIVORCED." "FAIRBANKS MARRIED THE ICY LADY" "ASHLEY, BUT THE GOLDEN YEARS" "WITH PICKFORD HAUNTED HIM FOR" "THE REST OF HIS LIFE." "DOUGLAS FAIRBANKS DIED OF A" "HEART ATTACK IN 1939, HIS HEALTH" "UNDERMINED BY AN OBSESSIVE" "FITNESS REGIME." "UPICKFORD, ALWAYS THE TOUGHER" "CHARACTER, OUTLIVED FAIRBANKS BY 40 YEARS." "AFTER THE DIVORCE FROM DOUG, SHE" "MARRIED HER COSTAR IN" ""COQUETTE," CHARLES "BUDDY"" "ROGERS, AN AMIABLE NONENTITY." "THERE WAS NO DOUBT WHO WORE THE" "PANTS." "WELL, I HAVE--I MEAN, WE" "HAVE LOTS OF PLANS, HAVEN'T WE," "MARY?" "YES." "I THINK THE BIG BOSS BETTER" "TELL YOU ALL ABOUT THE PLANS." "WELL, WE'RE GOING TO BUILD A" "RANCH IN THE VALLEY WHERE BUD" "CAN KEEP HIS POLO PONIES." "MATRONLY NOW, MARY RETAINED" "THE WINNING SMILE" "OF "LITTLE" "MARY STILL LIVED AT PICKFAIR BUT" "IN LATER YEARS BECAME A" "BEDRIDDEN RECLUSE." "SHE DIED IN 1979." "IT MUST HAVE SEEMED A MILLION" "MIDNIGHTS AGO THAT MARY AND" "DOUG HAD CAPTIVATED THE WORLD." "THE GIRL WITH THE GOLDEN CURLS" "DIED SURROUNDED BY THE FADED" "TRAPPINGS OF HER FAME." "IN HER OLD AGE, SHE'D BEEN" "SUSTAINED BY AN EVER-PRESENT" "WHISKEY BOTTLE AND THE MEMORIES" "OF HER DAYS WITH DOUG, WHEN" "BOTH SHE AND HOLLYWOOD" "AND HOLLYWOOD WERE YOUNG." "Revisao ofinal Cris 2008"