"Previously on Project Runway..." "For this challenge, the inspiration for your design will come from one of the four natural elements... earth, air, fire or water." "Full speed ahead." "It'll be a little bit '80s, a little Blade Runner." "I identify with pale people." "I'm worried about your work in particular." "Ben's trousers are just awful." "I couldn't even start over if I wanted to." "It looks like a cat in a baby sling." "This is a perfectly beautiful dress." "Come on, Ben." "A jockstrap pant?" "It's wacky." "It's bizarre." "Jonathan, you are the winner of this challenge." " Thank you." " I'm sorry, Ben." "That means you're out." "Oh, no." "Anthony, which model will be in?" "I'm gonna have to take a chance on Monique." " I'm sorry, Alison." "That means you're out." " Thank you." "This is Project Runway." "Yes!" "I am fashion." "Look at me." "It's cut or be cut." "Just make it work." " Great clothes." " Great style." "Three finalists will make it to Mercedes-Benz Fashion Week." "Well, I won't do anything to win." "I will." "But only one can be the winner." "My weapon of choice." "For these 16 designers," "Project Runway is the chance of a lifetime." "The winner of Project Runway will receive a fashion spread in marie claire magazine, an opportunity to sell their line on bluefly." "Com, a $50,000 technology suite to create, design, and run their business from HP and Intel, and $100,000 from L'Oréal Paris to launch their line." "Get up." "I was in the bottom three, and it definitely means that I have to step it up for this next challenge and prove myself again." "I feel like I've kind of lost myself a little bit." "I'm ready to redeem myself today." "Do something kick-ass again." "I'm a little jealous that I haven't won a challenge yet." "It is at the point now where everybody's won a challenge except for me." "Yeah, it's frustrating for sure." "It's down to only eight of you." "Half of you are gone." "For your next challenge, we want you to get into a New York state of mind." "Tim will meet you in the designers' lounge to fill you in on all of the details." "Good luck, and I'll see you on the runway." "Bye." "[All] Bye." "I'm not exactly sure what that hint means, so I'm going to wait till I have all of the details of this particular challenge before I go trying to pollute my mind with unnecessary thoughts." "Designers, it is my pleasure to introduce you to Collier Strong, consulting makeup artist for L'Oréal Paris." " [All] Hi." " Designers, for this challenge, you will be using New York City as the point of departure for your design." " Yes!" " Yes!" "And we're sending you out into the city." " Nice." " Yes!" "You will be going to one of four very distinctive neighborhoods." "These neighborhoods have been selected because of their history, their cultural significance, and, frankly, for their impact on fashion." "And they are Chinatown, the East Village, the Upper East Side and Harlem." " Whoo-hoo!" " I feel that I have to win this challenge 'cause I am from New York, and if I don't win this one, it would be a real disappointment for me and for my people." "[Tim] And I have more exciting news." "You will be working in teams of two." "Please, God Almighty, don't let me be stuck with Mila." "Please." "[Mila] I'm not a huge fan of teams." "You never know who you're gonna get." "Each team will create two looks... a look for day and a look for evening, and each team will have a budget of $300." "And I will determine the team leaders by selecting your names from our velvet bag." "Anthony." "[Laughs]" "Amy." " Emilio." " Oh, good." "Jay." "Being the last leader to get picked," "I know that I'm gonna get stuck with whoever's not gonna get picked, and I'm scared to death." "So, Anthony, you're first." "Maya." " Amy." " I choose Jonathan." "Yay." "I really wanted to work with her, and I was hoping she wanted to work with me." " Emilio." " I'm gonna choose..." " Seth Aaron." " All right!" "[Emilio] The whole team dynamic is about strategizing." "Jay and Mila don't get along, so it's a win-win situation." "I can't breathe." "My heart's pounding." "Oh, [bleep]." " So, Jay, you're working with Mila." " Wow." "Great." "The guy that I never talk to and the guy that I don't really like... he and I have to work together now." "My God, I'm stuck with Mila." "All right." "Now, in reverse order, you're going to choose one of the four neighborhoods." "We've decided the East Village." " The East Village?" " Yes." " So, Emilio and Seth Aaron?" " We choose Harlem." "Harlem." "It's a no-brainer." "I spend a lot of time in Harlem." "So, Amy, you and Jonathan have Chinatown" " or the Upper East Side." " Upper East Side." "That means that Anthony and Maya have Chinatown." "Collier." "I'm here to help you create makeup looks that fully complement and expand on your designs." "We'll be using L'Oréal's new Studio Secret Professional line that enables all women to get professional results at home." "I'm sending you off to your neighborhoods, where you will have 30 minutes to explore and sketch, and then I will meet you at Mood." "And later today, you'll have a consultation with Collier." " So run off to your neighborhoods." " Whoo!" "[Emilio] I'm just happy to be back in my own neighborhood." "There's a smell, the people, the color." "I'm home." "Harlem is about churches, liquor stores, and fried chicken spots." "[Seth Aaron] Well, I'll do the liquor store and fried chicken." "Our styles are completely different." "This could be a complete disaster, or our two styles could totally just weave together and make something fantastic." "Look at Grandma." "Look at Grandma." "Check her out." "Yeah." "See, that's hot." "That's hot." " She is hot." " Look at her shoes." "Look at her shoes." "Oh, you look great." "[Laughs]" "She's probably 70 years old." "And look." " She's hot." " Tight denim jeans." "The first thing you see when you go to Harlem is that 99.5 of the people are wearing denim." " The denim." " The denim's here." "That's where it's at." "This is Harlem." "We should do this for the day and for night." "All that kind of mosaic..." "What if we got the pants doing this?" "In the color palette we choose, but this effect." " Yeah." "That effect." " Sounds good?" " All right." "We got it." " Well, welcome to Harlem, baby." "When I think of Chinatown, I really think of structure," " Me, too." " And, like, the buildings." " There's a lot of red, certainly." " Red." "Okay." "Walking around in Chinatown, there are so many people just moving." "Excuse us." "The streets are really, really narrow." "Everything's very colorful." "I'm really glad that Anthony chose me as a partner." "We're having fun." "He's making me laugh, and he's bringing the silly into it." "Sometimes I need a little dose of that." "Are those pigs in that window?" " What is that?" " That's duck." " Ew. [laughing]" " Ew!" "What about these ladders here as a detail for a daytime look on a jacket?" "This window alone is a great source of inspiration." "And even if we did something like this with gold on the inside of them, you know?" "The first thing that's coming up for me right now..." "On the Upper East Side, there is a feeling of high end or luxury." "The architecture is all very, like, stark and gray." "The first thing Amy and I notice is how static of a place it is." "There's almost no movement." "[Laughing] Houston, we have a problem." "Her style and Upper East Side might be a little bit of a clash." "I feel like it's important to stay true" " to what type of people are here." " What goes on here." "We thought that a shirtdress is something that someone in Upper East Side might wear on a casual day." "I actually really love this, too." " The brick?" " Just the texture of that." "Yeah." "Is this a very Upper East Side thing?" " Yeah." " It is?" "And for the evening look, we really wanted to use" "Jonathan's cutaway technique to represent the wrought iron that we saw on the doors and the gates." "Let's get fabrics that are easy to do techniques on, and then we'll work out what the actual technique is." "I'm really feeling the graffiti." "Are you?" "Like, the tagging." "I love the texture." "I just have to get over the fact that I don't like her." "This challenge is to really test me as a leader to Mila." "I want to do the woman who lives in this neighborhood." "She's modern but appreciates things from the past." "I love the East Village." "I understand the East Village." "The East Village is kind of rock and roll." "It's kind of gritty here." "You know what I mean?" "When Jay and I were walking around, we tended to gravitate towards graffiti and industrial textures." "[Jay] I want to do a look with a jacket and a look with, like, a hot pair of, like, super-elaborate pant." "I feel like Jay is a little bit scattered." "I want to use lines to create texture." "I want to do a short, like, a jumper." "I guess I'm having a hard time visualizing what goes on top." "[Mila] I'm just hoping that we can just get through it." "All right, designers." "Each team will design two looks." "So your 30 minutes starts right now." "Just..." "Okay, so..." "These belong." "This gets weird." "Amy and I are a little stumped by fabric shopping at Mood." "There's two of us, which means that we kind of both have to approve on the fabrics." "It sort of, in a way, cuts your time in half." " Let's go darker." "It should be indigo." " Same sample." "[Emilio] We decide that he is gonna do the denim day look, so, of course, the first swatch of denim he has is black." " That's blue?" " So I make him change that." " That's blue." " How do you feel about that?" " I'm good with this." " It is beautiful." "Hearing the word China, you think of red and gold." "However, I think that the greater challenge for us is to look a little deeper and not just be so literal." "I'm a little concerned about Anthony's textile choices just because he's had some trouble in the past." "We just need to be careful about how we use it, 'cause it could be really cheesy." "All right, everyone." "Time is up." "That's it." "Thank you, Mood." " Thank you." " Thanks." "Wow." "It's palpable that it's a much smaller group in here." "You have until midnight tonight and precious little time tomorrow for this challenge." "And we have only the creme de la creme here." "Make no assumptions that the team leader will go home." "Thank you very much." "[Chattering]" "I'm gonna kind of slash and spread this." "Maybe spread it to, like, maybe five inches." "Jay is taking charge of the day look." "These pants are definitely not something I would design." "But I can't really say anything 'cause he's the leader." "He makes the final decisions." "Maybe I can do something like let this..." " Oh, yeah." "Make it more evening evening." " Come out..." "[Emilio] For the evening look, I'm gonna do a throwback to the classic Harlem..." "Billie Holiday, the Cotton Club." "That kind of vibe." " Dude." " I gotta do it." "The main thing that I want to achieve as a designer is to be very current." "You gotta stop saying "I," and say "we,"" " 'cause it can't be about one person." " No, no..." "I am the leader." "I think that in this particular case, though," "Maya has already admitted that she has control issues." "You know, I have a subtle controlling aspect to my personality." "I cannot afford to be scared of anything at this point." "I'm starting to think that this print is, like, not good." "Basically, it would be pleated here..." "a sunburst cutout." "It will be pleated here..." "a sunburst cutout." "[Jonathan] My dress has a lot of detail." "Amy's dress has a lot of detail." "We're just gonna dive right in." "I have about a million pleats to make by hand." "Let's just make this idea as complicated as possible." "It's gonna be a struggle." "Oh, shoot." "Coming up on Project Runway..." "Jay hasn't even started the tank top yet." "[Laughing]" "I'm literally, at this point, using every technique" "I know how to do on this one garment." "We're [bleep]." "We're going to be creating two looks..." "a day look and an evening look based on one of four neighborhoods." "Ooh." "It's like a Chinese dragon." "[Anthony] Maya is working on the day look, and I am working on the evening look." "I was thinking, like, bigger." "Like this big." "In the evening look, we will be creating this three-dimensional diamond inspired by the dragon tissue lanterns." "I think that they should just sort of trail off." "She can't seem to focus enough on her own garment." "Once we have all of these, we can be artsy and have some artistic license about where to place them." "She's even gone as far to make a comment that, "I'm just concerned about these looks 'cause I'm such an artist."" "But it's kind of like, at this point, everybody on this show is an artist." "I, like, just handwrote some." "I think we got enough going on." "Yeah, we should just stick to the details." "Seth Aaron works really, really fast." "He doesn't sketch a lot, so I have to keep a critical eye on what he brings in." "A little of this, like, with this, you know?" "Yeah." "I don't know about the solid yellow, though." "If you turn your head for a minute, he would've added stuff that you kind of didn't discuss." "So, we just have to find a happy medium." "[Mila] We don't really say a whole lot to one another." "We're just sort of in the zone." "That's pretty normal, actually, for both of us." "[Jay] We're working very professionally." "I just want to put on a really good show and forget about the fact that she doesn't like me or I don't like her." "[Muttering]" "[Jonathan] We are both detail people." "We are both texture people, volume people." "Those things take time to do." "And I think that by combining those two volcanic forces, you basically end up with two people who probably cannot complete these looks in time." "Designers, I have Collier Strong with me, and he's here for your makeup consultation." " Hello, hello, hello!" " Hey." "How are you?" "She's my evening girl." " What part of the city were you doing?" " Chinatown." "Okay, so let's shop here at the Studio Secrets wall." "You have primer." "These are some color golds." " Yes, and I want black on the lash line." " Okay." "Here's some black liner." "And then we'll use a dark brown." "It looks beautiful." "So I think that her lip could be bold." "I think with the color choices that we're using here, it will easily blend with" " Thank you." " The nighttime version." "I like it." "And we're doing Harlem." "She's gonna be wearing our evening look." " Okay, the evening look." " She's gonna be wearing this midnight blue." " What about a smoky sensuality?" " Yeah." "So that it just kind of brings the eyelid to life." " Yeah, that's beautiful." " Good." "Valeria's gonna be wearing our Harlem day look." "Okay." "So a little eyeliner." "Just a little smudge right at the base of the lash to add density." "Also, something bright but transparent on the lip." "Perfection." "I'm here to check in with you." "Hi, Tim." "How did you gentlemen like Harlem?" "I loved it." "I lived there for a while." " I'm a New Yorker." " And I had never been there." " His first time there." " It's colorful." "A lot of denim, and we incorporated it into a denim two-piece look for our day look." "I'm crazy about this jacket." "The evening look is gonna be a modern-day Billie Holiday." " Well, just keep the urban edge going." " It's definitely an urban edge." "You two are busy." "[Maya] All these souvenir shops in Chinatown had all these paper dragons." "We made this thing..." "I don't even know what you'd call it..." " on the evening look." " For the evening look." "I'm working on the day look, so the jacket is gonna be for Lorena." " What's the textile?" " It's this." " This looks so weak..." " Yeah." "Compared to the rest of your palette." "Why did you reject the stripe?" "I'm just gonna ask perfectly bluntly," " why couldn't that be the jacket?" " It could." "So, how are you two doing?" " Moving along." "Yeah." " Good." "So what are the pieces you're making for day?" "[Jay] I'm working on a pair of pants." "So you'll see, like, a form-fitting, and then it'll kind of, like, poof out here." "Is it possible that Heidi and Nina are going to say, "What woman wants to look wider there?"" "[Jay] It's gonna hit her at the right spot." "You're not gonna see much fullness from here up." "And what's on top?" "We were gonna do some kind of, like, a striped top using black and red." " And, Mila, what are you doing?" " I'm doing this jacket, and then we're doing a dress underneath out of this groovy fabric." "What is the general silhouette of the dress like?" "And what's the neckline like?" " We're still debating that." " We're still talking at this point." " Someone's going home." " Don't look at me." " [Laughing]" " I can look at any of you." " All right." "Thank you." " Thanks, Tim." " Amy." "Jonathan." " Hi, Tim." "For our daywear, we're doing a kind of spin off of a shirtdress." "And Jonathan's working on the wrought iron influence for the evening look." "Yeah." "This dress will actually have panels of my cutwork as well as the arcing pleating panels." "Are you at risk of overdesigning?" "[Laughing] I'm, like, the queen of that probably." "It's not a matter of, how much work did you get done in what amount of time?" "It's, how good is the look?" "Designers, I'm going to leave you for the evening, and your models will be coming in a little later for a fitting." "All right." "Work hard." "Make it work." " [Jonathan] Is it overly designed?" " What, us?" " Us?" " [Laughing] When?" "When Tim said the word "overdesign," I was like, "Oh, my God."" "I mean, I'm literally, at this point, using every technique I know how to do on this one garment." "He's right." "This could be a carnival." "[Amy] I wonder if we have enough solid fabric." "My goal is to have the pants done next, and then the hat." "So I'm the one that's behind." "I gotta get this together to try on her." "Oh, that's right." "They're coming soon." "The problem that Anthony is running into is that the details on the evening dress are all completely hand-stitched, and there are a million diamond-shaped designs that have to be tacked on." " Hi." " Hi." "[Jay]" "[Chattering]" "He'll be right in." "He's just putting the last seam on." "I've never put a dress together this freaking fast in my life." "I'm not even ready." "This is the first time ever." "Wow, they actually fit really good." "The pants that I made for Brittany fit her well." "The poof in the side doesn't look as bad as Tim had anticipated." "So I'm really excited." "I can't wait to finish these pants." "So the hem is shorter in the back than it is in the front." " Step." " Oh, is it that part?" "I cut it like it had the stretch, and I cut it the wrong way." "The jacket goes on, she gets right to that point, and it stops." "And I'm all like, "Well, that's the point it needs to be cut."" "I was like, "What?"" "So I pull it off her, and I just cut them off, and she freaks out." "Yeah, see, because I want it to hit here." "It's done." "Done." "Put it on her." "It fits perfectly." "Cuffs on." "We're good." " Bye." " Bye." "I'm a little nervous about the time, I have to say." "Out of the corner of my eye, I see that Jay hasn't even started the tank top yet." "I'm just worried that we would end up in the bottom if Jay's look isn't complete." "Jay and Mila..." "[laughing]" "Excuse me." "I don't mean to laugh." "It's not professional." "[Laughing]" "Mila and Jay as a team, first of all, was set up by Emilio, because he's a naughty, naughty, naughty, boy." "[Emilio] I really am a nice guy, really, if you really get to know me." "But let's just say it's working as planned." "Is it hot in here, or am I just not gonna finish?" "[Amy] This is the first time I've seen Jonathan struggle with time, so I am a little concerned, 'cause, you know, we were hoping for one of us to finish earlier and possibly help the other one." "I don't think that's gonna happen at this point." "I am cutting this openwork cutwork till my fingers are bleeding." "It's getting sloppier by the minute, 'cause I'm just trying to get it done." "It's spiraling out of control at this point." " Did you say one minute?" " Mm-hmm." "My watch says five minutes." "That's wrong." "That time up there's wrong." "We're [bleep]." "Coming up on Project Runway..." "What the hell is Amy and Jonathan building in their corner?" "There's no way that I can get this done." "Jonathan." "Amy." "This is the most horrifying experience of my life." "Well, Jonathan, how do you feel this morning?" "Disgusting." "I honestly don't know if I can physically sew fast enough to do all the things that I need to do." "I am hurting this morning." "Oh, my God." "I don't know how I'm gonna get it done, honestly." "Down to the nitty-gritty here." " [Anthony] We shall leave as three..." " [Emilio laughing] ...and return as three." " That's right." "I'm so nervous about the runway show, because I'm feeling right now like there's no way that I can get this done." "We can do triangles here." "We have a lot to do, and I'm not sure if it's gonna get done." " [Anthony] Are you serious?" " Yeah." "You sort of want to stay away from asymmetrical designs," " but..." " Maya, this is one of your control issues that's probably about to come back and bite." "I'm a little worried about the look being mostly black." "Chinatown is so colorful." "But we didn't want to go too literal with it." "Good morning, designers." "Good morning, Tim." "Each design team will have an hour to send their models to the Garnier hair salon and the L'Oréal Paris makeup room." "You know the drill on the Bluefly wall." "Style these looks so that they are each wow moments." " All right." "Thank you." "Make it work." " Thank you." " I love it." " [Anthony] The daytime look... it looks a little evening." "I'm very concerned about making sure that that comes across as sophisticated and not old grandmama." " Nice." " Cool, right?" "I feel like my outfit is looking great." "But I can't believe how ill-fitting this tank top is that Jay made, and I just know that it's not gonna be good on the runway." "[Emilio] What the hell is Amy and Jonathan building in their corner?" "I don't think they're gonna have the time to finish this show." "I think there's gonna be a little bit of bloodshed there." "[Emilio] So you have the modern-day Billie Holiday," " Billie Holiday." " And then the yellow with the sheer." " I do." " Cool." "Put it, like, two pieces and wrap it around kind of like chopsticks." "You know what I mean?" "[Jonathan] Kind of a devil-may-care updo." "Definitely." "[Chattering]" "You know, I really don't want to have to place blame, but when the judges ask who did what," "I'm gonna make sure that they know what I've done." "I'm a little bit worried that Mila's gonna throw me under the bus." "Then I'm gonna have to defend myself." "Designers and models, this is it." "Please follow me." "We're going down to the runway." "[Chattering]" "[Emilio] Seth Aaron, you have thread?" "[Chattering continues]" "I got it." "I am on my hands and knees, sewing Holly into her dress." "Amy's trimming things." "It's unbelievable." "Jonathan." "Amy." "This is the most horrifying experience of my life." "Coming up on Project Runway..." "It just doesn't look polished." "This, for me, is an eyesore." "I got sidetracked by the ducks." "[Laughter]" "Welcome to the runway." "As you know, in fashion, one day you're in, and the next day you're out." "There are eight of you here, and after tonight there will be seven." "For this challenge, you worked in teams." "We sent you out into the streets of New York City to find inspiration in one of four very different neighborhoods." "Okay, let's meet the judges." "First, sitting in for Michael Kors, we have Francisco Costa, Women's Creative Director for Calvin Klein Collection." "Fashion Director for marie claire magazine, Nina Garcia." "Fashionable model and actress" " Molly Sims." " Wow." "We will score your designs as they come down the runway." "One of you will be named the winner, and one of you will be out." "Let's start the show." "[Maya] I'm excited about the day look." "I really feel confident in it." "I think it's different, and I think it's unique, and it'll stand out." "For a team challenge, I think we did great." "[Anthony] I've never seen any detailing like that on a dress." "So the fact that we have come up with this new approach, it was very interesting, and I thought that it was a very avant-garde approach to the evening look." "[Jay] The pants are amazing on her." "They just look so great." "I'm so proud of myself." "The top is a little problematic." "That's the only part I'm worried about." "But it looks good on the runway, so I think we'll be okay." "[Mila] I'm very happy with the boldness and the statement that it makes." "She's working it." "She's giving a little edge to her walk." "And I think it looks great." "[Amy] I think that there are definitely aspects in there that are specific to my aesthetic." "The pleating, gradating color are very me." "Both the garments are very cohesive in color story, and I think that's a very strong point." "[Jonathan] Seeing my evening look on the runway," "I feel a lot better." "I feel like we were better at bringing the evening look to a good place, and I feel like we kind of took a really unique spin on the Upper East Side." "[Seth Aaron] In all my design work, one of my key elements is I want to make the wow factor." "I want people to remember it two weeks from now, two months from now." "It's just everything that I want it to be, and Valeria definitely knows how to make it look its best." "[Emilio] She's just gliding." "It just looks amazing, sophisticated, smart, beautifully made." "Our outfits surpassed our vision." "I think we just have a homerun." "We hit it out the park on this one." "[Heidi] If I call your name, please step forward." "Jay and Mila." "Amy and Jonathan." "Your teams have the lowest scores." "We're going to talk to the teams with the highest scores first, and then I'm gonna bring you back." "So you can leave the runway." "Thank you." "[No audible dialogue]" "Anthony, Maya, Emilio, Seth Aaron, let's bring out your models." "Emilio, you were the team leader." "Well, our inspiration was Harlem." "For our day look, we wanted to do a denim look, and we accented it with the gold stitching." "For our evening look, we wanted then to represent the classic old-school Harlem of modern-day Billie Holiday." "I have to say I'm in love with both pieces." "[Both] Thank you." "And I love all the details." "It looks impeccable." "And they also relate." "Initially, I had a little question 'cause I thought the gown perhaps would go a little sexier and shorter, but it really held up together really well, because it's rather sophisticated..." "both outfits." "And if you want to be sexier," " you just unzip that zipper a little higher." " Zip it up." " You can make it shorter." " Right." "No, absolutely." "And who did what in terms of the..." "I did this." " And I did this." " He did that." "Since we wanted to do a denim look..." "I know Seth Aaron is so strong in that area... what I brought to the table was..." " Color." "Color, Heidi." " Colors... new for him." "So I wanted to make sure that he was able to work in his element, but I wanted to bring in a little of my touch which is color." "I thought it was very smart of you, Emilio, to make her wear a print, bring this yellow in." "I think sometimes, Seth, you go a little overboard with the detailing." "You know, there's a lot of piping on this." "There's the collar." "There's the buttons." "There's the tails." "Had you taken some of those elements off, this would've been a more tasteful look." "Okay." "I loved it." "I loved the bit of color." "I loved the hardware." "I love a great zipper." "I love the gold." "Having something also a little off like the one earring with the hat... it's good." "She's a fly girl from Harlem." "[Laughing]" "So how was it working together?" "We had fun." "I love Seth Aaron." "We just meshed." "Anthony, you were the team leader." "Tell us about your two looks." "We were allowed to travel to Chinatown, which I had never been there before in my life." "So, initially, I got sidetracked by the ducks hanging in the window." "However, one of the first inspirations that..." "We don't do that in Georgia, but..." "One of the initial inspirations was these tissue lanterns, and they were dragons." "That's what inspired this dress..." "the evening look." "And as far as the daytime look is concerned, the one thing that we really collaborated on and celebrated together was the lines and the structure of the buildings." "And the pagoda." "Well, I think this was a really great collaboration." "I like the fact that you did those little details in red, and then it picks up with the red of her lips." "I like the subtle detail of the pagoda shape on the jacket without screaming "This is China."" "Here, it looks beautiful." "I love the origami." "I love that three-dimensional effect that it has." "But I wish that I would've seen a little more color in the detail." "I can see a dragon in this kind of work that you've done here, but it's more subtle." "I love the day look more." "I love the sleeve." "The hair and the makeup is right on." "I think that you explored that in the best way." "You made it also very urban." "The work is really beautiful, and it's really well made." " Thank you." " What was it like working together?" "I thought I was gonna drive her crazy 'cause she's so quiet." "But the one good thing about Maya..." "Don't let that pretty face fool you." "If she doesn't like something or she wants to change something, she will surely let you know." "[Heidi] Okay, we've heard what you had to say." "You can leave the runway." "Thank you." "Okay, let's bring out the designers with the lowest scores." "Amy, you were the team leader." "Please tell us about your inspiration." "Our neighborhood was the Upper East Side." "There was a beautiful brick building, and it had very peachy tones and a very repetitive pattern, and that's where we drew the color palette for the day-wear look and the lines of pleating." "And for our evening-wear look, we were inspired by the wrought iron gates and doors." "And Jonathan did his beautiful cutwork." "How was it working together?" " We love working together." " Yeah." "I have a great respect for Amy's design sensibility." "And she... the same way for me." "Yeah." "The problem that I have with this day-wear look... it just doesn't look polished." "I agree." "The day look... that is a really hard color to wear." "I didn't really get the inspiration of the Upper East Side with the day look." "Perhaps if it was a white shirt, you know?" "And flats and a great narrow straight leg." "This, for me, is an eyesore." "I think it is quite ugly, to be honest." "The nighttime look" "I don't find as bad as the daytime look, but it's also very, very busy." "[Francisco] The nighttime look is a little more sophisticated." "You see more of a workmanship, and it's more successful." "I love the work in front, but I think the panels really killed it," " because all of a sudden, it looks..." " Heavy." "Heavy, and it makes it look cheap." "[Heidi] Jay, you were the team leader." "Tell us about your two designs." "We have the Lower East Side as our neighborhood." "We both just kind of gravitated to the boldness of the graffitis and the texture that they're on." "This is the daytime look, and this is the nighttime look." "I love this nighttime look." "I particularly like that you did the red hose and boots." "It looks fantastic styling-wise, and I can see the lines of that inspiration, but I am very disappointed with the day look." "I think the top looks like a leotard." "It's a tank top, but it's not even a tank top that is well made." "[Heidi] And I also have a problem with the fit on the top." "I mean, her boobs are just kind of floating around in there." "The pants..." "I get the fact that you were going for a really cool pant, but I don't think that was successful, either." "That's interesting, because I see more of a synergy." "I think the pants and the top are very much East Side, and there's something quite cool about it not being perfect." "But that tank is..." "No." " It tanked." " The tank tanked." "[Heidi] What was it like working together?" "We worked, I think, professionally." "Like, things just kind of, like, organically came together, and this is what we've achieved." "[Heidi] Okay, we've heard what you had to say." "We're gonna have a little chat, and then I'll call you back." "You can leave the runway." "Thank you." "Okay, let's talk about the designers with the lower scores." "Let's talk about Amy and Jonathan." "You know, I had high hopes for Amy, but she gets too caught up in the technical and doesn't see the big picture." "The vibe of the Upper East Side" " did not come across." " No." "It looked very vintage." "It looked Lower East Side." " [Francisco] Yeah." " In the '50s." "[Heidi] Maybe it would've been better if it actually was a dress, because it was too tight in the waist." "That's what makes her look like an umbrella." "Their night look..." "definitely better than the daytime look, but I still thought that it was a bit overworked." "There's a simplicity to it, although it obviously needs to be reworked." " Without the panels." " Yeah." "Let's move on to Jay and Mila." "I had a problem with the day look." "[Nina] It was a tank, and it looked ill-fitting, badly made." "The pant was overworked." "I was really surprised to see this from Jay." " It almost seems as if Mila was..." " Took over." "...the team leader instead of Jay." " Yes." "You know, Mila is all about structure, lines." "She loves black and white." "The execution was impeccable." "Okay, let's move on to the designers with the highest scores." "Should we start with Anthony and Maya?" "This was a very subtle and gentle inspiration..." "Subtle, but with a lot of great design in it." " [Nina] Great design." " Not boring." " [Molly] I could see their vision." " [Nina] Yes." "Both looks are definitely sophisticated." " The daytime is also sophisticated." " I would wear the jacket." "[Nina] Yes, I loved the little touch of red, the little detail of the pagoda shape on the jacket" " without..." " And the sleeve was great." "It was great." "It was really well thought of." "Really very nice and very subtle." "Let's move on to Emilio and Seth Aaron." "Great pieces." "[Nina] It has a great attitude." "It's got a great vibe." "I love the injection of color, the injection of print." "The bag... everything worked." "But they really tried to make it work together as a team." "And there was those zippers." "You just get..." "It's one story." " So it's very mature, I find." " Mm-hmm." "I think it was very sophisticated." "And I think they really balanced each other here" " No, they did." " In the best way." "They seem very strong individuals, but they worked very well together." "No, the evening dress was really..." "That's what disappointed me." "Yes, it was well made, but I know that Emilio can do more." "I know it." "Are we confident that we made the right decision?" "Yes." "Okay, let's bring them back out." "The eight of you represent the best and the worst." "One of you will be named the winner, and one of you will be out." "The eight of you represent the best and the worst." "One of you will be named the winner, and one of you will be out." "Emilio," " congratulations." " Shooh." "You are the winner of this challenge." "Seth Aaron," " you are also the winner of this challenge." " Yeah!" "You look happy." "We appreciate the maturity of the design and the way you translated your inspirations." "It was clear also that you worked well together to show off both of your talents." "You're both in and can leave the runway." "Wow." "Thank you so much." "[Seth Aaron] A double win." "It was a Project Runway first time." "So not only did we both get a win under our belt, but we also made a little Project Runway history." "Whoo!" "[Emilio] I'm happy." "There's more designing to be done." "[Laughing]" "Anthony and Maya, well done." " You're in." "You can leave the runway." " [Both] Thank you." "Mila, Jonathan, you're in." " You can leave the runway." " Thank you." "Thank you." "[Heidi] Jay, your tank top was ill-fitting and mismatched with those pants which were also questionable in terms of color, construction, and fabric choice." "Amy, your strange shirtdress was a disappointment." "From the color to the dowdy cut, it was bad retro." "You got lost in a concept without executing it well." "Amy," "you're out." "That means, Jay, you're in." " You can leave the runway." " Thank you." "Thank you for the opportunity." "Auf Wiedersehen." "I'm absolutely proud of myself for how far I've come." "I wish I could jam-pack all of my life with these kinds of experiences and this kind of quick growth." "You're such a good kid." "I'm gonna miss you." "[Chattering]" "[Jonathan] It's really hard to watch Amy go home." "The only thing that's saving me from being completely overwrought by this is that she's so strong." "She's just a wonderful person." "You are an incredibly talented designer." " Thank you, Tim." " All right?" " We love you." " Okay." "Bye, you guys." "[Designers] Bye." "[Tim] So, Emilio, Seth Aaron, congratulations to you." "Thank you." "[Amy] As a designer, I really like to try new things, and I don't want to change my perspective because somebody doesn't like something." "I want to stay true to myself." "I wasn't ever scared to make something even though I knew it was a huge risk, and I'm proud of that quality." "Next time on Project Runway..." "You will be doing something that every fashion designer dreams about but seldom realizes." " Wow." " [Tim] I see looks of fear." "Here we go." "[Yelling, groaning]" "Oh, my God." "It's now or never." "I'm not gonna have a second chance." "Think, think, think, think, think." "I feel like his taste is questionable." "It's a pretty basic silhouette." "I will not listen to Tim whether he likes it or not." "It's too conceptual." "It's too weird." "It's like a disco straitjacket." "Full-on catastrophe." "Visit my Lifetime." "Com to learn more about the fashion you've seen on tonight's show."