"[GROWLING]" "[SCREECHES]" "Judy!" "[JUDY SCREECHES]" "[GROWLS]" "Not very good, is it, Clarence?" "[GROWLING]" "[VEHICLE APPROACHING]" "[GROWLING]" "Hey, she's here." "Yeah, I know." "Don't you wanna see her?" "Come on." "How can anyone get excited over a circus animal that eats their young?" "[GIBBERING]" " Oh, boy, is she a beauty." "MARSH:" "Yeah." "She seems to have made the trip pretty well." "JACK:" "When's her litter due, Marsh?" " In about two weeks." "Hmm." "We better get friendly pretty fast, huh?" "Daktari and I have already started working on it." "On the way back after we made camp why, we had a few training sessions and she's coming along nicely." "Well, hello, young lady." "Don't feel the same way, huh?" "Well, I don't have to like every animal we get." "You shouldn't hold what she did in the circus against her now." "PAULA:" "No?" "She just attacked her trainers." "Nearly killed one of them." "If my dad hadn't taken her, she would have been destroyed." " Wanna get the leash?" " Oh." "Here, Marsh." "[GROWLS]" "Oh, no, Jack, no chains." "No, she's had enough of those and prod poles in the circus." "No, we'd better use a rope leash." "A leash?" "Dad, you're not gonna walk her?" "Well, she was gentle before she was mistreated." "We're not gonna snap any whips at her or have her jump through hoops of fire." "Okay, Mike, here we go." "Lift her up easy." "Well, just let her out easy here." "Come on up here." " Easy, easy, all right." "JACK:" "Look at those scars." " See how they mistreated her?" "MARSH:" "Got her?" "Keep hands away." "That's it." "Easy, easy." "All right." "Come on, old girl." "You're going to a new home." "Things are gonna be a little different now." "There we go." "There we go." "Come on, old girl." "Here we go." "All right, easy, girl." "Yeah, this is your new home, take a look around." "So far so good." "MARSH:" "Putting her in the cage was easy but she'll have to trust us a lot more before she'll let us deliver her cubs." "[GROWLING]" "I don't think she'll trust anybody that much." "She looks like trouble to me." "[GROWLING]" "Well, that ought to do it, Mike." " Let's see if we can make it more natural." "MIKE:" "Okay." "PAULA:" "Anything I can do to help?" " No, not a thing." "How do you like our maternity ward?" "That little hollow?" "Yeah, with any luck, our black leopard will have her litter right in there." "Daktari, why don't we give her a name?" " Sure." "What did you have in mind?" " Well, how about Sheba?" "MARSH:" "Sheba?" " Uh-huh." "Yeah, why not?" "Since we're giving her the royal treatment..." " ...we might as well go all the way." " All right." "But she's been in the circus all of her life." "Kept in a cage." "This is gonna be completely new to her." "Be like living in the bush, Dad." "Well, that's the whole idea." "We hope that these surroundings will bring back her natural instincts." "No, in the circus she was nervous and scared and you can understand why she might eat her young or attack her trainer." "I don't know." "You sure you don't need me?" "Well, yes, as a matter of fact we've been working hard and could use a little lunch." "PAULA:" "All right, I'll make it." "Sheba." "[GROWLS]" "Grr yourself." "If you think you can frighten me, you're right." "No, Judy, don't eat it." "Put the red peg in the red hole." "[CHUCKLES]" "Come on, Judy." "Come on, use your hand." "That's a girl." "Hi, what are you doing?" "Testing Judy on color perception." "Well, can I help?" "Look, I'm trying to do this under laboratory conditions." "That means I've got to be alone with the subject, so vamoose." "I'm just watching." "Look, there's gotta be something else you can do." " Come on, Judy." " How about lunch?" "Fine, good." "It's yellow, Judy, yellow." "[JUDY GIBBERING]" "Oh, Hedley." " Hello, Paula." "Jack." "JACK:" "Hi, Hedley." "I just dropped by to see how your painting's coming along." "You haven't got much time, you know." "PAULA:" "Well, it's almost finished." "HEDLEY:" "Ah, so it is." "Hmm." "I may be only a Sunday afternoon painter, my dear but I think the composition's splendid." "Really splendid." "[GIBBERING]" "The middle ground lack perspective perhaps..." " ...but I don't think that matters." " Middle ground?" " Yes, uh, may I show you?" " Yes." "HEDLEY:" "Look, this section." "There." "Now, shall we take a look at the real thing?" "Now, do you notice how the shadows foreshorten the trees?" "You see what I mean?" "Now, in your picture, those shadows are rather lengthy which sort of gives the picture a rather elongated position which I think is a pity because I think, otherwise, it's so excellent." " You see what I mean?" "PAULA:" "Yes." "[JUDY GIBBERING]" "Judy, you ruined my picture!" "Oh, boy." "Can you fix it?" "I do think it would be wiser for her to start another, old man." "Paula, I happen to have a book on perspective in my car." "Let me loan it to you." "Thank you, I can certainly use it." "Oh." "If you want lunch, you better fix it yourself because I'm gonna be too busy painting." "[CLARENCE GROWLING]" "Judy!" "Bad girl." "What's wrong?" "You and your color perception experiments." "Now, wait a minute." "I didn't give her those paints." "Judy, go get the hose and wash off Clarence." "[MIMICKING HEDLEY] You know, I rather think her middle ground lacks perspective, don't you?" "Very funny." "MIKE:" "Jack." "Yeah, I'll be right there." "Well, hello, Sheba." "How about coming over and saying hello, huh?" "You'll find my bedside manner isn't too bad once you get to know me." "Yeah, come on over here." "Come on over to me." "Yeah." "Well, that's a little better." "[PURRING]" "We gotta get to know each other." "She seems in a pretty good mood." "I think you can come on in now, just take it slow and easy." "How about coming on out?" "How about coming on out?" "Yes, indeed." "Yes, indeed." "Come on out here." "Lie down and let us take a look at you, huh?" "Yeah, that's it." "Wanna stroke her, get her used to our scent." "So when it comes time for delivery, she'll know us well." "Judy, I want the red and green paint you took from my box." "Now go out and find them." "[GIBBERING]" "Judy!" "Hold your hand, let her get a little smell, huh?" "Thattagirl." "Get your scent?" "Attagirl." "Yeah." " Come on, come on." " Come on." "[SHEBA GROWLING]" "Yeah, I think she's gonna be all right." "Okay." "I would say she almost trusts us now." "[GROWLS]" "Almost." "Judy." "Oh, you little dickens, you." "Don't think you can hide from me." "Judy." "Judy?" "Judy?" "Judy." "I'll find you, Judy." "Judy!" "Judy!" "[GIBBERING]" "[GROWLING]" "Judy!" "Mike, Jack!" "Come quick!" "Sheba!" "Sheba!" "Back, Sheba!" "[SCREECHING]" "Back, Sheba, back!" "Back, back!" "Hurry!" "Back, Sheba!" "[MIKE  JACK SHOUTING]" "MARSH:" "Get those poles out." "[SHEBA GROWLING]" "Sorry, Marsh, we had to use them to save Judy." "Yeah, I understand, you were right." "[GIBBERING]" "Judy, go away, I have a model." "Judy, I don't have time." "The painting has to be finished by tomorrow." "Now look what you've done." "Go take Clarence and play some other place." "Judy." " Well, that's looking pretty good." " Yeah." " Well, is Sheba behaving herself?" " Just fine." "Well, I think your sitting out here talking to her sort of pacifies her." "Well, come on, Sheba, it's moving day." "Can't she stay for a while?" "I only have two more hours' work left." "No, it's the best time right now to move her." "Ah, cheer up, work on it through one of the observation ports..." " ...in the enclosure." " Mm." "Okay, come on, move it over, girl." "[SHEBA GROWLING]" "Be careful." "Oh, I think she trusts us all right." "It was just the poles that upset her." "Well, come on, old girl." "Your royal quarters await." "Here you go, easy does it." "Okay, girl, come on, come on." "[JACK CHUCKLES]" "[SHEBA GROWLS]" "You know, I think you two ought to make friends." "Come on." " Dad." " Aw, come on, Paula." "Sitting outside her cage ever since she got here." "Think it's time you got over this thing you've got against her and got to know her?" "Come on." "Oh, she's only been mistreated by men." "Chances are she likes women better." "MARSH:" "There, see?" "You know, I think she'd rather go with you." "Come on, let's go." "Attagirl." "Oh, you're gonna like this, yeah." "[GROWLING]" "Well, starting next week we all have to watch her pretty closely." "She's killed two litters already and we don't want this one to be the third." "Well, Judy, I think you're a natural born painter." "Little primitive, but talented." "Is this some kind of a joke?" "This is not some kind of a joke." "It's part of my color perception experiment." "Oh, I'm sorry, I thought you" "Judy, are you a mess." "[GIBBERING]" "[JACK CHUCKLES]" "Come on, kid, we'll wipe off your fingers a little bit, huh?" "One of these days, I'll teach you to use a brush." "Oh, boy." "[JACK CHUCKLES]" "Dad, there's an art academy at Naguru." "Could I go there for a month or two?" "You really don't need me here." "Well, yes, if that's really what you wanted." "I think it is." "Thanks, Dad." "[GROWLS]" "Judy, you're a tease." "Oh, what's the matter, Judy?" "You're out of red." "Well...." "Well, now, let's see if you can tell the difference." "Right." "Hey, Judy, is that how you tell, by tasting?" "Jack put you here so I could watch what you do." "Let's show him that you can tell the difference by looking." "Okay, which one is red?" "Right." "Good girl." "Okay." "Okay, Judy, there you go." "[GROWLING]" "[GIBBERING]" "Well, what is it, Judy?" "If Clarence doesn't wanna pose for you, you're gonna have to do without him." "Dad!" "There's a python in the enclosure!" "Sheba, easy." "It's all right." "Easy, easy." "Everything's gonna be all right." "Easy." "Easy." "Easy." "Everything's gonna be all right, easy." "MARSH:" "Got him?" " Yeah." "Dad, the shovel." "Well, it looks as if you've made a friend." "She was more frightened than I was." "Well, it's a good thing you were here." "Excellent, my dear." "Excellent." "Thank you, Hedley." "MARSH:" "How do you think it compares with the other exhibits?" "First-rate, Marsh." "Of course, I've got nothing to do with the actual judging but I bet it stands a good chance of winning." "[GIBBERING]" "Hedley, please be very careful with it." "Don't worry, my dear." "I have a rack in the car to protect all the paintings." "Well, Hedley, how about something cold, huh?" "Yes, I was wondering when you'd ask." "Ha, ha." "Come on." "Daktari." "Daktari!" " Well?" " Sheba's gone." "Gone?" "How?" "The cage was open." "We've got to find her, she can't forage, she'll starve." "In her condition, if she's frightened...." "Yeah." "Jack, you and Mike search the caves along the south ridge." " I'll check around the enclosure." " Right." " Should I go?" " Stay in case Sheba wanders back." " I'll search along the road to Naguru." " All right, thanks." "Jack, Mike, do you read me?" "Over." "MARSH [OVER RADIO]:" "Jack, Mike, do you read me?" "Loud and clear, Marsh." "Just got to the cave area, no sign of her yet." "No sign of her around the enclosure." "I'm heading for the south ridge." "Okay, we'll work towards you." "Jack, I don't have much in the way of medical supplies so don't get too far away from your radio, all right?" "JACK:" "Roger." " Out." "[SIGHS]" "We're not doing any good here, Clarence." "See if you can pick up Sheba's scent and we'll join the search party." "Let's go." "Come on." "Come on, Clarence." "Judy, this is leopard country." "I want you to stay close to Clarence for protection." "Now come on." "Come on, Judy." "It looks as if Clarence has picked up Sheba's scent." "[GROWLING]" "Oh, boy, it's a shame." "Marsh really wanted to save that litter." "Yeah." "All the more reason why we've got to find her." "Let's go." "Sheba." "Stay here, Clarence." "This is close enough." "Sheba." "Easy, girl." "Easy." "Easy." "Good girl." "[GIBBERING]" "What's the matter, Sheba?" "I know what's bothering you, it's that chain on Clarence." "I'll take care of that right away." "[GIBBERING]" "PAULA:" "Judy, quit that." "You're upsetting Sheba." "[SCREECHING AND GIBBERING]" "Easy." "Everything will be all right." "You're not gonna have your cubs now?" "No, Sheba." "[GROWLS]" "[JUDY GIBBERING]" "[GROWLING]" "PAULA:" "Clarence, can you do something?" "[LEOPARD AND CLARENCE GROWLING]" "PAULA:" "Clarence, look out!" "[SQUAWKING]" "Clarence, be careful." "It's all right, Sheba." "Clarence chased him away." "Sheba, try and let me help you." "Judy, we need some water." "The creek is right past those trees over there." "Go get some." "[GIBBERING]" "I don't know what with." "All right." "At least get this wet." "Sheba, I know your time is near." "Take it easy." "Oh, I wish Dad was here." "I don't know whether to send Clarence for him or keep him here in case that leopard comes back." "Paula." "MARSH [OVER RADIO]:" "Come in, Paula." "This is Marsh." "Marsh calling Wameru, come in." "Come in, Paula." "This is Marsh." "Marsh, Jack." "We just tried Paula a couple of minutes ago she's obviously not in the house." "Any luck?" "No, I'll take a swing around the road and then head back." "Keep looking." "Will do." "Clarence, go get Dad." "Go find him." "Hurry, Clarence." "Judy, you're a genius." "[GIBBERING]" "Here, Sheba." "Come on, take a little drink." "Come on, Sheba." "Come on, you have to drink something." "Sheba, let me help you, I'm the only one who can." "Sheba, I know what to do." "I've watched Dad in the clinic, I know exactly what to do." "I hope." "Judy, I don't think Dad's gonna get here in time to deliver these cubs." "So go to the house and get the small bag." "The small bag." "The medical kit." "Right, Judy." "Okay, hurry." "[YELLS]" "[GIBBERING]" "[JUDY GIBBERING OVER RADIO]" "Judy." "Judy, get Paula and bring her to the radio." "Judy, do you understand?" "Get Paula to the radio." "Will you stop that noise and do as I say?" "Judy, listen to me." "I want you to get Paula to the radio." "Judy?" "Judy, where are you?" "[SHEBA GROANING]" "PAULA:" "Easy, girl." "It's all right, Sheba." "It's probably Judy coming back." "Relax, Sheba, just relax." "You've got to." "[JUDY SCREECHING]" "Judy." "Judy, you're wonderful." "I'll never be angry with you again." "All right, Sheba, we're ready for you." "This won't hurt a bit." "Judy, let's hope Clarence found Dad." "[GROWLING]" "Clarence, what are you doing here?" "Clarence, what--?" "You want me to follow you?" "Hurry, boy." "Jack." " Jack, come in." "This is Marsh." "Come in." " Yes, Marsh." "I've run into Clarence." "Seems to want me to follow him." "I'm heading toward the creek." "How far are you?" "Uh, just a couple minutes." "We'll cut in from here." "Right." "[GIBBERING]" "Judy, please go away." "[SCREECHES]" "What is it?" "Don't tell me that." "Oh, no." "Judy, you have to decoy him." "Be careful, Judy!" "[LEOPARD GROWLING]" "Easy, girl." "It's all right, I'll help you now." "Just relax and don't move." "[LEOPARD GROWLING AND JUDY SCREECHING]" "[JUDY SCREECHING]" "Come on, Judy, we gotta get back to Sheba." "She might have given birth to some cubs." "Oh, I hope she doesn't hurt them." "Let's go." "[SHEBA PURRING AND CUBS MEOWING]" "Oh." "MARSH:" "Paula?" "Paula?" "Dad, over here." "Look, Dad." "MARSH:" "Well, well, well." "Good work, young lady, good work." "[JUDY SCREECHES]" "[VEHICLE APPROACHING]" "Hey, Hedley." "Over here." " Hedley's got a painting with him." " Oh, so he does." "Guess this is the big moment." "Excited?" "Oh, not particularly." "Haven't given up your idea of going to the academy, have you?" "Oh, Dad, I couldn't leave Wameru, not even for a month." "Look at that little fella, the way he's grown up the last two weeks." "I gotta stay here and take care of him." "JACK:" "Hi, Hedley." "That the winning painting?" "Uh, yes, it is." " Congratulations." "HEDLEY:" "I'm afraid not." "As a matter of fact, we don't know the artist's identity." "I've been everywhere trying to find out who it is." "Perhaps you can help." "Oh, no." "Ha!" " Ha, ha." " That won the competition?" "I'm afraid the judges were rather inclined towards the, um, avant-garde." "I'm afraid I don't understand." "What's the joke?" "Well, you're not gonna believe this, Marsh but that's your prize-winning artist right over there." "[ALL CHUCKLE]" "[English" " US" " SDH]"