"By³a wiosna 2009." "W wieku 50 lat, po 10 letniej przerwie w wystêpowaniu na scenie," "Michael Jackson spokojnie rozpocz¹³ przygotowania do nowej serii koncertów." "Jego jedyn¹ publicznoœci¹ by³a ekipa techniczna i tancerze, którzy przygl¹dali siê, jak Michael tworzy show, które by³oby jego wielkim powrotem na scenê." "Ten film zawiera materia³ nakrêcony podczas prób od marca do maja." "Pierwotnie mia³ on trafiæ do prywatnej biblioteki Michaela oraz byæ wykorzystany przy produkcji filmu bêd¹cym upamiêtnieniem tych koncertów." "25 czerwca brakowa³o zaledwie 8 dni do planowanego wyjazdu Michaela i jego zespo³u do Londynu, gdzie mia³y mieæ miejsce koñcowe przymiarki do 50 koncertów." "Za zgod¹ zarz¹dcy maj¹tku Michaela Jacksona i dziêki kilku kamerom, które uchwyci³y magiê, mo¿emy doœwiadczyæ u³amek tego, co Michael szykowa³ dla fanów i widzów na ca³ym œwiecie." "This Is It (To jest to)" "15 kwiecieñ 2009" " Sk¹d jesteœ?" " Z Holandii." "A to jakieœ 10 godzin drogi st¹d." "Przyjecha³em na to przes³uchanie z drugiego koñca œwiata." "Powiedzia³em wszystkim znajomym, ¿e jadê wystêpowaæ przed Michaelem," "¿e bêdê dla niego tañczy³, nie wa¿ne czy mi siê uda, nic mnie nie obchodzi." "Dziêki Michael." "Jestem podekscytowany." "By³eœ inspiracj¹ wszystkiego w moim ¿yciu." "Mojej energii, sposobu w jaki tañczê." "Pamiêtam, jak by³am ma³¹ dziewczynk¹ i ogl¹da³am Thriller w TV z mam¹, i myœla³am, ¿e to najfajniejsza rzecz na œwiecie." "Pierwsza rzecz, jak¹ robiê po obudzeniu siê to nie jest jedzenie, tylko... puszczam muzykê, zaczynam tañczyæ, robiæ Moonwalk na dywanie." "Zawsze zastanawia³am siê, co bym da³a, aby znaleŸæ siê z tob¹ na scenie... a fakt, ¿e mogê to zrobiæ..." "jest niesamowity..." "Jestem z Australii." "Przylecia³em na przes³uchanie zaledwie dwa dni przed tragedi¹... a teraz pozosta³ mi jedynie lot z powrotem." "To siê zaczyna." "To pocz¹tek, a nie ma mnie jeszcze na scenie." "Nie mogê sobie wyobraziæ, co siê stanie za kulisami po pierwszym koncercie w Londynie." "Patrzê na moj¹ przysz³oœæ i nawet nie wiem, co bêdê chcia³ robiæ... w koñcu to jest Michael." "Chcê tañczyæ, wiesz o co mi chodzi." "Ta inspiracja przysz³a, wiesz, od ciebie." "Zainspirowa³eœ mnie i da³eœ powód do inspirowania innych." "¯ycie jest ciê¿kie, tak?" "Szuka³em czegoœ, co mn¹ potrz¹œnie i poka¿e mi znaczenie, da powód by w coœ wierzyæ." "To jest to." "dla fanów...." "Show rozpoczynamy, jak wiesz, ze zgaszonymi œwiat³ami." "To bêdzie spektakularne otwarcie z efektami pirotechnicznymi." "Bêdzie mnóstwo wybuchów, trzasków i wystrza³ów." "Mamy przygotowane nagranie zwane "Migniêcia i urywki"." "I w³aœnie wtedy uka¿e siê lœni¹cy cz³owiek unosz¹cy nad scen¹." "Na nim bêd¹ mieniæ siê filmiki." "I kawa³ek po kawa³ku..." "MJ bêdzie odkrywany, a¿ do momentu, gdy wyskoczy." "Nastêpnie rozpoczniemy na jego sygna³..." "T³umaczenie:" "Maddie Spora korekta, piosenki i technikalia:" "Elektron" "Mi³ego ogl¹dania ;)" "You gonna be (starting' somethin') You gotta be (starting' somethin')" "You gonna be (starting' somethin') ... (starting' somethin')" "It's too high to get over (yeah, yeah) ... (yeah, yeah)" "You're stuck in the middle (yeah, yeah) And the pain is thunder (yeah, yeah)" "It's too high to get over (yeah, yeah) Too low to get under (yeah, yeah)" "You're stuck in the middle (yeah, yeah) And the pain is thunder (yeah, yeah)" "You love to pretend that you're good When you're always up to no good ... So your tongue became a razor" "Someone's always (tryin') to keep my baby (cryin') ... (lyin') Now baby's slowly dyin' ... (starting' somethin') You got to be (starting' somethin')" "I said you wanna be (starting' somethin') ... (starting' somethin')" "It's too high to get over (yeah, yeah) ... (yeah, yeah)" "You're stuck in the middle (yeah, yeah) And the pain is thunder (yeah, yeah)" "It's too high to get over (yeah, yeah) ... (yeah, yeah)" "You're stuck in the middle (yeah, yeah) ... (yeah, yeah)" "You're a vegetable (You're a vegetable) x2" "Still they hate you (Still they hate you) You're a vegetable (You're a vegetable)" "You're just a buffet (You're just a buffet) You're a vegetable (You're a vegetable)" "They eat off of you (They eat off of you) You're a vegetable..." "OW!" "Yee-haw!" "Chcê, ¿ebyœ da³ tego wiêcej, dobrze?" "Tak jest bardziej rytmicznie." "Nie wyczuwam tej czêœci dostatecznie." "Postaram siê to dodaæ nastêpnym razem." " Tego brakuje." " Powinno byæ." "Powinno byæ." "To wszystko dla mi³oœci." " Bêdzie." " Dojdziemy do tego." "Your love is magical, that's how I feel" "But I have not the words here to explain" "To tell you..." "I love you." "Michael Jackson wystêpowa³ na ¿ywo po raz ostatni pokaza³ siê niedawno na World Music Awards 2006." "To jest to." "To jest to..." "Kocham was." "Bêdê wykonywaæ piosenki, które chc¹ us³yszeæ moi fani." "To jest to." "To ostateczne ods³oniêcie kurtyny." "Do zobaczenia w lipcu." "If you can't feed your baby (yeah, yeah) Then don't have a baby (yeah, yeah)" "And don't think maybe (yeah, yeah) If you can't feed your baby (yeah, yeah) ... (tryin') ... (cryin') ... (lyin') Now baby's slowly dyin'" "... (starting' somethin') You got to be (starting' somethin')" "I said you wanna be (starting' somethin') You got to be (starting' somethin')" "It's too high to get over (yeah, yeah) Too low to get under (yeah, yeah)" "You're stuck in the middle (yeah, yeah) And the pain is thunder (yeah, yeah)" "It's too high to get over (yeah, yeah) Too low to get under (yeah, yeah)" "You're stuck in the middle (yeah, yeah) ... (yeah, yeah)" "Lift your head up high And scream out to the world" "I know I'am someone And let the truth unfurl" "No one can hurt you now Because you know what's true" "Yes, I believe in me So you believe in you" "Help me sing it (Ma Ma Se, Ma Ma Sa, Ma Ma Coo Sa)" "Ma Ma Se, Ma Ma Sa, Ma Ma Coo Sa x7" "Sing it to the world, Sing it out loud" "Help me sing it" "Help me sing it" "Help me sing it" "You gonna be (starting' somethin') You gotta be (starting' somethin')" "I said you wanna be (starting' somethin') ... (starting' somethin')" ""Kenny Ortega: re¿yser" Jest was tak du¿o." "Dziêkujê za to." "Chodzi³o o to, aby zebraæ najlepsze rybki z ca³ego œwiata i wpuœciæ do tego samego stawu." "Tancerze wystêpuj¹cy u boku Michaela Jacksona musz¹ byæ przed³u¿eniem Michaela." "Oni s¹ przed³u¿eniem króla." "Wszystko jest wiêksze i bardziej intensywne w jego œwiecie." "Pierwsza grupa, dziêkujê." "Nastêpna grupa." "Brawo, panie." "Tancerze musz¹ byæ cudowni, seksowni i musz¹ siê piorunuj¹co poruszaæ." "Ale jeœli nie maj¹ w sobie tego czegoœ, nie dostan¹ pracy." "G³ównymi tancerzami na This is it... s¹..." "Hej, ch³opaki, chodŸcie tutaj." "Ch³opaki, to ma byæ tutaj." "Uwaga, jedzie!" "Dziœ szykuje siê ciekawy dzieñ, poniewa¿ mamy byæ wyrzucani." "Chodzi o prêdkoœæ podnoszenia i prêdkoœæ wyrzutu." "Najwa¿niejsze, ¿eby byli gotowi na start." "Ramiona wyprostowane, utrzymujcie œrodek ciê¿koœci... przyjmijcie pozycjê w pó³przysiadzie." "Wylecicie do góry i..." " Gotowy na inicjacjê?" " Tak, tak." "Tak, do³adujmy ciê adrenalink¹, ma³y." "Face the problems that we see then maybe somehow we can work it out" "I asked my neighbor for a favor she said later" "What has come of all the people have we lost love of what it's about" "I have to find my peace cuz no one seems to let me be" "False prophets cry of doom what are the possibilities?" "I told my brother there'll be problems time and tears for fears" "But we must live each day like it's the last." "Go with it Go with it Jam" "It ain't It ain't too much stuff (Jam)" "It ain't too much It ain't too a-much for me to Jam" "It ain't It ain't too much stuff" "It ain't... don't you It ain't too a-much for me to Jam" "It ain't too much stuff (Jam)" "It ain't too much It ain't too a-much for me to Jam" "It ain't too much stuff (Jam" "It ain't... don't you It ain't too a-much for me to..." "JAM!" "It ain't too hard for me to jam" "JAM!" "It ain't It ain't too much stuff (Jam)" "It ain't... don't you It ain't too a-much for me to Jam" "It ain't too much stuff (Jam) {S:14}" "It ain't too much It ain't too a-much for me to Jam" "Dagonnet..." "Dagonnet give it babe" "Give it to me ..." "God give it..." "you've got wrong it babe." "Jesteœmy w "Cover Studios"." "Krêcimy na zielonym tle." "Bêdziemy æwiczyæ kroki do melodii z "They don't care about Us"" "Bêdzie to bardzo fajne wygl¹daæ, poniewa¿ pomno¿¹ facetów." "Tak wiêc jedenastu facetów stanie siê 1100 facetami." "To bêdzie naprawdê œwietne." "Jesteœmy podekscytowani, dziœ przychodzi Michael." " Jest Michael!" " Mistrz tu jest." " Mo¿emy zrobiæ z tego milion ludzi." " Michael, podoba ci siê?" "Tak, to fajny krok, ale za bardzo rozprasza siê pod koniec." " Wiêc zatrzymamy go tutaj." " Ma dojœæ tutaj i koniec." "Dobra." "Zostanie 1,2,3,4,5,6,7,8,9,10, tak?" " A mo¿e tylko 9 tancerzy (rzêdów)?" " 10 mo¿e byæ." "Za³apaliœcie?" "Jeszcze raz..." "...6, 7, 8..." "Skin head, dead head Everybody gone bad" "Situation, aggravation Everybody allegation" "In the suite, on the news Everybody dog food" "Bang bang, shot dead Everybody's gone mad" "All I wanna say is that They don't really care about us" "All I wanna say is that They don't really care about us" "Tell me what has become of my rights Am I invisible because you ignore me?" "Your proclamation promised me free liberty, now" "I'm tired of bein' the victim of shame They're throwing me in a class with a bad name" "I can't believe this is the land from which I came" "Skin head, dead head Everybody gone bad" "Situation, speculation Everybody allegation" "Beat me, bash me You can never trash me" "Hit me, kick me You can never get me" "All I wanna say is that They don't really care about us" "All I wanna say is that They don't really care about us" ""...a moment ten przejdzie do historii jako najwiêksza demonstracja za wolnoœci¹ w historii naszego kraju"" ""Ka¿dego dnia tworzysz swoj¹ historiê"" "Some things in life they just don't wanna see" "But if Martin Luther was livin' He wouldn't let this be... no, no..." "All I wanna say is that They don't really care about us..." "They keep me on fire" "They keep you lying" "I'm ... to beat it" "All I wanna say is that They don't really care about us" "Wstrzymajcie na apluz, wstrzymajcie na aplauz i powolne wygaszenie œwiate³." "Why, why..." "tell 'em that is human nature" "Why, why, does he do me that way Dorian Holley:" "Prowadz¹cy chórek" "If they say..." "Why, why, tell 'em that is human nature" "Why, why, does he do me that way" "I like livin' this way I like lovin' this way" "Reaching out... "keep it come around..."" "(t³umaczy jak ma œpiewaæ - œpiewem)" "The city winks a sleepless eye" "Hear her voice" "Shake my window Brzmi œwietnie... brzmi œwietnie." "Sweet seducing sighs" "Get me out Gdzieœ tutaj." "Into the night-time" "Four walls won't hold me tonight" "If this town Is just an apple" "Then let me take a bite" "If they say" " Why, why, tell 'em that is human nature" "Why, why, does he do me that way" "If they say" " Why, why, tell 'em that is human nature" "Why, why, does he do me that way" "Reaching out" "Into the night-time" "Electric eyes are everywhere" "See that girl" "She knows I'm watching" "She likes the way I stare" "If they say" " Why, why, tell 'em that is human nature" "Why, why, does he do me that way" "If they say" " Why, why, tell 'em that is human nature" "Why, why, does he do me that way" "I like livin' this way I like lovin' this way" "Looking out" "Across the morning" "The city's heart begins to beat" "See that girl" "She knows I'm watching" "She likes the way I stare" "If they say" " Why, why, tell 'em that is human nature" "Why, why, does he do me that way" "If they say" " Why, why, tell 'em that is human nature" "Why, why, does he do me that way" "If they say" " Why, why, tell 'em that is human nature" "Why, why, does she do me that way" "Why... why... why... ..." "Hey... does he do me that way" "If they say Why, why, why, why... tell 'em" "I like livin' this way I like lovin' this way" " 4 sekundy, Michael." " Kamera!" "Gilda œpiewa..." "Co on tu robi?" "Ciêcie." "To by³o dobre!" " Groos?" " Tak, proszê pana?" " Podczas próby Michael by³ œwietny." " Zróbmy to." "Jesteœcie gotowi?" " Tak." "Dobra, ch³opaki, zróbmy to." " Kamera!" " Akcja!" "Mam policzyæ do trzech, jak to robi¹ na filmach?" "Ch³opaki to jest sygna³ do wejœcia." "Przepraszam, czy siê nie zrozumieliœmy?" " Nie, zrozumieliœmy siê." " Czekamy na skwierczenie." "Czekamy na skwierczenie." "On czeka na mój sygna³." "Michael, powiedzia³em ¿eby zaczêli, gdy odwrócisz siê do publicznoœci." "Mo¿e byæ?" "Nie, nie." "Chcê siê najpierw odwróciæ do publicznoœci... i nic, cisza." " Dobrze." " Potem na mój znak zaczniemy." "Dobrze, ale jak zobaczysz, ¿e film zmienia siê z napisu na miasto?" "Muszê to wyczuæ." "Wyczujê to." "Ekran jest obok." "Dobrze, skwierczy, skwierczy, "Smooth Criminal", publika szleje." "Kamera powoli przesuwa siê nad napisem." "As he came into the window It was the sound of a crescendo" "He came into her apartement He left the bloodstains on the carpet" "She ran underneath the table He could see she was unable" "So she ran into the bedroom She was struck down, it was her doom" "Annie, are you OK?" "So, Annie are you OK?" "Are you OK, Annie?" "Annie, are you OK?" "So, Annie are you OK?" "Are you OK, Annie?" "Annie, are you OK?" "So, Annie are you OK?" "Are you OK, Annie?" "Annie, are you OK?" "So, Annie are you OK?" "Are you OK, Annie?" "Annie, are you OK?" "Will you tell us that you're OK?" "There's a sign in the window That he struck you - a crescendo Annie" "He came into your apartement He left the bloodstains on the carpet" "Then you ran into the bedroom You were struck down, it was your doom" "Annie, are you OK?" "So, Annie are you OK?" "Are you OK, Annie?" "Annie, are you OK?" "Annie, are you OK?" "Are you OK, Annie?" "You've been hit by You've been struck by a Smooth Criminal" "So they came into the outway It was Sunday - what a black day" "Mouth to mouth resuscitation Sounding heartbeats - intimidations" "Annie, are you OK?" "So, Annie are you OK?" "Are you OK, Annie?" "Annie, are you OK?" "So, Annie are you OK?" "Are you OK, Annie?" "Annie, are you OK?" "So, Annie are you OK?" "Are you OK, Annie?" "Annie, are you OK?" "So, Annie are you OK?" "Are you OK, Annie?" "Annie, are you OK?" "Will you tell us that you're OK?" "There's a sign in the window That he struck you - a crescendo Annie" "He came into your apartement He left the bloodstains on the carpet" "Then you ran into the bedroom You were struck down, it was your doom" "Annie, are you OK?" "So, Annie are you OK?" "Are you OK, Annie?" "You've been hit by You've been struck by a Smooth Criminal {" "Okay, I want everybody to clear the area right now!" "Annie, are you OK?" "Will you tell us that you're OK?" "There's a sign in the window That he struck you - a crescendo Annie" "He came into your apartement He left the bloodstains on the carpet" "Then you ran into the bedroom You were struck down, it was your doom Annie!" "Annie, are you OK?" "Will you tell us that you're OK?" "There's a sign in the window That he struck you - a crescendo Annie" "He came into your apartement He left the bloodstains on the carpet" "Then you ran into the bedroom You were struck down, it was your doom Annie!" "You've been hit by You've been struck by a Smooth Criminal" "Tak jest dobrze." "Dobrze." "Wiesz, jak to zatañczyæ?" "To naprawdê œwietne, dla mnie jako dyrektora muzycznego, poniewa¿ potrzebujê, aby artysta by³ zaanga¿owany, a MJ zawsze anga¿uje siê we wszystko, co robi." "Zna wszystkie swoje piosenki, zna ich tempo, zna wszystkie tonacje." "Dodaj trochê driftu, ¿eby nadaæ temu lepsze brzmienie." "Jeœli to nie jest dobre brzmienie musisz nas na nie naprowadziæ." "Nie, nie." "Nie zmieniaj tonacji." "Zmieni³eœ jeszcze przed za³apaniem synchronizacji." "Zacz¹³eœ tak..." " Nie graj jeszcze tej nuty." " Nie graæ jej?" " Nie, nie." "Musi byæ proœciej." " Dojdziemy do tego brzmienia." " Tak, dojdziemy, ale musimy to przeæwiczyæ." " To w³aœnie musimy zrobiæ." " Bez tego nie zaczniemy." "Wiem, dlatego siê tym zajmujemy." "Ty musisz sprawdziæ brzmienie, bo nikt nie us³yszy tego, co ty chcesz us³yszeæ." "Niektórzy nie chcieliby tego podk³adu." "Chcê to tak, jak to napisa³em, tak jak to s³ychaæ." "Tak jak mo¿na to dostaæ w sklepach muzycznych." "Tak w³aœnie bêdzie brzmia³o." "Musimy siê chocia¿ zbli¿yæ do tego, co chcesz." "Jeœli chcesz wiesz..przygrzmociæ, wiesz co mam na myœli... coœ z tego typu rzeczy." ""przygrzmociæ", zabawne." "Ale wiesz, co mia³em na myœli." "Tak, dobra." "Jeszcze raz od pocz¹tku." "(chodzi chyba o ten dŸwiêk)" "Teraz bêdzie chwila ciszy." " Nie, nie, nie." " Nie tak?" " Nie." "Musicie pozwoliæ, ¿eby wybrzmia³o." "S¹ pewne momenty, w których trzeba poczekaæ, ¿eby wybrzmia³o. (zwiêkszyæ podekscytowanie)" "Nie pozwalacie, ¿eby dŸwiêk wybrzmia³." "Pozwólcie wyk¹paæ siê w œwietle ksiê¿yca." "Musicie pozwoliæ temu wybrzmieæ, wiecie?" "Dobra, dodajmy do tego dwa takty." "Lub co najmniej jeden..." "MJ, pos³uchaj jeszcze raz i powiedz, czy taka przerwa wystarczy?" "1, 2, 3, 4!" "Hey pretty baby with the high heels on" "You give me fever Like I've never, ever known" "I feel your fever From miles around" "I'll pick you up in my car And we'll paint the town {" "Just kiss me baby And tell me twice" "That you're the one for..." "The way you make me feel, baby." "You really turn me on" "You knock me off of my feet" "My lonely days are gone" "Muszê daæ znak." "Nie powinno siê samo zaczynaæ." "To powinno byæ coœ specjalnego w momencie pojawienia siê dziewczyny." "Muszê daæ znak." "Musicie mnie obserwowaæ i czekaæ na mój znak." "I never felt so in love before" "Just promise baby, you'll love me forever more" "I swear I'm keepin' you satisfied {" "'Cause you're the one for me" "The way you make me feel (The way you make me feel)" "You really turn me on (You really turn me on)" "You knock me off of my feet now!" "(You knock me off of my feet) ... (My lonely days are gone)" "(The way you make me feel)" "(You really turn me on)" "(You knock me off of my feet)" "(My lonely days are gone)" "(The way you make me feel)" "(You really turn me on)" "(You knock me off of my feet)" "(My lonely days are gone)" "Come on baby to me (The way you make me feel)" "Jeszcze raz." "(You really turn me on)" "Dlatego w³aœnie mamy próby." "Dobrze." "Jeszcze raz i..." "Bêdziemy musieli dodaæ z powrotem kilka taktów." " Dobrze." "By³o trochê za szybko." " Tak." " Zgadzam siê, Michael." "Powinniœmy dodaæ je z powrotem." " Dziêki nim jest to bardziej o¿ywione." "MJ, na œrodku sceny bêdzie jeszcze wentylator." " Mo¿esz powtórzyæ, nie s³yszê." "Na œrodku sceny bêdzie wentylator." "Dok³adnie tam!" "W³aœnie tam." "Dobrze, obserwujcie Michaela." "Ponownie, panie i panowie, najwspanialsza grupa na œwiecie." "The Jackson 5." "Wszyscy klaszcz¹!" "When I had you to myself I didn't want you around ... Stand out in a crowd" "But someone picked you from the bunch" "(To take a second look) ... (show you that I love you) ... let me (back in your heart) ...was blind to let you go (let you go baby)" "But now since I see you..." "(I want you back)" "Yes I do now (I want you back) Ooh ooh baby (I want you back)" "Ya ya ya ya (I want you back) Na na na na (I want you back)" "Ch³opaki, muszê wam to powiedzieæ." "Kiedy próbujê coœ us³yszeæ, czujê jakby ktoœ wsadza³ mi piêœæ do ucha." "To naprawdê trudne." "Wiem, ¿e macie dobre intencje, ale... próbujê przyzwyczaiæ siê do dousznych s³uchawek, dobrze?" "Z mi³oœci¹." "M-I-£" "O-Œ-C-I-¥." "Michael." " To trudne." "Michael, nie s³ysza³em, mo¿esz powtórzyæ?" "Douszne s³uchawki s¹ dla mnie utrudnieniem, skoro zosta³em wychowany... przywyk³em do wykorzystywania w³asnego s³uchu." "Teraz czujê, jakby ktoœ wsadza³ mi piêœæ do ucha." " Dobrze." " Próbujê us³yszeæ, ale nie mogê." " Przyzwyczajam siê do sytuacji." " Rozumiem." "Michael, czy jest coœ, co mo¿emy teraz zrobiæ, ¿eby by³o ci ³atwiej?" "Zmieniæ g³oœnoœæ, czy miks?" " Mo¿ecie to trochê œciszyæ." " Œciszcie, proszê." "Coœ jeszcze, Michael?" " Chcesz s³yszeæ wiêcej g³osu, albo wiêcej..." " Nie." "Dobrze, Michael, jeœli po nastêpnej piosence, nadal bêdzie coœ nie tak, daj nam znaæ, dobrze?" " Oczywiœcie." " Dziêkujê." "Od czego chcia³byœ kontynuowaæ?" " Od Stop!" "The Love you Save." " "Stop!" "The Love you Save"" "When we played tag in grade school You wanted to be It." "But chasing boys was just a fad You crossed your heart you'd quit." "When we grew up you traded Your promise for my ring" "Now just like back to grade school You're doing the same old thing!" "Stop!" "The love you save may be your own!" "Darling, take it slow Or some day you'll be all alone." "Stop!" "The love you save may be your own!" "Darling, look both ways before you cross me" "You're headed for the danger zone." "Niech was Bóg b³ogos³awi." "You and I must make a pact, we must bring salvation back" "Where there is love, I'll be there" "I'll reach out my hand to you," "I'll have faith in all you do" "Just call my name and I'll be there" "I'll be there to comfort you," "Build my world of dreams around you, I'm so glad that I found you" "I'll be there with a love that's strong I'll be your strength, I'll keep holding on" "If you should ever find someone new, I know he'd better be good to you" "'Cause if he doesn't, I'll be there" "Just look over your shoulders, honey" " Oo!" "I'll be there Wszyscy!" "I'll be there," "Just call my name, I'll be there..." "Just look over your shoulders, honey" " Oo!" "I'll be there I'll be there" "Powiem: "Jackie, Jermaine, Marlone, Tito, Randy, kocham was."" ""Joseph i Katherine, niech was Bóg b³ogos³awi, kocham was."" "Staram siê oszczêdzaæ gard³o, wiêc postarajcie siê zrozumieæ." "I'll be there." " I wygaszenie." " Wyczyœcimy ty³." "Musimy wy³¹czyæ oœwietlenie zespo³u, a potem zapaliæ "profilówki"." "Dochodz¹ jeszcze tancerze, wiesz?" "Spotykamy siê 2-3 razy w tygodniu... na pilates, rozci¹ganie, balet, fizjoterapiê." " Po prostu trzymamy wszystkich razem." " Widzia³am, robi³eœ coœ takiego." "Tak jest po rosyjsku." "To po rosyjsku." "On robi tak, a w robicie tak, rozumiecie?" "Jeszcze raz." "Macie wstrz¹sn¹æ do góry i w dó³, tak?" "Myœlê, ¿e tu chodzi tylko o ruch rêk¹." "Myœlê, ¿e powinno byæ ³agodniej, wiecie o co mi chodzi?" "Nie jestem w nastroju." "Tancerze, muzyka!" "Let's dance, let's shout." "Shake you body down to the ground x4" ""I Just Can't Stop Loving You" Judith... powiedz kiedy bêdziesz gotowa." "Todo mi amor eres tú" "Todo mi amor eres tú" "Cuando no estás No hay quien me dé lo Que das tú" " Todo mi amor eres tú {s:14}" " Piêknie, reprezentujesz moich ludzi." " Ludzie Ortegi." " Jedziemy." " Jak Chris Hewitt." "1, 2, 3." "Mo¿na trochê wiêcej echa?" "Each time the wind blows I hear your voice so" "I call your name..." "Whispers at morning Our love is dawning" "Heaven's glad you came..." "You know how I feel This thing can't go wrong" "I'm so proud to say I love you" "Your love's got me high I long to get by" "My life ain't worth living if I can't be with you" "I hear your voice now You are my choice now" "The love you bring" "Heaven's in my heart At your call I hear harps," "And angels sing" "You know how I feel This thing can't go wrong" "I can't live my life without you" "Your love's got me high I feel we belong" "My life ain't worth living If I can't be with you" "I just can't stop loving you" "I just can't stop loving you" "And if I stop..." "Then tell me, just what will I do" "I just can't stop loving you" "At night when the stars shine I pray in you I'll find" "A love so true..." "When morning awakes me Will you come and take me" "I'll wait for you" "You know how I feel This thing can't go wrong" "I'm so proud to say I love you I do" "This thing can't go wrong This feeling's so strong" "Well, My life ain't worth living If I can't be with you" "I just can't stop loving you" "I just can't stop loving you If I can't stop!" "And if I stop..." "No Then tell me, just what will I do" "I just can't stop loving you" "We can change all the world tomorrow" "We can sing songs of yesterday" "I can say, hey... farewell to sorrow" "This is my life and I..." "Want to see you for always" "I just can't stop loving you No, baby just can't stop loving you If I can't stop!" "And if I stop..." "No Then tell me, just what will I do" "What will I do?" "Uh..." "Ooh." "Hee!" "Hee!" "Hee!" "I just can't stop loving you Hee!" "Hee!" "Hee!" "I just can't stop loving you Hee!" "Hee!" "Hee!" "Know I do girl!" "And if I stop..." "Then tell me... tell me..." "And if I stop..." "Then tell me, just what will I do (Wyciszenie)." "Because... because..." "I just can't stop..." "I just can't stop..." "I just can't stop babe I just can't stop..." "I just can't stop no... babe I just can't stop..." "Po prostu nie mogê przestaæ...." "Po prostu nie mogê przestaæ kochaæ... ciebie." "Nie zmuszajcie mnie, ¿ebym œpiewa³." "Nie powinienem œpiewaæ pe³nym g³osem." "Rozgrzewam siê, próbujê rozgrzaæ mój g³os do tej chwili." "Dlaczego mi to robicie?" "Nie powinienem teraz œpiewaæ." "Nie!" " Lepiej zaœpiewaj!" " Nie, nie, nie, rozgrzewam siê." "Nic na to nie poradzisz MJ." "Nie, nie powinienem." "Naprawdê nie powinienem." "Ale czu³eœ to." "Mo¿esz sobie pozwoliæ ten jeden raz?" "Nie mogê tak robiæ." "Ty mo¿esz." "Ja muszê oszczêdzaæ swój g³os." " To bêdzie œwietne zakoñczenie." " To idzie tak." "To jest to." "Jaki to dzieñ?" "Która godzina?" "Jesteœmy w po³owie krêcenia nowego "Thrillera", to bêdzie materia³ dodatkowy do This Is It." "Dziœ krêcimy nowe sceny do "Thriller", 3D." " Móg³bym graæ bez charakteryzacji?" " Tak." " Dobrze." "Uwa¿am, ¿e wygl¹dam œwietnie w tych okularach." "Czy wygl¹dam, jakbym mia³ syfilis?" "Ludzie, odsuñcie siê, jeœli nie gracie w tej scenie." "Fotografowie, wszyscy." "Zróbcie miejsce dla obsady." " Krêcimy!" " Zaczynamy." "Akcja!" "Spójrz na ujêcie." " Uwa¿ajcie na kamerê." " Spójrzcie na ni¹." " Powiedz mi dok³adnie jak to chcesz, Michael." " To musi byæ przes³aniem dla ludzi." "Grabarz... na wprost kamery." "Dok³adnie, nie przestawaj." "Dok³adnie tak." "Prosto na kamerê." "Wyci¹gnijcie rêce przed siebie." " Tak, tak, tak!" " Piêknie." "PodchodŸ... a¿ do obiektywu, w samym centrum!" "W³aœnie tak." "OdchodŸ." "Dobrze." "Ciêcie." "Œwietnie." "Dziêkujê wszystkim." "Nazywaj¹ je "Martwe panny m³ode i panowie m³odzi"." "Bêd¹ kr¹¿yæ w przestrzeni nad publicznoœci¹ podczas "Thrillera"." "Thriller" "Ciemnoœæ zapada nad krain¹" "Pó³noc jest ju¿ blisko" "Stwory skradaj¹ siê w poszukiwaniu krwi" "Aby sterroryzowaæ s¹siedztwo" "I ci, którzy zostan¹ z³apani bez mocnej wiary w swojej duszy" "Musz¹ stan¹æ twarz¹ w twarz z ogarami piek³a" "I zgniæ w skorupie w³asnego cia³a" "It's close to midnight, and something evil's lurking' in the dark." "Under the moonlight, you see a sight that almost stops your heart." "You try to scream, but terror takes the sound before you make it." "You start to freeze, as horror looks you right between the eyes, you're paralyzed." "'Cause this is Thriller, Thriller night." "And no one's gonna save you from the beast about to strike." "You know it's Thriller, Thriller night." "You're fighting for your life inside a killer, thriller tonight, yeah." "You hear the door slam, and realize there's nowhere left to run." "You feel the cold hand, and wonder if you'll ever see the sun." "You close your eyes, and hope that this is just imagination." "Girl, but all the while, you hear a creature creepin' up behind, you're outta time." "'Cause this is Thriller, Thriller night." "'Cause I can thrill you more than any goule would ever dare try." "(Thriller, thriller night)" "{So let me hold you tight and share a killer, diller..." "Potwory skowycz¹ z czystej rozkoszy." "To ciebie spostrzeg³y, tak wypasionego, tak smacznego." "Chocia¿ ca³y dr¿ysz ze strachu..." "nadal stoisz z nogami, jak z waty." "Próbujesz uciekaæ, próbujesz krzyczeæ ale nigdy wiêcej s³oñca nie bêdzie ci dane ujrzeæ." "To samo z³o wy³ania siê z krypty..." "by zmia¿d¿yæ ciê w swym lodowatym uœcisku." "'Cause this is Thriller, Thriller night" "'Cause I can thrill you more than any goule would ever dare try." "(Thriller, thriller night)" "So let me hold you tight and share a killer, diller, diller, killer..." "Upewnijcie siê, ¿eby ktoœ czeka³ tam na Michaela z latark¹ i wszystkim." "Œwietnie." " Mo¿ecie to zrobiæ 10 razy wiêksze?" " Oczywiœcie, mo¿emy." "Dobrze, to jest ekran od ognia." "Poka¿emy wam sekwencjê gonitwy." "Rock 'n' roll!" "Dziœ testujemy ¿yrandole i ³o¿a z akrobatami i ekspertami od tañca na rurach." "G³ównie chodzi o wymiary rur i dopasowanie wszystkiego do siebie." "Budowanie konstrukcji dla tañcz¹cych na nich ludzi to wielka odpowiedzialnoœæ i spora zabawa, bo trzeba zaprojektowaæ konstrukcje pod ludzkie cia³o." "Danielle Rueda-Watts: akrobatka." "To pierwszy raz, kiedy wspó³pracujemy z Michaelem." "Zgodnie z jego upodobaniami przygotowujemy elementy kostiumu do piosenki Billie Jean." "Dajemy kamienie, które odbijaj¹ œwiat³o w taki sposób," "¿e trzeba mieæ za³o¿one okulary przeciws³oneczne podczas ich przyczepiania." "Na ten koncert przygotowujemy kostiumy, które nie zosta³y jeszcze zaprojektowane." "Wszystko robimy specjalnie dla Michaela." "Pracujê ze specami od rêkawiczek, wzorów." "Z ludŸmi z Kalifornii szukamy nowych materia³ów." "Wszyscy próbuj¹ przekroczyæ granicê." "Bo to jest w³aœnie ca³y Michael." "Czy to jest dzisiaj na chodzie?" "Bez ¿adnego œpiewania." "Chcia³bym, ¿eby Michael przejecha³ siê i sprawdzi³, czy dobrze czuje siê na wysiêgniku." "Od pocz¹tku "Beat it"." " Michael, chcesz to zrobiæ od razu z muzyk¹?" " Tak." " Mo¿e najpierw siê przejedziesz?" " Pewnie, skoro tego chcesz." " Dobrze." "Tak dla bezpieczeñstwa." "Dziêki, Michael." " Nie ma sprawy." " Œmia³ek MJ." " Ufam wam." " Dziêkujê." "Dla bezpieczeñstwa, dziêkujê." "Ju¿ tam bywa³eœ." " Weeeeeee.." "MJ,to tylkoœredniawysokoœæ." "Podnosi siê znacznie wy¿ej." "To niska wysokoœæ." "Czemu mi to mówisz?" "Wiesz, ¿e lubiê wysoko." " Dlaczego mu to powiedzia³eœ?" " Dra¿ni siê ze mn¹." "Wie, ¿e chcê byæ wy¿ej." "Niech ciê Bóg b³ogos³awi, Kenny." " Czeœæ." "Tak,tak." "S¹ na nim wentylatory..." "Michael, proszê, trzymaj siê." "{Dziêkujê." " Bardzo fajnie." " Ruch jest p³ynny?" " Tak." "Œwietnie." "To wiekopomna chwila." "Michael jest znów na wysiêgniku." "Tak!" " Kochamy ciê Michael." " Ja was te¿." "They told him don't you ever come around here Don't wanna see your face, you better disappear" "The fire's in their eyes and their words are really clear So beat it, just beat it" "You better run, you better do what you can" "Don't wanna see no blood, don't be a macho man" "You wanna be tough, better do what you can" "So beat it, but you wanna be bad" "Just beat it, beat it, beat it, beat it" "No one wants to be defeated" "Showin' how funky and strong is your fighter" "It doesn't matter who's wrong or right" "Just beat it, beat it, beat it, beat it" "Just beat it, beat it, beat it, beat it" "Just beat it, beat it, beat it, beat it" "No one wants to be defeated" "Showin' how funky and strong is your fighter" "It doesn't matter who's wrong or right" "Just beat it, beat it, beat it, beat it" "No one wants to be defeated" "Showin' how funky and strong is your fighter" "It doesn't matter who's wrong or right" "Beat it, beat it, beat it, beat it" "No one wants to be defeated" "Showin' how funky and strong is your fighter" "It doesn't matter who's wrong or right" "Just beat it, beat it, beat it, beat it" "No one wants to be defeated" "Showin' how funky and strong is your fighter" "It doesn't matter who's wrong or right" "Just ..., beat it, ..., beat it" "No one wants to be defeated" "Showin' how funky and strong is your fighter" "It doesn't matter who's wrong or right" "Just ..., beat it, ..., beat it" "No one wants to be defeated" "Showin' how funky and strong is your fighter" "}It doesn't matter who's wrong or right" " Tutaj powinno byæ zaakcentowanie." " Dobrze, s³uszna uwaga." " To co robimy... chodzi o apogeum." "Tak." "Œci¹gnê kurtkê..." "machnê ni¹, a potem j¹ "spalimy"." " Kurtka bêdzie odzwierciedlaæ intensywnoœæ." " Zrobimy to przy koñcu, tak?" "To w³aœnie bêdzie zaakcentowane." " Jesteœcie gotowi?" " Ty nie musisz ju¿ tego robiæ." " Dobrze." " Zaczniemy od ostatniej czêœci." " B¹dŸ gotowy." " Dobrze." "Szybkoœæ bêdzie siê zwiêkszaæ." " Niech siê pali a¿ do wygaszenia!" "} Wygaszenie!" "Gasn¹ œwiat³a!" "Niech p³onie." "Zrobimy 10 minut przerwy." "10 minut przerwy." "Jestem bardzo szczêœliwa." "To spe³nienie marzeñ." "Kiedy MJ z nami æwiczy, sama jego obecnoœæ jest niesamowita." "To bardzo fajne." "Bardzo go lubiê." "Dziêkujê." "Michael jest jednym z najlepszych artystów naszych czasów." "Wystêpowaæ z Michaelem by³o po prostu poruszaj¹ce." "Wiecie, jestem fanem Michaela, odk¹d skoñczy³ jakieœ 8 lat." "Mo¿na powiedzieæ, ¿e ca³e ¿ycie jestem jego fanem, a teraz mogê z nim pracowaæ." "Pracowa³em z wieloma œwietnymi artystami, ale dopiero teraz widzê, co to oznacza szczyt." "Michael jest perfekcjonist¹." "W muzyce pop trudno teraz o nich." "Michaela nie da siê oszukaæ." "Trzeba zagraæ wszystko doskonale, i mieæ nadziejê, ¿e mo¿e uda siê znaleŸæ jakiœ element, który mo¿na by jeszcze upiêkszyæ." "Michael jest ikon¹ wœród artystów." "Jonathan Moffett: perkusja" "Jego talent jest bardzo g³êboki..." "i ta kreatywnoœæ." "Charakteryzuje go taka emocjonalnoœæ, której nie spotkamy u nikogo innego." "Tutaj, tutaj." "Ok, bez drugiego wersu." "Przepraszam." "Przepraszam." "Pomy³ka." "Nie ma drugiego wersu." "Przepraszam was." "Pierwszy wers..." ""Uuu", a potem przejœcie." " Zróbmy to jeszcze raz." " Pewnie." " Od pocz¹tku?" " Tak." " Dlatego w³aœnie mamy próby." "}" " No to jedziemy." "I took my baby on a saturday bang" "Boy is that girl with you Yes we're one and the same" "Now I believe in miracles and a miracle has happened tonight" "But if you're thinkin' about my baby It don't matter if you're black or white" "Musimy dojœæ do wentylatora." "I am tired of this devil I am tired of this stuff" "I am tired of this business Sew when the going gets rough" "I ain't scared of your brother I ain't scared of no sheets" "I ain't scared of nobody Girl when the goin' gets mean" "Protection For gangs clubs and nations" "Causing grief in human relations It's a turf war on a global scale" "I'd rather hear both sides of the tale See it's not about races just places faces" "Where your blood comes from is Where your space is I've seen the bright get duller" "I'm not going to spend my life being a color Don't tell me you agree with me" "When I saw you kicking dirt in my eye But if you're thinkin' about my baby" "It don't matter if you're black or white" "I said if you're thinkin' of being my baby It don't matter if you're black or white" "I said if you're thinkin' of being my brother It don't matter if you're black or white" "It's black it's white It's tough for them to get by" "It's black it's white" "It's black it's white It's tough for them to get by" "It's black it's white whoo!" "Kiedy oni przestaj¹ ty nie." "Graj dopóki nie wyci¹gniesz najwy¿szego dŸwiêku." "Pozwól jej p³akaæ." "Jeszcze wy¿szy." "Perfekcyjnie." "To twój popis..." "Wszyscy bêdziemy tutaj dla ciebie." "To niezwyk³e." "Na scenie dziej¹ siê genialne rzeczy." "On jest Królem." "Jest te¿ dobrym cz³owiekiem, bardzo skromnym... i zna swoj¹ muzykê." "Skoro ju¿ pytacie eksperta, to ja te¿ uwielbiam takie klimaty." "Spójrz na to." "Myœlê, ¿e to piêkne." " Poka¿cie mu drugi filmik." " Po obrocie zaœwieci wprost na nas, tak?" " Bêdzie z³ota i... spójrz." " Bêdzie unosiæ siê..." "Podoba mi siê." "Podoba mi siê ta linia, a œwiat³o jest cudowne." "Szanujê sekrety i magiê przyrody." "Dlatego robiê siê taki z³y, gdy widzê, to co siê dzieje z Matk¹ Ziemi¹." "Co chwilê w Amazonii wycinane s¹ tereny o wielkoœci boiska." "To naprawdê mnie martwi." "Dlatego w³aœnie piszê takie piosenki, wiesz..." "By zwiêkszyæ œwiadomoœæ ludzi, obudziæ ich i daæ im nadziejê." "Kocham, kocham tê planetê." "Kocham drzewa, mam do nich s³aboœæ." "Sposób, w jaki liœcie zmieniaj¹ kolory... kocham to." "I szanujê takie rzeczy." "What about sunrise What about rain" "What about all the things That you said we were to gain." "What about flowering fields Is there a time" "What about all the things That you said was yours and mine..." "Did you ever stop to notice All the blood we've shed before" "Did you ever stop to notice The crying Earth the weeping shores?" "Aahaahaahaahaah" "Oooohoohoohooh" "What have we done to the world Look what we've done" "What about all the peace That you pledge your only son..." "What about flowering fields Is there a time" "What about all the dreams That you said was yours and mine..." "Did you ever stop to notice All the children dead from war" "Did you ever stop to notice The crying Earth the weeping shores" "Aahaahaahaahaah" "Oooohoohoohooh" "I used to dream I used to glance beyond the stars" "Now I don't know where we are Although I know [we've drifted far]" "Aahaahaahaahaah" "Oooohoohoohooh" "Od tego momentu zaczyna siê wypunktowanie mi. problemów, jakie nêkaj¹ nasz¹ planetê." "Niemal wszystko jest inne, ni¿ w oryginalnej wersji utworu i bardzo ciê¿ko coœ zrozumieæ w 100%." "Odnoœnie piosenek po angielsku - traktujcie to jako motywacjê, ¿eby siê go uczyæ. ;)" "Naprawdê warto wiedzieæ, o czym œpiewaj¹ prawdziwi artyœci tacy jak MJ... a t³umaczenie nigdy nie oodaje treœci w 100% Przyk³ad: t³umaczenie wstêpu Thrillera." "Przes³anie tego bêdzie wiêksze." "Niech ³omocze." "Niech zostanie otwarte, a potem zamyka siê w ciszy." "Kiedy te drzwi siê otworz¹, zacznij graæ na pianinie." "Niech ciê Bóg b³ogos³awi." "Czujê, ¿e natura próbuje zrekompensowaæ dzia³anie cz³owieka na Ziemi." "Poniewa¿ planeta jest chora." "Jakby mia³a grypê." "Jeœli teraz tego nie naprawimy, dojdziemy do punktu, z którego nie ma odwrotu." "To nasza ostatnia szansa na naprawienie tego problemu." "To jest jak rozpêdzony poci¹g." "Czas ju¿ nadszed³." "To jest to." "Kocham was." "To bêdzie zakoñczenie." "Bez s³ów." "Ludzie zawsze mówi¹:" ""Oni siê tym zajm¹." "Rz¹d siê tym zajmie."" "Oni, znaczy kto?" "To zaczyna siê od nas." "}My musimy siê tym zaj¹æ, bo nigdy nie zostanie to zrobione." "Mo¿e tutaj przyjœæ ekipa od oœwietlenia?" " Travis?" "Tak!" "Po pierwsze Michael wejdzie na scenê zza kuils." "Bêdzie mia³ przy sobie walizeczkê." "A tutaj Michael..." "dasz znak i wtedy zapali siê œwiat³o." " Œwiat³o ma siê poruszaæ na jego znak." " Oczywiœcie." "Kiedy bêdzie szed³ do przodu, bêdzie w tym œwietle." "Bêdzie w nim." " Nie, chcia³bym wejœæ w ten snop." " Wiêc po tym, jak zrobisz..." "Po tym jak zrobisz tak i dasz gest, pojawi siê snop œwiat³a." "Snop œwiat³a bêdzie pada³ tutaj, gdziekolwiek jest reflektor." "Pojawi siê snop œwiat³a, a ty w niego wejdziesz." "Na œrodku sceny...." "I wtedy siê zacznie." "She was more like a beauty queen from a movie scene" "I said don't mind, but what do you mean I am the one" "Who will dance on the floor in the round" "She said I am the one" "Who will dance on the floor in the round" "She told me her name was Billie Jean, as she caused a scene" "Then every head turned with eyes that dreamed of being the one" "Who will dance on the floor in the round" "People always told me be careful of what you do" "And don't go around breaking young girls' hearts" "And mother always told me be careful of who you love" "And be careful of what you do ['cause the lie becomes the truth]" "Billie Jean is not my lover" "She's just a girl who claims that I am the one" "But the kid is not my son" "She says I am the one, but the kid is not my son" "(niezrozumia³em - inaczej ni¿ w oryginale)" "'Cause we danced on the floor in the round" "So take my strong advice, just remember to always think twice (Do think twice)" "She told my baby we'd ed till three, then she looked at me" "Then showed a photo my baby cried his eyes were like mine" "'Cause we danced on the floor in the round" "People always told me be careful of what you do" "And don't go around breaking young girls' hearts" "She came and stood right by me Then the smell of sweet perfume" "This happened much too soon [She called me to her room]" "Billie Jean is not my lover" "She's just a girl who claims that I am the one" "But the kid is not my son No, no, no." "No, no." "No, no, no..." "Billie Jean is not my lover" "She's just a girl who claims that I am the one" "But the kid is not my son" "She says I am the one, but the kid is not my son" "She says I am the one" "She says I am the one, but the kid is not my son" "No, no, no..." "Hoo!" "Billie Jean is not my lover" "She's just a girl who claims that I am the one" "You know what you did to me, babe But the kid is not my son" "No, no, no." "No, no, no..." "She says I am the one but the kid, babe..." "(but the kid is not my son)" "She says I am the one" "She says he is my son Breaking my heart, now..." "She says I am the one" "Billie Jean is not my lover x6" "They call her Billie Jean Billie Jean is not my lover" "Billie Jean is not my lover" "Brawo." "Przynajmniej dosta³em aplauz." "Niech was Bóg b³ogos³awi." "Koœció³..." "Koœció³ rock'n'rolla." " Jestem fanem." " Niech was Bóg b³ogos³awi." " Napij siê trochê wody." "Woda...woda..." "Wspó³praca z Michaelem w tym przedsiêwziêciu, to jedno z najwspanialszych prze¿yæ mojego ¿ycia." "Jestem bardzo dumny, wzruszony i podekscytowany, chcê podziêkowaæ wszystkim za wspania³¹ pracê." "Teraz przeka¿ê g³os Michaelowi." "Wszyscy wykonuj¹ wspania³¹ pracê." "Podziwiam was i wasz¹ wiarê." "Obdarzacie mnie sw¹ si³¹, cierpliwoœci¹ i wyrozumia³oœci¹." "To jest przygoda." "To wspania³a przygoda." "Nie ma siê czym denerwowaæ." "To wspania³e doœwiadczenie." "To ucieczka." "Chcemy zabraæ ich w miejsca, w których nigdy nie byli." "Chcemy pokazaæ talent, jakiego jeszcze nie widzieli." "Dajcie z siebie wszystko." "Kocham was wszystkich i pamiêtajcie, ¿e jesteœmy rodzin¹." " Tak!" " Amen." "Chcemy odwzajemniæ œwiatu mi³oœæ, przypomnieæ, ¿e mi³oœæ jest wa¿na," "¿eby wzajemnie siê kochaæ i dbaæ o planetê." "Mamy 4 lata, ¿eby wszystko naprawiæ, inaczej szkody, które wyrz¹dziliœmy bêd¹ nieodwracalne." "Mamy wa¿n¹ wiadomoœæ do przekazania, tak?" "To bardzo wa¿ne." "Dziêkujê za wasz¹ wspó³pracê." "Dziêkujê..." "Wielkie dziêki!" "Michael Jackson!" "Na 3... na 3 Michael!" "1, 2, 3..." "Michael!" "Teraz chcia³bym zrobiæ próbê dŸwiêku do "Man in the Mirror"." "A póŸniej porozmawiamy o zakoñczeniu." ""Ziemia Michaela Jacksona"." " Dobrze to robiê?" " Tak." "Podoba mi siê!" " Wszyscy bêdziecie musieli to zrobiæ dla MJ'a!" " Nie, nie, nie!" "Wiem, ¿e ci siê to podoba." "To jest najlepsze." "Robi¹ tak i jeszcze tak." "Tak robi¹ stewardessy..." "uwielbiam, gdy tak robi¹." "Kiedy by³am w trzeciej klasie, pierwsz¹ piosenk¹, jak¹ zaœpiewa³am by³ "Man in the Mirror"." "To bardzo ekscytuj¹ce, ¿e mogê zaœpiewaæ to z Michaelem." "To niezwyk³e doœwiadczenie." "Byæ z nim na scenie." "Jest wspania³ym artyst¹." "And no message could have been any clearer {S:14}" "If you wanna make the world a better place Take a look at yourself, and then make a change" "I'm starting with the man in the mirror" "I'm asking him to change his ways" "And no message could have been any clearer" "If you wanna make the world a better place Take a look at yourself, and then make a change" "I'm starting with the man in the mirror (Oh yeah!" ")" "I'm asking him to change his ways" "And no message could have been any clearer" "If you wanna make the world a better place Take a look at yourself and then make the change" "(You gotta get it right, while you got the time) ('Cause when you close your heart)" "You can't close your... your mind!" "That man x6" "(I'm starting with the man in the mirror." "Oh yeah!" ") I'm asking him to change his ways." "Better change!" "You know, You know, You know, You know..." "(No message could have been any clearer)" "(If you wanna make the world a better place) (Take a look at yourself and then make the CHANGE!" ")" "Hoo!" "Hoo!" "Hoo!" "Hoo!" "Hoo!" "(Na na na, na na na, na na, na nah)" "It's gonna feel real good!" "Yeah, Yeah." "Yeah, Yeah!" "I'm gonna make a change" "It's gonna feel real good!" "Come on!" "(Change...)" "Just lift yourself You know You've got to stop it, Yourself!" "(Yeah!" " Make that change!" ") I've got to make that change, today!" "(Man in the mirror) You've got to move!" "You know it!" "You know it!" "You've got..." "Stand up!" "Stand up!" "Stand up!" "Stand up and lift yourself, now!" "(Man in the mirror)" "You know it!" "You know it!" "You know it!" "Hoo!" "MICHAEL JACKSON {f:" "Calibri}KRÓL POPU" ""Mi³oœæ ¿yje wiecznie" Dokonajcie zmiany." "Dokonajcie zmiany..." "Ready?" "1, 2, 3, 4..." "This is it, here I stand" "I'm the light of the world, I feel grand" "Got this love, I can feel" "And I know yes for sure it is real" "And it feels as though I've seen your face a thousand times" "And you said you really know me too yourself" "And I know that you've got addicted with your eyes" "But you say you gonna live it for yourself" "Oh!" "I never heard a single word about you" "Falling in love wasn't my plan" "I never thught that I would be your lover" "C'mon baby, just understand" "This is it, I can say," "I'm the light of the world, run away" "}We can feel, this is real" "Every time I'm in love that I feel" "And I feel as though I've known you since 1,000 years" "And you tell me that you've seen my face before." "And you said to me you don't want me hanging round" "Many times, wanna do it here before" "Oh, yeah!" "I never heard a single word about you" "Falling in love wasn't my plan" "I never thught that I would be your lover" "C'mon baby, just understand" "This is it, I can feel" "I'm the light of the world, this is real" "Feel my song, we can say" "{And I tell you I feel that way" "And I feel as though I've known you for a 1000 years" "And you said you want some of this yourself" "And you said won't you go with me, on a while" "And I know that it's really cool myself" "Oh, yeah!" "I never heard a single word about you" "Falling in love wasn't my plan" "I never thought that I would be your lover" "C'mon baby, just understand" "I never heard a single word about you" "Falling in love wasn't my plan" "I never thought that I would be your lover" "C'mon baby, please understand" "I never heard a single word about you" "Falling in love wasn't my plan" "I never thought that I would be your lover" "There's a place in your heart and I know that it is love" "And this place could be much brighter than tomorrow" "And if you really try you'll find there's no need to cry" "In this place you'll feel there's no hurt or sorrow" "There are ways to get there If you care enough for the living" "Make a little space make a better place..." "Heal the world Make it a better place" "For you and for me and the entire human race" "There are people dying if you care enough for the living" "Make it a better place for you and for me" "(Heal the world) Heal the world {" "(Make it a better place) All my friends" "For you and for me and the entire human race" "(There are people dying If you care enough for the living)" "Make a better place for you and for me. {" "(You and for me)" "Heal the world we live in (You and for me)" "Save it for our children (You and for me)" "Heal the world we live in (You and for me)" "Save it for our children (You and for me)" "Heal the world we live in (You and for me)" "Save it for our children" "If this town Is just an apple" "Then let me take a bite" "If they say" " Why, why, tell 'em that is human nature" "Why, why, does he do me that way" "If they say" " Why, why, tell 'em that is human nature" "Why, why, does she do me that way" "Why... why... why... ..." "Hey... does he do me that way" "If they say Why, why, why, why... tell 'em" "Hey..." "I like livin' this way I like lovin' this way" "Looking out {s:14} Powinno byæ gdzieœ tutaj." " Tak, mamy to ju¿ opracowane." " Gdzieœ tutaj, dobrze?" " Jasne." " Tu musi byæ chwila dla mnie, zanim wznowimy." "Jasnasprawa." "Zapnê koszulê, kurtkê lub cokolwiek bêdê mia³." "Rozejrzê siê trochê..." "Popstrykam palcami, a potem BAM!" "Uleczcie Œwiat" "Kocham was Michael" "Ten film jest dedykowany dzieciom Michaela Jacksona i ALICJI KUSTWAN"