""Theft from a Thief"" ""In the book of Exodus Ch. 20" ""After, Don't kill, Don't commit adultery, comes, Don't steal." "And that's right, that's good and that's always so." ""But our blessed sages have long decreed," ""Who thieves from a thief, From thieving is freed." ""So what do you want from me?" "I'm very small." "I'm just a dot." ""I'm here and then I'm gone." "So why should I stop." ""So what do you want from me?" ""I'm very small." "I'm just a dot." ""I'm here and then I'm gone." ""So why should I stop?" ""It is held as comm on belief, a thief indeed is not a thief as long as he's not been blam ed." ""To every one, God's bounty is given." ""I'm a small tim e thief." "It's my only sin." ""And so forever, I shall sing." "And so forever, I shall sing." ""Then what do y ou want of m e?" ""I'm very small." "I'm just a dot." ""I'm here, then I'm gone." "So why should I stop." ""Then what do you want of m e?" "I'm so small." "I'm just a dot." ""I'm here and then I'm gone." "So why should I stop?" ""All the thieves are innocent, as on the day they were born." ""And I'll return again to work," ""I swear on my honor." "You hear." ""On that day of mine, mine is his and his..." ""Who thieves from a thief, From thieving is freed." ""Then what do y ou want of m e?" ""I'm so small." "I'm just a dot." ""I'm here and then I'm gone." "So why should I stop"" "I'm innocent, y our honor, I'm innocent." "Silence!" "Inspector Davidson, please." "Your honor, on the 15 th of August," "I surprised him and his partner in crim e, who's since escaped, as they entered by force into the Friedman family hom e, in Zion Boulevard, Tel-Aviv, while the accused held a bunch of k eys of all types" " What is y our defense?" "Your honor, believe m e, I'm an honest man." "I found the bunch of k eys in the street." "I was trying to find out who'd lost them." "I didn't find out, so I began trying the k eys in all the doors round there, to see who they belonged to." "I aim ost managed to open the Friedman's door, when along com es the Inspector, puts his hand on my shoulder, and I say, leave m e alone, don't interrupt, these must be Mr. Friedman's k eys." "What is the nam e of y our accomplice?" "I don't work with him now, because he's not honest." "Have y ou been in jail before?" " No y our honor, this is the first tim e I've ever been caught red-handed." "According to the police report, you have admitted breaking and entering the boutique, Madam e Pompidor," "# 99, Dizzengof St. What did y ou steal there?" "It was only one dress, y our honor, for my girlfriend." "But why did y ou break in there four tim es?" " I was mad about that too." "Every tim e she sent m e back to change the dress, 'cuz she never lik ed the color I got for her." "What do y ou say to that, y our honor?" "Two y ears in jail and one on probation." "But I'm not guilty." "I'm not guilty." "I'm not guilty, y our honor." "I'm not guilty, y our honor." "Rachel, wait for m e, wait for m e Rachel." "I'm really very sorry Madam," " Rachel..." "Pleased to m eet y ou, I'm Boaz Davidson." "If y ou want to visit outside the regular visiting hours," "I'll be pleased to help and I'll give y ou my phone number." "You can call m e, whenever y ou want." "I'll arrange it for y ou." "Ex cuse m e." "Don't be sad." "Life can be so beautiful." "A cup of tea?" "Be seeing y ou, Sasson." " See y ou." "What's "see y ou"?" "You won't see m e round here again." "How do y ou feel?" " Alright." "Tak e m e to Rachel's" "Don't be stupid." "She got married." "I don't care, what worries m e is who she married." "Com e on." "When did she get married?" " About a y ear ago." "She couldn't find any one else to marry, she had to marry Inspector Davidson?" "Sasson, drop it." " The one who caught m e and put m e inside for two y ears?" "Stop for those soldiers." "You from Golani?" " Yes." " How long since y ou've been hom e?" "Long enough." " Would y ou lik e a girl?" "A girl?" "What girl?" "Don't look at m e lik e y ou don't understand." "D'y ou want a girl or not?" "No, no m oney, I'm patriotic." "Don't look at m e lik e that." "Of course we want a girl for free." "So get a m ove on already, get in." "Have y ou got any clean, white paper?" "So get a m ove on already, get out." "That girl, Rachel, she lives in a penthouse, up there." "Guys, a little quiet, Ok?" "I'm going to have a word with her." "Maybe she'll tak e y ou earlier, alright?" " Fine." "Ex cuse m e." "Guys, two minutes after m e, go up in the other elevator." "OK?" "You sergeant." "You see they're all quiet." " Yes, Sir." "Guys, from Sinai, all the way here." ""Rachael and Boaz Davidson"" ""Rachael's"Massage Parlor Relaxing and Enjoyable"" ""Featuring the Certified Massage Therapist Rachaeli"" ""Reception Hours: 1:00-24:00 Sun-Thurs." "Closed Sat."" "Quiet, quiet, quiet." "Quiet every one, quiet." "Guys, I spok e to her." "She won't see us before the regular hours." "You know, about one." "So, stand quietly, 'cuz there's problems with the neighbors." "Right, y ou're in charge here." "My responsibility." "Be seeing y ou guys." "My little Rachel." "At ease." "What's the tim e?" " Five to one, Sir." "Five minutes." "Get in line there." "Get in line." "Just look and see who's com e to get a massage." "Ex cuse m e officer, would y ou get in line, please." " What?" "Would y ou stand in line?" "What are y ou talking about?" "Com es to a massage parlor making out lik e he don't know." "Massage parlor?" "Rachel, Rachel." " What's up?" " What a good look er." "My salary's not good enough?" "You open a massage parlor during the day?" " What massage?" " He don't know." "Get out of here." "I'll show y ou massage." "You wanted a massage." "You'll never want a massage again after the one I'm gonna give ya" "Why are y ou y elling?" "You're a disgrace to y our rank." "All the neighbors have com e out, get inside, idiot." "Get inside." " I'll show y ou what a massage is." "So, have y ou calm ed down?" " Not y et." "Hallo, Mrs. Davidson." "This is Mr. Mizrahi." " Yes, Mr. Mizrahi" "Superintendent Uri Ofer ask ed m e to contact y ou in person, and to invite y ou to a spontaneous celebration which we are organizing in honor of Inspector Davidson, who is rising in the ranks." " He didn't tell m e." "Superintendent Uri Ofer k ept it secret." "It will be nice for Inspector Davidson if y ou are present." "Thank y ou, Mr. Mizrahi." " I'll be in the station in ten minutes." "Bring a bunch of flowers, would y ou?" "That's it, to work." "Hallo, what are y ou doing?" " What?" " What are y ou doing?" "Sorry Madam, we're from a rem oval firm." "The Davidsons are m oving." " Why didn't Rachel say so?" "Maybe she doesn't know?" "Such a nice couple, just cam e and they're m oving already." "Ex cuse m e Madam, we're busy." "Do y ou mind?" "Rachel, Rachel." "Com e at once." "Get a m ove on already." "Sasson, what about the TV?" "Let them pay for the license." "Hi, are y ou the carpet people?" "Do m e a favor and tak e my carpet as well." "Thank y ou very much." "Rachel, why didn't y ou say y ou were m oving?" "Moving?" " Som e m en cam e and took out all y our furniture." "They emptied out my house, they've emptied the house." "Mrs. Nuriam, are y ou sure that that's him?" "Yes, but really, he's much nicer." "Lady, I'm not a wedding photographer." "Inspector, is there a chance I'll get my carpet back?" " No." "Yes, y es." "As soon as I see him." "Get these pictures put in every police station." "Start the follow-up imm ediately." "Sasson, the good days are back." "I don't want to push y ou but our financial situation is shaky." "What about a warming-up ex ercise?" " Lik e what?" "The shirts from Hong-Kong?" " Is it on?" " It's on." "Let's go by the house?" " Yeah we'll change into work clothes." "Hallo, I'm the sales rep." "For the Internal Revenue." "Oh y es, how may I help y ou, Sir?" "Our work ers have claim ed a pay rise to cover sham e, which, of course we cannot grant them." "However, what we can do is simply, to buy them shirts which will give them a uniform and elegant appearance." "I see." " So they need not be embarrassed." "So I'm here." " You've com e to the right place." "What price?" "Expensive, as y ou know we're a profitable enterprise." " Yes." "We received a consignm ent of French shirts from Hong-Kong." "French?" " Absolutely!" "And we're interested in selling them at reduced prices." "Instead of 420 lira a shirt, we'll let y ou have them at 120 lira per shirt." "Lf, by chance y ou have any questions, our assistant, Mali will be pleased to help." "And now, down to work." "Now, Sir, y ou will pardon m e, the store is here for y ou." "You will ex cuse m e?" "Ex cuse m e." "Com e, I shall introduce y ou to the store manager." " Please." "Hallo." "Yes Sir, can I help?" "It's about the Hong Kong shirts." "Shirts from Hong Kong." "Here we are Sir, this is a selection of our shirts." "Thank y ou, please." "I'm sorry, how much did y ou say a shirt costs?" "One m om ent, please." "How much does a shirt cost here, please. - 420 lira." "Only 120 lira for y ou." " Good." "You see Sir, I only have - 10, 000 lira, ready cash." "Could I tak e m ore goods and pay by check?" "Forgive m e, Jaques, please." "If it's no trouble, Sir," "I'll tak e the m oney and leave y our receipt at the cash desk." "Please, it's no problem." "Monsieur Jaques, I demand personal assistance." "Tak e a box and prepare it." "How much does this pair of socks cost?" " 30 lira. - 30 lira." "Keep the change." "Socks and get m e a receipt, please." "Monsieur Berger," "Yes?" " Your receipt is here." "Thank y ou, thank y ou very much." "Give this to Monsieur Berger when the box is ready." "Ex cuse m e, Monsieur." " Yes." " I have a client." "Please go right ahead, don't mind m e." "Hallo." " Sir, here is the receipt that Claude left for y ou." "Thank y ou very much." "Thank y ou so much." "Sir, one m om ent." " Yes?" " What about the m oney?" "What m oney?" "Oh, those are the shirts from Hong Kong." "What shirts from Hong Kong?" "The shirts from Hong Kong that Claud got ready for m e." "Just one m om ent, Sir." "I'll call the manager." "I'll be back." "Just a minute." " Please." "Mali, did he pay a bill for about 10, 000 lira for shirts from Hong Kong?" " He didn't give m e any m oney." "Ex cuse m e, Sir." "You are talking nonsense, Sir." "Get out, at once." "You are talking nonsense..." "Hallo." " Hallo." " Yes." "Could I talk to Mr. Joseph Shneider, please." "Mister Joseph Shneider." " Who is Mr. Shneider?" " It's m e." "One m om ent, please." "Just one m om ent." "Hallo, y es, this is Mr. Shneider." "This is Mr. Zito Desheh." " Hallo Mr. Zito Desheh." "I would lik e to m eet y ou, Mr. Shneider, and to talk about arranging a k arate competition." "I'm sorry, I don't have any tim e now, but I'll contact y ou later." "I'll wait for y ou to call." "Thank y ou, goodby e." "How's things, Sasson?" " How's it going Gedalia?" "You got it?" " Yup, here's the Japanese Karate expert's passport, and this is Shneider's Am erican one." "It's a good forgery." " Here tak e three hundred lira." " 300?" "Ezra would have given m e twice as much." "So tak e five hundred and get out of here." "You're so stingy." "By e Sasson." " Gimm e the pasports." "Sasson, how'd y ou lik e to mak e a cool 30, 000 lira?" "No danger?" " No danger at all." "You're such a con man." "Are we on?" " We're on." "Hallo." " Hallo." " Where is Mr. Shneider, please?" " I'll see." "Room 509, 5 th floor." " Thank y ou" "You're welcom e." "Sasson, he should be here already." "Don't forget, when Zito com es in, wait a bit and then ring for m e." "Sasson, he's here." "Mr. Zito." " Mr. Shneider." " Nice to m eet y ou" "Do com e in." "Com e in Mr. Zito." " Thank y ou." " You're welcom e." "Please sit down, Mr. Zito." " Yes." " Yes." " Thank y ou." "It's very nice here." " Yes." "Let's talk business, Mr. Zito." "Dear Mr. Shneider," "I'm one of the biggest producers, here in Israel." "I see." " I produce... a large number of productions for many people." "All smash hits." " Very good." "Ex cuse m e, the phone is ringing." "Yes, this is Shneider." "Hi Sasson, how are y ou?" "Where are y ou speaking from?" "Germany." "No, I can't." "It's not my line." "No, I have two current productions." "One in England and one in Toky o." "I can't." "Let's see what I can do for y ou if y ou call m e later on." "Fine, goodby e, Sasson." "Would y ou care for a cigar, Mr. Zito?" "Thank y ou." " Yes, a cigar." "It's a very good one." "I'm sorry..." " That's alright." " Please." "Right, let's start." " Very good, very good." "Dear Mr. Shneider," "I want to put on a big performance with Dr. Oshik awa." " Oshik awa." " Sorry." "And a k arate group called "Dan Nein"." "What's that"" "It's Dr. Oshik awa, he's a coach." "Will y ou com e with m e?" "A lot of power." " You know it's all m editation." "Los Angeles." "Why did he say Los Angeles?" " Ah Los Angeles." "He had a big success over there." "He had" " 12 people at one tim e." "That's what he wants to do here." "Here?" " Yes." " A big idea." " I'll say." "It's a big idea, Mr. Shneider." "Wait a minute, he's gone already." "Whew, I aim ost becam e a destruction contractor." "And now Ladies and Gentleman, a contest between two black belts," "Shim on Alk oby and Padida Azulin." "Ladies and Gentleman, I proudly present." "Give a hand to Shim on and Padida." "Yaacov." " What happened to y ou?" "Sasson, we only got 6, 000 lira." "Only six?" "When will he bring the m oney?" " After the show." "Have y ou gone crazy?" "What do y ou think I am?" "I'm going to tak e on ten?" "Are y ou out of y our mind?" "Ex cuse m e, y ou're on stage please." "No, y ou hah." " No, y ou, hah, hah." "No, y ou, hah." "Ex cuse m e." "Let's mak e a run for it?" " And leave him 6, 00 lira?" "Sasson, y ou see this box here?" "So?" " It's the main fuse box for the whole building." "So?" " When y ou're on stage" " Yes. - and the gong goes" "I'll push the main fuse." "There'll be a total black out, I'll grab the bag with the m oney, run to the parking lot and wait for y ou by the car." "How's that?" "The gong sounds, y ou douse the lights from the main fuse box, y ou grab the m oney." "I run from the contest, in the dark and we m eet by the car." "Don't worry, Sasson." " Don't screw up on m e, y ou hear?" "Trust m e, Sasson." "Now, everybody, the highlight of the evening, Dr. Oshk awa." "I'm being called." "Japanese champion against - 12 m en." "Give him a hand." "Dr. Oshk awa, please." "Professor Oshk awa, please." "The fuse box." " Alright." " Professor Oshk awa." "I'm going." "Rem ember the fuse box." " Alright." "Trust m e." " Please, Professor Oshk awa." "It will be alright." "Where's that guy who's bones were brok en in k arate?" "He's in isolation." "And no one may go in to see him." "We're the police." " I'm sorry." ""Isolation Room"" "You stay here." "That's him." "They brok e all his bones." "Now we only have to get the other guy, and we've knock ed out the whole little gang." "We'll have to see the doctor to ask him when we can seriously interrogate him." "I want a 24 hour watch put on him, till he recovers." "Is that clear?" "You wanted k arate?" "Quiet!" "It's interesting that those 12 k arate experts brok e all his bones lik e that." "I'm sorry." "Ex cuse m e." "Doctor." "Is the patient showing signs of coming round?" "I heard him shouting before." "Well, of course, that's why I'm here." "I don't want to be disturbed while I'm examining him." "Of course, Doctor." "Sasson, Sasson." "I'll kill y ou." "Me, I'm gonna kill y ou." "The fuse box didn't work." "What could I do?" "I'm gonna kill y ou." "Sasson, the cops are outside." "Give m e a hand, give m e a hand." "Inspector, the doctor's inside." " What doctor?" " The doctor." "Grab the pipe." " OK." " Grab the pipe." " Alright, alright." "I told y ou to grab the pipe." "Where is he?" "Where is he?" " Where is he?" "He's here, Inspector." " Where?" "Grab hold of him, grab him." "Get him, get hold of him." "I thought all his bones were brok en." "I thought all his bones were brok en." "When the crowd saw he wasn't a champ, they started y elling: "m oney back, m oney back"." "They attack ed m e, took my ey e out, punched my face." "Mr. Mr..." " They ripped my clothes off." "Mr. Zito Desheh, enough, enough." "Are y ou certain that's him?" "Here, here." "A hundred percent?" "Lutzho?" "No, they'll land on the 16th." "You'll have to mak e all the arrangem ents?" "What?" "I trust y ou." "Fine, by e, cuck oo." "Lots of kisses." "By e, my friend." "I know y ou haven't heard of transcendental m editation." "The Maharishi is coming next m onth, from India to collect a million lira from the believers here, so that they can build a shrine in Tibet." " But..." "I haven't finished y et..." "He also has a million dollars in his private plane." "They say that there are two small-tim e crooks who want to tak e over the million lira." "Do y ou still do work for the cops?" "Som etim es." "Small jobs." " This is a small job." "You've gotta get'em." "How's the leg sonny?" " It'll be alright." "Jack o, don't forget the Maharashi's on his way." "But, Great God, Great God," "A million lira in one go." "Look, Sasson, it'll tak e tim e till the Maharashi gets here." "I don't want to put pressure on y ou but there's been an ad." "In the paper for a while." "Very rich, religious tourist looking for suitable partner." "Only serious applicants." "For details, 287793." "Now, give m e the works." "Sasson, a religious girl, rich and alone." "No problem about taking her m oney and doing a run." "There's no danger." "Are y ou sure?" " Sure." "Fine." "Get on with it." "Call her." "Hallo." " Hallo." "I'm speaking from the "Meet a Mate" Dating Agency." "Which agency?" " The "Meet a Mate"." "Meet a Mate?" " Yes." "Run and find out which phone he's calling from." "Of course, it's clear he has to be a Yeshiva graduate." "He's a graduate of the Beth Shamayim Yeshiva." "He's just finished a crash course in settlem ent settling." "There's no such dating agency." "He's calling from the phone he used to talk to Zito." "Fix a date with 'em for 2:00 in the lobby of the Dan Hotel." "Yes, the date will be at 2:00 at the Dan Hotel." "Today at 2:00" "Yes." "She'll com e with her guardian and her uncle from Jerusalem." "At 2:00." "Alright." "Goodby e." "That's him. "Wanted"." "Where's that girl who was supposed to com e here?" "She's waiting outside." "Bring her in." "Bring her in." " Right now." "Hallo." "Ah, y ou're Shula, who caught Halamish." " That's m e." "Have a chair." "Thanks." "We need y ou for a few disguises, to help us catch a couple of crooks" "I've already been brought up-to-date." "If there's nothing m ore?" " No." " Then 2:00." "At the Dan." "Shall I dress lik e a religious girl?" "And be punctual." "Sorry, there were traffic jams on the way." "We shouldn't waste tim e." "Let's get down to work." "How can we go, with the car lik e this." "Where am I going to find another car, now?" "Fine, drive in to the nearest parking lot." "We'll change the car, alright?" " Alright." "Oh God..." "I can't see anything." "Help m e." "Look what a dog is waiting for m e." "You're not thinking of marrying her, are y ou?" "Guys, for those who don't know English, all the extras for the Entebbe musical, are wanted on site please." "Right, to work." "Greetings to y ou." "Congratulations." "The groom." "The bride." "Heaven forbid." "We're from the bride's side." " I'm with the groom." "What's y our nam e?" " Yes, y es." "What's y our nam e?" " Konilem ech." "I'm Yaacov, first police officer, Northern Division." "Please, be quiet." "Will all the extras for the "Entebbe" musical follow m e." "Ex cuse m e." "We're extras from the m ovie." " Of Entebbe." " The film..." "Warner's..." "It's them." "Follow m e." "Don't push, don't push." "Please." "Who's first?" "I'm first." " Please." " No." "But I cam e together with him." "It's all of us." "We're a group." " They're Hassidim, Hassidim." "That's not true." "Alright, com e in all of y ou." " It's not true." "You stand here, please." "Stand here." "Stand here." "We're ready for y ou Mr. Mark ell." "Ready for work." "All in order." "Don't get work ed up." "It'll all be alright." "Screen tests for "Entebbe"." "Tak e one." "What's y our nam e?" " Konilem ech." "Lem ech?" " Lem ech, y es." "Mr. Lem ech, why are y ou dressed lik e that?" " Because y ou know, two Hassidim in the airplane, y ou know in Entebbe." "Mr. Lem ech, could y ou sing a Hassidic song?" "Hassidic song?" " Sing a song." ""My Yiddishe mamma,"" "It's alright?" " It's fine." "Mr. Lem ech, could y ou sing som ething a little happier, lighter?" ""The People of Israel live on..."" "Where did y ou get those people?" "I ask ed y ou to get extras for the Entebbe film and I get characters lik e that." "My head!" "Mr. Amados, why don't y ou go to y our dressing-room to lie down and rest." "I'll call y ou, when I need y ou." "I want y ou nice and fresh for the next shot." "Jack o, Jack o." "Where are y ou, Jack o?" ""Mak e-Up Room"" "Room service, Sir." "What?" " Leave my food on the bed." "Yes, Sir." "This is the end of y ou." "Com e out." " Ex cuse m e, a m om ent." "Has the actor, Amados left already?" " Actor?" " Actor?" "I'll have him in the drama class of the Ramleh jail." "Outside!" "Mr Amados, a few photos for the newspaper." "Why not?" "Why not?" "King Kong, King Kong." " King Kong." "Wonderful." "Tarzan, Tarzan." " Tarzan." "Mr. Amados, please tell m e, were y ou chosen for y our part, because y ou look lik e Idi Amin?" "No, no... because I am the greatest actor in the world." "I'm sorry, I want to eat and I'm very, very hungry." "Mr. Amados, what is y our favorite dish?" " What is dish?" "Food, food" "Oh food, food." "I prefer the little baby with rice." "Riki, the next film I direct, y ou'll drive a truck." "Now would y ou get Amados to the set now." "I'm in a hurry." "I've no tim e." " Ex cuse m e, Mr. Amados." "They're ready for y ou on the set." " What?" " They're ready for y ou on the set." "Set, photography." " They're ready." " Yes, I'm ready." "Mr. Amados, Mr. Amados." "Ex cuse m e." "I'm from the paper, "Shabos, Shabos"." " Special edition." "What do y ou think about the Entebbe Operation?" "I think that Idi Amin gave a knock-out to the Israelis." "In 35 minutes, not one Israeli in Entebbe." "Ex cuse m e, Mr. Amados," " Yes, by e-by e." "Inspector, do black people usually lose their color." "Ah, Mr. Amados, we're in a terrible hurry." "Please." "We're going to start the scene with y ou sitting and eating." "I'd lik e y ou to sit behind the desk and eat the banana." "There'll be two phone calls." "Eat the banana, please." "The first call will be from Israel, the second from the airport right here in Entebbe." "Clear?" "Yes, Mr. Director but please, I need to go to the toilet." "Mr. Amados, could y ou please do it after the scene?" "We're really in a terrible hurry." "Let's get on with it." "Sit here, eat the banana and just relax." "It won't tak e long at all." "Are y ou ready Riki?" "OK Mr. Amados?" "Let's begin with y ou eating the banana." " Banana." " Banana." "Here's the other one." " Stop, stop." "I want eat." "I want drink." " Ok ay, waiter, please give Mr. Amados som e water." "It gets very hot under there." "I want drink." "Please, Sir." "Jack o, it's m e." "How did y ou get lik e that?" " Don't ask." "Where are the cops?" " Here." "Jack o, don't leave m e here alone." "Do m e a favor." "Don't worry." "I'll wait for y ou by the plant." "By my life, I'll go along with it, but wait by the plant." "Ok?" "Fine." " Waiter, could y ou hurry and leave." "I'd lik e to get on." "Wait for m e." "Where are my dentures?" "Entebbe Musical of Warner Bros. 111." "Tak e 1." "No, no." "My breakfast." "I lik e burrek as." "I love burrek as in the m orning." "Telephone." " Hallo, Israel, For y ou Dada." " For m e?" "Hallo." "Who?" "Colonel Burk a!" "My dear friend." "I eat just now, burrek as and I think of y ou." "Oh, everything alright my dear, in Entebbe." "Yes very quiet here." "Thank y ou, for y ou called m e." "My good friend, Colonel Burrek as, er, Burk a." "What is he saying?" "Where is it in the script?" "The telephone's ringing." " For y ou, Dada." "You are a useless secretary." "I eat y ou one day." "Riki, that's a marvelous interpretation." "Hallo, Idi Amin, Dada speaking." "Dada, y es." "What?" "An airplane?" "From airport." "Airplane from El Al fly" "You know Riki, I lik e what he's doing." "All the 91 on board?" "Idi Amin k aput." "Yes." "Just a minute." "Put y our hands up." "We're the police." "Hands up." " I want to know what black here is losing his color?" "Very funny." "I'm sorry, I'm sorry, Sir." "That's him." "After him." "After him" "Where's the patrol car?" " The parking lot." " Why isn't it here?" "Did y ou want it towed away?" " First Oficer Yaacov," "Let it be known to y ou, we are the police." "The police never spit in their own back yard." "Could I mak e a request?" "Either I work alone, or I shall ask for a transfer from this lousy outfit." "OK?" "Jack o, I'm telling y ou, the color doesn't com e off." "You know why?" "It's y our natural color." "What rubbish, mine's m ore of a bordeaux." "Hi there, Gedalia." " Hi there, Sasson." "I've brought y ou a sports car." "Real cool." " Oh good." "You change the number plate?" " You think I'm a dope?" " Yes." "Tak e this." "Here's 500." "What's 500." "Ezra would have given m e double." "Tak e 700 and scram!" " Tak e 'em Sasson." "Be seeing y ou." " See ya." "OK." "I can see him." "Now we follow him." "Sasson, don't forget." "The Maharishi's here in 10 days." "I won't forget, Jack o, I won't forget." "Give m e a week to get away for a quiet vacation, y es?" "And don't follow m e." " Fine" "Hallo, Doll." "What's this in the middle of the road?" "Sorry." "I don't speak Hebrew." "Do y ou speak English?" " Sure." " You know," "I'm a tourist here and I've lost my way." "I will tak e y ou wherever y ou want." " Oh thank y ou." "Thank y ou." " Please sit down." "What's y our nam e?" " My nam e is Sasson and y ou?" " Beverley." "Nice to m eet y ou." " And m e." " Listen," "I taking a vacation." "If y ou want to com e with m e, y ou're welcom e." " Why not?" "Thank y ou." " I'm a lucky man." "It's a lovely day." " Beautiful." ""At first glance it seems lik e good things are happening," ""At first glance it seems that we'll be very close." ""At first glance I see what hasn't happened for y ears." ""At first glance, I see my head up in the clouds." ""We'll let it roll and dance, where it will roll by chance," ""We'll let it go on blind to whoever it will find." ""We have nothing to say as it goes off on it's way." ""Up and down and start finds the way into my heart." ""At second glance, I see children at hom e for m e." ""At second glance I've a plan To be lik e every man." ""We'll let it roll and dance, Where it will roll by chance." ""We'll let it go on blind to Whoever it will find." ""We'll let it roll and dance, Where it will roll by chance." ""We'll let it go on blind to Whoever it..." ""We'll let it roll and dance, Where it will roll by chance." ""We'll let it go on blind to Whoever it will find." ""We'll let it have it's say, As it goes off on it's way." ""Up and down and start Finds its way into my heart" ""From first glance it seems From first glance it m eans"" "Hallo, who's that?" " It's m e, Jack o." "Hallo, Jack o." "What's going on?" "It's a week since I've seen y ou." "We'll reck on up afterwards." "I want to talk to y ou." "Listen, the Maharishi is coming tom orrow." "This is a chance I won't miss." " No chance, Jack o." "No chance, I'm in love now, I'm in love." "You understand m e?" "I'm going to marry that girl." "I'm on my way to y ou now." "Who was that, Darling?" " That was my partner." "He's coming up." " I see." " I'm here." "Sasson, y ou're wasting tim e." "See what's written here." ""Thousands of believers impatiently await the" ""arrival of the Maharishi in Israel as" ""part of his world-wide tour, in an effort to collect" ""donations for the building of a shrine in Tibet." ""The sum of one million lira has been collected." ""The Maharashi will be in Israel for 24 hours and will" ""go on to Europe next day."" " Sasson, the plan's ready." "We only have to carry it out." "Hallo, Beverley, good m orning." " Good m orning." "This is Beverley." "I'm Jaques, Sasson's partner." " Hallo." "I'm sorry, my darling but I must talk to him." "It's alright, dear, I'm going down to buy som e postcards." "I love y ou." "I love y ou so much." " You're crazy." "Ciao." "Wak e up, wak e up." " Sasson, a million in gold currency." "We just have to carry out the plan." " No showing off." "Pick up the phone, I'm going to get dressed." "So." "Hallo." "Inspector Davidson, please." "Yes, it's m e, Shula." "Let m e have her." "Shula, where are y ou?" "Have y ou gone crazy?" "You disappear and we're all looking for y ou." "But I told y ou I work alone." " Have y ou got any results?" "In two days we'll have the two of them." " But where are y ou?" "I've got to hang up." "Shula, Shula, Sh..." "Hallo." " Shula, no, listen," "I lik e the plan with the two small-tim e crooks." "Let them do the dirty work and k eep 'em covered." "Then we'll com e in and clean them out." "Understood?" "It'll be fine." "Leave it to m e." "See y ou cherie." " See y ou." "Good m orning, I would lik e to speak to Mr. Harari, please." "The airport Commandor Thank y ou." "Mr. Harari, this is Mr. Gamba, from the Israel Meditation" "Center." "Do y ou rem ember m e?" " Yes, Mr. Gamba." "Yes." "As y ou know, the Maharashi is arriving tom orrow m orning." "Com e tom orrow and we'll fix the thing." " Thank y ou." "I will see y ou tom orrow at the airport, as is planned." "Thank y ou very much." "Have a good day." "Beverley." " I've been waiting so long for y ou." "Beverly, I'm sorry I am very busy this m orning." "I'll see y ou tom orrow evening." "But darling, I must return to New York." "My parents are pushing m e to marry my boyfriend." "You're not going to marry anybody and y ou'll fly with m e to New York." " You're crazy." "By e Beverley." " By e." "Hallo, Mr. Gamba." "We did all the arrangem ents." "The 'plane will arrive in half an hour's tim e from now." "I will tak e y ou to the runway." " Thank y ou, Mr. Harari." "Thank y ou." " God bless y ou." " Thank y ou." "Ben-Gurion Airport." "This Is the Maharishi asking permission to land." "Asking permission to land." "Maharishi." " What?" " We are landing at Ben-Gurion Airport." "Where is Ben-Gurion Airport?" " In Israel." "What is Israel?" " Near Egypt." "Ah, near Egypt." "How many disciples do we have in Israel?" "About 300, 000 people." "See how much m oney they have collected." "Shut up, be quiet." "Shut up." "Ok." "Land, land." ""Welcom e Maharishi"" "Stop here please." "My great master, Maharishi," "I must go and get one million lira, y our donation m oney to build the shrine and I'll be at the center soon." " How much is it in dollars?" " About a hundred thousand dollars, Master." "But on the black mark et y ou get much m ore." "Bless y ou, bless y ou, my son." "Thank y ou, Master, thank y ou." "Here, tak e 300 lira." "Tak e it to the Seven Diasporas Yeshiva by the Western Wall." "We'll see what they can do with it there." "Say, where's Sasson?" " He's in the boot." "The boot?" "Stop, y ou idiot." "He'll chok e to death." "How long do I have to wait, tell m e?" "What can I do?" "The plane was half an hour late." "You tell m e." "I nearly chok ed in here." "Give m e y our hand." " Help m e." " Give a hand." "Help m e, I'll show y ou what's what." "Help m e." "Get into the car, already." "They're waiting for us." "Mantra." "Mantra." "Shalom." " Mantra, mantra." "My dear Maharishi," "Please accept from us this m odest offering for the building of our temple in Tibet." "One million pounds." "That idiot is going to spoil everything for us." "How do we get out of here?" "Have som e patience." "The hymn of the shrine." "Our great Master would lik e to teach y ou the new hymn of the new temple in Tibet." "So please" "repeat after him, verse after verse." "So, what's going on?" "Sorry, I didn't know I was interrupting." "Shalom." "Closed ey es." " Our Master, the Maharashi, would lik e y ou to" "sing with him with closed ey es and with great concentration." "Hold on a m om ent." "Tak e this." "So, don't y ou have anything to say this tim e?" "No." "This tim e, I'd only have got half from Ezra." "Thanks." "Good thing y ou reminded m e." "Pop over to Ezra." "Book m e a tick et for the sam e flight as Beverley." "Rem ember." " Sure." " Change the cash into dollars and m eet" "m e here." "Fine." " Ok, I'm going to Beverley." " Right, go, go." "Beverley..." ""I sing y our nam e every m orning" ""when y ou open y our ey es, beside m e..."" "Bravo." " Tom orrow m orning" "I fly with, y ou to New York, forever." "I love y ou so much." "Ex cuse m e my darling, OK?" " OK." "Yes." " Sasson, don't ask." "Sasson, what's going on here?" "Hi, Beverley, how are y ou?" "Don't ask." "They're looking for the Maharishi everywhere." "What a comm otion." "Interesting to know how they took to him in the y eshiva." ""Here is y our people Israel, Each one is before y ou," ""Here is y our people Israel, Each one is before y ou," ""y our people Israel, Each one is before..."" "Be silent, all of y ou." "The tim e has com e to learn the law." "Be seated and open chapter..." "Ex cuse m e, y our holiness, but what are y ou doing here?" "At long last, I have found my true belief." "All what I did till now was bullshit." "I'm telling y ou." "The days of the Messiah have com e." " Am en" "Sasson, the only problem is that the cops suspect us." "You'll find it very hard to get out of the airport tom orrow." "Don't worry, alright?" "Just don't panic." "Beverley, I must go with Jack o for last arrangem ents." "And I'll see y ou, tom orrow on the flight to New York." "Look after the m oney." "Darling." "We are going to enjoy the m oney, both of us." " By e." "Jack o let's go to Ezra and get a genuine tourist's passport." "I need it for tom orrow." "Com e on." "So they succeeded in lifting the cash?" "For Israeli crooks that's progress." "Now y ou've got two tick ets for New York with El Al." "Tom orrow y ou go to the airport, through passport, customs, whatever, then change y our clothes and put on a wig, so Sasson won't know y ou." "After the check-in, y ou tak e a gun and start again, and go straight in the direction of the El Al flight." "Next to the El Al plane is the Maharashi's plane, board it, hi-jack it and then check the million dollars, and off to Sicily, where Lutzo is waiting for y ou." "That clear?" "Till next week in Sicily." "Shula, y es." "Where are they?" "The airport, nice." "Follow them and don't lose them, we're on the way." "Thank y ou." "The Israeli police are wonderful." "Where're y ou?" " Guess who's here?" " Who?" " The police." "Let's go on up to the plane before they catch m e." "Jack o." " I'm winding up things and I'll see y ou in a m onth." "What's got into y ou Jack o?" " The cops" "Where?" " There." "Jack o, run before there's any m ore screw-ups, Ok?" "Inspector, here he is!" "What do y ou want of m e?" "I'm Dr. Shneider." " Shneider?" "Lady, com e over here, please." " Thank y ou." "Where's Sasson?" " I don't say a word without an attorney." "What's y our nam e?" " Jacqueline Abutbul." "OK, please I'd lik e to check this purse." " Please." "What's this?" " My husband's." "He's gone already and left..." "You understand?" " Yes, y es." "That's all in order." "Please." "Thank y ou." "You're all so wonderful." "I shall com e back." "Goodby e." " Goodby e." "Have a good journey." " Thanks." "The ladies' toilet is over there." "I don't speak Hebrew." " You speak French." "Beverley!" "Beverley!" "Beverley!" "Hands up." " What do y ou want?" " C'm on." "You want the m oney?" "Ask permission to fly." "C'm on." " Don't shoot, don't shoot." "OK, relax, be a good boy and nothing will happen to y ou." "I'm a good boy." "Everything is alright." "You can fly." "Ben-Gurion airport." "Maharishi airplane asking permission to tak e off." "It's great Shelley." "It all went, just as we planned it." "You piece of crap." "Thought y ou'd run off with the m oney?" "Stop!" "Where's the bag?" " The m oney's here." "Move back!" "Pilot!" "Where's the Maharishi's m oney?" " In the bask et." "Tak e the bag." "Stuff the m oney inside it." "Open the bag quickly." "OK." "Return to Tel-Aviv" "OK." "I'll open the door." " You can't do it." "The airplane is flying." " I know it, I know." "Where's y our parachute?" " In my bag." "Where's y our parachute?" " Behind." "Thought y ou'd get away with the m oney?" "Well, I've got it." "You're crazy, Sir, crazy." "Inspector, here's the other one." "Oh, no!" "Go, get out of here and leave m e alone." "What's up?" " You've got a pal waiting for y ou in jail." "You'll have a lot of catching up to do." "How did y ou get here?" "Don't ask." "We've had it." ""Prison for Hardened Cases."" ""Theft from a Thief"" "Subtitles:" "Elrom Studios." "Translation:" "Simcha Arnold" ""So what do y ou want from m e I'm very small, I'm just a dot." ""I'm here and then I've gone, So why should I stop." ""So what do y ou want from m e I'm very small, I'm just a dot." ""I'm here and then I've gone, So why should I stop." "It is held as comm on belief, A thief indeed is not a thief" ""As long as he's not blam ed." "To all, God's bounty is given." ""I'm a small-tim e thief, it's my only sin." ""And so forever, I shall sing, And so forever, I shall sing," ""Then what do y ou want of m e, I'm very small, I'm just a dot." ""I'm here, then I've gone, So why should I stop," ""Then what do y ou want of m e." "I'm so small, I'm just a dot." ""I'm here and then I've gone, So why should I stop," ""All the thieves are innocent, As on the day they were born," ""And I'll return again to work," ""Hear m e, I swear On my honor," ""On this day of mine, Mine is his and his..." ""Theft from a thief is freed Theft from a thief is freed." ""So what do y ou want of m e, I'm very small, I'm just a dot." ""I'm here and then I've gone So why should I stop.""