"(CAT SCREECHES)" "It's nothing, it's just a cat scratch," "I've had a million of them." "I'm not going to the doctor for a cat scratch." "I'm not going to the doctor for a cat scratch." "Your life could be in danger." "Nick, that's ridiculous." "You don't understand what she is!" "What is she?" "She's an attractive, successful woman." "You saved her life once." "What do you suddenly have against her now?" "And what aren't you telling me?" "Did you have some sort of a relationship with her?" "No." "Then what is it?" "She's a witch, okay?" "You don't know what's going on here." "Your going to the doctor." "NICK:" "Morning." "You went shopping already?" "You bet." "Shemanski Park outdoor market." "The true epicure always does his shopping while the farmers set up." "Hey, what are you doing for dinner?" "That depends on work." "Why?" "Well, I scored these primo veggie steaks." "If I know when you're coming, I'II defrost an extra." "Veggie steaks?" "(CELL PHONE RINGS)" "They're excellent." "You know, a Iittle ponzu." "Cruelty free." "How can I say no to that?" "AII right." "Hank!" "You back?" "Yeah, I'm leaving now." "I'II meet you at Fuller's Coffee Shop." "Great." "Hey, I cannot wait for those veggie steaks." "8:00 sharp." "Okay, so what happened to you?" "Zip-Iining in Kauai." "Landed a Iittle too enthusiastically, tore my Achilles." "Man." "What did the doctor say?" "Actually, he was very adamant," ""Let your partner do all the work."" "As if I don't already." "(LAUGHS)" "So, you were zip-Iining alone?" "Not exactly." "You remember Nadine?" "Ex-wife Nadine?" "Yeah, I took her as kind of an experiment." "You know, we still have a Iot in common." "Didn't see that one coming." "Yeah, I know, neither did I." "So, what did I miss?" "The usual, the devil, a couple of space aliens." "Yeah." "(EXPLOSION)" "I don't think that was a backfire." "No." "You go, I'II call it in." "(PEOPLE SCREAMING)" "Police!" "Let me through!" "Move!" "(WOMAN SCREAMS)" "MAN:" "Do you love me?" "WOMAN:" "Let go." "Anton!" "ANTON:" "Khloe, we have to get out of here now." "Now!" "Come on, baby." "Anton, please." "You're mine, Khloe." "No!" "Anton, Iet go of me!" "Let her go!" "Get down!" "Khloe!" "This is Burkhardt." "I'm in foot pursuit of an armed suspect at Nolen's Books on Northwest 1st and Davis." "(SPLASHING)" "(SIRENS BLARING)" "(CHATTERING OVER RADIO)" "I heard the suspect took a dive into the river." "NICK:" "Yeah." "alive or dead?" "I don't know." "But if he came up, it was not where I could see it." "You have that look." "He's Wesen." "So he could have stayed under." "Maybe." "Divers are searching now." "So, this is the vic, Evan Childs." "Yeah, he was the writer." "It was his book signing." "What about the girl?" "I think she knew the shooter." "She does." "According to her, and by her I mean Khloe Sedgwick, age 30, girlfriend of the vic." "She said the shooter's name is Anton Cole." "We're running down his place of residence." "She say how she knew him?" "Well, he's an ex-boyfriend." "So we're talking crime of passion." "That'd be my guess." "AII right." "Let's talk to her." "Follow me." "(PANTING)" "NICK:" "How long have you known Anton Cole?" "Uh, a Iittle over two years." "We broke up about six months ago." "That's when you started seeing Mr. Childs?" "Yeah, I guess." "Were you seeing both at the same time?" "I don't do that." "Anton, he just wouldn't let go." "He kept calling and wanting to get back together." "And then Evan started getting pretty upset, then Anton started showing up at my house saying that Evan wasn't good enough for me, but that he was." "Did you report any of this to the police?" "You don't understand..." "Why don't you tell us?" "This is going to sound pretty terrible, but guys fall for me pretty easily." "And when they do, they just don't stop." "It can get really oppressive." "I don't mean to sound conceited, it's just the way that it is." "If it hadn't been for you," "he would have killed me." "Thank you." "Uh..." "You're going to be okay." "But you haven't found him yet." "Not yet." "But we'II put an officer in front of your house until we do." "If he contacts you, call me." "Are you going to wash that hand?" "What are you talking about?" "(CHUCKLES)" "Give me a break." "Hey, got a 20 on Anton's place of residence." "A loft in the Southeast." "(SIREN WAILING)" "(TIRES SQUEALING)" "WOMAN:" "He was such a gentle soul, and so talented." "He broke up with his girlfriend and it kind of tore him up." "Well, he kept to himself after that." "NICK:" "And when he would come over, what would you talk about?" "Mostly about his art and Khloe, his girlfriend." "He said she was his inspiration." "I thought that was very romantic, but, personally, I think he gave her way too much credit." "But I guess that's love, right?" "Thank you for your help." "We'II take a look around now." "Call me if you need me, I'II be downstairs." "Search team just reported in." "Anton's body has not been found." "Doesn't mean he's not way downriver, but..." "It's the "but" that scares me." "clear!" "clear!" "In my humble opinion, it seems this guy was sort of obsessed and maybe a Iittle out of his mind with Ms. Sedgwick." "You think?" "Interestingly, his style seems to range from impressionistic to WTF." "Better take a look at this." "WU:" "A pre-illustrated crime of passion." "Guess that proves premeditation." "(RINGING)" "Juliette." "Nick." "I'm glad I got you." "I'm in the middle of an investigation." "Oh, I'm sorry." "This will really just take a second." "Look, I know this might seem a Iittle bit out-of-nowhere, but could you come over for dinner tonight?" "Yeah, sure." "Is there a problem?" "No, not at all." "I just thought it would be nice ifwe could talk." "Okay, what time?" "Around 8:00?" "AII right." "8:00." "I'II see you then." "Great." "I will see you then." "HANK:" "You doing something with Juliette?" "I guess we're having dinner." "Things are getting better?" "If they are, nobody told me." "Nick?" "Nick!" "Yeah?" "HANK:" "Let's go." "I got a date with physical therapy." "I'II check with you after." "Is that Anton?" "Yeah." "I didn't get a very good look at him, but this is pretty much what I saw before he ran." "I wish we could put that on an APB." "I'm not sure that would help." "Say hi to Juliette." "Hope dinner goes well." "Yeah, me too." "COP:" "Hey, Detective." "Any problems?" "No." "She's inside, nobody in, nobody out." "KHLOE:" "Who is it?" "It's Detective Burkhardt." "It's okay, you can open the door." "(UNLOCKS)" "Sorry to bother you, I just needed to do a Iittle follow-up." "Come on in." "Let me just go put some clothes on." "MONROE:" "Good evening." "Hey, Monroe, it's Juliette." "Juliette, how are you?" "Pretty good, just making a Iittle dinner." "Yeah, me too." "Listen, the reason I'm calling is I wanted to talk to you before Nick got here." "Nick's coming over to your place?" "Yeah, I'm making us dinner." "Hold on." "You're making dinner for you and Nick?" "Yeah, I wanted to talk to him about some of the things that have been happening lately, and I thought dinner would be..." "Well, that's not important." "But before he gets here," "I just wanted to know if he has said anything to you about our relationship or..." "Yours and mine?" "(LAUGHS) No, me and Nick." "I'm just..." "I'm a Iittle nervous." "I wish I knew how he felt." "Well, he's been waiting for something" "like this for kind of a Iong time, so I guess you're just going to have to get into it and see where it goes." "Yeah, you're right." "You're right." "Thank you." "That's exactly what I needed to hear." "Thanks, Monroe." "Good luck." "Thanks." "Bye." "Sorry to keep you waiting." "What was it you wanted to talk to me about?" "We haven't found Anton yet." "Then he's still alive." "We have to proceed as if he is." "You didn't have to come all the way here to tell me that, you could have just called." "That's not why I'm here." "Have you ever seen this?" "No." "But that's Anton's work, I know that." "Seems as though Anton has been planning this for a Iong time." "We found this in his loft." "When was the Iast time you were there?" "A couple of months ago." "You were the subject of a number of his paintings." "Did you model for him?" "Yes, but I've done that for others." "That's how I got all this artwork." "I never could've afforded it otherwise." "So you have a thing for artists?" "I have a thing for people who see the world differently." "I inspire them." "Yeah?" "How?" "It's kind of hard to explain." "Well, why don't you try?" "Okay." "That's how it starts." "But it's never how it ends." "It's just something that happens, it's not something that can be controlled." "It's not something that should be controlled." "I never force myself on them, they want me and they need me." "That doesn't always end well." "A Iot of the great artists died young and violently, half mad." "But I doubt that any of them would trade their fame for banality and a longer life." "So, how do you choose them?" "I sense a talent, a drive, a passion." "Like what I sense in you." "I'm not an artist." "Maybe you just don't know it yet." "There's something that's just deeply powerful about you," "I don't know what it is, but I'm drawn to it." "Does that scare you?" "Should it?" "Only you can answer that." "What scares you?" "What might happen if you stay." "I shouldn't have done that." "I'm not going to hurt you." "I know what you are." "It was a mistake, okay?" "You need to go." "Khloe, I'm here to help you." "You don't have to be afraid of me." "(CELL PHONE RINGING)" "Burkhardt." "MONROE:" "So you're having dinner with Juliette?" "Monroe?" "Yup." "With two defrosted primo veggie steaks." "Ring a dinner bell?" "Oh, my God, I'm supposed to be at Juliette's..." "Yeah, she called, that's when I began to suspect you might not be showing up." "Unless you're planning on having two dinners tonight." "I'm in the middle of an investigation right now." "I'II call you back." "All right." "I have to go." "Lock the door behind me." "(DOOR OPENS)" "Sorry I'm late." "I was getting a Iittle worried." "I thought maybe you changed your mind." "I just got held up on a case." "That's okay." "Um..." "I'm just glad you're here." "Come in." "The place looks great." "I didn't change anything." "Um..." "Look, dinner's a Iittle cold, so why don't I warm it up?" "So, what did you want to talk to me about?" "Oh..." "Right to the point." "Okay, I guess no reason not to." "KHLOE:" "If it hadn't been for you..." "Well, things are starting to get clearer for me." ""clearer" might not be the best word for it, whatever it is." "I know I've been treating you unfairly these last few weeks and I just want to say I'm sorry." "Nick?" "KHLOE:" "I sense a talent, a drive, a passion." "What I sense in you..." "Nick?" "Yeah?" "I'm trying to apologize." "For what?" "For how things have been going between us and how I've been treating you." "I thought I was losing my mind." "You know, for all intents and purposes, I was losing my mind." "But maybe that's what it took because my memories of you are coming back." "Nick..." "Maybe not neatly..." "Nick..." "Or Iogically, but..." "I do want you to know that I'm starting to remember you, and things that we did together, and things I felt." "Look, I know it's a Iot after everything we've been through, really a Iot for me..." "Don't you want to say anything?" "Nick." "Did you hear what I just said?" "I'm sorry, what?" "Look, I..." "I'm feeling a Iittle off tonight." "I think work might be starting to get to me a Iittle." "Okay, well, maybe this just wasn't a good time." "Yeah, you're probably right." "Thanks." "Let's talk soon." "(DOOR OPENS)" "(DOOR SLAMS)" "MONROE:" "Nick?" "You home already?" "Yeah." "Oh, man, I hope you didn't come for a second dinner," "I was just joking about that, and I kind of ate both veggie steaks." "So, how did it go?" "I mean, she made it sound like this was going to be sort of an important dinner." "We didn't eat." "Ooh!" "You went over to her house for dinner and you didn't eat?" "You must have had a Iot to talk about." "Not really." "Well, Iet me just say..." "Huh." "It was supposed to be the big moment, you know, she's remembering you, she invites you over to talk..." "What do you want?" "It's not about me wanting anything." "I'm just trying to be, you know, supportive." "Why?" "I mean, does my personal life interest you that much?" "Excuse me?" "Look, we didn't eat and we didn't talk, what more do you need to know?" "I don't need to know anything, except why are you acting like this?" "I don't understand this, I don't need to be grilled when I get home," "I do enough of that at work." ""Grilled"?" "Is that what you think I'm doing?" "Let me just say, a couple of hours ago," "I was indeed doing some grilling, broiling actually, for a dinner you committed to." "Oh, my God, do you want me to pay you for the veggie steaks?" "No, I don't want you to..." "That is so beside the point." "For months, you have been dying for Juliette to remember you, and now she finally does and you don't even..." "I mean, forgive me if I'm a Iittle flummoxed." "What, you're done talking now?" "You're gonna go to bed or..." "Oh, you're leaving." "That's interesting." "Where you going?" "You might want to start looking into getting your own life." "(SCOFFS) (DOOR CLOSES)" "I think you need to start looking into getting your own house!" "(CELL PHONE RINGING)" "Hello?" "Just be honest with me, does Nick hate me?" "I, um, don't know, actually." "I mean, he just got here and then he left, and he wasn't in a very good mood." "What happened when he came over to your place?" "I made us dinner and then I started talking, and then everything just sort of fell apart." "And then he just left." "Maybe something is going on at work." "I don't know." "Let me call Hank." "I'II call you back." "Okay." "(CELL PHONE RINGING)" "Griffin." "Hey, Hank, it's Monroe." "Is something going on with Nick at work?" "Why?" "You know he was supposed to have dinner with Juliette?" "Didn't he?" "No." "And then he comes over here, and I asked him how it went, and he tells me to get a life and then he leaves." "That doesn't sound like him and he hasn't said anything to me, maybe he's got something going on we don't know about." "Let me see what I can find out." "(CELL PHONE RINGING)" "Yeah." "Hey, I just got back to the precinct." "Where are you?" "Down at The Bent Brick." "(HANK CHUCKLES)" "Just what the doctor didn't order." "I'm on my way, save me a beer." "You saw one of those?" "When?" "Few hours ago." "Something I should know about?" "I don't know what she is." "Anybody I know?" "Yeah, the witness." "Wait, Khloe Sedgwick?" "You went back and saw her again?" "That is awesome!" "What is that?" "Is that like a Iittle elf?" "Are you a comic book artist?" "Are you famous?" "Are you someone that I should know?" "I bet you are." "Dude, my girlfriend freaks out about sci-fi stuff." "She loves it." "Let me see it..." "Hey!" "Leave it alone, man." "Whoa!" "It's fine." "I'm not going to hurt it." "I'm just gonna show it to her." "She's right over here." "It's not even gonna get damaged... (COUGHING)" "Whoa, whoa, take it easy." "Let's not make a mistake here." "Now, just calm down." "I am calmed down." "That guy just punched me for no reason." "Hey, Nick, why don't you just head out of here and go home." "I got this." "Okay." "You're just going to let him go?" "You're gonna let him walk out?" "You're a cop, you're supposed to arrest people." "You've had a Iittle bit more than you can handle." "Unless you want to spend the night in a drunk tank," "I suggest you sit down and shut up." "MONROE:" "I've never seen one." "ROSALEE:" "Me neither." "Nick really hit somebody in a bar over this?" "I didn't believe it either." "I mean, the guy was drunk and Nick told him to back off, but still, it was a Iittle over-the-top." "That's the way he was here, over-the-top." "So if neither of you know what this is, how do we find out what we're dealing with?" "What?" "So this is Aunt Marie's trailer." "Yep, this is it." "Wow." "Wow, this is some really rare stuff." "Yeah, there's some pretty rare stuff in here, but we need to begin with these." "This is where the books come from." "Among other things." "Yeah, it's a veritable museum ofWesen-ology, chronicling the Grimms' proud tradition of hunting and beheading people like us." "Oh, nice to know." "So, we're looking for..." "Somebody who looks like this." "(HEAVY METAL PLAYING)" "ROSALEE:" "Oh, my God, this is awful." "(MONROE SIGHS)" "Musai." "What?" "That's what she is." "Right?" "HANK:" "Yeah." "Yeah." "It's right here." "It's all in German, of course." "Listen to this." "This was written in 1888." ""I was called in by an artist acquaintance of mine whose name is Gauguin." ""The night before, he had been accosted with a razor blade" ""by another artist friend of his by the name of van Gogh." ""Gauguin is worried that his friend" ""is under the pernicious influence" ""of a prostitute." ""He assigned me the task of discovering" ""what kind of witch this Rachel was." ""I was loathe to discover that this trollop was no Hexenbiest," ""but a Musai," ""and although she may have been" ""van Gogh's greatest inspiration" ""for some time," ""her influence was starting to take its toll," "(SIGHS)" ""causing him to cut off his own ear." ""I returned the favor, and instead of taking off her clothes," ""of course, I took off her head."" "Van Gogh, huh?" "I mean, I'm just reading what's here." "But..." "Um..." ""The kiss of the Musai is as euphoric and addictive" ""as any, um, narcotic known to man." ""And once begun," ""the relationship always ends in madness, destruction and death."" "Hold on, hold on." "Okay, it may not be that bad after all." "Yeah." "None of this will happen, as long as she hasn't kissed him... (SIGHS)" "What?" "I saw her kiss his hand, and who knows what happened when he went over there tonight." "By the way, anybody know where Nick is?" "Same clothes as last night." "You make it home?" "That's not my home." "You make it to bed?" "Last night's a bit of a blur." "You all right?" "I would be ifyou stopped interrogating me." "Fair enough." "(CLEARS THROAT) Look, Nick, I've been doing a Iittle research on that drawing you made of Khloe." "I think I found out what she is." "Yeah, what?" "A Musai." "So, what, you think you're a Grimm now?" "Well, I got something to show you." "Happened last night." "Captain." "Yeah." "HANK:" "This is from 9:30 p.m. last night." "By the time the officers could respond to the alarm, he was long gone, but it's our shooter, Anton Cole." "So he's alive." "HANK:" "No doubt about it." "Why break into a paint store?" "I think it has something to do with Khloe Sedgwick." "Why?" "Just a hunch." "You know what those are." "Police report from three years ago, a composer by the name of Max Fisher was committed to an asylum after a mental breakdown." "That was after he attacked a sculptor by throwing acid on his face." "Guess who he was seeing at the time?" "Khloe Sedgwick." "And according to this, she was also dating the sculptor." "Suicide from five years ago." "Novelist named ellis Harlan hung himself after his girlfriend left him." "And the girlfriend was..." "Khloe Sedgwick." "She must be quite a woman." "WU:" "Hey..." "Just got a vandalism call from downtown." "I think I know what our shooter did with all that paint." "You might want to join us for this one, sir." "ROSALEE:" "A Musai's lips secrete a kind of psychotropic substance for which there is no medicinal antidote." "What?" "There's gotta be something, right?" "Oh, wait, wait..." "Mmm..." "Nothing." "So, what, it's the proverbial kiss of death?" "Obsessive desire can be confused with love." "Whatever this is, it ain't love." "No, but it probably feels like it." "I think the only way to break an obsession" "like this is with the real thing." "(DOOR OPENS)" "Juliette!" "Hey, I was hoping I would find you here." "Hey, what's wrong?" "I need to go back to the trailer." "Really?" "The trailer, again?" "After what happened the Iast time?" "You sure that's such a good idea?" "Good or not, I need to go." "Okay." "Um..." "We're sort of busy right now, but I could..." "No." "No?" "I just need the key, Monroe." "I need to go alone." "Whatever happened the night that Nick brought me there is clearly really important." "And in order for me to understand what's going on right now," "I have to try to reconnect with what happened then." "She's right." "You should let her." "Uh, well, I think I should let her, too." "Okay." "Wish me luck or whatever." "(CHATTERING OVER RADIO) WU:" "Our killer might be a psychopath and all that, and I'm not saying I'm a fan or anything, but you gotta give him some credit." "Anton's got an eye." "No one saw him do this?" "Not at 2:00 in the morning." "Well, even if they did, street art is not exactly unheard of in Portland." "Where did he go?" "Nick!" "I can't run him down." "I'm on it." "We need to talk." "Nick drew it." "Okay, I remember you told me about something you could do, some ability that you had." "Come on, memory..." "I know it had something to do with these books, these..." "And the weird, weird drawings." "What did you tell me?" "What did you say to me?" "Come on, Nick, please help me." "I'm trying, I'm really trying here." "NICK:" "You see these books?" "You see these books?" "You see these books?" "They're filled with drawings made by my ancestors and others who had the same ability, problem, whatever you want to call it." "And the drawings are ofWesen, which is how they like to refer to themselves." "That's what I can see, what the Grimms can see, they're like species that exist within us." "Well, some of us." "Anyway, there are BIutbaden and Bauerschwein," "Fuchsbaus and Eisbibers, and they're all in these books." "Juliette, really, I'm not making this up." "Really, I'm not making this up." "(CELL PHONE RINGING)" "Detective Griffin." "MONROE:" "Hank?" "It's Rosalee and Monroe." "Is Nick with you?" "No." "I was hoping he was with you." "He's not at the precinct." "Hank, listen, we found out more about the Musai." "There's no way we can break the connection between her and Nick if it's already been established, at Ieast not with anything I can do." "And Nick is in the wind." "No, he's gonna be going wherever she is." "And it will only get worse if they're together." "So what do we do when we find him?" "MONROE:" "Keep him away from her until we can figure out what to do." "Captain!" "Hey." "You find him?" "No." "It's Monroe." "He thinks Nick will be going to her." "Call the officer protecting her house." "I'm going over there." "I'II call you back." "Are you okay?" "I don't know." "I feel different." "The things that I saw and the things that I remembered..." "So you remembered what happened the night he took you there?" "I think so." "I didn't believe him." "I mean, he told me everything, but I didn't believe him." "And what about now?" "You believe Nick, don't you?" "And so do you." "We do." "'Cause I just thought he was crazy." "Some things aren't as crazy as they seem when you get to know them." "I need to see him, I need to tell him that I believe him." "Where is he?" "Uh..." "(CELL PHONE RINGING)" "Officer Gates." "This is Detective Griffin." "I'm expecting Detective Burkhardt to show up there." "Let me know as soon as he does." "He just walked past me, heading for the subject's house." "Captain's on his way." "Do not let Detective Burkhardt leave." "Yes, sir." "I need you." "You're a Grimm." "Doesn't matter." "You'II have to prove it." "Anton's here." "Where?" "(SHOUTING) She's mine!" "(GRUNTING)" "I can't." "Not as long as he's alive." "(GRUNTING)" "OFFICER:" "Let's go." "ANTON:" "Khloe..." "Sir, he's handcuffed." "Nick!" "She's mine!" "Stop it!" "Come on!" "It's enough." "We got him." "You can't have her..." "You'II never have her." "Never!" "I said it's enough!" "You think you can have her." "No one can!" "(SOBBING)" "MONROE:" "So, long story short, it would seem that the reason Nick hasn't been himselfwith you or me or any of us is because he's sort of been..." "Under the influence of another woman." "But it's not necessarily his fault, she's, well..." "She's..." "Wesen?" "What?" "That's what Nick was trying to tell me last year." "Yes." "Yes." "And we think he could be in a Iot of trouble right now." "Is this anything like what happened to me?" "It is..." "Except the antidote's not on the shelf." "Where is it?" "It's you." "HANK:" "We know what you are." "KHLOE:" "Really?" "And what would that be?" "Musai." "Well, if you know that, then you know it's out of my control." "I don't ask for the attention that men give me." "You don't try very hard to refuse it." "Why would I?" "Without me, they would be nothing." "Without you, they'd be alive." "Whatever you've done to my detective, it's going to stop." "Well, I can't help it." "I was born this way." "You see, the real problem with your detective is that he's a Grimm, and it's all happening much faster because of who he is." "Nick has more power than I've ever experienced." "And I'm good for him." "You're going to stop this right now!" "I've never known how to stop it." "Sir, you wanted to know when the suspect had been booked." "He's in his cell." "KHLOE:" "I can't." "Not as long as he's alive." "You have to prove it." "Anton's here." "She didn't give us many options." "Yeah." "One thing's for sure, we can't let her anywhere near him." "What do we do, lock him up?" "If we have to." "Where is he now?" "Hey, look at this." "Hey, does anybody know where Nick is?" "KHLOE:" "There's something that's just deeply powerful about you..." "It's not something that can be controlled." "Don't!" "Nick!" "I can't..." "Nick, I can't protect you from this." "JULIETTE:" "Nick, stop." "please listen." "Juliette is here." "Look at me." "I have a thing for people who see the world differently." "Think about what you're doing." "A lot of the great artists died young and violently, half mad." "But I doubt that any of them would trade their fame for banality and a longer life." "please just look at me." "Nick, look at me." "Open your eyes, you have to see me." "Nick, open your eyes." "Juliette." "Yeah." "What are you doing here?" "I'm here for you, just like you were there for me." "Thank you." "Thank you." "Really?" "Well, this is your lucky day," "I'm going to let you walk." "And when you do, you're going to leave Portland and never come back." "Because if you do, there's a part of me that doesn't wear a badge, and there's no telling what he'II do." "Converted by Silmaev"