"CAPTIONING MADE POSSIBLE BY TURNER ENTERTAINMENT GROUP AND U.S. DEPARTMENT OF EDUCATION" "I'M COLLIER BONNABEL, I'M A COP." "I'M A LIEUTENANT DETECTIVE IN HOMICIDE." "THAT'S A FANCY NAME FOR MURDER." "WE GET PLENTY OF TOUGH CASES," "SOLVE MOST OF 'EM, SURE." "BUT HOW?" "I ONLY KNOW ONE WAY, ONE THING THAT BREAKS 'EM WIDE OPEN." "TENSION." "I WORK ON PEOPLE," "ON SUSPECTS," "PLAY UP TO THEM," "PLAY UP TO THEIR STRENGTHS," "POUR IT ON THEIR WEAKNESSES," "ROMANCE THEM OR IGNORE THEM," "KISS 'EM, PRESS 'EM," "BUT WHATEVER WAY, KEEP STRETCHING THEM." "EVERYTHING, EVERYBODY'S GOT A BREAKING POINT," "AND WHEN THEY GET STRETCHED SO TIGHT THEY CAN'T TAKE IT ANY LONGER," "[SNAP]" "Bonnabel:" "THIS IS THE CORNER OF ST." "ANNE'S AND 13th." "THAT'S AN ALL-NIGHT DRUGSTORE," "NEVER CLOSES." "YOU KNOW, IN A TOWN AS BIG AS THIS," "THERE ARE ONLY 4 OR 5 OF THEM." "OH, THAT'S WARREN QUIMBY." "HE'S THE NIGHT MANAGER," "LIVES IN AN APARTMENT RIGHT OVER THE DRUGSTORE." "YOU KNOW, THESE STORES HAVE EVERYTHING:" "RAISINS AND RADIOS, PAREGORIC AND PHONOGRAPHS," "VITAMIN CAPSULES AND CAP PISTOLS." "THEY'LL SERVE YOU A CUP OF COFFEE," "SELL YOU A PACK OF CIGARETTES OR A POSTAGE STAMP," "AND IN A PINCH THEY'LL EVEN FILL A PRESCRIPTION FOR YOU." "IT'S KIND OF TOUGH ON QUIMBY WORKING NIGHTS, 12 HOURS A NIGHT, 5 NIGHTS A WEEK," "BUT IT PAYS WELL." "THAT'S WHY QUIMBY TOOK IT." "YOU SEE, HE DIDN'T MIND THE TEMPORARY HARDSHIPS," "BECAUSE HE KNEW WHERE HE WAS GOING." "HE WAS PLANNING," "PLANNING FOR THE DAY WHEN HE WOULD BE ABLE TO DO MORE AND BETTER" "FOR HIMSELF AND HIS WIFE." "HELLO, MEL-WEST THEATER?" "COULD YOU PLEASE TELL ME WHAT TIME" "THE SECOND FEATURE'S OVER?" "THANKS." "WANT A CUP OF COFFEE OR SOMETHING?" "YOU SURE?" "SURE." "LOOK, MR. QUIMBY, YOU CAN TELL ME" "TO MIND MY OWN BUSINESS" "OK, FREDDIE, MIND YOUR OWN BUSINESS." "BUT I DON'T LIKE TO SEE ANYBODY GET KICKED AROUND," "ESPECIALLY A NICE GUY." "THANKS, FREDDIE," "BUT WHY DON'T YOU GET BACK TO THE COUNTER?" "IS SHE WORTH IT, MR. QUIMBY?" "GO ON BACK TO THE COUNTER, WILL YOU?" "BUT THE WAY SHE TREATS YOU ALL THE TIME!" "AND YOU TAKE IT L" "SHE'S HERE." "CLAIRE, DARLING." "I WAS WORRIED ABOUT YOU." "NOTHING TO WORRY ABOUT." "DID YOU ENJOY THE SHOW?" "IT WAS ALL RIGHT." "SOMEBODY WANTS SOME PILLS." "COULD I BUY YOU-- DRIFT!" "SOMETHING ELSE, MRS. QUIMBY?" "STILL WITH THAT MRS. QUIMBY BUSINESS, EH, JUNIOR?" "DON'T START THAT AGAIN, PLEASE." "CLAIRE'S MY NAME, WHY DON'T YOU CALL ME CLAIRE?" "BECAUSE YOU'RE THE MANAGER'S WIFE, MRS. QUIMBY." "THAT MAKES ME POISON?" "LOOK, I GOT A GOOD JOB HERE WITH PLENTY OF GOLDEN HOURS," "SO DON'T STINK ME UP." "OK, JUNIOR, I'LL HAVE SOME DESSERT." "WHAT KIND?" "I'LL LEAVE THAT UP TO YOU." "SOMETHING SWEET." "PIE?" "YEAH, PIE'S ALL RIGHT." "SEEN BARNEY DEAGER LATELY?" "NO, I HAVEN'T SEEN HIM." "NOT THAT YOU WOULD TELL ME." "THANK YOU." "Man:" "STUNNING, ISN'T IT?" "ON HER." "LOOK BETTER ON YOU." "THINK SO, HUH?" "YEAH!" "THANKS, THAT'S NICE." "I GOT SOMETHING NICE TO TALK ABOUT." "SO?" "YEAH." "WANT TO HEAR MORE?" "WHERE YOU PARKED?" "AROUND THE CORNER," "GRAY SEDAN." "JUNIOR." "YEAH?" "TELL MR. QUIMBY I'VE GONE UPSTAIRS TO THE APARTMENT." "ALL RIGHT, MRS. QUIMBY." "THANKS, JUNIOR." "[REGISTER RINGS]" "THANK YOU F" "Freddie:" "MR. QUIMBY?" "YES?" "WE'RE RUNNING SHORT OF COFFEE." "SHE SAY WHERE SHE WAS GOING?" "SHE'S GONE UP TO THE APARTMENT." "I'M NOT KIDDING ABOUT THAT COFFEE, MR. QUIMBY." "Man:" "HEY, HEY!" "MORNING PAPER!" "GET YOUR MORNING PAPER, READ ALL ABOUT IT!" "MR. QUIMBY!" "YEAH?" "I'LL BE A LITTLE LATE TONIGHT, BUT CHARLIE WILL BE HERE." "FINE." "HOLD THAT LIGHT." "LOOKS LIKE A NICE DAY." "YEAH." "Bonnabel:" "YEAH, IT WAS A BEAUTIFUL MORNING." "MOST PEOPLE LOOK FORWARD TO THE MORNING AS THE BEGINNING OF THE NEW DAY." "THERE'S A HOPE, A PROMISE OF GOOD THINGS ABOUT TO HAPPEN," "BUT TO WARREN IT ONLY MEANT, WOULD CLAIRE BE THERE?" "THERE WAS ALWAYS THE FEAR," "THE FEAR THAT HE'D OPEN THE DOOR AND FIND THE ROOM EMPTY." "EVERYTHING WAS ALL RIGHT." "SHE WAS HERE," "AND THERE WAS NOTHING HE WOULDN'T DO TO KEEP HER HERE." "HE'D WORK, SAVE," "DO WITHOUT THINGS HE WANTED," "ANYTHING TO KEEP HER HAPPY," "ANYTHING TO HOLD ONTO HER." "[DOOR BANGS WALL]" "YES?" "WHAT'S THE MATTER?" "IT'S JUST YOUR BREAKFAST." "IT'S A WONDERFUL MORNING." "HOW DO YOU FEEL, HUH?" "I FEEL AWFUL." "HEY, YOU BURNED THE TOAST AGAIN, BABY." "OH, I'M SORRY, DARLING." "SHOULD HAVE SCRAPED IT OFF." "HERE, IT'LL ONLY TAKE A MINUTE." "THAT'S ALL RIGHT, I'LL EAT IT THIS WAY." "CLAIRE, DARLING, I'VE GOT A SURPRISE FOR YOU." "DID YOU GET A RAISE IN PAY?" "BETTER THAN THAT." "WHAT'S BETTER THAN MONEY?" "WHAT IS IT?" "I'M NOT GOING TO TELL YOU," "THIS YOU GOT TO SEE." "OH, COME ON, GIVE." "COME ON, GET DRESSED." "A NEW CAR, YOU GOT A NEW CAR!" "NO, EVEN BETTER, YOU'LL SEE." "COME ON, COME ON, HURRY UP." "WARREN." "COME HERE." "YOU'RE CUTE." "WHAT ARE YOU STOPPING HERE FOR?" "LOOK!" "ISN'T THAT A BEAUTY?" "ARE YOU KIDDING?" "GEE, IT'D BE WONDERFUL TO LIVE OUT HERE, DARLING." "FRESH AIR, ROOM TO ENTERTAIN," "AND IT'S A GREAT SPOT FOR KIDS." "YOU WANT TO KNOW SOMETHING?" "I THINK IT'S A MISERABLE SPOT." "IT'S 30 MINUTES FROM NOWHERE." "BUT I THOUGHT THIS WAS WHAT YOU WANTED." "WHAT DO YOU THINK I TOOK THE NIGHTSHIFT FOR?" "SAVING AND DOING WITHOUT THINGS" "JUST SO WE'D HAVE ENOUGH MONEY TO DO THIS." "WE STILL DON'T HAVE ENOUGH." "THE F.H.A. EVEN APPROVED THE LOAN." "FINE, LET THEM LIVE HERE." "COME ON, DARLING, AT LEAST LOOK AT IT." "YOU'LL LOVE IT, IT'S GOT EVERYTHING YOU WANT." "IT'S GOT A BIG LIVING ROOM, IT'S GOT A REAL DINING ROOM." "IT'S GOT-- [CAR HORN HONKS]" "A WONDERFUL KITCHEN OUT IN BACK THERE." "IT'S EVEN GOT A GARBAGE DISPOSAL." "[CAR HORN HONKS]" "[ENGINE STARTS]" "YOU COMING?" "[ENGINE REVS]" "IT'S A NICE SCENT, I LIKE THIS." "DON'T LIKE IT TOO MUCH, THAT'S THE $25 SIZE." "COME ON, BE A BIG MAN." "LOOK, YOU TOOK A BOTTLE OF THAT HOME LAST WEEK." "I COULD TAKE THIS, TOO, AND NOT TELL YOU," "AND NOBODY'D KNOW THE DIFFERENCE." "THE COMPANY'S INSURED." "DON'T EVEN SAY THINGS LIKE THAT." "BIG GUY'D SPEND THIS ON ME IN ONE EVENING." "WHAT'S WITH YOU, ANYWAY?" "LOOK, YOU BE SURE TO TELL YOUR MOTHER" "TO READ THE DIRECTIONS CAREFULLY, HUH?" "SHE CAN READ ENGLISH, CAN'T SHE?" "YOU KIDDING?" "[REGISTER RINGS]" "[CLAIRE LAUGHING]" "THAT'S A BEAUTIFUL CAR, BARNEY." "YOU'RE A BIG MAN." "YOU BEEN TRUE TO ME?" "I HAVEN'T BUDGED FROM THE APARTMENT, I HAVEN'T BUDGED." "MM-HMM, THAT ONE BEEN BOTHERING YOU?" "NAH." "WELL, CAN WE GO?" "YEAH, IN A MINUTE." "HURRY UP." "ALL RIGHT." "JUNIOR, TELL HIM I'VE GONE UPSTAIRS." "ALL RIGHT, MRS. QUIMBY." "Bonnabel:" "HAD SHE GONE WITH BARNEY DEAGER?" "OR WAS SHE UPSTAIRS IN THE APARTMENT?" "HE DIDN'T EXPECT TO FIND HER, BUT HE HOPED..." "HE PRAYED." "AND IF SHE WASN'T THERE, WHAT WOULD HE DO THEN?" "NOW HE KNEW." "MAYBE HE'D ALWAYS KNOWN." "COULDN'T LIE TO HIMSELF ANY LONGER." "HE'D HAVE TO LIVE A LIFE WITHOUT HER," "BUT FOR WARREN THAT WAS THE END OF THE ROAD." "MR. QUIMBY, IF" "SHH!" "NOT NOW, FREDDIE." "Bonnabel:" "HE COULDN'T GIVE HER UP," "NOT EVEN NOW, NOT EVEN KNOWING," "NOT WITHOUT A FIGHT." "BUT HOW DO YOU FIGHT?" "WHERE DO YOU BEGIN?" "CLAIRE!" "CLAIRE!" "CLAIRE!" "WHAT ARE YOU DOING?" "I'M LEAVING." "I'M THROUGH." "I GOT WHAT I'M LOOKING FOR," "AND I'M GOING TO GRAB IT WHILE I GOT THE CHANCE." "BARNEY DEAGER?" "A REAL GUY." "CLAIRE, DON'T DO THIS, I'M ASKING YOU DON'T IT." "THERE'S NOTHING TO TALK ABOUT." "IT WAS DIFFERENT IN SAN DIEGO," "YOU WERE KIND OF CUTE IN YOUR UNIFORM." "YOU WERE FULL OF LAUGHS THEN." "WELL, YOU'RE ALL LAUGHED OUT NOW." "LOOK, WARREN, I'VE BEEN WAITING A LONG TIME TO CARRY THESE BAGS OUT OF HERE." "OK!" "OK, OK, YOU'VE BEEN WAITING A LONG TIME?" "WELL, GO AHEAD, I'M NOT GOING TO TRY TO STOP YOU," "BUT ONCE YOU GO, DON'T COME BACK!" "[DOOR SLAMS]" "DO YOU HEAR ME, DON'T COME BACK!" "Freddie:" "HEY, MR. QUIMBY!" "IT'S A BEAUTIFUL DAY OUT!" "COME ON!" "I HATE TO SEE YOU EAT YOUR HEART OUT LIKE THIS." "I DON'T LIKE IT, EITHER." "WHAT CAN I DO, I CAN'T LET GO, FREDDIE, CAN YOU UNDERSTAND THAT?" "CAN YOU?" "I THOUGHT IT MIGHT BE FINE IF I WENT DOWN THERE" "DOWN TO DEAGER'S PLACE IN MALIBU" "MAYBE IF I TALKED TO HER" "AND TRIED TO TALK SENSE TO HER" "AND AFTER ALL, SHE'S MY WIFE." "SHE" "WHAT'S THE USE?" "SHE WOULDN'T LISTEN." "IF SHE WOULD, DEAGER WOULD START SOMETHING." "I'LL GO WITH YOU." "NO, THAT WOULDN'T DO ANY GOOD," "IT WOULD JUST START TROUBLE." "THERE'S ENOUGH OF THAT NOW." "I'LL GO DOWN THERE MYSELF." "CLAIRE WILL HAVE TO LISTEN TO ME." "I'LL MAKE HER LISTEN," "DEAGER OR NO DEAGER." "CLAIRE!" "HI YA, WARREN." "I WANT TO TALK TO MY WIFE." "WANT ME TO INTRODUCE YA?" "HEY, CLAIRE, HERE'S A GUY WHO WANTS TO TALK TO YOU." "GO AHEAD, TALK." "LOOK, WARREN, WHY DON'T YOU GO HOME?" "CLAIRE, PLEASE." "WARREN, WHY DON'T YOU GROW UP?" "DON'T ACT THAT WAY." "I'VE GOT TO TALK TO YOU." "WHAT'S THERE TO TALK ABOUT, WARREN?" "PLEASE!" "LET GO OF MY ARM, WARREN." "DOC, YOU'RE HURTING HER." "CLAIRE, LISTEN TO ME." "I" "LET GO OF MY ARM, WARREN." "HEY, DOC, YOU'RE HURTING THE LADY." "NOW WHY DON'T YOU STOP AND GET OUT OF HERE LIKE A NICE FELLA?" "I'M NOT LEAVING YET, NOT WITHOUT HER." "IS THAT THE WAY YOU WANT IT?" "YOU KNOW HOW I WANT IT." "OK, WARREN, SO GO ON, HUH?" "LISTEN, DEAGER." "ALL RIGHT." "NOW GET GOING." "AND DON'T COME BACK," "YOU FOUR-EYED PUNK." "Bonnabel:" "HE HADN'T FIGURED IT THIS WAY." "NOT TO GET CLAIRE BACK WAS ONE THING," "BUT TO TAKE A BEATING, AND IN FRONT OF HIS WIFE," "WAS MORE SHAME THAN WARREN QUIMBY COULD STAND." "THIS IS WHAT STARTED IT ALL." "THAT SEEMS BETTER, DOESN'T IT?" "YEAH, THAT'S FINE." "COMFORTABLE?" "THAT'LL BE $5.00." "WOULD YOU BE INTERESTED IN A PAIR OF THOSE?" "NO." "NO, I DON'T THINK SO." "THEY'RE PRESCRIBED LENSES, THE SAME AS YOU HAVE THERE," "EXCEPT THAT THEY'RE MUCH MORE CONVENIENT." "THEY'RE MOLDED TO THE CONTOUR OF YOUR EYE." "VERY SIMPLE TO INSERT AND REMOVE," "GIVE THE APPEARANCE OF NO GLASSES AT ALL," "REALLY CHANGE YOUR LOOKS." "NO, I DON'T THINK SO." "THEY'RE STILL AT IT, TRYING TO FIND OUT" "WHO OWNS GERMANY, WHO OWNS THE A-BOMBS;" "FLOODS, CYCLONES, EARTHQUAKES, RIOTS;" "THEY'RE LOADED." "LOOK AT THIS ONE, A 64-YEAR-OLD GUY IN PENNSYLVANIA" "FOUND WITH A BULLET IN HIS HEAD," "AND I'LL BET THEY NEVER GET THE GUY THAT DID IT." "NEVER!" "DID YOU KNOW THE GIANTS WON 3 IN A ROW?" "HAVE YOU ANY IDEA HOW MANY UNSOLVED MURDERS THERE ARE EVERY YEAR?" "NOT MUCH JUICE IN THESE ORANGES." "A GUY COMMITS A MURDER, SEE?" "BLOWS, LEAVES NO TRACES, NO CLUES, NOTHING," "JUST COMMITS THE MURDER AND DISAPPEARS." "DRIVES THE COPS DAFFY." "[JUICER GRINDING]" "SHE WOULDN'T COME BACK, WOULD SHE?" "WHAT HAPPENED?" "HE BEAT ME UP." "BEAT YOU UP?" "NO GUY COULD DO THAT TO ME." "I'D KILL HIM." "AND I MEAN IT, MR. QUIMBY," "I'D KILL HIM." "Bonnabel:" "KILL HIM?" "YEAH, BUT HOW DO YOU DO THAT" "AND NOT GET CAUGHT?" "YOU BECOME A DIFFERENT PERSON, THAT'S IT." "YOU WIPE OUT WARREN QUIMBY," "AND IN HIS PLACE YOU PUT SOMEONE ELSE." "I'VE HAD PEOPLE COME IN HERE WHO'VE WORN GLASSES ALL THEIR LIVES." "THEY GET THESE REMARKABLE LENSES," "THEY THROW THEIR GLASSES AWAY," "AND BELIEVE ME, SIR," "THEY GET A WHOLE NEW FRESH VIEWPOINT." "THEIR PERSONALITY CHANGES." "HOW LONG DOES ALL THIS TAKE?" "OH, WE'LL MAKE A CAST TODAY," "AND IN A WEEK--NO MORE-- YOU'LL GET YOUR LENSES." "PAUL THOMAS." "JOHN" "SOTHERN." "SOTHERN." "JAMES SOTHERN." "JEROME SOTHERN." "PAUL." "PAUL!" "PAUL." "NO PAUL SOTHERN." "I'M GLAD TO KNOW YOU, MR. SOTHERN." "HMM?" "WHERE DO I LIVE?" "WHAT?" "YEAH, WHERE THE DEVIL DO I LIVE?" "THAT'S FINE, THAT'S JUST FINE." "OF COURSE, I'LL REQUIRE SOME REFERENCES." "IT'S CUSTOMARY." "YEAH, I UNDERSTAND." "SEE, I'VE JUST BEEN TRANSFERRED OUT HERE." "I'M AWAY 5 DAYS A WEEK ON THE ROAD," "PROBABLY SPEND WEEKENDS HERE." "NOT MUCH WEAR AND TEAR ON YOUR APARTMENT." "OF COURSE YOU'LL SIGN A LEASE, MR...?" "SOTHERN!" "PAUL SOTHERN." "OF COURSE." "I'LL DRAW UP THE PAPERS" "AND HAVE IT READY FOR YOU SATURDAY THEN." "ALL RIGHT, SWELL." "FINE." "BYE." "OH, I'M TERRIBLY SORRY." "IT'S ALL RIGHT." "OH!" "SORRY." "IT'S ALL RIGHT." "OH!" "OH, I'M SORRY!" "WELL, I--I GUESS I BETTER GET DOWN." "YEAH." "YEAH." "GEE, I'M SORRY." "THAT'S ALL RIGHT." "YOU MUST BE THE NEW TENANT." "YEAH, YEAH I AM." "I'M MARY CHANLER." "WE'RE NEIGHBORS." "PAUL SOTHERN, HOW DO YOU DO, MISS CHANLER?" "HELLO." "I DIDN'T REALLY MEAN TO SPOIL YOUR PICTURES," "SEE, I WAS JUST COMING AROUND THE CORNER THERE." "OH, THAT'S ALL RIGHT, I JUST FOOL AROUND WITH IT." "I'M NOT REALLY A PHOTOGRAPHER." "OH." "I CASHIER OVER IN THE VILLAGE." "UH-HUH." "YEAH." "OH, MR. SOTHERN." "YEAH?" "YOU FORGOT SOMETHING." "HMM?" "YOUR SUITCASE." "OH." "WELL, THANKS." "SURE." "THANKS." "YOU REALLY OUGHTN'T TO USE THOSE FLASHBULBS." "I SAID I WAS SORRY." "NO, NO, I DIDN'T MEAN THAT," "I MEAN, THERE'S PLENTY OF LIGHT, YOU SEE," "AND YOU MIGHT EVEN TRY USING A FILTER." "YOU KNOW A LOT ABOUT THIS." "I JUST FOOL AROUND WITH IT LIKE YOU." "I'M A SALESMAN, COSMETICS," "LA FEMME BEAUTY PREPARATION." "I'M ON THE ROAD MOST OF THE WEEK." "OH, MR. SOTHERN." "YEAH?" "WELCOME TO THE WESTWOOD APARTMENTS." "THANKS." "Bonnabel:" "IT HAD WORKED." "NO ONE QUESTIONED HE WAS PAUL SOTHERN." "HE WAS A MAN WITH A NEW FACE, NEW CLOTHES, NEW NAME," "NEW JOB, NEW APARTMENT, AND NEW NEIGHBORS." "NOW HE COULD KILL BARNEY DEAGER." "PAUL SOTHERN COULD THEN VANISH AS COMPLETELY AS HE'D APPEARED." "FOR 5 DAYS A WEEK, HOWEVER," "WARREN QUIMBY RETAINED HIS OLD IDENTITY." "HE LIVED IN THE OLD APARTMENT UPSTAIRS," "WORKED THE NIGHT SHIFT," "AND KEPT PERFECTING HIS PLAN." "GET ME MALIBU" "NEVER MIND." "HOW SOON CAN I GET THIS?" "IT'LL BE ABOUT A HALF AN HOUR." "I'LL BE BACK." "THANK YOU." "[TELEPHONE RINGING]" "MR. DEAGER'S RESIDENCE." "THIS IS PAUL SOTHERN." "WHO?" "SOTHERN!" "PAUL SOTHERN." "YES, MR. SOTHERN." "I WANT YOU TO TELL MR. DEAGER" "THAT HE'S NOT GOING TO GET AWAY WITH WHAT HE DID." "TELL HIM I'LL GET HIM FOR IT." "WHAT DID YOU SAY, MR. SOTHERN?" "HELLO?" "HELLO?" "PROBABLY SOME DRUNK I TOOK A POKE AT." "WHAT'S THE MATTER?" "NOTHING." "FORGET IT." "WHO'S PICK?" "YOURS." "SOTHERN?" "DO YOU KNOW ANYBODY NAMED SOTHERN?" "UN-UH." "HEY, NARCO, IF THAT MAN SOTHERN PHONES AGAIN," "LET ME TALK TO HIM." "YES, MR. DEAGER." "HEY!" "POPCORN, TWO OF THEM!" "HOW ABOUT SOME PEANUTS, PAUL?" "PAUL?" "PAUL?" "HUH?" "WELL, HOW ABOUT SOME PEANUTS?" "OH, YEAH, SURE, SURE." "UH, TWO PEANUTS." "MALIBU-5818, PLEASE." "[TELEPHONE RINGING]" "Claire:" "HELLO?" "HELLO?" "HEY, MISTER." "HMM?" "YOU LIKE?" "YEAH, IT LOOKS LIKE MY AUNT AGATHA." "IT DOES, HUH?" "IT HAPPENS TO BE ONLY ME." "YOU SEE IT?" "HMM?" "WHAT?" "THAT FAR AWAY ISLAND." "I SEE IT." "IT'S BEAUTIFUL, BUT YOU'RE NOT ON IT." "I'VE BEEN LOOKING FOR IT ALL MY LIFE." "YOU DON'T KNOW HOW TO LOOK." "LET ME SHOW YOU." "SEE IT?" "YEAH." "YEAH." "YOU SEE, IT'S EASY." "THERE WE ARE." "WE HAPPY?" "ONLY ON WEEKENDS." "THE REST OF THE WEEK YOU TRAIPSE AROUND FROM ISLAND TO ISLAND" "SELLING AESTHETIC COSMETICS." "OUT THERE, TOO?" "GOT TO CUT THAT OUT." "BE SURE THAT YOU DO." "HOW LONG IS IT THAT WE'VE BEEN OUT THERE?" "LET'S SEE, 10 YEARS, 20." "AND YOU STILL LOVE ME?" "I STILL LOVE YOU." "WE COULD MAKE IT REAL." "YEAH, REAL." "IF THIS WERE AN ISLAND, YOU" "ME" "THE RIGHT GIRL, THE WRONG GUY." "SORRY, WRONG GUY." "IT CAN BE REAL, PAUL." "IT CAN BE REAL." "Bonnabel:" "NOTHING COULD BE REAL IN WARREN'S LIFE" "AS LONG AS BARNEY DEAGER LIVED." "HE WAS THROUGH WITH WAITING." "HE WOULD PUT PAUL SOTHERN TO WORK NOW," "RIGHT NOW." "ONLY ONE THING," "HE WOULD HAVE TO BE SURE THAT WARREN QUIMBY WOULD NEVER BE SUSPECTED." "HE WOULD HAVE TO PROVE THAT THERE WAS NO BAD BLOOD" "BETWEEN HIMSELF AND BARNEY DEAGER." "WARREN, YOU BETTER GET OUT OF HERE." "CLAIRE, YOU'VE GOT TO TALK TO ME." "YOU'VE GOT TO LISTEN TO WHAT I HAVE TO SAY." "WE'LL BE READY TO EAT IN A FEW MINUTES." "Claire:" "OK, WARREN, SAY IT, SAY IT AND GET IT OVER WITH ONCE AND FOR ALL." "DON'T BREAK UP OUR LIFE THIS WAY." "WHAT LIFE?" "WE COULD'VE HAD A NICE HOME." "I HAD A GOOD JOB, I MADE A GOOD LIVING." "LOOK, WARREN, WE'VE BEEN THROUGH THIS ALL BEFORE." "CLAIRE, THINK IT OVER, DON'T" "IT DIDN'T WORK OUT, THAT'S THE WAY IT IS." "BUT IT DOESN'T HAVE TO BE THAT WAY." "COME BACK, YOU'LL SEE, I'LL" "I'LL NEVER BRING UP WHAT'S HAPPENED." "YOU CAN HAVE ANYTHING YOU WANT." "I'VE GOT EVERYTHING I WANT." "OK, WARREN?" "ANYTHING ELSE?" "I GUESS THAT'S IT." "NO WAY TO FORCE YOU." "THAT'S RIGHT." "YOU KNOW WHAT YOU WANT," "YOU ALWAYS DID." "YOU KNOW, I DON'T HAVE TO TELL YOU," "BUT YOU EVER CHANGE YOUR MIND, THE DOOR IS OPEN." "I KNOW, I KNOW." "A MAN DOESN'T GIVE UP HIS WIFE" "WITHOUT A TRY, DEAGER." "SURE." "YOU CAN'T BLAME ME." "SURE, SURE." "FUNNY GUY." "HE'S NOT A BAD LITTLE GUY AT ALL." "FINE TRIP FOR NOTHING?" "I THOUGHT WE WERE GOING TO BEAT HIS BRAINS IN." "THE LEAST YOU COULD'VE LET ME DO IS HANG ONE ON HIM MYSELF," "JUST ONE!" "I GOT NOTHING AGAINST HIM, IT WASN'T HIS FAULT." "THE TROUBLE WITH YOU, MR. QUIMBY," "YOU KEEP TURNING THAT OTHER CHEEK, AND YOU'RE DIZZY." "Bonnabel:" "FREDDIE WAS HIS EYEWITNESS TO THE FACT" "THAT HE WAS A GENEROUS AND FORGIVING HUSBAND." "HIS LAST PROBLEM WAS SOLVED." "THIS WAS THE NIGHT." "HAVING PARKED HIS CAR ON A SIDE ROAD," "HE HIT THE HIGHWAY." "HE WOULD GET TO BARNEY DEAGER'S PLACE THROUGH A SERIES OF HITCHHIKES." "FINALLY HE WAS READY TO USE PAUL SOTHERN" "FOR THE REASON HE'D CREATED HIM." "FINALLY, HE WAS READY TO COMMIT THE PERFECT CRIME." "THANKS A LOT." "GOOD NIGHT." "[LOUD CRASHING]" "[TRIDENT HITS FLOOR]" "THAT'S RIGHT." "YEAH, IT'S ME, QUIMBY, WARREN QUIMBY," "THE FOUR-EYED PUNK." "I CAME DOWN HERE TO KILL YOU." "I COULD KILL YOU, AND I COULD GET AWAY WITH IT, TOO." "I HAD IT ALL PLANNED OUT JUST LIKE THIS," "I'D KILL YOU AND END THIS WHOLE ROTTEN BUSINESS." "BUT IT'S CRAZY." "I MUST HAVE BEEN CRAZY." "SHE'S NOT WORTH IT." "IF IT HADN'T HAVE BEEN YOU," "IT WOULD HAVE BEEN SOME OTHER GUY." "THAT'S YOUR WORRY NOW." "YEAH." "SURE, THAT'S YOUR LOOKOUT NOW," "AND JUST TO MAKE SURE, I'LL GET THE DIVORCE." "COME ON, DEAGER." "THROW ME OUT LIKE YOU DID THE LAST TIME, COME ON." "WHERE IS SHE?" "GONE TO THE MOVIES, HUH?" "IS THAT WHAT SHE TOLD YOU?" "WHAT DO YOU WANT, QUIMBY?" "ME?" "NOTHING." "YOU AND ME ARE EVEN NOW." "SHE'S ALL YOURS." ", *" "Woman:" "THAT YOU, MR. SOTHERN?" "YEAH." "OH, HELLO." "MARY'S NOT IN." "OH, WHERE IS SHE?" "OUT." "WHERE'D SHE GO?" "WHEN'S SHE COMING BACK?" "SHE WAITED FOR YOU ALL DAY." "I KNOW, I KNOW, BUT WHERE DID SHE GO?" "I DON'T KNOW, BUT SHE'LL BE BACK." "NOW LISTEN, MRS. ANDREWS," "AND LISTEN GOOD," "WHEN SHE COMES BACK, YOU TELL HER TO WAIT RIGHT HERE." "I WON'T BE GONE LONG, TELL HER I'M COMING BACK." "I'M COMING BACK FOR GOOD!" "I'M GOING TO STAY HERE." "I'M GOING TO MOVE IN ALL MY THINGS," "NO MORE ROAD, I'M GOING TO BE HERE FROM NOW ON!" "OH, GOOD." "NO, NO, NO, NO, DON'T TELL HER ANYTHING LIKE THAT." "I WANT TO TELL HER MYSELF." "JUST--JUST TELL HER TO WAIT." "ALL RIGHT, SHE'LL WAIT." "AND, MRS. ANDREWS, SOMEBODY'S GOING TO BREAK A LEASE WITH YOU," "EITHER MARY OR ME, OK?" "ALL RIGHT." "[WHISTLING]" "I CAME BACK, WARREN." "I CAME BACK TO YOU." "THIS IS WHERE I BELONG." "YOU ALWAYS KNEW IT, DIDN'T YOU?" "I DON'T BLAME YOU, BABY," "BUT, WARREN, IF YOU'LL TAKE ME BACK," "IT'LL BE LIKE IT WAS BEFORE." "REMEMBER SAN DIEGO, YOU AND ME?" "ALL RIGHT, WARREN, DEAGER'S DEAD." "HUH?" "MURDERED." "MURDERED?" "HOW?" "SHOT." "NARCO THE HOUSEBOY GAVE ME A BREAK." "HE LET ME GET MY BAGS OUT BEFORE THE POLICE ARRIVED," "SO DON'T WORRY, HE'LL COVER FOR ME." "HE'LL SAY THAT I WAS A DAYGUEST." "AND YOU THINK ALL YOU HAD TO DO WAS COME RIGHT BACK HERE." "COME RUNNING BACK TO ME, A NICE, COMFORTABLE DOPE." "NO, CLAIRE, NOT ANYMORE." "YOU GO FIND YOURSELF ANOTHER BARNEY DEAGER." "YOU'RE PRETTY GOOD AT THAT." "DO ANYTHING YOU LIKE, BUT YOU'RE NOT STAYING HERE." "I'M NOT?" "NO!" "YOU'RE INTO THIS UP TO YOUR NECK." "IT'S YOUR NECK, BABY, NOT MINE." "STOP ARGUING-- I HAD NOTHING TO DO WITH IT." "WHY DON'T YOU SAVE THAT FOR THE COPS!" "?" "LET THEM COME." "I GOT NOTHING TO HIDE." "I'LL TELL THEM THE TRUTH." "FINE." "FINE." "AND WHAT'S THE TRUTH?" "GOING TO TELL THEM THAT YOU HATED BARNEY DEAGER?" "YOU GOING TO TELL THEM THAT YOU HATED BARNEY DEAGER SO MUCH" "YOU COULD'VE KILLED HIM?" "WHY DON'T YOU TELL THEM THAT HE KICKED YOU OFF THE PLACE?" "THAT HE BEAT YOU UP?" "TELL THEM THAT HE STOLE YOUR WIFE." "NOBODY HAD MORE REASON TO KILL HIM THAN YOU, WARREN." "I'LL TELL YOU WHAT YOU'RE GOING TO TELL THEM," "YOU'RE GOING TO TELL THEM THAT HE AND YOU AND I WERE" "[DOOR BUZZER RINGING]" "MR. QUIMBY?" "SORRY TO DISTURB YOU AT THIS HOUR." "I'M COLLIER BONNABEL, LIEUTENANT, HOMICIDE DIVISION." "MY PARTNER, LIEUTENANT GONSALES." "HOW DO YOU DO?" "HOW DO YOU DO?" "MIND IF WE COME IN?" "YEAH, SURE, SURE." "MRS. QUIMBY AT HOME?" "YEAH, SHE IS." "GOOD." "WE'D LIKE TO TALK TO HER." "TO BOTH OF YOU." "WELL, SIT DOWN." "THANK YOU." "YOU KNEW BARNEY DEAGER, DIDN'T YOU?" "YEAH." "KNOW HIM LONG?" "GENTLEMEN, THIS IS MY WIFE." "CLAIRE, THIS IS LIEUTENANT BONNABEL..." "HOW DO YOU DO?" "HOW DO YOU DO?" "AND LIEUTENANT..." "GONSALES." "HOW DO YOU DO?" "THEY'RE FROM THE POLICE." "THE DEPARTMENT REPORT SHOWS THAT YOU LEFT" "THE DEAGER PLACE BEFORE THE POLICE ARRIVED." "Bonnabel:" "MRS. QUIMBY, YOU SHOULDN'T HAVE DONE THAT." "YOU SHOULDN'T HAVE LEFT, THAT ONLY MAKES US COME AFTER YOU." "COULDN'T STAND THE SIGHT, EH?" "WOMEN ALWAYS SEEM TO REACT THAT WAY." "MAKES A BAD IMPRESSION, THOUGH," "YOU RUNNING AWAY LIKE THAT." "I KNOW, I'M SORRY." "HOW LONG DID YOU SAY YOU KNEW DEAGER?" "WELL, I" "FOR 2 YEARS, MAYBE 3," "HOW LONG WAS IT, HONEY, 2 OR 3 YEARS?" "2 OR 3 YEARS." "SEE HIM OFTEN?" "YEAH, YEAH, OFTEN." "I MEAN, SOCIALLY." "THAT'S WHAT MY HUSBAND MEANT, LIEUTENANT." "CLOSE FRIENDS, EH?" "ALL SUMMER I'VE BEEN GOING OUT THERE TO SWIM." "BOTH OF YOU?" "MY HUSBAND SLEEPS DURING THE DAY." "I WORK NIGHTS." "BUT YOU'VE BEEN OUT TO DEAGER'S PLACE?" "OH, YEAH, SURE." "UH-HUH." "WHAT KIND OF A FELLOW WOULD YOU SAY HE WAS?" "HE WAS A LIQUOR SALESMAN," "YOU KNOW, BIG CAR, BIG BANKROLL," "HE WAS A-- HE WAS FULL OF LAUGHS." "HE'S FULL OF LEAD NOW." "MAY I USE YOUR PHONE?" "YES, IT'S RIGHT OUT THERE." "THANK YOU." "I'D BETTER CALL IN." "YEAH." "WHAT WERE YOU DOING DOWN THERE TODAY?" "I WENT OUT THERE TO SWIM." "THEN I WENT TO SANTA MONICA TO SEE A MOVIE." "LATER I WENT BACK TO PICK UP MY BATHING SUIT," "AND HE WAS DEAD." "THERE'S A LOT OF QUESTIONS WE'LL HAVE TO ASK" "BEFORE WE'RE FINISHED," "BUT THE IMPORTANT THING RIGHT NOW IS" "AND MAYBE YOU COULD HELP ME" "EITHER ONE OF YOU HAVE ANY IDEA WHY DEAGER WAS MURDERED?" "WHO'D WANT TO DO IT?" "NO, I HAVEN'T ANY IDEA," "HE WAS SUCH A BIG, GOOD-NATURED MAN." "HMM." "MAYBE YOU KNOW A MAN BY THE NAME OF" " SAY, BLACKIE!" "HUH?" "WHAT WAS THAT FELLA'S NAME?" "SOTHERN, PAUL SOTHERN, I'M CHECKING ON HIM NOW." "YEAH, THAT'S IT, PAUL SOTHERN." "YOU KNOW HIM?" "YES." "NO." "YES YOU DO, DEAR," "REMEMBER THAT DAY OUT AT BARNEY'S?" "THIS SOTHERN FELLOW, HE CALLED UP" "AND THREATENED BARNEY, REMEMBER?" "I WASN'T THERE." "I KNOW, BUT I TOLD YOU ABOUT IT." "YEAH." "YEAH, THAT'S RIGHT." "WELL, ALL WE HAVE TO DO NOW IS FIND PAUL SOTHERN." "THAT'S A CINCH, AFTER WHAT I JUST GOT FROM DOWNTOWN." "THERE IS NO PAUL SOTHERN." "WHAT ARE YOU TALKING ABOUT?" "GET A LOAD OF THIS:" "NOT IN THE PHONE DIRECTORIES;" "HAS NO CAR OWNERSHIP;" "HE'S NOT ON ANY PAYROLL OR HOTEL REGISTRY;" "NO HOSPITAL CARDS ON HIM;" "NO CHARGE ACCOUNTS;" "NEVER TOOK OUT ANY INSURANCE;" "HE DOESN'T TAKE MILK FROM A MILKMAN;" "DOESN'T HAVE A NEWSPAPER DELIVERED;" "AND HE'S GOT NO POLICE RECORD." "ALL WE'VE GOT TO DO IS FIND HIM." "BLACKIE, YOU WORRY TOO MUCH." "WE'LL FIND HIM." "THEY ALWAYS MAKE ONE MISTAKE." "ALL WE GOT TO DO IS LOOK FOR THAT ONE MISTAKE." "FIND IT AND WE'VE GOT PAUL SOTHERN." "Gonsales:" "WELL, BEATS POUNDING THE PAVEMENTS." "THANKS A LOT, FOLKS, MUCH OBLIGED." "SORRY WE HAD TO TROUBLE YOU." "THAT'S ALL RIGHT, LIEUTENANT." "PLEASE FEEL FREE TO ASK ANYTHING AT ANYTIME." "LISTEN, LIEUTENANT, I WAS" "WE'D LIKE TO HELP, WOULDN'T WE?" "YEAH." "BARNEY DEAGER WAS A VERY GOOD FRIEND OF OURS." "YEAH." "SO WE WANT TO DO ALL WE CAN, LIEUTENANT." "YEAH." "GOOD NIGHT." "GOOD NIGHT." "WHAT'S WITH YOU, ANYWAY?" "YOU WANT THE COPS TO MOVE IN HERE AND LIVE WITH US?" "IF YOU HAVEN'T GOT ENOUGH BRAINS TO AGREE WITH ME," "WELL, THEN KEEP YOUR MOUTH SHUT." "FROM HERE ON IN I'M ANSWERING ALL OF THE QUESTIONS," "GOT IT?" "WELL, BOOBOO, WHAT ABOUT IT?" "SLUGS FROM A .38, ALL RIGHT." "MY GUESS IS SMITH  WESSON." "I'LL PUT THEM THROUGH THE ROUTINE." "THE MURDER GUN'S EVER BEEN THROUGH HERE BEFORE," "WE GET A BREAK," "WE GET THE SERIAL NUMBER." "GOOD, WHEN CAN I CALL YOU?" "OH, LIKE, TOMORROW NIGHT." "OK, FINE." "HOW'RE YOUR ARCH SUPPORTS, BOOBOO?" "I THREW 'EM AWAY." "I WISH I COULD." "OH, YOU POOR COPS." "Gonsales:" "SHE EVER BEEN IN THIS THEATER?" "SURE, I'VE SEEN HER." "YOU KNOW HER NAME?" "HER NAME?" "MM-HMM." "HOW WOULD I KNOW?" "A LOT OF PEOPLE COME IN HERE" "HOW ABOUT HIM?" "YEAH, THAT'S THE GUY SHE COMES IN HERE WITH SOMETIMES." "A BIG, FLASHILY DRESSED FELLA," "DRIVES ONE OF THESE NEW FANCY CONVERTIBLES," "SORT OF A GREEN-- NO, IT'S BLACK." "THEY COME IN HERE OFTEN?" "I THINK SO" "SATURDAY NIGHT?" "THE GIRL, THAT IS." "CAN YOU REMEMBER IF THE GIRL WAS IN HERE SATURDAY NIGHT?" "LET ME THINK." "SATURDAY NIGHT." "SATURDAY NIGHT!" "THAT'S OUR GIVEAWAY NIGHT," "BICYCLE, DISHES, FOOTBALLS." "I REALLY DON'T REMEMBER, FELLAS," "SO MANY PEOPLE COMING IN, I" "THANKS VERY MUCH." "HOW ABOUT SOME OF THAT POPCORN, HUH?" "THANKS." "THAT'S ALL RIGHT." "THANKS." "GIVE ME A COKE, WILL YA?" "COME ON." "WHAT ROUND?" "END OF FOURTH." "DIVE?" "MY COUSIN IS A GOOD BOY." "I TOLD THE OTHER COPS EVERYTHING I KNOW." "TELL US, TOO, HUH?" "HOW LONG DID YOU WORK FOR MR. DEAGER, SON?" "SINCE I GOT OUT OF THE SERVICE, ABOUT 3 YEARS." "GOOD BOSS?" "HE WAS GOOD TO ME." "FINE." "KEPT YOU PRETTY BUSY," "DID A LOT OF ENTERTAINING, DIDN'T HE?" "ON AND OFF." "KNEW A LOT OF WOMEN, DIDN'T HE?" "SOME." "WHAT ABOUT MRS. QUIMBY?" "HEY, WHY DON'T YOU ANSWER THE MAN'S QUESTION?" "SHE WAS A DAYGUEST." "WHAT MAKES THAT DIFFERENT FROM THE OTHER GUESTS?" "SHE ONLY CAME OUT TO SWIM." "HE ALL RIGHT?" "[BOXER MUMBLING]" "YEAH, HE'S ALL RIGHT." "GO ON, HUH?" "GO AHEAD." "NARCO, TELL ME ABOUT PAUL SOTHERN." "I TOLD YOU--!" "TAKE IT EASY." "I TOLD THE OTHER COPS EVERYTHING," "EVEN ABOUT HIM." "I NEVER EVEN SEEN HIM." "HE CALLED ON THE PHONE." "I TOLD THEM." "THEY PUT IT DOWN IN A BOOK." "THAT'S RIGHT, WE GOT IT ALL HERE." "NOW WHAT WAS IT YOU TOLD THE OTHER COPS?" "GO AHEAD, KID." "HE SAID, "THIS IS PAUL SOTHERN."" "I SAID, "YES, MR. SOTHERN?"" "HE SAYS, "I WANT YOU TO TELL MR. DEAGER" "HE'S NOT GOING TO GET AWAY WITH WHAT HE DID." "TELL HIM I'LL GET HIM FOR IT."" "SO I SAID, "WHAT DID YOU SAY, MR. SOTHERN?"" "AND HE HUNG UP JUST LIKE THAT." "ISN'T THAT RIGHT?" "THAT'S RIGHT." "HEY, SLUGGER, AREN'T YOU FIGHTING?" "YEAH." "GO ON OUT THERE AND FIGHT IT." "NOW THEN, NARCO, YOU WENT INTO THE NEXT ROOM" "AND TOLD ALL THIS TO MR. DEAGER, RIGHT?" "CERTAINLY," "THEN THE BOSS SAID, "IT'S NOTHING, FORGET ABOUT IT."" "HE SAID, "IT'S PROBABLY SOME DRUNK" "THAT I TOOK A PUNCH AT."" "THAT'S RIGHT, ISN'T IT?" "THAT'S RIGHT." "NARCO, YOU'RE A GOOD BOY." "YOU GOT A GOOD MEMORY." "WHAT COLOR'S YOUR TIE?" "KEEP YOUR CHIN UP, COME ON, COME ON!" "WHAT'S THE COLOR OF YOUR TIE?" "YOU OUGHT TO BE ABLE TO REMEMBER THAT." "IT'S A--IT'S A" "IT'S GREEN." "ALL RIGHT, NARCO, NOW TELL ME WHO WAS THERE" "WHEN PAUL SOTHERN CALLED?" "ME AND THE BOSS AND MRS. QUIMBY." "WHAT TIME WAS IT?" "IT WAS" "TIME?" "10:00 O'CLOCK." "DAY OR NIGHT?" "NIGHT." "NIGHT, HUH?" "DAYGUEST, HUH?" "WHAT WAS MRS. QUIMBY DOING THERE AT NIGHT?" "[MUSIC PLAYING]" "Waitress:" "YEAH, YEAH, I READ IT LAST NIGHT, IT'S CRUMMY!" "Man:" "HEY, COLLIER, WHAT ARE YOU DOING?" "Bonnabel:" "JOE, WHAT'S NEW?" "THIS WAY." "Man:" "HI YA, COLLIE, SAY, I WANTED TO TALK TO YOU ABOUT" "BACK FROM EUROPE, EH, GEORGE?" "Man:" "HEY, COLLIER, I HEAR YOU'RE DRINKING" "ALL OF BARNEY DEAGER'S BOOZE." "ONLY THE IMPORTED STUFF." "CAUGHT THE KILLER YET?" "I COULDN'T CATCH A HEAD COLD" "IF I WAS STANDING BESIDE AN OPEN TRANSIT." "RIGHT HERE, MRS. QUIMBY." "THERE WE HAVE IT." "DON'T LET THIS PLACE BOTHER YOU," "IT'S A NEWSPAPERMAN'S HANGOUT." "ARTIE, HOW ARE YOU?" "HELLO, COLLIE." "HI, AGNUS." "WHAT'S FOR THE LADY?" "BETTER MAKE IT GINGER ALE." "BOURBON, PLEASE." "BOURBON." "UH-OH, I HAD TO OPEN MY BIG MOUTH." "WHAT'S THE MATTER?" "WE GOT COMPANY, A NEWS HOUND." "HI, COLLIE." "HOW ARE YOU?" "FINE." "WHAT'S DOING?" "MY COUSIN." "YEAH, YEAH, AND SHE JUST GOT INTO TOWN." "LIEUTENANT, WHAT ARE YOU WORKING ON?" "IRISH WHISKEY." "STILL LOOKING FOR PAUL SOTHERN, EH?" "WHY DON'T YOU GIVE UP?" "I WILL, THE MINUTE I FIND HIM," "BUT REMEMBER, THAT SOTHERN TIP IS OFF THE RECORD." "CIGARETTE?" "NO THANK YOU, I DON'T SMOKE." "EXCUSE ME." "THERE AIN'T NO SUCH GUY." "LOOK, ARTIE." "OK, SO THERE IS." "WHAT ABOUT THE DAME?" "GOOD-BYE NOW." "WHEN ARE YOU GOING TO HAUL IN THE DAME?" "WHAT DAME, ARTIE, WHAT DAME?" "THE DAME THAT PLUGGED DEAGER, THAT DAME." "I'LL DO IT FIRST THING IN THE MORNING." "NICE TO HAVE SEEN YA, ARTIE." "YEAH." "GUY WAS KILLED," "SO HE'S LOOKING FOR A DRUNK THAT THE GUY SOCKED." "THIS DRUNK WAS SUPPOSED TO HAVE THREATENED THE GUY," "THEN KILLED HIM." "NOW I ASK YOU, COUSIN," "DOES THAT MAKE SENSE?" "A BARROOM BRAWL, YEAH." "THERE COULD BE A LITTLE BRAWL" "RIGHT HERE IN A MINUTE, ARTIE." ", *" "WHEN A GUY LIKE DEAGER GETS KNOCKED OFF, LOOK FOR A DAME." "SIMPLE AS THAT, HUH?" "TELL ME, ARTIE, WHAT DID SHE DO IT WITH?" "OH, HER NAIL FILE." "YOU HAVEN'T EVEN FOUND THE GUN YET, EITHER." "YOU HAVEN'T EVEN FOUND THE GUN YET, EITHER." "YOU EXPLAIN IT TO HIM, COUSIN." "GO BACK TO THE SOCIETY PAGE." "I'M SORRY." "SORRY FOR WHAT?" "THE GENTLEMEN OF THE PRESS." "YOU CALLED HIM OVER." "I JUST WAVED HELLO" "OH, LOOK, LIEUTENANT," "I'M A BIG GIRL." "ABOUT THE DAME." "YEAH?" "ME, MAYBE?" "WELL, NOW, LISTEN" "NO, YOU LISTEN TO ME," "WHY DID YOU BRING ME HERE?" "HEY, NOW, WAIT A MINUTE." "I'LL TELL YOU WHY." "YOU BRING ME HERE, BUY ME A COUPLE OF DRINKS," "THINK I'LL TALK." "THAT'S THE WAY IT'S USUALLY DONE, ISN'T IT?" "WHAT DO YOU WANT TO KNOW, LIEUTENANT?" "NOTHING." "NOTHING?" "UH-HUH, NOTHING." "LOOK, WE'VE CHECKED YOU, YOUR STORY'S STRAIGHT," "YOU'RE IN THE CLEAR." "WE'VE CHECKED ALL THE LEADS." "EVERYBODY'S IN THE CLEAR." "THE DEAGER CASE IS RIGHT BACK WHERE IT STARTED," "NO PLACE." "HEY, AGNUS!" "GOT YA!" "ALL THEY WANT ME TO DO NOW IS GO BACK OVER THE SAME TIRED GROUND," "YOU KNOW, DOUBLE-CHECK." "I'M DOUBLE-CHECKING YOU." "THAT'S WHY WE'RE HERE," "BUT LIKE I SAID, YOUR STORY CHECKS." "YOU'RE IN THE CLEAR." "LOOK, IF YOU REMEMBER WHEN WE CAME IN HERE," "I ORDERED GINGER ALE FOR YOU, NOT LIQUOR." "YOU DID." "ACCORDING TO THE RULES," "OUR MEETING IN A PLACE LIKE THIS IS HIGHLY IRREGULAR," "BUT I COULDN'T DRAG YOU DOWN TO POLICE HEADQUARTERS," "NOT YOU." "WHAT FOR, ROUTINE DOUBLE-CHECK?" "WHAT'S WRONG WITH THIS?" "WHAT'S WRONG COMBINING A LITTLE BUSINESS WITH SOME LITTLE..." "PLEASURE?" "YEAH." "HEY, UM, AGNUS." "GOT YA." "OH, EXCUSE ME." "CAN YOU TELL ME WHERE" "THE MISSING PERSONS BUREAU IS, PLEASE?" "RIGHT BEHIND YOU, LADY." "THANK YOU." "IS THERE ANYTHING" "YOU THINK YOU WOULD LIKE TO ADD TO THESE PARTICULARS?" "SOMETHING THAT MIGHT HELP US IN LOCATING HIM?" "NO." "I--I FEEL FUNNY COMING HERE LIKE THIS, BUT I CAN'T HELP WORRYING." "OH, YOU DID THE RIGHT THING." "YOU, SEE I..." "WELL, THAT'S WHAT WE'RE HERE FOR." "DO YOU HAPPEN TO HAVE A PICTURE OF HIM, A PHOTOGRAPH OF MR. SOTHERN?" "WELL, THAT'S FINE, MISS CHANDLER." "WE'LL SEND IT TO THE LAB AND HAVE IT PROCESSED" "AND GIVE IT WIDE CIRCULATION." "THANK YOU." "YOU'LL HEAR FROM US." "HELLO, IS COLLIE THERE?" "..." "COLLIE?" "..." "SCHIAVONE..." "SOMEBODY'S LOOKING FOR PAUL SOTHERN..." "BROUGHT HIS PICTURE." "WHAT?" "WAIT A MINUTE..." "OK, TEACHER, SHOOT..." "MARY CHANLER..." "UH-HUH... 10355 SOUTH KIRK..." "YEAH, I GOT IT, GO AHEAD..." "ONLY SAW HIM WEEKENDS, OUT ON THE ROAD..." "YEAH, YEAH SCHIAVONE, I'LL LET YOU KNOW..." "OH, SCHIAVONE, GET ME SOME BLOWUPS" "OF THAT PHOTOGRAPH, WILL YA?" "..." "YEAH, THANKS." "HEY, WHERE YOU GOING?" "JUST GOT BACK FROM ROBBERY DETAIL." "HEY, GOOD FOR YOU." "THE LAB SAYS THAT THE BULLET FILINGS" "BELONG TO SERIAL NUMBER C55661." "WHAT'S THAT GOT TO DO WITH ROBBERY DETAIL?" "ROBBERY REPORTS THAT SERIAL NUMBER C55661 WAS" "A .38" "SMITH  WESSON THAT WAS REGISTERED THREE YEARS AGO" "TO THE GOLDEN RULE LOAN COMPANY," "A PAWNBROKER OUTFIT." "SO?" "14 MONTHS AGO, THEY SOLD THE GUN TO..." "BARNEY DEAGER" "BIG SHOT WITH THE SOUTHWESTERN LIQUOR SYNDICATE, 8714 SOUTH SPRING STREET CITY." "OH, BLACKIE, BLACKIE THAT'S GREAT!" "THANKS, BOSS." "HEY, WHERE YOU GOING?" "OH, MISSING PERSONS JUST CALLED." "WHAT?" "PAUL SOTHERN HAD A DAME." "YO, HO!" "Blackie:" "DID HE EVER WRITE YOU" "FROM OUT OF TOWN?" "DID YOU EVER MEET ANY OF HIS FRIENDS?" "I DON'T KNOW." "I DON'T KNOW WHAT TO SAY ANYMORE." "ALL RIGHT." "WHAT KIND OF A CAR DID HE DRIVE?" "I DON'T KNOW." "WELL, WAS HE FROM THIS CITY?" "LOOK, I DON'T UNDERSTAND THIS." "WHAT'S WRONG?" "NOTHING'S WRONG MISS CHANLER?" "WE'RE FROM MISSING PERSONS." "YOU CAME TO US FOR HELP, AND WE'RE TRYING TO HELP YOU, THAT'S ALL." "AND WE CAN'T GET VERY FAR WITH THE INFORMATION YOU'VE GIVEN US." "ALL WE KNOW IS WHAT HE LOOKS LIKE AND THAT YOU SAW HIM ONLY ON WEEKENDS, RIGHT?" "YES." "NOW, HE TOLD YOU THAT HE WAS A SALESMAN ON THE ROAD" "FOR THE LA FEMME BEAUTY PREPARATION CORPORATION." "HE WAS." "THAT'S A LIE, MISS CHANLER." "WHAT?" "I'M SORRY, MISS CHANLER," "BUT LA FEMME BEAUTY PREPARATIONS CORPORATION" "HAS NO LOCAL OFFICE, NO SALESMEN." "BUT THAT'S NOT POSSIBLE." "LOOK, HE GAVE ME ALL OF THIS." "THIS YOU COULD GET ALMOST ANYPLACE," "ANYPLACE COSMETICS ARE SOLD." "LOOK MISS CHANLER, WE'RE TRYING TO HELP YOU." "WE'D LIKE TO FIND HIM." "BUT YOU GOT TO HELP US." "NOW CAN YOU TELL US ANYTHING ABOUT HIM, ANYTHING?" "WHAT WAS HE LIKE?" "HE--HE WAS VERY SWEET." "I CAN'T..." "ALL RIGHT, MISS CHANLER." "WE'LL DO OUR BEST TO FIND HIM FOR YOU." "HEY..." "YEAH?" "PAUL SOTHERN..." "YEAH?" "HE'S WARREN QUIMBY." "WHAT?" "YEAH." "YOU NEED A REST." "WANT TO BET?" "!" "NOT WITH YOU, I DON'T." "GET ME CAMPUS  COUNTRY IN WESTWOOD." "SAY, BLACKIE" " YOUR BEAUTIFUL LATIN SOUL WOULDN'T REVOLT" "AT THE THOUGHT OF A SLIGHT FRAME, WOULD IT?" "AS LONG AS IT'S NOT ON ME, AMIGO." "CALL TRAFFIC." "TELL THEM WE WANT TO BORROW THE PERSONAL EFFECTS OF A DEAD DRIVER." "CAMPUS  COUNTRY?" "I WANT TO SPEAK TO A MISS MARY CHANLER..." "LIEUTENANT?" "YEAH." "MISS CHANLER'S OUT HERE." "OK, SEND HER RIGHT IN." "HOW'S THAT LOOK?" "VERY PROFESSIONAL." "WHEN THEY KICK YOU OUT OF HOMICIDE," "YOU CAN GET A JOB DOWN HERE IN MISSING PERSONS." "OH, DON'T WORRY ABOUT THAT." "OH, MISS CHANLER." "SORRY TO HAVE BROUGHT YOU ALL THE WAY DOWN HERE." "THAT'S ALL RIGHT." "WE DID ASK YOU TO COME DOWN BECAUSE ON A CASE LIKE THIS" "WE CAN'T AFFORD TO PASS UP ANY CHANCES." "THERE'S BEEN AN ACCIDENT." "AN AUTOMOBILE WRECK." "OF COURSE, WE CAN'T BE SURE, BUT..." "WHENEVER YOU..." "FEEL READY, MISS CHANLER." "Blackie:" "THIS STUFF CHECKS WITH PAUL SOTHERN'S HEIGHT AND WEIGHT." "OF COURSE, WE HAVEN'T GOT ANY POSITIVE IDENTIFICATION ON HIM YET." "HEY LOOK, THIS SAYS "A-E-R" ON IT, THAT COULDN'T BE PAUL." "WE OUGHT TO CHECK THESE THINGS MORE CAREFULLY." "YEAH, I'M SORRY." "IF WE HAD NOTICED THIS, MISS CHANLER," "WE WOULDN'T HAVE PUT YOU TO ALL THIS TROUBLE." "NO, WE CERTAINLY WOULDN'T HAVE." "I'M TERRIBLY SORRY." "IT'S PERFECTLY ALL RIGHT." "THANKS FOR COMING DOWN ANYWAY." "OH, MISS CHANLER..." "DI , *" "I WONDER IF YOU COULD DROP ME AT ST." "ANNE'S AND 13TH." "MY CAR'S GETTING A VALVE GRIND." "IT WON'T BE READY UNTIL LATER." "SURELY, I'LL BE GLAD TO." "THANKS." "I APPRECIATE, *" "I BET YOU'RE PRETTY TIRED OUT AFTER ALL OF THIS." "A LITTLE." "COULD I BUY YOU THE BEST CUP OF COFFEE IN TOWN?" "I COULD STAND SOME." "HI, LIEUTENANT, WHAT'LL YOU HAVE?" "HI, FREDDIE." "TWO CUPS OF COFFEE." "A PIECE OF PIE OR SOMETHING?" "NO THANKS." "JUST COFFEE." "APPLE PIE?" "YEAH." "GOOD EVENING, DOC." "HELLO, LIEUTENANT." "SAY, DOC, COME ON OVER." "JOIN US IN A CUP OF COFFEE." "SIT DOWN, DOC." "MR. QUIMBY..." "MISS CHANLER." "HOW DO YOU DO, MISS CHANLER?" "GOOD EVENING." "I SAY, FREDDIE, ANOTHER CUP OF COFFEE, FOR THE DOC." "IT'S ON ME." "NO, THANKS." "I'LL JUST SIT HERE." "I'M PRETTY BUSY." "HOW'S YOUR WIFE, DOC?" "FINE." "SHE'S A GREAT LITTLE GAL, YOUR WIFE." "CUTE AS A BUTTON." "SHE'S, UH, SHE ISN'T AROUND, IS SHE?" "NO." "OH." "I WAS JUST TELLING MISS CHANLER HERE" "THAT YOU PEOPLE MAKE THE BEST CUP OF COFFEE IN TOWN." "THAT'S GOOD, ISN'T IT?" "OH, IT'S REALLY GOOD." "YOU KNOW, I CAN'T DECIDE IF IT'S THE TASTE OR THE AROMA." "WHICH IS IT, DOC?" "OH, I'M SORRY I CLOUDED UP YOUR GLASSES." "HERE, LET ME WIPE THEM OFF." "THAT'S ALL RIGHT." "WELL HERE, USE MY HANDKERCHIEF." "GO AHEAD, DOC." "USE IT." "OK, DOC?" "GREAT." "OH, SAY DOC." "I GOTTA GET BACK TO MISS CHANLER HERE." "SHE JUST HAD A REALLY TOUGH BREAK." "FELLOW SHE KNEW, NEIGHBOR, LIVED RIGHT NEXT DOOR TO HER," "SUDDENLY DISAPPEARED." "THAT'S TOO BAD." "YEAH." "WE'RE TRYING TO HELP HER FIND HIM." "YOU KNOW DOC, IN OUR BUSINESS YOU COME ACROSS A LOT OF SCREWY THINGS." "SOME YOU ACCEPT, SOME KEEP YOU AWAKE NIGHTS." "NOW THIS FELLOW, THIS FELLOW OF MISS CHANLER'S," "WHAT DO YOU THINK HIS NAME WAS?" "PAUL SOTHERN." "HMM." "THEY WERE IN LOVE." "FROM WHAT SHE TELLS ME, THEY FIGURED ON GETTING MARRIED." "AND THAT'S WHAT GIVES ME THE HEEBIE-JEEBIES." "WHAT WOULD PROMPT A GUY, I SAY TO MYSELF," "TO VANISH FROM THE FACE OF THE EARTH," "TO LEAVE NO TRACE AT ALL" "AND NOT EVEN BE MAN ENOUGH TO LET THE GIRL" "HE'S SUPPOSED TO BE IN LOVE WITH KNOW?" "HE DIDN'T TELL HER A THING." "DID HE?" "LISTEN, LIEUTENANT, THIS IS A PRETTY PERSONAL THING." "I RESENT A LITTLE YOUR DISCUSSING IT IN FRONT OF A COMPLETE STRANGER." "I'M SORRY, MISS CHANLER..." "BUT FOR YOUR INFORMATION, AND FOR..." "MR. QUIMBY'S, I WANT YOU TO KNOW I HAVE COMPLETE TRUST IN PAUL." "WHATEVER HE'S DOING OR WHEREVER HE IS," "I KNOW HE'S DOING THE RIGHT THING AND THE BEST THING FOR BOTH OF US." "AND YOU DO MAKE WONDERFUL COFFEE." "HEY, MISS CHANLER!" "SHE SEEMS PRETTY UPSET." "BUT WHY SHE SHOULD BE ABOUT A HEEL LIKE THAT I CAN'T FIGURE." "GOOD NIGHT, DOC." "GOOD NIGHT, LIEUTENANT." "Collier, voice-over:" "QUIMBY WAS PRETTY GOOD." "WITH ALL THE SQUEEZE I HAD PUT ON HIM," "HE HADN'T CRACKED, EVEN IN FRONT OF THE GIRL HE LOVED." "THE ADDED TENSION WAS WORKING, BUT NOBODY WAS READY TO BREAK." "NEEDED MORE PRESSURE..." "CLAIRE." "SHE WAS A SMART BABY AND TOUGH." "BUT I THOUGHT I KNEW WHAT WOULD WORK ON HER, ALL THE WAY DOWN THE LINE." "[DOORBELL BUZZES]" "NICE LAYOUT,HUH?" "YEAH." "WISH IT WERE MINE." "IT'S PAUL SOTHERN'S." "OH, DID YOU FIND HIM?" "NO, JUST THIS PLACE." "BUT, UH, HE DOESN'T SEEM TO BE USING IT." "I FIGURED THAT IF I GAVE IT A GOOD GOING-OVER," "I MIGHT GET A BETTER IDEA OF WHAT HE WAS LIKE." "YOU KNOW, WHAT KIND OF FELLOW HE WAS." "NEAT." "SLOPPY." "HOW HE LIVES." "YOU KNOW WHAT I MEAN." "THAT'S WHY I CALLED YOU." "I FIGURED A WOMAN COULD TELL BETTER ABOUT THAT." "DON'T YOU THINK?" "YEAH, I GUESS SO." "HE WAS, UM..." "A VERY NEAT KIND OF A GUY." "NOT MANY CLOTHES." "HE DRESSED WELL." "IT'S NEW." "EXPENSIVE." "YEAH." "LIPSTICK." "LA FEMME NO.7" "VERY GOOD?" "I USE IT MYSELF." "MUST BELONG TO SOTHERN'S GAL." "OH?" "YEAH." "SHE DOESN'T SEEM TO KNOW MUCH ABOUT HIM, THOUGH." "UH-HUH" "OH, I DON'T THINK SHE'S HOLDING OUT ON US." "SHE'S THE ONE WHO BROUGHT HIS PICTURE IN." "SHE LIVES RIGHT NEXT DOOR." "WHAT DO YOU THINK OF THAT GUY?" "KNOW HIM?" "THAT HELP?" "WARREN'S PAUL SOTHERN?" "YEAH." "IT'S KIND OF HARD TO BELIEVE, ISN'T IT, HONEY?" "WHY THAT FOUR-EYED LITTLE PILL-PUSHER." "GO OFF IT." "THAT LYING..." "HOLD IT, CLAIRE." "OH, MISS CHANLER..." "MISS CHANLER, WOULD YOU MIND..." "LIEUTENANT, I..." "PLEASE, MISS CHANLER." "Chanler:" "DON'T YOU THINK YOU'VE CAUSED ME ENOUGH TROUBLE?" "I'M SORRY." "BUT I JUST WANTED TO TELL YOU" "THAT WE HAVEN'T BEEN ABLE TO FIND HIM YET." "OH, THIS IS MISS CLAIRE," "ONE OF THE DEPARTMENT SECRETARIES..." "MISS CHANLER." "MISS CHANLER AND PAUL SOTHERN WERE NEIGHBORS." "I CAN TELL YOU WHY HE'S MISSING, MISS CHANLER." "THERE'S BEEN A MURDER." "HE'S MIXED UP IN IT BAD." "NO." "SORRY." "NO, NOT PAUL." "I KNOW WHAT THIS MEANS TO YOU." "I'M REALLY TERRIBLY SORRY." "YOU'RE WRONG..." "YOU'RE WRONG, LIEUTENANT, I KNOW YOU'RE WRONG." "BUT I..." "YOU KNOW, I NEVER HAVE THAT KIND OF LUCK:" "A DAME AS NUTS ABOUT ME AS SHE IS ABOUT PAUL SOTHERN." "THAT'S WARREN'S GIRL, HMM?" "UH-HMM." "SWEET." "BREATHLESS." "SO HE HAD A GIRL ALL THE TIME, HMM?" "NICE LAYOUT." "BUT HE KEPT ME OVER A DRUGSTORE IN A RAT TRAP." "HE MADE A BIG STINK OVER A $25 BOTTLE OF PERFUME." "TAKE IT EASY, TAKE IT EASY." "YOU'RE TALKING TO ME, CLAIRE." "THAT'S LIKE TALKING TO AN OLD FRIEND." "I KNOW YOU FROM WAY BACK." "SO?" "SO." "I GOT A FILE ON YOU THAT GOES FURTHER THAN YOU'D LIKE TO REMEMBER" "AND UP TO WHERE YOU WISH YOU COULD FORGET." "AND THAT INCLUDES SAN DIEGO." "I LIKE THAT PART ABOUT SAN DIEGO." "THAT MAKES GOOD READING, CLAIRE." "YEAH." "WELL, AT LEAST I NEVER PULLED ANYTHING LIKE THIS." "THE LYING, CHEATING, THIEVING..." "RELAX, BABY." "SIMMER DOWN." "THE GUY DID YOU A FAVOR, LOOK AT IT THAT WAY." "ALL THIS-- THE APARTMENT, THAT GIRL." "MAKES IT LOOK AS IF HE WALKED OUT ON YOU." "YEAH." "LEAVES YOU IN THE CLEAR." "THAT'S THE WAY YOU WANT IT TO BE, ISN'T IT?" "CLAIRE..." "YOU'VE DONE YOUR DUTY." "YOU TRIED TO COVER UP FOR THE GUY." "YOU TRIED HARD." "MAYBE YOU HAD TO, BUT YOU DON'T HAVE TO ANYMORE." "AND WHEN THIS IS ALL OVER," "I KNOW JUST THE PLACE TO FORGET IT:" "ACAPULCO." "UH-HUH." "UH-HUH." "I GO DOWN THERE ALL THE TIME." "YOU EVER BEEN DOWN THERE?" "NO." "YOU'D LOVE IT." "WOULD I?" "YEAH." "WELL..." "LET'S GET OUT OF HERE." "I GOTTA GO LOCK UP A MAN FOR MURDER." "NOW, IF YOU'LL NOTICE, MR. QUIMBY," "I'VE CHANGED THE FOUR GRAMS" "OF THE MAIN INGREDIENTS TO SIX GRAMS." "NOW, TAKE CARE OF THAT FOR ME, WILL YOU?" "YES--YES, I CERTAINLY WILL." "YES, MA'AM?" "THAT'S ALL RIGHT, I'M IN NO HURRY." "I'LL WAIT." "SOME CIGARS." "A COUPLE OF THESE LAS PALMAS." "TWO FOR A QUARTER, SIR." "THANK YOU." "MATCHES, PLEASE." "I'D LIKE TO SEE SOMETHING IN COSMETICS, PLEASE." "YES, MA'AM." "YOU SHOULDN'T BE HERE." "YOU'RE JUST GOING TO GET YOURSELF IN A LOT OF TROUBLE." "HOW CAN I HELP?" "LET ME HELP." "MARY, PLEASE..." "DO AS I ASK:" "KEEP AWAY FROM ME." "DON'T SHUT ME OUT, PAUL." "LET ME HELP YOU." "THERE'S NOTHING YOU CAN DO BUT WAIT." "YOU'LL SEE I'VE DONE NOTHING WRONG." "OH, I KNOW THAT, I KNOW IT." "IT'S--IT'S JUST THAT I'M SO FRIGHTENED, PAUL." "THEY'RE IN YOUR APARTMENT RIGHT NOW--THE POLICE." "AND PAUL, IT'S ALL MY FAULT." "I GAVE THEM THE PICTURE." "I WAS TRYING TO FIND YOU, PAUL." "PAUL, I..." "I KEEP CALLING YOU "PAUL."" "OTHERWISE, I'D HAVE TO CALL YOU "MR. QUIMBY."" "WARREN." "OH, WARREN." "WHAT ARE WE GOING TO DO?" "MARY, I DON'T WANT TO SEE YOU GET MESSED UP IN A THING LIKE THIS." "GO HOME, WAIT." "WAIT FOR ME, I'LL..." "DON'T TURN AROUND." "ARE THEY HERE?" "YOU'VE ONLY GOT A SECOND." "PLEASE GO." "WARREN, THEY SAY YOU'RE A MURDERER." "YOU'VE GOT TO GET OUT OF HERE." "IT'S GOING TO BE ALL RIGHT." "FREDDIE." "YEAH." "I HAVE TO LEAVE." "CLOSE UP THE PLACE" "AND CALL THE DISTRICT MANAGER." "TELL HIM, UH?" "OK." "SORRY FOLKS, YOU'LL HAVE TO LEAVE." "WE'RE LOCKING UP." "FIRST TIME SINCE THE PLACE HAS BEEN OPENED, WE'RE LOCKING UP." "I ALMOST LOCKED YOU IN." "COFFEE, QUIMBY?" "IT'S NOT AS GOOD AS YOURS." "BUT COFFEE." "HERE, HAVE SOME." "LOOK, QUIMBY, WHY DON'T WE WIND THIS THING UP, HUH?" "I'VE BEEN TELLING YOU ALL NIGHT I DIDN'T DO IT." "AH, GET OFF THE TURNTABLE, QUIMBY." "YOU SOUND LIKE A STUCK NEEDLE." "IT'S MONOTONOUS." "BESIDES YOU DON'T GIVE US ANY INFORMATION." "YOU DIDN'T DO IT, HUH?" "ALL RIGHT, YOU LISTEN TO THIS AND TELL ME WHO DID DO IT." ""..." "AND THEN AFTER YOU PARKED THE CAR, THEN WHAT?" ""ANSWER:" "THEN I WENT DOWN TO THE BEACH TO PLEAD WITH HER TO COME BACK." "DEAGER BEAT ME UP, THREW ME OFF THE PLACE."" "YOU RECOGNIZE THAT, QUIMBY?" "IT'S YOUR OWN STATEMENT." "VOLUNTARY, NOBODY FORCED YOU TO MAKE IT, RIGHT?" ""QUESTION:" "WHAT DID YOU DO AFTER THAT, MR. QUIMBY?" ""ANSWER:" "COULDN'T GET IT OUT OF MY MIND." ""I WAS NEVER SO ANGRY IN MY WHOLE LIFE." ""I'D DO ANYTHING TO GET EVEN WITH BOTH OF THEM." "I COULDN'T THINK OF ANYTHING ELSE."" "THEN IT GOES ON TO TELL HOW YOU GOT THE IDEA TO CHANGE YOUR APPEARANCE," "USE THOSE SPECIAL LENSES, CHANGE YOUR ADDRESS, CHANGE YOUR NAME," "RIGHT DOWN TO WHERE YOU ACTUALLY WENT TO THE BEACH TO KILL HIM!" "BUT I DIDN'T!" "I TOLD YOU, WHEN I GOT THERE ALL OF THE SUDDEN MURDER" "SEEMED LIKE A CRAZY IDEA." "I COULDN'T KILL HIM!" "I WASN'T ANGRY ANY MORE." "FOR THE FIRST TIME THE WHOLE THING WAS CLEAR TO ME." "I DIDN'T HAVE TO DO ANYTHING!" "THEY HAD EACH OTHER," "THAT'S WHAT THEY DESERVED." "I EVEN TOLD DEAGER SO!" "AND I LEFT." "YEAH." "YEAH, THAT'S ALL HERE." "WHAT ARE WE SUPPOSED TO DO NOW?" "GO CHECK WITH DEAGER?" "THAT'S THE WAY IT HAPPENED." "THE WHOLE THING!" "IT'S THE TRUTH." "TRUTH?" "THE TRUTH, HUH?" "I GOT SOMETHING ELSE HERE THAT'S THE TRUTH:" "YOUR WIFE'S SWORN STATEMENT." "SOMEHOW, YOUR STORY AND HER STORY DON'T SEEM TO MATCH." "I'LL READ YOU PART OF IT." ""QUESTION:" "MRS. QUIMBY, WERE YOU EVER PRESENT" ""WHEN PAUL SOTHERN THREATENED BARNEY DEAGER?" ""ANSWER:" "YES." ""QUESTION:" "TELL US ABOUT IT." ""ANSWER:" "IT HAPPENED OVER THE PHONE ON MORE THAN ONE OCCASION." ""QUESTION:" "MRS. QUIMBY, DO YOU KNOW WHO PAUL SOTHERN IS?" ""ANSWER:" "YES, I KNOW." "PAUL SOTHERN IS MY HUSBAND WARREN QUIMBY..." "WHY DID HE DO IT?" "WHY DID HE DO IT?" "POOR WARREN."" "I GUESS THAT'S ENOUGH." "IT WAS DIFFICULT FOR HER TO GO ON." "SHE KIND OF BROKE DOWN." "[SNORTS]" "NOW LOOK, QUIMBY." "YOU'RE AN INTELLIGENT GUY:" "EDUCATED, PROFESSIONAL MAN." "HOW DOES THIS ALL ADD UP TO YOU?" "DEAGER'S DEAD." "SHOT BY HIS OWN GUN." "HE DIDN'T DO IT." "NO MATTER WHERE WE LOOK WE KEEP COMING UP WITH THE SAME ANSWER." "THE ONLY ONE WHO WANTED TO KILL DEAGER WAS PAUL SOTHERN" " AND THAT'S YOU, QUIMBY!" "LOOK DOC, EVERYTHING FITS." "NOW WHERE'S THE GUN?" "WHERE'S THE GUN, QUIMBY!" "WHERE'S THE GUN?" "WHY DON'T YOU ASK MY WIFE?" "OH!" "BARNEY DEAGER WAS HER FRIEND, NOT MINE." "SHE WAS AT HIS HOUSE, NOT ME!" "WHY DON'T YOU ASK HER, MAYBE SHE'LL TELL YOU THAT, TOO!" "GO ON, ASK HER!" "ASK HER!" "ASK HER!" "HI." "HI." "SORRY." "LONG NIGHT?" "YEAH." "WE WAITED." "SORRY, BABY, IT COULDN'T BE HELPED." "HEY, IRISH." "I ALWAYS LIKE TO MAKE THE CUSTOMER FEEL AT HOME." "IT'S GOOD, IT'S GOOD IRISH." "UH, BOURBON FOR YOU?" "YOU REMEMBER GOOD." "WELL, HERE'S TO..." "TO US." "US." "OH!" "I'LL GO MAKE YOU SOME BREAKFAST." "NO, NO, NO BABY, COME HERE." "SIT DOWN." "I JUST WANT TO LOOK AT YOU." "LIKE THIS?" "YOU GOT A GOOD LAWYER?" "YOU'RE GOING TO NEED ONE, YOU'RE GOING TO NEED A GOOD LAWYER." "WHY, OFFICER, WHAT HAVE I DONE?" "HOW'D A SMART CHICK LIKE YOU EVER GET MIXED UP WITH A GUY LIKE QUIMBY?" "!" "HE'S BLOWING HIS TOP." "LIKE A STUCK PIG, HE'S SQUEALING ALL OVER THE PLACE" "THAT HE DID EVERYTHING." "EVERYTHING, THAT IS, EXCEPT THE MURDER." "WHEN IT COMES TO THAT HE KEEPS SAYING, ASK HER, ASK HER." "SHE WAS DEAGER'S FRIEND." "SHE STAYED AT DEAGER'S PLACE." "YOU WANT TO KNOW WHO KILLED DEAGER?" "ASK HER." "SO?" "SO HE'S BLOWING HIS TOP, SO?" "WHERE DOES THE LAWYER COME IN?" "OH, HE BLASTED SO LOUD AND SO LONG I LET HIM OUT." "YOU LET HIM OUT?" "I HAD TO." "NOT ENOUGH TO HOLD HIM." "SO WILL YOU DRINK?" "NO." "NO THANK YOU." "WELL, IF YOU'RE NOT RILED IT'S OK BY ME." "I'D BE JUST AS GLAD TO BE OFF THE CASE." "OFF THE CASE?" "WHY COLLIE, WHAT DO YOU MEAN?" "AH, IT FIGURES." "THE D.A. CAN'T GO INTO COURT WITH INSUFFICIENT EVIDENCE." "CHIEF DOESN'T WANT ANY PART OF A BUM RAP, YOU KNOW, FALSE ARREST." "SO YOUR EVER-LOVING GETS SPRUNG." "THEY TAKE GONSALES AND ME OFF THE JOB AND THROW THE WHOLE WORKS TO A NEW TEAM." "THEY'LL GO ALL THE WAY BACK." "START AT THE BOTTOM FRESH LIKE IT WAS A BRAND NEW CASE." "SO LET THEM." "WE'LL BE IN ACAPULCO ANYWAY." "YEAH, FINE." "THAT'S GREAT." "THAT'S EXACTLY WHAT WE NEED." "POLICE ARE LOOKING FOR YOU, A FEW QUESTIONS THEY WANT TO ASK," "AND WHERE ARE YOU?" "ON THE LAM IN ACAPULCO." "WITH ME ALONG." "ONE LAWYER WOULDN'T BE ENOUGH." "WHAT ARE WE GOING TO DO?" "LET'S GET LOADED." "LET'S BE SERIOUS, PLEASE COLLIE." "I AM SERIOUS-- SAY, WHAT IS THIS THING?" "COLLIE--COLLIE, I DON'T WANT TO STAY." "I DON'T WANT YOU TO STAY." "YOU AND ME ON THE WARM SANDS IN ACAPULCO, THAT'S WHAT I WANT." "SAY, WHY DO YOU KEEP THIS THING AROUND?" "IT'S BUSTED." "YEAH, I KNOW, I GOT TO GET IT FIXED." "THINK YOU CAN?" "COLLIE, YOU MUSTN'T GIVE UP." "YOU'RE GOING TO GET A BREAK, YOU'LL SEE." "YOU'LL GET A BREAK AND YOU'LL BE ABLE TO NAIL WARREN." "HE'LL GET JUST WHAT HE DESERVES." "AND THERE WON'T BE ANY D.A." "THERE WON'T BE ANY NEW TEAM," "NO CHIEF, NO LAWYERS, NO WARREN." "THERE'LL JUST BE YOU AND ME." "YOU'RE GOING TO GET A BREAK." "YOU'LL FIND A WAY, I KNOW." "YEAH, SURE." "I'LL FIND A WAY." "GOT A OUIJA BOARD?" "OR A NICE, BIG, FAT CRYSTAL BALL" "I CAN USE TO SEE WHERE HE STASHED THE GUN." "GUN?" "COLLIE, I GOT SOMETHING..." "THE GUN, THE MURDER GUN." "ONE ROTTEN LITTLE GUN" "AND THE WHOLE THING FALLS RIGHT INTO PLACE" "SNUG." "WITHOUT IT WE GOT NOTHING, BABY." "NOTHING." "YEAH." "COLLIE, I HATE TO SEE YOU LIKE THIS--TIRED." "WORRIED AND TIRED." "YOU OUGHT TO GET SOME REST." "GET SOME REST, BABY." "GET SOME REST." "CAN I HELP YOU?" "I'M LOOKING FOR MRS. ANDREWS." "WELL, SHE'S OUT." "WELL, I WANT TO LOOK AT MR. SOTHERN'S APARTMENT." "YOU GOT A KEY?" "THE APARTMENT'S OPEN." "LT." "BONNABEL ASKED ME TO CHECK A COUPLE OF THINGS." "I'LL GO WITH YOU." "THAT WON'T BE NECESSARY." "WHAT ARE YOU LOOKING FOR?" "WHAT ARE YOU TRYING TO FIND?" "GET OUT." "GET OUT." "I SAID TO GET OUT!" "OH PAUL!" "PAUL!" "KEEP AWAY FROM THIS!" "NO!" "TELL ME WHERE THE GUN IS!" "TELL ME!" "TELL ME!" "NO!" "Collier:" "ALL RIGHT, QUIMBY." "LAY OFF." "COLLIE!" "OH, COLLIE!" "I KNOW THE GUN'S HERE, I KNOW IT IS." "I WAS LOOKING FOR IT, AND HE BROKE IN AND TRIED TO KILL ME." "IT'S ALL RIGHT, BABY, IT'S ALL RIGHT NOW." "I WAS OVER THERE, I WAS LOOKING FOR IT, AND HE TRIED TO STOP ME." "HE DID, HUH?" "YEAH." "WELL, YOU GO RIGHT AHEAD AND FINISH WHAT YOU WERE DOING." "NOBODY WILL STOP YOU." "GO AHEAD." "GO ON." "IT'S HERE." "STAY WHERE YOU ARE." "GET IT." "BRING IT OVER HERE." "READ ME THE SERIAL NUMBER." "HUH?" "THE SERIAL NUMBER." "IT'S RIGHT THERE ON THE BUTT." "C55661" "WELL, THAT WRAPS THAT UP." "[CRIES]" "YOU'RE OK, YOU'RE OK." "THE GUN WASN'T THERE." "I NEVER HAD IT" " I NEVER SAW IT." "AND YOU KNOW IT!" "YOU KNOW IT!" "YEAH." "YEAH, SURE I KNOW IT." "YOU LET ME DOWN, BABY." "AND I THOUGHT YOU WERE SUCH A SMART GIRL, TOO." "OK, BLACKIE." "WHAT IS IT?" "WHAT IS THIS?" "THIS APARTMENT, FURNITURE, COUCH, THAT CHAIR." "THE WHOLE WORKS." "SINCE WE WERE HERE LAST NIGHT EVERYTHING'S BEEN COMPLETELY CHANGED." "NO." "EVERYTHING NEW." "REPLACED AS EXACTLY AS IT WAS." "NOT ONE THING IS THE SAME AS WHEN THE DOC OCCUPIED THIS APARTMENT." "NO!" "CLAIRE, NO MATTER WHERE YOU PLANTED THE GUN," "YOU WERE BOUND TO TRAP YOURSELF." "OH, COLLIE, YOU CAN'T DO THIS, NOT TO US." "SORRY, BABY." "IT WAS A GOOD TRY, CLAIRE." "YOU ALMOST MADE IT." "LIEUTENANT?" "YEAH?" "YOU DIDN'T CHANGE ANYTHING." "EVERYTHING IN THIS ROOM IS THE SAME." "YOU DIDN'T CHANGE ANYTHING IN THIS ROOM." "NO." "THAT WOULD'VE BEEN A LOT OF WORK, WOULDN'T IT." "[RUBBER BAND SNAPS]" "CAPTIONING MADE POSSIBLE BY TURNER ENTERTAINMENT GROUP AND U.S. DEPARTMENT OF EDUCATION" "CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC."