"The Tardis team is stuck in a dream dilemma." "And the Dream Lord's deception will drag the Doctor down to Earth with a bump." "Are you pregnant?" "Arthur Darvill guides Confidential through the reality behind the fantasy." "It's the Doctor's fantasy versus Rory's fantasy." "As Rory turns father-to-be, action hero and '70s rock god." " It's been such a fast episode..." " Action." "So much happens in it." "Sojoin Confidential as Arthur takes us through the filming process, from beginning to end." "And I'm going to show you around a bit, and kind of show you how we made it." "It's day one of the production block and in the studios in Cardiff," "Arthur has the latest script, hot off the press, to prepare for the cast and crew read-through." "We received the final script of this today and we've got the read-through this afternoon." "And then we start filming it tomorrow." "I'm quite looking forward to this one because it's a really funny script." "And I've only just read it, so, you know, there's only so much you can prepare." "But it's good to hear the whole story and good to hear kind of people's first impressions of it." "It really is a first impression and sometimes you really go for it." "I think the thing that blew us away about Arthur was, and we saw a lot of good people for the part of Rory, was just how funny he was." "Arthurjust has that perfect..." "He always finds the perfect moment for a gag." "You just summoned aliens back to Earth." "Actual aliens." "Deadly aliens." "Aliens of death." "And now you're taking your clothes off." "He found a space next to our two leads who already seemed rather complete." "But he actually..." "Once he comes in, it's really quite hard to imagine the show without him, which is a tremendous tribute to Arthur's brilliance." "Hi." " Hello." "Oh, you're a doctor!" "Oh, yeah." "And, unlike you, I've passed some exams." "Doctor, not a nurse, just like you always dreamed." "I think the three of us get on really well in, you know, in real life, um, which makes it, you know, far easier to get on with working, you know, at work." "It's the first day on location and the Tardis trio are getting the final touches to their bump, quiff and, um... rat tail." "What have you forgot?" "I forgot my jacket." "I think it was called like a "Britney wig" or something at first." "So, yeah, I looked pretty good." "And then Babs, the make-up designer for this, did an amazing job cutting it to make it look a bit more masculine." "A bit more masculine, and then put it back in a ponytail." "Everyone's basically just told me how cool I look with it." "There's been no negative comments so far." "It was hideous, I think it's safe to say." "But it was really funny." "It kind of made Arthur look really different." "And I find him quite scary to look at, actually, and I hope that he doesn't get any ideas and decides to grow his hair like that." "And in this episode, it wasn't just Arthur's hair which gained some extra body." "Hello and welcome to a new segment of Doctor Who Confidential, called "Arthur Chews the Fat"." "I will be chatting to the good and the great on Doctor Who." "And literally today, I will be chewing the fat with Karen Gillan!" " Hello!" " Hi, Kazza." " Hi." " Um, a few quick questions" " for you today." " Why?" "What do you mean," " "literally chewing the fat"?" " Nothing." "Okay." " Fire away." " So, how is it being massive?" "Um, it's fantastic." "I'd like to introduce you to my, um..." " ... our, in fact..." " Our." "Yeah." " ... unborn child." " Yeah." " What is it actually made of?" " I don't know." " Ray?" " Yes." "What's inside the bump?" "It's latex prosthetic bump." " Okay." " So it's completely latex." " Ray Holman, Costumes." " That's why we have a little..." " Belly button." " Yeah." " See?" " Just hope it doesn't..." "No stuffing." "So it's slightly heavy as well." "And I have massive breasts made of lentils." "That's lovely." "I developed a bump dance, which is basically kind of moving it around and shaking it, and it just looked really weird." "Go on, go on, go on." "Show them the belly dance." "We're in Skenfrith village." "It's an amazing little village." "I haven't actually seen anyone who lives here." "Uh, I think they've all run away for the day." "First thing we're doing today is just before we see the children turn to dust." "And then we've got a massive..." "I think it's like a five, six-page scene with the Dream Lord, in the village, which is going to take up most of the day." "I know who you are." " Of course you don't." " Of course I do." "No idea how you can be here, but there's only one person in the universe who hates me as much as you do." "Never mind me." "Maybe you should worry about them." "So many of the monsters in Doctor Who are kind of, you know, computer-generated, and to have a whole bunch of people with zimmer frames and walking sticks, with their mouths open, was pretty, uh..." "I mean, it was hilarious, but it was quite scary." "Ah, now we get a terrible insight into the mind of Simon Nye, don't we?" "I asked him to come up with the Doctor Who monster and he thought," ""Old people!"" "Well done, Simon, you strange man." "Um, I think it's a brilliant idea." "It looks like I've really got it in for old people, but it's..." "I just..." "I just think there is something scary, especially if you're young, um, about old people, and I'm heading that way myself, as we all are hopefully, one day." "But I..." "I think we can all remember as a child particularly lovely aunts and grandparents just looking a bit scary." "Hello!" "We were wondering where you went." "To get reinforcements, by the look of it." "Are you all right?" "You look a bit tense." "And it's partly to do with the teeth, perhaps, which is why the Eknodines in this episode, who invaded these poor people's bodies, they emerge from their mouths." "There's an eye in her mouth." "There's a whole creature inside her, inside all of them." "They've been there for years, living and waiting." "And I hope I don't put children particularly off their grandparents, because obviously, we should be learning from the elderly rather than mocking them or making them look scary." "But that's what we're doing in this episode." "The next day, theWho crew head off into the country, for Rory's dream house." "Release the geese." "Just a wee bit too much." "So I'm about to hit an old woman with a stick, which isn't something I've done before." "I'm quite looking forward to it." "I forgot we were doing this today." "Yeah, it's a big stick as well." "A little old lady." "And obviously just prod it and she will literally just squat out" " of shot." " Sure." "And believe it or not, it's not a real piece of wood." "It's made of something else." "So it's softer, but it looks like a piece of wood." "So, that's a bit of inside information." "Mrs Hamill." "We don't understand." "I'll deal with this one, chubbs." "Now..." "We only had one piece of wood." "And I broke it quite early on." " I can't hit her." "Whack her!" "Ohh..." "We got the shots, thank God." "But, erm, I just broke it." "Look, I'll deal with this, chubbs." "Now..." "So obviously, you know, Audrey's there and it looks like" "I hit her with a big piece of wood." " I can't hit her." " Whack her!" "The way they shoot it is really clever." "So when she's facing the camera, you kind of go to hit, but you don't actually touch." "And then they cut to a shot from behind her, which is actually a stunt woman, who I was allowed to hit." "I wasn't quite sure if I hit hard enough." "It looked real enough, but watch it back and I think it does." "I don't know, they'll cut it together and put a big sound effect on it so I'm sure it'll be..." "I think it's very weird just hitting someone with a stick." "Huh?" " I can't hit her." " Whack her!" "I think we've only got a couple of more days left on this episode." "Which is a bit weird, 'cause I'm coming to the end, really." "But yeah, it's funny, I went through the script last night again." "And now we've shot most of it." "And it's like, "Oh, wow!"" "It's gone really fast." "Quiet, please." "And Arthur's last adventure is to film Rory Williams' long goodbye." "Action." "The death scene was really weird because it was so quick." "Because it does, you know, it happens so out of the blue." "Rory!" "And it's horrible because Rory at that point knows that it's his reality." "No!" "I'm not ready!" "It's like everything he ever wanted is just completely being denied." "Look after our baby." "I think in that moment Amy realises her feelings towards him." "No." "Come back." "And it's just very tragic that it takes something like that for her to realise." "It is, to her own shock, absolutely clear to her the moment she loses Rory that she could not bear to be without him." "And that's a proper shock." "It's not the Doctor." "It's never been the Doctor." "It's about Rory." "I think Amy surprised herself by realising that it's great to have an enigmatic genius to run around after and be with." "But in the end, that's perhaps not enough." "I think she realises that she really does love Rory." " This is the dream." " How do you know?" "Because if this is real life, I don't want it." "I don't want it." "It's a massive turn in their relationship." "You know, when Rory dies, Amy realises exactly what she wants." "Okay." "Killing herself in a dream where she doesn't know if she's going to wake up, but the thought of living without him is... you know, it's not worth considering." "That's amazing." "So it really cements their relationship, at that point, and it makes Rory so happy." "Oh, look, hey!" "From now on, trust nothing you see, hear or feel." "This is good." "So..." "Well, then." "Where now?" "I don't know." "Anywhere's good for me." "I'm happy anywhere." "It's up to Amy this time." "Amy's choice."