"A film has no author except hard work and a few miracles." "Jean-Louis Duroc, please." "He's out on the track." "When will he be free?" " Late afternoon." "He has two more stunts." "Who's calling?" "Thierry Sabine." " Any message?" "It's to map out the Dakar Rally." "Have him call us." "Okay, I'll tell him." "A MAN AND A WOMAN 20 YEARS LATER" "What's wrong?" "You can't wait to go home." "Second, there might be some overtime at the end of the day." "You will be given instructions after lunch." "For the costumes, everybody this way." "Two, three or four hours." "I talked to the actors and the technicians." "They all agreed to do three or four hours of overtime." "The producer is wanted at the canteen." "Anne Gauthier is wanted at the canteen." "Take it up with the director." "You can't stay angry forever." "Can't you stop talking?" "No, and you, you should talk about your issue with the direction..." "What's wrong?" "You can't wait to go home." "What do you mean?" "You look happy." "You should be happy today." "Well, I'm not." "I'll call you back." "Well?" "They want the company as security." "If you refuse?" "They'll own the film." "What's wrong?" "You can't wait to go home." "What do you mean?" "You look happy." "You should be happy today." "Well, I'm not." "Long live the groom!" " Long live Antoine!" "Sister of the bride, may I?" "My son's not bad." "How did he pass you up?" "Antoine designs his racing boats down here." "He left me a corner for my office." "Have you lived here long?" "Since Antoine began training every day." "But I like it." "It suits me." "I wonder if I'd like it." "Never mind you." "Let's hope your sister does." "I was 13 the year you quit racing." "I read it in an old magazine." "Interested in racing?" "I'd love to go on a rally." "That's why you give me that look." "What's that map?" "Speaking of rallies, that's the next Paris-Dakar run." "I'm going down with Thierry Sabine for a final survey." "And this is the make-or-break spot." "The Tenere?" "Get a note from home." "I'll take you." "We checked the Latin Quarter, the boulevards, Montparnasse suburban movie theaters, Versailles, Enghien." "I called Marseilles, Toulon, Aix, nothing but bad news." "Poor sales everywhere, even in the north." "I don't know." "The weather affects everybody." "Europe One." "That'll be one good review." "How do you know?" "I had dinner with him." "Movie news featuring 40 Years Later Anne Gauthier's costly super-production with a new star:" "Her own daughter, Francoise Gauthier." "Barely open, the film is already under fire." "More about that after our main story last night's daring escape by Francois Cortal." "Ten years ago, this sex maniac raped and killed three women and later confessed to killing a total of six." "Proven insane by medical authorities he was spared the death penalty then in force." "He was put in a mental hospital run by Professor Thevenin." "Thevenin told us earlier he can't understand how Cortal got hold of a gun." "He claims Cortal is almost cured." "Cured or not, he is again at large having wounded two orderlies and a guard and stolen a staff car." "The car is a white Autobianchi license number 4630 FA 27." "Cortal himself is in his 40s and has dark hair and eyes course features, wearing a blue sweat suit under a white lab coat." "Police set up roadblocks, but think it likely he found other transportation." "Francois Cortal, once again making headlines." "Ten years ago, I fought to save Cortal from death row." "I won't see him hunted down like a dog." "Your husband?" " What about him?" "It was on the radio." " What was?" "They said he escaped." "Valerie!" "It's a rotten business." "You always say that." "I'm going home." "I'm tired." "I'll check out some more moviegoers." "Drop me at the theater, Anne?" "Can't you take a cab?" "You talked to people as they left?" "Ask the usherettes, they always know." "Stop at a cabstand." " No, I'll take you." "It's hard to say but I think not." "Or else I was wrong." "Didn't he escape rather easily from your prison?" "It's not a prison, though it's state-affiliated." "It's a psychiatric hospital." "It's true that surveillance is very strict but our patients have some freedom." "He escaped to be free, not to commit more murders." "Let's hope the doctor is right." "We would rather believe Cortal escaped for nothing more sinister than freedom." "Not one good review." " Now the world of cinema." "40 Years Later, which opened today." "40 Years Later, a fresco, a saga, an epic about the liberation." "Seventy million francs, all for the most American of French films and the most feminine of war films." "Though directed by a man, this is a woman's film." "For 20 years, this woman imposed her own style on her productions, all of which reflect her." "In 40 Years Later, Anne Gauthier takes a woman's look at what is usually a man's world, the world of war." "Now a scene from the film." "The 8 p.m. Ticket sales." "So it's not an evening film, either." "Call me after the last show." "Go meet him backstage." "You were hard on him." "Don't you need me?" "No." "I'll watch the film again." "Maybe we can make cuts." "If it doesn't work out, can I sleep here?" "An actress and an actor, that can never..." "You and him, is that working?" "What's working is the old jinx." "Why'd he pick that scene?" "And stop saying I'm a grandmother and dressing like me." "You kiss badly and long." "I haven't kissed a woman in ages." "You're a homosexual." "Never mind." " No." "Anyway, not yet." "But it's been a year since..." "Actually, I liked it, you kissing me." "I used to be an expert." "I'll get you some crackers." "It'll calm you, and you'll go home." "Since when do crackers cool a man down?" "What is this crap?" "Why not a banana?" "I'm not a monkey." "Why should I go home?" "My first date with Burt Lancaster if he tried to make me, I'd say, "No, Burt."" "It's a principal with me." "You discussed me instead of the film." "I love you, not your film." "Making that video clip tomorrow?" "Haven't seen enough?" "I'm looking for places to cut it." "Attendance?" "A disaster." "Anything I can do?" "I need another film, fast." "You need a rest." "Francoise may move back here." "Want me to leave?" "Who is it?" " It's me." "I can't let you in." "Just to kiss Valerie." "You swear?" "You don't need me?" " No, Florence." "Bring me the morning papers tomorrow." "It's Cortal." "Thanks for what you told the press." "Look, Cortal I'll come pick you up." "We'll go to the police, and I'll try to get you a full pardon." "Where are you?" "The restaurant Oree du Bois." "I'll be right there." "Going out?" " Not for long." "DOCTOR E. THEVENIN" "Margot?" "Darling, it's me." "What's the matter?" "Is that you?" "Darling, pull yourself together." "Who is it?" "A man was strangling..." "Trying to strangle me." "Did he get away?" "No, he's dead." "He's dead." "Julie?" "Julie." "It was around 11:30." "Cortal called me." "I almost had him talked into giving himself up." "We arranged a meeting place." "I went there, no sign of him." "I went home, the maid had gone to bed and I walked into horror." "Cortal had killed my wife then shot himself." "It must have happened that way." "Patrick?" "Patrick." "Francois?" "The boss saw the film and hated it." "Tomorrow's meeting will be tough." "I'll do all I can for you." "If you have another film in the works..." "I didn't talk to Jacques backstage." "He was too depressed." "I saw Jean-Louis Duroc." "His son Antoine was at my school." "Love and see you tomorrow." "I know your film's going badly, and I'm sorry." "Good news department:" "The song is finished." "If you want a bedtime lullaby..." "Sure it was him?" " Pretty sure." "Was he alone?" "With Antoine." "I recognized Antoine." "Why didn't you talk to him?" "I had other problems." "Jean-Louis Duroc, please." "Who's calling?" "Anne Gauthier." "He's out, but I can take a message." "Ask him to call me at 4838-2808." "Nice going, Antoine." "A new propeller, and the trophy's ours." "Catch it for me." "Eat with us?" " Can't, it's late." "You saw Thierry?" " We're all set." "It'll take a month." "The whole thing?" " To check out the whole course." "What's his time?" " Two minutes, 13." "How can two people the same age live together?" "I missed the train." "Take me into Paris on your boat tomorrow?" "That's okay, Lolo, we just started." "Any food left?" " Try the refrigerator." "A certain Anne Gauthier wants you to call her." "She left a number?" "I have it." "How's the propeller?" "Too short, but we'll get there." "I have a present for you in the car." "I'll go get it." " Now you remember?" "Anne Gauthier, please." "Where's my surprise?" "It was the kiss." "I'd left it in the trunk." "Mind if I go to Turin?" " Depends when you'll be back." "Tomorrow night." "Did you call Anne Gauthier?" "Lt'll wait till morning." "Who is she?" "Someone I knew a long time ago." "Like it?" " Perfect." "You never should've left that guy." "I didn't, he left first." "Can you sign this check?" "The bank okayed it." "Nice of them." "Back to the Cortal affair." "We now know he first killed his wife and daughter then went to Dr. Thevenin's." "This bloodbath magically disproves Thevenin's own statement to us." "He said that Cortal, now cured, was neither insane nor dangerous." "Anne Gauthier?" "Sit down." "No trouble finding it?" "You haven't changed neighborhoods." "Neighborhoods, no." "You haven't changed at all." "Strange, isn't it?" "I feel a bit strange." "What does that say?" "I can't see." " "Jean-Louis."" "That's nice." "You say something." "I'm a bit..." "I'm glad to see you." "Me too." "I'm really happy to see you." "You haven't changed." "Yes, I have." "Especially today." "I look awful." "It's true." "I have a cold." "You see me at my worst." "But I've changed." "How long has it been?" "Twenty years." "That long." "You still smooth back your hair." "Yes." "I never changed hairstyles." "We could've met in Deauville." "Why didn't we?" "This is a business meeting." "I want to produce a film about our story." "What story?" "The one we never started." "That's a movie?" "Of course." "You called me for that?" "It's as much your story as mine." "So I can say no?" "Then it's no." "Wasn't it beautiful?" "This is a bad time for me." "A bad moment in my life." "Your name on my answering machine made me realize you're my best memory." "Nothing more exciting came along?" "Looking back, no." "A few episodes." "How does one become a film producer?" "There are various ways." "I was a script girl." "I met a producer who married me so I became a producer." "The husband left, the job stuck." "I want to do this film." "But nothing happened." "We never had a story." "That's why it's beautiful, why it's different." "Back and forth, Paris to Deauville." "Don't I know." "It's funny too." "Do you smoke?" "The same brand as you." "You once talked about quitting." "Know what my doctor says?" ""My dear lady, if you smoke and drink less you may or may not live longer, but it'll seem longer."" "So?" "Though I smoke, I beat what's called a "long illness."" "Can I call you at the TV station?" "My latest episode." "This a restaurant or an office?" "It's my annex." "And Antoine?" "It is "Antoine"?" "I love everything about him." "He keeps me constantly at sea." "He races boats, and we live on one." "Antoine, Antoine." "Is he the one who answered the phone?" "No, her." "Her?" "His wife?" "No, mine." "That's nice." "Her voice is young." "So is the rest." " That's nice." "How's Francoise?" "She saw you at the theater, for a start." "She's fine." "She's an actress." "A good one?" " Of course." "When did she leave that school?" "Shortly after our separation." "I couldn't face Deauville again." "Has Antoine changed?" "I'd know him?" " He's no different." "A bit taller." "His face is the same." "Has Francoise changed?" "No, but she has a child." "No joke, you're a grandmother?" "I feel as if I've only been gone five minutes." "Took you 20 years to find a phone." "You're much more relaxed." "Yes, I'm fine." "Sure, I'm getting older, but I'm fine." "You're happy." " Very happy." "Really?" "No racing, but I'm happy." "Your job, what is it exactly?" "I'm a scout for Lancia." "It's a car." " I know that much." "I arrange their competitions." "Others race for me." "What does your wife do?" "Nothing." "She follows me." "But you are married?" " Not yet." "We're considering it." "Is Antoine married?" " Yes." "So much so he's talking divorce." "She treats him badly?" "She's my wife's sister." "One big family." "Her elder sister." "That's why I want to film our story." "I still haven't said yes." "I still haven't said yes." " Or no." "Yes, I did." "Now I'm wavering, but I said no." "Lucky we called it quits 20 years ago." "Why?" "So we could have this moment." "Where will you end the story?" "Where I took you in my arms at the train or just afterward, as we parted?" "You remember everything." "I think if it ends with you taking me in your arms it's more optimistic." "Shouldn't we order?" "My associate for 15 years." "Pleased to meet you." " My pleasure." "This is Elie, our director." "He's working on a video clip." "You a movie buff?" "I did stunts for a publicity file recently." "Good for you." "Some things we can't fake." "Like it?" " It's magic." "It's magic." " It's magic." "That's Richard Berry?" "You'll cut there?" "Yes, that's Berry." "Looks just like him." "I can see that's a different shot." "Magic." "Come watch when we shoot it." "I haven't said yes." "But you'll come?" "The problem is the conventions of musical comedy tend to inflate the contents." "Faster, the horses!" "You have to go all the way to the end of the beach." "Camera, stay with them." "Stay parallel." "Parallel!" "How did that car get there?" "Block off the streets!" "Okay, take it again." "Quick, while the light is good." "It won't stay this way for long." "Everybody get ready." "Francoise, kids, get ready." "It was just after Monte Carlo." "Before." "No, I was driving back." "I remember I shaved in the car." "The beard is wrong." "She said you'd shaved, but I decided the beard would show he's driven all night." "I had a cigarette lighter in the car." "My razor plugged into that." " Let's go get some coffee." "Just detail, it's not important." " You also blinked your lights." "Yes, I remember." " I skipped it." "He was the first man I knew after my father died." "It took time to accept that my mother could love someone else." "What interests me about the role is this inability to love two people the same way." "Why?" "Because of my husband." "But he's dead." "Why?" "Why?" "Because of my husband." "But he's dead." " Not for me." "I'd like the bill, and the train schedule for Paris." "For me, the central theme is the contradiction between a living man whom she wants to love and a dead memory." "It lingers on, more alive than the living." "Extras, read your papers." "Eyes off the camera." "Don't look at the camera, extras." "The reason their story can't unfold as easily and simply as any other love story is that time hasn't had a chance to act." "Not like it will after 10 or five years, when she'll have forgotten." "In other words, time is against my character." "He meets this woman too soon." "What were you proving?" "I could beat the train." "And now?" "Now we find the exit." "I intended to call you when I got here." "So call me." "Jean-Louis?" "Let me talk to my husband." "I'll get him." "Pierre I'm at the station." "I love you." "Can you come get me?" "I feel you resisting when I say that, in a way, this is your own story." "You're very involved in this film." "Yet I see you have on your set Jean-Louis Duroc, the racecar driver and I wondered if you'd let me interview him." "It's his decisión." "You can ask him." "You don't object?" "It wouldn't be an invasión of privacy?" "I found it all very moving." "I was..." "I came back, you see." "Anne Gauthier invited me on location so I came." "But maybe I shouldn't have." "Now that I'm here, I'm having second thoughts." "But it's true I was moved." "I can't deny it." "It doesn't upset you that it's about you?" "Not as long as nobody knows." "It upsets my life." "I have a life." "It's been 20 years." "My life now is totally different." "It could upset those I love, people close to me even my son, who's here." "When are you leaving?" " After dinner." "Right after?" "You have to?" "No." "No, we at least have time for a drink." "Let's reshoot the bedroom scene." " Lf you want." "You don't mind?" "That's ridiculous, it's only static." "I could swear I hear the sea." "Who'd go to the seaside at this time of year?" "We're still going on the rally?" "Of course." "Nothing's changed." "Come back soon." "I can't wait another 20 years." "Are there phones?" " Where?" "Down there." " In the desert?" "A booth at every dune." "I don't see Antoine." "Maybe he left." "When will I see you?" "He's in the bar." "Antoine." "Seen the time?" " Yes, it's late." "One for the road?" " I don't drink when I drive." "Nice meeting you." " Same here." "You had a lot to talk about." "Goodbye." " Okay, goodbye." "Goodbye." "Goodbye." "Enjoy the rest of the movie." " Thanks." "Goodbye." " Goodbye." "I'll go with you." "You didn't answer me." "I enjoyed seeing you again, Antoine." "I'll walk you to the car." "Call for Anne Gauthier." "I saw Cortal's autopsy report." "Doesn't add up." "I'd go on the air with it, but I've got no proof." "If you want, I'll leave now and give you the lowdown over breakfast." "It might make a great film." "You're coming here?" " Yes." "No good, it's not believable." "It's the singing." "I told you, musicals..." "It's too complicated." "A simple story needs to stay simple." "We're changing films." "Meaning?" "Same cast different story." "I still don't get it." "You wanted a thriller?" "We do a thriller." "It's rough here, don't force it." "Shall I drive?" "Where did you meet?" "Tell me, I want to know." "In Deauville, through our children." "They were friends, so we met." "When did you see her again?" "Not long ago." "Why didn't you tell me?" "It wasn't important." "At least I didn't think so." "Why bring me here?" "To be alone." "I love you." "I don't want to lose you." "You love me that much?" "I knew we wouldn't grow old together." "I thought we would." "I still think so." "I'm already getting old." "We couldn't grow old together." "I knew it, but I also knew I gave you something." "That you gave me so much but I gave you something too." "You can't love me again?" "You're sure it's over?" "I don't know." " Maybe not." "Maybe not." "Maybe we'll grow old together." "Maybe." "I love you." "I'm turning in, because tomorrow..." "Scared?" " Nobody's waiting for me." "The keys!" "The keys." "The keys!" "Move the wheel so we feel you're driving." "Jean-Louis since you left, it's been chaos." "You won't read this till you get back if I work up courage to send it." "Our story is wonderful on film." "But the public won't buy it." "Too much has changed in 20 years." "I have five weeks left." "I'll use it for something more contemporary." "It's the craziest decisión a producer ever made." "Besides maybe we haven't finished writing our story." "Why did you leave so soon?" "I'll be right back." "Why are you here?" "You don't know?" " No." "I escaped." "How?" "With this." " Who gave it to you?" "Professor Thevenin." "Who?" "I want to see Valerie." "Be nice to her." "From a distance." "Only from a distance." "Buy me a cake?" "A baguette, please." "You look upset today." "You haven't heard?" "My husband escaped." "How awful." "You must be afraid." "Shall I walk you home?" "Cut." "More determined." "Do you need me right now?" " No." "Going okay?" " We're a bit behind." "Anne, this came for you." "Places, everyone." "Say the exact lines you said before." "I left much too soon!" "Jean-Louis" "Everyone out of the bakery, this is a take." "Here's our position." "We are in the Blue Mountains heart of the Tenere region." "Expect to reach Nguigmi in three days, if all goes well." "What happened?" " Like any freeway traffic jam and a speed trap." "Be serious." " Valve." "Rocker arm." "Valve." " Rocker arm." "Rocker arm, indeed." "How very odd." "I'm going back." "What?" " Back to Paris." "The nearest plane is four days away." "It's the last favor I'll ask." "I take her to lferouane and meet you in five days." "I think it's crazy." "Radio contact every five hours, 13 megacycles." "Hire a guide coming back." "Thanks a lot." "Let's eat." "Do you hate me?" "Keep watching that compass." "What if I gave you a wrong heading?" "You'd commit the perfect crime." "Jean-Louis to Thierry." "No, it's Antoine." "How's it going?" "Fine, we're making good time." "No problem?" " No, no problems." "Where are you?" "About 125 miles from camp, on the route to lferouane." "We're stopping to sleep soon, call you when we wake up." "Jean-Louis." "Jean-Louis." "Jean-Louis." "Didn't you sleep?" "A bit." "Jean-Louis to Thierry." "It doesn't work." "I pulled out the wires." "I slashed the tires, dumped the water." "What have you done?" "See what you did?" "Know what this means?" "Of course you do." "Yes, Agadez, 12 hours with no news of the Lancia driven by Jean-Louis Duroc." "We'll try to pick up their tracks." "Keep a radio watch on 13 megacycles for the next 20 hours." "We'll contact you every five hours." "How long will that last us?" "How long till we die of thirst?" "First, you'll become very ugly." "Your skin will dry out." "Your face will blister." "Your tongue will swell until you suffocate." "To escape the final hours of torment the Tuaregs bare their necks to the sun." "Seems it's a peaceful death." "Anyway, they'll follow the route to lferouane." "I gave you a wrong heading." "At what time?" " Almost from the beginning." "Marie-Sophie help me, damn you!" "Antoine to Thierry." "All traces wiped out by storm." "Impossible to continue." "It was on the news." "I'll try to find out more." "Relax." "Nobody gets lost in the desert nowadays." "I'll keep you posted." "You're such a child." "And she's a woman." "I want to die before you." "Thierry will find us." "Go eat your grapefruit." "Do as I tell you!" "I'm staying in the projection room." "Antoine to Thierry." "Setting off explosions in case they're behind the dunes." "Do you hear me?" "Thierry to Maurice." "Send truck due east." "Head the car due south." "I'll be here all day." "Call at any hour." "Transfer Anne Gauthier's calls to Studio B." "Hold on." "It's Cortal." "Thanks for what you told the press." "You're right." "I'm cured." "Where are you?" " Where we agreed." "I'll come get you." " I'll wait." "What is it?" "He wants to see me." "He's giving himself up." "Do you need me?" "Call you from the car." "Going out?" "Not for long." "Cut." "A good rehearsal." "Been here long?" "Are you making all that noise?" "The spitting image of you." ""Someone else worked in order to raise him..." Do you know that story?" "Excuse me?" " What?" "I said "as usual" instead of "as planned." I'm sorry." "Well, yes, but it's "as usual." This is the third time." "Any news?" "You'll have a good life if we get out." "You'll do things you never did with me." "Don't say that." "A plane's a lovely thing." "Why fly so high, the idiots?" "Can I have the gun?" " Sure." "No point being together." "Come up in 10 minutes." "The passport?" " Upstairs." "Doctor thank you." "Well?" " He went to the police." "Nobody saw you?" "Sit down." "I'll get the things together." "Want a drink?" " No, thank you." "It will do you good." "Help yourself." "Why did you tell your wife?" "She won't talk." "You promised you'd tell no one." "Who is it?" " Professor Thevenin." "Your daughter?" "What's your name?" " Valerie." "Hello, Valerie." "What's going on?" "Cortal told you?" "I won't say anything." "Nice place." "She knows?" " No." "Yes, I do." "I won't tell." "Neither will she." "I know." "I know you won't." " Then why the escape?" "Why did he have to tell his wife?" "Now we show it to Thevenin." "Anyway, I promised." "Think he'll have it banned?" "I hope he tries." "A call from Niger." "The helicopters want to call off the search." "I can't hear you." "Louder." "Not even one more day?" "One more day." "But I'll pay you." "One more day, that's not much." "From the windshield washer." "I think about her all the time." "You're a pain in the ass." "I took a shortcut and got lost." "No, I gave him a wrong heading." "I was driving..." " I wanted to go home." "We had a compass..." " I did it." "I checked her heading." " I did it all." "I got us lost on purpose." "I wanted us to die." "I emptied out the water." "I punctured the tires." "I did it on purpose." "We're both tired." "Is Anne Gauthier's film involved in this?" "Of course." "I didn't want him to see her again." "I didn't want to lose him, and I blew it!" "But I really meant it." "I wanted us both to die." "It was a suicide so he'd never come back." "I didn't want to be rescued." "Slower, Robert." "You're placing his fingerprints." "Okay, now start backing out." "One last look, then head for the bedroom." "Crane." "Good, thank you." "The door will be shut." "You open it and go in." "Perfect." "Cut." "That's it for today." "How are you?" "Not disturbing you?" "Stick them up, Deadeye Dick." "This is Tanya Lopert." " I've seen you on stage." "Who hit you?" "I had a run-in with the director." "Glad you're back." "Thank you." "Why the blood?" " Cortal." "Cortal?" "I'll explain." "I'm a great fan of yours." " You flatter me." "Hello." " Hello." "He has taste." "Patrick." " Hello." "You in the film?" "I've been talking about you." " He's in televisión." "What is this, your place or mine?" "No." "It's still Richard Berry but he's not you." " What do you mean, not me?" "Police?" "Professor Thevenin here." "Cortal's at my place." "He killed my wife and shot himself." "I'll wait." "Let's go." "Movie hokum." "Movie hokum." "You made it all up, you bastards!" "Movie hokum!" "I didn't kill my wife!" "Bastards!" "I didn't kill her." "Here's number 188." "That's it." "Here we go." "Right, call me after the first show tomorrow." "Well?" "My kind of Saturday." "Almost all sold-out." " Good." "Are you sorry?" "Look at me." "Do I look as if I'm sorry?" "You smoke too much." "You think she'll win?" "I'm going for a walk." "You watch your program." "If you come join me, I'll quit smoking." "What's so funny?" "Whenever I go to or from Deauville, it rains." "And now that I've seen how you shoot rain scenes..." "How long since our last cigarette?" "Going on three hours." "Good for us." "They say the first three hours are the worst." "After all the scandal and publicity concerning Anne Gauthier's new film Professor Thevenin has finally confessed he used his patient to dispose of his wife." "Journalist Patrick Poivre D'Arvor will explain how he stumbled on an autopsy report showing that Cortal killed himself before he shot his wife and child." "Police ignored the findings since other evidence pointed to Cortal." "Thevenin, who found solace surprisingly quickly never opposed the film, believing it to be his own versión." "He even allowed cameramen into his hospital and authorized photos of his apartment." "Hard to race when there's so many." "All those waves to contend with." "You can't cut through, so you make your turn wide." "Go on, Antoine!" "Look over there." "On the bridge." "Handsome couple." "Did you suspect?" " Vaguely." "At least they didn't wait 20 years." "Where's Antoine now?" " In fourth place."