"WELL, WHAT DID HE SAY?" "THE PAWNBROKER WAS OUT, SO I TALKED TO HIS WIFE." "YOU KNOW, SHE CAN SPEAK ENGLISH, FRENCH, AND SPANISH?" "OH, NEVER MIND THAT." "WHAT DID SHE SAY?" "SHE SAID "NO," IN 3 DIFFERENT LANGUAGES." "A FINE WAY TO TREAT A STEADY CUSTOMER." "I DO ALL MY PAWNING THERE." "YOU GOT A CIGARETTE, RENE?" "YEAH." "I HATE TO BREAK UP YOUR COLLECTION." "MONTMARTRE, ONE OF THE OLDEST" "AND MOST DISTINCTIVE QUARTERS OF PARIS." "MANY FAMOUS PAINTERS AND SCULPTORS" "HAD THEIR STUDIOS IN MONTMARTRE," "WHICH OCCUPIES A COLORFUL PLACE IN FRENCH HISTORY." "OH, MYRTLE, MYRTLE, DON'T READ IT." "VISUALIZE IT." "FOR ALL WE KNOW, EMILE ZOLA SAT" "RIGHT THERE WHERE YOU'RE SITTING," "TALKING TO PAUL CEZANNE." "AND MAYBE NAPOLEON WATERED HIS HORSE RIGHT HERE." "THERE COMES LOUIS PASTEUR," "LAUGHED AT BY ALL THE PEOPLE WHO CALLED HIM A FOOL." "OH, LISTEN." "LISTEN, MYRTLE." "THE SACRE COEUR." "OH, IT'S GETTING LATE, MISS WINTERS." "YOU HAVE AN 8:00 DINNER DATE" "WITH LADY MALVERTON AT THE RIVOLI BAR." "YES, I KNOW." "WHAT TIME?" "8:00 AT THE RIVOLI BAR." "I WISH LADY MALVERTON WOULD LEAVE ME ALONE." "I WISH LADY MALVERTON WOULD LEAVE ME ALONE." "WHY DOESN'T SHE GO" "BACK TO LONDON AND TAKE ALONG HER NIECE JILL." "AND HAVE YOU EVER SEEN HER NICE JILL?" "DON'T FORGET." "A LOT OF JACK GOES WITH THAT JILL." "ALL RIGHT, MOTHER GOOSE." "AND NOW YOU GO BACK TO THE HOTEL, MYRTLE." "I'LL SEE YOU LATER." "I WANT TO WALK AROUND AND TAKE IN" "SOME MORE OF THIS LOCAL COLOR." "VERY WELL, MISS WINTERS." "REMEMBER, LADY MALVERTON, 8:00." "I WOULDN'T MISS IT FOR THE WORLD." "DEWEY, MY FRIEND, WE SHALL MAKE ONE LAST ATTACK ON THE ENEMY." "COME ALONG." "AND SOMETHING TELLS ME THAT WE'LL BE ABLE TO CONVINCE MY AUNT." "WHERE DOES THAT AUNT STUFF COME IN?" "IN AMERICA, WE CALL PAWNBROKER'S UNCLES." "I KNOW, BUT IN FRANCE, WE'LL ALWAYS STAY WITH THE LADIES." "COME ALONG." "OH, FRANCE." "BONSOIR, MADAME BRIOCHE," "MY FULL-BLOWN ROSE." "AH, MONSIEUR RENE." "MY HUSBAND IS OUT." "THAT'S GOOD." "I'D RATHER DO BUSINESS WITH YOU." "OH, BUT YOU CAN'T." "MY HUSBAND SAYS I ALWAYS LEND YOU TOO MUCH." "YOU GET AROUND ME." "OH, MRS. BRIOCHE." "HOW WOULD ANYONE GET AROUND YOU?" "HE DOES." "HE CHALLENGED ME SO MUCH, THEN I" "BELIEVE ME, I'M SINCERE." "YOU KNOW THAT EACH NIGHT, WHEN I GO TO BED," "YOU'RE THE LAST ONE I THINK OF?" "YEAH." "YOU GOT HIS PAJAMAS." "YOU SEE, EVERYTHING I HAVE IS YOURS." "EVERYTHING BUT THE SUIT HE'S WEARING." "AND NOW EVEN THIS I'M ABOUT TO LAY AT YOUR FEET." "YOUR LAST SUIT." "OH, BUT YOU CAN'T." "EVEN IN PARIS, YOU MUST WEAR SOMETHING." "AH, MY PRETTY PIGEON." "YOU'RE SO SYMPATHETIC." "I KNEW YOU'D UNDERSTAND." "ISN'T SHE A DARLING?" "SHE'S AS SWEET AS SUGAR." "SOME LUMP." "NOW, I MUST WEAR MY EVENING CLOTHES, JUST FOR TONIGHT," "AND I'M GOING TO LEAVE YOU THIS SUIT IN EXCHANGE, MY DEAR." "OH, BUT I CAN'T." "MY HUSBAND, HE WOULD KILL ME." "BUT YOU MUST HAVE A HEART." "THINK OF MY POOR SUIT," "HANGING IN THAT DARK CLOSET ALL THESE DAYS." "EVEN A SUIT MUST HAVE A LITTLE FUN." "OH, MONSIEUR RENE, PLEASE." "IF YOU COULD ONLY LEAVE SOMETHING MORE," "JUST TO KEEP MY HUSBAND QUIET." "WELL, I CAN LEAVE YOU MY FRIEND." "HE'LL KEEP YOUR HUSBAND QUIET." "OH, NO, YOU'RE NOT GOING TO HOCK ME." "DEWEY, MY AMERICAN FRIEND." "NOTHING DOING." "YOU'RE NOT GOING TO HANG ME UP" "IN A DARK CLOSET ALL NIGHT." "BUT I TELL YOU WHAT I WILL DO." "HOW'S IT LOOK?" "OK, ONLY I'D ADVISE YOU TO STAY OUT IN THE AIR." "YOU SMELL FROM CAMPHOR." "THOSE CAMPHOR BALLS, YOU COULD BUMP OFF EVERY MOTH IN PARIS." "THERE'S SO MANY THINGS I'D RATHER DO" "THAN GO TO LADY MALVERTON'S PARTY TONIGHT." "AT LEAST YOU KNOW YOU'RE GOING TO EAT." "FOR MY DOUGH, I'D RATHER TAKE A GOOD SLAP IN THE MOUTH." "HEY!" "WHAT'S THE IDEA?" "YOU KNOW YOU CAN KILL A GUY?" "WITH THOSE EYES OF YOURS?" "PARLEZ-VOUS FRANCAIS?" "YOU KNOW, DEWEY, MY FRIEND, I" "OH, THERE MUST BE SOME MISTAKE." "I'M NOT A MEMBER OF THE WEDDING PARTY." "ISN'T THAT FUNNY?" "NEITHER AM I." "BUT I'M SIMPLY CRAZY ABOUT WEDDINGS." "WELL, YOU'RE CERTAINLY CRAZY ABOUT SOMETHING." "TAXI." "TAXI." "MAY I DROP YOU SOMEWHERE?" "YES, YOU CAN DROP ME RIGHT HERE." "IT'LL BE SO NICE NOT KNOWING YOU." "OFFICER, I THINK THIS YOUNG MAN IS LOST." "WILL YOU MIND HIM TILL SOMEBODY CLAIMS HIM?" "WHAT DOES HE MEAN?" "HE DOESN'T TALK ENGLISH," "BUT I'LL BE GLAD TO TRANSLATE." "OH, THAT'S FINE." "TELL HIM YOU'RE BEGINNING TO GET ON MY NERVES." "HE WOULDN'T BELIEVE THAT." "YOU HATE YOURSELF, DON'T YOU?" "OH, NO." "I LIKE MYSELF." "WELL, YOU'RE CERTAINLY EASY TO PLEASE." "MADEMOISELLE JOKES." "TELL HIM TO GET RID OF YOU FOR ME." "ALL RIGHT." "TAXI!" "TAXI!" "TAXI!" "TAXI!" "TAXI!" "TAXI!" "WELL, AM I GOING YOUR WAY?" "NO." "LET ME GO YOUR WAY, ALWAYS." "THAT'S RIGHT." "YOU MUST NEVER LEAVE ME." "WE'LL JUST GROW OLD TOGETHER." "YOU'LL NEVER GROW OLD." "OH, YES, I WILL." "I'VE AGED A GOOD DEAL IN THE PAST FEW MINUTES." "BUT WHY?" "AS WE SAY IN AMERICA," "WE HARDLY EVER PLAN OUR FUTURE" "WITH MEN WE DON'T KNOW." "OH, BUT YOU AMERICANS HAVE NO IMAGINATION," "NO FREEDOM, NO LIBERTY" "NO, NO." "YOU HAVE THE LIBERTY." "WE JUST HAVE THE STATUE." "TONIGHT WILL BE SO WONDERFUL." "I'M GOING TO SHOW YOU PARIS," "AND PARIS YOU." "OH, YOU'RE A GUIDE." "THANKS, BUT I'VE SEEN PARIS." "NOT MY PARIS." "WHAT DO YOU VISITORS EVER SEE OF IT?" "I'M GOING TO SHOW YOU" "A CITY OF THE GREAT PAINTERS, MUSICIANS, AND POETS." "THE PARIS OF MIMI AND MUSETTES." "WE'LL LOOK DOWN FROM THE LATIN QUARTER," "WHERE CHARPENTIER WAS INSPIRED TO WRITE" "HIS OPERA "LOUISE."" "THE PARIS OF PARISIANS." "PARIS, QUOI?" "PARIS QUOI?" "I'LL TEACH YOU TO KNOW ITS STRANGE AND MUSTY FRAGRANCE." "IT'S UNIQUE." "YOU WON'T FIND IT ANYWHERE ELSE ON EARTH." "NOW, CLOSE YOUR EYES." "CLOSE YOUR EYES." "BREATHE DEEPLY." "DO YOU SMELL IT?" "ACACIA BLOSSOMS, WILD VIOLETS, LILAC." "YES, I SMELL ALL THAT AND A LITTLE CAMPHOR." "WELL, THAT'S NOT PARIS, THAT'S ME." "MY SUIT." "MY AUNT KEEPS IT IN CAMPHOR." "DO YOU LIVE WITH YOUR AUNT?" "NO, BUT MY CLOTHES DO." "WHAT DID HE SAY?" "HE SAID IT'S DINNERTIME." "OH, DEAR, IT'S DARK!" "IS IT THAT LATE?" "YES." "YOU SEE, DARLING, WE DIDN'T REALIZE." "NOW YOU'RE GOING TO TAKE ME RIGHT BACK TO MY HOTEL." "I'M DINING OUT." "OH, NO." "WE MUST DINE TOGETHER." "I HAD A DATE, TOO, BUT, UH," "I MADE IT BEFORE I MET YOU." "AH, IT SEEMS SO LONG AGO." "REMEMBER AFTER THE WEDDING, HOW YOU KISSED ME" "AND CARRIED ME OVER THE THRESHOLD OF OUR LITTLE TAXI?" "OH, WE'VE BEEN SO HAPPY HERE." "COZY, ISN'T IT?" "WONDERFUL HOW YOU CAN RUN A LITTLE HOME" "ON 10 MILES PER GALLON." "MAKING FUN OF ME?" "NO, I'M NOT, HONESTLY." "DO YOU KNOW WHAT I WAS THINKING?" "NEXT SPRING, IF YOU GET A RAISE," "WE'LL HAVE IT ALL DONE OVER IN EARLY AMERICAN." "MAYBE I'VE BEEN A LITTLE TOO FRESH." "I HUMBLY APOLOGIZE." "WHAT ARE YOU UP TO NOW?" "I KNOW WHEN I'VE BEEN DEFEATED." "I'LL TAKE YOU HOME." "BUT I DON'T THINK YOU'VE BEEN PUNISHED ENOUGH." "TAKE ME TO DINNER." "BUT IT'S ONLY BECAUSE I'M HUNGRY." "BONSOIR, MONSIEUR RENE." "WE ARE TWO." "MAY WE HAVE A WALL TABLE?" "OH, I'M SO SORRY, MONSIEUR RENE." "THEY ARE ALL RESERVED," "BUT IF YOU WILL PLEASE COME THIS WAY." "LET'S SIT HERE." "OH, BUT IT'S RESERVED." "OH, THIS?" "LOOK." "ARE YOU A MAGICIAN?" "I KNOW A FEW TRICKS." "BUT, MONSIEUR RENE, THIS TABLE IS RESERVED." "THANK YOU, THEODORE." "THAT WAS VERY NICE OF YOU TO KEEP IT FOR US." "MONSIEUR RENE." "MADAME." "THEY HAVE AMERICAN CUISINE HERE, FROM DIXIE." "MY APPETITE'S IN YOUR HANDS." "YOU ORDER FOR ME." "ALL RIGHT." "WELL, WE'LL HAVE" "A CHATEAUBRIAND SAUCE DE ANAIS" "AND A BOTTLE OF AUBRION 1911." "WILL MONSIEUR RENE PREPARE THE SAUCE HIMSELF?" "OF COURSE, THEODORE." "DON'T TELL ME YOU COOK, TOO." "OH, MONSIEUR RENE'S DISHES ARE FAMOUS." "HE'S THE ENVY OF EVERY CHEF IN PARIS." "REALLY?" "YOU'RE LAUGHING NOW, BUT I'LL MAKE YOU EAT THAT LAUGH." "TOMORROW WHEN WE TAKE LUNCH TOGETHER" "OH, ARE WE LUNCHING TOMORROW?" "IT'S UP TO YOU." "WELL, MAYBE WE'RE LUNCHING TOMORROW." "I'LL PREPARE FOR YOU MY MOST FAMOUS DISH:" "CHICKEN A LA RENE." "IT ISN'T EVERYBODY THAT CAN HAVE" "A CHICKEN NAMED AFTER THEM." "ALL RIGHT, ALL RIGHT." "I'LL SAY NO MORE TILL TOMORROW." "I'LL MEET YOU IN MONTMARTRE" "AT THE FOUNTAIN AT NOON," "WHEN THE CHIMES OF THE SACRE COEUR RING OUT." "WHEN THE CHIMES RING OUT?" "THERE'S A NEW DARK MUSIC" "BY A NEW DARK MAN" "AND HE WRITES HIS SYMPHONIES IN BLACK AND TAN" "ALL HIS RHYTHMS SEND YOU" "OTHER SONGS ARE TAME" "BUT THE OUTSIDE WORLD HAS NEVER HEARD HIS NAME" "THERE'S A BOY IN HARLEM WAY UPTOWN" "AND HE WRITES ALL THE SONGS" "MAN, MANHATTAN BELONGS TO HIM" "WHEN HE LAYS HIS FINGERS DOWN" "OH, HE WON'T LEAVE HARLEM NO, NO" "BUT HIS TUNES GAD ABOUT YEAH" "HE POUNDS THEM OUT WHEN THE..." "MADAME." "LADY MALVERTON." "OH, YES, MADAME." "PARTY OF 8." "WELL, WE ARE-- WE ARE 5 AT THE MOMENT," "BUT THE OTHERS MAY BE COMING ALONG LATER." "MADAME." "ALL THE SLOPPY ALL THE WRITERS COPY" "THIS PERSON IN THE WOODPILE" "OH, HE WORKS FOR PLEASURE" "HE WORKS FOR PLEASURE" "IN NO ONE'S EMPLOY" "AND HARLEM LIVES FOR ITS HARLEM BOY" "WHAT'S THE MATTER?" "I'M HAVING A BAD BREAK." "MY DINNER ENGAGEMENT JUST CAME IN." "ALL OF THEM." "WELL, THAT SHOULDN'T BOTHER YOU." "JUST MAKE THEM DISAPPEAR." "MAYBE YOU BETTER MAKE ME DISAPPEAR." "HOW DO YOU-- WHAT SHOULD I DO?" "I KNOW." "WE'LL SLIDE UNDER THE TABLE" "AND LET THEM SERVE US ON THE FLOOR." "TRAPPED." "NOW, YOU ANSWER THE PHONE" "AND TELL HER I'M OUT." "YOU TALK AND TELL HER YOU'RE THE COOK." "ALL RIGHT." "HELLO." "USE THE PHONE." "YEAH." "HELLO." "RENE, WHATEVER HPENED?" "WELL, OF COURSE IT WAS DEFINITE." "WE'VE BEEN WAITING AT THE RIVOLI BAR." "WELL, COME AND JOIN US NOW." "OH, I--I'M SO SORRY," "BUT, UM, I HAVE MY-- MY NIECE WITH ME." "OH, IT'S QUITE ALL RIGHT TO BRING YOUR NIECE WITH YOU." "NIECE?" "HE'S PULLING YOUR LEG, PAULA." "OH, RENE, COME OVER NOW." "OH, WE'D BE DELIGHTED." "WELL, I'M AFRAID WE'LL HAVE TO GO OVER." "COME ALONG, NIECE." "NO, NO, UNCLE RENE." "ALL RIGHT, BUT WILL YOU EXCUSE ME" "IF I GO OVER AND MAKE OUR APOLOGIES?" "PARDON ME, BUT WE HAVE A LITTLE BET ABOUT YOU." "AREN'T YOU KAY WINTERS, THE AMERICAN MOVIE ACTRESS?" "OH, NO, NO, NO, NO." "I ALWAYS THOUGHT, MISS WINTERS," "SHE HAVE BLONDE HAIR, NO?" "THAT'S WHAT I THOUGHT." "GUESS I'M STUCK FOR THE DRINKS." "I BEG YOUR PARDON." "THIS LADY IS WITH ME." "OH, THAT IS ALL RIGHT, RENE." "THE BOYS, THEY MISTOOK ME FOR SOMEBODY ELSE." "SORRY, OLD MAN." "NO HARM." "IT'S AN OLD TRICK." "THE IDEA OF SPEAKING TO YOU" "WITHOUT EVEN AN INTRODUCTION." "YES." "IF THEY WERE GENTLEMEN," "THEY WOULD'VE KISSED ME FIRST." "I'LL BE RIGHT BACK." "AND THIS IS MR. AND MRS. BULLIT." "HOW DO YOU DO?" "HOW DO YOU DO?" "BUT WHY DIDN'T YOU BRING YOUR NIECE?" "WELL, YOU SEE, SHE HAD A FEW GLASSES OF WINE," "AND, UH, SHE'S RATHER TIMID." "IS SHE PRETTY?" "WE CAN'T SEE HER FACE FOR THAT HAT." "OH, SPEAK FRENCH TO HIM, JILL." "YOU KNOW, SHE JUST WON'T SPEAK FRENCH," "AND HER LESSONS COST US THOUSANDS." "MADAME." "OH, MY TAXI'S WAITING RIGHT THERE." "LOUIS XIV." "QUOI?" "LOUIS XIV." "QUOI?" "LOUIS QUATORZE." "OH, QUATORZE..." "WHY, LOOK, MONSIEUR DE VILADEL." "YOUR, UH, NIECE IS GONE." "OH, THAT SILLY CHILD." "SHE SHOULDN'T ROAM AROUND PARIS ALONE." "YOU KNOW, SHE'LL BE LOST." "I KEEP ON FINDING HER, LOSING HER..." "WILL YOU EXCUSE ME?" "MADEMOISELLE LEFT THIS FOR YOU, MONSIEUR." "OH, SHE'S GONE?" "IT'S, UH, ALMOST PERFECT" "UNDER THESE CIRCUMSTANCES." "AHEM." "CANCEL OUR DINNER, WILL YOU?" "OUI, MONSIEUR." "THANK YOU VERY MUCH." "THE MIMIS AND MUSETTES." "HERE YOU ARE, PAPA." "KEEP IT ALL." "MERCI, MADEMOISELLE." "SHE CHANGE HER HAIR." "HELLO, PHILLIP." "HELLO, PHILLIP." "KAY, DARLING, WHERE HAVE YOU BEEN?" "I WAS IN MONTMARTRE GETTING A LITTLE ATMOSPHERE." "YOU KNOW, TODAY I SAW PARIS FOR THE FIRST TIME." "ISN'T FRANCE WONDERFUL?" "EVERYBODY SPEAKS FRENCH, EVEN THE CHILDREN." "HUH?" "OH, I DON'T MEAN" "THE PARIS YOU TOURISTS KNOW." "I MEAN PARIS." "DID YOU EVER LOOK DOWN FROM THE LATIN QUARTER" "WHERE THE MAN WAS INSPIRED TO WRITE THAT OPERA?" "WHAT DO YOU CALL IT?" "OH, PHILLIP, ISN'T IT WONDERFUL?" "WHAT ARE YOU TALKING ABOUT?" "CLOSE YOUR EYES." "HAVE YOU EVER SMELLED" "ACACIA BLOSSOM, WILD VIOLET, AND CAMPHOR" "ALL IN THE SAME SNIFF?" "THAT'S GREAT." "WHILE YOU'VE BEEN SNIFFING" "ACACIA BLOSSOMS AND WILD CAMPHOR," "PAULA MALVERTON AND THE BULLITS" "HAVE BEEN WAITING FOR US TO JOIN THEM FOR DINNER." "OH, PHILLIP, I DIDN'T KNOW IT WAS DEFINITE." "WHY, OF COURSE IT WAS." "THEY'VE BEEN WAITING AT THE RIVOLI BAR" "SINCE 8:00." "BUT THEY'RE NOT HERE NOW." "HOW DO YOU KNOW?" "WELL, I DON'T KNOW, BUT I KNOW." "WHAT DO YOU MEAN, YOU DO KNOW BUT YOU DON'T KNOW?" "DO YOU OR DON'T YOU?" "YOU'RE ALWAYS CONTRADICTING ME." "I'M NOT CONTRADICTING YOU." "YOU ARE SO." "YOU ALWAYS DO." "IF I SAID BLACK WAS WHITE, YOU'D SAY IT WASN'T." "NEVER MIND THAT NOW." "CHANGE YOUR CLOTHES." "I KNOW WHERE I CAN FIND THEM." "PAULA SAID SHE WANTED TO VISIT LE PETIT HARLEM." "OH, BUT I CAN'T GO THERE." "WHY NOT?" "BECAUSE I DON'T WANT TO GO THERE." "I DON'T WANT TO GO OUT TONIGHT AT ALL." "I'M TIRED AND I'M NOT IN THE HUMOR FOR NOBILITY." "YOU'RE NEVER IN THE HUMOR FOR THE RIGHT PEOPLE." "IF YOU ONLY KNEW HOW I HATE THE RIGHT PEOPLE." "SOMEHOW THE WRONG PEOPLE ARE ALWAYS THE RIGHT PEOPLE WITH ME." "THAT'S ABOUT AS INTELLIGENT AS" "EVERYTHING ELSE YOU'VE SAID SINCE YOU CAME HERE." "WELL, I'M NOT INTELLIGENT," "AND AREN'T YOU GLAD I DIDN'T MARRY YOU WHEN YOU PROPOSED TO ME" "THAT DAY YOU HAD YOUR TONSILS OUT?" "NO, I'M NOT." "SEE WHAT A STUPID WIFE YOU'D HAVE HAD?" "KAY, YOU'D MAKE THE MOST WONDERFUL WIFE IN THE WORLD," "BUT YOU SHOULD HELP ME TRY" "TO CULTIVATE THE RIGHT PEOPLE." "YES." "JILL MALVERTON, FOR INSTANCE." "WHAT'S WRONG WITH JILL?" "NOTHING, NOTHING." "SHE'S GREAT FUN." "SO VIVACIOUS." "SHE REMINDS ME OF THOSE PHOTOGRAPHS" "THEY CABLE FROM LONDON." "MYRTLE!" "JUST THE SAME, I SOLD HER A POLICY FOR 50,000." "OH, ANOTHER POLICY." "YOU KNOW, YOU SHOULD NEVER CALL PEOPLE BY THEIR NAMES." "YOU SHOULD CALL JILL "POLICY 41143"" "AND PAULA "POLICY 41144."" "MY WIG'S ON THE TABLE." "HAVE IT DRESSED FOR TOMORROW." "I'LL HAVE THEM SEND FOR IT." "WE WON'T NEED YOUR DISGUISE." "I'M NOT LEAVING TOMORROW." "BUT YOU'VE GOT TO." "YOU'VE GOT TO GO BACK AND FINISH YOUR PICTURE." "THEY ONLY GAVE YOU THE WEEKEND." "WELL, THEN, WE'LL FLY." "THERE'S SOME LOCAL COLOR I HAVE TO SEE TOMORROW NOON." "ALL RIGHT." "I'LL GO AND FIND PAULA." "WELL, I'M SORRY I'M TIRED." "I'LL CALL YOU AT YOUR HOTEL IN THE MORNING." "OH, DON'T GO AWAY MAD." "I'M NOT." "WELL, THEN, COME KISS YOUR LITTLE" "POLICY 71113." "GOOD-BYE." "GOOD-BYE." "DEWEY, GET UP." "WHERE ARE MY BOOKS, MOM?" "DEWEY, GET UP." "IT'S 12:00." "IF I PASS MY SPELLING TEST, MOM," "CAN I HAVE A SCOUT KNIFE?" "DEWEY!" "MY RENDEZVOUS IS AT THE FOUNTAIN ALREADY." "GET UP." "OH, IT'S YOUR DATE." "WHAT DO YOU WANT ME FOR?" "GET UP." "I WANT YOU TO GET BACK" "MY BLUE SUIT FROM MADAME BRIOCHE." "COME ON, GET UP." "HURRY UP." "MADAME." "WELL, IT'S CERTAINLY DONE WONDERS FOR YOU." "OUI, MADAME." "HERE, TAKE THIS QUICK TO MADAME BRIOCHE," "AND DON'T COME BACK WITHOUT MY BLUE SHOES." "COME ON." "CAN I STOP FOR A CUP OF COFFEE?" "NO, THERE'S NO TIME." "NOT EVEN A DEMITASSE?" "GO ON." "HURRY UP, DEWEY." "DON'T GO, DARLING." "HAVE FAITH." "DON'T GO." "DON'T GO." "TAXI!" "OH, TAXI!" "TAXI!" "TAXI!" "EAT, EAT, EAT." "TAXI!" "TAXI!" "EAT, EAT, EAT." "TAXI!" "TAXI!" "LUNCH!" "LUNCH!" "LUNCH!" "AAH!" "TAXI!" "TAXI!" "EAT, EAT, EAT." "HELLO." "WELL, WHAT ARE YOU SUPPOSED TO BE?" "I'M SO SORRY I'M LATE." "I FLEW HERE AS FAST AS I COULD" "ON MY MAGIC CARPET." "WHY DIDN'T YOU TELL ME WE WERE GOING FORMAL?" "THEN I'D HAVE WORN MY NICE, NEW CHANDELIER." "I'M SO AFRAID YOU WOULDN'T WAIT" "THAT IAME HERE TO TELL YOU" "THAT I'D BE HERE VERY SOON." "I MEAN--I--I'D COME BACK" "AS SOON AS I FINISHED DRESSING" "FINISHED DRESSING?" "WELL, I DON'T KNOW" "WHAT ELSE YOU COULD PUT ON." "I KNOW IT LOOKS RIDICULOUS," "BUT WHEN I SAW YOU CALLING TAXIS," "I--I HAD TO SLIP ON SOMETHING." "SO YOU SLIPPED ON A COUPLE OF RUGS." "WELL, IT'S BETTER THAN NOTHING." "YES." "OH, HOW MUCH, YOUNG MAN?" "I'M SORRY, BUT THIS RUG IS NOT FOR SALE." "NOT FOR SALE?" "NO, NO, THIS LADY JUST BOUGHT IT." "ON, NO, NO, NO." "I'M BUYING THIS ONE." "THEN I'LL TAKE THIS." "HOW MUCH?" "I--I CAN'T SELL IT." "YOU SEE, THE PROPRIETOR'S OUT AT LUNCH," "AND I'M JUST MINDING THE STORE FOR HIM, THAT'S ALL." "YOU CAN'T SELL IT?" "NO, AND BESIDES, IT'S MUCH TOO DEAR TO ME." "I HAD MY PICTURE TAKEN ON THIS RUG" "WHEN I WAS 6 WEEKS OLD." "OH, YES, IT'S BEEN IN THE FAMILY" "EVER SINCE IT WAS A LITTLE BATH MAT." "SHE'S RIGHT." "IT'S AN ANTIQUE." "THEN I MUST HAVE IT." "OH, NO, NO, NO, NO, NO." "I'VE--I'VE THOUGHT IT OVER." "I'LL TAKE BOTH OF THEM." "OH, NO, YOU CAN'T DO THAT." "YOU'VE BOUGHT YOUR ONE AND WE'LL TAKE THE OTHER." "YES, WE'RE TAKING THE OTHER." "I GUESS I CAN CHANGE MY MIND IF I LIKE." "I WAS HERE FIRST." "THAT HAS NOTHING TO DO WITH IT." "WE'LL TAKE IT." "DON'T!" "DON'T DO IT!" "PLEASE DON'T--OH." "VIVE LA FRANCE." "A FINE THING." "TWO HOURS IT TAKES YOU TO BRING BACK ONE BLUE SUIT." "ONE HOUR FOR THE PANTS" "AND ONE HOUR FOR THE COAT." "MADAME BRIOCHE WAS EASY ON ME." "I ONLY HAD TO WALK AROUND PARIS ONCE." "MY PAL, YOU MAKE ME MISS MY DATE," "AND NOW I DON'T KNOW WHERE TO FIND HER." "WHY DO THEY PUT SO MUCH CEMENT IN CONCRETE?" "ENTREZ." "BONJOUR." "HIYA, POP." "LOOK HERE, POP." "I'LL PAY YOU FOR THE TAXI" "FORGET THAT." "RENE, MONSIEUR," "YOU CAN DO ME A BIG FAVOR." "YOUR FRIEND, THAT LADY I DROVE LAST NIGHT." "WILL YOU MAKE HER WRITE HER SIGNATURE IN MY BOOK?" "WHAT DO YOU THINK I AM?" "A MAGICIAN?" "YOU WANT ME TO PULL HER OUT OF THIN AIR?" "OH, BUT I COLLECT THE SIGNATURES" "OF ALL THE BIG CINEMA STARS." "BUT SHE'S NO CINEMA STAR." "OH, BUT YES." "SHE'S ONE OF THE BIGGEST." "DIDN'T YOU SEE THE PAPER TODAY?" "THAT'S HER." "THE 4:00 PLANE." "WHAT TIME IS IT?" "BUT IT ISN'T UNTIL 4:00." "HEY, WHERE YOU GOIN'?" "WHO'S GOT CHANGE?" "JUST GIVE HER MY ADDRESS." "SHE CAN MAIL ME THE AUTOGRAPH." "OH, QUIET." "MISS WINTERS' ROOM, PLEASE." "ALLO?" "BIEN." "MERCI." "AU REVOIR, MONSIEUR." "SHE LEFT." "THANK YOU." "SORRY, POP." "NO AUTOGRAPH TODAY." "I'VE GOT TO SEE HER AGAIN." "SHE CAN'T COME IN AND OUT OF MY LIFE LIKE THIS." "I WON'T HAVE IT." "IT SPARKLES JUST AS SHE SPARKLES." "SHE'S EVEN MORE BEAUTIFUL." "IMAGINE LEAVING PARIS WITHOUT EVEN SAYING GOOD-BYE." "SHE DON'T KNOW WHERE YOU LIVE, DOES SHE?" "I'VE GOT TO SEE HER AGAIN." "BESIDES, I MUST RETURN THOSE DIAMOND CLIPS." "BUT HOW CAN WE GET TO LONDON?" "DON'T WORRY ABOUT A THING." "JUST PUT YOURSELF IN MY HANDS," "AND I'LL PUT YOU IN HER LAP." "OH, YES." "LADIES AND GENTLEMEN," "PLEASE, PLEASE DON'T WIGGLE ABOUT SO MUCH." "YES." "NOW, THEN." "THAT'S ALMOST VERY GOOD." "OH, WOULD THE PARROT KINDLY JUST SNUGGLE IN A LITTLE BIT CLOSER TO THE HORSE." "1, 2, 3!" "I ESS THIS IS THE SHACK." "I HOPE SHE'S HOME." "WELL, IF SHE ISN'T, EVERYBODY ELSE IS." "IF IT WEREN'T FOR YOU, OLD MAN," "WE'D STILL BE STRANDED IN PARIS." "HOW DID YOU EVER DO IT?" "WHAT'S THE DIFFERENCE?" "WE'RE HERE, AIN'T WE?" "THIS BELL MUST BE BUSTED." "IT'S OPEN." "WHAT IS THIS?" "HAVE WE STEPPED INTO A BOX OF ANIMAL CRACKERS?" "I DON'T KNOW." "THAT'S WHAT THEY GET FOR BRINGING 'EM BACK ALIVE." "LOOK!" "IT'S RENE!" "RENE, MY PRECIOUS!" "HOWEVER IN THE WORLD!" "DARLING, WE DIDN'T EVEN KNOW" "YOU WERE IN LONDON!" "EXCUSE ME, BUT YOU HAVE ME AT A DISADVANTAGE." "IT'S PAULA." "DON'T I LOOK DIVINE?" "AND I'M JILL." "WOULDN'T YOU KNOW I'D BE A HORSE?" "DIDN'T I SEE YOU AROUND AT SANTA ANITA?" "YOU'RE SUAVISHLY LATE FOR THE PARTY." "SO COME ON!" "BUT WE'RE NOT GUESTS." "NOT GUESTS?" "PREPOSTEROUS!" "OH, NO, NO." "OF COURSE, THAT'S RIGHT." "YOU DON'T KNOW KAY." "NO, YOU SEE, WE JUST CAME HERE TO RETURN THE" "THE DIAMOND CLIPS MISS WINTERS LOST IN PARIS." "DIAMOND CLIPS KAY LOST?" "WHY, SHE DIDN'T TELL ME." "OH, KAY!" "KAY!" "KAY!" "KAY!" "PARDON ME, DARLING." "YOU DON'T HAVE TO LOOK SO SAD, PHILLIP." "I'LL BE RIGHT BACK." "KAY!" "YES, PAULA?" "KAY, THIS IS THE YOUNG MAN I WANTED YOU" "TO MEET IN PARIS THAT NIGHT--RENE VILADEL." "ENCHANTE, MADEMOISELLE." "HOW DO YOU DO?" "MAY I INTRODUCE MY FRIEND, MR. DEWEY GILSON?" "BUT HOW COMPLETELY INCREDIBLE" "HOW DO YOU DO?" "WELL, HOW COMPLETELY INCREDIBLE" "THAT YOU SHOULD BE THE ONE TO FIND KAY'S CLIP." "AND HOW TOO CLEVER OF HIM TO KNOW THAT THEY WERE KAY'S." "WELL, HE MUST HAVE READ MY ADVERTISEMENT IN THE LOST AND FOUND." "YES, I ALWAYS READ THE LOST AND FOUND." "ONE MUST KNOW WHAT'S BEING LOST IN THE WORLD." "SUCH A LARGE BOX FOR SUCH LITTLE CLIPS." "WELL, YOU SEE, THERE'S A CAPE ATTACHED TO IT." "YOU ARE MISSING A CAPE, AREN'T YOU?" "OH, YES, I FORGOT TO MENTION THE CAPE." "YOU NEEDN'T HAVE COME ALL THE WAY TO LONDON" "JUST TO DELIVER THIS." "I DIDN'T COME ALL THE WAY TO LONDON JUST TO DELIVER THIS." "I REALLY DON'T KNOW HOW TO THANK YOU." "IT'S NOTHING." "ARE THEY WEARING PAWN TICKETS THIS SEASON?" "YOU SEE, MISS WINTERS," "ALL THIS IS VERY SIMPLE" "OH, OF COURSE." "YOU PAWNED THE DIAMOND CLIPS." "YOU WERE AFRAID SOMEONE WOULD STEAL THEM" "WHILE YOU WERE ON YOUR WAY TO PARIS." "YEAH!" "YES." "NO, NO!" "I'LL REDEEM IT RIGHT AWAY." "THIS WHOLE THING IS A PLOT TO MAKE ME LOOK RIDICULOUS." "GOOD NIGHT, MISS WINTERS." "OH, YOU AND YOUR FRIEND MUST STAY FOR DINNER." "NO, THANK YOU." "YOU CAN'T GO." "THAT WOULD BE CRUELTY TO ANIMALS." "SURE, WE CAN STAY." "IT WOULD BE VERY NICE." "YES, IT WOULD BE VERY NICE." "THAT'D BE SWELL." "YES!" "YOU KNOW, RENE," "NOW THAT YOU ARE HERE IN LONDON," "YOU MUST STAY AWHILE." "NOW, REALLY, YOU MUST." "BUT I INTEND TO." "I'M HERE ON A VERY IMPORTANT BUSINESS." "OH, AND WHAT SORT OF BUSINESS?" "WELL, IT'S RATHER SPECULATIVE," "KIND OF A GAMBLE," "BUT IF I WIN..." "MY FRIEND, NO INTELLIGENT MAN SHOULD GAMBLE." "INSTEAD OF PUTTING YOUR MONEY INTO THE STOCK MARKET," "WHY DON'T YOU INVEST IN SOMETHING SUBSTANTIAL?" "INSURANCE." "OH, PHILLIP, PLEASE NO BUSINESS TONIGHT." "I'M ONLY TRYING TO HELP HIM." "CIGAR?" "THANK YOU." "YOU LOOK LIKE A SHREWD MAN." "I'D LIKE TO SHOW YOU A LITTLE PLAN" "WHEREBY WITH A VERY SMALL INVESTMENT," "IN 20 YEARS YOU CAN HAVE A WONDERFUL INCOME." "OH, YES!" "YES, HE MEANS AN ANNUITY." "I'VE GOT ONE." "I GET 60 POUNDS A WEEK AFTER I'VE REACHED THE AGE OF 40." "AND HOW MANY YEARS HAVE YOU BEEN GETTING IT, PAULA?" "YOU KNOW, I THOUGHT ABOUT INSURANCE MANY TIMES, BUT" "MY DEAR FELLOW." "YOU'RE SINGLE, EN'T YOU?" "AT THE MOMENT." "BUT YOU MUST THINK ABOUT THE FUTURE." "SOMEDAY YOU MAY GET MARRIED." "WHAT ABOUT YOUR WIFE?" "SHE'LL BE BEAUTIFUL." "BESSIE IN ALL HER REGAL SPLENDOR." "BESSIE'S GOING TO MAKE CREPES SUZETTE." "YES." "IT'S HER MOST FAMOUS DISH." "OH, KAY." "KAY, DO LET RENE MAKE THEM." "HIS SUZETTES ARE SO IMAGINATIVE." "OH, DO YOU DO THINGS LIKE THAT?" "WHY, HE'S MARVELOUS." "UH, SAY, DID YOU EVER HEAR THE ONE ABOUT" "THE MAN WHO WENT INTO THE RESTAURANT AND SAID," ""BRING ME A STEAK"?" "SO WHEN THE WAITER BROUGHT THE STEAK," "THE MAN LOOKED AT IT AND HE SAID," ""WAITER, IS THAT STEAK FRESH?"" "AND THE WAITER SAID" "THE WAITER SAID, "IS THAT STEAK FRESH?" "WHY, ONLY 3 HOURS AGO, IT WAS CHASING A FARMER!"" "DO BE A DEAR, RENE." "I'VE BEEN PANTING FOR SOME OF YOUR COOKING," "SIMPLY PANTING." "I'D HATE TO PUT A GUEST TO WORK." "PLEASE, NEVER THINK OF ME AS A GUEST." "DID YOU HEAR THIS ONE?" "YES, WE DID." "THINK OVER WHAT I TOLD YOU." "I BEG YOUR PARDON, BUT MISS WINTERS ASKED ME" "TO MAKE THE CREPES SUZETTE." "EH?" "WHAT'S THAT?" "YOU MAKE THE CREPES SUZETTE?" "NEVER HEARD OF SUCH A THING." "VERY WELL, SIR." "PERHAPS YOU'D LIKE TO TAKE ON THE OTHER DUTIES AS WELL!" "ISN'T HE GRACEFUL?" "HE USES HIS HANDS JUST LIKE STOKOWSKI." "RENE UNDERSTANDS THE TWO FUNDAMENTAL THINGS" "IN A WOMAN'S LIFE:" "LOVE AND GOOD FOOD." "WHICH DOES HE COLLECT ON?" "HIS EYES OR HIS OMELETS?" "PLAY SOMETHING SOFT, PLEASE." "I QUIT THAT COOKING STUFF WHEN I LEFT THE B SCOUTS." "YOU MAY SERVE NOW." "YOU MUST BE THE FIRST ONE TO TASTE IT." "THANK YOU." "MY DEAR, YOU'RE ABOUT TO HAVE AN AESTHETIC EXPERIENCE." "PAULA, IT'S WONDERFUL!" "IT'S REALLY DIVINE." "THAT MAKES ME VERY HAPPY." "WELL, IF YOU EVER DECIDE TO START COOKING FOR A LIVING," "YOU MUST COME TO ME." "I'LL PAY YOU 20 POUNDS A MONTH" "AND GIVE YOU YOUR BOARD." "DO YOU KNOW THAT I'M VERY INTERESTED IN YOUR PROPOSITION?" "COME IN." "I WOULDN'T DEPEND ON IT IF I WERE YOU." "MISS WINTERS IS SAILING FOR AMERICA VERY SOON." "SAILING?" "YES." "BUT YOU ARE TAKING YOUR APPETITE WITH YOU, AREN'T YOU?" "OH, YES." "MISS WINTERS, I BEG YOUR PARDON." "BUT THE COOK IS LEAVING WITHOUT NOTICE." "BESSIE?" "WHY?" "SHE HAD HYSTERICS BECAUSE YOU WOULDN'T LET HER" "MAKE THE CREPES SUZETTE." "HYSTERICS?" "OH, I NEVER HEARD OF SUCH A THING." "THIS IS ALL MY FAULT." "PERHAPS IF I WENT IN AND APOLOGIZED" "WELL, AFTER ALL, SHE IS MY COOK." "DO LET HIM GO, KAY." "HE'S THE MOST WONDERFUL APOLOGIZER." "PLEASE, I FEEL THAT I OUGHT TO PERSUADE HER TO STAY." "I'LL FOLLOW YOU." "HE'LL GET HER TO STAY." "HELLO." "HELLO." "WILL YOU PARDON MY FRIEND, PLEASE?" "WITH PLEASURE." "WHAT'S UP?" "THEIR COOK'S LEAVING." "WHAT DO WE DO?" "TALK HER IN?" "NO, TALK HER OUT." "GOOD NIGHT, DARLING." "IT COULDN'T HAVE BEEN LOVELIER, REALLY." "OH, THANK YOU." "COOKING PARTY, KAY." "SHALL WE WAIT AND DROP RENE?" "WHY, I HAVEN'T SEEN HIM." "HE MUST'VE LEFT WITH THE OTHERS." "OH, HA HA." "NEVER MIND." "WELL, COME ALONG, JILL." "OH, GOOD NIGHT, KAY." "GOOD NIGHT." "GOOD NIGHT, PHILLIP." "NIGHT." "THANK HEAVENS THAT'S OVER WITH." "OH, DARLING, I'VE BEEN WAITING FOR THIS ALL EVENING." "YEAH?" "YEAH, MY FEET ARE KILLING ME." "NIGHTCAP?" "NO, THANKS." "OH, LOOK AT THIS PLACE." "YOU'D THINK SOMEBODY'D HAD GIVEN A PARTY HERE." "I'M SICK OF THESE PARTIES." "OF COURSE YOU ARE, DEAR." "LET'S JUST SIT AND TALK." "I'M NOT SO SURE, BUT I'M GETTING SICK OF TALKING, TOO." "WHAT'S THE MATTER WITH YOU, PHILLIP?" "WELL, WE TALK SO ENDLESSLY, BUT WE NEVER GET ANYWHERE." "A MAN NEEDS MORE THAN WORDS TO GO ON, YOU KNOW." "YOU KNOW I LOVE YOU." "YES, I KNOW, IN AN IMPERSONAL SORT OF A WAY," "BUT YOU LOVE YOUR DOG, TOO," "AND YOUR MINK COAT AND YOUR BREAKFAST." "WELL, DON'T COMPARE YOURSELF TO MY BREAKFAST." "YOU DIDN'T KNOW I WAS ALIVE TONIGHT." "YOU DIDN'T HAVE EYES FOR ANYONE BUT THAT" " THAT PANCAKE ARTIST." "HE WAS A FRIEND OF PAULA'S AND I WAS JUST BEING CONSIDERATE." "WELL, WHAT ABOUT SHOWING ME A LITTLE CONSIDERATION?" "HOW LONG DO YOU EXPECT TO KEEP ME DANGLING LIKE" "LIKE A YOYO?" "WHAT ARE YOU TALKING ABOUT?" "JUST THIS." "I WANT YOU TO MAKE UP YOUR MIND." "I WANT YOU TO STOP BEING A PUBLIC FIGURE" "AND TAKE YOUR PLACE IN SOCIETY AS MY WIFE." "TOMORROW YOU FINISH YOUR PICTURE," "NEXT WEEK YOU'RE SAILING." "THEN THERE'LL BE ANOTHER PICTURE, THEN ANOTHER PICTURE." "WHAT ABOUT US?" "WHAT ABOUT ME?" "BUT YOU'RE SAILING IN A MONTH!" "YES, AND THEN WE'LL HAVE THE SAME THING IN CALIFORNIA." "NOTHING WILL BE CHANGED BUT THE CLIMATE." "I'M TELLING YOU, KAY," "YOU'VE GOT TO DECIDE NOW." "EITHER YOU GIVE ME YOUR ANSWER TONIGHT," "OR ELSE!" "OR ELSE WHAT?" "OR ELSE..." "TOMORROW." "OH, PHILLIP, I'M TIRED," "AND I CAN'T ARGUE ON AN EMPTY STOMACH." "I TELL YOU WHAT." "YOU COME TOMORROW NIGHT FOR DINNER." "THEN THE PICTURE WILL BE OVER" "AND I'LL HAVE NOTHING ON MY MIND BUT YOU." "YEAH, ME AND 100 TELEPHONE CALLS." "NO, I PROMISE YOU THERE WON'T BE ANYMORE" "ANY INTERRUPTIONS." "WE'LL HAVE A NICE, QUIET EVENING ALL TO OURSELVES" "AND THEN WE'LL WORK IT OUT TOGETHER." "WHAT DO YOU SAY?" "ALL RIGHT." "BUT THIS'LL BE YOUR LAST CHANCE..." "PROBABLY." "ALL RIGHT." "GOOD NIGHT." "GOOD NIGHT." "HERE COMES PHILLIP." "NOW, HE'S THE LAST." "NOW EVERYONE'S LEFT EXCEPT RENE." "WELL, LET'S GO HOME." "I SHAN'T START A STEP TILL I'VE FOUND OUT." "I'M GOING UP." "HERE, HOLD MY BAG." "I CAN ALWAYS SAY I LEFT IT THERE." "KAY WILL NEVER SWALLOW THAT." "WHY NOT?" "I SWALLOWED HER CAPE," "CLIPS AND ALL." "YES?" "ARE YOU ALONE, DEAR?" "PAULA, DARLING, COME IN." "DARLING, HAVE YOU SEEN MY PURSE?" "DO YOU KNOW, I'M SURE I LEFT IT HERE" "WHEN I CAME IN TO POWDER." "WELL, HAVE A LOOK AROUND." "OH, HAVE ARUMSTICK." "YOU KNOW, I NEVER EAT AT PARTIES, AND I'M STARVED." "NO, THANK YOU, DARLING." "WELL, YOU COULDN'T HAVE LEFT IT THERE." "WHAT WOULD YOU BE DOING BEHIND THE COUCH?" "OH, I ALWAYS LOOK IN THE MOST UNLIKELY PLACES." "THAT'S WHERE ONE USUALLY FINDS THINGS." "OH, LOOK UNDER THE BED." "NO, NO, DARLING." "IT WOULDN'T BE THERE." "CHIC PARTY, DEAR." "TOO LOVELY FOR WORDS." "NOT FOR THE WORDS I'M THINKING." "DID YOU HAVE A COZY NIGHTCAP WITH RENE?" "RENE?" "RENE WHO?" "OH, COME NOW, KAY." "NOW, REALLY!" "OH, RENE THE PANCAKE ARTIST." "NO, NO, I DIDN'T HAVE A NIGHTCAP WITH HIM." "QUEEREST THING IN THE WORLD..." "WHERE HE'S GOT TO." "OH, PAULA, I'M SO UPSET." "NO MAN'S EVER BEEN LOST IN MY HOUSE BEFORE." "OH, WELL, NO MATTER." "I DARESAY THEY'LL BOTH TURN UP AFTER I'VE GONE." "WELL, IF THEY DO, I'LL WRAP THEM" "AND SEND THEM AROUND TO YOU IN THE MORNING." "YES, DARLING." "OH, WELL, I MUST BE FLYING." "OH, DROP IN AGAIN." "I'M USUALLY GOING TO BED AT THIS HOUR." "WELL, THANKS, DARLING." "I'D LOVE TO." "ISN'T THAT LOVELY?" "GOOD NIGHT, PAULA." "DO GET SOME REST, DEAR." "YOU LOOK SO TIRED." "YES." "YOU'RE NOT TO TELL MISS WINTERS I'M HERE." "I WANT TO SURPRISE HER IN THE MORNING." "I WON'T IF YOU THINK IT'S ALL RIGHT." "IT'S ALL RIGHT, MYRTLE." "OH, RENE." "WHY, I THOUGHT PERHAPS I MIGHT FIND YOU HERE." "IS THAT WHY YOU CAME BACK?" "OH, NO, NO, NO." "NO, I REALLY WAITED BECAUSE I WANTED TO ASK YOU" "IF YOU'D STAY WITH US WHILE YOU ARE IN LONDON," "BUT I SEE YOU ALREADY ACCEPTED AN INVITATION." "OH, NOT AT ALL." "I'M NOT HERE AS A GUEST." "I'M TAKING BESSIE'S-- THE COOK'S--PLACE." "WOULD YOU THINK IT DREADFULLY BAD TASTE" "IF I CALLED YOU A LIAR?" "I'M AFRAID SO." "DREADFULLY BAD TASTE." "THEN WHY ALL THE SECRECY?" "NOW, WHAT ARE YOU TWO TRYING TO CONCEAL?" "KAY RUSHING OFF TO BED," "AND YOU BOBBING IN AND OUT?" "IS MADAME SURE SHE'S NOT LETTING HER IMAGINATION RUN AWAY WITH HER?" "NOT AT ALL," "BUT I DON'T HAVE TO WAIT FOR MY HOUSE TO STOP BURNING" "BEFORE I SEND FOR THE FIRE ENGINES." "IS THAT ALL, MADAME?" "WELL, YES, THANK YOU." "GOOD NIGHT, MADAME." "AND THANK YOU FOR YOUR ARDOR." "THAT'S QUITE ALL RIGHT." "YES?" "OH, KAY, DEAR." "I JUST WANTED TO TELL YOU" "THAT I FOUND WHAT I CAME BACK FOR." "PAULA, THAT'S PRICELESS." "AND MAKING HIM THE COOK IS SO MUCH MORE PRACTICAL" "THAN MAKING HIM THE CHAUFFEUR." "AFTER ALL, ONE EATS 3 TIMES A DAY." "BUT PAULA, I CAN'T BELIEVE IT!" "MY DEAR, I'D SIMPLY LOVE TO!" "YOU MEAN KAY AND THAT YOUNG LADDIE?" "HOW EVER DID THAT RUMOR LEAK OUT?" "YOU!" "WHAT'S THIS?" "YOUR BREAKFAST, MISS." "ONE LUMP OR TWO?" "GET OUT OF HERE, YOU!" "HOT MILK OR CREAM?" "GET OUT, OR I'LL SCREAM!" "I'M THE NEW COOK." "WHERE IS MY MAID?" "I'M THE NEW MAID." "BUT YOU MEAN TO SAY YOU SLEPT HERE ALL NIGHT?" "LIKE A LAMB." "BUT I HEARD THE DOOR SLAM." "MADAME DOESN'T REALIZE A DOOR CAN SLAM ON BOTH SIDES." "OH, IF THIS SHOULD GET IN THE TABLOIDS" "YOU MUST GO." "OH, NO." "I'M THE COOK." "NOW, DON'T MOVE." "I WANT TO LOOK." "I WANT TO REMEMBER YOU JUST AS YOU LOOK NOW." "IF SOMEONE SHOULD CALL ON ME, WHAT WOULD THEY THINK?" "WELL, I'M THE COOK." "THEY'LL BELIEVE THAT." "YES, I CAN CONCEIVE THAT." "TRY THE COFFEE WHILE IT'S HOT." "YOU DOG." "WELL?" "HITS THE SPOT." "GET OUT OF HERE BEFORE YOU RUIN MY REPUTATION!" "IMAGINE WHAT A SCENE!" "EGGS..." "BENEDICTINE." "FOOD FOR SCANDAL" "WHY DON'T YOU TASTE IT?" "FOOD FOR SCANDAL" "TAKE IT, DON'T WASTE IT" "I DON'T THINK I'LL EAT IT AT THE MOMENT." "I ONLY WISH YOU UNDERSTOOD WHAT "GO" MEANT." "FOOD FOR SCANDAL" "EAT IT, DON'T QUESTION" "FOOD FOR SCANDAL MEANS INDIGESTION." "MADAME, DON'T BE FLYING OFF THE HANDLE" "IT'S FOOD FOR SCANDAL" "MADEMOISELLE" "NO!" "DON'T!" "HELLO?" "OH, MISS WINTERS?" "WELL, SHE'S STILL AT REST, MA'AM." "OH, NO, I SHAN'T WAKE HER." "I THINK IT'S BEST, MA'AM." "RING HER IN AN HOUR, MADAME, WILL YOU?" "YES." "PUT DON'T THAT RECEIVER, OR I'LL KILL YOU!" "YES." "HELLO?" "WHO?" "OH, LORD CRAVEN." "I AM THE COOK, SIR." "MADAME'S RESTING." "I'LL TAKE A LOOK, SIR." "SHE LOOKS VERY BEAUTIFUL IN BED NOW." "I'LL BREAK YOUR HEAD NOW!" "SHE'S STILL ASLEEP." "I'LL CALL THE POLICE!" "THEN MADAME WILL GET IN EVERY COLUMN." "WHAT CAN I DO?" "DON'T LOOK SO SOLEMN." "HELLO?" "LORD SAVILLE." "MADAME IS NERVOUS, SIR." "NO, SHE CAN'T SPEAK NOW." "I'M IN HER SERVICE." "I AM HERE TO PAY MADAME ATTENTION." "THAT'S A FACT I'LL BEG YOU NOT TO MENTION." "HELLO!" "OH, LADY DUNCAN." "WELL, SHE'S QUITE ALL RIGHT, MA'AM." "WELL, YOU SEE, I'M NOT HERE LONG." "JUST FOR THE NIGHT, MA'AM." "SCOUNDREL, CAD, AND EVERYTHING APPALLING!" "MADAME IS CALLING." "AND SO GOOD-BYE." "HELLO." "WHO?" "OH, IT'S PHILLIP." "YOUR NOBLE STRONGMAN." "SUCH A STRONG MAN AND SUCH A WRONG MAN." "I AM HERE WITH MADAME." "SHE IS SLEEPING." "FINE!" "ARE YOU LAUGHING, SIR, OR ARE YOU WEEPING?" "SWINE!" "IT'S JUST PHILLIP." "HE SEEMS PERTURBED NOW." "NO, MY MADAME CAN'T BE DISTURBED NOW." "I JUST COOK AND TRY TO BE OF HELP, SIR." "OH, PLEASE DON'T YELP, SIR." "GO CLIMB A TREE!" "WELL, THIS IS PERFECT!" "NOW THAT YOU'VE GIVEN EVERYBODY IN MAYFAIR" "SOMETHING TO TALK ABOUT, WILL YOU PLEASE GET OUT?" "BUT I CAN'T." "I WORK HERE." "YOU SEE, MADAME, YOU OFFERED ME THE JOB AT 20 POUNDS A MONTH." "PURELY IN THE SPIRIT OF RUDENESS." "BUT YOU CAN'T THINK FOR A MOMENT I'D LET YOU STAY." "AFTER ALL, I HAVE TO LIVE." "BUT NOT HERE!" "WILL YOU SEND ME BACK TO THE GUTTER?" "WELL, YOU'RE A LITTLE OVERDRESSED FOR IT." "NOW, THAT'S SETTLED." "AND DON'T WORRY ABOUT ME." "I'LL GIVE MADAME PERFECT SATISFACTION." "WE'LL BE A VERY HAPPY HOUSEHOLD." "I CAN SING TENOR AND DEWEY CAN SING BASS." "DEWEY!" "IS HE HERE, TOO?" "SAY, WHAT KIND OF A PLACE AM I CONDUCTING," "A SAILOR'S REST?" "GET OUT OF HERE, BOTH OF YOU." "GET OUT BEFORE YOU RUIN MY REPUTATION." "NOW, PLEASE DON'T WORRY ABOUT YOUR REPUTATION." "WHAT DO YOU THINK PEOPLE WOULD THINK" "IF THEY SAW YOU DRESSED LIKE THAT HERE WITH ME" "AT 10:00 IN THE MORNING?" "THEY'D THINK I'M VERY LUCKY." "AND HOW MANY PEOPLE DO YOU THINK WOULD BELIEVE" "THAT YOU WERE JUST THE COOK?" "TWO." "YOU AND ME." "YOU SEE?" "YOU'VE GOT TO GET OUT OF HERE." "OH, NO, PLEASE DON'T ASK ME TO GO, KAY." "LET ME STAY." "NO, RENE." "YES, KAY." "HMM?" "NO, RENE, NO." "LET ME STAY JUST SO I CAN BE NEAR YOU." "I'LL COOK." "I'LL BE YOUR BUTLER" "BUT I DON'T WANT YOU TO BE MY BUTLER." "IF I HAVE A BUTLER, I WANT A REGULAR ONE," "IN LIVERY AND BUTTONS" "AND A LOT OF GOLD BRAID LIKE AN ADMIRAL." "ALL RIGHT." "I'LL BE YOUR ADMIRAL." "BUT I DON'T WANT YOU TO BE MY ADMIRAL." "I WANT YOU TO BE MY FRIEND." "BUT I WANT TO BE YOUR FRIEND," "YOUR VERY DEAR FRIEND." "SAY, WHAT DO YOU MEAN BY "FRIEND"?" "WELL, WHAT DO YOU MEAN BY "FRIEND"?" "I WAS AFRAID OF THAT." "WELL, WHEN MAY I SEE YOU AGAIN?" "SOON." "VERY SOON." "COME IN, AGNES." "BYE, MR. VILADEL." "GOOD-BYE, MISS WINTERS." "OH, MY BREAKFAST!" "I'M SO SORRY." "THANK YOU." "AND THANK YOU, MISS AGNES." "YOU'VE BEEN VERY KIND." "AREN'T WE KEEPING HIM ON?" "HE SEEMS SUCH A NICE YOUNG MAN." "HE CERTAINLY IS A NICE YOUNG MAN," "BUT HE CAN'T STAY AND YOU'D BETTER GET ME ANOTHER COOK." "A MAN COOK OR A WOMAN COOK?" "A WOMAN COOK." "AND ATTEND TO IT RIGHT AWAY BECAUSE PHILLIP" "I MEAN, MR. CHESTER-- IS COMING TO DINNER TONIGHT" "AND I WANT EVERYTHING TO BE PERFECT." "THERE MAY BE AN ENGAGEMENT IN IT." "REALLY, MISS WINTERS?" "I DON'T KNOW YET." "YES?" "LADY MALVERTON IS HERE TO SEE YOU." "INDEED?" "WELL, SEND HER IN, MYRTLE." "YES, MADAME." "DO YOU SUPPOSE THIS MEANS ANYTHING?" "PAULA HASN'T BEEN OUT OF BED BEFORE NOON" "SINCE THE BATTLE OF WATERLOO." "KAY, DARLING!" "I WAS JUST PASSING THE HOUSE," "AND I COULDN'T RESIST THE TEMPTATION TO DROP IN." "AND I'M SO GLAD YOU COULDN'T." "TEMPTATION COMES SO SELDOM IN THE MORNING." "THE HONORABLE MRS. HILLARY POTTER-PORTER" "AND MISS CICELY TREVOR ARE CALLING." "SEND THEM IN, MYRTLE." "YES, MISS WINTERS." "OH, IT'S A SALON." "IT CERTAINLY IS." "DARLING!" "OH, HELLO, PAULA!" "DARLING, WE WERE JUST PASSING" "AND COULDN'T RESIST THE TEMPTATION TO POP IN." "I'M SO GLAD YOU POPPED IN." "HAVE SOME COFFEE?" "I'M PERISHING FOR SOME." "MYRTLE!" "CAN YOU ALL FIND PLACES TO SIT?" "MYRTLE!" "NEVER MIND, MISS WINTERS." "I'LL TAKE CARE OF IT." "TWO MORE COFFEES." "NOW, TELL ME." "WHAT ARE ALL YOU LOVELY LADIES DOING UP BEFORE DAYBREAK?" "DAY BROKE EARLY THIS MORNING, DEAR." "WHAT WAS IT THEY TAUGHT US IN SCHOOL ABOUT THE EARLY WORM?" "THE EARLY WORM GETS THE BIRD." "YES?" "MISS WINTERS, MISS DIANA CHURCHILL," "MISS VALERIE SHAW, MRS. FENTON RICHMOND," "AND MISS, UH..." "WELL, SEND THEM ALL IN AND ORDER A GALLON OF COFFEE." "DARLING, DO YOU OFTEN HOLD MORNING RECEPTIONS LIKE THIS?" "I THINK IT'S FRIGHTFULLY CLEVER OF YOU." "YES, AND THEY'RE CATCHING ON BEAUTIFULLY." "REALLY?" "HELLO, KAY, DARLING!" "HELLO." "MYRTLE, WAIT." "WE WERE JUST PASSING THE HOUSE..." "I KNOW." "AND YOU COULDN'T RESIST THE TEMPTATION TO DROP IN." "MYRTLE!" "MYRTLE!" "YOU BETTER MAKE IT 4 GALLONS OF COFFEE." "NO, NO, YOU'D BETTER MAKE IT A VAT!" "YES, MISS WINTERS." "AND MYRTLE, YOU MIGHT LEAVE THE FRONT DOOR OPEN" "AND TELL THE DOORMAN THE ORCHESTRA'S ALL SOLD OUT" "AND THERE'S NO WAITING ROOM IN THE MEZZANINE." "YES, MISS WINTERS." "OH, IT'S SO GOOD TO SEE ALL YOU LOVELY LADIES" "ALL OUT WALKING TOGETHER." "NO, DEAR." "AS A MATTER OF FACT," "I'VE JUST COME FROM THE BEAUTY PARLOR." "WHAT'S THE MATTER?" "WAS IT CLOSED?" "YOU'RE LOOKING SO FRESH AND CAREFREE THIS MORNING, KAY." "WHY SHOULDN'T I?" "WE EXPECTED TO FIND YOU FRIGHTFULLY DOWNCAST, DARLING." "WE'D HEARD YOU'D LOST YOUR COOK." "OH, I CAN ALWAYS FIND ANOTHER." "MISS WINTERS!" "YES?" "HERE COME SOME MORE!" "WELL, SEND THEM IN, MYRTLE!" "KAY, HOW ARE YOU?" "HELLO!" "MORNING, KAY." "THE DELEGATION FROM NEW ZEALAND!" "COME IN!" "COME IN, SIT DOWN." "HAVE A BALL." "STILL IN BED, KAY?" "I DIDN'T KNOW PEOPLE EVER STAYED IN BED SO LATE." "YOU SEE, CYNTHIA, MY DEAR," "ONE HALF OF THE WORLD DOESN'T KNOW HOW THE OTHER HALF LIVES." "NEVER MIND, PAULA." "IT ISN'T YOUR FAULT." "KAY, WE WERE JUST GOING PAST THE HOUSE AND WE COULDN'T" "NEITHER COULD THE OTHERS." "MYRTLE!" "MYRTLE!" "YES, MISS WINTERS?" "YOU'D BETTER PHONE OVER TO THE CATERERS" "AND HAVE THEM SEND OVER 100 CAMP STOOLS." "YES, MISS WINTERS." "AND MYRTLE..." "YOU'D BETTER SEND FOR SOME DOG BISCUITS." "YES, MISS WINTERS." "DID YOU EVER TRY A MALE COOK, KAY?" "HELLO, EVERYBODY!" "THE DOOR WAS OPEN AND I SMELLED COFFEE AND CAME IN." "OH, JILL, DARLING, YOU'RE LATE!" "WHERE'S YOUR HORSE?" "OH, I'M SO SORRY I HAVEN'T A SADDLE" "FOR YOU TO SIT ON." "SIT DOWN, SIT DOWN." "BUT KAY, DEAR," "DID YOU EVER TRY A MALE COOK?" "I HEAR THEY'RE AWFULLY GOOD." "YOU MEAN SORTA KILL TWO BIRDS WITH ONE STONE?" "KAY!" "WHAT'S THIS?" "HELLO, PHILLIP." "WHY, HELLO." "OH, PHILLIP, COME IN!" "YOU'VE ONLY MISSED THE KICKOFF." "YOU KNOW, I MAY HAVE TO PUT YOU IN THE BATHROOM," "BECAUSE WE'RE AWFULLY CROWDED." "W-WELL, WHAT'S GOING ON?" "JUST A CONDOLENCE CALL." "THE COOK LEFT." "YES?" "IT'S NO USE, JEFFREY." "THEY WON'T ANSWER THE DOOR." "WE'VE BEEN RINGING ALL THE AFTERNOON." "BUT I'VE GOT TO GET A STORY FOR THE EVENING EDITION." "SO HAVE WE ALL." "GOOD HEAVENS!" "THOSE REPORTERS!" "LET ME HANDLE IT!" "MISS WINTERS AIN'T HOME," "AND SHE AIN'T GONNA BE HOME." "NOW, RUN ALONG AND SELL YOUR PAPERS." "ARE YOU THE LOVE CHEF?" "NO, I'M SNOW WHITE..." "FORMERLY WITH THE 7 DWARVES." "IS HE?" "HELLO?" "NO, MISS WINTERS HASN'T RETURNED" "FROM THE STUDIO YET." "WE'LL EXPECT HER NOW ANY MINUTE." "OH, DEAR, I WISH THAT PHONE WOULD STOP RINGING." "THERE'S A CROWD OF THOSE NEWSPAPER MEN" "AT THE BACK DOOR!" "THEY'VE GOT THE WHOLE HOUSE SURROUNDED." "WE'LL HAVE TO MAKE A BREAK FOR IT." "OH, NO, NO, YOU CAN'T GO YET." "THEY'LL SEE YOU, THEY'LL MAKE YOU TALK." "OH, NO." "THEY WON'T MAKE ME TALK." "COME ALONG, DEWEY." "GET YOUR HAT." "BUT THEY MUSTN'T SEE YOU." "DON'T YOU SEE, THEY'LL SNAP YOUR PICTURE." "THEY'LL PRINT TERRIBLE STORIES ABOUT MISS WINTERS." "YEAH!" "BUT, AGNES," "DON'T YOU SEE THAT I CAN'T BE HERE" "WHEN MISS WINTERS GETS BACK FROM THE STUDIO?" "ESPECIALLY AFTER WHAT SHE SAID TO ME THIS MORNING" "WHEN THOSE WOMEN LEFT." "HELLO?" "YES, THIS IS HER RESIDENCE." "NO, MISS WINTERS IS NOT HOME." "IT'S SOMEONE TO FIND OUT IF YOU'RE HERE." "I KNOW IT IS!" "THEN, WHY DON'T YOU LET ME GO?" "OH, NO, YOU CAN'T." "YOU MUSTN'T LET THEM KNOW YOU'RE HERE." "YOU MUSTN'T." "MR. RENE VILADEL IS NOT HERE." "NOW, YOU SHOULDN'T HAVE SAID THAT." "WHAT ELSE-- YOU'VE GOT TO GET OUT OF HERE!" "ALL RIGHT, WELL, GOOD-BYE." "NO, NO, YOU CAN'T!" "WOULD YOU PLEASE MAKE UP YOUR MIND?" "MR. RENE VILADEL IS NOT HERE." "DON'T SAY "MR. VILADEL!"" "WHAT?" "I'M NOT HERE." "I COULDN'T SAY ANYTHING ELSE THAN THAT." "AGNES!" "AGNES, CALL THE POLICE DEPARTMENT" "AND HAVE THEM GET THOSE MEN AWAY" "FROM THE FRONT OF THE HOUSE." "MR. CHESTER'S COMING TONIGHT FOR DINNER, AND I..." "RENE." "GOOD EVENING." "GOOD EVENING." "WHAT ARE YOU DOING HERE?" "I THOUGHT I DISCHARGED YOU THIS MORNING." "YES, I KNOW." "I'VE BEEN TRYING TO GO," "BUT THOSE MEN HAVE BEEN WAITING TO TAKE MY PICTURE." "THEY WANT ME TO GIVE THEM A STORY ABOUT US." "I WAS AFRAID TO LET HIM GO." "MR. RENE VILADEL IS NOT HERE." "WHAT ARE YOU SAYING?" "!" "WELL, AGNES SAID THAT" "I WASN'T TO LET ANYONE KNOW" "THAT I WAS HERE, YOU SEE." "OH, RENE!" "HOW COULD YOU DO A THING LIKE THAT?" "!" "THE PHONE HAS BEEN RINGING ALL AFTERNOON." "SOMEBODY CALLS EVERY 10 SECONDS." "AND I SUPPOSE YOU ANSWERED IT EACH TIME?" "OH, YES, PROMPTLY." "THAT'S GREAT!" "PROBABLY ALL OF LONDON" "WILL BE DROPPING IN AROUND DINNERTIME." "WHAT MASK SHALL I WEAR, MADAM?" "HOW DARE YOU STAY HERE" "AFTER I TOLD YOU TO GET OUT?" "DID YOU WANT ME TO GO OUT" "AND TELL THOSE MEN THAT YOU LOVE ME?" "YOU'RE THE MOST MADDENING PERSON I'VE EVER KNOWN." "OH, NO." "I CAN'T." "SOMEBODY WILL THINK I'M HERE." "AS IF THIS MORNING WASN'T ENOUGH." "YOU KNOW, EVERYBODY THAT CAME INTO THE DRESSING ROOM" "ACTED IS IF THEY EXPECTED TO SEE YOU" "JUMP OUT OF THE WARDROBE." "DO YOU KNOW IT TOOK ME ALL DAY" "TO CONVINCE PHILIP THAT MY INTEREST IN YOU" "BEGINS AND ENDS IN THE KITCHEN?" "!" "DON'T ANSWER THAT!" "WHY DID I GO TO PARIS?" "!" "I'M GOING MAD!" "YOU ANSWER ALL THE PHONE CALLS." "YES, MISS WINTERS." "AND IF ANYBODY ASKS FOR ME," "TELL THEM I'VE GONE TO SLEEP!" "OH, I HOPE I WAKE UP" "AND FIND THIS IS JUST A BAD DREAM!" "NOW, DEAR, TRY TO BE CALM." "CALM?" "MY REPUTATION'S IN SHREDS," "MY HOUSE TURNED INTO A LUNATIC ASYLUM," "AND YOU TELL ME TO BE" "GET OUT OF HERE, DARLING." "GET OUT QUICKLY BEFORE I SHOOT YOU!" "HAVE I GOT TO GET A LEGAL INJUNCTION TO GET RID OF YOU?" "WHAT ARE YOU WAITING FOR?" "WHAT I'VE BEEN WAITING FOR FOR DAYS." "YOU." "OH, RENE." "DON'T ANSWER THAT." "LET'S BE SANE ABOUT THIS THING." "YOU CAN'T BE SANE ABOUT LOVE." "I CAN." "I'M A VERY SANE WOMAN." "I FOUND THAT OUT." "STUPID TO SAY THIS IS LOVE." "I DON'T EVEN KNOW YOU." "ALL I KNOW IS YOU'RE A CHARMING YOUNG MAN" "WHO MAKES A DEVINE SALAD." "AND DON'T FORGET THE CREPE SUZETTES." "YOU HAVE NICE EYES AND A BREEZY TONGUE," "BUT THAT'S NOT NECESSARILY A BASIS" "FOR AN ENDURING LOVE!" "YOU TALK OF LOVE AS IF IT WERE SOMETHING" "WITH A CORNERSTONE AND STEEL GIRDERS." "A LAUGH, A MOMENT OF GAIETY," "A MOMENT OF EXALTATION," "THEN THE WHOLE PROBLEM BECOMES QUITE SIMPLE." "AND WE BECOME QUITE SIMPLE-MINDED." "YES." "SO, MAY I STAY, KAY?" "NOW THAT IT'S ALL SETTLED?" "BUT THERE'S NOTHING SETTLED, RENE." "THERE'S STILL A QUESTION WHETHER THIS IS LOVE AT ALL." "ALL RIGHT." "WELL, I'LL STAY HERE" "UNTIL THAT QUESTION IS SETTLED." "VERY WELL." "DO YOU WANT TO BE MY SERVANT?" "YES, KAY." ""YES, MISS WINTERS."" "YES, MISS WINTERS." "THEN YOU CAN START TONIGHT." "THERE'LL BE DINNER FOR TWO." "TWO FOR DINNER." "I WANT IT EXCEPTIONALLY NICE." "EXCEPTIONALLY NICE." "MR. CHESTER'S COMING." "MR. CHESTER." "YES, MISS WINTERS." "OH, I BEG YOUR PARDON, MISS WINTERS," "JUST ONE MORE QUESTION." "WHEN IS MY DAY OFF?" "EVERY SUNDAY." "NOW, DON'T FORGET, THAT'S A STANDING DATE." "THERE'S NOTHING IN IT." "THIS ARTICHOKE IS NO GOOD." "DEWEY, MY FRIEND, I'M AFRAID YOU HAVEN'T" "HAD MUCH EXPERIENCE WITH ARTICHOKES." "YEP." "I GUESS I'M STRICTLY A SPINACH MAN." "HEY, HOW DO YOU LIKE MY NEW RIG?" "PERFECT." "IT'S BEAUTIFUL." "I KNOW MR. CHESTER WILL BE IMPRESSED." "RENE..." "IS THAT GUY IN YOUR WAY?" "WHO?" "PHIL." "THE ALL-AMERICAN CHESTER PROTECTOR." "OH, HE'S NOTHING TO WORRY ABOUT, DEWEY." "JUST A LITTLE DUST IN MY EYE." "HE'LL BLOW AWAY SOON." "WELL, WHY DOES SHE KEEP HIM HANGING AROUND?" "SO THAT I'LL SEE HIM." "SHE'S PLAYING A LITTLE GAME WITH ME." "I AM AFRAID SHE WANTS TO MAKE ME JEALOUS." "LOOK..." "IF YOU'D LIKE ME TO SOCK HIM IN THE EYE TONIGHT," "JUST TIP ME OFF." "AH, DEWEY, MY FRIEND," "YOU HAVE THE WRONG APPROACH." "YOU MUST BE VERY NICE TO MR. CHESTER." "YOU MUST MAKE HIM VERY HAPPY" "AT HIS SUPPER TONIGHT." "WE MUST LET HIM SEE THAT" "WE ALL LOVE HIM VERY MUCH." "YOU MIGHT AS WELL GET USED TO SERVING HIM." "SHH." "AGNES TOLD ME IN THE STRICTEST CONFIDENCE" "THAT THIS WAS GOING TO BE" "AN ENGAGEMENT DINNER." "I CAN BELIEVE IT." "WELL, YEAH!" "OH, WE'VE BEEN EXPECTING IT A LONG TIME." "MARK MY WORDS," "HE'LL GO OUT OF HERE TONIGHT AN ENGAGED MAN." "MYRTLE, I WANT YOU TO BE THE FIRST ONE TO KNOW" "THAT MR. CHESTER WILL NOT GO OUT OF HERE TONIGHT" "AS AN ENGAGED MAN." "OH, YEAH?" "OH, YEAH." "NO, I'M NOT THE LOVE CHEF!" "HELLO, MR. CHESTER." "HELLO, MYRTLE." "WHERE'S MISS WINTERS?" "HELLO, PHIL, DARLING!" "KAY, WHAT IS THIS ANYWAY?" "A WHOLE CROWD OF MEN OUT THERE" "ASKING ME IF I'M THE LOVE CHEF" "HOW SWEET!" "A BUSY MAN LIKE YOU" "TO PICK ALL THESE FLOWERS FOR ME." "BUT, KAY, WHO ARE ALL THOSE MEN OUT THERE?" "JUST PHOTOGRAPHERS!" "OH, DARLING, ORCHIDS." "I LOVE THEM!" "RENE!" "RENE!" "I KNOW, BUT A WHOLE BUNCH OF MEN" "STOPPED ME AS I..." "MONSIEUR IS BUSY." "ANYTHING I CAN DO?" "OH, YES, DO!" "YOU CAN TAKE THESE FLOWERS FOR ME." "OH, NOT THOSE." "THESE." "HERE." "CAREFUL." "DON'T CRUSH THEM, DEWEY." "MY HAY FEVER." "I'M ALLERGIC TO POLLEN." "OH, SORRY." "AND, DEWEY, WE'LL HAVE HIGHBALLS BEFORE DINNER." "THAT'S OK WITH ME." "I'LL TELL THE CHEF." "KAY, I DON'T WANT TO BE DIFFICULT," "BUT I THOUGHT YOU TOLD ME" "YOU GOT RID OF THOSE TWO FELLOWS." "RENE?" "I DID." "I FIRED HIM RUDELY." "THE STREET WAS BLACK WITH REPORTERS." "LONG AS HE HAD TO STAY," "I THOUGHT HE MIGHT AS WELL MAKE DINNER." "AFTER ALL, HE IS A WONDERFUL CHEF." "I KNOW, BUT IT'S VERY EMBARRASSING TO ME" "FOR YOU TO HAVE THOSE TWO" "SHERRY?" "I THOUGHT I ORDERED HIGHBALLS." "I KNOW, MISS WINTERS." "BUT MR. RENE SAID SHERRY WAS BETTER" "FOR THE MEAL HE PREPARED." "IT'S STARTING." "MYRTLE, ANSWER THAT." "AND WHOEVER IT IS, TELL THEM I'M OUT." "HELLO." "OH, I'M SORRY, LADY MALVERTON," "BUT MISS WINTERS IS OUT TO DINNER." "YES, MA'AM." "GOOD-BYE." "MYRTLE, ANSWER ALL THE OTHER CALLS IN THE KITCHEN." "WE DON'T WANT TO BE DISTURBED BY ANYBODY." "YES, MISS WINTERS." "THANK YOU." "HERE'S TO THE LOVELIEST GIRL IN THE WHOLE WIDE WORLD." "AND TO THE FIRST OF A MILLION QUIET EVENINGS" "WE'LL SPEND TOGETHER." "WELL, HERE'S TO THIS ONE ANYWAY." "DINNER IS SERVED." "COME, PHILIP." "MUST WE HAVE THOSE CANDLES, KAY?" "I CAN'T SEE YOU AT ALL." "TAKE THEM AWAY, RENE." "NO CENTERPIECE AT ALL, MADAM?" "NO CENTERPIECE AT ALL." "NO CENTERPIECE AT ALL." "EXCUSE ME, SIR." "DARLING, THESE LAST TWO DAYS," "THEY'VE BEEN-- YOU'VE BEEN SO" "WELL..." "I MEAN..." "THESE LAST TWO DAYS" "THESE LAST TWO" "DAYS?" "YOU SEEM TO HAVE QUITE A RETINUE OF SERVANTS." "NO, THANKS." "GO AHEAD, TAKE SOME." "WE GOT PLENTY." "AH!" "ALPHABET SOUP." "YES." "DARLING, I HOPE YOU'VE THOUGHT OVER" "WHAT WE DISCUSSED LAST NIGHT." "WE SURELY SHOULD KNOW BY" "I MEAN, YOU SURELY SHOULD" "I MEAN..." "SHOULD..." "I'VE LOST THE THREAD OF MY THOUGHT." "RENE, WAIT IN THE KITCHEN." "IN THE KITCHEN, MADAM?" "IN THE KITCHEN." "IN THE KITCHEN." "I KNEW WE SHOULD HAVE DINED AT THE SAVOY." "THEY'LL BE OUT OF THE WAY SOON." "I FEEL AS IF I WERE DELIVERING A SPEECH" "AT WATERLOO STATION." "OH, I THINK YOU'VE DONE VERY WELL" "UNDER GREAT DIFFICULTIES." "BUT, DARLING, I DID SO WANT YOU TO MYSELF," "AT LEAST FOR THIS--OH..." "ONE LITTLE EVENING." "PARDON ME." "A CIGARETTE BETWEEN COURSES, MR. CHESTER?" "IF YOU DON'T MIND." "OH, BEG YOUR PARDON, SIR." "OF COURSE NOT." "IT'S MERELY THAT IT WILL DESTROY" "THE QUALITY OF THE FOOD." "THE MEAL I HAD PREPARED IS ALL NUANCE." "IT'S MORE DELICATE THAN A BUBBLE." "I--I..." "SORRY." "THIS WAS ONLY MEANT AS A SUGGESTION, SIR." "IT'S JUST A HABIT." "I GUESS ALL THESE CIGARETTES ARE..." "ARE YOU OPENING A BOTTLE OF CHAMPAGNE TONIGHT?" "YES, I'VE SAVED A BOTTLE OF" "CORDON ROUGE 1923" "FOR A SPECIAL OCCASION LIKE THIS." "GOOD!" "IT SOUNDS AS THOUGH WE HAD SOMETHING TO CELEBRATE!" "OH, KAY, DARLING, I CAN'T TELL YOU HOW" "YOU DON'T--OH." "SOME ASSISTANT, HUH?" "DOES IT TAKE 3 PEOPLE" "TO SERVE A SIMPLE MEAL FOR TWO?" "I NEED ASSISTANTS, MADAM." "SEE IF YOU CAN DO WITHOUT IT." "WITHOUT IT?" "WITHOUT IT." "YES, MADAM." "SNAILS!" "SNAILS?" "!" "HOW DO YOU FEEL ABOUT SNAILS?" "WELL, TO TELL YOU THE TRUTH," "I'VE ALWAYS HAD A SORT OF INFERIORITY COMPLEX" "ABOUT THEM--I KNOW I OUGHT TO LIKE THEM." "WE COULD THROW THEM OUT THE WINDOW." "AH, IS THIS THE CHAMPAGNE?" "NO, SIR, THIS IS A VERY FINE CHABLIS 1921." "BUT, KAY, I THOUGHT YOU SAID" "WE WERE TO HAVE CHAMPAGNE!" "MOST AUTHORITIES AGREE, SIR," "THAT CHAMPAGNE AND SNAILS DON'T GO WELL TOGETHER." "OF COURSE!" "I DIDN'T NOTICE!" "YOUR SNAIL, SIR." "IS THAT ALL, SIR?" "YES!" "THANK YOU, SIR." "CONFOUNDED POMPOUS PEST!" "OH, RENE!" "MR. RENE IS BUSY WITH YOUR OMELET." "ALL RIGHT, MYRTLE." "WE WON'T HAVE THE SNAILS." "YES, BUT MR. RENE" "WE WON'T HAVE THE SNAILS!" "KAY, I'VE GOT TO HAVE A CIGARETTE." "WELL, TAKE ONE." "ASSERT YOURSELF!" "HE'S SO DOG-GONE SUPERIOR." "THIS IS VERY GOOD WINE." "YES." "I HAVEN'T FINISHED THAT WINE." "PLEASE LEAVE IT." "WE ARE HAVING CHATEAU LAFITE WITH THE OMELET, SIR." "BRING ME A WHISKEY AND SODA WITH MY OMELET." "A WHISKEY AND SODA WITH THE OMELET, SIR?" "VERY WELL, SIR." "DARLING," "I THINK CHATEAU LAFITE WILL BE BETTER." "POSSIBLY, BUT I'M NOT GONNA LET HIM" "TELL ME WHAT TO DRINK." "OH, KAY, DARLING, WHY DID TONIGHT" "HAVE TO TURN OUT LIKE THIS?" "I HAD IT ALL PLANNED SO DIFFERENTLY." "THIS EVENING WHILE I WAS DRESSING," "I THOUGHT OF A HUNDRED THINGS I WANTED TO SAY TO YOU," "BUT SO FAR, I'VE" "WELL, WHY DO YOU LOOK SO GUILTY?" "I'M AS JUMPY AS A GOAT." "HE STARTLED ME." "I DIDN'T HEAR HIM COME IN." "SILENCE IS ESSENTIAL IN A GOOD SERVANT, SIR." "SILENCE IS ONE THING," "AND STEALTH IS ANOTHER." "I'M SORRY, MISS WINTERS." "KAY, DARLING, I WAS THINKING," "AFTER ALL THIS UNPLEASANT TALK," "AND ALL THE NEWSPAPER REPORTERS AND EVERYTHING," "MAYBE IT WOULD BE A GOOD IDEA" "FOR US TO GET OUT OF LONDON." "AND WE COULD FLY TO PARIS TOMORROW" "AND YOU COULD SPEND A COUPLE OF DAYS" "TROUSSEAU SHOPPING, AND THEN YOU COULD" "CATCH THE BOAT AT LA HAVRE ON WEDNESDAY." "AND THEN WE COU" "RENE, WHAT ARE YOU DOING?" "I WAS JUST WARNING MR. CHESTER" "THAT I WAS COMING, MISS WINTERS." "WELL, YOU DON'T HAVE TO BE SO ELABORATE ABOUT IT." "WE'RE NOT DEAD." "NO, MISS WINTERS." "I ASKED FOR A WHISKEY AND SODA!" "OH, HO, HO." "I BEG YOUR PARDON, SIR." "I THOUGHT YOU WERE JOKING, YOU SEE" "I'M SORRY." "YOU SEE, IF I MAY SAY SO, SIR," "I THINK YOU DON'T QUITE UNDERSTAND THAT" "WITH AN OMELET" "I UNDERSTAND PERFECTLY!" "I'VE EATEN EGGS BEFORE!" "YES, BUT NOT THE WAY I MAKE THEM." "YOU SEE" "THAT'LL BE ENOUGH, RENE!" "YES, MISS WINTERS." "THIS OMELET HAS BEEN VERY CAREFULLY SEASONED, SIR," "AND I THINK YOU'LL FIND IT SATISFACTORY" "WITHOUT ANY MORE SALT." "I HAPPEN TO LIKE SALT!" "HE LIKES SALT!" "NO." "NO!" "OF COURSE, IF YOU REALLY WANT A WHISKEY AND SODA" "RENE!" "YES, MISS WINTERS!" "EXCUSE ME FOR LAUGHING, DARLING," "BUT YOU LOOK SO FUNNY." "I GUESS I DO." "I GUESS I'VE BEEN FUNNY ALL EVENING." "I GUESS I GAVE YOU BOTH A GOOD LAUGH." "OH, PLEASE, PHILIP!" "NOW, DON'T ACT LIKE THAT." "YOU'LL SPOIL OUR WHOLE EVENING." "I'LL SPOIL OUR EVENING?" "!" "PLEASE, PHILIP, NOW KISS ME" "AND WE'LL HAVE A NICE QUIET TALK" "WITHOUT ANY INTERRUPTIONS." "WILL YOU KISS ME?" "WILL I?" "!" "YOUR WHISKEY AND SODA, SIR." "PHILIP, WAIT!" "GET OUT OF HERE, RENE." "OUT, MADAM?" "YES, OUT." "OUT." "BUT-- YES." "OH, I..." "I MUST APOLOGIZE." "HE'S NOT A VERY GOOD SERVANT." "NO, I GUESS HE ISN'T." "I GUESS HE'S A MUCH BETTER SWEETHEART!" "SO, YOU THINK THAT, TOO?" "WELL, WHY SHOULDN'T I?" "ISN'T THAT WHAT ALL OF LONDON THINKS?" "ALREADY YOU AND YOUR COOK" "HAVE REPLACED CRICKET" "AS THE NATIONAL AMUSEMENT OF ENGLAND!" "WELL, IF YOU'VE HAD YOUR EVENING'S AMUSEMENT," "WILL YOU PLEASE GET OUT OF HERE?" "!" "GO?" "YES." "I WANT YOU TO TAKE YOUR UNSULLIED SPLENDOR" "OUT OF MY HOUSE." "CERTAINLY." "YOUR HAT AND COAT, SIR." "RENE!" "YES, MADAM?" "YOU WERE VERY PROMPT" "WITH MR. CHESTER'S COAT AND HAT." "YES, MADAM." "TOO PROMPT." "YES, MADAM." "I'D LIKE TO TALK ABOUT BEING SPIED ON." "YES, MADAM." "I SUPPOSE YOU'VE HEARD WE'RE REPLACED CRICKET" "AS THE NATIONAL AMUSEMENT OF ENGLAND." "YES, MADAM." "STOP CALLING ME MADAM!" "YES, DARLING." "OH, I'M SICK OF YOUR CLOWNING." "YOU'VE HAD LOTS OF FUN, LOTS OF LAUGHS," "YOU AND THE REST OF LONDON." "YES, THERE HAVE BEEN MOMENTS." "MOMENTS?" "AND I THINK THERE HAVE BEEN MOMENTS FOR YOU, TOO." "I CERTAINLY HAD A BIG MOMENT TONIGHT." "WITH PHILIP AGAINST ME," "EVERYBODY IN LONDON WILL THINK" "I'M IN LOVE WITH MY COOK." "WELL, THAT'S TRUE, ISN'T IT?" "WE LOVE EACH OTHER." "A MYSTERIOUS FORCE HAS BEEN DRAWING US TOGETHER." "I DON'T FEEL ANY MYSTERIOUS FORCE" "DRAWING ME TO YOU," "UNLESS IT'S AN IMPULSE TO BRAIN YOU." "NOW, KAY, DARLING," "YOU KNOW THAT'S NOT TRUE." "WHY'VE YOU GOT ME IN YOUR HOUSE?" "BECAUSE I COULDN'T GET RID OF YOU." "BECAUSE YOU DIDN'T WANT TO GET RID OF ME." "OH, SHUT UP." "DON'T PRETEND TO BE FURIOUS." "YOUR HEART IS BEATING JUST AS FAST AS MINE IS." "THIS IS THE MOMENT YOU'VE BEEN WAITING FOR." "AND EVEN NOW, YOU HAVEN'T GOT" "THE COURAGE TO TAKE IT." "KAY, YOU LOVE ME." "I DON'T LOVE YOU." "I DON'T LOVE YOU." "I DON'T LOVE YOU AT ALL." "I DON'T EVEN LOVE YOU THAT MUCH." "THAT'S WHAT I MEAN." "YOU LOVE ME." "AND, KAY..." "KAY..." "KAY, I LOVE YOU, DARLING." "LET ME GO OR I'LL SCREAM." "NO, DON'T SCREAM!" "REMEMBER LONDON." "OH, I'M SORRY." "OH, GET OUT OF HERE." "GET OUT." "DO I HAVE TO HAVE YOU HANGING AROUND HERE" "FOREVER MAKING A FOOL OF ME?" "OH, DOES IT HURT VERY MUCH?" "NO!" "I NEVER WANT TO SEE YOU AGAIN." "I NEVER WANT TO HEAR OF YOU AGAIN." "I WANT YOU TO TAKE THAT POP-EYED HOBO ASSISTANT OF YOURS" "AND GET OUT!" "ALL RIGHT." "ALL RIGHT, WELL, I'M GOING TO DO" "EXACTLY WHAT YOU DON'T WANT ME TO DO." "I'M GOING STRAIGHT BACK TO PARIS." "GOOD-BYE!" "THERE!" "THAT'S MISS WINTERS RINGING." "I'LL GO." "I JUST GAVE HER A LITTLE BITE." "SHE MIGHT WANT A SECOND HELPING." "MADAME RANG?" "YES, MADAME RANG, BUT NOT FOR YOU." "BUT AS LONG AS YOU'RE HERE, YOU CAN DO IT." "LOOK OUT IN FRONT AND SEE IF" "THOSE REPORTERS ARE STILL HERE." "4 LEFT." "ASK THEM TO COME IN." "COME IN HERE?" "YOU HEARD." "TELL THEM TO COME IN!" "WILL YOU PLEASE COME IN, GENTLEMEN." "MISS WINTERS IS GOING TO SEE YOU NOW." "THANK YOU." "HI, GOOD EVENING." "GOOD EVENING." "GOOD EVENING." "GENTLEMEN, YOU CAN ANNOUNCE IN YOUR PAPERS" "THAT MR. PHILIP CHESTER AND I SHALL BE MARRIED" "FROM THE HOME OF HIS PARENTS IN FORT WAYNE." "CONGRATULATIONS." "WE'LL FLY TO PARIS IN THE MORNING" "AND SAIL FROM LA HAVRE ON THURSDAY." "THAT'S ALL, GENTLEMEN." "WHAT ABOUT THE LOVE CHEF?" "THERE IS NO LOVE CHEF," "UNLESS YOU MEAN MY BUTLER THERE." "HE'S MARRIED TO MY MAID." "OH, YES, GENTLEMEN." "I'VE BEEN MARRIED TO MYRTLE FOR ABOUT A COUPLE OF YEARS." "WE HAVE A LITTLE BOY NAMED DEWEY." "HE'S 9, HE'S ABOUT" "THAT'LL BE ALL, RENE." "THEY'RE NOT INTERESTED IN THE DETAILS." "YOU MAY GO." "YES, MISS WINTERS." "WELL, GOOD EVENING, MISS WINTERS." "AND THANK YOU VERY MUCH." "I HOPE YOU AND MR. CHESTER WILL BE VERY HAPPY." "WELL, THANK YOU." "GOOD NIGHT, GENTLEMEN." "GOOD NIGHT." "GOOD NIGHT." "GOOD NIGHT." "IS IT TRUE?" "ARE YOU AND MR. CHESTER" "REALLY GOING TO BE MARRIED?" "OF COURSE NOT!" "I WOULDN'T HAVE HIM FOR A STAND-IN." "THEY WHY DID-- WHY?" "WHY?" "YOU'RE ALWAYS ASKING ME WHY." "I HAVE REASONS." "BESIDES, IF I ANNOUNCE MY ENGAGEMENT TO PHILIP," "MAYBE IT WILL CLEAR UP THIS LOVE CHEF TALK." "I'M GOING TO BED." "BRING ME MY HOT MILK!" "ALL RIGHT, MISS WINTERS." "RIGHT AWAY." "WHEN I THINK OF A GIRL LIKE KAY" "GETTING MARRIED IN FORT WAYNE," "I COULD CRY." "WHEN I THINK OF ANYBODY GETTING MARRIED IN FORT WAYNE," "I COULD CRY." "IF YOU WERE A GIRL, DEWEY," "WOULDN'T YOU RATHER MARRY ME" "THAN MR. PHILIP CHESTER?" "IF I WERE A GIRL, I'D RATHER MARRY ME." "OH, BE SERIOUS." "SHE'S NOT GONNA MARRY HIM." "SHE'S JUST GIVING YOU THE NEEDLES." "CAN'T YOU SEE THAT?" "SHE CAN'T GET RID OF HIM FAST ENOUGH." "I'LL BET IF HE WERE TO COME BACK HERE," "SHE'D THROW THE PIANO AT HIM." "YOU SURE?" "I'M SURE I'M SURE." "HELLO, PUT ME THROUGH TO MR. PHILIP CHESTER, PLEASE." "HELLO, MR. CHESTER." "THIS IS MR. PLAGG, THE SOCIETY ED AT THE "PRESS."" "YES, MISS WINTERS HAS JUST GIVEN US PERMISSION" "TO ANNOUNCE YOUR ENGAGEMENT." "YES, YOU AND MISS WINTERS." "WE'D BE VERY GRATEFUL IF YOU COULD POP OVER" "TO MISS WINTERS' HOUSE FOR A PHOTOGRAPH." "YOU BET I WILL." "I'LL BE TICKLED TO DEATH." "UH, A STATEMENT TO MAKE?" "WELL..." "YOU CAN JUST SAY THAT" "I'M SO HAPPY--HA HA HA!" "CAN I SPEAK TO MISS WINTERS?" "OH, SHE IS?" "WELL-- WELL, NEVER MIND." "NO, I'LL COME RIGHT OVER." "YEAH." "OH, BOY, AM I HAPPY!" "DEWEY, DUST OFF THE PIANO." "NOW, YOU'RE WORKING." "I'M SORRY YOU'RE BOTH LEAVING." "HAVE YOU OTHER PLACES IN MIND?" "OH, YES." "PARIS." "I CAN ALWAYS GO BACK TO MY OLD BUSINESS." "WHAT'S THAT?" "I USED TO BE A HERMIT." "I'LL TAKE THAT IN." "OH, BUT I" "I'LL TAKE IT IN." "YES, BUT" "YES?" "I DON'T QUITE KNOW WHAT YOU'RE DOING HERE." "AS A LAST SERVICE BEFORE LEAVING YOUR HOUSE," "I BROUGHT YOU YOUR HOT MILK." "YOU'D BEST SERVE ME" "BY UNLOCKING THE DOOR AND GETTING OUT." "IN A MOMENT." "I WANT TO TALK TO YOU FIRST." "WE HAVE NOTHING TO TALK ABOUT!" "I DON'T WANT TO TALK TO YOU!" "I HAVE NOTHING TO SAY TO YOU." "TOMORROW YOU WILL SAIL FROM ENGLAND" "AND WE MAY NEVER SEE EACH OTHER AGAIN, KAY." "OH, THAT'S WONDERFUL." "THEN PERHAPS I CAN LEAD A NORMAL LIFE AGAIN." "IT ISN'T NORMAL TO BE WITHOUT LOVE." "WELL, IT CERTAINLY ISN'T NORMAL" "TO BE IN LOVE WITH YOU." "GIVE ME THAT KEY." "IF YOU GO OUT THAT DOOR," "I WON'T MARRY YOU." "MARRY YOU?" "!" "WHY, I" "NOW, TAKE YOUR TIME, DARLING." "I'LL WAIT." "GIVE ME THAT KEY!" "YOU'RE FURIOUS NOW BECAUSE YOUR VANITY IS WOUNDED." "BUT IN A LITTLE WHILE, YOU'LL GET OVER THAT" "AND YOU'LL MARRY ME." "MARRY YOU?" "I WANT YOU TO GET OUT" "OF THIS BEDROOM IMMEDIATELY!" "IF PHILIP WAS HERE," "HE'D TAKE YOU BY THE BACK OF THE NECK" "AND TOSS YOU RIGHT OUT ON THE STREET." "YES?" "!" "KAY, DARLING?" "IT'S ME, PHILIP." "I'VE COME BACK." "YOU'VE MADE ME SO HAPPY!" "KAY, PHILIP IS HERE." "I'VE GONE TO BED, PHILIP!" "BED?" "!" "I CAME OVER TO SIT FOR SOME PICTURES." "THE "DAILY PRESS" CALLED ME UP." "THEY SAID YOU'D ANNOUNCED OUR ENGAGEMENT." "OH, KAY, I'M SO HAPPY!" "BUT THE REPORTERS HAVE LEFT!" "WE'LL TAKE THE PICTURES IN THE MORNING." "I'VE GONE TO BED OFFICIALLY, PHILIP." "GOOD NIGHT..." "DEAREST." "NO, I'M NOT GOING HOME NOW." "I CAN'T GO HOME." "I'M TOO HAPPY!" "SLIP ON SOMETHING AND COME ON OUT." "WE'LL HAVE A DRINK TO OUR ENGAGEMENT." "TAKE YOUR TIME, DARLING." "I'LL WAIT IN THE LIVING ROOM." "OH, KAY, I'M SO HAPPY!" "YOU WANTED PHILIP." "GO TO HIM." "BUT I DON'T WANT PHILIP." "I NEVER WANTED HIM." "DARLING, DARLING," "HOW LONG IT'S TAKEN." "TWO DAYS." "TOO LONG." "WELL, MY LIFE WAS SO NICE AND PEACEFUL" "UNTIL YOU CAME ALONG." "NOW WE CAN GET MARRIED" "AND NEVER BE PEACEFUL AGAIN, DARLING." "OH, NO, DEAR." "IT'S OUT OF THE QUESTION." "WHAT DO YOU MEAN?" "OH, YOU HAVEN'T A PENNY TO YOUR NAME." "YOU COULDN'T EVEN SUPPORT ME." "THAT'S ALL RIGHT." "YOU CAN SUPPORT YOURSELF." "OH, RENE, THAT SOUNDS DREADFUL." "YOU COULDN'T MARRY A WOMAN THAT MAKES MORE IN A WEEK" "THAN YOU DO IN TWO YEARS." "WHY NOT?" "I'LL GUARANTEE TO SUPPORT MYSELF." "YOU CAN DO THE SAME." "AND WHO WILL YOU COOK FOR NEXT?" "I'LL HAVE MY OWN RESTAURANT." "IT'LL BE A BIG THING WITH CAFE RENE ON IT." "DARLING, IT'S SO IMPOSSIBLE." "IF THEY SAY THAT GOOD-LOOKING RESTAURANT KEEPER" "KAY WINTERS HUSBAND-- USED TO BE HER COOK," "SHE BOUGHT THE RESTAURANT FOR HIM." "YOU WOULDN'T LIKE THAT." "YOU COULDN'T STAND IT." "YOU DON'T WANT TO MARRY ME." "OH, DARLING, IF YOU ONLY KNEW HOW MUCH." "RENE, I'M NOT A SNOB, BUT LOOK AT US." "I'M A MOVIE STAR" "AND I'M ONLY A POOR FRENCH MARQUIS." "A MARQUIS?" "ARE YOU A MARQUIS?" "YES." "YOU SEE, YOU ARE A SNOB." "WELL, NOT AT ALL." "YOUR TITLE DOESN'T INTEREST ME A BIT." "BUT, DARLING, WHY DON'T YOU USE IT?" "IT'S SO UNIMPORTANT," "EXCEPT TO AMERICANS." "IT WOULD SOUND RATHER WELL," "WOULDN'T THAT?" "MADAME DE MARQUIS." "YOU'D HAVE A LITTLE CREST ON YOUR NOTEPAPER," "YOUR CAR, YOUR PILLOWSLIP," "YOU COULD TELL YOUR PUBLIC THAT MY FATHER" "WAS A MARQUIS, AND MY GRANDFATHER," "AND HIS FATHER BEFORE HIM." "KAY, WOULD YOU LIKE TO HAVE A DUKE AT YOUR TABLE?" "WOULDN'T YOU LIKE TO HAVE A ROYAL PRINCE" "AS YOUR WEEKEND GUEST?" "COOK OR NO COOK," "I'D BE QUITE A CATCH FOR YOU, WOULDN'T I?" "YOU SAY YOU'RE ONLY AN ACTRESS." "AND I'M A MARQUIS." "WAIT, WAIT!" "WHERE ARE YOU GOING?" "!" "ANYWHERE." "WHAT DO YOU CARE?" "RENE!" "YOU CAN'T DO THIS TO ME!" "YOU KNOW AS WELL AS I DO" "I DON'T CARE ANYTHING ABOUT YOUR TITLE." "WHAT'S GOING ON HERE, KAY?" "!" "HELLO, PHILIP!" "RENE, YOU KNOW AS WELL AS I DO" "THAT PEOPLE DON'T GO AROUND MARRYING THEIR COOKS," "I MEAN, WITHOUT A CERTAIN AMOUNT OF HESITATION." "I WANT YOU TO EXPLAIN TO ME" "SHUT UP, PHILIP!" "RENE, PLEASE STAND STILL AND LISTEN TO ME." "I'M PERFECTLY WILLING TO ADMIT" "I WAS CRAZY ABOUT YOU FROM THE FIRST MOMENT" "KAY, YOU HAVE NO RIGHT TO DO SUCH A THING TO ME!" "RENE, DON'T LEAVE ME!" "IF YOU LEAVE LIKE THIS," "I MAY NEVER SEE YOU AGAIN." "RENE, DON'T LEAVE ME!" "OH, SHUT UP, PHILIP!" "IT SEEMS TO ME I HAVE A PERFECT RIGHT" "TO CALL THE WHOLE THING OFF, KAY." "OH, SHUT UP, PHILIP!" "OH, RENE, WAIT!" "I'LL GIVE YOU ONE MORE CHANCE!" "COME BACK BEFORE I COUNT 3!" "ONE, TWO!" "OH, KAY, I'M SO UNHAPPY!" "RENE, WAIT!" "STOP FOLLOWING ME!" "NO, YOU FOLLOWED ME ALL THE WAY FROM PARIS." "I WON'T MAKE THE SAME MISTAKE AGAIN." "OH, RENE, I CAN'T SEE IN THIS FOG." "SOMEDAY YOUR EYES WILL OPEN." "OH, RENE, COME HOME." "YOU'LL CATCH COLD!" "I DON'T CARE." "WELL, I'LL CATCH COLD!" "STOP FOLLOWING ME." "I WILL NOT!" "THE STREET'S FREE!" "PLEASE WAIT!" "RENE!" "RENE, DARLING." "WAIT!" "STOP!" "YOU'LL CATCH COLD!" "I DON'T CARE." "WELL, I'LL CATCH COLD." "ALL RIGHT, GET IN THERE." "WHERE ARE WE GOING?" "I DON'T KNOW." "I'M GETTING SCARED." "WHERE ARE WE?" "I DON'T KNOW!" "DARLING, DARLING." "PLEASE--PLEASE, DON'T BE SO STUBBORN." "WE CAN FLY OVER TO PARIS IN THE MORNING." "NO ONE IN LONDON WILL EVER KNOW." "OH, HONEY." "DARLING, PLEASE PUT YOUR ARMS AROUND ME." "I'M--I'M FRIGHTENED." "WHERE ARE WE?" "MUST BE AN OLD WAREHOUSE." "WELL, LET'S GET OUT OF HERE." "OH, DARLING, KISS ME FIRST." "NO ONE WILL EVER KNOW." "IT'S THE OPERA HOUSE!" "NO ONE IN LONDON WILL EVER KNOW." "IS THAT ALL, MADAME?" "NO!" "CAPTIONING MADE POSSIBLE BY TURNER ENTERTAINMENT GROUP"