"[Seagulls Crying]" "Finn:" "There eitheris oris not a waythings are." "The color ofthe day, the wayit felt to be a child... the feeling ofsaltwater onyoursunburned legs." "Sometimes the water isyellow... sometimes it's red... but what color it may be in memory... depends on the day." "I'm not going to tell the story the way that it happened." "I'm going to tell it the way I remember it." "Aah!" "Help!" "Help!" "[Muffled Yells]" "[Muffled Yelling]" "What's your name?" "Mmf!" "." "Whisper." "What's your name?" "Mmf!" "." "Whisper!" "Finn." "Your last name?" " Bell." "Where doyou live?" "Nearthe pier." "You have tools?" "Help" " Mmf!" "." "Fuck." "Doyou know what bolt cutters are?" "You knowwhatthey are or you don't knowwhatthey are?" "Mm-hmm." "Listen, I knowyour name, I knowwhereyou live..." "I can find you and gutyou like a fish." "I'll pull out yourfucking insides." "I'll makeyou eatthem, you hear me?" "I'll makeyou fucking eatthem." "You be here tomorrow morning at dawn... with bolt cutters and any kind offood... or I'll kill you for sure, you got me?" "I'll fucking kill you ifyou tell anyone-- anyone!" "Yourfolks" "They're dead." "You tell anyone, the last sound you hear... will be your own scream." "All right." "Go." "Whoa, Finn!" "Whoa!" "Oh, it'syou,Joe." "Did I scareyou?" "Soyou went outtoday?" "Yeah." "Got a nice tan." "No fish, of course." "Settin' traps like everybody else." "Hey, where's the fire?" "Nowhere." "Just got homework." "Hey, listen, Maggie's on a kinda ranttoday... soyou be careful, OK?" "You coming home soon?" "In about an hour." "You finish yourwork, we'll go to Carvel's, OK?" "You rest up." "Got a gardeningjob tomorrow." "Joe?" "Yeah?" "Nothin'." "Hey, Finn!" "How doyou smoke a swordfish?" "Bill in your mouth and lightthetail." "[Chuckles] All right." "I'll seeyou later." "Finn:" "I was raised in whatlsuppose... was certain amount offreedom from mysisterMaggie." "Joe was her man." "They banned the big fishing rigs in the gulfthatyear... and we were poor." "We scraped by on whatJoe could earn... doing charters and lawn work." "[Children Laughing]" "[Game Show Plays On TV]" "[Thunder]" "Man:" "Hey." "Hey." "Hey." "Come on." "Come here." "Come on!" "You alone?" "You deaf?" "Areyou alone?" "No." "You're not alone, oryou're not deaf?" "Gimme that." "Come on!" "Here." "I broughtyou something to drink." "Attaboy." "Ahh..." "Ow!" "Here." "I tookthis foryou." "What's this?" "Birth control pills?" "Here." "This, too." "Percodan." "Attaboy." "Nowyou're talking." "What else?" "Come on, come on." "Jesus fucking Christ." "You biteyour nails?" "That's a bad habit." "Peopletell you the eyes arethewindowstothe soul." "Bullshit." "Hands... that'sthe sign of a gentleman." "Huh?" "Come on." "Let's go." "Come on." "Finn:" "What?" "!" "." "Come on, come on." "Get in the boat." "If I don't get home, my uncle" "Fuckyour uncle." "Get in the boat." "Pick up the anchor." "Let's go." "Where" "Shut up and get in the boat." "Where are we going?" "Mexico." "Man:" "What?" "Police boat." "What?" " Police boat." "Stop." "Stop." "Officer:" "Ahoythere!" "Son, areyou all right?" "Uh-huh." "Whereyou headed?" "Oh, nowhere." "An old lady over on Cat Cay thought she saw a raft... out hereyesterday with a man on it." "He'd be wearing an orange prison suit." "You see anything like that?" "Mmm, nope." "Tie up our line and we'll towyou in." "Finn:" "Andthat wasthe endofit." "Perhapsyou've had an experience like that... in childhood and told no one." "Perhapsyou've had that brush with a world so large... thatyou seldom or never saw it again." "J oe:" "J esus." "It's the land time forgot." "It's Nora Driggers Dinsmoor." "You wait here." "I'm gonna go find out... whattheywant us to do." "Is it all right if I take a look around?" "No." "You stay put till I come back." "I mean it." "God knowswhat's in theseweeds." "Finn:" "Nora Driggers Dinsmoor... the richest ladyin the gulf... who had lost her mind 30years ago... when herfiancé left her standing at the altar." "[Frogs Croaking]" "Girl:" "What's your name?" "Finn." "[Whistles] Hey, Finn?" "Hey!" "Come on." "Ha-ha-ha!" "Hey, man, we're out of here." "She slipped me $500 underthe door." "Gas money, she called it." "Weirdestthing." "What?" "Nothin'." "Can I ridewith you?" "Sure.Just don't sittoo close." "You smell likefertilizer." "Really?" "I do?" "Ha-ha-ha!" "Joe:" "Mag?" "Maybeyou've got the wrong number." "You're not gonna believe where we were" "Yes, well, he just" "Did he do something bad?" "I'll be glad to." "That sounds really" "You got it." "OK. 3:00." "This Saturday?" "And thankyou so much, ma'am." "Babe,you are not gonna believe where we were today." "Joe, thatwas Nora Driggers Dinsmoor." "See, I knew itwas too good to be true." "She want her money back?" "She wants him." "Finn." "The richest lady in the whole goddamn state... calls me on the phone and wants my little brother... to go playwith her niece." "Yeah?" "Why?" "Why?" "She met him." "The old bat liked you." "He's a likable kid." "He's adorable." "Who knows?" "Who cares?" "Joe, this is a really good thing." "No, no, no." "How-- Dinsmoor never even met Finn." "She wouldn't open the door." "She slipped this underneath." "What is it?" "What is it,Joe?" "God!" "[Joe Chuckles]" "You like living here?" "You like living here with all the dead people?" "What'swrongwith the people down here all of a sudden?" "I'm tired ofworking so many extra shifts... to put it back intoyour boat." "Theytook awaythe nets." "I can't change that." "Fuckthe nets,Joe!" "TV:" "Escapedconvict ArthurLustig was recaptured... earlierthis evening bySarasota police." "This concludes a 4-day, statewide manhunt for Lustig... the convicted murderer ofGene Valiente." "Valiente, reputed Mob boss ofthe Castellano family... was gunned down in his Bradenton home last Christmas." "L ustig will be returned... to Raiford Penitentiary's death row... where he is scheduled to die... by lethal injection March 1 6th." "I'm Robin Wagner reporting from" "Holy shit." "Hey, you look sharp." "How do I smell?" "[Sniffs] You smell clean." "OK, tea time." "Now, be polite in there." "Sayyes, ma'am." "No, ma'am." "I will." "You OKwith this?" "He's great." "Go ahead." "Say may I, please, all that stuff." "[Gongs]" "Oh." "It's the gardener." "Girl:" "The design ofthis floor... wastaken from the Alhambra in Spain." "The ceiling is gold leaf." "Real gold." "It's exactly like thethousand wing ceiling... from the Accademia in Venice." "Finn:" "OldMs." "Dinsmoor hadn'tbeenseen inyears." "I'd heard thatshe was crazy." "Go ahead." "Aren'tyou coming?" "Quel sot." "Finn:" "But nobodyknewhow crazy." "Her room smelled ofdead flowers and catpiss." "[Music Playing]" "[Bird Squawking]" "Woman:" "Chicka-boom, chicka-boom, chicka-boom-boom-boom." "Chicka-boom, chicka-boom, chicka-boom." "[Record Plays]" "Chicka-boom, chicka-boom, chicka-boom." "Chicka-boom!" "~ Bésame ~" "~ Bésame mucho ~" "~ Each time I cling toyour kiss ~" "~ I hear music divine ~" "~ Bésame ~" "~ Bésame mucho ~" "~ Hold me, my darling ~" "~ And saythat you'll always be mine ~" "~This joy is something new ~" "~ My arms enfoldingyou ~" "~ Never knew thisthrill before ~" "~Whoeverthought I'd be ~" "~ Holdingyou closeto me ~" "~Whispering it'syou I adore?" "~" "Who areyou?" "Finn, ma'am." "What areyou doing in my bedroom, Finn?" "I don't know." "Give meyour hand." "What is this?" "Your--Your boob." "My heart." "It's my heart." "It's broken." "Can you tell?" "I'm sorry." "Mmm." "[Record Ends]" "It's all right." "Come." "Shoo-shoo." "Shoo-shoo." "Tabby, scram." "Wow." "That's a big cat." "That's the biggest cat I've ever seen." "What doyou feed it?" "Other cats." "Well, go ahead." "You can proceed." "Dance." "Huh?" "I'd likeyou to dance for me." "That's whyyou're here." "To entertain me." "So go ahead, dance." "Pony, fox trot, frug." "Philly dog, fandango." "Anything." "I can't." "I'm sorry, ma'am." "You can't?" "" I'm sorry, ma'am"?" "Oryou won't?" "Dance!" "Dance!" "Dance!" "Oh, get out of here." "Wait!" "I can draw." "You can use my lipstick and eyebrow pencil... overthere on the dressing table." "Estella?" "Estella?" "Is tea ready?" "I'd likeyou to sit for a portrait." "A portrait?" "Bywhom?" "That boy." "The gardener?" "I'll be in my room." "Come back and sit." "Please." "And you come sit by me, hmm?" "[Rreow]" "Allez, allez." "She's beautiful, isn't she?" "Unejeune déesse, n'est-ce pas?" "Ne parle pas de moi d'avant ce garçon." "What do you think of her?" "Come on." "Whisper in my ear." "Come on." "[Whispering] I think she's a snob." "Anything else?" "I think she's real pretty." "Anything else?" "I think she doesn't like me." "Butyou love her." "She'll only break your heart." "It's a fact." "It's tragic." "You're already in love with her." "And even though I warn you, even though I guaranteeyou... thatthe girl will only hurtyou terribly... you'll still pursue her." "Ain't love grand?" "Woman:" "~ Bésame mucho ~" "~Que tengo miedoperderte~" "~Perderte otra vez~" "~ Quiero tenerte muy cerca~" "~ Mirarme en tus ojos vertejunto a mi~" "~ Piensa que tal vez mañana ~" "~ Yoya estare lejos Muy lejos de ti~" "~Which means... ~" "I'd like to go now." "Oh, have you finished?" "Before I'm a teenager, please." "Can I go now?" "[Sighs]" "Would you like to come again?" "Would you like to see Estella again?" "Yes." "Poor boy." "Poor boy." "Poor boy." "This isyours, dear." "Finn:" "The ways ofthe rich... andall mylonging... which began that day." "To paint forthe rich, to have theirfreedom... to love Estella" "The things we cannot have." "Dinsmoor:" "Give this to your guardian." "Would you see Finn out, please?" "Chicka-boom." "Want some?" "It's not poisoned." "Mmm!" "Finn:" "You rememberit." "You rememberhowitfelt." "And then I went home to drawit." "Joe:" "You look in the drawer?" "[Coughing]" "I'm going to work." "What are you gonna do beforeyou go to bed?" "Brush myteeth." "That's really beautiful, Finn." "Keep it up, OK?" "Finn:" "Maggie leftthatnight." "She never came back." "I'll seeyou when you wake up." "Joe raised me." "We neversaida word." "Joe raised me." "We neversaid a word." "I still visited Paradiso Perduto everySaturday." "Feel it." "Feel it." "Feel it." "Feel it." "The money Dinsmoorpaid me... kept me in paints and brushes." "And there was Estella." "Chicka-boom." "Chicka-boom." "Dinsmoor:" "Smile." "Smile." "Smile." "All right, don't smile." "Ahh,yes, feel it!" "Wonderful, wonderful." "Feel it in your bones." "[Singing]" "[Music Ends]" "[Clapping]" "Where areyou going, dear?" "I havethatcocktail thing atthe Rewalds." "Lane Rewald?" "Thatold gin blossom?" "One more cocktail, we'll be ableto eat him." "Karl Rewald." "Lane is hisfather." "Karl doesn't even drink." "Thewholefamily's pickled." "Who'syour escort?" "Escort?" "Please." "This is the eighties." "I'll bringyou." "Certainly." "Finn will make a fine date." "Oh, God." "Then it's done." "OK, fine, butyou meet me there." "1 1 15 North Ocean." "All right." "Sure." "And wearyour dinnerjacket." "Joe:" "How much timeyou got?" "None!" "I'm late!" "I'm dead!" "Wow!" "That'll pass as a dinnerjacket, huh?" "This is a girl's." "Just keep it buttoned, and no one will notice." "Where'd you getthis?" "It's Maggie's." "It's one of the onlythings she left." "What a bitch." "What?" "!" "." ""What." Come here." "Jeez." "You all rightfor money?" "Yeah, I'm good." "You a little nervous?" "Yeah, a little." "Ahh" "You got it?" "Thereyou go." "Wow." "You just beyourself, huh?" "Go on." "Have fun." "You're not on the list." "All right." "Could you checkthe name "Dinsmoor"?" "Yes, I did, sir." "You're not on this list." "I'd appreciate ifyou'd leave now." "Hi, Mrs. Lake." "Mr. Lake, right in the usual spot, sir." "Mr. and Mrs. Catcher." "[Knock On Window]" "Hi." "You wantto get me out of here?" "Yes." "Come on in." "Where doyou wantto go?" "I don't know." "How aboutyour house?" "All right." "Let's go." "The moths around the light bulb here... arefrom thethousand wing ceiling in Venice, Italy." "Uh,Joe's not here." "He's, um" "He's, uh, I don't know, playing dominoes." "Is thatyour room?" "Yeah." "Yeah." "I wasn't really expecting company." "You know?" "You still draw." "Yeah." "Gonna hang a couple ofthem up atWashington Federal." "The bank?" "Yeah." "You haveto goto NewYork." "NewYork?" "It'sthe center ofthe artworld." "Ifyou stay here,you'll end up painting coconutsfortourists." "When did you dothis?" "Awhile ago." "I don'twearmy hair likethat anymore." "Butyou should." "I mean" "You like itthatway?" "What else doyou like?" "How come all thistime we see each other everyweek... you know, butwe never did anything?" "Did anything?" "Went out, saw a movie, whatever." "You never asked." "And if I had?" "I'm here, aren't I?" "Areyou with anyone?" "Rightthis second?" "No." "I mean, like" "Like a steady boyfriend?" "Yes." "No." "You could have anyone." "No rush." "What aboutyou?" "Why not?" "'Cause I..." "I..." "I just" "I know." "I know." "~Worried mornings turn into days ~" "~ And into worried nights ~" "~ But it's all right~" "~When you're all in pain ~" "~ And you feel the rain come down ~" "~ Oh, it's all right~" "~Though your garden's gray ~" "~ I know all your graces ~" "~Somedaywill flower ~" "~Ohh ~" "What'swrong?" "Nothing." "It's late." "Whattime is it?" "It's, uh, it's 10:30." "Where areyou going?" "I've gotto get home." "Why?" "'Cause I have a million things to do tonight." "Stay." "Je vaisaller à France demain." "I don't speak French." "Quel dommage." "~When you're all in pain ~" "~ And you feel the rain come down ~" "~ Oh, it's all right~" "Estella?" "Excuse me." "Haveyou seen Estella?" "Finn:" "Dinsmoorwas weirderthan usual." "But I had to see Estella." "I never come here." "Never." "You knowwhy?" "26 years ago, I trusted." "I saved myself." "I was a virgin." "It's funny, hmm?" "Those were the times." "That's how I was raised." "[Laughs]" "What kind of creature takes such a thing?" "Such a gift?" "Atrust?" "Who does this?" "Takes advantage of a 42-year-old woman?" "What kind of creature..." "leaves this woman waiting like a fool?" "A man." "A man does this." "So men must pay." "Am I right?" "Estella will make men weep." "Doyou knowwhere she is?" "Oh,yes." "She'll breakthem." "I taught herwell." "When she returns... she'll cutthrough them like a hot knifethrough butter." "Chicka-boom." "Returns?" "Oh, my dear boy... didn'tyou know?" "Estella's left for school abroad." "Switzerland for 2 years, then Paris." "She's gone." "Didn't she say good-bye?" "Oh, I'm sure she meantto." "Seeyou nextweek, dear." "~~ [Humming Bésame Mucho]" "~You know you're gonna lie toyou ~" "Finn:" "7yearspassed." "Istoppedgoing to Paradiso Perduto." "I stoppedpainting." "I put aside fantasy and the wealthy... and the heavenly girl who did not want me." "None of it would happen to me again." "I'd seen through it." "I elected to grow up." "~ I know too well ~" "~ Know the chill ~" "~ Know she breaks ~" "~ My siren ~" "~ Know teenage flesh ~" "~ Know the chill ~" "~ Know she breaks ~" "~ My siren ~" "~ Know I know chill ~" "~ Know I ~" "~ Neverwas one for a prissy girl ~" "~ Coquette ~" "~ Callingfor an ambulance ~" "~ Reach high ~" "~ Doesn'tmean she's holy ~" "~Justmeans she's gota cellular handy ~" "~ Almost brave-- ~" "Joe:" "Finn!" "This isJerry Ragno." "Jerry" " Mr. Ragno is a lawyer in Miami." "And NewYork." "We have offices in Manhattan." "So, Finn, I'm empowered by my client... to makeyour dreams come true." "Ha-ha-ha!" "Really?" "Any particular dream or... just all ofthem?" "Ragno:" "Haveyou ever shown yourwork?" "Joe:" "Well, they had Finn's painting up... atWashington Federal Bank." "Come on!" "Thatwas 7-- 8years ago." "I told you I gave all that up." "I" " I don't understand what this is all about, Mr. Ragno." "Howwould you like a show?" "A one-man show." "Thrall Gallery." "In NewYork." "Yeah." "My client Erica Thrall... wants to bringyou to NewYork." "Why?" "For a show in her gallery." "This is bullshit." "Haveyou ever sent slides ofyourwork... totheThrall Gallery?" "Probably." "I sent slides everywhere... when I was in high school." "Obviouslytheymade quite an impression." "A planeticket to NewYork plus $ 1,000... for incidentals." "Sorry." "They're all in hundreds." "[Joe Laughing]" "Whoo." "Mmm." "Well... the hundreds aren'tthe problem." "I just" " I don't paint anymore." "Whoa." "~Bésame~" "~Bésame~" "~Bésame~" "Finn:" "Whose business was it?" "Whose business was it what I did with mylife?" "Who'd gotten mylife in order?" "Me." "I was in control." "And everything I wanted, I had." "~ Bésame ~" "Ms. Dinsmoor?" "Cocktails ready, Thomas?" "Uh, no." "It's" " It's me." "It's Finn." "I came" "Looking for Estella." "I know." "That hook is in deep, isn't it, dear?" "Actually, I came to askyou a question." "I see." "After nearly 10years... without a word, without a visit." "Come to interrogate me." "How interesting." "I'm sorry." "Things happened." "I knowwhat happened." "The love ofyour life leftyou." "Hurts, doesn't it?" "Come closer." "I've gone red." "Yeah, I noticed." "It's nice." "And look atyou." "All grown up." "A man." "Ms. Dinsmoor, a lawyer named Ragno came to see me." "Spider." "You know him?" "Ragno means "spider" in Italian." "You must learn other languages, Finn." "This lawyer Ragno says he represents... an art gallery owner in NewYork... and theywant to show mywork." "You can draw." "You can't dance worth a shit... butyou can draw." "I wanted to ask." "Did you know anything aboutthis?" "Estella's in NewYork." "I doubt our pathswill cross." "Soyou're going?" "You think I should?" "I rememberwatchingyou from thatverywindow overthere." "A scared little mouse scurrying across my garden... and through myfront door." "Now... another door opens." "Whatwill our mouse do?" "I expect an invitation." "I'm sorry?" "Toyour opening." "Your show." "Ahh." "P.A.:" "This is yourfinal boarding call." "What kind of equipment you flying?" "What?" "They gotyou on a widebody or767?" "I have no idea." "I just hope it stays upthere." "[Chuckles] Well,you better get on." "Yeah." "What happens if I get up there and, uh..." "I can't-- I can't do it?" "Hey, Finn... nothing harderthan being given your chance." "At least that's what I hear." "[Laughing]" "Sir?" "Sir?" "You can't proceed without a ticket." "[Making Airplane Noises]" "Taxi!" "Man:" "You fucked a dead man!" "You know how I know?" "'Cause I'm gonna kill the motherfucker!" "Hold on!" "Shit!" "Hold on!" "Hey,you got change for a dollar?" "What?" "Fuckyou!" "Fuckyou!" "Wait" " Fuckyou, man!" "Fuckyou!" "Finn:" "Well, then, there I was." "Ms. Dinsmoor as mysecret benefactor... sent me to New York to draw... to have the girl... to have it all... and I looked out on the great city... as so many before which held it all... and it was that close... and it was mine." "Liebchen, gut Morgen." "Are you still holding the Picasso... the red and green one?" "Good, because I think I have somebody interested." "No, I can't say right now." "Justthe Picasso." "Fabelhaft." "Danke." "Yourwork, darling?" "Here's whereyou show meyourwork." "Right." "I told you." "There isn't any." "Then you better get busy." "Belly out." "Why am I here?" "You saw some slides?" "I gave Keith Haring a show... after he drew a sketch in the palm ofmy hand." "Thatworked out." "Butwhich ones?" "Which paintings did you like?" "The point is I saw the beginning of something." "And hereyou are." "Annette at Sotheby's." "Whatyou do here is really uptoyou, isn't it?" "Stay and paint, or enjoy the sights and go home." "Your choice." "Eitherway, I always enjoy meeting a young painter." "Look, I mean, I'll do it." "I said that I'll do it." "I'll dothe paintings." "Wonderful." "Call Marcy when you have somethingfor us." "Finn:" "Andl couldstill draw." "Nothinghadlessenedit as much as I hadabusedit... much as I hadabandoned it." "It was a gift, and it was still mine." "And everything else was less real." "What could it mean, that picture ofthe world?" "But when it's true... we recognize it... in ourselves, in others." "We recognize it, like love-- completely undeserved." "You're drooling." "So..." "Finn Bell... in New York." "That's right." "You know, I thought I sawyou..." "Iastwinter around Christmas." "I was driving down Fifth." "Itwas mobbed." "No, itwasn't me." "I just got here." "Well, actually, nowthat I seeyou... this guywas... bigger." "Bigger?" "Fatter." "Mm-hmm." "And he had this long hair" "Yeah?" "You thought thatwas me?" "Well,you know, I hadn't seen you in years." "It has been a while." "And here we are." "I have to run." "Well, wait, wait, maybe we could" "Listen, why not meet me tomorrow... atthe Borough Club around 6:00?" "I'm meeting some friends for drinks." "Ifyou're free, that is." "I'm free." "I'm glad you're here." "Man:" "A long time ago, there lived 2 brilliant artists" "Geniuses-- Both true geniuses." "And one day, one ofthem was painting out in the forest-- as artists do-- and he came upon this little dog... who was crying and whining and obviously lost." "Man:" "A puppy." "Please." "Yes, sure, a puppy." "Fine." "So, um, he couldn't concentrate anyway... so he scooped the puppy up-- puppy-- and he took him back into town... to find its rightful owner... who turned outto be... the prince ofthe entire kingdom... who was eternally grateful... and verywealthy." "And that artist's name was..." "Michelangelo." "True story." "The other artist's name was" "Nobody knows, because he was never heard from again." "Woman:" "Never heard from again." "Right, right." "No, that's so true,Walter." "Is it all right if I smoke?" "Man:" "We've all heard your de Kooning stories." "You want one?" "Woman:" "Oh, really, come on." "It'syour last one." "Oh." "Uh" "It's all right." "Uh, so, you're" "[Snaps Fingers] Cigarette, please." "You're from Florida, too?" "Yeah." "I'm surrounded." "Everybody's from Florida." "I'm notfrom Florida." "I hate Florida." "Too much sun." " Man:" "Yeah." " Really?" "Actually, Finn was my childhood" "Whatwereyou, exactly?" "He was my, uh... first love." "Man:" "I thought I was." "Ifthat's whatyou say." "He painted a portrait ofme... when I was 10years old thatwas so beautiful." "Woman:" "I satfor a portrait once." "Electric experience." "Man:" "Great." "You slept with de Kooning." "Can we get on with our lives?" "I did not." "I'd like to paintyou again." "Would you?" "I wantto paint your portrait." "What doyou think, sweetheart?" "Me?" "Ha-ha." "Um" "Well, gee... doyou charge bythe inch or bythe hour?" "[Laughter]" "What?" "How doyou priceyour art?" "By, like, its size-- like, squarefootage-- or bythe time ittakes to make..." "[Others Laugh] the art?" "I" "I've actually never sold a painting." "Sir!" "Excuse me, sir." "Please, sir." "Excuse me, sir." "That's a club jacket you have on." "This isyourjacket." "Oh,yeah, right." "Let me helpyou." "Thankyou." "Thankyou." "[Door Opens]" "What areyou doing here?" "Don'tyou wantto paintme?" "Yeah." "Well,you've slept all day, so it's time to work." "You wantto do it right now?" "Mm-hmm." "OK." "How'd you get in here?" "Theyjust letyou in, huh?" "Not exactly top-of-the-line security." "~ Everytime ~" "~ I get no further ~" "~Howlong has itbeen?" "~" "~Come on in now ~" "~Wipeyourfeet~" "~On my dreams ~" "~You take up mytime ~" "So, doyou wantme sitting or standing?" "Both." "I mean,you know, whatever." "Sitting." "~When I could've been learning something ~" "~ Oh, well, you knowwhat I mean ~" "~ Oh ~" "~ I've donethis before ~" "~ And I will do it again ~" "~Come on and kill me, baby ~" "~Whileyou smile like a friend ~" "~Oh, and I'll come runnin'~" "~Justto do itagain ~" "~You arethe lastdrink~" "~ I never should have drunk~" "~You arethe body ~" "~ Hidden in thetrunk~" "~You arethe habit~" "~ I can'tseem to kick~" "~You are my secrets ~" "~On thefront page everyweek~" "~You arethe car ~" "~ I never should have bought~" "~You arethetrain ~" "~ I never should have caught~" "~You arethe cut thatmakes me hide myface ~" "~You arethe party ~" "~Thatmakes mefeel my age ~" "~You're like a car crash I can see ~" "~ But I justcan'tavoid ~" "~ Like a plane I've been told ~" "~ I never should board ~" "~ Like a film that's so bad ~" "~ But I gotta stay till the end ~" "~ Letmetell you now ~" "~ It's luckyforyou thatwe'refriends ~" "I haveto go." "I have dinner in one hour, and I look a mess." "[Elevator Bell Dings]" "Hey!" ".Whoa, whoa, whoa!" "What areyou doing?" "You forgotyour shoes." "What is it like nottofeel anything?" "Getthefuck out ofhere!" "Let's saytherewas a little girl... and from thetime she could understand... she was taughtto fear" "Let's say she was taught to fear daylight." "Shewastaught that itwas her enemy... that itwould hurt her." "And then one sunny day... you ask herto go outside and play... and she won't." "You can't be angry at her, can you?" "I knewthat little girl... and I sawthe light in her eyes." "And no matter whatyou say or do... that's still what I see." "We are who we are." "People don't change." "[Knock On Door]" "Yeah.What?" "Hold on." "Yeah, what is it?" "Yeah?" "Hi, Finn." "Walter." "Yeah, right, I know." "Is this a bad time foryou?" "Well, I mean" "I can, uh" "No, it's all right." "Come on in." "You sure?" "Yeah." "Come on in." "Thankyou." "Yeah." "What are-- What are you doing here?" "Uh, Estella mentioned... that she came by and posed foryou... and I, uh... was, uh... curious--wow." "Um... you're really good." "Thanks." "I had a good subject." "Yeah, I'll say." "She is incredible." "I" " I gotto be insane, right?" "Why?" "You know, to risk losing her." "God, look atthat one." "Look atthis... and I still can't commit." "I mean, that's certifiable, right?" "Well,you don't look crazyto me." "Um..." "I feel like one ofthose cliff divers... you know, in Acapulco?" "I'm right atthe edge, you know?" "I'm supposed to leap, the tide is high... and, uh..." "I thinkyourfriend Estella is... trying to give me a little shove here." "What doyou mean?" "I mean,you know... these,you." "It's her... charming little version of a wake-up call." "But, you know, I understand." "I understand." "I'm, uh..." "I'm dragging myfeet." "Um..." "I'm sorryyou got pulled into this whole mess." "I'm sure she doesn't wantto hurtyou." "In fact, I knowthat she really cares aboutyou." "Really." "It's just, uh" "[Laughs]" "That'sjustwho she is, you know?" "But..." "I love her." "I don't know, man." "I don't know." "You know her longerthan I do." "Doyou have any advice for me at all here?" "What doyou think I should do... aboutme and Estella?" "I thinkthatyou two are perfecttogether." "Um... well, thankyou." "Well, I should get out ofyour hair." "I appreciate yourtakingthetime." "You're really good." "Really." "I lookforward to seeingyour show." "Finn:" "The next week..." "I receivedapostcard frrom Ms. Dinsmoor." "It was ofra sandybeach with palm trees." "Itsaid, "How's my little mouse doing?"" "What were herplans fror me?" "Why was she protecting and promoting me?" "What could her reason be... ifrnot to make me equal with Estella?" "That same day..." "I got a call frrom Ragno." "Hello?" "Ragno:." "I n here." "Well, what do you think?" "About what?" "The digs." "Oh, it's cozy." "Good." "It's yours." "What do you mean?" "Your opening is in 10 weeks." "Ifyou won't be ready, we can simply reschedule." "Uh, no, I'll be ready." "This date is firm." "I'll be ready." "You'll move in here." "We've gotfood." "We've got paint, canvas." "Anything else, just ask Erica." "Erica... you knowwhat I'd like?" "I'd like some money-- some living expenses." "I don't believe that's actually" "Done." "Anything else?" "Yeah." "I'd like some publicityfor my show." "No one's actually heard ofyou... so that could be tricky." "How about "A commercial fisherman... from the Gulf Coast..." "lands on the Manhattan art scene"?" "Sounds like a story I'd like to read." "My, aren'twe media sawy?" "Well, we learn." "Ragno:." "Call Miriam." "She'll think of something." "Toast in my absence." "I'm late." "She's a barrel of laughs." "Well... an artist dropped out." "She had to throw around schedules." "Yeah, well..." "looks like somebodywants toturn thisfrog into a prince." "What doyou mean?" "You knowwhat I mean." "It appears as ifl have a fairy godmother." "Huh." "Aren'tyou a little old... to believe in fairy godmothers?" "Well, whateveryou say, Spider-man." "Ragno means "spider" in Italian." "Right." "Seeyou atyour opening." "Ciao." "~ Here comes success ~" "Finn:" "I was born again." "Well, whynot?" "I hadneverasked froranything." "IfrDinsmoor orthe art world... orthe world at large chose to adopt me..." "I could take it." "New York held it out... and I would take it ifrl could... and say thanks." "You would, too." "~ Here comes my Chinese rug ~" "~ Here comes success ~" "~ Here comes success ~" "Finn:" "I was an orphan." "I was raised by my sister Maggie... and her boyfriend Joe." "Maggie took off on us when I was still a kid." "Joe, hewas a big drug smuggler." "He spentmost ofthe seventies... in the Raiford Penitentiary." "I came home one day, I found him on the couch... and he was dead." "You know?" "He had OD'd." "Theytookthe apartment away." "I had to spend the next couple ofyears... living out ofthe back of a car." "Oh, my God." "No, I mean, itwasn'tthat bad." "I mean, itwas a big car." "Itwas a '68 Riviera." "Yeah." "It's a miracle thatyou even survived." "Doyou like my paintings?" "Yeah." "Why don'tyou, um... why don'tyou tell me aboutthis one?" "This beauty right here." "Oh, that?" "That" "That's some girl I knew back in Florida." "I used to have a huge crush on her, but, um... now I can't even remember her name." "You know, the face ofthis one..." "looks a lot like the little girl." "Yeah." "It's the same girl." "She grew up." "And you don't remember her name?" "No." "No." "Erica:" "Delicious." "It's all coming together exactly as I promised" "Finn frenzy." "Imagine whatwill happen... when they actually see yourwonderful work." "Your beloved per diem..." "Oh, thanks." "and an invitation to the Hamilton Museum benefit." "Oh, toss that." "I killed a publicist forthis." "It is the event." "Blacktie... old money, new money... big money." "Everyone is going to be there... includingyou." "Man:" "Erica." "Teddy?" "These are all Finn's new paintings." "It's foryou." "Ifyou don't like any ofthe portraits... you can, of course, commission your own." "Hello?" "Finn:" "Don'tjump." "Would you save me?" "Not in this suit." "[Laughs]" "How areyou doing?" "Good." "How areyou?" "Prettywell." "That's a good-looking suit." "It's a good-looking day." "It is." "Haveyou seen New York magazine?" "Areyou in it?" "Oh,yeah, it's just a little piece." "It's nice." "You didn't see it?" "No." "Oh." "You know, Thrall says that she thinks... the show is going to get good reviews." "I don'twantto jinx it... butwhat does she know, right?" "The curatorfrom theWhitney came bythe other day." "Thatwas pretty exciting." "Wow." "I'll say I knewyou when." "Listen." "What?" "Walter asked me to marry him." "He wants to marry me." "Really?" "Yeah." "Why areyou telling me this?" "Because, um..." "I've just" " I... wanted to know ifyou had anything to say." "Congratulations." "Sounds wonderful." "I wish you both the best of luck." "I gotta go, though." "I gotta" " I gotta" "Oh, Finn, wait." "No, I just-- I got some business." "Finn, wait." "Finn:" "Whyhadshe told me?" "She told me to wound me." "Orshe told me out ofrhabit... orshe told me to drive me mad." "I didn't care." "It was a clue, or it was a plea... or it was a tease." "I didn't care." "No, she told me so I would stop her." "Ofrcourse I would." "Man:" "Good evening." "Erica:" "Excuse me, Senator." "Well, you're fashionably late, darling." "I have hordes of people to introduceyou to." "This is the senator" "Finn!" "I'm sorry, Senator." "~ Asthe evening mists ~" "~Were rising--~" "Finn." "Finn, Finn, Finn." "So good to seeyou." "Listen, I got a friend." "He's decorating" "Haveyou seen Estella?" "Actually, no." "And, um... he's desperately interested in getting some art." "Areyou interested?" "And what'syour commission?" "We just got ourThrall invite-- so exciting." "Hey, I've been meaning to call you." "Congratulations on your success." "My God, you're all overthe place." "The boywith the hands." "I sawyour spread." "Anton Le Farge." "Be extremely nice to Anton, Finn." "He has a lot of emptywall space." "Well, I'm taking mytime." "Well,you should getto Finn... while his rates are still reasonable, right?" "How did we say... you should price your art again?" "Was it by canvas size or" "By its beauty?" "Hey." "Thereyou are." "I have to talktoyou." "We gotto go." "We're ridiculously late." "I" " I have to-- I have to talktoyou." "We just got here." "Sweetie,you just got here." "We're meeting the Barrows for dinner... at Kelly and Ping's 10 minutes ago." "Good night, kids." "Have fun." "Congratulations again, Finn." "Anton:" "Lovely couple." "This istheyoung artist I wastellingyou about." "Senator Elwood, this is Finn Bell." "How doyou do, Finn?" "Thrall hastold me so much aboutyou." "~ Come--~" "What aboutmyfriend?" "No." "Not right now." "All right, look." "Thrall is a loser in this town now." "I can introduce" "Not right" "Sorry." "It's all about relationships, isn't it?" "Man:" "Ha-ha-ha-ha!" "Don'ttouch me." "Man:" "I'm sorry." "Man:" "Sir, can I getyou a taxi, sir?" "[Brakes Squeal, Horn Honks]" "Man:" "Hey!" "Excuse me, sir." "Sir?" "Sir?" "Hey, Finn." "This is Finn." "How doyou do?" "Hello." "Can I offeryou a chair or a towel?" "Would you like to dance?" "[Laughs]" "Woman,Whispering:" "Doyou know him?" "Yeah." "Is everything OK?" "Yeah." "Nah, it's" "I wantyou inside me." "[Seagulls Crying]" "I haveto go home for a week or so." "I owe my aunt a visit." "Butyou'll be back." "Foryour show?" "Of course." "I do love the wayyou dance." "~ Here comes success ~" "~ Here comes success ~" "~ Over my hill ~" "~ Over my hill ~" "~ Here comes success ~" "~ Here comes success ~" "~ Here comes my car ~" "Hi." "Hey, how's it going?" "Congratulations." "Yeah." "Haveyou seen Estella?" "Is she here?" "She's not hereyet... butwhen she gets here, I'll send her right in." "All right, all right." "Hey, congratulations." "Greatjob." "Greatjob." "Oh." "Thanks a lot." "So" "Hey, lookwho's here." "All your dreams come true?" "Yeah, well, we'll see." "Great." "OK." "Come on, darling, I wantyou to meet some people." "Haveyou seen Estella?" "No, I haven't." "Listen, there's a very important guy here." "Carter MacLeish, he's a critic... so come and meet him now." "Congratulations." "Oh, wow, thanks,yeah." "Finn." "Oh, great,yeah." "Nice to seeyou." "[Chattering]" "We'll be right back." "Oh, thanks." "Woman:" "Is itwarm in here, or is it me?" "Very nice." "Thankyou." "Is Clemente here?" "Carter." "Hi." "How areyou, darling?" "Hi." "Greatto seeyou." "Finn Bell, Carter MacLeish." "Hi." "Very nice to meetyou." "Congratulations." "And Ruth you know." "Nice to meetyou." "Yeah." "Hey." "It's a most impressive show." "Oh." "Ha-ha." "Well, it is that." "[People Chattering]" "Man:" "Oh,yes, I do." "Erica:" "Richard." "Richard." "Darling, will you do a photo of uswith Carter?" "Man:" "Finn!" "Hey, Finn!" "Finn!" "Hey, Finn!" "Carter:" "What isthat?" "Hurry up." "Do another one." "I thinkyou have a fan here." "I'm sorry." "I'm sorry." "Will you just excuse me for one moment?" "Woman:" "Doyou know him?" "OK." "Hey, Finn." "How areyou doing?" "Surprise, surprise, huh?" "Yeah, surprise." "What areyou doing here?" "Well, where doyou think I'd be?" "Well, I don't know, but" "You knowwhat I had to do?" "I had to change in my car." "Yeah, I see." "It's a rental tux, butwhatthe hell." "Yeah, it looks good." "Doyou wantto go get, like, a juice?" "Hey, it's Jerry, huh?" "Jerry?" "Yeah." "Hey,Jerry." "Hey,Jerry!" "You son of a bitch... you weren't bullshitting, wereyou?" " No." " Yeah." "This is Erica Thrall." "This is my uncle Joe." "Ms. Thrall, hi." "This isyour place, right?" "That's right." "It'svery nice." "Very nice." "Oh, Carter MacLeish." "Hello, how areyou?" "You're also from Florida?" "That's right." "I operate a commercial fishing boat." "And this is Ruth." "Hi." "Hey, Ruth." "Hey, hey." "Ha-ha-ha." "Look at me, huh?" "Ruth:" "Uncle Joe, the drug smuggler." "I thoughtyou were dead." "Drugs?" "No." "She's thinking about someone else." "No, no." "I've been sober for a good long time now." "Finn, Carter can't believe it'syourfirst show." "Finn:" "Yeah, well, it is." "No, it's not." "What doyou mean?" "No, it's not." "Finn had a big art show... attheWashington Federal." "Whatwas it, a couple ofyears ago?" "TheWashington Federal." "What isthat?" "No, I don't knowthat gallery." "No, it's not a gallery." "No, it's a bank." "It's a savings and loan." "A bank?" "This is myfirst gallery show." "And you're self-taught." "Yes, I read that here." "Thatwas a gift." "Finn always had it." "7 months old." "His sister and I took him... outto the beach." "He satthere and drew in the sand." "And one night he took... all of Maggie's best perfume... and drewwith it out in the street." "Just poured it all out, and then he lit it." "Ssssshhhhhh." "Ssssshhhhh." "Just up in flames." "The most beautiful designs you ever saw." "Just remarkable." "Just sssshhhh." "[Glass Shattering]" "Areyou all right?" "Yes, I'm fine." "It's myfault." "Waitress:" "I got it." "Letme dothis." "Hey,just leave it,Joe." "Just leave it." "Erica, it's fine." "Joe,just leave it!" "I'm sorry." "Hey, I'm sorry." "It's" "It's just" "God." "Oh, man." "Excuse me." "I'm sorry." "I'm sorry." "Excuse me." "Joe." "Joe." "Oh,jeez, I'm" "Listen, I'm gonna head out... 'cause I'm starved, you know?" "I'm gonna find a McDonald's... or something, and, uh" "So you go back in... and I'm gonna talkto you a little later, all right?" "Joe." "Joe." "Come on, I mean" "Joe, listen, this is-- It's work." "Hey, sure." "Come on, I get it." " Finn." " Hi, Finn." "You dazzle 'em." "Go ahead." "Aw,jeez, I'm..." "I'm proud ofyou, Finn... and, you know, I always have been." "So... just go on." "Joe:" "Finn." "Go see ifthey know... howto smoke a swordfish, huh?" "Finn:" "Tonight all ofrmy dreams came true... and like all happy endings... it was a tragedy ofrmy own device... fror I'd succeeded." "I had cut myselfrloose frromJoe, frrom the past... frrom the gulfr, frrom poverty." "I had invented myselfr." "I had done it cruelly, but I'd done it." "I was frree." "[Doorbell Chimes]" "I did it!" "I did it!" "I am a wild success!" "I sold 'em all!" "All my paintings!" "You don't have to be embarrassed by me anymore!" "I'm rich!" "Isn'tthatwhatyou wanted?" "Huh?" "Isn't it great?" "Are we happy now?" "Don'tyou understand... that everything I do, I do itforyou!" "Anythingthatmight be special in me... isyou." "[Door Unlocks]" "Estella." "Finn." "What a lovely surprise." "What areyou doing here?" "In this house?" "I own it." "I was born here." "Haven't been here for ages." "Well, where's Estella?" "Since I had to come up forthe big event..." "I figured why not stay in the old place?" "What big event?" "My opening?" "No." "Estella's wedding." "What?" "You were the catalyst." "The fool was wavering, wouldn't committo my Estella." "Imagine." "Then you came on the scene." "I don't believe it." "Storybook, isn't it?" "Why?" "Why?" "Atfirst,you were practice for her." "Ateaching device." "Throw a mouse in with a snake." "Teach herto hunt." "Swallowfood whole, you know?" "I must sayyou didn't provide much of a challenge." "Now, now." "You enjoyed it." "And I warned you... years ago." "Didn't have to do that." "I told you the girl would hurtyou terribly." "Didn't I?" "You chose notto listen." "Well..." "I suggestyou look on the bright side." "We are together,joined... you, Estella, and I." "Pyramid of pain." "It's not love, but it is a bond." "We are together." "Give meyour hand." "You knowwhatthis is?" "It's my heart." "And it's broken." "Can you feel that?" "I'm sorry." "I'm sorry." "[Sobbing]" "What have I done?" "!" "." "Finn:" "The girl... the money, frame, revenge." "They'd been Dinsmoor's sick obsessions... and nowthey were mine." "Man:" "Look under the car." "I don't see him." "He's not under the car,JoJo." "How are you?" "Who is this kid?" "Don'tworry aboutthis kid." "Keep on looking, huh?" "[ManWhispering] Hey, hey,yo." "Hey, hey, hey." "Hey, listen." "Listen." "Can I justtalk toyou one second?" "Can I useyour phone to call the police?" "These guys are chasing me." "They're armed." "One second, please, justto useyour phone." "Justtake one second." "All right, come on." "Thereyou go." "Thanks." "Hello." "Yes." "There's some gentlemen outside chasing me." "I thinkthey're armed." "Could you send some police overto" "What's the address?" "1 1 1 Greenwich." "1 1 1 Greenwich Street." "Arthur Lustig." "Yeah." "Send them as soon asyou can, please." "Thanks." "Right." "Arthur Lustig." "So what, the police are coming?" "Yeah." "They'll be here." "And these guys are afteryou?" "Yeah." "This is a great place." "Oh." "You an artist?" "Uh,yes, I am." "Actually, tonightwas my opening." "Yeah?" "Yeah." "Congratulations." "Thanks a lot." "What'syour name?" "Finnegan Bell." "Finnegan Bell?" "Right." "Like..." "Finn?" "Exactly." "I'm sorry." "Do I knowyou?" "I don'tthink so." "You don't remember me, doyou?" "No." "Look, I don't know" "Whisper, whisper, whisper!" "Whisper, whisper, whisper!" "That's right, my boy... it's me." "Look atyou." "Look atyou." "You're all grown up." "Don'tyou wantto know what happened to me?" "Not really." "I've been away." "After I leftyou, afterthey caught me..." "I escaped again, and I sort of relocated." "Manyyears abroad... until now." "Until now." "I'm glad thatthings worked out good foryou." "I'm glad." "That's great." "Who's that handsome young man overthere?" "That's" "Soyou did think about me a little, huh?" "Scared the shit out ofme." "That's hard to forget." "I likethat." "Yeah, I likethat." "That's really good." "Howmuch is it?" "I mean, is itfor sale?" "No." "Actually, the whole show sold out." "Oh, congratulations." "Thanks." "I'm very lucky." "Oh,you're not lucky." "You deserveyour success." "You're a talented young man... and a fine artist." "Yourwhole" "This place is..." "Might a guy like me ask a very personal question?" "Whatwould one pay for a place likethis?" "The rent?" "Yeah." "Um, I don't know." "It's taken care of." "Oh,yeah?" "Could I askwho by?" "A lawyer.Why?" "No reason." "It's just I'm happy to seeyou doing so well." "Doyou mind ifl have a drink?" "Well, the cops are gonna be here anyminute." "That's OK." "They're always late." "It is late." "I'm sure..." "I'm sureyou understand." "Understand?" "You're sure I would understand what?" "Well,justthat it's-- the police are gonna be here any minute." "No, theywon't." "Theywon't." " No." "Why not?" "I didn't call them." "You didn't?" " No." "I pressed myfinger on the button." "Why?" "I can't." "They're looking for me, too." "They are?" "Yeah." "And those guys down there?" "A bunch of old associates." "They still got a beef about something... thatthey should have figured out a long time ago." "I thinkyou should leave." "Letmejustfinish my drink." "Just give me a minute." "It's so good to seeyou." "You know, Finn... you don't know how happy it makes me... to see howyou turned out." "You grew up." "Little Finn." "You're a grownup." "You're a man now." "Afamous artist." "You live this life." "Mix with all kinds of interesting people." "I'm very impressed... and nobody deserves it betterthan you." "I rememberyou when you were a little kid." "Good-hearted little kid." "Little Finn." "The one person who did a really pure... and good thingforme." "Congratulations... on your success, on your show... on everything." "Toyou." "Thankyou." "I appreciate that." "I do." "Uh, it's just thatthe truth is... it's making me really uncomfortable, you know?" "I mean, would you mind?" "I don'twantyou feeling bad." "Let me getthat." "I don'twantyou feeling badly." "No, no." "All right." "I just came to seeyou, say hello." "Now I'm happy." "Good." "You know, maybe if itwas another night, we could" "This is great." "This is the way it should be." "This istheway it should be." "Ragno did a good job." "[Door Closes]" "Hey, hey." "Don't go down there." "Those guys are gonna be down there." "There's a betterway." "Come on." "[Men Arguing]" "So,you know whereyou're headed?" "Yeah,JFK." "So whereyou going?" "I'm going to Paris... the city oflights." "Paris, huh?" "You wantto go?" "What, to France?" "Come with me to Paris." "I'll getyou a ticket on the Concorde." "I can't go to France." "I'll getyou on the subway." "You will love Paris." "~ I love Paris in the springtime ~" "~ I love Paris in thefall ~" "Paris is a beautiful city, beautiful." "It's a city of culture." "Magnificent city." "It's got elegance, beauty." "You gotta go to Paris." "You'll never regret it the rest ofyour life." "Every artist's obligation is to go to Paris... at least once in their life." "You've gotto go." "The streets, the romance, the women." "Oh, the women." "You should come." "I can't go to France." "You can come." "Come on." "You hearthat squeaking?" "Overthere, the subways" "Man:" "Yo, Arthur, is thatyou?" "Hey, Arthur." "You look like Howard Hughes." "Whereyou been... on a desert island all theseyears?" "I've been on vacation." "Nice to seeyou." "You got a little heavier." "Yeah, I gotfat." "Got a lot of kids, too, now." "Age catches up with you." "Listen, Arthur..." "Tommywants to inviteyou down to the club... for old time's sake-- a little macaroni." "Give me Tommy's number." "I'll call him." "Justwait." "We'll come over." "All right, 2 minutes." "We'll be rightthere." "2 minutes." "Yeah, we'll wait right here." "Man:" "Tommywill be very happywith this." "Arthur, what areyou doing overthere?" "You told me to come over here." "You knowwetold you towait." "I told you I'll come over here." "[Train Roaring]" "Didn't I tell 'em to come over here?" "Man:" "Don't get me mad, Arthur." "Tommy's not gonna like this." "Come here." "Come here." "Come on!" "[All Shouting At Once]" "Sorry, guys." "Betyou don't have this much fun... with your artist pals, huh?" "Isthisfun foryou?" "You're having fun?" "Gonna miss me?" "Why don'tyou come to Paris?" "I can't go to Paris." "~ I love Paris in the springtime ~" "~ I love Paris in the-- ~" "Ohh." "No, no." "You're hurt bad." "Stay here, stay here." "Just stay." "Justthisthing." "Aw,jeez." "I did a lot ofbad things in my life." "A lot ofbad things." "Butthe one good thing... isthat anymoney I had... anything I had-- and I made bullshitmoney" "I gave toyou." "All foryou." "The one good thing I did in my li" " Ohh." "I setyou up." "I sentyou to NewYork." "I did it all." "I boughtthat show." "You boughtall my paintings?" "Uh-huh." "You're a great artist." "Open up my suitcase." "Open my suitcase." "I" "What doyou want?" "Pull outthe paper bag." "Pull it back." "Pull." "Yeah, that's it." "[Laughs]" "Rememberthis?" "See this?" "Very special." "Look atthis." "Beautiful." "Look atthis." "Whattime is it?" "I don't" " I don't" "It's almost 6:00." "Still gottime." "Finn:" "Perhaps heshould have died thoseyears ago... back in the gulfr." "Perhaps." "But he had lived to be my benefractor... fror good and ill." "I went to Paris after all, and I worked there... and received everything I thought I wanted." "I heard about Estella frrom time to time." "She was divorced." "And theyears went by." "And then one day I went home." "[Ding Ding]" "Hi." "I 'm Finn." "Joe." "Joe:" "Huh?" "Hey." "Boy, you dog." "You dog." "Why didn'tyou tell us you were coming?" "Who's this guy?" "This is Jesse, this is Clemma." "Hey,you knowwhat?" "You just came in time to do the dishes." "You hungry?" "I got some croaker I caughttoday." "Finn:" "Joe toldme Ms. Dinsmoorhaddiedalone... someyears back." "Herbodylaythere undiscovered fror a month." "The mansion was due to be torn down... fror a housing tract." "I sat there... and thought back over the things I'd done... over my lifre... and where, in that briefr, violent time it had gone." "And then she came back again." "[Laughing]" "[Giggling]" "[Squeals]" "Girl:" "Mommy." "Estella?" "Finn?" "Is thatyou?" "Is thatyour little girl?" "Oh, God." "She's beautiful." "What areyou doing here?" "I brought her." "I wanted to show her this place." "What's left of it." "Haveyou been here often?" "No." "No." "Me, neither." "Soyou're doing great." "I hear all aboutyou." "I'm doing all right." "Yeah." "Things have been differentfor me." "For a longtime I kept" "What?" "I think aboutyou." "A lot lately." "I'm glad." "Can you everforgive me?" "Don'tyou know me at all?" "Finn:" "She did knowme... and I knewher." "I always had... frrom the first instant." "And the rest ofrit... it didn't matter." "It was past." "It was as ifr it had never been." "There wasjust my memory ofr it." "~ Do do do do do do ~" "~ Do do do do do do ~" "~ Ingénue ~" "~ Do do do do do do ~" "~ I just don't know what to do ~" "~ Do do do do do do ~" "~ Do do do do do do ~" "~ Ingénue ~" "~ Do do do do do do ~" "~ I just don't knowwhatto do ~" "~ Atree-lined avenue ~" "~ Beginstofadefrom view ~" "~ Drowning past regrets ~" "~ In tea and cigarettes ~" "~ But I can't seem toforget~" "~When you came along~" "~Ingénue~" "~ Do do do do do do ~" "~ Do do do do do do ~" "~Ingénue~" "~ Do do do do do do ~" "~ I just don't know whatto do ~" "~ Do do do do do do ~" "~ Do do do do do do ~" "~Ingénue~" "~Bésame~" "~Bésame mucho~" "~Comosifruera esta noche~" "~La última vez~" "~Bésame~" "~Bésame mucho~" "~Que tengo miedo tenerte~" "~ Yperderte después~" "[Seagulls Crying]"