"[Music playing]" "INTERVIEWER:" "So what are we up to here?" "We are about to go audition for Troma Films "Toxic Avenger 4."" "INTERVIEWER:" "And what's your ideal situation here?" "Well, to get the part of Toxie." "MAN:" "And why, exactly, do you want to be Toxie?" "Well, it's gonna be a lot of fun." "[Laughs]" "I know, [inaudible] to cry." "Yeah, crying." "This is the house of stupidity." "MAN:" "Oh, that looks really great." "MAN:" "This is truly fucking art." "MAN:" "Fuckers." "MAN:" "By and large, the people who work here are idiots." "And you can't complain about it, because all you're doing" "Is complaining to the same idiots." "Fuck Troma." "MAN:" "Jesus Christ, it's like Stupidville." "Seriously." "I don't want to waste my 160 IQ on this particular problem." "MAN:" "Fire in the hole." "MAN:" "God dammit." "Who's got a leaf rake?" "Boom gets in my frame one more time," "I'm gonna fuck this place up, boy." "MAN: [inaudible] just look at the fucking stuff" "And be scared." "MAN:" "They don't care." "No, they just don't fucking care." "MAN:" "This is ridiculous." "You're supposed to stay in your line." "We may have a camera problem." "But I don't know about it, and he's gonna" "Shoot him right in the chest." "MAN:" "At the end of the film." "Anybody bring Toxie to makeup, or are we" "INTERVIEWER:" "How's the experience been so far, man?" "It fucking sucks, man." "I suck!" "Trent is totally losing his mind on this set." "I'm the director." "I'm the boss." "Ah!" "[Thud]" "Ever since then, it's all gone down hill." "[Gunfire]" "[Explosion]" "Well, now you're in safe haven-- calm, quiet," "Relaxing Tromaville." "All your cares just dissolve away." "INTERVIEWER:" "So do you have any day number one, pre-first shot" "Comments or thoughts?" "[Motor whirring]" "First shot comments, mm." "No, I'm looking forward to "Citizen Toxie," right?" "INTERVIEWER:" "Geoff, what are you doing right now?" "Well, here we have 800,000 pages of script revisions." "INTERVIEWER:" "All from yesterday?" "Well, from the past couple days, really, so." "Pretty soon the entire script will be pink." "Script revisions." "Oh, nice." "Good, good." "MAN:" "Coffee?" "No, thank you." "INTERVIEWER:" "How's it going on the day number one?" "It's going all right." "I would ask that you don't come downstairs for today." "It's going OK." "I guess I'm supposed to be the AD. [laugh]" "INTERVIEWER:" "What's happening downstairs?" "We're getting Toxie ready and Heidi ready." "It's costume and makeup is down here." "But they're a little bit proprietary about their area," "And maybe just for now." "You know, sometime we want to get the Toxie" "Makeup applied and stuff." "But not today, OK?" "INTERVIEWER:" "OK." "All right." "Yeah, because you know Gabe's rule of thumb" "Is everything that you should not do, you should get on tape." "But I" "Yeah, yeah." "But it's" "INTERVIEWER:" "Yeah." "Dude, it's gonna come down on me." "Then I'll have to come down on you." "And I don't want to be [inaudible] gonna have to." "OK?" "WOMAN:" "Hi." "Oh, hi." "How's it going?" "Good." "How are you?" "Good." "Good." "You look fresh as a daisy." "Yeah." "Good luck." "Thanks." "Only a few revisions today, by the way." "This is all for your scene." "I heard." "We've got it all [inaudible]." "OK." "This is all you." "I didn't actually get these yet." "No, I'm kidding." "Oh." "Yeah, [inaudible]." "Oh." "Oh." "INTERVIEWER:" "So what's happening today?" "We're gonna shoot a scene, two or three-- sex scene, woohoo!" "Sure." "INTERVIEWER:" "So what's your biggest fear about today?" "Fear?" "I have no fears." "INTERVIEWER:" "What's the word of the day so far?" "Uh, I think it seems very tranquil and very pleasant" "A lot of people standing around waiting," "Waiting, waiting for Toxie to emerge, the new '90s Toxie." "Huh?" "INTERVIEWER:" "How's it going on day number one?" "Oh, good." "INTERVIEWER:" "Are you excited?" "Yeah, I'm really excited." "INTERVIEWER:" "All right, what's your biggest hope for today?" "Uh, I'm not that ambitious, either." "MAN:" "I don't want a title." "No, no, you got-- you've got to put them in the script." "WOMAN:" "Could be three hours." "These are revisions." "Oh, OK." "So you want notes in the margin to go" "Page 18 replaces that page 18." "These are replacements." "Don't you have these?" "I don't personally have them, but these" "Oh, you should get them." "These are script revisions." "This 18 replaces that 18." "OK, so how do I know which ones replace" "Just take-- just take the page." "Right?" "You'll see the scene numbers, right?" "I don't think I follow you." "Do you want" "Could be the-- what you do is, let's say" "What's the first page here?" "Page one." "All right, so do I have a page one there?" "Yes." "OK, so you take out that page one." "[Chatter]" "You take out page one." "Then you put page one in, see?" "Oh, so anything with notes in the margins." "No, no." "Any pink sheet, that's a revision." "That replaces the white sheets." "Pink is more important than white." "So you take out-- you see?" "This is page one." "Right, so now page one, i principal, we will not use," "Except I have notes on it." "So then this is page two." "So page two-- it's a new page two." "You see?" "It's actually-- it looks the same to me." "It's not the same." "It may look the same, but there'll be differences." "It's like "Sesame Street."" "You know, it's like one of those quizzes" "Where you have to see what's different." "So there's something in here that either I or somebody made." "So you will find a change in here." "That's what these are all about." "OK." "But because there's how many right now?" "Look, look, right here." "Here's the change." "See?" "OK." "That's different." "You see?" "You see "Tex smashes the teacher in the face" "With the back of the book."" "That was added." "That's not in the first thing." "So you take this away." "In principal, we're gonna throw that way." "And you replace-- there's a new page two." "OK." "So you don't want the whole script to be pink." "No." "No, these are revisions." "You just want certain" "These are revisions." "Every time you do revisions, you do a different color." "Now, page four, you take another" "Take that old page four." "OK, this is pa-- oh, OK." "See?" "These don't have" " OK, I see." "At least-- no, you don't see." "No, I do see." "This is omitting certain pages." "No, it's not omitting anything." "The whole idea is that when this says page four," "This is now page four." "It's going to be pink." "We don't like white page four." "MAN:" "Right here." "So you take out that." "A racial thing." "[Laugh]" "Pink is better than white." "So that's all it is is a matter of-- pulling" "The sheets out in this program cuts them" "So that the lines are the same." "Oh, OK." "That's perfect." "And everything should be all right." "So the idea is that this-- this color-- slowly, every time you" "Do revisions, you do a different color, so that way people know." "And you ought to be getting them." "If you're an AD, you should get them." "All right." "OK." "So now you know what to do." "Now you take seven, and you put seven where seven is." "Go to a table, though." "Do you want me to deliver this to you?" "Yes, hand it to me as soon as you're done." "Yeah." "Sit at a table, though, because it's-- maybe sit at a nice," "Comfortable table, one of the beautiful German tables." "Double check that the script is tasked with the [inaudible]." "TRENT:" "Yes, yes." "I will make sure that" " I think it's pretty damn simple." "You take out page four and replace another page four." "Yeah, I would think so." "Yeah, I will double check that" "And the reason why they're pink is so that we know that those" "Are the revised pages." "Exactly." "LLOYD KAUFMAN:" "We should start shooting soon, though." "Yes, sir." "We will be ready for a costume rehearsal in about 20 minutes." "LLOYD KAUFMAN:" "OK." "What's that?" "INTERVIEWER:" "I'm a little bit unclear on how" "These script revisions work." "Oh. [laugh] You're trying to annoy me." "You're trying to get me going." "And I'm gonna be calm and cool." "Needles and pins, pins and needles" "Makes us-- whatever Jackie Gleason said, that's me." "I don't see any changes." "That was the best part." ""Looks the same to me."" "It was great." "I made a prediction as of yesterday," "Which is OK, that we would be-- that first shot would" "Be up by 10:30." "Now, what do you think about that?" "It's 8:30 now." "And I'll tell you, we're still in mad makeup," "And no one knows what the fuck's going on." "It's 10:30?" "Yeah, yeah." "It's 10:30, and tomorrow's a big day." "What's happening out there?" "Um, basically special effects is five minutes away." "And then they have 10 minutes of work to do." "They're putting the final touches on Toxie's arms." "Well, tell them, so they get out" "Of there when the actors come." "Let's get ready." "You got to tell your crew, too." "TRENT HAAGA:" "Yes." "That was if you got-- well, how many minutes would you say?" "TRENT HAAGA:" "I would say" "Just tell them." "Tell them." "You got to say-- you got to yell it out." "Eight minutes." "Six minutes." "All said, we got about 10 more minutes" "Till we'll have our actors on set for a camera rehearsal." "OK?" "MAN:" "Thank you." "Awesome." "I would like to be shooting right now." "I can't believe that we're not." "I will always wait for makeup." "Yeah, did you get that?" "INTERVIEWER:" "Yup." "You have revisions?" "You have the pink sheets?" "MAN:" "I gave them to [inaudible]." "Well, why don't you have them in your script?" "MAN:" "No, that way this rests for you." "You're the script boy, man." "Go get them." "Jesus Christ." "It's like Stupidville." "Seriously." "Geoff, did nobody tell you how to do it?" "You're supposed to be following the text." "Right, I got" "So how are you gonna follow it if you" "Don't have the revisions?" "This scene hasn't" "Doesn't matter." "You don't know that." "I'm made changes this morning." "Right." "Yeah, I need those." "Go." "You've got to get-- yeah, well you should be getting them." "You should get them." "Yep." "Shit, that's what it's all about." "That's what the pink papers are there for." "Go." "Trent, this is fucked up." "The script guy doesn't have the revisions." "How is he gonna be script guy?" "He doesn't have them in his book." "He's got to be reading them so that we don't fuck up this." "Someone's got to keep track that we're doing the dialogue." "TRENT HAAGA:" "Could you repeat that?" "You should have them." "Everyone should have the fucking scripts." "This was nuts." "I hope the actors have it." "WOMAN:" "All right, got my own." "We're gonna get out there on toxic speed." "[Footsteps]" "[Chatter]" "MAN:" "Awesome." "MAN:" "Oh, man." "[Clapping]" "MAN:" "Here comes the Toxic Avenger!" "[Cheering and applause]" "MAN:" "Uh-huh." "Hi, Toxic." "LLOYD KAUFMAN:" "OK, let's go." "Let's go." "Call it." "Let's go!" "Start rehearsing!" "Jesus Christ." "It's fucking 11 o'clock." "MAN:" "Lights." "LLOYD KAUFMAN:" "Go [inaudible]." "MAN:" "Lights up, George." "LLOYD KAUFMAN:" "Let's go!" "Let's go!" "Do a master on the beautiful lovemaking, fornicating." "And then we'll go into the-- we'll cover it." "Then we'll cover it." "And then we'll deal with the food." "INTERVIEWER:" "What's the word of the morning?" "There isn't one yet." "It's been too hairy to have a word." "It's, uh" " I've been given incorrect information," "So I've been late." "And ever since then, it's all gone downhill." "OK, here we go." "Standing by." "This has to be the most erotic scene" "That has ever been filmed in the history of man and womankind." "[Moan]" "[Moaning]" "Oh!" "[Moaning]" "LLOYD KAUFMAN:" "Cut!" "We got the-- the breast isn't coming" "Off, which is why you should always rehearse with costumes." "You should rehearse with them." "And I've been saying it for weeks." "Rehearse with costumes." "'Cause now we're" "Having a major problem." "We'll cut this thing down." "TRENT HAAGA:" "No, I'm starting down." "I'm starting at off." "All right." "You know what I mean?" "That's the" "LLOYD KAUFMAN:" "Well, just tell her that." "TRENT HAAGA:" "Oh, yeah." "LLOYD KAUFMAN:" "So she knows." "TRENT HAAGA:" "She knows." "LLOYD KAUFMAN:" "OK." "Yeah, yeah." "That's what you gotta do." "You've got to rehearse with everything." "This is gonna be the bane of this production is" "That nothing's been looked at." "I've been saying it for eight weeks." "I should've looked at every effect." "I should've looked at every costume." "Every scene should've been rehearsed in costume." "You know, now we're paying the penalty." "Keep your hand away from-- just pull the dress down." "Take your-- -[panting]" "There you go." "OK, we'll continue it from there, please." "But can you bring it-- can you get out of that thing," "In terms of the-- just pull the thing down." "All the way down?" "LLOYD KAUFMAN:" "Yeah, get your arm out of there." "Yeah, but I can't pull it back up afterwards." "LLOYD KAUFMAN:" "Yeah, well, you will." "We'll cut, and you'll have [inaudible]." "To pull it back up." "Yeah." "LLOYD KAUFMAN:" "Just for this scene, so we" "Sure." "LLOYD KAUFMAN:" "All right." "So let's pick it up from here." "OK." "TRENT HAAGA:" "Uh, bring your dress down." "Yeah, right to your underwear." "Thanks." "INTERVIEWER:" "So Lloyd, how'd that go?" "Uh, we're getting there." "It's starting to happen." "The magic, the true magic, is slowly starting to happen." "Yeah." "CREW: 15, Charlie, Take one." "[Beep]" "CREW:" "Mark it." "Mark." "[Clap]" "CREW:" "One second, please." "Holding, and ready, Lloyd." "Action." "[Gasp] [moaning]" "LLOYD KAUFMAN:" "Right arm down." "Left arm back, Toxie." "[Moaning]" "CREW:" "No, it's not" "LLOYD KAUFMAN:" "Cut." "When I tell you there's noise, there's noise." "What you have to do is you don't go to him." "You go to me." "I say there's too much noise outside." "If your people are making the noise," "You've got to lock up the set." "You've got to shut them up." "That's your job." "You don't go to Evan and say, is it OK?" "Because that's what schlock is all about." "Schlock is accepting noise on your soundtrack." "Now, we're gonna have plenty of noise on the soundtrack." "And we're gonna accept plenty of dogs barking." "But the PA's yapping and slamming" "Doors we don't have to accept." "I'm intending to perhaps do it like "Toxic 1."" "MAN:" "That's what I thought" "But don't" "That's what I had in my mind." "But don't-- assume we're using his." "Absolutely." "I'm assuming we are." "But, like, that's also in the back of my mind." "[Inaudible] Toxie, too." "Trent, is Jesse standing by with that, um, Bromo grain stuff" "And the Rosco smoke machine?" "Is somebody still getting the Bromo-Seltzer?" "Why don't we have that Bromo-Seltzer?" "I don't get it." "What, they don't have Bromo-Seltzer?" "That was two days ago." "We're doing a "Toxic Avenger" movie." "Trent!" "TRENT HAAGA:" "Yes, sir!" "LLOYD KAUFMAN:" "Are they still getting it?" "TRENT HAAGA:" "Yeah." "CAT SARREAL:" "Yes, they're coming back." "Yes, they are coming back." "With Bromo-Seltzer." "CAT SARREAL:" "Yes." "TRENT HAAGA:" "It better not be Alka-Seltzer." "Where's the fucking Jared, right?" "Hey, Trent." "Having the PAs in the car doesn't do you any good." "Where-- do they know where they're going?" "I told them just to get green food coloring" "And then Bromo-Seltzer." "I didn't tell them what store to go to." "OK, well, that's what you have to do." "See, that's why I'm the director." "Where is Jared?" "Let's get Jared here." "Let's have Jared come to the set, I guess." "I don't know to get out of it." "This is a "Toxic Avenger" movie, and we don't have any Bromo" "And vegetable coloring." "Now, you guys should be telling me what else we don't have," "When I make like a list of-- each day, I should" "This is not good." "You should, like, give me a-- like, tomorrow," "If we're not gonna have guys heads getting squashed." "Ah, good." "All right." "Have it standing by with the green vegetable dye, please." "[Chatter]" "Now, we're gonna do a shot at the end," "With the close-up of Toxie, where" "He's doing his Bromo and green." "TRENT HAAGA:" "All right." "Thank you." "Also, we're gonna need the Bromo-Seltzer on this shot," "Folks, on this angle." "Just have all the Bromo standing by, folks." "TRENT HAAGA:" "I got the Bromo." "OK, he's putting the Bromo in everybody." "Let's" "But maybe take a shit load so it forces itself out." "Take a lot more." "OK." "Take a huge amount, and then it'll kind of force you." "You'll find that it'll will almost" "It'll build up so you almost" "This is about quantity, not quality." "MAN:" "That's self-evident." "MAN:" "Is it green?" "LLOYD KAUFMAN:" "OK, everybody be quiet, please." "This is a very, very difficult acting thing." "CREW:" "Toxie." "CREW:" "Yeah, ready." "CREW:" "Come a little bit closer." "LLOYD KAUFMAN:" "You better turn the camera on!" "CREW:" "Yeah, I've got it." "It's rolling." "It's OK." "Go for it." "Head up a little bit more." "Excellent, nice." "[Camera shutter clicking]" "Yeah." "LLOYD KAUFMAN:" "Look up more." "Head up more." "CREW:" "Excellent." "CREW:" "Oh, that's nice." "Cut." "LLOYD KAUFMAN:" "OK, good." "Beautiful." "Thank you." "Thank you." "Please clean up Toxie." "[Applause]" "Bravo." "Thank you, Toxie." "TRENT HAAGA:" "You are the screen's" "Definition of beautiful, Lloyd." "LLOYD KAUFMAN:" "Well, you are beautiful." "So are we going straight to the kitchen shots after this?" "I guess so." "Uh, no." "Actually, [belch]" "Is there more?" "Oh, oh, we're doing the fantasy." "Yeah." "And then the" "(SINGING) It's all part of my Fabio fantasy." "LLOYD KAUFMAN:" "So the idea is to get-- you have Sarah's eyes" "After they've just had the huge orgasm." "And she says, "Toxie, the most beautiful person in the world."" "And then you cut, and there's a close-up of-- instead of Toxie," "It's Joe Anthony." "What's the next scene?" "TRENT HAAGA:" "Uh, it's fucking Joseph" "Anthony, Toxie fantasy guy." "[Slurping] Bad idea." "Really bad idea." "Yeah." "Stupid idea." "Yeah." "I mean, besides green vomit." "Uh-huh." "[Sigh]" "[Inaudible]." "[Slurping]" "What the hell was that?" "[Slurp]" "Uh." "INTERVIEWER:" "So, big man." "What's up?" "INTERVIEWER:" "Tell us about your first morning" "In a feature film." "As the lead?" "INTERVIEWER:" "Yeah." "Um." "It's been busy, very busy." "I have absolutely no idea how it could be possibly" "Be too something or near to." "INTERVIEWER:" "So it's been very traumatic?" "Oh, yeah. [slurp]" "Yup." "Yes, indeed." "BRAM LEWIS:" "It was today?" "Uh, today was good." "Day one." "Day one." "Pshew." "In the bag." "[Sigh] -[sigh]" "It was a little weird." "I'm still getting used to Lloyd." "But, uh- -[laughs] And his type of direction." "Yeah." "And his changing things, like, all the time." "He's constantly changing." "And I had several guys come up to me today" "Afterwards and say, wow, man." "I knew you were big." "And I knew, you know, you could do" "The stick stuff and all that stuff" "And the stunt work and all that." "But I didn't know you could act." "INTERVIEWER: [laughs]" "A bunch of people were like, are you" "An actor, like professionally?" "And one guy came up and he said, I've been a fan of Troma" "He's, like, you know, 20 or something." "He's like, I've been a fan of Troma since I was, like, five." "And he said, I've seen all the movies." "And you're the best Toxie ever." "Wow." "So that was cool to hear." "[Applause and cheering]" "Yahoo." "I can't believe you're here." "Is there anything that's, like, not-- just, I" "Mean, your instinct will guide you, period." "Is there anything that's, like-- if there's anything" "That you want to talk over at any point, just, you know," "Don't hesitate." "Yeah." "Everything changes all the time." "So, um" "We're doing the retarded school scene." "We got to keep it on the low-down," "Because we're actually at a school for special students." "So we don't want to offend anyone." "MAN: (SARCASTICALLY) I'm working here!" "Don't make up the special children." "They should look sweaty and disgusting." "INTERVIEWER:" "So how does it feel to actually" "Be a part of a Troma movie?" "Oh, it's incredible." "It's a dream come true." "I just hope I get killed." "ACTOR:" "Pretty smooth." "It's a little hot and muggy in here." "But, well, that's filmmaking, I guess." "No big deal." "If you don't like it, then you probably" "Shouldn't be here, so" "LLOYD KAUFMAN:" "We're shooting now, correct?" "Yeah." "LLOYD KAUFMAN:" "OK, come on." "Come on." "Let's go." "Let's go." "Hey!" "There's a little schmutz in the gate." "Can we do it again?" "OK, all right." "Everybody back into position." "Did you clean it yet?" "Have you cleaned it yet?" "Yeah, I have." "And is it hot in here?" "Let me ask you." "INTERVIEWER:" "I think it's pretty" "DEBBIE ROCHON:" "There's no air." "I think the air-- we finished using all of the air" "Maybe three hours ago." "See this strip right here, these blue lines right there?" "INTERVIEWER:" "Yeah." "Right, when you get the diaper, they're yellow." "And then they're supposed to turn blue as an indication" "When you've urinated in your diaper." "But I've also found out that it turns blue if your testicles" "Sweat excessively." "I guess we're working up to the point" "Where something really bad is gonna happen." "MAN:" "Hold on." "Hold on." "Can you hold on, please?" "I may have a little technical problem." "LLOYD KAUFMAN:" "OK, hold on." "MAN:" "Hold on please." "LLOYD KAUFMAN:" "Don't leave yet, folks, 'cause" "We may have a camera problem." "OK, we are going to break for one half hour" "For lunch-- granted, if the camera is OK." "If not, we'll retake this last thing." "Ready, action!" "ACTOR:" "Teach?" "Teach?" "What's the fucking point in trying to teach" "These soap heads, lady?" "[Laughs]" "[Chatter]" "Get him!" "Get him!" "Cut!" "Good." "OK, excellent." "Super, super." "Very good." "Bravo." "Terrific." "2 o'clock, and we still-- maybe." "I don't now." "I thought we were not being too ambitious for today." "MAN:" "Hey, what are we on?" "Like, page two?" "We have like eight." "Yeah, we're going very slowly." "It's been slow." "Everything is OK." "It's just we're a little behind on the shots." "My actors are great." "They're sitting here." "They're being quiet." "They're getting it in one take." "It's just the set-ups are so effing slow." "I can't stand it." "We'll never get eight pages today at this rate." "There was this situation where one of the diaper mafia" "Spilt some milk all over my face in a very sexual manner." "It was very disturbing." "Got milk, fucking retard?" "LISA TEREZAKIS:" "It was very, very, very similar to someone" "Ejaculating all over me." "But it was a milk bottle with milk." "Mommy!" "Mommy!" "Borderline, borderline pushing the envelope, if you ask me." "But it was all in the name of art." "[Chatter]" "Hey, Zork, what's going on, man?" "INTERVIEWER:" "How is day number two going?" "It's exciting stuff, but I'm really, uh-- what happened, Zo?" "I got a call from Gabe a couple days ago." "Oh, Gabe told you to say it, huh?" "That's what Lloyd told him." "Oh, Gabe lied to you, man." "But then I talked to Pat, and Pat agreed." "Well, yeah." "They both" " Gabe and Pat wants you to say." "Lloyd don't care." "He said it would be better without." "People make decisions without Lloyd around here." "That's what happens." "I'm good if you want to put it back. [laughs]" "I like it." "I like the look, man." "You look younger." "I just didn't want to do the hair thing." "You know, only because of growing out." "Something like these things, which wash out," "But this, the dye wouldn't wash out." "TRENT HAAGA:" "No, no." "And that's fundamentally what it is, man." "Those guys-- this isn't "Masters of Light."" "It's about retarded kids and guys" "In diapers with machine guns." "It needn't have perfect kick lights and whatever." "And we're back." "We're back from lunch." "Fuck this man." "I've had it." "LLOYD KAUFMAN:" "Cut." "It went soft." "MAN:" "Something went" "LLOYD KAUFMAN:" "Yeah the camera turned off, too." "INTERVIEWER:" "What's happening right now?" "They're having camera trouble, so we're standing here." "This happens every hundred thousand miles." "LLOYD KAUFMAN:" "Yeah, right." "OK." "It had to happen today, though." "MAN:" "What's up?" "I don't know." "I've never heard or seen this happen before." "I don't know." "It's one of the belts." "It's not working right." "It sounds like we are quite fucked." "MAN:" "Don't do [inaudible]." "INTERVIEWER:" "Right, yeah." "All right." "LLOYD KAUFMAN:" "I told everybody." "Keep all your acting going, because it's" "Very improvisational." "And we're sort of moving around, since you never know when" "The camera's gonna be on you." "So please keep up the performance." "Hopefully, we will have a camera." "No, I got a bit of a problem." "WOMAN:" "Do you know if we can use the other one?" "Yeah, we can use this other one." "It's noisy, though." "But that's the option right now." "We're fucked." "It could be the end of the film." "INTERVIEWER:" "Why?" "Can't do it without a camera." "Can't shoot it all without sound," "Unless we do a silent movie." "What do we do?" "I made arrangements for somebody to pick up" "Another body in New York City." "Can you send somebody from your office to go down there?" "Oh, my god." "So it's-- yeah." "We're fucked." "I mean, I'm gonna work on the camera myself." "Yeah." "But I want to make this arrangement before something" "Closes for Labor Day." "Yeah." "Unless Brendan fixes the camera, we'll be MOS." "And then there's another camera body coming from New York." "Wow." "Let's just keep going with the scene." "We'll get as much of the scene as we can without dialogue." "CREW:" "Rolling?" "LLOYD KAUFMAN:" "Roll." "Action lighting." "[Camera whirring]" "Cut." "Fuck it." "It's absolutely fucked up." "Totally fucked." "All right." "Come back." "It's just this-- it's very wide." "My head hurts." "It really, really hurts." "INTERVIEWER:" "Why does it hurt?" "What happened to you?" "I was assaulted by a breast." "Belladonna will push her out of the way" "And flap her with her heavies." "Does Belladonna know that?" "TRENT HAAGA:" "Yes, I" "Why don't you go and just tell Belladonna?" "Go in the back and tell her what to do, please." "So he wants you to do redo your entire film." "We're gonna [inaudible] poor, little retarded" "Is that all I am is a pair of tits?" "No." "We'll get your face in there somehow." "[Laughs]" "Yeah, yeah." "LLOYD KAUFMAN:" "And run through." "Action." "That's it, good." "OK, perfect." "All right." "Do a still take." "[Chatter]" "This is art, man." "This is truly fucking art." "It is definitely a Troma day." "TJ knows this is art, man." "I didn't think it would hurt." "But then I thought, well, that was the last time." "And then it happened again, but it was even more painful." "So when you see-- if it's on the film-- my face," "That's not acting." "That was real." "I was in pain." "Nobody's been trained in breast combat before, I don't think." "So they didn't know how to fake it." "And the girl just went sick." "I mean, I had a headache the whole day." "She was just sick." "She was, like, going sick." "I don't know." "Letting out some steam, I guess, some frustration or something." "[Panting]" "What's the word of the morning?" "Um, ugh." "[Grumble]" "INTERVIEWER:" "So what's been happening on set?" "I'm not happy." "INTERVIEWER:" "Why?" "I don't mind working hard." "I don't mind the long hours." "I don't mind, you know, sitting in the hot room" "With people who don't know what the hell they're doing." "They keep doing the same thing over and over again." "How about, like, invest a little more money" "And get a second camera?" "Hello?" "INTERVIEWER:" "Right." "I mean, I wasn't born yesterday." "And this just looks like-- well, you guys have" "Been around for a long time." "What's going on, man?" "INTERVIEWER:" "I'm not" "Take some of that money you made from the past films" "Or whatever." "And I'm sure they're raking in the dough." "Take some of it and reinvest it in a better production," "And maybe you'll get a better product." "Maybe somebody will start taking you seriously." "Because, you know, half the people I asked" "Have never heard of Troma." "I don't want another part that involves me" "Beating people up with my tits." "I mean, I can do that in the stuff that I've done," "Which pays." "INTERVIEWER:" "Yeah." "I mean, this is almost like the pornos that I've done," "Which is mostly girl-girl and fetish and SM" "Stuff, which pays really, really good" "And is really, really easy." "I've already had this kind of exposure." "I wanted some legitimate, like, acting exposure, you know." "And now the whole world knows me as this ditzy bimbo" "Who can't act." "And I can act." "They didn't ask me to have a monologue." "They just asked me to come in, and be myself, and do my thing," "And do what I do, whatever." "And I did a little striptease." "And I jumped on one of the guys who was on the couch," "And I beat him up with my tits." "INTERVIEWER:" "Right." "And that was just something that came to mind." "I figured let me shock them a little bit." "There's not much else I could say." "Lloyd just treats me like a dumb bimbo, and I'm not." "And my feelings are hurt." "And I don't think I'm coming back, so there." "INTERVIEWER:" "So what happened with the" "What's up with the status of the camera now?" "Yeah, yeah." "We got the new camera brought in and set up here." "And it's right here, big and beautiful, ready to go." "Hey, there." "INTERVIEWER:" "What's the word of the day so far?" "Word of the day is relaxed." "I had the day off yesterday, and I enjoyed that." "And they don't need me for a while yet," "So we took a really long time to get the makeup on." "Just took our time, no rush, no fuss." "Nobody continually coming in to see what was going on" "And how soon it would be done and all that stuff." "So it was cool." "INTERVIEWER:" "A little bit different than day number one," "Eh?" "Very different, yeah." "Can we just like put the squibs at some point?" "And then have-- just like sort of put them back in the scene," "And just leave them on there for a little while?" "No." "You've got to just put them on and do it?" "OK." "I mean, you have one shirt of each for each person?" "No, we have more." "You have one extra." "Right now we have one extra shirt." "One extra shirt." "Total." "Like, we have all of these people" "You have one total shirt, or one extra shirt?" "I'm sorry." "These are all the shirts, right?" "Uh-huh." "MAN:" "That equals five shirts." "I have one more that's not being used" "By a character in the scene." "CRAIG:" "You mean one for each person?" "No." "Just one more shirt." "Yeah." "Then we can't do it." "LLOYD KAUFMAN:" "Can I have someone slightly intelligent?" "They can go to some store to buy" "I mean, here's the deal, man." "We don't need them to be the exact same shade." "We don't care, as long as they're green" "And they got loops and you can iron some shit on." "I don't know." "Is Nives dressing people right now?" "No, she's not, man." "I need her to fucking" "She's dyeing shirts right now." "She's dyeing." "Oh, man." "They're going to have to dry those shirts." "We need them today, you know?" "45 minutes." "And we need them sooner than that." "We literally have to go to any store." "You have to ask yourself what's more important," "Like guarding our equipment or sending out green shirts?" "I'm sorry." "We're working the best I can, we just don't have" "The fucking people to do it." "We can have extras do it." "That might be a good idea." "Are we going to be able to shoot?" "You have six shirts." "Because you remember" "We still be able to wardrobe the classroom" "After the squibbing?" "Once the shirts back, I just have to put on some type." "And then" "Now, who went to get the shirts?" "'Cause" "It seems like they went, like, four or five hours ago." "No, they came back." "They couldn't find them." "And then they came back and asked them what to do." "And I told them to get white shirts" "And I would just dye them, because it's" "Just a dunk in green." "That's all it is." "And then just stick them in a dryer, and they're done." "Who did you send?" "How long ago?" "Two PAs." "They probably left 20 minutes ago." "They should be back any minute." "Oh, it's hopeless." "OK." "NIEVES:" "OK?" "It's hopeless." "INTERVIEWER:" "So what's just-- what are you doing right now?" "The shirts that we bought originally" "Had blue collars on them." "But we can't find those shirts again." "So now we have to paint the blue rings" "Around the collars and stuff." "INTERVIEWER:" "Is that fun?" "No." "But the squibs are condoms filled with blood" "With a protective padding to protect the skin," "And a explosive on top of the padding." "Then the shirt is scored and glued back" "Together what toilet paper." "It's an electric wire goes out the back." "You hook it up to a battery-powered thing," "Press a button, and bam." "[Chatter]" "Who needs squibs?" "You, you, you." "You need a squib?" "Yeah." "The squibs are 10 minutes off." "There still are no green shirts." "And so-- but the squibs-- so I think" "By the time you finish wacking in the balls," "Then we'll be ready for squibs." "You know, we're just on the third day," "Too, so I'm reserving judgment." "But it's definitely-- it's a little-- little fucked up." "If you're on props, have the props already there." "If we're shooting something, have everything there." "If it's costumes, they're there." "Props, they're there." "Whatever it is, try to think ahead and have it there." "TRENT HAAGA:" "OK, everybody's" "We shouldn't have to remember there's a stick in the scene." "You guys should be ahead of the game." "Please be ahead of the game." "Same with the actors." "The AD department should have the bloody actors here." "OK." "Let's run the" "LLOYD KAUFMAN:" "We're filming, right?" "We shouldn't-- how are we gonna remember?" "And script boy, script boy, please remember this." "Tell us you're missing assistants." "You're missing the stick." "And whatever it is you're missing, tell us." "OK, Geoff?" "So" "LLOYD KAUFMAN:" "We've been doing" "OK." "This is the third day." "And it's the same-- we are not learning." "We are not learning." "We're not getting better." "We're not getting better." "We should get better." "TRENT HAAGA:" "We're trying to speed up, though." "We got everything." "We have all our props." "We should be thinking ahead." "We are not thinking ahead." "TRENT HAAGA:" "OK." "Now, for example, is there not gonna be blood?" "Is the blood boy here with the blood?" "There's no blood yet, Lloyd." "LLOYD KAUFMAN:" "Well, there may be blood, though." "Think ahead." "Have it standing by so we don't have" "To stop and ask for the blood." "TRENT HAAGA:" "Everyone in the room" "Think ahead." "That's all I'm suggesting." "You are absolutely right, Lloyd." "Can we do the take?" "Can we rehearse?" "LLOYD KAUFMAN:" "Yes." "Thank you." "LLOYD KAUFMAN:" "Rehearse it in slow motion." "OK." "Trent" " Trent and I will survive." "The rest will go down in flames." "About that classroom scene" "So it's up to you." "Whatever you want to do." "Just get out of here and go do some shots and clear your head." "All right." "[inaudible] you're starting to crack up, man." "You're out of control." "TRENT HAAGA:" "I got to just get out of this diaper." "Change your fucking diaper." "TRENT HAAGA:" "Let me get out of this diaper." "I mean, by and large, people who work here are idiots." "And you can't complain about it, because all you're doing" "Is complaining to the same idiots, you know?" "INTERVIEWER:" "Lloyd." "Yo." "INTERVIEWER:" "What's the word of the day so far?" "It's a total waste, that's what that it is." "We said if we have a squib man and a gun" "Man who get thousands of dollars, and the day is over." "So we've wasted a lot of times, and they're" "Being paid for all that time." "And we haven't done one squib or one bullet." "So it's totally fucked up." "It's very fucked up." "Now we're in [inaudible] total, you" "Know" " I hate to use the word stupidity, but it's stupidity." "Incompetence, maybe that's better." "Stupidity, sloth." "INTERVIEWER:" "And what's your other problem this morning?" "Yo." "OK, squibs are ready." "So we'll do it right after this shot." "Maybe we should rehearse it." "There's nothing to rehearse." "The stunt man'll come in and do it." "MAN:" "Let's rehearse the cues, please." "The rehearsal only." "LLOYD KAUFMAN:" "And action." "You're so" "LLOYD KAUFMAN: [inaudible]." "Blood." "LLOYD KAUFMAN:" "Good." "OK, cool." "There will be fire number one, then fire number two." "OK, meanwhile, you keep those things going." "Standing by." "First action, then duck." "Then fire one." "Ready?" "OK, I'm rolling camera." "WOMAN:" "And we're rolling." "BRENDAN FLYNT:" "And speed." "Roll camera B, please." "LLOYD KAUFMAN:" "Roll B." "BRENDAN FLYNT:" "B!" "LLOYD KAUFMAN:" "Action." "Action!" "Duck!" "Duck." "Fire one." "[Gunshots]" "BRENDAN FLYNT:" "Oh, so B is-- back up." "Back up." "LLOYD KAUFMAN:" "Fire two-- oh, cut." "MAN:" "Cut!" "Cut!" "[Shouting]" "LLOYD KAUFMAN:" "Fire two!" "MAN:" "Cut." "[Gunshot]" "LLOYD KAUFMAN:" "Cut." "Good, OK." "[Clapping]" "It looked good, bravo." "[Applause]" "LLOYD KAUFMAN:" "But he wasn't supposed to fall down." "He was supposed to wait for [inaudible]." "BRENDAN FLYNT:" "If he falls down" "LLOYD KAUFMAN:" "So you got nothing?" "BRENDAN FLYNT:" "The cut." "LLOYD KAUFMAN:" "So you didn't get anything?" "TRENT HAAGA:" "You got it, right, Lloyd?" "LLOYD KAUFMAN:" "I got it." "MAN:" "Yeah, you got it." "TRENT HAAGA:" "All right, well." "MAN:" "We were waiting the fire number two, right?" "Yeah, that's right." "Yeah." "LLOYD KAUFMAN:" "'Cause he went down." "He shouldn't have gone." "He didn't listen." "MAN:" "But then you yelled cut, Lloyd." "You guys did not listen." "[inaudible] fire number two." "MAN:" "Lloyd." "thing to fire." "MAN:" "Well, 'cause he didn't feel" "I don't know what he did." "It's pretty funky." "Silly German guy fell too soon, you know?" "That's why they don't make many movies in Germany, I guess." "LLOYD KAUFMAN:" "Listen for your number." "[Chatter]" "Camera A." "Whoa, whoa." "LLOYD KAUFMAN:" "Oh, I'm sorry." "Blood." "MAN:" "Hold on." "MAN:" "Brendan, too." "MAN:" "OK." "We're ready." "BRENDAN FLYNT:" "OK, I'm rolling camera A, and I've got speed." "MAN:" "Run camera B." "BRENDAN FLYNT:" "Rolling B. Go ahead, guys." "LLOYD KAUFMAN:" "Action!" "[Gunshots] 1, 2, 3, 4!" "[Inaudible]" "[Gunshots]" "Cut." "[Chatter]" "INTERVIEWER:" "What's been happening here?" "We're getting shot." "But they're just plastic bullets and shattering." "It's just plastic." "Only at 130 miles an hour." "It's not gonna hurt us." "It's like embedded in my skin." "Do you want to see?" "I have two pieces of clothing on, and it hit my arm." "Really gross." "Look, look-- this crap." "Look at this." "Look at that." "It hurts." "It hurts." "It hurts bad." "INTERVIEWER:" "So what's on the slate for today?" "Waiting till they need me." "INTERVIEWER:" "And then what?" "That I don't know." "I go by the call sheet." "First thing I'm officially listed for" "Is a scene I'm not in." "So we'll see what's up with that." "And if we skip that scene, the next scene that I'm officially" "Listed for is at 7:00 PM, so." "I got here at 6:30 AM, and it's quarter after 12:00." "Do you know how much it costs to get a fucking handgun?" "It's 200 bucks." "And you got to pay some guy to come and fucking show" "You how to use it." "INTERVIEWER:" "Mr. Wilkeban?" "No, not Wilkeban." "This guy's name is Rick Washburn." "INTERVIEWER:" "Oh, yeah, yeah." "I think he changed it from Dick." "But he-- he and I don't get along too well." "We have the best gun guy and the best guns." "But unfortunately, we could only afford one day." "We had our first major, major effects scene today," "And it was a shooting." "And it was fucked up by the guy who brought the guns, the guy" "Who brought the firing guns." "And it was one of these guys that Lloyd has always said," "He's so professional." "And he's so good." "And blah, blah, blah, you know." "But Rick Washburn did a very-- he's the best." "He did "Troma's War" and came up with some great ideas." "Fucking winds up totally wasting our time" "And our film and our fucking-- half our day" "With just dicking around, you know," "And taking up our valuable, like, cars and shit" "Like that, to pick him up." "So you see, Washburn's day started at-- to be picked up" "At" " I think he was supposed to be picked up at 8:00" "Or something." "So we started paying him at 8:00." "I guess." "Or 6:00." "I don't know." "Whenever they gave him the call." "I mean, he didn't show up on time." "They sent the wrong car." "They sent a car that didn't-- he and his assistant" "And the things wouldn't fit." "That fucking guy." "When John picked him up, his car was too small" "For two guys and a gun." "Big enough for one guy and a gun," "But not for two guys and a gun." "Why do they need two guys?" "I don't know." "Because he had to bring his fucking kid." "He brought his fucking kid to the thing, to a Troma movie." "Then they sent another car." "Aha." "So now he's pretty much-- his day is over." "And is he en route?" "I don't know." "Or is he back in New York?" "My guess is that he will get here," "And then it will be time to go home." "His day is over. [inaudible] been ready since 6:00." "So when he gets here, his day will be over." "So you have to send him back." "All right." "Lloyd?" "MAN:" "This is their position." "What you may want to do is-- you said you want to do four," "And then shoot [inaudible]." "That's right." "MAN:" "OK, so" "TRENT HAAGA:" "Come here." "LLOYD KAUFMAN:" "So we'll have two a little bit off to the side" "And four in the center." "INTERVIEWER:" "What's the deal?" "Dude." "I don't know how to deal with him sometimes." "LLOYD KAUFMAN:" "Let's try this." "A big mess." "LLOYD KAUFMAN:" "Brendan, how much time do you think?" "Both physically and mentally, it's been a big mess." "INTERVIEWER:" "Is this the first time you've been involved" "In such a traumatic experience?" "Um, as far as Troma, yes." "This is the first time I've been involved with Troma," "As far as working on sets now." "I'm probably like the worst person" "To be talking to right now." "My brain is completely dead." "INTERVIEWER:" "How does Troma compare with normal production?" "No comment." "No comment." "INTERVIEWER:" "Hey, Rick Washburn." "Hey, Lloyd, how you doing?" "LLOYD KAUFMAN:" "How you doing?" "Welcome." "This is Rick Washburn, everybody." "[Cheering]" "You have to listen." "You have to follow instructions." "What we're going to do with these weapons can be dangerous." "We're going to keep it from being dangerous." "And that means you pay attention and you listen to what I say." "Blanks can hurt you at very close range." "Safety's number one in these scenes." "When you hear "cut," whoever has a gun, put the gun in the air." "Stay where you are." "I will come to you, and we'll prepare for the next scene." "Does anybody have any questions at all?" "OK." "Something to add, Rick." "If you have one of the guns which" "Are not Rick's, treat them exactly the same as Rick's." "When cut happens, they also go in the air," "So every gun in the room is in the air," "Just so there's no confusion with anybody else." "The gun we'll be firing will be an M60 machine gun." "It's belt fed." "Word of today?" "Let's see." "I have on-- the sound guy has ear plugs" "That have been cut in half, for a big, huge M60 machine" "Gun that he has to listen to through a high-power" "Microphone." "I think the word for today is "cheap."" "[Chatter]" "OK, everybody ready?" "Fire in the hole." "[Gunshots]" "MAN:" "OK." "That's what you're gonna get." "LLOYD KAUFMAN:" "Do everything" "What's that?" "They're gonna shoot an M60 at a kid and hopefully not kill him." "As a matter of fact, as soon as you pass his plane" "And he's down, stop firing." "MAN:" "I'm not going up against the wall." "RICK WASHBURN:" "Oh, whoa, whoa." "Do you see?" "We can't do this, guys." "LLOYD KAUFMAN:" "Hold it." "I thought you were going down." "MAN:" "I'm going against the wall." "That's what they told me." "RICK WASHBURN:" "Well, OK, who told you that?" "MAN:" "Uh, the effects guy and me, we choreographed that" "All right, here's what we have to do." "We have to choreograph together." "You guys can't come in choreographed by yourselves." "We just told him that he was gonna go down" "And we were sweeping across." "If you come behind and tell him to stand up" "And I don't know about it, he's gonna" "Shoot him right in the chest." "We cannot do that in this kind of thing." "We have to work together." "INTERVIEWER:" "Is Troma well-insured?" "Oh, yeah." "But this poor bastard has no idea." "They just said-- the gun guy just said if he does this," "He's gonna get his brains blown out." "I saw the kid go" "BRENDAN FLYNT:" "Lloyd, roll your camera, please." "RICK WASHBURN:" "Hold the gun steady." "That's the important thing." "WOMAN:" "Standing by, and-- MAN:" "Rolling." "WOMAN:" "We're rolling." "BRENDAN FLYNT:" "One second." "[Camera whirring] MAN:" "Speed, ready." "Rick." "MAN:" "And action!" "Cut!" "Cut!" "LLOYD KAUFMAN:" "Cut the cameras." "Cut." "MAN:" "Cut camera." "Yes, sir." "RICK WASHBURN:" "OK." "Let's get out from under it." "I've got to check it." "MAN:" "Speed, ready." "Rick." "RICK WASHBURN:" "And action!" "[Gunfire]" "MAN:" "Cut." "MAN:" "Cut." "TRENT HAAGA:" "Yeah, it looked like a couple." "MAN:" "You all right?" "[Chatter]" "[Banging]" "LLOYD KAUFMAN:" "All right, standing by." "Get out." "BRENDAN FLYNT:" "OK, rolling camera B. Roll camera, Lloyd." "MAN:" "Rolling." "LLOYD KAUFMAN:" "Rolling." "MAN:" "Speed, ready." "Rick." "MAN:" "And action!" "[Gunfire]" "RICK WASHBURN:" "Cut." "Yeah, but you got a lot more [inaudible]." "INTERVIEWER:" "Did you have a near death experience" "When you actually-- did your life flash in front" "Of your eyes or anything?" "It didn't flash in front of me, but I almost shit my pants." "I mean, the gun was pretty fu-- well," "Like I can say "fucking," right?" "It was pretty fucking loud." "I mean, even with the ear plugs." "And then they sort of scared me, saying, like, that the gun was" "Gonna blow, like, air really hard," "So I had to drop really quickly." "And so I got my ass on the floor as quick as possible" "When that gun started shooting." "And the squib exploded on me and blew" "The blood out from both sides." "And I just dropped as soon as that happened." "So I didn't have a near-death experience, but I sure as hell" "Was frightened." "MAN:" "Camera B's rolling." "Ready." "RICK WASHBURN:" "And action!" "[Gunfire]" "Jammed?" "That time I had it." "Sorry." "RICK WASHBURN:" "Cut." "I saw [inaudible]." "See how you pulled back on the belt?" "I did?" "Yeah." "LLOYD KAUFMAN:" "You need time [inaudible] you get back." "I think it's the way he's feeding" "The belt." "Let me try something." "The problem is that we paid this guy" "A lot of money to do something, and he didn't fucking do it." "The M60 we rented fired three to five rounds at a time max." "I think the best one we got was maybe 10." "MAN:" "Gun up, please." "And I'm ready." "Go ahead." "[Gunfire]" "OK?" "RICK WASHBURN:" "That's all we got." "And then the worst part, the most galling part of all," "Was when he says to me, like, I won't charge you for the time I" "Spent fixing the gun." "He showed up with a malfunctioning weapon." "You know what I mean?" "And I don't know what to-- I didn't know what to say." "I was so pissed off." "I basically said, well, OK, then I won't charge you for the film" "That you wasted." "Never had one of those break before." "TRENT HAAGA:" "Man, things were going" "Really well until that gun started to fuck up." "OK." "We had a little trouble with the M60," "But we cleared it up at the end." "They got all the shots they needed," "And that's the important thing." "And they got them within the time limit" "Within the budget we needed." "So I guess that's the bottom line." "And action!" "[Gunfire]" "[Screaming]" "LLOYD KAUFMAN:" "Good." "[Chatter]" "RICK WASHBURN:" "You shot the belt up." "I figured out the problem." "No." "RICK WASHBURN:" "It will break at some time." "Of course, if it breaks at the wrong time," "Then you're stuck with that kind of cost to the film." "Fucking Rick Washburn, man." "This is where someone like myself, a weapons coordinator," "Really earns their money." "Fucking assload of money, you know what I mean?" "Because we can fix something on the set" "And keep it running when normally," "We'd just be down for the day." "You're paying an arm and a leg to do this bullshit job" "What I did do was we had an actuator handle break." "that a fucking monkey can do" "So I took one off the fake gun, which" "Happened to be the real part, and swapped it" "With the one on the other gun." "that they teach idiots to do in the army." "Then it seemed like we were having a little bit" "Of pressure problems, probably because we're" "Close to the sea level." "Clean a fucking gun." "So I overpressured the gun just a little bit by putting" "In a different restrictor." "You know what I mean?" "Load a fucking gun." "Shoot a fucking gun." "You know, that's all it is." "And now we've got things running." "You must cancel the check to Rish Washburn for the deposit." "I have a feeling that he will try to deposit it and rape us," "Steal our money." "So you must cancel that $2,000 check to Rick Washburn," "Because we had very many problems today." "We went over time." "And it was because of his faulty equipment." "So I cannot-- you know, I cannot allow that to happen." "So that's $2,000." "I have no idea how much he plans to take." "So you've got to cancel that check to Rick Washburn" "First thing in the morning." "Half the crew went out drinking last night," "Didn't come home until 3 o'clock in the morning." "[Loud music playing]" "[Karaoke singing]" "We had a 6 o'clock call." "INTERVIEWER:" "Were you among those out late last night?" "No, not tremendously late." "INTERVIEWER:" "Till when?" "Not that late. [laughs]" "INTERVIEWER: 'Til when?" "I'm tired, Zork." "I'm tired." "I'm just gonna sleep." "Some people stayed out all night." "INTERVIEWER:" "How late?" "What'd you say?" "INTERVIEWER:" "How late?" "I'm sick, Zork." "MAN:" "He's hungover." "Sick." "INTERVIEWER:" "How late?" "Sick." "INTERVIEWER:" "(LAUGHING) How late?" "Sick." "Like 11:15." "And then also I heard that there" "Was basically a fistfight in the cafeteria" "This morning in this location." "I guess Kevin had a little bit of a hot temper." "And some things Gary said upset him." "And he just got a little angry." "Then he was getting violent and scary." "And I thought he was just joking." "And then he grabbed the shit out of my hands." "He said, don't fucking drink." "I see you, pussy." "Blah, blah, blah." "And started getting in my face." "INTERVIEWER:" "What was the fight about?" "Um, the PA didn't want to get up to come here." "You know, after night of drinking," "Somebody wakes you up at 5:00 in the morning." "He's like, come on, dude." "Get up." " Get up." " Get up." "So Kevin said that he was being a wise-ass to him, and" "Well, that's why he had to go." "I mean, he didn't do anything to him." "But I guess just, you know, we're" "Only four days into shooting." "And if you're prone to doing things like that," "It's only going to get way, way, way, way, way worse." "So I guess they just didn't want that kind of stuff happening." "Like, 11:15." "INTERVIEWER:" "Like, uh, 1:15?" "11:15." "INTERVIEWER:" "Like 2:15?" "11:15" "INTERVIEWER:" "Like 3:15?" "Security to the set, please." "Please remove Zork from the premises." "INTERVIEWER:" "What did you hear about the little scandal" "Last night?" "The little scandal?" "What, that guy pissing?" "So what did piss on the floor last night?" "Do you know that?" "I got woken up at 2 o'clock in the morning" "Last night because somebody was pissing in the hallway." "Yes." "I can't believe they peed." "And I woke up." "I'm like, up the fuck are you talking about?" "[Laughs] You walk out." "And I'm like [sniffing] [laugh]" "I don't know what to think, you know?" "Who are these people?" "And why are they here, you know?" "With alcohol comes trouble." "[Inaudible]." "Like, and they won't care who was out last night" "And didn't get up at 6 o'clock call." "The only problem" "Which I understand is about half the people on this movie," "So" "A major problem that we're having is just" "I have a major problem with you not listening to me." "I'm sorry." "Because I'm basically very upset right now." "Whatever happened this morning, I consider a direct result" "Of people going out last night, drinking too much," "And not being able to get up this morning in a proper mood" "To do their job." "Don't drink and make movies." "OK." "It was 11:30, Zork?" "INTERVIEWER:" "How late?" "11:30." "I don't want to be filmed now, Zork." "INTERVIEWER:" "So we've been having a fun morning?" "Actually the stuff we're doing for the shoot" "Is fun and all that stuff." "The actual stuff we're shooting has been a lot of fun." "It's been a great deal of fun." "It's just really hard to stay cool." "The only trouble spot is when I'm unable to try to get cool," "You know, when I'm in there waiting for stuff." "And it's mostly the disorganization" "As well, the lack of responsibility being taken." "So that's what today's been like." "INTERVIEWER:" "There have been some challenges and dilemmas" "With Joe Fleishaker, and" "Well, Joe Fleishaker, apparently there was some issue" "About food, believe it or not." "And I think we resolved that." "I got him the turkey." "We got him the turkey sandwich." "He doesn't eat pastrami or any kind of ham or even provo" "Or what do you call it-- prosciutto." "So we got him a turkey, no mayo, of course." "He'll take a roll-- or you know, take a French bread." "But he will not take mayonnaise." "I don't think he wants coleslaw." "But we worked through that." "But then today we had a problem in that Joe Fleishaker didn't" "Want to get into costume." "That was a big problem." "Regular job." "Now I can't do that, because they want me here" "On Tuesday and on Thursday." "We'll cut the scene out finish this scene is," "And whatever that scene is, we don't need it." "Right?" "That's easy enough." "I'm just very tired." "All right, so you're tired." "I'll get into my costume now." "Come on." "You were eating by a escalator." "How can you be more tired than that?" "JOE:" "But that was done in a long day." "Come on, this is different." "Four days in a row" "You said you wanted-- you said you were planning." "You had your vacation to do the "Toxic Avenger" movie." "That's correct." "This is your fucking vacation." "But whatever plans that I've made" "Just please put the costume on, all right?" "I'll do that." "Finish this scene, and then we'll" "Worry about what comes later." "Yeah, Scarlett O'Hara said that tomorrow is whatever it is." "But he did it. he rose to the occasion." "He got into costume." "But then he had to leave." "He had to leave the set, because he has to rest up for tomorrow," "So" "I'm feeling OK, but we have some possible troubles" "Coming over the next few days with him" "Cutting scenes or something." "I hope we can" "You know, Lloyd had a lot of nerve" "Telling me that I scheduled my vacation [inaudible]." "Sure I did." "But every single element, every single day of that schedule" "Has been turned on its head." "Every day I told my boss I would be in," "And he's now asking me not to be in." "And I can't stay." "I can't come back tomorrow to do those other scenes." "I'm not really ready for them." "They want me to do the alleyway scene." "We are not going to do the Joe Fleishaker bladder" "For his giant fart explosion." "Instead we will use the bladder, the Joe Fleishaker" "Expanding during his sex scene." "And if they can't use it in the sex scene," "Then we'll figure out something else to do with it." "INTERVIEWER:" "So what do you use to prepare for your character" "Here?" "Well, my whole life has been my preparation." "My whole life has been one big, giant joke." "And when you add to the fact years and years of overeating" "And under exercise, here I am." "That made Lardass." "Today we are trying to make up a scene," "Because we lose this location forever in about three hours." "INTERVIEWER:" "Trent, what's the word of the day?" "[Sigh] Panic." "We're shooting around the gore." "And then those will be done in-- we" "Cleverly created these posters so that you could create" "The classroom-- sections of the classroom" "Anywhere, knowing that we might run out of time." "We can reproduce that door as fake." "So that door can be reproduced." "This is the door where Trent's body will be disemboweled." "We just have to get the sinew here here." "So we've got to get the skeleton, sinew, of this scene," "And then the bowels." "Right?" "Yeah?" "We need you running through the students on the set." "[Inaudible] right now." "Right, right." "Right, right." "What's going on?" "I'm sorry." "I don't want to fuck things up." "But we should try to shoot this." "TRENT HAAGA:" "Here's what we need to do, Lloyd." "Come here." "Is something going wrong here?" "I'm just" " I'm hot." "I'm hot, and I'm trying to get cool." "And they can't prepare anything." "Why do they keep bothering you?" "Why do they" " Trent, why do these guys" "Have to keep talking to you?" "No, Trent was listening to me explain" "That it doesn't make sense for me to go in" "And be hot and sweating." "And they can't patch me." "No matter what they do, they can't patch me if I'm sweating." "Because the makeup they're using has water in it." "Yeah, I understand." "Put it on." "And if I'm sweating more than that" "Don't worry about it." " --it's not gonna stay." "Yeah, it's all right." "So OK?" "You all right?" "Are you happy?" "Are you happy?" "David, are you a happy Toxie?" "Are you OK?" "You're happy, and-- it's only day four, man, so" "All right, so basically" "LLOYD KAUFMAN:" "OK, all right." "Can we get Toxie in the costume, please?" "I think we can shoot it." "We're ready to go." "Toxie should be ready." "I'm sorry." "We're waiting on the mop, Lloyd." "It's coming." "INTERVIEWER:" "I don't care about the mop." "It should be ready." "It should be ready." "It's not right." "We're sitting here." "Everybody's got their faces in tacos, taco sauce, blood." "We should be ready to shoot when we're ready." "If the guy wants to have a movie, we can't do it." "We've got to go faster." "We can't make [inaudible]." "MAN:" "He's here." "[Chatter]" "LLOYD KAUFMAN:" "OK, are we gonna shoot, folks?" "TRENT HAAGA:" "Do you to rehearse with Toxie once," "So he knows what's going on?" "He watched it, but" "LLOYD KAUFMAN:" "I don't have time." "I've got to get a scene." "I must-- or we can not have a scene." "What do-- TRENT HAAGA:" "All right." "No, let's get smoking." "Let's have him go." "LLOYD KAUFMAN:" "Can we come back tomorrow?" "TRENT HAAGA:" "Here we go." "Let's go." "MAN:" "No." "LLOYD KAUFMAN:" "Can we redo it late tonight?" "TRENT HAAGA:" "You're right." "Let's go." "LLOYD KAUFMAN:" "No." "LLOYD KAUFMAN:" "Let's go." "Smoke!" "Lights!" "Everyone get ready." "This isn't how you make a movie." "MAN:" "This isn't fun, no." "I'm telling you right now, man." "This-- this is how you make a movie." "Get people to argue with another." "And then you go, (IMITATING LLOYD) what" "Is this, a fucking debate squad?" "Is this debating club?" "Am I standing in the middle of debating club?" "I'm like, you fucking died." "That was pretty good, huh?" "Dude, there's no way." "Oh, he's gonna kill me when he sees this, man." "LLOYD KAUFMAN:" "Yeah, we'll shoot." "We'll shoot it." "We need Toxie, though." "MAN:" "Do you need background?" "LLOYD KAUFMAN:" "Yeah you can sit there." "Doesn't hurt." "LLOYD KAUFMAN:" "What the-- who [inaudible] him?" "I didn't" "LLOYD KAUFMAN:" "Get him back." "Tell him to put the makeup back on." "We'll just use his body, right?" "Who wrapped him?" "I didn't wrap him." "LLOYD KAUFMAN:" "Yeah, I know." "Well, nobody should wrap until we wrap." "That's ridiculous." "Just get him in with his body, right?" "Oh, that's bad stuff, right?" "I won't continue with that." "CAT:" "I didn't wrap him." "I'm sorry." "Well, who did wrap him?" "CAT:" "I have no idea." "He's in effects getting his makeup taken off." "MAN:" "Easy." "Easy, Lloyd." "MAN:" "Well, where does the [inaudible]?" "Yeah, you got to-- you can't do that, right?" "Hey, you guys can't do this stuff" "Until he's wrapped, right?" "I'm the director." "I'm the boss." "Don't wrap until you get the word directly from the top." "I'm sorry if you were misinformed." "It obviously was a boo boo." "And again, I'm grateful." "It's the best makeup we've ever had," "The best Toxie we've ever had." "But there might be some major miscommunication." "And if it happens, it'll be a four-hour wait." "So please-- this didn't matter, this one." "But please just check first, right?" "Please, please, please." "Tox-- uh, David, thank you very much." "It was a wonder day." "Are you satisfied?" "Everything all right?" "LLOYD KAUFMAN:" "But you're OK?" "LLOYD KAUFMAN:" "We can't do any better." "We cannot do any better." "I can't make the movie any other way." "This is the best-- this may be harder than most of the days." "I don't know." "But the only good-- the only thing I can suggest" "Is when we're outdoors, we only have so much daylight." "That may help you at the bottom end." "But at the top end, it means earlier, you know, David." "So I wish we could do better for you." "Your patience is gonna be tried." "LLOYD KAUFMAN:" "There is, but it ain't-- the movies-- at least," "In our movies, the shooting schedule, it means very little," "Because things happen." "Shit happens, you know." "So you got to let me know if there's some problem." "You know what I mean?" "Hopefully, things will be better as we go on with this thing." "But there are gonna be unexpected things, and" "LLOYD KAUFMAN:" "It won't happen." "I'd love it." "No one would like it more than I," "But I don't think we will get it." "I just am afraid we will not get it." "This stuff, we had a lot of actors." "So maybe, you know-- maybe tomorrow" "Will be a little easier." "I don't know." "[Laughs] He cant' leave." "I told him to dye his hair." "I told you I needed to make his hair black," "Because otherwise it looked like-- people" "Was saying it's Tromaville." "But now I don't know where he is." "We're late again." "Every day, it's late." "It's fucking-- we're shooting exteriors, right?" "What time is it?" "It's almost fucking 10 o'clock." "How's it going?" "Well, we haven't got a shot off yet." "This is exciting." "The script is exciting." "I loved it." "Oh, I'm glad you liked it." "I loved it." "I thought it was so funny." "It's so funny." "So you liked the script?" "You think it's as good as "Shakespeare in Love"?" "Oh, much better." "When you're not busy, could me and him talk to you?" "Sure." "Because he has something pretty big going on." "Oh, yeah?" "Yeah." "Pretty big?" "Well, I ought to hear about it right now." "He wants to make a movie?" "Yeah?" "He's making a book right now." "Uh-huh." "And he has his own characters and everything." "And he wanted to know if he could make a movie out of it." "Why not?" "Just keep-- you have to have, like, a script or something." "You got to get some money." "You have to raise money." "You need money to make a movie." "Well, I guess he could bring it to us, you know." "He's made his own book." "Really?" "Yeah." "Oh, maybe" "We have a club." "We have everything." "Really?" "Yeah." "Oh, wow." "Cool." "Good going." "It sounds really interesting." "Well, let's-- what's the next step?" "The next step is" "I guess talk about it at some point." "Yeah." "Yeah." "All right, all right." "Well, maybe after we finish shooting this one," "Perhaps we can have a discussion" "He looks a little worried." "[Laughs]" "He is." "LLOYD KAUFMAN:" "It's a movie" "Ever since he was four, he's been making up this thing." "Really, no kidding?" "Wow." "What's the name of the story?" ""Ochie and Friends."" "LLOYD KAUFMAN:" "What is it?" ""Ochie and Friends."" "LLOYD KAUFMAN:" ""Ochie and Friends."" "Great." "And who is Ochie, or what is it Ochie?" "They're, like, these beings from, like," "Far, far into outer space." "And they're in their own kind of solar system." "But they have to go to a totally different planet." "And they're only, like, 12." "But they still get all this stuff." "And they get rockets." "It sounds too good for Troma." "It sounds like big Hollywood." "We're a small company." "You guys haven't seen any of our movies, probably?" "No." "Our movies are kind of raunchy." "So it sounds pretty good." "Let's get together, and maybe I can be helpful." "And I'll certainly try to help you with it." "It's nice of you to help your brother, too." "Yeah." "Good older brother." "Well, we'll try to" " Troma team will help the Ochie team." "Anyway, have a great day and thank you." "Thank you." "Good luck with it." "Thanks." "Bye." "See you later." "INTERVIEWER:" "So Joe, how's today going?" "JOE:" "Well, considering I just got here and I'm already tired," "Thirsty, and sweating like a pig," "It's just another day at Tromaville." "[Set chatter]" "INTERVIEWER:" "So what's on the plate for today?" "JOE:" "Well, today's my first appearance as Chester," "The particle physicist." "So there's going to be, you know," "What, my great love scene." "There's going to be my first interactions with Toxie," "A lot of mistaken identities." "INTERVIEWER:" "So are you looking forward to all of this?" "JOE:" "I'm looking forward to getting it over with." "[Chatter] 10 minutes." "I need Lloyd's approval, though." "[Chatter]" "LLOYD KAUFMAN:" "You should get the house" "Of stupids here doing the sign." "You got eight people." "They can't get a sign up." "That's what you DVD." "This is the house of stupidity." "Can we do it now?" "How is that thing?" "If somebody, like, does a little flick to it," "Will it-- blow on that sign and see if it blows over." "[Blowing]" "MAN:" "Did you guys dig deep?" "LLOYD KAUFMAN:" "The astrological signs are down," "But the signs are up." "Cold pizza after 10 hours of straight shooting." "It was cold pizza." "INTERVIEWER:" "Well, if you'll remember, the first five hours" "Today, we didn't shoot at all." "It wasn't your fault." "Yeah, but food is not determined," "Like, by how footage we shoot." "INTERVIEWER: [laughs]" "It's usually determined by how long the day goes by." "INTERVIEWER:" "How's the experience been so far, Mike?" "It fucking sucks, man. [laughs]" "I'm sleeping bad, losing 20 pounds a week." "MAN:" "Oh, that's not [inaudible]." "Yeah, actually, I need to lose the weight." "So it's all right." "INTERVIEWER:" "So you love Troma?" "I love Troma." "I'm excited to do the next one." "[Laughter]" "There you go." "Set yourself up for that one." "WOMAN:" "OK." "We're going to get liquor, liquor, liquor. [laughs]" "We're on our way to the junkyard scene." "[Inaudible] got to be drunk, but we have no liquor." "And you got ID?" "Because underneath your makeup and mask," "I can't tell-- not that I'd be able to tell-- [laughs]" "What the hell's the difference?" "Hey, honey, how am I gonna be able to tell if it's him" "Anyway. [laughs]" "MAN:" "Have someone else buy it." "Look at their ID." "Yeah, you look old enough." "[Laughter]" ""The Toxic Avenger."" "MAN:" "You should see his costume." "I've heard of that." "MAN:" "You've heard of that?" "We're shooting part 4." "(SLURRING) Aw, shite." "This isn't the hospital." "LLOYD KAUFMAN:" "No, come on, man." "Concentrate, man." "You're not doing it, right." "It's like, (SLURRING) oh, fucking, shite." "What the-- this isn't the-- you've got to get over here." "This isn't the-- the camera's looking at us, right?" "This isn't the fucking hospital." "Aw, shite." "This-- you know, this isn't the fucking hospital." "Do it like" " I'm a fucking failure!" "I suck!" "I suck!" "INTERVIEWER:" "Could you do that again for the camera, Lloyd?" "[Laughter]" "Well, I'd say that." "(SLURRING) I fucking suck!" "My movie was a fu-- no, no." "[Laughter]" "HEIDI SJURSEN:" "I told my mom this morning" "That I was gonna be making out with a chick today." "What did she say?" "[Laughs] My mom's so cool." "Like, she didn't flip." "She was like, really?" "Like OK, honey, have a good time." "Yeah, have a good time." "Did everything work out yesterday" "With the Sapphic love scene?" "No." "Why, what happened?" "There was a revolution." "The actress did not wish to take her clothes off." "And, you know, and she did the first scene" "With Toxie lovemaking." "She's been established." "So there wasn't really too much we could do." "[Inaudible] [gasp]" "Yeah, baby." "It's good for the baby." "HEIDI SJURSEN:" "Oh, baby." "[Moan]" "[Moan]" "Cut." "It's done that way just to [inaudible]." "LLOYD KAUFMAN:" "I'm just trying to convince the actress" "To take her clothes off, something which was contracted" "To, and something which was agreed upon," "Something which was rehearsed, and something" "Which was pre-recorded on tape." "INTERVIEWER:" "And this isn't gonna happen?" "That's what's going on." "But now we're gonna shoot Toxie." "Who's doing Toxie's makeup?" "Anybody doing Toxie's makeup?" "Or are we not making this movie?" "Yeah, we have somebody who's doing it." "[Chatter]" "MAN:" "Lloyd, it was a closed set." "LLOYD KAUFMAN:" "Yes, I agree." "But people can stand by." "They can stand by." "And when we're ready for somebody, they can be there." "MAN:" "How are they gonna be there, Lloyd?" "They can be right in the back." "And then when we call for them, they can be there, right?" "I'm sorry." "I've been making movies for a long time." "People can stay off the set and be" "Available when they're needed." "There's a little bit of" " I'm not" "Quite sure how to describe it." "But you can interview some people on the set." "There was a little bit of that actress stuff" "Going on yesterday, I'm afraid." "But I think we managed to nip it in the bud." "No, not at all." "And I didn't plan on not doing it." "LLOYD KAUFMAN:" "Yeah, yeah, it's gonna be fine." "[High-pitched noise]" "If we don't shut this off, we won't" "Be able to hear the church bells when they start going, see." "OK, camera is ready." "Quiet on set, please." "Standing by." "WOMAN:" "No more bell ringers." "[Bell ringing]" "ALL:" "Aw." "Man." "Sorry." "[Laughter]" "(SINGING) How low is the true" "MAN:" "You're making it up as you go along." "[humming] I know it, believe me." "I know them all." "WOMAN:" "Where are you picking these things up?" "I love Coltrane." "Oliver Wendell Holmes said, "the man cannot truly" "Live unless he shares in the actions" "And passions of his times."" "Right, [inaudible]?" "Uh, yeah." "Pretty soon, it's [inaudible]." "Every time I hire someone who is a friend of Lloyd's, it's" "Inevitably a fucking nightmare, you know." "So I don't know." "It's 'cause Lloyd's old, and all his friends are old." "And they're all fucking assholes." "[Laughs]" "INTERVIEWER:" "What's happening here?" "We're gonna set a man on fire." "INTERVIEWER:" "Why?" "Because it's cool." "INTERVIEWER:" "Why?" "Because the school has blown up." "And this flaming janitor comes out the door." "TJ is the janitor of the school." "And after the building blows up, he's the person" "One that comes out in flames." "So Kimberly's gonna light him." "BRENDAN FLYNT:" "Now, this is a broomstick" "That's lit in flames?" "WOMAN:" "Just the tip." "It's like a long match." "BRENDAN FLYNT:" "Yeah, a long match." "OK." "OK, so she ignites him, staggers along here," "Runs around like a maniac." "Slides down the banister here and we'll" "Put him out right down there where that big blood patch is." "INTERVIEWER:" "He's playing a janitor." "Who you don't actually see before or after this." "But you know, hey, we can light a guy on fire," "So might as well, right?" "Now is there flames only on his back," "Or his front, or his side?" "His full back." "BRENDAN FLYNT:" "Right, right, OK." "Nothing on the front." "So that's why he's gonna be twisting." "Yeah, I'll be twisting and getting the flame all the way." "And [shouting]" "BRENDAN FLYNT:" "Right, right, OK." "INTERVIEWER:" "And that way it's cheaper to set on fire" "A non-established character." "I don't think it matters." "I think it was more like that was on his resume." "And they went, oh, there's an idea." "So now he starts right here." "MAN:" "Where are your cameras?" "He'll do the whole stunt." "I get most of the flame." "You'll still get your stuff here." "Is that OK?" "So I'm gonna have both cameras at the bottom." "MAN:" "So both the cameras" "BRENDAN FLYNT:" "Yeah, yeah, yeah." "Put my cameras down here." "MAN:" "Yeah that' my buddy TJ up there." "I'm a little nervous just for him." "INTERVIEWER:" "You're worried for him?" "Hey, how long have you been doing this?" "About 22 years." "Setting myself on fire, probably about 10." "INTERVIEWER:" "Yeah?" "You nervous at all?" "No." "INTERVIEWER:" "So Lloyd, do you think that this body burn will" "Be better than "Terror Firmer"?" "You're up." "[Screaming]" "[sigh] Nothing could be that good." "[Laughs]" "Nothing could be that unbelievable." "Not since the Vietnam Buddhist priest" "Was there such a flame up." "INTERVIEWER:" "So how do you guys do this?" "How do you light him on fire?" "Carefully." "[Interposing voices]" "Come over here." "I'll show you where to do that." "We have Nomex underwear, two pairs," "In here soaking in fireproof gel." "[Church bells ringing]" "This should be the soundtrack!" "Then we have a Nomex jumpsuit over here, which doubles" "For his janitor costume." "We get that all on him, all gelled up," "His face and hair gelled up." "Then we put on lighter fluid and rubber cement." "Light him on fire." "He runs around like a maniac." "And we extinguish him down here." "Maybe you should practice it now, before he" "Gets the stuff on him." "Look at this." "Look at this here." "[Whimpering]" "Whoa!" "Whoa!" "[Grunting]" "INTERVIEWER:" "Damn." "[Chatter]" "OK." "Here's what's happening right now." "We are locked with camera." "The stuntman is prepping." "OK, we need some nice, respectful silence" "While we do this work." "And then we're gonna light him on fire." "[Whistle] Safety guy up here." "INTERVIEWER:" "What do you think about this next stunt?" "Every time I've done these, they've been really horrible," "So-- INTERVIEWER:" "They have?" "TRENT HAAGA:" "Yeah, I'm not really optimistic." "But, you know, we'll see." "Want to make a dollar bet?" "We'll make a dollar bet." "INTERVIEWER:" "OK, I'll make you a dollar." "All right." "I'll make a dollar bet saying that this sucks." "Special concerns concerning the stairs that he" "Has to run down on fire?" "No, actually." "He's kind of looking forward to it," "Because it's sort of like two stunts in one." "It's a regular fire burn and the stair fall," "So he wants it for his reel." "So he's kind of looking forward to it." "Is everybody ready?" "Kimberly, are you ready?" "Ready." "TJ, ready?" "Yes, sir." "Camera and crew ready?" "MAN:" "Ready." "MAN:" "Quiet on the set, please." "We're gonna do this now." "Roll camera A." "[Beep]" "MAN:" "Speed camera A." "MAN:" "Roll camera B." "[Whirring]" "MAN:" "Speed Camera B." "Action, TJ." "[Screaming]" "And cut." "[Applause]" "[Chatter]" "What was that for?" "I bet that this would suck." "[Laughs]" "What a fucking, fucking, fucked up thing, man." "It was a fucked-up burn." "These guys are doing a high fall for us later." "It's the same shit every time." "Never hire Lloyd's friends." "Never." "INTERVIEWER:" "What's your biggest fear of today?" "Not getting the shots and not going on schedule" "Are my biggest fear every day." "We had a-- we had to have a Toxie stand in," "Because our Toxie was late." "He's usually incredibly punctual." "He's been consistent every single day." "I think he's one of the first people on set almost every day." "And yet today, he overslept." "Fucking dammit." "I said 6 o'clock." "It's three hours and they can't get the guy into costume." "INTERVIEWER:" "That did not make Lloyd very happy." "No, it didn't make anybody very happy." "[Inaudible] at the office." "Yeah." "I can't hold their fucking hands, Lloyd." "You can kick them in the ass." "You can certainly ring their bloody necks." "And you know, mules-- if you kick a mule hard enough," "You get it to pull the plow." "That's all I know." "And you have mules." "And you're not kicking them hard enough." "It's ridiculous." "It throws the rest of us in a tailspin whenever" "The first shot involves Toxie." "Toxie's late." "It takes two hours to get his makeup on." "And even if he's supposed to be there at 5:00," "And all of a sudden it's 6:30 or something and there's no Toxie," "It's, like, major." "Because then we know the first I can't get off until like 8:30." "INTERVIEWER:" "Lloyd, do you have a word of the morning?" "Uh, a lot of very, very bad production." "No actors." "INTERVIEWER:" "What are you doing, Sandy?" "I'm making this guy a Toxie double." "INTERVIEWER:" "Why?" "Because supposedly Dave-- unfortunately," "His costume takes a while to prepare." "So they want to get this shot done, so" "One just wasn't enough." "They're using" "INTERVIEWER:" "Are you gonna be able to tell" "That's a different guy?" "We have a great editor." "[Laughs]" "LLOYD KAUFMAN:" "We'll get Toxie coming out of" "Who's Toxie?" "He's not doing stunts or anything." "No, no." "We just-- we got to have some stuff with Toxie, man." "We can't wait around." "It's been like five hours since his call time," "And he's still not here yet, you know." "[inaudible] close-up when they were coming out" "Oh, is he here now?" "I see the van." "That's our van, right?" "LLOYD KAUFMAN:" "I don't see him, though." "Let him see." "We got our Toxie, right?" "Instill the fear of God into Toxie." "LLOYD KAUFMAN:" "I think it's time to" " I'm" "Not too happy with this." "I'm happy to use this guy." "It's 10 o'clock." "This is ridiculous." "We shot with the stand-in, who was inconspicuously" "Tito's height, when Dave, our really Toxie," "Is at least a foot taller." "And he normally carries both of us, which is the humor in it." "He carries Tito and Sweetie Honey." "It's kind of funny, 'Cause Dave's a strong guy," "And he can do that." "Ah, there you are, sir." "Yes, sir." "He's been here for like 20 minutes." "Oh, god, do they suck ass?" "And you're already dressed." "And what they're gonna do is they're" "Gonna bring you out through this side," "And we're gonna put on your shoes." "Great." "I'm gonna shoot with this guy, who's" "Half an inch taller than Mike in the 10-year-old fucking mask?" "That's brilliant." "Who's fucking idea was that?" "Oh, that looks really great." "Motherfuckers." "INTERVIEWER:" "What's that?" "They got the fucking 10-year-old mask on a 6'2" guy." "MAN:" "It doesn't look anything like-- we have a stunt man." "Somebody could have asked." "Anybody could have asked." "Somebody could have asked." "I had no idea they were shooting with it." "I'm sure" "I put together pieces of this makeup for a stunt man." "They don't care." "No, they just don't fucking care." "They could do the rest of the movie with a 10-year-old" "Mask and 6'2" guy." "Right?" "Why not?" "They just don't care." "It's great." "Fucking brilliant." "[Crowd shouting]" "[Crowd shouting]" "MAN:" "Hey, that's a cut." "That's a cut." "MAN:" "That's a cut." "That's a cut." "That's a cut." "Cut, cut, cut." "Cut, cut, cut." "We need to just have Toxie get up and leave." "[Chatter]" "He's just the stand in so they could try to get some" "Shots off that don't really" "That guy is like 6'2", if that." "I know." "That's what I'm talking about." "MAN:" "It's just the shoes." "LLOYD KAUFMAN:" "Morning, David." "What's that?" "We need to have Toxie move, remember?" "TRENT HAAGA:" "Yes, I" "He can't stay on his knees, otherwise there's no movie." "So how do we-- let's just get the next move." "I'm very wide." "INTERVIEWER:" "So why didn't they" "Why didn't they use Dave?" "Because Dave was late to get in makeup." "But by the time we did the scene, he was ready." "They just said no." "I don't know, really." "Hi." "I got you, man." "I got you." "We had people standing by." "We had no idea what we could do without Toxie." "And nobody could call." "But let's just-- can we get past this?" "All we did was this long shot with a fucking" "Shitload of smoke." "Yeah, can we do it again with me?" "All right." "Let's see what I can do." "DAVE:" "Tell me what you want me to do." "All right." "Trent give me some blocking here." "TRENT HAAGA:" "Do you want to pick this one up from that point?" "Just have him get up" "Can we just fill him up with smoke" "And have him bring the kids on again?" "Why?" "I don't want to do it again." "All right." "Absolutely not." "In fact, if it happens again, there's gonna" "Be a fucking 'nother Toxie." "TRENT HAAGA:" "All right, no problem." "And In fact, I want that other guy." "I want you to get-- hey." "Rhonda, Rhonda." "We're gonna sign that other guy, and we're gonna pay him." "So we can't do the first 12 feet?" "No, Lloyd won't do it." "He's fucking pissed at me." "He's pissed at everybody." "He's totally psycho." "This is a super long shot over the tops" "Of the heads of crowds." "We got fog and" "I was gonna carry them both up." "Yeah." "Wasn't that good?" "That was excellent." "You know what I mean?" "I agree." "But" "LLOYD KAUFMAN:" "OK, let's do it?" "Can we just" "Unbelievable." "All right?" "And it looks like shit." "It's gonna look like shit." "I can't get through that little flag there." "But this guy can." "He's a half inch taller than Tito, for christ sake." "I know." "And now we're not together." "I know." "Well we just got to-- like I said, man." "We're gonna get this in a master." "We're gonna get closer, and we're gonna get this." "We just need this for the master shot, all right?" "LLOYD KAUFMAN:" "So" "Is there any way to go back and just" "Do the first 12 feet of this?" "Because in the rehearsal, you said I would" "Carry both of them, right?" "We'll do a close-up." "We'll do close-ups." "We'll do this thing." "We'll have you carrying them out tight." "You're like this big in the stuff I'm doing." "So we'll get you-- we'll do it again." "It's just not gonna match if I'm" " I mean," "I was carrying them both in rehearsal [inaudible]." "Now we're going to do it to match the way it was" "When you walked out the door." "And that was" "That's what I'm saying." "When you walked out the door in there, you had him," "And you had her on your arm." "And we did that." "We had her on" "LLOYD KAUFMAN:" "Well, can we just do this" "So I can break this set up?" "You mean from the other shot?" "So like" "TRENT HAAGA:" "Yeah." "We're very late." "We're never gonna get a movie." "I'm just worried" "You're absolutely right." "Can we [inaudible]?" "DAVE:" "So I get from here to here." "Is that it?" "LLOYD KAUFMAN:" "Hey, Hasan." "Thank you." "That was great." "Thank you." "Hang in, though." "We can still use you as the super stud that you are." "[Laugh]" "And we may need you as Toxie, too." "Now, why is he getting out of the costume?" "Because he might be" " I guess we got the real Toxie." "Yeah, you're right." "WOMAN:" "I mean, I can put him back in it." "Nah, it's all right." "Just stay handy." "And we'll keep doing this, I think." "Like tomorrow we ought to do it also." "INTERVIEWER:" "So what are you looking over here?" "It's a short-term, I believe, contract-- 21 days." "And it looks in order." "But I'm gonna read it just to be sure." "Make sure I don't have to give up my first-born" "Or something like that." "INTERVIEWER:" "And what will that be for?" "I'm gonna be Toxie's double whenever they need it, I guess." "LLOYD KAUFMAN:" "Yo, you're supposed to stop" "People from going up here." "You see, if they fall down, break their neck with babies." "So stop them from going through." "[Chatter]" "We're gonna have a little problem" "Today, because people are going to be going up that step." "We're shooting now." "If somebody goes up the steps when the cameras are rolling," "That's very bad, because it means we waste film." "Yeah." "Because you know what'll happen," "They'll look at the camera behind them," "And then that screws it up." "Because then people know that they aren't" "Supposed to be in the movie." "So have to make sure that the pedestrians, very politely," "Are told to go around the back, that we're making a movie," "That we're going around the back." "I don't want women with tiny babies coming through here," "Tripping over wires, bumping into people." "Right?" "Now, if you want to see the most unpleasant side of me," "Have another person come up the steps." "But I'm a nasty, horrible guy." "I'm not worried about-- right, you guys" "Are the sensitive young people." "You're worried about-- you know, seriously, come on." "Wake up." "I'm not gonna screw around, man, when it comes" "To the people whose little babies are coming through here," "I don't care." "MAN:" "Yeah, I'm making a sign." "You can dislike me all you want." "But I'm sorry." "I've been here for an hour." "I've been asking for some kind of polite system" "Of the Poughkeepsie-vilians to go around." "They're perfectly willing." "They don't want to go through here." "You don't want people falling on cables, right," "Especially little tiny babies." "MAN:" "I got it." "Yeah, well I didn't think you got it, because it's" "Like the eighth time." "So until it gets done, I'm gonna keep being unpleasant," "Which I'm pretty good at." "And have somebody here." "Whatever it takes, right." "MAN:" "I think we're" "I don't want to hear about it." "Just do it." "It takes the brain of, like-- right." "I don't want to waste my 160 IQ on this particular problem." "You probably have a genius." "Solve it, please." "Or I'll just go back there. [inaudible]." "I'm not gonna have women and babies" "Walking through the-- you know, falling down on you guys." "I'll go back there." "I'll stay there." "You guys run it." "I'll handle it." "INTERVIEWER:" "Do you think we should have some people" "Just walk up the steps?" "[laughs] Just to piss Lloyd off?" "INTERVIEWER:" "Yes." "Oh, yeah." "You missed the big explosion this morning." "He-- no, I'm just kidding." "I'm making this all up." "Like, I don't even want to start any rumors." "INTERVIEWER:" "Oh, no, no, no. [laughs]" "Oh." "[Laughs] You missed it." "[Chatter]" "Those are the brakes, right?" "But here we go-- the signs." "This is no entry." "INTERVIEWER:" "This is such a beautiful location here." "How come we're not filming inside?" "Oh, inside here?" "INTERVIEWER:" "Right." "Why are we not filming inside the mansion," "Like we were planned and slated to?" "Well, an incident happened, where Aaron Imeson, who" "Is one of our head production assistants," "He created a bold rumor that there was harmful lead paint" "On the premises." "We were here scouting a location." "We were videotaping." "And on the videotape, he said, god, it" "Smells like lead paint in here." "And then Trent went over to the camera" "And started going nom, nom, nom." "Oh, yeah." "Lead paint tastes good." "Nom, nom, nom." "And of course on a Troma set, rumors just take about 10" "Minutes for everyone to know." "LLOYD KAUFMAN:" "The issue came up in pre-production." "[Backseat chatter]" "And Trent put it to rest." "He went to the environmental board." "And they assured him he could shoot there." "I'm calling from Troma Entertainment." "My name is Trent." "I just spoke to him on the phone about five minutes ago" "Regarding lead paint safety issues." "We cleared it up in pre-production" "That lead paint is not harmful." "We went to the health department and all these people." "Um, no, they had said it's cracking." "And then there's stuff on the floor." "Yeah, cracking paint and paint on the floor," "Paint chips on the floor." "OK, well, if you could talk to me mano a mano, just" "From a human point of view." "I mean, what are the issues?" "I mean, how harmful could it be?" "You can shoot in a place with lead paint." "You can shoot in a day." "For lead paint, it would be perfectly fine." "And I went to Aaron, who's working the art department." "Hey, Aaron, look." "Take two PAs." "I want you to clean Graystone." "So blah, blah, blah, blah." "Clean it up so we can shoot there." "No, I'm not doing it." "That place has lead paint in it." "I say Patrick, Ellie, and Trent they can save." "Clean it." "Yeah." "Let them clean it. [inaudible]." "He said, fuck you, Jared and went to the library." "Got all this information about lead paint." "It got back to Dave Mattey." "And then it got to this whole big thing, where lead" "Paint-- we couldn't shoot here." "No, he was going to quit." "And you started this whole campaign" "That everybody was gonna quit." "Dave was gonna quit and everybody was gonna quit." "Fuck Troma." "INTERVIEWER:" "How many people are going?" "Eight." "INTERVIEWER:" "Raise your hand." "Who's leaving?" "Eight people." "There's eight people total." "And then there's five more leaving tomorrow." "INTERVIEWER:" "Say their names right now." "Mark Hugo." "Fuck you." "Say your name." "Steve Ramsey." "Fuck off." "Aaron." "Double fuck you." "We're all gone." "But then the issue kept coming up in production." "And then we had to use another location." "It should have been our option to shoot" "In here if we wanted to." "And I think he really overstepped his boundaries." "He caused, like, this panic [inaudible] where" "There was no cause for that." "And he sucks." "We'll give our name, but" "But I will not have three testicles for lead paint." "But I was saddened when actually some of our crew" "Left on a major-- there was a big day, where, like," "About 20 people left." "So what happened today that was so" "That thing in there." "Oh, really?" "You have to fire that other guy when he gets back." "[Laugh]" "Dan, you're coming back, right?" "It had a major impact on, I think, the rest of us." "It made us stronger in the end." "But on that day, I think morale" "Which is a word that I tend not to use" "Was at an all-time low." "Yeah, I guess it was Julia." "She was office coordinator." "She got fired." "That worked out." "That was great." "I've never seen so much crying." "WOMAN:" "Yeah, crying all around." "Every time I go out, there's somebody else crying." "So humiliating." "INTERVIEWER:" "Still love Troma?" "[laughs] Not the time to ask me that." "[Laughter]" "LLOYD KAUFMAN:" "She didn't get fired." "She quit." "INTERVIEWER:" "Ah." "No, Patrick says she got fired." "No, no." "I mean, unless he fired her." "No, she just had too much." "She quit." "She was driven off." "I think Julia just quit." "She quit." "HEIDI SJURSEN:" "Here, my dad wants to talk to you." "INTERVIEWER:" "Oh, it's one of the ex-employees," "One of the 30% that left." "What are you going to do from here?" "Where are you going?" "The smart 30%." "INTERVIEWER:" "Were are you going from here, Aaron?" "I'm going down to Florida." "Then I'm going to Virginia." "Then I'm going to Cali." "Then I'm going to Australia." "INTERVIEWER:" "You're going to Australia?" "Australia for Christmas." "INTERVIEWER:" "Well, if you had to sum up your experience here," "What would you say?" "It was very much a learning experience." "INTERVIEWER:" "A learning experience?" "Yeah, you learn a lot of shit here." "INTERVIEWER:" "So is that positive or negative?" "You seem kind of frazzled." "I was very frazzled." "You weren't getting [inaudible] here." "INTERVIEWER:" "Yeah, well." "It's all good." "Salute off." "Goodbye, young sir." "Goodbye." "Goodbye." "But then, after we fired Aaron, we hired him back again" "As a still photographer." "And I heard all his pictures are out of focus." "INTERVIEWER:" "So wait, where are we filming now, though?" "Oh, we decided to shoot inside Toxie's shack" "And make it Noxie's shock." "We're hanging up a a couple different signs." ""We're in [inaudible]."" "And we show him walking in here." "And when he enters in here, we're going" "To be in-- it's not gonna work." "INTERVIEWER:" "It's not gonna look right, you don't think?" "No." "I mean, Aaron fucked up the shoot for us." "INTERVIEWER:" "So why did you guys hire him back then?" "Well, he basically-- in order to get back," "He had to ask a couple people." "He asked Lloyd, who wanted him back in, for some reason." "Patrick said OK, under the condition that he asked me." "He's like, is there gonna be-- and I expect an apology." "And even when he came up to me and he said he apologized," "I told him that I" " I told him I didn't care." "I do not want him back on this production." "And I will do everything possible to make sure that he," "You know, gets fired again." "INTERVIEWER: [laughs]" "[Laughs] He's a total asshole." "INTERVIEWER:" "So how does it feel?" "You pumped?" "No." "INTERVIEWER:" "No?" "No." "INTERVIEWER:" "Aw." "You do the job." "You get it done, like they say." "INTERVIEWER:" "I think you're doing a good job." "Well, thank you." "We try." "There are no old bold stuntmen." "You're an old stuntman or bold stuntman." "I let the audience get excited." "I try to keep it chill." "Oh, so you're going far." "Well, yeah." "So it'll be out." "So I pass over you completely." "LLOYD KAUFMAN:" "OK, I hear you." "I'm gonna try and see if I can land right about here." "OK." "All right." "Fine." "That way I may be able to clear your frame altogether." "Ready." "Action." "Tito, you're right on the inside, aren't you?" "Can you get there please?" "Yeah, like that." "And then Toxie" "INTERVIEWER:" "Can I ask you a question?" "Sure." "INTERVIEWER:" "Like, why do you think it's a bad idea" "For the actors to just jump?" "Every time you put an actor through anything" "That could be risky, you always [inaudible] actor." "That's why stuntmen are hired." "INTERVIEWER:" "Even for a little-- -[inaudible]." "INTERVIEWER:" "Even for a little fall like that, you think?" "Well, they had already done it six times." "Every time you do it increases geometrically the chance" "That your lead actor will be injured" "And the production will be halted." "That's why stuntmen do the work." "Plus, what I did was extended." "They're doing a small jump." "What I did was extend it over camera and take it longer." "You start doing that with the actors," "You increase geometrically the chances" "Of an actor being injured." "Every single time they do it, you risk it." "So" "INTERVIEWER:" "All right." "That's why stuntmen came into existence." "Thank you." "MAN:" "Go to 24." "MAN:" "Eight." "Get towards eight." "Hold on, baby!" "Yeah, I don't want to go." "That's great." "You got to jump." "Go!" "That was great." "I think we should give him it." "You know pay him for whatever the Noxie-- what do we" "Have for Noxie?" "300 bucks or something?" "Yeah, we had to pay" "I think he'd appreciate it." "stunt doubles and shit like that." "Well, that's not David's fault." "Yeah, it's somebody's fault." "It's not mine." "Well, it's my fault." "I shouldn't" "Have hired that fucking fat load of stuntmen." "[Laughter] 2,000 pounds of stunts." "No, we should have hired" "INTERVIEWER:" "Tell us a little bit about the past couple days" "In Tromaville." "Well, it's been as life Tromaville can be, it's been" "Sort of an up and down kind of thing, some good, some" "Not so good." "Mark Torgl, the original Melvin was here." "What's up dude?" "INTERVIEWER:" "Just recording you for the DVD." "Can I ask you a few questions while" "Sure." "INTERVIEWER:" "All right." "So how did you become cast in the first "Toxic Avenger"" "As Melvin?" "I was going to NYU." "It was actually the year before, for "The First Turn-On."" "And I needed a summer job." "Or I just want to work on a film for the summer." "And somewhere along the line when we were shooting," "There was a counselor." "And the actor that played her boyfriend, who" "Was supposed to be a really nerdy guy, quit," "Like at the very last minute." "So they were, like, stuck without an actor" "To do this role." "And they're like, who can we get to do this role?" "And I happened to be there." "And I said, I'll do it." "So I played Dwayne in "The First Turn-On"" "And had some really disgusting scenes with mashed potatoes" "In my hair and cold cuts." "And it was some pretty funny stuff," "I think some of the best stuff in the movie." "And the next year, when they made "Toxic Avenger,"" "I understood that they had auditioned hundreds of kids" "To try and find someone to do Melvin." "And finally, Lloyd said, why don't we just call Mark?" "And so they called me and asked me if I wanted to be" "Melvin in the Toxic Avenger." "OK." "OK." "And the rest is history." "INTERVIEWER:" "Why weren't you in the second one?" "Let's see." "What happened." "Oh, yeah." "I wanted $50, and Lloyd said that was too much." "INTERVIEWER:" "[laughs] What was it" "Like working on the first one?" "Was it like it is, like, when you look around now?" "Was it the same conditions?" "Exactly the same." "Everyone was sleeping on the floors." "We used to be fed with Jarlsberg cheese, three meals a day." "By the end of the movie, we were all so sick of cheese." "They had, like, five or six of these big loaves" "Of cheese left." "And the crew all, like, took these big loaves" "And threw them down a side of a mountain" "So that we wouldn't have to eat it anymore." "But then they were like, well, sorry." "There's nothing to eat." "You guys don't eat." "MAKEUP ARTIST:" "Oh, no." "INTERVIEWER:" "Do you know what you'll be doing?" "Any details in the scene or anything?" "Yeah, I'm coming out of the mayhem at the big battle" "At the end." "I'm evolving out of dead Noxie to become bad, evil Melvin." "All right, we got it." "So we talked to David and rehearsed" "A little with David down there." "I think you guys should work down there with yourselves," "Just [inaudible]." "Yeah, I think it's better on your own." "If you want, Trent can come and work with you." "But I think you guys on your own would be better." "MARK:" "I'd like to have your opinion." "LLOYD KAUFMAN:" "Yeah, I'll come down when" "You feel you're comfortable." "I just don't to" " I find it's better if you are allowed" "To do it without me there." "Pretty much the whole scene-- improv." "So that was kind of cool." "We had a framework of what we wanted to do." "And then we just kind-- we winged it." "And you can be, like, what?" "You know, what are you doing?" "I'm you, you know." "And to the point it's got to keep progressing," "Where I'm just, like, doing disgusting things" "And hurting you, even." "And then at one point, we talked about hurting you bad enough" "That you drop you mop." "And what it progresses into is I stick the mop between my legs" "And attempt to, like, buttfuck you with the mop." "OK." "INTERVIEWER:" "That's got to be the third time this film." "So how do you like being back in costume and everything?" "It feels like an old, moldy pair" "Of socks-- very comfortable." "INTERVIEWER:" "Do you like it?" "I love it." "INTERVIEWER: [laughs]" "LLOYD KAUFMAN:" "Wait a minute." "Don't." "Hold on." "Come up the stairs, and we'll do it again." "[Laughs]" "He needs a mop!" "WOMAN: [inaudible]." "Melvin needs a mop." "Ready?" "LLOYD KAUFMAN:" "Yeah." "OK, and action." "Hey, it's Mark Torgl, everybody, 15 years later." "[Applause]" "Oh, beautiful." "Hey, how's it going?" "LLOYD KAUFMAN:" "Mark Torgl." "Oh, ho." "My heavens." "Unbelievable." "[Inaudible]." "History in the making, everybody." "The whole idea is so David doesn't have to be tired." "No, nobody's saying no." "But why does he have to be Hasan?" "Because that's why I want Hasan." "I've got to have the guy's arms, man." "This guy's got to fucking-- it's little Melvin coming out, man." "TRENT HAAGA:" "It could've been TJ." "TJ's standing right here." "He just got out, but we can put him back in." "It has to be Hasan?" "LLOYD KAUFMAN:" "It's got to be somebody" "With big arms, that's all." "So it's not-- not-- come on, folks, use some brains, please." "In the future, stop dismissing people." "Like, not so stupid." "They kicked out Hasan." "He was happy to do it." "I don' understand what you're trying to tell me." "We tried to take the [inaudible]" "Off and put it on TJ anyway." "TJ" "But where is Hasan?" "I'm just telling you." "We have time." "If he's here, you can put it on him." "MAN:" "Toxie had a time conflict." "Yeah, exactly." "He had a time conflict." "And" "No, no he didn't." "He could have been told to come." "And someone should've said to me" "I called and left a message for him, Lloyd, OK?" "Yeah, well now it's too late." "Well, now find somebody who's got big arms." "You need to find somebody with big arms." "That's all, arms and the mask." "TJ was just wearing it, like 30 minutes ago," "And he took it off." "Let's put TJ back in it." "If TJ is willing." "Well, maybe TJ doesn't want to go back in." "[Laughs]" "Lloyd, we got a volunteer." "Yeah, but it's got to be big arms." "If we dress his arms up, that'd look pretty big, right?" "Yeah, use Miller." "You don't mind." "What's going on in terms of David tonight?" "David's got to be in the reverse of this" "While he talks to them, yeah?" "LLOYD KAUFMAN:" "Yeah, that's right." "I'm not striking anybody out of anything" "Ever until we are totally wrapped, man." "God dammit, we should just ask Lloyd what he wants to shoot." "You know what I mean?" "He changes his mind, his idea." "Every time we try to make a plan," "It gets totally fucked, because he" "Knows what he wants to shoot." "He just didn't tell us." "You mean with this scar thing?" "No, no, I'm not talking to her." "Look who's here." "It's a perfect match." "[Laughter]" "He looks like Mr. T." "INTERVIEWER:" "Why did they dress you up as the Toxic Avenger?" "Because I'm the best." "INTERVIEWER:" "Really?" "Honestly." "Because we didn't have anybody else." "I got to stick my head through his whole." "INTERVIEWER:" "Right." "[Chatter]" "So you're gonna be the arms and the legs, basically." "Arms and legs." "Well" "INTERVIEWER:" "I mean arms and head." "Arms and head." "LLOYD KAUFMAN:" "Gurgle, twitch, twitch, twitch." "Gurgle, gurgle, and Mark, mop." "MAN:" "Move your arms a little bit more." "LLOYD KAUFMAN:" "Mop, mop is coming up." "Good." "Now you, Mark." "Quick." "Beautiful." "Good." "Ah, nice." "Don't put that in front of your face." "That's good." "That thing's good." "You can put it in your mouth." "Just don't let it cover your face." "Look up at Melvin." "You're so happy." "Melvin!" "Melvin!" "It's you." "It's me." "[Maniacal laughter]" "It's us!" "It's us, Melvin." "[Maniacal laughter] Give me a hug." "Give me a hug." "LLOYD KAUFMAN:" "Cut." "Cut." "Good." "OK." "[Laughter]" "[Cheering and applause]" "INTERVIEWER:" "How did you like coming out of Noxie?" "It was beautiful, beautiful experience" "INTERVIEWER:" "Was it like a rebirth?" "Absolutely." "[set chatter]" "I was reborn, reborn as Melvin." "I think we're out." "We're done." "Mark, yay." "Mark Torgl." "[Applause]" "Beautiful. [inaudible]." "Mark Torgl." "History, Troma history, movie history." "MAN:" "Give him a hug again." "[Inaudible]." "MAN:" "Slime him gain." "He's getting his revenge." "Ew." "[Laughter]" "This is Hank." "Do you guys know each other?" "Corey Feldman." "How are you?" "How you doing?" "Love your work." "LLOYD KAUFMAN:" "This is Cat, your assistant director." "Hi, nice to meet you." "And Trent Haaga wrote the script." "And he stars in "Terror Firmer," the perhaps" "New movie from Troma, on which Brendan Flynt was the DP." "And he's now DP on this movie." "Troma, yeah." "COREY FELDMAN:" "I love you." "I love it." "[Chatter]" "This guy here, whatever his name is, this actor person" "Is he on an hourly thing" "No." "where we have to get rid of him." "We got him all day?" "No, he's getting a flat rare for the day." "So it's not-- when does it end?" "That's what I want to know." "Is it an eight-hour day, a six-hour day?" "It just says for the day-- 12-hour?" "the day of in his contract, so." "Just make sure that we're not gonna be told at 4 o'clock" "That we have to stop." "No, we're not." "MAN:" "How you doing?" "How you doing?" "MAN:" "Good." "Dave?" "How are you?" "Nice to meet you." "A little warm in that makeup?" "Oh, yeah." "It looks fun, I got to tell you." "Can you hear in that?" "DAVE MATTEY:" "It's hard." "I hear through it." "Yeah." "Muffled, right?" "DAVE MATTEY:" "Yeah." "And it's sealed, so I can't even hear, like, out of spaces." "I have no depth perception at all." "Cool." "Exciting." "Yeah." "It's [inaudible] like that." "COREY FELDMAN:" "Yeah." "Doing like an action sequence in the dark." "All right." "I need to get out of the heat, man." "It's too hot out here." "[Inaudible]." "LLOYD KAUFMAN:" "Do that again." "Just do that line again, Hank." "Do it again." "Ready?" "Which part?" "LLOYD KAUFMAN: "Go back to Tromaville."" "And "All right, you go back to Tromaville." ready?" "And action." "All right, you can go back to Tromaville." "Just remember, though" "Trent is totally losing his mind." "Trent is totally losing his mind on this set." "LLOYD KAUFMAN:" "Start from "yeah, you can go home."" ""All right, you can go home." [inaudible]." "Whatever [inaudible]." "Yeah." "MAN:" "OK." "[Inaudible]." "You shouldn't have spoken to them." "All right, let's go." "Come on." "TRENT HAAGA: [laughs]" "That's nice, man." "INTERVIEWER:" "I just don't understand." "MAN:" "Let's make sure the rope length" "Matches what was shot before." "INTERVIEWER:" "So what might happen to this?" "TIM:" "Uh, it might get road rash." "Road rash." "INTERVIEWER:" "Will it shatter?" "No, I don't think it'll shatter." "[Scraping]" "(MEXICAN ACCENT) Hey, ese." "Man, you look kind of funny." "You look pale today, huh?" "It was the cerveza." "It's a hangover, I know." "[Chatter]" "INTERVIEWER:" "So why's everyone wearing sombreros?" "It's the heat, man, the sun." "We've already been standing out here for a long time." "We don't want to get burnt." "Hola." "Mark." "Mark." "LLOYD KAUFMAN:" "And action." "DRIVER: [shouting]" "I love black people Don't hurt me, please." "Please!" "I love black-- ah!" "INTERVIEWER:" "What are you guys gonna be doing here?" "What's the stunt?" "Well, we're pulling the actor along for a closeup of being" "Dragged behind the truck." "And we also have the dummy to match." "And this is for the close-up of the actual actor," "To be able to match into it, so that they have the three" "Choices-- actor, stunt man, and dummy" "To cut back and forth with." "[Screaming]" "LLOYD KAUFMAN:" "Cut." "He heard don't-- all he heard was let go." "Let's just don't analyze it." "Do it again." "Let's just do it again." "BRENDAN FLYNT:" "I didn't want to let him go early" "Because I wasn't ready." "MAN:" "I know, but he's screaming, so he heard the" "BRENDAN FLYNT:" "Well, why does he have to scream?" "He doesn't have to scream this time." "LLOYD KAUFMAN:" "Fine, he won't scream." "Just show your mouth open." "LLOYD KAUFMAN:" "Let's go!" "BRENDAN FLYNT: --so he can hear me, OK?" "Lloyd, we're ready to go with this." "LLOYD KAUFMAN:" "OK, we got one more take," "Then we're going down to the makeup on Mitch." "Mitch Cohen, the original Toxic Avenger, was here." "We got to chat a bit." "And pretty much the budgets have gotten lower." "The boobie count has gotten higher." "Evidently, they're paying actors less than they did then." "Pretty hard to imagine, but they are." "[Motor running]" "It's all good, Lloyd" "DAVE MATTEY:" "Basically, drag him out of the car," "Bash his face into the engine, and then" "Throw him into a KKK rally." "There are definitely things that have gotten worse, like my skin" "And that kind of stuff." "There have been things that we've done" "That have been a lot of fun." "Me and Paul did the fight." "We did our fight upstairs." "And it took a while, but I think it's gonna look awesome." "Now, question about the art department." "This place, it looks so clean in here." "Are we gonna put a lot of blood around?" "WOMAN:" "We have blood." "LLOYD KAUFMAN:" "I won't have to keep it there." "But we should defintely-- it seems like this stuff" "Could be bloodied up." "MAN:" "You lost your light a little bit." "INTERVIEWER:" "Excess." "DAVE MATTEY:" "And this guy, this guy" "Is the Boba Fett of this movie." "I think we're gonna get done with the movie," "And they're gonna go-- the stuff they're gonna talk about are" "Things like [inaudible] head coming out" "Of his ass and evil Kabukiman." "So instead of just like coming for his stomach," "Just come a little bit to the side." "Right." "Over there." "OK." "And it should play for that camera." "Over to this side, just to fudge the uppercut." "Boom." "And uppercut over here." "Pow." "MAN:" "Wow." "So just cheat it." "Cheat it over to the side a little bit." "With the hair." "[Fighting sounds]" "And camera!" "CAT:" "Rolling." "Rolling." "Action." "[Fighting sounds]" "[Shouting]" "MAN:" "So it's gonna be an awesome fight." "And Paul is good." "LLOYD KAUFMAN:" "Come on in and meet Joe Fleishaker." "He's kind of Troma's action star." "He's been in about five" "Hi." "LLOYD KAUFMAN:" "How many Troma movies have you" "JOE FLEISHAKER:" "This is number seven." "LLOYD KAUFMAN:" "Seventh, wow." "We met each other when we were doing" "A movie called "Troma's War."" "REPORTER:" "OK." "And it's Joe Fleishen?" "Fleishaker." "F-L-E-I-S-H-A-K-E-R." "It's not big bucks." "It's" "REPORTER:" "I think you're doing it for the love of it." "For the love of it." "Oh, it has to be." "If you don't have the love of it, you can't do this." "'Cause the stuff that I did in this movie" "Were pretty, pretty wild stuff." "There was something about the cum on your face, Joe." "JOE FLEISHAKER:" "Oh, yeah." "Oh." "Yeah, yeah." "JOE FLEISHAKER:" "It'll look good." "Has anybody seen the footage?" "MAN:" "Yeah yeah." "It looks great." "They say not only is Joe Fleishaker" "An amazing actor, he's one fine cock sucker." "JOE FLEISHAKER:" "Fellatio Joe." "[Laughter]" "MAN:" "Was it mayonnaise?" "JOE FLEISHAKER:" "Yeah." "MAN:" "We're loading Joe." "LLOYD KAUFMAN:" "Joe is armed." "Action!" "[Groaning]" "It's a little weird to just take it straight." "But I used to eat it straight sometimes." "This is my brand, so" " I ain't no fucking Miracle Whip guy." "Forget about it." "The real, real mayonnaise." "As I said to everybody, the reason" "Why I wasn't really that good at spitting it out" "Is because I usually swallow." "[Laughter]" "That's what I heard." "That's what I heard." "JOE FLEISHAKER:" "Yeah." "That is what I heard from Michael Herst." "[Laughter]" "We just did today the big romantic reunion scene." "WOMAN:" "Aw." "JOE FLEISHAKER:" "It was quite, quite [audio out]." "LLOYD KAUFMAN:" "Action." "WOMAN:" "Ooh." "LLOYD KAUFMAN:" "No, no don't do that." "Work it, kind of." "WOMAN:" "Ooh." "LLOYD KAUFMAN:" "That's it." "That's it." "And then do your fingers." "WOMAN:" "Ooh, ooh, oh." "Ooh, ooh, mm, ee, oh." "LLOYD KAUFMAN:" "OK, good." "WOMAN: [moaning]" "MAN:" "Slow." "Whoa." "LLOYD KAUFMAN:" "Play it straight, Joe." "Real." "You're really in ecstasy." "Lower your chin." "Lower your chin, Joe." "MAN:" "Down." "Lower your chin." "LLOYD KAUFMAN:" "Lower your chin." "That's it." "OK." "Now start doing what you did in the scene, Heidi, kissing him." "Oh." "[Moaning]" "LLOYD KAUFMAN:" "Go low." "Mm, baby." "LLOYD KAUFMAN:" "Go down his stomach, please." "Kiss down his stomach." "Can you see it?" "Keep going down a little bit so we can see his face." "Mm." "Love it, ooh." "Yummy, oh." "Oh." "[Inaudible]" "LLOYD KAUFMAN:" "See her hands, Brendan?" "Cut." "Perfect." "MAN:" "Beautiful." "LLOYD KAUFMAN:" "Very good." "Thank you." "Do that conversation you had." "I was always [inaudible] slutty girl." "When I was in high school, I did 30 miles a day on the bicycle." "I used to cut class and go to play basketball." "But I used to eat enormous amounts of food." "A typical day, I would have three loaves of Italian bread," "Couple of boxes of donuts." "I used to drink Pepsi by the quart an hour." "But I worked." "I did so much exercise it didn't matter." "Once I got to college and I started" "Doing less time for exercise, I started gaining wait." "Before you knew it, I was too big to play" "The sports I was doing." "The bicycle couldn't handle me anymore." "And then it just" " I never did stop the eating." "Uh-huh." "But I always ate a lot." "But I also worked a lot." "Now, I, you know-- now I don't work that hard." "Now I sit at a desk and, you know, play with my fingers." "My fingers are trim." "[Laughter]" "It's really useful." "It's kind of sexy." "He's great." "[Door creaking]" "[Door slams]" "Yes, thank you for coming." "INTERVIEWER: [laughs]" "[Fighting sounds]" "[Grunting]" "LLOYD KAUFMAN:" "And remember, we're on Noxie now." "The main purpose of this fight now is to get Noxie's craps" "All over the place." "SCOTT RHODES:" "We need somebody in the art department in here." "MAN:" "OK." "LLOYD KAUFMAN:" "Art department!" "This is deteriorating on our heads." "[Grunting]" "[Shouting]" "INTERVIEWER:" "What's the word of the day?" "People, please." "Hey, I'm not good at that, Zork." "I'm not good at defining the word." "Blood is the word of the day." "MAN:" "Today was the gore day." "And it's all about blood." "It's the big triumphant massacre before they" "Face off with Noxie." "It's taking slightly longer than any of us had anticipated." "INTERVIEWER:" ""Slightly," meaning?" "Hours." "LLOYD KAUFMAN:" "Uh, sound?" "MAN:" "Speed." "MAN:" "Mark." "LLOYD KAUFMAN:" "Hit it, and action!" "MAN:" "Action background." "Oh, no!" "I've got AIDS!" "[Scream]" "MAN:" "Can we do that one more time?" "LLOYD KAUFMAN:" "Yeah, cut." "CAT:" "Cut" "LLOYD KAUFMAN:" "So let's do chin up more." "You're looking down too much." "CAT:" "Rolling." "LLOYD KAUFMAN:" "And action." "[Camera whirring]" "[Gurgling]" "LLOYD KAUFMAN:" "Get over near Rob." "Hand at the hip to Rob." "WOMAN:" "Rob." "INTERVIEWER:" "And what's gonna happen to you, sir?" "Well, sir, I am gonna have a broom" "Embedded through my spine." "And it is gonna come through my stomach," "Therefore creating blood, guts, and maybe" "Just a little bit of blood." "INTERVIEWER:" "Mm, man." "LLOYD KAUFMAN:" "Action." "[Shouting]" "Oh, God!" "Oh, God!" "Oh!" "[shout]" "TRENT HAAGA:" "Hold still." "LLOYD KAUFMAN:" "Move forwards." "TRENT HAAGA:" "Move forward." "LLOYD KAUFMAN:" "Where's your fucking mark?" "TRENT HAAGA:" "OK, right there, Joe." "Just stay in the [inaudible]." "LLOYD KAUFMAN:" "Roll tape." "TRENT HAAGA:" "Roll tape." "LLOYD KAUFMAN:" "Stay on your fucking mark!" "Get over on your mark, god dammit!" "Oh, you fucked it." "TRENT HAAGA:" "Oh, shit." "LLOYD KAUFMAN:" "Cut." "That was ridiculous." "You're supposed to stay on your mark, right." "BRENDAN FLYNT:" "All right, Lloyd?" "Take it from there, Lloyd." "I'm never" "BRENDAN FLYNT:" "Take it from there." "LLOYD KAUFMAN:" "Yes, now do it right." "Get close together and just look at the fucking stuff" "And be scared." "All right, give me the camera." "Here we go." "Ready?" "Do not look at the sign." "You're looking at the carnage." "Why'd you read the sign?" "Sorry." "LLOYD KAUFMAN:" "Ready?" "Concentrate." "Now we're focused on the" "LLOYD KAUFMAN:" "I'm gonna look at Tromaville Hospital." "And action!" "[Inaudible]" "BOTH: [panting]" "LLOYD KAUFMAN:" "That's it, good." "That's almost it." "BRENDAN FLYNT:" "That's great." "LLOYD KAUFMAN:" "OK?" "Good." "Stay close together." "That's it!" "OK." "LLOYD KAUFMAN:" "Now get out." "[Beep]" "And action." "Blood." "[Screaming]" "LLOYD KAUFMAN:" "Bring it up." "Bring it up!" "BOTH: [scared panting]" "BRENDAN FLYNT:" "Carnage over here." "[Screaming]" "BRENDAN FLYNT:" "No, carnage over here." "Oh, my god!" "What the hell is happening?" "What the hell is that?" "Oh, no!" "BOTH: [whimpering]" "Oh, my god!" "LLOYD KAUFMAN:" "Cut." "OK, beautiful." "Bravo." "Excellent." "[Cheering and applause]" "Yay, OK." "TRENT HAAGA:" "OK, next!" "LLOYD KAUFMAN:" "Very good. [inaudible]." "Just because of the camera." "Good job!" "Get that [inaudible] light on, please." "Try to get it on his chin." "I think that-- you see, like, the pool of blood there," "The reflection that it makes?" "That would be such a great shot if they just shot it" "Down on, you know, the blood." "LLOYD KAUFMAN:" "Let's do it, right?" "BRENDAN FLYNT:" "Get the camera-- LLOYD KAUFMAN: [inaudible]." "MAN:" "And the comb?" "LLOYD KAUFMAN:" "I think we need to comb out the crap pieces." "So this stuff in here." "MAN:" "Does anybody got a comb?" "MAN:" "Or just push it." "LLOYD KAUFMAN:" "Comb?" "Would that do it?" "Comb, yeah, you're right." "Comb or a leaf brush, maybe." "A leaf rake." "Do you have a leaf rake?" "Get a leaf rake." "Who's got a leaf rake?" "MAN:" "God dammit!" "Who's got a leaf rake?" "MAN:" "All right, somebody was yelling for" "I have to say it's a very, very dedicated group." "You know, I mean, I really do believe that it's worth as" "Much as an Oscar to have people this dedicated to a project," "Who are just incredibly nice." "And things are moving along." "And there's quite a fine film in progress." "And it's impossible to ask for anything more." "[Eerie music playing]" "And do we know that we're crashing the car" "Through the door in the" "MAN:" "We do." "LLOYD KAUFMAN:" "So everybody knows that." "Brendan, you know we're going to do the car crashing" "Through the garage tomorrow?" "The car is gonna shut off here and stop about here." "LLOYD KAUFMAN:" "OK." "Brendan doesn't want anyone where Patrick is." "No, you cannot be there, nor can Caleb, or that guy," "Whatever his name is." "Jared, get out of the frame." "Why is that?" "LLOYD KAUFMAN:" "We feel it's dangerous." "Yes, sir." "BRENDAN FLYNT:" "OK, everybody clear there." "I don't want anyone there." "I want this whole thing" "LLOYD KAUFMAN:" "Come over by my camera." "Sound man, Brendan says no, but this" "Is between you and Brendan." "LLOYD KAUFMAN:" "What's that?" "LLOYD KAUFMAN:" "Yeah, right." "OK." "TRENT HAAGA:" "Everybody ready?" "And action, car." "[Crash]" "[Shouting]" "[Chatter]" "MAN:" "Oh, my god, the ladder, dude." "Wow." "[Inaudible]" "MAN:" "He was supposed to stop there." "MAN:" "His front was" "MAN:" "Right there." "MAN:" "His front was supposed to stop there." "Is everyone OK?" "CAT:" "Yeah, I think so." "Yeah, everyone's good." "MAN:" "Man, look at that." "MAN:" "Why do we pay these stunt guys so much?" "MAN: 'Cause they're so good." "Brendan Flynt, bravo." "[Scattered applause]" "CAT: [inaudible]." "LLOYD KAUFMAN:" "Yeah, because people would have been knocked" "Over by the fucking stuff." "It was exactly where you all were standing." "Did you not see that shit?" "INTERVIEWER:" "Yeah, I saw the car go all the way in." "I'm like, I think he missed the mark." "Did you see me fall off the 12-foot fucking ladder?" "INTERVIEWER:" "No." "So you're saying the car stopped only about" "Yeah, about like that." "INTERVIEWER: --a foot further than what" "You thought it was gonna do?" "Yeah, because I put the sand bags to stop the car." "Like, it would be about that far form the cage," "'Cause Brendan wanted me to come into the [inaudible]" "As much as I could" "INTERVIEWER:" "Mhm." "So because I didn't feel the sand bags," "I hit only just maybe a fraction of a second late." "But that's why, too, 'cause I knew nobody would be back here." "And I knew everybody would be back here." "So I just wanted to, like, give them" "As much clearance as possible." "So I gotta calm down a little bit right now, man." "INTERVIEWER:" "Yeah, I feel the same way." "Don't worry." "My heart's about to break in my chest right now." "It's fucking-- it's crazy." "INTERVIEWER:" "Did you get scared, Tito?" "A little." "I thought I almost died." "Fucking [inaudible]." "It looked great." "INTERVIEWER:" "Yeah, looks good for, like, the DVD." "[Inaudible] humans." "INTERVIEWER:" "Yeah." "Oh." "Lloyd." "Yes, sir?" "Can I get your view on how that stunt went?" "Um." "The three rules of production, Troma's rules of production," "Were not posted." "They're not posted here because we moved back to this location." "And I think that is the primary reason why this stunt, while it" "Looked very good on camera, came very close to killing people." "I'm not happy." "I don't think it's worthwhile." "I don't think that shot really was worth it." "And it wasn't really that good, so" "MAN:" "There's Aaron afterwards." "MAN:" "And action, car." "[Crash]" "Shit!" "That's not good." "Whoa." "[Chatter]" "I got all that." "You all right, Aaron?" "Yeah, dude." "Holy shit." "CAT:" "Everyone OK?" "MAN:" "Yeah!" "Give him a hand there, dude." "[Chatter]" "LLOYD KAUFMAN:" "It's not worth it." "It's only a fucking movie, just for later in life, that's all." "Yeah." "It's only a fucking movie." "If there's any risk at all." "I mean, you're the lead paint guy, for Christ sake." "That's what I was thinking about in the middle of the night." "Here's the lead paint guy." "The lead paint thing was bullshit." "The thing you did was total stupidity." "And you disobeyed an old man and an older director/photographer" "And all these professionals who you should have listened to." "I honestly didn't" " I really didn't-- you know, just" "Nobody thought that was gonna be a factor." "Well, no, I thought it would be, and so did Brendan." "We cleared everybody out there." "I made announcements." "We kept making announcements." "And we know there's always that risk." "There's always a risk." "You know, that car, who knows?" "It could have hit something." "It could have hit computers that don't work." "I don't know." "And again, it's just a fucking movie." "That's why you don't do those things." "You don't." "It's just not worth it." "But it's my opinion that had those signs been up" "The signs were up today, like they should have been" "I think everybody would have it on their mind" "And would have been a little more cooperative" "About being anywhere near it." "So luckily, nothing happened." "Is Jared here?" "JARED:" "Yes, sir." "You have to do a better job." "This place is a pig sty." "Look." "There's glass all over the place, ready to fall down." "Look at this filth." "Look at this." "Why don't you have these guys like Terrence and Joe Cortese?" "Well, again, you didn't have to." "But it's nice of you to do it." "You don't have to do this." "We'll fire them, one or the other." "This is gonna fall down." "It's been here all day." "It's been smashed." "This is plastic, but it's-- this has been here all day." "It's filth, and it's dangerous." "And that's their job, right?" "So please have Terrence-- or get rid of them." "We should fire both of them, I think." "I mean, no." "We didn't have coffee." "I am really happy about the fact" "That we're gonna do this scene with Roy" "Winning an Academy Award." "And Toxie wrapped tonight." "[Cheering and applause]" "The best-- the best Toxic Avenger ever!" "The best!" "Thank you." "No, seriously, I would not have been able to do any of it" "Without the fantastic crew that was here for this entire movie." "And I really appreciate everybody getting water" "And running around like freaks [inaudible]" "Doing everything everybody did." "And seriously, I couldn't have done it without the crew." "I mean" "LLOYD KAUFMAN:" "Yeah!" "Totally a team effort." "[Applause]" "So it's not even gonna be Dave Mattey." "Here we go." "Ready?" "Action!" "[Crazed laughter]" "You like me." "You really like me!" "I" "Would like to thank God, Jesus Christ, the MPAA rating board" "For creating this incredibly historic occasion." "And now, if we could bow our heads for a moment of silence" "In honor of all the alcoholic, crack-addicted, ugly," "Native American unmarried mothers, and all" "The other distasteful minorities whom the Hollywood elite have" "Banned, blacklisted, whose property has been taken away," "Who have been totally fucked over." "What-- why-- award?" "I don't want this fu-- fuck this award!" "I don't-- you take it." "And in fact, you can take that fucking award" "And shove it up my sweet pooper." "TRENT HAAGA:" "Freeze." "And unfreeze." "Yeah, Hollywood, we don't need your fucking awards." "We're the Troma team!" "Fuck you!" "[Cheering and applause]" "Mr. Trent Haaga will make a very important announcement." "[Applause]" "Everyone, everyone, thank you all very much." "That has completed principal photography for "Toxic" "Avenger 4" " Citizen Toxie."" "Thank you Troma!" "PATRICK CASSIDY:" "They said the best" "Thing about working on a movie is the people you meet." "And the memories that you take with you" "Are all of those people, not all the production stuff." "You do try to block that out of your memory." "Because it's the worst part." "Making the movie is the actual the worst part" "Of making the movie." "The process of getting actors, honestly," "Getting the special effects ready," "Getting the stunt people to do what they're supposed to do," "Which they never do-- all that stuff" "Is just fucked up and hard to deal with." "So you want to forget almost immediately." "And we finished the movie." "And it's gonna be great, so that's what the beauty of Troma" "Is-- dedicated individuals doing hard work for a good cause" "Just to make art, to make Lloyd rich." "MAN:" "Because Lloyd is rich." "Oh, yeah." "He's a rich motherfucker." "[Music - "radetzky march"]" "And I guarantee you, when they edit this film, at some point" "When they listen to the sound, they're" "Gonna have scenes with the sounds" "Of snoring in the background." "I guarantee it." "Because there was snoring up and down" "The hallways during the last few shoots this morning." "[Music - "radetzky march"]" "[Snoring]" "MAN:" "Where's Brendan?" "Oh, [inaudible]." "Ah." "INTERVIEWER:" "So what stunt-- is he rehearsing anything?" "[laugh] It's the infamous snoring stunt for the film." "It's something that the rest of us don't get to do is sleep." "So watch me get unchanged-- unchanged." "(SINGING) Watch me get unchanged." "WOMAN:" "Do the deodorant." "Do it, do it." "Should we have the deodorant dance?" "WOMAN:" "That's right." "There's not much left." "Zork, you want to see my morning ritual?" "INTERVIEWER:" "Let's see Tito's morning ritual." "[Dog barking]" "TITO:" "Allie, I can borrow money?" "That's cool?" "I was like, sure." "You're the greatest." "[Spraying]" "(SINGING) Deodorant time, deodorant time, deodorant time." "Wait for the rub." "Deodorant time." "Deodorant, ah, ah, deodorant time." "Deodorant time, ooh, ooh, deodorant time." "INTERVIEWER:" "No wonder you got cast as a retard." "He is one."