"I did." "I did." "I-I-I thought I was a cat." "Ooh." "well, kind of, kind of." "I-I identified with cats." "well, I kind of did." "I wonder why that was." "They make sure you try to stroke them." "Is that right?" "So maybe I was a sad cat." "Was I a sad cat?" "Because I wonder." "Yeah, yeah, yeah, I wonder about cats." "truly, I did." "I did." "I did." "I did." "`Cause I was a fuddy-duddy." "Fuddy-duddy." "I kissed them all." "Kissed them." "I will always kiss cats." "always did." "If a cat`d let me kiss it, I`d kiss it." "You know, if I see a cat on a f ence, I`II kiss it." "always, always." "I will, didn`t I?" "Ooh." "Lif e`s a perpetual risk, isn`t it?" "That`s right." "I think it is." "Because the point is, I was diff erent in those days, wasn`t I?" "I was." "I was." "I was." "I`ve got" " I`ve got to be diff erent again." "Diff erent again." "But can a leopard change its spots?" "Who knows?" "Ooh." "It`s a blood sport." "I think it`s a blood sport." "It`s true." "It seems to be true." "Or is it a blank?" "Bit of a scrabble." "Hoo hoo." "You`ve got to put all the pieces together." "See if you can make a word." "Ho ho, that`s very-- That`s very funny." "It`s a mystery." "It`s a mystery." " Bye." " Take care." "Bye-bye." "We`re closed." " What`s the problem, mate?" " Sorry, sorry, sorry, sorry, mate." "I`m the problem." "I think I`m the problem." "Oh, such a problem." "And wet!" "Oh." "But it`s not an ideal world." "Is it an ideal world?" "I mean, we just have to make the most of it." "This is the way we find it, isn`t it?" "Yeah, yeah." "But I mean, it`s more ideal than it was because..." "I mean, you know, I mean we`re privileged, we`re privileged." "We`re privileged, aren`t we, because not long ago people would be burned to a stake." " WouIdn`t they, Moby?" "Moby, yea!" " No, no." "It`s Tony." "Hey" "Tony, Tony, Tony." "Not Moby." "Tony, Tony, Tony." "Who am I, Tony?" "Who knows Tony?" "I don`t know myself." "Ahh!" "I`m David." "I`m David, Tony." "I`m David." "How does that sound?" " Hi, David." "How can sylvia help?" " sylvia." "Is it sylvia?" "sylvia!" "Ah, hi, sylvia." "pleased to meet you, sylvia." "Oh." " Schubert, Schubert, Schubert, wasn`t it?" "He said, "Who is sylvia?" "What is she?"" " What- `Course he did." "`Course he did." "What can we do f or you, David?" "Do f or me." "Do f or me." "What" " Ahh" " Got to" " Got to" " I got to stop talking." "Got to stop talking." " It`s a problem, isn`t it?" "It`s a problem." " No, no, no." "It`s all right." " You just tell sylvia why you`re here." " Oh, well, ah, it`s a mystery." " Are you lost?" " It`s a mystery." "Am I lost?" "Perhaps that`s it." " Yes?" " Perhaps I am lost." "I`m lost." "How does that sound?" "How`s that sound?" "Oh, is that your piano, sylvia?" "beautiful sylvia." "Oh, isn`t sylvia beautiful, Toby?" "Not Toby, Tony." "Tony." "You`re Tony." "You`re beautiful too, Tony." "Oh, perhaps I couId play it." "could I play it?" "could I play it?" " You say." "You say." "You say." " Oh, Iike hell, baby." "Go on." " Shut up, Sam." " hell, baby." "Whoa ho, the devil." "DiabIerie." "Oh, Sam." " David." "David." " Get out of here." "Go on." "sylvia, sylvia, sylvia, sylvia, sylvia, sylvia." "You just te" " You just tell us who you are and where you live." "could I play?" "Live, live, live, sylvia." "Live and let live." "That`s important, isn`t it?" "molto, molto." "But then again, it`s a lif eIong struggle." "Isn`t it, sylvia?" "Tony." "Tony." "Tony." "Tony." "sylvia." "To-To survive." "To-To live." "To survive." "To survive undamaged and not to destroy any living, breathing creature." "I mean, the point is, if you do something wrong, you can be punished the rest of your lif e." " So I think it`s a lif eIong struggle." "Is it a lif eIong struggle?" " Yes." "I mean, whatever you do, I think it`s a struggle." "A struggle." "A struggle to keep your head above water and not get it chopped off." " I`m not disappointing you, am I, sylvia, Tony, Tony, sylvia?" " Oh, no." "Oh, get off!" "HeIf gott!" "What a name." "Sorry, sylvia, I sound like a donkey." "HeIf gott. "With the help of God."" "That`s what it means, sylvia." "How`s that?" "You see, Daddy`s daddy was really very religious." "Very-Very strict and-and a bit of a meanie." "But he got exterminated, didn`t he?" "So God didn`t help him." "That`s not very funny, sylvia." "It`s very sad, really." "I`m callous, Daddy said." "CaIIous." " CaII" " And a bit of a meanie." "Sorry, sylvia." "I`m not damaging you, am I?" " No, no." "I mustn`t damage sylvia." "The point is" " The point is, perhaps I haven`t got a soul." " What makes you say that?" " Daddy." "Daddy said so." "He says there`s no such thing as a soul." " Oh, that`s ridiculous." " ridiculous." "You`re right." "I`m ridiculous." "sylvia, Tony." "I`m callous, Daddy said." "CaIIous, callous." "Ah, ridiculous and callous." "Because it was a tragedy." "A tragedy." "A very ridiculous tragedy." "I`m gonna win." "I`m gonna win." "Gonna win." "I`m gonna win." "David`s going to play the piano f or us." "Aren`t you, David?" "Yes." "What are you going to play?" "David?" " David, what are you going to play?" " Excuse me." "Chopin`s PoIonaise." "Excuse me." "This is a disgrace." "The piano!" "The piano!" " It`s a disgrace." "The piano." " This kid`s good." "He`s great." "He`s my son." "My son." "Here they come." "Did he win or lose?" " Margaret?" " He lost." "Now we`II cop it." " It`s your turn." " Eh?" "It`s your turn, Daddy." "Ah, Iet me see." "Let me see." "Let me see." "You`re losing." "You`re losing." "You`re losing." "David, always win." "always win." "You know, when I-- when I was a boy your age," "I bought a violin, a beautiful violin." "And I saved f or this violin." "And you know what happened to it?" "Yes." "He smashed it." "Yeah." "He smashed it." "David, you`re a very lucky boy." " My f ather never let me have music." " I know." "You`re a very lucky boy." "Say it." "I`m a very lucky boy." "Very lucky." " Now shall I play f or you?" " No." "Pick up those pieces." " Bet I couId`ve won." " You`d have been too scared." " Shh!" "David!" "Shh." "Listen." "Have a listen." "Margaret!" "I told you, tell your friends not to come." "hello." "Daddy, there`s somebody here." "hello." "I hope I`m not interrupting." "Uh, Ben Rosen." "I was one of the judges." " Yes?" " You left bef ore all the prizes were announced." " You were very good this afternoon, David." " Thank you." " He can play better." " well, maybe he was a little too good." "Some people don`t like that." "We, ah, we gave him a special prize f or his courage." " It was a difficult piece you chose, David." " Daddy chose it." "well, even great pianists think twice bef ore tackling the polonaise." " A prize f or losing?" " I wouIdn`t call him a loser." "They aII" " They all play." "well, I`m quite sure David could win lots of competitions with the right tuition." " My card." " I teach him." " Yeah, you`ve obviously done very well." " Yeah." " No one taught me." "No music teachers, Mr Rosen." " No, of course." "It`s just, a" " It`s just, a f ew bad habits can sometimes mean... the diff erence between winning or losing." "well, perhaps you`d, uh, Iike to think about it, huh?" "The Rachmaninoff?" "It`s beautiful." "You" " You taught yourself?" " From the record." " Ah, yeah." "It`s" " It`s very difficult." "It`s very difficult." "It`s" "It`s the hardest piece in the world, you know?" "will you teach me?" "You know, one day you will play it." "You will make me very proud." "Very proud." "Won`t you, David?" "Yes." "And, uh, next time... what are we going to do?" " We`re going to win?" " We`re going to win." "Yes." "So... good night." "Good night, Daddy." "Come." "Come, come, come." "Don`t touch it." "Don`t touch." " Yes?" " Mr Rosen, I have decided I would Iike" "You teach David... this." "Rachmaninoff?" "Don`t be ridiculous." " But he can play it already." " He`s just a boy." "How can he express that sort of passion?" "You are a passionate man, Mr Rosen." "You will teach him, no?" "No." "I will teach him what I think is best." "Rachmaninoff is best." "But you`re his teacher." "I`II let you decide." "Thank you." " We`II start with Mozart." " Mr Rosen..." "I can`t aff ord to pay." " Come on, David." "SyIvia`s getting wet." " Oh, sorry, sylvia." "Sorry." "Bye-bye, Tony." "Bye." "See you later." "Oh, it`s raining cats and dogs." "Dogs and pussycats!" "Oh, look out!" " You`II be all right, then, David?" " Oh, I`m fine." "I`m fine." "I`m fine, thank you." " This is it." "Home sweet home." " Oh, you can play." "Oh, kind of, kind of, kin-kind of play, k-kind, sweet sylvia." "Chopin, sylvia." "Chopinzee!" "The pole." "PopoIski." "Like Daddy and-and his f amily bef ore they were concentrated." " How long have you been here, David?" " Oh, golly, I don`t know." "A f ew years, I think." "Eons, I suppose." "How does that sound?" "And Schubert." "Schubert." "Nothing wrong with Schubert, of course." "Except syphilis." "Was it syphilis?" "I think it was." "And then he got typhoid on top of that, so that was the end of him, wasn`t it?" "We lost him." "That was a bit careless of us, wasn`t it?" "We lost him." " So you`re back?" " Didn`t live to swim another day." "Oh, Jim, Jim, Jim, Jim." "I`ve been a naughty boy." "Was I been a naughty boy?" "I`ve been a naughty boy." "I was about to send out a search party." "Oh, a party." "I won`t be invited again." " will I, sylvia?" " Came in my restaurant and seemed a bit lost, so" " How`s that, sylvia?" " A party." "A celebration." "A fiesta." " Oh, he`s very good at that." " Thanks f or bringing him home." " We`II have a party tomorrow." " Bye, David." "It`s time f or wine." "A very fine time." "A Mardi Gras and a nice, long cigar." "The winner and our youngest-ever state champion, David HeIf gott." " Rosen, we won!" "We won!" " Thanks to Mozart." "Hmm?" " And now he can play Rachmaninoff." " Oh." "And now to present David with the prize money, our very special guest from America..." "ladies and gentlemen, currently on tour in australia, Mr Isaac Stern." "Isaac" " Isaac Stern." " You have a very special talent, David." " Oh, th-thank you." "Thank you, Mr Stern." "Uh, so do you." "How much are you prepared to give to your music, David?" " Ah, h-how much?" " David, everything." "Everything." " Shh." "Ah, ah, ah, everything." "But, uh, I do like tennis and, uh, chemistry too." "And do you play tennis as well as you play Mozart?" "Uh, I" " I just play, uh, up against the wall at home." "I, uh, I bounce the ball against the wall, mainly." "How`d you Iike to go to a special school in the States... where music bounces off the walls?" " A-America?" " You know, Iand of the free, home of the brave." " Mickey Mouse?" " Ladies and gentlemen, what an honour f or our young state champion." "An invitation to study in America." "And now, all the way from America..." "David HeIf gott!" " Thank you, thank you." " He`s not from America." "But he`s going to America." "And when he comes back, he`II be coming from there." " Won`t you, David?" " Oh, I suppose so." " Margaret!" "No, I have no money to send him to America." "well, uh, we`II raise it." "What?" "Bar Mitzvah." "David hasn`t yet had his Bar Mitzvah." "religion is nonsense." "It`s also a gold mine if you know where to dig." "And then one day, I-I`II play with an orchestra." " Wow." "Can I come when you do?" " You can ride in my cadillac." "Where are you gonna live in America?" "With a nice Jewish f amily, they said." " This is not a nice f amily?" " Oh" " Oh, yes, Daddy." " It`s very nice." " You`re very lucky to have a f amily, David." "I`ve got to go." "It`s one of the finest music schools in the world." " It is f or his f ather to decide." " He would be well looked after, I assure you." "rachel, please." "David could be one of the truly great pianists." "He is just a boy, Mr Rosen." "He still wets his bed." " Take this one, the brown one." " What did you" " What did you do" "You see how fit I am, how strong?" "Show me where the lion scratched you when you worked in the circus, Daddy." "Oh, yes." "Come." "Come." "Up, up, up, up, up." "Up-up-up-up-up." "Yeah." "That what happens when you get too close to the bars, eh?" "David?" "David, come." "Come." "Hit me." "Okay, hit me." " Yeah." "Yeah, yeah, yeah, yeah, as hard as you can." " Me!" " I want to hit you, Daddy!" " You too." "You too." "You too." "As hard as you can." "You see, a man of steel." "No one can hurt me, because in this world, only the fit survive." " The weak get crushed like insects." " Like grasshoppers, Daddy?" "believe me, if you want to survive in America... you have to be fit and strong." " Like you, Daddy?" " Yeah." "Yeah." "Like me." "Yes." "Oh, yeah." "That`s good." " See you next week, David." "Don`t f orget to study." " Thank you, Rabbi." "Mr HeIf gott, it is exciting, isn`t it?" "David, the Lord Mayor is dying to meet you." " Peter." " Mr Rosen." " Ladies and gentlemen, can I have your attention, please?" " Thank you." " No, thank you." "I would Iike to thank our wonderful Lord Mayor f or establishing this fund... to send David to America." "And now, to play f or us, our very own David HeIf gott." "We have had it tuned." "I`m sure you`II find it" "These people are a disgrace." "They think they are so important." "What do they know with their furs and their diamonds?" "It makes me sick to the stomach." "And Rosen-- What kind of man is he?" "He`s not married." "He has no children." "Don`t ever talk to me about Rosen." "He only wants f or David the same as you have always wanted." "Don`t ever compare me to him." "What has he suff ered?" "Not a day in his lif e." "What does he know?" "Does he know about f amilies?" "About how your sisters died?" "And my mother and f ather?" "Thank you." "Thank you, David." "Thank you, Comrade HeIf gott." "Your son is a credit to you." "On behalf of the Soviet Friendship Society, we applaud you." " Honoured to know you." " Meet Katherine Pritchard." " You play beautifully." " Ah, thank you." " My name`s Sonia." " Oh." "I-I`m David." "I know who you are." "You`ve got the most wonderful hands." "So do you." "So, um, are you-- You`re going to America?" " That`s right, yeah." " One day, you`II-- you`II go to Russia too." "Why not?" "David!" "Ah, I-I`m here." "There`s someone important who wants to meet you." "I`d better go." "I`ve never met anyone who plays the piano as beautifully as you, David." "I`ve never met a writer bef ore, Mrs Pritchard." " You must be very proud of him." " As proud as a f ather can be." " I have a Iong-suff ering old piano at home." " Ah, a suff ering piano?" "From neglect." "Perhaps you`II come and play it f or me one day." "Oh, yes." "Anything to help." "I`d like that very much." "Me too." "Your attention, comrades." "I wish to propose a toast." " That`s my cue." "Excuse me." " To our f ounder and very special guest this evening, Katherine Susannah Pritchard." "You will learn much from this old woman." "She has been to Soviet Union, you know." "Am-America!" ""We`ve been inf ormed of your exceptional talent..." ""and can only say how privileged we f eel to have you come and stay with us." ""We`re sure you`II f eel very much at home here..." ""and you`II be pleased to know we`re having the Bosendorf er tuned especially." " We eagerly await your `innement` arrivaI--" - "Imminent," Dopey." "I wonder if they`ve got a cadillac." ""Imminent arrival and look f orward to hearing you play f or us." "Kindest wishes, Simon and Basha MickIeburg."" " Read it again!" "Read it again!" " Shush!" "You`II wake the baby." ""You`II enjoy the company of our parakeet and our poodle, called Margaret."" "Pig!" "It is not!" " Pig!" " It is too!" " Enough!" "Enough." "Turn it off." "Give me the letter." "David is not going anywhere." "Daddy?" "What are you looking at, you f ooIs?" "He`s not going to America." "I won`t let anyone destroy this f amily!" "please, Daddy, don`t!" "I know, David, what is best, because I`m your f ather." "I`m your f ather, and this is your f amily!" "David!" "David, come back!" "Come back!" "I know what`s best." "believe me." "close the door!" "Mr Rosen!" "Mr Rosen, please, it`s David!" "Mr Rosen!" "Time to get out, David." "It`s my turn f or the bath." "Are you f eeling better now?" "Have you stopped shivering?" "You know, the bath is always the best, David." "always the" "You disgusting animal." "To shit in the bath." "To do this to me." "You disgusting animal!" "Peter." "I know you can hear me." "Don`t do this to David." "You mustn`t stop him going." "Peter!" "Whatever you do, don`t you dare inflict bloody Rachmaninoff on him." "He`s not ready." "David... my boy... it`s a terrible thing... to hate your f ather." "You know, Iif e is cruel." "But-- but music" "Music, it will always, always be your friend." "Everything else will let you down." "In the end, everything." "believe me, everything." "Don`t hate me." "Lif e is cruel... but you have-- you have to-- you have to survive." "You have to survive." "Say it." "You have to survive, Daddy." "You have to survive." "David... no one... will love you Iike me." "You can`t trust anyone." "But I will always... be there." "David, give me a hug." "I will always be with you, f orever and ever." "Forever and ever, Daddy." "Each time you play f or me... it expresses so completely the... inexpressibIe." " Is that good?" " It`s divine." " InexpressibIy divine." " Er, quite." "tell me a story, Katherine." "What`s the story today?" "A new story." "Drops of water?" "Ah." "Raindrops?" "Yes." "Raindrops." "Perf ect!" "I shall treasure this till the day I die." ""To you, all these wild weeds..." ""and wind flowers of my lif e..." ""I bring, my lord, and lay them at your f eet." ""They`re not frankincense or myrrh." ""But you are Krishna, Christ and Dionysus... in your beauty, tenderness and strength."" "That was our final contestant, David HeIf gott... with a very stirring Rachmaninoff." "well, what a close contest we have... with the national Championship almost certain to go to one of the two pianists." " Bravo, David." " I daresay, it`s going to be difficult... f or the judges to separate them." "Either one, a worthy winner." "The judges are now conf erring." " It`s a tough game, isn`t it, Roger?" " It`s a blood sport." "Ladies and gentlemen..." "I`m pleased to announce the winner of this year`s..." "instrumental and vocal Competition." "Our new national champion is..." "Roger Woodward." "W-What was he like, Katherine?" "Your f ather." "He was f orever busy in his study." ""Go away, Kattie, I`m writing," he`d always say." "One day, oh, I was very young..." "I got so annoyed... that I upset the ink pots all over his desk... and scrawled on his work, pages of it." "When he saw it, he just stood there, seething with anger." "I couId f eel it." ""What are you doing?" he shouted." "well, there was this terrible silence." "And I just stared at him and said, "Go away, Daddy." "I`m writing."" "He ran at me, and he picked me up... and he cuddled me breathless." "My first literary eff ort, he always called it." "David, what is it?" ""royal college of Music."" "A scholarship." "Oh, David, that`s marvellous." "Daddy won`t cuddle me, Katherine." "Oh, no." " He can`t stop you, David." " He`s such an angry lion, Katherine." "Oh, nonsense." "He`s a pussycat." "I`II miss you." "These were f or my son, but you better have them." "It gets very, very cold in London." "David?" " Where have you been?" " Um, I missed the train." "That Pritchard woman." "What is this?" "The gloves." "Look at me." "Look at me!" "And you think you can just do as you please?" "Huh." "I-I-I wanna go, and, um, you-- you can`t stop me." "What?" "I`m your f ather... who has done everything f or you!" "Everything, you cruel, callous boy!" " Mum!" "Margaret!" "Mum!" " Stupid, stupid boy!" " Mum!" " Leave him!" "Leave him!" " please leave me alone." "No, no, no, no, no." "Let him go." " If you want to go, go!" "Go!" "Go!" " I`II call the police!" " Go!" "Go!" "Go!" " Stop it!" "Leave him!" "He`s all right." "Are you all right, David?" "Are you all right?" "Yeah?" "Come on, David." "He`s all right." "I`m old enough to make up my own mind." "He-He thinks he`s going to London." "I`ve been accepted into the royal college of Music." "What do you think is going to happen to you in London?" "David, if you go... you will never come back into this house again." "You will never be anybody`s son." "The girls will lose their brother." "Is that what you want?" "You want" "You want to destroy the f amily?" "I`m so" " I`m sorry." "David!" "David, if you love me, you will stop this nonsense." "You will not step out that-- that door." "David, if you go... you will be punished... f or the rest of your lif e, my David." "Don`t go." "Sorry." "I`m sorry." "David!" "Don`t make me do it!" "He has the most f antastic hands." "Not connected to anything above his shoulders." " Oh, he`s a bit fragile, certainly." " Chopinzee." "I`ve seen enough to suggest that he could make the finals in the Concerto trials." "And what have you seen, CeciI?" " Moments of genius." " Genius?" "really." "Come on, David." "boldness of attack." " Oh." "Whoa!" "Whoa." " DiabIerie." " The devil, David." " Mustn`t break the piano." "Liszt broke plenty of strings." "Right, right, right, right." "Come on." "fill in f or this useless arm of mine." "The notes first." "The interpretation comes on top of them." "On top." "Yes, yes, yes." " You agree, do you?" " Oh, yes." "I-I always agree, Prof essor." " Is that wise?" " I-I don`t know." "Is it?" "Don`t f orget, it`s on the page." "Yes." "well, the-- the notes are on the page." "But, ah, n-not the f eeling." "The emotion." "That`s" " That`s what I f eel." "You mustn`t sacrifice everything to emotion." "It`s all a question of balance." "Ah, yes." "Is that the question, Prof essor?" " precisely." " Ah, ah." "I thought so." "That`s what I thought." "Mr HeIf gott, your allowance cheque!" "Thank you, Mr Wright." "Sorry, sorry, sorry." "Oh, I`II-- I`II just stand still if you Iike." " Be careful, David." " Oh." "Oh, by all means, Sarah." " You look lovely today, Sarah." " Thank you, David." " You too, MurieI." " Ease up, HeIf gott." "Hmm?" " Ah" " Sarah!" " David, you missed the bank." " Pity." "You`II have to wait until tomorrow." " Can`t bank on the bank." " We know someone who can cash it." " Oh, d-do we, Robert?" " What are friends f or?" "So bef ore this dance has reached the end" "To you across the floor" "My love I`II send" "I just hope and pray" "That I`II find a way to say" "Can I dance with you" "Got to concentrate, K-- Got to concentrate, Katherine." "Gotta practise, practise, practise because... there`s three important things Prof essor Parkes says, and that`s work, work, work." "And-And-And, uh, so that`s what I have to do, isn`t it... if I-- if I`m gonna m-- uh, make the finals to the Concerto medal... because th-the winner of which gets to play at the royal albert hall... which is right outside the window." "So I-I bought a piano, Katherine... a-a-a beautiful piano." "It`s a suff ering piano, Iike yours." "Uh, I-I-I wrote to Daddy, so, uh, that`s, uh, a positive." "It`s" " It`s a positive, isn`t it, because, weII" "It seems to be, because he didn`t write back." "But, um" "Now how on earth did we manage to get into the finals, dear David?" " You`re a conductor`s nightmare." " It`s" " It`s true." "It`s true." " And what`re we gonna do?" " We`re gonna win, ashley, Robert." "We-We`re gonna win." "Rachmaninoff?" "Are you sure?" "well, uh, kind of." "I`m-I`m never really sure about anything, Mr Parkes." "The Rach` 3." "It`s monumental." "It`s, er, it`s a mountain." "It`s the hardest piece you could "Everest" play." "well, no one`s ever been mad enough to attempt the Rach` 3." "Am I mad enough, Prof essor?" "Am I?" "Think of it as two separate melodies jousting f or supremacy." "The hands, giants." "Ten fingers each." "Perf orming`s a risk, you know." "No saf ety net." "Make no mistake, David." "It`s dangerous." "people get hurt." "You have to Iearn to be able to play it bIindf oIded." "The page, f or God`s sake!" "The notes!" "I`m sorry I was, uh, f orgetting them, Prof essor." "would it be asking too much to Iearn them first?" " And-And then f orget them?" " precisely." "Just give me the fingering." "David." "Come on, my boy." "We`re going to rest muscles and fingers today." "Try to exercise the imagination." "First movement, Cadenza." "Let`s pick it up from, uh" "Your hands must f orm the unbreakable habit... of playing the notes so that you can f orget all about them." "And let it come from here." "The heart." "That`s where it comes from." "Don`t you just love those big f at chords?" "You have to tame the piano, David, or it`II get away from you." "It`s a monster." "Tame it, or it`II swallow you whole." "Coming along nicely, David." "Morning, Mrs Perkins." "Katherine." "I call this my little mausoleum, David." "Ah, Liszt." "Warts and all." "They made this after he was dead." "Poor Franz." "Dead as a post, eh?" "But you can still get these on the Left Bank, you know." "Quite cheap." "I`ve got Rachmaninoff in here somewhere." "Magnificent fingers." "So viriIe." "You know, I played the Rach` 3 f or him once." "really?" "Yes." "He said he could hear himself in my playing." "He said it seemed as if I had touched his soul." "It wasn`t so bad, was it?" " Not too bad at all, Prof essor." " Now it`s your turn, David." "Remember... once you`ve done it, nobody can ever take it away from you." "And you must play... as if there was no tomorrow." "Come on, David, don`t let me down." "How many moments of genius today, CeciI?" "hello?" "Who is this?" " hello?" " Daddy?" "Daddy, I`m home." "Daddy?" "hello?" "Daddy?" "Someone here to see you, David." "It`s me, David." "Suzie." "Suzie." "Suzie." " Do we know Suzie?" " Your sister, David." "Oh, sister Suzie." "Sister Suzie." "Thank you, sister." "Sister nurse." "Sister Suzie." "David, I won`t be able to come and visit so often." "N-Not so often, sweet-sweet, soft Suzie." "Not so often." " I`m going to live in melbourne." " Oh, that`s a trick." "Don`t tell Daddy." "The milk, the milk." "Mustn`t cry over spilt milk." " Ah, well, what can you do, Margaret?" "What can you do?" " Margaret`s in israel, remember?" "I remember Margaret." "She called me Dopey." "Or was it a pig?" "It was a poodle." "It was a poodle." "It was a poodle." "It was all very complicated, wasn`t it?" "CompIicato in israel." "It was" " It was a battleground, war zone." "It was a war." "It was a war." "Such a bore." "Such a bore." "It was a war." "It was a war." "It just destroys everything really, doesn`t it?" " David." " That`s right, nurse." "That`s right." " I knew I`d find you here." " Oh, I`ve been a naughty boy again, haven`t I?" "I-I`ve misbehaved, haven`t I, nurse?" "I think I have." "That`s true, isn`t it?" " Come on, David." " I-I might get into trouble." "I might" " I might get punished f or the rest of my lif e, because I`m flawed." " I`m-I`m f ataIIy flawed." "That`s right, isn`t it?" " Oh, you silly sausage." "Because it-- it`s f-f-f orbidden fruit." "The doctor said it`s f orbidden fruit." "`Cause the thing is, he was-- he was-- He-He didn`t approve, did he?" "He didn`t approve." "He was-- He was very disapproving." "Oh, was he ever disapproving." "They`d all scuttIe away and they`d all leave me there." "Oh, so you can read music?" "Oh, kind of." "Kind of." "Perhaps I`m just turning over a new leaf." "Oh, but that`s all right, isn`t it?" "My name`s BeryI AIIcott." "What`s yours?" "AIIcott." "AIIcott." "Oh, that sounds a Iot like my name." "HeIf gott." "That`s my name, beryl." " HeIf gott?" " That`s right." "ridiculous, isn`t it?" "It means "with the help of God." It`s ridiculous, isn`t it?" " I Iove this tune." " What`s your first name, Mr HeIf gott?" "ridiculous, isn`t it?" "Oh, yes, first things first, beryl." "Uh, David." "I`m David." "I`m David." "How`s that sound?" " You`re David HeIf gott?" " That`s right, beryl." "That`s right." " That`s right." "That`s right." " But I used to watch you win all those competitions." "Oh, win some, lose some." "You can`t lose them all." "It`s not your f ault." "I was quite a f an." " Do you still play?" " Oh, I mustn`t." "The doctor said I mustn`t." " It`II all end in tears if I misbehave." " You mustn`t?" "I mustn`t harangavate the doctor." "I mustn`t." "That`s right." "That`s right." "Is-Is that right?" "I think it`s right, be-because it might damage me." "The doctor said it might damage me because it did a Iong time-- a Iong time ago." "Once bef ore." "Long, long, long, long time ago." "That`s the story, so what can you do?" "Let`s see you play, beryl." "Come on, you play." "boldness of attack." "Oh, that`s good, beryl." "That`s good." "Oh, very good left hand." "Very good left hand." "The point is, you see, you`ve got to share and care and care and share and just behave." "That`s right, isn`t it, beryl?" "That`s right." "That`s right." "Yes." "Oh, this is going to be a stylish marriage." "This is" " Ah, it`s a stylish marriage, beryl." "It`s a stylish marriage." "Oh, that`s very good, beryl." "Very good." "Oh, it`s very good." "Oh, it`s very good." "Oh, press those pedals." "Oh, we`re on the bicycle, beryl." "We`re on the bicycle, beryl." "pedal, beryl." "pedal." "What goes on in his head?" "God only knows." "He`s pretty confusing at the best of times." "It`s a complex disorder." "He kind of lives in his own little world." " Poor lost soul." " Mmm." "He`s a sweetie." "He could leave tomorrow if he had somewhere to go." " Come along, David." " BeryI, beryl, beryl." " David, you know I can`t abide smoke?" " Oh, sorry, beryl." "Sorry." " What are you doing?" " I`II walk." "I`II walk." " But you don`t know the way." " I`II f ollow you." "How does that sound?" "Oh!" "It`s all right." "Get in, David." "Oh, God bless you, David HeIf gott." "How`s this, beryl?" "Is this all right?" " Is that you, nurse?" " It`s all right, David." "I`m here." "Oh, here, here, never f ear." "Oh, but where`s the nurse?" "Where`s the sister, beryl?" " This is where you live now, David." " Oh, that`s right." "I`m fine." "I`m fine." "I`m fine, aren`t I, Daisey?" "Daisey BeryI Daisey." "This is where David HeIf gott really gets back on the rails." " Oh, that`s the story." "That`s the story." " No." "Oh, that`s good, beryl." "Oh, don`t you just love those big f at chords, beryl?" "The botanical Garden`s just down the road." "Nice walk." "You`II be able to come and go as you please." "Mr Minogue`s a lovely man, a real Christian gentleman." "I know you`re going to like him, David." "And guess what?" "You`II even have your own piano." "Very, very, very f eathery." "Very f eathery." "Very light." "Stop it, David!" "Shut up!" "Good morning, David." "Wakey-wakey." "Rise and shine, it`s breakf ast time." "I think it`s about time we gave that piano another rest, eh, David?" "Here, sign your cheque." "Ah, look at you." "You should get out and exercise." "Ah, exercise." "Yes, that`s right." "Get some fresh air into those lungs of yours, David." "Be-Because the weak get crushed like insects, don`t they?" "Like grasshoppers." "Oh, thank you, thank you, thank you." " I hope you enjoyed the music." " It was great." " Bye." " See you soon." "We`re closed." "sylvia, your stray dog`s back." " You want me to get rid of him f or you?" " No." "I`II handle it." "Hey, baby, what about a tune?" "A tune, baby." "Sure." "No worries." "No worries." "Bravo." "Bravo." "Encore." "Oh, sock it to us, Liberace." "That`s enough." "David?" "Fantastic!" "Thank you." "Thank you." "Two more when you`re ready, mate." "Thank you." "Thank you." " Oh, a hot one." "A live one." " Hey, hey, give us Beethoven`s Fifth." "Sure, babies." "No worries." "Symphony or concerto?" "I played quite well tonight, didn`t I?" "I played quite well." "So, I" " So, I deserve a bit of a snack-- a bit of a snack." "You say" "hello, David." "hello, Daddy." "H-HeIIo." "Are you f eeling well?" "well, well, well, well." "Th-The thing is th-the lid." "I can`t" " I can`t" " I can`t open it." "There`s something wrong with it." "What could be wrong, David?" "Oh, it`s-it`s a mystery." "It`s a mystery." "close it." "Give it to me." "I`II show you." "Hmm." "Here." "You see..." "how easy it is?" "CouIdn`t be" " CouIdn`t be easier." "That`s right." "CouIdn`t be easier." "David." "Here." "Here." "Look at me." "You are a lucky boy, David." "That`s true." "That`s true." "It seems to be true." "PeopIe" "people say that-that-that-that-- They think that" "David, get to the point." "Yeah, I`m a very lucky boy." "No one will love you Iike me." "No one like me." "You see... do you realize what f or an opportunity you have here?" " Opportunity of a lif etime." "That`s right, Daddy." " David." "When I was a boy..." "I-I bought a violin." "beautiful violin." "I saved... f or this violin." "Now, you know what" "What happened to it?" "You know what happened to it?" "No." "What happened to it, Daddy?" "I don`t" " No idea" "What happened?" "I`ve got no idea." "The-The thing" " The thing is, you`ve got to be" " You`ve got to be fit to survive, haven`t you?" "To stay alive." "That`s right, isn`t it?" "Good night, Daddy." " Where are the kids?" " Oh, around somewhere amusing themselves." "Oh, I must warn you." "I`ve got someone staying on weekends." " But not another Scorpio, is he?" " Oh, very funny, gills." "He`s a child prodigy." "David?" "Oh, thanks." "It`s a madhouse." "David?" "Is that the water running?" "David!" "David." "David?" "Where in God`s heaven is he?" "Mum!" "Mum!" "David`s been on f or an hour straight!" " He`s so cool!" " David?" "Is that you, Doctor?" "There`s no more hot water, sylvia." " Where does it go?" " David, I want you to meet someone." "There`s no more hot water, sylvia." "It`s all gone." "AII gone." "AII gone." "Where does it go?" "Who can say?" "I don`t know." "Where-Where does hot water go?" "GiIIian" " GiIIian`s a very dear friend of mine." " Oh, a friendly doctor." "I f eel better already." " I`m pleased to meet you, David." " No, she`s not a doctor." " Oh, not a doctor, sweet sylvia." "Not a doctor." " No, no." "She`s an astrologer." " Oh, a specialist." "A heart surgeon." " She`s from Sydney." " Oh, an open-heart surgeon." " Don`t be ridiculous." " Oh, I`m ridiculous." "I`m ridiculous, aren`t I?" " GiIIian." " GiIIian, that`s it." " If you`re lucky, gillian might do your chart f or you." " Oh, would she, sylvia?" "would she?" " You will, won`t you, gillian?" " Of course I will, David, yes." " What sort of chart, sylvia?" "What sort of chart?" " An astrological chart." " Oh, the stars, the stars." "I Iove the stars." "astronomical variations." " And the planets." "Oh, the planets." "I mustn`t f orget the planets." "Of course." "Of course." "Mercury and Neptune and so f orth." "Oh, the Music of the Spheres." "The music" " If music be the f ood of Iove" "Oh, very gastronomicaI, isn`t it, gillian?" "Oh, the f ood of love." "It is, gillian." "Oh." "What`s he like when he gets to know you better?" " So, what does he do?" " Ah, he`s an investment advisor." "That`s how I met him." "Oh." "So f ar so good." "How serious is it?" "Oh, come on, gills." "On a scale of one to ten." "I`II take that as a ten." "When`s the happy day?" "Ah, you know me." "I hate to rush into things." "I won`t kiss you." "Oh, Trish, Trish, Trish, Trish." "lovely, gorgeous hair." "blondes have more fun, don`t they?" "They have more fun." "Of course they do." "Of course they do." "There you are, Doctor." "Oh, got to get to my room." "Got to get to my room." "Oh, good night, Lucy." " Mind if I come in?" " Oh, hello, Doctor." "Entree." "Entree." "Entree." "Where will I put these?" "Oh, sorry." "It`s not your f ault, not your f ault." "It`s amazing." "It just seems to be getting bigger." "It`s amazing who you find, isn`t it, when you`re not even looking?" "But there he is." "There he is." " Who?" " Roger." "Roger." "Roger." "Roger." " Oh, Roger Woodward." " Oh, Roger, Roger." "Yeah, he`s-he`s a winner." " He`s a winner." " You`ve got one going already." "He`s-He`s-He`s a big hit." "He`s a big hit." "Big hit." "Oh." "Oh." "One`s-- One`s more than enough." "Yeah." "I really loved your playing." "Did you?" "Did you?" "It was all right?" "Oh, do you write music as well?" "Oh, no." "One, two, three." "Oh, that`s the Rach` 3." " That started out being a letter." " A letter, gillian?" "Yes, I think" " I think it was." "I think so." "It seems to be true." " "Dear Prof essor CeciI, royal college."" " Of Music." "royal college of Music." " Yeah, that`s a mystery." "That`s a mystery." " What is?" "well, he only had one arm, you see." "It was a stroke-- stroke of bad luck." " Poor thing." " Yeah." "Poor, poor pussycat." "Poor, poor pussycat." "He was" "His-his paw was damaged beyond repair." "He wasn`t able to do a thing with it, you know." "He was" " He was a sad, sad pussycat." "He was" " He was damaged." "And it was just-just bad luck really, wasn`t it?" " I`m not damaging you, am I?" " Oh, no." "Not at all." " What`s the matter, David?" " Oh, the matter, the matter, the matter." "well, it started out being" " But it`s a blank." "It`s a blank." "It`s a blank." "It was aII" " It was all such a Iong, long, long, long time ago, gillian." "So that`s the story." "What can you do?" "InexpressibIe." "InexpIicabIy inexpressibIe." "To express the inexplicable." "well, why don`t you tell me what you want to say?" "Oh, why not?" "Why not?" "Wh-What don`t I want to say?" "Oh, that`s a hard one." "No, it`s not hard at all." "Look. "D.E.A.R. Dear."" " That`s it." "That`s it." "That`s it." "Dear." "Dear." "Dear." "Oh, deary me." "Deary me." " Dear CeciI?" "cecil." " Parkes." "cecil was Parkes." "Mr Parkes." " Dear Mr Parkes." "He touched the soul of Sergei VasiIievitch himself with the Rach` 3 in D Minor." "So that wasn`t too bad, was it?" "It`s a hard piece." "Piece f or elephants." "EIephantine." " D-Dear Mr Parkes" " It`s all such a Iong time ago." "Such a Iong time, you know?" " It has been such a Iong time." " It has." "That`s right." "That`s right." "Such a Iong time, yeah." " And I" " Oh, and I-- and I hope-- Hope, hope, gillian." " How does that sound?" "Is that all right?" " It sounds pretty good to me." "And I hope you remember me a-and the Rach` 3." "I`m-I`m-I`m f eeling much better again now." "I`m f eeling much better again, aren`t I?" "And-And-And a-a-- I`ve started playing again." "well done, Roger." "Oh, yeah." "Oh." "That was good." " smile, David." " Come on." " I am, sylvia." " At the camera." "Here." "Here." " Oh." " Hooray!" " Time to go." " Oh, well, what can you do?" "What can you" "David, look on the bright side." "On the bright side." "The silver lining." " You`II see GiIIian again one day." " Yes." "Lif e goes on." " It does, it does." "Is that what it does?" " Yes, of course it does." " David, she has to go." " Oh, yeah." "little wriggIies to look after." "well, hardly." "No, my kids are all grown up." "It`s just little old me." "It`s just me too." "I never grew up." "I grew down." "Ha-ha!" "I`m a bit of a handfuI-- bit of a handful, gillian, aren`t I?" "softly." "softly." "softly." "softly." "will you marry me?" "well, it wouIdn`t be very practical, David." "practical?" "No, of course not." "Of course not." "But then neither am I, gillian." "Neither am I." " I`m not very practical at all." " You`II miss the plane." "It`s sweet of you, David." "I don`t know what to say." "The stars, gillian darling." "Ask the stars." " You`d better let her breathe, David." " Hooray!" "I won`t kiss you." "I won`t kiss you." " Sorry, darling." " That`s all right." "You made a noise." "You went, "Oh, David."" "Oh, no." "Poor RaveI." "Oh, poor Maurice." "He`s all unraveled, all unraveled." " It`s nearly time to get ready." " Poor, wet sausage." " Can I swim some more, darling?" " Oh, all right." "Ten minutes." "Do some Liszt." "Not a concerto." "Swim "La campanella." Oh, that should do it." "Oh, I`ve gone wrong, darling." "I`ve gone wrong." " Keep trying, darling." " I`m trying." "I`m very trying." "Page 37`s missing." "Oh, it`s the coda." "It`s the end." "It`s the beginning of the end." " I`II soak my hands." "I`II soak my hands." " David?" "Got ya!" "Your first concert in years and you wear odd shoes." " Oh, I`m a sausage." " You certainly are." " Sit!" "darling, up straight." " Oh, sit up straight." "Sit up straight." " We`II-We`II be in the car." " Sit up straight." "Sit up straight." "Sit up straight." " relax." "Oh, relax." "I must learn to relax." "Must learn to relax." "Perf ect." "Bravo!" "Bravo!" " Hi, darling." " Oh, they want an encore." "Do they, darling?" "They want some more?" " What are you going to do?" " I`m going to win." "Not now, darling." " I`II do some more." "I`II do some more." " Do some more." "What do you f eel?" "The thing is, I f eel nothing." "Nothing at all?" "well, I`m shocked, stunned and completely amazed." "How`s that sound?" "Perhaps it`s all my f ault." "Perhaps it`s me." "Perhaps I don`t know." "You can`t go on blaming yourself f or everything that`s happened." "well, you can`t go on blaming yourself." "That`s-That`s true, gillian." "And you can`t go on blaming Daddy, because he`s not here anymore." " But you are." " Oh, I am here." "That`s true." "Oh!" "And-And Iif e goes on, doesn`t it, gillian?" "Is that right?" "Is that right?" " Yes." " It does?" "It does?" "Forever and ever?" " No, not f orever." " No-No-No, never f orever." "Not quite." "Not quite." "But I mean, the point is, Iif e`s not all lamb loin chops, is it?" "But I mean, it goes on, and-and you just have to keep on going too, don`t you?" " I mean, you can`t give up, can you?" " certainly not." "Every time that blooming Saturn comes along and gives us a bit of a jolt." "Oh, it`s the stars, gillian." " Everything has its season." " Oh, it`s a mystery." "It`s a mystery." " There`s always a reason." " Oh, we just need to seize the reason f or the season."