"( loud mechanical sounds )" "( roaring ) m ) ( woman screams in fil" "AAH!" "( shouting )" "DR. DEATH, WHERE ARE YOU?" "LET'''S SMOKE HIM OUT!" "( crowd applauding )" "Crowd:" "OHH!" "Woman:" "HAPPY NEW YEAR, EVERYBODY!" "AND NOW, LADIES AND GENTLEMEN," "DR. DEATH HIMSELF-- PAUL TOOMBES." "THANK YOU." "WELL, MY FRIENDS," "YOU'''VE JUST SEEN THE FIFTH DR. DEATH EPIC," "IN WHICH I PLAY MANY PARTS," "ALL BRILLIANTLY, OF COURSE." "( laughter )" "Paul Toombes:" "IF DR. DEATH HAS BEEN A HIT," "IT HAS BEEN LARGELY DUE TO MY DEAR FRIEND HERBERT FLAY," "WHO GAVE UP A VERY PROMISING CAREER AS AN ACTOR" "WHEN HE FOUND OUT HE COULD WRITE SO WELL." "Toombes:" "I HAVE GOT SOMETHING VERY IMPORTANT TO TELL YOU." "AS YOU KNOW, IN DR. DEATH PICTURES," "THERE'''S ALWAYS A YOUNG AND PRETTY VICTIM." "SOMETIMES I, UM, STRANGLE HER," "SOMETIMES I BOIL HER ALIVE," "Y, AND SOMETIMES IF I'''M LAZ" "I JUST, UH, SLIT HER THROAT FROM EAR TO EAR." "WELL, TONIGHT I WOULD LIKE YOU TO MEET" "MY NEXT VICTIM--ELLEN MASON." "OH, I HAVE A TERRIBLE FATE IN STORE FOR HER. ( chuckles )" "I'''M GOING TO MARRY HER." "( crowd laughing, applauding )" "G-- NOW PAUL HAS EVERYTHIN" "SUCCESS, FRIENDSHIP..." "LOVE." "WELL, THAT'''S HOLLYWOOD FOR YOU, SWEETHEART." "HE'''S ON THE MAKE, SHE'''S ON THE TAKE." "ME." "YOU'''RE THE ONLY GIRL WHO'''S EVER BEEN ON THE LEVEL WITH" "( chuckles )" "EN." "HEY, KEN, I WANT YOU TO MEET ELL" "( piano playing )" "( chatter, laughter )" "Woman:" "PAULIE!" "WHAT A PICTURE, PAULIE." "YOU SURE SCARED THE PANTS OFF OF ME." "WHO HASN'' 'T?" "OH!" "AH HA HA!" "CONGRATULATIONS, ELLEN." "YOU'''RE MARRYING A FINE MONSTER." "MY, WHAT A LOVELY RING!" "ALL I EVER GOT WAS A STAKE THROUGH THE HEART." "YOU'''RE ALL HEART, FA YE. ( chuckles )" "NG." "COME ON, DARLI" "Man:" "HEY, PAUL, CONGRATULATIONS." "E. I HOPE YOU HAVE A LONG AND HAPPY MARRIAG" "H. THANK YOU VERY MUC" "Man:" "I'''LL SE E YOU LATER." "CLOSE YOUR EYES." "HMM?" "OH." "MMM..." "UL." "OH, DARLING, IT'''S BEAUTIF" "LOOK INSIDE, DARLING." ") OHH...( chuckles" "Oliver Quayl e:" "VERY CLASSY." "UH?" "MUST'''VE COST YOU A COUPLE OF PENNIES, H" ". I'''M GLAD TO SEE YOU FINALLY HELD OUT FOR MARRIAGE THIS TIME" "WHO'''S HE?" "THIS IS OLIVER QUAYLE." "ER." "Quayle:" "I'''M A PRODUC" "I MAKE ADULT FILMS FOR, UH, ART HOUSES." "ELLEN USED TO BE ONE OF OUR STARS." "ING SHE WAS ONE OF THE BES T WHEN IT CAME TO STRIPP" "AND GETTING DOWN TO THE HARD ACTION." "GET OUT OF HERE." "( chuckling ) I--I MEANT IT AS A COMPLIMENT." "SHE HAD SORT OF AN INTELLECTUAL APPROACH TO HER WORK." "SHE ALWAYS LIKED TO READ IN BED." "T?" "RIGHT, SWEETHEAR" "MS I MUST RUN SOME OF YOUR FIL" "IN PRIVATE, OF COURSE." "AND I'''D LIKE A LIST OF YOUR BEDSIDE READING." "PAUL, IT WAS A LONG TIME AGO," "AT THE START OF MY CAREER" "YOUR CAREER." "YES, OF COURSE , YOUR CAREER." "WELL, I CAN DO SOMETHING FOR YOUR CAREER." "I CAN KILL IT!" "PAUL... . VERY BEAUTIFUL , VERY EXPENSIVE" "I HOPE YOU DIDN'''T HAVE TO W ORK TOO HARD FOR IT." ") OH!" "( sobbing" "G ON?" "HEY, WHAT'''S GOIN" "THEY'''RE ALL ON THE MAKE-- ALL OF THEM!" "Toombes: "MY DARLING PAU L, ALL MY LOVE, ELLEN."" "( clatter )" "( rattle )" "AAH!" "HAPPY NEW YEAR , EVERYBODY!" "All:" "HAPPY NEW YEAR!" "( cheering )" "( crowd cheering in distance )" "( crowd singingAuld Lang Syne in distance )" "( distant singing continues )" "( singing louder )" "Toombes:" "ELLEN..." "DARLING, I'''M SORRY, I..." "I SHOULDN'''T HAVE SAID WHAT I DID." "AAH!" "Man:" "YOU'''VE HAD A BREAKDOWN." "YOU'''RE UNDER TREATMENT." "YOU'''RE BEING WELL LOOKED AFTER." "TRY TO REMEMBER..." "DID YOU DO IT?" "DID YOU DO IT?" "OW." "I..." "DON'''T KN" "DON'''T KNOW." "THAT WAS QUITE A FEW YEARS AGO." "THE CASE WAS NEVER SOLVED." "AFTER THAT, HE TURNED INTO SOME KIND OF WEIRDO  COULDN'''T TELL WHERE HE STOPPED AND DR. DEATH BEGAN." "THE POLICE USED TO FIND HIM" "WALKING UP AND DOWN SUNSET BOULEVARD" "IN HIS DR. DEATH COSTUME." "THEY FINALLY DRAGGED HIM OFF TO THE FUNNY FARM," "BUT BY THE TIME HE WAS CURED," "THERE WAS NO CAREER LEFT FOR HIM." "YOU DON'''T LIVE DOWN THE KIND OF HEADLINES" "HE WAS GETTING IN THE NEWSPAPERS." ""SEX ACTRESS MURDERED." "DR. DEATH ACCUSED."" ""DR. DEATH ACQUITTED."" ""DR. DEATH RETIRES."" "T. PERHAPS HE DIDN'''T DO I" "HE KILLED HER, ALL RIGHT." "S, OLIVER, I'''M IN PUBLIC RELATION" ". NOT CRIMINAL AFTERCARE" "ALL I'''M ASKING YOU TO DO IS COLLECT HIM OFF THE SHIP" "AND MAKE SURE YOU GET HIS PICTURES IN THE PAPERS." "U GO?" "WHY DON'''T YO" "NO..." "NO, THIS TIME I WANT TO MEET HIM ON MY HOME GROUND." "ARE YOU SURE THE PRESS WILL TURN OUT?" "ARE YOU KIDDING?" "HIS OLD MOVIES SHOW ALL THE TIME ON TELEVISION." "THERE'''S A WHOLE NEW CULT TODAY FOR DR. DEATH AND I'''VE GOT HIM." "I'''VE GOT DR. DEATH." "( ticking )" "( door opens )" "WHAT ARE YOU DOING IN HERE?" "I'''M ELIZABETH PE TERS, MR. TOOMBES." "THAT'''S NICE FOR YOU." "WHAT DO YOU WANT?" "YOU." "YOU'''RE THE ONLY MAN ONBOARD WORTH MEETING," "AND YOU NEVER COME O UT OF YOUR CABIN." "HOW DID YOU GET IN HERE?" "E. NOW I'''M HERE, YOU MIGHT BE SOCIABL" "OH, COME ON, GET OFF THE BED." "YOU'''RE GOING TO ENGLAND TO MAKE A TELEVISION SERIES, AREN'''T YOU?" "SO WHAT?" "NOW, GET OUT OF HERE." "WHO'''S PLAYING THE GIRL'''S PART?" "IS SHE CAST YET?" ". I HAVEN'''T THE SLIGHTEST IDEA" "NOW, COME ON, GET OUT." "SURELY YOU DON'''T WANT ANOTHER SCANDAL." "I MEAN, ANYONE COMING IN HERE" "AND SEEING US LIKE THIS WOULD JUST THINK ONE THING." "( knock on door )" "YOUR CHAMPAGNE, SIR." "HENRY, I DIDN'''T ORDER ANY CHAMPAGNE." "Y. NOW, TAKE IT AWA" "Henry:" "I'''M VERY SORRY, SIR." "THERE'''S BEEN A MISTAKE." "IT WON'''T HAPPEN AGAIN, MR. TOOMBES." "Toombes:" "SEE TO IT THAT IT DOESN'''T." "I JUST HAD THE ORDER TO BRING IN" "YES, GO ON, GO ON." "LOOK, ALL I NEED IS A BREAK." ". THEN I WOULDN'''T TELL THE NEWSPAPERS A THING" "MISS PETERS, AS THEY SAY IN HORROR MOVIES," "YOU WILL COME TO A BAD END." "OUT!" "UL." "YOU HAVEN'''T SEEN THE LAST OF ME, PA" "( horn blows )" "THERE'''S A GIRL FROM THE STUDIO" "WHO'''S SUPPOSED TO BE HERE SOMEPLACE." "THANK YOU VERY MUCH, HENRY." "OH, THANK YO U, MR. TOOMBES." "HAVE A NICE DAY, S IR." "THANK YOU." ". I'''LL SEE YOUR LUGGAG E GETS SAFELY IN THE CAR" "RIGHT, THANKS." "THE CAPTAIN HAS THAT $100 AS A REWARD" "IN CASE ANYBODY FINDS MY WATCH." "GOOD-BYE, SI R. GOOD-BYE." "!" "HEY, DR. DEATH" "HOLD IT JUST THERE." "WHAT?" "WAIT A MINUTE." "WAIT." "PLEASE, DON'''T." "HOW DOES IT FEEL TO BE IN ENGLAND?" "I WAS PROMISED NO REPORTERS." "PLEASE." "DR. DEATH, WHO'''S THIS?" "MISS KISS OF DEATH." ". THAT'''S ENOUGH." "YOU'''VE HAD YOUR PICTURES" "W. I'''LL TALK TO YOU TOMORRO" "COME ALONG . THANKS." "( horn toots )" "IT'''S NOT OFTEN THAT I'''M RESCUED BY A PRETTY GIRL." "IT'''S MY JOB." "OW." "I'''M JULIA WI LSON, PR FOR YOUR SH" "WELL, YOU'''RE VERY GOOD AT IT, I'''M SURE." "YET." "WAIT AND SEE." "YOU DON'''T KNOW ME" "NO, BUT I CAN TELL A NICE GIRL WHEN I SEE ONE." "THANKS." "GOOD-BYE, SIR." "THANK YOU." "I'''M NOT COMING ALL THE WAY BECAUSE I HAVE TO CALL IN AT THE OFFICE." "( Toombes groans )" ". COME ON, LOVE, OUT" "COME ON, OUT YOU GO, NOW." "I ONLY WANTED A LIFT." "WHY DO YOU HAVE TO MAKE TROUBLE?" "IT'''S RIDICULOUS!" "I JUST WAN TED A LIFT." "Toombes:" "COME ON." "THANK YOU." "( peacock caws )" "( caw )" ") ( loud cawing" "( bell chimes )" ") ( bird cawing" "PAUL!" "HERBERT." "IT." "I DON'''T BELIEVE" "WELL, IT HAS BEEN A LONG TIME." "OH, TO ME IT SEEMS LIKE ONLY 12 YEARS." "ME." "( laughs ) HERE, LET" "OH, THANK YOU." "WELL, HERE'''S TO DR. DEATH." "NO..." "HERBERT, I SHOULDN'' 'T HAVE COME HERE." "OH, DEAR." "I THOUGHT YOU'''D SAY THAT." "I ONLY CAME BECAUSE I OWE IT TO YOU." "ME YOU SAID YOU WOULDN' ''T DO THE SHOW WITHOUT" "AND THAT YOU NEEDE D THE MONEY." "BUT QUITE FRANKLY, NOW THAT I'''M HER E, I'''M AFRAID." "YOU OWE ME NOTHING." "I COULDN'''T EXPLAIN EVERYTHING ON THE TELEPHONE." "I DON'''T NEED THE MONEY." "I MADE A VERY NICE, NEW CAREER FOR MYSELF NOW AS AN ACTOR." "BUT I HAD TO GET YOU HERE SOMEHOW." "RS." "I HAVEN'''T BEEN NEAR DR. DEATH FOR YEA" "ANYTHING HE DOES FRIGHTENS ME." "K. IT BRINGS EVERYTHING BAC" "AND SO IT SHOULD." "YOU'''VE BEEN LIVING IN THE COFFIN OF THE PAST," "OR THE TOMBS OF THE PAST, IF YOU LIKE, FOR YEARS." "EAD, YES, YOU'''RE RIGHT." "EVERYBODY THINKS I'''M D" "INCLUDING MYSELF." "THE ONLY WAY TO CONQUE R YOUR FEAR OF THE PAST IS TO FACE IT," "EVEN RELIVE IT IF YOU HAVE TO." "WHY, PAUL, I MADE YOU COME HERE" "TO BRING YOU BACK TO LIFE." "BUT YOU'''RE NOT BRINGING ME BACK TO LIFE" "YOU'''RE BRINGING DR. DEATH BACK TO LIFE." "AND HE TERRIFIES ME." "I'''M TERRIFIED OF WHAT HE'''S DONE." "I'''M TERRIFIED OF WHAT HE STILL MAY DO." "PAUL?" "Toombes:" "HMM?" "COME AND LOOK AT THI S. WHAT?" "?" "HOW ABOUT THAT" "OH, MY GOD." "WE WERE YOUNGER THAN SPRINGTIME." "THEY WERE THE DAYS . ( chuckling ) YES." "SOMETHING EL SE TO SHOW YOU." "I'''VE GOT EVERY F ILM WE EVER MADE." "OH, HERBERT, YOU HAVEN'''T." "E. YES, I HAV" "ME." "I RUN THEM ALL THE TI" "IT HELPS WITH WRIT ING THE NEW SCRIPTS," "AND IT'''LL HELP Y OU TO RECAPTURE THE CHARACTER." "S. NO." "OH, YE" "NO, I HAVEN'''T SEEN ONE SINCE" "EXACTL Y. ( phone rings )" "I'''LL SEE WHO THAT IS." "( ring )" "HELLO?" "HERBERT FLAY SPEAKING." "YES, YES, HE'''S HERE." "ONE MOMENT, PLEASE." "IT'''S FOR YOU." "ME?" "BUT NOBODY KNOWS I'''M HERE." "IT'''S A GIRL." "OH, YES..." "O YES, IT MIGHT BE THAT NICE GIRL FROM THE STUDI" "WHO MET ME AT THE BOAT." "JULIA, PAUL..." "HELLO?" "HELLO?" "E. PAUL TOOMBES HER" "HELLO" "SHE HUNG UP." "ACTUALLY, SHE DIDN'''T ASK FOR PAUL TOOMBES." "SHE ASKED FOR DR. DEATH." "COME SIT DOWN, PAUL," "AND WATCH ONE OF YOUR OLD MOVIES." "DO I HAVE YES, YOU DO." "IT'''S THE ONLY WAY." "IT MIGHT GIVE YOU A LAUGH, ANYWAY." "THERE." "( slow music playing in film )" "Man in film:" "THERE IS NO PAIN." "NO..." "PAIN." "Man:" "YOU ARE AT PEACE MIND AND BODY." "AT PEACE ENTIRELY." ". REMEMBER THIS?" "YOU WERE BRILLIANT" "BASIL..." "I HAD SOME REAL HELP ON THAT ONE." "Man:" "MIND AND BODY IN A STATE OF PEACE." "YOU UNDERSTAND THIS?" "I..." "UNDERSTAND." "THEN SLEEP." "SLEEP." "SLEEP." "Man:" "YOUR BODY LOSING ALL SENSATION." "YOUR MIND ENVELOPED IN DARKNESS." "NOTHING CAN DISTURB YOU NOW" "AS YOU DRIFT EVER DEEPER" "INTO DARKNESS AND SLEEP." "SLEEP." "SLEEP." "( dog barking )" "Man:" "DO YOU HEAR ME?" "IT IS MY VOICE." "I HEAR." "ARE YOU ASLEEP?" "I SLEEP." "( motor whirs loudly )" ") ( empty reel clacking" "HERBERT!" "Toombes:" "HERBERT?" "( bird cawing )" "( bird singing )" "( thunder rumbling )" "PAUL?" "PAUL, ARE YOU THERE?" "( Elizabeth gasps )" "PAUL?" "PAUL?" "PAUL?" "( thunder crashes )" "PAUL?" "PAUL?" "AAH!" "( bird shrieks )" "( thunder crashes )" "Woman:" "( whispering )Paul..." "Come here." "Where are you?" "Come here." "( slow music playing on phonograph )" "?" "?" "SINCE YOU'''VE GONE AWAY" "?" "ONE THING IS CLEAR TO ME ?" "?" "YOU WERE DEARER THAN DEAR TO ME ?" "?" "FROM THE MOMENT YOU CAME ?" "?" "EVENINGS BY YOUR SIDE, I LEARNED TO LOVE THE NIGHT ?" "?" "BUT THE LOVELINESS OF THE NIGHT ?" "?" "?" "IS NO LONGER THE SAME ?" "?" "WHEN DAY IS DONE AND SHADOWS FALL ?" "?" "I DREAM OF YOU ?" "?" "WHEN DAY IS DONE ?" "?" "I THINK OF ALL THE JOYS WE KNEW ?" "?" "?" "THAT YEARNING RETURNING ?" "?" "TO HOLD YOU IN MY ARMS ?" "?" "WON'''T GO, DEAR, I KNOW, DEAR ?" "?" "WITHOUT YOU, NIGHT HAS LOST ITS CHARMS ?" "?" "WHEN DAY IS DONE AND GRASS IS WET ?" "?" "WITH TWILIGHT'''S DEW ?" "?" "MY LONELY HEART IS-- ?" "AAH!" "WHY MUST YOU KILL EVERYTHING?" "!" "( whimpering )" "THEY DON'''T HURT." "I CALL THEM MY BABIES." "BUT I DON'''T KN OW WHO YOU ARE." "WHEN YOU KNEW ME, I WAS PRETTY." "I WAS FAYE CARSTAIRS." ". YES, YOU WERE IN ONE OF THE DR. DEATH FILMS" ". THE ONE WITH..." "SPIDERS" "YES..." "FAYE." "NOW YOU REMEMBER." "I WAS AMBITIOUS THEN." "I WANTED YOU TO HELP ME WITH MY CAREER." "ID." "YES, YOU ALL D" "EXCEPT POOR ELLEN." "ELLEN?" "SHE WAS SO PRETTY." "I DON'''T WANT TO TALK ABOUT ELLEN." "IT CHANGED ALL OUR LIVES, DIDN'''T IT?" "?" "HOW DID IT CHANGE YOURS, FAYE" "HERBERT'''S CAREER WAS RUINED." "HE NEEDED ME, SO I MARRIED HIM." "POOR HERBERT." "I SHOULD NEVER HAVE DONE IT." "( chuckling ) WELL, I GOT PAID BACK." "HOW ARE MY BABIES?" "HOW ARE MY PRETTY, FURRY LITTLE BABIES?" "Toombes:" "TELL ME ABOUT IT, FAYE." "YES... . YES, I WILL TELL YOU, PAUL" "HERBERT AND I WERE UNHAPPY." "T, I BEGAN TO PLAY AROUND A LO" "UL?" "YOU KNOW, AND I WAS PRET TY, WASN'''T I, PA" "OH, YES." "AR." "I HAD MY OWN C" "E, I'''D JUST PICK UP ANYON" "YOU KNOW WHAT I MEAN?" "I WASN'''T PARTICULAR." "I USED TO LAUGH AT STORIES" "GIRLS BEING BEATEN UP BY GUYS" "JUST FOR THE HELL OF IT." "WELL, THE STORIES WERE TRUE." "( chuckles )" "ONLY THESE GUYS GOT SCARED." "THEY SET THE CAR ON FIRE AND PUSHED IT DOWN THE HILL." "WHEN I CAME OUT OF IT, I WASN'''T PRETTY ANYMORE." "( gasps )" "( ambulance siren wailing )" "R?" "THAT WAS THE LAST TI ME YOU SAW YOUR DAUGHTE" "Woman:" "NOT OUR DAUGHTER." "Man:" "OUR FOSTER DAUGHTER." "MY SISTER'''S CHILD-- WE TOOK HER AS A BABY." "IT WAS OUR DUTY." "SHE DID HER DUTY, TOO." "ALWAYS VERY GENEROUS TO US." "WE'''VE ALWAYS BEEN VERY GENEROUS TO HER." "Officer:" "THE FULL LIST OF PASSENGERS AND CREW, SIR." "EXCUSE ME." "WELL, EITHER HE INVITED HER INTO HIS CABIN," "OR YOU LET HER IN." "WELL, SHE COULD HAVE WALKED IN BY HERSELF" "KED." "IF THE DOOR WASN'''T LOC" "THEY'''RE VERY CAR ELESS IN FIRST CLASS." "I MEAN, HALF OF THEM DON'''T EVEN BOTHER" "TO TURN UP FOR FIRE DRILL." "I WOULDN'''T HAVE THOUGHT PAUL TOOMBES WAS A CARELESS MAN." "SUCCESSFUL PEOPLE ALWAYS PAY GREAT ATTENTION TO DETAIL." "DID YOU LET HER IN?" "LOOK, I'''VE ONLY GOT TEN DAYS ASHORE" "DID YOU LET HER IN?" "!" "I'''VE TOLD YOU, THAT WOULD BE AGAINST REGULATIONS." "I UNDERSTAND SHE WAS QUITE A HEAVY TIPPER." "IT." "YOU CAN'''T PROVE" "LOOK, I JUST BROUGHT THE CHAMPAGNE AND THERE THEY WERE." "Reporter on radio:" "... IS STILL UNUSABLE." "IT IS SAID TO BE LITTERED WITH THE WRECKAGE" "FROM THE AIRPLANE BLOWN UP BY THE HIJACKERS..." "WHY DIDN'''T YOU TEL L ME ABOUT FAYE?" "I THOUGHT IT MIGHT UPSET YOU." "YOU'''RE R IGHT." "IT DID." "I HAD HOPED YOU WOULDN'''T MEET." "SHE SLEEPS DURING THE DAY AND ONLY GETS UP AT NIGHT." "Radio:" "THE POLICE ARE ANXIOUS TO TRACE ANYONE" "WHO CAN HELP THEM IN THEIR INQUIRIES" "REGARDING THE DEATH OF ELIZABETH PETERS," "A YOUNG ACTRESS WHO HAD RECENTLY RETURNED" "FROM THE UNITED STATES." "D THE GIRL'''S BODY WAS FOUN" "ON THE UPPER REACHES OF THE THAMES." "A RAID ON A HOUSE... ( knock on door )" "COME IN." "WELL, HOW ARE YO U, OLD BUDDY?" ".. SAY, YOU LOO K PRETTY GOOD." "ALL THINGS CONSIDERED." "HOW ARE YOU?" "HELLO, OLIVER." "HOW DO YOU DO, MR. QUAYLE?" "YOU DON'''T REMEMBER ME, DO YOU?" "NO." "I WAS AT YOUR LAST BIG HOLLYWOOD PARTY." "YES, OF COURSE." "YOU WERE THE MAN THAT ELLEN WORKED FOR." "THAT'''S ALL IN THE PAST, PAUL." ". I DON'''T MAKE THA T CHEAP CRAP ANYMORE" "NOW." "I'''M IN TELEVISION" "TELEVISION--I THOUGHT THAT WAS A FAMILY MEDIUM." "( chuckling )" "YOU KNOW, YOU ALWAYS WERE A BIG JOKER." "WELL, WE GOT A LOT OF WORK TO DO NOW," "ES, AND YOU AND I ARE GONNA BE BUDDI" "SO COME ON, LET'''S MEET THE RES T OF THE GANG, HUH?" "OF ALL THE PRODUCERS IN THE WORLD," "WHY DID YOU HAVE TO CHOOSE HIM?" "YOU'''RE WRONG." "HE CHOSE US." "I'''M SURE YOU CAN DEAL WITH HIM, MR. TOOMBES." "HERBERT AND I JUST LOCK HIM UP WITH THE ACCOUNTANT" "AND GET ON WITH OUR REAL WORK." ". YES, OF COURSE , YOU'''RE RIGHT" "THAT'''S WHAT ANY GOOD PROFESSIO NAL WOULD DO." ". GOOD LUCK." "THANKS" "AAH!" ") ( key hits floor" "NO!" "Man in film:" "AAH!" "WHAT THE BLAZES ARE YOU DOING, BRADSHAW?" "TURN THAT THING OFF!" "INK." "BLASTED RACKET." "CAN'''T HEAR YOURSELF TH" "SORRY, SIR." "I WAS LOOKING AT THE LEGEND OF DR. DEATH." "T. NEVER HEARD OF I" "OH, IT'''S A VERY GOOD FILM, SIR." "WAIT A MINUTE, YOU'''RE SUPPO SED TO BE WORKING" "ER." "ON THE PETERS MURD" "OH, I AM, SIR." "THE PETERS MURDER WAS DONE WITH A PITCHFORK," "EXACTLY LIKE THE ONE IN THIS FILM." "IF PAUL TOOMBES COPIED I T, THEN HE'''S A FOOL." "OH, I DON'''T THINK HE COPIED IT DELIBERATELY, SIR." "I BELIEVE HE'''S PSYCHOLOGICALLY DISTURBED." "THE CHARACTER OF DR. DEATH HAS TAKEN HIM OVER." ". ACTORS DON'''T GET CARRIED AWAY LIKE THAT" "HMM..." "IT'''S HAPPENED BEFORE, SIR." "COPIES OF HIS OLD HOSPITAL REPORT." "TURN TO THE BACK PAGE, SIR." "AT THE TOP." ""THE CONDITION MAY RECUR UNDER STRESS." "H, "MOREOVER, THE SIMPLE FEAR OF RECURRENCE MIGHT BE ENOUG" "." IN ITSELF, TO OCCASION A RECURRENCE" "I SEE." "SO WHAT DO YOU HOPE TO LEARN FROM THIS OLD FILM?" "I'''VE STILL GOT A COUPLE OF REELS TO GO, SIR." "WN." "CARRY ON, BRADSHAW , BUT FOR GOD'''S SA KE, KEEP THE VOLUME DO" "THIS IS SCOTLAND YAR D, YOU KNOW," "NOT A BLASTED PICTURE PALACE." "YES, SIR." "THANK YOU, SIR." "( sighs )" "( man screaming in film )" "MM-HMM. ( chuckles )" "THANK YOU, GEORGE." "DR. DEATH TO THE "T"." "MR. TOOMBE S, GOOD MORNI NG." "MORNING." "I'''M FROM THEDAILY NEWS." "I'''M SORRY," "I NEVER GIVE INTERVIEWS DURING WORK HOURS." "PERHAPS A COMMENT ON THE DEATH OF ELIZABETH PETERS?" "NO COMMENT." "GERRY?" "Man:" "YES, PAUL." "COME HERE AND TAKE A LOOK AT THE MAKEUP," ". SEE IF YOU LIKE IT" "MMM, YES." "I'''M HAPPY IF YOU ARE." "OKAY." "ET." "THANKS, GEORGE." "LET'''S GET ON THE S" "TELL ME WHAT YOU WANT ME TO DO." "NOW, LOOK, PAUL, IN THIS SCENE..." "HOW'''S IT GOING WITH THE PRESS?" "IT'''S NOT." "HEY." "WAIT A MINUTE." "I WANT YOU TO MEET YOUR LEADING LADY." "CAROL CLAYTON." "Y?" "Toombes:" "LEADING LAD" "DAMN GOOD ACTRESS." "HELLO, DARLING." "WHAT PART ARE YOU PLAYIN G, MISS CLAYTON?" "YOUR ASSISTANT, OF COURSE." "MY ASSISTANT?" "DR. DEATH NEVER HA D AN ASSISTANT." "WELL, I FIGURED WE NEEDED A LITTLE SEX APPEAL" "IN THIS SERIES, SO I DID A LITTLE REWRITING." "WELL, COME ON, GET A MOVE ON." "TIME IS MONEY." "( distant hammering )" "Man:" "LET'''S HAVE IT QUI ET ON THE FLOOR, PLEASE." "E. COME ON, NIGEL, GET THEM READY FOR A TAK" "( alarm buzzes )" "G. Man:" "WE'''RE RECORDIN" "QUIET, EVERYONE!" "SETTLE DOWN!" "OKAY, ROLL TAPE." "HOW LONG HAS SHE BEEN DEAD?" ". ALMOST AN HOUR" "WE MUST WORK FAST BEFORE RIGOR MORTIS SETS IN." "HAND ME THE SCALPEL." "R. SORRY, DOCTO" "I SAID WE MUST WORK FAST BEFORE RIGOR MORTIS SETS IN," "I DIDN'''T SAY IN WHO." "AUL." "Director:" "WE'''RE RECORDING, P" "JUST TELL MISS WHAT'''S-HER-NAME TO STOP LOOKING AT THE CAMERA" "AND TO HAND ME THE SCALPEL WITH SOME SENSE OF URGENCY," "AS TIME IS MARCHING ON!" "T. Director:" "ALL RIGHT, CUT I" "WE'''VE CUT." "FIRST POSITIONS, PLEASE." "Quayle:" "PAUL, WE DON'''T NEED AN Y OF THAT STAR TEMPERAMENT HERE." "BESIDES, YOU'''RE UPSETTIN G MISS CLAYTON." "Man:" "WRAP IT UP." "WHERE ARE YOU GOING?" "Man:" "WE'''LL PICK IT UP TOMORROW MORNING." "YOU'''VE GOT A CONTRACT WITH US!" "AND I'''LL FULFILL IT" "AS SOON AS MISS CLAYTO N LEARNS HER BUSINESS." "( up-tempo piano playing )" "?" "?" "DEATH IS THE NAME OF THE DOCTOR YOU'''VE MET" "?" "?" "HE'''LL DO YOU IN WITH NO TWINGE OF REGRET ?" "?" "IF YOU'''VE A HEADACHE, DON'''T ASK HIM TO CALL ?" "?" "?" "YOU'''LL LIKELY END UP..." "I MUST WRITE A PART FOR YOU IN THAT GEAR." "?" "DEATH IS THE GUY WHO MAKES OLIVER QUAIL ?" "?" "SOME OF HIS PRANKS GO BEYOND ANY PALE ?" "?" "HIS SURGERY WALLS DECORATED WITH GALL BLADDERS ?" "?" "?" "LIVERS AND KIDNEYS... ?" "Herbert Flay:" "JUST LIK E THE GREAT DAYS, EH?" "IN OUR DAY IN HOLLYWOOD," "THE MONSTERS DIDN'''T NEED MAKEUP." "THEY JUST CAME AS THEMSELVES LIKE QUAYLE." "YOU SAID THIS TELEVISION SERIES WOULD MAKE ME A STAR." "HE'''S ALREADY TRYING TO GET RID OF ME." "LOOK, HONEY, I TOLD YOU," "I'''VE GOTTA KEEP HIM IN UNTIL THE SERIES GETS GOING." "THEN WE KILL HIM OFF AND THE ASSISTANT TAKES OVER." "BY." "WELL, THAT'''S YOU, BA" "HOW LONG DO YOU THINK THIS CLAMBAKE WILL GO ON?" "NOT MUCH LONGER." "JULIA, COME AND CHEER PAUL UP." "I MUST MINGLE A LITTLE." "HELLO, LOVE." "HELLO." "TO?" "ANYONE I CAN INTRODUCE YOU" "NO, EVERYBODY'''S GONE OFF ME." "?" "..." "BAKES PASTRIES SO CRISP AND SO LIGHT ?" "?" "MANNA FROM HEAVEN IN EVERY LAST BITE ?" "?" "?" "HIS LADYFINGERS ARE..." "WHY ARE YOU IGNORING ME?" "AY!" "YOU'''VE DONE NOTH ING BUT INSULT AND HUMILIATE ME ALL D" "CE." "AND YOU HAVEN'''T SAID A WORD ABOUT MY PERFORMAN" "( chuckles ) DON'''T PRESS YOUR LUCK, BABY." "YOUR DEAD FIANCEÉÉ E" " ELLEN... ?" "WHAT SORT OF AN ACTRESS WAS SHE" "WILL YOU SHUT UP?" "!" "Carol Clayton:" "LISTEN TO ME, MR. TOOMBES," "I'''M PLAYING THE FEMALE L EAD IN THIS SERIES," ". WHETHER YOU LIKE IT OR NOT" ". SO YOU'''RE THE ONE THAT BETTER WATCH IT, MATE" "YOUR DRAMA SCHOOL ACCENT IS SLIPPING." "( crowd chuckling )" "N. Oliver Quayle:" "ALL RIGHT, EVERYBODY, LET'''S QUIET DOW" "COME ON." "CAN THE CONVERSATION." "IT'''LL KEEP." "I'''VE GOT AN ANNOUNCEMENT TO MAKE." "NOW, YOU ALL KNOW MY FRIEND PAUL TOOMBES, OUR STAR." "I'''VE ARRANGED A SORT OF TRIBUTE TO HIM." "I FOUND SOME OLD FILM OF HIS I THOUGHT YOU MIGHT LIKE TO SEE." "IN CASE ANY OF YOU ARE AFRAID OF BEING BORED," "I PROMISE YOU IT WON'''T TAKE LONG." "E. IT'''S ONLY A SMALL TRIBUT m ) ( music playing in fil" "( chuckling )" "AHH..." "( chiming )" "( moaning )" "AAH!" "AAH!" "Woman in film:" "AAH!" ") ( clattering in film" "( chiming )" "Woman on film:" "AAH!" "." "Man in film:" "ANNE" "( yelling in film )" "Man:" "GET HER AWAY FROM HERE." "GET HER AWAY FROM HERE." "TAKE HER AWAY." "GET HER AWAY FROM HERE." "( machine chiming loudly )" "( gasps )" "AAH!" "AAH!" "LET ME OUT!" "( rock music playing )" "AAH!" "AAH!" "( screaming )" "AAH!" "AAH!" "( chatter, applause )" "( chatter )" "AAH!" "( crowd exclaiming )" "Harper:" "LET ME THROUGH!" "I'''M THE POLICE." "ALL RIGHT, NOW, MISS." "OUT YOU GO." "YOU MADE A NOISE AND FRIGHTENED MY BABIES." "FAYE, I..." "T. SOMETHING HAPPENED AT THAT PARTY TONIGH" "DR. DEATH..." "KILLED SOMEBODY." "OH, DON'''T BE SILLY, PAUL." "DR. DEATH CAN'''T KILL ANYBODY." ". BUT TONIGHT, ALL THE WOMEN WERE SCREAMING" "WHY WERE ALL THE WOMEN SCREAMING?" ". BECAUSE I MADE THEM SCREAM" "NO..." "DID?" "BUT IF I DIDN'''T, WHO" "WELL, IT COULDN'''T HAVE BEEN DR. DEATH." "BUT HE WAS THERE, WASN'''T HE?" ". I KNOW THAT HE WAS" "BECAUSE WHEN I OPENED MY EYES," "E. I..." "SAW HIS GLOV" "E. YOU KNOW THAT GLOVE, FAY" "L!" "MY GLOVE." "DR. DEATH IS REA" "( whimpering ) NO..." "Bradshaw:" "THAT'' 'S THE PRINTS DONE." "I'''M CERTAINLY GLAD YOU'''VE BEEN ASSIGN ED TO THE CASE, SIR." "MIGHT GET SOMEWHERE NOW." "YOUR WRITING'''S NOT VERY CLEAR, BRADSHAW." "I CAN'''T READ HALF THE NAMES ON THIS SHEET." "IR." "SORRY, SIR." "I'''LL GET IT TYPED, S" "DR. DEATH AND THE HANGMAN,YOU SAID?" "YES, SIR." "IN THAT FILM, THE GIRL IS MURDERED IN EXACTLY THE SAME WAY." "I WISH THAT MAN WOULD STOP CRYING." "YES, SIR." "I'''LL TELL DON'''T BOTHER." "( crying )" "THIS GLOVE COULD FIT A HUNDRED DIFFERENT GUYS." "YOU MUST BE CRAZY." "YOU WERE STANDING RIGHT THERE" "WHEN PAUL TOOMBES INSULTED HER." "HE HATED HER BECAUSE SHE WAS YOUNG, PRETTY, AND AMBITIOUS." "NOW, MISS, DO YOU KNOW THE PRESENT WHEREABOUTS OF MR. TOOMBES?" "BRADSHAW!" "( door opens )" "PAUL, WHERE ARE YOU OFF TO?" "ERE." "HERBERT, I CAN'''T STAY H" "I CAN'''T GO ON WITH THE SHOW" "NOT AFTER ALL THESE TRAGEDIES." "WHY, SURELY YOU DON'''T THINK YOU'''RE RESPONSIBLE FOR THEM?" "DO YOU?" "OF COURSE NOT." ".. WELL, I'''M." "URE." "I'''M JUST NOT S" "U. GOOD-BYE AND THANK YO" "PAUL!" "AH, GOOD EVENING, MR. TOOMBES." "RE?" "WELL, WHAT DO YOU WANT HE" "MAY I INTRODUCE" "INSPECTOR HARPER, SIR." "WELL?" "WE'''D LIKE YOU TO ACCOMPANY US TO SCOTLAND YARD" "AND HELP US WITH OUR INQUIRIES." "?" "MAY I HAVE A LIGHT" "LIGHT, BRADSHAW." "LET'''S GO." "COME ON." ". PERFECT FIT?" "YES, OF COURSE" "SIZE NINE." "( chuckles )" "YOUR TURN." "( clears throat )" "PERFECT FIT." "SHAKE." "ALL RIGHT, MR. TOOMBES, SIT DOWN, PLEASE." "THANK YOU." "NOW, SIR, YOU QUARRELED WITH CAROL CLAYTON" "ON THE SET AND AT THE PARTY." "YOU THREW ELIZABETH PETERS OUT OF YOUR CABIN" "AND OUT OF YOUR CAR." "M. A LESSER MAN WOULD'''VE STRANGLED THE" "I DIDN'''T." "MY COLLEAGUES SUGGEST YOU DON'''T ALWAYS KNOW WHAT YOU'''RE DOING, SIR." "DR. DEATH USED A PITCHFORK." "HE ALSO HANGED A GIRL WITH HER OWN HAIR." "Y YOU DON'''T THINK I'''D BE FOOLISH E NOUGH TO GIVE MYSELF AWA" "U?" "BY USING MY OLD MOVIES, DO YO" "ARE YOU SURE, SIR?" "I'''M SORRY TO PUT THIS SO BLUNTLY, SIR," "BUT YOU HAVE A HISTORY OF MENTAL INSTABILITY." "... GENTLEMEN, ( sighs ) I" "I NEVER WANTED TO PLAY DR. DEATH AGAIN..." "T. AND I THINK I WAS RIGH" "HT." "THAT'''S WHY I PACKED MY BAGS TONIG" "I REMEMBERTHE LEGEND, I REMEMBERTHE HANGMAN," "I REMEMBER ALL OF THOSE OTHER DR. DEATH STORIES," "YET." "THE ONES THAT HAVEN'''T COME TRUE" "KNOW." "IS IT ME?" "I DON'''T" "DO YOU?" "NO, SIR, I DON'''T." "YOU CAN''' T KEEP ME HE RE, YOU KNOW." "WELL, GOOD NIG HT, GENTLEMEN." "IP." "OUR LITTLE GIRL HAD IT." "THE GIRL ON THE SH" "IN." "THE GIRL YOU SEDUCED." "THE GIRL YOU DONE" "GIVE ME THAT WATCH!" "GIVE ME THAT WATCH!" "GIVE IT TO ME!" "YOU'''LL HAVE TO PAY." "££10,000." "GIVE IT TO ME!" "DIRTY OLD MAN." "TAKING ADVANTAGE." "OF INNOCENT GIRLS." "YOU'''LL HAVE TO PAY . ££10,000." "WE BROUGHT HER UP." "GAVE HER THE BEST." "EXPENSIVE SCHOOLS." "EXPENSIVE TRAINING." "ALL INVESTED." "TO MAKE HER FAMOUS." "A WEALTHY DAUGHTER." "A GRATEFUL DAUGHTER." "A GENEROUS DAUGHTE R. FOR OUR OLD AGE." "NOW SHE'''S GONE!" "YOU'''LL HAVE TO PAY!" "££10,000!" "POLICE NEED THE WATCH." "PROVES YOU KNEW HE R. PROVES YOU HAD HER." "R!" "PROVES YOU KILLED HE" "NOW, YOU GET AWAY FROM M E, OR I'''LL KILL YOU!" "WE CAN WAIT." "T. Gerry:" "THIS IS O NE OF THOSE SCENES IN WHICH WE CHEA" "THE CANOPY COMES DOW N ON YOU AND CRUSHES Y OU TO DEATH." "IT, NATURALLY, THE AUDIENCE DOESN'''T REALIZE" "BUT WE STOP THE TH ING JUST IN TIME," "AND YOU ROLL O UT OF THE WAY." ". IT'''S CONTROL LED BY THIS-- NIGEL WORKS IT" "L?" "NIGEL?" "WHERE'''S NIGE" "I'''M SORRY, I SENT HIM OUT FOR SOME COFFEE." "CAN I DO IT?" "WELL, IT'''S SO SI MPLE, EVEN QUAYLE COULD OPERATE IT." "LET'''S SEE--RAISE, LOWER." "YES, I THINK I CAN MANAGE." "GO ON." "WHY DON'''T Y OU JUST SHOW ME HOW, AND I'''LL WORK IT?" "RIGHT." "WELL, YOU'''VE HAD TOO MUCH TO DRINK," "YOU CLIMB INTO THE BED" "GERRY, EXCUSE ME A MINUTE." "E. PAUL." "YES, LOV" "CAN I TELL MICHAEL PARKINSON" "YOU'''LL DEFINITELY BE APPEARING ON HIS SHOW TONIGHT?" "MICHAEL PARKINSON" " WHO'''S HE?" "TV INTERVIEWER." "WELL, WE COULD SURE US E SOME GOOD PUBLICITY." "OKAY, I'''LL D O IT." "RIGHT." "CHECK WITH ME LATER." "A. IT'''LL BE IN STUDIO B. THANKS, JULI" "H IT." "LET'''S GET ON WIT" "OH, YES." "NOW, LOOK, YOU'''VE HAD TOO MUCH WINE TO DRINK," "YOU CLIMB INTO BED..." "AND YOU FALL ASLEEP." "A WIND STARTS BLOWING," "THE CHANDELIER STARTS TO SWING," "AND THEN, SLOWLY, THE CANOPY BEGINS TO MOVE DOWN." "P-PRESS THE BUTTON." "R. IT'''S GREEN TO LOWE" "YOU LIE HERE, SLEEPING LIKE A BABY." "WHILE YOU SLEEP, CLAMPS FIX THEMSELVES TO YOUR ARMS" "SO THAT YOU CAN'''T MOVE." "SILENTLY, THE THING COMES TOWARDS YOU." "YOUR EYES OPEN AS YOU REALIZE THE DANGER," "AND AT THE VERY LAST MINUTE," "YOU PULL AWAY THE CLAMPS AND" "STOP IT!" "PAUL, STOP IT!" "IT WON'''T W ORK." "STOP IT!" "THE BUTTON!" "THE RED BUTTON!" "ORK!" "PRESS THE BUTTON!" "IT WON'''T W" "ORK!" "STOP IT!" "STOP IT!" "DAMN THING WON'''T W" "HELP ME, SOMEBODY!" "( screaming )" "OH, MY GOD." "( people clamoring )" "( woman screams )" "AH!" "Man:" "HOW WERE THE COPPERS?" "THEY LET HIM GO." "THEY NEED SOME PROOF." "THEY NEED THE WATCH." "GET AWAY!" "THOUGHT IT OVER?" "££10,000 . TO A MAN LIKE YOU" "Woman:" "OH!" ") ( door slams" "YES, THE MECHANI SM WAS FIXED." "JUST BY CHANCE HE WAS LYING ON THE BED." "ES." "THIS WAS MEANT TO KILL PAUL TOOMB" "KILL PAUL?" "BUT WHO'''D WANT TO KILL PAUL?" "( scoffs ) DON'''T LOOK AT ME." "I MAY NOT LIKE THE GUY, BUT HE IS MY STAR." "EXCUSE ME." "NIGEL..." "P LISTEN, YOU GET THAT BED FIXED U" "W. SO WE CAN START SHOOTING TOMORRO" "I'''VE GOTTA GET M YSELF ANOTHER DIRECTOR." "( gasps )" "G?" "LOOKING FOR SOMETHIN" "I THOUGHT I'''D LEFT MY SCHEDULE IN HERE." "G. YOU DON'''T US UALLY FORGET ANYTHIN" "( clock chiming melodically )" "( ticking )" "LOOK, THE WATCH." "NOW WE'''RE GOING TO GET THE MONEY." "MR. TOOMBES?" "LET'''S GO." "AAH!" "( phone rings )" "( ring )" "( ring )" "( ring )" "( ringing continues )" "YES?" "PAUL?" "JULIA." "LOOK, I THINK I KNOW WHAT'''S GOING ON." "MEET ME IN YOUR DRESSING ROOM IN HALF AN HOUR, OKAY?" "( bell tolling )" "WHY NOT?" "AFTER ALL, IT IS MY HOUSE." "PAUL?" "PAUL, ARE YOU THERE?" "NO, YOU'''RE NEVER THERE WHEN I NEED YOU." "AAH!" "AAH!" "AAH!" "( knock on door )" ". COME IN, JULIA" "( knock )" "COME IN." "THIS WAY, PAUL." "DOWN HERE, PAUL." "( elevator rising )" "( pounding on door )" "Michael Parkinson:" "MY VERY SPECIAL GUEST TONIGHT" "IS SOMEONE THAT I'''VE ALWAYS WANT ED TO INTERVIEW." "CT, SOMEONE ONCE SAID OF HIM THAT, IN FA" "HE INVENTED THE HORROR MOVIE." "BEFORE YOU MEET HIM, I SHOULD TELL YOU THAT" "HERE." "WELL, IN FACT, HE'''S" "LADIES AND GENTLEMEN, WOULD YOU WELCOME PAUL TOOMBES?" "Parkinson:" "PLEASE, SIT DOWN." "IN FACT, YOU ARE EARLY." "Toombes:" "YES." "I LIKE PEOPLE WHO ARE EAGER TO GET ON MY SHOW." "T, I WAS ABOUT TO TELL THE AUDIENCE, IN FAC" "THAT YOU ARE SOMEBOD Y I PARTICULARLY WANTE D TO MEET." "BUT BEFORE WE TALK ABOUT THAT," "AND TO GIVE YOU A CHANCE TO GET YOUR BREATH BACK," "LET'''S REMIND OURSELVES OF THE OLD DAYS" "AT THE VERY BEGINNING OF YOUR CAREER IN HOLLYWOOD." "LET'''S HAVE A LOOK AT ONE OF THE FIRST FI LMS THAT YOU EVER MADE." "... IF YOU'''D LOOK OVER THERE" "( film starts )" "( mechanical grinding )" "!" "Woman on film:" "NICHOLAS!" "OH, NO" "( loud clanking in film )" "PAUL?" "Woman in film:" "MAXIMILLIAN!" "MAXIMILIAN, WE MUST BREAK INTO THE TORTURE CHAMBER QUICKLY!" "( thunder crashes )" "AAH!" "HELP!" "SOMEBODY COME QUICKLY, PLEASE!" "HELP!" "FOR GOD'''S SAKE, HELP!" "HELP!" "HELP!" "HELP ME!" "AAH!" "AAH!" "AAH!" "( audience applauding )" "PAUL, WHY DO YOU THINK THAT YOUR FILMS HAVE B EEN SO VERY SUCCESSFUL?" "WELL, I THINK IT'''S BECAUSE THEY'''RE NOT ABOUT" "THE ORDINARY, EVERYDAY WORLD AROUND US." "THEY'''RE ABOUT A WORLD THAT'''S DEEP INSIDE OF US," "A WORLD OF IMPULSES AND INSTINCTS" "THAT WE HAVE BEEN TAUGHT TO SUPPRESS." ". THAT SOUNDS A BIT SPOOKY--IMPULSES" "I MEAN, WHAT SORT OF IMPULSES?" "WELL, THE IMPULSES THAT WE DON'''T DARE ADMIT," "IMPULSES THAT SOMETIMES WE DON'''T EVEN KNOW WE HAVE" "ANIMAL CRUELTY, BRUTAL VIOLENCE," "AND BLOOD LUST." "THEY'''RE TAMED AND CAGED." "SOMETIMES THEY PROWL AROUND" "INSIDE OF THE CAGES THAT WE'''VE BUILT FOR THEM," "AND THEN THERE COMES A TIME" "IN BETWEEN OUR SLEEPING AND OUR WAKING" "WHEN THEY WHISPER TO US THAT THEY WANT TO BE SET FREE," "BUT, WELL, WE DON'''T SET THEM FREE." "I THINK MAYBE THAT'''S WHY THE PICTURES ARE SUCCESSFUL," "BECAUSE THEY DO SET THEM FREE." "LET'''S HAVE A LOOK AT O NE OF YOUR GREATEST MOVIES." "( woman screaming in film )" "( thunder crashing in film )" "AAH!" "THERE WAS NO OTHER WAY." "NO OTHER WAY." "IP!" "Harper:" "QUICK, BRADSHA W!" "HE'''S GIVEN US THE SL" "Parkinson:" "HE ARRIVED EARLY AND LEFT EARLY, TOO." "HE DID, IN FACT, I SUPPOSE, ONCE PLAY THE INVISIBLE MAN," "BUT THIS IS DAFT, ISN'''T IT?" "( chuckles )" "( Toombes sighs ) JULIA." "AAH!" "NO, ELLEN, NO!" "NO!" "NO, NOT AGAIN!" "NOT AGAIN!" "( sobbing )" "NO." "LEAVE IT." "( alarm buzzes )" "IF THAT'''S HIM, WE'''LL NEVER GET HIM NOW." "HE'''S THROWN THE MASTER LOCK." "IT SEALS EVERY DOOR TO THE STAGE." "NOT EVEN A MOUSE COULD GET IN." "OR OUT." "WHY DID HE TAKE YOU AGAIN, ELLEN?" "WAS IT BECAUSE YOU WERE YOUNG?" "BECAUSE YOUR EYES SHONE?" "AND YOUR LIPS SMILED?" "BECAUSE YOU WERE LIFE?" "IT WASN'''T ME TONIGHT, ELLEN." "NO..." "OR ALL THOSE YEARS AGO." "IT WAS DR. DEATH." "DR. DEATH." "WHO IS DR. DEATH?" "WELL, I WILL TELL YOU." "HERBERT AND I CREATED HIM BETWEEN US." "NO, WE DIDN'''T CREATE HIM, HE WAS THERE." "WE FOUND HIM IN OURSELVES." "WE LOOKED INTO THE DEPTHS OF OUR SOULS," "AND HE WAS THERE." "HE WAS ALREADY THERE." "AND HE WILL ALWAYS BE THERE." "WHO IS DR. DEATH?" "WELL, I WILL TELL YOU." "MAN IS BORN TO LIVE!" "HE CREATES LIFE, HE WELCOMES LIFE," "HE CHERISHES LIFE!" "HE CREATES NEW LIFE!" "BUT DEEP IN OUR SOULS," "THERE LURKS AN INSTINCT WHICH WELCOMES DEATH." "IT MAKES IT EASIER WHEN IT COMES." "IT ISN'''T VERY STRONG, THIS DEATH INSTINCT." "IT'''S ONLY NEEDED ONCE." "THAT'''S WHAT WE SAW IN THE DARKNESS." "THAT IS THE SLEEPING PHANTOM" "THAT WE--THAT WE ROUSED AND FORMED" "AND CLOTHED IN BLACK." "A PHANTOM FEEDING ON DEATH," "CREATING DEATH, EXALTING IN DEATH!" ".. OH, WHY DIDN'''T HE TAKE ME." "AND LET YOU LIVE?" "NOW HE MUST DIE." "THE DR. DEATH THAT WE CREATED, HE MUST DIE!" "I AM NOT AFRAID." "THERE IS ALWAYS ROOM FOR MORE IN THE COFFIN OF TIME." "THE INSTINCT IS ALIVE WITHIN ME," "AND YOU, DR. DEATH, ARE YOU AFRAID?" ". NO..." "NO, YOU'''RE GOING HOME" "COME!" "LIGHTS!" "CAMERA!" "ACTION!" "NOW I MUST PLAY THE FINAL SCENE." "THE DEATH OF DR. DEATH." "AND HERE'''S TO THE NEW DR. DEATH." "I ONLY HOPE I CAN DO JUSTICE" "TO THE MEMORY OF THE OLD." "DEAR PAUL REDUCED TO ASHES." "WELL, WE STILL HAVE THIS." "THE FILM OF HIS FINAL PERFORMANCE." "NOW IT'''S YOURS." "S. I SHALL TREASURE THI" "OH, I WANT MORE THAN THAT, HERBERT." "I EXPECT YOU TO LIVE UP TO IT." "T, I'''LL DO MY BES" "ONCE I'''VE GOT OVER THE SHOCK." "DEAR PAUL..." "DEAR, DEAR PAUL." ") ( film starts" "Toombes in fil m:" "LIGHTS!" "!" "CAMERA!" "ACTION" "E. I MUST PLAY THE FINAL SCEN" "THE DEATH OF DR. DEATH." "AAH!" "BUT YOU'''RE DEAD." "YOU'''RE DEAD!" "WHY DID YOU DO IT, MY FRIEND?" ". YOU KILLED ELLEN.." ". AND ALL OF THE OTHERS, TOO" "YOU WANTED EVERYBODY TO THINK THAT IT WAS ME." "WHY, HERBERT?" "WHY DID YOU WANT TO DESTROY ME?" "YOU LOVED DR. DEATH." "YES..." "YES!" "AND I SHOULD HAVE PLAYED HIM." "E!" "DR. DEATH IS MIN" "I CREATED THE PA RT FOR MYSELF," "BUT THE STUDIO GAVE IT TO YOU!" "YOU WEREN'''T A BETTER ACTOR." "!" "YOU WERE NOTHING UNTIL YOU PLAYED DR. DEATH" "R!" "HE MADE YOU INTO A STA" "OU, I KILLED ELLEN HOPING TO GET RID OF Y" "TEN." "BUT THE STUDIO STILL WOULDN'''T LIS" "THEY SAID THERE WAS ONLY ONE DR. DEATH" "PAUL TOOMBES!" "!" "IT SHOULD HAVE BEEN ME" "ME!" "S, AND AFTER ALL THESE YEAR" "I HAD A SECOND CHANC E, AND I USED IT." "QUAYLE WANTED TO BRING YOU BACK." "HE NEEDED ME." "HE NEEDED ME TO PERSUADE YOU!" "SO I DREW UP A CONTRACT." "HE NEVER THOUGHT IT WOULD APPLY." "S THERE IS A CLA USE IN IT THAT SAY" "IF ANYTHING HAPPEN S TO YOU," "I TAKE YOUR PLACE." "ST!" "I PLAY DR. DEATH AT LA" "I'''M NOT GOING TO BE CHEATED THIS TIME." "ME!" "HE BELONGS TO" "!" "I AM DR. DEATH" "THEY LIKE HIM NO W. ( chuckles )" "THE BABIES WOULDN'''T GO NEAR H IM WHEN HE WAS ALIVE." "( chuckling )" "AREN'''T YOU GOOD BO YS AND GIRLS?" "YOU'''VE ATE UP EVERY BIT OF HIM." "FULL OF NOURISHMENT." "( chuckles )" "DARLING..." "DON'''T TAKE TOO MUCH TIME." "SUPPER'''S NEARLY READY." "( phonograph turns on )" "( music begins )" "?" "SINCE YOU'''VE GONE AWA Y, ONE THING IS CLEAR TO ME ?" "?" "YOU WERE DEARER THAN DEAR TO ME ?" "?" "FROM THE MOMENT YOU CAME ?" "?" "EVENINGS BY YOUR SIDE, I LEARNED TO LOVE THE NIGHT ?" "?" "BUT THE LOVELINESS OF THE NIGHT ?" "?" "?" "IS NO LONGER THE SAME ?" "?" "WHEN DAY IS DONE AND SHADOWS FALL ?" "?" "I DREAM OF YOU ?" "?" "WHEN DAY IS DONE ?" "?" "I THINK OF ALL THE JOYS WE KNEW ?" "?" "?" "THAT YEARNING RETURNING ?" "?" "TO HOLD YOU IN MY ARMS ?" "?" "WON'''T GO, DEAR, I KNOW, DEAR ?" "?" "WITHOUT YOU, NIGHT HAS LOST ITS CHARMS ?" "?" "WHEN DAY IS DONE AND GRASS IS WET ?" "?" "?" "WITH TWILIGHT'''S DEW..." "IT'''S YOUR FAVORITE, PAUL." ") SOUR CREAM AND RED HERRINGS." "( chuckling" "( both laughing )" "?" "?" "THE WHOLE DAY THROUGH ?" "?" "I MISS YOU MOST OF ALL ?" "?" "WHEN DAY IS DONE ?" "?" "WHEN DAY IS DONE AND SHADOWS FALL ?" "?" "I DREAM OF YOU ?" "?" "WHEN DAY IS DONE ?" "?" "I THINK OF ALL THE JOYS WE KNEW ?" "?" "?" "THAT YEARNING RETURNING ?" "?" "?" "TO HOLD YOU IN MY ARMS" "?" "WON'''T GO, DEAR, I KNOW, DEAR ?" "?" "WITHOUT YOU, NIGHT HAS LOST ITS CHARMS ?" "?" "WHEN DAY IS DONE AND GRASS IS WET ?" "?" "WITH TWILIGHT'''S DEW ?" "?" "MY LONELY HEART IS SINGIN G WITH THE SUN ?" "?" "ALTHOUGH I MISS YOUR TENDER KISS ?" "?" "?" "THE WHOLE DAY THROUGH ?" "?" "?" "I MISS YOU MOST OF ALL" "?" "WHEN DAY IS DONE ?"