""Where this life ends / I begin"" ""I have felt / the flame / rise in me rise in me / rise in you / dissolve / give me / I'm feeding on the head and skin" " deliver you in suffering / reanimate in my reflection"" "(over radio) Road ahead now closed." "Your passage is secure and clear." "Repeat: passage is secure and clear." "Over." "You dissolve in me" "(over radio) Proceed from hotel." "Surveillance still required." "No unwanted visitors." "Over." ""You dissolve / in me / in me / I can / breathe / you dissolve / in me"" "I thought we were meant to keep them to ourselves." "Tony asked if she could come." "She's one of his students." "She's been helping him out academically with Maggie." "Yeah, I'm sure she has." "So far it's all been theory, Laura." "This is where we come face to face with our crime " " You okay?" "(nods) Yeah." "Take your time." "And just tell us as you remember it." "I'll try." "We pulled in off the road." "I liked to take them for a picnic." "Tony." "Hm?" "Are you sure this is a good idea?" "Tony." "Who's that girl?" "Oh, no." "It's my fault." "It's my mistake." "I should never have put you in that position." "Is this coming from the police?" "They don't want me there?" "Do they know how much I've been helping you with this case?" "No, not the police." "I should never have let you anywhere near my patient." "I mean, it's taken Maggie five years to tell me where she's buried the bodies, five years of her believing her world revolves around me." "And your presence almost destroyed that." "Her victims are on that hillside." "And I owe it to them and their families not to make such a stupid mistake." "Stupid." "Well, it's nothing personal, Laura." "You still have access to the tapes and files for your Ph.D. and I'm happy to talk about the case with you." "But it was a mistake to let you physically near it." "Well, I guess it wasn't all bad." "Today, I met my first killer." "No, "patient"." "MISSING" "Ah, possible sighting of Mica Van Marten on a train near Swindon." "We're checking it." "Someone actually heard our appeal?" "Oh, I'm not sure it's completely reliable." "Elderly man-- he's not certain of her hair color." "So he saw a young woman?" "Exactly." "Case can't just dry up like this." "Well, unless she did just go back to Holland." "Well, then, why was her mobile phone found smashed up?" "No, no, if she was in Holland, we'd know about it." "You're fond of nurses, Kevin -- go back over all the statements of her colleagues, then do the bus drivers." "Anything you're not happy with, re-interview them." "Paula, concentrate on friends and family." "Someone must have seen something, even if they don't know what that something is." "Carol!" "The woman is an attention seeker." "How has it taken her five years to remember where she buried them?" "Well, Dr. Hill believes it's all bound up with her acceptance of what's she's done." "Does he?" "Has she actually pinpointed any precise locations?" "The aim is to give the families the bodies of their children." "In four days, has she come up with anything concrete?" "No." "Then get her off that hillside." "If she wants to remember, she can do so in the comfort of her cell, not at the expense of our reputation." "I'm not quite sure." "Perhaps it was further down the ridge." "We've dug there." "When we talked, you mentioned a small depression in the ground." "You said there were trees." "Yes." "Yes, I did." "A depression and trees." "It'll have to wait till tomorrow." "Stand everyone down, Don, we're calling off the search." "When?" "Now." "We could still be here next year without something more concrete to go on." "We don't have that kind of time." "Come on, love." "What haunts me most are the legs and eyes." "The more I held the nose and mouth shut, the more they kicked, the more their eyes stared, bulging, pleading for help." "Where did you kill them?" "We had pulled off the road by some crags." "I led them up a track." "You don't mind?" "No." "Oh, and I'm-I'm returning your book." "Are you okay?" "They called the search off." "No bodies." "Were you in the right place?" "Oh, yes; it's just the exact locations are required." "It happens." "Sorry." "I'm heading up to the bar, if you fancy a drink." "No, uh, I, uh " "Now look around you." "What do you see?" "There's a hill." "Some trees." "Where?" "On your right?" "Right?" "On your left?" "Hattie." "At last!" "Sorry I'm late." "You're buying." "See ya!" "What haunts me most are the legs and eyes." "The more I held the nose and mouth shut, the more they kicked." "The more their eyes stared, bulging, pleading for help." "Where did you kill them?" "I led them up a track." "Now look around you." "What do you see?" "There's a hill." "Some trees." "Where?" "On your right?" "On your left?" "My right." "Stand everyone down, Don." "We're calling off the search." "We were in the right place!" "I have to go." "I've got to be in early." "Yep, me too." "Yeah, I have to beg off." "Talk to you in the morning?" "What do you think?" "Do you want a lift?" "Come on, guys, someone's gotta keep me company!" ""Here no one / Here no one / no one"" ""...knows your name / or the game that I play / in the streets / we float"" "Hi, Nelson." "Didn't you make Mummy any supper?" "Hmm?" "No?" "We'll have to trade you in, mate." ""Almost anywhere"" ""in the streets / the ocean comes today / we are the pools"" "No, it'll be here any minute." "Yeah." "See you tomorrow." "Love you!" "Hattie!" "Okay!" "Hi, Luke." "What is it with Hattie?" "I've been calling all morning." "Typical." "She'll still be in bed." "She rang last night, said she was on her way here." "DS Merrick." "Yeah, of course I remember you." "Say again?" "It was just pushed through the door overnight." "Well, it might not be anything to do with us." "Have we got a sample of Mica Van Marten's hair?" "Yes, we do." "What is it?" "That girl of Tony's." "I was at home, preparing for my math tutorial." "When Hattie called, it was just all the usual stuff." "You know, where she'd been, who she was with, when she'd see me." "She was a bit pissed, but it's not like her to go missing." "Nothing to indicate that she was unhappy in any way?" "No." "You were with her." "How did she seem?" "Just her usual self." "I left early and she was going to follow." "I think something awful has happened." "It seems she left the union bar at 11:20." "She made a call on the mobile to her boyfriend from 11:21 to 11:31." "And she wasn't at the bus stop when the bus passed by at ... 11:35." "Four minutes to disappear." "Don's upstairs talking to her boyfriend and her housemate." "Do you wanna ... ?" "No, I'll read it all later." "Carol Jordan." "Right." "Thanks." "They've just found her mobile in the undergrowth near the bus stop." "Mica Van Marten." "Yep." "Paula's with the parents." "Let them know, will you?" "They need to hear this from us, not the ten o'clock news." "What haunts me most are the legs and eyes." "The more I held the nose and mouth shut, the more they kicked!" "The more their eyes stared!" "Bulging, pleading for help!" "Uh, yes, this is Tony Hill." "I'm too busy to come to the phone right now, but do leave a message." "Tony, hi, it's me." "Are you there and just not talking to us?" "No, maybe you're out." "Listen, we need your advice on something." "Can you give me a call?" "If we're going to convince the police, we need to be more specific." "I'm trying, Tony, really, I'm trying." "They came again last night, all five of them." "Through the wall." "Through the ceiling." "Okay, Maggie." "Maggie." "Try to use it as a trigger to remember." "But when you kill someone, you're in this other place." "A rush, a focus on the task, and you want it to be so perfect, but it never can be." "It as though the outside world doesn't exist." "Just this indelible bond being created between two people." "I know what I did, Tony." "I just don't know where." "It's definitely Hattie's hair." "And what does Tony Hill think?" "He hasn't returned our calls yet." "Well, get him in." "We've got two missing women." "If this turns into a ransom demand, we need to know which buttons to press." "And if it's the same person that's taken Hattie Davis, what the hell have they done with Mica Van Marten?" "Do we have the fingerprints back on the envelope?" "Uh, not yet." "You chase it, and get Forensics to check if there was any DNA on it." "Hopefully it was licked before it was stuck down." "Don, any other similarities in their movements?" "Don." "Yeah?" "Either wake up or get out." "That goes for everyone." "Right now, I'm finding it hard to separate the academic from the personal." "Hmm?" "I mean, she's missing." "And there I am listening to your patient reveling in the details of her murders." "Do you... do you do this every day?" "Well, it's easier for me to stay detached, Laura." "If I had just stayed a bit longer, she wouldn't have become a random victim." "We don't know that she is." "Yeah?" "Don't you listen to your messages?" "Ah, sorry." "You live in chaos." "I suppose you've heard." "I'll come back." "No!" "No, you know each other." "Don't you?" "Laura Webster, one of my post-grads." "Laura, Det." "Inspector Carol Jordan." "We've not been introduced." "No." "Oh." "Can I have a word?" "I think we're done." "You have news on Hattie?" "We're doing everything we can to find her." "You're here for a reason." "Dr. Hill advises us on loads of other cases." "Of course he does." "Is it about Hattie Davis?" "Yes." "What have you got?" "A lock of hair in a white envelope." "Just hair?" "Yeah, no note, no indication of whose hair it was, just hair." "It's compatible with Hattie's." "Any contact made after Mica Van Marten went missing?" "No, but we also found her smashed-up mobile phone." "Apart from that, we don't know what happened to her." "But they've not made any attempt to show that someone had her." "There was nothing else left at the scene." "So this contact is a departure, less than twenty-four hours after Hattie went missing." "What else can you tell me about Mica?" "What other similarities are there, apart from the smashed mobile phone?" "More or less the same age as Hattie." "A Dutch student nurse over here on European scholarship." "Until Hattie's disappearance, I had no other evidence to encourage a bigger hunt for her." "If it hadn't been for the Dutch authorities getting involved, winding Brandon up, I wouldn't have even been able to launch her appeal." "Not that it got us anywhere." "And now this: another girl and another smashed-up mobile phone, and an envelope full of human hair." "What does it mean?" "Well, they want your attention." "They want you to know they have her." "The envelope's handwritten." "It's not typed or from a computer." "Question is, was that because there was no other method available?" "Which would indicate level of intelligence or a man with disposable income." "Or, was it a conscious decision to write by hand?" "If it was, it's more serious." "Why is that more serious?" ""I'm sending you something by which I know you can identify me, yet I still send it."" "Makes the person who's done this confident they won't be caught." "Also makes them arrogant." "No explanation; they expect you to know." "So I think they'll either increase contact or abduct again." "Is this linked to Mica Van Marten?" "It's likely to be, yeah." "Mica could have been a dummy run." ""Am I capable of doing this?" "Yes." "So now I'm gonna do it again."" "What's he done with Mica?" "Is she still being held?" "We've just had the envelope back from the fingerprint boys." "Anything useful?" "I'll let you be the judge of that." "As you can see, there's no prints at all on the outside of the envelope, but whoever it is has gone to the trouble of slicing it open and then resealing the edges." "Because on the inside ..." "Sick." "Whose prints are they?" "Hattie's." "Yeah." "What is that about?" "I LOVE YOU" "I LOVE" "She's dead." "Mica as well." "YOU" "How do you know they're dead?" "Because of the level of control this person likes to exercise." "Making Hattie imprint "I love you" amounts to a final expression--a last will and testament, if you like." "That was something that was denied to Mica." "And if Mica followed the same pattern as Hattie, then she died within twenty-four hours of her abduction as well." "You were looking for a missing person." "You should be looking for her body." "Our killer likes to control their victims' actions and what's now apparent is the way they're trying to control yours." "There's no ransom demand, merely the arrival of the hair." "So you work it out -- you look for the message." "They know you'll find it, which is what they want." "Because the hair, that makes it a game." "The hair?" "Could have been a finger or an ear, but hair is easier -- it doesn't form on the body." "And by its nature, it's dead already." "At least it proves our killer's not a mutilator--likes to keep the body whole." "Probably because they're still having a relationship with it." "You said it was a game?" "They want you to believe that Hattie's still alive." "Isn't it possible she still is?" "Yes, it's possible." "But she isn't." "In this sort of game with this sort of person, there's only one outcome." "It's a game you can never win." "They load the dice against you." "The prize is that Hattie's returned alive, but she can't be-- she's dead." "Probably at the moment, our killer lost control, so how do they regain it?" "They string you along." "They make the rules so complicated, you can only fail, and when you fail, Hattie's body's returned and it's your fault she died." "Oh, and then they go and do it again." "Until?" "Until they prove how clever they are." "This is one huge gauntlet which says" ""Are you good enough to catch me?"" "Tony suggests we speak to this person directly through the media." "Yeah." "In a small way, you need to flatter them." "Feed their ego; it's what they want." "And what you want is for them to come back to you." "Because in cases like these, the more contact you have, the more they reveal about themselves." "We just want her back." "Please, just think what you're doing and let her go." "And the detective leading the hunt for Hattie issued this statement " "We believe that Hattie may be being held against her will." "I would appeal to anyone with information that could lead to Hattie being released unharmed to contact us urgently." "We will do anything we can ..." "Tony." "...to secure her safe return to her family." "We're waiting for your call." "To contact us urgently." "We will do anything we can to secure her safe retu " ""DI Jordan."" ""DI Carol Jordan."" ""Carol."" "Oh, no!" "Oh, no!" "Tony Hill." "Ow!" "Ow." "Ow!" "Tony?" "Tony, are you okay?" "What?" "Yeah." "Just been attacked by some molten cheese." "How's it going, Carol?" "No." "It's me." "Laura." "Laura?" "Oh, Laura!" "Hi." "Oh!" "Thanks for coming over." "I know she's dead." "I saw the appeal." "If you thought she was still alive, you'd be talking to him like you were standing on a window ledge, begging him not to jump." "But you didn't." "You're saying how clever they are." "You're saying contact us;" "you're not saying give her back." "I can't discuss it, Laura, you know that." "I know." "She's my friend." "Then don't give up hope." "You work quite a lot with Carol, don't you?" "Yeah, we've got a professional working relationship." "Which both of you wishes would develop further." "Where do you get that?" "Is it in the case notes?" "Kind of." "It's between the lines." "Can I see Hattie's room?" "Uh, yes, this is Tony Hill." "I can't take your call at the minute, but please leave a message after the annoying noise." "They're coming for me, Tony, and I haven't told you where to find them!" "You've got to find them, Tony, or they'll never leave me alone!" "Please, Tony, what do I do?" "It's weird being here without her." "It already feels full of ghosts." "I'll get coffee." "Well, I was out of milk." "Do you mind if we don't stay in here?" "No, of course not." "No!" "No!" "Get away from me!" "No!" "No!" "Get away from me!" "No!" "No!" "Get away from me!" "I don't want you near me!" "I don't want you!" "" "Oh, I see you've moved on to Meadowcroft." "Spiked jars of baby food in supermarkets with broken glass." "Previous employee with a grudge for unfair dismissal." "Laura." "It's all right, nothing." "Look, you don't have to stay here." "I do." "Where is she?" "And I can't even help her." "No." "No, I should go." "I shouldn't be here." "What?" "Thanks for the wine." "Between the lines?" "Between the lines." "Carol's just a friend--like you, Laura." "Got it!" "The grid reference corresponds to a public phone box in Douthwaite Park." "Get down there, Kev." "Keep an eye on it." "I want the registration numbers of all the cars that use that parade of shops and a detailed description of anyone that uses the phone box." "And on your way past, tell Brandon's secretary I want to apply to the home office." "We need that phone box bugged." "Advert in the personals section " " I have to be at grid reference at 1630." "It's a phone box." ""Jordan."" "Yeah, I know, I've already read it." "No, no, no, it's personalized." "Before on the envelope, it was "Bradfield Police," but now it's "Jordan."" "Well, maybe it's to fit in with the personals section." "They're singling you out." "Asking you to come along "without your friends."" "Don't you think I should?" "Looks like the game's started, Carol." "Tony's right." "What if this guy tries to abduct you?" "Your call." "I'm in. 1629." "Anything unusual?" "No, it looks quiet." "Now, don't forget, this person's not going to give you long." "Just keep it unemotional, Carol, and repeat the instructions they give you." "That way, if you get anything wrong, he'll comment." "Oh, sorry." "Thank you." "Here we go. 1 ..." "Two ..." "Carol Jordan." "Carol Jordan." "Carol Jordan!" "Bastard." "That's what it's all about, Carol--leading you on, frustrating you." "Well, that doesn't make it any bloody easier." "We've got a trace on the call: another call box on the other side of Douthwaite Park." "I've got some uniform boys going over there now to seal it off." "Tony." "Well, that's it." "Game over." "I knew I should have gone alone." ""Jordan, I wanted you alone." "You lost."" "No one listened to me." "Makes no difference." "You were his excuse, Carol." ""I thought I could trust you." "I had to let sweet Hattie go." "She left me on the Main Bradfield to Harbor Road ... "" "... the B7849." "Fifty meters past the S-bend." "An entrance to a farm ten meters on the left, a gate."" ""Follow a fence on your left to the end and turn right, into the field."" ""Thirty paces ahead of you."" "Thirty paces, yeah?" "1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20  28, 29, 30." "Oh, God, no." "Hattie." "Over here." "It's, uh, it's another body." "The most recent victim has been dead for about four days." "Been in this location for the last two." "Death was caused by blunt trauma to the back of the head." "What?" "Not strangled?" "Not asphyxiated?" "No, no, definitely not." "I'll have a better idea of the instrument used later on." "So Hattie was killed soon after she was abducted?" "Yes." "The other victim died in the same way." "Difficult to say when she died." "Her core temperature indicates she's been kept in a freezer." "Why would he keep Mica like that?" "Because they want to possess her." "Can still have a relationship with her." "He'd abducted them; he was never going to let them go." "This is a person who enjoys exerting control." "He's full of self-confidence." "Arrogant, scared of nothing and no one, but isn't it interesting that at the final moment with Hattie and Mica, he's not brave enough to face the victim?" "They've manipulated them in all sorts of ways, but at the end, they don't want them to know death's coming." "I think underneath this bravado, our person has very low self-esteem." "I need to see that note again." "Yeah." "Oh, and by the way, if there's no semen on the bodies, check the grass." "I let sweet Hattie go."" "Implying mutual consent, no harm." ""I was looking after her, caring for her."" "See the relationship?" ""She was safe with me." Safe with me." "Till he whacks her on the back of the head." "This person enjoys the control of the abduction, the incarceration, and later on, the body." "But what they don't like is the death, and for that, they blame you." ""It's your fault I had to kill her."" "So they're randomly preying on women at bus stops?" "No, this person likes control." "Random could go wrong." "Mica and Hattie were watched, observed, and chosen." "What I don't understand is this doll." "It's a manifestation of an adult rather than a baby so this person has never had a normal relationship with a woman." "The doll have the same injuries as Mica and Hattie?" "Yeah, back of its head was painted red." "Can I take this?" "Yep." "JORDAN 8 LARUMERE HOUSE DURKAN STREET BRADFIELD BF2 2IC" "Ive been watching you The more I watch you" "The more fascinating you become" "Pay attension to what I say or I cant be answerable for the consequences Do what I say next time" "I'll show you how good I Can be" "What does it say?" "Basically, it says, "I know where you live."" "You okay?" "Yeah, fine." "I've had worse--mainly from ex-boyfriends." "Here." "They've spelled some words wrong." ""The more I watch you, the more fascinating you become."" "Could be deliberate." "See here?" "They've spelled "attention" wrong, but remembered to put the "c" in "fascinating."" "Which, if it is, is someone trying to hide?" "Or mask their true intelligence." "Am I being watched?" "Or is someone just trying to get to me?" ""Just do what I say." "Next time I'll show you how good I can be."" "Could have got your address anywhere." "This is a "treat me with respect" letter." "It's nerves." "They're going to take another victim, aren't they?" "You're sure you don't want me to stay?" "No, thanks." "I feel much better for you having come over." "I wanted to apologize for the other night." "You've got nothing to apologize for, Laura." "I just didn't want you to get the idea that " "Laura, I didn't get any idea." "I need to see Maggie." "This is an awful time for you." "Look, I thought you " "Carol." "I see." "Can we do this later?" "Yeah." "What is it you know?" "Laura, I can't." "Carol." "How did she die?" "Whenever you're ready." "I'll do it." "No." "No, the faces are coming again." "I don't know how much of this I can stand." "Okay." "Maggie." "I'm here." "Leave it with me, I'll " "I'll talk to the police again, okay?" "You will come back, won't you?" "You won't just leave me here?" "Tomorrow." "I think he is masking his intelligence." "Well, what's his real I.Q.?" "Difficult to tell." "Note's not long enough." "Where do you wanna go?" "Carol, I really need to speak to you about Maggie Thomas." "Yeah, I know, but not right now." "I've got to get back into the office." "Furnam wants to see me." "Wait a second." "What is it?" "Just stay on the line." "Carol?" "Carol?" "Meow." "Meow." "I'm still alive." "It was the cat." "Bloody cat." "There's a complete absence of semen on the body." "Did you find any on the grass?" "No, not yet." "Both had restraint marks on the wrists and ankles." "But not rope --something less flexible." "Cable?" "Both had objects inserted anally after death." "The fatal injury in both cases was caused by a piece of wood." "Splinters in each skull seem to match." "No semen." "Using an implement." "Asserting domination." "A woman?" "Your name, what is it?" "I'm Laura." "I'll write it for you." "T." "O." "Tom?" "Just wait." "N." "Tony." "Yeah, yeah." "Screw me." "It's okay, Tony." "Honestly." "Honestly, it's fine." "Wh-- wh-- what's the matter?" "You don't " "Why did he choose you?" "Hattie." "Mica." "What made you so vulnerable?" "I need to see you." "Laura." "What's going on?" "It's ..." "I don't know." "It's hard to explain." "Just checking you got back okay." "Thanks, Don." "Carol Jordan." "Do you want to wait here?" "What, another abduction?" "No." "Um, I need you to put this paper suit on." "Sorry?" "I also want the clothes you were wearing tonight." "Carol, what's going on?" "A complaint of rape's been made against you." "I have to arrest you." "The doctor's ready for him." "This has got to be done like any other complaint, okay?" "And open." "Thank you." "I also need a swab from your penis." "Seen her yet?" "Heavy bruising around the wrists, biceps, scratches around her thighs." "Looks like skin underneath her nails." "And we found a trace of semen on her clothing." "So, soon as we match up the DNA from his mouth and the seminal fluid, it should be straightforward." "Soon as you can." "I need to shower." "I want to wash him off me." "When we're certain the doctor has finished with you." "What really happened, Laura?" "I knew you wouldn't believe me." "We want to hear your side of it." "No, you don't." "You just want to believe your precious Tony." "Well, this is what he does." "But you wouldn't know, wouldn't you?" "Just answer the question, Laura." "What happened?" "This happened!" "And this!" "And this!" "You don't know him." "She came to my house." "You invited her?" "He said he wanted to discuss work." "No, I didn't." "Did you ask her to leave?" "It's the only thing he's comfortable with." "Nothing he could have mistaken for foreplay or arousal?" "Maybe that's what he gets off on." "She kissed me." "I said no." "I was telling him to stop." "Then she got angry and attacked me." "Because you wouldn't kiss her?" "He forced me onto the floor." "She was scratching, fighting." "I was trying to defend myself." "I was trying to get her out of the house." "He was pulling my jeans down." "And then you raped her?" "Did he penetrate you?" "No." "He was using his fingers -- luckily, he's not very skillful in that department." "I didn't do it." "And I don't know why she's saying I did." "Really?" "Well, I thought you were a psychologist, Tony." "Do you think Tony assaulted her?" "I think it's best we wait for the DNA result." "Okay!" "Kevin, Don -- so what type of rapist am I, then?" "Which of Groth's profiles do I fit into?" "Tony, I don't care about that." "Am I sexually stimulated by pain and suffering?" "Did I use a knife?" "Was my victim a stranger?" "I don't think so." "Tony, we are not interested in theory." "What we want is facts." "Oh, come on!" "Was it a blitz attack?" "Did it come from the bushes?" "Was she older than me?" "You know, did I use my fists?" "Did I punch her in the stomach?" "Am I a prowler?" "Did I apologize afterwards?" "Now, you'd hardly call me body-conscious, now, would you?" "What are you trying to prove?" "That I'm not a rapist, Don!" "Ask her what language I used." "Did I call her a bitch?" "Or did I just ask if she was cold?" "Interview suspended 0130 hours." "In fact, if I did rape her, then you need to question me about the murders of Mica and Hattie." "Sometimes trying to be clever is really pretty stupid." "That's it." "All the time, I've been thinking killers." "Should have been thinking rapists." "This isn't primarily about death." "He only showed us the bodies when we couldn't find the girls." "We played his game." "We couldn't win." "He had to help her." "He evolved to Hattie after Mica." "But before Mica, before Mica, he would have raped others." "Abduction was the next step." "We find the rapist, we find the killer." "Did they suffer anal penetration?" "Don, Kevin, come on!" "I need to know the injuries." "Okay, Tony, which is he?" "Power assertive or power reassurance?" "Anger retaliatory or anger excitation?" "Yeah, it's bits of each." "19 to 25 -- 30 at the oldest." "Deals in measurements for a living." "What the hell happened?" "Tell me he didn't do it." "I wish I could, sir." "We've taken the relevant samples, but something definitely happened." "And how are you?" "We found semen on the grass at the dump site, like Tony thought." "We'll have a DNA profile of the killer during the morning." "Low self-esteem." "Angry towards women and authority." "The death, power reassurance." "The control is power assertive." "Presents false images to women." "Comes across as confident." "But underneath  totally inadequate." "Maggie." "No!" "Yes, I need to see someone." "Yes." "Oh, thank you, yes." "I need to see a patient today." "Ask DI Jordan." "Can you do that for me?" "Did you hear me?" "Tony ..." "I know where they are." "Breakfast?" "He will come." "He will come." "He will come." "He will come." "All right, let's go back over the statements of those closest to the victims." "Luke, Hattie's boyfriend, was he at home that night?" "He's a math student." "We're looking for someone who's precise with measurements, 19 to 30 years of age, concentrate on rapists." "Oh, how very nice of you to join us." "I have to see Maggie Thomas!" "Don't you understand?" "Nobody's heard from him." "Do you want me to get one of the house doctors to see you?" "No." "I needed Tony." "You have to send her a message." "She won't cope without me." "Her name is Maggie Thomas!" "Bradfield Psychiatric Hospital." "At least you gave me a way out of this nightmare, Tony." "aah!" "This it?" "DNA profiles from Tony and of the semen found on Laura and near the bodies." "Thank you." "It matches." "Tony raped her?" "No." "His DNA is totally different from the semen found on Laura and that found near the bodies." "I thought you said we had a match." "Yeah, we do -- the semen found near the bodies is identical to the semen found on Laura." "She screwed the killer, or he screwed her." "Oh, the guy you're looking for could have been done for fraud." "Tony!" "Well, what the hell did you think you're playing at?" "Surely it occurred to you we'd find out the truth sooner or later." "He attacked me!" "He tried to rape me!" "It wasn't his sperm, Laura." "It was Tony." "Who was he?" "Who did you sleep with?" "Tony." "No, no, no!" "Who did you have before crying rape?" "Tony." "This isn't going to work, Laura." "Who was he?" "What does it matter to you?" "Understand me, Laura." "This isn't about Tony Hill." "The semen on your jeans was from the man who killed" "Mica van Marten and your friend Hattie." "Yeah, you shared a bed with a killer." "You don't know how lucky you are." "You're the only living witness." "Now, until we catch him, you are doing everything you can to help me." "I want every detail -- what he looked like, what he sounded like, what he said and how he said it." "And then we'll worry about charging you with wasting police time." "He said his name was Tony." "Oh, hell." "Oh, no!" "Oh, no." "No." "What is it?" "It's a map." "She remembered where she buried the children." "I'm really sorry about Maggie." "Really?" "I thought it was the police's view that maybe she got what she deserved." "If you had listened to me earlier, Carol, she might still be alive." "Cut the crap." "I put teams of officers on that hillside because I listened to you." "Don't you remember?" "You were probably too busy paying too much attention to Laura." "Well, come on." "Share some of the responsibility for what's happened to you." "I know you're not very aware when it comes to women, but really." "I would have thought even you would have seen that." "Are you finished?" "No." "She's given us a description." "I still need your help." "Please?" "Tony, isn't there even a little piece if he gets angry about what she did?" "You know, if we hadn't got that DNA match, this could have dragged on for months." "It could have finished you, ended your career, your life." "But it didn't." "You should never have let her get involved." "But I did." "Yeah, and now, in the meantime, for all we know, that man's out there targeting his next victim, and we haven't been on it, because we've been here, pissing around with her and you." "But he doesn't know that." "This isn't Laura's fault." "She just lost her best friend." "She was trying to get over it." "She was obviously drunk." "She could barely stand up by the time she got to my house." "Felt ashamed and had to find a way to explain her actions to herself." "And she found me." "It is a good thing that this happened." "We've got an eyewitness who can identify the killer." "He didn't kill Laura, and when we figure out why he didn't, we've got our best chance yet of catching him." "Three good things that have come out of this." "Oh, come on!" "And you're not the one who spent a night in jail!" "She slept with the killer and she knows she did." "Now, wouldn't you rather be anyone other than Laura right now?" "Okay, okay." "I'll be nice to your little girl." "Now, are you going to honor us with your gargantuan brain?" "Would you describe him as being body-conscious or overtly macho?" "No, he was a regular guy." "Oh, yeah, right." "This guy's in total conflict, Carol." "He's a mixture of types." "After he ejaculated, what was his attitude?" "Afterwards, was he apologetic?" "Was he angry?" "Violent?" "Was it your fault?" "Did he call you names?" "He ran away." "Doesn't make sense, I mean, for him, running away would be a reaction to resistance." "Were you resisting?" "He was playing this game." "Of course." "He turned me over." "So she wasn't facing him." "He used his finger." "And he wrote it with that." "Where have we seen that before, Carol?" "He was going to kill me, wasn't he, Tony?" "What happened?" "Why didn't he?" "Why didn't he kill me?" "!" "I'm so sorry, Tony." "Please help me." "Are you there, Tony?" "Because you took away his control." "He resisted." "He takes on other personas so he doesn't have to be himself;" "that's what he can't be." "He can only function by playing games." "Dominates and controls as another person, but when he kills, he has to be himself, and he doesn't like it." "He can't face it." "And after death, his inadequacies don't matter;" "he can masturbate, looking at the bodies, thinking of the good times he had being another person." "But, Laura, you took control." "You made him do something he'd never done before, which he just couldn't handle." "You made him ejaculate." "I kissed him." "That kiss saved your life." "Okay, everyone." "He's mid- to late 20s, 5'5" to 5'8"." "Dark hair, reasonably good-looking, southern accent." "We know from the two victims that he can get through security." "He has access passes--either through his job or he's skilled at getting them." "In his day-to-day existence, this man deals with measurements." "It's usual for him to be precise." "Tony believes he may have a history of fraud as well as sexual offenses." "This man's rapist typography is based on presenting false images to women." "He's happier pretending to be other people." "He's totally inadequate being himself." "It's unlikely he's a student " "He underachieved." "Instead, he takes on other personalities: a doctor, nurse, lecturer, student." "And he's good." "He's better at being other people than he is at being himself." "And it's this believability that gives him the opportunity to abduct,  rape, and kill." "And when he kills, he reverts to being his inadequate self." "Piece of wood across the back of the head." "Now, rapists usually re-offend on the cycle of a biological clock." "Each offense satisfies the urge." "But if, after his experience with Laura, he felt sexually ashamed,  then he could strike again almost immediately." "Why hasn't he been in touch or contact with Carol again?" "I thought that was his game." "It is, Don." "He just hasn't got himself a victim to play us with." "I thought you said you had a car." "Did I?" "He's beginning to make mistakes." "Having sex with Laura without his other self, yeah, but there's no comfort for us in that." "You know the awful thing about cases like these?" "Only by having more victims do we increase our chances of catching him." "We don't have a choice; it's a risk we've got to take." "We just have to make sure we get to him before he kills again." "We've pulled out a suspect list of 74 names." "Age range, previous convictions, and employment type." "Well, with this, his DNA, and an accurate description, hopefully that won't be too long." "Carol Jordan." "Jor-dan it's me." "You haven't taken me seriously." "How did you get my number?" "We need a trace on a call to Carol's mobile." "She looks a little like you, Jordan." "Say hello to Rachel, Jordan." "Hello, Rachel." ""He's got another one."" "Not loud enough." "Jor-dan." "It's all right, he won't leave it there;" "he'll call back." "We know who we're dealing with." "We can save her, Carol." "Whatever you need, you've got." "Can you put some weight behind that DNA profile on previous offenders?" "It can't wait till the morning." "The telephone exchange computer has no record of any call made to Carol's mobile phone, not even from another mobile." "They confirmed that you received a call, but as far as they're aware, it came from nowhere." "Well, that's impossible; it's computerized there must be a record somewhere." "Telephones." "He sent us round phone boxes." "He smashed up their mobile phones." "I want a list of telephone company employees." "Get me the managing director of Carol's mobile company." "We need constant monitoring on her line." "Yeah, I think I've narrowed down his personality type." "He's falling between these two columns, but nobody ever completely conforms." "Her name is Rachel McGuire." "Business Studies Student from Northern Ireland." "Didn't come home from the library tonight." "Has he already killed her?" "Did he try and prove to you that she was still alive?" "I don't think so, no." "I think he was just trying to wind me up." "Then she is alive." "Unemotional, and repeat any instructions." "Carol Jordan." "Carol, hello." "Rachel sends her love." "Tell us what you want from me, and then you can give us Rachel back alive." "Well, that depends on you, Carol." "What do you want me to do?" "Take your phone, be outside in your car, engine running, in ten minutes." "Alone." "I'll get you an armed response vehicle." "No trace -- a land line, but no destination number." "Is he on the Internet?" "No, there's always a trail." "He must be calling from somewhere." "I need to be wired and I want a body vest." "What?" "No!" "You don't go." "Bollocks, Tony, he's got another victim." "Yes, I know." "Look -- he likes to control and dominate, and when he's allowed to or goes unchallenged, he kills." "Well, what happened when Laura took control?" "What happened when Laura challenged him?" "He ran away -- that is this type of personality." "Power reassurance rapists, when resisted, either negotiate or give up -- we can do that." "That's what we do with Rachel; we challenge his authority." "How do you know he won't kill her?" "He's too ashamed." "Well, he wasn't too ashamed to kill Mica or Hattie." "Because he wasn't made to confront it." "See, these personalities live in a fantasy world where they avoid confronting what they're doing." "So we make him confront it." "You know, we don't do what he says." "We challenge his domination." "And he'll let her go." "Are you saying we should just do nothing?" "No, I'm saying we don't send Carol." "I spoke to her." "She's going to do everything she can to help us." "You take my car." "All his calls should come on Carol's mobile." "He won't realize to start that he hasn't got his way." "You got your stab vest?" "Yeah." "Oh, no." "Check CCCV, see if anyone's been messing around with the cars out front." "Well, he hasn't mutilated it." "Is that meant to be me or Rachel?" "Well, that's another reason why I don't think you should go." "What about Don?" "Oh, he won't react in the same way to a man." "This man is seriously confused." "I hope you're right." "Here we go." "Carol Jordan." "Enjoy the ride, Carol." "Right, where am I going?" "Target rendezvous is phone box on Castle Drive." "... Support units standing by." "I hope this works, for all our sakes." "He took the lights off the phone box." "Tony?" "The sick bastard's left a blindfolded doll right in front of me." "Blindfold?" "Carol Jordan." "On the tree outside." "Don, tree outside." "Exchange." "You know why they can't trace the calls?" "He's tapping into junction boxes -- no final destination number." "Can they trace which one?" "He's moving around." "Our man's a bloody phone engineer." "It's not you, Carol!" "I said it was to be you!" "Be your fault, Carol!" "Whatever happens, it's ... your ... fault!" "Just let her go." "Let Rachel go." "I shouldn't have listened to you." "Tell Carol she lost again." "Your prize is in the Castle Drive phone box." "He said the prize is back up at Castle Drive." "Tony, I'm looking at an almost totally bald doll." "Oh, God!" "And I'm standing in human hair." "This isn't right." "Something isn't right." "What isn't?" "Well, if I was right about his personality, he shouldn't have done that." "That puts him more here." "And they don't respond well to challenges." "We've got a DNA match from a previous sexual offense." "His name is Gary Weller." "Carol did him for fraud back in London in 1998." "Paula, come on, let's go." "Later convicted for assault while impersonating a doctor in a hospital." "He assaulted a girl he went to buy a car from and cut chunks of her hair out." "Oh, dear God." "Oh, my God." "Rachel!" "It's all right, love." "It's all right, you're safe." "We're the police." "You're safe." "What's our line to the press on Weller?" "We say ..." "The truth -- he's still out there." "We know all his haunts." "It won't be long." "We concentrate on the good news -- we saved Rachel." "What's up with you?" "He's let her go, hasn't he?" "Yeah, but it's not right, Paula." "Only this personality would let her go." "He isn't." "I was wrong." "He showed himself to be more here, and they don't do that." "He should have killed Rachel." "All that matters is that he didn't." "Yeah." "But why?" "All the information's on the printed sheets." "With this type of personality, any challenge is met with extreme violence." "Why did he just let her go?" "He did what we wanted when he shouldn't have done it." "What made him?" "Why didn't he?" "Well, you said yourself, he plays games." "She was the first person to put him away." "Who?" "Carol." "Can you give us a minute, sir?" "Aah!" "Excuse me." "Tony." "Carol?" "You sick bastard!" "Gary!" "Gary!" "Did you do it?" "Mr. Weller, comment, please." "Did you do it?" "Dr. Hill, maybe you could tell us " "We'll get some information to you later." "How did you know?" "Sadistic, angry excitation with peripheral anger retaliatory motivation." "You represent the women he hates." "Simple, really." "What are you going to do about Laura?" "Oh, leave her." "She needs help, not persecution." "Where are you staying tonight?" "At home." "Why?" "Shock could set in." "You shouldn't be on your own." "Yeah, right." "Carol?" "How are you feeling?" "Yeah, good." "Thanks for last night." "I'm sorry about the sofa." "It wasn't the sofa." "It was your cat that was a problem." "Five years." "But you got us here in the end." "I'm sorry you had to lose Maggie." "She really did want you to find the children, you know." "She wanted you to take her seriously." "She knew what she was doing." "Yeah, except we're returning bodies, not children." "I know." "But hopefully, for the families, it'll bring closure." "We found one!" "We can only hope." "Legendas:" "Intrepid / Sincronismo:" "Coy"