"Previously on Project Runway..." " Go!" " Three minutes." " [Screaming]" " Mad dash." "I don't know how to do this." "We get to design our own thing." "My first design... color, style, and fit." "I find it disturbing." "It was an afterthought." "Yeah." "Just clean it up." "I cannot send it down the runway." "Why would you introduce a poor supporting player?" "Well, I didn't introduce her." "I just introduced her to you." "I think my dress very well could get me the win." " She looks like a Hershey chocolate bar." " Okay." "[Michael] Sewn terribly." "The hem was the worst." "There was just nothing." " Emilio, congratulations." " Yes." " Yes!" " You are the winner of this challenge." "I'm sorry, Christiane." "That means you're out." "Ping, you choose which one of them will be in and which one will be out." "I want to stay with Elizaveta." " Thank you." " I'm sorry." "[Heidi] Kelly, that means you're out." "This is Project Runway." " Yes!" " I am fashion." "Look at me." "The search for the next big fashion designer." "It's cut or be cut." "Just make it work." "16 designers." " Great clothes." " Great style." "I've got it all." "Three finalists will make it to Mercedes-Benz Fashion Week." " Well, I won't do anything to win." " I will." "But only one can be the winner." "My weapon of choice." "For these 16 designers," "Project Runway is the chance of a lifetime." "The winner of Project Runway will receive a fashion spread in marie claire magazine, an opportunity to sell their line on Bluefly." "Com, a $50,000 technology suite to create, design and run their business from HP and Intel, and $100,000 from L'Oréal Paris to launch their line." "Come on, Jesus." "Get up." "Come on." "Get up." "Gosh." "The worst feeling..." "being in the bottom three." "It felt horrible." "I wasn't expecting it." "But you can never know what to expect from the judges." "I need to step up the game, and I need to be more creative on my gowns." "I'm sure we'll do well this time." "Much better than the first time." "Did my rollers come out of my hair?" "[Laughing]" "It's too early. [laughing]" " You excited?" " Yeah." " Challenge." " I actually teared up when Christiane walked in and we were saying goodbye." "That's gonna happen one by one to so many people until there's just three left." "So I'm just glad that I make it through." "I hope we do something that's, like, very New York." "Like, weird, eccentric New York, you know?" "Yeah, 'cause we'll go to Mood today." " Get your ass off the counter." " I gotta finish my coffee." " It's okay." " Come on." "Come out." "Hello." "[Designers] Hi, Heidi." "Emilio, you won the last challenge, which gives you immunity for this challenge." " I'm very happy." " Congratulations." "Thank you very much." "In this next challenge, we really want to see what you're made of, so we're sending you on a little field trip to a place that is, well, a little out there." "[Chuckling]" "[Janeane] Sneaky, tricky Heidi." "I don't know if we're going to the moon." "I don't know if we're going to a Broadway show." "Good luck, and I'll see you on the runway." " Bye." " [Designers] Bye." "[Heidi] There's some question marks over everyone's head." "[Jonathan] We are at a farm." "And as we walk up, we see Tim standing there with all of our models wearing potato sacks." "[Laughing]" "[Chattering]" " Good morning, designers." " [Designers] Good morning, Tim." "Welcome to Adma Farm." " It's beautiful, isn't it?" " Yes." "You've heard the expression, "She's so beautiful, she'd even look great in a potato sack?"" " Yeah." " Well, you're going to prove that point." "For this challenge, you will be creating a party-worthy look out of potato sacks." " [Designers] Ohh!" " [Laughter]" "Oh, my God." "We're making something out of burlap." "The first thing I'm thinking..." "what am I gonna do?" "Like, what are our options?" "[Seth Aaron] This is really exciting for me." "The more odd, foreign challenges, the better." "There is more." "The models are your clients, and they're going to be wearing the look that you create to a special industry event." "So our model is our client, meaning that they get to have a really serious input in how the garment is put together." "And owing to the fact that the models are your clients, they're going to choose the designer with whom they want to work." "When we learn that the models get to pick us, it was sort of unsettling because on top of making a dress with a burlap sack, now we have to be wanted." "First up is..." "Kasey." "Jay." " [Screams] - [Laughter]" "[Tim] Aah." "Jesus." "Emilio, get over here." "All right, mama." "I'm gonna stick with the lovely Anna." "Yeah, baby!" "I would still like to have Ben." "I'd love to work with Ping again." "Thank you." "Seth Aaron." "Maya, come on down." "Pamela, you're hired." "I'll make you hot." "We have Alexis next." "I'd like to choose Anthony." "[Squeals]" "Okay." "Alexis decided to go with Anthony instead of me." "It kind of just makes me go, "Hmm," you know?" "What's up with that?" "Like, did she hate my design?" "Jesse." "Whoo!" "[No audible dialogue]" "I think I'm gonna go with Amy." "[Mutters]" "And then there were two." "Valeria." "Uh, it's a hard choice, but..." "Janeane, I really like your design." "Please." "Oh, yay." "Thank you so much." "You like me!" "Hi!" "What am I, chopped liver?" "So Mila is the last designer standing." "You can join the last model standing, Lorena." " All right!" "Hey, Lorena." " [Cheering]" "Mmm." "Designers and models, now you are going to go shopping at our farm stand." "There are a lot of embellishments." "Shop thoughtfully and very strategically." "You will have one day for this challenge." "You can start shopping right now." " Fifteen minutes." " Come on!" "We've got to make a burlap sack look like amazing fashion." "I'm interested to see what happens." "Black is too safe." "We get to choose from a variety of ribbons, horsehair, zippers, buttons, you know." "So you're kind of like half trying to have a consultation with your model, half trying to shop." "I love to dye things." "I think that it's important for me to keep my aesthetic." "So if someone, you know, tells me," ""I want it to be this, this, this, and this,"" "and pretty much designs the whole dress, that is very difficult for me." "I have an idea already." "I want to play with the texture of the potato sack." "I think I can create a very interesting, very simple garment." "This is really, like, feminine." "Lorena and I started talking, and as it turns out, we have some similar tastes, I think." "Her idea of a cute dress would be something that's flattering but edgy at the same time." "So I think it's gonna be great." "Designers, models, one minute remains." "I like hippy, flowy..." "Alexis already is proving to be very... verbal about what she wants." "Like, sparkly, too, and, like, a party dress." "I would like to make Alexis happy without sacrificing my staying here, period." "Time is up." "You must stop shopping now." "So grab your potato sack and follow me." "[Jesus] Follow Tim." "Working with burlap is not that bad." "I think the problem is trying to make it look expensive." "No one wants to look like they're wearing a burlap sack." "So that's the real challenge." "Designers, you have the raw materials of your challenge." "Your models are indeed your client, but don't lose sight of who you are as a designer." "You have until midnight tonight, so make it work, everybody." " Yes!" " Thanks, Tim." " Make it work." "Thank you." " Bye, Tim." "If there's one challenge to have immunity in, I think this is the one." "You have to create something that they're gonna wear to an event, and you're using one of the most basic fabrics in the world." "Burlap is probably as old as Moses." "So Brittany wants a hoochie, sexy dress." "I'm gonna make her look really sexy, and I'm just gonna add a lot of detail, using ribbon on the dress." "Getting a light brown to turn blue is not gonna be the easiest thing in the world, but luckily, I learned how to do an ombré, where a color shades from one color to another." "So the kind of challenge we got seems to fit me perfectly." "This design is gonna be just very voluminous and gathered and billowy." "The center will overlap and open up when she walks to kind of look like an upside-down flower... like a tulip, like the petals are opening up." "I think it's very important to make my model happy." "I mean, as witnessed today, I mean, I can't help but wonder, was my former model not happy with me and my design?" "[Mila] It's funny that she would pick you over me, because I thought we had a fine rapport together and everything, so..." "Mila has decided that she wants to confront me." "I know what the behind thought process for that statement was." "Basically, I know that I sew better than you," "I design better than you, so I can't even imagine why she would choose you." " Yeah, whatever." "It's her loss." " Ooh." " [Mila] Not about you." "Not about you." " [Anthony] Okay." "Don't worry." "About me." "I left my feelings in Atlanta, Georgia." "I know that it is a competition, so being courteous sometimes isn't an option for some people." "But Mila can kiss me and my entire family's asses." "Coming up on Project Runway..." "This treatment is gonna be one of these two." " Really?" " I don't know." "I'm flabbergasted." "Forgive the pun, you skirted the challenge." "[Emilio] This is a one-day challenge, and time is an issue." "The fact that you're using burlap, which is a very difficult material to work with." "A lot of designers are not gonna be able to execute the vision that they have in their mind." "I know my way of working is very different, but I was among the top three designers, so I feel more comfortable and confident of my way of doing things." "Oh, my God!" "You're doing potato prints." "As we were grabbing trims, I also grabbed a couple potatoes and began immediately thinking about how I could use them and the dye to print a pattern in the fabric." "Hi, everybody." " Hey, Tim." " Hi, Tim." "I'm going to check in with all of you a little on the earlier side because I'm eager to know what you're doing." "And since I'm here, I'll come to you, Pamela." "Well, I'm working on a dress that's a bustier corset dress." " This ombré is fabulous-Iooking." " Yeah." "Thank you." " I love doing it." " How'd you do..." "That's one of my specialties." " We have the corset." " Yeah." " What's happening below the corset?" " It's all one piece." "Should it be one piece?" "I kind of like it that way." "[Chuckles] I mean, when it's on the runway..." " Yeah." "...no one will know if it's one piece or it's two." "But I'm just thinking purely from a logistical aspect, from a time aspect and from a fit aspect, isn't that much more complicated to have this be a single piece than to have it be two?" "It could be, except for that I finished the bodice already." " All I have to do is lay it on top of this..." " All right." "...so now it's mostly all straight seams." " If you're confident," " I'm with you." " Okay." " Okay." "Thank you." " Thank you." " Mila." " Hi, Tim." "What's going on?" "Well, this treatment in the front, and the center front and center back, is gonna be one of these two." "Now, the other thing that I was trying to incorporate is this tulle." "Just a tiny little bit of it around the neckline, with a raw edge." " Can I just ask you why?" " The model really liked it." "She gravitated towards it." "No." "I know." "I know." "That's compromising the integrity of what you're doing." " It's a non sequitur." "It doesn't belong." " I'm glad you said that because I was trying to figure out a way to use it." " Don't." " Okay." "We don't need to see this." " Go sew." " Okay." " All right." " Thanks, Tim." "So how's Jay?" "I'm doing something my style." "And you're treating the edges of all of that?" "Yes." "So these things will pop out because they're so bright." " So they're going on after you dye it?" " Yes." "After." " And you're not worried about time?" " Mm-mm." " Really?" " Yeah." "All this has to be dyed, it has to dry, and everything's going to have this trim?" "Yes." "L-I'm flabbergasted." " I'll try." " All right." "I'm gonna leave you alone right now." " Okay." " Because do this." "I'm just glad I'm not in your shoes." " Okay." "Thank you so much." " All right, Jay." "Thank you." " Hi, Ping." " Hi, Tim." " Talk to me." " I want to create a neck like a necklace." "Here it will be solid." "So you're carving it, basically, out of here." " Exactly." " Got it." "I find it intriguing." "Yes, I know." "I'm always intriguing." "And then my model just wanted something that make her legs longer." "Then where does the skirt end?" "Skirt end should be short." "I told her it's gonna be short." "Okay." "Because, can I just tell you, if it's just an inch or two below her crotch..." "Mm-hmm." "...that runway is elevated..." " Oh!" "Those judges can look..." " [laughing]" " You don't want it to be vulgar." " That's my point." " Right." "Okay, I can lower it." "No problem." "I can just play this part." "I will just say this, you have a lot of work to do." " I know." " Okay, go to work." " Thank you." " Thank you, Ping." "Thanks." " How's Amy?" " Um, just have the skirt." "I have eight panels, and five of them I still have to dry." " Okay." " So I'm a little bit concerned about that." "But I love the treatment of them." "So I did kind of like a dip dye with two different colors." "What's the shape of the tone?" "My model wanted an open back" "She wanted puffy sleeves with a cuff." "Oh, geez..." "You're the designer." "It doesn't sound like you." "No." "No, it doesn't at all." "If the judges don't like the look, they won't care if your model does." "That's true." " Okay?" " Okay." " Make it work, Amy." "Thank you." " Thanks, Tim." " Jesus." " Yes, Mr. Tim." "What are you up to?" "Well, my model's Brittany." "She has an amazing body, so she wanted a really, really fitted skirt." "The skirt's going to be like this, and I'm going to use this thicker ribbon to make it thicker as we go and then add this." "So is the burlap completely disappearing?" "Um, yes." "The challenge was to work with a potato sack." "The skirt's a hundred percent ribbons." "Where's the potato sack?" "Underneath." "I think that's a problem." "It's not intended to be a potato sack undergarment on which we have a hundred percent embellishment." "I would say, forgive the pun, you've skirted the challenge." " Okay?" " Okay." " All right, Jesus." " Thank you, Tim." "Think, think, think, and then work, work, work." "I did cover all the potato sack thing, but I think it was just one of those details that I think that made my dress look cocktail and evening." "It's going to look good on the runway, and I have to be Jesus." "All right, designers, we'll have a big runway show, and I want those judges socks to go blowing off their feet." "I'm sending in your models." "Okay?" "So make it work." "I'll see you tomorrow." " Thank you." " [Woman] Bye, Tim." "[Ping] Oh, come in, come in, come in." "Come in, come in, come in." "You know... you know, okay, here's the idea." "I can't believe how pretty it came out." "[Laughs]" "Sarah is liking the idea that we're doing the bare shoulders and that we're sculpting it in." "So it'll be a little sexy but not totally naked." "[Amy] Alice had an idea of what she wanted her dress to look like, which is why it was even more important that if I was going to stick with my aesthetic and my idea, it was going to have to blow her away no matter what." "I really want to get you into it, see how..." "I want to make sure your buttocks are covered." "Yeah, let's make sure the buttocks are covered." "That would be nice." "I love Ping." "She's very good at that Asian influence look, but her lack of experience in actual constructions scares me." "Now, okay, keep it on." "Why did Tim say he was worried?" "He said because I used too much ribbon, so you have to sell it." "[Jesus] Brittany loved the dress, but she was also a little concerned about what I had told her that Tim had told me, but I'm really confident." "I feel that she's going to back me up in the runway, and I feel that I'm still going to be in the competition at this point." "It's not as low as I wanted it to be." "There was a few things that I was thinking of, so I just want to put it out there." "I wanted to know what you thought about the buttons and the fringy thing." "Alexis is wanting blue buttons on a cocktail dress." "I don't know." "That looks so cool." "I'm glad you're happy." "My model really digs the design, so in a way I felt that I was blessed to have Alexis dis me basically." "You're going to be sultry." " Oh, perfect." " Go, go, go." "You've got your work set out for you." "And come on time." "Okay." "I am okay on time at this point." "People who are dying their fabric are definitely at a time disadvantage." "It's literally just a disaster area for everyone involved." "Oh, my God, why is this navy blue?" "The base of the skirt turned out navy blue, and that's not the color that I'm looking for." "[Bleep]" "It's very stressful to find myself in a situation where I'm half done at midnight the night before the fashion show." "Coming up on Project Runway..." "Yeah, push them up, baby." "Push them up." "Everyone's very panicked." "I just wanna finish my garment." "We're going down to the runway now." "I hope my dress gets done on time." "Okay, I have a few things still to do." "I've got to turn up the hem, and I've got to fine tune the back closures, and I don't want to be one of those people that sews people into their dresses." "You'll be fine." " Yeah." " Have to put on your game face." "Don't let them know that I'm terrified." "Shoes or boots?" "Shoes or boots?" "Soon as I get to the workroom, though," "I'm going to be in full adrenaline mode." "There comes a point where I almost feel like I'm not gonna finish." "I know." "I'm freaking out about the fact that I have a lot to do." "I just want to finish my garment." "Come on, guys, let's go to Parsons." "Parsons, here we come." "Okay." "So, Janeane, how's yours coming?" "I have a few things to do." " Yeah, me, too." " Yeah." "I am stressed for time, which is..." "I'm getting used to at this point." "That coffee did not do its job." "He just put this through." "I pulled it through, and now it won't work." "Oh, it's attached to the zipper, too, so no." "Okay." "Good morning, everybody." "[Designers] Good morning, Tim." "All right, designers, you have two hours to send your models to the L'Oréal Paris makeup room and the Garnier hair salon." "All right? and use every second you have this morning to pull these looks together." "I know you have a lot to do." "All right?" "I'm sending in your models." "Make it work." "[Designers] Thank you, Tim." "[Chattering]" " Try anything on?" " Not at this moment." "I think we're good because we know that the muslin fit beautifully." "The dress speaks enough for itself." "[Ben] The second she saw the look, she fell in love with it." "I do feel I was able to balance not only what my client wanted, but also my personal aesthetic." "[Amy] It's very hectic this time." "Everyone is very panicked." "They're running around like crazy, and I think half of the contestants are going to have to sew their models into the dress." "[Jonathan] My first thought when I see Ping's design is..." "It's, like, exaggerate your pelvic movement." "Wha..." "The garment's not functional." "It doesn't cover... her ass, and so I'm worried, but then I look over at Ping, and she's smiling." "It adds a little something, you know?" "Oh, my God." "Maybe I'm not worried." "Maybe it's supposed to be an ass flap." "I don't know." "It's just all very strange." "You look stunning." "[Woman] Really?" "I love it." "It really curls." "Sucks." "Is it hot in here, or is it just runway day?" "Yeah, push them up, baby." "Push them up." "Pamela." "Her model tried on her dress, and I was like, "Miss Thing has a big ol' butt, like, it looked huge in the garment." "[Tim] Designers, models... ten minutes." "Use your time well." "I will be back." "Thank you." "There's so much going on right here that the zipper, there's not enough room for it to slide up on a T." "Is it killing you?" "Kasey?" "Everyone is running around like chickens with their heads cut off." "It's..." "It's crazy." "And this..." "this is not going to hold." "All right." "Designers, models," "I never dreamed that humble potato sacks could look this grand." "You've done a fabulous job." "Bring your equipment with you." "We're going down to the runway now." "Let's go." "[Chattering]" "Beautiful." "Mila." "It's just you." "Thank you." "All right, that's it." "Coming up on Project Runway..." "The dress is not sophisticated." "I have a feeling that a plain potato sack would be more flattering on her." "Welcome to the runway." "As you know, in fashion, one day you're in, and the next day you're out." "There are 15 of you here, and after tonight, there will be 14." "Your challenge this week was based on the age-old saying that a beautiful woman could look good in anything, even a potato sack." "Your job was to turn a plain potato sack into a party look for your model." "All right, let's meet the judges." "First we have top American designer Michael Kors." " Hey, guys." " [all] Hi." "Fashion Director for marie claire magazine Nina Garcia." " Hello." " Hi." "American icon, model, actress, and adventurer" "Lauren Hutton." " Hi." " [Applause]" "We will score your designs as they come down the runway." "One of you will be named the winner, and one of you will be out." "Emilio, you won the last challenge, which gives you immunity, and you cannot be eliminated this week." "All right, let's start the show." "[Anthony] The dress turned out to exceed my expectations, and Alexis looked like she was going to a party that she would be appreciated by people who appreciate true fashion and glamour." "As soon as she walked on the runway," "I not only see that her buttocks is revealed, but also the skirt part of this dress really looks like potato sacks." "[Ben] I am ecstatic." "I feel that it was classic and still young and modern." "It's timeless, and it could be appropriate for this year or ten years from now." "My dress actually turned out almost exactly the way I envisioned it." "Not only did I make my model happy..." "my client... but I also feel like I made something that someone would wear to a nightclub out of a potato sack." "I believe I maintained my own perspective as a designer, but I think ultimately the vision that we shared together resulted in something that was pleasing to both of us." "It's really awesome." "Ultimately I'm the only one that did pants, so I think it's definitely the look and and the sophistication with still that youthful and that fun kind of edge." "It's definitely a mix of everything I like to do." "Our challenge was to take a potato sack, transform it into something beautiful for a client, yet stick to who we are as a designer, and our point of view." "I achieved that 1021/2 percent." "It's definitely my aesthetic." "I also am all about sticking with the kind of organic qualities of the burlap, and I think that that was communicated in the garment." "[Janeane] I am so happy." "I think that that dress described where I'm coming from as a designer." "This was a good challenge for me." "I'm very happy with the garment that I made." "It's form fitting, it fits well, and it's flirty, and it looks very Jay Nicolas Sario." "What Holly and I wanted to do was keep the integrity of the burlap." "She got the dress length, the colors that she wanted, and I got the fit, silhouette, and the overall look that I was envisioning for her." "[Jesus] I think that my dress looked elegant on the runway because I think that that's one of the biggest things, that I'm really, really good with construction, so I feel that my dress was really well constructed." "I am happy with my dress, but I'm a little concerned because I didn't take Tim's advice." "You know, I think that I'm showing something that's very different from what everybody else is, and, like I went above and beyond and produced something that was amazing quality, amazing finish, and definitely made my client happy." "I have to say that it wasn't my favorite dress that I had done, but I made it work." "It wasn't at all what I had planned on doing." "That's what happens when you're using a sack." "[Pamela] I'm fairly confident with it, that it is answering the client's needs, and it actually is looking like faded denim, which was part of my idea, is to make it look like kind of blue jeans." "I'm like, "Ooh, the back is sticking out a little bit more" ""than I had intended Uh-oh, well, that's not good." "Well, don't turn toward the judges too much."" "If I call your name, please step forward." "Pamela, please step forward." "Mila." "Ping." "Jay." "Jesus." "Amy." "If I did not call your name, congratulations." "Your scores have qualified you to move on to the next challenge." "You can leave the runway." "Thank you." "The six of you present the highest and the lowest scores." "One of you will be named the winner, and one of you will be out." "Let's bring out your models." "I would like to start with Jay." "Oh, my God." "Tell us about your look." "I love to make patterns, I love to show style lines and adding things like this to make it feel so feminine." "[Michael Kors] When she first came out, I said," ""Did he cheat?" "Are they feathers?" "What is it?" "Did he shred organza?" Really well done." "Thank you." "I think he's made burlap look expensive." "Very, very nicely abstract." "It's lovely." "[Heidi] Pamela." "What I did was a narrow dress in a blue shade and did kind of corset shaping in the top." "I did the dyeing and got it to do an ombré to kind of get a faded blue jean look." "The dress is too short and too tight on your model." "It also looks almost... not sophisticated." "You're talking about a girl who can kind of wear anything." "You know, here it is." "She can wear a potato sack." "Well, I have a feeling that a plain potato sack would be more flattering on her." "I have to say the dyeing is beautifully done." " Yeah." " It is." "You guys are going to an industry event, so will you be comfortable wearing that?" "Um..." "Wow, that says it all." "You don't even have to say anything anymore now." "Well, um, uh, uh, uh." "Mila, tell us about your look." "I just sort of visualized this color, and I thought," "Can I push myself to make something that is actually a little bit futuristic and modern out of this fabric that's associated with, you know, the farm?" "I have to say I'm absolutely in love with this dress." "I don't like this gaping." "[Heidi] I like that it gapes, that you feel like you can sort of see a little bit booby in there but not everything." " [Laughs]" " Well, the boys will like it." "[Both laughing]" "You went from the farm to the future, and it looks fantastic." "Thank you." "Okay, Ping, tell us about your look." "Originally, I was expecting the skin color with a contrast with the patterns I created on this, but her skin's so close to the original color of this fabric, so it's not much contrast" "I like it, Ping." "Thank you." "[Heidi] I mean, if you turn around, we see a butt." " [Woman] Yeah, it does." " [Lauren Hutton] That's a problem." "[Michael Kors] She could go to a party with a thousand people." "They'll notice you." "They'll notice you and that your entire ass is hanging out." "And I should pay more attention on the instructions." "You know, first they said it's an industry party." "I really thought that was a county fair potato party." "You do have an edgy eye." "You do, but does it really translate into real fashion?" "That's what I'm concerned about." "She keeps working, it will." "You've got a lot of competition." "Jesus, if we're talking about percentage right now, how much percentage is potato sack, and how much percentage is other fabric?" "The whole bodice is potato sack, and then I layered the ribbon on top of it." "I'm not so sure if I like that." "I thought it was a whole other material." "You've sewn together ribbons close together." " Is that what he did?" " [Jesus] Yes." "I feel like I don't see enough of the challenge in a way." "Dresses should be like paintings, especially ones like this, and that's sort of a... a very confused assault on the eye painting." "Jesus, what I would really like to see from you is something a little cooler." " Okay." " Younger." "Amy, tell us about your look." "For Alison and I, it was really important retain the organic quality of the burlap, and the top is just a simple cowl with an open back, which is something that Alison really likes, an open back," "and she wanted something that moves and makes her feel fun and pretty on the runway." "You used the fabric but made it flirty, made it feminine." "You didn't try to disguise it." "[Hutton] You've taken burlap and made it into a real working dress material." "Thank you." "Okay, we've heard what you had to say." "We're going to have a little chat, and then we'll call you back." "You can leave the runway." "Thank you." "I do have to say, as a general comment to this challenge, you know, making clothes out of potato sack material," "I thought it was fantastic." " I was blown away." " Spectacular." "Let's talk about the designers that we did like." "Who first?" "How about Jay?" "Loved that transformation." "You would have never guessed that was a burlap sack." "[Heidi] And a lot of work also." "He really did everything by hand." "There was no smoke and mirrors." "The heaviness of the burlap was made light again by the featheriness of everything, the frame." "Totally, totally." "He did a great job." "Mila." "I thought that was an amazing dress." "I really loved it." "[Kors] The last word that you would think of when you say burlap bag is hot, you know, edgy and hot." "It was a real collaboration between Mila and Lorena." "It had both of their aesthetics." "And it was good because she has a good look, too." "Okay, let's move on to Amy." "That was a very sophisticated dress, very chic dress." "She's the only one who actually let you see the potato sack so that you knew that it was potato sack, but she transformed it." "She gloried in it." "To bias the front and have those incredibly chic sarong sides that halter sides..." "That was..." "I was very impressed with her." "Let's move on to the designers that we weren't quite impressed with." "Let's start with Jesus." "It really bothered me how the color just stopped at the center seam like that." "It makes your ass also look asymmetrical so you have one big cheek and one small cheek." "Yeah." "I'm concerned about his sense of color." " Or lack thereof." " Yeah." "I mean, all I've seen is brown and this pea green." "Let's move on to Ping." "I don't know if she really doesn't understand half of the things that we tell her or if she's trying to use that for her benefit, but clearly every other designer understood the challenge." "I don't know." "I think she doesn't listen." "You know, she's sending her model out bare butt." "[Hutton] If she had been able to properly line that," "I'll bet she could've made something interesting out of it." "I agree." "[Heidi] You know, the question is do we want to see more from Ping?" "Okay, let's move on to Pamela." "I really question not only the creativity, but then I have to question the fact that this dress made this girl with a great body look bigger." "Where the seams where at the widest part of the hips she's got the widest part of the seam, and nothing is pointing in..." "Literally like an arrow..." " "I want to have a big butt."" " Yeah." "I do have to say, though," "Pamela's dress was well made." "She dyed it to make it look like denim." "It was denim." "[Heidi] It did look exactly like denim." "Okay, so we've made up our mind." "All right, let's bring them back out." "The six of you represent the best and the worst." "One of you will be named the winner, and one of you will be out." "One of you will be named the winner, and one of you will be out." "Amy... you're in." "You can leave the runway." "Thank you." "Jay... you turned a burlap potato sack into a beautiful and sophisticated cocktail dress." "Your look was perfectly appropriate for an industry event." "Mila... what you did with that material was amazing." "It was modern, sleek, and unexpected." "Jay... you're in." "And you're the winner of this challenge." "Congratulations." " Thank you so much." " You can leave the runway." "[Jay] Wow, I can't believe this is happening." "I'm really happy to win the challenge." "I felt like I was in heaven." "It's so amazing." "I won!" "Cool." "Mila." "You're in." "You can leave the runway" "Thank you." "Ping... you're in." " Thank you." " You can leave the runway." "Thanks." "Pamela..." "Jesus... one of you will be out." "Pamela..." "Your dress was not at all flattering for your model." "We question your taste level and ability to be fashion forward." "Jesus... you missed the point of the challenge." "Instead of using the potato sack as your main fabric, you covered it up." "Your dress was mundane and matronly." "Jesus... you're in." "Thank you so much, and I'll show you I will be capable of doing more next time." "You can leave the runway." "I'm sorry, Pamela." "That means you're out." "Thank you very much for the opportunity." "Auf Wiedersehen." "Thank you." "Bye-bye." "Thank you very much." "It's going to sound hugely dramatic, but I fall in love with people very easily." "All the people in this competition..." "I'm really, really proud to know that they were my friends." "I liked every single one of them." "I know the whole point is we're supposed to try to beat each other." "I know that's the point, and I know we're supposed to get to fashion week and be like, "Oh, I stomped on you,"" "but nobody's really only thinking that in their heart." "They're all kind of like, "But I wish you could be there, too."" "Pamela, we're going to miss you." "Oh, it's been wonderful, Tim." " Going to miss you a lot." " You are such a great mentor." "So I have to send you to the workroom to clean up your space, okay?" "Okay, thank you." " Hey, bye-bye." " All right." " Bye, Pamela." " Bye, Pamela." "[Pamela] I'm never going to stop designing, and I'm a teacher at a college, so I'm definitely going to continue the teaching, too." "Next time on Project Runway..." "It's time for your next challenge." "Would you like to meet some of the most iconic fashion designers of all time?" "[all] yes." "You will be working in teams of two." "Oh." "Wow, that's the fabric?" "No, no, no, I don't understand like this." " Can we look at it just..." " No, no." "If you're not doing it right, get the hell out of my way." "It looks like the cotillion party from hell." "It couldn't be any more matronly." "These designs..." "they are both really ugly." "Visit my Lifetime." "Com to learn more about the fashion you've seen on tonight's show."