""Mikhail Kalatozov Fund," ""supported by Federal Agency for Culture and Cinema," ""presents" ""A Film About Mikhail Konstantinovich Kalatozov in two parts."" ""Part One:" "Legend"" "O Heavenly King, the comfortor, the spirit of Truth," "Who art present everywhere and fillest all things;" "Treasury of Blessings and Giver of Life;" "come and abide in us and cleanse us from every stain, and save our souls, O Gracious One." "Legends of great people are almost as important as the true stories of them." ""SERGEY SOLOVIOV, DIRECTOR"" "What I am going to tell you is a legend, too, I think." "I heard it in Georgia long ago." "Kalatozov used to work at the Tbilisi Studio as a driver." "But he was also a thinking man." "He studied closely the camera work until he decided to take a camera himself." ""I wish I could shoot something instead of driving."" "He went to shoot a film of where he was born." "In a year, he came back." "His The Salt of Svanetia shook the whole cinematographic world." ""The Salt of Svanetia, Georgia Goskinprom Trust production."" ""Story by S. Tretiakov."" ""Director/ DOP:" "M. Kalatozov." "Cameraman:" "Sh." "Gegelashvili."" ""'Our country is large enough to fold any socioeconomic setup.'" " Lenin"" ""Clouds come from above the sea and turn into brilliant fresh ice."" ""Like slow icy rivers, the cold avalanches down the valleys."" ""Mist and ice originate fresh rivers."" ""The entrance to the upper- free-Svanetia"" ""Ushkul towers overlook the snow."" ""Strong stone towers."" ""The towers are not there for nothing."" "We screened The Salt of Svanetia when we were students in VGIK," "Silent films were shown in a package." "The screening started at 9:00 a.m." "No dialogue was heard, and the ticking projector sound put you to sleep." "The unique drama on the screen came as a "gee whiz."" "We all woke up and couldn't take our eyes off the screen." ""A guest or an enemy..."" ""Might again want to bring the hungry country under tribute."" ""The towers are in preparation."" ""Hundred-year-old slabs are grating."" ""The tower is combat-ready."" "It's a clever and unique film in the world of cinema history." "These images of life make up one fundamental image of life." "That sets you thinking." "It makes you think of life and death, God and faith, the truth, history." ""This is how they fought."" "No color and no plot makes it timeless." "It's as actual as neorealism." ""ANDRE KONCHALOVSKIY, DIRECTOR"" "At the same time, he was under the pressure of social realism hedges." "Within that conventionalism, he still had to develop his unique language." "He was a cameraman, so he knew how to make the celluloid work." "But the main thing is that he was a great director!" ""For the towers... "" ""Roofing... "" ""With no wheels... "" ""Sleeping on stone beds."" "Kalatozov had a rare gift for perceiving cinema." "It was music to him." "I like this quality of his the most." "This is something I learned from him." "The imagery he created is very close to that used by the apostles." "The apostles narrated honestly what they knew and had seen." "Kalatozov used a similar method and visual architecture in his narration." "He openly showed what he had seen, what he knew, and where he had come from." "In a way, it's an apostle's epistle to the laity, making up the heart and soul of the Georgian people." ""The mills stood down there, where they weave on old looms."" ""And..."" ""They make their clothes."" ""They have their hair cut as they want."" "Mikhail Konstantinovich Kalatozov is one of the most mysterious characters of the last century of cinematography." "Like Dovzhenko, Eisenstein, and Pudovkin; he earned his place." "He was one of these 20th-century cinema colossi." "History puts everything in order, and Kalatozov didn't get lost among those cinematographic giants but took his own place to belong there for centuries." ""Thrash with a flint board."" ""Stone century has begun to spin."" ""The day's work has started."" ""Save the grain!"" ""Hard barbaric work"" ""has spun..."" ""White funeral smoke."" "Dear mothers, brothers, sisters..." "I was very young then, only 21." "The university was against the shoot, as I was a good student and they wanted me to study." "When I first saw Kalatozov, this great director, he said..." ""TATIANA SAMOILOVA, ACTRESS"" ""We'll make your screen test, Tanya!" "I want to see what kind of actress you are."" "I was slim and fit." "He liked the way I moved." "It took us 1.5 to 2 hours to rehearse, and he let me listen to my voice recorded." "This made me happy!" "Little cranes and shiplets are flying in the sky, with noses long and grey, and white they are." " Do you like the poem?" " Yes, very purposeful." ""ALEXEY BATALOV, ACTOR"" "I met Mikhail Konstantinovich in a most ordinary way." "He offered me the part, which I was very happy to accept." "In that time in our cinema, such an invitation was more impressive than an invitation to Hollywood." "A young actor to be in a movie!" "Quirkiness was what was important at the time, something that wasn't obvious." "I think they were looking for something irregular, unusual." "Just like Tanya was." "They made their specific choice by their own criteria, non-standard." "And they wanted someone up to match the secret signs they saw in her." "So I can't boast that they chose me for the actual qualities of my personality;" "rather, I am sure it was due to her individuality." " I'm the winner." " Okay." "The script was interesting, and I liked the part." "Kalatozov told me to forget about cinematography and think of my acting and the character." "He said, "Use your imagination;" "fantasize." "Show me the character development." "I'll be supporting and controlling you." "I'll stand by you."" "I was charmed by his eyes and his words." "He was so wonderful!" "In 1957, I was in Moscow, where the International Youth Festival was held." "I was 20, and I was going to become a documentary DOP." "That time, we had very few video materials in the USSR, as it was a no-go country." "I was lucky to arrange the trip to shoot Russia and all I'd be able to see there." "So, I was strolling the streets filming everything." ""CLAUDE LELOUCH, DIRECTOR"" "Once, I took a taxi, and the driver said he could take me to a Mosfilm's Studio, as there was a friend of his working over there." "I was anxious to go, as it was a chance to see how the Russians shot their movies." "That day, they shot The Cranes Are Flying, the famous scene on the staircase;" "the wedding, the newlyweds." "I found a place in the corner of the set and kept watching for about two hours." "I was stunned as I saw the camera moving up inside the staircase, following the couple." "It was that very day that made me decide to become a director." "Squirrel!" "Hey, fellow, what's up?" "Please, forgive me!" "Somebody help!" "Before that, I was a documentary DOP." "My dream was to travel far and wide shooting chronicles, but I could not even think of being a movie director." "But when I saw Kalatozov working on the set, I said to myself," ""This is what I want to do with my life."" "Kalatozov saw me, and on the wrap," "I was introduced to him as an amateur documentarian." "We were talking with the help of a translator but had good feeling for each other." "He even took me to the rushes and then to the editing room, where I saw a 25-minute cut of The Cranes Are Flying." "I was so excited!" "Never before I had seen shots that had touched me so much." "That day, I decided to become a movie director." "I remember very well the day I first saw The Cranes Are Flying." "I remember the theatre and the audience sitting in breathless astonishment, my tears and admiration," "and an irresistible desire to become a cinematographer." "I was a student at the Conservatory, but when I came back home," "I said to my mother, "I quit music for the cinema."" "This is what happened to me when I saw this unforgettable film, and this is why I owe my profession to Kalatozov." "Stop!" "Come back!" "There's no way!" "Where are you going?" "I'm sorry." "I'm very grateful to Kalatozov." "He changed my whole life." "I am one of the many directors of my generation who was thrown into the cinema by accident." "I was 14." "Lesha German was a little older." "Gleb Panfilov was a Komsomol leader in the city of Sverdlovsk." "Each of us came to the cinema to open a new world:" "the light went off, Spasskaya Tower Clock struck," "Samoylova hopped, the doves flicked into flight." "And this changed the fate of each of us forever." "Watching the movie, I understand the person behind the camera." "Kalatozov is great at operating the camera." "The camera is another character that makes the audience a part of the action." "You live through the story." "That's what his films are like." "This is a masterpiece where the language coincides with the action perfectly." "There was no disproportion, thus making the film a masterpiece." "The director's deep feeling for the drama doesn't kill anything." "He can hear this music of feeling, and he can also let others hear it too." "Please, give me something as a keepsake." "For a long time, till the old age." "Kiss me." "Nothing scares me when you are with me." "Not even the war." "Only the policemen." "Veronika." "I'll tell you what:" "I'll make a white dress for the wedding... just like my grandma had." "So work hard while we fight." "The war experiences seared the people's consciousness like a nightmare." "This film was released to an audience that had witnessed and experienced the horrors of war." "It was the time when the mature men had come back with their guns and medals." "But they could do nothing but kill." "It was still like hell, 12 years after the war was over!" "So he made this fantastic film, creating a terrific tragic image, putting everything together in that lively and light-filled fashion of his." "Quick march!" "The cinema generated by the communist times was wonderful." "The censorship wouldn't allow any serious story, so the emphasis was laid on the aesthetic, technical side of the cinematography." "This explains a lot, I think." "If it weren't for the specific time period, I think," "Kalatozov's films would have never become what they are now." "Bor'ka!" "Boris!" "Kalatozov's meeting with Urusevsky was most important." "Kalatozov started as a DOP, so he understood the substance of which cinema is made." "Working together, they made a film using their unique cinematic language and expressive means." "Urusevsky was a wonderful artist, an amazing one!" "They made a great team." "There was no hindering each other." "It was great to be working with them." ""YEVGENY YEVTUSHENKO, POET"" "Sergei Pavlovich was a genius, but God helped him, putting him together with Kalatozov." "No doubt:" "Sergei Pavlovich Urusevsky was a great person." "But at the same time, his hour of triumph was made by Kalatozov, who let him in." "They created a new cinematography method to illustrate character development." "It was quite evident." "There was an important shot, the heroine passing by with a few words of her dialogue." "It was at the culmination of the characters' walk, walking along the bridge as if going up into the sky." "It was the bridge by Gorky Park." "At 2:00 a.m. the location was blocked." "The crew was in place." "We had to come to the set with the makeup done, so no one slept that night." "Kalatozov and Urusevsky stood aside together, waiting for the dawn." "The camera would be ready, the dolly too-everything." "Then the dawn came over, they talked, and Kalatozov would cancel the shoot." "They didn't like the clouds and the sky." "So we'd leave and then had to squeeze the tight production schedule." "Then all over again." "We all arrive, stand by, waiting for the dawn, blocked." "And again, the two of them stand aside, looking into the sky." "Then the sun shows up." "Mikhail Konstantinovich says, "No luck today." "We won't shoot."" "We all leave the location." "This happened each time they wanted the shot to be special." "They wouldn't give up an inch of what they wanted for each sequence, each set or location." "If it was impossible, they would rather kill the shot." "So I was a part of that mysterious, very creative and human artistic work." "Whatever I recollect, I remember this feeling first of all." "Here are your little cranes..." "and shiplets." "It was due to Kalatozov's The Cranes Are Flying that the Soviet cinema, born out of the postwar period, brought itself into line with world cinema masterpieces." "Any young man would be jealous of the sense of freedom he had, as if he were not a man of age but a young genius beginner." "There were very few people who felt free enough to resist the hedge of social realism and the censorship hog-tie." "I would say he was the only one who succeeded." "One of my American students wrote about this film," ""Kalatozov and Urusevsky's cranes were the first ones- before Gorbachev- to break the iron curtain with their fragile but strong wings."" ""International Film Festival in Cannes, France."" "The seaside town of Cannes is located in the south of France." "It is here that the international film festival opened with 26 participating countries." "On the eve of the opening ceremony, a carnival procession was held." "The Soviet cinema cart was decorated with a flowery Moscow Kremlin Tower model." "The shots of the film I saw made such a great impression on me that when I came back to Paris," "I called Mr. Favre Lepre, the Cannes Festival manager." "We had never met before." "I told him that I had seen a strikingly good film shot in Moscow." "I saw only 25 minutes, but I told him I had seen the whole cut." "I also said it was the best film I had ever seen in my life and it should be brought to Cannes, as it has a good chance to win the Golden Palm." "Several days later, Lepre left for Moscow, where he saw the film and included it in the main competition." "And it really won the Golden Palm." "Come on, give your flowers out." "I was only 20, and I was very proud to be among the first ones who appreciated his talent." "So when he got it, I was so happy, it was as if I were the one who had gotten it." "10 years later, I got my own Golden Palm and was about to dedicate it to Kalatozov." ""Part 2:" "Magic Conscience."" "That century in Russian history didn't leave much in terms of civilization development- horrible, mendacious, vicious experience of social reforms on the one hand." ""SERGEY SOLOVIOV, DIRECTOR"" "But on the other hand, the value of our cultural contribution is priceless." "Kalatozov's The Cranes are Flying is a most precious gem." "It showed the whole world what kind of people we are and why we cannot be considered in a typical way." "His genius collected and put together all the best trends of the Russian culture and Soviet vanguard brought by the Soviet power." "The film success was envied, as it was blockbusting." "None of political leaders could boast of the success" "Kalatozov had abroad with his film." "He was a great artist, a wonderful person, and totally Georgian." "I'm very glad to have come to your country." ""YEVGENY YEVTUSHENKO, POET"" "I'll explain what "totally Georgian" means." "We wouldn't have loved Mark Twain so much if he had not been so American." "People who highly appreciate their national culture are truly international by nature." "He loved Georgia and Russia." "He also loved the Soviet Union and different people." "He loved all of mankind." "His ability to talk to people was real magic; he was so outgoing." "I saw him in different situations, and I do not remember him being rude to people." "He never was, believe me." "But I did see him cry." "He was a sane person who never pretended to be a genius." "A lot of people do." "He was not that kind of man." "No one could ever say he was." "A normal, good-natured person, nothing outstanding." "But when you come to the cinema and see his film-any part of it- you realize you are dealing with a unique genius sentience, which is a powerful source of magic conscience." ""Horse will break the heart."" ""The horse's heart is breaking."" "You have borne the child, so look after him!" "Be responsible for him!" "You fool!" " Whose are you?" " My mum's." " Where are you from?" " From Voroshilovgrad." " How old are you?" " Three years and three months." " What's your name?" " Bor'ka." "I kept asking people how The Cranes Are Flying could come from an ordinary man just like many other people." "He made really outstanding films." "Everyone recollects him as if he were an angel." " Tan'ka, are you all right, honey?" " Andriushka, look!" "Look!" "What do you think?" "Andriushka!" "Hooray!" "We've found it!" "The Letter That Was Never Sent was shot in a difficult location." ""TATIANA SAMOILOVA, ACTRESS"" "The part was difficult;" "it was hard to identify myself with it, so I argued with Kalatozov." "He said, "Tanya, she is a geologist." "You have to master the profession first."" "That's what we were doing." "The most important thing is that he let me do all I wanted." "I could run, leap, fly." "So I was using my imagination." "I liked the motion Urusevsky shot with, and I liked the camera movement." "And it was all so Kalatozov." "We woke up at 5:00 a.m. and left for the location." "It was very hard to get accustomed to it." "And I couldn't focus the character." ""Tanya, you are playing someone who is no longer alive." "It's just the memories of her you are creating."" " Why are you awake?" " I am thinking." "Don't." "Thoughts will get you down." "A person alive can't help thinking." "And not all the thoughts get you down." "They made a lot of people stronger in the hour of trial." "I'm thinking of Andrei." " Of Andrei?" " Yes." " Was he wrong?" " We are not the ones to judge." "In any case, it was his feat." "And now it is our turn to sacrifice." "Yes, we'll make it." "Tanya, you'll have to keep your oath many times in the future." "Oath?" "Well, it was a legend!" "It was a shock for the Leningrad audience to know that Smoktunovsky quit the theatre." "He was playing The Idiot, and people came to see the performance three, four times." "They lined up at the box office." "It was as if the Pushkin monument left his pedestal in Tverskaya Street." "The people's reaction was the same." "What happened was that Kalatozov called him to his 2 1/2 year-long project to be shot in Taiga, dragging heavy bales in the mud." "The actors would say, "Kesha, you are crazy!" "The Idiot was the right part for you in the theatre."" "Konstantin Fiodorovich, it's for the first time you sit by the fire and you aren't writing a letter to your wife." " It's amazing." " Yes." "I myself will give her the letter." "It has about 1,000 pages." "We're lucky, Tanya, very lucky." "Andrei didn't waste his life!" " No, by no means." " We've done it." "The film was not so unanimously admired, though it's a creation of true genius." "It was well ahead of its time." "I mean it, I can see the reaction of my students when they screen it now." "I can see in their eyes that they understand it, accepting his magic capacity to create a legend by merely shooting films." "I am Cuba." "Once upon a time, Christopher Columbus debarked here." "He put down in his diary, "This is the most beautiful land human eyes have ever seen."" "Thank you, Mr. Columbus!" "Look, look." "We shall wed up there." "You'll be wearing a white dress." "Here is I Am Cuba, a new feature film." "This film was shot by Soviet and Cuban cinematographers." "The crew includes Mikhail Kalatozov, the director;" "Sergei Urusevsky, the DOP;" "Enrique Pineda Barnet, a poet;" "Julio Garcia Espinosa, the studio art director in Havana." "I Am Cuba is to be released soon." "The tragedy was that the relations with Cuba started deteriorating by that time." "I don't mean at the government level." "It was at the people's level." "At the time when the economic decline began, it was popular discontent with the support that Soviet government granted to Cuba." "Fidel Castro's image was no longer a shiny romantic symbol." "When the film was released, the situation in Cuba was changing." "There was a revolution of liberation in progress." "Censorship was introduced, though not officially, and Cuba no longer had its romantic radiance." "I am Cuba." "My sugar was conveyed by ships." "My tears were left with me." "Mr. Columbus, sugar is a very strange thing." "Lots of tears are in it, and it's still sweet..." "You have to understand what happened." "There was the American embargo." "Attempts were made to kill Fidel Castro." "The psychology was changing." "Fidel was disappointed to know that we had negotiated with the Americans to remove our missiles while they'd remove their military base from Turkey." "And Fidel was never told, so he felt hurt." "There were militarist tendencies in the USA against Cuba, and there were low-flying American planes over our heads." "Long live revolution!" "Fidel Castro's alive!" "He and his comrades are fighting!" "This is what Kalatozov and Urusevsky saw while making the film- all these changes." "But we decided that the revolution was the history, and it was fair." "We just kept it without going beyond any reasonable limits." "This really saved the film and made it very true, and it can be screened as such." "Cane, I used to ask for rain for you." "I used to help you." "Now you help me." "Grow high up." "Taller than I am." "I used to think that death is the scariest part of life." "Now I know that is not the scariest part is life." "I'm so scared for my children." "I've been working all my life, and I've been in debt all my life." "Grow, cane." "Do it for them, not for me." "Can you hear me?" "Grow higher!" "This film is very popular with American young people." "It is honest truth." "Everything in it is historical truth." "I am Cuba." "And sometimes I feel as if my palms' trunks were filled with blood, as if it's not the sea fluctuating but my people's tears." "Who's responsible for this blood?" "Who's responsible for these tears?" "I keep saying that the part Kalatozov played in my cinematographic life..." ""CLAUDE LELOUCH, DIRECTOR"" "...was far more important than those of Orson Welles and Chaplin, the directors most frequently mentioned." "I think The Cranes are Flying and I Am Cuba are extremely important films in cinema history." "I'm really surprised at the fact they are not positioned the way they deserve." "I'm glad I can say it once again." "The magic conscience of Kalatozov cannot be analyzed in any way." "It cannot be dissected." "Kalatozov does not split the world into parts." "He puts things together, making a harmonic wholeness." "We met Claudia Cardinale, a famous Italian actress in the Russian snows." "Her partners on the shoot were Italians Luigi Vannucchi and Mario Adorf, as well as Soviet actors Eduard Martzevich, Otar Koberidze," "Boris Khmelnitsky, and Yuri Vizbor." "An English actor, Peter Finch, is the star of the movie." "He plays the part of the famous" "Italian Polar researcher Umberto Nobel." "It was a Soviet-Italian coproduction directed by Mikhail Kalatozov with Leonid Kalashnikov as DOP." "It's a story of the 1928 legendary expedition headed by Umberto Nobel, who set off his airship to the North Pole." "Mikhail Kalatozov offered me the part of Malmgren in The Red Tent." "None of the Soviet actors could boast of luck like that." "It was the first coproduction with a capitalist country crew when Soviet cinematography came into contact with the greatest world cinema stars." "It was a very interesting company I found myself in..." ""EDWARD MARTZEVICH, ACTOR"" "Thanks to Kalatozov, who showed me the world through this film as well as presented me to the world, as the film was shown in more than 100 countries and was a great success." "I met him at the Mosfilm's." "When I saw him first, he looked like a wonderful big white bear." "And then, when we shot in the Arctic, he behaved like a big shepherd, watching the shoot and making comments, giving advice to the actors and his crew." "Mikhail Konstantinovich was very easy to work with." ""ALEXANDR ZATSEPIN, COMPOSER"" "We discussed every episode to make the music easy to combine with different sound, like the airship engine working." "It is low-pitched, so we needed the music in a different range so that it could be heard clearly." "He understood it very well, which made my work easier." "I was making the full score." "You are the only one to have it in mind, and it is impossible to explain what it will be like." "You can only hear it later." "So I did a piece with Accord vocal quartet for the scene when Claudia Cardinale and Martzevich were riding deer-pulled sleigh." "The piece was nice, and Kalatozov liked it at first, but then he changed his mind because it didn't fit the rest of the music in style." "I scored it again, and we used the new piece in the film." "He always made his comments, so I changed things." "I have done over 100 movies, and I think the director is the key person, not the composer." "Come on!" "Move!" "Well, when we shot the love scene, when me and Claudia Cardinale were rolling in the snow," "I kissed her." "She stopped the shoot and said, "Why?" "Do we have to kiss here?"" "Kalatozov came up to me and said, "Are you crazy?" "Why did you kiss her?"" "And I said, "The Russians will never forgive me if I hold such a woman and not kiss her."" "He thought for a while and then said to Claudia," ""Yes, you have to kiss here."" "Excuse me." "Wait for me in the room, please." "Okay." " Nurse, don't go!" "Can I show you..." " I've seen all you can show me." "I'm sorry." " Your name, please?" " Malmgren." " Nationality?" " I'm Swiss." "Do you work on the surface or underground?" "Neither on the ground nor underground." "I take part in the Nobel's expedition." "You are the very Malmgren?" "I'm the only Malmgren in the expedition." " I'm sorry." " Why?" "What can I do for you?" "We have broken an iodine bottle." "Do you have a spare one?" " Here it is." "Will that do?" " Yes, thanks." "I also have to say that Kalatozov could be very tough, a real dictator." "I remember the first scene with Claudia Cardinale." "We sat in the tavern, talking at the table." "It all went wrong with me." "I couldn't do what he wanted." "He nearly drove me mad, so I bounced up and ran away, saying they should give the part to someone else." "Kalatozov waited a little, then came to me and said, "Let's shoot."" "I also recollect another scene, the one of death." "I was hardly dressed and barefoot." "When we finished, I took a hot shower, and a glass of diluted alcohol, and fell asleep." "Let's go, please." "Let's go." "We'll wait!" "I woke up to see Mikhail Konstantinovich sitting on the edge of my bed, smiling." "We had to do up to 15 takes." "The location was quite near the North Pole-Franz Josef Land." ""Are you okay?" "Nice job, my boy." "You did it!"" "He offered that I stay longer on the shoot, on the ice-breaker in the Arctic Ocean, but I couldn't." "I was up to another job." "I wish I had stayed." "Unfortunately, we never worked together again." "He said he was planning a new film and would like to work with me again, but this never happened." "His films are communicating." "They say he's alive;" "he's still one of us, keeps watching us and is happy to see that we love him, remember and honor him." "The great masters are great people." "It's a shame they are not with us any longer, we cannot come and talk to them." "It's a great loss, but at the same time, such people never leave." "Kalatozov's heritage is not merely a list of movies he shot in different times." "He was not merely a chronicler describing his time, but he was creating a new vision of his time, a new scale." "That is real art!" "His real scale is a different one, and as time goes on, it will pay off." "It's art." ""Listen, Svanetia!"" ""Look, spectator!"" "Hey, sweetie!" "You are so pretty!" "Look, look!" "Cranes are flying over Moscow." ""Fragments of films:" "Salt of Svanetia, The Cranes Are Flying,"" ""The Unsent Letter, I Am Cuba, The Red Tent."" ""We acknowledge the Mosfilm's Studio"" ""for the cinema and photo materials provided."" ""Music:" "Georgian Sacred Chants, performed by Rustavi ensemble."" ""Ensemble Art Director:" "Anzor Eirkomaishvili."" ""Music pieces by Nikolo Paganini."" ""Script:" "Vadim Dolgiy Cinematography:" "Archil Ahvlediani."" ""Editing director:" "Leonid Melman."" ""Assistant editors:" "Oxana Romanenko and Alexandr Volkov."" ""Sound:" "Alexey Yurovskiy." "Edit, sound recording and mix:" "H-Division."" ""Executive producers:" "Vladislav Rozin, Andrey Bondarenko."" ""Producer:" "Mikhail Kalatozishvili."" ""Acknowledgement to Krasnogorsk Cinema Photo Documents Archives,"" ""Mr. Claude Lelouch for the video materials of his personal archive,"" ""Nina Nikolayevna Glagoleva, Marina Mikhailovna Volovich,"" ""Jina and Anna Kalatozishvili, Nino Ahvlediani, Salome Kobahidze,"" ""Alexandr Brailovskiy, Tamara Ivanova."" ""We bow low to Mikhail Konstantinovich Kalatozov."" ""The end." "Mikhail Kalatozov Fund, 2006.""