"SEIYU and ACE PICTURES Present" "White level..." "OK." "Here?" "Yep." "You've got it upside-down..." "Your skin looks bad." "Does it?" "Aren't you getting any?" " That's good." " Right." "That corner over there..." "You can't see it now...over there." "If you could walk from down there and cross kitty-corner when the light changes." "Then come this way..." "I'll be here." "When you reach here, look at me." "Don't look at the camera." "You don't have to say anything." " Should he stop here?" " A little forward." "OK." "Right there." "Mark it." "Shall we try one?" "What happens when he gets here?" "I was going to use it for the opening." "You sure we need it?" "Let's just take it." "We can throw it out later." "Roger." "If you would..." "Yoko!" "We'll check size and focus." "Can you cross the street and stand over there?" "Right." "That's good!" " How is it?" " Hang on..." " Say when." " OK." "Ready?" "Go ahead." "Roll it, then." "Rolling." "What's wrong?" "The signal?" "Yeah...just keep going." "I'm zooming in." "Cut!" "...that was a bit stiff." "Again?" "Uh no." "Try to relax." "Just be natural." "Just like you usually are." "Will my face be in this?" "No, we'll mosaic it out." "We'll sit like this." "Facing the camera?" "Just for this shot." "Just to establish that I'm interviewing you." "Maybe you should take us from over there." "That'd be better." "Focus on you?" "Yeah, past Kanemura to me." "We'll mosaic him, won't we?" "Yeah." "Hang on." "What happens to this tape after it's all finished and been on TV?" "This work tape?" "We erase it after the editing." "All of it?" "Yeah." "We keep what we use, and erase the rest." "And mosaic the parts you keep?" "Of course." "That's what goes on the air." "Why?" "But then if you just mosaic the parts that you show then people at the station will see the other parts." "Suspicious, aren't we!" "I guess you would be this being TV." "Trust me." "It's not that I don't trust you..." " Trust me." " I trust you." "No one will know who you are." "I promise." "I sure hope not." " Don't worry." " Make sure, OK?" " Shall we start?" " OK." "Sorry." "Don't look at the camera." "Look at me, just like that." "OK..." "let's roll." "Rolling." "Sorry, one more thing..." "Sometimes on TV shows like this they say weird things about you or change what you said..." "Don't worry!" "My voice is on this, too, so we can't do that." "We don't have permission to shoot here..." "Oh, OK...shall we start?" "Wait...could you take out your radio?" "The radio..." "Like that...is it in the shot?" "Yeah." " Are you rolling?" " Yes." "OK." "Here we go." "We'll start with your work." "What do you do for a living?" "Nothing special." "Part-time jobs?" "Like what?" "Pumping gas, security guard..." "Is work hard to get these days?" "It's a recession..." "Do you carry this radio at work, too?" "Yes." "And no one finds out?" "I don't listen at work." "Just going there and back on the train." "What sort of things do you pick up on the train?" "The train radio, you know, like when there's an accident." "They talk about it like where it was and all that." "But isn't it wrong to listen in like that?" "Not just to listen, I don't think." "Maybe if I started telling other people..." "I see." "What else?" "You mean on the train?" "On the train, on the street..." "Mainly cordless phones, car phones..." "Could you show it to us?" "Come in close, OK?" "So you carry this with you?" "Ner vous?" "A bit." "Don't be." "Just be natural." "Just ignore the camera." "How's that?" "A bit closer..." "Could you turn it on?" "Is that OK?" "We'll mask the voice later." " Can you get a telephone?" " Sure." "Is it that simple to operate?" "The frequencies are fixed." "You put them in the memory and scan." "That's a phone call?" "Yeah, some old lady." "Talking about what?" "Who knows?" "The usual." "Can you get anything else?" "Just a minute." "That's a phone-sex line!" "You could get into this!" "Thank you." "Could you close up on Kanemura's mouth?" "Right tight in?" "Yoko, tripod!" "Just a second..." "I didn't think it'd sound so clear." "Are these calls from around here?" "Yeah." "People in the condos around here." "What about at night?" "Younger people, lovers, people like that?" "Yes..." "And girls." "They stay on the phone forever!" "Ready!" "Thanks." "All right, let's go on." "How did you get started on this hobby?" "In middle school, on 'P' channel." "'P' channel?" "What's that?" "Police radio." "Oh, I see." "A friend of mine had one." "It made me feel like I was almost a policeman myself." "I'd spend all day listening." "What kind of a feeling was it?" "Did you get off on it?" "Well, I didn't exactly 'get off' right at the start." "But something like that." "And then you were hooked." "When did you really get into it?" "In high school." "I saved up and bought a lot of equipment." "It's expensive?" "Yes, if you're in high school." "After I bought this I'd spend all day with it." "When I was still new to it, it was amazing." "So what kind of things can you pick up?" "Well, like I said before..." "Can you give us more detail?" "Well, cordless phones car phones, portable phones..." "Then there's CB radio, the Fire Department and bugging devices." "You hear some interesting things." "Then there's aircraft now and again." "What do you gain out of hearing all these things?" "Well, you don't really 'gain' anything." "You know something no one else does." "I guess there's a kind of pleasure in that." "And you don't think anyone's listening on the phone so people say all kinds of things." "This old lady I think lives near me calls me a pervert." "Someone you know?" "Some old bitch in the neighborhood." "I think she's stopped using her cordless phone." "Whoops!" "I'm sorry." "Everything OK?" "So if she knows about you she's probably telling people, isn't she?" "Maybe." "I just ignore her." "Don't you see her on the street?" "I see her, but I pretend I don't." "I don't want to talk to someone gossiping about me." "I couldn't give a damn what she thinks." "But looking at it another way aren't you invading people's privacy?" "Isn't that wrong?" "I just listen." "They're the ones on the frequencies." "They can always stay off." "Well, you've got a point." "This next question might sound a little strange..." "Have you ever wanted to put what you hear to use?" "How?" "Well, if you hear something confidential you might threaten to reveal it." "Oh, I'd never do that!" "Who knows what you might get mixed up in!" "Uh-oh, sorry...the battery's low." "Yoko!" "Battery!" "Hang on." "We've got to change the battery." "Go ahead." "Here we go." "Uh, you were saying..." "We're rolling, aren't we..." "You were talking about bugging devices before..." "There's a girl living near me, in university, I think." "Her room is bugged." " It is?" " Yeah." "How did you find out?" "It just happened." "How?" "Well, when she comes home what she's doing matches what you can hear." "So you can hear her opening her door, turning on lights and playing her stereo?" "Yeah." "She lives opposite me." "So what you can see and the sounds you hear fit together." "That's right." "Is there a lot of that going on these days?" "Yeah, I think so." "Who put it there?" "Not me!" "I didn't do it." "Probably a relative, someone in her family." "Why do you think that?" "Someone probably found something out." "It could just be a prank, but..." "Who do you think it was?" "Well, she's a college girl..." "probably her father." " Her father?" " Yes." "To keep an eye on her?" "She lives alone...maybe he's worried." "I bet you'd like to talk to her!" "Who, her?" "Yes, this girl..." "Well, I mean, her father, if it is him has bugged his daughter's apartment to check up on her." "Wouldn't you like to know what kind of a family it is?" "Yeah, but..." "I don't think so." "Why not?" "Think of the shock it would be if she found out." "What kind of a shock would it be to find out you were getting your jollies from eavesdropping on her?" "But she doesn't know." "It's as if it wasn't happening." "Sorry..." "look, I'm not criticizing you." "I'm sure it would be a great shock to her." "But isn't it better to know what's really going on?" "You'd put it on TV..." "That depends..." "I don't think so." "It might be interesting for the people watching but what would it get the people being watched?" "But you'd like to know, wouldn't you." "Not just for entertainment." "'Bugging family members'..." "an interesting commentary on the modern family." "Mr. Iwai!" "The Police!" "Hide that." "Are we causing a problem?" "I'm sorry." "Is that your van?" "I'm afraid so." "There's no parking by the park entrance." "I'm sorry." "We're almost done." "People complain around here." "Move it, please." "We will." "We're just leaving." "Pack it up." "You sit about here?" "Let's get a shot of him on the bus." "Ready?" "Here we go." "Just a minute..." "Kanemura, could you look more natural?" "Look out the window." "Next stop:" "Community Center" "The bus is stopping." "What are you shooting?" "What show are you from?" "Damn it...keep rolling." "Hot, ain't it..." "I'm just getting home from the races." "Didn't win a thing." "My wife'll kill me!" "We're shooting right now..." "Who, this guy?" " What did you do?" " Nothing!" " You must've done something!" " No..." "If you wouldn't mind..." "Can't I ask?" "I was in it!" "Just for a second..." "Hey!" "Who do you think you're bumping into?" "!" "Apologize, you little punk!" "Where do you live?" "Don't fuck with me!" "Are you getting off?" "I want an apology, boy!" "Sir!" "What's wrong?" "Excuse me..." "What's going on here?" "!" "That boy who just got off, he stabbed this man!" "Why didn't you grab him?" "Are you OK?" " We're getting off." " H-hey!" "Wait!" "We're in a hurry!" "Shouldn't we have waited for the police?" "We'd've just got mixed up in a lot of trouble." "It's no big deal." "Let's get a shot of the receiver." "In here?" "Yeah." "Let's get the sound here in the van." " Turn it on." " Right." " Nothing?" " Guess not." "Something wrong?" "It hasn't been working well." "I checked it out at home..." "Changed batteries, too." "Can you fix it?" "I don't think so, not here." "I see..." "Let me ask you this..." "Are there different kinds of these radio receivers?" "Sure." "There's these, and there's the desk-top ones." "Desk-top?" "Do you have other ones than that, then?" "Sure." "Two of these, and desk-tops in my room and my car." "One more like this?" "Did you bring it?" "No, I just brought this one today." "I see...so you've got one at home..." "That's right." "Let's go get it, then." "Now?" "Yeah." "I want to hear how it sounds in a vehicle." "Where do you live?" "I'll take the train home and get it." "Why waste all that time?" "We'll just drive there." "But I don't want you filming my house." "We won't film your house." "Don't worry." "Let's go." "You're sure?" "Yeah." "Let's go." "Go right here." "Roll 3..." " Ready." " Thank you." "OK, pan from his window to the other building and zoom in on it." "As if we're not sure..." "Not sure which one it is?" "Yeah." "Hang on..." "OK, here we go." "And then cut?" "That's right...a little faster, maybe." "Do it again, faster?" "What the hell are you doing?" "!" "Don't film around here!" "Oh, sorry..." "It's a bad habit of ours." "Anything we see, we film it." "Don't pay it any mind." "Listen, about that university girl..." "Just for an example, would your receiver pick up something like a knock on her door?" "Yeah, it would." "I see..." "Where is it?" "Sorry...the other one's not working at all..." "The new one, too?" "There's nothing you can do?" "Sorry." "So now what do we do?" "I mean we can't do a damn thing!" "Now what?" "You have one inside, don't you?" "A desk-top one?" "Yeah, but..." "Could we listen to the bug on that one, then?" " No way!" " Why not?" "You said you wouldn't shoot inside my room." "Yeah, but now your receiver doesn't work..." "The girl's not involved with this..." "We'll fix it so she doesn't know." "Things aren't the way we thought they'd be." "I know we agreed to certain things, but..." "Could you help us out?" "If that's how it is, I'm gone." "Just a few seconds..." "A few seconds." "OK, all right." "For get it." "But we're short of footage." "There's not enough." " Let's take the car." " Yours?" "Yeah." "The receiver there will pick it up." "I'd rather do it from there than in my room." "Well, we could do that..." "But the viewers would really like to see how you live." "Man, you're stubborn!" "Just for atmosphere." "Hey, relax." "All right." "We'll use the car." " Where is it?" " That one." "Oh yeah?" "Come this way." "Get the whole car..." "Is this the antenna?" "Close in on it." "Nice car you've got here." "It's very small..." "Do you get whole conversations?" "No, they usually cut in and out." "The frequencies change." "Automatically?" "The areas are set." "When you leave one area you get something else." "You'll go from one car phone to another one." "So that means..." "If they're in a traffic jam, you can hear it all." "Because they're stopped..." "Can you go line-in from the radio?" "Is there an earphone jack?" "Just a minute..." "Yes, there is." "Then we can." "Yoko, where's the lead?" " In our van." " What?" "!" "We can't!" "Have you done this work before?" "I'm sorry." "The expressway's probably jammed up, too." "It's one big parking lot." "Should we stay here?" "Yeah, just go straight ahead." " Hello?" " It's me." " Good work." " I'm going to the airport." "To Manila ?" "Yeah." "I left the gun in a coin locker." "The gun?" "!" "I'll pull over." "I'll tell you where the key is." "Ready?" "Just a minute..." "OK, go ahead." "Shinjuku Station, West Exit, by Halc, the department store." "Halc?" "Oh, OK..." "There 's two phone booths by the coffee shop beside it." "By the coffee shop..." "The right-hand booth!" "It's wedged in beside the phone." "No mistakes, OK?" "Right!" "Is the locker at the West Exit, too?" "Yeah." "The West Exit." "Go down the stairs under the 'Shinjuku' sign and turn left." "Downstairs and left..." "There's a horse-race ad on it." "A picture of a horse." "A horse..." "Yeah." "In there." "Got it." "I'll come in when I get back." "Say hello to the boss." "OK." "Take care." "I will." "See you." "This doesn't sound too good..." "Did we get that?" "Yes." "Shinjuku, West Exit..." "In front of Halc..." "let's get going." "We're going there?" "Of course!" "Come on!" "Let's go!" "Really?" "Do you get much of that?" "Now and again." "Like what?" "I don't remember." "When you do, do you tell the police?" "No way!" "I don't want to get involved." "You think anyone else heard that?" "Probably." "How many?" "I've got no idea." "Really?" "If you're talking, you can be sure someone's listening." "But aren't there anti-bugging systems for cordless phones?" "There are things to break those." "You can make them?" "They sell them." "They follow the change in frequencies." "They're called decipherers." "How much are they?" "About Yen10,000." "Have you got one?" "Not now." "I used to." "I see..." "I wonder if someone will get there before us..." "You're going there?" "Sure!" "They weren't joking." "That's the real thing!" "I don't know..." "this could be trouble..." "Don't worry." "We'll just do a long shot." "We should tell the police." "And what if it is just a joke?" "We'll just go and check to see if it's true or not." "Just wait there?" "Here's something else..." "No, it's gone." "Picture it...someone into wiretapping stumbles on..." "I don't wiretap!" "Whatever." "It'd still make for a hell of a show." "You know what might work?" "I could go look in the phone booth!" "They'll just think you're making it up." "We've got the voices to prove it's the real thing." "Even if they believe that part they'll still think it's being faked somewhere." "Yeah, they say TV's faked, but most people don't think so." "Well, a lot of it is faked." "'Faked' isn't the right word." "Things are re-enacted simply, so viewers can understand." "Then they should say that." "Then there's no impact." "We should tell the police." "Idiot!" "How often do we get a scoop like this?" "!" "Yeah, we can always call them if something goes wrong." "That's right." "We'll tell them then." "Let's go." "It was around here, wasn't it." "Where?" "This one?" "This building?" "That one up there." "Right." "Can you go up closer to it?" "Over there?" "Yeah, that's it." "Go closer and stop." "That's it...right..." "can you zoom in on the booths?" "The angle's not good." "Could you back up a bit?" "How's that?" "Not much better." "OK..." "let's get out." "We'll shoot from over the crosswalk." "That's a bit obvious..." "I can get you from here." "You can?" "Then I'll go." "You were rolling up until we stopped, weren't you?" " Yeah." " That's OK?" "How should we do this..." "We'll put the camera in the passenger's seat." "I'll talk outside the door." "Then the camera follows me as I go to the booth." " That's dangerous!" " Keep quiet." "We won't have our lights." "Will that be OK?" "I could boost the gain..." "that might make it grainy." "Good." "It'll look more real." "That's what we'll do." "What should I say..." "Did we get those radio voices good and clear?" "They're fine." "OK...right, let's go." "Let's trade places." "Hang on..." "Why not have the radio in the background?" "Why don't you talk from there?" "Yeah, why don't we do that." "OK, I'll talk from in here." "OK, roll when ready." "I'll boost the gain." "Rolling." "Was that shocking cellular phone conversation for real?" "I'm at a phone booth at the West Exit of Shinjuku Station." "I'm going to find out." "Turn, on the light." "Can you see it?" "820...hold up the key." "Like that?" "OK, hold on it while I talk." "Go ahead." "As we heard on the phone, there was a key in the booth." "Cut." "Now on me." "Should we be moving?" "That might be better." "Yeah, you're right." "Kanemura, could you pull over there by the entrance?" "You ready?" "Go ahead." "Is there really a pistol in the locker this key opens?" "I'm going to a coin locker in Shinjuku Station to find out." "OK." "Man, I never expected this!" "How are we for tape?" "We've got lots." "You're going in?" "Well, we're not going to quit and go home now." "Let's stop here." "Why not wait for the real guy to show up?" "Why?" "When he came we could call the police." "They'd grab the pistol, and you'd still have your scoop." "Put the key back?" "No, let's go on." "We've come too far to stop now." "We can't stop now." "You bring the camera." "You two wait here." "Here we go!" "Hold on the 'Shinjuku Station' sign first." "Then pan down to me." "Here I go." "Rolling." "The stairway behind me leads down to the locker designated for the transfer." "I am shaking uncontrollably." "My heart pounds at the thought of a pistol awaiting me there." "However, I'm going in." "These aren't the ones." "Nope." "That way?" "Not here." "There's nothing." "There they are!" "This way!" "820...where is it?" "Here it is!" "Let's go!" "Quick!" "Was it there?" "Yeah!" "Get in." " I got it!" " Really?" "!" "Come on!" "Get in!" "This is no time to fool around!" "Let's get moving." "We got it!" "Let's get out of here!" "Too strong!" "Shine it down." "More towards the camera." "Watch the shadow from the seat." "Starting from the face?" "Yeah." "Pan down to the box when I say I'm going to open it." " Are we rolling?" " Yes." " Here I go." " Right." "In the coin locker to which I've just been there was indeed a box." "This is it." "Is there really a gun in this box?" "I'll open it now." "I'm opening it." "Inside is a second box." "Is this it?" "It's heavy." "Is this it?" "Yes, it is!" "It's a pistol." "Is it a real one, I wonder..." "How do you feel seeing this?" "What do you think?" "Cut!" "Wait..." "Say something...anything!" "I can't when I'm on the spot like that!" "Something like 'I'm amazed!" "' or 'Wow!" "'" " Will he make a comment?" " Why?" " I can't get his reaction." " Why not?" "I'm behind him." "We should shoot this from outside." "Why didn't you tell me that in the first place?" "I'll get out." "Bring the light out, too, Yoko." "Now, when I ask you something, answer...whatever you like." "It might not be very good..." "Don't worry." "Say anything you think of." "Can you open your window, too?" "Is this side best?" "Yeah." "Move your seat back." "Just a minute..." "Yoko, shine the light more on the car." "Iwai, move back." " like this?" " That's good." "Watch those shadows!" "Light the box, too..." "you've got shadows on their faces!" "Sorry for the wait." "Hang on...sorry." "Same as before?" "Yep." "OK, let's try it again." "Go ahead." "Here I go." "In the basement coin locker to which I've just been there was indeed a box." "This is it." "Is there really a pistol in this box?" "I'll open it now." "I'm opening it." "There's another box." "I'll open it." "It's certainly heavy." "I can feel the weight." "Here it is!" "A pistol." "Is it real?" "How do you feel seeing this?" "Wow." "Cut." "You don't look surprised at all!" "I've already seen it." "Yoko, repack this." "We'll take it again." "Look, the people watching this on TV haven't seen it before." "The last time didn't happen." "You understand, don't you?" "I'm counting on you, OK?" "What do I do?" "Just be a bit surprised!" "Don't get mad at me." "This is my first time!" "Can't he just look at it?" "No, I want him to say something." "The show's about him." "Here." "Anything you like." "Ham it up as much as you want." "Over-react." "Say you can't believe it, say anything." "I'm counting on you." "OK, again." "Do it for me." "Here goes." "In the coin...sorry..." "I'm all worked up..." "Again." "There was indeed a box in the coin locker I've just been to." "This is the box." "Is there really a pistol inside?" "I'll open it." "There's another box." "There's two of them." "Is this it?" "I think so." "It's heavy." "I can feel the weight." "Here it is!" "This is it." "It's a pistol." "Is it real, I wonder..." "What do you think?" "I can't believe it..." "From something we happened to overhear on the radio..." "Shocking, isn't it." "Cut." "That should do it." "Sounds good." "Could've used more surprise." "Anyway, thanks." "Now what should we do..." "OK, next I'll hold the pistol up." "Close in on it." "Then Kanemura's hand comes in and takes it." "He holds it up in front of his face and says something." "I take it?" "No way!" "You're not showing me holding that!" "Look, we found it because you were listening in." "There's no completion if you don't." "You hold the damn thing!" "You went and got it." "Don't involve me!" "Are you trying to run out on me here?" "I'm not running out..." "Sure you're involved!" "We've got everything on tape, you know." "Oh, so now I should've said no right at the start?" "That's pretty low, isn't it?" "Oh, come on..." "look, just a few words." "That's all we need." "Just one thing." "Please." "Not holding it..." "Look, you've already come this far..." "If we've got what we want, we should go to the police." "Will you shut the hell up!" "We'll go when we get this shot." "Just shut up, will you!" "Come on, Kanemura, just a word." "They won't see your face." "Give me a break!" "Just one line." "Let you tape me holding a gun?" "Get lost!" "Just one line with it." "Please!" "Look!" "TV!" "Hey, what are you shooting?" "Look, could you keep out of the way?" "It's not porn, is it?" "No, it's not." "You filming this guy?" " Yeah." " What's he done?" "It's not like that!" "What is it, TV?" " What show?" " News." "Wow, cool!" "What happens now?" "We leave." "Come on, tell us!" "We're finished." "We're just asking..." "We're done!" "Finished!" "Shit!" "Damn punks!" "Let's go somewhere else." "Turn around." "You should've been watching!" "Now what are they doing?" "!" "Hey!" "Move!" "Out of the way, I said!" "Move!" "Hey!" "Fuck off!" "We'll tape this." "Get out!" "Get the light on them!" "Cut it out!" "You bastard!" "Fuck off!" "Is he OK?" "!" "Hey!" "Turn that thing off!" "Get in the car!" "Get in the car, I said!" "What are you doing?" "Don't fuck around!" "Turn that camera off!" "I mean it!" "Settle down!" "What did he think he was doing?" "!" "The stupid bastard!" "Calm down!" "You got me into this!" "What'll you do?" "How the hell would I know?" "!" "It's your fault I'm in this!" "Go to the police." "Don't be fucking stupid!" "But it was self-defence." "The gun just went off." "It's your fault, I said!" "Keep your mouth shut!" "Who gives a shit if an asshole like that gets killed anyway?" "You've no right to say that!" "Shut the fuck up!" "Why should I get stuck?" "That jerk!" "Not even good enough for the yakuza!" "Hold on, here..." "Just wait a minute..." "Now what do I do?" "!" "Calm down, damn it!" "Keep that thing turned off!" "Who cares if that asshole gets killed?" "Why didn't you do something?" "!" "They were kicking the shit out of me!" "Yeah, but..." "Why did this have to happen to me?" "!" "Listen!" "Shut up!" "I'll kill you too, you bastard!" "If you hadn't gotten the damn pistol this wouldn't have happened!" "And you made me take it, too!" "It's all your goddamn fault!" "What's that fucking taxi doing?" "!" "OK, OK..." "We'll throw the gun in the ocean." "And what happens if you talk?" " We won't!" " Use your head!" "I promise!" "We won't tell a soul what you did." "We'll throw the tape out, too." "Damn right you will!" "I've listened to you enough!" "Look, I promise." "First we've got to get rid of the gun." "I know a place we can hide it." "And you won't tell?" "No, I won't!" "Not a soul!" "Why would I believe you?" "You've done nothing but lie!" "I have not!" "You have!" "That's what got me into this!" "Anyway, they're bound to find out who did it." "How will they find out, unless you talk?" "Turn that thing off!" "I'll shoot you, too!" "He's not taping!" "Why me?" "!" "This is the worst thing that could've happened!" "Calm down!" "I'm fucked!" "Why did this have to happen to me?" "!" "Take off that mike." "You take off your backpack and that stuff round your neck." "Is the camera on?" "Not on me." "Shouldn't it be down more?" "No, it's fine." " Take off your jackets." " Why?" "Shut up and do it!" "You too!" "Get in the bed." "We're going to make sure you don't talk." "Hey, wait..." "Move it!" "Then you can go." "Do it, now!" "Quick!" "We won't tell." "Quiet!" "I'm not trusting anyone!" "What are you doing?" "!" "Don't do this..." "Think of your future..." "Don't tell me about my future!" "Move it!" "Wait." "Don't move." "Hurry up." " What are you shooting?" "!" " Nothing." "Take off your clothes." "What do you want?" "Shut up and do it!" "Think and it'll come to you." "You're going to fuck on tape." "Start when I say 'action'." "I'll just step back here..." "Come on." "There's no need to look at me." "Or at the camera either." "Just do what I tell you." "And...action!" "Didn't you understand what I told you to do?" "Do it!" "Take off your pants." "She won't till you do." "What are you doing?" "Take them off!" "Quick!" "Try anything and I'll blow your head off." "You, too." "Get undressed..." "shall I do it for you?" "Who are you looking at?" "Iwai, time for your rape scene." "And...action!" "Do it!" "Stop it!" "She won't." "So what?" "Do it." "Stop it!" "What else can I do?" "!" "Stop it!" "Get closer." "You won't get it from over there." "Stop it!" "What the hell's wrong with you?" "!" "Keep still!" "Cut it out!" "Keep still!" "Keep still!" "Keep still!" "Stop it!" "Stop it!" "I'm not hard." "Then make it hard." "Use your hand." "I'll shoot your dick off!" "Quick!" "Do it!" "And you lie there quiet!" "Keep that off me." " OK?" " Yeah." "Man, that's weird!" "That's what it's like." "Ever done porn?" "Yeah, on the sly." "Why do people do that?" "'Cause other people watch?" "Porn sucks." "Stay there." "I said don't move." "What are you doing?" "So shoot me." "Put those down." " There!" " Where are you going?" "Want some too?" "Where are you going?" "!" "The bathroom!" "Get going, then." "You get dressed, too." "You look stupid." "You'll do anything, won't you." "All you care about is getting great TV." "You don't give a shit about anyone." "You won't use me to entertain the folks." "It's all a big fake, isn't it." "Well, now I've had my say." "Haven't I?" "Huh?" "Huh?" "Damn right." "Now I've had my say, too." "Not that I'd expect you to understand." "What are you grabbing on to?" "Let go." "Listen..." "Let go, I told you." "I'll shoot you, I mean it." "What is it?" "What?" "Talk!" "Don't turn the world against you." "Are you going to turn it against me?" "The whole world, huh?" "Can you move the whole world?" "I can move it..." "like this." "I can move the whole damn world with this." "Damn right!" "I do this and everyone listens to me." "Why?" "!" "Why is it me in deep shit?" "!" "Hey!" "What's wrong with you?" "Scared, huh?" "See?" "Now you listen to me!" "Stop whimpering!" "You listen to me, don't you!" "I wouldn't shoot you." "Look at how you're shaking!" "She's home." "HI, it's Yumi." "Call me when you get home. 'Bye." "Get dressed." "Hello, Yumi?" "It's Maki." "I was at work." "Why did this have to happen?" "!" "You know what it's like to shoot someone?" "Hello?" "I put it on." "Isn 't that a great song?" "I won't for get this!" "What is this shit?" "!" "Headquarters to all units." "The victim of a shooting... ..!" "at or around 8:30 PM." "in Shinjuku Ward, Nishiyama died at 10:30 PM" "The case is reclassified as murder." "Shinjuk u 2..." "One moment, Shinjuk u 2." "Suspect reported fleeing by car a light-color Silvia with Tama plates." "Licence number unknown." "Damage reported to car hood." "Description of suspect:" "180 centimeters." "Long hair, tied in back." "Dark blue jacket and jeans." "What appeared to be a TV crew was also..." "We're getting out of here." "Get up!" "Get moving!" "Chofu 2..." "Go ahead, Chofu 2." "Vehicle fitting description seen at Chofu Toll Gate." "What's the time on that?" "About 11:55 PM" "Vehicle heading into the city." "Roger." "Attention all units:" "A vehicle being sought in connection with a shooting in Shinjuku is reported heading into city on Expressway 4." "Secure all exit ramps and toll gates." "Hey...can you get that?" "It's pretty..." "let's tape it." "Beautiful..." "Looks like a nice day." "Did you get that?" "!" "I don't know..." "Now what?" "I have to pee." "Now what?" "!" "Say something!" "Quick!" "Say what?" "!" "Quick!" "Uh...'Kanemura'...no..." "'Young Kanemura'...shit!" "Asano Tadanobu" "Unno Keiko" "Sano Tetsuro" "Shirai Akira" "Executive Producers Hara Masato Kuroi Kazuo" "Producers Akai Junji Tsubomi Nobutsugu" "Line Producers Osato Toshihiro Tominaga Riuko" "Assistant Producer Yamada Shunsuke" "Screenplay Shin Kazuo ( SAPPORO IMAGE SEMINAR)" "Music Mizuide Hiroshi" "Ending Theme Music "AFTERIMAGE"" Written and Performed by EPO (MEDIA REMORAS, INC.)" "Director of Photography / Gaffer Sano Tetsuro" "Sound Imai Yoshitaka" "A Presentation of THE SEIYU,LTD ACE PICTURES,INC." "With the Assistance of KSS INC." "In Cooperation with Bud Company LTD." "Director Isaka Satoshi"