"That's it." "100 honours, and 90 below." "Nicely done, Strangways, I have to give it to you." "I must leave you for a few minutes." "Order a round on my chit, Professor." "Right." "Must you break off at this time every evening?" "My managing director has a call put through to me every day about this time." "Hurry back." "20 minutes." "And don't try doctoring any hands for me." "Same again." "Bless you, master." " Hurry, man." " Get away, quick." "W6N, W6N, W6N." "Calling G7W." "How do you hear me?" "Over." "G7W London, G7W London." "Receiving you." "Over." "Stand by to transmit." "Wait." "Out." "Here." "Hello, W6N." "Over." "Foreman of signals - urgent." "Get me the Ml6 radio security control." "What is it?" "W6N Kingston, Jamaica - broken contact just after they came up on transmission." " Broken or faded?" " Broken." "We still have the carrier wave." " On both emergency frequencies?" " No joy on either." "I'm still calling." "Let me know as soon as they come up." "Foreman of signals, sir." "Jamaica's broken off mid-transmission." "No, sir, it's not a technical fault." "Yes, sir." "Will you tell him, sir?" "Very good." " Excuse me, sir." "Are you a member?" " No, I'm looking for Mr James Bond." " What name should I say?" " Just give him my card." "Would you like to leave your coat over there?" "The house will cover the difference?" " I need another thousand." " I admire your courage, Miss...?" "Trench..." "Sylvia Trench." "I admire your luck, Mr...?" "Bond..." "James Bond." "Mr Bond, I suppose you wouldn't care to raise the limit?" "I have no objections." "Now..." " Looks like you're out to get me." " It's an idea, at that." "Eight." " Excuse me, sir." " Thank you." "André, I must pass the shoe." "I hope you'll forgive me, but it's most important." "Have those changed, will you?" "Too bad you have to go." "Just as things were getting interesting." "Yes." "Tell me, Miss Trench, do you play any other games?" "I mean, besides chemin de fer?" "." "Golf, amongst other things." " Tomorrow afternoon, then." " Tomorrow?" "And we could have dinner afterwards, perhaps?" "Sounds tempting." "May I let you know in the morning?" "Splendid." "My number's on the card." "See if he's there, will you?" "James, where on earth have you been?" "I've been searching London for you." "007 is here, sir." "He'll see you in a minute." "Moneypenny." " What gives?" " Me." "Given an ounce of encouragement." "You never take me to dinner looking like this." " You never take me to dinner." "Period." " I would, you know." "Only M would have me court-martialled for illegal use of government property." "Flattery will get you nowhere." "But don't stop trying." "Now..." " What's all this to-do about?" " Strangways." "It looks serious." "We've been burning the air between here and Jamaica for the last three hours." " In you go." " Don't forget to write." "Good evening, sir." "It happens to be 3am." "When do you sleep, 007?" "Never on the firm's time, sir." "Sit down." "Jamaica went off the air, in the middle of the opening procedure." "We've checked up and Strangways has disappeared." "So has his secretary." "We'd only just sent her out there." "Was Strangways on something special?" "An inquiry from the Americans." "There is massive interference with their Cape Canaveral rockets." "They think it comes from the Jamaica area." " Does "toppling" mean anything to you?" " A little." "Throwing the controls of a guided missile off balance with a radio beam." "Five million dollars' worth of missile aimed at a spot in the South Atlantic and finishing up in the Brazilian jungle is bad enough." "But now they're gonna try orbiting a rocket round the moon." "The American CIA sent a man down to work with Strangways." "A fellow by the name of Leiter." "I've heard of him, but never met him." "Has he found out anything important?" "You'd better ask him." "You're on the 7 o'clock plane to Kingston." "That gives you exactly three hours 22 minutes." "Armourer." "You'll get the background papers at the airport, in a self-destructor bag." "You can study them during the flight." "I want to know what's happened to Strangways." "Sir." "Take off your jacket." "Give me your gun." "This damn Beretta again." "I've told you about this before." "You tell him, for the last time." "Nice and light, in a lady's handbag." " No stopping power." " Any comments, 007?" "I disagree." "I've used a Beretta for ten years and never missed with it yet." "But it jammed on your last job and you spent six months in hospital." "A double-O number means you're licensed to kill, not get killed." "Since I've been head of Ml7, there's been a 40 drop in double-O casualties." "I want it to stay that way." "You'll carry the Walther." "Unless you'd prefer to go back to standard intelligence duties." "No, sir." "I would not." "Then from now on you carry a different gun." "Show him." "Walther PPK: 7.65 mil with a delivery like a brick through a plate-glass window." "Takes a Brausch silencer with little reduction in muzzle velocity." " The CIA swear by them." " Thank you, Major Boothroyd." "Thank you, sir." " Any questions, 007?" " No, sir." " All right." "Best of luck." " Thank you, sir." " 007." " Sir?" "Just leave the Beretta." "Miss Moneypenny, forget the usual repartee. 007's in a hurry." "Ciao." "Good luck." "There." "Now you made me miss it." "You don't miss a thing." "How did you get in here?" "I decided to accept your invitation." "That was for tomorrow afternoon." "Do you always dress this way for golf?" "I changed into something more comfortable." "I hope I did the right thing." "You did the right thing, but you picked the wrong moment." " I have to leave immediately." " That's too bad." "Just as things were getting interesting again." "When did you say you had to leave?" "Immediately." "Almost immediately." "Hello, New York." "Your Pan Am 323 just landed Kingston, Jamaica." "Taxi." " All right, then." "Go ahead." " Help yourself." " Taxi." " Mr Bond, sir?" "Yes?" "I'm Mr Jones, chauffeur from Government House." "That's fine." "We can drop my luggage off on the way." " I want to check my reservation." " I can do that." "No, no." "You just take care of the bags." " Government House?" " Yes." " Principal Secretary, please." " Hold the line, please." " Who wants him?" " James Bond, Universal Exports." "Welcome to Jamaica, Mr Bond." "Yes, your head office alerted us this morning." " Are you free for lunch at one o'clock?" " That'll suit me fine." " By the way, have you sent a car for me?" " Car?" "I didn't think you wanted one." "Quite right." "One o'clock, then." "Forgive me if I'm a few minutes late." " Where to first?" " Government House, but there's no hurry." "Just take me for a ride." "Do you always drive this fast?" "I told you I wasn't in a hurry." "Sorry, sir, but I think there's some fellow trying to follow us." "Then I suggest you try and lose them." "Take the next turning on the right." "Now, Mr Jones." "Talk fast, before your friend doubles back." "Who are you working for?" "I don't know what you're talking about." "I was just sent to meet you at the airport." " But by whom?" " By..." " Government House." " I don't think so." "Both hands on the wheel." "I'm a very nervous passenger." "Get out." "Move!" "Keep your hands where I can see them." "Get up." " Now talk." " All right." "Let me have a cigarette." "To hell with you." "Sergeant, make sure he doesn't get away." "Cyanide in a cigarette?" "Fantastic." " No less." " Duff, what have you got for us?" "The car was stolen and we haven't been able to identify the driver yet." "But he surely wasn't a Kingston man." " Well, news of my arrival leaked." " We didn't advertise it, I can assure you." "Perhaps not." "I got the impression someone had been selling tickets." "Anything more we can do for you?" "I want to meet the last people to see Strangways." "Nobody seems to have seen him after he left our bridge four." " Who were the others?" " Professor Dent..." "Metallurgist, runs a test laboratory." "Respected." "Clean bill." " Potter..." " Old general." "Been here for ages." " We'll start with those." " Want them brought in?" " Lord, no." "I want to meet them socially." " I can introduce you at the club." " I'd like to see Strangways' place." " I'll run you up there now." "Go on in." "That's her blood patch." " They've grouped it as O Rh positive." " That's her group, all right." "The set was still switched on when we came round." "We tried to get through, but it was dead the other end." "And it'll stay dead." "All frequencies are changed immediately security's broken." "Receipt from Dent Laboratories." " Geology a hobby of Strangways?" " Not that I know of, no." "Who's the man with Strangways?" " One of the local fishermen." " He drove the car that tailed me." "Is that so?" "That gives us something to work on." "I'll have him checked." "You do that." "I want to change before I meet Pleydell-Smith at the club." "One medium-dry vodka martini." "Mixed like you said, and not stirred." " Anything else, sir?" " No, that's all." "Curious, old Strangways just vanishing like that." "Or is it?" "Cherchez la femme." "His secretary was very nice indeed." " Did you know her?" " I've seen her around." "None of you can throw any light on what happened to him?" "His conversation?" "Any hint?" "I never heard him talk about anything but big-game fishing and bridge." "He got the fishing bug three weeks ago." "He's been out practically every day since." "It must have cost him something." "These fishermen ask the earth to charter, and Quarrel's the most expensive of all." " Quarrel?" " A Cayman Islander." " He keeps a boat in the harbour." " I see." "Thank you." "Excuse me." "Where do I find Quarrel?" "He him." "Your name Quarrel?" "Maybe." "I'm a friend of Commander Strangways." "Ain't that nice?" "I like people who's friends of people." "I thought you might be able to tell me what happened to him." "As far as I know, nothing happened." "Unless you know different." "Where did you take him in your boat?" "You see that, captain?" "That there's the Caribbean." "That's where." "Fishing." "I'm interested in fishing." "I'd like to charter your boat." "It's not for hire." "Seems I came to the wrong address." "That's all right." "If you'll excuse me, I got business to attend to." "Pussfeller." "Well, if it ain't my friend what gets addresses mixed." "You got the right one this time if you likes good eating." "I do, if the conversation matches it." "Back at the boat too public." "In there it different." "After you." "Sure thing." " Hey, man!" "You see we get some privacy." " Nothing but, Quarrel." " Take a seat." " I'm fine." "OK, mister." "Supposin' you start the conversation." "How's about it?" "Ain't no use you struggling." "Pussfeller wrestles alligators." "Right!" "Up slowly and face that wall." "Hold it." "Gently, bud, gently." "Let's not get excited." "Frisk him." "Nothing." "Interesting." "Where were you measured for this?" "My tailor, Savile Row." "Is that so?" "Mine's a guy in Washington." "Felix Leiter." "Central Intelligence Agency." " You must be James Bond." " You mean we're fighting the same war?" "When I saw you leave the airport with the opposition, I figured I must be wrong." "This is Quarrel." " No hard feelings, I hope?" " Only a sore hand." "Glad to know you." " Pussfeller owns the place." " I hope he cooks better than he fights." "Nobody died from my cooking - yet." "There you are." "Cape Canaveral is screaming." "They don't want anything to go wrong with this moon rocket launch." "Yet Strangways didn't think the interference came from here?" " I suppose you cased the joint?" " I checked unofficially." "You limeys can be touchy about trespassing." "Strangways and Quarrel checked the islands." "You found nothing?" "Where did you look?" "Just about everywhere." "Fire Island, Crab Key, Morgan's Reef." " Checked them all thoroughly?" " All except Crab Key." "We had no right." " Why not?" " It belongs to a Chinese..." "Get her, Quarrel, and the camera." "Evening, missis." "You're hurting." "The captain wants you to have a drink with us." " You're hurting me." " You can't mean it." "Good evening." " Why do you want another picture of me?" " I only got your hat at the airport." " Tell this ape to let me go." " Why do you want a picture at all?" "Because that's the way I earn my living." "Who pays you?" "The Daily Gleaner." "Pussfeller." "Pussfeller." " Anything I can do?" " Ever seen this girl before?" "She come here sometimes." "You want for me to get rid of her?" "No." "Just ring the Gleaner." "Find out if they sent a photographer here tonight." "They didn't send me." "I work freelance." "Freelance?" "For whom?" "You..." "Tell us and he'll stop." "We don't get nothing out of this gal." "You want me to break her arm?" "Another time." "The second time nothing's come out." "Give her her arm back." "Run along, freelance." "You'll be sorry." "You'll all be sorry, you rats." "One takes cyanide, another would have had her arm broken." "Neither would talk." " Who puts that sort of scare into people?" " I think maybe we'd better find out fast." "You were talking about Crab Key?" "Why can't we go there?" "It belongs to a Chinese character." "He won't allow anyone to land." "I had our naval reconnaissance planes take a look." "They found nothing but a bauxite mine." "Low-scan CH radar setup." " There's nothing illegal about that." " Crab Key scares me plenty." "Friends of mine went out there once after seashells." "Only trouble, they never came back again." "The local fishermen won't go near it." "Strangways and me, we slip in at night." "He take some samples, we came straight back." "Don't do to hang about there." " What kind of samples?" " Bits of rock, sand, water." "I see." "Crab Key begins to interest me." "What else do we know about this Chinese gentleman?" "Nothing much." "Except his name." "Dr No." " I'd like to see Professor Dent." " Have you an appointment?" "James Bond." "We met yesterday at the club." "Very well." "He's somewhere in the lab." "Is Professor Dent there?" "Oh, never mind." "Morning, Professor." "Mr Bond." "Anything I can do for you?" "Yes." "I came across this in Strangways' office." "Your receipt." " Yes, that's right." " Can you tell me anything about it?" "Poor old Strangways." "Bit of a bug of his, this amateur geology." "He brought some samples in for testing, convinced they were valuable." "Were they?" "Of course not." "Just low-grade iron pyrites." " Can I see them?" " I threw 'em away." " Do you know where he found them?" " No, he didn't say." " Crab Key, perhaps?" " Definitely not." " Why so certain?" " Not geologically possible." "Thank you, Professor." "It's very kind of you to spare me your time." "You're very welcome, Mr Bond." "Professor..." "Allow me." "Morning." " I have to get to Crab Key." " You know the procedure." "There's no time for that." "I'll take responsibility." " Man, I hope you know what you're doing." " Come on." " I radioed." "They're expecting me." " Go ahead." "Sit down." "Why have you disobeyed my strictest rule and come in daylight?" "I had to." "Bond came to see me this morning." "Yes, I know." "I gave orders that he should be killed." "Why is he still alive?" " Our attempts failed." " Your attempts failed." "I do not like failure." "You are not going to fail me again, Professor." "No." "I came to warn you." " Warn me?" " Tell you." "Bond has discovered those rock samples came from Crab Key." "He's not a fool." "He's sure to come out here." "I hope not." "If he does, I shall hold you responsible." "Do I make myself clear?" "Yes, quite clear." "Go to the table." "You see what is in the cage?" "Pick it up." "Pick it up." "Tonight." " I'd like to send a cable." " Yes, of course." "The car you ordered has been delivered." "It's in number five parking lot." " Thank you." "Good night." " Good night, Mr Bond." " Morning, Pleydell-Smith." " Bond." "Sorry to trouble you so early." "I need all you have on Dr No and Crab Key." "Miss Taro, bring me the files on Dr No." " What do you know about this island?" " Not much, except there's a bauxite mine." "Dr No runs it like a concentration camp." "I've heard rumours, but no one's complained officially." " Miss Taro, just leave them here." " We can't find them anywhere." " What do you mean?" "Who had them last?" " Commander Strangways." "Both files." "All right, Miss Taro." "Damn nuisance, their disappearing like that." "On the contrary." "I'd have been surprised if they hadn't." "By the way, that came for you from London, in the diplomatic pouch." "A present from home." "Can I get out that way?" "That's a naughty habit - listening at keyholes." "I wasn't listening." "I was looking for those files." "Anything that can't be found, I get the blame." "Forget it." "It's not very important anyhow." "I'd hate to think you were spending all afternoon looking for them." "No." "I have the afternoon off." "There's a coincidence." "So have I. Why don't you show me round the island?" "What should I say to an invitation from a strange gentleman?" "You should say yes." "I should say maybe." "Three o'clock at my hotel... maybe?" " Yes, maybe." " Good." "The luminous dial activates it." "Hold this." "Where exactly did Strangways place those samples?" " About where your feet is, sir." " Good." " Hi, there." " Hi." " Lose something?" " Take a look at this Geiger reading." "Those samples Strangways brought back from Crab Key were radioactive." "Yet Professor Dent told me they were worthless chunks of iron ore." " He's either a bad professor or a poor liar." " I intend to find out which." "Quarrel, how soon can you get us over to Crab Key?" "Well, it's like this here, captain." "Strangways, he done take samples of all the islands." " We could check the nearest ones first." " No." "It's Crab Key I'm interested in." "I done take the commander there." "We got away without trouble." "It don't do for a man to tempt providence too often." " You see, there's a dragon." " What?" "Native superstition." "Started by Dr No, probably." "All right, Quarrel." "We won't force you." "Leiter and I will go after dark, if you'll give us directions." "I gets my navigational directions from my nose, my ears - my instincts." "Anyway, I'll be here about seven." "Fine." "Mr Bond, there's a telephone message for you." "Johnny, what have you done with it?" "Hello?" "Mr Bond." "I was thinking, why don't you collect me at my apartment?" "It's lovely up here in the mountains." "Nice and cool." "All right." "You leave the Port Royal road out of Kingston, then along the Windward Road, until you get to the cement factory." "Then you turn left." "Follow the road up the hill, down the other side, then two miles further on, on the left," "Magenta Drive 239." "I'll be waiting for you." "How did it happen?" "I think they were on their way to a funeral." "Just a minute." " You did invite me, remember?" " Of course." "I just didn't expect you here so soon." "Yes, come in." "I'll just go and put some clothes on." "Don't go to any trouble on my account." "Please." "Forgive me." "I thought I was invited up here to admire the view." "I feel one of us should answer it." "Hello." "Yes." "I know, he's here now." "I don't know what happened." "Right." "I'll try and keep him here for a couple of hours." "I'll have to go now." "I'll call you later." "You believe in living dangerously." "I can see that." "What do you mean?" "Sitting around with wet hair, you'll die of pneumonia." " It's rather beautiful." " Thank you." " Do you always wear it up?" " Don't you like it that way?" "Yes, very much." "With your sort of face, it's wonderful." " What's going on behind my back?" " Nothing." "Look." "No hands." "I'm hungry." "Let's go out and eat." " I'll make you a Chinese dinner here." " I'm feeling Italian and musical." " Let's go to the Blue Mountain Grill." " I'd rather stay here." "It's more fun... alone." "Yes, but I don't want you getting dishpan hands." " I like cooking." " Forget it." "May I use your phone?" "Who are you ringing?" "Taxi." "James Bond here." "Can I have a car sent to 2171 Magenta Drive?" "As soon as you can, please." "Thank you." " I thought you came by car." " Damn thing wouldn't start." "That explains..." "Explains what?" "Why you need a taxi." "Why I need a taxi?" "Careful - my nail varnish." " The lights." " No, I always leave them on." " What's going on?" " Book her, Superintendent, will you?" "And... be careful of her nail varnish." "Drop it, Professor, and behind you." "It's funny, I thought you'd turn up sooner or later." "Sit down." "The girl talked?" "But of course." "I was suspicious at the Queens Club anyhow." "You were the only one who'd seen Strangways' new secretary." "And then later at the lab, you made no reference to the fact that Strangways' samples were radioactive." "Very clever, Mr Bond." "You're up against more than you know." "If you shoot me, you'll end like Strangways." " And you killed him?" " He was killed, but never mind how." "Who are you working for, Professor?" "You might as well know, as you won't live." "I'm working for..." "It's a Smith  Wesson." "And you've had your six." " Better late than never." " Everything ready?" "Yeah, for the last two hours." "Don't worry, Quarrel." "It'll be fine." "Bottom part of where my belly used to be tells me different." "For me, Crab Key will be a gentle relaxation." " From what?" "Dames?" " No, from being a clay pigeon." "This is as far as we go with the engine." "Make with paddle and wind from now on." "OK." " Let me go with you." " No, we settled that." "It's my beat." "But it's my head in the noose if anything gets unstuck." "Canaveral can only wait 48 hours for that moonshot." "If we're not back in 12, then it's your beat." "You'd better bring your marines with you." "Quarrel, if you see a dragon, get in first and breathe on him, you hear?" "With all that rum in you, he'll die happy." "Better drop the sail in case their radar's on scan." "Hard about, captain." "Now!" "Cover it up." "We'd better get some sleep before it gets light." "I'll be down this end." "Who is that?" "It's all right." "I'm not supposed to be here, either." "I take it you're not." " Are you alone?" " What are you doing?" "Looking for shells?" " No, I'm just looking." " Stay where you are." " I promise I won't steal your shells." " I promise you you won't, either." " Stay where you are." " My intentions are strictly honourable." "What's your name?" " Ryder." " Ryder what?" "Honey Ryder." " What's so funny about it?" " Nothing." "It's a very pretty name." " What's your name?" " James." "Honey, did you use your sail all the way up to the reef here?" "Of course." "I always do." "Then they'll know we're here." "They have radar." "My boat is too small to be noticed." "And I often come here to get the shells." "At first they tried to catch me, but they couldn't." " Now they don't bother any more." " They will this time." " Don't bother with those now." " Don't bother?" "Are they valuable?" "This one is worth $50 in Miami. 50." "You promise you won't tell anyone?" "I promise." " Hey, come and take a look." " It's all right." "He's with me." "Captain, what do you think of that?" "What's the matter?" "That's a high-powered boat." "Take some cover." "Come on." "They're here all right." "OK, folks!" "Come out and you won't get hurt." "Stand up and show yourselves or I'll be forced to open fire." "Come on out." "We know you're there." "We've been expecting you." "Walk out with your hands up and you'll be OK." " This is your last chance." " He's bluffing." "Keep your head down." "All right!" "You've been warned." "This is it." "Lie still." "It won't last long." "They don't really know we're here." "Fire!" "Are you coming out?" "All right, then." "We'll be back." "We'll be back with the dogs." "Full speed ahead." "I warned you about this place." "That was a machine gun, not a dragon." " There's a dragon here, too." " She's right." " You've seen it?" " Yes, I have." "He had two glaring eyes, a short tail, pointed wings, and was breathing fire." "You don't believe me, do you?" "Little gal, I does." "I tell you, Mr Bond, let's get the hell outta here." "Listen, both of you." "There are no such things as dragons." "You saw something that looked like one." "I'm trying to think what it was." "How do you know there aren't?" "Did you ever see a mongoose dance?" "Or a scorpion with sunstroke sting itself to death?" "Or a praying mantis eat her husband after making love?" " I hate to admit it, but I haven't." " Well, I have." "She's right." "All right, they've gone." "Honey, you're getting out of here." "I'm getting out when I'm ready, and that's never in daylight." "This time you are, and fast." "Where's your boat?" "Fetch my shoes." "Look!" "Look what they've done." "It's all your fault." "I'm sorry." "I'll get you a new boat when we get back to Kingston." "What are we going to do with her now?" "If you like, I know a good place where we can hide." "That'll do for a start." "Leave the things you don't need." "Quick!" " Must we come this way?" " Yes." "It throws the dogs off the scent." " Damn mosquitoes." " Rub water all over yourself." "It's the salt they're after." "Quick!" "They's coming, across there." "Quarrel, cut some of those reeds." "Give me the knife." "Over there." "They're coming closer." " Keep quiet." " Something's biting me." "If you disturb the mud, they'll know we're here." "Get down." "Looks like they're onto something." "Get down." " Why?" " Because I had to." "He sure knew his business, trailing us after we let the others pass." "We must get out of here." "Where is this hiding place?" "Up there." "Come on." "You smell nicer already." "Thank you." "Mr Bond, quick!" " What is it now?" " Look at these." "Those are dragon tracks." "That's where he breathed." "You ought to get some rest if you want to." "I stay out here on watch." " In case he comes a-Iooking for us." " Right." "I'll take the second watch." "We'll be out of here by midnight." "I never met a detective before." " Are you going to arrest Dr No?" " Someone is." "We can't have him trying to kill everyone who comes here." "He doesn't just try." " I'm pretty sure he killed my father." " What do you mean by that?" "You see, my father was a marine zoologist." "We came to the Caribbean for him to study seashells." "Then one day he came to Crab Key, and I never saw him again." "They said he must have been drowned, but he was far too good a diver for that." "Didn't the police investigate?" "Or your family?" "They investigated for a long time." "Then they said "Missing, presumed dead"." "I haven't got any family." "There was only my father and me." "You mean you're here all alone?" "Where did you live before?" "All over the world." "The Philippines, Bali, Hawaii." "Anywhere there were shells." " You went to school somewhere?" " No need." "We had an encyclopedia." "I started at A when I was eight, and now I've reached T." "I bet I know a lot more things than you do." "Didn't anyone in Kingston help?" "Well, there was this man who owned the place where we were living." "He let me stay on for a while without paying." "Then one night he came up to my room..." "Well, you know." "I scratched his face, and then..." "But he was stronger than I was." "What happened after that?" "I put a black widow spider underneath his mosquito net." "A female, and they're the worst." "It took him a whole week to die." "Did I do wrong?" "Well, it wouldn't do to make a habit of it." "Do you have a woman of your own?" "Captain, quick!" "Down here." "Whatever's coming, it's coming this way." "This time I want to see it." "And hurry - there's less than 12 hours to go." "Stay where you are." "All of you." "Stay right where you are." "OK, captain." "If that ain't a dragon, what is it?" "A dragon that runs on diesel engines." "Forget the spooks." "You take the driver." "I'll take the headlights and the tyres." "You keep safe out of sight." " I told you to stay there." " I was frightened." "Come on out." "Hands where we can see 'em." "And the dame." "Quick." "Unless you want an extra navel." "Hold it." "Drop that gun." "Now kick it away from you." "The girl stays where she is." "Walk towards me, hands out in front." "Come on." "Hey, you." "Where do you think you're going?" "Sorry we ain't got any flowers." "Come on, let's go." "Come on." "Let's go." "Give me that knife." " Leave him alone." " Get out of the way." "Get inside." "Keep an eye on the man." "And be careful." "They've been in the swamp and they're contaminated." "Check their Geiger reading." " He's reading 95, chief." " She's 88." "Too much for the monitor." "Scrub them down, but quick." " Reading 72.8." " The mud's soaked into their clothes." "All right, then." "Take off all their clothes." " What's he going to do?" " Do as he says." "We're contaminated." " Do the girl first." " We give the orders around here." "That's fine, but do something about this, will you?" "Come here." "Use the high-temperature jets." "Full pressure." "68." " She's reading 47." " All right." "Put the man through." "He's now clocking 40." "Reading 38." "32." " Down to 8." " Hold the girl." "He's now 18." "He's now at 8." " Practically zero." "She's clear." " Get the man ready." " He's got a count of four." " Check his fingernails." "Put your hand in there." " He's OK." " I will notify reception they are coming." "Decontamination here." "They're coming through now." "Come in." "Come in." "You poor dears." "We didn't know when to expect you." "First it was teatime yesterday, then dinner." "It was only half an hour ago we really knew you were on your way." "Cigarette?" "American, English, or Turkish?" "I'm Sister Rose, this is Sister Lily." "We'll make your stay as pleasant as possible." " That's most kind of you, but..." " Of course." "You want to see your rooms." "Breakfast is ordered, and then you'll want to sleep." "The doctor left orders you're not to be disturbed until this evening." "He'll be delighted if you join him for dinner." "Shall I say you will?" " Tell him I also will be delighted." " Splendid." "I know he'll be pleased." "Here we are." "This will be your room, Mr Bond." "This is your bathroom in here." "And for you, young lady... this is your room." "You'll find fresh clothes in here." "I hope they fit." "We didn't get your sizes till last night." "Don't hesitate to ring if there's anything at all you want." "Such as two air tickets to London?" "I'll leave you two dear people in peace." " Let's have some breakfast." " How can you eat at a time like this?" "Because I'm hungry and we don't know when we'll get the chance to eat again." "Take this." "Careful." "The whole place is probably wired for sound." "Have you..." "Have you any idea what they'll do with us?" "No idea." "No door handles or windows, either." " It's a prison, then." " Mink-lined with first-class service." "What's the matter?" "I don't feel so good." "I feel so sleepy." "Damn coffee." "How do you feel?" "Sleepy." " What made us pass out like that?" " The coffee." "It was drugged." "It's time for dinner." "We mustn't keep the doctor waiting." "That would never do." "You ready, Honey?" "I suppose so." "You're doing fine." "Come on." "Am I properly dressed for the occasion?" " Quite suitable." " Suitable for what?" "This way, please." "I'm glad your hands are sweating, too." "Of course I'm scared, too." "Be natural and leave all the talking to me." "In here, please." "I hope you enjoy your dinner." "Come and look." "Artificial light." "We could be hundreds of feet beneath the sea here." "Look at that." "Sea tulips." "They do not grow above 200ft." "One million dollars, Mr Bond." " You were wondering what it cost." " As a matter of fact I was." "Forgive my not shaking hands." "It's awkward with these." "A misfortune." "You were admiring my aquarium." "Yes." "It's quite impressive." "A unique feat of engineering, if I may say so." "I designed it myself." "The glass is convex, ten inches thick, hence the magnifying effect." "Minnows pretending they're whales." "Just like you on this island, Dr No." "It depends, Mr Bond, on which side of the glass you are." "A medium dry martini, lemon peel, shaken, not stirred." " Vodka?" " Of course." "We'll have dinner at once." "There's so much to discuss, so little time." "Dr No, you haven't done badly, considering." "A handicap is what you make of it." "I was the unwanted child of a German missionary and a Chinese girl of good family." "Yet I became treasurer of the most powerful criminal society in China." "It's rare for the Tongs to trust anyone who isn't completely Chinese." "I doubt they shall do so again." "I escaped to America with ten million of their dollars in gold." "That's how you financed this operation." "It was a good idea to use atomic power." "I'm glad you can handle it properly." "I'd hate to think your decontamination chamber wasn't effective." "My work has given me a unique knowledge of radioactivity, but not without costs, as you see." "Yes." "Your power source had our organisation puzzled for some time." "They are still puzzled." "Not any longer." "I sent a complete report." "You've not contacted your headquarters since you requested a Geiger counter." "But there are so many files open on you already, Dr No." "Our own, the CIA's..." "The one from the Tong society that you robbed." "When trouble comes, you'll find this is a very small and naked little island." "An expendable little island, Mr Bond." "When my mission is accomplished, I destroy it and move on." "But the habit of enquiry is consistent." "You're wondering why, where, when." "I only gratify your curiosity because you're the one man capable of appreciating what I have done... and keeping it to himself." "Just a minute." "There's no point involving the girl." "She has nothing to do with us." "Let her go free." "She'll promise not to talk." " No, I'm staying with you." " I don't want you here." "I agree." "This is no place for the girl." "Take her away." "No." " No." " I'm sure the guards will amuse her." "Let me go!" "That's a Dom Pérignon '55." "It would be a pity to break it." "I prefer the '53 myself." "Clumsy effort, Mr Bond." "You disappoint me." "I'm not a fool, so please do not treat me as one." "And that table knife, please put it back." "We can't all be geniuses, can we?" "Does the toppling of American missiles really compensate for having no hands?" "Missiles are the first step to prove our power." "Our power?" "Your disregard for human life means you must be working for the East." "East, West - just points of the compass, each as stupid as the other." " I'm a member of SPECTRE." " SPECTRE?" "Special Executive for Counterintelligence, Terrorism, Revenge, Extortion." "The four cornerstones of power, headed by the greatest brains in the world." "Correction." "Criminal brains." "The successful criminal brain is always superior." "It has to be." "Why become criminal?" "The West would welcome a scientist of your calibre." "The Americans are fools." "They refused my services." "So did the East." "Now they can both pay for their mistake." "World domination." "That same old dream." "Our asylums are full of people who think they're Napoleon or God." "You persist in trying to provoke me." "I could've had you killed in the swamp." "And why didn't you?" "I thought you less stupid." "Usually, when a man gets in my way..." "But you were different." "You cost me time, money, effort." "You damaged my organisation, and my pride." "I was curious to see what you were like." "I thought there might be a place for you with SPECTRE." "I'm flattered." "I'd prefer the revenge department." "Of course, my first job would be finding the killer of Strangways and Quarrel." "Unfortunately I misjudged you." "You are just a stupid policeman... whose luck has run out." "They're waiting for you in the control room, Dr No." "No hurry." "They won't have started their countdown check yet." "You won't get away with it this time." "The Americans are prepared for trouble." "I never fail, Mr Bond." " What do we do with him?" " Soften him up." "I haven't finished yet." "Have you got new fuel elements loaded?" "All ready, sir." "The roadblock is about 3,000 feet away." "Everyone in that area is pulled back." "No traffic allowed." "The launch area is completely cleared for safety..." "The vehicle is now at its full weight of 240 tons." "All the automatic transistors have been put onto the vehicle." "We will run up to half power for 30 seconds." "Control interlocks free." "Fuel elements 12.5." "Control?" "Control rod actuators operating." "Core temperature 113." " Converters?" " Standing by." "Ignition heaters on." " Radiation?" " Counters 121, 141, 109." " Energy stabilisers?" " Energy steady at.8 megawatts." "Tracking stations are plugged into the control centre at Cape Canaveral." "Fuel elements?" "Fuel elements." "Where's Chang?" "Chang, what are you doing there?" "Get on the gantry." "Hurry." " Shut down." " Shut down reactor." "This is Mercury Control." "The countdown for the MV..." "Reactor shutdown, temperature 227, falling." " Converters off." " Converters off." " Radiation reading." " Radiation zero." "Shutdown procedure complete." "Reactor safe." "Stand by." "This is Mercury Control." "The check indicates all systems are go at this time." "The countdown is now four minutes, 30 seconds and counting." "This is Mercury Control." "The spacecraft pilot, the launch, the tracking crew in case of emergency, and now even the weatherman, have given us the word go." "Remain on standby." "Approximately two minutes to go." "Control rod actuators standing by." "Converters standing by." "Synchronise radio beam for toppling." "Synchronising radio beam for toppling." "Radio beam synchronised for toppling." "Zeroed on the rocket now." "We will now stay on Mercury Spacecraft Control..." "Stand by." "Run to full power." "Fuel elements 21." "Attention all controls." "Going into operation now." "The umbilical is retracted." "All elements of progress and operation have reported they are in good condition." "We're at T minus 19 seconds and counting." "T minus 15..." "Ten, nine, eight, seven..." "Shut down, you fools." "It's running wild." "Shut down." "...two, one, zero." "Liftoff!" "It's a very hot rocket." "You can see the flame of it against the grey of the cumulus." "Up in the sunlight, beginning to gleam." "A very good, steady climb..." "All systems go!" "Go!" "Go!" "Honey!" "Honey!" "Honey!" " Where's the girl I came in with?" " I don't know." "Where's the girl they brought in with me?" " Number twelve." " Show me." "We've run out of fuel." "What are we going to do now?" " Well, we can swim, or..." " Or what?" "Come here." "Ahoy, Mr Bond." "Well, well." "What's the matter?" "Do you need help?" " I'm quite sure you don't." " Now that you're here, give us a tow." "Throw us your line." "Subtitles by Visiontext" "Welcome to the audio commentary for Dr No." "I'm John Cork of the lan Fleming Foundation." "We'll be hearing from the film's actors Ursula Andress, Eunice Gayson," "Marguerite LeWars, Zena Marshall, Lois Maxwell and Timothy Moxon, as well as director Terence Young, former United Artists president David Picker, associate producer Stanley Sopel, production designer Ken Adam, art director Syd Cain, editor Peter Hunt," "sound designer Norman Wanstall, location manager Chris Blackwell, stills photographer Bunny Yeager, composer Monty Norman, special effects men John Stears and Burt Luxford, production buyer Ronnie Quelch, stuntmen Richard Graydon, George Leech, and publicity director Jerry Juroe," "as well as producer Cubby Broccoli's wife, Dana Broccoli." "The stories you are about to hear reflect the personal recollections of those who provided the interviews." "Some comments have been edited for time and clarity." "They are not meant to provide the definitive history of the film." "To begin, composer Monty Norman recalls seeing Maurice Binder's titles for the first time." "At the time, I wasn't too happy with what Maurice was doing to my James Bond theme, because he was pulling it around, starting in the middle, putting another bit here, and I thought at the time "He's going to ruin this number" "and it's never gonna be heard of, it's never gonna be a hit."" "And of course when it came out, he had that wonderful shot of Sean shooting down a gun barrel, and all the dots coming down and all those things." "I went up to him and I apologised, because I thought whatever he did to the number only enhanced it, and of course made the titles absolutely fabulous." "Editor Peter Hunt recalls Maurice Binder." "A marvellous man, very inventive." "Wonderful man, Maurice Binder." "A great inventive brain, and made a lot of films much better by his titles." "I mean, The Grass is Greener was one of the great titles ever." "The Bond titles were also extraordinarily good and in keeping with the style." "He was very imaginative and he enjoyed enormously photographing all these nude models and bathing personalities and things like that." "He was a charming man, he really was." "But he was small in stature and, like Marx, he used to chase after women all the time." "But he never knew why." "A little background on Timothy Moxon, who plays Strangways." "At the time of Dr No, he was a charter pilot and crop-duster in Jamaica." "But he had been an actor in London, where he knew director Terence Young, which led to Moxon being cast in the role of Strangways." "Anthony Dawson plays Professor Dent." "He appeared in many films for director Young, beginning with They Were Not Divided in 1950 and continuing with Action of the Tiger in 1957, one of Sean Connery's first films." "He continued working with Young in The Amorous Adventures of Moll Flanders," "The Valachi Papers, Inchon and The Jigsaw Man." "Dawson also appeared as the hands of Blofeld in From Russia with Love and Thunderball." "Timothy Moxon remembers filming these scenes." "It was done at the Courtleigh Manor Hotel." "Fleming used friends' names and Strangways, I think, was a buddy of his along the line." "I got a good suit out of it." "I think everybody got a good suit." "Certainly Mr Connery got some very beautiful suits out of it." "I wrote to Terry Young quite a while after Dr No was finished." "I said "I enjoyed myself and I'd like to be in your next production."" "He wrote me a lovely letter back and said "Stick with flying."" ""Once you've been killed in a Bond movie, you can never be re-employed."" "And I thought "Well, you've got something there."" "Timothy Moxon also recalls Dolores Keator, who plays Mary, the unfortunate secretary of Strangways." "She owned the house of course, Dolores Keator, and came to a very early demise, like myself, in the thing." "I think we had a cup of tea or something afterwards." "She was a very good-Iooking girl." "The Bond films introduced a new style of film editing." "Editor Peter Hunt explains his approach." "It's all done for the drama of the scene." "It made it more exciting." "If I'd done it in single shots, or in any other simple way of editing, it wouldn't have been as exciting." "I was also able to exaggerate the sound noises - the window breaking is very exaggerated." "All of that was exaggerated, but it made it exciting, it made it tension." "Sound editor Norman Wanstall recalls Hunt's editing." "When Peter started to see the rushes of Dr No and had read the script, he got an immediate picture of the sort of film we were making." "He said "If this film's going to work, we've got to move it along quickly so people don't analyse things."" "Production buyer Ron Quelch." "We had no money." "It was the first one, we had a very limited budget, and I got a bit desperate." "I came up with a firm over at Farnham, I believe." "I got in touch with a gentleman there and he said "What do you want to do?"" "I said "Well, I've got 12 stations, 12 operators."" ""Each man has to have his own radio transmitter and ancillary equipment."" "He said "Come and see me."" "They were actually producing all the equipment for the New Delhi airport." "So I said "Well, what do you think?"" "He said "Yes - providing you guarantee to pay for the re-testing of the equipment."" "Apart from a couple of very nice lunches, I don't think he charged us anything." "Production designer Ken Adam worked on seven Bond films." "He remembers creating the first of many James Bond casino sets." "Everybody at that time used to go to Les Ambassadeurs for their food and gambling." "Terence wanted me to loosely base it on "Les A"." "So I remember the... the windows I put in, and the French windows at the back of the set with drapes, and obviously all the gambling tables." "I tried to create space." "To reproduce this rather French, Louis XV or XVI type of décor would have been impossible, so I did a lot with drapes and chandeliers, and obviously all the gambling tables." "In this 1974 interview, director Terence Young talks about the introduction of 007." "This was a take-off of the introduction, in a picture called Juarez, of Paul Muni, where I thought William Dieterle went overboard." "He kept Muni with his back to camera for about five minutes before he turned." "I held it about as long as I thought we could." "And now when it's run, a few of the cognoscenti..." "There are people who begin to giggle, and this pleases me very much because it was meant as a faintly comic effect." "If you remember, you first see his hand, then the gunmetal case, the lighter, the woman shovelling the money across..." "Finally she says - this is an interesting point - she says "To whom do I make out the cheque?"" "We cut for the first time to Bond, cigarette in his mouth, lighter in his hand." "He says "Bond" - flick with the lighter - "James Bond"." "Originally, he said "Bond, James Bond" and then lit his cigarette, and it wasn't funny." "And it was absolutely the timing of the thing - "Bond..." "James Bond" - and it suddenly was a laugh." "Eunice Gayson was hired as Sylvia Trench, meant to be a reoccurring character in the initial series of James Bond films." "Originally, Terence wanted me to be in the first six, the idea being that I was the one who was, you know..." "It was never stipulated that we'd had a past relationship, but obviously we had because we got at it like knives the moment we met." "He was always bleeped away, then in the sixth one he wasn't, and I'd play the lead." "Lois Maxwell also worked with Young on 1949's Corridor of Mirrors." "She recalls discussing the role of Miss Moneypenny with the director." "I said "Look, if we can give a background to Miss Moneypenny, and I don't have my long hair in a bun, and I don't have to wear glasses and a pencil over my ear," "I think I'd be more interested in playing Miss Moneypenny."" "And he said "Good girl."" "Sean and I, and Terence, decided on the background of the relationship between James Bond and Miss Moneypenny." "And that was that that when he was a tea-boy and she was in the secretarial pool, they had gone off together for a lovely weekend to a rose-covered cottage and had fully appreciated each others' qualities," "but she realised that if she allowed herself to fall in love with him, he would probably break her heart." "And he knew that if he allowed himself to fall in love with her, that he'd never get his 00." "And so that was the background of their cosy-ups in the office." "Now Bernard Lee, he was a marvellous man." "He was a very, very talented actor." "He was really quite a musician - he played the piano and he sang, and he knew all the old music hall songs, and he was a great companion." "Publicist Jerry Juroe also shares his memories of Bernard Lee." "Bernard Lee was a marvellous character, and I think you would never believe that, when this man was on location, away from the set, he was a consummate piano player, raconteur, and a person that just took over the room." "He was fantastic." "Obviously, this side of him never came out in his screen roles." "Ken Adam remembers preparing the set for M's office on a limited budget." "I tried to give M a traditional background of a good-taste, English, panelled office," "with, since he had been ex-navy, with ship models and naval pictures." "On Dr No, because we had such a low budget," "I used the old technique of using paper, teak paper or whatever it was, and then we had to overgrain it - it's a big job." "And I used plastic material for the doors, which I wanted covered in leather." "And then, when I did Goldfinger," "I kept the same look, except I used real wood panelling and real leather for the doors." "But we always kept that traditional-Iooking office." "And Moneypenny's was just a simple outside office." "Ken Adam recalls discussing the budget for the sets with producers Broccoli and Saltzman." "On Dr No the whole budget of the film was about £300,000, which was about a million dollars." "My set budget was £14,500 for the whole picture." "One four - fourteen." "I said to Cubby and Harry I couldn't do it for that." "And they said "How much?" and I said "I think it's going to cost £20,000."" "So they said "We've got a contingency of £6,000."" ""We don't want to tell Film Finance about it, but if you have to spend 20, you can spend 20."" "I knew it would get me into trouble eventually." "Also, remember, it was the first Bond film so nobody was sure of success." "So I think my sets on that picture came to just over £20,000, £21,000." "To convert lan Fleming's novel into a workable screenplay," "Cubby Broccoli hired a writer he'd worked with often, Richard Maibaum." "Jerry Juroe remembers this remarkable writer." "Richard Maibaum was an absolute joy." "The man was totally without ego." "The man was such a talented writer, and he brought so much to the character of James Bond, and the dialogue and the framing of the film, from the standpoint of segueing from one scene to another." "He was an absolute genius at his craft." "At the same time as shooting Dr No," "Eunice Gayson was rehearsing the stage production of The Sound of Music, which presented difficulties." "Eunice Gayson." "I had met Richard Rodgers in New York, who'd seen me in a play in London." "He said "You don't sing, do you?", and I said "Yes, I was trained for opera."" "He said "Would you come and sing for me in New York?"" "So I did, and then I got The Sound of Music, not thinking this series was going to happen because Terence wasn't sure." "And the moment I started rehearsal, Terence rang and said "Are you on?"" "I said "But I'm in rehearsal."" "He said "Oh, come on!" "I've written this character now."" "So I said "Well, can I do it rushing from the theatre?"" "It meant I couldn't go on location, because obviously I had to be there for eight shows a week." "And that's how it came about, in a nutshell." "Until the characters arrive in Dr No's lair, much of what appears on screen was shot in Jamaica." "Marguerite LeWars recalls what Jamaica was like in the early 1960s." "Jamaica in 1962 had just gained its independence from Great Britain, so, understandably, there was a lot of national pride." "The population was not as it is now, approximately 2.6 million people." "Tourism was relatively new, a new product, though I must say that in the '30s and '40s and '50s the rich and the famous did come to Jamaica." "People such as Noel Coward and certainly lan Fleming had houses on the south and southeast coast and the north coast." "Location manager Chris Blackwell." "It was very uncluttered at that time." "It didn't have any high-rise buildings." "Ocho Rios was a fishing village, a tiny town." "Port Maria at that time was a much more important town - and so was Oracabessa - a much more important town than Ocho Rios is today." "There were quite a lot of very wealthy people, mainly from England, who had villas on that part of Jamaica, in the Ocho Rios area and the Port Maria area." "Blackwell was recommended by none other than Bond's creator - as he recalls." "Lan recommended me to be the kind of local guy." "So..." "I met a guy called Ruddy Austin, who was I think the production manager, and I think he came first." "Actually he came with Ken Adam, I think." "And they wanted to scout locations, so I took them all around, scouting locations." "We all got on very well, I became very close friends with Ken Adam." "And I just took them around." "They'd said what kind of things they were looking for." "I took them around and then they also gave me the job of getting the transportation together, accommodation, extras, all kinds of things like that." "I loved it, the whole process." "I'd just started in the music business in Jamaica a few years before." "But I loved the whole process of that." "I enjoyed it a lot." "Marguerite LeWars remembers local reaction to the filming of Dr No." "There was a great deal of excitement for Dr No arriving." "The reaction of the Jamaican public was a sense of pride, and also a little sense of the magic of movies and the disbelief." "The magic the Jamaican public saw was a road they knew did not end there, suddenly in the movie it ended somewhere else." "And a house that shouldn't be there appeared there..." "So it was like splicing together all these things." "It was a lot of fun and they were very proud of Dr No." "Ursula Andress enjoyed her time in Jamaica." "Well, the people, the Jamaicans, were all lovely and nice." "We were a small production and it was fabulous." "It was like a family getting together and doing a home movie, it was really more this kind of a way of working." "It was very nice." "We were every day together." "I remember Sean was then married to Diane Cilento and she used to come over." "In the evenings she would tell us stories, because her father was a bush doctor and she told us all these incredible stories." "We were all together, eating together, lunch and dinner, and next morning to work." "This scene provides a showcase for Peter Hunt." "Terence Young recalls the editor." "In Dr No we invented almost new forms of editing, by cutting into panning shots, into tracks, everything that the editing faculties always said you could never possibly do." "And in fact my own editor, Peter Hunt, who is I think a wonderful editor, he learnt more on that picture than he learnt in his life." "When we cut the other pictures," "I kept saying "We can't do that" and he'd say "Look who's talking."" "Editor Peter Hunt." "The cut that really does work, and is an illustration about editing and timing, is the one where there's a complete reverse shot and the hand changes from left to right." "If you really look at most of those cuts in that film, there's something wrong with practically all of them." "In order to time it, I just jumped it about." "I completely changed from the left to the right hand, because they did that when they shot it." "The poor continuity girl didn't want to interfere with the action and say to him "You used your left hand in the long shot, and this time you used your right hand."" "The actor is only infuriated by such remarks." "So I had to make it work, and you can make it work." "Timothy Moxon remembers actor Reggie Carter." "Reggie Carter was a good stage actor." "And he - it's amusing really - he was the second bloke to get the chop in a Bond movie." "He looked awful in that awful brown uniform, but he finishes up outside Government House as a corpse." "The interior of Government House was filmed at Pinewood on a Ken Adam set." "What I tried to do in the governor's office was to give a colonial feeling." "So I had a row, I think, of four circular-headed French windows with louvred shutters and ceiling fans and so on." "Much of the success of Dr No depended on Sean Connery's ability to win over an audience." "Associate producer Stanley Sopel talks about hiring Connery." "We found Sean Connery, who nobody had ever heard of at that time." "He'd been in a few shows, made a couple of small movies, but was no big star." "But he looked absolutely right." "And events proved that he was - he was the Bond, the definitive Bond." "Connery seemed an unlikely person to become one of the world's top actors." "He grew up in the impoverished Fountainbridge section of Edinburgh." "He joined the navy at 17 and was discharged three years later." "He took menial jobs before travelling to London for the Mr Universe tryouts." "There, he auditioned for a part in the chorus of South Pacific." "Soon, Connery became serious about acting and, in 1957, he was cast by Terence Young in the Cold War drama Action of the Tiger, as Terence Young's daughter, Juliet Nissen, recalls." "He'd worked with Sean before, in Action of the Tiger, and Sean played a tiny little part in that." "And apparently he came to him and said " "I think he'd read the script of Terence's next film," "I can't remember what it was going to be - and Sean said "Can I be in it?"" "And Terence said "There's nothing for you this time, but don't worry, I'll remember you."" "Stuntman George Leech has his own memories of Connery as 007." "Sean Connery was one of the very strong types that were really ideal for James Bond." "Sean Connery would co-operate with you when you were doing a fight scene." "He'd understand there were things he wasn't allowed to do - insurance-wise, for one thing - and also he realised that if the actor was hurt, then the production is held up and it costs a lot of money." "So he was intelligent in that he knew he had to co-operate with that sort of thing, and he had to be satisfied with not doing the things that he would love to do, being involved in action sequences, because he just wasn't allowed to do it." "Director Young had a great influence on Connery's portrayal of Bond, as Eunice Gayson recalls." "All the little touches about the champagne, that's the way Terence was." "He had style, he had élan, and in those days Sean was very raw in many ways." "And Terence said to him "Don't worry, I'll see you through this."" "He took him to his tailor, his hairdresser, and really gave Sean the confidence to be James Bond." "Because he didn't believe he was going to get it, you know." "I remember the night he was told he'd got the part." "He used to live with his then wife, Diane Cilento, very near to where I lived, and he knew my boyfriend very well, and he came round." "He was very into milk in those days, and he came round for a celebratory drink of milk." "He said "I think they're mad." "I mean, I'm not Bond!"" "And we said "Yes, you can do it." "In Terence's hands you can do it."" "And Terence was wonderful with him." "David Picker, then vice-president of United Artists, remembers the company's attitude to the production of Dr No." "We approved Sean, I think Ursula was discussed..." "But once we approved the script, for this kind of a show, where you've proved your director, the producers know what they're doing, we did not micro-manage." "We let the..." "Were we in touch?" "Sure." "But "Is it OK that Bernard Lee play M?" "Be my guest", you know." "We left that to them." "None of us had the attitude that we knew more than the people we'd hired to make the films." "If we did, we would've had a studio." "The idea was that our line-up was made up of people whose abilities we trusted." "Once we approved the major elements, they were on their own." "Most of it was done by them in London." "Sound designer Norman Wanstall recalls how he added production value to Dr No through sound effects." "A typical example where I could contribute would be literally to introduce voices, purely for atmosphere - which I learnt from Win Ryder, who was a great fan of this." "I learnt how he brought scenes alive just by having distant voices." "There was a scene in Dr No where he goes down to the beach in Jamaica and he sees Quarrel down by the waterside." "Just to try and make the beach sound more lively, instead of just waves and birds and things," "I recorded various voices of people just shouting anything." "You don't hear what they say, but you're aware they've shouted something." "I remember going into the dubbing theatre and Peter and Terence said "That's really nice."" ""That's brought that beach to life."" "Dr No was a showcase for the superb cinematography of Ted Moore, who would win an Academy Award for A Man for All Seasons." "He would go on to shoot six more James Bond films." "Peter Hunt remembers Ted Moore." "He came onto Dr No because he'd worked with Terence and Broccoli and done a number of those Irving Allen, Cubby Broccoli films." "A very good cameraman, yes, excellent." "Also contributing to the screenplay of Dr No were Wolf Mankowitz, Berkely Mather, and Johanna Harwood." "Associate producer Stanley Sopel remembers Johanna Harwood's involvement with the production." "Johanna Harwood was someone that Harry brought in." "What Johanna was, as far as I remember, was a script editor rather than a writer." "Most of the scripts were written by the late Richard Maibaum, who was an American of some substance, a great writer." "A lot of the dialogue had to be Anglicised somewhat because we were making a picture about the British Secret Service." "That's why Harry brought Johanna in." "I didn't know her well, but I know she was script editor and worked very well." "And Harry decided she was entitled to a screen credit for the work she'd done." "The poster artwork for Dr No featured for the first time the now famous 007 logo with the 7 forming the handle of a handgun." "Don Smollen, who supervised advertising campaigns on many of the Bond films of the 1960s, recalls the campaign for Dr No." "The guy who started all that was Dave Chasman with Mitch Hooks's painting." "I think" " I as an artist, an illustrator, a designer, an advertising person - that campaign is as good today as it was then." "I'm talking about Dr No." "Still a great, great movie poster." "It had a great designer" " Joe Caroff, Dave Chasman, Mitchell Hooks." "I mean, that's it." "That's the bottom line." "Five years after the filming of Dr No, Jack Lord gained fame as the star of immensely popular TV series Hawaii Five-O." "Ursula Andress remembers Jack Lord." "Jack Lord, I remember, with his wife, came to Jamaica." "Always very well, properly dressed, very chic, very nice." "And he was very..." "We were really..." "The crew, the actors, everybody, were like a big family." "He was really very helpful and he was very nice." "We got along together." "There was no one who gave himself... an air of importance, more important than the other one." "We were all equal, all together, all helping each other." "It was camaraderie, it was very nice." "Location manager Chris Blackwell has a cameo in this scene, as he explains." "If you watch Dr No and you don't blink," "I'm in a scene, a nightclub scene, where Byron Lee is playing and Marguerite LeWars is sneaking through the crowd because she's spying." "There's a little scene where I'm dancing." "Not to be missed!" "Marguerite LeWars remembers Byron Lee and the Dragonaires." "Byron Lee and the Dragonaires was a very famous band in Jamaica." "They had a lot of fun on that set because they're a fun band of people." "I almost said "a fun gang"." "We all were a gang together, a good gang, if I can say that." "Peter Hunt explains the simple editing trick he used in this scene." "In order to make the flash work better, I think I put in a frame of white, a blank frame, not just a white frame, which made it flash." "Those are the sort of things you do if you're a creative editor, you make it work." "Marguerite LeWars remembers this scene with John Kitzmiller." "He was very apologetic because he really did hurt me." "I get black and blue very easily, so there was this big mark on my arm." "He was very apologetic, but I guess that's just part of doing things like that." "Being this photographer involved a lot of special effects." "And one was, really, I was supposed to be partly Chinese." "And so what they did with my eyes was again extraordinary." "They put Durafix on my eyes and two elastic bands, and tied it behind my head." "Very uncomfortable!" "Lester Prendergast played the part of, I think... the owner of the restaurant of Morgan's Harbour." "Again, very smooth." "I'd known him before the film." "He's Jamaican, so he was great." "I was supposed to slash Quarrel's face with a flash bulb." "I said "How am I going to do this?"" "And they gave me, I think it was a cardboard bulb, to seemingly break, then I put my hand to Quarrel's face and slashed it." "They stopped the cameras and a man with his bag of blood came." "I said "There's so much!" And they said "It's not real, you know."" "LeWars remembers that her voice was dubbed." "That's not my voice in the film, it's somebody else's." "LeWars has fond memories of co-stars Sean Connery and Jack Lord." "Sean also was very disciplined." "I remember he had a strict exercise routine." "Whenever I'd see him he was always jogging and walking and working out." "The other star in the show that I was quite fond of was Jack Lord." "Jack Lord was very concerned about other people." "I do remember also that he liked his right profile." "He really liked being at an angle from the right, and made his demands." "If you look at Dr No, not all but most of the shots are from the right side." "I quite understand when people like one profile better." "He was very helpful during the scene we had together." "I only had one scene with him." "We took some photos together." "And he was quite a friendly person." "Marguerite LeWars recalls Dr No director Terence Young." "Terence Young was, to me, a very elegant man." "He probably did look a little like the prototype of James Bond." "He was tall, debonair, and very sophisticated." "And I thought he was a very good director." "After Dr No, Chris Blackwell went on to found Island Records, which recorded artists such as Bob Marley, and brought Jamaican music worldwide prominence." "Monty Norman remembers Chris Blackwell." "Chris Blackwell went way beyond being location manager." "He had this little record label called Island Records." "He used to record some of the local talent, including somebody called Bob Marley, and it slowly grew and grew until it became one of the biggest international labels there is." "I've always had great admiration for him." "Chris Blackwell." "They offered me a position in Jamaica at the end of the shooting and I couldn't really decide what to do, so I went to see a fortune-teller." "There was a very famous fortune-teller in Jamaica and I went to see her." "Basically, she said "Stick with what you know."" "Chris Blackwell purchased lan Fleming's Jamaican home, Goldeneye." "Now Ken Adam explains his approach to the imaginative sets of Dr No." "We never, obviously, thought it would be such a success, even though the Fleming books had been very successful." "And the script was still the backbone of the story." "So..." "I treated it like any other picture until we got to Jamaica, really, where we were shooting locations." "Terence... had enormous panache, and saw himself as James Bond, I think, to some extent." "So he treated the story with a certain amount of tongue-in-cheek." "That infected me and when I went back to Pinewood to design the sets," "I kept that theme, in a way, and really let myself go, which possibly I could not have done if the producers and Terence had been around." "But since I had to get about five or six sets ready for them to shoot on their return, I had no interference and came up with this tongue-in-cheek, slightly bigger-than-life concept." "When the producers and Terence returned from location," "I was a little worried what their reaction would be." "Terence was the first one to see the sets." "I think I had sets on three or four stages, and he loved them, and then Cubby and Harry both agreed with it." "And that really started that whole larger-than-life, tongue-in-cheek approach to the design of those films." "Ken Adam recalls designing this signature set." "We had run out of money by this time." "And so I came up with this idea, this stylised idea, of having a circle in the ceiling with a big grille, and with a tarantula in the foreground." "Tony Dawson was the actor who played the part, sitting on his chair." "Terence loved it, and he said "Can you give me a bit more ceiling and a bit more inclination, so I can really go back."" "I'd spent, I think, £475 on that set." "And so... it worked." "It was theatrical, but it became a sort of..." "I don't know..." "In the last few years when I had exhibitions all over the place, people say that circle in the top seems to be my hallmark because it has been repeated in other films." "I wasn't aware of it until it was pointed out to me." "Former United Artists president David Picker puts a high value on Ken Adam's contribution." "Harry and Cubby were smart to get the rights, we were smart to finance them." "But at some point in time, somebody has to create the movie." "And I think Ken was probably the most significant contributor of any of the creative people, because he understood, and he did it, at least at the beginning, within the economic parameters." "He created that world." "In an upcoming scene," "James Bond finds a tarantula in his bed." "Terence Young remembers the challenges of shooting the scene." "Frankly, I shot and designed that scene myself, because..." "We even built a set in which the wall was painted on the floor and he was strapped lying on his side." "That was the only way to get a shot and make the tarantula go in the right direction." "We had to put glass on him for obvious reasons - this was a lethal animal." "It had its poison sac and you could have been killed by it." "We had a doctor on the set." "And we did the close-ups with the tarantula crawling across Sean's chest, but there was plate glass between them, and I don't blame him." "The critics who comment on this, I'd love to see them in a scene with a tarantula." "The only interesting thing, that they didn't know, was there are two shots in which Sean is lying on his side, and the whole room has been constructed, turned over 90 degrees, so that the floor was the wall." "We put wallpaper on the floor, the bed was stuck, was nailed, tied, in fact it was tubular, and we were shooting downwards onto the floor." "But when you saw it on the screen it looked like we were shooting across the bed." "But the glass was an absolutely essential part of the deal." "There was no other way we could do it." "Ken Adam recalls the tilted set." "Sean would not use the actual tarantula climbing over him." "So we decided we had to turn the set on its side, pull the bed to the sides so that we could put a sheet of glass, of Perspex, over Sean's shoulder and have the tarantula go over the glass." "We did that and then Terence wasn't satisfied with that." "Then we had Bob Simmons do it again with the tarantula actually climbing over his body." "Composer Monty Norman's music adds to the mood of the scene." "What I was trying to do was use my experience in the theatre for the film, so very often I was playing against the mood of the film." "Although, with the tarantula music, I went straight for it, and made it as frightening as possible, with electronic sounds and high strings, and so on." "He hits three or four times, his shoe, onto the tarantula." "That worked absolutely perfectly with the music and I was very pleased." "Editor Peter Hunt." "That was the way Terence shot it." "It's all done in one shot, that boom, boom, boom." "All we did was to emphasise it with the music, that was all." "It's a pretty... nauseous scene, this thing crawling up, and it comes to a very obvious conclusion." "So, rather than leave it just as a rather ordinary conclusion, we emphasise it, in order to make it a comedy point." "Sound editor Norman Wanstall remembers the impact of Hunt's editing." "This was the importance of working on Dr No." "Because Dr No was a prototype - no one had any idea what was going to transpire after Dr No came out." "We knew we had something very special and a lot of credit goes to Peter Hunt, who looked at the rushes and said" ""This is a very special movie."" ""We've got to make it move fast and make the sound dramatic."" "I remember Peter saying to me "This is your first chance, your big break."" ""Terence is right behind you."" "Because directors are obviously always a little bit wary of newcomers, people that haven't had a lot of experience." "And once he told me that Terence was right behind me, my confidence rose." "While Dr No is in production in Jamaica, 007 author lan Fleming writes On Her Majesty's Secret Service at his island home, Goldeneye." "During shooting, he often visits the film's location." "Chris Blackwell remembers James Bond's creator." "Lan Fleming was a very charming man, he was always very nice to me." "He was very suave, very cool, very charming, very relaxed, very English." "Chris Blackwell remembers Fleming's home, Goldeneye." "Lan Fleming bought what is now Goldeneye from a cousin's family." "The son of the person he bought it from still lives next door to Goldeneye." "It used to be a donkey racecourse." "I went there a couple of times." "I never thought Goldeneye was that great at the time, because at that time there were so many beautiful houses, most of which have now been razed and replaced by high-rise hotels." "At that time, especially in Ocho Rios, there were stunningly beautiful houses with beautiful beaches." "Goldeneye was nice, but it was by no means the prettiest part of the north coast." "In fact, Noel Coward referred to it as "Goldeneye, nose and throat"." "Timothy Moxon remembers Goldeneye." "It wasn't the most comfortable house in the world." "It is now that Chris Blackwell has taken it over." "Rather oddly furnished, because he didn't care." "He loved his underwater scuba thing, you know." "He used to go out every morning with his spear gun." "He didn't take a spear gun half the time, he'd just put a mask on, and relax and unwind in the gorgeous Caribbean." "The funny thing was in those days..." "Much later on, when I had the little airline, I used to fly people down to Port Antonio." "And flying past Goldeneye, I'd say that's where lan Fleming lived, where he wrote all the Bond books." "They'd get their cameras out and say "Isn't that fabulous."" "I'd go in a circle so they could take more pictures." "Timothy Moxon recalls the parallels between James Bond and his creator." "He embellished his career, I'm sure, into the thing," "Ml5, Naval Intelligence, that sort of thing." "But he had a regimen of writing - he'd write from the early morning and then go for a swim in that gorgeous little bay." "We used to go down there and sit on the beach." "It was kind of a rarified atmosphere." "He didn't really welcome people too much - he was working." "He was extremely disciplined, but a charming chap." "Monty Norman remembers lan Fleming." "Lan Fleming was the consummate Englishman, right down to the long cigarette holder, the perfect hair, and his accent, of course." "And it was quite obvious to me that he was the template of James Bond." "Quite a bit of his life story was obviously the same - he was a commander in the Royal Navy, he was some kind of spy, he was very much a ladies' man." "Of course, being such a good writer, he was able to put all that together and turn it into these amazing books." "I was slightly disappointed with his house - not in the setting, because that is absolutely beautiful." "But I felt, and other people have said it as well, that he didn't..." "As far as I know, he did quite a lot of building of the house, or at least supervising the building of it." "And, as nice as it was, one got the feeling that here was a man who didn't really care that much about the things of a house, perhaps the décor." "So I don't know quite what I expected, but I..." "I was thrilled in meeting him, thrilled in the setting, but I suppose I was a little bit disappointed in the house itself." "Terence Young felt it crucial to inject humour into the first Bond film." "When I flew out with Sean," "I said "We've got to make this picture a little bit amusing."" ""It's the only way we're going to get away with murder."" ""Because a lot of things in this picture, the sex, the violence, and so on, if they're played straight, they're objectionable and will never get past the censor."" "But the moment you take the mickey out of a thing, tongue-in-cheek, it seems to disarm." "The exterior of Miss Taro's house was filmed on location in Jamaica, at one of the bungalows at the Sans Souci Hotel in Ocho Rios." "The San Souci is where the crew of 1973 Bond film Live And Let Die would be housed while they filmed in Jamaica." "But when James Bond goes inside, we are on another Ken Adam set at Pinewood Studios in England." "Zena Marshall, who plays Miss Taro, recalls director Terence Young." "He had this great elegance and sophistication." "I do think that he created the format for James Bond - and Sean, both." "He showed Sean how to walk in this casual, elegant style." "For all of us, he created a style for this film." "I remember him saying" ""We've got to do something about this film, because... there's nothing much to work on, so we'd better breathe some humour in it."" "And there are these sophisticated little side lines, which he started." "The whole thing was his idea." "When I was given the script, I thought "What am I going to do with this?", because really the lines are nothing." "So he created it all very visually." "And when I asked him "How do I play this part?"" ""She's a Chinese girl - what kind of a Chinese girl is she?"" ""Oh," he said, "she's Chinese, but you don't really play her Chinese."" ""You play her more international, mid-Atlantic."" "I said "What on earth is that?"" "So he said "Well, it's a woman that men dream about but doesn't really exist."" "Zena Marshall remembers Sean Connery." "I got on very well with Sean." "Very nice." "He was then very attractive - that was the first one, Dr No." "And we had a lovely quiet humour, nice camaraderie, very pleasant, very nice." "I had to wear a bath towel for that scene." "The problem was the scene in bed together, because they had never shot two people in bed at the same time." "That was unheard of." "So the thing was, we were in bed together, and Sean was wearing underpants, all very correct," "I was wearing little panties." "No bra, but we'd pinned the sheets on either side very carefully in case something would show - that would have been terrible." "And we spent three days shooting that." "And I remember cameramen, suddenly a lot of cameramen on the side of our bed, angling their cameras like this, waiting to see if anything extraordinary would happen." "Zena Marshall's dressing gown came from an unlikely source." "I didn't want to wear a frilly dressing gown." "So we had long discussions and Terence said" ""I've got a white silk dressing gown from Sulka - would you like to wear that?"" "I said "Yes, that might be a good idea."" "We had it shortened, of course." "Anyway, I loved it so much that when the film finished," "I said to Terence "Can I keep it?"" "Poor Terence reluctantly said yes." "In fact, I've still got it." "Terence Young helped Marshall with an unusual scene, spitting on 007." "That was very difficult." "Because I found spitting very, very difficult, you see." "He wanted me to really spit, but I mean..." "I don't know." "How much can you spit?" "We had an awful lot of rehearsals." "I don't think he's been spat on so many times, ever." "Ken Adam talks about the set of the interior of Miss Taro's house." "I tried to introduce a number of Chinese elements into that set." "I remember building that screen, which at the same time created some tension or drama, because you never knew who was coming from behind the screen." "Like a room-divider." "And it was more of a traditional way, I thought, somebody who was Chinese would live on the island." "While Bond waits for Professor Dent to arrive, he puts on an instrumental version of "Underneath the Mango Tree", a tune used later to introduce Honey Ryder." "Monty Norman remembers composing the score on location in Jamaica." "I met Chris Blackwell, who was location manager on Dr No, and my first request was "Can you find me a room with a piano, and preferably no windows, but certainly a darkened room"," "because I couldn't work in that wonderful lotus-life sunshine." "He did find that for me." "He was also instrumental in introducing me to Byron Lee and his orchestra, and to Ernest Ranglin, now a great jazz guitarist, and one or two other..." "I think Carlos Malcolm was the flute player." "It's a long time ago, I can't remember many of the names." "But with those wonderful Jamaican musicians," "I was able to do quite a lot of the Jamaican music " "I should say, West Indian music - that I'd written for Dr No." "This scene posed censorship problems." "Terence Young, in a 1974 interview, remembers how he convinced the censors to allow this scene to stay in." "There were objections." "They said it was not very sporting." "And I said "Do you think it justified, that you should be allowed, to have a scene in which a man comes in and kills you?"" ""If he'd killed him, fine, he shot him in the back and he would have killed him."" ""Now this man has just avoided death, he's seen himself killed by this wicked son of a bitch." "Frankly, he's got every right to do what he wants."" ""He fires those shots into him because he intends to kill him and make sure."" "Once I was able to persuade the censor we were dealing with high moral issues, then the thing was permissible." "And in that he coined what became a sort of classic phrase in England." "Kids used to go around saying "You've had your six, bang bang bang."" "Only James Bond can count that quickly." "Actually he fired five shots, because it didn't take quite so long as six." "While filming on location, the biggest problem was often the rainy weather." "They had terrible weather." "They went to Jamaica at a time when the weather was very inconsistent." "They had storms and showers and rain." "And they were on a tight budget, so it wasn't easy for them." "They couldn't sit and wait for the weather." "So it was quite varied in many ways." "Terence had a job, because he had to get quite a lot done within the time." "And in fact they didn't, they left a great deal of the film undone, because of the weather situation." "There were some times when they just couldn't shoot." "Being a pilot, Timothy Moxon knows the Jamaican weather all too well." "It rains all the time, because of the Blue Mountains, the orographic lifting." "It's torrential a lot of the time, so it's very verdant." "Soon, we will get our first glimpse of Ursula Andress as Honey Ryder." "United Artists publicity director Jerry Juroe recalls the actress." "Ursula Andress I first met when she was signed by Paramount as an actress at the studio in the early '50s." "She was absolutely one of the most beautiful women that I have ever seen." "She spoke very little English in those days - she was a Swiss German girl, or I should say German Swiss girl." "They were unable to do anything with her, but everybody agreed she was one of the most beautiful young ladies that had ever been under contract." "I next met Ursula when she was signed to do Dr No." "Ursula Andress was born in Bern, Switzerland, but she ran away from home as a teenager and took up residence in Rome at the famed Hotel de la Vie." "She became friends with some of the biggest names in the film industry, including Marlon Brando, Brigitte Bardot and Roger Vadim." "Ursula's beauty forced her to become a reluctant actress." "She appeared in small parts in Italian productions before she signed contracts with Paramount and Columbia Pictures." "Even under contract, she was too nervous to act in any of the films offered to her." "It was only at actor Kirk Douglas's urging that she accepted the role of Honey Ryder." "It was Ursula's first major film role, and she proved to be perfect for the part." "In the novel, Honey Ryder's emergence from the sea, nude save for a belt and sheathed knife, is compared to Boticelli's Venus." "Ursula Andress was able to create an equally memorable image as she walked onto the beach." "Even clothed in a white bikini, Andress's entrance made an impact on audiences which she herself found perplexing." "Everybody was talking about when I come out of the sea." "So I was sitting there, waiting for this incredible thing to happen." "I was waiting and waiting and I said "That must not be it."" ""Something else must come." And I was waiting till the end of the film, because I couldn't understand that this opening I did was so appreciated." "I was just standing there and doing nothing, by the sea, and I couldn't believe that it appealed so much." "I really sincerely couldn't believe it." "I was really lucky that they liked it so much." "I stand there with a shell, and that's it, that's the fantastic opening." "I was only lucky, I was lucky." "Ursula Andress recalls how she and costume designer Tessa Prendergast created the now famous white bikini." "When I got there, we had no wardrobe, so we had to get the bikini, the little Chinese dress, and it was so strange, there was a girl who had a boutique and she was also making dresses," "and she was a friend of mine from Rome." "Tessa Prendergast was her name." "And we made the bikini together, because I had a sort of athletic figure, I didn't like this way or that way, so we did the bikini together." "Ursula Andress remembers co-star Sean Connery." "We fought a little bit over who got the..." "what do you call it... the record player, trying to learn this song "Underneath the Mango Tree"." "He used to take it away from me, then I had to steal it back." "He came into my room, because in Jamaica there were no windows, so you could go over the balcony." "So he would come and steal my record player so that he'd practise." "He sings much better than I do." "I can't carry a tune." "But he was funny." "The role for me was easy because it was..." "I used to do competition swimming, so swimming was no problem, the sea was no problem." "Running around, up and down the hill, through the mud, and being in the water - this was very easy for me." "The difficulty is when you have to speak." "I used to be so scared." "But Sean helped me a lot." "He was adorable to me." "Very, very nice, very helpful." "Monty Norman recalls how he received help in writing "Underneath the Mango Tree"." "Another of the West Indian things I did was when Ursula Andress comes out of the water, which has become a classic scene in cinema." "She comes out singing this little number and it's answered by Sean Connery." "Underneath the mango tree" "Me honey and me can watch for the moon" "Underneath the mango tree" "Me honey and me make boolooloops soon" ""Boolooloops" - let me just divert this for a moment." "Boolooloops." "I asked several Jamaican friends what "making love" was in some kind of patois." "They suggested "boolooloops", and that was perfect for the song." "Although I must admit I'm still not sure whether they were having me on or not, because I've never heard anybody use "boolooloops"." "So if you know any Jamaicans that really do know that one," "I'd be very pleased to know." "As this scene was filmed, four visitors wandered into camera range, nearly disrupting the shot." "The intruders were lan Fleming, his wife Ann, and their friends Peter Quennell and Stephen Spender." "Timothy Moxon comments on the scene." "Dr No was a very simple movie." "You could see the little bits of frailty." "Things they do now at the drop of a hat, in those days took a tremendous effort, the bullets flying and all this sort of stuff." "Terence Young was something else - he was a gentle man." "But he had Connery to work with, who is nothing but brilliant." "Terry Young said "I think this boy's going to make it, in spite of his Scots accent."" "That's probably the understatement of the century." "Incredible!" "Before Dr No, Sean Connery's biggest roles had been on British TV and in the Disney film Darby O'Gill and the Little People." "United Artists publicity director Jerry Juroe recalls meeting Connery." "When the picture started, I went out to Pinewood and met Sean Connery." "I had met him once before, when he made a picture with Lana Turner." "I'd met him, but I didn't really get to know him." "But we realised he was a very strong actor, and we also realised, at United Artists, that the film could be of interest." "Obviously, Ursula Andress was another factor we could take advantage of from a publicity point of view, because of her beauty and the way she acted and the way she looked." "Juroe recalls a very Bondian publicity stunt." "The main publicity we did in Europe was to take Sean Connery on his first promotional tour." "We went to Italy." "I came up with the idea of James Bond always travelling with a matched set, which meant a brunette, a blonde and a redhead." "We went to Italy with that and did a tour of the major cities." "And it was when we were in Milan that an Italian journalist first came up with the definition of James Bond as "Mr Kiss Kiss Bang Bang", and that was rather amusing." "We also did what no longer exists, but in those days was a real publicity stunt:" "We went to a gambling resort just outside of Turin, on the Italian side of the Swiss Alps." "The idea was that this actor, this British actor, basically unknown, named Sean Connery, was going to break the bank, and we did it." "It hit the wires and broke in New York as a front-page story," "The New York Post or The New York Mirror." "The casino was to say it was operated by... whatever." "Certainly, from my point of view, it was very easy to accomplish in terms of him breaking the bank, because obviously the wheel was rigged, the bets were rigged, and for the brief period of time it took for this man sitting at the table," "Sean Connery, to break the bank, it was done because there was nobody else losing their money." "We were sitting there and we really, literally, broke the bank." "I was at the table, I was betting, and there were other people involved who were part and parcel of the operation at the casino." "So it was not that difficult." "But I must tell you, the money, as soon as it was handed over, was handed back." "Cos it was quite a few billion lire - not million, but billion." "Ursula Andress found this a particularly chilling scene." "We had to do this scene in this icy cold river, up in the mountains, when they were trying to catch us." "I went down with a straw underneath." "It was icy cold water because it was way up in the mountains." "It was freezing cold." "I used to come out shaking, blue." "They chose me right because I was sporty." "Otherwise, if I'd been just a normal, delicate person," "I wouldn't have survived what they made me do." "Chris Blackwell remembers Laughing Waters, where Ursula Andress emerged from the sea." "You know all the properties there, and they wanted something which was incredibly beautiful, and that's the place I took them." "I remember it particularly because I had appointed my best friend as third assistant director on this film." "His job was to stop traffic coming when they were filming." "But he was, and still is, an extremely flaky character." "I remember, just when there'd be "Action", they'd start filming, and... a car would drive by." "Terence would go nuts." ""Get Dickie, tell him to stop the cars!"" "Dickie had fallen asleep." "It happened on three occasions." "He was eventually replaced by somebody else." "Photographer Bunny Yeager remembers shooting in Ocho Rios." "Ocho Rios is one of the most beautiful places in the world." "If you think of an enchanted island in the Caribbean, this is what I imagine." "The sky is bluer, and the green of the foliage is greener," "The sky is bluer, and the green of the foliage is greener, and it never varies more than 6 degrees in temperature all the year round." "It's between, I guess, 71 and 80 some degrees." "It's always pleasant, there's always a nice little breeze blowing." "It's a sleepy little resort town." "There were a lot of old hotels there that didn't have air-conditioning, that were just the kind of place you'd like to stay, with tropical flowers hanging over the balcony, little birds coming and begging for food when you had coffee on the terrace." "It was so pleasant." "Actor-photographer John Derek visited his wife Ursula Andress in Jamaica." "The two met while Derek was in Cecil B DeMille's The Ten Commandments." "Being inexperienced, Ursula Andress's dialogue scenes caused some concern." "The moment they asked me to do one scene, my blood pressure used to go up so high and I couldn't hear any more because the beat of my heart was against my ear drum." "I just heard "boom, boom, boom"." "My words just came..." "I don't know..." "I really don't know how I acted in that film, because I was deadly scared." "Feeling that Andress's accent was too continental for the ears of British and US audiences," "Peter Hunt turned to Monica van der Syl to revoice the actress - as he explains." "Re-voicing somebody is very tedious, hard work." "It's not easy." "You've got to be extremely patient and careful about how you get it." "Otherwise you just get it coming out as we've all seen, cardboardy, it has no emotion and you think "God, what a terrible voice."" "There's no portrayal of a performance in it." "Whereas Monica, dear soul, she used to work very hard at it." "And we would redo things and work very hard." "It wasn't easy to re-voice any of these voices." "But I used to take time and we used do it the proper way." "Before becoming involved with the Bond films," "Cubby Broccoli was partnered with Irving Allen in a company called Warwick, named after New York's Warwick Hotel, where the two cemented their partnership." "Peter Hunt remembers Warwick." "They were a big presence." "They came to England to make films because at that time it was cheaper and there was a lot of talent around." "Irving had been in England before and had made films, or cooperated on films in England." "And he made a partnership with Cubby - I don't know the details of that." "They both came over and started a production company, which they called Warwick Films." "Their first film was Red Beret, I think, with Alan Ladd." "Stanley Sopel, who worked with Cubby Broccoli on many Warwick films, remembers receiving a fateful phone call from the producer." "I had known Cubby Broccoli for a great number of years." "I worked for Cubby from 1955 through 1960, when he was partners with Irving Allen, a company in England called Warwick Film Productions, which made a succession of very successful movies." "Irving and Cubby split and I left." "I'd just finished doing a picture in Ireland and I was home." "It's quite a funny story." "The phone rang at home one night and an American operator said" ""Is that Mr Sopel?" I won't attempt the accent, cos I'm not very good at it." "And I said "Yes", and she said "Would you take a collect call from Los Angeles?"" "And I said "I will - sounds like a job."" "And on the line was Cubby Broccoli, Albert R Broccoli." "He said "What are you doing?" I said "Nothing."" "He said "You start work for me on Monday."" ""Do you know Harry Saltzman?" "Never heard of him."" "He said "Well, you're going to."" "He gave me an address in London to see Harry Saltzman, who I checked up on and found he'd been in the business a long time." "He'd been involved with Woodfall Films with Tony Richardson and John Osborne and made a number of very good movies and was a man of some talent." "Jumping way ahead, some years later when the Bond films were all set up and money was flying all over the place," "I reminded Cubby of this collect call, and said "Why did you call me collect?"" "He said "Cos it's cheaper that way."" "Harry didn't have the experience Cubby had as a producer in this country." "Cubby said "I want the crew to be all the people we used in Warwick Pictures."" "Ken Adam was the Warwick art director, the late Ted Moore was a Warwick cameraman," "I was ex-Warwick, make-up people, all ex-Warwick people." "It was an ex-Warwick crew." "Warwick Films should have got a royalty." "They provided most of the talent." "According to Fleming biographer Andrew Lycette, upon its completion, President Kennedy asked for a screening of Dr No in the White House cinema." "Kennedy had been a fan of Fleming since reading Casino Royale in 1955." "In March 1960, when Kennedy was running for president," "JFK's friend "Oatsie" Leiter introduced him to lan Fleming." "Fleming suggested ways for the future president to deal with Cuba's Fidel Castro, some of which were similar to ideas actually under consideration by the CIA." "Now Ken Adam remembers creating this set." "I was conscious on Dr No, which was the first one, that I wanted to do something which was more..." "an image of our period - the period of engineering and computers and electronics." "And also playing with new materials, materials which up to then had not been used very much in films." "And I also tried to give a... tongue-in-cheek, futuristic feeling to this film." "I think the best way to describe it is a form of heightened reality." "Terence Young and Sean Connery's understanding of the role of Bond is demonstrated in this scene." "Bond, a prisoner, orders Dr No's guards to remove his handcuffs, which they do." "Producer Saltzman had an option on the Bond novels, but had difficulty financing the deal until he partnered with Broccoli." "Composer Monty Norman remembers Saltzman." "Harry was a marvellous guy, I really liked him." "He was a loveable..." "I won't call him a rogue, that's almost libellous." "He was a great guy." "Almost a kind of Napoleonic figure, a tiny, dumpy guy." "Good-Iooking, and he was a theatre man too." "He did quite a lot of work with the Royal Court at its zenith, at the time of Look Back in Anger and stuff like that." "And he was involved in the films, the Woodfall Films, which again was, I suppose, to do with the Royal Court, with Tony Richardson, things like Tom Jones and so on." "So he was a great figure who really knew his business." "Editor Peter Hunt recalls his first encounter with Harry Saltzman." "Harry came to London and made Look Back in Anger and wanted me to edit Look Back in Anger." "I was at that time about to go with Lewis Gilbert to Hong Kong to make Ferry to Hong Kong." "I wasn't going to do a "kitchen-sink" film, which was not really my sort of subject, with Harry Saltzman." "Although Look Back in Anger was a fairly successful film, very well done, a very good film." "Funnily enough, I turned down Harry Saltzman in order to go to Hong Kong." "We were cutting the whole film there, with our own cutting rooms, shooting the whole film there, which was not generally done in those days." "We were there for six months making that film, editing and cutting it." "What happened was that on Ferry To Hong Kong," "I had an assistant who was a great reader of novels and paperbacks." "And he asked me whether I'd ever read any of these James Bond books." "I said "No" and he said "I'll lend you one."" ""You'll like it very much." "It's your sort of material."" "I said "Fine" and he lent me the first one that came out." "I read it and I thought it was pretty good." "But I never had any idea at that time that they would make them into films or that I would ever work on them." "Dana Broccoli remembers the day her husband Cubby Broccoli and partner Harry Saltzman sealed their deal for the Bond films with United Artists." "It happened to come on our second anniversary." "So Cubby forgot our second anniversary." "Terror, terror!" "So we went to dinner that evening, and he was making all kinds of toasts, to the Bonds, to this, to that." "And I finally said "Do you know what today is?" "And he said "Yes, the first day of summer." It was June the 21st." "I said "I'd like to make a toast" and I said "Happy anniversary"." "And I looked at his face and I thought he would die." "He said to the head waiter "My wife went to powder her nose."" ""By the time she's back, I want a cake that says 'Happy Anniversary, Dana'."" "And it was done." "United Artists publicity director Jerry Juroe remarks on key decisions the producers made early on." "The brilliance of Broccoli and Saltzman was they optioned all the books from the beginning - except Casino Royale, which was the property of Charles Feldman." "Ursula Andress found it easier shooting on sets." "That was easier because it was more controlled." "The pressure was not there of the outside, nature, the river, the camera you cannot set up correctly because it falls into the water, or..." "In the studio you can control everything much easier, so everybody was more quiet and there was less tension." "Sound effects play a key role in the latter part of the film." "Peter Hunt." "In order to level that all up..." "I know how we came to have that general hum." "We thought because it was way down underground, under the sea, it would have some form of air conditioning." "That's how that came and we built from there." "So we got an air-conditioning noise and made it sound a little bit different, not quite like air conditioning, then we added a bit more to sparkle that up a little." "That's how these things come about." "Creating the sounds that help bring a movie to life is the job of the sound editor." "Norman Wanstall, who won an Academy Award for his work on Goldfinger, explains a sound editor's duties." "Very few people understand what a soundtrack editor has to do, and it's not easy to concisely explain it." "But in very simple terms, the sound editor's job is to take the soundtrack that's given to you when the film is shot, and do what has to be done to it to create the most technically and artistically perfect track for the cinema." "Like all the departments, Wanstall was challenged by the film's limited budget." "The budget was very low." "This was significant in my case because, invariably, on busy films like action films, you have two soundtrack editors." "You need those because somebody has to look after all the dialogue and somebody has to look after sound effects." "Mainly because so much soundtrack is thrown away or put to one side, because for various reasons it's not useable." "Peter said "We don't have a budget for two soundtrack editors, so we'll hire someone for dialogue."" ""You've had a lot of experience on sound effects - this is your big chance."" "So I moved across to handle sound effects and someone else took my job." "It was pretty awe-inspiring, really, a big film for one's first job." "And I always remember when the script of Dr No came in, we just treated it as another movie - we read it, we said "Yeah, let's do it..."" "But we had absolutely no idea whether it would be popular, or whether it would be a success." "This amazing Ken Adam set posed special problems for editor Peter Hunt - as Hunt recalls." "Ken Adam came along and said "Do you like it?" "Do you think it'll work?"" "And I said "I think it's great."" ""But tell me, what's that large piece of glass there for?"" "He said "That's where the sea is going to be." "You'll see the fishes behind there."" "I said "That's interesting." "How are you going to put fishes behind there?"" "He said "They'll be back projection."" "As a cutter in the cutting rooms, I know who gets the film " "I have to get the film." "I said "When do you think you're going to shoot this?"" ""The day after tomorrow."" ""Really?", I said." ""And have you got the film?"" ""No." Nobody had got the film." "Nobody had come to me and said" ""We need a back projection plate of fish swimming under the sea."" "I said "We'd better get hold of some library material or something."" ""Have you looked for any?" Nobody had looked for library material." "So I rushed around and I couldn't find any." "Eventually, the only thing I could find was a plate of great big tropical fish." "By now I'd spoken to Terence and he was involved in the whole thing." "And I said "The only thing I've got is this plate of tropical fish." "Will it work?"" "He said "We've got to make it work." "We're shooting tomorrow."" "And that is in fact what we projected, this material I'd found, which was very limited, of these great big fish." "Now, when they go and look at these great big fish swimming around," "Terence rightly thought "We've got to have something to explain this."" "And he invented the line "Minnows pretending they're whales", to cover the enormous size of these fish through this glass." "Production buyer Ron Quelch remembers procuring the Goya painting." "Because of the topicality of the idea - the famous Goya portrait had just been stolen from the Tate Gallery - it was decided at 3 o'clock one afternoon, for shooting the following morning, that they would like a copy of the famous Goya Duke of Wellington." "Well, it didn't exist." "And obviously the real one was, for that time, gone." "So I went up to the National Portrait Gallery, got all the photographic references, colour samples," "I phoned one of our suppliers to get a correct-sized frame, and had a lot of these postcards enlarged." "We didn't have the facility of the machines we have today in the studios." "I went to an outside firm to have it enlarged to the correct size, done in black and white, delivered it all to the designer's home that night." "Overnight, he painted it in the correct colours." "The following morning we had the Duke of Wellington in its frame, on the easel, in that set, Dr No's apartments." "Sound editor Norman Wanstall remembers director Terence Young." "A lot of people used to say Terence Young was James Bond." "He was directing himself." "He was the public-school gentleman, upright, good-Iooking, and obviously he'd had a fairly affluent past." "As Dr No was obviously the very first one and he was the first director, we felt the whole thing was falling into place." "The image of James Bond, as in the book, seemed to fit Terence." "He was fairly cavalier, too." "He didn't seem to get uptight, didn't seem very intense." "He shot the film, simple as that." "I thought he was very right for the part, as they say." "Stuntman Richard Graydon also recalls the director." "It would be nice to make a tribute to the originator of the films, which was certainly Terence Young." "He set a style, which in fact has been developed and continued through." "Without Terence Young's setting of that style with Sean Connery, who was in those days a very rough actor..." "I mean he hadn't got the polish that he has now." "And it was Terence Young who spotted his potential." "Without Terence Young spotting that potential, and basically giving it to Sean," "I don't think there would have been the success of all the Bond films which have followed." "So I do think the two people who set it alight were Terence Young, the original director, and Sean Connery, the original Bond." "The upcoming shot of Dr No crushing a bronze Buddha posed special challenges for sound editor Norman Wanstall." "Every time I see it, I question whether it could have been done any other way." "But any sound editor would have done it his way and would have used different ingredients." "A hundred sound editors would have produced a hundred different noises." "This is where I called upon my experience with Winston Ryder." "What he taught me, mostly, was always think in terms of ingredients." "Never look at a sound and think "How can I do it in one?"" "Think of all the tiny elements that maybe, when they're blended together, will give you the end result." "I remember that track very well." "There would have been six or seven elements of bending tins, crackle..." "We'd have experimented with a lot of sounds before we ended up with various ingredients." "Then I would have gone in just with that individual shot to the mixing theatre, and I'd have said "I want to create the sound of this crushing element."" "And they would have used my ingredients and between us we would've decided on the very best combination." "Sometimes it takes a long time, but you always know when you've got it." "You say "That's the one." "Forget the rest." But that was a tough one." "Terence Young had high praise for Sean Connery, as we hear in this 1974 interview." "He's a marvellous person, he's completely honest." "He's fundamentally honest - a little too honest." "I like him inordinately as a man." "As a man he's even more impressive than as a public figure on the screen." "He's a really, really, splendid person." "He's had a tough life, he came from a very poor family, and he remembers it." "He's not mean." "He's bought me some very extravagant presents and all that." "But when you go out for dinner, he looks at the bill and says" ""My God, my whole family could have lived on this for a week."" "Terence Young's daughter Juliet Nissen remembers her father's association with production designer Ken Adam." "One was so fascinated by Ken's designs, particularly on Dr No, when there was very little money." "The famous scene when he's going down the shaft, apparently that was only about eight foot long." "I don't know the technicalities of how they did it, but it was an absolute miracle." "Terence was always very proud of that particular sequence." "Ken was absolutely brilliant." "Editor Peter Hunt and sound editor Norman Wanstall enhanced these scenes with sound effects - as Hunt recalls." "You invented whatever sound you could to improve that, to make it either more suspenseful or whatever it was you were trying to do." "That's what sound is really for, and sound must carry you, so that you don't have any slowness or any dullness in the picture." "And obviously, crawling down the shaft, it was a ventilator shaft, so you start off with some sort of ventilator noise, and if it's too mundane and too ordinary, you try and add to it." "You start with one sound and then you begin to add other sounds, put in other noises along the way, which help the whole excitement." "Norman Wanstall remembers finding some of the unusual sounds." "When I see that scene again, I'm rather pleased." "Sometimes you look back and feel it's not as good as you thought, you could've added or subtracted certain elements." "But I remember I asked a fellow sound editor if he had any ideas, had he come across anything that would give me the rumble?" "I knew I could find the water and the hissing sounds after the water passed." "You knew it was hot because Bond had pads on his hands." "I asked around and a colleague of mine had produced a rumble on El Cid, I think, probably for the sound of galloping hooves in the distance." "I borrowed a copy of that and I was very grateful, because without the distant rumble it would never have had the drama." "You knew something was happening down there and it was going to be scary." "Peter Hunt has high praise for Norman Wanstall." "He was very good and very inventive." "He'd go and find tracks or would shoot tracks for the film, and from there we would enhance on them or use them in whatever way we wanted to, which we thought was best for the scene." "The actual sound of the thing also came from the mixer, too." "You would mix several tracks together at certain times to create one sound, which would deliver the drama of whatever you were trying to create." "Norman Wanstall recalls attending an early screening of the finished film." "We went to a preview." "Harry Saltzman was there." "It was in some local cinema." "I'd never been to a preview before." "They interviewed people as they came out and they filled in their cards." "Peter said to me "One or two have commented on the sound effects."" "I thought "That's a good start!"" "The reaction was quite remarkable." "In fact, not only the people in that cinema, but people were talking about it almost instantly." "There were, in those days, lots of radio comedy programmes." "One of the sketches on this radio programme was, they said "Dr No" and they played the "dum-da-dum-dum..."" "And all they did was play half a minute of sound effects - gunshots and tyre squeals - then a voice said "Isn't there any dialogue in this picture?"" "We were obviously making an impact somewhere!" "People reacted to that film in the most amazing way." "We were very proud." "We didn't know what we had." "We knew we had something different, a film where the hero shot someone in cold blood." "We didn't think we'd get away with it." "We knew Sean was going to say "Bond, James Bond", the classic shot of all time." "We knew we had a film where a tarantula went up a man's arm." "We knew we had Ursula Andress coming out of the water." "But we weren't sure if that was going to make a brilliant movie." "But it did." "Here in the reactor room of Dr No's complex, we see another astounding Ken Adam set, for which he received some expert advice." "In Dr No, the reactor room was very much an integral part of the story." "Harry Saltzman decided that I should visit Harwell, an atomic research centre in England." "I got a lot of technical advice from some nuclear scientists, who were working there." "We tried to keep it as accurate as possible, the water reactor part of it." "Then I designed my version, with the technical advisers giving me advice." "Special effects man Bert Luxford also contributed to the scene." "I was involved halfway through the film, really." "That's when I came out of the engineering department, and I went on Dr No, on the nuclear reactor set, basically, on engineering all the time." "It was a vast set to build, a lot of metal stuff to be done on it." "Dr No became an instant sensation, but not everyone was delighted with the film's instant success." "Associate producer Stanley Sopel." "The picture came out in England first, and we repaid the bank loan in about three months - much to the chagrin of the bank, who had lost 15 months' interest." "They'd pencilled in 18 months' interest on this loan." "Lois Maxwell remembers attending an early screening." "It was only at the end of the film, when I was invited to a rough cut of the film - all of the cameramen and their wives, and so on, we were all invited - that we could realise that the film was actually terribly funny." "It was witty and funny." "One minute you'd be laughing and the next minute you'd be "Oh...!"" "And then we thought this is not a run-of-the-mill film." "It's going to be something different." "I was always invited to the beginning-of-the-film luncheon and usually to the wind-up party, too." "The wind-up party for Dr No was something else, because by then we'd seen the rough cut and we all felt quite excited about it." "Ursula Andress was simply wonderful." "There was dancing and nobody could keep their eyes off Ursula." "The success of Dr No was a big boost for the career of Ursula Andress." "Dr No gave me success." "It gave me independence, I could choose..." "It gave me a lot." "Associate producer Stanley Sopel." "The budget was in excess of a million dollars." "And United Artists said "A million dollars." "No more."" "We did a little doctoring of the script, and of the budget, a million dollars, and we made the movie, which cost $1.2 million, the original budget." "There was a little kerfuffle about that, because we'd gone over-budget, et cetera." "But then they saw the movie, and saw a $5 million movie which we'd made for $1.2 million." "Sound editor Norman Wanstall." "The biggest challenge for me in Dr No was the final part where he realises he has a chance of blowing the complex up." "He turns a wheel, he turns it and turns it." "We have to tell the audience this is really bad news and something is going to erupt." "When you see the film, it's easy to assume that the sound on the handle belongs on it, that the machine he used had a sound." "Of course it was just a built appliance on the set." "That was one of the most difficult tracks I ever had to produce." "I turned to the maintenance man at Pinewood Studios, and said "You're the boffin, the guy with the wires and the machines."" ""Look at that and see what you can do."" "In two days, he said "I think I've done it."" "He came up with a gadget you can't believe, wires and buttons and lamps, the most extraordinary thing, but he said" ""If you turn this handle, a sound will emit and it will vary accordingly."" "And sure enough it did, so we watched the picture and that's how we did it." "I've never been so grateful." "That's team work, that's moviemaking." "Editor Peter Hunt was in New York when Dr No premiered there and found out it was the talk of the town - or, at least, the town's cab drivers." "I enjoyed making Dr No because it was a tremendous inventive vehicle for me." "Because of the problems we had in shooting it, there was a great deal of inventiveness needed in making the film, which suited my personality." "I got a great deal of pleasure, the first visit I had to New York, riding in a taxi from the airport to United Artists, or to my hotel." "All the taxi driver could talk about was this wonderful new British film called Dr No." "He never knew that I had anything to do with it, but he was wildly enthusiastic about it, which was great for me." "Photographer Bunny Yeager remembers her reaction to first seeing Dr No." "I was so excited." "I didn't want that movie to ever end, I wanted it to go on and on." "It's when you go into a darkened theatre and you want to be entertained." "You want to go to fantasy world." "I liked going to that kind of a movie." "That's why I think it's so long-lasting, because it pleases the men and the women." "The women are going for James Bond, who is always in deadly peril and fighting this horrible foe." "You know he'll get hurt, he could get killed!" "But he doesn't, he always survives, very nicely and very well." "He's in control at all times." "And the men like to go to see it because they would love to be a James Bond in their real life." "They have just an ordinary life, but in a James Bond film, you can watch it and put yourself in the position of him, or her, and just live those moments as the film is going on in the theatre." "That's what I do." "I just love those films." "They're so... big." "Bud Ornstein, chief of United Artists' London office, had a hand in the film's final scenes, as publicity director Jerry Juroe recalls." "One of the great things Bud accomplished for the Bond series as it turned out, was that he got another $100,000 on the budget for a big sequence at the end." "When everything blows up, that was not part of the original budget." "That was thanks to Bud Ornstein getting additional money for it to be done." "Frank George, special effects supervisor of Dr No, approached John Stears to help with these scenes - as Stears remembers." "I was asked by Frank George to help with the miniatures on the bauxite wharf." "He said "You're the best guy I know to do miniatures." "Would you like to do it?"" "So I said "Sure, that'd be great."" "So I did that." "I did that miniature." "Composer Monty Norman remembers creating the music for the final scenes." "I was using music going up in semitones and tones at the time of the Dr No laboratory, or island even, blowing up to bits." "That was good because it all helped in the chaos of the moment." "But the bit I like is the bit after that, when Sean and Ursula are in the little boat and the Royal Navy comes on the scene." "I wrote a bit there, a kind of jingoist's march, which I wish could have been played a bit louder." "It was right for the film, but I'd like to have heard it louder because it was one of my favourite bits." "Because of the success of Dr No once it came out, they put out the LP very quickly." "They mainly put out stuff that was recorded in Jamaica." "There's hardly any of the stuff I wrote in England in it, and it would be nice to redo that CD and add some of those pieces." "Ursula Andress enjoyed certain aspects of her role." "He was so adorable to me." "It was so nice to kiss Sean." "He was adorable to me." "It was a pleasure to kiss him, a great pleasure." "I would like to thank all the actors and crew of Dr No on this audio commentary " "Ursula Andress, Eunice Gayson, Marguerite LeWars, Zena Marshall," "Lois Maxwell, Timothy Moxon, Terence Young, David Picker," "Stanley Sopel, Ken Adam, Syd Cain," "Peter Hunt, Norman Wanstall, Chris Blackwell," "Bunny Yeager, Monty Norman, John Stears," "Bert Luxford, Ron Quelch, Richard Graydon," "George Leech, Jerry Juroe and Dana Broccoli." "I'd also like to pay tribute to those who gathered material for this commentary, especially Steve Mori, for the use of his 1974 interview with Terence Young." "(gunshot)" "(Caribbean music)" "# Three blind mice in a row" "# Three blind mice, there they go" "# Marching down the street single file" "# At calypso beat all the while" "# They're looking for the cat" "# The cat that swallowed the rat" "# They want to show that cat the attitude of three blind mice" "# Three blind mice here and there" "# Three blind mice everywhere" "# Searching all around for the cat" "# All over Kingston town, pit-a-pat" "# They got the carving knife" "# To cut the pussy cat's life" "# The puss will get that knife for trifling with three blind mice, oh, the mice" "That's it." "100 honours, and 90 below." "Nicely done, Strangways, I have to give it to you." "I must leave you for a few minutes." "Order a round on my chit, Professor." "Right." "Must you break off at this time every evening?" "My managing director has a call put through to me every day about this time." "Hurry back." "20 minutes." "And don't try doctoring any hands for me." "Same again." "Bless you, master." "(muffled shots)" " Hurry, man." " Get away, quick." "W6N, W6N, W6N." "Calling G7W." "How do you hear me?" "Over." "G 7W London, G 7W London." "Receiving you." "Over." "Stand by to transmit." "Wait." "Out." "Here." "Hello, W6N." "Report my signals." "Report my signals." "Over." "Hello, W6N." "Over." "(buzzer)" "Foreman of signals - urgent." "Get me the Ml6 radio security control." "What is it?" "W6N Kingston, Jamaica - broken contact just after they came up on transmission." " Broken or faded?" " Broken." "We still have the carrier wave." " On both emergency frequencies?" " No joy on either." "I'm still calling." "Let me know as soon as they come up." "Foreman of signals, sir." "Jamaica's broken off mid-transmission." "No, sir, it's not a technical fault." "Yes, sir." "Will you tell him, sir?" "Very good." " Excuse me, sir." "Are you a member?" " No, I'm looking for Mr James Bond." " What name should I say?" " Just give him my card." "Would you like to leave your coat over there?" " Deux cents livres à la banque." " Banco." " Suivi." " Suivi." " Carte." " Carte." "Sept à la banque." " Deux cents livres à la banque." " Banco." " Suivi." " Banco suivi." " Carte." " Carte." " Huit à la banque." " Banco." " Suivi." " C'est suivi." " The house will cover the difference?" " Bien, madame." "Oui, monsieur." "Changeur, s'il vous plaît." " Carte." " Carte." "Neuf à la banque." " I need another thousand." " (man) I admire your courage, Miss...?" "Trench..." "Sylvia Trench." "I admire your luck, Mr...?" "Bond..." "James Bond." "Mr Bond, I suppose you wouldn't care to raise the limit?" " I have no objections." " Ce n'est pas possible, madame." " Now..." " C'est suivi, monsieur." " Looks like you're out to get me." " It's an idea, at that." " Eight." " Huit à la ponte." "Neuf à la banque." " Excuse me, sir." " Thank you." "André, I must pass the shoe." "I hope you'll forgive me, but it's most important." "Merci, monsieur." "Have those changed, will you?" "Too bad you have to go." "Just as things were getting interesting." "Yes." "Tell me, Miss Trench, do you play any other games?" "I mean, besides chemin de fer?" "." "Golf, amongst other things." " Tomorrow afternoon, then." " Tomorrow?" "And we could have dinner afterwards, perhaps?" "Sounds tempting." "May I let you know in the morning?" "Splendid." "My number's on the card." "See if he's there, will you?" "James, where on earth have you been?" "I've been searching London for you." "007 is here, sir." "He'll see you in a minute." "Moneypenny." " What gives?" " Me." "Given an ounce of encouragement." "You never take me to dinner looking like this." " You never take me to dinner." "Period." " I would, you know." "Only M would have me court-martialled for illegal use of government property." "Flattery will get you nowhere." "But don't stop trying." "Now..." " What's all this to-do about?" " Strangways." "It looks serious." "We've been burning the air between here and Jamaica for the last three hours." " In you go." " Don't forget to write." "Good evening, sir." "It happens to be 3am." "When do you sleep, 007?" "Never on the firm's time, sir." "Sit down." "Jamaica went off the air, in the middle of the opening procedure." "We've checked up and Strangways has disappeared." "So has his secretary." "We'd only just sent her out there." "Was Strangways on something special?" "An inquiry from the Americans." "There is massive interference with their Cape Canaveral rockets." "They think it comes from the Jamaica area." " Does "toppling" mean anything to you?" " A little." "Throwing the controls of a guided missile off balance with a radio beam." "Five million dollars' worth of missile aimed at a spot in the South Atlantic and finishing up in the Brazilian jungle is bad enough." "But now they're gonna try orbiting a rocket round the moon." "The American CIA sent a man down to work with Strangways." "A fellow by the name of Leiter." "I've heard of him, but never met him." "Has he found out anything important?" "You'd better ask him." "You're on the 7 o'clock plane to Kingston." "That gives you exactly three hours 22 minutes." "Armourer." "You'll get the background papers at the airport, in a self-destructor bag." "You can study them during the flight." "I want to know what's happened to Strangways." "Sir." "Take off your jacket." "Give me your gun." "This damn Beretta again." "I've told you about this before." "You tell him, for the last time." "Nice and light, in a lady's handbag." " No stopping power." " Any comments, 007?" "I disagree." "I've used a Beretta for ten years and never missed with it yet." "But it jammed on your last job and you spent six months in hospital." "A double-O number means you're licensed to kill, not get killed." "Since I've been head of Ml7, there's been a 40 drop in double-O casualties." "I want it to stay that way." "You'll carry the Walther." "Unless you'd prefer to go back to standard intelligence duties." "No, sir." "I would not." "Then from now on you carry a different gun." "Show him." "Walther PPK: 7.65 mil with a delivery like a brick through a plate-glass window." "Takes a Brausch silencer with little reduction in muzzle velocity." " The CIA swear by them." " Thank you, Major Boothroyd." "Thank you, sir." " Any questions, 007?" " No, sir." " All right." "Best of luck." " Thank you, sir." " 007." " Sir?" "Just leave the Beretta." "Miss Moneypenny, forget the usual repartee. 007's in a hurry." "Ciao." "Good luck." "(thud)" "There." "Now you made me miss it." "You don't miss a thing." "How did you get in here?" "I decided to accept your invitation." "That was for tomorrow afternoon." "Do you always dress this way for golf?" "I changed into something more comfortable." "I hope I did the right thing." "You did the right thing, but you picked the wrong moment." " I have to leave immediately." " Oh, that's too bad." "Just as things were getting interesting again." "When did you say you had to leave?" "Immediately." "Almost immediately." "Hello, New York." "Your Pan Am 323 just landed Kingston, Jamaica." "Taxi." " All right, then." "Go ahead." " Help yourself." " Taxi." " Mr Bond, sir?" "Yes?" "I'm Mr Jones, chauffeur from Government House." "That's fine." "We can drop my luggage off on the way." " I want to check my reservation." " I can do that." "No, no." "You just take care of the bags." " Government House?" " Yes." " Principal Secretary, please." " Hold the line, please." " Who wants him?" " James Bond, Universal Exports." "Welcome to Jamaica, Mr Bond." "Yes, your head office alerted us this morning." " Are you free for lunch at one o'clock?" " That'll suit me fine." " By the way, have you sent a car for me?" " Car?" "I didn't think you wanted one." "Quite right." "One o'clock, then." "Forgive me if I'm a few minutes late." " Where to first?" " Government House, but there's no hurry." "Just take me for a ride." "Do you always drive this fast?" "I told you I wasn't in a hurry." "Sorry, sir, but I think there's some fellow trying to follow us." "Then I suggest you try and lose them." "Take the next turning on the right." "Now, Mr Jones." "Talk fast, before your friend doubles back." "Who are you working for?" "I don't know what you're talking about." "I was just sent to meet you at the airport." " But by whom?" " By..." " Government House." " I don't think so." "Both hands on the wheel." "I'm a very nervous passenger." "Get out." "Move!" "Keep your hands where I can see them." "Get up." " Now talk." " All right." "Let me have a cigarette." "To hell with you." "Sergeant, make sure he doesn't get away." "Cyanide in a cigarette?" "Fantastic." " No less." " Duff, what have you got for us?" "The car was stolen and we haven't been able to identify the driver yet." "But he surely wasn't a Kingston man." " Well, news of my arrival leaked." " We didn't advertise it, I can assure you." "Perhaps not." "I got the impression someone had been selling tickets." "Anything more we can do for you?" "I want to meet the last people to see Strangways." "Nobody seems to have seen him after he left our bridge four." " Who were the others?" " Professor Dent..." "Metallurgist, runs a test laboratory." "Respected." "Clean bill." " Potter..." " Old general." "Been here for ages." " We'll start with those." " Want them brought in?" " Lord, no." "I want to meet them socially." " I can introduce you at the club." " I'd like to see Strangways' place." " I'll run you up there now." "Go on in." "That's her blood patch." " They've grouped it as O Rh positive." " That's her group, all right." "The set was still switched on when we came round." "We tried to get through, but it was dead the other end." "And it'll stay dead." "All frequencies are changed immediately security's broken." "Receipt from Dent Laboratories." " Geology a hobby of Strangways?" " Not that I know of, no." "Who's the man with Strangways?" " One of the local fishermen." " He drove the car that tailed me." "Is that so?" "That gives us something to work on." "I'll have him checked." "You do that." "I want to change before I meet Pleydell-Smith at the club." "One medium-dry vodka martini." "Mixed like you said, and not stirred." " Anything else, sir?" " No, that's all." "Curious, old Strangways just vanishing like that." "Or is it?" "Cherchez la femme." "His secretary was very nice indeed." " Did you know her?" " I've seen her around." "None of you can throw any light on what happened to him?" "His conversation?" "Any hint?" "I never heard him talk about anything but big-game fishing and bridge." "He got the fishing bug three weeks ago." "He's been out practically every day since." "It must have cost him something." "These fishermen ask the earth to charter, and Quarrel's the most expensive of all." " Quarrel?" " A Cayman Islander." " He keeps a boat in the harbour." " I see." "Thank you." "Excuse me." "Where do I find Quarrel?" "He him." "Your name Quarrel?" "Maybe." "I'm a friend of Commander Strangways." "Ain't that nice?" "I like people who's friends of people." "I thought you might be able to tell me what happened to him." "As far as I know, nothing happened." "Unless you know different." "Where did you take him in your boat?" "You see that, captain?" "That there's the Caribbean." "That's where." "Fishing." "I'm interested in fishing." "I'd like to charter your boat." "It's not for hire." "Seems I came to the wrong address." "That's all right." "If you'll excuse me, I got business to attend to." "Hey, Pussfeller." "Well, if it ain't my friend what gets addresses mixed." "You got the right one this time if you likes good eating." "I do, if the conversation matches it." "Back at the boat too public." "In there it different." "After you." "Sure thing." " Hey, man!" "You see we get some privacy." " Nothing but, Quarrel." " Take a seat." " I'm fine." "OK, mister." "Supposin' you start the conversation." "How's about it?" "Ain't no use you struggling." "Pussfeller wrestles alligators." "Right!" "Up slowly and face that wall." "(man) Hold it." "Gently, bud, gently." "Let's not get excited." "Frisk him." "Nothing." "Interesting." "Where were you measured for this?" "My tailor, Savile Row." "Is that so?" "Mine's a guy in Washington." "Felix Leiter." "Central Intelligence Agency." " You must be James Bond." " You mean we're fighting the same war?" "When I saw you leave the airport with the opposition, I figured I must be wrong." "This is Quarrel." " No hard feelings, I hope?" " Only a sore hand." "Glad to know you." " Pussfeller owns the place." " I hope he cooks better than he fights." "Nobody died from my cooking - yet." "(# "Jump Up")" "There you are." "Cape Canaveral is screaming." "They don't want anything to go wrong with this moon rocket launch." "Yet Strangways didn't think the interference came from here?" " I suppose you cased the joint?" " I checked unofficially." "You limeys can be touchy about trespassing." "Strangways and Quarrel checked the islands." "You found nothing?" "Where did you look?" "Just about everywhere." "Fire Island, Crab Key, Morgan's Reef." " Checked them all thoroughly?" " All except Crab Key." "We had no right." " Why not?" " It belongs to a Chinese..." "Get her, Quarrel, and the camera." "Evening, missis." "You're hurting." "The captain wants you to have a drink with us." " You're hurting me." " You can't mean it." "Good evening." " Why do you want another picture of me?" " I only got your hat at the airport." " Tell this ape to let me go." " Why do you want a picture at all?" "Because that's the way I earn my living." "Who pays you?" "The Daily Gleaner." "Pussfeller." "Pussfeller." " Anything I can do?" " Ever seen this girl before?" "She come here sometimes." "You want for me to get rid of her?" "No." "Just ring the Gleaner." "Find out if they sent a photographer here tonight." "They didn't send me." "I work freelance." "Freelance?" "For whom?" "You..." "Tell us and he'll stop." "We don't get nothing out of this gal." "You want me to break her arm?" "Another time." "The second time nothing's come out." "Give her her arm back." "Run along, freelance." "You'll be sorry." "You'll all be sorry, you rats." "One takes cyanide, another would have had her arm broken." "Neither would talk." " Who puts that sort of scare into people?" " I think maybe we'd better find out fast." "You were talking about Crab Key?" "Why can't we go there?" "It belongs to a Chinese character." "He won't allow anyone to land." "I had our naval reconnaissance planes take a look." "They found nothing but a bauxite mine." "Low-scan CH radar setup." " There's nothing illegal about that." " Crab Key scares me plenty." "Friends of mine went out there once after seashells." "Only trouble, they never came back again." "(Leiter) The local fishermen won't go near it." "Strangways and me, we slip in at night." "He take some samples, we came straight back." "Don't do to hang about there." " What kind of samples?" " Bits of rock, sand, water." "I see." "Crab Key begins to interest me." "What else do we know about this Chinese gentleman?" "Nothing much." "Except his name." "Dr No." " I'd like to see Professor Dent." " Have you an appointment?" "James Bond." "We met yesterday at the club." "Very well." "He's somewhere in the lab." "Is Professor Dent there?" "Oh, never mind." "Morning, Professor." "Mr Bond." "Anything I can do for you?" "Yes." "I came across this in Strangways' office." "Your receipt." " Yes, that's right." " Can you tell me anything about it?" "Poor old Strangways." "Bit of a bug of his, this amateur geology." "He brought some samples in for testing, convinced they were valuable." "Were they?" "Of course not." "Just low-grade iron pyrites." " Can I see them?" " I threw 'em away." " Do you know where he found them?" " No, he didn't say." " Crab Key, perhaps?" " Definitely not." " Why so certain?" " Not geologically possible." "Thank you, Professor." "It's very kind of you to spare me your time." "You're very welcome, Mr Bond." "Professor..." "Allow me." "Morning." " I have to get to Crab Key." " You know the procedure." "There's no time for that." "I'll take responsibility." " Man, I hope you know what you're doing." " Come on." " I radioed." "They're expecting me." " Go ahead." "Sit down." "Why have you disobeyed my strictest rule and come in daylight?" "I had to." "Bond came to see me this morning." "Yes, I know." "I gave orders that he should be killed." "Why is he still alive?" " Our attempts failed." " Your attempts failed." "I do not like failure." "You are not going to fail me again, Professor." "No." "I came to warn you." " Warn me?" " Tell you." "Bond has discovered those rock samples came from Crab Key." "He's not a fool." "He's sure to come out here." "I hope not." "If he does, I shall hold you responsible." "Do I make myself clear?" "Yes, quite clear." "Go to the table." "You see what is in the cage?" "Pick it up." "Pick it up." "Tonight." " I'd like to send a cable." " Yes, of course." "The car you ordered has been delivered." "It's in number five parking lot." " Thank you." "Good night." " Good night, Mr Bond." " Morning, Pleydell-Smith." " Bond." "Sorry to trouble you so early." "I need all you have on Dr No and Crab Key." "Miss Taro, bring me the files on Dr No." " What do you know about this island?" " Not much, except there's a bauxite mine." "Dr No runs it like a concentration camp." "I've heard rumours, but no one's complained officially." " Miss Taro, just leave them here." " We can't find them anywhere." " What do you mean?" "Who had them last?" " Commander Strangways." "Both files." "All right, Miss Taro." "Damn nuisance, their disappearing like that." "On the contrary." "I'd have been surprised if they hadn't." "By the way, that came for you from London, in the diplomatic pouch." "A present from home." "Can I get out that way?" "That's a naughty habit - listening at keyholes." "I wasn't listening." "I was looking for those files." "Anything that can't be found, I get the blame." "Forget it." "It's not very important anyhow." "I'd hate to think you were spending all afternoon looking for them." "No." "I have the afternoon off." "There's a coincidence." "So have I. Why don't you show me round the island?" "What should I say to an invitation from a strange gentleman?" "You should say yes." "I should say maybe." "Three o'clock at my hotel... maybe?" " Yes, maybe." " Good." "(clicking)" "The luminous dial activates it." "Hold this." "Where exactly did Strangways place those samples?" " About where your feet is, sir." " Good." "(loud clicking)" " Hi, there." " Hi." " Lose something?" " Take a look at this Geiger reading." "Those samples Strangways brought back from Crab Key were radioactive." "Yet Professor Dent told me they were worthless chunks of iron ore." " He's either a bad professor or a poor liar." " I intend to find out which." "Quarrel, how soon can you get us over to Crab Key?" "Well... it's like this here, captain." "Strangways, he done take samples of all the islands." " We could check the nearest ones first." " No." "It's Crab Key I'm interested in." "I done take the commander there." "We got away without trouble." "It don't do for a man to tempt providence too often." " You see, there's a dragon." " What?" "Native superstition." "Started by Dr No, probably." "All right, Quarrel." "We won't force you." "Leiter and I will go after dark, if you'll give us directions." "I gets my navigational directions from my nose, my ears - my instincts." "Anyway, I'll be here about seven." "Fine." "Oh, Mr Bond, there's a telephone message for you." "Johnny, what have you done with it?" "(phone rings)" "Hello?" "Oh, Mr Bond." "I was thinking, why don't you collect me at my apartment?" "It's lovely up here in the mountains." "Nice and cool." "All right." "You leave the Port Royal road out of Kingston, then along the Windward Road, until you get to the cement factory." "Then you turn left." "Follow the road up the hill, down the other side, then two miles further on, on the left," "Magenta Drive 239." "I'll be waiting for you." "(car horn)" "How did it happen?" "I think they were on their way to a funeral." "Just a minute." " You did invite me, remember?" " Of course." "I just didn't expect you here so soon." "Yes, come in." "I'll just go and put some clothes on." "Don't go to any trouble on my account." "Please." "Forgive me." "I thought I was invited up here to admire the view." "(phone rings)" "I feel one of us should answer it." "Hello." "Yes." "I know, he's here now." "I don't know what happened." "Right." "I'll try and keep him here for a couple of hours." "All ri..." "I'll have to go now." "I'll call you later." "You believe in living dangerously." "I can see that." "What do you mean?" "Sitting around with wet hair, you'll die of pneumonia." " It's rather beautiful." " Thank you." " Do you always wear it up?" " Don't you like it that way?" "Yes, very much." "With your sort of... face, it's wonderful." " What's going on behind my back?" " Nothing." "Look." "No hands." "I'm hungry." "Let's go out and eat." " I'll make you a Chinese dinner here." " I'm feeling Italian and musical." " Let's go to the Blue Mountain Grill." " I'd rather stay here." "It's more fun... alone." "Yes, but I don't want you getting dishpan hands." " I like cooking." " Forget it." "May I use your phone?" "Who are you ringing?" "Taxi." "James Bond here." "Can I have a car sent to 2171 Magenta Drive?" "As soon as you can, please." "Thank you." " I thought you came by car." " Damn thing wouldn't start." "That explains..." "Explains what?" "Why you need a taxi." "Why I need a taxi?" "Careful - my nail varnish." " The lights." " No, I always leave them on." "(gasps)" " What's going on?" " Book her, Superintendent, will you?" "And... be careful of her nail varnish." "(# "Underneath the Mango Tree")" "# Underneath the mango tree" "# Me honey and me can watch for the moon" "# Underneath the mango tree" "# Me honey and me make boolooloop soon" "# Underneath the moonlit sky" "# Me honey and I can sit hand in hand" "# Underneath the moonlit sky" "# Me honey and I can make fairyland" "# Mango, banana and tangerine" "# Sugar and ackee..." "Drop it, Professor, and behind you." "It's funny, I thought you'd turn up sooner or later." "Sit down." "The girl talked?" "But of course." "I was suspicious at the Queens Club anyhow." "You were the only one who'd seen Strangways' new secretary." "And then later at the lab, you made no reference to the fact that Strangways' samples were radioactive." "Very clever, Mr Bond." "You're up against more than you know." "If you shoot me, you'll end like Strangways." " And you killed him?" " He was killed, but never mind how." "Who are you working for, Professor?" "You might as well know, as you won't live." "I'm working for..." "It's a Smith  Wesson." "And you've had your six." " Better late than never." " Everything ready?" "Yeah, for the last two hours." "Don't worry, Quarrel." "It'll be fine." "Bottom part of where my belly used to be tells me different." "For me, Crab Key will be a gentle relaxation." " From what?" "Dames?" " No, from being a clay pigeon." "This is as far as we go with the engine." "Make with paddle and wind from now on." "OK." " Let me go with you." " No, we settled that." "It's my beat." "But it's my head in the noose if anything gets unstuck." "Canaveral can only wait 48 hours for that moonshot." "If we're not back in 12, then it's your beat." "You'd better bring your marines with you." "Quarrel, if you see a dragon, get in first and breathe on him, you hear?" "With all that rum in you, he'll die happy." "Better drop the sail in case their radar's on scan." "Hard about, captain." "Now!" "Cover it up." "We'd better get some sleep before it gets light." "I'll be down this end." "(woman humming "Underneath the Mango Tree")" "# Underneath the mango tree... (continues humming)" "# Underneath the mango tree me honey and me..." "Who is that?" "It's all right." "I'm not supposed to be here, either." "I take it you're not." " Are you alone?" " What are you doing?" "Looking for shells?" " No, I'm just looking." " Stay where you are." " I promise I won't steal your shells." " I promise you you won't, either." " Stay where you are." " My intentions are strictly honourable." "What's your name?" " Ryder." " Ryder what?" "Honey Ryder." " What's so funny about it?" " Nothing." "It's a very pretty name." " What's your name?" " James." "Honey, did you use your sail all the way up to the reef here?" "Of course." "I always do." "Then they'll know we're here." "They have radar." "Oh, my boat is too small to be noticed." "And I often come here to get the shells." "At first they tried to catch me, but they couldn't." " Now they don't bother any more." " They will this time." " Don't bother with those now." " Don't bother?" "Are they valuable?" "This one is worth $50 in Miami. 50." "You promise you won't tell anyone?" "I promise." " Hey, come and take a look." " It's all right." "He's with me." "Captain, what do you think of that?" "What's the matter?" "(distant engine)" "That's a high-powered boat." "Take some cover." "Come on." "They're here all right." "OK, folks!" "Come out and you won't get hurt." "Stand up and show yourselves or I'll be forced to open fire." "Come on out." "We know you're there." "We've been expecting you." "Walk out with your hands up and you'll be OK." " This is your last chance." " He's bluffing." "Keep your head down." "All right!" "You've been warned." "This is it." "Lie still." "It won't last long." "They don't really know we're here." "Fire!" "Are you coming out?" "All right, then." "We'll be back." "We'll be back with the dogs." "Full speed ahead." "I warned you about this place." "That was a machine gun, not a dragon." " There's a dragon here, too." " She's right." " You've seen it, hm?" " Yes, I have." "He had two glaring eyes, a short tail, pointed wings, and was breathing fire." "You don't believe me, do you?" "Little gal, I does." "I tell you, Mr Bond, let's get the hell outta here." "Listen, both of you." "There are no such things as dragons." "You saw something that looked like one." "I'm trying to think what it was." "How do you know there aren't?" "Did you ever see a mongoose dance?" "Or a scorpion with sunstroke sting itself to death?" "Or a praying mantis eat her husband after making love?" " (Bond) I hate to admit it, but I haven't." " Well, I have." "She's right." "All right, they've gone." "Honey, you're getting out of here." "I'm getting out when I'm ready, and that's never in daylight." "This time you are, and fast." "Where's your boat?" "Fetch my shoes." "Look!" "Look what they've done." "It's all your fault." "I'm sorry." "I'll get you a new boat when we get back to Kingston." "What are we going to do with her now?" "If you like, I know a good place where we can hide." "That'll do for a start." "Leave the things you don't need." "Quick!" " Must we come this way?" " Yes." "It throws the dogs off the scent." " Damn mosquitoes." " Rub water all over yourself." "It's the salt they're after." "Hey..." "Quick!" "They's coming, across there." "(dogs barking)" "Quarrel, cut some of those reeds." "Give me the knife." "Over there." "They're coming closer." "Ow!" " Keep quiet." " Something's biting me." "If you disturb the mud, they'll know we're here." "Get down." "(barking)" " Looks like they're onto something." " Sh." "(birds screeching)" "Sh..." "Get down." " Why?" " Because I had to." "He sure knew his business, trailing us after we let the others pass." "We must get out of here." "Where is this hiding place?" "Up there." "Come on." "You smell nicer already." "Oh, thank you." "Mr Bond, quick!" " What is it now?" " Look at these." "Those are dragon tracks." "That's where he breathed." "You ought to get some rest if you want to." "I stay out here on watch." " In case he comes a-Iooking for us." " Right." "I'll take the second watch." "We'll be out of here by midnight." "I never met a detective before." " Are you going to arrest Dr No?" " Someone is." "We can't have him trying to kill everyone who comes here." " He doesn't just try." " Hm?" " I'm pretty sure he killed my father." " What do you mean by that?" "You see, my father was a marine zoologist." "We came to the Caribbean for him to study seashells." "Then one day he came to Crab Key, and I never saw him again." "They said he must have been drowned, but he was far too good a diver for that." "Didn't the police investigate?" "Or your family?" "Oh, they investigated for a long time." "Then they said "Missing, presumed dead"." "I haven't got any family." "There was only my father and me." "You mean you're here all alone?" "Where did you live before?" "All over the world." "The Philippines, Bali, Hawaii." "Anywhere there were shells." " You went to school somewhere?" " No need." "We had an encyclopedia." "I started at A when I was eight, and now I've reached T." "I bet I know a lot more things than you do." "Didn't anyone in Kingston help?" "Well, there was this man who owned the place where we were living." "He let me stay on for a while without paying." "Then one night he came up to my room..." "Well, you know." "I scratched his face, and then..." "But he was stronger than I was." "What happened after that?" "I put a black widow spider underneath his mosquito net." "A female, and they're the worst." "It took him a whole week to die." "Did I do wrong?" "Well, it wouldn't do to make a habit of it." "Do you have a woman of your own?" "Captain, quick!" "Down here." "Whatever's coming, it's coming this way." "This time I want to see it." "And hurry - there's less than 12 hours to go." "Stay where you are." "All of you." "Stay right where you are." "(engine revs up)" "OK, captain." "If that ain't a dragon, what is it?" "A dragon that runs on diesel engines." "Forget the spooks." "You take the driver." "I'll take the headlights and the tyres." "You keep safe out of sight." " I told you to stay there." " I was frightened." "Agh!" "(Honey screams)" "Come on out." "Hands where we can see 'em." "And the dame." "Quick." "Unless you want an extra navel." "Hold it." "Drop that gun." "Now kick it away from you." "The girl stays where she is." "Walk towards me, hands out in front." "Come on." "Hey, you." "Hey, you." "Where do you think you're going?" "Sorry we ain't got any flowers." "Come on, let's go." "Come on." "Come on." "Let's go." "Give me that knife." " Leave him alone." "Leave him alone." " Get out of the way." "Get inside." "Keep an eye on the man." "And be careful." "They've been in the swamp and they're contaminated." "Check their Geiger reading." " He's reading 95, chief." " She's 88." "Too much for the monitor." "Scrub them down, but quick." " Reading 72.8." " The mud's soaked into their clothes." "All right, then." "Take off all their clothes." " What's he going to do?" " Do as he says." "We're contaminated." " Do the girl first." " We give the orders around here." "That's fine, but do something about this, will you?" "Come here." "Use the high-temperature jets." "Full pressure." "68." " She's reading 47." " All right." "Put the man through." "He's now clocking 40." "Reading 38." "32." " Down to 8." " Hold the girl." "He's now 18." "He's now at 8." " Practically zero." "She's clear." " Get the man ready." " He's got a count of four." " Check his fingernails." "Put your hand in there." " He's OK." " I will notify reception they are coming." "Decontamination here." "They're coming through now." "Come in." "Come in." "Come in." "You poor dears." "We didn't know when to expect you." "First it was teatime yesterday, then dinner." "It was only half an hour ago we really knew you were on your way." "Cigarette?" "American, English, or Turkish?" "I'm Sister Rose, this is Sister Lily." "We'll make your stay as pleasant as possible." " That's most kind of you, but..." " Of course." "You want to see your rooms." "Breakfast is ordered, and then you'll want to sleep." "The doctor left orders you're not to be disturbed until this evening." "He'll be delighted if you join him for dinner." "Shall I say you will?" " Tell him I also will be delighted." " Splendid." "I know he'll be pleased." "Here we are." "This will be your room, Mr Bond." "This is your bathroom in here." "And for you, young lady... this is your room." "You'll find fresh clothes in here." "I hope they fit." "We didn't get your sizes till last night." "Don't hesitate to ring if there's anything at all you want." "Such as two air tickets to London?" "I'll leave you two dear people in peace." " Let's have some breakfast." " How can you eat at a time like this?" "Because I'm hungry and we don't know when we'll get the chance to eat again." "Take this." "(softly) Careful." "The whole place is probably wired for sound." "Have you..." "Have you any idea what they'll do with us?" "No idea." "No door handles or windows, either." " It's a prison, then." " Mink-lined with first-class service." "What's the matter?" "I don't feel so good." "I feel so sleepy." "Damn coffee." "How do you feel?" "Sleepy." " What made us pass out like that?" " The coffee." "It was drugged." "It's time for dinner." "We mustn't keep the doctor waiting." "That would never do." "You ready, Honey?" "I suppose so." "You're doing fine." "Come on." "Am I properly dressed for the occasion?" " Quite suitable." " Suitable for what?" "This way, please." "I'm glad your hands are sweating, too." "Of course I'm scared, too." "Be natural and leave all the talking to me." "In here, please." "I hope you enjoy your dinner." "(bells tinkling)" "Come and look." "Artificial light." "We could be hundreds of feet beneath the sea here." "Look at that." "Sea tulips." "They do not grow above 200ft." "One million dollars, Mr Bond." " You were wondering what it cost." " As a matter of fact I was." "Forgive my not shaking hands." "It's awkward with these." "A misfortune." "You were admiring my aquarium." "Yes." "It's quite impressive." "A unique feat of engineering, if I may say so." "I designed it myself." "The glass is convex, ten inches thick, hence the magnifying effect." "Minnows pretending they're whales." "Just like you on this island, Dr No." "It depends, Mr Bond, on which side of the glass you are." "A medium dry martini, lemon peel, shaken, not stirred." " Vodka?" " Of course." "We'll have dinner at once." "There's so much to discuss, so little time." "Dr No, you haven't done badly, considering." "A handicap is what you make of it." "I was the unwanted child of a German missionary and a Chinese girl of good family." "Yet I became treasurer of the most powerful criminal society in China." "It's rare for the Tongs to trust anyone who isn't completely Chinese." "I doubt they shall do so again." "I escaped to America with ten million of their dollars in gold." "That's how you financed this operation." "It was a good idea to use atomic power." "I'm glad you can handle it properly." "I'd hate to think your decontamination chamber wasn't effective." "My work has given me a unique knowledge of radioactivity, but not without costs, as you see." "(Bond) Yes." "Your power source had our organisation puzzled for some time." "They are still puzzled." "Not any longer." "I sent a complete report." "You've not contacted your headquarters since you requested a Geiger counter." "But there are so many files open on you already, Dr No." "Our own, the CIA's..." "The one from the Tong society that you robbed." "When trouble comes, you'll find this is a very small and naked little island." "An expendable little island, Mr Bond." "When my mission is accomplished, I destroy it and move on." "But the habit of enquiry is consistent." "You're wondering why, where, when." "I only gratify your curiosity because you're the one man capable of appreciating what I have done... and keeping it to himself." "Just a minute." "There's no point involving the girl." "She has nothing to do with us." "Let her go free." "She'll promise not to talk." " No, I'm staying with you." " I don't want you here." "I agree." "This is no place for the girl." "Take her away." "No..." " No..." " I'm sure the guards will amuse her." "Let me go!" "That's a Dom Pérignon '55." "It would be a pity to break it." "I prefer the '53 myself." "Clumsy effort, Mr Bond." "You disappoint me." "I'm not a fool, so please do not treat me as one." "And that table knife, please put it back." "We can't all be geniuses, can we?" "Does the toppling of American missiles really compensate for having no hands?" "Missiles are the first step to prove our power." "Our power?" "Your disregard for human life means you must be working for the East." "East, West - just points of the compass, each as stupid as the other." " I'm a member of SPECTRE." " SPECTRE?" "Special Executive for Counterintelligence, Terrorism, Revenge, Extortion." "The four cornerstones of power, headed by the greatest brains in the world." "Correction." "Criminal brains." "The successful criminal brain is always superior." "It has to be." "Why become criminal?" "The West would welcome a scientist of your calibre." "The Americans are fools." "They refused my services." "So did the East." "Now they can both pay for their mistake." "World domination." "That same old dream." "Our asylums are full of people who think they're Napoleon or God." "You persist in trying to provoke me." "I could've had you killed in the swamp." "And why didn't you?" "I thought you less stupid." "Usually, when a man gets in my way..." "But you were different." "You cost me time, money, effort." "You damaged my organisation, and my pride." "I was curious to see what you were like." "I thought there might be a place for you with SPECTRE." "I'm flattered." "I'd prefer the revenge department." "Of course, my first job would be finding the killer of Strangways and Quarrel." "Unfortunately I misjudged you." "You are just a stupid policeman... whose luck has run out." "They're waiting for you in the control room, Dr No." "No hurry." "They won't have started their countdown check yet." "You won't get away with it this time." "The Americans are prepared for trouble." "I never fail, Mr Bond." " What do we do with him?" " Soften him up." "I haven't finished yet." "(slapping and punching)" "(rumbling)" "(door opens)" "Have you got new fuel elements loaded?" "All ready, sir." "The roadblock is about 3,000 feet away." "Everyone in that area is pulled back." "No traffic allowed." "The launch area is completely cleared for safety..." "The vehicle is now at its full weight of 240 tons." "All the automatic transistors have been put onto the vehicle." "We will run up to half power for 30 seconds." "Control interlocks free." "Fuel elements 12.5." "Control?" "Control rod actuators operating." "Core temperature 113." " Converters?" " Standing by." "Ignition heaters on." " Radiation?" " Counters 121, 141, 109." " Energy stabilisers?" " Energy steady at.8 megawatts." "Tracking stations are plugged into the control centre at Cape Canaveral." "Fuel elements?" "Fuel elements." "Where's Chang?" "Chang, what are you doing there?" "Get on the gantry." "Hurry." " Shut down." " Shut down reactor." "This is Mercury Control." "The countdown for the MV..." "Reactor shutdown, temperature 227, falling." " Converters off." " Converters off." " Radiation reading." " Radiation zero." "Shutdown procedure complete." "Reactor safe." "Stand by." "This is Mercury Control." "The check indicates all systems are go at this time." "The countdown is now four minutes, 30 seconds and counting." "This is Mercury Control." "The spacecraft pilot, the launch, the tracking crew in case of emergency, and now even the weatherman, have given us the word go." "Remain on standby." "Approximately two minutes to go." "Control rod actuators standing by." "Converters standing by." "Synchronise radio beam for toppling." "Synchronising radio beam for toppling." "Radio beam synchronised for toppling." "Zeroed on the rocket now." "We will now stay on Mercury Spacecraft Control..." "Stand by." "Run to full power." "Fuel elements 21." "Attention all controls." "Going into operation now." "The umbilical is retracted." "All elements of progress and operation have reported they are in good condition." "We're at T minus 19 seconds and counting." "T minus 15..." "Ten, nine, eight, seven..." "Agh!" "Shut down, you fools." "It's running wild." "Shut down." "... two, one, zero." "(klaxon)" "Liftoff!" "It's a very hot rocket." "You can see the flame of it against the grey of the cumulus." "Up in the sunlight, beginning to gleam." "A very good, steady climb..." "All systems go!" "Go!" "Go!" "Honey!" "Honey!" "Honey!" " Where's the girl I came in with?" " I don't know." "Where's the girl they brought in with me?" " Number twelve." " Show me." "We've run out of fuel." "What are we going to do now?" " Well, we can swim, or..." " Or what?" "Come here." "Ahoy, Mr Bond." "Ahoy, Mr Bond." "Well, well." "What's the matter?" "Do you need help?" " I'm quite sure you don't." " Now that you're here, give us a tow." "Throw us your line." "(# "Underneath the Mango Tree")" "Subtitles by Visiontext"