"Ok, action!" "Where's the camera?" "Four, take one." "Action" "Sweetheart, I have to tell you something." "I'm pregnant to someone else." "I'm sorry." "I'll have it removed." "No, don't kiss me!" "I've told you twenty times." "You walk away or you say the lines." "What lines?" "What do you say when it's not him?" "What lines, about what?" "I want to talk to Waldo." "I'm not working if Waldo isn't here." "What is this nonsense?" "I'm not working anymore." "No, I'm not doing it." "He can't do it." "Good morning, Mr Waldo." "Hey, Horatio." "There was a phone call for you." "The production office need to talk to you urgently." "Tell them I'll call them right back." "I already did." "Is my wife awake downstairs?" "I haven't been downstairs yet, but I'll have a look." "Ok, thanks." "Dear Carmen." "This is my last letter to you." "Shooting has already started, but we're still working on the money." "That's why I spend more time at the production office than on the set." "You're now our last hope." "If you want to play the main part in The Night of the Wild Donkeys... the German coproducer will join in and the production will be saved." "The first scenes with you are planned for tomorrow or the day after." "Making this movie is very important, also for me personally." "I cannot express in writing how much this story means to me." "Come quickly." "Your loving Waldo van Romondt." "Can I talk to Waldo?" "Come." "He's not doing it again." "He's not doing it!" "I have to tell you something about..." "I'm pregnant to someone else." "I'll have it removed for you." "The elevator goes here, but that's going to take some time." "This is a private room." "Waldo, my new secretary." "Hello, I'm Margreet Bos." "I'll be right there." "This will be your office." "This is a one way mirror." "So you can always see what I'm doing inside." "There's a mirror on the other side?" "Yes." "I'll go to work." "Yes, ok." "You brought her." "How nice." "What's her name?" "Phoebe." "Special." "She's very tired." "Do you think she's hungry?" "I don't have that much anymore." "Can I see her?" "I bet she looks a lot like you." "Yes." "She's so beautiful." "Yes." "Maybe she has to pee." "It's a violin." "No, that's Phoebe." "It's made of wood!" "It's Phoebe!" "It's Phoebe." "Come, cry." "I'm so tired." "That's good, cry." "I'm so tired." "That generates negative energy with my colleagues." "That's why I thought of a stand-in." "I know one, so it shouldn't be a problem." "What do you want to do then?" "My cousin is a good stuntman." "You want..." "The good thing is he looks like me." "But what's the problem?" "Is it Mathilde?" "I can't talk to her, let alone think with her." "I have to achieve intimacy with that woman." "In my hands that woman turns into an ice cube." "And that's being positive." "This is the most complicated movie I've ever made." "John Bob, I really have to leave today." "Wait a moment, I'm working here." "I'm trying to fix scene 25." "I just wanted to ask..." "Maureen... did you hear?" "She sounded excellent." "She filled the space really well." "It's fine." "As easy as that." "Please take it away for me, otherwise I'll be stuck with it." "If I'd never met Mathilde De Wilde..." "Waldo, don't be so stubborn." "She's much better." "She's not better at all!" "She didn't go to acting school and she can't act." "She's not better at all!" "You're not an asshole!" "You have to take it away now!" "Listen, the script sucks." "I told you we'll change it." "The script does suck." "It will all be alright." "We'll discuss it later." "It doesn't matter to me how we'll do it." "Mathilde De Wilde!" "As long as we do it in colour." "What's this talk about colour?" "I've got something important." "Carmen Helman called." "She just arrived at the station." "Let's go there." "How are you?" "Still the same." "Are you in too?" "I don't know yet." "It's a good script." "Is it?" "Some people can't stop nagging." "Did you see Mathilde De Wilde?" "She keeps saying that the script sucks." "Look at that face of hers..." "You're a bit late." "Dear mum, we've started filming." "I'm quite worried." "This is the fourth time I'll be working with Waldo." "It never was such chaos before." "There are money problems and they still have to find a bankable actress." "I don't know what's wrong with Waldo." "He's impossible to talk to or work with." "I'll try to make the best of it." "I have a soft spot for him." "I hope you'll still get this letter in Bangkok." "I'll send the next one to Jakarta." "WHOLESALE BUTCHER MEAT MARKET" "What is this nonsense?" "I'll try one more time." "I'll make a phone call." "This is ridiculous, Marouska." "It's nonsense." "Fuck, fuck, fuck, a Dutch movie!" "Carmen, welcome from the bottom of my heart!" "Waldo, after all these letters." "How lovely to see you." "Wonderful to work with you." "It'll be a great movie." "First let me say the script has very good elements." "For instance, the cutting in half of that invoice on page 37a." "Very nice, really." "But, overall, we have a big problem with the script." "What do you think of it yourself?" "It's low budget, right?" "Low budget can never be an excuse to write a bad script." "It doesn't cost more time to think of something good than something bad." "Credibility, for instance." "It's very unlikely that Oliver, who's unemployed... gets up at 6 am, fucks the neighbour and then goes fishing... in the city park, with the wrong fishing rod." "One of the members of the committee said right away that the rod was wrong." "Especially the reel." "These are things you have to pay attention to." "A script is all about preparation." "For instance, to establish the rivalry between two brothers... you could create a scene before the titles that shows them as little boys... at the beach and one of them hurts the other one with a little shovel." "That establishes the hatred between the boys for the entire movie." "Think about these things and work on them." "We also regret that, as a committee, we're not that interested in donkeys." "Don't hold it against us, but if you're fascinated with donkeys... then we have to be able to relate to that as we read the script." "It has to jump off the pages, so to speak." "So far, we don't have that." "You have to work on that too." "Right now, it doesn't come across." "I also think it's all very symbolic." "But what would we be without symbols, Mr Slokker." "I've heard that before." "That's what I mean." "That's what you mean." "But can you tell me in a few words what the whole movie's about?" "If we could say it in a few words, we wouldn't need to make a movie." "You're trying to judge an unfinished script." "You know you can't judge a movie like that." "These are just a few words on paper." "It's an unfinished scenario." "This is not the movie." "But we're talking about a lot of money." "I'd like to play a small role for that money." "That can be discussed, of course." "Mr Slokker, you're behaving like a pianist who starts playing... the trumpet on a violin." "Mr De Boer, the question isn't who plays which instrument well or not well." "We're judging a script here." "A rather poor script." "Poor script?" "You're trashing a project with a lot of potential!" "You're trying to ruin it." "This movie is already almost..." "Poor script?" "What are you talking about?" "The Night of the Wild Donkeys." "The title alone!" "I didn't even have to write a scenario." "This movie is about metaphysical evil." "I'd only have to write the title on an envelope to get funding." "Yes, your son is waiting at the day-care centre." "How is that possible?" "Mr Slokker, can I nevertheless invite you to a drink tonight... in honour of our actress Carmen Helman, who just arrived?" "From a professional perspective, I never say no to a drink." "Alright, see you tonight, Jan." "Hi mum, it's me again, with another letter." "The Lower European Film Fund has given a negative advice." "I was really sorry for Waldo." "Patrick keeps nagging about a stand-in." "A few days ago, I answered the phone." "It was Waldo's wife, asking for Patrick." "Question mark, question mark." "I won't tell Waldo." "Or should I?" "I don't know." "It's so difficult." "We need double glass here." "And keep the stained glass intact." "I want to keep the ceilings original." "I want heavy, grey, draping curtains." "As you wish, madam." "Autumn... again." "What did you want for this wall?" "The house is so big." "So empty." "Madam?" "See if there's good wood under the paint." "Let's hang the Van Dongen here." "Fine." "And get those wall sockets out of view." "I'm afraid." "I'm afraid to look." "And this side?" "Here, I want the walnut buffet." "And Klaas Gubbels' coffee pot above it." "I'll leave you alone now, Horatio." "Yes." "Autumn used to mean expectation, energy." "These past two years with Waldo, it has meant coldness." "Where is Waldo?" "What is he doing?" "The move should have been our new beginning." "I thought everything was going to change." "Sometimes, his body is here." "His mind never is." "Waldo doesn't live with me." "He lives in his tent and in his film." "Tell me you'll do everything I want." "Tell me you'll do everything I want." "I'll do everything, everything you want." "I'll do everything." "Joanna!" "The movie's about two brothers." "But you're the main part." "The brothers hate each other badly, but they're both in love with you." "They're both very different." "You're like a time bomb in between them." "They change because of you." "You're really the main part." "The movie's about you." "Seeing you gives me ideas that make me want to rewrite everything." "We have to stay in touch and make sure we agree." "You'd be perfect for the main part." "I really like the idea." "I'm really happy I met you, otherwise this night would have been a failure." "Someone must have a cigarette." "I've got tobacco if you want." "I can roll one for you." "Oh, I'm still going." "Oh, you're still going." "Moneywise the movie's all set." "I have some contacts." "I have some influence." "Now I can write the role of the femme fatale specifically for you." "This is a great evening." "Two brothers..." "It's hot here." "That's because of the glow of creative inspiration that you give me." "You're the perfect main part for the movie." "That's all I can say." "We have to have a good talk." "I already wrote some scenes." "Now that I've seen you, the movie will be a masterpiece." "Sorry, you must know more people than me here." "Yes, there are more people." "I don't want to hold you too long." "But I'm glad we met." "That movie will be it." "I'll quit fund raising." "That's just a side thing." "We're going to make the ultimate movie in the Netherlands." "Is that someone you want to talk to?" "I don't want to hold you." "No, I really have to..." "Just... just..." "We'll see each other later." "Can I have a moment of silence?" "Tomorrow, we'll start shooting our black and white movie..." "The Night of the Wild Donkeys." "Released by The Flying Dutchman Productions." "I'm very glad you're all here." "I see many familiar faces." "Huub, Gert-Jan, Herbert, et cetera." "I'd like to introduce the crew to you." "There is Mathilde Vanessen, one of our first ladies." "Unfortunately, Patrick Delprado is absent." "He'll start shooting tomorrow." "There's John Bob, our English production manager." "Waldo Van Rosman, our director." "And Laurens Lang, our German coproducer." "And last but not least, there's our first lady, Carmen Helman." "I'm very glad you're here." "Carmen Herman!" "Ladies and gentlemen, Carmen Herman!" "A warm welcome for our Carmen Herman!" "I don't deserve all this, of course." "I'm touched." "I hope we'll make a fantastic movie together." "I hope it'll be a movie for eternity..." "maybe that's going a bit far." "Let's just say "Bonne chance"!" "Can I say something too?" "I want to say something too." "I have sent about 360 pages worth of letters to Carmen in Brussels." "I told her everything about the part... during many nights when I couldn't wait to make this movie." "I saw her in the movie The Laughing Mountain by Chu Wang." "I saw that movie six times." "I'd never heard of her." "She lived in Brussels." "She studied in Antwerp." "I'd never heard of her and I've seen that movie six times." "From that time onward, I knew I wanted to make a movie with her." "She still hasn't told me how she ended up in a Chinese movie." "I'm very happy that tomorrow we'll start shooting this movie... in which Carmen Helman plays the main part besides..." "Mathilde Vanessen and Patrick Delprado." "I wish us all a lot of success." "A few people are very noticeably absent." "As John Bob always says..." "Right, Mathilde is all over everybody." "She'll do anything to make her part bigger." "I wonder if she has any limits." "I don't trust that Laurens Lang at all." "He's more interested in Carmen than in financing the movie." "Patrick isn't here and neither is Joanna." "Vincent isn't here either." "I knew it." "He may be blind but he sees everything." "He hates parties like this." "He says they're not about movies, but about whoring." "Mathilde's at it." "Ellen De Boer, the producer's wife is absent." "Says she couldn't find a baby sitter." "She hates Mathilde and wants to get her out of the movie." "It'll be an interesting letter tomorrow." "Waldo, I wanted to talk to you in private." "Don't you want to..." "No, I don't!" "I want to talk to you in private." "Don't touch me!" "There is so much I want to say." "I want to hurt him, love him... without any ulterior motive, but I can't do anything." "Total paralysis." "Dear Joanna, after our ridiculous scene of last night..." "I don't know how to reach you anymore." "I think you're trying to use this move to get rid of me." "That's bad timing for me, at the start of a new production, Joanna." "That's why I'm telling you that I'll continue to live in my attic tent... until filming has finished and I can get installed in this new house." "I still love you a lot." "Waldo." "Mr Steinebach, we're going to start all over again." "Let's start with the house of your parents, the living room." "You're in the living room and you smell your fathers cigars." "What's your earliest memory?" "Alright, something else." "I say a word and you tell me the first word you think of." "I might say "horse" and you say "rider"." "There we go." "Hat..." "Shoe..." "Pen..." "Bold, eye, lamb, radio, TV, farm." "You don't have to be afraid." "I won't bite." "You come here every afternoon, at 2 o'clock sharp." "You pay your bills." "Why don't you talk?" "You have to help me." "Could you excuse me for a moment?" "Waldo, Waldo, Waldo!" "Why couldn't I talk to you last night?" "Is this what they call countertransference?" "Beautiful." "Defence mechanisms." "Denial, projection, sublimation, overcompensation." "This Mr Steinebach is my most interesting case." "What if I told him I can see him?" "Well." "Are you alright?" "Could you sing a song for me?" "I'll help." "We'll sing a song everybody knows." "Short-jacket is ill all week, all week long, except on..." "Isn't the weather nice today?" "What's your name again?" "What's your name?" "Guys, let's prepare the scene." "Patrick... you know each other." "Patrick Delpradó." "Delprádo." "Let's prepare the scene." "And who pays him?" "Don't be vulgar." "I'm here, ain't I?" "And that helps." "Listen, Oliver..." "You may be a smart guy, but you have no specific talent!" "But..." "God Almighty, Waldo!" "What is this, Waldo?" "I mean..." "Concentration." "I understand." "It could happen to anyone." "We'll just continue." "One more time." "One more time." "Come on, Waldo, let's continue." "Can we repeat... sorry." "Yes." "Ok!" "And who pays him?" "Don't be vulgar." "I'm here, ain't I?" "And that helps." "Listen Oliver, you're a smart guy." "But you have no specific talent." "Yes, but..." "Oh shit, sorry." "God Almighty!" "Waldo, I can't work like this!" "What is this?" "Do something about it." "I think it's caused by the money." "Give him 5 less." "Can't it be American money?" "Since when do you pay for cocaine?" "Let's try again." "But is it true that the emphasis is on the cocaine?" "I don't..." "We'll just try again, Patrick." "We'll get it right this time." "It's alright." "You're doing very well." "Camera!" "Sound!" "But who pays him?" "Don't be so vulgar." "I'm here, ain't I?" "And that helps." "What's that sound?" "Over there." "We're shooting a movie here, man!" "You're making noise." "You're making noise!" "I have to go." "What is this about?" "What is this about?" "And who pays him?" "Listen you're a very smart guy." "We have to kiss." "Alright, that was change number 42." "No, 43." "We're at 44." "Ok, now we get number 44." "Carmen can't walk through tall grass on high heels." "She's working on a sauce in the kitchen." "She's focusing on the sauce." "In the meantime, she talks to Patrick." "No, she won't work with Patrick." "Ok, then she can put everything in the sauce." "She's a passionate woman, isn't she?" "Alright, that's change number 44." "Carmen's cooking in the kitchen." "Carmen's cooking in the kitchen?" "Yes, Carmen's cooking in the kitchen." "Change number 44." "You don't understand." "I've asked you to change something, but not like this." "What's wrong with the change?" "I've thought about it." "She's a passionate woman." "I'm the scenario writer!" "And I'm the producer!" "Laurens!" "I can't wear this." "Get rid of that nonsense." "We're shooting in colour." "What colour?" "About the role..." "It's a role that can only be played by actress Carmen Helman." "I don't want to be on the set before 12 o'clock." "Did you hear that?" "Not before 12 o'clock." "When I saw The Laughing Mountain, I knew I wanted you as the actress." "And that's why the movie has to be in black and white." "What the movie's about..." "I'd like a masseur every evening." "Of course, a masseur." "Waldo, I found this in my dressing room." "I can handle that other woman." "They're throwing my things out..." "Shut up for a moment." "She goes or I go." "'Fuck' is the only thing they understand." "A bodyguard?" "She'll get a bodyguard." "We can't have this." "They have to leave." "I don't want anyone touching my girls." "Who does that?" "Patrick's touching my girls." "Patrick?" "I don't want him near me." "I'd like to talk to you." "Patrick Delgado." "That sounds like Robert De Niro." "I'm not available for anyone for the next half hour." "This is the new version of the script." "You need to read it." "I had to get you out of there, because I really want to know what it's about." "What do you want to know, Carmen." "What is the role?" "The role..." "The role is..." "Waldo?" "I can't..." "This is the bill of the sauna." "It's a bit expensive: 450 guilders." "I can't pay for it." "I'll pay it later." "Do you have the money now?" "No, I'll give it to you later." "I need the money now." "I'll be with you soon." "This will be my security." "The role..." "I need you to play the role." "Because that's the only way I can express to Joanna, my wife... what I want to tell her." "I love her, but I can't reach her." "And you, Carmen Helman..." "So it's about your wife and you." "Of course." "Every filmmaker tries to express something... that's on the surface, but below there's a personal essence." "It's like breathing." "I have to make some phone calls, but I want to talk more about this." "I'd love to." "Phone call for Waldo." "I have a problem." "I'm a working woman... rich... successful... and I'm very beautiful." "According to social conventions, everything's fine." "There's one small problem." "My husband and I have a very twisted sexual relationship." "Sometimes I secretly go out at night." "I'll get dressed up." "And I look for strange men to satisfy my sexual needs." "The other day I found a video tape of my husband." "With all kinds of pornographic fragments." "That shocked me, but what shocked me even more, was that it turned me on." "I think I understand what kind of video tape you're talking about." "What do you want from me?" "I play a part in The Night of the Wild Donkeys." "That role's getting smaller and smaller." "And you think I can convince Waldo to make it bigger?" "We haven't talked to each other for more than two years." "Waldo loves you." "Alright." "If I can do that, you'll disappear from our lives." "His scent, his muscles, his hands, his dick..." "When I feel his tongue in my mouth, everything in me surrenders." "It feels as if I'm all fluid." "I'm like wax in his hands." "Carmen, I brought this book by Georges Bataille for you." "The Tears of Eros." "This inspired me to make The Night of the Wild Donkeys." "I was sold after reading the first sentence of the preface." "Slowly we grasp the relationship between eroticism and morals." "That's the role." "Waldo, if I'm honest about that role..." "Why don't you tell the whole story like an autobiography?" "It's autobiographic, isn't it?" "Yes, but it's also fiction." "Everything is also fiction, do you understand?" "I think the story is about a severely inhibited man... who has a confusing relationship with a vague woman... and that's my role." "A man who talks a lot to get over his own fears." "The man's got inhibitions." "A fear of relationship, a fear of sex." "Of sex?" "I have no fears or inhibitions." "I have dreams about good roles, big roles." "That you can play in your own life." "How can I say it then?" "To me, sex is just playing another role." "Sex is like the first cup of coffee." "It's refreshing, addictive and very necessary." "If the coffee has been prepared with love and dedication... it'll be good and will taste like something." "But why make an entire movie about that?" "Why don't we forget about it?" "You play your role, I play my role." "We'll let it all be." "Why don't you come drink an Irish coffee in my room." "No script, no fiction." "You play your role." "I play my role." "No fiction, except our own fiction." "Carmen, you take the words out of my mouth!" "You're the actress of my dreams." "Yes, I thought as much." "Crazy man." "I'll punish you, beautiful lion." "I'm so going to punish you." "I'm going to enjoy you." "Hurts, doesn't it?" "I'm going to punish you." "I'm going to bite you." "No!" "No!" "No!" "I don't want it!" "No!" "That's every moviemaker's dream." "To spend the night with the leading lady." "Every moviemaker's dream." "Can I take a picture of you?" "A what?" "A picture?" "I've got a black and white film." "A picture, don't be silly!" "Are you going to take a picture?" "Strange that I could reach such intimacy with Carmen in two days' time... but I haven't had a night like this with Joanna, my wife, for two years." "Yes, here it is." "Wait a moment!" "Did you want a picture?" "How do you want me?" "Fantastic." "With your hand like that." "Like this?" "With this armpit hair?" "Fantastic." "Damn it!" "Damn it!" "I only had one picture." "We don't need a picture, do we?" "Do you know what is the dream of every diva?" "Of every movie actress?" "To rock her director like a little baby." "Joanna!" "The movie's in danger and we'll have to take some decisions today." "I think Mathilde's presence is the problem." "I don't agree with it." "Let's all keep it short at this meeting, which could be one of the last." "Of course." "No problem." "Can someone answer that phone?" "I'm going to try and speak Dutch." "I've learnt that." "I can speak it a bit." "The film can only be made if a bankable actress plays the main part." "We have that actress in Carmen Helman." "The script should be adapted to her." "The rest doesn't matter to me." "We also have to shoot in colour." "Otherwise, I'll withdraw myself." "Waldo." "Dear Waldo, listen." "I'm not an asshole." "And you're not an asshole." "But I think, I think... that we have to be able to continue talking." "Either Mathilde goes or the movie's ruined." "Why does Mathilde have to be kicked out of the movie?" "She's not bankable." "We already have a bankable actress!" "Unbankable!" "It doesn't matter whether Mathilde's in it or not." "The question is if Carmen can play a substantial, interesting role." "And that we shoot in colour." "Vincent, you'd work on a few problem spots." "I've removed all the problem spots." "I have no more problems." "You guys have problems." "This isn't the problem of the scenario writer." "166 changes is more than enough." "We can discuss everything, except Mathilde." "This is a very unpleasant interruption of this very important meeting... but I have a very important announcement, Waldo." "I want to go out for dinner with you." "I'd love that." "I'm getting fed up." "I'm a professional actress." "And I've had enough of this amateurism." "I want to discuss the role with you." "So I'll see you tonight." "Where shall we go?" "I'll pick you up at 7.30." "What about the Japanese?" "We'll be sitting a bit low... but our conversation will be uplifting." "Darling, I'll be there too." "See you tonight." "What's wrong with that phone?" "I'll go to the European Film Fund and I'll talk to Mr Slokker." "And that will be it." "If we don't do it my way..." "You can't allow that." "He has a minority share in the movie." "Always this bullshit in Europe." "I'm going to Hollywood." "Ok, guys, your opinions again for the minutes." "What do you think of this script?" "What do you think?" "I think it's absolutely nothing." "I agree with him." "It's fake experimental." "So we'll reject it." "So we agree on that." "Can we hurry?" "I have an appointment." "That's a shameful decision." "Who are you?" "Who I am?" "I'm Laurens Lang." "My grandfather is Fritz Lang." "And we want to know now whether we'll get money or not." "Subsidy!" "You won't get any money from our committee." "I don't talk to someone who can't afford a hairdresser." "What's wrong?" "Sorry... sorry." "It's over." "I'll become an ice master in Friesland." "Oh well." "What a job, filmmaker." "The wife of the producer wants to replace natural talent..." "Mathilde de Wilde with trained actress Maureen Schwarzenegger... who speaks English, for crying out loud." "The German coproducer is more interested in the main lead than in the movie." "The subsidy's not been granted and last but not least... the director's marriage is about to fall apart." "What a job." "Dear friends..." "This is a very special day." "We're finally sure that we can make this movie." "My dear friends..." "It's also a special day because it's a movie that's all about Carmen." "Come here, darling." "I've decided... to sponsor this movie, as you say in Dutch... with the entire family capital of my grandfather, Fritz Lang." "Today we all have a day off!" "Excuse me, can I ask you something?" "Quite different." "A dress to match." "I know I said next week, but I need it tomorrow." "The planning has changed." "I need it tomorrow at 10." "Yes, what I chose yesterday." "Hey, mom!" "Where are you?" "I don't want to be Joanna." "I want to be free from everything I am or seem to be." "Who would I have been if I had been born in a Brazilian slum?" "Would I feel more if I didn't always feel that I'm not allowed to feel?" "Would I be able to really cry?" "I want to know what's happening in the bowels of the city... while I'm behind my desk." "I want to be part of that." "I want men to look at me." "And lust after me." "Yes, really." "Do you know this outfit?" "Do you know this suit?" "Yes, I do." "Have you had a good look at it?" "I'm wearing the suit that my grandfather Fritz always wore." "Ah, Fritz." "We're in this movie with all your and my interests." "And I think it'll be a very good one." "But I want more with you." "I want more with you in the sense that..." "It's so beautiful here." "I don't understand." "I really look forward to tomorrow." "I want you to become a singer." "A singer." "A singer?" "I want to introduce you as a singer." "That's fun." "We'll create a project with you as a singer and you'll be able to play... the most romantic scenes with anybody you want." "I'll invite..." "When did you want to do that?" "In the next 2 years, 3 years, 5 years." "Listen to me." "I want 5 years with you." "I want more than five years with you." "I want to be with you for 7 years!" "I'll make you a singer who is so big, so good..." "And I love you very much." "Listen." "Wait." "I can't wait!" "I don't want to wait any longer." "Laurens!" "Listen." "You're ruining everything!" "You're ruining everything." "This is useless." "Why would you risk the good relationship we have?" "We can still do many beautiful projects." "Excuse me." "I want to marry you." "I'm not a woman to marry." "It's now or never for us." "We're in this movie together." "I've always loved you." "Listen, I have enough lovers." "What do you mean?" "I have good lovers, Laurens." "I'm sorry." "I won't have anything to do with this." "What do you mean 'lovers'?" "I thought you were a pure woman." "I thought you were a woman for me." "I don't understand!" "Stop it." "All men are the same." "I don't want it!" "What does that mean?" "What do you want from me?" "I already told you." "I want to have a career." "But I don't know if I want it anymore." "What?" "I don't want it anymore." "What do you mean?" "You're history." "It's over with you!" "But why?" "Over!" "Finished!" "I don't want to see you anymore." "Patrick." "Patrick, man, beast, where are you?" "This place is so disgustingly, wonderfully decadent." "Can anyone see who I am?" "Who do you think I am, John Bob?" "Blonde, voluptuous, hot, that's me." "That bore Joanna?" "Never!" "And where's Waldo?" "I'm your wife, Waldo." "You can take me." "Feel, touch, it's not me." "Nobody recognizes me." "I'm free." "My hips, my breasts, my breathing." "I'm Marilyn Monroe, Brigitte Bardot." "I'm all women, Waldo." "You'd think I was a patient." "How would I treat this case?" "Keep your hands off Marou." "Hello, honey." "Mathilde?" "I think Mathilde's role is a bit too small." "It should be improved a bit." "Waldo told me to work on Carmen's role, so I did that." "I don't think Carmen looks as good as I do." "Oh?" "Did you ever feel me?" "Not bad, but I don't know if a scenario writer..." "Quite inspiring, actually." "I have an idea for a scene." "A scene." "Two of my girls, myself and one man." "Two girls and a man." "That could be a very good idea." "Maybe I can work on that." "Three ladies and a gentleman." "Don't do that." "You're so easily seduced." "No, this is my work." "What do you mean, Laurens Lang pulled out?" "He's leaving the production." "Oh, my God." "I'll call you." "Come here." "You deserve to be punished." "On your knees." "Ask for forgiveness." "Forgive me." "Forgive me!" "Forgive me!" "Look at me." "I'm going to hit you." "Fetch!" "On your knees." "Repeat after me." "I'm a whore." "I'm a whore." "I'm a slut." "I'm a slut." "I'm a piece of garbage." "I'm a piece of garbage." "I'm a slut, I'm a whore, I'm a piece of garbage." "I'm sorry, darling, but I have to tell you something." "I'm pregnant to someone else." "But I'll have it removed for you." "I love you." "You have to stay with me." "I love you." "Bloody hell, he doesn't give anything back!" "I can't work like this." "I won't do it." "What?" "Sound isn't working?" "Doesn't matter." "We'll keep going." "We'll dub it afterwards." "Keep going." "I'm not a director." "I think what you were doing, was very good." "One more time." "Do anything you want, anything." "Do it." "Just do it." "Honey, I love you." "I have to tell you something." "I'm pregnant." "I'm having someone else's baby, but..." "I want to have it removed for you." "Well, go ahead." "I love you." "I always want to be with you." "I don't really like this scene." "Let's get rid of it, alright?" "Yes, alright." "Ok, stop." "We'll have a short break." "I don't think it's a good idea to go there." "I have to see it." "No, this way." "I have to see it." "You know how long I worked on it." "I spent 4 girlfriends writing that text." "It's got to be enough." "It's up to you." "I can't hear anything." "I want you to know." "You have to know." "I'd want 10." "This is scene 486." "That's what it should be." "Be careful." "You're destroying my text." "I won't take it anymore." "I'm resigning." "I changed it 265 times and you're still creating your own text!" "What's going on?" "Get lost!" "Shit, man!" "Bitch!" "Darling, I love you." "I want the baby removed." "I swear." "Bunch of assholes!" "I don't want to have anything to do with it anymore." "Bunch of incestuous ass lickers." "Let them lick each other's asses." "Ass-lickers." "I'm not part of those whores." "I'm not a whore." "Here." "Burn it." "Burn it!" "Has it been burnt?" "Yes." "You're leaving." "It's finished, isn't it?" "I want to see you." "I'm sorry." "I'm pregnant to someone else." "But I'll have it removed." "I'll have it removed for you." "Darling, I love you." "Stay with me." "What am I doing here?" "I've done this scene five times." "The role isn't getting bigger." "It's repeating itself." "It's a mess." "The clothes suck." "Everybody's fucking each other." "Hi, mum." "The question is whether the movie will be finished or not." "I'm exhausted." "It's all only getting worse." "Patrick's gone." "He forgets his lines and now he forgot in which movie he is." "Because he's in another production, where he gets paid well." "Someone's taking over his part." "It's so bad you almost have to laugh." "Mathilde has run off again." "Can someone give her different lines?" "I can't listen to it anymore." "Mum, forgive my complaining." "I'll try to cheer up." "Waldo, open up." "I don't want to talk to you!" "We'll continue, but without Mathilde, alright?" "See?" "I don't want to talk to you!" "Now I want to talk to you!" "I want to talk to you!" "I want to talk to you!" "Maureen Schwarzenegger, fantastic to see you." "Now I don't want to talk to you anymore!" "We don't know that yet." "There's no result yet." "If you call back tomorrow, we'll know more." "Bye." "Sorry." "I'm not related to Fritz Lang." "I'm not even German." "I know, you make too many mistakes." "All the money's gone." "I wanted you to become big." "Now what?" "Now I disappear." "For a moment, I was a Dutch producer." "This is the first time that I started a movie... that I won't finish in time." "And you know what?" "I don't care." "Carmen, you gave me something that I never understood from Joanna." "You know what?" "For me, this is the first time that the performance wasn't important." "Whether this film was going to be made or not... it was enough for me." "It was for me." "Hi mum." "Well, that was that." "John Bob was fed up and went back to England." "I'm still here to wrap up the set." "I'd better look for a new job." "Waldo's working on a new script but I don't know." "Let me know where you are." "I might join you." "Love, Marouska." "My marriage has been saved." "The movie's lost." "Maybe The Night of the Wild Donkeys wasn't a good title." "Maybe Jan Slokker was right." "But nothing will stop me." "I've started a new scenario, titled Revelations of an Insomniac." "To avoid any problem with main leads..." "I've decided to play the main part myself." "I'll be playing opposite the very talented Mathilde De Wilde." "Alright, Mathilde." "What time will you leave?" "Have a good trip." "Bye." "On your knees." "I'm going to kiss you." "Shall we get a dog?" "Yes!" "A parrot?" "That too!" "A canary!" "Yes!" "A child." "Oh Waldo." "Two children." "Ten children." "Joanna!" "Joanna!" "Life's an absurd wound." "Life is a tango." "Good morning, sir." "And madam." "Horatio..."