"[tapping]" "[sighs]" "SO HOW IS THIS SUPPOSED TO WORK?" "YOU SIT." "I SIT." "WE TALK." "ABOUT WHAT?" "ABOUT WHATEVER YOU WANT." "YOU WANT ME TO WHINE ABOUT MY MOTHER?" "DO YOU WANT TO WHINE ABOUT YOUR MOTHER?" "I CAN TELL YOU ABOUT THE TIME I WAS FIVE AND MY GOLDFISH DIED." "IF THAT'S WHERE YOU'D LIKE TO START." "I'VE HAD A BILLION THINGS HAPPEN TO ME IN MY LIFE." "HOW AM I SUPPOSED TO KNOW WHICH ONES ARE RELEVANT?" "AS FAR AS I'M CONCERNED, THEY'RE ALL RELEVANT." "WELL, WE BETTER GET MOVING," "'CAUSE THIS SESSION COULD TAKE 50 YEARS." "YES, YOU ARE THE SUM" "OF EVERYTHING THAT'S HAPPENED TO YOU." "AND, YES, SOME EVENTS ARE MORE RELEVANT THAN OTHERS." "BUT, UH, THE ONLY WAY WE CAN FIGURE OUT WHICH ONES ARE" "IS TO TALK." "SO TELL ME," "WHAT'S ON YOUR MIND?" "WHAT DO YOU WANT?" "I WANT TO GET BETTER..." "WHATEVER THE HELL THAT MEANS." "I'M SICK OF BEING MISERABLE." "SO YOU'D LIKE TO BE HAPPY?" "AGAIN WITH THE REFLECTING-- YES, I'D LIKE TO BE HAPPY." "BEING HAPPY IS AN EXCELLENT GOAL." "NOT MANY PATIENTS CAN CRYSTALLIZE" "EXACTLY WHAT THEY'RE HOPING TO GET OUT OF THIS." "WELL, BULLY FOR ME." "SO NOW ALL WE HAVE TO DO" "IS FIGURE OUT HOW TO GET YOU FROM HERE TO HAPPY." "SSRIs?" "THAT'S YOUR GENIUS TECHNIQUE?" "I DON'T THINK WE SHOULD IGNORE ANY TOOLS THAT CAN HELP." "I KNOW YOU DON'T HAVE A PROBLEM TAKING DRUGS." "FOR MY LEG, FOR PAIN." "WELL, THINK OF THIS AS BEING FOR PSYCHIC PAIN." "[water pouring]" "I DON'T WANT TO CHANGE WHO I AM." "MISERABLE?" "DO YOU THINK THAT BY TAKING MEDS" "YOU'LL LOSE YOUR EDGE," "STOP MAKING THE UNIQUE CONNECTIONS" "THAT MAKE YOU A SUCCESSFUL DOCTOR?" "IF VAN GOGH WAS YOUR PATIENT," "HE'D BE SATISFIED PAINTING HOUSES" "INSTEAD OF THE STARRY NIGHT." "VAN GOGH" "WOULD STILL BE MAKING INSPIRED PAINTINGS OF THE NIGHT SKY," "JUST MAYBE NOT FROM THE ROOM OF HIS ASYLUM." "YOU DON'T KNOW THAT." "I KNOW" "BOTH HIS EARS WOULD BE INTACT." "AND I KNOW HIS LIFE WOULD BE BETTER." "[glass thuds] [plastic snaps]" "I KNOW THIS DOESN'T COME NATURALLY TO YOU." "BUT YOU WANT MY HELP," "WHICH MEANS YOU NEED TO TRUST ME." "[pills rattle]" "[glass thuds]" "HMM..." "DELICIOUS." "WHY ARE YOU HERE?" "I'M WAITING FOR MY COMMUNION WAFER." "YOU'RE CHEEKING IT, RIGHT?" "NOPE." "TELL ME YOU'RE CHEEKING IT." "I SWALLOWED IT." "NO, YOU DIDN'T." "WE DON'T TAKE MEDS." "YOU DON'T TAKE MEDS, ALVIE." "I DECIDED TO GET SANE." "YOU'RE SCAMMING AGAIN." "YOU CAN TELL ME." "I'M NOT SCAMMING, ALVIE." "THEY BROKE YOU." "THEY DIDN'T BREAK ME." "I AM BROKEN." "NOW STOP WORSHIPPING ME" "AND GO AND WORRY ABOUT YOUR OWN LOSER LIFE." "I HATE YOU." "PROM?" "GOT AN ASSIGNMENT FOR YOU." "ROLE-PLAYING?" "I'M NOT SURE HOW PRETENDING TO BE A BUSINESSMAN" "WITH A FOOT FETISH IS GONNA HELP," "BUT I'M GAME." "HAVE YOU CONNECTED WITH ANY OF THE OTHER PATIENTS?" "YOU'VE BEEN HERE FOUR WEEKS." "TELL ME ABOUT YOUR RELATIONSHIPS" "WITH THE OTHER PATIENTS." "DIANE..." "IS CONVINCED THAT SILENT GIRL HATES HER." "RICHTER'S NOT AS PARANOID AS YOU THINK." "HE JUST LIKES THAT YOU THINK THAT." "AND MY ROOMMATE HATES ME." "ONLY ONE OF THE THINGS YOU SAID" "INDICATED HOW SOMEBODY ELSE FEELS ABOUT YOU." "SO..." "I'M SURE THAT THEY'VE DONE SOME FORM" "OF RUDIMENTARY ANALYSIS ON ME, CONCLUDED THAT I'M A JERK." "YOU KNOW, THERE IS A WAY" "FOR THEM TO FIND OUT THINGS ABOUT YOU" "WITHOUT DEDUCTIVE REASONING." "I HAVE HAD RELATIONSHIPS." "YOU'VE SCREWED UP RELATIONSHIPS," "EVERY ONE OF THEM-- ALMOST LIKE THAT WAS THE GOAL." "I WANT YOU" "TO TRUST..." "PEOPLE." "TRY." "GET DRESSED." "[playing No Moon At All ]" "¶ ¶ [indistinct chatter]" "JUST OPEN UP?" "JUST OPEN UP." "TRUST." "STRANGERS?" "WE'LL START WITH STRANGERS," "THEN WORK OUR WAY UP." "IF IT HELPS," "I FIND "HELLO" TO BE AN EXCELLENT ICEBREAKER." "[jazz combo playing Night Train]" "¶ ¶" "HI." "HI." "IT'S LIKE "HELLO," ONLY SHORTER." "YES." "I'M GLAD WE WERE ABLE TO SAVE THAT TIME." "JUDGING BY THE FANCY SUIT, I'D SAY YOU WERE A DONOR." "THE NERVOUS DEMEANOR SAYS MAYBE YOU'VE HAD ISSUES," "PROBABLY IS WHY THIS PLACE HAS PERSONAL MEANING." "BUT THIS IS SUPPOSED TO BE ABOUT ME." "I TAKE ADVANTAGE OF MY FRIENDS." "FRIEND, REALLY" "I'VE ONLY GOT ONE." "IT CAN BE TOUGH SOMETIMES." "I'M NOT GAY." "OH, NEITHER AM I." "ACTUALLY, I AM." "SEE THAT GUY OVER THERE?" "HE'S MY LOVER." "HE'S ALSO MY PSYCHIATRIST," "WHICH SOME WOULD ARGUE IS A LITTLE INAPPROPRIATE," "BUT THEY JUST DON'T KNOW WHAT LOVE IS." "AM I RIGHT?" "YOU'RE NOT GAY." "NO, BUT I HAVE TO TELL INTIMATE SECRETS TO PEOPLE." "MAYBE THEY SHOULD BE TRUE." "HADN'T THOUGHT OF THAT." "TO BE ON THE SAFE SIDE, I SHOULD PROBABLY DO BOTH," "STARTING WITH THE FUN ONES." "COME ON, LET'S GET ME BETTER." "[playing I Love Paris]" "¶ ¶" "HI." "HI." "I'M A PHILANDERER." "OH." "PHILANDERER DOESN'T MEAN THAT I GIVE A LOT TO CHARITY." "IT MEANS-- I-I KNOW WHAT IT MEANS." "UH, YOU WERE ASKING ME" "IF THERE WERE ANY NUTS IN THE HORS D'OEUVRES." "WHAT?" "HONEY." "WHAT DID MY HUSBAND JUST SAY TO YOU?" "I..." "WAS ASKING HIM IF THERE WERE NUTS..." "IN THE HORS D'OEUVRES." "THEN WHERE IS YOUR EPIPEN?" "MY WHAT?" "NO ONE WITH AN ALLERGY WOULD WALK AROUND WITHOUT AN EPIPEN." "GIVE ME YOUR PURSE." "NO." "GIVE ME YOUR PURSE." "STOP!" "COME-- NO." "WHAT REALLY HAPPENED" "IS..." "I THOUGHT HE WAS CUTE." "I HIT ON HIM." "WE'RE GOING." "[combo plays Every Time We Say Goodbye]" "(Nolan) YOU HAVING FUN?" "I DID CONNECT WITH ONE GUY." "BUT THEN MY PROPENSITY" "FOR SCREWING THINGS UP OVERTOOK ME." "THEN MY DESIRE TO HAVE FUN OVERCAME MY PROPENSITY." "YOU DIDN'T SCREW IT UP." "THE ASSIGNMENT WASN'T TO GET YOU TO TRUST PEOPLE" "WITH A PIECE OF YOUR SOUL." "THE ASSIGNMENT WAS TO TEACH YOU THAT YOU CAN TRUST." "DID ANY OF THESE PEOPLE RAT YOU OUT" "AS THE OBNOXIOUS WOMANIZER" "OR THE PORN PRODUCER THAT THEY THINK YOU ARE?" "WHY DO YOU THINK" "THAT PEOPLE WOULD TREAT YOU WORSE IF THEY KNEW THE TRUTH?" "(Lydia) GOOD NIGHT, DOCTOR." "ARE YOU IN TROUBLE?" "APPARENTLY NOT." "SO WHAT'S NEXT?" "YOU WANT TO BE MY PIMP?" "WHY DON'T WE JUST TALK?" "OKAY." "HOW COME YOU WEREN'T PISSED AT ME FOR STEALING YOUR CAR?" "IT WAS A NICE THING TO DO." "HMM." "I'M NOT SURE" "ABOUT THE GERMAN-ENGLISH TRANSLATION OF NICE." "YOU MEAN THE STEALING WAS NICE OR... [inhales deeply]" "RUINING FREEDOM MASTER'S LIFE?" "WHAT YOU DID WAS MISGUIDED" "AND IRRESPONSIBLE," "BUT IT WAS ALSO NICE." "YOU GAVE HIM A MOMENT OF PURE HAPPINESS." "YOU ASKED ME WHY I COME HERE SO OFTEN TO VISIT ANNIE." "SHE WAS MY BEST FRIEND." "THEN SHE STARTED PULLING AWAY..." "FROM EVERYBODY." "THE DOCTORS DON'T KNOW WHY." "I THINK" "I MARRIED HER BROTHER BECAUSE..." "HE WAS THE ONLY OTHER ONE" "WHO WAS GOING THROUGH THE SAME THING." "BUT HE STOPPED VISITING AFTER A COUPLE OF YEARS." "I JUST..." "COULDN'T STOP." "I MISS HER." "I SHOULD GO." "GOOD NIGHT." "GOOD NIGHT." "[door opens, closes] [humming]" "[sighs]" "SO WHAT HAPPENED?" "YOU'RE TALKING TO ME NOW." "NO." "WAS IT FUN?" "[sighs]" "YEAH." "SHE KISSED ME." "DON'T READ INTO THE PHRASING." "WE KISSED EACH OTHER." "AND HOW DO YOU FEEL ABOUT THAT?" "HOW DO I FEEL ABOUT THAT?" "IT WAS A KISS." "KISSES ARE GOOD THINGS." "OKAY." "THAT WAS A LOADED "OKAY."" "NOT AT ALL." "WHY WOULD YOU ASSUME THAT?" "'CAUSE YOU'RE BEING JUDGMENTAL." "IF I HAD SAID THAT I'D HAD SOME DELICIOUS CHILEAN SEA BASS" "FOR DINNER LAST NIGHT," "WOULD YOU SAY, "AND HOW DO YOU FEEL ABOUT THAT?"" "IF THE SEA BASS WAS MARRIED, I MIGHT." "[chuckles] SEE, YOU'RE BEING JUDGMENTAL." "ISN'T THAT AGAINST YOUR CODE OR SOMETHING?" "I'M SIMPLY STATING THE OBVIOUS." "IT'S COMPLICATED," "NOT JUST BECAUSE SHE'S MARRIED" "AND NOT JUST BECAUSE YOU'RE INSTITUTIONALIZED." "I KNOW YOU SPENT THE LAST 12 HOURS" "TRYING TO FIGURE OUT WHAT THAT KISS MEANS." "WHO'S THAT WOMAN YOU WERE WITH" "IN THE PARKING LOT?" "WHEN YOU DEFLECT," "IT'S MORE EFFECTIVE WHEN YOU'RE NOT THAT TRANSPARENT." "OBVIOUSLY YOU HAVE NO PROBLEM WITH THE INFIDELITY." "YOU'RE TRYING TO RATIONALIZE THAT," ""IF IT'S OKAY FOR YOUR DOCTOR, IT'S OKAY."" "BUT JUST FOR THE RECORD," "I AM NOT HAVING AN AFFAIR." "THEN WHO IS SHE?" "WHY DO YOU THINK YOU'RE WORKING SO HARD" "TO FIGURE OUT THE DETAILS OF MY PERSONAL LIFE?" "I MIGHT NOT HAVE TO WORK SO HARD" "IF THERE WERE SOME PERSONAL ITEMS IN HERE." "YOU GOT ONE NUMBER ON SPEED DIAL." "IT SAYS "DAD."" "COME ON, HOW OLD ARE YOU?" "WHY ARE YOU SO AFRAID TO TALK ABOUT THIS?" "I WANT TO TALK ABOUT YOU." "I WANT TO KNOW WHO I'M TAKING ADVICE FROM." "I'M NOT GIVING YOU ADVICE." "I'M ASKING YOU QUESTIONS." "I THINK THAT KISS MEANT A LOT." "I THINK THAT SCARES YOU." "I THINK THERE ARE NO PERSONAL ITEMS IN HERE" "BECAUSE YOU HAVE NO PERSONAL LIFE." "HOW DO YOU THINK YOU AND LYDIA WILL END?" "YOU ARE A LONELY MAN." "YOU'VE SCREWED UP EVERY OPPORTUNITY YOU'VE HAD IN LIFE." "WHAT'S THE ENDING TO THE STORY?" "I DON'T KNOW." "VISITING TIME!" "WHY DID YOU KISS ME?" "[chuckles] HOW MANY REASONS ARE THERE?" "I LIKE YOU." "IT FELT LIKE A NICE WAY OF SHOWING YOU THAT." "[playing Schumann's Kinderszenen Op. 15 ]" "¶ ¶ [door opens]" "(nurse) OPEN IT ALL THE WAY." "KEEP IT OPEN." "[music stops]" "[door opens]" "[door closes] (Nolan) HOW'D IT GO WITH LYDIA?" "I FOUND OUT YOU CAN ONLY BE HAPPY SO LONG" "BEFORE THE CATATONIC GUY WITH TWO BROKEN LIMBS" "ROLLS OFF THE ELEVATOR," "PHILOSOPHICALLY SPEAKING." "WHY DO YOU VALUE YOUR FAILURES MORE THAN YOUR SUCCESSES?" "MY MOTHER CAUGHT ME MASTURBATING..." "TO PICTURES OF HER MOTHER." "CAN WE GET PAST THESE CUTE DEFLECTIONS?" "SUCCESSES ONLY LAST UNTIL SOMEONE SCREWS THEM UP." "FAILURES ARE FOREVER." "SO YOU ACCEPT THAT FACT." "YOU ACCEPT THAT THERE'S NOTHING YOU CAN DO." "OKAY, I ACCEPT THE FACT THAT THERE'S NOTHING I CAN DO." "NOW, WHAT CAN I DO?" "YOU ACKNOWLEDGE FAILURE," "AND YOU MOVE PAST IT." "YOU APOLOGIZE." "WOW." "POWERFUL THINGS THESE APOLOGIES." "GET SOMEONE TO JUMP OFF A BUILDING." "YOU SAY TWO WORDS, AND YOU MOVE ON WITH YOUR LIFE." "HARDLY SEEMS FAIR." "IS THAT THE ISSUE?" "YOU CAUSED HIM PAIN." "IF THE WORLD IS JUST, YOU HAVE TO SUFFER EQUALLY?" "[sighs, chuckles]" "YOU'RE NOT GOD, HOUSE." "YOU'RE JUST ANOTHER SCREWED-UP HUMAN BEING" "WHO NEEDS TO MOVE ON." "APOLOGIZE TO HIM." "LET YOURSELF FEEL BETTER." "THEN YOU CAN LEARN TO LET YOURSELF..." "KEEP FEELING BETTER." "HEY." "[door closes]" "(Beasley) DR. HOUSE, EVERYTHING OKAY?" "YEAH." "TIME FOR GROUP." "GROUP TIME, EVERYBODY!" "(Beasley) I HAVE A SURPRISE." "TWO WEEKS FROM TODAY," "WE'RE GOING TO HAVE THE MAYFIELD TALENT SHOW." "TALENT SHOW?" "WHO'S IN IT?" "(Beasley) I'D REALLY LOVE IT IF EVERYBODY HERE COULD PARTICIPATE." "(Richter) THEN WHO'S GONNA WATCH?" "(Beasley) THE STAFF WILL COME," "FRIENDS AND FAMILY." "YOU GONNA TAPE THIS?" "NO, IT'S JUST FOR US." "WELL, IF IT'S JUST FOR US, I VOTE WE DON'T DO IT." "THINK OF IT AS A FUN WAY TO WORK ON--ON OUR THERAPEUTIC ISSUES." "ALVIE, MAYBE YOU COULD SING ONE OF YOUR SONGS." "[chuckles] I DON'T SING." "I RAP." "OKAY, WELL, YOU CAN WRITE SOMETHING JUST FOR US." "I DON'T WRITE." "I JUST DO, FREESTYLE STYLE." "I THINK YOU'RE GONNA WANT TO BE PREPARED." "MAKE SOMETHING SPECIAL." "ALWAYS SPECIAL." "HOW ABOUT YOU, DIANE?" "IS THERE SOMETHING YOU'D LIKE TO DO?" "I DON'T HAVE ANY TALENTS." "SURE YOU DO." "YOU ALL DO." "STEVE, DON'T YOU THINK THAT DIANE HAS HIDDEN TALENT" "THAT WE'D ALL LIKE TO SEE COME OUT?" "YOU REALLY THINK HE'S GONNA ANSWER?" "EVENTUALLY." "WHY?" "BECAUSE THINGS PASS." "THINGS CHANGE." "IT DOESN'T MEAN THEY GET BETTER." "YOU GOT TO MAKE THINGS BETTER." "YOU CAN'T JUST KEEP TALKING AND HOPE FOR THE BEST." "DIANE, MAYBE YOU AND I CAN WORK TOGETHER" "AND FIGURE SOMETHING OUT." "I CAN SAVE HIM." ""THEY STOLE HER VOICE BOX"-- THAT'S WHAT HE SAID." "THAT'S WHAT SHE WAS STARING AT." "THAT'S WHY HE'S STARING." "DR. HOUSE, PLEASE." "'CAUSE THERE'S A MUSIC BOX IN THERE." "ORDERLY." "[door rattling]" "COME ON, JUST GIVE IT TO ME." "I CAN" "I AM NOT HAVING A PSYCHOTIC BREAK." "I PROMISE YOU THIS WILL WORK." "[sighs]" "(House) IT'S THE BLUE BOX THERE" "ON THE TOP SHELF." "THIS IS WHAT YOU WANTED." "THIS IS WHAT YOU NEEDED-- A VOICE." "YOU THOUGHT YOU COULD CURE SILENT GIRL WITH THIS." "SO BY YOUR OWN RATIONALE, IT SHOULD CURE YOU." "THERE'S NOTHING WRONG WITH YOU." "YOU'RE HEALING." "ALL THE PARTS WORK." "JUST SPEAK." "COME ON, SPEAK!" "SAY SOMETHING!" "I THINK MAYBE EVERYONE SHOULD TAKE A BREAK NOW." "YOU'RE TRYING TO FIX" "INSTEAD OF MOVING ON." "I BROUGHT DVORAK" "FOUR HANDS." "WHAT?" "I NEED TO KNOW WHAT THIS IS." "IT'S SHEET MUSIC." "I TOLD YOU." "IT'S JUST..." "TWO PEOPLE HAVING FUN." "THERE'S TWO POSSIBLE OUTCOMES." "IT ENDS." "SOMEONE GETS HURT." "OR IT DOESN'T END." "SOMEONE GETS HURT." "SO THE END SUCKS." "IT DOESN'T MEAN THE BEGINNING HAS TO." "EVERYTHING ENDS." "LIFE ENDS." "IT--IT DOESN'T MEAN THAT WE CAN'T ENJOY IT." "I CAN'T-- I CAN'T DO THIS." "ALL I KNOW IS, I WAS HAPPY FIVE MINUTES AGO," "AND NOW I'M NOT." "HOW'S THAT BETTER?" "GOOD-BYE, LYDIA." "I'M REALLY WORRIED ABOUT E.C.T." "(Beasley) APPREHENSION'S NORMAL." "HAS ANYONE ELSE HAD IT?" "THEY SHOCKED ME, MAN." "AAGH!" "THANKS." "THAT'S VERY REASSURING." "I DON'T KNOW IF I SHOULD DO IT." "OH, JUST DO THE TREATMENT OR SHUT UP." "GREG, THERE'S A PROCESS." "YES, A PROCESS." "WOULDN'T WANT TO DISRUPT THE PROCESS WITH RESULTS." "HEEZY HAD A ROUGH NIGHT LAST NIGHT." "GUESS HE DECIDED TO GO BACK TO BEING AN ASS" "INSTEAD OF A HYPOCRITE." "(Beasley) LET'S MOVE ON." "ALVIE, ARE YOU MAKING ANY PROGRESS WRITING YOUR RAP?" "(Alvie) YEAH." "BUT REALLY, NO." "I JUST DON'T WANT TO WRITE MY SONGS DOWN." "IT TAKES ALL THE SPONTANEITY OUT OF IT." "IT'S NOT OF THE MOMENT." "ALVIE, IF YOU WRITE THINGS DOWN" "¶ WHEN THE TIME COMES, MY RHYME COMES ¶" "¶ WHEN MY SPOTLIGHT SHINES ¶" "YEAH, YOU'RE A GENIUS." "RHYMES WITH "PENIUS."" "SORRY TO INTERRUPT, DR. BEASLEY." "DR. NOLAN ASKED ME TO GIVE YOU THIS." "IS THIS A DAY PASS?" "HE'D LIKE TO SEE YOU." "[door opens]" "THANKS FOR COMING." "[door closes]" "I WAS HOPING YOU COULD, UH, TAKE A LOOK AT MY DAD'S CHART." "A CONSULT?" "WHAT HAPPENED--YOU WENT THROUGH EVERY SANE DOCTOR IN TOWN?" "I THOUGHT YOU WOULDN'T MIND GETTING OFF THE WARD." "CLEANING LADY FOUND HIM ON THE KITCHEN FLOOR." "DOCTORS HERE DON'T THINK THAT HE'LL RECOVER," "THAT I SHOULD PULL THE PLUG." "I WANT A SECOND OPINION, SO I" "I THOUGHT I'D BE A FOOL NOT TO CALL YOU." "(House) LACUNAR INFARCT," "CONVERTED TO HEMORRHAGIC STROKE." "IT SQUASHED HIS BRAIN." "THEY DIDN'T MISS ANYTHING." "THAT'S WHAT I THOUGHT." "THAT'S WHAT YOU KNEW." "HIS BRAIN HAS BEEN REPLACED BY BLOOD." "IT'S OVER." "AND THAT'S OBVIOUS TO ANY DOCTOR" "WHO LOOKS AT THAT SCAN, EVEN A SHRINK." "YOU WANT SOMEONE TO TELL YOU" "THAT WHAT YOU NEED TO DO IS OKAY," "TO GIVE YOU PERMISSION, ABSOLUTION." "NOT NOW, HOUSE." "YOU HAVE NO FRIENDS, NO FAMILY." "AT SOME POINT," "YOU MADE A MISTAKE." "YOU LOST EVERYTHING." "AND NOW I'M THE CLOSEST THING YOU GOT TO A FRIEND." "JUST SHUT UP." "I DON'T NEED YOU HERE" "TO PLAY THIS GAME." "[door beeping]" "[Lydia crying softly] [sniffles]" "I'M SORRY I PUSHED YOU AWAY." "IT'S WHAT I DO WHEN I'M AFRAID." "[scoffs]" "AGAIN, GERMAN-ENGLISH TRANSLATION MAY BE A LITTLE OFF." "I'M NOT--I'M NOT CRYING BECAUSE OF YOU." "[sniffles]" "I'M CRYING BECAUSE I'M PATHETIC." "I BROUGHT HER CELLO," "IN CASE SHE MAGICALLY WAKES UP" "FOR THE SHOW." "[gasps, sniffles]" "OH, WELL, THEN I TAKE THE APOLOGY BACK." "[chuckles]" "WE'RE ALL PATHETIC." "IT'S WHAT MAKES EVERYTHING INTERESTING." "I'M SICK OF LIFE BEING INTERESTING." "[sniffles]" "[gasps]" "[both breathing heavily] [moans]" "[Los Del Rio's Macarena River Mix plays] [laughter]" "¶ ¶" "¶ DALE A TU CUERPO ALEGRIA, MACARENA ¶" "¶ QUE TU CUERPO ES PARA DARLE ALEGRIA Y COSA BUENA ¶" "¶ DALE A TU CUERPO ALEGRIA, MACARENA ¶" "¶ HEY, MACARENA ¶ [cheers and applause] [piano playing You're Nobody Till Somebody Loves You]" "(together) ¶ YOU'RE NOBODY ¶" "¶ TILL SOMEBODY LOVES YOU ¶" "¶ YOU'RE NOBODY ¶" "¶ TILL SOMEBODY CARES ¶ [rhythmic tapping]" "[tempo increases]" "[cheers and applause]" "(Beasley) LADIES AND GENTLEMEN," "THE ONE, THE ONLY," "JUAN ALVAREZ!" "[applause]" "YO, YO, WHAT'S UP?" "WARD SIX IS JUMPING OFF, Y'ALL!" "GIVE IT UP FOR DJ RICHTER ON THE ONES AND TWOS." "YO, DJ RICHTER, SPIN THAT!" "[hip-hop beat plays]" "UNH!" "YO!" "¶ WELCOME TO MAYFIELD WHERE THE DAY FEELS LONG ¶" "¶ WE ACT STRONG, BUT THERE'S GOT TO BE SOMETHING WRONG ¶" "¶ SEE, WE GOT HIDDEN TALENTS ¶" "¶ YOU DON'T SEE HIDDEN SECRETS ¶" "¶ IF WE COULD SHOW YOU THOSE ¶" "¶ ¶ [imitates record scratching]" "¶ IF WE COULD SHOW YOU THOSE ¶" "¶ ¶" "THEN WE WOULDN'T HAVE NO REGRETS." "¶ ¶" "¶ WANNA KNOW MY SECRETS?" "¶" "¶ SIT BACK AND LET ME EXPLAIN IT ¶" "¶ MY POPS SPLIT, MAMA GOT SICK ¶" "¶ CLICHE, AIN'T IT?" "¶" "¶ NOW I'M A MANIC HISPANIC ¶" "¶ I'M TRYING TO MAKE IT WORK ¶" "¶ BUT THE DOCTORS THINK I'M LAZY ¶" "¶ ¶" "AND MY ROOMMATE IS A JERK." "DR. HOUSE IS IN THE HOUSE, Y'ALL." "¶ GIVE IT UP FOR DR. HOUSE TO THE STAGE, Y'ALL ¶" "¶ PAGING DR. HOUSE TO THE STAGE, Y'ALL ¶ [imitates record scratching]" "¶ ARE YOU THERE, DR. HOUSE IT'S ON ¶" "¶ BRING IT ON ¶ [imitates record scratching] ¶ ON ¶" "¶ OH, YO, HE'S COMING TO THE STAGE, Y'ALL ¶" "¶ UNH, UNH, IT'S DR. HOUSE ON THE REMIX ¶" "¶ DR. HOUSE ON THE REMIX ¶" "¶ YEAH, YEAH, YEAH, YEAH, YEAH ¶" "¶ THEY SAY TO TAKE YOUR PILLS ¶" "¶ THEY SAY DON'T BE A CREEP ¶" "¶ BUT HOW CAN I GET BETTER ¶" "IF I CAN'T GET NO SLEEP?" "[light laughter]" "¶ YOU GOT THINK BEFORE YOU ACT ¶" "¶ IN ORDER TO PROGRESS ¶" "¶ IF YOU DON'T MAKE CONNECTIONS ¶" "¶ THEN YOUR WHOLE LIFE IS A MESS ¶ [laughing] UH, UH, UH." "¶ YEAH, SO TELL ME, DOCTOR, WHAT I REALLY GOT TO KNOW ¶" "¶ HOW DO I GET BETTER?" "¶" "¶ JUST DO A TALENT SHOW ¶ [laughter] (Alvie) OH!" "¶ OH, WELL, I GUESS I'M JUST A MESS, YES ¶" "¶ PREACH IT TO ME, BROTHER ¶" "¶ A LIFE OF RESTLESSNESS ¶" "¶ BUT AT LEAST WE HAVE EACH OTHER ¶" "¶ OH, WE GOT EACH OTHER, OH, WE GOT EACH OTHER ¶" "¶ LIKE TWO BROTHERS FROM ANOTHER MOTHER ¶" "¶ DUCK AND RUN FOR COVER, WARD SIX ¶" "[cheers and applause]" "HOW ARE YOU DOING?" "YOU HANGING IN THERE?" "USUALLY I OPEN WITH THAT." "THANKS FOR STAYING." "SO, UM..." "WHAT DO YOU WANT TO TALK ABOUT?" "THINGS ARE ACTUALLY..." "ACTUALLY GOOD." "OKAY, YOU'RE NOT--YOU'RE NOT JUST SAYING THAT" "BECAUSE YOU DON'T WANT TO COMPLAIN" "IN FRONT OF THE GUY WHO JUST LOST HIS FATHER?" "[chuckles] I'M NOT THAT CURED." "NO, I STILL GOT STUFF TO DO, BUT..." "I'M GOOD." "I'M SORRY." "[chair scraping, rattling]" "I WAS TRYING TO PROVE A POINT." "I WAS TRYING TO BE RIGHT." "I ENDED UP PUTTING YOU IN A DANGEROUS SITUATION," "AND I WAS NOT EQUIPPED TO HANDLE IT." "YOU GOT HURT," "AND IT'S MY FAULT." "AND I'M SORRY." "(Nurse Safer) MED TIME!" "I'M GONNA TRY THOSE PINK ONES TODAY." "YOU?" "[Mozart's The Magic Flute playing]" "¶ ¶ [music stops]" "THANK YOU." "YOU'RE WELCOME." "[elevator bell dings] [door opens]" "GOT A SURPRISE." "[plays Bach's Cello Suite #1, Prelude in G Major]" "¶ ¶" "[applause]" "TODAY WE'RE HERE TO CONGRATULATE..." "ANNIE!" "[cheers and applause]" "WE'RE PROUD OF HER!" "WE WISH HER WELL, AND WE HOPE TO... (all) NEVER SEE HER AGAIN!" "[laughing] [cheers and applause]" "IF YOU GO SILENT FOR OVER A DECADE," "YOU DON'T JUST GET TO SLIDE RIGHT BACK INTO SOCIETY." "SHE'S GOING TO A REHAB FACILITY FIRST..." "IN ARIZONA." "HER FAMILY'S MOVING THERE." "SORRY, HOUSE." "I JUST FOUND OUT MYSELF." "I WANT AN OVERNIGHT PASS." "I CAN HELP YOU WITH THIS." "I'VE EARNED IT." "YOU HAVE, BUT" "ISN'T EXTENDING TRUST" "PART OF THE WHOLE "GETTING ME BETTER" THING?" "IF YOU INSIST ON A PASS, I'LL GIVE IT TO YOU." "BUT I KNOW WHERE YOU'RE GOING," "AND I KNOW YOU HAVEN'T THOUGHT IT THROUGH." "WE NEED TO SIT DOWN, TALK ABOUT THIS." "PLEASE GIVE ME THE PASS." "[doorbell rings]" "HI." "HELLO." "WHO ARE YOU?" "I'M" "BEN, GO INSIDE, OKAY?" "YOU DIDN'T SAY ANYTHING." "AND NOW ANNIE'S LEAVING," "AND I HEAR YOU'RE GOING TO ARIZONA." "MY HUSBAND TRAVELS TO PHOENIX A LOT." "HIS CORPORATE HEADQUARTERS ARE THERE," "AND WE'VE BEEN WANTING TO MOVE FOR YEARS," "BUT WE'VE BEEN TETHERED HERE." "AND NOW WE'RE NOT." "I DON'T WANT YOU TO GO." "I DON'T WANT TO GO." "BUT I CAN'T BREAK UP MY FAMILY." "I-I CAN'T LEAVE MY CHILDREN." "I JUST DON'T WANT IT TO CHANGE." "I'M SORRY" "THAT I DIDN'T COME SAY GOOD-BYE." "I THOUGHT IT ENDED KIND OF PERFECT." "I HAVE TO GO." "[door closes]" "NOT THE MOST EXCITING USE" "OF THE OVERNIGHT PASS I'VE EVER SEEN." "SHE LEFT." "AND..." "I'M LOST." "[scoffs]" "I'M GONNA WRITE YOUR LETTER..." "TO THE MEDICAL BOARD," "RECOMMENDING THAT THEY GIVE YOUR LICENSE BACK." "YOU CAN'T JUST CONSOLE ME" "BY GIVING ME A LOLLIPOP WHEN I SKIN MY KNEE." "WELL, TWO THINGS JUST HAPPENED." "YOU GOT HURT," "WHICH MEANS YOU CONNECTED TO SOMEONE ELSE," "STRONGLY ENOUGH TO MISS THEM." "AND MORE IMPORTANT..." "YOU RECOGNIZED THE PAIN AND CAME TO TALK TO ME," "INSTEAD OF HIDING FROM IT IN THE VICODIN BOTTLE." "THE FACT THAT YOU'RE HURTING AND YOU CAME HERE," "THE FACT THAT YOU'RE TAKING YOUR MEDS" "AND WE'RE TALKING RIGHT NOW..." "COME INSIDE AND GET SOME SLEEP." "TOMORROW YOU CAN START SAYING YOUR GOOD-BYES." "TODAY WE'RE HERE TO CONGRATULATE GREG." "[applause]" "WE'RE PROUD OF HIM." "WE WISH HIM WELL, AND WE HOPE... (all) TO NEVER SEE HIM AGAIN!" "HOUSE!" "[cheering] [cheers and applause]" "BACK OFF." "PEOPLE ALREADY THINK WE'RE GAY." "[light laughter]" "(woman) AW!" "[applause]" "[laughter]" "[The Frames' Seven Day Mile]" "¶ ¶" "¶ YOUR WILL ¶" "¶ CHANGES EVERY DAY ¶" "¶ IT'S A CHOICE YOU GOT TO MAKE ¶" "¶ I CAN'T HELP YOU ¶" "¶ IF I WANT TO ¶" "¶ DOWN HERE ¶" "¶ NOTHING GETS A CHANCE ¶" "¶ IT'S A THREAT THAT'S REAL ENOUGH ¶" "¶ WE CAN BURN THIS BRIDGE ¶" "¶ OR STAY HERE ¶" "¶ IT'S A BREEZE ¶" "¶ EVERLASTING LIKE TIME ¶" "¶ MAKING SO SURE THAT ¶" "¶ I CAN RETURN JUST TO SEE IT ¶ [knocking]" "WHAT DO YOU NEED, ALVIE?" "MY MEDS." "I WANT TO GET BETTER." "[The Frames' Seven Day Mile]" "¶ IT'S A SEA ¶" "¶ EVER CHURNING IN TIDES ¶" "¶ IN THE SURENESS OF MIND ¶" "¶ AND OUR WORDS JUST REPEAT NOW FOREVER AGAIN ¶" "¶ WELL, THIS MIGHT TAKE A WHILE ¶" "¶ TO FIGURE OUT ¶" "¶ SO DON'T YOU RUSH IT ¶" "¶ AND HOLD YOUR HEAD UP HIGH ¶" "¶ RIGHT THROUGH THE DOUBT NOW ¶" "¶ 'CAUSE IT'S JUST A MATTER OF TIME ¶" "¶ YOU'VE BEEN RUNNING SO FAST ¶" "¶ IT'S THE SEVEN DAY MILE ¶" "¶ HAS YOU TORN IN BETWEEN HERE ¶" "¶ AND RUNNING AWAY ¶" "¶ RUNNING AWAY ¶" "THAT'S SOME BAD HAT, HARRY."