"As quickly as you can, snatch the pebble from my hand." "When you can take the pebble from my hand, it will be time for you to leave." "Time for you to leave." "Hey." "You knocked my partners down." "I am sorry." " No, wait a minute." "I thin k you owe my friends an apology." "Please, forgive me." "I am sorry." "Let ' s go." "This ain ' t even worth beating up." "Only, if we catch you around here again..." "What about him?" "... I ' m gonna make chop suey out of you." " I ' m tired." "We ' re all tired, Harpy." "Only, we can ' t stop now, just when we found the man to do the job." "Hey, mister!" "We wanna tal k to you." "Get out of here, kid." "Well, look at that." "It ' s a full-dressed mon key." "Fancy hat and all." "He ' s riding a stagecoach." "Deal cautiously with my luggage." "That ' s a good fellow." "Listen." "It tal ks fancy too." "Let me help you, my good fellow." "That won ' t be necessary." "O kay." "You don ' t appreciate my help  then take it yourself!" "Now, you see what happens when you don ' t accept my help, my good fellow?" "Come on." "Let ' s go see if we can find somebody else to help." "Harpy, stop pulling on me." "Hey, Abel, did you see that punch?" "No, we ain ' t through yet, friend." "Shoot him." "Shoot him!" "If you won ' t, I will." " He ' s even better!" "Hey, hold it!" "Looks li ke it ' s all over, sheriff." "What ' s going on here?" "lt ' s your cousin, Quade." "He started it." "He and his boys went out looking for trou ble li ke usual." "Found more than they could handle." "You would ' ve had a killing here if it wasn ' t for that guy right there." "He' s right, sheriff." "We all saw that." "You ' re right." "I know my job." "What are you doing in this town, if you ' re not looking for trou ble?" "Just passing through." "Enjoying your hospitality." "I leave in the evening on the northern coach for San Francisco." "He ain ' t going anywhere." "I ' m gonna kill him before evening." "Quade, you just won yourself a day in jail, you and your boys there." "Cousin." "Let ' s go." "O kay, fol ks, you can go home now." "Law and order has been restored by Sheriff Jackson." "Don ' t forget that when election comes up next month." "You got my vote, sheriff." "Than k you for your help  my good fellow." "You are a very skillful fighter  in a style I have never seen before." "The style is called capoeira." "It evolved from the ceremonial dance of African slaves  sent to work  on the plantations in Brazil." "Is that your country?" "The country in which I was born." "And your style  did you learn it from a priest in a temple  or a teacher in a school?" "I learned it from a man  who was shot  by the authorities for teaching it to his students." " He must have been a brave man." " He was a fool." "He thought about everyone else except himself and his family." "So much for my foolish father." "Now, my good fellow  I must say good bye  and than k you." "For the future  remember the name of Isaac Montoya." "Some day it will be famous, and then you can tell people how you saved his life." "Be proud." "You have done the world a service." "That ' s a good fellow." "Hey, Chinese man." "Hey, Chinese man." "Come here." "We wanna tal k to you." "What do you want?" "ls the sheriff gone?" "Yes." "How would you li ke to earn $4. 08?" "$4. 08 is a useful amount of money." "What do you wish done for it?" "Go ahead." "Ask him." "Do you li ke piano players?" "I have heard some who please me..." "... and some who did not." "Well  if you want the $4.08, all you got to do is kill a piano player named Zolly." "Kill?" "What is it that makes children speak of killing?" "We' re doing it for our ma so she don ' t do it herself, li ke she said she would." "And she always does what she says." "Why does she want this man killed?" "Because he pulled a dirty trick on her." "They been supposing to get married." "And this Sunday last they even got as far as the church  and he run out on her, leaving her standing there." "Nothing to show but the preacher' s bill." "She about throwed a fit then." "Said right there in front of God and the preacher :" "" I ' m gonna kill him. " Then stomped out red as a beet." "What did she do then?" "T ook us home for lunch." "Pork chops." "Hey, I ' m hungry." "Don ' t worry, Harpy." "We' ll be home and eating by tomorrow." "Ma' s a good cook." "Well, will you take the job?" "I would li ke to tal k with your mother first." "No need to do that." "It' s our money." "We earned it doing honest chores." "Does your mother know you are here?" " No." "But we left a note saying not to worry." "We ' d be back as soon as we took care of Zolly for her." "Only, we didn ' t figure it' d take three days to find him." "We don ' t want our ma to go to prison." "Well, Chinese man?" "I am called Caine." "Well, Mr. Caine will you take the job or not?" "I have a job at the livery stable." "I will offer you shelter for the night." "Does that mean you will help us?" "I will give thought to what you ask." "Will you do the same?" "What does that mean?" "Last week your mother wished to marry the man she loved." "T oday you ask me to kill this man in her name?" "Thin k of that." "We will speak again." "And then I will help you all I can." "Sheriff!" "I demand that you search those three men." "You what?" " I have been robbed." "I believe those men to be responsi ble." "I demand that you search them at once." "Come back tomorrow, son." "Can ' t you see I ' m busy?" "T omorrow may be too late." "What was taken from me means my life." "I ask you for your help." "T omorrow." "You represent justice here." "I demand your help, now." "There he goes again, cousin." "Demanding." "Get out." "I ' ve lost patience with you." "That ' s what I get..." "... for treating you fair, li ke a man!" " I am a man!" "Cousin, we ' re gonna" "He ' s dead." "You killed him." "I...." "I did not intend to." "lt was an accident." "No, you killed him." "And I ain ' t gonna let you get away with that." "I only wanted what was taken from me." "Please." "T ake some more." "There is plenty of food, children." "Eat all you want." " Mr. Caine  we ' ve been thin king about what you said." "We decided you don ' t have to kill Zolly." "That pleases me." "All you gotta do now is bring Zolly back to Ma." "Let her decide what to do." "That' s only worth $ 2.00 to us." "Less expenses." "We may need the money for food getting home." "Well, Mr. Caine, how does that deal please you?" "It pleases me that you no longer wish another man ' s death." "Does that mean you ' re gonna do what we asked and take the chore?" "What is the value of truth, master?" "It binds one to the reality of oneself." "Thi s i s h ard for me to un d erstan d." "So i s tru th." "Hard to u n d erstan d  excep t th at wh i ch can n ot be sp o ken." "Bu t sh ou I d I n ot al ways sp ea k th e tru th  n o matter wh at th e con seq u en ces?" "Recog n i z e th at al I word s are p art fal se  an d p art tru e  Iimi ted by our imp erfect un d erstan din g  but strive always f or h on esty wi thin yoursel f." "Before I give you my an swer  I woul d li ke to tal k wi th thi s man." "Wh en are we g oin g h ome?" "I wanna go home." "He works at the Good Time Saloon." "Excuse me." "Excuse me." "You are Solly?" "Zolly." "Maybe." "You know three children  T odd, Abel and Harpy?" "How do you know them?" "They came to me yesterday." "They asked me to kill you." "You come to do this?" "I come to ask you to take the children to their mother." "Better you kill me." "They have been gone three days." "Their mother must be worried." "You worried about her  you take children back." "She live 1 0 mile west." "Apple Mountain Road." "You do not worry?" "Yeah, I worry  for Zolly." "She is best woman I ever saw." "Every time I see her I want...." "I want to marry her." "I love her." "God give me will of iron." "Zolly must stay free." "I travel alone." "They come by foot  they can go back by foot." "They are not Zolly' s children." "T urn around." "That ' s him, marshal." "We ' re looking for your friend." "My friend?" "Hotel register says his name ' s Isaac " Montola", from Brazil." "He your friend?" "I met him yesterday." "You seen him since?" " No." "He helped him." "That ' s enough." "Quade." "I don ' t throw a man in jail for helping another man, friend or stranger." "He can show us where he is." "Do you know where this fellow is now?" "No." "What are you doing here?" "I came to ask the sheriff for help." "There are three children who must be taken to their mother." "Sheriff ' s dead." "It seems Mr. " Montola " killed him yesterday." "Let ' s go." "If you hadn ' t helped that mon key  sheriff wouldn ' t be dead today." "Mister." "T ake me to children." "I thin k their mother frightened for them." "Maybe we take children." "I drive you to farm." "You take in to mother." "Zolly and woman must not see each other." "You agree to this?" "I will take you to the children." "I am Armenian." "Seven years ago I come this country young man." "I leave behind nothing because there is nothing to leave behind." "You know about Armenia?" "What went on?" "What goes on to this day?" "I know little of this world outside my own experience." "He helped him." "He' s got to know more than he ' s saying." "If he does, we' re watching." "You let me drag him in, I ' ll make him tal k." "This badge I ' m wearing says I ' m responsi ble to uphold the law." "That' s what I ' m gonna do." "Armenia is small conquered country." "Those who conquer say Armenia is no more." "But one man look to another and say:" "" How can not be Armenia?" "We are still Armenians. "" "You know what conquerors decide then?" "Destroy the people." "By a miracle, I escape  come to America." "But I make promise :" "Someday Zolly will save enough para, money  go back, fight government that killed my people." "Zolly not coward." "Avenge family' s death!" "Arise calmly, grasshopper  and brush the indignity off your trousers." "You fought blindly, grasshopper." "A sickly maiden could ' ve beaten you." "Yes, Master Po, forgive me." "Forgive yourself." "You have suffered for it." "What is the cause of your anger?" "lt is anger at myself." "Yes, but what is the reason?" "For being a coward." "When did you discover this about yourself?" "Y esterday." "When Ho Fong and I were attacked by five big bullies in the marketplace." "He was struck first." "And I, out of fear, did nothing to help him." "You were two boys against five larger than yourself." "What do you thin k you should ' ve done?" "Fought back and tried to help my friend." "Y es, grasshopper, that would have been heroic." "You agree, then, that I was a coward." "What is cowardice but the body' s wisdom of its weakness." "What is bravery but the body' s wisdom of its strength." "A coward and hero march together within every man." "So to call one man coward and another brave  merely serves to indicate the possi bilities  of their achieving the opposite." "Do not have fear." "I have no wish to harm you." "I am looking for the Chinese man." "He saved your life." "He saved my life  so that he could steal from me something very valuable." "Harpy, come back!" "Come back!" "T ell me, where is the Chinese man?" "We have to get our brother!" "Where is he?" "Mr. Caine warned us not to go near the swamp." "It' s dangerous!" "Zolly cannot marry." "No, no." "Must stay free." "Free to fight injustice, cruelty." "Surely a man li ke yourself, half white, half yellow you must have experienced these things and you understand." "Justice, cruelty are everywhere." "You could fight them here." "Well, for me  there is only Armenia." "Someday I will go back." "What has happened here?" "Where are the children?" "Mr." "Caine!" "Zolly!" "Mr. Caine!" "Mr. Caine, Harpy' s in trou ble." "The black man is with him!" "He needs help!" "T ake us!" "Don ' t worry, Harpy, they' re coming." "He threw the log in and jumped right in after Harpy." "Only, they can ' t get out." "Don ' t worry, boy." "Zolly is here." "We will save you." "Those who speak convincingly of peace cannot go armed." "Those who speak convincingly of peace, must not be weak." "So we make every finger a dagger every arm a spear and every open hand an axe or sword." "Come in more." "Don ' t squirm." "Don ' t squirm." "No, we will all be trapped." "Come back!" "Get back." "Zolly very fast." "Zolly get rope!" " No." "Get him." "Zolly very fast." "I go get rope!" "I need you here!" "You have Isaac where you want him." "I need you here!" "At least get the boy out!" "Mr." "Caine, they' re sin king." "T ake hold." "You take hold too." "Hold up." "We need some information, mister." "Zolly no have time." "Mister, I ' m a United States marshal and we' re looking for a killer." "Colored man that killed Sheriff Jackson." "Colored man?" "Killer?" "You ' ll be killer if you no let Zolly go." "Boy in trou ble." "lf you marshal, you help." "What kind of trou ble?" "Quicksand!" "Little boy!" "Carl, you come with me." "Ben, you go get that rope." "That Chinaman is gonna lead us to that  colored man." "And we ' re gonna hang him." "Close call, my good fellow." "I owe you another debt." "But yours is still greater." "Children!" "Mr. Chinese Man!" "I bring men to help!" "Have courage!" "Zolly is coming!" "Have courage!" "O kay." "Where ' s that colored man?" " He ' s...." "I don ' t know." "He ' s gone!" "Which way did he go?" "You know for a man you just met, he sure seems to li ke your company." "What ' d he want from you?" "Hearing you, he did not say  but ran." "We don ' t catch up to him, I wanna tal k to you." "Let ' s go." "Whoa." "That is farm." "T ake boys." "Five minutes I wait for you." "Where are we?" "Home, boys." " Home?" "Yes, home, home." "Why are we stopping here?" "Good bye, boys." "T ell Mama...." "Good bye." "Go on." "Go home." "Go to Mama." "Remember, 1 0 minutes you no back, I go." "If woman come out of house, also I go." "Leave you here." "You ' re a coward." "Zolly not coward!" "Mr. Chinese understand!" "He has a dream." "An old dream." "Zolly!" "You ' re alive!" "Oh, Zolly, the children." "They' ve gone!" "They left a note!" "I ' ve been looking for them everywhere!" "Mama!" "Mama!" "Zolly!" "I should hate you for leaving me." "What brought you back?" "I tried to stay away." "Sent the children ahead, but  then waited here." "You don ' t love me?" "Woman  I love you." "I love you." "Will you come into the house and tal k with me?" "Yes, yes, yes." "Whatever you say." "Come on." "Children." "Come on." "Ma, why do you want to marry him?" "Just because." "Women don ' t need a reason." "Women don ' t need reason for what?" "He knows about women." "What do you want here?" "From them, nothing." "Don ' t move." "Be careful, that gun." "Woman here, children." "Boys, go outside." "Go." "Go." "Stay." "Do as Zolly says." "And now, my good fellow  where is the diamond?" "That diamond that belongs in that pouch." "That pouch that I found in your shack!" "You see, you cannot lie to me." "I am not lying to you." "Do you want to die?" "No." "Then do not force me." "The diamond is my life my only hope for life as I wish to live it." "Surely a man such as you is not less of a man for the loss of a piece of stone." "Until that " piece of stone," there was nothing." "Do you thin k I started out intending to steal  a diamond?" "Or to kill another human being?" "All I wish was opportunity to do all that my mind and body were capable of doing." "Only, then I discovered that that was not the way for the son of a slave to thin k even after he had educated himself beyond his masters." "The man is murderer." "Keep out of it, Zolly." "The stone changed everything." "It lay there on the ground  and as I held it in my hand, I thought of my father and grandfather and generations of my people working that same mine." "All slaves." "I took it." "I cannot go back." "Do you understand now what that stone means to me?" "I understand." "I cannot help you." "Then I cannot help you." "Can you kick as fast as I can pull this trigger?" "!" "Make no mistake, my good fellow." "You must tell me where my diamond is." "I intend to shoot now." "Stay outside." "Stay outside." "Outside." "Get out the way, yellow man." "You cannot shoot this man." "He is unarmed." "You ' re obstructing justice." "Does not your justice demand a trial?" "Don ' t tempt me, yellow man." "That murdered my cousin." "And I ' m gonna kill it." "Now, you men are witnesses." "Last warning." "Stop!" "This is not Armenia!" "These men have rights." "If you shoot them  you must shoot Zolly first." "And then you can kill the woman  and the children." "That man ' s a murderer." "Then after trial, hang him!" "If guilty." "Hold it." "Tie up the prisoner." "Get out of the way of my prisoner." " " Montola", you ' re my prisoner now." "You ' re gonna get a trial an honest trial." "I have killed a man." "An accident, not murder." "Than k you." "Than k you." "Than k you." "Marshal." "You leader here?" "Anything happen to that man before trial  I, Zolly, will speak up." "Well, I don ' t intend to let anything happen to my prisoner, mister." "Beautiful woman." "Good woman." "I love you." "Marry me." "Zolly." "Are you sure you want to get married?" "Even though it means you may never go back to Armenia?" "I have just gone back." "T o fight injustice anywhere is to fight it everywhere." "Marry me." "When?" "T oday." "No, no." "T omorr " " T oday." " No." "Yes." "No wait for church wedding." "We go to marrying office in town, pay $ 1  we get married quick, legal." "We go now." "Mr. Chinese man, you friend." "You ever been to wedding?" " No." " I never have either." "You help, huh?" "I need you wal k beside me." "Martha." "We both help with children." "Wedding will be today." " Have him?" "Yes." "Have her?" "Sure." "One dollar." "Mr. Caine!" "We owe you $ 2, but since everything worked out pretty good" "We want you to have the whole $4. 08." "The eight cents is mine." "Than k you." "Finders keepers." "Did you not hear Mr. Montoya say he lost it?" "You and him started fighting." "I was afraid." "And now, you have given it up." "It wasn ' t mine." "I felt bad." "What ' s gonna happen to him, Mr. " Montola"?" "Perhaps he feels bad too." "Bye, Mr. Chinese man." "Good bye." "Hold on, Harpy." "Hold on, boys." "We go home now." "[ ENG LlSH]"