"The TARDIS team is stuck in a dream dilemma, and the Dream Lord's deception will drag the Doctor down to earth with a bump." "Are you pregnant?" "Arthur Darvill guides Confidential through the reality behind the fantasy." "It's the Doctor's fantasy versus Rory's fantasy." "As Rory turns father-to-be, action hero..." "Waa!" "And '70s rock god." "HE MOUTHS" " It's been such a fast episode." " Action!" " So much happens in it." " Agh!" "Whether it's battling with old people or freezing to death on a TARDIS." "I think that shows in it, that it's kind of a bit of rip-roaring fun." "I just had a nice little nap on the floor." "Did you?" "Did you actually fall asleep?" "See, that's how..." " I did actually dribble." " That's how professional he is." "So join Confidential as Arthur takes us through the filming process from beginning...to end." "Ah!" "Ah!" "I'm going to show you around a bit and kind of show you how we made it." "It's day one of the production block and in the studios in Cardiff" "Arthur has the latest script hot off the press to prepare for the cast and crew read-through." "I'm in the Blue Box, which is our little cafe here at the studio," "I say 'our' cafe as if I own it, I don't." "It's a little cafe on set." "We received the final script of this today." "And we've got the read-through this afternoon." "And then we start filming it tomorrow." "I'm quite looking forward to this one cos it's a really funny script." "And I've only just read it, so, you know, there's only so much you can prepare." "But it's good to hear the whole story and good to hear people's first impressions, it really is a first impression." "And sometimes you really go for it." "There are certain lines I'm looking forward to, I suppose." "I think I've got an idea of, kind of, how I'm going to say those, but that will completely change by the time we film it, so it's not really a representation of what we'll do when we film it, I don't think." "But it gives a good idea of vaguely what's going on in the story." "I think the thing that blew us away about Arthur was - and we saw a lot of good people for the part of Rory - was just how funny he was." "Arthur has that perfect..." "He always finds a perfect moment for a gag." "You just summoned aliens back to Earth!" "Actual aliens." "Deadly aliens." "Aliens of death." "And now you're taking your clothes off." "He found a space next to our two leads who already seemed rather complete." "But he actually, once he comes in, it's quite hard to imagine the show without him, which is a tremendous tribute to Arthur's brilliance." " Hi." " Hello." "Oh, you're a doctor!" "Oh, yeah." "And unlike you, I've passed some exams." "A doctor, not a nurse, just like you always dreamed." "I think the three of us get on really well in, you know, in real life, which makes it, you know, far easier to get on with working, you know, at work." "And the person who dreamt up this dreamscape is writer Simon Nye." "I know Simon fairly well, he knew I was taking over Doctor Who, he always watched Doctor Who with his kids, so he was keen." "I want the other life, where we're happy and settled and about to have a baby!" "I love the fact, as a family, we can all watch Doctor Who, it's one of the few programmes the family gather round, it's nice to write something they'd watch as well as the challenge of writing something" "slightly more sci-fi and adventurey than I'm used to." " I thought you'd chosen me, not him." " Why are you so insecure?" " You ran off with another man!" " Not in that way." " The night before our wedding." " It still is, we're in a time machine." "It's the night before our wedding for as long as we want!" "He's got quite a satiric eye about normal relationships, a lot of his comedy is about ordinary people in a way." "Beautifully observed." "That's what he brings to this episode." "He brings a lot of detail of Rory and Amy's relationship, very beautifully rendered." "If we could divide up, so we have an active presence in each role, but the Dream Lord is switching us between worlds." "Why?" "What's the logic?" "The Dream Lord appears wearing an incredibly ornate poncho." "Good idea, veggie." "Let's divide you three up, so I can have a little chat with your lovely companion." "Maybe I'll keep her and you can have Pointy-Nose to yourself for all eternity." "I get some nice chin-bashing in this next one, don't I?" "We all get a bit of bashing in this." "Actually..." "Amy's..." "Well, Karen's size, pointy nose, big chin." "You've had this the entire time." "It's better than..." "Sure." "He's not seen that yet, you see, so he has no idea why..." "You don't know what he does every single time he refers to Rory?" "Not every single time!" "Oh, right!" " He always does it, honestly!" " I don't always do it!" " Right." "You've got a strong nose, it's a good thing!" "Is this being filmed?" "Thanks(!" ") Arthur's going to beat me up now." " But it's a good thing." " Don't worry about it." "I had to distinguish..." "I've got to go!" " See you tomorrow!" " I'll see you..." "It's the first day on location and the TARDIS trio are getting the final touches to their bump," " quiff..." " HE MOUTHS" "And um... rat-tail." "(Status Quo!" ")" "MUSIC: "Whatever You Want" by Status Quo" " This is going to be my hair." " Hm-mm." " Lovely." "Like a lady." " We hope." "We hope!" "Right, so here we go!" "This is the wig." "OK, if you put your finger on there, please, sir?" "On there?" "Just on the front, so that..." "Yep." " Yep." " Perfect, I don't think we need to do anything to it." "I think it was called like a Britney wig or something at first." "So, yeah, I look pretty..." "Pretty good." "Then Babs, the make-up designer for this did an amazing job cutting it to make it look a bit more masculine..." "A bit more masculine." "And then put it back in a ponytail." "The ponytail was entirely Simon Nye's idea." "I remember picking up the script and reading the first page and went" ""Oh, God!" "Rory's got a ponytail, how are we going to do that?"" "And then we were all very determined in the meeting, saying" ""No, he's going to have that ponytail, that's just funny."" "Rory has a ponytail because he thinks that's his way of cutting a bit of a dash in the village and not being a dull, rural doctor." "So he, misguidedly" " I think we can all agree - grows a ponytail." "I think people basically think it's really cool, so I haven't had any..." "Don't give me that face." "SHE LAUGHS" "Everyone basically has just told me how cool I look with it." "There have been no negative comments so far." "It was hideous, I think it's safe to say." "But it was really funny." "It made Arthur look really different." "I find him quite scary to look at, actually." "And I hope he doesn't get any ideas and decides to grow his hair like that." "I look a bit like my dad when he was younger." "Cos he was long-haired for a while." "This is for you, Dad." "And in this episode, it wasn't just Arthur's hair which gained some extra body." "Playing pregnant was so much fun." "I got really attached to the bump." "I really did!" "It really affected me actually." "SHE HUMS" "It didn't feel so much like I had this thing on me, it just became quite natural." "And yeah, I kind of found myself rubbing it and stuff, like pregnant women do, but this was all subconscious." "Strange!" "Look at you!" "When worlds collide!" "Oh, look at you both five years later." "You haven't changed a bit!" "Apart from age and size." "It's good to see you, Doctor." "Are you pregnant?" "We're all very used to beautifully slim Karen Gillan racing around the place, like a supercharged giraffe." "And in this, of course, she's wheezing behind." "Wait!" "Stop!" "She says, "Oh, can we not do the running thing?"" ""Oh, can we not do the running thing?"" "It's fundamental to all the Doctor's women, that they run, and she suddenly can't." "Hello and welcome to a new segment of Doctor Who Confidential called Arthur Chews The Fat." "I will be chatting to the good and the great on Doctor Who and literally today I will be chewing the fat with Karen Gillan." " SHE LAUGHS" " Hello!" " Hi, Kazzer." " Hi." "Um, a few quick questions for you today." " What do you mean, "literally chewing the fat?"" " Nothing." "OK." "Fire away!" "So, how is it being massive?" "It's fantastic." "I'd like to introduce you to my..." " Our, in fact..." " Yeah." " Unborn child." " What is it actually made of?" " I don't know." "Ray, what is this, what's inside the bump?" "It's a latex prosthetic bump." " OK." " So it's completely latex." " Ray Holman, costume." " That's why we have a little belly button." " Belly button." "See." "Woo!" "No stuffing." "So it's slightly heavy as well." "And I have massive breasts made of lentils." "That's lovely." "Thank you for that." "Have you become attached to the belly?" "I have, I do not want to take it off." "I feel it's made me more of a woman, some might say." "I'm feeling quite authoritative and, you know, you're older than me, but now you seem like a daft wee boy." "Next question?" "I developed a bump dance, which is basically kind of moving it around and shaking it and it just looked really weird." " Oh." " Go on, go on!" "Show them the belly dance!" "Oh, no!" "Get it away!" "Get it away!" " Ah!" " Were you doing that in the mirror all of yesterday lunchtime?" "Pretty much." "To The White Stripes." "♪ I'm thinkin' about my doorbell" "♪ When ya gonna ring it?" "When ya gonna ring it?" "♪" "Ding dong!" "We're in Skenfrith village, it's an amazing little village." "I haven't actually seen anyone who lives here." "I think they've all run away for the day." "We're just filming all the scenes outside in the village." "♪ Stars shining bright above you... ♪" "Upper Leadworth was lovely." "So it wasn't that hard to imagine it as Rory's ideal place to be, cos I got there and I was like, "Right, I like it here." "A lot."" "♪ Dream a little dream of me. ♪" "First thing we're doing today is just before we see the children turn to dust, just on the playground and... ..Some lovely pony tail comments..." "..are coming into that." "Then we've got a massive..." "It's a five- or six-page scene with the Dream Lord in the village which will take up most of the day." "Action!" "Why would they leave?" "And what did you mean about Mrs Poggett's nice old lady act?" "The thing is about Doctor Who, there isn't really an average filming day." "I mean, obviously you get picked up and lunch is at the same time vaguely every day and then you go home, but everything that happens in between is always so varied that you just have to approach each day with an open mind." "We're all dreaming the same dream at the same time?" "Sort of a communal trance, very rare, very complicated," "I'm sure there's a giveaway, a tell, but my mind isn't working, because this village is so dull!" "We don't get a lot of rehearsal time, but we do get a chance to play with it." "Playtime is definitely over." "I suppose because myself, Matt and Karen have worked for quite a long time together, we kind of immediately have ideas with what to do and how our characters would behave in each situation." "80, take one." "B camera only." "You come up the stairs on "action", yeah?" "And action!" "We generally film a wide shot, which is a master of the whole thing." "You have one shot with all the moves in, so everyone knows the geography of it." "And then they go in for close-ups..." " Nothing bad could ever happen here." " It's not really me though." "..Which when I started this was really terrifying, because it's like, "Here's a camera in your face."" " Ah!" " That's why I got pregnant, so I don't have to see them doing Oklahoma." "But, I don't know, you kind of forget about it." "You just get on with it." "I know who you are." "Course you don't." "Course I do." "No idea how you can be here, but there's only one person in the universe who hates me as much as you do." "Never mind me." "Maybe you should worry about them." "So many of the monsters in Doctor Who are kind of computer-generated and to have a whole bunch of people with Zimmer frames and walking sticks with their mouths open was pretty..." "I mean, it was hilarious." "But it was quite scary." "♪ They say I might as well face the truth" "♪ That I am just too long in the tooth" "♪ I started to deteriorate" "♪ And now I'm past my own sell-by date... ♪" "Now we get a terrible insight into the mind of Simon Nye, don't we?" "I asked him to come up with a Doctor Who monster and he thought old people!" "Well done, Simon, you strange man." "I think it's a brilliant idea!" "♪ So I'm a wrinkly crinkly But don't shed a tear" "♪ I'm not exactly a little old dear" "♪ One thing's for sure I'm still bloody well here" "♪ One foot in the grave" "♪ One foot in the grave" "♪ One foot in the grave. ♪" "It looks like I've got it in for old people." "I just think there is something scary, especially if you're young, about old people." "I'm heading that way myself, as we all are, hopefully, one day, but I think we can all remember, as a child particularly, lovely aunts and grandparents just looking a bit scary." "Hello!" "We were wondering where you went." "To get reinforcements, by the look of it." "Are you all right?" "You look a bit tense." "And it's partly to do with the teeth, perhaps which is why the Eknodines in this episode, who invaded these poor people's bodies, they emerge from their mouths." "There is an eye in her mouth!" "There's a whole creature inside her, inside all of them, living and waiting." "WHIRRING" "That is disgusting!" "They're not going to peep out of anywhere else?" "THEY SCREAM" "Right, leave them, talk to me." "I hope I don't put children off their grandparents because, obviously, we should be learning from the elderly rather than mocking them or making them look scary." "But, um, that's what we're doing in this episode." "It's getting to the end of the day, now." "It's getting a bit dark." "So this is the last shot that we're doing today." "We're all just hanging around to watch someone get covered in goo." "'Action.'" "Morning." "In that scene there were different effects shots and they take for ever because you have to film them in so many different ways." "So when the post guy with the bike went past, you have to film him, then you have to film the background, then you have to film him against a green screen, then you have to film it from different angles." "When you see it in the episode it's just a couple of seconds, but it's actually a few hours' work to get that done." "Morning." "We've come to the end of the day and we haven't finished the scene, but it's been going well and we've had all the old people - is that politically correct to say "old people"?" " we've had all the elderly, the over..." "There's no..." "I mean, it's not a bad thing, it's just how old they are." "We've had all the people with eyes coming out of their mouths, which is obviously lots of effects, so that's taken a little while." "So we are doing the stunt first thing tomorrow, which is good because I had a big lunch and I was worried about, um, getting that all over me later on in the day." "So we are going to go back to the hotel now because it's getting dark and, er, back in to do the stunt tomorrow." "Ah, Leadworth, vibrant as ever." "It's Upper Leadworth, actually, we've gone slightly upmarket." "When you're in a dream, do you really know you're dreaming?" " Where is everyone?" " This is busy." "One reality is Amy and Rory in the future with a child on the way having abandoned the TARDIS and the Doctor turning up to visit them five years later and being as he would be, a little bored and a little critical of what he would regard as" "the dullest lifestyle imaginable." "So, what do you do around here to stave off the, you know..." " Self harm?" " Boredom?" "We relax..." "HE MOUTHS" "We live." "The real bomb goes under that when they discover," ""Hang on, that could be a dream." "We might all still be adventuring on the TARDIS."" " We had the same dream." " Basically." " You said it was a nightmare." " Did I say nightmare?" "No." "More of a really good...mare." "Look, it doesn't matter." "We all had some kind of psychic episode." "We probably jumped a time track." "Forget it!" " BIRDS TWEETING" " We're back to reality now." "I think the most interesting thing about a dream is that while the dream is happening you absolutely think it's real." "I always think my dreams are real then I wake up and think, "Phew!" "That wasn't real."" "OK, this is a real one." "Definitely this one, it's all solid." "It felt solid in the TARDIS, too." "You can't spot a dream while you're having it." " Err, what are you doing?" " Looking for motion blur, pixilation." "It could be a computer simulation." "I don't think so, though." "I think that this episode is very much about how often the emotions that a dream will generate can effect your waking state to such an extent that you begin to question your waking state." "And manipulating the mares of the TARDIS threesome is a powerful new thug." " What are you?" " What shall we call me?" "Well, if you're the Time Lord, let's call me the Dream Lord." "The Dream Lord is the villain throughout this episode." "'Spooky." "Not quite there.'" "And yet very much here." "He's playful, he's gentle, he's quiet, he's little..." "Spooky, old, not-to-be-trusted, me." "..and he's in complete control." " BIRDS TWEETING" " Maybe you need a little sleep?" "He's almost an idea more than a character." "♪ Sleep with one eye open... ♪" "Call me in the morning." "♪ Gripping your pillow tight" "♪ Exit light" "♪ Enter night... ♪" "Anything could happen." "♪ Take my hand... ♪" "We can have fun, can't we?" "♪ We're off to Never Neverland. ♪" "That part could have been, you know, it could have been a massive comedy thing, you know, it could have been anything and he's really made it his own and been brilliant and been really quite scary with it." "I think that's made it a really interesting episode to work on because it's become quite dark." "You're going to face, in both worlds, a deadly danger, but only one of the dangers is real." "Tweet tweet, time to sleep." "BIRDS TWEETING" "Oh, or are you waking up?" "In effect, he doesn't have individual characteristics, it's more that he preys upon the Doctor." "Loves a red head, our naughty Doctor." "Has he told you about Elizabeth I?" "Well, she thought she was the first." "Drop it!" "Drop all of it, I know who you are." " Course you don't." " Course I do." "The Doctor has figured out who it is." "The answer is, perhaps, the most sinister thing about the episode because he casually says, "I know the Dream Lord's me."" "Sorry, wasn't it obvious?" "The Dream Lord was me." "Psychic pollen, it's a mind parasite." "It feeds on everything dark in you." "Gives it a voice." "Turns it against you." ""The Dream Lord is all my negativity," ""all that vicious stuff I keep hidden away coming out to play" ""and torturing me and torturing my friends."" "He's that nightmare version of yourself saying, "What about this?" ""Don't you think you're this?" It's the kind of nightmare you." "It's a nightmare, really, rather than a dream." "But those things he said about you, you don't think any of that's true?" "You don't really think of the Doctor as having a lot of bile under the slab somewhere, but there it is incarnate, in a bow tie, in the form of Toby Jones." "Back on set, the Who crew get ready to turn Arthur into an all-action stunt supremo." "Welcome to another addition of Arthur Chews The Fat." "Er, and today, right now, I'm being joined by Crispin, our wonderful stunt coordinator." "What are we doing today, Crispin?" "Today we are going to..." "Mr Nainby, an elderly sweet shop owner, is going to pick you up off your feet" " and throw you several metres into the mud." " Right." " Is that all right?" " And how much of that is actually going to be me?" " We're going to have you standing on a box..." " Yeah." "..throw you backwards onto a crash mat and then we'll pick up on the other side with Gordon, your stunt double," " to do the whole thing again onto the ground." " Brilliant." "Then we'll pick you back up on the floor." "If you're nice to me." "Right." "Brilliant." "Thank you." "Hello, Mr Nainby." "Mr Nainby ran the sweet shop and used to slip me the odd free toffee." "Did I not say thank YOU!" "I love the way Gord's got the old shower cap action going on." "You're not supposed to shoot me with this on." "I think you should be proud." "Get it out." "Actually, I do like it." "That is..." "Come on." "Come on, lets get 'em out." "Here we are." "Hi, Dad." "BOTH LAUGH" " Did you say what I think you did?" " Yeah." " Yeah." "It's funny, isn't it?" "It's always weird when you've got stunt doubles and they're all dressed the same as you." "You do a double take thinking you're standing over there having some kind of strange Doctor Who out of body experience." "We get used to it, don't we?" "So you grab him, you lift him up on, "Did I not say thank you?"" "And then, bang." "And use the fall mat." "I'd never seen myself as an action actor, er, and I still don't." "But the stunt guys on this are brilliant and they do let us do a lot more than I would have anticipated to be doing." "Mr Nainby ran the sweet shop, used to slip me the odd free toffee." "Did I not say thank you?" "Whoa!" "'It's always fun when you turn up and you know you're going to have to 'bounce on a trampoline or jump onto a crash mat.'" " Are you happy on both?" " Yeah, yeah." " It's ready, let's go." " That's good timing." "B camera." "Action." " Hello, Mr Nainby." " Rory." " Mr Nainby ran the sweet shop." "He used to slip me the odd free toffee." "Did I not say thank you?" "Whoa!" "So...?" "That was all right." "I mean, that's not really the hard bit." "It's just kind of falling off a box, but, um, yeah, Gord's got the flying through the air stuff, which, you know, would be fun to do." "But I think he's going to do it with the trampoline onto the crash mat and then just onto the floor." " Set, Gord?" " Yep." "OK, ready and, three, two, one, action." "All pensioners in your stance, please." " Thank you." "Standing by for a take." "Crispin?" " Set." "And, three, two, one, action." "Ah, ah, ah, ah." "Interesting party trick, don't do it again." "So...?" "Share your problem." " And, cut." " Thank you." "CLAPPING" " Bravo!" " Brilliant." "But pretty muddy." "I'm glad I didn't have to do that." " Hello, Mr Nainby." " Rory." " Mr Nainby ran the sweet shop." "He used to slip me the odd free toffee." "Did I not say thank you?" "Whoa!" " How did he do that?" "!" " I suspect he's not himself." " Cut there." " Cut!" "Happy?" "So, scene complete, ladies and gents." "Thank you very much." "THEY CHEER" "It's nice having longer scenes because you get, you kind of, you get into it more and, er, you can get the rhythm of it more." "So, yeah, no, it was good fun." "After larking about in Leadworth, Arthur is due back on set..." "You're in costume first, then we rehearse, then make-up after, all right?" "Is Nick getting you some breakfast?" "..where the TARDIS is about to turn a little chilly." "It's Monday morning." "As you can see, I'm covered in...covered in ice." "Which is, er, which is lovely." "It comes off me so it's kind of like I can make it snow and it is freezing so it's quite appropriate." "We're about to go on the TARDIS and it's all frosted up." "I haven't seen it yet." "♪ You're as cold as ice" "♪ You're willing to sacrifice" "♪ You're as cold as ice" "♪ You're willing to sacrifice. ♪" "Today we are snowing up the TARDIS." "It's terrifying." "We really need to do this to the TARDIS." "So I'm hoping our preparation is going to save us." "Otherwise the art department will come after me." "♪ You're as cold as ice" "♪ You're willing to sacrifice" "♪ You're as cold as ice" "♪ You're willing to sacrifice. ♪" "Oh, my God." "Wow." "They really have frosted it up." "You read something in the script and go, "Oh, the TARDIS is going to be iced up, that's that."" "And then you actually turn up and see it and it's like, "Wow!"" ""Oh, my God, you really iced the TARDIS up." It was amazing." "It always surpasses what you imagine." "Hey!" "A frosty TARDIS." "Isn't this exciting." "Wow." " Hey, man." " Morning, everyone." "It feels cold." "It's really weird because it's all frosted up." "It's not actually that cold in here, but for some reason it feels really cold." "But, yeah, so this is the bit where the TARDIS explodes." "Um, so everything starts shaking." "Toby is the Dream Lord there." "He concedes and then we, er, we all blow up." "They told me I need my face frosted up now, which I'm sure will be a joy." "Right..." "So the ice is all..." "This is all crushed up bottles on my face, which is entertaining." "Getting in my mouth." "And the rest of it, all the stuff on the set is made of wax, apparently." "And they've got a wax making machine which sounds like a Sunday craft, bit of fun." "They're just going to cover us in it." " It's quite nice, actually." " Therapeutic." " It's quite warm, yeah." " It helps exfoliate, as well." " They could do this in health spas." "MACHINE WHIRS Spin around." "Have they got enough ice for your chin, mate?" "HE LAUGHS" "Cheeky." "I think they've used it all on your nose, man." "Duh-dum, sssh." "Back and forth, just hitting it between us." "I think it's one of the most startling things to do with that set, which is always..." "It's always in a way the same." "The TARDIS is always the same, it's the secure bit of every episode where the monster never gets to, you know, it's safe there." "It never really changes its look." "That's our anchoring point." "Suddenly it becomes the place of maximum danger, it's no longer a sanctuary, it's a trap." "And it looks so cold and different and becomes scary." "It's your oldest friend turning on you." "Poor Amy." "He always leaves you, doesn't he?" "Alone in the dark." " Never apologises." " He doesn't have to." "That's good... because he never will." "It gave you the sense that you were cold, being on the TARDIS when it was like that." "'It was strange for the brain because it feels like you should be cold, 'but you're actually not that cold." "We were head to toe' in this frost and it was horrible because it just crusted over our faces!" "We couldn't even move very easily." "B camera." "And action." "So..." "You chose this world?" "Well done." "You got it right." "And with only seconds left!" "Fair's fair." "Let's warm you up." "And cut." "Oh, I just had a little nap on the floor!" " Did you?" "Did you actually go to sleep?" " Yeah." " See, that's how..." " And I did actually dribble." "That's how professional he is." "He goes the whole way(!" ")" "I hope you've enjoyed your little fictions." "It all came out of your imagination so..." "I'll leave you to ponder on that." "I have been defeated." "I shall withdraw." "Farewell." "We're coming to the end of our frosty day on the TARDIS." "So at some point tonight, I imagine all this will be cleaned up." "But not by me!" "It's been good fun." "I think we'll be findings bits of the snow... ..in various places over my body for the next few weeks." "After the ice-scapades of the TARDIS, the Who crew head off into the country." "Release the geese!" "We're at Rory's dream house, which is pretty nice." "Let me show you around." "This beautiful little cottage... which is pretty cool." "We've kind of taken over." "The TARDIS has landed in the middle." "I'll take you around the back." "We've got some lovely decking." "Don't know whose cottage this is, but it's really beautiful." "Little shed." "It's obviously where we sit out and lounge in the morning, eating croissants." "So I'm about to hit an old woman with a stick... ..which isn't something I've done before." "I'm quite looking forward to it." "I forgot we were doing this today!" "Yeah..." "It's a big stick as well." "Little old lady." "And obviously, just pull it and she'll just squat out of shot." "Believe it or not, it's not a real piece of wood." "It's made of something else." "So, er... ..so it's softer, but it looks like a piece of wood." "So...that's a bit of inside information." "And...action!" "Wait!" "After all I've done for the over-70s in this village!" "SHE PANTS" "Ah, OK, this is crazy." "She loves me, I fixed her depression." " She's just a little old lady." " Mrs Hammill... we don't understand." "SCREECHING" "I'll deal with this one, chubs..." "'We only have one piece of wood and I broke it quite early on.'" " I can't hit her." " Whack her!" "Great fun." " That's the thing with breaking stuff!" " Great!" " Built to break." " Yeah." " Basically ruined it." "What's it made of?" " It's just insulation material." "Right..." " It this going to be repaired, or...?" " No, just paint it." "Just darken up the ends." "I broke it." "We got the shots, thank God, but... ..I-I just broke it." "I'll deal with this, chubs..." "'Obviously, Audrey is there and it looks like..." "'I hit her with a big piece of wood...'" " I can't hit her." " Whack her!" " HE GROANS - 'The way they shoot it is really clever.'" "When she's facing the camera, you kind of go to hit, but you don't actually touch." "And then they cut to a shot from... behind her, which is actually a stunt woman who I was allowed to hit." " I really hit her with it?" " Yes." " As if I was going to hit you, yes?" " Yes." "As long as you avoid the face." "Across here, yeah?" "The way they cut it together makes it look like I've just hit... a dear old lady with a big stick." "But it's necessary because she's got an alien living inside her." "Argh!" "I wasn't quite sure if I... if I hit hard enough, if it looked real enough." "But I watched it back and I think it does." "They'll cut it together and put a big sound effect on it so I'm sure it'll be..." "It's very weird just hitting someone with a stick." "I can't hit her!" "SHE TUTS Whack her!" "Argh!" "I did actually hit Audrey... ..by mistake." "Argh!" "Which was quite unfortunate, I feel quite bad about that." "'I still feel bad about that." "I might write her a letter.'" "Oh, my God, are you all right?" "!" "Are you OK?" "!" "I'm so sorry!" " Are you OK?" " Oh, dear!" " Oh, my goodness!" "I just..." "Oh, I'm so sorry!" "After having his fill of battering the elderly," "Arthur takes a backseat to watch the stunt people do their thing." "Stunt people are great, actually." "They always make it look really brilliant." "Someone will be jumping out of a window and landing on these boxes." "I don't know how safe that is." "So...don't try this at home, kids!" "It's a scene that involves Rory, Amy and the Doctor stuck inside the nursery near the top window." "One of the pensioners manages to climb on top of the porch roof and then she breaks the window and the Doctor basically pushes her off the porch roof into the flowerbed just behind me." "'We've got a stunt double for her and we have her sitting on top of the porch roof.'" "'Because of the angle of the roof,'" "I don't want the stunt girl to jump out." "I don't need her to go too far." "I need her literally as if she's just rolled off the roof and fallen down into the flowerbed." "She's just to be aware of when she's falling to avoid the windows and the window ledges, and also doesn't push herself too far out to hit the rockery." "187, take two, camera A." "3, 2, 1, action!" "DRAMATIC MUSIC PLAYS, SHE SCREAMS" "Well done." "I think we've only got a couple more days left on this episode... ..which is a bit weird." "It's kind of coming to the end." "But, yeah, it' going..." "It's funny, I went through the script... last night again and I haven't even shot most of it." "And it's like, "Oh, wow." It's gone really fast." "Quiet, please." "And Arthur's last adventure is to film Rory Williams' long goodbye." " Action!" " GASPING" "The death scene was really weird because it was so quick." "It happens so out of the blue." "SCREAMING" "HE SCREAMS Rory!" "'It's horrible because Rory, at that point knows' it's his reality." "No!" "I'm not ready!" "'It's like everything he ever wanted is just completely being denied.'" "Look after our baby." "'I think in that moment, Amy realises her feelings towards him.'" "No..." "Come back." "It's just tragic it takes something like that for her to realise." "Save him." "You save everyone, you always do." " It's what you do." " Not always." "'She's absolutely distraught, but thinking more clearly than ever' about their relationship." "'It is to her own shock, absolutely clear to the moment she loses Rory, 'that she could not bear' to be without him." "And that is proper shock." "It's not the Doctor, it's never been the Doctor, it's about Rory." "I think Amy surprises herself by realising that it's great to have an enigmatic genius to run around after and be with, but in the end, that's perhaps not enough." "I think she realises that... she really does love Rory." "This is the dream." "How do you know?" "Because if this is real life, I don't want it." "I don't want it." "There is obviously the risk that that's not the dream and then they'll all die if they get it wrong." "But she doesn't care because she realises how much she loves him." "Be very sure - this could be the real world." "It can't be!" "Rory isn't here." "I didn't know." "I didn't." "I honestly didn't until right now." "Massive turn in their relationship, you know, when Rory dies." "Maybe he realises exactly what she wants." "OK." "Killing herself in a dream where she doesn't know if she's going to wake up, but the thought of living without him is... not worth considering." "'It's amazing." "'It really cements... 'their relationship...' at that point." "And it makes Rory so happy." "Oh, wahey!" "From now on, trust nothing you see, hear or feel." "This is good." "So...?" "Well, then?" "Where now?" "I don't know." "Anywhere is good for me." "I'm happy anywhere." "It's up to Amy this time." "Amy's choice." "Subtitles by Red Bee Media Ltd" "E-mail subtitling@bbc.co.uk"