"CAPTIONING MADE POSSIBLE BY TRIMARK HOME VIDEO" "CAPTIONING MADE POSSIBLE BY TRIMARK HOME VIDEO" "[CAMERA CLICKS]" "Billy:" "I AM A HOMOSEXUAL." "[CAMERA CLICKS]" "I AM ALSO A PHOTOGRAPHER WITH A PENCHANT FOR POLAROIDS." "[CAMERA CLICKS]" "I AM A FILM BUFF" "WITH A PREFERENCE FOR WOMEN'S MELODRAMAS." "[CAMERA CLICKS]" "AND I'M JUST AN ALL-AROUND NICE GUY." "BUT MORE OFTEN THAN NOT," "I AM IDENTIFIED AS..." "[CAMERA CLICKS]" "A HOMOSEXUAL." "MOTHER NATURE DEALT ME THIS, HER FIRST BLOW, 26 YEARS AGO" "WHEN I WAS BORN IN A SMALL TOWN..." "[CAMERA CLICKS]" "IN INDIANA..." "WHERE THERE'S PLENTY OF CORN, FAST CARS," "AND STRAIGHTS." "LOTS..." "AND LOTS..." "OF STRAIGHTS." "I MEAN..." "A LOT." "IT DIDN'T TAKE ME TOO LONG TO FIGURE OUT" "THAT I DIDN'T REALLY FIT IN" "I MEAN, AT ALL" "SO AS SOON AS I GOT THE CHANCE," "I MOVED TO THE BIG CITY." "[CAMERA CLICKS]" "LOS ANGELES..." "WHERE THERE'S PLENTY OF MOVIE STARS," "FAST CARS," "AND HOMOSEXUALS." "GAYS, LESBIANS, bis." "I MEAN, PEOPLE WILL TRY ANYTHING IN THIS PLACE." "BUT NOW I'VE BECOME A MISFIT OF A DIFFERENT KIND..." "[CAMERA CLICKS]" "A ROMANTIC." "CONTRARY TO POPULAR BELIEF," "ALL HOMOSEXUALS DON'T GET LAID ALL THE TIME." "SOME OF US, IN FACT," "LONG FOR TRUE LOVE, KIDS," "A HOUSE IN THE COUNTRY WITH A WHITE PICKET FENCE..." "[CAMERA CLICKS]" "I MEAN, FACE IT." "YOU STRAIGHTS HAVE IT ALL." "WELL, THIS IS WHAT I'VE GOT:" "A STORY WHICH I OFFER TO THE HOMOS AND THE HETEROS" "IN HOPES OF BRINGING US ALL A LITTLE BIT CLOSER" "TO UNDERSTANDING THOSE WORDS "STRAIGHT" AND "GAY"" "IF, IN FACT," "THEY HAVE ANY MEANING AT ALL." "[CAMERA CLICKS]" "I ISSUE ONE WARNING." "THERE ARE NO TITS IN THIS PICTURE." "JUST A TONGUE IN AN EAR, A BRIEF BIT OF FOREPLAY," "AND, OF COURSE, ONE HOLLYWOOD SCREEN KISS." "MY STORY BEGINS IN A WEST HOLLYWOOD APARTMENT." "THAT'S ME, IN BED WITH FERNANDO," "WHO I'M SEEING, KIND OF..." "SORT OF." "I DON'T KNOW." "SEE, HE'S ALREADY COMMITTED TO SOMEBODY ELSE," "BUT MORE ABOUT THIS AND THE REST OF MY STORY" "AFTER THIS REALLY GROOVY CREDIT SEQUENCE." "[GROOVY MUSIC PLAYING]" "[GROOVY MUSIC PLAYING]" "A CUBAN LOVE SONG" "A CUBAN LOVE SONG" "OH, NOT THE EAR THING AGAIN." "YOU ARE SO SPECIAL." "MMM." "YOU ARE..." "SO SPECIAL." "SO, SO, SO, SO..." "SPECIAL." "OH, ALL RIGHT." "OH, ALL RIGHT." "YOU ARE SO SPECIAL." "[TELEPHONE RINGS]" "IN SPANISH, SPANISH." "EST?" "N ESPECIAL." "MORE SPANISH." "[TELEPHONE RINGS]" "[SPEAKING SPANISH]" "Answering machine:" "THIS IS FERNANDO." "LEAVE A MESSAGE." "[ANSWERING MACHINE BEEPS]" "Peter:" "FERNANDO, IT'S PETER." "Billy:" "TONTO!" "Peter:" "PICK UP." "[FERNANDO SPEAKING SPANISH]" "[FERNANDO SPEAKING SPANISH]" "I CAN'T DO THIS." "YOU ARE SO SPECIAL." "YEAH, NOT SPECIAL ENOUGH." "YEAH, NOT SPECIAL ENOUGH." "BILLY." "PETER AND I HAVE AN OPEN RELATIONSHIP." "YEAH, WIDE OPEN." "I PICKED YOU UP AT RAGE, FOR CHRIST'S SAKE." "[SPEAKS SPANISH]" "MAYBE IF YOU SPENT SOME TIME" "WITH MEANDPETER." "PLEASE." "I'M NO BIGAMIST." "PLEASE." "I'M NO BIGAMIST." "A FAREWELL KISS?" "A FAREWELL KISS?" "?" "?" "UN BESO DE DESPEDIDA" "?" "?" "UN BESO DE DESPEDIDA" "I'LL SEE YOU HERE SUNDAY." "OK." "CALL ME." "OK." "CALL ME." "WHAT HAPPENED?" "I DIDN'T GET IT." "OH, I'M SORRY, BABY." "SHE SAID IT WAS COOL." "IT'S JUST THAT NOT TOO MANY ARTISTS" "WILL BE BUYING VACUUM CLEANERS THIS SEASON." "OH, NO." "ALL RIGHT." "ALL RIGHT." "SHE'S RIGHT." "THANK YOU." "WELL, COME ON." "MOST OF THE WORLD'S POPULATION" "SIMPLY DOES NOT HAVE GOOD TASTE." "YOU CAN'T EXPECT A PERSON LIKE THAT" "TO APPRECIATE SOMETHING THIS" "ARTSY?" "NO." "SHE CALLED IT ARTSY?" "BUY ME A DRINK." "I'LL BUY YOU A COFFEE." "I'LL BUY YOU A COFFEE." "OK, SO WHAT ARE YOU GONNA DO NOW?" "I DON'T KNOW." "I'M GONNA HAVE TO BORROW MONEY FROM SOMEWHERE" "TO COVER NEXT MONTH'S RENT." "MAYBE I SHOULD JUST LEAVE L.A." "COME ON, BILLY." "MY LIFE HERE FUCKING SUCKS." "HEY, WELL AT LEAST YOU'VE GOT FREDERICO." "FERNANDO." "YOU KNOW..." "I HATE BEING THE OTHER WOMAN." "OK, AND THE HUSBAND?" "PETER, OK." "HE'S LIKE 19." "I THINK HE'S THE PAPERBOY." "WHAT DO YOU EXPECT, BILLY?" "YOU KEEP FINDING YOURSELF ATTRACTED" "TO THESE TOTALLY UNAVAILABLE BOYS." "ON SOME LEVEL YOU MUST NOT BE READY" "FOR TRUE INTIMACY." "OK, YOU KNOW WHAT?" "NEVER MIND." "YOU'RE JUST GONNA GO ON" "IN THIS SHITTY RELATIONSHIP" "JUST TO TORTURE YOURSELF." "BETTER TO BE TORTURED AND GETTING LAID" "THAN COMFORTABLE AND NOT." "HI, BILLY, GEORGE." "HI, BILLY, GEORGE." "HEY, LES." "WE'LL SEE YOU AT HOLLY'S PARTY?" "I'M MEETING PERRY THERE." "I'M MEETING PERRY THERE." "FREAK, PARTY OF ONE." "FREAK, PARTY OF ONE." "COME ON." "HE'S A NICE GUY." "YOU COULD BE USING THIS DOWN TIME PRODUCTIVELY." "YOU'VE GOT NO JOB, AND YOU'RE ANGST-RIDDEN" "OVER A BAD RELATIONSHIP." "MAYBE THAT PUTS YOU AT YOUR CREATIVE PEAK." "WHAT ABOUT THAT IDEA" "OF SHOOTING THOSE ROMANTIC FILM STILLS?" "PRETENTIOUS." "BILLY, YOU'RE PRETENTIOUS." "I DON'T HAVE ANY MODELS." "YOU KNOW WHAT?" "WE GET MARK TO DRESS UP AS DEIDRE." "OK, THERE'S HALF A COUPLE." "YEAH, AND I'M SURE I COULD GET ANDREW TO DO IT." "YEAH, AND I'M SURE I COULD GET ANDREW TO DO IT." "ANDREW, YOUR BOYFRIEND?" "YOU KNOW WHAT YOU'RE DOING?" "THIS IS CALLED CREATING OBSTACLES." "GEORGE, ONE DOES NOT CREATE OBSTACLES FOR ONESELF, OK?" "THEY JUST KIND OF" "Gabriel:" "EXCUSE ME." "HAPPEN." "MORE?" "UH, YEAH." "YOU CAN TOP ME OFF." "YOU CAN TOP ME OFF." "THANKS." "ANYTIME." "ANYTIME." "NO, THANKS." "NO, THANKS." "SNACK." "THAT BOY IS FAR TOO BEAUTIFUL TO BE SLOPPING COFFEE." "THERE YOU HAVE IT." "THERE I HAVE WHAT?" "YOUR MALE MODEL LEAD." "HE'S PERFECT." "GEORGE, STOP DIRECTING MY LIFE." "A NICE BODY, A GORGEOUS UNSPOILED FACE." "GEORGE, NO." "OK, YOU KNOW WHAT?" "THAT'S IT." "FUCK IT." "COME ON, DON'T GO." "NO." "YOU'RE BETTER OFF" "LOCKED UP IN THE APARTMENT," "WITHERING AWAY IN FRONT OF AMC." "OH, GOD, I HATE IT WHEN YOU DO THAT." "UM..." "REGULAR, RIGHT?" "REGULAR, RIGHT?" "Holly:" "LADIES AND GENTLEMEN," "MESSIEURS ET MESSIEUSES," "ET CETERA." "THE DELECTABLE..." "THE DELICIOUS..." "THE DELIGHTFUL..." "THE LOVELY MISS DEIDRE." "[APPLAUSE]" "WHERE'S THE 20 BUCKS YOU OWE ME, BITCH?" "WHERE'S THE 20 BUCKS YOU OWE ME, BITCH?" "[MUSIC PLAYS]" "[MUSIC PLAYS]" "[LIP-SYNCHING] SAY, LOVE ME, LEAVE ME" "LET ME BE LONELY" "YOU WON'T BELIEVE ME" "BUT I LOVE YOU ONLY" "I'D RATHER BE LONELY" "THAN HAPPY WITH SOMEBODY ELSE" "YOU MIGHT FIND THE NIGHTTIME" "THE RIGHT TIME FOR KISSING" "NIGHTTIME IS MY TIME" "FOR JUST REMINISCING" "REGRETTING INSTEAD OF FORGETTING" "SOMEBODY ELSE" "THERE'LL BE NO ONE" "UNLESS THAT SOMEONE IS YOU" "I INTEND TO BE INDEPENDENTLY BLUE" "SAY, HEY, HEY" "I WANT YOUR LOVE" "DON'T WANT TO BORROW" "HAVE IT TODAY" "TO GIVE BACK TOMORROW" "YOUR LOVE IS MY LOVE" "THERE'S NO LOVE FOR NOBODY ELSE" "THAT DRAG QUEEN IS AMAZING, HUH, BILLY?" "TOTALLY LOOKS LIKE A WOMAN." "OK, I NEED TO KNOW" "THAT HIS PENIS IS LARGE ENOUGH" "TO SUSTAIN THIS RELATIONSHIP." "BILLY." "JUST IGNORE HIM, HONEY." "I THINK WE SHOULD TAKE OFF THE JACKET." "I LIKE THIS JACKET." "IT'S NOT WORKING." "IT'S NOT WORKING." "HI, BILLY." "I LOVE THE EARRINGS." "MILLI VANILLI AND JOHN TESH." "HOLD IT." "HOLD IT." "HAVE YOU GOT A JOB YET?" "HELL, NO." "WELL, DON'T WORRY." "PEOPLE LIKE US" "ARE FAR TOO TALENTED TO BE IGNORED." "HAVE YOU SEEN PERRY?" "NOT YET, BUT IF YOU'RE IN THE MOOD" "FOR A LITTLE LATINO LOVE TONIGHT," "FRANCISCO'S HERE." "FERNANDO?" "MM-HMM." "I SUPPOSE I SHOULD PAY MY REGARDS, HUH?" "MM-HMM." "MM-HMM." "I LOVE THIS PICTURE." "I LOVE THIS PICTURE." "PETER, JUST GO IN." "RELAX, ENJOY THE PARTY." "FERNANDO." "MIJO." "I THOUGHT I MIGHT SEE YOU HERE." "THERE'S SOMEBODY I WANT YOU TO MEET." "PETER." "YOU MUST WORK WITH FERNANDO." "YOU MUST WORK WITH FERNANDO." "YEAH." "WE WORK TOGETHER." "EXCUSE ME." "EXCUSE ME." "BILLY." "JESUS CHRIST, MARY, AND SAINT JOSEPH." "THERE WILL BE NO PRAYING AT MY PARTY." "AND YOU, YOU FILTHY PIG," "GET OFF OF MY BED!" "GET OFF OF MY BED!" "THE SAINTS AREN'T ALLOWED" "TO LISTEN TO THE FAGGOTS ANYWAY, KID." "HAVING FUN?" "LAST NIGHT, SHE SERVED MUCH CHEAPER STUFF," "AND THE GUESTS WERE FAR MORE IMPORTANT." "WHERE HAVE YOU BEEN?" "I SAW FREDERICO." "FERNANDO." "IT'S OVER." "I KNOW." "SAW THE WIFE." "LUCKY YOU." "GEORGE TOLD US YOU CAN'T FIND A JOB, EITHER." "UNEMPLOYED AND LOVELESS." "THAT PUTS YOU AT YOUR CREATIVE PEAK." "I'VE ALREADY HAD THIS CONVERSATION." "YOU NEED MONEY?" "I'VE ALREADY HAD THIS CONVERSATION." "AND MODELS?" "YOU KNOW WHAT'S SO FUNNY" "IS I'VE ALREADY HAD THIS CONVERSATION." "I COULD HELP." "NO." "YOU KNOW, I..." "I COULD BE YOUR PATRON." "WHAT DOES THAT MEAN?" "I COULD GIVE YOU MONEY FOR FILM AND PAPER," "ANYTHING ELSE YOU MIGHT NEED." "YOU CAN USE MY DARKROOM." "AND DONNA HERE" "WOULD BE DELIGHTED TO HELP, I'M SURE." "LESBIANS CAN BE REMARKABLE WITH MAKEUP AND LIGHTING." "WHATEVER." "NO." "I..." "COME ON." "IT'LL BE FUN TO BE ON THE OTHER SIDE FOR A CHANGE." "YEAH, AND DON'T FEEL GUILTY, EITHER." "HE'S SELLING VERY WELL IN JAPAN." "AND WHEN THE PHOTOS ARE FINISHED," "I CAN RUN THEM BY MY ART DEALER." "WHY ARE YOU" "YOU DON'T HAVE TO DO THIS." "CONGRATULATIONS." "YOU ARE THE FIRST RECIPIENT" "OF THE PERRY WALLACE PHOTOGRAPHY FELLOWSHIP." "WOW, PERRY, THANK YOU SO MUCH." "A TOKEN OF MY APPRECIATION." "A TOKEN OF MY APPRECIATION." "SEE YOU, KID." "SEE YOU, KID." "WAIT A MINUTE." "YOU DON'T EVEN KNOW WHAT I WANT TO DO YET." "HEY." "HEY." "HEY." "HEY." "LIGHTS UP." "ACTION." "A MAN IS SLEEPING." "A MAN WAKES UP." "A MAN WAKES UP." "BILLY." "ONE OF THE DRAG QUEENS" "SAID SHE'D MAKE ME UP BEFORE WE LEAVE." "YOU'RE JEALOUS?" "YEAH, THAT'S GREAT." "HEY, GUESS WHAT." "LOOKS LIKE I'LL BE EXPLOITING MY CREATIVE PEAK." "PERRY'S GONNA GIVE ME MONEY TO DO A SERIES." "GOD, CONGRATULATIONS." "THAT'S AMAZING." "AND, LOOKS LIKE IT'S A SIGN." "George:" "OH, MY GOD." "IT'S, UH..." "COFFEE BOY." "HEY." "OH, HONEY, THE JACKET." "YEAH." "I GOT IT." "SO, BABY, IT LOOKS LIKE OUR SON IS IN LUST." "GOD, HE'S FUCKING GORGEOUS." "SO GO OVER AND INTRODUCE YOURSELF." "WHAT, ASK HIM," ""HAS ANYONE EVER TOLD YOU YOU SHOULD MODEL?"" "SOUNDS LIKE A SLEAZY HOLLYWOOD COME-ON." "IT'S A PROFESSIONAL INTRODUCTION." "DID YOU HEAR HIM?" "IT'S A PROFE-- I LOVE YOU." "RIGHT." "A PROFESSIONAL INTRODUCTION." "A PROFESSIONAL INTRODUCTION." "YOU WANT COFFEE?" "I'LL GIVE YOU COFFEE!" "HERE!" "DRINK THE COFFEE!" "TOO MUCH SUGAR!" "TOO MUCH SUGAR!" "I WAS WONDERING IF ANYONE'S EVER ASKED YOU" "OR TOLD YOU YOU SHOULD MODEL?" "OR TOLD YOU YOU SHOULD MODEL?" "IN FRONT OF THAT THING?" "DON'T MAKE FUN OF MY CAMERA, MAN." "DON'T MAKE FUN OF MY CAMERA, MAN." "I'M SORRY." "I'M GABRIEL." "BILLY." "HOW'S IT GOING?" "FINI." "[CAMERA CLICKS]" "SO, GABRIEL, NOBODY IN L.A." "JUST WORKS IN A COFFEEHOUSE." "I MEAN, COME ON." "I PLAY THE BASS." "REALLY?" "I LOVE THE BASS." "YOU'RE KIDDING ME." "I HAD A BAND UP IN SAN FRANCISCO" "CORN HOLE." "CORN HOLE?" "YEAH." "YOU EVER HEARD OF 'EM?" "I PLAYED ALL THE TIME." "I CAN'T SEEM TO HOOK UP WITH ANYONE DOWN HERE IN L.A." "IT SEEMS EVERY GUITARIST IN LOS ANGELES" "SEEMS TO WANT TO PLAY BASS." "WELL, PEOPLE ARE MORE APT" "TO COMPROMISE THEIR DREAMS IN THIS CITY," "AND THEY DO." "THAT'S CYNICAL." "SO?" "CIGARETTE?" "YEAH." "WHAT DO YOU DO?" "THIS." "MMM." "OF COURSE." "OF COURSE." "AND YOU'RE GAY?" "AND YOU'RE GAY?" "DO I ACT GAY?" "KIND OF." "AND YOU'RE STRAIGHT?" "I HAVE A GIRLFRIEND IN SAN FRANCISCO." "OH, OK." "WHAT IS THAT SUPPOSED TO MEAN?" "NOTHING." "SOME OF MY BEST FRIENDS ARE..." "STRAIGHT?" "WHATEVER." "DO YOU WANT ANOTHER BEER?" "YEAH." "I'LL GO GET 'EM." "YEAH." "I'LL GO GET 'EM." "Peter:" "WE CAN TALK ABOUT THIS AT HOME, FERNANDO." "Fernando:" "JUST GIVE ME A SECOND." "I WANT TO APOLOGIZE." "I'LL BE IN THE CAR." "I'LL BE IN THE CAR." "PETER LIKED YOU A LOT." "YOU KNEW I WOULD BE AT THIS PARTY." "YES." "DON'T YOU THINK IT WAS A BIT TACKY" "TO SHOW UP WITH PETER?" "NO." "LOOK, FERNANDO, IF WE'RE GONNA HAVE AN AFFAIR," "AT LEAST PLAY BY THE FUCKING RULES." "BILLY, THERE ARE NO RULES." "WHAT WE HAVE IS A RELATIONSHIP," "NOT A SUBURBAN MARRIAGE." "I SHOULD JUST BE GLAD I CAN GET LAID" "EVERY ONCE IN A WHILE, HUH?" "IT WASN'T JUST ABOUT THE SEX." "RIGHT." "IT WAS SPECIAL." "SOSPECIAL." "OH, I'D LIKE YOU TO MEET MY EX-WHATEVER, FERNANDO." "HELLO." "AND WHO IS THIS?" "UM..." "GABRIEL'S MY NEW HUSBAND." "GABRIEL'S MY NEW HUSBAND." "REALLY?" "YEAH." "HERE'S YOUR BEER, HONEY." "THANKS, DEAR." "COULD YOU JUST TAKE A PICTURE OF US" "REALLY QUICK?" "OF COURSE." "YEAH, THANKS." "YEAH, THANKS." "THANKS." "DRIVE CAREFUL." "THANKS." "DRIVE CAREFUL." "HEY, BILLY." "HEY, LES." "HEY, LES." "THANKS FOR THAT PERFORMANCE BACK THERE." "I WOULD HAVE DONE IT FOR ANY FRIEND." "I'M GLAD I CAN CALL YOU A FRIEND, THEN." "I'M GLAD I CAN CALL YOU A FRIEND, THEN." "DID YOU NEED A RIDE?" "NO." "I'VE GOT TO GO THIS WAY." "I'M CLOSE." "OK." "ALL RIGHT." "ALL RIGHT." "ALL RIGHT." "GABRIEL." "ABOUT MODELING." "IT WASN'T JUST A LINE." "I COULD REALLY USE YOU IN SOMETHING." "IN SOMETHING?" "YEAH." "WE SHOULD TALK ABOUT IT." "YOU WANT TO GO TO A MOVIE OR SOMETHING." "YEAH, SURE." "WHEN?" "WHENEVER." "LOOK, IF IT'S NOT ON THE CALENDAR," "IT AIN'T GONNA HAPPEN." "UM, HOW'S MONDAY?" "MONDAY." "MONDAY." "LOOK, IT'S GONNA BE GREAT." "I PROMISE." "I PROMISE." "OK, WELL, YOU'RE GONNA HAVE TO CONVINCE ME OF THAT." "I WILL, I WILL." "ALL RIGHT." "TAKE IT EASY." "YUP." "YUP." "ERNEST BORGNINE WAS REALLY GOOD," "BUT I THINK THE DIALOGUE WAS A LITTLE RIDICULOUS." "MY GOD, HE'S TOO STRAIGHT TO APPRECIATE FINE CAMP." "GEORGIANA." "IGNORE HIM." "COME ON, LET'S GO HOME." "OK." "HEY, WHY DON'T WE STAY AT YOUR PLACE TONIGHT?" "MY SHEETS ARE DIRTY." "WE'LL DO THE LAUNDRY." "I DON'T HAVE ANY SOAP." "[SIGHS]" "[SIGHS]" "Andrew:" "BUT" "George:" "DON'T SPEAK." "WHAT ARE YOU DOING NOW?" "I'M JUST GONNA GO HOME AND GET SOME Zs." "COME BACK TO MY PLACE." "WE'LL LISTEN TO SOME GROOVY RECORDS." "I'M KIDDING." "COME ON." "I'M KIDDING." "COME ON." "THE MOVIE REALLY BORED YOU?" "I MEAN, THE ROMANCE WAS BULLSHIT." "IT'S JUST MAKING THE BEAUTY OF TRUE LOVE MORE BEAUTIFUL." "BULLSHIT." "COME ON." "THE WAY IT WAS SHOT," "IT'S A PHOTOGRAPHER'S DREAM." "THAT BEACH SCENE." "HOLD ON." "I DON'T THINK SO." "NO, NO, NO." "I'M THINKING OF USING IT FOR ONE OF THE PHOTOGRAPHS." "YEAH." "WE'LL DRESS MARK UP AS DEIDRE." "SHE'LL BE DEBORAH KERR," "AND YOU'LL BE THE PERFECT BURT LANCASTER." "WE'LL PUT YOU IN ONE OF THOSE TIGHT LITTLE" "HOLD ON." "YEAH, YEAH, YEAH." "ALL RIGHT, NOW..." "IF I AGREE TO DO THIS..." "YEAH?" "I JUST GOT ONE QUESTION." "ARE THERE GONNA BE GUYS, LIKE..." "YOU KNOW, LIKE," "INTO THIS PICTURE?" "[LAUGHS]" "WHAT?" "DOES THAT BOTHER YOU?" "WELL, NO." "WELL, NO." "I DIDN'T THINK SO." "I DIDN'T THINK SO." "HOW OLD IS THIS DINOSAUR?" "I GOT IT IN FOURTH GRADE." "MMM." "STILL WORK?" "YEAH." "THERE'S A STORY BEHIND IT, ACTUALLY." "THERE'S A STORY BEHIND IT, ACTUALLY." "[CAMERA CLICKS]" "IT STARTS IN THE BASEMENT OF MY BEST FRIEND'S HOUSE." "HIS NAME WAS KENT BARTLETT." "HE WAS THIS WICKED LITTLE KID." "HE LIVED JUST DOWN THE STREET FROM ME," "AND ABOUT THE ONLY THING WE HAD IN COMMON" "WAS THAT WE BOTH LIKED BOOKS A LOT." "SO ONE DAY I'M OVER AT HIS HOUSE," "AND HE DRAGS ME DOWN TO THE BASEMENT" "TO SHOW ME HIS DAD'S COLLECTION OF DIRTY MAGAZINES." "SEX AT THIS AGE IS NOTHING MORE THAN A DIRTY WORD," "SO I DIDN'T HAVE ANY PROBLEM TELLING KENT," ""I LIKE NAKED MEN, NOT NAKED WOMEN."" "I DON'T KNOW HOW I KNEW AT SUCH AN EARLY AGE." "IT WAS JUST THIS FEELING, I GUESS, YOU KNOW?" "AND AT SOME POINT IN MY LIFE THIS WAS GONNA BE AN ISSUE." "LIKE MY WHOLE SEXUAL DESTINY" "HAD BEEN ENCODED IN MY SUBCONSCIOUS." "I CERTAINLY DIDN'T KNOW WHAT IT MEANT TO LIKE NAKED MEN," "AND I DON'T THINK KENT KNEW, EITHER," "BUT WE SOON FOUND OUT." "KENT STARTED ACTING REALLY WEIRD." "HE WOULDN'T TALK TO ME" "OR SIT NEXT TO ME ON THE BUS." "ONE FRIDAY," "HE CAME ON THE BUS WITH ALL OF HIS FRIENDS," "AND THEY WERE ALL GOING TO HIS NINTH BIRTHDAY PARTY." "SO I PLAYED IT COOL, YOU KNOW." "BUT THE SECOND I STEPPED OFF THAT BUS, MAN," "I RAN HOME SO FUCKING FAST SO NOBODY WOULD SEE ME CRY." "AND WHEN I GOT HOME, MY MOM WAS THERE," "AND SHE ASKED WHAT WAS WRONG, AND I TOLD HER." "AND SHE IMMEDIATELY PICKED UP THE PHONE" "AND JUST FUCKING RAILED INTO KENT'S MOM" "FOR NOT INVITING ME TO THE PARTY." "AND WHEN SHE HUNG UP THE PHONE," "SHE WAS IN TEARS, TOO." "KENT'S MOM TOLD MY MOM WHAT HAD HAPPENED." "KENT PROBABLY NAIVELY ASKED HER WHAT IT MEANT" "THAT I LIKE NAKED MEN." "AND NOW MRS. BARTLETT NO LONGER WANTED ME" "HANGING OUT WITH KENT ANYMORE." "I NEVER SAW MY MOM CRY BEFORE." "I NEVER SAW MY MOM CRY BEFORE." "AND IT HURT ME SO MUCH TO SEE THAT SHE WAS JUST AS," "YOU KNOW, FRAGILE, I GUESS, AS I WAS." "SO SHE STARTED CRYING MORE, AND I STARTED CRYING MORE." "WE JUST SAT THERE CRYING FOR THE NEXT FEW MINUTES." "AND SHE SAID, "YOU KNOW WHAT?" "WE'RE GONNA HAVE A PARTY OF OUR OWN."" "NOW, MY BIRTHDAY WAS JUST A COUPLE WEEKS AFTER KENT'S." "AND MY MOM ALREADY HAD MY PRESENT UP IN THE CLOSET." "IT WAS A POLAROID, OF COURSE." "I WAS SO HAPPY." "I WAS SO HAPPY." "'CAUSE IT WAS JUST WHAT I WANTED." "I FORGOT ALL ABOUT KENT'S MOM AND MY MOM." "I FORGOT ALL ABOUT KENT'S MOM AND MY MOM." "AFTERWARDS, SHE, UH," "SHE SERVED US BIRTHDAY DING-DONGS." "AND WE JUST SAT THERE ACROSS FROM EACH OTHER," "EATING IN SILENCE." "EATING IN SILENCE." "IT'S SO SAD." "IT'S SO SAD." "[SIGHS]" "IT'S NOT THAT SAD." "IT'S NOT THAT SAD." "ARE YOU STILL CLOSE TO YOUR MOM AND DAD?" "MY DAD'S OK." "YOU KNOW." "HE TRAVELS A LOT SELLING INSURANCE," "BUT MY MOM..." "SHE'S A GREAT WOMAN." "OF COURSE, SHE'S TURNING OUT" "MORE AND MORE LIKE MY GRANDMOTHER THESE DAYS." "THAT MUST BE HARD." "SOMETIMES." "SOMETIMES." "LET'S TALK ABOUT YOU." "LET'S TALK ABOUT YOU." "WHAT?" "SO, HAVE YOU FOUND TRUE LOVE YET?" "MMM..." "I'VE GOT MY GIRLFRIEND UP IN SAN FRANCISCO." "THAT'S RIGHT, THAT'S RIGHT." "I FORGOT." "YOU MUST MISS HER." "KIND OF." "WHAT DOES SHE DO?" "SHE PLAYS THE DRUMS." "[LAUGHS] OH." "SO YOU'RE LIKE A REGULAR KURT AND COURTNEY." "OH, YEAH." "WELL, I MEAN, THE ONLY PROBLEM IS" "SHE DOESN'T REALLY LIKE ANY OF MY MUSIC, BUT" "OH, YEAH?" "LIKE WHAT?" "OH, YEAH?" "LIKE WHAT?" "FIREHOUSE." "YOU KNOW, BASSY KIND OF STUFF." "SUGAR." "I FUCKING LOVE SUGAR." "I SAW THEM PLAY AT THE PALACE ONCE." "I EVEN SAW HUSKER DU PLAY DOWN IN INDIANA." "YOU SAW HUSKER DU?" "YEAH." "SO?" "I DON'T KNOW." "I JUST FIGURED YOU LISTENED TO STUFF" "LIKE PET SHOP BOYS OR ERASURE OR SOMETHING LIKE THAT." "JESUS." "YEAH." "YEAH." "OH, SHIT." "UM..." "LISTEN, I GOT TO CALL MY GIRLFRIEND." "I'LL FOLLOW YOU OUT." "SO, WE'LL SET THINGS IN MOTION ON WEDNESDAY," "AND WE'LL GO FROM THERE." "COOL." "CONGRATULATIONS." "YOU ARE NOW THE STAR OF BILLY COLLIER'S" "SOON-TO-BE-WORLD-FAMOUS HOLLYWOOD SCREEN KISSSERIES." "ALL RIGHT." "HA HA." "HOLD IT." "HA HA." "HOLD IT." "FOR YOUR GIRLFRIEND." "[SIGHS] THANK YOU." "WAIT." "ONE MORE." "WAIT." "ONE MORE." "FOR ME." "FOR ME." "OK, WE'LL TALK." "COOL." "ALL RIGHT." "SEE YOU." "GOOD NIGHT." "GOOD NIGHT." "I NEVER KNEW IT COULD BE LIKE THIS." "NOBODY'S EVER KISSED ME THE WAY YOU DO." "NOBODY?" "NO." "NOBODY." "NOT EVEN ONE?" "NOT ALL OF THE MEN..." "WOMEN YOU'VE BEEN KISSED BY?" "NOW, THAT TAKES SOME FIGURING." "GABRIEL, LISTEN TO ME." "I'VE NEVER BEEN SO MISERABLE IN ALL MY LIFE" "AS I HAVE SINCE I MET YOU." "NEITHER HAVE I." "BUT I WOULDN'T TRADE A MINUTE OF IT." "NOR WOULD I." "[BODIES HIT GROUND]" "[BODIES HIT GROUND]" "DOES THAT LOOK LIKE A STRAIGHT MAN TO YOU?" "I'D NEED TO MEET HIM" "BEFORE I DARE SUBJECT HIM TO MY GAY-DAR." "HE SAYS HE'S GOT THIS GIRL IN SAN FRANCISCO," "BUT EVERY TIME HE BRINGS HER UP," "HE DOESN'T WANT TO TALK ABOUT HER." "COULD BE A LOT OF THINGS." "BURROUGHS IS HIS FAVORITE WRITER." "HE ABSOLUTELY LOVES THE MOVIECABARET." "SOUNDS SUSPECT." "AND EVERY TIME HE LOOKS AT ME WHEN WE'RE LAUGHING TOGETHER," "I DON'T KNOW, I'M GETTING THIS VIBE." "BILLY, YOU KNOW BETTER THAN THIS." "I THINK HE MIGHT BE AT LEAST A KINSEY 2." "THERE ARE 3 OPTIONS HERE:" "ONE--HE'S MOSTLY OR AT LEAST SOMEWHAT GAY," "AND HE DOES ACTUALLY WANT TO SCREW AROUND WITH YOU;" "2--HE'S GAY AND NOT ATTRACTED TO YOU," "AND YOU'RE MERELY PROJECTING;" "AND 3--HE'S STRAIGHT, ENJOYS THE ATTENTION," "AND YOU'RE MERELY PROJECTING." "AND MAY I REMIND YOU," "YOU HAVE A HISTORY OF MERELY PROJECTING." "OH, REALLY?" "MM-HMM." "COME ON." "IT HAPPENED ONCE." "MM-HMM." "AND THAT WAS IN HIGH SCHOOL." "I WAS TOTALLY IN LUST FOR THE FIRST TIME" "WITH THIS GUY." "I WAS A SENIOR." "HIS NAME WAS CHRIS JUNGBLUT, VERY DEUTSCHE," "AND HE MOVED TO INDIANA FROM THE WEST COAST," "AND WE HOOKED UP 'CAUSE WE LIKED THE SAME KIND OF MUSIC." "YOU KNOW, THE CURE, THE CLASH, XTC" "KIND OF LIKE MY CD COLLECTION." "EXACTLY." "BUT I WANTED HIM SO MUCH, MAN." "I COULDN'T HELP BELIEVE" "YOU KNOW, I THOUGHT THAT HE MIGHT WANT ME." "YOU KNOW." "ANYWAYS, THE VIOLENT FEMMES CAME TO TOWN," "AND WE RAN TO GET OUR TICKETS EARLY LIKE 2 DORKS." "WHICH DIDN'T MATTER MUCH 'CAUSE NOBODY KNEW WHO THEY WERE." "AND SO WE GO TO THE CONCERT, AND OUR SHIRTS ARE OFF," "AND WE'RE ALL SWEATY, AND WE'RE MOSHING IN THE PIT." "HOW OLD WERE YOU GUYS?" "I WAS 17." "HE WAS 18." "YUM." "SO WE GO BACK TO HIS PLACE AFTER THE CONCERT." "AND WE'D BEEN DRINKING ALL NIGHT." "WE WERE BOMBED." "WHAT WERE YOU DRINKING?" "EVERYTHING." "SO WE'RE SITTING THERE ON THE FLOOR WATCHING TV." "WE'RE WATCHING NIGHT FLIGHTON USA." "REMEMBER THAT?" "I TAPED IT EVERY WEEK," "AND, UH, THEY WERE HAVING VIDEO ROCK BLOCKS" "OF DAVID BOWIE," "AND THEY HAD YOUNG AMERICANSON." "SO I'M SITTING THERE, AND I SLIDE OVER NEXT TO HIM," "AND HE WAS, LIKE, DRIFTING OFF TO SLEEP." "AND I, YOU KNOW, KIND OF PUT MY ARM..." "TOUCHING HIS, AND..." "I DON'T KNOW." "MAYBE HE WASN'T AS DRUNK AS ME..." "BUT--I DON'T KNOW." "HE DIDN'T APPRECIATE IT TOO MUCH." "AFTER THAT, HE DIDN'T TALK TO ME FOR A FEW DAYS," "BUT HE KIND OF FORGOT IT HAPPENED," "WHICH WAS COOL ON HIS PART," "AND AFTER HIGH SCHOOL," "WE JUST KIND OF WENT OUR SEPARATE WAYS." "HMM, YOU'RE LUCKY YOU DIDN'T RUIN A FRIENDSHIP." "I GUESS." "ANYWAY, IT'S DIFFERENT WITH GABRIEL." "YEAH, RIGHT." "IT IS!" "I MEAN, BILLY, THIS IS A CLASSIC CASE" "OF KARMIC REPETITION COMPULSION." "ANY WAY YOU LOOK AT IT WITH THIS KID, YOU'RE SCREWED." "THANK YOU, DEEPAK CHOPRA." "I MEAN, EVEN IF HE IS GAY AND ATTRACTED TO YOU," "HE'S GOING TO BE COMING OUT OF THE CLOSET," "AND YOU KNOW WHAT WE BOYS DO" "WHEN WE COME OUT OF THE CLOSET." "IT'S A DICEY PHASE, NOT A RELATIONSHIP ONE." "SO YOU'RE SAYING IF I PURSUE THIS," "I SHOULD JUST BE PREPARED TO SLEEP WITH HIM ONCE?" "YOU KNOW, THERE ARE PEOPLE WHO REALLY CARE FOR YOU..." "YOU KNOW, THERE ARE PEOPLE WHO REALLY CARE FOR YOU..." "BILLY?" "CHECK IT OUT." "I LOVE THE WAY HIS SMILE" "SHOWS OFF HIS SUBTLE IMPERFECTIONS." "HMM." "I SHOULD MEET HIM." "I CAN ARRANGE THAT." "WHAT ARE YOU TWO DOING TONIGHT?" "WHAT ARE YOU TWO DOING TONIGHT?" "Perry:" "GABRIEL, YOU'RE ABOUT TO SEE THE WORK" "OF ONE OF THE MOST TALENTED PHOTOGRAPHERS IN THE WORLD." "Billy:" "YEAH, ONE OF THE MOST OVERRATED PHOTOGRAPHERS" "IN THE WORLD." "BILLY." "YEAH?" "SHUT UP." "A REX WEBSTER WILL DOUBLE ITS VALUE IN 2 YEARS." "I GUARANTEE IT." "HI, BILLY." "HEY, LES." "SO YOU'LL CALL ME IN THE MORNING?" "DELICIOUS." "MMM." "PERRY, HONEY, OH, SO GOOD TO SEE YOU." "I THINK YOU'VE MET MY FRIEND BILLY BEFORE." "AND THIS IS GABRIEL." "HELLO, BOYS." "ENJOY THE SHOW." "REMEMBER, PRICES ARE NOT NEGOTIABLE." "EXCEPT FOR YOU." "WE'LL KEEP THAT IN MIND." "THANK GOD YOU BROUGHT SOME FRESH ONES." "FABULOUS CONTENT RUNNING VERY HIGH INSIDE," "BUT IT'S A TAD TIRED." "THANK YOU." "ALL BOYS, NO DOGS." "YOU DECIDE." "ALL BOYS, NO DOGS." "YOU DECIDE." "ALL RIGHT." "ALL RIGHT." "AH, I LIKE THIS ONE A LOT." "YOU LIKE THIS ONE?" "YEAH." "WELL, IT'S BIG." "I LIKE HOW BIG IT IS." "Perry:" "HEY, HEY, COME HERE." "I WANT YOU TWO TO MEET SOMEBODY." "I WANT YOU TWO TO MEET SOMEBODY." "NO, BUT SERIOUSLY, WHAT DOES IT MEAN" "TO BE A GAY ARTIST IN TODAY'S SOCIETY?" "WELL, IT MEANS RESPONSIBILITY." "RESPONSIBILITY TO RECREATE POPULAR CULTURE" "IN A PANSEXUAL MODE." "IN A PANSEXUAL MODE." "I DON'T THINK ANYONE HERE" "KNOWS WHAT PANSEXUAL MEANS." "OH, IT MEANS I FUCK HIM, HE FUCKS HER," "SHE FUCKS HER, SHE FUCKS ME," "I FUCK..." "PERRY!" "GET OVER HERE." "LET'S REMINISCE ABOUT THE INTERVIEW DAYS." "ANDY AND HENRY." "THE SHOW IS WONDERFUL, REX." "OH, WELL, WHITEY AND I LIKE IT." "I'D LIKE TO..." "I'D LIKE TO INTRODUCE YOU TO A COUPLE OF FRIENDS OF MINE." "THIS IS A FELLOW PHOTOGRAPHER, BILLY." "MR. WEBSTER," "ANY WORDS OF ADVICE FOR THE STRUGGLING YOUNG ARTIST?" "STICK WITH PERRY AND HOPE HE KEEPS INTRODUCING YOU" "TO PEOPLE LIKE ME." "TO PEOPLE LIKE ME." "AND THIS IS HIS MODEL FRIEND, GABRIEL." "I..." "PLAY THE BASS, ACTUALLY." "AND I SUPPOSE YOU'D LIKE MR. WEBSTER'S AUTOGRAPH." "SURE." "I LOVE YOUR ARTWORK." "IT'S FANTASTIC." "YOU HAVE VERY..." "OFFBEAT FEATURES." "Whitey:" "KIND OF LIKE A MALE KATE MOSS." "HMM." "AND THIS HAIR, OH, MY." "Billy:" "YEAH, IT SHOULD PHOTOGRAPH WELL" "IN THE SHOOT HE'S DOING FOR ME." "WE'RE HAVING A LITTLE OPEN BAR" "AFTER THE GALLERY CLOSES..." "A LITTLE PRIVATE PARTY." "PERRY, WOULD YOU AND YOUR FRIENDS CARE TO JOIN US?" "I DON'T MIND." "GABRIEL?" "AHEM." "NEVER TURN DOWN A PARTY." "NEVER TURN DOWN A PARTY." "WELL SAID." "WELL SAID." "LIGHTS UP." "ACTION." "A WOMAN IS SLEEPING." "I'M TIRED." "A WOMAN WAKES UP!" "REALLY, SHE DID." "SHE DID." "SO I SAID TO HER, "SOPHIA, DARLING," "TU SEI MOLTO BELLA, MA IO PREFERISCO UOMINI."" ""ALMOST LIKE A MALE KATE MOSS."" "AT LEAST YOU KNOW YOU HAVE GOOD TASTE." "HOW ABOUT THE ONE STANDING NEXT TO HIM?" "OH, THE THINGS I COULD TEACH THAT BOY." "SO WHAT DO YOU THINK?" "ABOUT?" "IS HE STRAIGHT?" "GABRIEL?" "HE TALKS STRAIGHT." "EVERY NOW AND THEN, I GET THAT VIBE." "EXACTLY." "OH, YOU KNOW HOW I FEEL ABOUT ALL THIS." "SO, UH, ARE YOU AND REX, YOU KNOW," "AN ITEM?" "AN ITEM?" "DOESN'T MEAN HE DOESN'T WANT TO LAY YOUR BOY." "THANK YOU." "THANK YOU." "WELL, REX WEBSTER IS KIND OF MAKING ME FEEL UNCOMFORTABLE." "IT'S SOMETHING YOU MIGHT HAVE TO GET USED TO" "IN THIS BUSINESS, I'M AFRAID." "I THINK HE WANTS ME TO DO SOME MODELING FOR HIM." "WHAT?" "YEAH, HE ASKED ME TO COME BY HIS HOTEL ROOM" "TO DO A TEST..." "ON FRIDAY BEFORE OUR SHOOT." "OH, AND YOU DON'T HAVE TO SLEEP WITH HIM?" "NO." "HE'S TAKING A BUNCH OF MODELS OVER TO CATALINA" "TO DO AN UNDERWEAR AD FOR GUESS?" "OR SOMETHING LIKE THAT," "AND, UH, HE MIGHT WANT ME TO COME." "AN UNDERWEAR AD." "OK." "THERE'S A LOT OF MONEY IN IT." "WOULD WE HAVE TO POSTPONE OUR SHOOT?" "HE'S GIVING YOU AN INCREDIBLE BREAK." "WOULD WE HAVE TO POSTPONE OUR SHOOT?" "I DON'T KNOW." "I DON'T KNOW." "WELL, I GUESS YOU GOT TO GO WITH IT, HUH?" "IT'S A TEST ANYWAY." "WHO KNOWS WHAT'S GONNA HAPPEN?" "YOU'LL PASS." "I'VE HAD GOOD TRAINING." "Connie:" "GABRIEL." "HI." "HEY." "HI." "AND YOU MUST BE BILLY." "CONNIE ROGERS." "GABRIEL TOLD ME ABOUT YOUR LITTLE SHOOT," "AND IF YOU NEED ANY HELP WITH HAIR AND MAKEUP," "I JUST GRADUATED FROM VIDAL SASSOON." "PREMIER STUDENT." "CONGRATULATIONS!" "THANK YOU." "GABRIEL, I'M GONNA GIVE YOU MY HOME NUMBER," "AND IF YOU NEED ANYTHING, FEEL FREE TO CALL." "GREAT." "OK, SO I HOPE TO BE SEEING AN AWFUL LOT OF YOU..." "SOON." "ME, TOO." "GREAT." "LATER, MAN." "HEY." "LATER." "HEY." "LATER." "UM, SHE DOES MAKEUP, AND HE'S ANOTHER MODEL." "THEY'RE DATING?" "NO." "OH." "Perry:" "WELL, THEN, I SUPPOSE SOMEBODY" "SHOULD PROPOSE A TOAST." "TO THE DISCOVERY" "OF OUR BEAUTIFUL, NEW, YOUNG SUPERMODEL." "OF OUR BEAUTIFUL, NEW, YOUNG SUPERMODEL." "COME ON." "I'M REALLY HAPPY FOR YOU, GABRIEL." "I'M REALLY HAPPY FOR YOU, GABRIEL." "REALLY." "Man:" "LIKE A COW." "MOO YOU." "MOO ME." "Both:" "FINI." "Billy:" "SO, CONNIE WAS NICE." "WHAT WAS HER FRIEND'S NAME?" "Gabriel:" "BRAD." "BRAD." "COLD BEERS, YOU GUYS?" "THANKS, BUT I SHOULD GET SOME SLEEP." "BILLY?" "SURE, YEAH." "GOOD NIGHT, PERRY." "THANKS." "GOOD NIGHT, PERRY." "[WHISPERING] Let me know what happens." "I WILL, I WILL." "I WILL, I WILL." "LOOK WHAT I FOUND." "LOOK WHAT I FOUND." "WOW." "WOW." "SMOKED ONE OF THESE BEFORE?" "SMOKED ONE OF THESE BEFORE?" "NICE." "NICE." "[COUGHING]" "[COUGHING]" "SO..." "[COUGHS] I LIKE YOUR PLACE." "[COUGHS] I LIKE YOUR PLACE." "[COUGHS]" "[COUGHS]" "IT'S A LITTLE SMALL." "IT'S CUTE." "[COUGHS]" "[COUGHS]" "SO, UM..." "FRIDAY, WE'RE ON THE BEACH," "AND THEN SATURDAY," "IT'S A REALLY COOL THING ON A STAGE." "IT'S GOING TO BE GREAT." "YEAH." "WHAT'S WRONG?" "BILLY, YOU ARE SO NOT HAPPY FOR ME RIGHT NOW." "I'M HAPPY." "NO, I THINK I KNOW YOU WELL ENOUGH" "TO KNOW WHEN YOU'RE HAPPY FOR ME." "ALL RIGHT, I MAY BE A LITTLE JEALOUS." "I JUST DON'T WANT TO HAVE TO POSTPONE OUR SHOOT," "AND IT GETS COMPLICATED." "[TELEPHONE RINGS]" "OH, SHIT." "OH, SHIT." "[RING]" "HELLO." "HELLO." "NO." "NO." "NATALIE." "I THOUGHT WE WERE GONNA TALK ABOUT THIS TOMORROW." "I THOUGHT WE WERE GONNA TALK ABOUT THIS TOMORROW." "[HUFFS]" "NATALIE." "NATALIE." "ALL RIGHT, JUST HEAR ME OUT." "I DON'T KNOW." "I DON'T KNOW." "LISTEN, I'M SORRY, BUT..." "LISTEN, I'M SORRY, BUT..." "I'M SORRY." "I'M SORRY." "GOOD-BYE." "GOOD-BYE." "NATALIE?" "THAT'S A PRETTY NAME." "THAT'S A PRETTY NAME." "YOU NEVER TOLD ME HER NAME." "YOU NEVER TOLD ME HER NAME." "SO, YOU AND NATALIE..." "BILLY," "I DON'T WANT TO TALK ABOUT IT, ALL RIGHT?" "I DON'T WANT TO TALK ABOUT IT, ALL RIGHT?" "GABRIEL" "BILLY!" "MAYBE I SHOULD JUST GO." "MAYBE I SHOULD JUST GO." "BILLY." "LISTEN, UM..." "LISTEN, UM..." "I'M SORRY, MAN, AND..." "YOU DON'T HAVE TO GO." "BELIEVE ME, I HAVE TO GO." "BELIEVE ME, I HAVE TO GO." "BILLY!" "GOOD LUCK ON YOUR TEST." "GOOD LUCK ON YOUR TEST." "[LIP-SYNCHING] WHY IS MY HEART SO LIGHT?" "WHY ARE THE STARS SO BRIGHT?" "WHY IS THE SKY SO BLUE" "SINCE THE HOUR" "I MET YOU?" "FLOWERS ARE SMILING BRIGHT" "SMILING FOR OUR DELIGHT" "SMILING SO TENDERLY" "FOR THE WORLD" "YOU AND ME" "I KNOW WHY THE WORLD IS SMILING" "SMILING SO TENDERLY" "IT HEARS THE SAME OLD STORY" "THROUGH ALL ETERNITY" "LOVE" "THIS IS MY SONG" "HERE IS A SONG" "A SERENADE" "TO YOU" "THE WORLD" "CANNOT BE WRONG" "IF IN THIS WORLD" "THERE IS YOU" "I CARE NOT WHAT THE WORLD MAY SAY" "WITHOUT YOUR LOVE, THERE IS NO DAY" "SO, LOVE" "THIS IS MY SONG" "HERE IS A SONG" "A SERENADE" "TO YOU" "TO YOU" "I CARE NOT WHAT THE WORLD MAY SAY" "WITHOUT YOUR LOVE, THERE IS NO DAY" "SO, LOVE" "THIS IS MY SONG" "HERE IS A SONG" "A SERENADE" "TO YOU" "TO YOU" "Billy:" "I'M THROUGH WITH STRAIGHT MEN." "Perry:" "OH, THAT'S THE VERDICT." "HIS GIRLFRIEND'S NAME IS NATALIE." "THEY HAD AN ARGUMENT LAST NIGHT." "DID HE TALK ABOUT IT?" "NO." "BUT HE GRABBED ME." "WHAT DO YOU MEAN?" "YEAH." "HE DIDN'T WANT ME TO GO." "HE RUSHED AFTER ME AND GRABBED ME," "AND, PERRY, I SWEAR I COULD HAVE KISSED HIM," "AND HE WOULD HAVE GONE THROUGH WITH IT." "BUT YOU DIDN'T KISS HIM?" "NO." "I DIDN'T WANT TO RISK OUR FRIENDSHIP JUST FOR A KISS." "BET YOU'RE KICKING YOURSELF IN THE ASS NOW." "WELL, WHATEVER IT WAS WE HAD," "OR WHATEVER IT WAS I HAD FOR HIM, IT'S OVER." "WHICH IS FINE." "I WISH HIM ALL THE LUCK IN THE WORLD ON HIS MODELING," "AND I WON'T GET JEALOUS IF HE GOES TO CATALINA" "AND MEETS ALL THESE BEAUTIFUL WOMEN" "STEP 1 IN 12 ON THE ROAD TO RECOVERY." "LET'S CELEBRATE WITH A DRINK." "NO." "I GOT ALL THIS STUFF TO DO FOR THE SHOOT TOMORROW." "THANKS." "ARE YOU SURE?" "YEAH." "YOU WANT IT TO LOOK GOOD, DON'T YOU?" "IT IS MY MONEY." "IT IS MY MONEY." "OH, PERRY." "THANKS." "GOOD LUCK TOMORROW." "GOOD LUCK TOMORROW." "NAM MYHO RENGE KYO, NAM MYHO RENGE KYO." "NAM MYHO RENGE KYO..." "OOH, GIRL, JUST GOT MYSELF A GREAT LAY." "FABULOUS INSURANCE MAN." "PICKED HIM UP FROM TRADER VIC'S, YOU KNOW." "GEORGE, GEORGE, STOP FUDGING ME." "SMUDGING." "DONNA, SMUDGING, NOT FUDGING." "SMUDGING." "DONNA, SMUDGING, NOT FUDGING." "THANK YOU." "HEY, ANDREW, YOU WANT TO HELP ME OUT HERE?" "I'LL SHOW YOU." "I'LL SHOW YOU." "GENTLE." "GENTLE." "COME ON, YOU GUYS," "WE'RE NOT GONNA HAVE THIS LIGHT FOR LONG, OK?" "OH!" "YOU'RE CREATING FOOTPRINTS." "ALL RIGHT." "MEANWHILE, YOUR BOYFRIEND SEEMS TO BE HAVING" "QUITE A TIME BEHIND THE CAMERA, HUH?" "ANDREW, QUIT MINGLING!" "ANDREW, QUIT MINGLING!" "DONNA, GET YOUR ASS OVER HERE" "AND CHECK OUT THIS SASSY SUIT, MAMA." "NOT QUITE DEBORAH KERR." "DEBORAH COULDN'T BE THIS GLAMOROUS." "Billy:" "HAVE YOU SEEN GABRIEL?" "Donna:" "I THINK HE'S UP IN HIS DRESSING ROOM." "OH, GIRL, I CAN'T WAIT TO GET THESE LIPS" "ON THAT HOT DOLL OF A MODEL." "WATCH IT, BABY." "I DON'T THINK HE'S GAY." "HONEY, BOYS WHO LOOK LIKE THAT" "ARE ALWAYS UP FOR A CHANGE OF FARE." "MIRROR." "MIRROR!" "MIRROR." "MIRROR!" "SORRY!" "SORRY!" "Gabriel:" "SHIT!" "Gabriel:" "SHIT!" "HOW'D THE TEST GO?" "BILLY, I'M NOT COMING OUT." "BILLY, I'M NOT COMING OUT." "WHAT'S WRONG?" "THESE TRUNKS DON'T FIT." "GABRIEL, I TOLD YOU SOME OF THE COSTUMES" "MIGHT BE A LITTLE TIGHT." "MIGHT BE A LITTLE TIGHT." "BILLY, YOU CAN SEE MY PACKAGE." "I'LL GIVE YOU MY SOCK." "NO, NO, NO." "I DON'T NEED YOUR SOCK." "TRUST ME." "WELL, JUST OPEN THE DOOR AND LET ME SEE IF IT'S WORKING OUT." "WELL, JUST OPEN THE DOOR AND LET ME SEE IF IT'S WORKING OUT." "TRUST ME, THEY'RE WORKING OUT." "NOW, YOU'RE SURE YOU DON'T NEED THE SOCK?" "LET'S JUST GET THIS THING OVER WITH, BILLY." "[MIMICKING] LET'S JUST GET THIS THING OVER WITH, BILLY." "YOU'RE MEAN." "YOU'RE MEAN." "BILLY, I DON'T THINK I WANT TO BE" "THE REFLECTOR GUY ANYMORE." "OH, REALLY?" "MAYBE YOU WANT TO BE THE MAKEUP ASSISTANT." "ALL RIGHT!" "A TOAST!" "WHAT'S UP, GUYS?" "TO A GREAT FIRST DAY." "AND TO THE BEST BUNCH OF FRIENDS" "A PHOTOGRAPHER COULD ASK FOR." "AWW." "AWW." "WELL, I GOTTA GO." "I THOUGHT YOU WERE STAYING AT OUR HOUSE TONIGHT." "I GOT A MEETING IN THE MORNING." "OH, REALLY?" "I DON'T SUPPOSE THIS HAS ANYTHING TO DO" "WITH THAT BITCH FROM THE SET TODAY." "HER NAME'S CONNIE, AND I THINK SHE'S DATING" "A MARRIED COUPLE FROM SILVERLAKE." "I MEAN, REALLY, HONEY, GET REAL." "SHE WAS ALL OVER EVERYBODY." "SHE WAS EVEN FLIRTING WITH ME." "I WAS JUST HELPING HER POWDER!" "I WAS JUST HELPING HER POWDER!" "ALL RIGHT, LET'S BLOW." "YOU'RE DRIVING." "LIKE I'D LET YOUR ASS BEHIND THE WHEEL OF A CAR." "Deidre:" "OH." "Deidre:" "OH." "BYE." "SEE YA." "THAT WAS A QUICK CELEBRATION." "THAT WAS A QUICK CELEBRATION." "I HAD A GOOD TIME TODAY, BILLY." "SEE, ONCE YOU ACCEPTED THE FACT" "THAT I WAS EXPLOITING YOUR BODY," "THINGS WEREN'T SO BAD." "THINGS WEREN'T SO BAD." "THAT WAS A JOKE." "YUP." "YUP." "SO, HOW DID YOUR TEST GO?" "IT WAS OK." "I LEARNED A LOT FROM BRAD." "HE'S BEEN MODELING FOR ALMOST A YEAR NOW." "UM..." "UM..." "THEY'RE SUPPOSED TO CALL ME TOMORROW NIGHT," "AND, UH, IF I GET IT," "I'M GONNA HAVE TO GO TO CATALINA ON FRIDAY NIGHT." "WELL, YOU SHOULD GO." "IT'LL BE GOOD FOR YOU." "I MEANT TO TELL YOU EARLIER." "I" "IF WE HAVE TO POSTPONE," "WE HAVE TO POSTPONE, YOU KNOW?" "WE HAVE TO POSTPONE, YOU KNOW?" "Billy:" "SO, WHAT ABOUT NATALIE?" "Gabriel:" "WE TALKED THIS MORNING." "Gabriel:" "WE TALKED THIS MORNING." "IT'S OVER." "IT'S OVER." "WHAT?" "I DON'T THINK SHE UNDERSTANDS THE LAWS OF ATTRACTION." "IT'S LIKE SOMETIMES" "PEOPLE JUST LOSE INTEREST IN EACH OTHER." "OR AT LEAST IT DOESN'T GO BOTH WAYS ALL THE TIME." "YOU CAN HAVE A GREAT TIME WITH SOMEONE," "YOU CAN START A GREAT RELATIONSHIP, BUT..." "I DON'T KNOW." "IT'S LIKE IF THE CHEMISTRY'S NOT THERE," "IT JUST DOESN'T WORK." "AND NATALIE KEPT PRETENDING" "THAT THERE WAS SOMETHING STILL THERE." "YOU WERE NEVER ATTRACTED TO HER?" "I GUESS I WAS AT ONE POINT." "I GUESS I WAS AT ONE POINT." "WHAT HAPPENED?" "WHAT HAPPENED?" "WHAT ABOUT YOU AND FERNANDO?" "JEEZ, WHY'D YOU HAVE TO BRING HIM UP?" "IT WASN'T THERE FOR YOU TWO?" "I DON'T KNOW." "SOMETHING WAS THERE." "I DON'T KNOW IF IT WAS "IT."" "I DON'T WANT HIM ANYMORE." "REALLY?" "REALLY?" "REALLY." "REALLY." "SO, UM, AHEM..." "SO, UM, AHEM..." "WHAT MAKES YOU GAY?" "WHAT MAKES YOU GAY?" "WHAT MAKES YOU GAY?" "YEAH." "I MEAN, HOW DO YOU KNOW?" "YOU JUST KNOW, I DON'T KNOW." "HAVE YOU EVER HEARD OF THE KINSEY SCALE?" "HAVE YOU EVER HEARD OF THE KINSEY SCALE?" "THE KINSEY SCALE RATES GAYS AND STRAIGHTS" "ON A SCALE FROM ZERO TO 6." "ZERO BEING 100% STRAIGHT," "AND 6 BEING 100% GAY." "AND EVERYONE ELSE LIES SOMEWHERE IN THE MIDDLE." "THERE'S ALSO THE MORE BIOLOGICAL ARGUMENT" "THAT GAYS ARE THE RESULT OF WHAT SOME PEOPLE CALL" ""THE SHOWTUNE GENE."" "THAT WE ARE, IN A SENSE, HUMAN ABERRATIONS" "WITH PERHAPS SOME HIGHER PURPOSE" "IN THE GREAT SCHEME OF THINGS." "OH, LIKE MOTHER NATURE'S WAY" "OF KEEPING THE HUMAN POPULATION IN CHECK." "PERSONALLY, I PREFER THE NAVAJO APPROACH." "GAYS ARE SPECIAL SPIRITUAL BEINGS" "SENT HERE BY SOME MIGHTY DEITY" "TO ESSENTIALLY CHANGE SOCIETY." "I MEAN, YOU'VE GOT TO ADMIT" "OUR FASHION IS AGES AHEAD" "OF WHAT EVERYONE ELSE IS WEARING." "I MEAN, COME ON." "HUH?" "HMM?" "HUH?" "HMM?" "SO WHERE DO YOU STAND?" "HMM?" "ON THE KINSEY SCALE." "OH, I'M A PERFECT 6." "OF COURSE." "THANK YOU VERY MUCH." "OF COURSE." "THANK YOU VERY MUCH." "AND YOU?" "AND YOU?" "I DON'T KNOW." "I DON'T KNOW." "IT'S CHILLY." "IT'S CHILLY." "Y-YEAH." "Y-YEAH." "YOU GOT THAT STUFF?" "YEP." "YEP." "HEY." "CHEERS." "CHEERS." "CHEERS." "MMM." "BILLY, I ALMOST FORGOT." "I MADE THIS FOR YOU." "IT'S A TAPE OF MY OLD BAND." "THIS IS GREAT." "IT'S TO THANK YOU." "TO THANK ME FOR WHAT?" "FOR..." "INTRODUCING ME TO ALL THESE GREAT PEOPLE." "GABRIEL..." "THIS IS GREAT." "AND FOR TRUSTING ME." "FRIENDS ARE SUPPOSED TO TRUST EACH OTHER, NO?" "YEAH, I KNOW." "BUT PEOPLE TREAT ME WEIRD SOMETIMES." "YOU CAN REALLY TELL" "WHEN YOU'RE LOOKING AT SOMEONE IN THE EYES." "IT'S LIKE THEY WANT SOMETHING FROM YOU." "BECAUSE I TURNED OUT THIS WAY," "THERE MUST BE SOMETHING ELSE WRONG WITH ME." "BUT..." "YOU'VE BEEN ONE OF THE FEW PEOPLE" "WHO HAVEN'T DONE THAT TO ME." "GABRIEL, YOU'RE GONNA GO FAR WITH THIS MODELING THING." "I'M SURE THEY'RE GONNA ASK YOU" "TO GO TO CATALINA." "TO GO TO CATALINA." "YOU KNOW WHAT?" "WHAT?" "I'M NOT GONNA DO IT." "REALLY?" "REALLY?" "WAIT." "HOLD IT RIGHT THERE." "JUST FOR A SEC." "OH, COME ON." "OH, COME ON." "THAT WAS GREAT." "GIVE ME THIS." "NO, NO, NO." "I HATE PICTURES." "YOU'VE TAKEN ABOUT 40,000 PICTURES OF ME." "I THINK I CAN GET ONE OF YOU." "ONE." "JUST ONE." "THAT'S RIDICULOUS." "THAT'S RIDICULOUS." "WAIT TILL THOSE TURN OUT, HUH?" "[GABRIEL'S WORDS ECHOING]" "[GABRIEL'S WORDS ECHOING]" "[CAMERA CLICKS]" "[CAMERA CLICKS]" "YOU THINK IT'D BE ALL RIGHT IF I STAYED HERE TONIGHT?" "YOU THINK IT'D BE ALL RIGHT IF I STAYED HERE TONIGHT?" "HERE?" "ON THE COUCH." "THIS COUCH?" "THIS COUCH?" "I'M NOT GONNA DRIVE HOME LIKE THIS." "WELL, GEORGE IS GONE." "I'LL BE OUT FIRST THING IN THE MORNING." "YEAH, YOU'LL NEED SOME BLANKETS." "SHIT." "AH." "OH, JESUS." "OH, SORRY." "SHOOT." "SORRY." "DON'T WORRY ABOUT IT." "IT'S FINE." "UH, IT'S A JACKET." "UH, IT'S A JACKET." "UM..." "UM..." "DO YOU NEED A GLASS OF WATER?" "I COULD PUT SOFT MUSIC ON OR SOMETHING." "NO, NO, NO." "FINE." "I'M FINE." "JUST THE COUCH." "YEAH." "OK." "UM..." "UM..." "I GUESS I'M GONNA GO TO BED, TOO, THEN." "ALL RIGHT." "OK." "OK." "OK." "UH..." "BILLY." "GOOD NIGHT." "GOOD NIGHT." "GOOD NIGHT." "GOOD NIGHT." "OH, SHIT." "OH, SHIT." "UM..." "YEAH?" "IF YOU WANT..." "IT MIGHT BE MORE COMFORTABLE" "IN THE BED." "IN THE BED." "NO." "NO." "ARE YOU SURE?" "I MEAN, YOUR LEGS AREN'T TOO LONG?" "I MEAN, YOUR LEGS AREN'T TOO LONG?" "NO." "NO." "OK." "GOOD NIGHT." "OK." "GOOD NIGHT." "DAMN." "DAMN." "FUCK." "FUCK." "YOU'RE RIGHT." "YEAH?" "YEAH?" "MY LEGS ARE TOO LONG." "WELL..." "THERE'S PLENTY OF ROOM." "THERE'S PLENTY OF ROOM." "ACTUALLY, I LIKE, UH, THIS ONE," "IF YOU DON'T MIND." "IF YOU DON'T MIND." "[KEYS JINGLING]" "[KEYS JINGLING]" "[TOSSES KEYS ONTO FLOOR]" "[TOSSES KEYS ONTO FLOOR]" "SO YOU'RE GOING TO SLEEP NOW?" "SO YOU'RE GOING TO SLEEP NOW?" "I'M GONNA TRY." "I'M GONNA TRY." "SORRY." "SORRY." "GOOD NIGHT." "GOOD NIGHT." "GOOD NIGHT." "BILLY." "I CAN'T DO THIS." "WHAT?" "WHAT IS IT?" "WHAT?" "WHAT'S WRONG?" "LISTEN, I'M SORRY." "I'M SORRY." "I'M SORRY." "NO." "GABRIEL, I'M SORRY." "BILLY, IT'S NOT YOU." "LISTEN, IT'S ME." "LISTEN, IT'S ME." "LISTEN, I'M JUST GONNA SLEEP ON THE COUCH." "NO." "YOUR LEGS ARE TOO LONG." "I'LL SLEEP ON THE COUCH." "YOUR LEGS ARE TOO LONG." "I'LL SLEEP ON THE COUCH." "I'M SORRY, GABRIEL." "I'M SORRY, GABRIEL." "GOOD NIGHT." "GOOD NIGHT." "DAMN." "DAMN." "Gabriel:" "I PLAY BASS." "I'VE GOT MY GIRLFRIEND UP IN SAN FRANCISCO." "Perry:" "YOU HAVE A HISTORY OF MERELY PROJECTING." "Connie:" "CONNIE ROGERS, PREMIER STUDENT." "Gabriel:" "GOT MY GIRLFRIEND UP IN SAN FRANCISCO." "Perry:" "YOU HAVE A HISTORY OF MERELY PROJECTING." "AAAAAH!" "[SCREAM ECHOES]" "[SCREAM ECHOES]" "[BIRDS CHIRPING]" "[BIRDS CHIRPING]" "SO THIS MORNING I WAKE UP" "ALONE..." "ON THE COUCH." "WITH BLUE BALLS, I MIGHT ADD." "YOU GOT WHAT YOU ASKED FOR." "ALL I COULD KEEP SAYING" "WAS, "I'M SORRY, I'M SORRY, I'M SORRY."" "ISN'T THAT PATHETIC?" "DID YOU EXPECT ANYTHING MORE?" "HE COULD HAVE JUST BEEN EXPERIMENTING," "TRYING SOMETHING HE WAS NEVER MEANT TO BE DOING." "I DON'T WANNA CONFUSE HIM." "BUT IF HE'S FEELING THESE FEELINGS," "AND HE'S HAVING PROBLEMS EXPLORING THEM," "I WANNA BE THERE." "AFTER ALL, WHAT ARE FRIENDS FOR?" "THIS IS SERIOUS." "BILLY, WHAT YOU NEED TO DO NOW" "IS LEAVE HIM ALONE FOR A WHILE." "HE WANTS YOU," "HE'LL COME TO YOU WHEN HE GETS BACK." "GETS BACK?" "FROM CATALINA." "FROM CATALINA." "WHAT?" "I THOUGHT YOU KNEW GABRIEL GOT THE JOB." "REX CALLED ME THIS MORNING" "TO THANK ME FOR BRINGING HIM" "AND INVITED ME TO A PARTY TOMORROW." "WOW." "BILLY!" "[ANSWERING MACHINE BEEPS]" "Gabriel:" "BILLY, I GOT THE JOB," "SO I'M GOING TO CATALINA ISLAND TONIGHT." "LATER." "THAT'S IT?" "THAT'S IT." "I'M GONNA CALL HIM." "NO, I DON'T THINK HE WANTS TO BE CALLED." "FACE IT." "MEN ARE ASSHOLES." "NO SHIT." "ASK ME ABOUT ANDREW AND I." "HOW ARE ANDREW AND I?" "FINISHED." "NO WAY." "YEAH." "IT'S MY DECISION OF COURSE," "BUT IT STILL SUCKS." "BUT IT STILL SUCKS." "DON'T WAIT UP." "[WHIMPERS]" "[WHIMPERS]" "[DOOR BUZZER]" "[DOOR BUZZER]" "OHH." "POPPY." "[BELCHES]" "YOU DON'T LOOK SO GOOD." "COME IN." "COME IN." "WHAT HAPPENED?" "[BILLY GROANING]" "[BILLY GROANING]" "HEY, BILLY." "HEY, BILLY." "OHH, GOD." "OM" "PACK YOUR BAGS." "SHH." "I'M MEDITATING." "WE'RE GOING TO CATALINA." "REALLY?" "REALLY?" "[SHIP'S HORN BLOWS]" "THEY DON'T HAVE A TRADER JOE'S THERE." "OK, YOU GOT THE DIRECTIONS." "HE LIVES ON A YACHT, SLIP 85." "THANK YOU SO MUCH, DONNA." "I OWE YOU ONE, DONNA." "BIG TIME." "YEAH." "THANKS." "THANKS." "BE CAREFUL WHAT YOU SAY!" "I'M NOT OUT TO MY COUSIN YET!" "OH, REALLY?" "I DON'T SUPPOSE" "HE'S SEEN YOU IN THAT OUTFIT THEN." "I JUST ASSUMED HER COUSIN WAS GAY." "OH, YEAH." "ALL RELATIVES OF GAY PEOPLE ARE GAY THEMSELVES." "PLEASE!" "THERE AREN'T ANY HOMOSEXUALS" "ON THAT ENTIRE ISLAND." "SURE THERE ARE." "THEY'RE HANGING OUT WITH ALL THE LEPERS." "AHOY, BILLY!" "YOU'RE GOING TO THE PARTY?" "WOULDN'T MISS IT FOR THE WORLD." "ANCHORS AWEIGH!" "ANCHORS AWEIGH!" "I SWEAR THAT GUY IS FOLLOWING ME." "WOW." "WOW." "SO HOW YOU DOING?" "SO HOW YOU DOING?" "MAYBE I NEED TO PROVE TO MYSELF" "THAT I REALLY LOVE ANDREW, YOU KNOW?" "REALLY?" "YEAH." "OH, AND AS FOR YOU, A DISCLAIMER HERE." "JUST BECAUSE I'M GOING WITH YOU TO CATALINA" "DOESN'T MEAN THAT I APPROVE OF YOUR REASONS FOR GOING." "HMMPH." "YOU AND PERRY." "WELL, BILLY, I WANT YOU TO BE HAPPY." "I JUST--I DON'T THINK THIS STRAIGHT KID" "IS GONNA MAKE YOU HAPPY." "YOU KNOW, I'VE GOTTA MAKE MY MOVE NOW," "'CAUSE IF I DON'T DO IT NOW," "I DON'T THINK I EVER WILL." "OTHERWISE," "THE POSSIBILITIES WILL BE NAGGING ME" "UNTIL THE DAY I DIE." "YOU'VE BEEN READING THETAO TE CHING," "HAVEN'T YOU?" "NO." "JUST PRACTICING EXCUSES" "IN CASE HE REALLY IS STRAIGHT." "OH." "HOMO." "JUST..." "[GIGGLING] OW, OW, OW!" "[GIGGLING] OW, OW, OW!" "[SHIP'S HORN BLOWS]" "[SHIP'S HORN BLOWS]" "THIS IS A YACHT?" "WHERE ARE THE OARS?" "TSS." "TSS." "UM..." "UM..." "UH, EXCUSE ME." "COME ON NOW." "CAN'T A MAN TAKE A PISS IN PRIVATE?" "George:" "Oh, that's a good ass." "George:" "Oh, that's a good ass." "HI." "HI." "UH, WE'RE FRIENDS OF DONNA'S." "UH, WE'RE FRIENDS OF DONNA'S." "YEAH?" "YEAH?" "YEAH." "I BEEN EXPECTING YOU." "I BEEN EXPECTING YOU." "[SIGHS]" "I'M GEORGE." "I'M GEORGE-- SHORT FOR GEORGIANA." "BUT, UH, YOU KNOW, I NEVER REALLY FELT LIKE A GEORGIANA," "SO WHEN I WAS YOUNGER SOMEONE CALLED ME GEORGE," "AND IT KINDA STUCK BECAUSE I DIDN'T..." "I'M BILLY." "I'M BILLY." "SHORT FOR WILLIAM." "SHORT FOR WILLIAM." "George:" "AND YOU MUST BE GUNDY?" "SO IS DONNA STILL A DYKE, MAN?" "WHAT?" "I KNOW SHE'S A DYKE." "SHE'S A BIG, BIG DYKE, DONNA." "NO, NO, NO." "SHE'S..." ""NO DYKE DONNA," I MEAN, THAT'S WHAT WE CALL HER." "YOU'RE GAY, TOO, MAN." "YOU'RE GAY, TOO, MAN." "DO I ACT GAY?" "[LAUGHING]" "YEAH, KINDA." "WHY DOES EVERYONE KEEP SAYING THAT?" "OH, BUT LET ME TELL YOU, SWEETIE," "YOU..." "YOU ARE DEFINITELY NOT GAY." "WELL, NO, ACTUALLY." "I'M, UH, I'M NOT." "I'M NOT GAY." "WELL, WELCOME TO CATALINA." "THANKS." "THESE ARE GONNA BE YOUR BEDS HERE." "OH, AND WHILE WE'RE GETTING ACQUAINTED," "I'D LIKE TO HAVE YOU BOTH KNOW" "THAT I'M GONNA BE TRIPPIN' TONIGHT." "OH, THAT'S NICE." "HEY, IT'S SATURDAY NIGHT." "AND EVERY SATURDAY NIGHT, I TAKE ACID." "AND WHEN I DOSE," "I LIKE MY MUSIC TO BE REALLY LOUD." "I LIKE MY MUSIC TO BE REALLY LOUD." "OK, THEN." "OK, THEN." "BILLY." "BILLY." "BILLY." "OBVIOUSLY COMING HERE WAS A HUGE MISTAKE." "OH, COME ON." "IT'S NOT THAT BAD." "LOOK AT THIS THING." "IT'S FILTHY." "YOU EXPECT ME TO SLEEP ON THAT?" "AND THATASSHOLE..." "I THOUGHT HE WAS KINDA CUTE." "YEAH, IN A DRUG ADDICT SORT OF WAY." "HE HAD NICE EYES." "WHEN HIS PUPILS AREN'T DILATED." "THIS IS YOUR REBOUND, GEORGE?" "OK, YOU KNOW WHAT?" "THERE'S NOWHERE ELSE TO STAY, RIGHT, BILLY?" "JUST GIVE ME THE STUFF." "JUST GIVE ME THE STUFF." "GUNDY..." "GUNDY..." "HEY." "YOU." "YOU." "ME?" "YEAH, YOU." "COME HERE." "COME HERE." "WHAT ARE YOU DOING HERE?" "I JUST THOUGHT I'D CHECK THINGS OUT." "OHH." "CHECK THINGS OUT, EH?" "CHECK THINGS OUT, EH?" "FFT." "COME HERE." "FFT." "COME HERE." "I WOULDN'T WORRY" "ABOUT THAT GORGEOUS BOY OF YOURS." "I'M KEEPING AN EYE ON HIM FOR YOU." "WHITEY," "DON'T YOU DARE HARASS A FELLOW PHOTOGRAPHER." "WELCOME TO OUR SET, WILLIE." "IT'S BILLY." "YES, BUT YOU WOULDN'T MIND" "IF UNCLE REX CALLED YOU WILLIE, WOULD YOU?" "YOU WOULDN'T MIND" "IF UNCLE REX CALLS YOU ANYTHING, RIGHT?" "SHUT UP, WHITEY." "YOU'RE JUST IN TIME" "TO SEE US GET OFF OUR LAST SHOTS OF THE DAY." "YEAH, THE LIGHT'S BEAUTIFUL TODAY." "YES." "AND THE BOYS." "AND THE BOYS." "UM, I WAS JUST WONDERING IF..." "WHAT ARE YOU DOING HERE?" "WELL, REX INVITED ME TO A PARTY TONIGHT." "I NEVER TURN DOWN A PARTY." "YOU'RE INVITED, TOO, WILLIE." "YOU'RE INVITED, TOO, WILLIE." "BY GOD," "THIS ISLAND'S GONNA SEE SOME ACTION TONIGHT!" "THIS ISLAND'S GONNA SEE SOME ACTION TONIGHT!" "WHY ARE YOU REALLY HERE?" "I COULD BE ASKING YOU THE SAME THING." "BILLY!" "YOU FOLLOWED ME HERE." "I DID NOT FOLLOW YOU HERE." "IF YOU CAME TO CONVINCE ME TO ABANDON THIS, YOU" "OK." "IS THAT WHAT YOU WANNA HEAR?" "I CAME TO STOP YOU" "FROM MAKING AN ASS OF YOURSELF" "OVER YOUR STUPID INFATUATION WITH THIS KID." "FIRST OF ALL, IT'S NOT SOME STUPID INFATUATION." "AND SECOND OF ALL, HE'S NOT SOME FUCKING KID." "HE'S GOT NOTHING TO DO WITH ANY OF THIS." "HE'S GOT EVERYTHING TO DO WITH THIS." "YOU KNOW, GET OFF MY FUCKING BACK." "AND QUIT MEDDLING IN MY LIFE" "LONG ENOUGH FOR ME TO AT LEAST FIGURE OUT" "IF HE'S GAY OR NOT." "IF HE'S GAY OR NOT." "[GUITAR MUSIC]" "[GUITAR MUSIC]" "Y LIFE'S BEEN SO EMPT" "U WITHOUT ONE LIKE YO" "YOUR GAY FRIEND CAUSED SOME FRICTION" "BUT YOU DON'T CONDE MN MY DRUG ADDICTION" "I WANNA EAT YOU" "I WANNA TASTE YOU" "I WANNA SWALLOW YOU" "I WANNA SWALLOW YOU" "SHE CALLS HERSELF GEORGINA" "GEORGIANA." "OH, I NEED HER" "OH, I DO" "SHE CALLS HERSELF GEORGINA" "GEORGIANA WITH AN "A."" "I NEED HER, I DO" "I NEED HER, I DO" "I WISH I WOULD'VE MET YOU" "JUST A WEEK AGO" "'CAUSE I SMOKED SOMETHING" "AND WHAT IT WAS, I JUST DON'T KNOW" "AND NOW I'M HEARING VOICES" "WHO THEY ARE, I HAVEN'T FOUND" "BUT NOW THAT YOU'RE HERE, BABY" "YOU'RE THE VOICE I WANT AROUND" "I WANNA EAT YOU" "I WANNA TASTE YOU" "I WANNA SWALLOW YOU" "WE BROUGHT SANDWICHES." "SHE CALLS HERSELF GEORGINA" "I WANNA EAT YOU, I DO" "SHE CALLS HERSELF" "GEORGINA GEORGINA" "WHAT A NAME THAT IS" "I WANNA EAT YOU" "IT'S BEAUTIFUL." "IT'S BEAUTIFUL." "WOW." "[SOBBING] THANK YOU SO MUCH." "OH, IT WASN'T THAT-- YOU KNOW." "[SOBBING] I LOVED IT." "[SOBBING] I LOVED IT." "Petula Clark:" "THERE'S A CERTAIN SOUND" "ALWAYS FOLLOWS ME" "HI, BILLY." "HEY, LES." "AROUND" "WHEN YOU'RE CLOSE TO ME" "YOU WILL HEAR IT" "IT'S THE SOUND" "THAT LOVERS" "FINALLY WILL DISCOVER" "WHEN THERE IS NO OTHER" "FOR THEIR LOVE" "IT'S MY" "HAPPY HEART" "YOU HEAR" "SINGING LOUD" "AND SINGING CLEAR" "AND SINGING CLEAR" "AND IT'S ALL" "BECAUSE YOU'RE NEAR" "ME, MY LOVE" "TAKE MY" "HAPPY HEART" "AWAY" "AWAY" "MAKE ME LOVE YOU" "MAKE MY DAY" "MAKE MY DAY" "IN YOUR ARMS" "I WANT TO STAY" "OH, MY LOVE" "OH, MY LOVE" "YEAH" "YEAH" "FEELING" "MORE AND MORE" "LIKE I'VE NEVER" "FELT BEFORE" "[WOMAN GIGGLING]" "E YOU HAVE CHANGED MY LIF" "SO COMPLETELY" "MUSIC" "FILLS MY SOUL" "NOW" "NOW" "I'VE LOST ALL CONTROL" "NOW" "NOW" "I'M NOT HALF" "I'M WHOLE NOW" "WITH YOUR LOVE" "IT'S MY" "HAPPY HEART" "YOU HEAR" "SINGING LOUD" "AND SINGING CLEAR" "AND SINGING CLEAR" "AND IT'S ALL" "BECAUSE YOU'RE NEAR" "ME, MY LOVE" "TAKE MY" "HAPPY HEART" "AWAY" "MAKE ME LOVE YOU" "MAKE MY DAY" "IN YOUR ARMS" "I WANT TO STAY" "OH, MY LOVE" "OH, MY LOVE" "MY HAPPY HEART" "CAN'T YOU HEAR" "MY HAPPY HEART?" "WHOA WHOA" "CHEERS." "WHOA OH OH" "DARLING" "SEE" "SEE MY HAPPY HEART" "[APPLAUSE]" "[GIGGLING]" "COME ON." "George:" "WHAT ARE YOU DOING?" "JESUS CHRIST!" "YOU SCARED THE FUCK OUT OF ME." "I'M SORRY." "IT'S A LITTLE PATHETIC HIDING BEHIND A PALM, BILLY." "SPYING ON PEOPLE?" "YOU KNOW THAT'S WHAT YOU'RE DOING, RIGHT?" "I SAY IT WAS PRETTY FUCKED UP, BILL." "SINCE WHEN WERE YOU TWO INVITED TO THE PARTY?" "SINCE GUNDY SCORED SOME POT FOR MR. WEBSTER LAST NIGHT." "SO YOU'VE BEEN TRIPPING ALL DAY BACK ON THE BOAT?" "OH, COME ON." "I DON'T NEED TO BE DOSING" "WHEN I'M GETTING LAID, MAN." "WHEN I'M GETTING LAID, MAN." "MMM." "I'M GONNA GO SEE" "IF I CAN GET RID OF THIS LAST DIME BAG." "I'LL BE RIGHT BACK, OK?" "OK." "[SPANKS GEORGE]" "[SPANKS GEORGE]" "THAT'S CLASS." "PLEASE KEEP ME COMPANY." "NO." "I'M COWERING." "OK, I'M SORRY." "I DIDN'T MEAN TO ASK YOU." "I MEANT TO TELL YOU." "I DIDN'T MEAN TO ASK YOU." "I MEANT TO TELL YOU." "OF COURSE." "OF COURSE." "LOOK." "THERE HE IS." "EVERY TIME I LOOK AT HIM MY STOMACH STARTS TO HURT." "I KNOW." "WELL, BILLY, YOU CAME ALL THIS WAY." "WHY DON'T YOU JUST DO WHAT YOU GOTTA DO?" "OH, HERE COMES YOUR NEW LOVER." "OK, LISTEN." "I WENT THAT WAY." "UNH UNH" "OH, YEAH!" "UNH" "UNH" "I DON'T SEE THIS KIND OF DECADENCE" "AROUND THESE PARTS TOO OFTEN." "AROUND THESE PARTS TOO OFTEN." "WHERE'S GEORGINA?" "SHE WENT THAT WAY." "SHE WENT THAT WAY." "RRR." "RRR." "A GEORGIN" "YEAH, MAN." "[LAUGHING]" "[LAUGHING]" "HEY." "OH." "I--I AM SORRY ABOUT EARLIER TODAY." "NO." "I SHOULD'VE" "LET'S JUST FORGET IT, OK?" "LET'S JUST FORGET IT, OK?" "I'M GLAD YOU'RE HERE." "I'M GLAD YOU'RE HERE." "SO?" "SO WHAT?" "SO DID YOU DO IT YET?" "NO." "I MEAN, HE'S OVER THERE WITH THE BEAUTIFUL PEOPLE." "I DON'T WANNA MUSS THEIR ESSENCE." "BILLY, JUST DO WHAT YOU CAME HERE TO DO." "OOH." "WHAT DO YOU THINK OF THAT ONE OVER THERE?" "NOT MY TYPE." "EXACTLY." "ELIMINATES THE COMPETITION." "ELIMINATES THE COMPETITION." "Les:" "HELLO, BILLY." "George:" "OH!" "HELP, BILLY!" "HELP, BILLY!" "[LAUGHTER]" "[LAUGHTER]" "WHAT ARE YOU DOING HERE?" "I WAS INVITED TO THE PARTY." "REALLY?" "REALLY?" "YEAH." "CAN WE TALK?" "SURE." "SURE." "SOMEWHERE ELSE?" "SOMEWHERE ELSE?" "CAN YOU GUYS GIVE ME A MINUTE?" "CAN YOU GUYS GIVE ME A MINUTE?" "AHH." "AHH." "SO HOW WAS THE SHOOT?" "SO HOW WAS THE SHOOT?" "IT WAS EXCELLENT." "REX WEBSTER, HE'S REALLY GREAT TO WORK WITH." "REX?" "WELL, NOT AS GOOD AS YOU, OF COURSE." "PLEASE." "NO, I'M SERIOUS." "HE DOESN'T PAY AS MUCH ATTENTION TO THE DETAILS." "HE'S GOT A MILLION PEOPLE RUNNING AROUND" "DOING EVERYTHING FOR HIM." "COMES WITH AGE, I GUESS, HUH?" "YEAH." "OR SUCCESS." "OR SUCCESS." "OR SUCCESS." "OR SUCCESS." "HOW'S THE MAKEUP GIRL?" "HOW'S THE MAKEUP GIRL?" "SHE'S NICE." "SHE'S NICE." "ACTUALLY, SHE'S KIND OF DRIVING ME CRAZY." "SHE'S..." "TENDS TO DOTE ON ME A LITTLE BIT TOO MUCH." "I DON'T DOTE ON YOU, DO I?" "I DON'T DOTE ON YOU, DO I?" "A LITTLE BIT." "IT'S OK, THOUGH." "IT'S IN A DIFFERENT WAY." "IT'S..." "IT'S IN A DIFFERENT WAY." "IT'S..." "I'M REALLY GLAD YOU CAME." "I'M REALLY GLAD YOU CAME." "YOU KNOW, I WASN'T EVEN GOING TO COME," "BUT PERRY PRACTICALLY DRAGGED ME." "BUT PERRY PRACTICALLY DRAGGED ME." "IT'S ABOUT THE OTHER NIGHT." "IT'S ABOUT THE OTHER NIGHT." "GABRIEL, I'M SO SORRY." "LISTEN, YOU DIDN'T MAKE ME DO ANYTHING" "I DIDN'T WANT TO DO." "I DIDN'T WANT TO DO." "I DIDN'T?" "I DIDN'T?" "I'M JUST NOT SURE IF IT'S SOMETHING" "THAT I'D WANT TO DO AGAIN." "THAT I'D WANT TO DO AGAIN." "MAYBE..." "WHAT WENT ON WASN'T SUPPOSED TO HAPPEN." "FOR YOU, I MEAN." "MAYBE..." "YOU WERE JUST TESTING THINGS OR EXPLORING" "WHATEVER YOU WANT TO CALL IT" "AND THAT'S OK." "YOU KNOW, WHEN I FIRST CAME OUT," "I DIDN'T HAVE ANYONE..." "I DIDN'T HAVE ANYONE..." "AND NOW THAT I LOOK BACK," "YOU KNOW, I WISH I HAD SOMEONE." "YOU KNOW, I WISH I HAD SOMEONE." "I..." "CERTAINLY WOULDN'T BE AS FUCKED UP AS I AM." "YOU'RE NOT FUCKED UP." "YOU'RE NOT FUCKED UP." "I SWORE TO MYSELF" "THAT IF I COULD EVER BE THERE FOR SOMEBODY, I WOULD," "SO THAT THAT PERSON WOULDN'T HAVE TO GO THROUGH" "ALL THE SHIT I WENT THROUGH." "ALL THE SHIT I WENT THROUGH." "WHAT I'M TRYING TO SAY IS," "IF YOU'RE HAVING PROBLEMS" "FIGURING OUT" "WHERE YOU STAND," "EVEN IF YOU'RE NOT SURE" "OF WHAT YOU'RE SUPPOSED TO WANT..." "BILLY, I'M" "THIS IS NOT COMING OUT RIGHT." "THIS IS NOT COMING OUT RIGHT." "GABRIEL, I" "GABRIEL?" "GABRIEL?" "BILLY, I'M PRETTY SURE OF WHAT I'M SUPPOSED TO WANT." "BILLY, I'M PRETTY SURE OF WHAT I'M SUPPOSED TO WANT." "MAYBE WE CAN STILL" "YOU KNOW, JUST..." "YOU KNOW, JUST..." "[SPLASH]" "WHAT ARE YOU DOING?" "WHAT ARE YOU DOING?" "YOU WERE RIGHT." "TALK TO ME." "I'VE JUST SEEN TOO MANY GODDAMN MOVIES, YOU KNOW?" "BILLY." "SPENT TOO MUCH TIME BEHIND THAT FUCKING CAMERA." "SPENT TOO MUCH TIME BEHIND THAT FUCKING CAMERA." "I ACTUALLY IMAGINED THIS PERFECT KISS BETWEEN US." "OF COURSE YOU DID." "I THOUGHT FOR SURE IT WAS GOING TO HAPPEN." "BILLY, I'VE MADE THE SAME MISTAKE." "A COUPLE YEARS AGO, I MET THIS GUY." "HE WAS--HE WAS GOOD-LOOKING AND SMART AND FUNNY," "AND I FELL FOR HIM." "AND I FELL FOR HIM." "HE SEEMED TO LIKE ME, IN HIS OWN WAY." "IT BECAME OBVIOUS THAT HIS WAY WASN'T MY WAY." "IT TOOK SOME TIME, BUT I ACCEPTED IT." "I WAS HAPPY FOR THE FRIENDSHIP." "I WAS HAPPY FOR THE FRIENDSHIP." "BILLY..." "BILLY..." "THE GUY WAS YOU." "THE GUY WAS YOU." "YEAH?" "PERRY?" "GIVE ME ONE MOMENT, RAYMOND." "THE MEN IN MY LIFE KEEP DISAPPEARING" "INTO VOICES IN THE NIGHT." "I WOULD GLADLY GIVE UP" "THE THRILL OF A ONE-NIGHT STAND" "WITH CATALINA'S SOLE HOMOSEXUAL" "IF YOU WANT TO BE WITH SOMEONE RIGHT NOW." "I KIND OF WANT TO BE ALONE, YOU KNOW?" "I KIND OF WANT TO BE ALONE, YOU KNOW?" "YOU SURE?" "YOU SURE?" "YEAH." "GOOD." "GOOD." "THANKS." "THANKS." "[SEAGULLS CRY]" "[SEAGULLS CRY]" "BILLY!" "JESUS CHRIST, YOU GOT TO STOP DOING THAT." "MY GOD, I GOT AWAY FROM HIM." "CAN YOU BELIEVE HE WANTED TO TWO-STEP?" "TWO-STEP!" "I LOST THE POLAROID." "OH, THAT SUCKS, BILLY." "AND GABRIEL." "AND GABRIEL." "SO WHEN'S THE NEXT FERRY BACK TO THE MAINLAND?" "COME ON." "COME ON." "GEORGINA!" "GEORGINA!" "[MUSIC PLAYING]" "[MUSIC PLAYING]" "YOU KNOW, I FUCKING HATE BEING THE TOKEN DRAG QUEEN." "AT LEAST YOU'RE NOT THE TOKEN DYKE." "NO, GIRL, I LOOK LIKE SHIT." "NO, THAT'S A PRETTY GOOD PICTURE OF YOU." "NO." "I'M GIVING YOU SO MUCH FATNESS IN THIS PICTURE." "NO, NO, NO, NO, IT FLATTERS YOUR FIGURE." "YOU'RE FLATTERED BY ANYTHING WITH TITS." "YOU KNOW, WHITEY," "IN SOME OF THESE PHOTOGRAPHS," "HE'S CAPTURED AN ASPECT OF ME" "THAT I THOUGHT ONLY YOU KNEW ABOUT." "REX..." "DO YOU THINK I COULD LEARN HOW TO TAKE PICTURES?" "WELL, IF YOU'RE SERIOUS," "I'D BE GLAD TO SHOW YOU THE FUNDAMENTALS." "I AM SERIOUS." "ALL RIGHT." "FROM NOW ON," "I'LL INTRODUCE YOU AS MY PROT?" "G?" "." "AW." "AW." "REX..." "WHAT ARE YOU DOING TO BRAD IN THIS PICTURE?" "OHH." "WOW." "THANK YOU VERY MUCH." "THAT'S VERY NICE OF YOU." "DID YOU HEAR THAT?" "I DID." "GOD, WHAT'S IT LIKE?" "YOU HAVING FUN?" "YEAH." "IT'S PRETTY AMAZING." "YEAH?" "WAS IT WORTH IT?" "YEAH." "OHH." "I THINK YOU'VE MADE YOUR FIRST SALE" "TO REX WEBSTER." "NO FUCKING WAY." "OH, MY GOD." "TAKE A LOOK AT THIS." "WOW." "OK, THAT'S INCREDIBLE." "HAVE YOU TALKED TO HIM YET?" "YOU SHOULD PROBABLY CALL." "YEAH, MAYBE YOU SHOULD INVITE HIM." "I MEAN, YOU ARE EXPLOITING HIM AFTER ALL, YOU KNOW." "I DON'T KNOW." "I..." "I JUST NEED SOME TIME, YOU KNOW?" "I JUST NEED SOME TIME, YOU KNOW?" "BILLY?" "BILLY?" "AM I THE ONLY STRAIGHT GUY" "IN ANY OF YOUR PHOTOGRAPHS?" "YEAH..." "BUT IT'LL BE OUR LITTLE SECRET, OK?" "COME ON, GUYS, IT'S QUARTER TO 8:00." "OH, OK, LET'S GET OUT OF HERE." "YOU'RE GOING, TOO?" "YEAH." "WELL, WE'RE JUST DROPPING THEM OFF" "AT THE FERRY LAUNCH, RIGHT?" "OH." "HE DOESN'T WANT ME NEAR THE ISLAND." "HE'S JEALOUS 'CAUSE I GOT LUCKY THERE." "BELIEVE ME, DREW, LUCKY IS NOT THE WORD." "HEY, WOULD YOU BRING THE CAR AROUND?" "CAN WE SAY "PLEASE"?" "I'M SORRY." "I WAS BAD," "BUT YOU CAN PUNISH ME LATER." "REALLY?" "YEAH." "OK?" "OK?" "OK." "OK." "THAT'S MY MAN." "ARE YOU GOING TO BE OK?" "YES." "ALL RIGHT." "GO." "GET OUT OF HERE." "JESUS." "JESUS." "BILLY..." "I AM PROUD TO BE YOUR PATRON." "THANKS." "I COULDN'T HAVE DONE IT WITHOUT YOU, PERRY." "THANK YOU." "THANK YOU." "GOOD SHOW, BILLY." "THANKS." "I WAS WONDERING WHEN YOU'D SHOW UP." "I HOPE YOU DON'T MIND." "I'VE GOT SOMEONE WHO'S DYING TO MEET YOU." "SURE." "LISTEN, GOT TO FLY, BILLY." "SEE YOU AROUND." "I'M SURE YOU WILL." "I'M SURE YOU WILL." "YOU'RE THE ARTIST?" "SORRY?" "THESE ARE YOUR PHOTOS?" "OH, YEAH, YEAH, YEAH." "SOME NICE STUFF." "THANKS." "IS THIS THE CAMERA?" "UH, ACTUALLY, THIS IS A NEW ONE." "I LOVE POLAROID FILM." "I MEAN, IT'S WORTH IT FOR THE TEXTURE AND ALL." "YEAH, IT'S GREAT, ISN'T IT?" "IT'S NICE." "I'M SORRY." "YOU'RE-- DIDN'T GET YOUR NAME." "I'M JOSHUA." "JOSHUA." "I'M BILLY." "YOU'RE A PHOTOGRAPHER?" "NO, BUT, UH..." "YOU KNOW, I KNOW A GOOD PHOTO..." "WHEN YOU SEE ONE." "YEAH." "WELL, WE HAVE THAT IN COMMON." "YEAH." "YEAH." "SO..." "SHOOT SOMETHING." "SHOOT SOMETHING." "UM..." "SO, YOU KNOW," "THERE'S A STORY BEHIND THIS CAMERA." "ACTUALLY, NOT THIS PARTICULAR ONE." "MY OTHER ONE IS, UH..." "SITTING AT THE BOTTOM OF THE OCEAN" "SOMEWHERE OFF THE COAST OF CATALINA." "SOMEWHERE OFF THE COAST OF CATALINA." "Billy:" "THE END." "[CAMERA CLICKS]" "CAPTIONING MADE POSSIBLE BY TRIMARK HOME VIDEO" "CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC." "CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC." "SHE WAS THE LOVE SLAVE" "OF CATALINA" "OF CATALINA" "PRISONER OF A MAN" "SHE'D SEEN THERE" "SHE'D SEEN THERE" "BACK ON THE STREETS" "OF LOS ANGELINA" "OF LOS ANGELINA" "THEIR EYES MET IN A SMALL CANTINA" "THEIR EYES MET IN A SMALL CANTINA" "AND IN HIS EYES, SHE SAW THE SUN" "SHE THOUGHT SHE'D FOUND THE ONE" "SHE LONGED TO HEAR THE WORDS" "I LOVE YOU" "BUT ALL THE TIME SHE SPENT" "THE DAYS HE CAME AND WENT" "SHE NEVER HEARD THE WORDS" "I LOVE YOU" "I LOVE YOU" "HER MAN, HE WENT TO CATALINA" "HER MAN, HE WENT TO CATALINA" "THE LOVE SLAVE FOLLOWED ON THE STEAMER" "THE LOVE SLAVE FOLLOWED ON THE STEAMER" "HER FRIENDS, THEY SAID SHE WAS A DREAMER" "HER FRIENDS, THEY SAID SHE WAS A DREAMER" "SHE SHOULD GIVE IN TO A MAN THAT WE KNOW" "SHE SHOULD GIVE IN TO A MAN THAT WE KNOW" "AND ON A WINDY BEACH, THEY MET" "AND AS THE SUN BEGAN TO SET" "SHE LONGED TO HEAR THE WORDS" "I LOVE YOU" "I LOVE YOU" "AS THEY STOOD FACE TO FACE" "LOVER CAME TO THE MAN'S EMBRACE" "SHE NEVER HEARD THOSE WORDS" "I LOVE YOU" "I LOVE YOU" "SO NOW SHE ROAMS" "THE STREETS OF CATALINA" "THE STREETS OF CATALINA" "LOOKING FOR THE MAN" "FROM LOS ANGELINA" "FROM LOS ANGELINA" "SHE WAS THE LOVE SLAVE" "OF CATALINA" "OF CATALINA" "STILL WAITING FOR THOSE WORDS" "I" "LOVE" "YOU"