"Thank you to have come." "I presente..." "Before starting," "I would like to know how you to call." "Which is the name who agrees to you best?" " Takeshi." " very short Takeshi?" "You to call by your first name, it is a little riding." "If I say Mr. Takeshi, Ca makes distant..." " Take, Ca would suit me." " Really!" "?" "But... you too are called Monseigneur... or Mr. Realisateur." "For Monseigneur, in the world of the tele, especially the world of the spectacle, pseudo-disciples you call Maitre quickly... and I detestais that." "I said to them to call me Monseigneur Zozo." "lls did not arrive there and Monseigneur is to me remainder." "It is thus reserve your team has." "I do not see myself you to say Monseigneur." "Between Beat Takeshi and Kitano Takeshi, which name will you preferez?" "To tell the truth..." "Ca depend of what I do." "When I make the comic one, when I am stimulating, especially the tele has, this is not Beat Takeshi who passes best?" "But when I turn or write, it is Kitano Takeshi." "I thought that, as actor, it was always Beat Takeshi." "But in Tokyo Eyes, it is Kitano Takeshi with the generique one." "Is there a reason?" "It is that I have ete there serieux than I did not think." "When you serieux etes, it is thus Kitano?" "That also, it is rather fuzzy..." "By the way..." "precisely in Getting any?" ", it would be said that you wanted to break your image or at least to do something of decale..." "It is a holdup!" "Bring the fric!" "Close the curtain!" "Does that come, yes or not!" "?" "merci OF YOUR visite" "In this film, to tell the truth," "I wanted to make a comedie." "But I am myself, how to say... a comic professional." "I wanted to make fun me of my own jokes, to turn in derision." "I thus have invent the most enormous gags." "As it is my trade, I know the tricks..." "I wanted to ridicule me so much so that one says:" "it is null, this type!" "I was so well caught with the play that I lost the head..." "One 7 47!" "In premiere class, the service must be signal!" "You have a ticket of premiere?" "Please excuse me." "Not, it is not exact." "It is not with my buddies that I learned that." "My childhood has ete rather a combat with my mother." "My mother had the life lasts... poor... because my father large thing did not gain." "She was a teacher and it was a woman fiere... very demanding for our studies." "After the University of Tokyo, we would be civils servant." "Not." "It wanted that I bump, me I wanted to amuse me." "It was a combat perpetuel." "Even poor, it paid us courses of the evening." "I applied has to make pretence go there." "Baseball was prohibited to me." "I thus had to hide my equipment." "I always owed ruser." "That has me sometimes mene very far." "I was to learn penmanship." "I left with my brushes and I was going to play baseball." "As she wanted to see evidence," "I showed him tests make with baseball." "It was not easily deceived." "It wanted tests corrigees." "I have achete red ink to correct me... but I was so awkward that I still had a soap." "One would believe oneself in a silent film of Ozu..." "Indeed, and I say myself that Ca would make a film... my relations with my mother." "The brawl has continuous same when I became humorist." "That A plongee in pangs... it took to me all that I gained." "For step that I it depense." "All pretextes were good." "It said that it was sick... but that it would return it to me when I would need some." "It is it which made me." "Much more than my buddies." "No one does not have ete mark by his/her mother more than me..." "Thus your mother too was played of you?" "Enormously..." "Until A the age of reason, it has me much influence." "Initially, it moved away all my buddies." "Very skilfully." "It did not make them no reproach." "It said to them that I was stupid and mechant and that it was better for them not me frequenter." "It was malignant but I enrageais." "And this technique, you you are to it appropriee in your professional lives." "In my turn..." "by taking disciples, it is that even that I wanted to make." "To amuse me their depens has." "I am really defoule..." "I made worse than to hang." "I invited them my pretendu burial has, and observed them by far." "With a lure under the couette I pretended a critical state and I epiais their reactions." "It was funny." "To tell the truth..." "The actors are men." "lls has each one their history." "I give them the scenario and they have their image..." "It is useless to try to impose my image to them." "lls must play flower of skin has." "I wait them that they are natural." "ll is necessary people like Kurosawa to impose its vision." "I saw documentary on Kurosawa." "It was fantastic!" "It is incredible what it required of its actors." "It was to be hard for them." "ll was to have an immense force to arrive that has." "You are not also directing with your actors?" "Never of details." "ll arrives certainly to me to correct a glance, but in theory, I am made my idee with the repetitions and I prefère to change the position of the camera." "If somebody must adapt, it is us and not them." "If the actor is not good, it will be filmed back." "As one will not see its expression, one will be able to think that it is good." "It is not my kind to await an actor a long time." "Oû you learned has to mislead people like Ca?" "Not by making cinema?" "It is a technique of the comic one â the tele, at the bottom." "And then, in the sketches, only that is done." "One makes laugh because one surprises." "It became a practice." "When one looks at scenes of violence in your films, one thinks that you have already really striking somebody." "Is this the case?" "Me?" "To tell the truth..." "I often fought." "With Hou Hsiao Hsien, there is the same impression..." "However, more than the fact to have striking, which counts, it is to have ete striking." "If one never received blows, the things are shown in a crueler way, more exageree, I believe." "I am much brawls, but I practically have always lost." "I received blows so much that I know the suffering of it." "One does not know any more oû one is, if one has badly or if Ca burns." "Let us take boxing." "It is a sport which makes suffer." "ll you fascine too." "However, you will not be never champion." "Then, why do you practise it?" "It is not easy... how to formulate that?" "ll is necessary courage to receive blows." "One is of course afraid, very fear, it is known that one will be striking and when the blow arrives, it is not pleasure but a confirmation." "And for you, that which knows that also knows what is is tenderness, it well that?" "To some extent... it is necessary to have tastes this atmosphere... to have known sadness of that which is has ground, beaten." "ll is not enough to have striking." "ll is necessary to have gains and to have ete ecrabouille to be able to make a violent film." "For the weapons, it is still different." "Even if there is some analogy... as regards violence." "Then?" "ll is with the coffee." "ll is weapon and it is full." "One can nothing make." "And Horibe?" "No the news of the hospital." "ll has ete touches with the belly." "In fact... it is odd of speaking like that violence... because I am rather apprehensive and I am very afraid violence." "I grew in a district not very well fame, and I saw not badly of scenes force." "It was each time a great shock." "I had if fear that this fear is to me restee." "It is perhaps it who became a kind of fascination for violence." "ll sometimes happened to me to listen a boss yakuza to speak to â a young person about sound gang." "And that got to me a true pleasure." "I had the very sharp impression to well better include/understand that the white nozzle." "In Hana-Bi, there is the eye creve." "In fact, one day at the restaurant, a boss said to me to hold my rods ecartees as much as space between the two eyes." "This type died since, but, has the time, I had find it formidable, without piger." "In Hana-Bi, I have use stories of this time, scenes of this district of my childhood." "They all are gravees in my memory." "Lâ, the technical team knows, of course, what will occur?" ", it was not prevu that it strikes the type of right-hand side." " At the beginning." " Ah yes?" "You do not even have pay interêts of the month!" "Thus pay!" "You know the rule!" "?" "If rods are within the framework, it is you who wanted it?" "Not really." "If not, the face would have ete cut." ", it is not me." " good Ah?" "With the repetition, I have burst the objective." "It was faster to take a lining." "In Hana-Bi, one notices on the one hand the tenderness of the police officer for its sick wife, and in addition the brutalite of its life..." "However its wife practically do not speak." "That translates it tenderness what do they divide?" "And this mixture of tenderness and of brutalite... is it..." "how to say... something which comes deeper of you-same?" "It is perhaps clean with temperament Japanese." "Thus the parents who kill their children before committing suicide." "It is like a pendulum who oscillates between cruaute and tenderness." "Proportioning must be equal so that the pendulum oscillates." "More there is tenderness more violence is needed." "It is what releases potential energy of the pendulum." "Let us take the benevolat..." "The benevoles are able of a great generosity." "In fact, opposite of a great violence there is the place for a great kindness." "It is them which allow the permutation." "When your films speak about love, like first Violent one COP oû it acts love of a brother for his/her sister, this one is arrieree." "In your film With scene At the sea, the couple in love is a couple of deaf-mute." "And then in Hana-Bi oû, for the premiere time, it is about marital love, the wife is sick and, moreover, she does not say anything." "When you evoke the love, there is always a defect... like a handicap, an insufficiency." "Either it is sick either it does not speak or little..." "How one can interpreter that?" "Look at films or novels... in the case more frequent," "if none of both east does not handicap, if they are men and of the ordinary women, that gives an ordinary relation and intrigues it cannot tie itself." "Then, in a film, one makes burst a war, and like there is the war, the man leaves to the face." "In a telefilm, another woman appears who goes detruire the relation." "It is when the relation is menacee that they become aware of it." "And it is lâ which history can start." "For example, I think has an event, an enormous capital for the cinema americain, the war of Vietnam, source of so much of films, always lucrative." "Desole but for me, in our culture, there is no able episode to disturb the company as much." "I regret it even sometimes." "ll is thus necessary to concentrate on personal problems." "As that cannot be social, I focus lately on problems physics or mental." "It became a kind of model-type." "I would like that there is another... ll has that of the yakuza there, with their rigid organization, who control the individual." "To show how all these yakuza functions, that also constitutes a good intrigue." "In Hana-Bi, in the scene of the photograph, you pose with your wife but you derobez yourselves... or when you are held by the hand" "you fall in the garden Zen." "It would be said that you dodge yourselves in the joke as if it were odious for you to be coast coast has..." "Yes, I know..." "it is really terrible... it is my false shame." "I still cannot to go has coast of a woman." "Appointment is given some share and one return." "To go coast has coast in the street that is unknown for me since my childhood." "Thus, I cannot imagine to turn a scene of love in my films... nor scene of love, nor scene of meal besides." "I do not have any memory merry meal." "Of course, it arrives to me to eat well in a pleasant place, but I remain impassive and quiet." "I deteste to see me like Ca." "As I of it am conscious, I make seeming..." "That comes from my childhood." "I cannot paint what I did not know." "And if one fine day... a woman emerged and bewitched you, you would not dine peacefully in head-â-head?" "It is unthinkable!" "I râlerais." "Takahashi Yoshihiko is very qualified." "Let us listen to it well!" "According to the terrible predictions of Nostradamus, in 1999, the large King of Terrors will fall from the sky." "We have tries to imagine what was going to occur." "A little nearer!" "Bring it closer!" "The King of the Ground-errors!" "You have starts by you to produce as humorist... in a cabaret, France." "You had already seen the show or, you have improvises?" "In fact, I was boy of elevator, a kind of usherette..." "I had leave the FAC" "I trainais â Asakusa, in the medium of the cinemas." "I was too mowing to see many films." "I was to find a job." "I took the first job offered." "It was, by chance, a cabaret of striptease." "I had fun, and a day, it has lack a comedien." "Why not ask with the boy of elevator?" "At once known as..." "And oû that veiled has me mene!" "It is strange." "But when one has request to you to replace it, you could have refused..." "Admittedly, but during the pause, I looked at the spectacle, not especially naked women but attractions." "And I found them ringardes." "I thought that one had to be able to better do." "When the job was offered to me, I said yes without hesiter." "You have debute by making the comic one, but when your films are seen, a key there is seen terribly tragic." "Of course, Hana-Bi is an illustration." "What pushes you towards the tragedy?" "Which is the nature of this dash who seems irrepressible?" "My relation with the tragedy?" "I feel, at the bottom of me, something of diabolic." "When I turn a tragic scene, I want the comic one." "For example, in Hana-Bi, there is the scene oû Horibe, paralyse, is at the edge of water." "Of the moment oû I think ' ' It is beautiful ", the devil in me is blown ' ' And if water submerged it?" "' '" "If I had turn a comedie, this scene would have ete tragic." "Horibe would have finished, 2 hours later, by being submerges." "It is incredible, what passes to me by the tete." "Therefore, a tragic scene, it is prone A guarantee." "ll always has a comic demon there pret has to be involved there." "In oû measurement this demon comic is always pret, when I turn, it is very easy to insufflate some a little." "And when I am in the tragedy," "I can be useful myself of the comic one like repit." "To make comic, often, that passes by the gestures... and when one is with the cinema, one turns in accelere." "But in your films, one would say rather... that you use more frequently the idle." "Then, accelere or slowed down, you decidez some before turning?" "Not, in fact, I arrange myself to have a camera prete... and, in general, that occurs to the conk," "at the moment of the repetitions, I decide speed." "Never the advance has." "Therefore, it is while looking at actors or landscape..." "And then... if I find that an actor do not move well..." "I test the camera by behind or I turn in accelere, or with the idle, in short, I test a little all." "That is not useful has anything to ask too much an actor has, that can same detraquer the remainder." "In Sonatine, the scene forgery sumo on the beach, whereas one expects has gestures plus jerks, there is the impression that they are rather solidify." "In the plan precedent," "I had request with the actors to move more by A-blows, to jump higher... but I could not have that this epic jerks." "I should have tested another thing, to remove images... to work a little more this scene in any case." "I have gain!" "It is my favourite." " Which it is?" " May No Umi." "Thus say!" "It is well too conspicuous, Ca!" "Doesn't that suit me?" "Have you the air of a fir tree of Noêl!" "One day, you said... you made already films, it was in connection with desire to make a perfect film... it is, in theory, the wish of all... you said preferer not there not to arrive." "Reussir a perfect film... same if, initially, that is impossible for me..." "Ca would deprive to me of this potentialite." "How to say..." "I like to better leave one or two faults..." "Not that I do it purposely." "But if they were not there any more," "I could not to pass to following film." "But when same, more I see my films, more I find defects to them." "You write your scenarios..." "I do not know with which degree of meticulousness... but you turn in the chronological order?" "Yes, absolutely." "That allows me to modify the scenario." "According to the situation, I remove this or that," "I add a scene which requires new a reperage... and it set out again for a turn." "When it is about cinema, it thus sometimes happens to you to change things with turning, but for television, does that arrive to you?" "With the tele, I make just what one says to me to do." "It is for that that I am pay..." "When one y reflechit..." "I am sold has the tele, it is prostitution." "ll arrives to me sometimes not to want not to make Ca the tele has..." "But since it is for that that I receive a seal..." "I think sometimes that I prostitue." "In those cases, I resign myself." "You say to feel like a prostituee... but I find that sometimes... you show a face not very pleasing." "It is true..." "it is a kind of resistance." "It is like the whore who sells his body but does not embrace." "I agree to show me under outside extravagant but I remain out of attack mentally." "Simply, it became machinal," "Ca belongs to the number and if I do not make the mouth, one asks me if something does not go." "It is what, what hangs with the handlebar?" "A angel-small bell." "For what to make?" "A grigri." " Brings!" " Not question." "Why you refuse, potato?" "That comes from my girlfriend." "It is him, your girlfriend?" "The bald person who is?" "Doesn't that go, not?" " Brings." " Not question." " I will prick you your motor bike." " Stop!" "Bring!" "In your paintings more particularly, but also in your films, there are angels..." "Why these angels?" "I think that our conscience and all our ways of thinking are subjected has gravity who brings back for us downwards." "I do not speak about the weight conscience." "But I feel a strange force who pese on the pensee, on art also, and which draws us downwards." "And there are beings which, TAC, can of liberer." "At least, I think it." "But why that takes it the image of an angel?" "You to say why..." "it is odd." "It was at the time turning of Kids Eeturn." "After my accident, I made golf like reeducation." "On the ground, funny of good woman came." "She me A gives a grigri who representait an angel." "I have find all that strange." "I thus said thank you and I have carry the angel." "Then I saw that I had dejâ many angels." "In various forms, have accumulated for ten years, they had all of the wings." "I thus have some suddenly become aware." "When at the time of turning Kids Eeturn, my assistant me A proposes to use the same angel that the grigri," "I have think:" "' ' Funny of coincidence!" "' '" "I do not make an obsession of it but I find that sympathetic." "I put myself has to paint angels and I took the practice of it." "There too, it is an angel... it would be said that it floats in the medium of the cascade." "This painting, for example, when do you have it commencee?" "ll has six months there approximately." "The cascade is an element who fall and that interessait me to have something floating in front." "I have seek antecedents, consult prints of Hokusai, try to imitate it and veiled the result." "ll does not have only that there." "ll has there, for example, this character has back who known as: ' ' I strike ' '." "I have appele this table The Obsession of the Life." "I find that funny that it has the tete in bottom." "In fact, it is very odd..." "It is said that it is unpleasant to have the head in bottom, but this situation is not perhaps only normal... at least, in my opinion." "It would be thus the company who would have decide discomfort of this situation, in an arbitrary way, as in the relation devil and angel." "There too, it is an angel." "Kid, come to see!" "Give a part to the puppet." "It is finished." "Hold, still 10 yen." "It is finished." "Hold, still 10 yen." "ll is breakage!" "That, they are wings of angel." "Try to fly like a bird." "Go, flies!" "With the fact... the scene with Fumie in accelere the sound of its hands, it is taken three times more quickly?" "Good, you can put does noise enter?" "I had it purposely enleve... it is better if they is quiet between the two." "It is a normal sound, a sound in direct catch." "It is normal that there is sound." "One will be able in removing more after." "And ' ' the station-wagon dance ", that goes?" "Hisaishi says that it is better to drop a little at the beginning, but me, I do not think... ll A drops." "In general, I exagere noises." "Noise of a revolver, for example," "I make an enormous noise of it, very different of reality." "I put in my films impressive sounds." "It became a style." "And it is thus that ' ' the bang " of film becomes very different noise reel of the revolver." "It is similar for the scenes of brawl." "The sound of the blows is enough different real sounds." "But when one strikes with a stone enveloppee in a towel," "Ca makes a cranium noise and I like that." "It is said that, in my films, one walks much." "But â to say true, that goes up has my first film Violent one COP, oû it is manifest." "In fact, it is with the assembly, when work was seen, scripte A declares that one did not have enough scenes." "To lengthen, one fooled the cop." "It was filling but it became a style." "In fact, I have the round back and feet out of duck," "Ca gives me a twisted pace, who is not if deplaisante... and I made a constant of it." "But for the direct catch of the sound... it is hard... it is hard for the taker of sound... if he wants to take sounds of the steps to the microphone, it enters within the framework." "It is a problem." "One cannot however fix a mini-microphone with the shoes..." "In the final analysis... it is perhaps not serious..." "In fact, there are all kinds noises of step... on the gravels, according to the grounds, that varies much." "But they are not always necessary." "Finally, that depend of the style of film... to put or not to put this noise of step?" "If it were removed completely," "I think that that would finish by disturbing the witnesses." "Today, in fact..." "I would like to ask you which is, for you, the film ideal?" "I believe that, in an interview in France, you said that, if the film were really strong, ten slides were enough." "You feel to approach this form?" "Finally, in theory, 10 slides should be enough." "But if one puts oneself â to choose each slide, that quickly becomes impossible." "It is hard of selectionner." "One finishes by retaining 250 000 of them who become a film." "Basically, the ideal, it would be to be able to choose any image of one of my films." "In making a photograph who would be excellent, it is Ca, the ideal." "To mitigate the lacks, one adds music and dialogues." "But in the case of painting, that does not exist." "And yet, one can remain plant in front during 20 or 30 good minutes." "If it is possible for a painting one must be able to obtain with the cinema with very few plans." "However, same if it is a significant objective, it is not has to apply has the letter, except like ideal." "Which is that of your films who approaches some more?" "The scene oû I have reussi has to do it, it is in Hana-Bi, in the scene of the carpark, until the blow on the cap." "One A does not turn that these only plans." "ll thus has there nothing which serf of bond, it is right like Ca." "And one asks me if I made cuts with the assembly." "Not, I have only that." "And it is true that that fits well." "But Ca passes well because it east insulates." "In series, Ca would be odd." "To emphasize this kind of scenes, it is necessary that there is too traditional scenes." "The sea is often seen in your films, but few scenes oû one swims there." "One remains on the beach." "In fact, these last years, I feel, how to say... a curious thing... like a strange recurrence..." "At all like the mountain." "With the mountain, I make beautiful dreams and I sleep well." "When I am has the sea, I dream of suicide." "I dream that I enter the sea while going, to die there." "Enveloping nature, it is has the mountain." "The sea, it is terrible, it is the return has the origin, end... end in the direction return has the origin." "I do not know from oû Ca comes me..." "I had experience of a drowning..." "I failed to drown me once... it is perhaps because of Ca?" "In your childhood?" "Yes, I am tomb in a pond." "Little after having ete saves, I have realise... that, when I was at the bottom," "I had really seen the faces of people throw into a panic with the top of water." "As with eyes of fish..." "That is to me remainder." "The shock has ete so large that I still keep the trace of it." "Me can sior, you swim?" "You really know?" "Of course that yes!" "You will see, small idiot!" "Caution!" "Look at well!" "Does that go?" "Yes!" "Let us go there!" "In fact, I seldom say it in the interviews, but I am awfully timore." "It is for that that I give myself the air blusterer." "It is said that I am aggressive." "It is not that brags... no the conviction." "Fruit of the chance... like the crimes..." "A timore which makes a blow," "Ca is not premedite." "It is terrible." "I worry for all and nothing." "With force to corrode me, I arrive from there has to me foutre of all... a little like a kid who New Year's gift a beautiful costume." "ll walk while making very, very attention, but it makes a spot while eating." "Not having more anything has to lose, it is put some everywhere." "This anguish dirigee against you-same," "I think of including/understanding it in certain cases, but future of Japan does it inspire to you of the inquietude?" "ll is inevitable to be anxious for the future of Japan." "When one sees the current situation, in fact... rather than to be anxious for the future of Japan, one is close certainty." "Therefore, time is not any more the inquietude has, but the determination has." "People as me will be able to continue what they do do?" "I believe that it is foutu." "With the foreigner, you very well are not known." "However, even without you to have seen has the tele, it is known that you y etes a large high-speed motorboat." "But one is unaware of your talents of polemist of Shincho 44, this review oû you publish your chronicles of company." "These chronicles, in fact... they aim has to improve the company... or, â the detraquer even more?" "It is odd A statement, but I think that if this country... do not fall good once, with low, it will not be left there." "I think that the half-measures catches in the urgency are still worse of all." "ll is better that very breaks down, and me, I am resolu has to fall at the same time." "In this case, one can, like Yukio Mishima, to pass has the offensive and to die of an exemplary death for its idees." "What do you think of that?" "This business has shakes me much." "I was then a taxi driver." "I rolled towards the district of the drama." "I heard the news, and I had a great shock." "And then, I have look at the tele." "I saw the desinvolte attitude soldiers while they listened to it to make its speech." "Forces of Autodefense today would make of same." "And that made me cold in the back." "Indeed, for people like us who let us make a trade who exposes us to the people, with general public, excuse to me speech crûment, but one should not forget how much the public can be cruel or unjust." "Like comedien, I highly felt it." "Best the fans is too those which block you more." "The most ordinary people, the average Japanese can very well, in group, to commit war crimes of a cruaute inouie." "The people, it is like Ca." "Leaders extremists would be I believe less cruel." "ll is necessary to be engraved Ca in the tete." "When you etes sacring ' ' Autorite ", it is frightening." "Thus, I start â to be known in Japan as film realisator and I of rejouis." "But I know that all one each one waits to see me to break me the figure." "I felt it highly when I had my accident." "At that time," "I was already a high-speed motorboat significant of television." "After the accident, when I saw media and people to express a joy hidden with deepest, that really does not have astonishes me." "I had the goose flesh of it." "You have just spoken of your accident." "To tell the truth, it me A seems... that it could be a kind of impulse suicidal, a parapraxis, to some extent." "Eh well... to tell the truth, it is terrible but..." "I do not have any more any memory that day, on my motor bike." "But I have the impression alarming to be suicide..." "However, I seek in vain," "I do not find any reason." "And yet, I have this feeling to have perhaps wanted to kill me but as I do not have any no memory," "I live as if nothing were not... but it is a strange feeling." "You live as if nothing were not, but you would not like to find one day the answer?" "It is true that..." "I fear to find me in a similar situation." "This moment-lâ... when I am has new in this state of mind," "I do not know yet how to reagir." "I am afraid to remake the same thing." "suicide" "I have installation to you all the questions which I wished." "You can now to speak has your own way." "What strikes me in the cinema, like art forms... it is an art has share entiere, but if it is compared, for example, painting has, it is an art which causes very fast reactions." "As soon as the film leaves, the reactions flow." "And I believe that those who make films today are too sensitive has these reactions." "But the cinema, that does not forgive." "One can paint during 10 years fabrics without selling them, but with the cinema, one cannot allow it." "To make films a long time that nobody sees it is economically impossible." "ll is necessary to reagir immediately." "It is besides the interêt of the thing." "From the point of view of the realisator, it is perhaps desirable to make films by three." "Even with a film expres misses, there remain two about it." "If all his energy is put in a film, it is not paying." "That is likely to finish with first film." "This is to set out again energy between three films?" "Or this is to adopt a differente attitude?" "I believe that each film play a role different." "One speaks about kinds of films, films of gangsters, films of love, SF, each one plays its role." "I do not think only it is necessary to run after only one kind." "For detendre the tension, it is necessary to touch of another thing, to play of the effect combines." "ll has two ways there to climb:" "if one goes up like that, it is penible, the straight line, it is hard." "ll is necessary to go up while zigzaging." "The significant one, it is to arrive." "If one does not zigzag, north is lost." "ll has nothing in this part there I really like who." "But I must say... that is very personal for me..." "I think that the createurs, same in the everyday life, are more severes critical themselves." "But in same time, they are their clean better fans." "When one turns, one suffers twice more, one knows better than whoever if it is a good or a bad film." "For painting, I say myself to paint has my gre." "At all." "Subtitles:" "Catherine CADOU" "Subtitling:" "C.M.C."