"Rick, I need a new laptop." "Where's yours?" "In an evidence bag." "What?" "Long story." "How do I log in on this?" "Thanks." "Ma'am." "One sec." "That car you saw up on the hill, with the changed plates." "It was stolen from here." "That was the morning after the phone call and close to where the cover of Rose's phone was found." "There is the Goodall farm." "We should get a helicopter up." "One with thermal imaging." "Looking particularly for remote outbuildings." "Anything that could be a potential hiding place." "Anywhere he could be keeping Rose Staff or her remains." "Yes ma'am." "# Then you came in from the garden # in the evening wet from the rain." "# And it begins again." "I need to talk to you about last night." "I have something to show you." "Come round." "This was taken from the CCTV camera on the corridor of my hotel." "That's my room at 22.14." "Who is it?" "I believe it's Paul Spector." "And that's me entering my room just after 11." "Are you telling me he was in there with you?" "Been in there for 45 minutes." "It gets better." "That's you arriving just after 11." "He was in there with both of us." "And that's him leaving." "Note the time." "Where the hell was he?" "There's only one place he could've been." "In there." "That's where we had our misunderstanding." "Oh God." "Then we were there." "I suppose when I was cleaning your face is when he slipped away." "So he heard me." "Forget your private embarrassment for a minute." "You were talking about Father whatever he calls himself." "I'm pretty sure that you referred to Spector by name." "Are you certain?" "Not certain." "But if you did, he knows that we're onto him." "Standby from 5." "It's the Benedetto girl leaving 16 Edson Avenue with an unknown female." "Similar age." "I'm so not up for this." "I've had like 2 hours sleep." "Same." "How come?" "I had dinner with Paul." "Really?" "Yes." "And?" "It was amazing." "What happened?" "We talked." "What happened after?" "I came home." "Why, did he go home to his wife?" "I told you he's left his wife." "Yeah, sure." "That was us last night." "I don't see his wife anywhere." "Oh my God, let me see." "Katie, you recorded him." "Were you doing the same?" "Maybe." "What if he recorded you?" "I don't think he's like that." "Of course not." "Let me see!" "I suppose in his mind that must be me." "Which makes that thing him." "He also read my dream diary." "What?" "I keep a journal." "He left an entry for me." "Does your journal contain procedural stuff?" "I've trained myself to wake up and write down dreams." "Thoughts." "I did it first as an investigative thing but now I can't stop doing it." "It's not procedural." "It's personal." "And now it's lost to me." "Seized as evidence." "How modern life is such an unholy mix of voyeurism and exhibitionism." "People perpetually broadcasting their internal and external selves." "My diary is private." "It is not intended for publication." "Do you think if I hadn't turned up last night he would've..?" "Do you think he was planning to attack you?" "Is that how you see yourself?" "As my protector?" "I came here to apologise." "There's no need." "I nearly made the same mistake as you last night." "You did?" "We all have physical, emotional needs that can only be met by interaction with another person." "Trick is to ask someone appropriate to meet them." "Why can't you marry your daddy?" "Do you mean why can't little girls marry their daddies?" "Yes." "Do you want to marry Daddy?" "Can I?" "He's already married to me." "He's taken." "But if you don't want him.." "Some day when you're older like Mummy, you can marry a nice man like Daddy." "X-ray one, that's the target's wife arriving home with the two children." "Looks like Spector's qualifications as a counsellor are for real." "They were pretty thoroughly checked out when he was first employed by the local authority." "Too many things to follow up on." "Spector had been counselling a married couple, James and Elizabeth Tyler." "Their son died of meningitis, 10 years old." "James Tyler, Jimmy, is well known to us." "It seems that James, following the death of his son, became a bit free with his fists as far as Liz was concerned." "Spector advised Liz to report him to the Domestic Violence Unit." "She was reluctant." "James was out of prison on licence." "Anything like that would put him back inside." "Spector was persuasive." "Liz made the call." "She's now in a women's refuge in Bangor somewhere." "Is James back in prison?" "Out on bail tied with curfew conditions." "Pay her a visit." "Don't let anyone else see that address." "No ma'am." "Spector had a run-in with James Tyler about an unscheduled house call he made on Liz when she was home alone." "His boss had occasion to reprimand Spector." "This was on the day of the Joe Brawley murder." "Spector behave bizarrely." "Walked out." "Never came back." "Disappeared." "Behaved bizarrely?" "Yes." "How?" "How?" "That's what I said." "That's what I said." "What?" "What?" "What are you doing?" "I'm doing what he did." "What are you doing?" "I see." "Mirroring." "Spector's still registered as a freelance bereavement counsellor." "So, that would be fine art, would it?" "Yes, it would." "Rick." "The Alice Monroe Fund sent a bereavement counsellor to talk to Annie Brawley." "Right." "Do we have his name on file?" "I don't seem to have that information." "I know the fund found someone accredited and approved." "Who's guarding Annie today?" "Hagstrum." "Can you get her on the phone?" "Are you finished?" "Yes." "Go play." "The hairdresser's just arrived." "What hairdresser?" "It's something her therapist organised for Annie." "Which therapist?" "The new one." "Mr. Spector, the bereavement counsellor." "How many times has he been in to see her?" "Once." "But a second appointment is arranged for this afternoon." "When?" "Just over half an hour." "I'm on my way." "Don't allow Spector to see her under any circumstances." "This is Paul Spector." "Leave a message." "God Paul, why is your phone always off?" "I need to speak to you." "Gibson." "Control ma'am." "We have surveillance at the hospital in place." "We have all entrances covered and we'll let you know as soon as anyone has eyes on the target." "Very good." "There's something I need you to do." "X-ray 1." "Target's wife coming out of the house with the children." "Control, target's wife coming out of the house with the children." "Vehicle moving citywards." "Control, target's wife heading citywards in Volvo." "All call signs respond." "Delta, I have." "Following." "Is everything okay?" "It is." "But I'm going to have to ask you to stop for the day." "I haven't finished." "We'll call and reschedule." "Thank you." "Annie, I have to move you out of this room." "Why?" "I don't have time to explain." "From 8, That's the target crossing reception." "Relax." "It'll be okay." "From 8, the target is ascending now." "I repeat, ascending now." "Ma'am, the target is ascending in the lift." "Okay." "What's happening?" "Please tell me what's going on." "Mr. Spector." "DC Hagstrum." "We met before." "Yes." "I think you were due the have another counselling session with Annie today." "Where is she?" "I'm afraid she's having some more treatment." "What sort of treatment?" "For her throat I think." "Her voicebox." "She didn't seem to have any trouble with her voice when she was talking to me." "When I first met her she couldn't speak at all." "When will I be able to see her again?" "I'm not sure." "A hairdresser is booked to see Annie today." "She's been cancelled too." "By phone?" "Yeah." "But you let me come all the way in here before turning me away?" "We tried your phone but we couldn't get through." "Actually let me check, what number do we have for you?" "It's okay." "Yes." "It's Control." "The target's wife is approaching the hospital." "She's coming here?" "Entering by the main entrance." "Okay." "I was due to see Mr. Spector." "Is he the target?" "It's Hagstrum, all clear." "Right." "Paul." "Paul!" "What are you doing here?" "I wanted to see you." "How did you know I'd be here?" "I opened a letter addressed to you, confirming your appointment." "You're opening my letters now?" "Your phone is never on." "It's broken." "We need to talk Paul." "Olivia misses you." "Liam needs a father." "Paul." "Paul." "Okay." "What?" "Let's.." "Where are the kids?" "At a party." "Have you got your car?" "Okay, let's go." "The target and wife, walking to the pedestrian exit." "Gibson." "Responding to an emergency call, ma'am." "A body has been found." "A female." "Where?" "The Belfast hills." "In woodland." "Are you at the scene?" "On our way." "What else do we know?" "The body is face down, young, late 20's, early 30's possibly." "Dark hair." "Cause of death?" "There's talk of a ligature." "The SIO at the scene thought you should be informed." "In any serious crime enquiry there are always people who become of interest to the investigation team." "Most of them are eventually ruled out." "One such person is your therapist." "I really liked him." "Tell me why." "He made me feel better about myself." "In what way better?" "I know it was only the once but he was the most helpful anyone's been." "Why do you think?" "He just seemed.." "He just listened." "He was almost like a mirror." "He seemed to reflect me back somehow." "He wasn't judgemental." "I see." "Annie." "You must not discuss this, talk about him with anyone." "Not family or friends." "No-one." "You're scaring me." "Don't be scared." "We will protect you properly from now on." "Move you somewhere secure." "Now I need to go." "But I will be in touch very soon." "My God." "He was there." "I remember him." "Where?" "In that bar." "The night I lost my driver's licence." "He's the man that attacked me." "We just want to ask you a few questions." "About James?" "In part about James." "It's lovely here." "I know." "I can't believe it." "I have the room at the top, at the front." "Looking out at the sea." "Does anyone else know I'm here?" "We're being very careful." "He has people." "People that watch out for him." "His eyes and ears." "From Bravo." "Target and wife travelling south on M1, heading towards Lisburn." "Following." "From Delta." "I have reflective on car." "Target's wife driving." "Burns." "We have him Jim." "We have him." "Where is he?" "Travelling in a car with his wife." "We mustn't lose him Stella." "Under no circumstances." "If we're letting him run in the hope he leads us to Rose, we must not lose him." "They've found another body." "Have you heard?" "Female?" "Yes." "I'm on my way." "So it was Paul Spector who suggested you call the police about your husband's behaviour?" "He said I had a right to feel safe in my own home." "I see." "I told him I started it with James." "I provoked him." "But Paul said the fault was always with the abuser." "Not the abused." "Did he put pressure on you to make that call?" "No." "Not really." "He called at your house unannounced?" "Just the once." "Why would he do that?" "We'd missed some sessions." "He was worried." "What happened during that visit?" "We talked." "I showed him my son's room." "Why?" "At first.." "after I lost Daniel, I wasn't able to go in there." "But then I did." "I wanted Paul to see it." "What happened in Daniel's bedroom?" "Was there physical contact between you?" "I asked him to hold me." "Did he?" "Yes." "Did anything happen more than Paul Spector holding you?" "No." "No." "I wanted it to." "But no." "Have you seen her?" "No ma'am." "Did they find the body?" "Yes ma'am." "Take me over to the scene." "Gibson." "It's me." "We've permission to go into the Spector house." "Intrusive surveillance." "Are you at the scene?" "Is it Rose Stagg?" "I don't know yet." "Keep me informed." "Yes sir." "Who's been in there already apart from the first officers?" "The force medical officer's been in, confirmed death." "Who's the senior investigating officer?" "He is ma'am." "I was told you were on your way." "DS Tom Anderson." "I've ordered emergency lighting and a scene tent." "Can't see any tyre marks but we've established a common approach path that I think avoids the most likely entry/exit routes used by the victim and/or the offender." "It was you who thought of a missing person?" "Yes ma'am?" "What state of dress/undress is she in?" "She's dressed." "Tom Anderson?" "Yes ma'am." "Are you sure you're alright to do this?" "Yeah." "I am." "Hair's the right colour and length." "Considerable lividity in her lower limbs." "Rigor mortis has passed." "Probably more than 36 hours since she died." "Okay, let's turn her." "1, 2, 3." "Is it her?" "Is it Rose?" "I can't tell." "There's too much mud." "I don't think it is." "Check her pockets." "Wait." "Rose had a difficult first delivery." "She had a midline longitudinal Caesarean." "It's not her." "Are you sure?" "It's not Rose." "She was hanging." "Then the ligature gave way." "Always look up at a crime scene." "James Tyler." "DC Glen Martin, DC Gail McNally." "Can we have a quick word?" "Is it okay I call you Jimmy?" "We just want to get your side of things." "Get an account in your own words of what happened the day after Paul Spector called here to see Liz." "Have you spoken to Liz?" "We haven't." "Do you know where she is?" "Do you?" "Honestly, we have no idea." "How did you find out Pau Spector had been here?" "Did Liz tell you?" "I heard." "From?" "Do you know who I am?" "Yes, I know who you are." "Then you'll know I have friends, that look out for me." "It's all yours." "It's good to have met you." "I have a favour to ask." "Go ahead." "She's unidentified as yet." "No next of kin to inform." "Perhaps I can use it for 12 hours." "Explain." "That man's not right." "Why do you say that?" "I have a reputation and the fuckin' wherewithal to back it up." "That piece of shit faces up to me in a fuckin' bath towel." "Not a flicker of fear." "Maybe you should sit down Mr. Tyler." "Maybe you should suck this." "Jimmy, you're on police bail." "Be sensible." "Fuck you." "So by your own admission you attempted to intimidate Paul Spector, threatened him with violence." "He came here to this house when he knew I wasn't here." "He went upstairs to look in my boy's room." "For all I know he fucked her on my boy's bed." "My understanding is that the relationship between" "Paul Spector and your wife was purely professional." "So you have talked to Liz then?" "I need you to take a step back, sir." "I've lost my boy." "I won't lose my wife too." "Doesn't she have some say in the matter?" "She's not a possession." "That's not helpful." "Calm down Jimmy." "Especially not because of that Jew boy piece of shit." "Using threatening violent words is an arrestable offence." "Then arrest me." "Go on." "Fuckin' try it." "Fuckin' arrest me!" "Step back please!" "Get your fuckin' hands off me!" "Get the fuck out of my house!" "Go." "Go." "Get out!" "Get the fuck out." "What was that?" "Just breaking you up." "No, you were treating me like a damsel in distress." "I don't need protection." "I can look after myself." "Hit him with your handbag?" "Why don't you come join the rest of us in the 21st Century?" "I knuckle in." "It's what I'd do with any partner." "Yeah?" "Well in future, knuckle out." "Fuckin' peelers!" "What is it?" "Is it Rose?" "Have you found her?" "No." "But I do need to talk to you." "How many dolls do you have?" "Twenty dolls." "Twenty dolls." "Wow, that's a lot." "Can you show me one?" "Yes." "Want to go to your room and get one?" "Okay." "It's easier with Cody." "He's too young appreciate how worried I am." "But with Nancy, it's.." "She just misses her mother and I find it really hard lying to her." "Yes." "I have nothing new to report, Tom." "But we are following some very promising lines of enquiry." "So if you do see something on the news that looks like it could be Rose, rest assured that it isn't." "It isn't her." "Okay." "It's an attempt to provoke the man we believe is holding Rose, into action." "When we do find her you'll be the first to know." "So you haven't given up hope?" "Good God no." "Never." "Look who's here." "Hello darling." "Daddy!" "Alright stranger." "Bravo, the target and his wife entering 217 Leftfield Road." "Door closed." "Where are you now Glen?" "I'm with the covert operations unit, ma'am." "2 minutes away from Spector's house." "He's with his wife and children in Lisburn." "That's 20 minutes away." "We have no idea how long they're intending to stay." "Understood." "I'll be with Control." "Technical unit arriving at the target's house." "Control from X-ray one." "Technical unit arriving at the target's house." "From Bravo." "Target and family still in situ. 217 Leftfield Road." "Control to Bravo." "Wait out." "How are we doing?" "Technical unit has entered target's house." "How's that ma'am?" "That works." "I'll take a power feed from the loft." "We can now go live to the scene to hear from the police officer in charge." "We can confirm that the body of a white woman in her late 20's, early 30's was found earlier today by a young couple out walking." "We can offer no more information until the remains have been identified." "That's all I can say right now." "Thank you." "That's all I can say right now." "Thank you." "So no suggestion that the police are treating the death as suspicious." "It's the original drawing ma'am, that we lifted from the indentations" "We're there an on intelligence gathering mission." "We don't have a warrant to search for evidence." "Take pictures." "Stay still." "What the fuck." "Will we go home and get into our jammies?" "From Bravo, target's family on the move." "Leaving 217 Leftfield Road." "Control." "From Bravo, target on the move." "Bravo." "Target approaching Volvo." "From Golf." "Leaving from rear of Leftfield Road." "Bravo." "Vehicle heading south on Leftfield Road." "Family onboard." "We have a problem." "What?" "We've a collapsed ceiling." "What ceiling?" "Above the main bedroom." "How bad?" "Destroyed." "Shit." "Target's car joining the A1." "Is there a water tank in the loft?" "Yes ma'am." "Make it look like a flood." "And get out." "Shit." "Fuck." "What are you up to?" "Fuck all." "Mr. Big Dick not online?" "Not yet." "Don't call him that." "Why?" "It's not about that." "He means everything to me." "What is that?" "Daddy, what's happening?" "Don't touch that." "Stay outside." "Don't come in." "Paul, what is it?" "What's happened?" "Come here, darling." "Liam, come here." "It's the main tank." "It's flooded." "Why?" "Why would the tank flood?" "Must be a faulty stopcock." "What about all my things?" "It's mainly our bedroom." "I want to see." "You can't darlin'." "It's not safe." "What are we gonna do?" "You should go to your mum's." "I don't want to go to Grandma's." "I want to stay with you." "I'll get onto the landlord." "We'll get it sorted." "God Paul." "At least it's not unsanitary water." "I'll sort it, I promise." "From X-ray 1." "Target and wife and children returning to car." "It's gonna be alright." "I promise." "Everything's gonna be alright." "I'll see you again really soon." "We'll always be together." "Come here." "From X-ray 1." "The target is not onboard." "The target not onboard." "Control from X-ray 1." "Target not onboard." "Repeat, target not onboard." "Target's wife heading citywards in Volvo." "From Control." "Target's wife heading citywards in Volvo." "Target returning to house." "Control." "Target returning to house." "Door closed." "Every possible exit is covered?" "Yes ma'am." "From X-ray 1." "Target put to bed." "Do you know a detective called Tom Anderson?" "Yeah." "Detective sergeant West Belfast." "Young, charismatic." "Good-looking." "I met him at a crime scene." "He was wearing a full forensic mask." "What about him?" "Thought he might make a useful addition to our team." "I'll look into it." "You do that." "Long day?" "Do we know anything more about our Jane Doe?" "No external signs of a struggle." "So you're thinking suicide?" "There were some bruises at the injection sites." "I'll do an internal examination in the morning when we get the toxicology reports." "God." "Why hang yourself when an overdose will do?" "So we think this is Spector?" "Seems likely sir." "Yes." "What a monumental cock-up." "P. B. Aged 10." "There's no suggestion these children are at risk from their father?" "We checked social services and their school." "No cause for concern as far as anyone's aware." "Nothing must happen to those children." "Above all else." "Why didn't you call earlier?" "I've been busy." "How are you?" "Where are you?" "Is that your study?" "Have you moved back home?" "No." "I haven't moved back home." "I've really missed you." "Have you?" "I think about you all the time." "Every minute of every day." "Is it painful?" "Yes." "Good." "Why good?" "Because other people's pain gives me pleasure." "Even mine?" "Especially yours." "Don't say that." "Right." "I'm gonna get changed." "You look ready for sleep." "I've got something I want you to do for me." "What?" "I need you to go to my hotel room." "I just don't know how to get you in." "That's easy." "Is it?" "I have a key." "How?" "I got one cut." "Why?" "I don't know." "I just did." "Then maybe you are ready to take the next step." "More than ready." "I don't mean that." "Then what?" "Are you ready to embrace the darkness?" "I'd do anything for you." "Look." "I filled it out for all the murders." "Saying you were with me every time." "I've researched it." "It's really believable." "There's a lot of sex." "I told you already, it's not about sex." "It's about deciding the essential nature of the world." "Is the world a place of pain and suffering, of grief and despair, or is it a place full of joy, all sweetness and light?" "I don't know." "Oh I think you do." "Your father was decapitated in a motorcycle accident." "Or have you forgotten?" "No, I haven't forgotten." "It's okay." "My mother killed herself when I was 7." "Left me alone and unwanted." "There's suffering all around us." "Why not take some pleasure from it?" "I don't know how to get pleasure from suffering." "Yes you do." "Take your sexy friend, Daisy." "You think she's sexy?" "How would you feel if suddenly she began to fail?" "Fail her exams, fail with boys?" "If she suddenly lost her good looks?" "How?" "If she got fat." "Or a mad man threw acid in her face." "A random motiveless attack." "That would be too much." "Would it?" "Why should she have it all?" "Why should she be the one that's clever and sexy and popular?" "Why should she be the one with parents who adore her?" "Happiness in others is an affront to our own pain and misery, Katie." "If other people's happiness pains us, then why not reduce that happiness?" "Nurture your envy, Katie." "Your anger." "It's the way forward." "What is it you want me to do?" "Gibson." "It's Tom Anderson ma'am." "Thank you for making that statement to the press." "Did it help?" "I'm not sure yet." "Well I thought you should know we've identified the victim from her prints." "Marina McPherson." "String of drug convictions." "Strong indication she took her own life." "Phone records show a number of phone calls to a suicide helpline over the last 6 months or so." "Anything else?" "Yeah." "There's a letter to her mother." "More or less a suicide note." "What did she say?" ""I know you were home Mum." "You must've heard me calling you." "Why didn't you answer the door?" "I know I've been bad but I am still your daughter." "If you'd answered the door to me, who knows." "But now it's too late." "I can't find my place in life." "It's killing me inside"." "Are you there ma'am?" "Yeah, I'm here." "Keep me posted." "Goodnight." "What on earth are you doing?" "Wondering where Rose is."