"here, it' s al I wr itten on it" "where is it between Yichome and N ichome maybe around here oppose to J imbocho on ly here has 2 teahouses" "maybe th i s street maybe go to the west pass i ng by G i nza" "th i s i s the may of that t ime, so... boss here" "I ' ve heard there was a bar named"" you know i t?" "." "i t' s very I ong t i me ago i s th i s d i rect i on sorry, my eyes doen' t work we I I can' t see i t c I ear ly" " G i nza N i chome" " G i nza west N i chome before heard of th i s name" "i s i t at G i nza N i chome?" "." "how to get there now?" "." "th i s street, go stra i ght and there' s a traff ir - ah pass i ng the I i ght then turn r i ght" " go down the street, i t' s G i nza N i chome - thank you" "he I I o ah, i t' s mom what' s the matter?" "." "tommor row?" "." "ok, I know, when w i I I ar r i ve?" "." "br i ng me... some your adept cook i ngs" "pot roast potato and meat" "Mom my unc I e, the one i n Hoka i do need an eye sur gery and I need to p i ck h i m up f i rst" "not that w i I I do i t unt i I 31 th August" "I w i I I te I I you I ater about i t" "OK, byebye" "what?" "." "uncomfortab I e, have a s I eep get co I d?" "." "noth i ng wrong?" "." "catch a co I d?" "." "a I i tt I e fever, I ' I I I i e down i t' s better to I i e down for a wh i I e sorry" "where i s uncomfortab I e?" "." "i t' s ok?" "." "what are you draw i ng about?" "." " you wanna check?" "." " r i ght" "very n i ce e I ectr i c bus so many buses" " i t' s -?" ". rea I ly" "th i s one can be magn i f ied much more?" "." " tap that key - th i s one?" "." "make a c i rc I e" " th i s i s i ns i de of the t i re from the bus - ah" " and th i s i s?" "." " i t' s a I I m i crophone and records of MD" " i t was you?" "." " yes i t i s fee I some g I oomy i n your eyes" " O - i t' s O?" "." " 1 and O - ok" "i t' s a I I the buses" "Zhao must fee I a I i tt I e p i ty here so dangerous" "the shadow around i t yes, the shadow of the buses" "w i ndows have d i fferent co I ors" "th i s one here, have some I ong ones and shorts" " a casua I one - casua l i t' s accord i ng to the sca I e of each bus and drew on i t one by one" "but, a I I the routes have no end i ngs here i s the end, here i s the head" "ah, i t' s true" "i t' s for co I I ect i ng the sound turn i nto buses can i t be turned back to the sound?" "." "what can I say every t ime i t' s not the same just because i t' s not the same every t i me I fe I t fun" "suppos i ng some th i ngs happened maybe I was just there at that t ime let you hear the sound from that moment to remember a I I of them too hard, r i ght?" "." "we I I, poss i b ly yes too many" "very beaut i fu l" "a I I have the names of stops" "center i s a I i tt I e out of I i ne any re I at i on to the shadow?" "." " maybe the v i sua I m i stake - v i sua I mi stake?" ". yours?" "." "maybe i t' s mi ne yes" " p I ease we I come - he I I o" " I want hot m i I k - a I I r i ght" "p I ease" "he I I o, i t' sYoko wanna know where you are so I make a ca I I" "p I ease rep ly after hear th i s message" "i s Zhaohere?" "." "Hang" "Zhao i s not i n the book room where i s he?" "." " i f you want h im, go to searhc the JR stop - rea I I y?" "." "thank you for your umbre I I a" ""s i xth bus w i I I c I ose the door attent i on p I ease"" "my father i s very sens i t ive w i th the camera" "every portra i t he took i s so spec i a l rea I ly conta i n so w i d ly, p i ctures, pa i nt i ngs and compos i ng" "that was I ' ve ment i oned I ast t ime the sk i i ng p I ace" "at the begi nn i ng, we exchanged our snacks" "so i t was ca I I ed that?" "." "and wrote a poem th i s i s the photo of the gor i I I a Sweed Peter because I sa i d he had a round face just I i ke a gor i I I a" " so he was ca I led gor i I I a?" "." " yes, so ca I I ed h im gor i I I a after that, once I saw Sweed Peter i ke to make a face to h im and ye I I ed I i ke a go" "that' s the reason they a I so took a photo together before the door of th i s k i nd of church" "rea I ly... rea I ly good fr i ends we I I, yes, but others heard a lways fe I t i t' s not true how cou I d i t happen?" "." "as a matter of fact..." ""next stop i s Ak i habara i f get off, p I ease go from I eft door"" ""you can change to Somu L i ne and H i b i ya Subway L i ne"" "I come back where i s mom?" "." "she sa i d to sympathy the w i dow w i I I come back soon, just wa i t for her" "Mom" "fee I hot?" "." "there i s noth i ng" "Zhao d i dn' t buy i t" " Dad want some water?" "." " OK" " Mom want some tea?" "." " yes" " where i s the teakett I e?" "." " must on the top there" "f i nd i t" "Mom, no more tea, water i s ok?" "." " out of tea - water i s ok" " Dad - yes?" "." "the funer a I you ment i oned, whose?" "." "xen i or i n the company a lways I ook after me" " i t' s tomor row?" "." " yes" " I ntr acerebr a I Hemor rhage - r i ght?" "." "the snacks before the d i nner put them here, OK?" "." "where are the chopst i cks?" "." "seems here" " ok?" "." " yes" "I go to hang up the c I othes" " how about i t?" "." " I start to eat!" "tastefu I made i t th i s morn i ng" "de I i c i ous" "so good, Dad, do you want some?" "." " try some?" "." " a I I r i ght" " de I i c i ous?" "." " yeah" " I can' t make i t such a good taste - haha" "found i t?" "." "found chopst i cks" "i t' s for a I I ay our hunger before d i nner so just a I i tt I e" " Yoko, I i ke th i s - thank you" "here you are" " who i s i t?" "." " i t' s I iv i ng across the street wa i t a mi nute" " ne i ghbor?" "." " yes" " excuse me - a lways taken care by you" "I am Yoko' s mother so g I ad to meet you i t' s a I i tt I e present, not so much i t' s the spec i a I i ty from Takazak i" " thank you, I ' I I take i t - bother i ng you can I ask for some SAKE from you?" "." "i f sea I be opened, i t' s ok?" "." "my husband must want i t... and the cups, a I I r i ght?" "." "sure thank you nonsense, a I so i nc I ud i ng cups mak i ng mom so awkard" " a lways bor row th i ngs from others?" "." " yes, such I i ke soy sauce nonsense..." " so sor ry - i s th i s ok?" "." "rea I I y fee I sor ry" "thank you" "Mom fee I s awkard" "how many months?" "." "three" "have been to the hosp i ta l?" "." "don' t need to wor ry" "but, I w i I I not get marr i ed" " not get mar r i ed?" "." " yes" " h i s mother i s so bor i ng - he?" "." "a I I of the i r fam i I y are mak i ng umbre I I as i f I got marr i ed, I wou I d get i nvov I ed I can' t bear i t" " make umbre I I as?" "." " yes at f i rst founded a factory i n Tha i I and then moved to Ch i na" "dur i ng the t ime I taught japanese i n Ta iwan he was my student he stud ied i n Amer ica went there after graduated h i s mom fo I lowed h im then" " a lways take presents for you?" "." " yes" "now the factory i s contro I I ed by h i s s i ster" " keep i n touch?" "." " yes, make phone ca I I s" "a lways sa i d to me "come to Tha i I and, come to Tha i I and"" "Tha i I and..." " that umbre I I a i s a I so h i s g i ft?" "." " r i ght" " i s anybody home?" "." " I am from Yamada Sush i ya" " keep you wa i t i ng so I ong" " I et mom do i t" "take some money" " keep you wa i t i ng, three equa I port i ons?" "." " yes, thank you how much" "anybody there?" "." ""the 2nd bus w i I I c I ose the doors attent i on p I ease"" ""J i mbocho w i I I ar r i ve"" ""the 1 1 thbus w i I I c I ose the doors attent i on p I ease"" "feed pupp i es just I i tt I e games of the g i r I s who want thorough ly remou I d themse lves" "I ar ge s I i ppers, so I ar i ze i nto rouge and the b i k i n i w i th mom' s fantast i c embro i dery" "I used to step on those round I adders just remember s ix th ick c louds at that t ime" "the gi r I who ever dreamed can' t he I p but has left unforgettab le f i rst love on the br idge conf i dant turns back head and I ook" "that sweat w ithout any resu lt at I ast, stay i n heart and b I ossom" "i t' s so good to come to th i s wor I d there i s on ly b I ue sky wh i le sway i ng" "i s it who let us f low w ith the w i nd the one hugs me are happ i ness and gr ief" "every taste dur i ng the return way" "protect i ng my former days as my father e I aps i ng w ith the w i nd day by day" "it i s you fac i ng the fragi I ity of myse I f the favor becomes so natura l but, but, when cou ld ach ieve my w i shes" "I, have noth i ng to w i sh i f i t comes, I ' d I i ke to accept i t e i ther"