"[siren wailing in distance]" " [ liquid dripping ] - [ siren wailing intensifies ] [ male narrator] Cecilia was the first to go." "[ dispatcher chattering over police radio ] [ water draining ]" "[ siren wailing ]" "[ monitor beeping ]" "what are you doing here, honey?" "you're not even old enough to know how bad life gets." "obviously, doctor, you've never been a 13-year-old girl." "[narrator] everyone dates the demise of our neighborhood... from the suicides of the Lisbon girls." "people saw their clairvoyance in the wiped-out elms, the harsh sunlight and the continuing decline of our auto industry." "even then, as teenagers, we tried to put the pieces together." "we still can 't." "now, whenever we run into each other at business lunches or cocktail parties, we find ourselves in the corner going over the evidence one more time" "all to understand those five girls, who, after all these years, we can't get out of our minds." "Cecilia, the youngest, was 13, and Lux was 14." "bonnie was 15." "Mary was 16," "and Therese was 17." "no one could understand how Mrs. Lisbon and Mr. Lisbon, our math teacher, had produced such beautiful creatures." "Paul Baldino claimed to have found Cecilia on her first attempt." "i was the one who found her." "[ exhales ] i was in the storm sewer under my house, and there's all these tunnels." "you could get into anyone's house." "[ narrator] so when Paul said this, we believed him... because he was the son of Sammy "the shark" Baldino, and we knew about his escape tunnel that led through the sewers." "so i went up, thinking i could see the Lisbon girls taking a shower." " right." " then i walk in, and i see blood every where." "i turned around and went straight for the stairs and back out the tunnel." "i had to tell you guys that story, so-- see you guys later, all right." " [ woman on phone ] it was an accident." " [ woman ] no!" "it was no accident,Joan." "of course the parents are to blame." "well, i heard they found the razor in the toilet." "[ narrator] everyone had an opinion as to why Cecilia tried to kill herself." "that girl didn't want to die." "she just wanted out of that house." "she wanted out of that decorating scheme." "[narrator] the most popular theory held Dominic Palazzolo to blame." "Dominic was the immigrant kid staying with relatives until his family... got settled in new Mexico." "he was the first boy in our neighborhood to wear sunglasses, and within a week of his arrival, he'd fallen in love." "the object of his desire wasn't 't cecilia... but Diana porter." " [ sighing ] - i love her." "when Diana porter left on vacation in Switzerland, Dominic denounced god, oh, no!" "and, to prove his love, he jumped of the roof of his relatives' house." "[ mouth words ]" "[ clears throat ] I'm gonna show you some images, and, uh, you tell me... what they remind you of." "OK?" "a banana." "a swamp." "an afro." "i don't think Cecilia truly meant to end her life." "her act was a cry for help." "i know you're very strict, but i think that Cecilia would benefit by having a social outlet... outside of the codification of school," "where she could interact with males her own age." "Peter Sisten helped Mr. Iisbon... install a model of the solar system in his classroom, and in return, Mr. Lisbon invited him for dinner." "bless us, o lord, and these... thy gifts which we are about to receive from thy bounty, through Christ, our lord, amen." "amen." " Lux, please, put your shirt on." " sorry." " thank you, dear." " can you pass the salt, please?" " ham?" " thank you." " sweetheart would you like some peas?" " i hate peas." "yeah?" "[ father] that's a nice-looking ham, dear." "well, thank you, honey." "so, peter, are you an aviation enthusiast?" "i don't know if I'd call myself an enthusiast, but i like planes." "ah." "uh, peter, are you on-on the football squad?" "um, no, i play, but I'm not actually on the team." " [father] not a team player." " do you like to wrestle?" " [ girls giggling] - [father] you OK, peter?" "the Brazilian turbot frog was added to the endangered species list today." " that's the third animal this year." " oh, dear!" "the turbot frog, darling-- i don't think I've ever heard-- um, excuse me." "may i use the restroom?" "oh, of course. the one down here isn't working very well." " go upstairs through Cecilia 's room." " OK, thanks." " [ knocking ] - hold-hold on." "i thought you died in there." "y your done hogging the bathroom?" "i need something." "do you mind?" " thank you very much." " you forgetting something?" "peter, here's the little airfoil i thought you might find amusing." "thank you." "it's, uh-- [ clears throat ] a demonstration of Bernoulli's principle:" "lift" "[narrator] from that time on, the Lisbon house began to change." " [ chain saw buzzing] - almost every day, and even when she wasn't keeping an eye on Cecilia," "I Lux would suntan on her towel wearing a swimsuit, that caused the knife sharpener to give her a 15-minute demonstration for free." "following the doctor's orders, two weeks after Cecilia returned home," "Mr. Lisbon persuaded his wife to allow the girls the first and only party... of their short lives." "there. is that OK?" "i gotta get dressed." " welcome!" " good evening, Mrs. Lisbon." "come on in!" "the party's in the basement." "just go on around to the left and then down the stairs." "[light rock ]" " [man singing] - hi, I'm Mona venture. hi." " hi." "Tim." " nice to meet you." " hi." " hi." " would you like some punch?" " yeah!" " thanks." " hi." "thanks." " hi. [ giggling ] - thank you." " hey." " hi." " do you wanna sit down?" " yeah." "um, how'd your s.a.t.s go?" "OK." "do you know where you're applying yet?" "well, no, but my parents are pushing towards Yale, 'cause that's where my dad went." "that's nice." "you'd have to imagine what it'd be like when the clouds would open up... and out of the sun would come the Hun and his Messerschmidt coming down." "and boys, i swear, what-- two or three years older than you-- would be in this, the p-51 -b mustang." ""b" for what?" "for "bull's-eye."" "[ continues]" " you've heard of Yale?" " oh, yeah." " this punch is fantastic." " can i give you more?" "oh, sure." "what's in it?" "juices, some cherry, pineapple." "you know, i-- i love pineapple." "really?" "this baby would come in, and this won the war for the united kingdom." "you see?" " e-excuse me." " sure." "and this kind of-- this kind of equipment... that-that makes, uh, a model work." "here's Joe." " hi, Joe!" " hi." " if he needs anything, call me." " I'm sure he'll be fine." "hi." " hi." "Joe!" "good to see you." "how are you?" " hey, Joe. how's it going?" " glad you came tonight." " you're just in time." " yeah, thanks." "good. hi." "hey, everyone, look!" "his ears wiggle if you scratch his chin." " [ all laughing ]" "Joe, sing your song." "all the monkeys have no tails in sambo wango all the monkeys have no tails 'cause were bitten off by whales all the monkeys have no tails in sambo wango" " whoo!" "go,Joe!" " good job,Joe. good song." "good job,Joe." " hey, where'd you learn that song?" " that was good." "may i be excused?" "if you want to, dear, but this is your party." "all-all right, if you wanna go upstairs, go ahead, but we'll just-- we'll just have to have fun without you." "Look, he always chooses heads." "Joe, what's it gonna be?" "heads." "Joe, will you try tails?" "heads, it is." "Let's try again, eh?" " heads." " tails." "heads. one more time." "in the air,Joe." "[Joe ] heads." "heads it is anyway." "one more time here." " OK, call it in the air, Joe." " heads." "heads. enough of that." " how you doing?" " good." " picked it out really well." " it's my favorite song." "you know, you're-- you're very beautiful." "say, i could paint you some time." "thanks." " oh, so, do they sing it to you?" " yeah." " oh, wow!" " good!" " [father yelling] Cecilia!" " [ gasping ] [ cries ]" "Cecilia!" "[ panting, gasping ] [ gasping, crying ]" "[ moaning ] oh, my-- no!" "don't look!" "don't look!" "turn around!" "turn around!" "darling, turn around." "don't-don't-don't look." "[mother] oh,Jesus. oh,Jesus." "please, god." "[ moaning, crying]" " [ moaning, crying continue ] - [ girl sobbing ]" "[ crying ]" "no funerals today." " what'd he say?" " said she was only 1 3." "[ doorbell rings ]" "oh, hi, Mary." "are your parents home?" "hi, father moody." "come in." "oh, hello, father." "please, sit down." "thanks." "come on, miller, that was inside." "ah, no, no, thanks." "[ sighs ]" "how about we get the missus down here, have a little chat?" "afraid she's under the weather." "[ clears throat ] she's not really... seeing anybody." "well, she'll see her priest." "ah, this kid's a sucker for the high inside ones every time." "every time." "[ whispering ] excuse me." "father" "[ chuckles ] double play, father." "double play." "Mrs. Lisbon?" " may i come in?" " [ whispers] OK." "hello, girls." "i thought we could talk." "do you feel like talking?" "you know, if you ever want to, you know where to find me." "Mrs. Lisbon, it's father moody." "Mrs. Lisbon." "hello." "i wanted you to know that i listed Cecilia's death... as an accident." "an accident waiting to happen.john said he couldn't get a policy to cover it." "i know. it's so incredibly dangerous." "Let's give it a try." "ready-- one, two, three." "[ men groaning ] [ sighing ] oh, god, it's just so sad, i can't even believe it." "the footings are too deep." "you got that chain in your truck?" "[ truck starting, revving]" "hit it!" "[ chain rattling]" "our collection of souvenirs of the Lisbon girls-- which still exists-- started with Cecilia 's diary." "parkie had gotten it from skip Ortega, the plumber's assistant, who had found it next to the toilet in the bathroom." "Tim Weiner, the brain, decoded it." "e motional i instability." "Look at the i's-- the dots on 'em, they're everywhere." "basically, what we have here is a dreamer, someone completely out of touch with reality." "when she jumped, she probably thought she would fly." ""Monday, February 1 3-- today we had frozen pizza."" ""Thursday-- mom made creamed corn for dinner. it's the worst." "it looks like--"" ""Mary chipped her front tooth on the monkey bars acting like an idiot." "she made a big scene and had to go get her tooth capped. it looks normal. "" "here, give me that." "i told you she had a capped tooth." "elm trees-- how many pages can you write about dying trees?" "here. something about Dominic." ""Palazzolo jumped off the roof over rich bitch porter. how stupid can you be?"" "[ sighing ]" ""today, we went out on the boat." "it was pretty cold." "we saw a couple of whales." "Lux leaned over and stroked the whale." "i didn't think they would stink so much." "it's the kelp in their baleens rotting." "i hope we can go again sometime. "" "hang on. read this. read that." "" Lux lost it over Kevin--"" " " Heins." the garbageman." " is it Heins?" "um-- the garbageman." "[ Cecilia's voice ] Lux lost it over Kevin Haines, the garbageman." "she'd wake up at 5:00 in the morning and hang out casually on the front steps," "Like it wasn 't completely obvious." "she wrote his name in marker on all her bras and underwear, and mom found them and bleached out all the Kevin's." "I Lux was crying on her bed all day." "the trees, like lungs, filling with air." "my sister, the mean one, pulling my hair." "[ narrator] and so we started to learn about their lives, coming to hold collective memories of times we hadn 't experienced." "we felt the imprisonment of being a girl, the way it made your mind active and dreamy... and how you ended up knowing what colors went together." "we knew the girls were really women in disguise, that they understood love, and even death, and that our job was merely to create the noise that seemed to fascinate them." "we knew that they knew everything about us... and that we couldn 't fathom them at all." "hi." "Mrs. Lisbon, I'm Lydia Perl." "I'm putting together a-- oh!" " hi, I'm bonnie. this is Mary." " hello, girls." "I'm here to ask you a couple of questions about Cecilia." "yeah?" "great, great." "maybe you could start... by telling me a little bit about her." "did she have any special interests or hobbies?" " um, she liked to write in her journal." " that is great." "OK. did she-- did she ever talk about ending her life?" "what's going on here?" "uh, you must be Mrs. Lisbon." "I'm Lydia Perl." "I'm doing a piece for channel two." "you have to leave now, ms." "Perl." "the suicide of an east side teenager last summer... has increased the awareness of a national crisis." "i now stand in front of the home where Cecilia Lisbon," " why don't they let her rest in peace?" " a 13-year-old... who liked to paint and write poetry, tragically put an end to her life." "psychologists agree that adolescence today... is much more fraught by pressures and complexities than in years past." "more doctors say this frustration can lead to acts of violence... whose reality the adolescent cannot separate from its intended drama." "i baked a pie full of rat poison." "i thought i could eat it, you know, without being suspicious." "my Nana, who was 86" "she really liked sweets." "[ crying ] she had three pieces." "[ sobbing ]" " [ woman ] i feel for the mother." " i know." "you would always wonder if there was something you could've done." " well, i gotta go. see ya later." " all right, then, bye-bye." "[ line clicks ]" "[ chattering, indistinct ]" "don 't worry." "they took the fence out." "[ bird twittering ]" "god, you snore loud." "[alarm buzzing ]" "those girls have a bright f future ahead of them." "the other one was just gonna end up a kook." "[ narrator] we didn't see the girls together as a group... until convocation, September 7." "Mary, Lux, bonnie and therese... came to school as though nothing had happened." "we f felt that if we kept looking hard enough, we might begin to understand what they were f eeling and who they were." "al I ri ght, so, if we have-- and these are venn diagrams as you remember-- if we have "a" and " b" intersecting, and "a" and " b."" "ifi"a " intersects "b, " we have this area, and ifi"a " is the union with "b, "" "we have all of the circle plus the intersection." "these are the laws of intersection and union." "OK?" "how's it goin'?" "not bad." "" do a character sketch on the following characters from portrait of a lady. "" "the first one is Ralph." "um, he was nice." "it was really sad when he died." "oh, my gosh, i can't believe i just said that." "i am so sorry." "reading about the alarming suicide rate, i talked to Mr. Wodehouse and some of the teachers here... and realized that nothing about this serious matter... has been discussed at this school." "[narrator]and quickly there after, green pamphlets were distributed." "[ woman ] we thought green was cheerful, but not too cheerful-- certainly better than red." "[ narrator] the green pamphlets told us there were 80 suicides a day in America," " 30, 000 a year, - [ al I ] cheese!" "and alerted us to danger signals we couldn 't help but look for." "were the Lisbon girls' pupils dilated?" "had they lost interest in school activities, in sports and hobbies?" "had they withdrawn from their peers?" "h i, I'm chase." "i know who you are." "I've only been going to this school my whole life." "you don't have to talk to me." "so, for example, we have two different types of economics, or so-called different types of economics." "the first one, you could say, is called macroeconomics." "I Look, she's laughing." "he made her laugh." "I've never heard him say anything remotely intelligent." "[ narrator] the boys who talked with Lux were always the stupidest boys... and made terrible sources of information." "squeeze-box is all ri ght." "Let me tell you, she's the hottest girl in this school, for sure." "if you wanna know what happened, smell my fingers, man." "nah, she didn't talk about Cecilia." "we weren't exactly talking, if you know what i mean." "[narrator] but the only reliable boy who actually got to know lux... was trip fontaine, who only eight months before the suicides, had emerged from baby fat to the delight of girls and mothers alike." "i'm late again." "oh, come on." "thank you." "cold late nights so long ago when i was not so strong you know a pretty man came to me never seen eyes so blue even though i could not run away it seemed we'd seen each other in a dream" "seemed like he knew me he looked right through me yeah" "come on home, girl he said with a smile you don 't have to love me" "I et's get high a while but try to understand try to understand try, try try to understand he's a magic man, mama ahh he's a magic man" "[ narrator] all the girls at our school were in love with trip." "all the girls, except for I ux." "trip told us his passion for I ux lisbon all started... when he went into the wrong history class during fifth period." "as was his custom, he went to his car to smoke the marijuana... he took as regularly... as peter petrovich, the diabetic kid, took his insulin." "on this day, he ran into mr. woodhouse and ducked in the nearest class." "[ trip ] she was the still point of the turning world, man." "i never got over that girl." "never." "i mean, you know, i loved a lot of ladies, but not like that." "that was real." "i'll never forget the first time i saw her." "i didn't know what had hit me." "now, i-i didn't know what to do, 'cause it was so easy with the other girls." "but she wouldn't look at me." "i, uh, i was never the kind to pursue, if you know what i mean." "that girl drove me crazy, man." "mmm, yummy, warm." " lux." " hey." " [ giggling ] it's just meat on bread." " ew, sick." " thanks, mom." " [ all giggling ]" "[narrator] trip's dad was little help." "first off, don't call her on the phone." "it's all-- it's all subtlety." "it's all nuance." "yeah, yeah, you just need to talk to her at school, you know, about anything, about the weather or school assignments." "uh, anything to have the chance to communicate... with the language of eye contact." "and-and project confidence." "and keep the hair out of your eyes." "feel the vibe." " be yourself." " [ chuckling ] yeah." "[projector running ] the word "hurricane" was the name given to nature's strongest storm." "a hurricane occurs when high pressure and low pressure masses of air... come in contact with one another." "there is of ten a significant difference in temperature between the two masses." "one mass is warm, while the other is cold." "the warmer air rises, and the cooler air falls." "Iikewise, the low pressure area slides down the sides... of the high pressure area." "they swirl in and around one another, creating the beginnings of the storm." "[ thunder rumbling ] with this footage, taken from u.s. navy weather patrol aircraft, we can clearly observe the two masses, one high pressure and one low pressure, coming in contact with one another." "the result is a surging storm of tremendous strength... that strikes with forceful determination." "[ thunder rumbling ]" "even though the hurricane is the most powerful storm known to all of us," " [ flatulence ] - when it strikes large land matter, such as continents or large islands," " it slowly dies." " oh, god. must've been conley." "his ass is grass." "i'm gonna ask you out." "fat chance." "first, i'm gonna come over to your house on sunday and watch the tube." "then i'm gonna ask you out." "you're a stone fox." "the hurricane-- one of the most truly awe-inspiring and spectacular stories... nature has to offer." " [ mrs." "Iisbon ] what channel's this?" " five." "oh, let's see." "um, "animals in the wild. "" ""journey through the african kalahari... as we visit exotic animals in their natural habitat. "" "i think that sounds very nice, don't you?" "[ man on television ] in the southwest, this huge rain forest... eventually gives way to expansive air and grasslands... that stretch to the horizon in all directions." "this is the kalahari." "uh, do you want some more pop?" "yeah, sure." "thank you." "[ fizzing ]" " thanks." " [ theme song on tv] [announcer] the wildlife spectacle laid out on these vast grasslands... and the deep recesses of the rain forest... is unparalleled anywhere on earth." "[ roari ng ]" "Iux, please, put your feet down, honey." " [ chuckling ] - the kalahari and its vast skies... provide the theater for the elemental lifie and death drama... played out by the plentiful fiour-fiooted herds... and the great hunting cats that prey on them." "[ mrs." "Iisbon ] oh, my." "i-i-it's getting so late." "honey?" "[announcer continues, indistinct ]" " i said it's getting late." " oh. well, skip, we usually hit the hay about now, so-- [ coughs ] right. yeah." " okay. okay. okay, so-- - thank you." " it was nice to meet you, mrs." "Iisbon." " yes." " [ chuckles ] see ya." " good night." "[ sighs ]" "[ sighs ]" "bye." "bye." "[rock]" "[ woman ] we still have time we might still get by every time i think about it i wanna cry with the bombs and the devils and the kids keep coming" " gotta get back before bed check." " [ continues, indistinct ]" "[ breathing heavily ] but i tell myself that i was doing all right there's nothin ' left to do tonight but go crazy on you [ footsteps approaching ] [ clears throat ]" "uh, this is fourth period, trip." "i don 't have you until fifth, do i?" " i know. i'm not here for math, sir." " oh." "i'm here to tell you that my intentions for your daughter are honorable." "what... might those intentions be?" "i want to ask lux to the homecoming dance." "trip, why don't you sit down for a minute?" "you see, my wife and i have certain rules." "they've been the same rules for the older girls, and i can't very well... go and change them now for the younger ones." "even if i wanted to, the wife wouldn't let me. [ chuckles ] true." "so, um, if you want to come over and watch television again, that would be fine." "but you cannot take lux out, especially not in a car, so-- i'm sorry, son." "that's just our policy." "okay, sir, what if-- what if it was a bunch of us guys... and we took all your daughters out in a group, and we had them back by whatever time that you said?" " you on the football squad, son?" " yes, sir." " ah. what position?" " defensive cornerback." "ah. good, good." "i was a-- [ clears throat ] i was a safety in my day." "well, that's a crucial position, sir." " nothin' between you and the goal line." " exactly." " [bell rings ] - oh, well." "so, the thing is, sir, we've got the big game against country day, and then afterwards, we have the dance and everything, and" "like, all the other guys are taking dates." "y-you're a good-lookin' fella, uh, trip." "lots of girls would go with you, i bet." "i'm not interested in lots of girls, sir." "i'll take it up with the wife, trip." "do what i can." "thank you, sir." " it's a graph." " oh." "hmm." "uh, trip fontaine and some of the... boys on the football squad have asked to take the girls to the homecoming dance-  [ gasps ] - you know how i feel about that." " dear, i'm going to be a chaperone." " oh, come on, mom, please!" "your father and i will discuss it later." "mr. fontaine, may i speak with you, please?" "[ clears throat ] now, my wife and i have had a little talk, and we've come to a decision about your request." "[ inaudible ]" "yes!" " [ whistle blows] - i'm taking lux lisbon to homecoming." "all i need is three guys to take the other girls." "[ whistle blows] [ coach shouting, indistinct ]" " i'll give you three joints, trip." " come on, trip." " we can take my dad's caddy." " [ whistle blows ] you gotta pick me, tripster!" "trip, man, you owe me." " i saved your ass with woodhouse." " [ whistle blows ]" " [ screams ] thanks, dad!" " okay, okay." " who are the other boys?" " ah, let's see." "uh, parker denton and jake conley-- he's a very good student, dear-- and uh, kevin head." " who's taking who?" " "whom."" "they're just gonna raff le us off." "[narrator] it didn't make any difference... which pattern of their dream dresses the girls each chose." "mrs." "Iisbon added an inch to the bustline... and two inches to the waist and hems." "and the dresses came out as four identical sacks." " everybody decent?" " [ girl] yeah." "okay. come on." "oh, i'm sorry." "okay, there we go." "okay, come on." "together." " and cheddar cheese." " i think there's a leak." " [ chuckles ] okay, let's go." " [ coughs ]" " i'm so excited." " any moment." "[ tires screech ] [engine shuts off ]" " we ready?" " let's go." "i'm ready, man." "let's do it." "[narrator] in the end, parkie won because of the cadillac, kevin head because he had the killer weed... andjoe hill conley because he won all the school prizes, which trip thought would impress mr. and mrs." "Iisbon." " hello, boys." " [ all ] hello, mrs." "Iisbon." "come in." " uh, who-- who's driving?" " i-i am." "how long have you had your license?" "two months, but i had my learner's permit for a year before that." "we almost never allow the girls to go out in cars unless it's necessary." "there are so many accidents nowadays." " i'm sure you will be very careful." " oh, yes, ma'am." "okay, third degree's over." "[ chuckles ] girls?" "i better get going." "i'll see you at the dance, huh?" " see you there, mr." "Iisbon." " okay." " bye, dear." " [ chuckles ] see you later." "girls?" "come on down." "the boys are here." "we got white ones." "we didn't know what you were wearing, and the guy-- the flower guy said that white would go with anything." "i'm glad you got white." "[mrs." "Iisbon ] why don't you pin them on?" "[ chuckles ] yeah." "[ chuckles ]" " [ chattering ] - [ chuckles ] don't stick me." "[ chuckles ] [ chattering] [kevin ] this isn't... gonna work." " there we go. all right." "let's do it." " all right." " bye, mom." " bye." "oh, my gosh, look, you guys." "her car is there late again." "i'm sure mr." "leo's having an affair with the maid. i saw him... follow her into the laundry room." "[ therese ] he's so sad, that red nose." "totally an alcoholic." "yeah, what about the hessens?" "you know they're nazis." "they're nazi sympathizers, bonnie." "they had a fit when the schwartzmans tried to join the tennis club." "nice aluminum siding." "do they really think that looks okay?" "you know mr. kriegers ordered that from tv late at night." " it's the baldinos'barbecue stump." " i have never seen them... barbecue on that thing." "actually, it's an escape tunnel for sammy the shark." "it leads to a river where he keeps his speedboat." "yeah. paul goes down there all the time." "he can get into anyone's basement... through the storm sewers." " no way." " yeah." "cool." " [bonnie ] dad'll smell it on you." " no, i got mints." "he'll smell it on your clothes." "i'll just tell him some kids were smoking in the bathroom." " [jake ] don't let it die a virgin." " [ therese ] that's gross." "yeah. grow up, conley." "[rock ballad]" "you're sailin'sof tly through the sun" "in a broken stone age dawn you fly so high i get a strange magic oh, lord, i do strange magic oh, it's a strange magic got a strange magic" "got a strange magic" " uh, do you wanna dance?" " sure." "you're walking meadows in my mind" "making waves across my time oh, no oh, no i get a strange magic oh, lord, i do strange magic we've been having such lovely weather, don't you think?" " yeah. yeah, it's been nice." " strange magic got a strange magic" " got a strange magic - [ feedback ] uh, good evening, everyone. if i could have your attention for just a moment." "i hopeyou're all having a good time." "sure looks like it." " here's the spot." " the dance committee outdid themselves." "i'd like to open the voting for homecoming king and queen." "the ballot box is over at the refreshments table, so please cast your votes, and we'll make the announcement in a little while." "thankyou." "[ rock ballad]" " did anybody see you come in?" " no." " what about you?" " no." " you'll love it." " [ giggles ]" "[ trip's voice ] peach schnapps. babes love it." "i'm not in love so don't forget it" "it's just a silly phase i'm goin' through" " that stuff tastes really good." " and just because" " i don't want any. thanks." " i called you up" " come on, just a taste. a tiny taste." " [ giggling ] don't be such a goody-goody." " i'm not in love - don't swallow it." "no, no it's because" "i'd like to seeyou but then again that doesn't mean you mean that much to me" "i'm not in love no, no" "it's because" "[ feedback ] [ mr. woodhouse ] can i have every one's attention?" "i'd like you to put your hands together for this year's king and queen-  trip fontaine and lux lisbon!" " [ girls screaming]" " some happy, some sad - [ laughs ]" "think of childhood friends and the dreams we had whoo!" "lived happily forever so the story goes but somehow we missed out all right, I uxy!" "on the pot ofigold but we'll try the best that we can" "to carry on" "a gathering of angels appeared above my head they sang to me this song ofihope and this is what they said they said come sail away come sail away come sail away with me come sail away come sail away come sail away with me" "i'm having the best time!" "[ balloons popping ]" " let's go for a walk." " [ sighs ] we better not." "i've gotta go back in a minute." "we can keep an eye on the car." "they won't leave without us." "my dad." "just tell him you had to put your crown in your locker." " hey, you see that divot there?" " uh-huh." "that's where i reamed this guy today, man. cross body block." " really?" " [ growls ]" " maybe they went home with your dad." " i doubt it." " we're cooked." " luxy is. we're not." "[ both panting ]" "[ cars passing]" "does anyone have any mints?" " sorry." " no." "bye, parkie." " we'll walk you to the door." " no. don't." " why not?" " just don't." " okay." " will you call me?" "uh, absolutely." " bye." " bye." "bye." "[ sighs ]" "[bird twittering]" "are you okay?" "are you hurt?" "what happened?" "[ mrs." "Iisbon ] where have you been?" "where have you been?" "[ indistinct ] get in the house!" "[ door slams ]" "[ trip ] i walked home alone that night." "i didn't care how she got home." "it was weird." "i mean, i liked her." "i liked her a lot." "but out there on the field-- it was just different then." "that was the last time i saw her." "you know, most people will never taste that kind of love." "but at least i tasted it once, right?" "it's time for your 6:00 group meeting." "[narrator] given lux's failure to make curfiew, everyone expected a crackdown." "but few anticipated it would be so drastic." "the girls were taken out ofischool... and mrs." "Iisbon shut the house in maximum security isolation." "she had done more than just take the girls out of school." "that sunday, arriving home from a spirited church sermon, mrs." "Iisbon commanded I ux to destroy her rock records." " now." " [ sobbing ] but mom!" "this is final, luxy." " it's not fair!" " i said now." "[ scoffs ] [ sobbing ]" " now, luxy!" " [ sobbing ]" " come on!" " hold on." "kiss!" "please don't make me do this." " burn it." " [ sobbing ]" "[ coughing ]" "oh, mom, aerosmith." "come on, please." " don't make me burn this. please." " no." " [ coughing ] - what's that smell?" "[ coughing ] it's all right." "that'll do for now." "give me these." "give me these." "i'll put them in the trash." "[ grunts ]" "[ coughing ]" "[ chain saw whirring]" "[man ] whoo-hoo!" "whoo!" "[narrator] this was around the time we began to see lux... making love on the roof with random boys and men." " what else?" "come on, is she naked?" " you can't tell. hold on." " well, get it focused!" " you're pushin'it. what are you doin'?" "will you stop?" "wait your turn." " they're rollin'around up there." " let me see." " let me see." " hold on." "and she's on him, and he's rubbing his hands through her hair-  come on, let me have a look." " no, no, no. it's my telescope, chase!" " [ chase laughing ] - yes, and what else?" "our-- our male up there seems to be in a-- a burger chalet uniform." "let me see." "is it-- yeah, the burger chalet. you never think that those guys ever get lucky." "and she turns to me and asks me if i thought what we had just done was dirty." "i knew what to say." "i said no." "then she grabs my hand and goes, "you like me, don't you?"" "i didn't say anything. you know, it's best to keep chicks guessing." "[ woman ] chase, honey, come practice your violin before dinner." "you're not gonna believe it." "Iux is on the roof again tonight." " her hands are moving down." " i gotta see this." " this is beautiful." " no, now she's on top of him." " what's she doin', man?" " wait." "now they're done." "he's getting up." " popcorn." " that's it?" "that was quick." "[ sighs ] "n" plus one... and if the dimension is time, then you would have as your approach-- oh, good morning." "good morning-- [ mumbles ] have we photosynthesized our breakfast today?" "[ mumbling ]" " hello, ronald." " hi, eric." "your daughters haven't been at school for over two weeks." "have you checked out back?" "[ woman ] dini fleischer said they found a new math teacher." "he's gonna have to get anotherjob, that's for sure." "i know." "how long can those girls be cooped up like that?" " just go away!" "this is our tree." " girls." "girls, it's a little late, okay?" "this tree is dead." "why don't you just leave it up to nature?" "if we left it up to nature, there'd be no trees left." "that's what it's gonna be like." "if the boats didn't bring the fungus from europe, none of this would have happened." "okay." "let's go." "no?" "all right. that's it." "i have an order to cut down your elm tree, but your kids won't let us." " how do you know that tree's sick?" " believe me, we know." "it had yellow leaves." "the tree is dead, for christ's sake." "are you familiar with aratex?" "our daughter showed us an article." " it's a less aggressive therapy." " and it doesn't work." "i leave that tree there, they'll all be gone by next year." "will be anyway the way things are going." "[foreman ] look, i don't want to have to call the police." "[mrs." "Iisbon ] our daughters are simply standing on their own front lawn." "since when is that a crime?" "[ stammering ] uh" "clyde?" "did you see those girls in the nighties?" "that's what i want." "that's the shot that i want, okay?" "you're gonna have to move forward." "i want those girls in the nighties." "oh, god. okay. here, let's just back up a little bit here." "there you go." "is that good?" "okay?" "four sisters of cecilia lisbon, the east side teenager whose suicide last summer... focused awareness on a national problem, put their own lives in jeopardy by trying to protect the elm... that cecilia so dearly loved." "[ chain saws whirring]" "[man shouting, indistinct ]" "[ mary] the circles underyour eyes come out more when overcast." "all right?" "so you need to wear more concealer." "[ narrator] for the next few weeks, we hardly saw the girls at all." "joe hill conley didn 't call therese as he had promised." "[ indistinct ] and I ux never spoke to trip again." "[ girls chattering ] [ trip 's voice ] you're a stone fox." "[ narrator] the girls' only contact with the outside world... was through the catalogs they ordered... that started to fill the mailbox with pictures of high end fashions... and brochures for exotic vacations." "unable to go anywhere, the girls traveled in their imaginations... to gold-tipped siamese temples... or past an old man with a leafbroom tidying a moss-carpeted speck of japan." "[ gong ringing ] we ordered the same catalogs, and flipping through the pages, we hiked through dusty passes with the girls, stopping every now and then to help them with their backpacks, placing our hands on their warm, moist shoulders," "and gazing off at papaya sunsets." "we drank tea with them in a water pavilion." "we did whatever we wanted." "cecilia hadn 't died." "she was a bride in calcutta." "the only way we could feel close to the girls... was through these impossible excursions, which have scarred us forever, making us happier with dreams than wives." "collecting everything we could of theirs, the lisbon girls wouldn 't leave our minds, but they were slipping away." "the color of their eyes was fading along with the exact locations... of moles and dimples." "from five, they had become four, and they were all the living and the dead, becoming shadows." "we would have lost them completely if the girls hadn 't contacted us." "okay, one long, two short," " one long." " m m-hmm." "you got that?" "that's it." "okay." "" help." "send... bobo. "" " bobo?" " bobo. it's-- that's what it says." "" bobo."" "help, send bobo?" "i thought you knew morse code." "something here for you." "[door closes ]" "i got one too." "[narrator] we racked our brains for a way of contacting them." "tom faheem suggested we fly a kite with a message along side the house, but that had logistical problems." "in the end, the answer was so simple it took a week to come up with." "we called them on the telephone." " 72 7-82 2 1." " [ dialing numbers ]" " 8221. get ready." " [ line ringing ]" " [ mary ] hello?" " go." "hello, it's me i've thought about us for a long, long time call us. 727-0487." "maybe i think too much but something's wrong" " [ ringing ] - shit. it's them." "[ soft rock ] to think that only yesterday i was cheerful bright and gay looking forward to who wouldn't do the role i was about to play but in my hour of need i truly am indeed alone again" "naturally run to me whenever you're lonely run to me if you need a shoulder now and then you need someone older so darlin' [ woman ] so far away doesn't anybody stay in one place anymore it would be so fine to see" "your face at my door doesn't help to know you're just far" " away - i gotta go home." " see you tomorrow." " i'll see you later." " [ mrs." "Iisbon ] i'm-- i'm just-- - [ lux] we're suffocating." " you're safe here." " i can't breathe in here." "no answer." "[ chain saw whirring ]" " [ tim ] what time is it?" " [ chase ] any time now." "guys, there it is." "what?" "[ tim ] yeah, it's them." " let's go!" " let's go!" "i've got the keys to my mom's car." " [ clatters loudly ] - shh!" "[ tim ] maybe we should knock." "[knocking on door] we're here." "about time." "we've been waiting for you guys." "we got a car. we got a full tank of gas." "we'll take you anywhere you want to go." "it's just a cougar, but it's got a pretty big trunk." "can i sit up front?" "sure." "which one of you's gonna sit up front next to me?" "where are your parents?" " asleep." " what about your sisters?" " they're coming." " come on. it's getting late." "wait five minutes." "we had to wait until my parents were asleep." "they take forever." "my mom's an insomniac." "we better take our car." "there's more room." "thinkyou can handle a station wagon?" "sure. it's not a stick, is it?" " no." " yeah, no problem." " will you let me steer?" " sure." "but maybe we should get out of here." "i just heard something." " it could be your mom." " come on in." "i'll go wait in the car." "you guys wait here for my sisters." "[ chuckling ] [ humming ] [ girls giggling]" "[ thud]" "[ creaking sound] [ chuckles ]" " [ object clattering] - these girls make me crazy." "if i could just feel one of 'em up just once." "what?" "[ narrator] we would never be sure about the sequence of events." "we argue about it still." "most likely bonnie had died while we were waiting in the living room... dreaming of highways." "mary put her head in the oven shortly thereaf ter." "therese, stuffed with sleeping pills, was gone by the time we got there." "Iux was the last to go." "[ coughing ]" "it's 4:00 on sunday afternoon." "do you know where your children are?" "[ reporters overlapping ] therese lisbon, a horse lover, had written to the brown university admissions office-- mary always wanted to be a cheerleader, but her mother wouldn't let her." "[reporters overlapping] this has been lydia perl with channel 8 news." "[mrs." "Iisbon ] none of my daughters lacked for any love." "there was plenty of love in our house." "i never understood why." "[ engine starts ]" "[ narrator] after the suicide free-for-all, mr. and mrs." "Iisbon gave up any attempt to lead a normal life." "they had mr. headley pack up the house, selling what furniture he could in a garage sale." "mr." "Iisbon put the house on the market, and it was sold to a young couple from boston." "we, of course, took the family photos that were put out with the trash." "[ clock ticking ] in the end, we had pieces of the puzzle, but no matter how we put them together, gaps remained-- oddly shaped emptiness mapped by what surrounded them," "like countries we couldn 't name." "what lingered after them was not life, but the most trivial list ofimundane fiacts" "a clock ticking on the wall, a room dim at noon," "the outrageousness ofi a human being thinking only ofiherself." "we began the impossible process ofitrying to forget them." "our parents seemed better able to do this, returning to their tennis foursomes and cocktail cruises... as though they'd seen this all before." "it was full-fledged summer again, over a year from the time cecilia had slit her wrists, spreading the poison in the air." "a spill at the plant increased the phosphates in the lake... and produced a scum of algae so thick that the swamp smell filled the air, infiltrating the genteel mansions." "debutantes cried over the misfortune ofi coming out... in a season everyone would remember for its bad smell." "the o'conners, however, came up with the ingenious solution... of making the theme of their daughter alice's debutante party... asphyxiation." "like everyone else, we went to forget about the lisbon girls." "she'll give 'em a heart attack!" "[ laughing ]" "hi, parkie." "[ vomiting ] al's got the acting bug." "caught it from pinkie." "and i want to announce tonight... next fall, alice is going to a little school in new haven." "[ guests chuckling ] i hear they have a great drama school there." "in fact, stanley, i think your father built it, didn't he?" " that's the law school." " [ guests chuckling ] we're so proud of alice." "we really couldn't be prouder." "[ guests toasting]" "i've had it." "good-bye, cruel world." "no, no, no!" "you don't understand me!" "i'm a teenager!" "i got problems!" "[laughing]" "[narrator] so much has been said about the girls over the years." "but we have never found an answer." "it didn't matter in the end how old they had been... or that they were girls," "but only that we had loved them... and that they hadn 't heard us calling, still do not hear us calling them out of those rooms... where they went to be alone for all time... and where we will never find the pieces to put them back together." "i'm a high school lover andyou're my favorite flavor" "I ove is all oh, my soul you're my playground love" "and my hands are shaking i feel my body reeling" "time's no matter i'm on fire on the playground love" "you're the piece of gold outflashes all my soul" "extra time on the ground you're my playground love" "anytime anywhere you're my playground love"