"BUNUEL AND KING SOLOMON'S TABLE" "You see this map?" "The table was the mostvaluabIe object in Solomon's temple, next to the Ark of the Covenant." "When Emperor Titus sacked the temple in the year 70, he took it to Rome." "In turn, Rome was sacked by alaric in the year 410, which meant that the table fell into the hands of theGoths, and the Goths, in the year 507, transported it to their new capital, toledo." "Am I boring you?" "No, on the contrary." "When theArabs conquered toledo," "Musa the Moor was soastonished when he sawthe table that he hid it from sight." "But his deputy, Tariq, removed one of its" "365 legs, replacing it with an imitation." "They say that for that single leg he was paid 200 thousand dinars." "What is the table's significance?" "Perhaps... it was a metallic mirror of some special alloy." "Amirror whosecurvature could vary by means of some unknown mechanism." "In "1001 Nights" it says that the table was a mirror that reflected the whole universe and the faces of all generations." ""FromAdam to those who will someday hear the trumpets"." "It seems more like some sort of souI-search." "For Fritz Lang, the table was capable of extracting a person's most hidden side." "He called it a "dream-catcher"." "You know what a "dream-catcher" is?" "It's like a tiny net, woven in the form of a labyrinth, thatis used to cover a baby's crib to filter in the good dreams and tostop the bad dreams from entering by redirectingthem through a labyrinth." "hello?" "I've been deaf all day." "Yes, speaking." "Yes." "Is that you, GoIdman?" "Yes, I received the photos of the actors." "But I told you Iwasn't the right person for this project." "How much?" "Yes, it's a very generous offer." "But it's not just the money..." "Give me a few days to think it over." "I'm going backto Mexico." "I'm in no shape for this." "The story begins in Mexico." "No, in Spain." "That's it." "The plot begins in toledo, in the year 2002." "I'vealways feltvery attracted to Toledo." "For me it'sa magical city, unique, and in the twenties Federico, salvador and Ivisited often." "That's me." "well, that's theactor who's goingto play me." "García Lorca, Salvador DaIí and I met at the Parador in Toledo." "We were youngthen, full of energy." "We wereambitious, passionate, ready to takeover the world." "Daaa-Ií." "My name is Luis BunueI, film director, fromAragon." "I'm quite deaf, a bit ugly, but also sensitive, a good friend." "To us." "Good morning." "Morning." "Federico, shall we sit there?" "Sure, why not?" "Right, you know why we're here." "We're making a film about..." "It's your film." "Of course it is." "I'II direct it, and we'II write it together." "First we should clear things up." "Where's his accent?" "He had a CataIonian accent" "before." "How about like this?" "Hey, listen, we should clear up a fewthings first." "You don't need toexaggerate, but better." "You still haven't explained why you erased my name from thecredits of"AnAndaIusian Dog"." "Not to mention "The golden Age", which was given to both of us and you kept for yourself." "You betrayed me, and turned my HimaIayan ideas into little paper bowties." "So that's why you turned snitch and reported me in New York?" "That woman you're seeing has you all screwed up." "gala, gala, Gala..." "gala's too subtle for you, Luis." "She'd frighten you." "You don't know what women are like." "You've no idea." "And you do?" "please." "Your thinkwomen should spend the whole day in the kitchen." "That's nonsense." "Besides, your memory fails you." "I didn't reportyou." "It was the Americans who kicked you out of the Museum of Modern Art." "Is that clear?" "I don't know about thesedialogues." "They aren't natural." "You think people will understand the films and the New York stuff?" "What?" "Do you really think people still care about BunueI's films?" "would you Iike to order something?" "Yes, a dry martini." "But make it dry, very dry." "I think pretty much everyone knows who I am and the films I've made." "I'II have a sherry." "Excuse me, have you seen any films by Luis BunueI?" "Yes, of course." "Which ones?" ""This Strange Passion", "ArchibaIdo", "Viridiana"," ""The Exterminating angel"..." "You're a film buff." "No, I'm an entymologist." "I love ants." "I'm crazy about them." "Excuse me, could you tell me..." "Any whores in toledo?" "No, sir, there are no whores in toledo." "Excuse me." "Very kind." "Right, Iet's continue." "l can't laugh." "PrickIy?" "It pokes me in theeye." "Let's goon." "Excuse me, sir." "Are you Luis BunueI?" "Yes, I am." "What can I do for you?" "A letter for you." "Thank you." "Goodbye." "Bye, gorgeous." "I never knew youwere such a ladies' man." "Won'tyou read it?" "THE ANTIQUE SHOP ON THE CALLE DE LAMANO." "GO ALONE." "Don Luis!" "He's here, Don Luis." "Show him in." "May I?" "Come in." "Where does this go?" "On the bed." "Okay." "hello." "careful." "No, on topof the bed." "On top?" "On top." "Very good." "No, it's not necessary." "Thank you, Don Luis." "Very kind." "Thank you." "Good night." "Good night." "Where were we?" "Right, the note." "The CaIlede la Mano." "The antique shop, that's right." "The antique shop." "Can I help you?" "No, no." "What's your name?" "My name?" "Fátima." "What?" "Fátima." "Are you Moroccan?" "Not at all, I'm French." "My father worked with you on oneof your films." "really?" "Which one?" "I don't know." "I think it was with Angela MoIina." ""ThatObscureObject of Desire"." "That's it." "My father's an electrician." "He says you're very polite." "well, that depends." "Do you really sleep on this?" "Naked, even." "Excuse me." "TheenveIope?" "Have you got something for me?" "Fátima." "My niece." "Take him and show him what we talked aboutyesterday." "all right?" "." "all right." "Followme." "Come." "You like films, right?" "So-so." "You must go occasionally." "Not often, really." "But I don't care." "We all have a film inside." "Just close your eyes and you can see any film you want." "I betyou really pack the theaters." "Go ahead, sit down." "A little music for ambience..." "Brahms' Fourth Symphony, right?" "I don't know." "could be." "You know him, right?" "His name's David GoIdman." "He's a film producer." "His films contain hidden Zionist messages." "And as you know, the diaspora gave thejews access to the widest spy network on earth." "They're not Secret Service, but they collaborate with them when necessary." "She calls herself Ana María deZayas." "Some say she's Goldman's daughter, but she's actually his mistress." "Do you Iike blondes?" "That depends what for." "Watch out for this one." "She's a dangerous woman." "Aren't all women dangerous?" "Maybe we frighten you because you don't knowus well." "Kurt Epstein." "belongs to the Secret Service." "polish, but lives in Lérida." "A man with no scruples." "Amurderer and gunman." "Bishop AbiIio Avendano." "He represents theChristians." "clever, a real fox." "He firmly believes that his religion is the only truth." "To his right, Father Jacinto Banos, from the Society of Jesus." "An expert in religious history and masonry." "To his left, Pacheco." "Hecan't be trusted." "Abig-mouth who works for the highest bidder." "We're in a real mess." "Why us?" "Because you're known." "Making a film in toledo is a good pretext to look for solomon's table, find it, and take it with you." "The table exists?" "We thinktheChristians know of its exact location." "What's the table's secret?" "What?" "You don't know?" "Whoever has it is able to see the present, past and future." "Imagine the potential harm if it faIIs in the hands of someone evil." ""I only want one hand, an injured hand, if possible." "I only want one hand, even if it means 1000 sleepless nights."" "Federico, you should read with more feeling." "It's a bit tacky." "Fine, you try it." "Hey, I'm no poet." "Let's see." ""I only want one hand, even if it means 1000 sleepless nights." "I'd be a pale, Iime-IiIy..." "A dove anchored to my heart..." "I'd be the night watchman who won't let the moon shine through."" "Disastrous." "No, nothing." "I can't say I'm privy to laughter." "This keeps faIIing out." "Ijust experienced a sudden intellectual erection." "He can't get a real one..." "I see... a boy." "Aboy dressed for his first commumion." "With his prayerbook in hand..." "A desolate landscape in Aragon..." "The boy..." "looks around him, as if seeing it all for the first time." "Luisl LuisI" "What are those voices?" "Luis." "Where are you, child?" "Your father wants you." "Whereare you, Luis?" "Luisl LuisI" "Where are you, son?" "Thedrums..." "Can't you hear them?" "Now..." "The boy is on a beach." "It's me, salvador" "DaIí." "It's a deserted beach, and the boy walks to thesea." "In a few steps hearrives at theshore." "He reaches outhis hand and liftsaway thesurface of thesea as if it werea skin." "No, no, no." "Say, why me?" "And how do you know?" "Know what?" "I dreamt I got shot last night." "And then... the boy drops thecover over the sea and turns into a Madonna, all in white, and rises towards the sky, Ievitating, with her ass showing." "Pardon me," "I couldn't heIpoverhearing you." "I think that stuff about the Virgin showing her ass is going overboard." "They all have asses." "I admire your work, Mr. BunueI." "I've seen almost all your films." "Very kind." "My favourite was "The milky Way"." "AbiIio Avendano, atyour service." ""AbiIio Avendano." "Mozarabic Bishop."" "That's right." "please, join us." "Thank you." "I have a vague concept of Mozarabic ritual." "Isn't it based on the teachings of St. James the apostle to the first Spanish Christians?" "Your knowIedgeof theology never ceases to surprise me," "Mr. BunueI." "I believe the Mozarabic ritual had problems in Rome..." "Rome accused our ritual of containing magical and heretical components" "of islamic origin." ""Arsenic fish like sharks, and needles in your veins..."" "They finally authorized it, restricting it toa chapel in toledo's Cathedral, in the Saint EuIaIia Church." "Federico." "I'm on my way over there now, to lead mass." "You'd enjoy it." "Make no mistake." "Bunuel never sins." "technically, and forgive me for asking, what makes Mozarabic ritual different?" "Oh, please." "There's no comparison." "Wedivide the wafer into nine fractions." "Some think it's cabaIistic." "One of the books of the CastiIian CabaIa, the "Zohar", speaks of the Nine Fractions that end up in the Kingdom, and it says something very enigmatic:" ""In this way, the Supreme Light is confused with the lights of the Fractions, thus forming the Nine palaces." "And the light shed is none other than the Light of Thought."" "Take that!" "Why are you in Toledo, if I may ask?" "Tourism." "toledo's an extraordinary city." "That it is." "But believe me, Don Luis, there are no more hidden treasures in toledo." "I don't understand." "You understand perfectly." "CaIleAIfileritos," "Cobertizos," "Santo Domingo el Real," "San Román," "Posada de la Sangre," "Venta deAires..." "So many memories!" "But let's return to our story." "The secret could be... in the Tavera Hospital." "Aren't you" "Luis BunueI?" "Luis BunueI, the film director!" "The famous BunueI." "Yes, I am." "You'reconsidered one of the greatest directors in film history." "History?" "That trashy, sentimental, intellectual rubbish they call film?" "But you've made a Iot of crap." "What?" "Trust me." "I'm a film critic, columns for important magazines." "You can't fool me." "That shameful film you made with Jorge Negrete and his mariachis!" "And that other one, with all the shooting, like in the American old west." ""The River and Death"." "Rough times." "WeonIy had 2weeks." "Excuses!" "Not to mention "Cela s'appeIle I'aurore"..." "You should have called it "CeIa s'appelle I'horreur"." "That's enough!" "Leave me alone." "What about "Wuthering Heights"?" "awful." ""Wuthering Heights"." "What crap!" "Did you see william wyler's?" "You're a fraud." "I won't be insulted by you." "What about "Tristana"?" "With that frigid Catherine Deneuve Iimping around toledo!" "Whodo you think you are?" "How dare you!" "I'm not finished with you!" "Do you know who I am?" "I can't believe it!" "You're a fraud!" "I'II have it published everywhere!" "You scoundrel!" "You're a scoundrel!" "Take it easy." "unbelievable." "And they even dare tocome here and make that film about SoIomon's table." "Artist?" "You're a redneck!" "Are you all right?" "He only gets nervous talking about film." "You didn't bring it up, did you?" "Hedid." "Good morning." "His name's Mariano ToIedano." "He writes well, it's a shame." "What about?" "About film." "He studied at a Jesuit school with me." "A very smart kid, but he liked film, and as you see, all to waste." "It's unfortunate." "I'm Jacinto Banos, from the Society of Jesus." "Good day." "Good day." "After this unpleasantincident, we met an Italian girl named Ana María de Zayas." "Ribera's "The Bearded Woman", next to her husband, suckling one of her children." "Her name was MagdaIena Ventura and she was from the Kingdom of naples." "Come with me, please." "Where?" "I am to show you something." "On whose instructions?" "David GoIdman?" "please follow me." "ThechapeI, Iike theentire building, is dedicated to Saint John the Baptist." "It has only one nave and stands on a Latin cross." "In thecenter of the cross lies cardinal Tavera's tomb." "This is cardinal Tavera's tomb." "I'II stay here." "I don't want todream about rotting bishops." "I imagine myself inside the tomb, slowly gnawed at and swallowed by an infernal swarm of filthy green maggots." "My heart is now a huge sponge soaked in pus, furiously attacked by worms." "The face, already deteriorating, must have been done by whoever sculpted the death mask, because theCardinaI never let anyonedo his portrait." "Berruguete was already very old when he did it, and hedied a few days after finishing it in this very building." "You were saying?" "No." "well, yes." "Do you think SoIomon's table is here, in the TaIavera hospital?" "Why do you ask?" "You didn't answer me." "It's possible." "BunueI, Luis BunueI?" "Luis BunueI?" "That's me." "NowI can rest." "I'vecompIeted my mission." "shall wego, Ana María?" "Ana María." "Miss." "When can I see you again?" "I'm sorry." "You can't." "Goodbye." "Ahashverosh, The Wandering Jew." "Condemned to wander the world without a moment to rest." "No, salvador." "Don't even think about it." "Whocares?" "Didn'tyou see his face?" "Of course, thegIasses." "The glasses." "It can't be." "impossible." "I'd say this is Hebrew." "You speak Hebrew?" "Of course not." "This is just what I see." "This is getting complicated." "I don't like it." "We're playing a dangerous game andwe don't even knowthe rules." "Iwant GoIdman to stop this." "No, no." "Not now." "No way." "I have a signed contract, and money's money." "They'rechallenging us." "We have to stay together." "Then what do we do?" "They could be from the Book of splendor, an old book from the cabala." "Pardon my curiosity, but why the interest?" "Someone told us the text had a very special significance." "Something related to toledo and perhaps..." "Yes, go on." "Perhaps related to solomon's table." "Solomon's table!" "Right." "And they said it was here, in toledo." "is it possible?" "What do you know about it?" "Wedon't know anything." "We're writing a script for a film about it." "Maybe you could help us." "translation:" ""TheGreat Mirror shines without haste, timeless, joining the faces of the Generations."" "No, it can't be!" "What is it?" ""Where Adam eats ants... the sea remembers those who drowned... and a wall of bad dreams... divides me and thedead."" "You said he didn't speak Hebrew!" "Not a word." "well then?" "Some verses of mine." "That's impossible." "They're from the holy book." "How would you interpret those verses?" "There is only one mirror capable of showing the faces of all theGenerations..." ""FromAdam until those who will someday hear the trumpets"." "And that mirror is Solomon's table." "One thing is clear, we'regetting closer." "It's here, in toledo." "But where?" "What do wedo now?" "I'II be right back." "Where are you going?" "I've got a hunch." "Wait for me, I'II be right back." "I don't thinkthey have the right lead." "Good morning." "Good morning." "Didn't there used to be an antique shop here?" "Right, Musa, the tail skinny Arab guy." "That was long ago." "Theowner went south." "And his niece, Fátima?" "You met her?" "Such a pretty girl." "Shedied." "Shedied?" "Shedied?" "Yeah, very strangely." "Everyone talked about it." "They found her naked and all cut into pieces." "How are you, Antonio?" "hello, Mr. BunueI." "hello." "Good morning, Bishop, sir." "Your bull's tail." "Thank you, Antonio." "still around?" "How is everything?" "actually, I'm a bit confused." "We were hoping to speakto you." "Anytime." "Let's get to the point." "You're looking for solomon's table." "Butyou might not be aware of thedangers involved in an adventure taken so lightly." "Some friendly advice..." "The best thing you can do is leave toledo immediately." "Why should we leave?" "It's only advice." "You're being used by ruthless people who arecapabIeof anything." "Don't you realize?" "Of course we do." "We're not stupid." "But why all the mystery?" "The table is a holy object sought after by the three main monotheistic religions:" "Jews, muslims, and Christians." "Some fanatics will do anything to possess it." "Any excuse could be used at this point to disrupt the balance" "and unchain violence of incalculable consequences." "believe me." "The table should stay where it is." "We're willing to go all the way." "Yes." "As youwish." "First you must pass a test." "The ToIedan night." "You must purify yourselves and clean thedarkness that clouds your minds." "only then, when you've been purged and are at peace, when lightning bursts the bowels of the sky and theclouds thunder, will you be ready to followthe path that will lead you to solomon's Table." "Right." "We have to separate." "Each must follow his own destiny." "Choose a street." "I'II take this one." "We'II meet at the Parador." "AII right." "well." "I'lI go with you, Luis." "No, we must separate." "Choose a street." "But I always get lost." "No, salvador." "Each of us must face his own destiny." "Then you pick for me." "Iwas waiting for you." "Get undressed." "Not so fast." "We have all night." "I don't know if this is real, or if it's a dream." "It's a dream." "You disobeyed your father." "You're doomed." "You'lI end up miserable, eaten by vermin, without a friend." "You'lI be lucky to get a bowl of soup." "And you'lI diealone, abandoned, likea dog." "You insulted your mother." "You despised and humiliated us." "You'rea wretch and we never want tosee you again." "From now on you have no father." "Go backto that whore whoslept with all your friends." "They were only words." "You're allowed to blaspheme in dreams about loved ones." "I Ioved you, mother." "And I never accepted your death." "You're the only one who could have saved me." "Is that you, father?" "I despise you." "I refuse tocarry your body on my shoulders forever." "You never worried about my feelings." "You thought Iwas a sick, spoiled child... a bad version of my dead brother." "I took his place in this world." "And now he's here with me." "What greater pleasure is there in the world then to fuck your own dying father in the ass?" "They'reQuevedo's verses." "Federico..." "García Lorca." "We have a surprise for you." "Come with us." "Where are you taking me?" "To see people who love you." "But where?" "Don't be impatient." "Comeon." "For you, FedericoGarcía Lorca." "Of the four muledrivers..." "Of the four muledrivers..." "Of the four muledrivers..." "Dear Mother, that go down to the water..." "That go down to the water..." "The one with the dapple-grey mule..." "The one with the dapple-grey mule..." "The one with the dapple-grey mule..." "Dear mother..." "Steals my soul..." "Steals my soul." "You must find the light..." "You must find the light..." "You must find the light..." "Dear Mother, the light from above..." "The light from above." "If from your face comes..." "If from your face comes..." "If from your face comes..." "Dear Mother..." "Burning embers..." "Burning embers." "Keep quiet, besilent..." "You're my littlesecret..." "Something no one knows..." "You're my littlesecret..." "Something no one knows... I'lI love no one, I'll love no one..." "As long as my partner lives..." "As long as my partner lives." "Don't touch my mule..." "Callingthe gardener..." "Breaks the bars of the carriage." "What's going on?" "What do youwant?" "Whoare you?" ""The guards of the house will tremble, and the strong will bend." "The water at the mill will weaken, the lobster will grow irksome, thecaper will faII, the jugwiII break to pieces in the fountain, and the pulley at the bottom of the well."" "It should be an inner search, through friendship." "If not, why include Federicoand salvador?" ""Love is as strong as death."" "What about friendship?" "Tristan and isolde." "The prelude to the first act." "Is friendshipas strong as death?" ""The GreatMirror shines withouthaste, timeless," "joining the faces of the Generations." "Where Adam eats ants... thesea remembers those who drowned..."" ""The sea remembers those who drowned... and a wall of bad dreams... divides me and thedead."" "What is it?" "The storm the Bishop mentioned." "It's time." "Just what we needed!" "What do wedo?" "BunueI?" "Luis BunueI?" "That's me." "What is it?" "follow me, please." "Where?" "In this storm..." "His Eminence the Bishop AbiIio Avendano is expecting you." "You can leave your coats there." "You got very far, but the worst is still to come." "Are you still determined to find SoIomon's table?" "Are you or not?" "We are." "Very well." "Pacheco will guide you." "One last warning:" "onceon the path, you must always go forward." "always forward." "You can never go back." "Comeon." "Move the clothes." "That way." "Please, after you." "Goahead." "Given the circumstances, it's the best we could do." "May God welcome them to his breast." "May allah help them." "May the blessed prophets guide them." "So, do we have an agreement?" "We'II cover theentrance today." "It will be sealed forever." "Amen." "That sound." "It's coming from the earth's core." "Let's see..." "Light over there." "Who goes first?" "You." "No way." "FedericoGarcía..." "Not for anything in the world." "We don't know what's down there!" "You can hold hands." "Not quite, Luis." "AII right." "I'II go first." "God... lnfiniteIy small," "has created this gIow-worm," "with holes made by an infinite number of pins, that pass through the skin of GaIa thegalactic rhinoceros," "to illuminate the universe." "salvador!" "Howfar does it go?" "To the center of all centers, to the siIenceof all silence," "to thedream of all dreams." "What do you mean?" "It's one of DaIí's paintings, with all threeof us." ""The spectral Beach."" ""The spectral Beach."" "Back toour adventure." "Where were we?" "In the corridor." "Here wego." "It's blood!" "blood." "It's blood!" "How could it be blood?" "It's clay." "It's blood." "We must be under Zocodover Square." "The main squares in Spain are loaded with screams, built over a lake of blood," "a pool of agony that beats like a heart." "Federico, this isn't one of your meIodramas." "Let's get out of here." "Ana María deZayas." "Come on, Federico." "They'reonIy bodies." "Not a bad way todie, either." "Promise me youwon't leave me alone." "We've still much todo." "You mean a lot to me, salvador." "My feelings are real when I'm with you." "We know howto handle that stuff on the Mediterranean!" "What?" "Once, in Cadaqués, they were taking a body to the cemetery, near Port-LIigat." "The women cried, the men euIogized thedead guy, and thedead guy couldn't do any better than come backto life!" "So the people, disappointed and hurt..." "They beat him until he was conveniently dead." "And that's howthey buried him without further incident." "Grab the lantern." "Luis?" "Luis!" "Luis!" "Luis!" "Luis, where are you?" "Luisito!" "Shit!" "God damn it!" "We have to reach an intersection." "Watch it, you'II burn us." "Give Luis the torch." "You guys don't trust me at all." "well, here's the intersection." "Now where do wego?" "I'd say that way." "No, that way." "Federico." "salvador." "Federico!" "salvador!" "Here!" "Federico." "Here." "Federico, is thatyou?" "Yes." "Luis!" "Federico!" "Where are you two?" "Salvador!" "Here!" "Luis!" "Where were you?" "What about you?" "Here, looking for you." "I turned and youwere gone." "You disappeared." "Let's keep going." "Yes, but together, please." "careful." "You be careful, too." "Comeon." "Approach." "Come closer." "Extinguish the torch." "Your light blinds me." "Put it out!" "Youwon't be needing it any longer." "well, I see you're all purged." "Otherwise you'd haveended up like them." "Come with me." "Come with me." "Many have tried and ran into this well of the souls." "From where they comeout to wander thesecorridors and mislead those whodare to undertake the search without being prepared." "Iwill cast a spell so thatyou are left alone." "You haveenough problems as it is." "You must goaII the way down to the bottom." "That is where you will find the sign." "Continue forward, and never turn back." "If you do, they will kill you." "The lion from Judah's tribe has wonI" "David's rootI" "Solomon'ssapl" "David's rootI" "Solomon'ssapl" "Don't turn back!" "always forward!" "always forward!" "The air is strange." "I can't breathe." "I'm suffocating." "I'm suffocating." "Luis..." "This is crazy." "The river's above us." "This could cave in anytime." "Comeon, don't fall behind." "l can't." "Wecan't turn back." "I can't." "Listen." "Where's he going?" "salvador!" "It's moving!" "Comeon!" "Forward!" "Don't Iinger." "They're testing us." "Comeon." "Solomon's table!" "salvador." "Federico." "Where am I now?" "Goodbye, mountains." "Goodbye, birds." "Goodbye, fields." "Goodbye, clouds and sky." "Goodbye, my friends." "Goodbye, toledo." "Goodbye."